The Best Looks at Oaklash, Oakland’s Drag Festival
‘Like Family’: Japanese American Seniors and Caregivers Say Goodbye to J-Sei Home
The Holiday Rush in Photos: ‘Every Day Is Christmas’ at This Oakland Postal Service Center
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"slug": "best-looks-oaklash-oakland-drag-festival-2026",
"title": "The Best Looks at Oaklash, Oakland’s Drag Festival",
"publishDate": 1779140135,
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"headTitle": "The Best Looks at Oaklash, Oakland’s Drag Festival | KQED",
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"content": "\u003cp>Over the past nine years, \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a> has grown from a humble, grassroots block party to a full-scale \u003ca href=\"https://www.kqed.org/pop/tag/drag\">drag\u003c/a> festival — not to mention an arts incubator that has put on some \u003ca href=\"https://www.kqed.org/arts/13984104/last-seven-days-obsidienne-obsurd-oaklash-oakland\">truly mind-melting performances\u003c/a>.\u003c/p>\n\u003cp>On Saturday, May 16, hundreds of drag fans gathered in Old Oakland to watch dozens of performers on multiple stages. There were soul-stirring lip syncs, flawless fashion reveals, gravity-defying dance moves and lots of dollar bills flying through the air.\u003c/p>\n\u003cp>Local drag queens, kings and genderless entities frolicked alongside artists who flew in from all over the country, including \u003cem>RuPaul’s Drag Race\u003c/em> star Aja, who headlined along with \u003cem>King of Drag\u003c/em>’s King Molasses. KQED roamed the streets, documenting the most creative looks we could find.\u003c/p>\n\u003cfigure id=\"attachment_13989771\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" class=\"size-full wp-image-13989771\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">“The inspiration was if Lil Uzi Vert was a highland cow,” said Tokyn 666. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989797\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989797\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tokyn 666 stands in the crowd during the Oaklash Block Party in Oakland on Saturday, May 16, 2026. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989802\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989802\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Luismi Munster poses for a portrait during the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989801\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“What inspired my look was very zebra, but also zebra with a fire, but it’s still being fierce throughout the fire,” Luismi Munster said. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989800\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Aja of ‘RuPaul’s Drag Race’ performs during the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989799\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bre’nae Bullocks-Benard, 21, and Zachary Lipsett, 20, cheer as Aja performs. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989798\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989798\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People cheer in the crowd while waiting for the next performer. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989796\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989796\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People dance in the crowd during the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989795\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989795\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Aurris Garçon takes tip money from the crowd as she performs her set. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989794\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Zachary Lipsett, 20, claps as drag quen Empress Astara does a flip during their performance. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989791\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989791\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Evian, aka Lashley, poses for a portrait during the Oaklash Block Party. Evian is one of Oaklash’s artists in residence, and produced large-scale art installations for the festival. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989790\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989790\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Pei Pei Ma’Bilz stands for a portrait during the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989789\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989789\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">“I was going for business because Pei Pei, she means business but also she likes to clown,” Pei Pei Ma’Bilz said. “She just got plastic surgery, she’s still recovering.” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989786\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989786\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Cake Bitch poses for a portrait during the Oaklash Block Party . \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989785\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989785\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“I recently made a troll porn with one of my best friends that’s in a couple local film festivals,” said Cake Bitch. “I’m a crazy troll collector. I have over 300 trolls and so does my bestie.” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989787\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989787\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cake Bitch poses for a portrait. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989784\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989784\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Henlo Bullfrog at the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989783\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989783\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“This was very much, like, ‘corpse being reclaimed by nature,’” said Henlo Bullfrog. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989781\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989781\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Raya Light poses at the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989780\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989780\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“I’m an all-American whore,” Raya Light said. “Can you say that on KQED?” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989777\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989777\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jupiter poses for a portrait. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989776\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989776\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jupiter has been doing drag since 1976: “You remember the ancestors and also do what’s up and coming and beyond.” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989775\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989775\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“I very much enjoy sci-fi. I’m very anti-AI, but I’m a very pro—body modification in the sense of supporting my trans family,” Mylique E. Fawcett said. “Humans have been into body mods since the beginning of time, it’s nothing new. So I just wanted to show my support in a different way.” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989773\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989773\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“This outfit was inspired by Rosalía at the BRIT Awards ceremony,” said Mudd the Two Spirit. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Drag queens, kings and genderless entities showed out in eye-popping outfits. ",
