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"content": "\u003cp>With the recent successes of \u003cem>Black Panther\u003c/em>, \u003cem>Sorry to Bother You\u003c/em> and \u003cem>Blindspotting\u003c/em>, Oakland is having its Hollywood moment. And now, Nick Cannon, the actor and host of\u003cem> MTV’s Wild ‘N Out\u003c/em>, has his sights set on putting the Bay Area on the silver screen. He recently told TMZ that he’s working on a crime drama called \u003cem>The Yay Area\u003c/em> that he describes as “\u003cem>The Sopranos\u003c/em>-meets-\u003cem>The Wire\u003c/em>.”\u003c/p>\n\u003cp>“When you think about the culture of Northern California, it’s never been expressed from our voice,” he tells \u003ca href=\"http://www.tmz.com/2018/08/14/nick-cannon-e-40-too-short-the-yay-area-new-show/\" target=\"_blank\" rel=\"noopener\">TMZ\u003c/a>. “When everything has so much richness, from the Black Panther Party movement to the culture of hip-hop with E-40 and Too Short—and then really, when you think about Silicon Valley, when you think about everything that goes on from the drug trade to biker gangs to how all the different cultures that come together—is something I have yet to see on television.”\u003c/p>\n\u003cp>Still unsure what the show will be about? Us too. But it reportedly starts filming this fall.\u003c/p>\n\u003cp>Cannon says he’s partnering with E-40 and Too Short to give the show an authentic feel. We’ve reached out to Cannon and E-40’s reps for comment and will update when we hear back.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cp>When black and brown teenagers experimenting with turntables invented hip-hop at house parties in the Bronx, they no idea they were creating the foundation for what would become the single biggest cultural phenomenon 30 years later. They were simply having fun.\u003c/p>\n\u003cp>In 2018, of course, hip-hop is a billion-dollar industry, but its underground is still very much alive at parties, after-school centers, parks, and protests. It gives voice to struggle and celebrates resilience; it empowers people of all walks of life to speak their truth and be at their best.\u003c/p>\n\u003cp>So it’s an interesting proposition that the Oakland Museum of California has decided to enshrine hip-hop within its white walls. Once a movement enters museums, the concern goes, its progression is stifled. Nonetheless, the new show \u003cem>Respect: Hip-Hop Style & Wisdom\u003c/em>, opening March 24 and running through Aug. 12, treats hip-hop in a fun, engaging way, not as a relic of the past but as a living, breathing art form that’s still evolving.\u003c/p>\n\u003cp>[gallery type=\"slideshow\" size=\"full\" ids=\"13827918,13827889,13827917,13827916,13827915,13827919,13827914\"]\u003c/p>\n\u003cp>The sprawling exhibit gives insight into how hip-hop culture came to be through its four elements — graffiti, DJing, b-boying, and rapping. It brings that early growth to life through photos by Martha Cooper, one of the first outsiders to document New York’s nascent graffiti scene; early party flyers featuring DJ Kool Herc and Grandmaster Flash; \u003cem>Soul Train\u003c/em> videos; custom jackets; Grandmaster Flash’s original Technics turntables. Beyond mere artifacts, the show does an admirable job contextualizing this birth of hip-hop in U.S. history, citing the Black Power movement, the social chaos of the Reagan administration, and Afrofuturism.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But in attempting to be comprehensive, \u003cem>Respect: Hip-hop Style & Wisdom\u003c/em> leaves some crucial details overlooked.\u003c/p>\n\u003cp>The show spends quite a bit of time on New York’s old school and California’s underground hip-hop culture, but it does little to track hip-hop’s evolution from youth counterculture to massive commercial phenomenon. Surprisingly, there’s no mention of figures like Russell Simmons, Rick Rubin, Jay-Z, Lil Wayne, Dr. Dre, Kanye West, or Pharrell — the ones who helped shape it into a mega-industry. (In its place, the exhibition highlights the many ways hip-hop culture has extended \u003cem>beyond\u003c/em> the music — a tapestry by Kehinde Wiley, Obama’s portrait artist, and stylish pieces by Moschino attest to the ways hip-hop as permeated high fashion and fine art.)