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"content": "\u003cp>The venerable Noise Pop Festival is a 26-year San Francisco tradition — and a few years ago, we noticed a \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" rel=\"noopener\" target=\"_blank\">slight, welcome shift\u003c/a> in their booking. Jazz acts like Kamasi Washington, rap artists like Vince Staples and even bonafide pop stars like Carly Rae Jepsen crept into the traditionally indie-rock dominated schedule, signaling that Noise Pop might be \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" rel=\"noopener\" target=\"_blank\">growing beyond the intrinsic boundaries of its name\u003c/a>.\u003c/p>\n\u003cp>So that’s why this year, we’d watched as the first and second waves of \u003ca href=\"https://www.noisepopfest.com/\" rel=\"noopener\" target=\"_blank\">lineup announcements\u003c/a> came with reliable, mostly guitar-based bands like Built to Spill, tUnE-yArDs, Superchunk, Waxahatchee, Real Estate, Jay Som, Black Rebel Motorcycle Club, No Age, Parquet Courts and more. And we wondered: hmmmm?\u003c/p>\n\u003cp>Today we wonder no more — the festival’s announced that it’s booked blunted beatwizard \u003cstrong>Madlib\u003c/strong> in a DJ set; chill SoCal R&B master and KMEL fave \u003cstrong>Ty Dolla Sign\u003c/strong>; inscrutable but often-genius rapper \u003cstrong>Jay Electronica\u003c/strong>; and, with former members of ’90s jazz-hip-hop icons Digable Planets, experimental rap duo \u003cstrong>Shabazz Palaces\u003c/strong>.\u003c/p>\n\u003cp>But what does this mean, really? Without getting into \u003ca href=\"https://www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar/?utm_term=.4066485dfa06\" rel=\"noopener\" target=\"_blank\">the banal “are guitars dead?” debate that’s been going around\u003c/a>, it’s notable that there are \u003ca href=\"https://www.stereogum.com/1977161/where-the-fuck-are-all-the-bands-thoughts-on-the-2018-coachella-poster/franchises/sounding-board/\" rel=\"noopener\" target=\"_blank\">hardly any rock bands in the Coachella lineup this year\u003c/a>. Or on the Billboard charts. Or on Spotify’s most-streamed playlists. Noise Pop is just bending along with prevailing trends, and that’s a good thing for everyone (the Kamasi Washington show being \u003ca href=\"https://ww2.kqed.org/arts/2016/02/29/carly-vince-and-kamasi-a-tale-of-three-noise-pop-shows/\" rel=\"noopener\" target=\"_blank\">the most fulfilling, exhilarating Noise Pop show I think I’ve ever been to\u003c/a>).\u003c/p>\n\u003cp>Anyway, \u003ca href=\"https://www.noisepopfest.com/\" rel=\"noopener\" target=\"_blank\">tix on sale over here\u003c/a>. Built to Spill is playing \u003cem>Keep It Like a Secret\u003c/em> in its entirety. How can you lose?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The venerable Noise Pop Festival is a 26-year San Francisco tradition — and a few years ago, we noticed a \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" rel=\"noopener\" target=\"_blank\">slight, welcome shift\u003c/a> in their booking. Jazz acts like Kamasi Washington, rap artists like Vince Staples and even bonafide pop stars like Carly Rae Jepsen crept into the traditionally indie-rock dominated schedule, signaling that Noise Pop might be \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" rel=\"noopener\" target=\"_blank\">growing beyond the intrinsic boundaries of its name\u003c/a>.\u003c/p>\n\u003cp>So that’s why this year, we’d watched as the first and second waves of \u003ca href=\"https://www.noisepopfest.com/\" rel=\"noopener\" target=\"_blank\">lineup announcements\u003c/a> came with reliable, mostly guitar-based bands like Built to Spill, tUnE-yArDs, Superchunk, Waxahatchee, Real Estate, Jay Som, Black Rebel Motorcycle Club, No Age, Parquet Courts and more. And we wondered: hmmmm?