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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>San Francisco’s Arts and Crafts is a three-piece rock band with influences from jazz, psychedelic rock, world music, Arabic music, Latin music, and math rock. The band likes to play around with odd time signatures and musical modes.\u003c/p>\n\u003cp>The band members (guitarist Noam Teyssier, bassist Nadia Aquil, and drummer Jeff Klein) originally met through the internet on Craigslist and Tinder and were part of a four-piece project with a vocalist. Soon, they realized they enjoyed writing and recording music as a three-piece group more and started making their first EP.\u003c/p>\n\u003cp>“Koko et Kiki” is the first song from the album \u003cem>Petrolia\u003c/em> and was recorded in a haunted house they rented in Petrolia, California. The song title is the names of their hosts, Koko and Kiki, two women who greeted them when they arrived at the house. It has a fun vibe and features sounds from their first show and the woods outside of the house.\u003c/p>\n\u003cp>“When I listen to the song, I’m definitely transported back to that recording process and having a week to really indulge creatively,” Klein said. “When you have songs with no words, there’s no obvious choice typically for what to call the song unless it’s some direct reference to like the music. But we can’t call it like, ‘the fast one,’ or you could, but it almost becomes like a blank canvas for a fun little creative exercise [to] just put some words together that sort of prime the mind for what they’re going to hear.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Klein says the band’s name is a reference to the arts and crafts term that came from a political movement in the 1890s in the UK. William Morris was an English textile designer, artist, writer and socialist activist associated with the British Arts and Crafts movement.\u003c/p>\n\u003cp>“This was sort of a response to the industrial revolution at the time, which really disrupted a lot of craftspeople’s business who had spent centuries developing crafts and all these things that began becoming mass produced,” he said. “People felt that the mass production element cheapened the craft and that, this type of thing was dying and it’s not good and that we should appreciate it for the sake of aesthetics and uniqueness and prioritize accordingly, which [Morris] felt could be achieved by socializing elements of society.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Arts and Crafts can be found on Instagram: @artsandcrafts_band. They’re working on an album that will be releasing later this year, but you can see them perform at \u003ca href=\"https://www.santorecording.com\">Santo Recording\u003c/a> studio in Oakland on June 7. They’ll also be performing as part of the \u003ca href=\"https://baybeats.sfpl.org\">Bay Beats\u003c/a> series for the San Francisco Public Library in August.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Klein says the band’s name is a reference to the arts and crafts term that came from a political movement in the 1890s in the UK. William Morris was an English textile designer, artist, writer and socialist activist associated with the British Arts and Crafts movement.\u003c/p>\n\u003cp>“This was sort of a response to the industrial revolution at the time, which really disrupted a lot of craftspeople’s business who had spent centuries developing crafts and all these things that began becoming mass produced,” he said. “People felt that the mass production element cheapened the craft and that, this type of thing was dying and it’s not good and that we should appreciate it for the sake of aesthetics and uniqueness and prioritize accordingly, which [Morris] felt could be achieved by socializing elements of society.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Arts and Crafts can be found on Instagram: @artsandcrafts_band. They’re working on an album that will be releasing later this year, but you can see them perform at \u003ca href=\"https://www.santorecording.com\">Santo Recording\u003c/a> studio in Oakland on June 7. They’ll also be performing as part of the \u003ca href=\"https://baybeats.sfpl.org\">Bay Beats\u003c/a> series for the San Francisco Public Library in August.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As for starting their band in San Francisco, “There is just no other place like this city,” Wolfert said. “In terms of the music that’s happening here … and how one lives their life in this city, I feel like we’re just surrounded by constant beauty.”\u003c/p>\n\u003cp>He said there’s a “different kind of energy within the people here that feels much more open and inspiring.” This openness has impacted the band’s sound.\u003c/p>\n\u003cp>The band members include Sue-Ling Kaiser, Alex Wolfert, Patrick Madden, Seref Ha’Qol, Liam Craddock, and Ely Klem. “Dove on the Ocean” also features Gabriel True on the drums.\u003c/p>\n\u003cp>Follow \u003ca href=\"https://www.instagram.com/uncle.twist/\">Uncle Chris on Instagram\u003c/a>. They’re working on a four-song EP that will be released later this year and are planning a California tour at the end of September.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Uncle Chris will be performing at \u003ca href=\"https://rickshawstop.com/\">Rickshaw Stop\u003c/a> in San Francisco on May 17.