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"title": "The Best Looks at Oaklash, Oakland’s Drag Festival | KQED",
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"headline": "The Best Looks at Oaklash, Oakland’s Drag Festival",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Over the past nine years, \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a> has grown from a humble, grassroots block party to a full-scale \u003ca href=\"https://www.kqed.org/pop/tag/drag\">drag\u003c/a> festival — not to mention an arts incubator that has put on some \u003ca href=\"https://www.kqed.org/arts/13984104/last-seven-days-obsidienne-obsurd-oaklash-oakland\">truly mind-melting performances\u003c/a>.\u003c/p>\n\u003cp>On Saturday, May 16, hundreds of drag fans gathered in Old Oakland to watch dozens of performers on multiple stages. There were soul-stirring lip syncs, flawless fashion reveals, gravity-defying dance moves and lots of dollar bills flying through the air.\u003c/p>\n\u003cp>Local drag queens, kings and genderless entities frolicked alongside artists who flew in from all over the country, including \u003cem>RuPaul’s Drag Race\u003c/em> star Aja, who headlined along with \u003cem>King of Drag\u003c/em>’s King Molasses. KQED roamed the streets, documenting the most creative looks we could find.\u003c/p>\n\u003cfigure id=\"attachment_13989771\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" class=\"size-full wp-image-13989771\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-03-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">“The inspiration was if Lil Uzi Vert was a highland cow,” said Tokyn 666. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989797\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989797\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-40-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tokyn 666 stands in the crowd during the Oaklash Block Party in Oakland on Saturday, May 16, 2026. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989802\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989802\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-47-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Luismi Munster poses for a portrait during the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989801\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989801\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-46-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“What inspired my look was very zebra, but also zebra with a fire, but it’s still being fierce throughout the fire,” Luismi Munster said. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989800\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989800\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-44-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Aja of ‘RuPaul’s Drag Race’ performs during the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989799\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989799\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-43-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bre’nae Bullocks-Benard, 21, and Zachary Lipsett, 20, cheer as Aja performs. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989798\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989798\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-41-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People cheer in the crowd while waiting for the next performer. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989796\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989796\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-39-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">People dance in the crowd during the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989795\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989795\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-38-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Aurris Garçon takes tip money from the crowd as she performs her set. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989794\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989794\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-37-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Zachary Lipsett, 20, claps as drag quen Empress Astara does a flip during their performance. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989791\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989791\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-30-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Evian, aka Lashley, poses for a portrait during the Oaklash Block Party. Evian is one of Oaklash’s artists in residence, and produced large-scale art installations for the festival. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989790\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989790\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-28-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Pei Pei Ma’Bilz stands for a portrait during the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989789\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989789\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-27-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">“I was going for business because Pei Pei, she means business but also she likes to clown,” Pei Pei Ma’Bilz said. “She just got plastic surgery, she’s still recovering.” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989786\" class=\"wp-caption aligncenter\" style=\"max-width: 1333px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989786\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED.jpg\" alt=\"\" width=\"1333\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED.jpg 1333w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-23-KQED-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1333px) 100vw, 1333px\">\u003cfigcaption class=\"wp-caption-text\">Cake Bitch poses for a portrait during the Oaklash Block Party . \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989785\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989785\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-21-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“I recently made a troll porn with one of my best friends that’s in a couple local film festivals,” said Cake Bitch. “I’m a crazy troll collector. I have over 300 trolls and so does my bestie.” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989787\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989787\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-24-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cake Bitch poses for a portrait. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989784\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989784\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-20-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Henlo Bullfrog at the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989783\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989783\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-19-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“This was very much, like, ‘corpse being reclaimed by nature,’” said Henlo Bullfrog. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989781\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989781\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-17-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Raya Light poses at the Oaklash Block Party. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989780\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989780\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-16-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“I’m an all-American whore,” Raya Light said. “Can you say that on KQED?” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989777\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989777\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-13-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jupiter poses for a portrait. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989776\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989776\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-12-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jupiter has been doing drag since 1976: “You remember the ancestors and also do what’s up and coming and beyond.” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989775\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989775\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-09-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“I very much enjoy sci-fi. I’m very anti-AI, but I’m a very pro—body modification in the sense of supporting my trans family,” Mylique E. Fawcett said. “Humans have been into body mods since the beginning of time, it’s nothing new. So I just wanted to show my support in a different way.” \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13989773\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13989773\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2026/05/20260516-OAKLASH-JY-06-KQED-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">“This outfit was inspired by Rosalía at the BRIT Awards ceremony,” said Mudd the Two Spirit. \u003ccite>(Juliana Yamada for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "japanese-american-seniors-caregivers-say-goodbye-j-sei-home",
"title": "‘Like Family’: Japanese American Seniors and Caregivers Say Goodbye to J-Sei Home",
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"headTitle": "‘Like Family’: Japanese American Seniors and Caregivers Say Goodbye to J-Sei Home | KQED",
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"content": "\u003cp>\u003cem>\u003cstrong>[This is the first story of a two-part project that explores the influence and importance of culture in end-of-life care. \u003ca href=\"https://www.kqed.org/news/12025613/j-sei-home-closes-after-30-years-leaving-bay-area-japanese-seniors-in-need\">Part two will be published Monday\u003c/a>.] \u003c/strong>\u003c/em>\u003c/p>\n\u003cp>J-Sei Home was a 14-bed residential care facility for the elderly geared toward \u003ca href=\"https://www.kqed.org/news/tag/japanese-americans\">Japanese Americans\u003c/a> in Hayward, California.\u003c/p>\n\u003cp>The residents ate Japanese meals, walked through the Japanese garden, watched Japanese TV programs, celebrated Japanese holidays and spoke Japanese with the staff. Residents were embraced by the tight-knit community of caregivers and staff, whether they lived there for seven years or nine months.\u003c/p>\n\u003cp>In October 2024, J-Sei Home announced that it was closing because of financial instability. Families had five months to find new facilities for their loved ones. By the end of January, J-Sei Home was empty.\u003c/p>\n\u003cp>Photographer \u003ca href=\"https://www.julianayamada.com/\">Juliana Yamada\u003c/a> spent 13 months documenting the lives of the facility’s residents and staff.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>Grace Aikawa, 96\u003c/h2>\n\u003cfigure id=\"attachment_12027417\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027417 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Grace Aikawa poses for a portrait in the garden at J-Sei Home in Hayward, California, last October. That month, the board announced they were closing the facility due to financial instability. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Grace Aikawa was born in 1928 in San José, California, but grew up more than 100 miles north in the town of Loomis, a commercial and cultural center for Japanese families.\u003c/p>\n\u003cp>When Executive Order 9066 was signed during World War II, Aikawa and her family were forcibly relocated, and she spent her high school years at the Granada War Relocation Center, commonly known as Camp Amache, in eastern Colorado. Aikawa and her husband raised four children in the Oakland hills, where she lived until moving to J-Sei Home in March 2024.\u003c/p>\n\u003cfigure id=\"attachment_12027416\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027416 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Administrator Ron Salvador shows new resident Grace Aikawa the view from her room as she moves into J-Sei Home in Hayward, California, on Wednesday, March 27, 2024. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aikawa quickly made friends at J-Sei Home and settled into her activities and habits. She and her next-door neighbor Emiko Roaden, 93, took walks in the yard together after each meal, feeding the stray cats kibble and scraps of meat or fish. Aikawa spent days working on puzzles or crocheting in front of the TV.\u003c/p>\n\u003cp>She spent most evenings with fellow resident Sawako Issacs, watching \u003cem>Jeopardy\u003c/em> and \u003cem>Wheel of Fortune\u003c/em> while the rest of the house got ready for bed. Aikawa’s daughter, Kim Aikawa-Olin, said her mom loved living in the community and was fortunate to move into the same new facility as Roaden — once again as next-door neighbors.\u003c/p>\n\u003cfigure id=\"attachment_12027421\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027421\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo.jpg\" alt=\"\" width=\"2000\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(Left) Caregivers Nida Maagma, left, and Imelda Merritt, center, cry as resident Aikawa, right, moves out of J-Sei Home in December 2024. Aikawa lived at J-Sei Home for only about nine months. (Right) Aikawa’s family helps move her into her new care facility in the Castro Valley. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027411\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027411\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left to right: Karen Aikawa-Simkover, Kim Aikawa-Olin and Mark Aikawa prepare to move the final boxes of their mother’s belongings out of J-Sei Home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027412\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027412 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528.jpg 2000w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aikawa holds hands with her friend and neighbor Sawako Issacs, 91, as they watch TV together for the last time before Aikawa moved out of J-Sei Home. The two watched TV together nightly, often being the last two residents awake. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kazue Granich, 101\u003c/h2>\n\u003cfigure id=\"attachment_12027424\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027424\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Caregiver Amparo Chow helps Kazue Granich, 101, eat lunch at J-Sei Home on Friday, March 15, 2024. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kazue Granich was J-Sei Home’s oldest resident and, possibly, the shortest at just shy of 5 feet tall. She lived there for over seven years.\u003c/p>\n\u003cp>Born and raised on the Big Island of Hawaii, Granich obtained her bachelor’s degree from the University of Hawaii before earning a master’s degree at Columbia University. She and her husband, Michael, had three children and moved to the Bay Area in the early 1950s.\u003c/p>\n\u003cfigure id=\"attachment_12027426\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027426\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Caregiver Rose Velasco, left, and son Charles Granich, right, help Kazue Granich to the car as she moves out of J-Sei Home in December 2024. Granich lived at J-Sei Home for seven years but had to find a new home when the facility announced its closure. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Granich was a special education teacher for the majority of her career and loved teaching and learning new arts and crafts. She was an avid swimmer at the Berkeley YMCA.\u003c/p>\n\u003cp>While at J-Sei Home, Granich was normally in her designated recliner in the living room, watching the other residents or resting. In the past few years, she has become less conversational. However, she would become instantly animated during visits with her children.\u003c/p>\n\u003cfigure id=\"attachment_12027425\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027425\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kazi Okamoto, 9, and Momo Okamoto, 8, play with a recliner chair next to Granich in the living room at J-Sei Home. The Okamotos’ mother, Hiroko, is one of the caregivers at J-Sei Home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Granich isn’t a woman of many words, she was J-Sei Home’s loudest karaoke singer. Once or twice a week, caregiver Fumi Tsuchiya would lead the residents in karaoke through the J-Sei songbook. Granich would belt the lyrics to “You are My Sunshine” and “Somewhere Over the Rainbow.”\u003c/p>\n\u003cfigure id=\"attachment_12027422\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027422 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"845\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-2048x676.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(Left) Caregiver Fumi Tsuchiya sings karaoke with Granich at J-Sei Home last year. Granich preferred singing karaoke to conversations most days. (Right) Granich is helped into the car by caregiver Hiroko Okamoto, left, and her son Charles, right, as she moves out of J-Sei Home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027423\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027423 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sandy Granich, right, sits with her mother, Kazue Granich, at RN Loving Care Home in El Cerrito, California, in January 2025. Her mother has been less engaged and talkative since leaving J-Sei Home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Emiko Roaden, 93\u003c/h2>\n\u003cfigure id=\"attachment_12027429\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027429 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo.jpg\" alt=\"\" width=\"2000\" height=\"1339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-1020x683.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-1536x1028.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-1920x1285.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(Clockwise from top left) Emiko Roaden’s old photos are displayed in her room. Roaden holds a photo of her younger self, wearing a dress she made. Roaden was a skilled seamstress, making many clothes for herself throughout her life. Photos from Roaden’s past are on display on a wooden shelf. A wedding day photograph of Roaden and her late husband Don circa 1963. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Emiko Roaden was the fashionista of J-Sei Home. Originally from Hakata, a ward in Fukuoka, Japan, Roaden moved to the United States in 1938.\u003c/p>\n\u003cp>[aside postID=news_12021919 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2025/01/20250115_JapaneseAmericanActivism_GC-47-1020x680.jpg']\u003c/p>\n\u003cp>In 1963, she married her husband, Don, and they bought a house in San Leandro, where they lived for more than 50 years. Roaden was a skilled seamstress and homemaker, keeping a meticulous home and garden, according to Craig Wenger, her best friend’s son.\u003c/p>\n\u003cp>She moved to J-Sei Home in 2023 after Don passed away. Her closet was filled with sweaters she had knitted and crocheted and a jewelry collection that spanned decades, much of which her husband had carved and polished. Photos from her life decorated her room.\u003c/p>\n\u003cp>She was always proud to show photos of her husband and her younger self, including photographs showcasing her handmade clothing. Roaden loved taking walks in the yard at J-Sei Home and was thrilled to gain a walking partner when Grace Aikawa moved in. She and Aikawa became close.\u003c/p>\n\u003cp>When J-Sei Home announced its closure, the two were lucky enough to move into a new care facility together in Castro Valley.\u003c/p>\n\u003ch2>Ruth Fukuchi, 90\u003c/h2>\n\u003cfigure id=\"attachment_12027444\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027444 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Resident Ruth Fukuchi, 90, poses for a portrait at J-Sei Home in October 2024. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ruth Fukuchi was 8 when her family was incarcerated at the Poston War Relocation Center in Arizona during World War II. Fukuchi earned a degree in microbiology from UC Berkeley, becoming a successful microbiologist in Berkeley and Richmond.