NPR Announces Tiny Desk Tour; La Misa Negra, Eki Shola Open in Petaluma
Reminder: There's Less Than Two Weeks Left to Enter NPR's Tiny Desk Contest
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Eventually, he decided he needed to work at his \u003cem>own\u003c/em> desk. \u003c/p>\n\u003cp>In a YouTube comment on his video, Gates shouts out the Sacramento community, which helped him see this vision through when he said he didn’t have a single penny to his name.\u003c/p>\n\u003cp>Gates expands on this comment in his \u003cem>All Things Considered\u003c/em> interview, sharing with Summers that he went through a dark and humbling time last year. While driving for Uber in order to make ends meet, he got into a bad car accident and could no longer work. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I was really scrounging up money for change, to even do shows,” he says. “I had these big visions for shows where I wanted nine people playing with me — but I couldn’t afford it. And as the months went by it got progressively worse. And my other bills started to fall behind, too.”\u003c/p>\n\u003cp>Then, when the Tiny Desk Contest opened, he asked his community for a favor. \u003c/p>\n\u003cp>“I said, hey, I think we could do good in this Contest if we execute this vision — but I really need your guys’ help with this,” Gates explains. “And everybody, absolutely everybody, came through to help me with no hesitation.” \u003c/p>\n\u003cp>Gates says that since winning the Contest, it feels like his life has changed overnight. \u003c/p>\n\u003cp>“I’m glad that I went through the struggle, because [now] this win feels so honest to me, to what I believe in. It’s a reflection of what I’ve worked for,” he shares. “So I’m eternally grateful for everything that I’ve gone through, good and bad.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This summer, Gates and his eight-piece band will headline the 10-city Tiny Desk Contest On The Road tour, including \u003ca href=\"https://www.eventbrite.com/e/npr-music-presents-tiny-desk-contest-on-the-road-lagunitas-petaluma-tickets-884534605817\">a Bay Area stop at Lagunitas Brewing Co. in Petaluma on June 13, with openers Combo Tezeta\u003c/a>. You can get tickets to see The Philharmonik, plus other local Contest entrants, at \u003ca href=\"http://npr.org/tinydeskcontest\">npr.org/tinydeskcontest\u003c/a>. \u003c/p>\n\u003cdiv class=\"npr-transcript\">\n\u003cp>\u003cstrong>Transcript:\u003c/strong>\u003c/p>\n\u003cp>JUANA SUMMERS, HOST: \u003c/p>\n\u003cp>\u003c/p>\u003cp> We have a winner.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF MUSIC)\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Every year, thousands of musicians enter NPR’s Tiny Desk Contest, and this year’s winner was announced today, an artist called The Philharmonik with a song called “What’s It All Mean?”\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) I was told I could be anything that I wanted to be. Work hard so you can make money and fulfill your dreams.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: And here with me now is Christian Gates, the artist behind The Philharmonik. Welcome to ALL THINGS CONSIDERED, and congratulations.\u003c/p>\n\u003cp>\u003c/p>\u003cp>CHRISTIAN GATES: Thank you so much for having me on the show.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Thanks for being here. OK. This is a pretty big day for you, I imagine. How are you feeling?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: I am elated. I’m overwhelmed with joy, just soaking it all in.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Any big plans to celebrate?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Yeah. Just making sure the team is ready for us to go to Washington, D.C., and of course, we’re all taking it in. We’re all giving each other high-fives and jumping up in the air. We’re doing a lot. So, you know, we’re just, you know, appreciating the feeling overall.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: First of all, I should say that all of us here in D.C. at NPR are very excited to get to see you all perform. And I just want to say, I love the song. I’ve listened to it about a dozen times at this point, but I want to ask you something about the video that you submitted because it’s also pretty amazing. You and the other musicians are in shirts and ties. You’re in what looks like an office-like setting, and you’re sitting at desks like you’re at work. Talk us through the idea behind the video.\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: So originally, it came to me back when I released my album in July of 2023, called “Kironic.” “What’s It All Mean?” was the opening track. And my team and I were discussing a lot of ideas about this character, and this office idea came through, and I realized that was it. This character who’s in the suit, which is me, it’s really just a symbolism for, the work always continues, no matter what you’re doing in life.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) Get up. Go to work. Go to sleep, then repeat. You can’t seem to meet needs working hard like machines. Broken hearts torn apart, making sure you’re closed off and avoid getting hurt to preserve your self-worth. What’s it all mean? What’s it all mean? What’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: The desk was also, like, a huge symbolism. It’s the place of innovation. It’s the place of reflection. It’s also the place of monotony, but either way, the symbolism has a big role in our lives, no matter where we put its significance.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: You know, I’ve got to ask you, was there a time at work when you were sitting there at a desk or doing something else and just asking yourself, what’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Yeah. So I think that’s the nicer way of putting it. I think – (laughter) – there were most times I was sitting at a desk where I felt like I was deviating from my path, where I just said, I don’t think I should be here. This is not the right desk. I need my own desk.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: You wrote a comment that shouts out the Sacramento community, and you say that that’s a community that literally lifted you up to see this vision through when, as you put it, you had not a single penny to your name. Can you say more about that?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Oh, yeah. During (laughter) that time, yes, it was a very humbling experience. It was a very dark moment. I was recently, last year, in a total loss car accident, and I was doing Uber and, you know, doing OK to make my ends meet. But once I got into that crash, I could no longer do Uber. So I was really scrounging up money for change and to even do the shows. I had these big visions for shows where I wanted to put nine people playing for me, but I couldn’t afford it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>So as the months went by, it got progressively worse and worse and worse and worse. And my other bills started to fall behind, too. And so I asked for a very, very big favor and said, hey, I think we could do good in this contest if we execute this vision, but I really need your guys’ help for this. And everybody, absolutely everybody, was no hesitation, came through to help me. And I’m eternally grateful for it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: I mean, that’s such an incredible story. You came from having this car accident to trying to figure out how to put this together. And now you’ve won the Tiny Desk Contest, and you’re coming here to NPR to play at the actual Tiny Desk. How does that feel?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: It feels like it’s overnight, like how my life has changed, but I also know there was a lot of things that I had to go through to get to this point. And I hold it deeply, and I hold it with reverence. And I’m glad that I went through the struggle because this win feels – it feels so honest to me. It feels so honest to what I believe in. It’s a reflection of everything I’ve worked for. And so I’m just eternally grateful for everything that I’ve gone through, good and bad.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: That’s Christian Gates, aka The Philharmonik, the winner of this year’s NPR Tiny Desk Contest. And if you are looking up his music, that is Philharmonik, spelled with a K. You can see the winning video for his song, “What’s It All Mean?” at npr.org. Christian, thank you, and congratulations again.\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Thank you for having me on. It’s a pleasure.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) What goes up must come down. What goes around comes around. Around the sun…\u003c/p>\n\u003c/div>\n\n","blocks":[],"excerpt":"This year's Tiny Desk Contest winner is The Philharmonik, from Sacramento, with a song called 'What's It All Mean?'","status":"publish","parent":0,"modified":1715877349,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":72,"wordCount":1695},"headData":{"title":"Meet the 2024 Tiny Desk Contest Winner from Sacramento | KQED","description":"This year's Tiny Desk Contest winner is The Philharmonik, from Sacramento, with a song called 'What's It All Mean?'","ogTitle":"Meet the 2024 Tiny Desk Contest Winner from Sacramento","ogDescription":"","ogImgId":"","twTitle":"Meet the 2024 Tiny Desk Contest Winner from Sacramento","twDescription":"","twImgId":"","socialTitle":"Meet the 2024 Tiny Desk Contest Winner from Sacramento %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Meet the 2024 Tiny Desk Contest Winner","datePublished":"2024-05-16T09:35:49-07:00","dateModified":"2024-05-16T09:35:49-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"All Things Considered","nprStoryId":"1251616359","nprHtmlLink":"https://www.npr.org/2024/05/15/1251616359/meet-the-2024-tiny-desk-contest-winner","nprRetrievedStory":"1","nprPubDate":"2024-05-15T17:09:31-04:00","nprStoryDate":"2024-05-15T17:09:31-04:00","nprLastModifiedDate":"2024-05-16T06:09:54-04:00","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2024/05/20240515_atc_meet_the_2024_tiny_desk_contest_winner.mp3?d=337&size=5405511&e=1251616359&t=progseg&seg=9&p=2","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13957969/2024-tiny-desk-contest-winner-sacramento-philharmonik","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/atc/2024/05/20240515_atc_meet_the_2024_tiny_desk_contest_winner.mp3?d=337&size=5405511&e=1251616359&t=progseg&seg=9&p=2","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/crgaJEmFPBI'\n title='//www.youtube.com/embed/crgaJEmFPBI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Nearly 7,000 independent artists entered this year’s Tiny Desk Contest, NPR Music’s annual search for the next great undiscovered artist. Earlier today, \u003ca href=\"https://www.npr.org/2024/05/15/1251378746/tiny-desk-contest-2024-winner-announcement\">\u003cem>Morning Edition revealed the winner\u003c/em>\u003c/a>: a Sacramento producer, singer, rapper and multi-instrumentalist who performs as The Philharmonik. As he soaks in his big win and prepares to travel to NPR’s headquarters in Washington, D.C., to perform a Tiny Desk concert, songwriter Christian Gates joins Juana Summers to share the story behind his winning entry.