\u003c/p>\n\u003cp>Today we wonder no more — the festival’s announced that it’s booked blunted beatwizard \u003cstrong>Madlib\u003c/strong> in a DJ set; chill SoCal R&B master and KMEL fave \u003cstrong>Ty Dolla Sign\u003c/strong>; inscrutable but often-genius rapper \u003cstrong>Jay Electronica\u003c/strong>; and, with former members of ’90s jazz-hip-hop icons Digable Planets, experimental rap duo \u003cstrong>Shabazz Palaces\u003c/strong>.\u003c/p>\n\u003cp>But what does this mean, really? Without getting into \u003ca href=\"https://www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar/?utm_term=.4066485dfa06\" rel=\"noopener\" target=\"_blank\">the banal “are guitars dead?” debate that’s been going around\u003c/a>, it’s notable that there are \u003ca href=\"https://www.stereogum.com/1977161/where-the-fuck-are-all-the-bands-thoughts-on-the-2018-coachella-poster/franchises/sounding-board/\" rel=\"noopener\" target=\"_blank\">hardly any rock bands in the Coachella lineup this year\u003c/a>. Or on the Billboard charts. Or on Spotify’s most-streamed playlists. Noise Pop is just bending along with prevailing trends, and that’s a good thing for everyone (the Kamasi Washington show being \u003ca href=\"https://ww2.kqed.org/arts/2016/02/29/carly-vince-and-kamasi-a-tale-of-three-noise-pop-shows/\" rel=\"noopener\" target=\"_blank\">the most fulfilling, exhilarating Noise Pop show I think I’ve ever been to\u003c/a>).\u003c/p>\n\u003cp>Anyway, \u003ca href=\"https://www.noisepopfest.com/\" rel=\"noopener\" target=\"_blank\">tix on sale over here\u003c/a>. Built to Spill is playing \u003cem>Keep It Like a Secret\u003c/em> in its entirety. How can you lose?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Noise Pop has rolled out the first phase of its musical lineup for the weeklong 2018 Noise Pop Festival early this year, an offering that makes up for the cancellation and impending relocation of its Treasure Island Music Festival — which usually takes place in mid-October.\u003c/p>\n\u003cp>The \u003ca href=\"https://noisepopfest.com/\" target=\"_blank\" rel=\"noopener\">Noise Pop Festival,\u003c/a> which kicks off its 26th iteration on Feb. 19, announced its headliners. Its top billing acts, including the likes of Oakland’s Tune-Yards and San Francisco’s Black Rebel Motorcycle Club, are among the brightest luminaries for the Bay Area’s independent music scene.\u003c/p>\n\u003cp>Other noteworthy Bay Area-based performers listed on the festival marquee include Jay Som, Geographer, WHY? and Magik*Magik Orchestra, the latter of which is pairing up with the like-minded chamber-pop group San Fermin for a rare collaborative show.\u003c/p>\n\u003cp>Noise Pop has dabbled in hip-hop, jazz, R&B and metal in recent years; the likes of \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" target=\"_blank\" rel=\"noopener\">Vince Staples, BADBADNOTGOOD, clipping. and Kelis blessed the festival’s silver anniversary last year.\u003c/a> But for its 2018 edition, they seem to be harkening not just to their Bay Area roots, but to their status as the Bay’s pre-eminent gatekeepers of indie music.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cRES6Af_Wyg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It was an intentional move, says Noise Pop general manager Dawson Ludwig.\u003c/p>\n\u003cp>“The Noise Pop aesthetic is rooted in the early ’90s college rock sound and bands like Superchunk will always be a staple,” Ludwig said. “But as indie has expanded to mean anything and everything that has an ineffable aesthetic, we’ve booked more acts that are both indicative of the diversity of the current community and some stalwart indie acts that are true to the classic Noise Pop lineup, which started off with Husker Du and Jawbreaker.”\u003c/p>\n\u003cp>That said, they’ve only announced two dozen acts out of the full lineup thus far; the rest is yet to be released. Ludwig expects the next three phases, which will be rolled out through January of next year, to feature acts across genre lines.