\u003c/p>\n\u003cp>She and her husband, Tak, raised two children, Cathy Fukuchi-Wong and Matt Fukuchi. Fukuchi developed vascular dementia in her later years and eventually needed more care than her family could offer.\u003c/p>\n\u003cfigure id=\"attachment_12027438\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027438\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo.jpg\" alt=\"\" width=\"2000\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(Left) Cathy Fukuchi-Wong speaks to her mother, Ruth Fukuchi, during a visit at J Sei Home in May 2024. Fukuchi-Wong drove from Marin almost every day to visit her mother because she said she knew she wasn’t “getting more days with her, but less.” (Right) Fukuchi flips through a book of tulips at J-Sei Home. While other residents watch TV, Fukuchi often reads newspapers, magazines and books. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>J-Sei Home was an obvious choice for Fukuchi’s children, as their family has been involved with the organization for generations. Fukuchi moved to J-Sei Home in 2021 and remained there until her death on Dec. 29, 2024.\u003c/p>\n\u003cp>The caregivers and staff compassionately helped Fukuchi with her basic needs. Fukuchi-Wong said the care meant everything to their family. “I don’t think you can get this sort of family feeling anywhere else.”\u003c/p>\n\u003cfigure id=\"attachment_12027442\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027442\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">J-Sei Home caregiver Fumi Tsuchiya helps Ruth Fukuchi out of her wheelchair before bed on Friday, Aug. 9, 2024. Fukuchi relied completely on the J-Sei staff for daily tasks. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027437\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027437\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"845\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-2048x676.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(Left) Sonata Hospice licensed vocational nurse Danilo Valle changes a dressing on Fukuchi’s leg at J-Sei Home. (Right) Tsuchiya helps Fukuchi brush her teeth after dinner. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027441\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027441\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fukuchi-Wong offers her mom tea as she lies in bed at J-Sei Home on Christmas Day 2024. In Fukuchi’s final days, she only wanted to eat Japanese arare, rice crackers, beef donburi or rice bowls, and drink green tea. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027440\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mourners lined up to offer flowers and pay their respects to Fukuchi and her family at Sycamore Congregational Church in El Cerrito in January. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027439\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027439\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A “Dear Grammy” sash decorates a wreath of flowers at the memorial service. Fukuchi is survived by three grandchildren: Lauren, Rex and Vanessa. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci>This piece was made possible by the help of \u003ca href=\"https://www.womenphotograph.com/\" target=\"_blank\" rel=\"noopener\">Women Photograph\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "For more than a year, KQED documented the closure of J-Sei Home, a residential care facility for elderly Japanese Americans in Hayward.",
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"title": "‘Like Family’: Japanese American Seniors and Caregivers Say Goodbye to J-Sei Home | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>[This is the first story of a two-part project that explores the influence and importance of culture in end-of-life care. \u003ca href=\"https://www.kqed.org/news/12025613/j-sei-home-closes-after-30-years-leaving-bay-area-japanese-seniors-in-need\">Part two will be published Monday\u003c/a>.] \u003c/strong>\u003c/em>\u003c/p>\n\u003cp>J-Sei Home was a 14-bed residential care facility for the elderly geared toward \u003ca href=\"https://www.kqed.org/news/tag/japanese-americans\">Japanese Americans\u003c/a> in Hayward, California.\u003c/p>\n\u003cp>The residents ate Japanese meals, walked through the Japanese garden, watched Japanese TV programs, celebrated Japanese holidays and spoke Japanese with the staff. Residents were embraced by the tight-knit community of caregivers and staff, whether they lived there for seven years or nine months.\u003c/p>\n\u003cp>In October 2024, J-Sei Home announced that it was closing because of financial instability. Families had five months to find new facilities for their loved ones. By the end of January, J-Sei Home was empty.\u003c/p>\n\u003cp>Photographer \u003ca href=\"https://www.julianayamada.com/\">Juliana Yamada\u003c/a> spent 13 months documenting the lives of the facility’s residents and staff.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>Grace Aikawa, 96\u003c/h2>\n\u003cfigure id=\"attachment_12027417\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027417 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_278-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Grace Aikawa poses for a portrait in the garden at J-Sei Home in Hayward, California, last October. That month, the board announced they were closing the facility due to financial instability. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Grace Aikawa was born in 1928 in San José, California, but grew up more than 100 miles north in the town of Loomis, a commercial and cultural center for Japanese families.\u003c/p>\n\u003cp>When Executive Order 9066 was signed during World War II, Aikawa and her family were forcibly relocated, and she spent her high school years at the Granada War Relocation Center, commonly known as Camp Amache, in eastern Colorado. Aikawa and her husband raised four children in the Oakland hills, where she lived until moving to J-Sei Home in March 2024.\u003c/p>\n\u003cfigure id=\"attachment_12027416\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027416 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_147-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Administrator Ron Salvador shows new resident Grace Aikawa the view from her room as she moves into J-Sei Home in Hayward, California, on Wednesday, March 27, 2024. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Aikawa quickly made friends at J-Sei Home and settled into her activities and habits. She and her next-door neighbor Emiko Roaden, 93, took walks in the yard together after each meal, feeding the stray cats kibble and scraps of meat or fish. Aikawa spent days working on puzzles or crocheting in front of the TV.\u003c/p>\n\u003cp>She spent most evenings with fellow resident Sawako Issacs, watching \u003cem>Jeopardy\u003c/em> and \u003cem>Wheel of Fortune\u003c/em> while the rest of the house got ready for bed. Aikawa’s daughter, Kim Aikawa-Olin, said her mom loved living in the community and was fortunate to move into the same new facility as Roaden — once again as next-door neighbors.