\u003c/p>\n\u003cp>One of the requirements when submitting to the Tiny Desk Contest is that each video must feature a desk. (It shows the judges that artists are prepared to play behind the real Tiny Desk; plus, it’s fun.) Gates says that desks usually make him feel as if he’s deviating from his own path by working for someone else. Eventually, he decided he needed to work at his \u003cem>own\u003c/em> desk. \u003c/p>\n\u003cp>In a YouTube comment on his video, Gates shouts out the Sacramento community, which helped him see this vision through when he said he didn’t have a single penny to his name.\u003c/p>\n\u003cp>Gates expands on this comment in his \u003cem>All Things Considered\u003c/em> interview, sharing with Summers that he went through a dark and humbling time last year. While driving for Uber in order to make ends meet, he got into a bad car accident and could no longer work. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I was really scrounging up money for change, to even do shows,” he says. “I had these big visions for shows where I wanted nine people playing with me — but I couldn’t afford it. And as the months went by it got progressively worse. And my other bills started to fall behind, too.”\u003c/p>\n\u003cp>Then, when the Tiny Desk Contest opened, he asked his community for a favor. \u003c/p>\n\u003cp>“I said, hey, I think we could do good in this Contest if we execute this vision — but I really need your guys’ help with this,” Gates explains. “And everybody, absolutely everybody, came through to help me with no hesitation.” \u003c/p>\n\u003cp>Gates says that since winning the Contest, it feels like his life has changed overnight. \u003c/p>\n\u003cp>“I’m glad that I went through the struggle, because [now] this win feels so honest to me, to what I believe in. It’s a reflection of what I’ve worked for,” he shares. “So I’m eternally grateful for everything that I’ve gone through, good and bad.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This summer, Gates and his eight-piece band will headline the 10-city Tiny Desk Contest On The Road tour, including \u003ca href=\"https://www.eventbrite.com/e/npr-music-presents-tiny-desk-contest-on-the-road-lagunitas-petaluma-tickets-884534605817\">a Bay Area stop at Lagunitas Brewing Co. in Petaluma on June 13, with openers Combo Tezeta\u003c/a>. You can get tickets to see The Philharmonik, plus other local Contest entrants, at \u003ca href=\"http://npr.org/tinydeskcontest\">npr.org/tinydeskcontest\u003c/a>. \u003c/p>\n\u003cdiv class=\"npr-transcript\">\n\u003cp>\u003cstrong>Transcript:\u003c/strong>\u003c/p>\n\u003cp>JUANA SUMMERS, HOST: \u003c/p>\n\u003cp>\u003c/p>\u003cp> We have a winner.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF MUSIC)\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Every year, thousands of musicians enter NPR’s Tiny Desk Contest, and this year’s winner was announced today, an artist called The Philharmonik with a song called “What’s It All Mean?”\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) I was told I could be anything that I wanted to be. Work hard so you can make money and fulfill your dreams.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: And here with me now is Christian Gates, the artist behind The Philharmonik. Welcome to ALL THINGS CONSIDERED, and congratulations.\u003c/p>\n\u003cp>\u003c/p>\u003cp>CHRISTIAN GATES: Thank you so much for having me on the show.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Thanks for being here. OK. This is a pretty big day for you, I imagine. How are you feeling?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: I am elated. I’m overwhelmed with joy, just soaking it all in.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: Any big plans to celebrate?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Yeah. Just making sure the team is ready for us to go to Washington, D.C., and of course, we’re all taking it in. We’re all giving each other high-fives and jumping up in the air. We’re doing a lot. So, you know, we’re just, you know, appreciating the feeling overall.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean? What’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: First of all, I should say that all of us here in D.C. at NPR are very excited to get to see you all perform. And I just want to say, I love the song. I’ve listened to it about a dozen times at this point, but I want to ask you something about the video that you submitted because it’s also pretty amazing. You and the other musicians are in shirts and ties. You’re in what looks like an office-like setting, and you’re sitting at desks like you’re at work. Talk us through the idea behind the video.\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: So originally, it came to me back when I released my album in July of 2023, called “Kironic.” “What’s It All Mean?” was the opening track. And my team and I were discussing a lot of ideas about this character, and this office idea came through, and I realized that was it. This character who’s in the suit, which is me, it’s really just a symbolism for, the work always continues, no matter what you’re doing in life.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) Get up. Go to work. Go to sleep, then repeat. You can’t seem to meet needs working hard like machines. Broken hearts torn apart, making sure you’re closed off and avoid getting hurt to preserve your self-worth. What’s it all mean? What’s it all mean? What’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: The desk was also, like, a huge symbolism. It’s the place of innovation. It’s the place of reflection. It’s also the place of monotony, but either way, the symbolism has a big role in our lives, no matter where we put its significance.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: You know, I’ve got to ask you, was there a time at work when you were sitting there at a desk or doing something else and just asking yourself, what’s it all mean?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Yeah. So I think that’s the nicer way of putting it. I think – (laughter) – there were most times I was sitting at a desk where I felt like I was deviating from my path, where I just said, I don’t think I should be here. This is not the right desk. I need my own desk.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: You wrote a comment that shouts out the Sacramento community, and you say that that’s a community that literally lifted you up to see this vision through when, as you put it, you had not a single penny to your name. Can you say more about that?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Oh, yeah. During (laughter) that time, yes, it was a very humbling experience. It was a very dark moment. I was recently, last year, in a total loss car accident, and I was doing Uber and, you know, doing OK to make my ends meet. But once I got into that crash, I could no longer do Uber. So I was really scrounging up money for change and to even do the shows. I had these big visions for shows where I wanted to put nine people playing for me, but I couldn’t afford it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>So as the months went by, it got progressively worse and worse and worse and worse. And my other bills started to fall behind, too. And so I asked for a very, very big favor and said, hey, I think we could do good in this contest if we execute this vision, but I really need your guys’ help for this. And everybody, absolutely everybody, was no hesitation, came through to help me. And I’m eternally grateful for it.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: I mean, that’s such an incredible story. You came from having this car accident to trying to figure out how to put this together. And now you’ve won the Tiny Desk Contest, and you’re coming here to NPR to play at the actual Tiny Desk. How does that feel?\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: It feels like it’s overnight, like how my life has changed, but I also know there was a lot of things that I had to go through to get to this point. And I hold it deeply, and I hold it with reverence. And I’m glad that I went through the struggle because this win feels – it feels so honest to me. It feels so honest to what I believe in. It’s a reflection of everything I’ve worked for. And so I’m just eternally grateful for everything that I’ve gone through, good and bad.\u003c/p>\n\u003cp>\u003c/p>\u003cp>SUMMERS: That’s Christian Gates, aka The Philharmonik, the winner of this year’s NPR Tiny Desk Contest. And if you are looking up his music, that is Philharmonik, spelled with a K. You can see the winning video for his song, “What’s It All Mean?” at npr.org. Christian, thank you, and congratulations again.\u003c/p>\n\u003cp>\u003c/p>\u003cp>GATES: Thank you for having me on. It’s a pleasure.\u003c/p>\n\u003cp>\u003c/p>\u003cp>(SOUNDBITE OF SONG, “WHAT’S IT ALL MEAN?”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>THE PHILHARMONIK: (Singing) What goes up must come down. What goes around comes around. Around the sun…\u003c/p>\n\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957969/2024-tiny-desk-contest-winner-sacramento-philharmonik","authors":["byline_arts_13957969"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_5779","arts_6554","arts_4271"],"affiliates":["arts_137"],"featImg":"arts_13957970","label":"arts_137"},"arts_13954331":{"type":"posts","id":"arts_13954331","meta":{"index":"posts_1591205157","site":"arts","id":"13954331","score":null,"sort":[1710872071000]},"guestAuthors":[],"slug":"scarface-houston-live-band-san-francisco","title":"Scarface, One of Hip-Hop's Best Storytellers, Returns to the Bay Area","publishDate":1710872071,"format":"standard","headTitle":"Scarface, One of Hip-Hop’s Best Storytellers, Returns to the Bay Area | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Public media loves “storytelling,” so when Houston rapper Scarface \u003ca href=\"https://www.youtube.com/watch?v=ajNYTJcF6rE\">was booked into NPR’s Tiny Desk\u003c/a> late last year, who could be surprised? Scarface, along with Nas and Slick Rick, is undeniably among hip-hop’s greatest and most vivid storytellers.