\u003c/p>\n\u003cp>[gallery ids=\"13827896,13827897,13827898,13827899,13827900,13827895\"]\u003c/p>\n\u003cp>One would probably need an entire hip-hop museum to do justice to the genres’s distinctive regional movements, but the lack of individual attention to influential scenes like Atlanta, Houston, Chicago, and Memphis flatten the genre to California and New York — a very 1990s view of rap music. Even within California, the show hardly makes mention of the hyphy movement, other than videos by E-40 and Lil B playing in the interactive activity room, filled with turntables and sample pads. Nor does it delve into mob music, g-funk, or the Bay Area’s conscious hip-hop movement. Instead, elements of each are presented like a melting pot, and for a major exhibition in Oakland, the one-size-fits-all presentation of such a varied scene left nuance to be desired.\u003c/p>\n\u003cp>Nonetheless, a room dedicated to the Bay Area contains unexpected, special homages, such as graffiti writer Mike “Dream” Francisco’s last work: an altar in homage to two departed friends. A short film by Yak, a mainstay of the turf battle scene, goes behind the scenes of “\u003ca href=\"https://www.youtube.com/watch?v=JQRRnAhmB58\" target=\"_blank\" rel=\"noopener\">RIP Rich D\u003c/a>,” the gorgeous YouTube video of four turf dancers in the rain on International Blvd. that went viral and put the Bay Area street dance on the global map. The ways they speak about dancing as a way to communicate their stories is incredibly moving.\u003c/p>\n\u003cfigure id=\"attachment_13827891\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13827891\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/DSC_0903-800x450.jpg\" alt=\"Traci Bartlow's collages of her original concert photos from the '90s. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Traci Bartlow’s collages of her original concert photos from the ’90s. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The exhibition also contains priceless relics, like graffiti writer Refa One’s personal photo albums of tags from the ’80s, including Dream’s TDK Crew. Traci Bartlow’s collages, created around 2000, feature her original backstage photos from the ’90s of underground icons and all-time greats alike, including Hieroglyphics’ Tajai, E-40, Boots Riley, Pam the Funkstress, Lauryn Hill, Aaliyah, and Quincy Jones. And Eric Arnold’s Bay Area hip-hop atlas offers invaluable insights into key underground spots that shaped the regional scene over the years: the studio where Too Short recorded \u003cem>Born to Mack\u003c/em>, the Eastmont Mall where the sideshow was born, MC Hammer’s childhood home, and many others.\u003c/p>\n\u003cp>Bringing this history into the present day is a wall of photos by young photographer Amanda Sade of hip-hop culture in Oakland. Sade features emerging artists like Siri and Bruh From Last Night, and several others regularly seen on today’s scene, making the show feel personal to those acquainted with the culture’s youthful vanguard.\u003c/p>\n\u003cp>\u003cem>Respect: Hip-hop Style & Wisdom\u003c/em> is visually engaging, too. A pearly white lowrider anchors the main exhibition hall; its owner came to the press preview and hit the switches, making it bounce. Several people mistook Barry McGee’s animatronic graffiti writer for a real person tagging the museum wall; he’s perched atop a mock stack of giant speakers. Colorful photos of artists, graffiti murals, and flashy pieces of hip-hop fashion make the exhibit pop.\u003c/p>\n\u003cfigure id=\"attachment_13827892\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13827892\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/DSC_0888-800x450.jpg\" alt=\"Oakland photographer Brittsense celebrates the art of black hair in this 2015 series shot in Brownsville, Brooklyn.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland photographer Brittsense celebrates the art of black hair in this 2015 series shot in Brownsville, Brooklyn. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The chief curator of \u003cem>Respect: Hip-hop Style & Wisdom\u003c/em>, René de Guzman, characterizes the show as a large team effort, and indeed, the Oakland Museum has done an admirable job of collaborating with the local community instead of speaking for them. Its upcoming roster of events associated with the exhibit include DJ nights, cyphers, panels, and more, inviting in the real-life hip-hop culture already flowing outside of the museum doors.\u003c/p>\n\u003cp>Hip-hop getting a museum show doesn’t mean that the genre is old and on the outs; more so, it pays homage to its wide-ranging cultural impact — which shows no signs of slowing down.