\u003c/p>\n\u003cp>Noise Pop’s initial announcement boasts heavy-hitting indie acts such as Rostam, Girlpool, Superchunk and Japanese Breakfast (whose second Noise Pop Fest show in as many years comes at the heels of her stellar \u003cem>Soft Sounds from Another Planet\u003c/em>), alongside more unexpected fare like eclectic Chicano performer Cuco and post-hardcore outfit Enter Shikari.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ba44JRAjpV4\u003c/p>\n\u003cp>But of this year’s out-of-towners, the Brooklyn-based outfit Real Estate might be the act that elicits the most media attention. \u003ca href=\"https://pitchfork.com/news/real-estate-fired-guitarist-matt-mondanile-in-2016-because-he-allegedly-mistreated-women/\" target=\"_blank\" rel=\"noopener\"> Real Estate fired founding guitarist Matt Mondanile prior to the release of its 2016 album\u003cem> In Mind \u003c/em>after allegations of “his unacceptable treatment of women” came to their attention,\u003cem> \u003c/em>the band confirmed i\u003c/a>\u003ca href=\"https://pitchfork.com/news/real-estate-fired-guitarist-matt-mondanile-in-2016-because-he-allegedly-mistreated-women/\">n a statement to Pitchfork. \u003c/a>\u003c/p>\n\u003cp>“We decided that it was handled in a way on the band’s part that was separate from Matt,” says Ludwig. Real Estate’s Noise Pop gig at the Fox Theater on Feb. 24, the penultimate day of the festival, will go on.\u003c/p>\n\u003cp>Historically, tickets for the festival’s individual concerts at venues of various sizes throughout San Francisco and the East Bay, are sold concurrently with all-access passes to the larger festival. Ninety percent of shows, in effect, sell out before the festival begins.\u003c/p>\n\u003cp>This year, however, there is an emphasis on framing Noise Pop Festival as a full festival experience.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VUFr4SK1-l4\u003c/p>\n\u003cp>“If you look at it through the wrong lens, it can feel just like a set of shows,” Ludwig said. “But we want to make it a more refined experience for badgeholders. We want to make it feel like an all-out takeover of the city; the festival experience is the number one priority this year.”\u003c/p>\n\u003cp>Noise Pop is introducing an inventory system, which grants attendees the ability to hop around shows more effectively. Concertgoers can check their likelihood of getting into any given show on the Noise Pop app, and place themselves on a wait list.\u003c/p>\n\u003cp>Another change is that this year, badges for the upcoming Noise Pop Fest will grant access to the festival’s entire slate of film screenings. In previous years, badgeholders were required to purchase individual passes separately.\u003c/p>\n\u003cp>Early-bird badges to the festival are already sold out. Badges during this first phase will cost $175. With Phase 2, badge prices will rise again to an unspecified cost.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For what it’s worth, general admission badges for this year’s 25th annual Noise Pop Fest, which was their most-attended iteration to date, cost $175. These badges, Noise Pop notes in a statement, sold out. A limited number of premium “super fan badges,” which cost $399, are still available.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Noise Pop has rolled out the first phase of its musical lineup for the weeklong 2018 Noise Pop Festival early this year, an offering that makes up for the cancellation and impending relocation of its Treasure Island Music Festival — which usually takes place in mid-October.\u003c/p>\n\u003cp>The \u003ca href=\"https://noisepopfest.com/\" target=\"_blank\" rel=\"noopener\">Noise Pop Festival,\u003c/a> which kicks off its 26th iteration on Feb. 19, announced its headliners. Its top billing acts, including the likes of Oakland’s Tune-Yards and San Francisco’s Black Rebel Motorcycle Club, are among the brightest luminaries for the Bay Area’s independent music scene.\u003c/p>\n\u003cp>Other noteworthy Bay Area-based performers listed on the festival marquee include Jay Som, Geographer, WHY? and Magik*Magik Orchestra, the latter of which is pairing up with the like-minded chamber-pop group San Fermin for a rare collaborative show.