\u003c/p>\n\u003cp>[aside postID='arts_13939056']Take the 1997 track “\u003ca href=\"https://www.youtube.com/watch?v=QXBSkipMFL8\">Southside\u003c/a>,” where in just one minute and 13 seconds, Scarface tells you everything you need to know. He’s broke, high and walking past his neighborhood high school, thinking about his probation that’s worried his mom and reactivated his father’s depression. Terrified by visions of the devil, Scarface thinks of his own inherited depressive tendencies, and the reality that Black men like him rarely talk about mental health, worsening their alienation: “Somebody help the lost souls find a savior,” he pleads.\u003c/p>\n\u003cp>One verse. That’s it, that’s the whole song. And that’s what Scarface does over and over again across a catalog that’s remarkably consistent: “Mind Playin’ Tricks on Me” and other early work with the Geto Boys, his 1994 masterpiece \u003cem>The Diary\u003c/em>, his renaissance album \u003cem>The Fix\u003c/em>, and every live show he’s played since, full touring band in tow.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ajNYTJcF6rE\u003c/p>\n\u003cp>Performing at Oakland jazz club Yoshi’s in 2019, Scarface let his band stretch out: whether in psychedelic fashion (he’s a huge fan of Pink Floyd), or replicating Houston legend DJ Screw’s chopped-and-screwed sound. “Smile” turned into a remembrance of Tupac Shakur; “Mind Playin’ Tricks on Me” was recited line-for-line by the well-dressed crowd, and “I Seen a Man Die” very nearly opened up the ceiling and touched the heavens.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In other words: don’t miss Scarface when he returns to the Bay Area with his live band on Saturday, March 23, at the Regency Ballroom in San Francisco. \u003ca href=\"https://www.theregencyballroom.com/events/detail/531644\">Details here\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"Fresh off a Tiny Desk Concert, Houston rapper Scarface brings his live band to San Francisco.","status":"publish","parent":0,"modified":1711125828,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":341},"headData":{"title":"Scarface, One of Hip-Hop's Best Storytellers, Returns to the Bay Area | KQED","description":"Fresh off a Tiny Desk Concert, Houston rapper Scarface brings his live band to San Francisco.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Scarface, One of Hip-Hop's Best Storytellers, Returns to the Bay Area","datePublished":"2024-03-19T11:14:31-07:00","dateModified":"2024-03-22T09:43:48-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"WpOldSlug":"one-of-hip-hops-best-storytellers-returns-to-the-bay-area","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13954331/scarface-houston-live-band-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Public media loves “storytelling,” so when Houston rapper Scarface \u003ca href=\"https://www.youtube.com/watch?v=ajNYTJcF6rE\">was booked into NPR’s Tiny Desk\u003c/a> late last year, who could be surprised? Scarface, along with Nas and Slick Rick, is undeniably among hip-hop’s greatest and most vivid storytellers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13939056","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Take the 1997 track “\u003ca href=\"https://www.youtube.com/watch?v=QXBSkipMFL8\">Southside\u003c/a>,” where in just one minute and 13 seconds, Scarface tells you everything you need to know. He’s broke, high and walking past his neighborhood high school, thinking about his probation that’s worried his mom and reactivated his father’s depression. Terrified by visions of the devil, Scarface thinks of his own inherited depressive tendencies, and the reality that Black men like him rarely talk about mental health, worsening their alienation: “Somebody help the lost souls find a savior,” he pleads.\u003c/p>\n\u003cp>One verse. That’s it, that’s the whole song. And that’s what Scarface does over and over again across a catalog that’s remarkably consistent: “Mind Playin’ Tricks on Me” and other early work with the Geto Boys, his 1994 masterpiece \u003cem>The Diary\u003c/em>, his renaissance album \u003cem>The Fix\u003c/em>, and every live show he’s played since, full touring band in tow.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ajNYTJcF6rE'\n title='//www.youtube.com/embed/ajNYTJcF6rE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Performing at Oakland jazz club Yoshi’s in 2019, Scarface let his band stretch out: whether in psychedelic fashion (he’s a huge fan of Pink Floyd), or replicating Houston legend DJ Screw’s chopped-and-screwed sound. “Smile” turned into a remembrance of Tupac Shakur; “Mind Playin’ Tricks on Me” was recited line-for-line by the well-dressed crowd, and “I Seen a Man Die” very nearly opened up the ceiling and touched the heavens.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In other words: don’t miss Scarface when he returns to the Bay Area with his live band on Saturday, March 23, at the Regency Ballroom in San Francisco. \u003ca href=\"https://www.theregencyballroom.com/events/detail/531644\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954331/scarface-houston-live-band-san-francisco","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_831","arts_22029","arts_585","arts_4271","arts_4107"],"featImg":"arts_13954332","label":"arts_140"},"arts_13921058":{"type":"posts","id":"arts_13921058","meta":{"index":"posts_1591205157","site":"arts","id":"13921058","score":null,"sort":[1666986299000]},"guestAuthors":[],"slug":"watch-rising-oakland-rap-star-symbas-tiny-desk-concert","title":"Watch Rising Oakland Rap Star Symba’s Tiny Desk Concert","publishDate":1666986299,"format":"standard","headTitle":"Watch Rising Oakland Rap Star Symba’s Tiny Desk Concert | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>The Bay Area rapper \u003ca href=\"https://www.npr.org/artists/1131008273/symba\">Symba\u003c/a> is a capable storyteller, but he is best known for his bars. “Can I rap for y’all?” he asks after performing “Can’t Win For Nothing.” “‘Cause that wasn’t really me rapping; that was me guiding y’all through a bad day. Let me spit some lyrics.” Fair enough. He did tear through a \u003ca href=\"https://www.youtube.com/watch?v=bmvMjPiOVbg\">L.A. Leakers freestyle\u003c/a>, during a visit to Power 106 in 2020, turning many heads and even earning \u003ca href=\"https://www.npr.org/artists/15594870/dr-dre\">Dr. Dre\u003c/a>‘s hard-won approval. But in his Tiny Desk concert, he demonstrates a keen ability to supplement his charged, freestyler’s energy, balancing high-octane wordplay with crisp scene-setting. Donning a Reese Cooper varsity jacket, a white tee, ripped jeans and assorted jewelry, and backed by a band sporting black, Symba brought an even greater intimacy to his songs of determination.\u003c/p>\n\u003cp>[aside postid='arts_13909557']The concert opens with a few standout singles: He sets the tone by swaggering through “Don’t Condone,” gleefully brandishing his King James cosign, before diving into the solemn misadventures of “Can’t Win For Nothing.” His small, six-person ensemble brings warmth and color out of his beats, particularly on the Dre-produced “Never End Up Broke,” which breaks down into a lush alternate arrangement fit for the Blue Note jazz club.\u003c/p>\n\u003cp>After warming up, Symba works through several gripping cuts from his recent project with DJ Drama, \u003cem>Results Take Time\u003c/em>. As he closes out his set with stirring renditions of the legacy-pondering “GOAT” and the status-affirming “Never Change,” we bear witness to the truth of the album’s title. When he raps, “I took the long route, not the wrong route,” it feels like a prophecy fulfilled, proof that talent is always reinforced by work ethic.\u003c/p>\n\u003cp>https://youtu.be/RKblHbJE1jI\u003c/p>\n\u003cp>\u003cstrong>SET LIST\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>“Don’t Condone”\u003c/li>\n\u003cli>“Can’t Win For Nothing”\u003c/li>\n\u003cli>“Never End Up Broke”\u003c/li>\n\u003cli>“Sacrifices”\u003c/li>\n\u003cli>“GOAT”\u003c/li>\n\u003cli>“Never Change”\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>MUSICIANS\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Symba: vocals\u003c/li>\n\u003cli>Simon Martinez: guitar\u003c/li>\n\u003cli>Irvin Washington: keys, band leader\u003c/li>\n\u003cli>Raymond Nesmith: bass\u003c/li>\n\u003cli>Julian Coleman: vocals\u003c/li>\n\u003cli>Ebony Joi: vocals\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>TINY DESK TEAM\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Producer: Abby O’Neill\u003c/li>\n\u003cli>Director: Kara Frame\u003c/li>\n\u003cli>Audio Engineer: Andie Huether\u003c/li>\n\u003cli>Audio Mix: Josh Rogosin\u003c/li>\n\u003cli>Creative Director: Bob Boilen\u003c/li>\n\u003cli>Editor: Maia Stern\u003c/li>\n\u003cli>Videographers: Joshua Bryant, Kara Frame, Michael Zamora\u003c/li>\n\u003cli>Audio Assistant: Hannah Copeland\u003c/li>\n\u003cli>Production Assistant: Jill Britton\u003c/li>\n\u003cli>Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Ashley Pointer\u003c/li>\n\u003cli>VP, Visuals and Music: Keith Jenkins\u003c/li>\n\u003cli>Senior VP, Programming: Anya Grundmann\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">Copyright 2022 \u003ca href=\"http://npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The artist balances high-octane wordplay with crisp scene-setting in his Tiny Desk performance. ","status":"publish","parent":0,"modified":1705006210,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":448},"headData":{"title":"Watch Rising Oakland Rap Star Symba’s Tiny Desk Concert | KQED","description":"The artist balances high-octane wordplay with crisp scene-setting in his Tiny Desk performance. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Watch Rising Oakland Rap Star Symba’s Tiny Desk Concert","datePublished":"2022-10-28T12:44:59-07:00","dateModified":"2024-01-11T12:50:10-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Credit: Bob Boilen","nprByline":"Sheldon Pearce","nprImageAgency":"NPR","nprStoryId":"1131007686","nprApiLink":"http://api.npr.org/query?id=1131007686&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2022/10/28/1131007686/symba-tiny-desk-concert?ft=nprml&f=1131007686","nprRetrievedStory":"1","nprPubDate":"Fri, 28 Oct 2022 05:01:00 -0400","nprStoryDate":"Fri, 28 Oct 2022 05:01:22 -0400","nprLastModifiedDate":"Fri, 28 Oct 2022 05:01:22 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13921058/watch-rising-oakland-rap-star-symbas-tiny-desk-concert","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Bay Area rapper \u003ca href=\"https://www.npr.org/artists/1131008273/symba\">Symba\u003c/a> is a capable storyteller, but he is best known for his bars. “Can I rap for y’all?” he asks after performing “Can’t Win For Nothing.” “‘Cause that wasn’t really me rapping; that was me guiding y’all through a bad day. Let me spit some lyrics.” Fair enough. He did tear through a \u003ca href=\"https://www.youtube.com/watch?v=bmvMjPiOVbg\">L.A. Leakers freestyle\u003c/a>, during a visit to Power 106 in 2020, turning many heads and even earning \u003ca href=\"https://www.npr.org/artists/15594870/dr-dre\">Dr. Dre\u003c/a>‘s hard-won approval. But in his Tiny Desk concert, he demonstrates a keen ability to supplement his charged, freestyler’s energy, balancing high-octane wordplay with crisp scene-setting. Donning a Reese Cooper varsity jacket, a white tee, ripped jeans and assorted jewelry, and backed by a band sporting black, Symba brought an even greater intimacy to his songs of determination.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13909557","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The concert opens with a few standout singles: He sets the tone by swaggering through “Don’t Condone,” gleefully brandishing his King James cosign, before diving into the solemn misadventures of “Can’t Win For Nothing.” His small, six-person ensemble brings warmth and color out of his beats, particularly on the Dre-produced “Never End Up Broke,” which breaks down into a lush alternate arrangement fit for the Blue Note jazz club.\u003c/p>\n\u003cp>After warming up, Symba works through several gripping cuts from his recent project with DJ Drama, \u003cem>Results Take Time\u003c/em>. As he closes out his set with stirring renditions of the legacy-pondering “GOAT” and the status-affirming “Never Change,” we bear witness to the truth of the album’s title. When he raps, “I took the long route, not the wrong route,” it feels like a prophecy fulfilled, proof that talent is always reinforced by work ethic.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RKblHbJE1jI'\n title='//www.youtube.com/embed/RKblHbJE1jI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>SET LIST\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>“Don’t Condone”\u003c/li>\n\u003cli>“Can’t Win For Nothing”\u003c/li>\n\u003cli>“Never End Up Broke”\u003c/li>\n\u003cli>“Sacrifices”\u003c/li>\n\u003cli>“GOAT”\u003c/li>\n\u003cli>“Never Change”\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>MUSICIANS\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Symba: vocals\u003c/li>\n\u003cli>Simon Martinez: guitar\u003c/li>\n\u003cli>Irvin Washington: keys, band leader\u003c/li>\n\u003cli>Raymond Nesmith: bass\u003c/li>\n\u003cli>Julian Coleman: vocals\u003c/li>\n\u003cli>Ebony Joi: vocals\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>TINY DESK TEAM\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Producer: Abby O’Neill\u003c/li>\n\u003cli>Director: Kara Frame\u003c/li>\n\u003cli>Audio Engineer: Andie Huether\u003c/li>\n\u003cli>Audio Mix: Josh Rogosin\u003c/li>\n\u003cli>Creative Director: Bob Boilen\u003c/li>\n\u003cli>Editor: Maia Stern\u003c/li>\n\u003cli>Videographers: Joshua Bryant, Kara Frame, Michael Zamora\u003c/li>\n\u003cli>Audio Assistant: Hannah Copeland\u003c/li>\n\u003cli>Production Assistant: Jill Britton\u003c/li>\n\u003cli>Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Ashley Pointer\u003c/li>\n\u003cli>VP, Visuals and Music: Keith Jenkins\u003c/li>\n\u003cli>Senior VP, Programming: Anya Grundmann\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"fullattribution\">Copyright 2022 \u003ca href=\"http://npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13921058/watch-rising-oakland-rap-star-symbas-tiny-desk-concert","authors":["byline_arts_13921058"],"categories":["arts_1"],"tags":["arts_8505","arts_10278","arts_831","arts_6554","arts_4271"],"affiliates":["arts_137"],"featImg":"arts_13921059","label":"arts_137"},"arts_13868271":{"type":"posts","id":"arts_13868271","meta":{"index":"posts_1591205157","site":"arts","id":"13868271","score":null,"sort":[1571239615000]},"guestAuthors":[],"slug":"watch-taylor-swifts-npr-tiny-desk-concert","title":"Watch Taylor Swift's NPR Tiny Desk Concert","publishDate":1571239615,"format":"standard","headTitle":"Watch Taylor Swift’s NPR Tiny Desk Concert | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>As \u003ca href=\"https://www.npr.org/artists/120581188/taylor-swift\">Taylor Swift\u003c/a> settled in for her Tiny Desk, she looked out at the 300-plus NPR employees and guests. “Wow! This is a lot of people in a tiny office!” she said. “I love it!” Then, after introducing herself, she explained her objective: “I just decided to take this as an opportunity to show you guys how the songs sounded when I first wrote them.”\u003c/p>\n\u003cp>It should come as no surprise that someone who commands stadium stages could hold court in NPR Music’s corner of our Washington, D.C. office — specifically, behind Bob Boilen’s desk — but Taylor Swift was truly at home in stripped-down, solo session mode. (“It’s just me. There’s no dancers, unfortunately,” she quipped.)\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"600\" height=\"338\" src=\"https://www.npr.org/templates/event/embeddedVideo.php?storyId=770318649&mediaId=770323524\" frameborder=\"0\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>Opening with an acoustic rendition of “The Man,” from her 2019 album \u003cem>Lover, \u003c/em>Swift delivered a critique of gender double-standards with a sense of humor (and a perfectly deployed hair toss), Leonardo DiCaprio name-check and all. Turning to the piano for \u003cem>Lover\u003c/em>‘s title track, with a smile, she explained the guitar-string scars of the song’s bridge. Picking up the guitar again for “Death by a Thousand Cuts,” Swift confronted a question that she says has haunted her career: What will you ever do if you get happy? Across the song’s run-on thoughts and relentless searching, Swift offered an answer: She’ll continue to excel at crafting superb story-songs.\u003c/p>\n\u003cp>Though most Tiny Desk concerts stop at three songs, we couldn’t turn down the chance to hear “All Too Well” from Swift’s 2012 album, \u003ca href=\"https://www.npr.org/2017/08/28/546359653/shocking-omissions-taylor-swift-s-red-a-canonical-coming-of-age-album\">\u003cem>Red\u003c/em>\u003c/a>. Routinely cited by critics and fans alike as a favorite, the beloved track has become the stuff of Swiftie legends, striking in its \u003ca href=\"https://www.npr.org/2019/08/26/754300347/show-and-tell-on-lover-taylor-swift-lets-listeners-in-on-her-own-terms\">specificity\u003c/a> (that scarf!) and relatable in a way that anyone who has loved and lost can understand.\u003c/p>\n\u003cp>That sense of connection is at the heart of it all. Some 800 Tiny Desk concerts since we published our very first back \u003ca href=\"https://www.npr.org/sections/allsongs/2015/02/12/385532517/all-songs-at-15-our-first-ever-tiny-desk-concert\">in April of 2008\u003c/a>, the aim remains the same: In the midst of meetings and conference calls, Tiny Desk concerts offer respite from the workday and an opportunity to see an artist reimagine their work in a strange setting. It’s always special, but on some days, it feels downright magical. Watching Taylor Swift perform – and then interact with coworkers and guests who have grown up with her – was simply enchanting.\u003c/p>\n\u003ch3>SET LIST\u003c/h3>\n\u003cul>\n\u003cli>“The Man”\u003c/li>\n\u003cli>“Lover”\u003c/li>\n\u003cli>“Death by a Thousand Cuts”\u003c/li>\n\u003cli>“All Too Well”\u003c/li>\n\u003c/ul>\n\u003ch3>MUSICIAN\u003c/h3>\n\u003cp>\u003cem>Taylor Swift: vocals, guitar, piano\u003c/em>\u003c/p>\n\u003ch3>CREDITS\u003c/h3>\n\u003cp>\u003cem>Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, Natasha Branch; Videographers: Morgan Noelle Smith, Kara Frame, Maia Stern; Associate Producer: Bobby Carter; Production Assistants: Jack Corbett, Mito Habe-Evans; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann; Photo: Bob Boilen/NPR\u003c/em> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Taylor+Swift%3A+Tiny+Desk+Concert&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Taylor Swift performs at NPR's Tiny Desk, taking the opportunity \"to show you guys how the songs sounded when I first wrote them.\"","status":"publish","parent":0,"modified":1705021974,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":true,"iframeSrcs":["https://www.npr.org/templates/event/embeddedVideo.php"],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":514},"headData":{"title":"Watch Taylor Swift's NPR Tiny Desk Concert | KQED","description":"Taylor Swift performs at NPR's Tiny Desk, taking the opportunity "to show you guys how the songs sounded when I first wrote them."","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Watch Taylor Swift's NPR Tiny Desk Concert","datePublished":"2019-10-16T08:26:55-07:00","dateModified":"2024-01-11T17:12:54-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Bob Boilen","nprByline":"Lyndsey McKenna","nprImageAgency":"NPR","nprStoryId":"770318649","nprApiLink":"http://api.npr.org/query?id=770318649&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2019/10/16/770318649/taylor-swift-tiny-desk-concert?ft=nprml&f=770318649","nprRetrievedStory":"1","nprPubDate":"Wed, 16 Oct 2019 09:54:00 -0400","nprStoryDate":"Wed, 16 Oct 2019 05:00:00 -0400","nprLastModifiedDate":"Wed, 16 Oct 2019 09:54:44 -0400","templateType":"standard","featuredImageType":"standard","path":"/arts/13868271/watch-taylor-swifts-npr-tiny-desk-concert","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>As \u003ca href=\"https://www.npr.org/artists/120581188/taylor-swift\">Taylor Swift\u003c/a> settled in for her Tiny Desk, she looked out at the 300-plus NPR employees and guests. “Wow! This is a lot of people in a tiny office!” she said. “I love it!” Then, after introducing herself, she explained her objective: “I just decided to take this as an opportunity to show you guys how the songs sounded when I first wrote them.”