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Mayari is an East Bay-based “avant-garde post-rock band” that incorporates esoteric sounds and different song structures into its music.\u003c/p>\n\u003cp>“In some of our songs, we add like a bunch of synthesizers or field sounds — and field sounds are basically things you capture on some recording device in nature or public — and then we incorporate those into the songs kind of as like an avant-garde, or \u003ci>musique concrète \u003c/i>passage,” says Ryan Foo, vocalist, guitarist and producer for Mayari. “And so, a lot of the earlier songs we did, we have these long sections of experimental-like noises, where it’s just that, or we’ve released tracks where it’s just noise and drums on it.”\u003c/p>\n\u003cp>The band started near the end of 2017 when Foo and Jordan Torio (guitarist and vocalist) met through Craigslist, and they wanted just to play music. Originally, they had no intention of forming a band, but the two got along so well that they decided to go for it. They decided early on to have a collaborative process for songwriting and practice together to work through ideas. The group has several musical influences, ranging from pop punk and old hardcore to The Beatles and lo-fi rock.\u003c/p>\n\u003cp>The band’s name came from Torio looking through words in the Filipino dictionary and found the word mayari meant moon priestess.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“[Torio] really liked that, and I think I was just out of ideas at the time, so I said yes,” Foo says. “And we’ve also heard from other Filipino people that Mayari means master of sound or to create. So it’s kind of an interesting, like, we are the masters of what we create. So it kind of fits; it’s a double meaning, I guess. Masters of creation and moon priestess.”\u003c/p>\n\u003cp>Regarding “After the Rain,” Foo says that Torio wrote the song based on his experience at a time when everything felt kind of monotonous.\u003c/p>\n\u003cp>“This one’s our most recent song that we’ve pretty much put out, and I’d say it’s a very accurate representation of who the band is right now,” Foo says. “‘After the Rain’ is really just us trying to push ourselves into a new territory that we’re not totally familiar with, but you know, we take it as a positive challenge.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Jason Marrero and Hansel Von Muller are also members of the band. Mayari will perform at the \u003ca href=\"https://berkeleyarthouse.wordpress.com\">Art House Gallery & Cultural Center\u003c/a> in Berkeley on May 18, so you can go hear them live.\u003c/p>\n\n",
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"headline": "Mayari: 'After the Rain'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Mayari is an East Bay-based “avant-garde post-rock band” that incorporates esoteric sounds and different song structures into its music.\u003c/p>\n\u003cp>“In some of our songs, we add like a bunch of synthesizers or field sounds — and field sounds are basically things you capture on some recording device in nature or public — and then we incorporate those into the songs kind of as like an avant-garde, or \u003ci>musique concrète \u003c/i>passage,” says Ryan Foo, vocalist, guitarist and producer for Mayari. “And so, a lot of the earlier songs we did, we have these long sections of experimental-like noises, where it’s just that, or we’ve released tracks where it’s just noise and drums on it.”\u003c/p>\n\u003cp>The band started near the end of 2017 when Foo and Jordan Torio (guitarist and vocalist) met through Craigslist, and they wanted just to play music. Originally, they had no intention of forming a band, but the two got along so well that they decided to go for it. They decided early on to have a collaborative process for songwriting and practice together to work through ideas. The group has several musical influences, ranging from pop punk and old hardcore to The Beatles and lo-fi rock.\u003c/p>\n\u003cp>The band’s name came from Torio looking through words in the Filipino dictionary and found the word mayari meant moon priestess.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“[Torio] really liked that, and I think I was just out of ideas at the time, so I said yes,” Foo says. “And we’ve also heard from other Filipino people that Mayari means master of sound or to create. So it’s kind of an interesting, like, we are the masters of what we create. So it kind of fits; it’s a double meaning, I guess. Masters of creation and moon priestess.”\u003c/p>\n\u003cp>Regarding “After the Rain,” Foo says that Torio wrote the song based on his experience at a time when everything felt kind of monotonous.\u003c/p>\n\u003cp>“This one’s our most recent song that we’ve pretty much put out, and I’d say it’s a very accurate representation of who the band is right now,” Foo says. “‘After the Rain’ is really just us trying to push ourselves into a new territory that we’re not totally familiar with, but you know, we take it as a positive challenge.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Jason Marrero and Hansel Von Muller are also members of the band. Mayari will perform at the \u003ca href=\"https://berkeleyarthouse.wordpress.com\">Art House Gallery & Cultural Center\u003c/a> in Berkeley on May 18, so you can go hear them live.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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