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>‘Respect: Hip-hop Style & Wisdom’ is on view at the Oakland Museum of California through Aug. 12. More info \u003ca href=\"http://museumca.org/exhibit/respect-hip-hop-style-wisdom\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When black and brown teenagers experimenting with turntables invented hip-hop at house parties in the Bronx, they no idea they were creating the foundation for what would become the single biggest cultural phenomenon 30 years later. They were simply having fun.\u003c/p>\n\u003cp>In 2018, of course, hip-hop is a billion-dollar industry, but its underground is still very much alive at parties, after-school centers, parks, and protests. It gives voice to struggle and celebrates resilience; it empowers people of all walks of life to speak their truth and be at their best.\u003c/p>\n\u003cp>So it’s an interesting proposition that the Oakland Museum of California has decided to enshrine hip-hop within its white walls. Once a movement enters museums, the concern goes, its progression is stifled. Nonetheless, the new show \u003cem>Respect: Hip-Hop Style & Wisdom\u003c/em>, opening March 24 and running through Aug. 12, treats hip-hop in a fun, engaging way, not as a relic of the past but as a living, breathing art form that’s still evolving.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The sprawling exhibit gives insight into how hip-hop culture came to be through its four elements — graffiti, DJing, b-boying, and rapping. It brings that early growth to life through photos by Martha Cooper, one of the first outsiders to document New York’s nascent graffiti scene; early party flyers featuring DJ Kool Herc and Grandmaster Flash; \u003cem>Soul Train\u003c/em> videos; custom jackets; Grandmaster Flash’s original Technics turntables. Beyond mere artifacts, the show does an admirable job contextualizing this birth of hip-hop in U.S. history, citing the Black Power movement, the social chaos of the Reagan administration, and Afrofuturism.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But in attempting to be comprehensive, \u003cem>Respect: Hip-hop Style & Wisdom\u003c/em> leaves some crucial details overlooked.\u003c/p>\n\u003cp>The show spends quite a bit of time on New York’s old school and California’s underground hip-hop culture, but it does little to track hip-hop’s evolution from youth counterculture to massive commercial phenomenon. Surprisingly, there’s no mention of figures like Russell Simmons, Rick Rubin, Jay-Z, Lil Wayne, Dr. Dre, Kanye West, or Pharrell — the ones who helped shape it into a mega-industry. (In its place, the exhibition highlights the many ways hip-hop culture has extended \u003cem>beyond\u003c/em> the music — a tapestry by Kehinde Wiley, Obama’s portrait artist, and stylish pieces by Moschino attest to the ways hip-hop as permeated high fashion and fine art.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One would probably need an entire hip-hop museum to do justice to the genres’s distinctive regional movements, but the lack of individual attention to influential scenes like Atlanta, Houston, Chicago, and Memphis flatten the genre to California and New York — a very 1990s view of rap music. Even within California, the show hardly makes mention of the hyphy movement, other than videos by E-40 and Lil B playing in the interactive activity room, filled with turntables and sample pads. Nor does it delve into mob music, g-funk, or the Bay Area’s conscious hip-hop movement. Instead, elements of each are presented like a melting pot, and for a major exhibition in Oakland, the one-size-fits-all presentation of such a varied scene left nuance to be desired.\u003c/p>\n\u003cp>Nonetheless, a room dedicated to the Bay Area contains unexpected, special homages, such as graffiti writer Mike “Dream” Francisco’s last work: an altar in homage to two departed friends. A short film by Yak, a mainstay of the turf battle scene, goes behind the scenes of “\u003ca href=\"https://www.youtube.com/watch?v=JQRRnAhmB58\" target=\"_blank\" rel=\"noopener\">RIP Rich D\u003c/a>,” the gorgeous YouTube video of four turf dancers in the rain on International Blvd. that went viral and put the Bay Area street dance on the global map. The ways they speak about dancing as a way to communicate their stories is incredibly moving.