\u003c/p>\n\u003cp>It should come as no surprise that someone who commands stadium stages could hold court in NPR Music’s corner of our Washington, D.C. office — specifically, behind Bob Boilen’s desk — but Taylor Swift was truly at home in stripped-down, solo session mode. (“It’s just me. There’s no dancers, unfortunately,” she quipped.)\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"600\" height=\"338\" src=\"https://www.npr.org/templates/event/embeddedVideo.php?storyId=770318649&mediaId=770323524\" frameborder=\"0\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>Opening with an acoustic rendition of “The Man,” from her 2019 album \u003cem>Lover, \u003c/em>Swift delivered a critique of gender double-standards with a sense of humor (and a perfectly deployed hair toss), Leonardo DiCaprio name-check and all. Turning to the piano for \u003cem>Lover\u003c/em>‘s title track, with a smile, she explained the guitar-string scars of the song’s bridge. Picking up the guitar again for “Death by a Thousand Cuts,” Swift confronted a question that she says has haunted her career: What will you ever do if you get happy? Across the song’s run-on thoughts and relentless searching, Swift offered an answer: She’ll continue to excel at crafting superb story-songs.\u003c/p>\n\u003cp>Though most Tiny Desk concerts stop at three songs, we couldn’t turn down the chance to hear “All Too Well” from Swift’s 2012 album, \u003ca href=\"https://www.npr.org/2017/08/28/546359653/shocking-omissions-taylor-swift-s-red-a-canonical-coming-of-age-album\">\u003cem>Red\u003c/em>\u003c/a>. Routinely cited by critics and fans alike as a favorite, the beloved track has become the stuff of Swiftie legends, striking in its \u003ca href=\"https://www.npr.org/2019/08/26/754300347/show-and-tell-on-lover-taylor-swift-lets-listeners-in-on-her-own-terms\">specificity\u003c/a> (that scarf!) and relatable in a way that anyone who has loved and lost can understand.\u003c/p>\n\u003cp>That sense of connection is at the heart of it all. Some 800 Tiny Desk concerts since we published our very first back \u003ca href=\"https://www.npr.org/sections/allsongs/2015/02/12/385532517/all-songs-at-15-our-first-ever-tiny-desk-concert\">in April of 2008\u003c/a>, the aim remains the same: In the midst of meetings and conference calls, Tiny Desk concerts offer respite from the workday and an opportunity to see an artist reimagine their work in a strange setting. It’s always special, but on some days, it feels downright magical. Watching Taylor Swift perform – and then interact with coworkers and guests who have grown up with her – was simply enchanting.\u003c/p>\n\u003ch3>SET LIST\u003c/h3>\n\u003cul>\n\u003cli>“The Man”\u003c/li>\n\u003cli>“Lover”\u003c/li>\n\u003cli>“Death by a Thousand Cuts”\u003c/li>\n\u003cli>“All Too Well”\u003c/li>\n\u003c/ul>\n\u003ch3>MUSICIAN\u003c/h3>\n\u003cp>\u003cem>Taylor Swift: vocals, guitar, piano\u003c/em>\u003c/p>\n\u003ch3>CREDITS\u003c/h3>\n\u003cp>\u003cem>Producers: Bob Boilen, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, Natasha Branch; Videographers: Morgan Noelle Smith, Kara Frame, Maia Stern; Associate Producer: Bobby Carter; Production Assistants: Jack Corbett, Mito Habe-Evans; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann; Photo: Bob Boilen/NPR\u003c/em> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Taylor+Swift%3A+Tiny+Desk+Concert&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13868271/watch-taylor-swifts-npr-tiny-desk-concert","authors":["byline_arts_13868271"],"categories":["arts_835","arts_69","arts_235","arts_75"],"tags":["arts_1118","arts_1377","arts_4591","arts_3026","arts_4271"],"featImg":"arts_13868272","label":"arts"},"arts_13860137":{"type":"posts","id":"arts_13860137","meta":{"index":"posts_1591205157","site":"arts","id":"13860137","score":null,"sort":[1561416448000]},"guestAuthors":[],"slug":"this-tiny-desk-contestant-rapped-a-love-letter-to-her-immigrant-mother","title":"This Tiny Desk Contestant Rapped A Love Letter To Her Immigrant Mother","publishDate":1561416448,"format":"standard","headTitle":"This Tiny Desk Contestant Rapped A Love Letter To Her Immigrant Mother | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.npr.org/sections/allsongs/2019/05/16/723554077/meet-quinn-christopherson-winner-of-the-2019-tiny-desk-contest\">Quinn Christopherson\u003c/a> may be the winner of the 2019 Tiny Desk Contest, but this year’s 6,000-plus entries included many outstanding performances.\u003c/p>\n\u003cp>One of those standouts came from rapper Ruby Ibarra and her band The Balikbayans, a group of Filipino-American musicians based out of the San Francisco Bay Area. Ibarra — who was born in Tacloban City in the Philippines and immigrated to the United States with her family in the 1990s — calls the song she submitted, “Someday,” an ode to her mother.\u003c/p>\n\u003cp>[aside postID='arts_13812554' hero='https://ww2.kqed.org/wp-content/uploads/sites/2/2017/10/ARTS_FILIPINODJS_1-1920x1080.jpg' target='_blank']\u003c/p>\n\u003cp>Ibarra reflects on the song in a note that she sent to NPR:\u003c/p>\n\u003cp>\u003cem>It is my declaration that my mother and I will make it in this country. I think that when we talk about immigration, especially in mainstream media, much of that is often romanticized and simplified; the experience and struggles are overlooked and the formation of identity and sense of belonging are neglected. \u003c/em>\u003c/p>\n\u003cp>\u003cem>When my mom moved to California from the Philippines in 1991, she went from being an accountant to a fast food janitor/cashier. She left everything behind in her motherland in hopes to provide better opportunities for me and my younger sister. She learned quickly how to be on survival mode and realized that the American Dream was far more complex than the mainstream narrative. The song “Someday” captures these themes and most importantly, captures my mother’s story, which is ultimately a similar story for many immigrants — trying to find a place to call home.\u003c/em>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Ruby Ibarra & The Balikbayans - Someday [2019 NPR Tiny Desk]\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/SCd3iSfnWSw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Ibarra describes her art as unfiltered, a quality that shines through in her band’s Tiny Desk submission. “I feel like when I am on that stage, or when I’m expressing myself through the lyrics that I rap, I feel like that’s me in my rawest form,” she says.\u003c/p>\n\u003cp>Ibarra’s verses on “Someday,” addressed to her mother, are a testament to this rawness. “Mama, I know it’s gon’ be fine wherever we go / ‘Cause we know, you raised this girl to dream and be a hero / What’s an ego to an eagle? I free-flow when I speak though / My pipe dreams through a peephole, my skin so Filipino,” she raps.\u003c/p>\n\u003cp>After earning an accounting degree \u003cem>cum laude \u003c/em>at her university in the Philippines, Ibarra’s mother decided to come to the United States.\u003c/p>\n\u003cp>“Especially during the ’80s and the ’90s, the economy wasn’t doing so well in the Philippines. And a lot of people really had this mentality that, ‘If I go to America, I’m gonna have better educated children or a better life,’ basically,” Ibarra says. “Upon moving here, I think that’s when my mom realized that it wasn’t all she expected it to be.”\u003c/p>\n\u003cp>But the rapper says that her mother always remained a model of resilience for Ibarra and her sister. “She was the matriarch and the patriarch in our household,” Ibarra says. “She was always my example of what it meant to be \u003ca href=\"https://www.npr.org/sections/codeswitch/2016/05/24/478560399/filipino-americans-blending-cultures-redefining-race\">\u003cem>Pinay\u003c/em>\u003c/a>, a woman who pretty much did s*** on her own, carried everything on her own back.”\u003c/p>\n\u003cp>Ibarra expresses her profound admiration for her mother in the lyrics of “Someday.” When she raps, “Mama we goin’ make it here someday” it’s meant to be a promise.\u003c/p>\n\u003cp>“I want to reach a point someday where I can look at her in the face and say that we made it,” Ibarra says. “I think that sense of belonging, that sense of hope, is a thread that’s very common in a lot of immigrant stories.”\u003c/p>\n\u003cp>In addition to expressing her truest self through her music, Ibarra says that she hopes to pass inspiration on to others who want to do the same.\u003c/p>\n\u003cp>“I am what I talk about in my music. I am \u003cem>Pinay\u003c/em>, I’m powerful, I’m fearless, I’m unfiltered,” Ibarra says. “And I like to hope that there’s young women out there who feel the same way. Or even if they don’t feel the same way, I hope to inspire young women out there to want to use their voice, to claim who they are and to embrace their identity.”\u003c/p>\n\u003cp>\u003cem>Listen to the full aired story at the audio link\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Ruby Ibarra describes her art as unfiltered, a quality that shines through in her band's 2019 Tiny Desk submission.","status":"publish","parent":0,"modified":1705022615,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":783},"headData":{"title":"This Tiny Desk Contestant Rapped A Love Letter To Her Immigrant Mother | KQED","description":"Ruby Ibarra describes her art as unfiltered, a quality that shines through in her band's 2019 Tiny Desk submission.