\u003c/p>\n\u003cfigure id=\"attachment_12027421\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027421\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo.jpg\" alt=\"\" width=\"2000\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-966_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(Left) Caregivers Nida Maagma, left, and Imelda Merritt, center, cry as resident Aikawa, right, moves out of J-Sei Home in December 2024. Aikawa lived at J-Sei Home for only about nine months. (Right) Aikawa’s family helps move her into her new care facility in the Castro Valley. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027411\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027411\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-026-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">From left to right: Karen Aikawa-Simkover, Kim Aikawa-Olin and Mark Aikawa prepare to move the final boxes of their mother’s belongings out of J-Sei Home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027412\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027412 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241215-JSEI-JY-528.jpg 2000w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aikawa holds hands with her friend and neighbor Sawako Issacs, 91, as they watch TV together for the last time before Aikawa moved out of J-Sei Home. The two watched TV together nightly, often being the last two residents awake. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Kazue Granich, 101\u003c/h2>\n\u003cfigure id=\"attachment_12027424\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027424\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_126-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Caregiver Amparo Chow helps Kazue Granich, 101, eat lunch at J-Sei Home on Friday, March 15, 2024. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kazue Granich was J-Sei Home’s oldest resident and, possibly, the shortest at just shy of 5 feet tall. She lived there for over seven years.\u003c/p>\n\u003cp>Born and raised on the Big Island of Hawaii, Granich obtained her bachelor’s degree from the University of Hawaii before earning a master’s degree at Columbia University. She and her husband, Michael, had three children and moved to the Bay Area in the early 1950s.\u003c/p>\n\u003cfigure id=\"attachment_12027426\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027426\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241219-JSEI-JY-130-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Caregiver Rose Velasco, left, and son Charles Granich, right, help Kazue Granich to the car as she moves out of J-Sei Home in December 2024. Granich lived at J-Sei Home for seven years but had to find a new home when the facility announced its closure. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Granich was a special education teacher for the majority of her career and loved teaching and learning new arts and crafts. She was an avid swimmer at the Berkeley YMCA.\u003c/p>\n\u003cp>While at J-Sei Home, Granich was normally in her designated recliner in the living room, watching the other residents or resting. In the past few years, she has become less conversational. However, she would become instantly animated during visits with her children.\u003c/p>\n\u003cfigure id=\"attachment_12027425\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027425\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_133-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Kazi Okamoto, 9, and Momo Okamoto, 8, play with a recliner chair next to Granich in the living room at J-Sei Home. The Okamotos’ mother, Hiroko, is one of the caregivers at J-Sei Home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Granich isn’t a woman of many words, she was J-Sei Home’s loudest karaoke singer. Once or twice a week, caregiver Fumi Tsuchiya would lead the residents in karaoke through the J-Sei songbook. Granich would belt the lyrics to “You are My Sunshine” and “Somewhere Over the Rainbow.”\u003c/p>\n\u003cfigure id=\"attachment_12027422\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027422 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"845\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-2048x676.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_173_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(Left) Caregiver Fumi Tsuchiya sings karaoke with Granich at J-Sei Home last year. Granich preferred singing karaoke to conversations most days. (Right) Granich is helped into the car by caregiver Hiroko Okamoto, left, and her son Charles, right, as she moves out of J-Sei Home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027423\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027423 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-711-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sandy Granich, right, sits with her mother, Kazue Granich, at RN Loving Care Home in El Cerrito, California, in January 2025. Her mother has been less engaged and talkative since leaving J-Sei Home. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Emiko Roaden, 93\u003c/h2>\n\u003cfigure id=\"attachment_12027429\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027429 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo.jpg\" alt=\"\" width=\"2000\" height=\"1339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-1020x683.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-1536x1028.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_195_duo-1920x1285.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(Clockwise from top left) Emiko Roaden’s old photos are displayed in her room. Roaden holds a photo of her younger self, wearing a dress she made. Roaden was a skilled seamstress, making many clothes for herself throughout her life. Photos from Roaden’s past are on display on a wooden shelf. A wedding day photograph of Roaden and her late husband Don circa 1963. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Emiko Roaden was the fashionista of J-Sei Home. Originally from Hakata, a ward in Fukuoka, Japan, Roaden moved to the United States in 1938.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 1963, she married her husband, Don, and they bought a house in San Leandro, where they lived for more than 50 years. Roaden was a skilled seamstress and homemaker, keeping a meticulous home and garden, according to Craig Wenger, her best friend’s son.\u003c/p>\n\u003cp>She moved to J-Sei Home in 2023 after Don passed away. Her closet was filled with sweaters she had knitted and crocheted and a jewelry collection that spanned decades, much of which her husband had carved and polished. Photos from her life decorated her room.\u003c/p>\n\u003cp>She was always proud to show photos of her husband and her younger self, including photographs showcasing her handmade clothing. Roaden loved taking walks in the yard at J-Sei Home and was thrilled to gain a walking partner when Grace Aikawa moved in. She and Aikawa became close.