\u003c/p>\n\u003cfigure id=\"attachment_13827891\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13827891\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/DSC_0903-800x450.jpg\" alt=\"Traci Bartlow's collages of her original concert photos from the '90s. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0903-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Traci Bartlow’s collages of her original concert photos from the ’90s. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The exhibition also contains priceless relics, like graffiti writer Refa One’s personal photo albums of tags from the ’80s, including Dream’s TDK Crew. Traci Bartlow’s collages, created around 2000, feature her original backstage photos from the ’90s of underground icons and all-time greats alike, including Hieroglyphics’ Tajai, E-40, Boots Riley, Pam the Funkstress, Lauryn Hill, Aaliyah, and Quincy Jones. And Eric Arnold’s Bay Area hip-hop atlas offers invaluable insights into key underground spots that shaped the regional scene over the years: the studio where Too Short recorded \u003cem>Born to Mack\u003c/em>, the Eastmont Mall where the sideshow was born, MC Hammer’s childhood home, and many others.\u003c/p>\n\u003cp>Bringing this history into the present day is a wall of photos by young photographer Amanda Sade of hip-hop culture in Oakland. Sade features emerging artists like Siri and Bruh From Last Night, and several others regularly seen on today’s scene, making the show feel personal to those acquainted with the culture’s youthful vanguard.\u003c/p>\n\u003cp>\u003cem>Respect: Hip-hop Style & Wisdom\u003c/em> is visually engaging, too. A pearly white lowrider anchors the main exhibition hall; its owner came to the press preview and hit the switches, making it bounce. Several people mistook Barry McGee’s animatronic graffiti writer for a real person tagging the museum wall; he’s perched atop a mock stack of giant speakers. Colorful photos of artists, graffiti murals, and flashy pieces of hip-hop fashion make the exhibit pop.\u003c/p>\n\u003cfigure id=\"attachment_13827892\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13827892\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/03/DSC_0888-800x450.jpg\" alt=\"Oakland photographer Brittsense celebrates the art of black hair in this 2015 series shot in Brownsville, Brooklyn.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/DSC_0888-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland photographer Brittsense celebrates the art of black hair in this 2015 series shot in Brownsville, Brooklyn. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The chief curator of \u003cem>Respect: Hip-hop Style & Wisdom\u003c/em>, René de Guzman, characterizes the show as a large team effort, and indeed, the Oakland Museum has done an admirable job of collaborating with the local community instead of speaking for them. Its upcoming roster of events associated with the exhibit include DJ nights, cyphers, panels, and more, inviting in the real-life hip-hop culture already flowing outside of the museum doors.\u003c/p>\n\u003cp>Hip-hop getting a museum show doesn’t mean that the genre is old and on the outs; more so, it pays homage to its wide-ranging cultural impact — which shows no signs of slowing down.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Respect: Hip-hop Style & Wisdom’ is on view at the Oakland Museum of California through Aug. 12. More info \u003ca href=\"http://museumca.org/exhibit/respect-hip-hop-style-wisdom\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>There’s a phrase, coined by Eric B. & Rakim, that’s embedded in rap music’s lexicon: “It ain’t where you’re from, it’s where you’re at.” Now, a new exhibit in Oakland flips that idea of the present, called \u003cem>Respect: Hip-Hop Style and Wisdom\u003c/em>. \u003c/p>\n\u003cp>Starting back in the 1970s with block parties in the Bronx, the timeline of the show means you’ll see artifacts from all over — Grandmaster Flash’s turntables, LL Cool J’s tracksuit and more. But of course, we’re interested in the Bay Area history here, including a handwritten essay by Tupac comparing black men in America to early American revolutionaries (remember, Tupac once \u003ca href=\"https://www.kqed.org/arts/11696060\" rel=\"noopener\" target=\"_blank\">sued the Oakland police department — and won\u003c/a>). There’s work by two of our favorite Oakland street