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"This Tiny Desk Contestant Rapped A Love Letter To Her Immigrant Mother","datePublished":"2019-06-24T15:47:28-07:00","dateModified":"2024-01-11T17:23:35-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Donna Ibarra","nprByline":"Rosalind Faulkner","nprImageAgency":"Courtesy of the artist","nprStoryId":"734403197","nprApiLink":"http://api.npr.org/query?id=734403197&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/sections/allsongs/2019/06/22/734403197/this-tiny-desk-contestant-rapped-a-love-letter-to-her-immigrant-mother?ft=nprml&f=734403197","nprRetrievedStory":"1","nprPubDate":"Sat, 22 Jun 2019 08:22:00 -0400","nprStoryDate":"Sat, 22 Jun 2019 08:05:00 -0400","nprLastModifiedDate":"Sat, 22 Jun 2019 09:25:47 -0400","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/wesat/2019/06/20190622_wesat_this_tiny_desk_contestant_rapped_a_love_letter_to_her_immigrant_mother.mp3?orgId=1&topicId=1105&aggIds=92071316&d=252&p=7&story=734403197&ft=nprml&f=734403197","nprAudioM3u":"http://api.npr.org/m3u/1735005909-ffa360.m3u?orgId=1&topicId=1105&aggIds=92071316&d=252&p=7&story=734403197&ft=nprml&f=734403197","audioTrackLength":253,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","path":"/arts/13860137/this-tiny-desk-contestant-rapped-a-love-letter-to-her-immigrant-mother","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/wesat/2019/06/20190622_wesat_this_tiny_desk_contestant_rapped_a_love_letter_to_her_immigrant_mother.mp3?orgId=1&topicId=1105&aggIds=92071316&d=252&p=7&story=734403197&ft=nprml&f=734403197","parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.npr.org/sections/allsongs/2019/05/16/723554077/meet-quinn-christopherson-winner-of-the-2019-tiny-desk-contest\">Quinn Christopherson\u003c/a> may be the winner of the 2019 Tiny Desk Contest, but this year’s 6,000-plus entries included many outstanding performances.\u003c/p>\n\u003cp>One of those standouts came from rapper Ruby Ibarra and her band The Balikbayans, a group of Filipino-American musicians based out of the San Francisco Bay Area. Ibarra — who was born in Tacloban City in the Philippines and immigrated to the United States with her family in the 1990s — calls the song she submitted, “Someday,” an ode to her mother.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13812554","hero":"https://ww2.kqed.org/wp-content/uploads/sites/2/2017/10/ARTS_FILIPINODJS_1-1920x1080.jpg","target":"_blank","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ibarra reflects on the song in a note that she sent to NPR:\u003c/p>\n\u003cp>\u003cem>It is my declaration that my mother and I will make it in this country. I think that when we talk about immigration, especially in mainstream media, much of that is often romanticized and simplified; the experience and struggles are overlooked and the formation of identity and sense of belonging are neglected. \u003c/em>\u003c/p>\n\u003cp>\u003cem>When my mom moved to California from the Philippines in 1991, she went from being an accountant to a fast food janitor/cashier. She left everything behind in her motherland in hopes to provide better opportunities for me and my younger sister. She learned quickly how to be on survival mode and realized that the American Dream was far more complex than the mainstream narrative. The song “Someday” captures these themes and most importantly, captures my mother’s story, which is ultimately a similar story for many immigrants — trying to find a place to call home.\u003c/em>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Ruby Ibarra & The Balikbayans - Someday [2019 NPR Tiny Desk]\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/SCd3iSfnWSw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Ibarra describes her art as unfiltered, a quality that shines through in her band’s Tiny Desk submission. “I feel like when I am on that stage, or when I’m expressing myself through the lyrics that I rap, I feel like that’s me in my rawest form,” she says.\u003c/p>\n\u003cp>Ibarra’s verses on “Someday,” addressed to her mother, are a testament to this rawness. “Mama, I know it’s gon’ be fine wherever we go / ‘Cause we know, you raised this girl to dream and be a hero / What’s an ego to an eagle? I free-flow when I speak though / My pipe dreams through a peephole, my skin so Filipino,” she raps.\u003c/p>\n\u003cp>After earning an accounting degree \u003cem>cum laude \u003c/em>at her university in the Philippines, Ibarra’s mother decided to come to the United States.\u003c/p>\n\u003cp>“Especially during the ’80s and the ’90s, the economy wasn’t doing so well in the Philippines. And a lot of people really had this mentality that, ‘If I go to America, I’m gonna have better educated children or a better life,’ basically,” Ibarra says. “Upon moving here, I think that’s when my mom realized that it wasn’t all she expected it to be.”\u003c/p>\n\u003cp>But the rapper says that her mother always remained a model of resilience for Ibarra and her sister. “She was the matriarch and the patriarch in our household,” Ibarra says. “She was always my example of what it meant to be \u003ca href=\"https://www.npr.org/sections/codeswitch/2016/05/24/478560399/filipino-americans-blending-cultures-redefining-race\">\u003cem>Pinay\u003c/em>\u003c/a>, a woman who pretty much did s*** on her own, carried everything on her own back.”\u003c/p>\n\u003cp>Ibarra expresses her profound admiration for her mother in the lyrics of “Someday.” When she raps, “Mama we goin’ make it here someday” it’s meant to be a promise.\u003c/p>\n\u003cp>“I want to reach a point someday where I can look at her in the face and say that we made it,” Ibarra says. “I think that sense of belonging, that sense of hope, is a thread that’s very common in a lot of immigrant stories.”\u003c/p>\n\u003cp>In addition to expressing her truest self through her music, Ibarra says that she hopes to pass inspiration on to others who want to do the same.\u003c/p>\n\u003cp>“I am what I talk about in my music. I am \u003cem>Pinay\u003c/em>, I’m powerful, I’m fearless, I’m unfiltered,” Ibarra says. “And I like to hope that there’s young women out there who feel the same way. Or even if they don’t feel the same way, I hope to inspire young women out there to want to use their voice, to claim who they are and to embrace their identity.”\u003c/p>\n\u003cp>\u003cem>Listen to the full aired story at the audio link\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13860137/this-tiny-desk-contestant-rapped-a-love-letter-to-her-immigrant-mother","authors":["byline_arts_13860137"],"categories":["arts_71","arts_69","arts_75"],"tags":["arts_2855","arts_8924","arts_4271"],"affiliates":["arts_137"],"featImg":"arts_13860138","label":"arts_137"},"arts_13849823":{"type":"posts","id":"arts_13849823","meta":{"index":"posts_1591205157","site":"arts","id":"13849823","score":null,"sort":[1548956631000]},"guestAuthors":[],"slug":"instant-photos-capture-tiny-desk-artists-offstage-flaws-dust-specks-and-all","title":"Instant Photos Capture Tiny Desk Artists Offstage, 'Flaws, Dust Specks and All'","publishDate":1548956631,"format":"image","headTitle":"Instant Photos Capture Tiny Desk Artists Offstage, ‘Flaws, Dust Specks and All’ | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>\u003cem>When musicians visit NPR to perform in our Tiny Desk concert series, we occasionally use the opportunity to have a little fun. Eslah Attar created this series of instant film portraits during her time working at NPR in 2018.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>Creating a moment of connection is often the most difficult part of making a photograph: It has to happen in the instant the shutter clicks. Photographing performers can be even harder, since they naturally create personas as part of their work. So in photographing some of the musicians who have come to NPR to play \u003ca href=\"https://www.npr.org/series/tiny-desk-concerts/\">Tiny Desk concerts\u003c/a>, I wanted to find a way to capture them in a more natural state.\u003c/p>\n\u003cfigure id=\"attachment_13849828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849828\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/myoussef1_polaroidportrait043_custom-e6622b2964a4f592292ba2b7fddae286ce1f691d-800x506.jpg\" alt=\"Maimouna Youssef aka Mumu Fresh.\" width=\"800\" height=\"506\">\u003cfigcaption class=\"wp-caption-text\">Maimouna Youssef aka Mumu Fresh. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I find that using an instant film camera often disarms the people I photograph. It’s familiar, nostalgic, almost a toy, so it doesn’t intimidate in the same way a professional camera does — which helps break down some of the barriers that usually exist between photographers and their subjects. It is also limiting: For these portraits I took only one or two shots of each artist, leaving little time to warm up to the situation or try out different poses. The moment happens quickly, and the imperfections are part of the result.\u003c/p>\n\u003cfigure id=\"attachment_13849824\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849824\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/composite-2_custom-59bcddf6758649fe93b5fa58a36667a6c91b441b-800x1246.jpg\" alt=\"Clockwise from top left: Logan Richardson, Khalid, Josée Caron and Lucy Niles of Partner, Naia Izumi (winner of 2018's Tiny Desk Contest).\" width=\"800\" height=\"1246\">\u003cfigcaption class=\"wp-caption-text\">Clockwise from top left: Logan Richardson, Khalid, Josée Caron and Lucy Niles of Partner, Naia Izumi (winner of 2018’s Tiny Desk Contest). \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Seeing these artists perform at the Tiny Desk before I photographed them helped me get a more intimate idea of who they were. The setting is so simple — no bright lights or huge crowds, just the artist and a few onlookers — and through it I was able to see more of their personalities: sometimes awkward, sometimes confident, sometimes quiet, sometimes very normal.\u003c/p>\n\u003cfigure id=\"attachment_13849825\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849825\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/rhye_polaroidportrait065_custom-8d8f000c58c068ec8f52389b2d3c909584383688-800x1254.jpg\" alt=\"Mike Milosh of Rhye.\" width=\"800\" height=\"1254\">\u003cfigcaption class=\"wp-caption-text\">Mike Milosh of Rhye. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Behind the desk, \u003ca href=\"https://www.npr.org/2018/06/11/618198232/jorja-smith-tiny-desk-concert\">Jorja Smith\u003c/a> was reserved and thoughtful. In front of the camera she needed no direction, immediately tilting her head back and staring directly into the lens, confident and sophisticated. \u003ca href=\"https://www.npr.org/2018/06/18/619945249/khalid-tiny-desk-concert\">Khalid\u003c/a> gave a gentle and soft-spoken performance at the desk, hands resting in his lap, sometimes chatting quietly with his guitarist. In his portrait he stands with his eyes closed, leaves from a nearby plant spilling gently over his shoulder.\u003c/p>\n\u003cfigure id=\"attachment_13849829\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13849829 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-800x512.jpg\" alt=\"Mac Miller.\" width=\"800\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-1020x652.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-1200x768.