\u003c/p>\n\u003cp>When J-Sei Home announced its closure, the two were lucky enough to move into a new care facility together in Castro Valley.\u003c/p>\n\u003ch2>Ruth Fukuchi, 90\u003c/h2>\n\u003cfigure id=\"attachment_12027444\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12027444 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_270-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Resident Ruth Fukuchi, 90, poses for a portrait at J-Sei Home in October 2024. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ruth Fukuchi was 8 when her family was incarcerated at the Poston War Relocation Center in Arizona during World War II. Fukuchi earned a degree in microbiology from UC Berkeley, becoming a successful microbiologist in Berkeley and Richmond.\u003c/p>\n\u003cp>She and her husband, Tak, raised two children, Cathy Fukuchi-Wong and Matt Fukuchi. Fukuchi developed vascular dementia in her later years and eventually needed more care than her family could offer.\u003c/p>\n\u003cfigure id=\"attachment_12027438\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027438\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo.jpg\" alt=\"\" width=\"2000\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_167_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">(Left) Cathy Fukuchi-Wong speaks to her mother, Ruth Fukuchi, during a visit at J Sei Home in May 2024. Fukuchi-Wong drove from Marin almost every day to visit her mother because she said she knew she wasn’t “getting more days with her, but less.” (Right) Fukuchi flips through a book of tulips at J-Sei Home. While other residents watch TV, Fukuchi often reads newspapers, magazines and books. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>J-Sei Home was an obvious choice for Fukuchi’s children, as their family has been involved with the organization for generations. Fukuchi moved to J-Sei Home in 2021 and remained there until her death on Dec. 29, 2024.\u003c/p>\n\u003cp>The caregivers and staff compassionately helped Fukuchi with her basic needs. Fukuchi-Wong said the care meant everything to their family. “I don’t think you can get this sort of family feeling anywhere else.”\u003c/p>\n\u003cfigure id=\"attachment_12027442\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027442\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_223-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">J-Sei Home caregiver Fumi Tsuchiya helps Ruth Fukuchi out of her wheelchair before bed on Friday, Aug. 9, 2024. Fukuchi relied completely on the J-Sei staff for daily tasks. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027437\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027437\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"845\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-2048x676.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/jsei_JY_212_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">(Left) Sonata Hospice licensed vocational nurse Danilo Valle changes a dressing on Fukuchi’s leg at J-Sei Home. (Right) Tsuchiya helps Fukuchi brush her teeth after dinner. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027441\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027441\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20241225-JSEI-JY-058-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Fukuchi-Wong offers her mom tea as she lies in bed at J-Sei Home on Christmas Day 2024. In Fukuchi’s final days, she only wanted to eat Japanese arare, rice crackers, beef donburi or rice bowls, and drink green tea. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027440\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027440\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1742-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mourners lined up to offer flowers and pay their respects to Fukuchi and her family at Sycamore Congregational Church in El Cerrito in January. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12027439\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12027439\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2025/02/20250130-JSeiHome-JY-1708-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A “Dear Grammy” sash decorates a wreath of flowers at the memorial service. Fukuchi is survived by three grandchildren: Lauren, Rex and Vanessa. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci>This piece was made possible by the help of \u003ca href=\"https://www.womenphotograph.com/\" target=\"_blank\" rel=\"noopener\">Women Photograph\u003c/a>.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "the-holiday-rush-in-photos-every-day-is-christmas-at-this-oakland-postal-service-center",
"title": "The Holiday Rush in Photos: ‘Every Day Is Christmas’ at This Oakland Postal Service Center",
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"headTitle": "The Holiday Rush in Photos: ‘Every Day Is Christmas’ at This Oakland Postal Service Center | KQED",
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"content": "\u003cp>At the Oakland United States Postal Service Processing and Distribution Center workers have been celebrating Christmas every day since December 1st. Different units within the processing plant hold potlucks during their breaks, so they have a chance to celebrate and share food with each other. The facility feels like it’s Christmas time throughout the year, because of the number of mail that whirs through the system.\u003c/p>\n\u003cfigure id=\"attachment_12019736\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019736\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"844\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-1020x336.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-1536x506.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-2048x675.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-1920x633.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: Rejected letters and cards are stamped with a ‘Happy Holidays’ after processing at the USPS Processing and Distribution Center in Oakland. Mail can be rejected for a variety of reasons, but most commonly due to incorrect address or insufficient postage. Right: USPS clerk Muoi Tang processes letters and holiday cards during the holiday rush. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Christmas for us, is basically every day,” said senior manager Nancy Canales-Nelson. The sheer volume of mail coming in and being processed is what makes each day feel like Christmas time.\u003c/p>\n\u003cp>Unlike a typical post office, this facility runs 24/7. Over a thousand employees process packages and letters every day of the year.\u003c/p>\n\u003cfigure id=\"attachment_12019743\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019743\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">USPS workers process packages and letters during the holiday rush. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019744\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019744\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB.jpg\" alt=\"\" width=\"2000\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: USPS clerk Maria Maldonado processes packages at her station during the holiday rush at the Processing and Distribution Center in Oakland, Calif., on Monday, December 23, 2024. Right: Packages and cards stream through the facility 365 days a year. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In December, the facility typically processes hundreds of thousands of parcels every day with three loud, industrial size processing machines on each floor. Bay Area Communications Specialist Kristina Uppal attributes the craze to the continuous rise of online shopping and early Black Friday sales. Three shifts per day of USPS workers keep things running, and ensure presents arrive in time for Christmas.\u003c/p>\n\u003cp>“We connect every piece to every door,” Uppal said. “We definitely give Santa a little extra lift.”\u003c/p>\n\u003cfigure id=\"attachment_12019731\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019731\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426.jpg\" alt=\"\" width=\"2000\" height=\"1332\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-1920x1279.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">USPS supervisor Rhonda Blackwood, center, serves food to her colleagues at a holiday potluck during their break. Each unit inside the processing facility has been having potlucks this holiday season during their breaks this month. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019732\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019732\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo.jpg\" alt=\"\" width=\"2000\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">USPS workers process packages and letters during the holiday rush at the Processing and Distribution Center. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019730\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019730\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605.jpg\" alt=\"\" width=\"2000\" height=\"1332\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-1920x1279.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A USPS worker walks out of the Processing and Distribution Center in Oakland, on Monday, Dec. 23, 2024. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At the Oakland United States Postal Service Processing and Distribution Center workers have been celebrating Christmas every day since December 1st. Different units within the processing plant hold potlucks during their breaks, so they have a chance to celebrate and share food with each other. The facility feels like it’s Christmas time throughout the year, because of the number of mail that whirs through the system.\u003c/p>\n\u003cfigure id=\"attachment_12019736\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019736\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-scaled.jpg\" alt=\"\" width=\"2560\" height=\"844\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-1020x336.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-1536x506.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-2048x675.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-338_duo-1920x633.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: Rejected letters and cards are stamped with a ‘Happy Holidays’ after processing at the USPS Processing and Distribution Center in Oakland. Mail can be rejected for a variety of reasons, but most commonly due to incorrect address or insufficient postage. Right: USPS clerk Muoi Tang processes letters and holiday cards during the holiday rush. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Christmas for us, is basically every day,” said senior manager Nancy Canales-Nelson. The sheer volume of mail coming in and being processed is what makes each day feel like Christmas time.\u003c/p>\n\u003cp>Unlike a typical post office, this facility runs 24/7. Over a thousand employees process packages and letters every day of the year.\u003c/p>\n\u003cfigure id=\"attachment_12019743\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019743\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-163-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">USPS workers process packages and letters during the holiday rush. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019744\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019744\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB.jpg\" alt=\"\" width=\"2000\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-183_duoB-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Left: USPS clerk Maria Maldonado processes packages at her station during the holiday rush at the Processing and Distribution Center in Oakland, Calif., on Monday, December 23, 2024. Right: Packages and cards stream through the facility 365 days a year. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In December, the facility typically processes hundreds of thousands of parcels every day with three loud, industrial size processing machines on each floor. Bay Area Communications Specialist Kristina Uppal attributes the craze to the continuous rise of online shopping and early Black Friday sales. Three shifts per day of USPS workers keep things running, and ensure presents arrive in time for Christmas.\u003c/p>\n\u003cp>“We connect every piece to every door,” Uppal said. “We definitely give Santa a little extra lift.”\u003c/p>\n\u003cfigure id=\"attachment_12019731\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019731\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426.jpg\" alt=\"\" width=\"2000\" height=\"1332\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-426-1920x1279.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">USPS supervisor Rhonda Blackwood, center, serves food to her colleagues at a holiday potluck during their break. Each unit inside the processing facility has been having potlucks this holiday season during their breaks this month. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019732\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019732\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo.jpg\" alt=\"\" width=\"2000\" height=\"660\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-800x264.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-1020x337.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-1536x507.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-587_duo-1920x634.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">USPS workers process packages and letters during the holiday rush at the Processing and Distribution Center. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12019730\" class=\"wp-caption alignnone\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12019730\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605.jpg\" alt=\"\" width=\"2000\" height=\"1332\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/12/20241223-USPSHoliday-JY-605-1920x1279.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A USPS worker walks out of the Processing and Distribution Center in Oakland, on Monday, Dec. 23, 2024. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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