photographers, \u003ca href=\"https://www.kqed.org/arts/11508333\" rel=\"noopener\" target=\"_blank\">Brittsense\u003c/a> and \u003ca href=\"https://www.instagram.com/amandasade/?hl=en\" rel=\"noopener\" target=\"_blank\">Amanda Sade\u003c/a>, showing how hip-hop still resonates in street style. And veteran rap writer Eric Arnold has put together a huge map of Bay Area hip-hop history that expands on his epic \u003cem>\u003ca href=\"http://www.complex.com/pop-culture/2011/02/rap-atlas-oakland/\" rel=\"noopener\" target=\"_blank\">Rap Atlas: Oakland\u003c/a>\u003c/em>, marking important locations like the studio where Too Short recorded \u003cem>Born to Mack\u003c/em>, or the Eastmont Mall, which birthed the \u003ca href=\"https://www.kqed.org/arts/13824571\" rel=\"noopener\" target=\"_blank\">sideshow as we know it\u003c/a>.\u003c/p>\n\u003cp>There’s a wealth of rap history here in the Bay Area and it hasn’t always been well-chronicled. But with input from well-regarded local rap historians like Davy D and Jeff Chang, \u003cem>Respect: Hip-Hop Style and Wisdom\u003c/em> is bound to help fix that. It opens at the Oakland Museum of California on March 24, and runs until mid-August. \u003ca href=\"http://museumca.org/exhibit/respect-hip-hop-style-wisdom\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s a phrase, coined by Eric B. & Rakim, that’s embedded in rap music’s lexicon: “It ain’t where you’re from, it’s where you’re at.” Now, a new exhibit in Oakland flips that idea of the present, called \u003cem>Respect: Hip-Hop Style and Wisdom\u003c/em>. \u003c/p>\n\u003cp>Starting back in the 1970s with block parties in the Bronx, the timeline of the show means you’ll see artifacts from all over — Grandmaster Flash’s turntables, LL Cool J’s tracksuit and more. But of course, we’re interested in the Bay Area history here, including a handwritten essay by Tupac comparing black men in America to early American revolutionaries (remember, Tupac once \u003ca href=\"https://www.kqed.org/arts/11696060\" rel=\"noopener\" target=\"_blank\">sued the Oakland police department — and won\u003c/a>). There’s work by two of our favorite Oakland street photographers, \u003ca href=\"https://www.kqed.org/arts/11508333\" rel=\"noopener\" target=\"_blank\">Brittsense\u003c/a> and \u003ca href=\"https://www.instagram.com/amandasade/?hl=en\" rel=\"noopener\" target=\"_blank\">Amanda Sade\u003c/a>, showing how hip-hop still resonates in street style. And veteran rap writer Eric Arnold has put together a huge map of Bay Area hip-hop history that expands on his epic \u003cem>\u003ca href=\"http://www.complex.com/pop-culture/2011/02/rap-atlas-oakland/\" rel=\"noopener\" target=\"_blank\">Rap Atlas: Oakland\u003c/a>\u003c/em>, marking important locations like the studio where Too Short recorded \u003cem>Born to Mack\u003c/em>, or the Eastmont Mall, which birthed the \u003ca href=\"https://www.kqed.org/arts/13824571\" rel=\"noopener\" target=\"_blank\">sideshow as we know it\u003c/a>.\u003c/p>\n\u003cp>There’s a wealth of rap history here in the Bay Area and it hasn’t always been well-chronicled. But with input from well-regarded local rap historians like Davy D and Jeff Chang, \u003cem>Respect: Hip-Hop Style and Wisdom\u003c/em> is bound to help fix that. It opens at the Oakland Museum of California on March 24, and runs until mid-August. \u003ca href=\"http://museumca.org/exhibit/respect-hip-hop-style-wisdom\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>We’re looking ahead this week on The Do List to a few exhibitions we’re excited about in 2018, among them \u003cem>Respect: Hip-Hop Style and Wisdom\u003c/em>, opening in March at the Oakland Museum of California (OMCA). \u003cem>Respect\u003c/em> is part of a trend at the Oakland Museum and other institutions to take serious looks at pop culture. (OMCA presented a show about sneakers recently.)\u003c/p>\n\u003cp>“Hip-hop is misunderstood,” OMCA Senior Curator René de Guzman says, “that it’s all about gangsterism and misogyny. There are elements of that, just as there are negative elements in any cultural form or social group. The other misunderstanding is that hip-hop is simply a music genre, but it extends beyond that to include not only other art forms but principles, values and communities.”