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-1920x1228.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mac Miller. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.npr.org/2018/08/06/635054748/mac-miller-tiny-desk-concert\">Mac Miller\u003c/a>, who visited the Tiny Desk just two months before his death on Sept. 7, 2018, had a playfulness to him that spread throughout the audience the minute his set began, and he filled the silence between songs with warm, self-deprecating chatter. He doesn’t engage the camera here: Instead, he looks down with his hands on his head, showing his arms full of dark tattoos and a hat reading “Don’t Trip.”\u003c/p>\n\u003cfigure id=\"attachment_13849826\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849826\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/composite-3_custom-ef19e060fb4941a9cce5af9b25810f685a28a585-800x637.jpg\" alt=\"Left to right: Jenny Ball of Jenny and the Mexicats, Jorge Drexler.\" width=\"800\" height=\"637\">\u003cfigcaption class=\"wp-caption-text\">Left to right: Jenny Ball of Jenny and the Mexicats, Jorge Drexler. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As fans, we are often so familiar with an artist’s public self that we sometimes forget there’s a real person underneath. I hope these images — flaws, dust specks and all — help the viewer see those real people a little more clearly.\u003c/p>\n\u003cfigure id=\"attachment_13849830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13849830 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-800x419.jpg\" alt=\"Left to right: Big K.R.I.T., DAWN, PJ Morton.\" width=\"800\" height=\"419\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-800x419.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-768x402.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-1020x534.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-1200x628.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-1920x1005.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Left to right: Big K.R.I.T., DAWN, PJ Morton. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Instant+Photos+Capture+Tiny+Desk+Artists+Offstage%2C+%27Flaws%2C+Dust+Specks+and+All%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"See intimate moments with Thundercat, Jorja Smith, the late Mac Miller and other musicians from NPR's Tiny Desk concert series, captured just moments after they performed.","status":"publish","parent":0,"modified":1705026677,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":561},"headData":{"title":"Instant Photos Capture Tiny Desk Artists Offstage, 'Flaws, Dust Specks and All' | KQED","description":"See intimate moments with Thundercat, Jorja Smith, the late Mac Miller and other musicians from NPR's Tiny Desk concert series, captured just moments after they performed.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Instant Photos Capture Tiny Desk Artists Offstage, 'Flaws, Dust Specks and All'","datePublished":"2019-01-31T09:43:51-08:00","dateModified":"2024-01-11T18:31:17-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Eslah Attar","nprByline":"Eslah Attar","nprImageAgency":"NPR","nprStoryId":"682176536","nprApiLink":"http://api.npr.org/query?id=682176536&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/sections/pictureshow/2019/01/29/682176536/instant-photos-capture-tiny-desk-artists-offstage-flaws-dust-specks-and-all?ft=nprml&f=682176536","nprRetrievedStory":"1","nprPubDate":"Tue, 29 Jan 2019 16:56:00 -0500","nprStoryDate":"Tue, 29 Jan 2019 07:01:00 -0500","nprLastModifiedDate":"Tue, 29 Jan 2019 16:56:34 -0500","path":"/arts/13849823/instant-photos-capture-tiny-desk-artists-offstage-flaws-dust-specks-and-all","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>When musicians visit NPR to perform in our Tiny Desk concert series, we occasionally use the opportunity to have a little fun. Eslah Attar created this series of instant film portraits during her time working at NPR in 2018.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>Creating a moment of connection is often the most difficult part of making a photograph: It has to happen in the instant the shutter clicks. Photographing performers can be even harder, since they naturally create personas as part of their work. So in photographing some of the musicians who have come to NPR to play \u003ca href=\"https://www.npr.org/series/tiny-desk-concerts/\">Tiny Desk concerts\u003c/a>, I wanted to find a way to capture them in a more natural state.\u003c/p>\n\u003cfigure id=\"attachment_13849828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849828\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/myoussef1_polaroidportrait043_custom-e6622b2964a4f592292ba2b7fddae286ce1f691d-800x506.jpg\" alt=\"Maimouna Youssef aka Mumu Fresh.\" width=\"800\" height=\"506\">\u003cfigcaption class=\"wp-caption-text\">Maimouna Youssef aka Mumu Fresh. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I find that using an instant film camera often disarms the people I photograph. It’s familiar, nostalgic, almost a toy, so it doesn’t intimidate in the same way a professional camera does — which helps break down some of the barriers that usually exist between photographers and their subjects. It is also limiting: For these portraits I took only one or two shots of each artist, leaving little time to warm up to the situation or try out different poses. The moment happens quickly, and the imperfections are part of the result.\u003c/p>\n\u003cfigure id=\"attachment_13849824\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849824\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/composite-2_custom-59bcddf6758649fe93b5fa58a36667a6c91b441b-800x1246.jpg\" alt=\"Clockwise from top left: Logan Richardson, Khalid, Josée Caron and Lucy Niles of Partner, Naia Izumi (winner of 2018's Tiny Desk Contest).\" width=\"800\" height=\"1246\">\u003cfigcaption class=\"wp-caption-text\">Clockwise from top left: Logan Richardson, Khalid, Josée Caron and Lucy Niles of Partner, Naia Izumi (winner of 2018’s Tiny Desk Contest). \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Seeing these artists perform at the Tiny Desk before I photographed them helped me get a more intimate idea of who they were. The setting is so simple — no bright lights or huge crowds, just the artist and a few onlookers — and through it I was able to see more of their personalities: sometimes awkward, sometimes confident, sometimes quiet, sometimes very normal.\u003c/p>\n\u003cfigure id=\"attachment_13849825\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849825\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/rhye_polaroidportrait065_custom-8d8f000c58c068ec8f52389b2d3c909584383688-800x1254.jpg\" alt=\"Mike Milosh of Rhye.\" width=\"800\" height=\"1254\">\u003cfigcaption class=\"wp-caption-text\">Mike Milosh of Rhye. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Behind the desk, \u003ca href=\"https://www.npr.org/2018/06/11/618198232/jorja-smith-tiny-desk-concert\">Jorja Smith\u003c/a> was reserved and thoughtful. In front of the camera she needed no direction, immediately tilting her head back and staring directly into the lens, confident and sophisticated. \u003ca href=\"https://www.npr.org/2018/06/18/619945249/khalid-tiny-desk-concert\">Khalid\u003c/a> gave a gentle and soft-spoken performance at the desk, hands resting in his lap, sometimes chatting quietly with his guitarist. In his portrait he stands with his eyes closed, leaves from a nearby plant spilling gently over his shoulder.\u003c/p>\n\u003cfigure id=\"attachment_13849829\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13849829 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-800x512.jpg\" alt=\"Mac Miller.\" width=\"800\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-1020x652.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-1200x768.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c-1920x1228.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/macmiller1_polaroidportrait081_custom-126d364e6dfdc93b8dd305b26a5d38aa1d55fe4c.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mac Miller. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.npr.org/2018/08/06/635054748/mac-miller-tiny-desk-concert\">Mac Miller\u003c/a>, who visited the Tiny Desk just two months before his death on Sept. 7, 2018, had a playfulness to him that spread throughout the audience the minute his set began, and he filled the silence between songs with warm, self-deprecating chatter. He doesn’t engage the camera here: Instead, he looks down with his hands on his head, showing his arms full of dark tattoos and a hat reading “Don’t Trip.”\u003c/p>\n\u003cfigure id=\"attachment_13849826\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13849826\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/composite-3_custom-ef19e060fb4941a9cce5af9b25810f685a28a585-800x637.jpg\" alt=\"Left to right: Jenny Ball of Jenny and the Mexicats, Jorge Drexler.\" width=\"800\" height=\"637\">\u003cfigcaption class=\"wp-caption-text\">Left to right: Jenny Ball of Jenny and the Mexicats, Jorge Drexler. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As fans, we are often so familiar with an artist’s public self that we sometimes forget there’s a real person underneath. I hope these images — flaws, dust specks and all — help the viewer see those real people a little more clearly.\u003c/p>\n\u003cfigure id=\"attachment_13849830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13849830 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-800x419.jpg\" alt=\"Left to right: Big K.R.I.T., DAWN, PJ Morton.\" width=\"800\" height=\"419\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-800x419.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-768x402.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-1020x534.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-1200x628.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d-1920x1005.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/01/composite-4_custom-2c35bbe5ce6d64b73362cd95d3b2055d1172a47d.