\u003c/p>\n\u003cp>Noise Pop has dabbled in hip-hop, jazz, R&B and metal in recent years; the likes of \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" target=\"_blank\" rel=\"noopener\">Vince Staples, BADBADNOTGOOD, clipping. and Kelis blessed the festival’s silver anniversary last year.\u003c/a> But for its 2018 edition, they seem to be harkening not just to their Bay Area roots, but to their status as the Bay’s pre-eminent gatekeepers of indie music.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cRES6Af_Wyg'\n title='//www.youtube.com/embed/cRES6Af_Wyg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It was an intentional move, says Noise Pop general manager Dawson Ludwig.\u003c/p>\n\u003cp>“The Noise Pop aesthetic is rooted in the early ’90s college rock sound and bands like Superchunk will always be a staple,” Ludwig said. “But as indie has expanded to mean anything and everything that has an ineffable aesthetic, we’ve booked more acts that are both indicative of the diversity of the current community and some stalwart indie acts that are true to the classic Noise Pop lineup, which started off with Husker Du and Jawbreaker.”\u003c/p>\n\u003cp>That said, they’ve only announced two dozen acts out of the full lineup thus far; the rest is yet to be released. Ludwig expects the next three phases, which will be rolled out through January of next year, to feature acts across genre lines.\u003c/p>\n\u003cp>Noise Pop’s initial announcement boasts heavy-hitting indie acts such as Rostam, Girlpool, Superchunk and Japanese Breakfast (whose second Noise Pop Fest show in as many years comes at the heels of her stellar \u003cem>Soft Sounds from Another Planet\u003c/em>), alongside more unexpected fare like eclectic Chicano performer Cuco and post-hardcore outfit Enter Shikari.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ba44JRAjpV4'\n title='//www.youtube.com/embed/ba44JRAjpV4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But of this year’s out-of-towners, the Brooklyn-based outfit Real Estate might be the act that elicits the most media attention. \u003ca href=\"https://pitchfork.com/news/real-estate-fired-guitarist-matt-mondanile-in-2016-because-he-allegedly-mistreated-women/\" target=\"_blank\" rel=\"noopener\"> Real Estate fired founding guitarist Matt Mondanile prior to the release of its 2016 album\u003cem> In Mind \u003c/em>after allegations of “his unacceptable treatment of women” came to their attention,\u003cem> \u003c/em>the band confirmed i\u003c/a>\u003ca href=\"https://pitchfork.com/news/real-estate-fired-guitarist-matt-mondanile-in-2016-because-he-allegedly-mistreated-women/\">n a statement to Pitchfork. \u003c/a>\u003c/p>\n\u003cp>“We decided that it was handled in a way on the band’s part that was separate from Matt,” says Ludwig. Real Estate’s Noise Pop gig at the Fox Theater on Feb. 24, the penultimate day of the festival, will go on.\u003c/p>\n\u003cp>Historically, tickets for the festival’s individual concerts at venues of various sizes throughout San Francisco and the East Bay, are sold concurrently with all-access passes to the larger festival. Ninety percent of shows, in effect, sell out before the festival begins.\u003c/p>\n\u003cp>This year, however, there is an emphasis on framing Noise Pop Festival as a full festival experience.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VUFr4SK1-l4'\n title='//www.youtube.com/embed/VUFr4SK1-l4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“If you look at it through the wrong lens, it can feel just like a set of shows,” Ludwig said. “But we want to make it a more refined experience for badgeholders. We want to make it feel like an all-out takeover of the city; the festival experience is the number one priority this year.”\u003c/p>\n\u003cp>Noise Pop is introducing an inventory system, which grants attendees the ability to hop around shows more effectively. Concertgoers can check their likelihood of getting into any given show on the Noise Pop app, and place themselves on a wait list.