\u003c/p>\n\u003cfigure id=\"attachment_13817929\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13817929\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-800x692.jpg\" alt=\"Young Boys. 1981. East Flatbush an image from OMCA's upcoming show about hip hop\" width=\"800\" height=\"692\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-800x692.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-160x138.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-768x665.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1020x883.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1920x1661.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1180x1021.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-960x831.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-240x208.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-375x324.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-520x450.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young Boys. 1981, East Flatbush. Image from OMCA’s upcoming show about hip-hop. \u003ccite>(Photo: Jamel Shabazz/OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So the exhibit, de Guzman says, will dig deep into hip-hop’s message of authenticity and political activism, with input from Bay Area icons like Oakland rapper and scholar Mystic and the Hip-Hop Chess Federation’s Adisa Banjoko.\u003c/p>\n\u003cp>My colleague Gabe Meline notes that the show promises to cover the music “beyond big business.” So he’s keen to see how the exhibition covers hustling pioneers like Heiroglyphics and Too Short, who sold tapes out of their trunks in Oakland to build their empires. \u003ca href=\"http://museumca.org/exhibit/respect-hip-hop-style-wisdom\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=CkrdiABTcaI\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’re looking ahead this week on The Do List to a few exhibitions we’re excited about in 2018, among them \u003cem>Respect: Hip-Hop Style and Wisdom\u003c/em>, opening in March at the Oakland Museum of California (OMCA). \u003cem>Respect\u003c/em> is part of a trend at the Oakland Museum and other institutions to take serious looks at pop culture. (OMCA presented a show about sneakers recently.)\u003c/p>\n\u003cp>“Hip-hop is misunderstood,” OMCA Senior Curator René de Guzman says, “that it’s all about gangsterism and misogyny. There are elements of that, just as there are negative elements in any cultural form or social group. The other misunderstanding is that hip-hop is simply a music genre, but it extends beyond that to include not only other art forms but principles, values and communities.”\u003c/p>\n\u003cfigure id=\"attachment_13817929\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13817929\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-800x692.jpg\" alt=\"Young Boys. 1981. East Flatbush an image from OMCA's upcoming show about hip hop\" width=\"800\" height=\"692\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-800x692.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-160x138.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-768x665.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1020x883.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1920x1661.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-1180x1021.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-960x831.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-240x208.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-375x324.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Young-Boys.-1981.-East-Flatbush-e1513782831717-520x450.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Young Boys. 1981, East Flatbush. Image from OMCA’s upcoming show about hip-hop. \u003ccite>(Photo: Jamel Shabazz/OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So the exhibit, de Guzman says, will dig deep into hip-hop’s message of authenticity and political activism, with input from Bay Area icons like Oakland rapper and scholar Mystic and the Hip-Hop Chess Federation’s Adisa Banjoko.\u003c/p>\n\u003cp>My colleague Gabe Meline notes that the show promises to cover the music “beyond big business.” So he’s keen to see how the exhibition covers hustling pioneers like Heiroglyphics and Too Short, who sold tapes out of their trunks in Oakland to build their empires. \u003ca href=\"http://museumca.org/exhibit/respect-hip-hop-style-wisdom\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CkrdiABTcaI'\n title='//www.youtube.com/embed/CkrdiABTcaI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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