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Left to right: Big K.R.I.T., DAWN, PJ Morton. \u003ccite>(Eslah Attar/NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Instant+Photos+Capture+Tiny+Desk+Artists+Offstage%2C+%27Flaws%2C+Dust+Specks+and+All%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13849823/instant-photos-capture-tiny-desk-artists-offstage-flaws-dust-specks-and-all","authors":["byline_arts_13849823"],"categories":["arts_1","arts_69","arts_235","arts_75"],"tags":["arts_6475","arts_977","arts_4591","arts_596","arts_822","arts_925","arts_5612","arts_6554","arts_4271","arts_901"],"affiliates":["arts_137"],"featImg":"arts_13849827","label":"arts_137"},"arts_13831479":{"type":"posts","id":"arts_13831479","meta":{"index":"posts_1591205157","site":"arts","id":"13831479","score":null,"sort":[1525798843000]},"guestAuthors":[],"slug":"npr-announces-tiny-desk-tour-la-misa-negra-eki-shola-open-in-petaluma","title":"NPR Announces Tiny Desk Tour; La Misa Negra, Eki Shola Open in Petaluma","publishDate":1525798843,"format":"standard","headTitle":"NPR Announces Tiny Desk Tour; La Misa Negra, Eki Shola Open in Petaluma | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>Naia Izumi, the husky-voiced, nimble-fingered guitarist from L.A. by way of Georgia, is the winner of this year’s Tiny Desk Concert, and NPR just announced the Tiny Desk On the Road Tour, kicking off on May 21 in Brooklyn.\u003c/p>\n\u003cp>On June 11, Izumi comes to Petaluma for the Bay Area stop of the tour at Lagunitas Taproom, co-presented by KQED and KRCB. This year’s local openers are \u003ca href=\"https://www.kqed.org/arts/13809210\" target=\"_blank\" rel=\"noopener\">La Misa Negra\u003c/a>, the popular cumbia band known for its boisterous live shows; jazz singer and composer Eki Shola; and one other Bay Area band to be announced.\u003c/p>\n\u003cp>Izumi has a fascinating life story: his song that won over NPR’s judges, “Soft Spoken,” is about feeling underestimated when he presented as a woman. In an \u003ca href=\"https://www.npr.org/templates/transcript/transcript.php?storyId=605005960\" target=\"_blank\" rel=\"noopener\">interview with NPR\u003c/a>, Izumi was candid about his gender fluidity as well as his experiences living with autism.\u003c/p>\n\u003cp>Check out Izumi’s winning Tiny Desk Contest entry below and click \u003ca href=\"https://www.nprpresents.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for show details and tickets.\u003c/p>\n\u003cp>https://youtu.be/nk8HEO_60ms\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"Tiny Desk Contest winner Naia Izumi performs with cumbia band La Misa Negra and jazz singer Eki Shola at Lagunitas.","status":"publish","parent":0,"modified":1705027923,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":179},"headData":{"title":"NPR Announces Tiny Desk Tour; La Misa Negra, Eki Shola Open in Petaluma | KQED","description":"Tiny Desk Contest winner Naia Izumi performs with cumbia band La Misa Negra and jazz singer Eki Shola at Lagunitas.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"NPR Announces Tiny Desk Tour; La Misa Negra, Eki Shola Open in Petaluma","datePublished":"2018-05-08T10:00:43-07:00","dateModified":"2024-01-11T18:52:03-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13831479/npr-announces-tiny-desk-tour-la-misa-negra-eki-shola-open-in-petaluma","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Naia Izumi, the husky-voiced, nimble-fingered guitarist from L.A. by way of Georgia, is the winner of this year’s Tiny Desk Concert, and NPR just announced the Tiny Desk On the Road Tour, kicking off on May 21 in Brooklyn.\u003c/p>\n\u003cp>On June 11, Izumi comes to Petaluma for the Bay Area stop of the tour at Lagunitas Taproom, co-presented by KQED and KRCB. This year’s local openers are \u003ca href=\"https://www.kqed.org/arts/13809210\" target=\"_blank\" rel=\"noopener\">La Misa Negra\u003c/a>, the popular cumbia band known for its boisterous live shows; jazz singer and composer Eki Shola; and one other Bay Area band to be announced.\u003c/p>\n\u003cp>Izumi has a fascinating life story: his song that won over NPR’s judges, “Soft Spoken,” is about feeling underestimated when he presented as a woman. In an \u003ca href=\"https://www.npr.org/templates/transcript/transcript.php?storyId=605005960\" target=\"_blank\" rel=\"noopener\">interview with NPR\u003c/a>, Izumi was candid about his gender fluidity as well as his experiences living with autism.\u003c/p>\n\u003cp>Check out Izumi’s winning Tiny Desk Contest entry below and click \u003ca href=\"https://www.nprpresents.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for show details and tickets.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nk8HEO_60ms'\n title='//www.youtube.com/embed/nk8HEO_60ms'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13831479/npr-announces-tiny-desk-tour-la-misa-negra-eki-shola-open-in-petaluma","authors":["11387"],"categories":["arts_69"],"tags":["arts_1118","arts_2519","arts_596","arts_4271"],"featImg":"arts_13831488","label":"arts"},"arts_13827308":{"type":"posts","id":"arts_13827308","meta":{"index":"posts_1591205157","site":"arts","id":"13827308","score":null,"sort":[1521126027000]},"guestAuthors":[],"slug":"there-are-less-than-two-weeks-left-to-enter-nprs-tiny-desk-contest","title":"Reminder: There's Less Than Two Weeks Left to Enter NPR's Tiny Desk Contest","publishDate":1521126027,"format":"image","headTitle":"Reminder: There’s Less Than Two Weeks Left to Enter NPR’s Tiny Desk Contest | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>An exhaustive \u003ca href=\"https://noisey.vice.com/en_us/article/a34qxb/the-desk-from-npr-tiny-desk-concerts-is-actually-not-tiny-an-investigation\" target=\"_blank\" rel=\"noopener\">investigation\u003c/a> recently exposed one of the biggest secrets in public media: that NPR’s Tiny Desk is not so tiny, after all. In fact, the L-shaped table is large enough to pack in a 23-member band and a 900-pound grand piano.\u003c/p>\n\u003cp>Such revelations don’t change the fact that Tiny Desk concerts are a fascinating way to experience favorite artists, short of seeing them live. The minimalist setup and emphasis on live instrumentation forces bands to adapt, showing viewers what they can do without software and other trickery. The constraints have yielded magical results, like when twin sisters \u003ca href=\"https://www.npr.org/event/music/583477709/ibeyi-tiny-desk-concert\" target=\"_blank\" rel=\"noopener\">Ibeyi\u003c/a> sang enchanting harmonies in Yoruba, or when \u003ca href=\"https://www.npr.org/event/music/585836082/big-daddy-kane-tiny-desk-concert\" target=\"_blank\" rel=\"noopener\">Big Daddy Kane\u003c/a> transformed the NPR office into a time warp to hip-hop’s early days.\u003c/p>\n\u003cp>https://youtu.be/K2Pf41N5Rqo\u003c/p>\n\u003cp>As it has every year since 2015, NPR is taking submissions for its annual Tiny Desk Contest, with entries open through Mar. 25. One lucky undiscovered band will get the chance to play a Tiny Desk show at NPR’s headquarters in Washington, D.C. and drive around the country on a U.S. tour. To enter, artists must submit a video of themselves playing an original song at a desk of their choosing — “tiny” or not.\u003c/p>\n\u003cp>Previous winners have included Oakland’s Fantastic Negrito, who won a Grammy in 2017 for Best Contemporary Blues Album after winning the Tiny Desk Concert in 2015. To learn more about the contest and how to submit, click \u003ca href=\"http://tinydeskcontest.npr.org/open/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n","blocks":[],"excerpt":"The competition offers a chance for an undiscovered band to perform at NPR's office in Washington D.C. and go on a U.S. tour. ","status":"publish","parent":0,"modified":1705028260,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":7,"wordCount":258},"headData":{"title":"Reminder: There's Less Than Two Weeks Left to Enter NPR's Tiny Desk Contest | KQED","description":"The competition offers a chance for an undiscovered band to perform at NPR's office in Washington D.C. and go on a U.S. tour. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Reminder: There's Less Than Two Weeks Left to Enter NPR's Tiny Desk Contest","datePublished":"2018-03-15T08:00:27-07:00","dateModified":"2024-01-11T18:57:40-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"path":"/arts/13827308/there-are-less-than-two-weeks-left-to-enter-nprs-tiny-desk-contest","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>An exhaustive \u003ca href=\"https://noisey.vice.com/en_us/article/a34qxb/the-desk-from-npr-tiny-desk-concerts-is-actually-not-tiny-an-investigation\" target=\"_blank\" rel=\"noopener\">investigation\u003c/a> recently exposed one of the biggest secrets in public media: that NPR’s Tiny Desk is not so tiny, after all. In fact, the L-shaped table is large enough to pack in a 23-member band and a 900-pound grand piano.\u003c/p>\n\u003cp>Such revelations don’t change the fact that Tiny Desk concerts are a fascinating way to experience favorite artists, short of seeing them live. The minimalist setup and emphasis on live instrumentation forces bands to adapt, showing viewers what they can do without software and other trickery. The constraints have yielded magical results, like when twin sisters \u003ca href=\"https://www.npr.org/event/music/583477709/ibeyi-tiny-desk-concert\" target=\"_blank\" rel=\"noopener\">Ibeyi\u003c/a> sang enchanting harmonies in Yoruba, or when \u003ca href=\"https://www.npr.org/event/music/585836082/big-daddy-kane-tiny-desk-concert\" target=\"_blank\" rel=\"noopener\">Big Daddy Kane\u003c/a> transformed the NPR office into a time warp to hip-hop’s early days.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K2Pf41N5Rqo'\n title='//www.youtube.com/embed/K2Pf41N5Rqo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As it has every year since 2015, NPR is taking submissions for its annual Tiny Desk Contest, with entries open through Mar. 25. One lucky undiscovered band will get the chance to play a Tiny Desk show at NPR’s headquarters in Washington, D.C. and drive around the country on a U.S. tour. To enter, artists must submit a video of themselves playing an original song at a desk of their choosing — “tiny” or not.\u003c/p>\n\u003cp>Previous winners have included Oakland’s Fantastic Negrito, who won a Grammy in 2017 for Best Contemporary Blues Album after winning the Tiny Desk Concert in 2015. To learn more about the contest and how to submit, click \u003ca href=\"http://tinydeskcontest.npr.org/open/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13827308/there-are-less-than-two-weeks-left-to-enter-nprs-tiny-desk-contest","authors":["11387"],"categories":["arts_69"],"tags":["arts_1588","arts_1377","arts_596","arts_4271"],"featImg":"arts_11163728","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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