\u003c/p>\n\u003cp>Another change is that this year, badges for the upcoming Noise Pop Fest will grant access to the festival’s entire slate of film screenings. In previous years, badgeholders were required to purchase individual passes separately.\u003c/p>\n\u003cp>Early-bird badges to the festival are already sold out. Badges during this first phase will cost $175. With Phase 2, badge prices will rise again to an unspecified cost.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For what it’s worth, general admission badges for this year’s 25th annual Noise Pop Fest, which was their most-attended iteration to date, cost $175. These badges, Noise Pop notes in a statement, sold out. A limited number of premium “super fan badges,” which cost $399, are still available.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The hunt is on! \u003ca href=\"http://noisepop.com/\">Noise Pop\u003c/a> and \u003ca href=\"https://ww2.kqed.org/arts/\">KQED Arts\u003c/a> present an adventure-filled Instagram Hunt at the \u003ca href=\"http://www.20thstreetblockparty.com/\">20th Street Block Party\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>One day only\u003c/li>\n\u003cli>10 emojis to find!\u003c/li>\n\u003c/ul>\n\u003cp>On Saturday, Aug. 19, we’ll place 10 oversized emojis\u003ca href=\"http://www.20thstreetblockparty.com/information\"> within the boundaries\u003c/a> of Noise Pop’s Block Party on 20th and 19th streets, between Bryant and Harrison and Florida and Alabama Streets. Your task? FIND THEM. \u003cstrong>The first three people to find all ten emoji between 2pm and 5pm will receive awesome prizes\u003c/strong> including: concert tickets, swag and even a night on the town!\u003c/p>\n\u003cp>Don’t forget to follow \u003ca href=\"https://www.instagram.com/noisepop/\">@NoisePop\u003c/a> and \u003ca href=\"https://www.instagram.com/kqed_arts/\">@KQED_ Arts\u003c/a> on Instagram, where we’ll share clues leading up to this Saturday’s hunt.\u003c/p>\n\u003ch4>\u003cb>To Play\u003c/b>\u003c/h4>\n\u003cul>\n\u003cli>Follow Noise Pop and KQED Arts’ on Instagram — so you don’t miss out on the clues!\u003c/li>\n\u003cli>Once you find an emoji, snap a picture of it at the secret location (selfies encouraged), then post to your Instagram or Instagram Stories using the hashtag \u003cstrong>#NPxKQEDHunt\u003c/strong>.\u003c/li>\n\u003cli>Once you find all 10, bingo! Send \u003ca href=\"https://www.instagram.com/kqed_arts/\">@KQED_Arts\u003c/a> a direct message to be eligible to win.\u003c/li>\n\u003cli>\u003cspan style=\"text-decoration: underline\">Important\u003c/span>: You must make your account public to be eligibile to win.\u003c/li>\n\u003c/ul>\n\u003cfigure class=\"wp-caption alignnone\">\u003c/figure>\n\u003ch4>\u003cb>Prizes\u003c/b>\u003c/h4>\n\u003cp>\u003cstrong>First Place:\u003c/strong> A ‘golden ticket’ to Cafe du Nord and Swedish American Hall for September. This gives you access to any and all shows at either venue for the month of September.\u003c/p>\n\u003cp>\u003cstrong>Second Place:\u003c/strong> One pair of tickets to the 20th Street Block Party after-party, with Neon Indian spinning a DJ set at Cafe du Nord.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Third Place:\u003c/strong> One merchandise package filled with KQED and Noise Pop goodies.\u003c/p>\n\u003ch4>\u003cb>Clues\u003c/b>\u003c/h4>\n\u003cp>\u003cem>Find all ten emoji within the boundaries of Noise Pop’s 20th Street Block Party using the clues below:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[gallery ids=\"13806041,13806050,13806046,13806047,13806049,13806044,13806051,13806042,13806048,13806043\"]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The hunt is on! \u003ca href=\"http://noisepop.com/\">Noise Pop\u003c/a> and \u003ca href=\"https://ww2.kqed.org/arts/\">KQED Arts\u003c/a> present an adventure-filled Instagram Hunt at the \u003ca href=\"http://www.20thstreetblockparty.com/\">20th Street Block Party\u003c/a>.\u003c/p>\n\u003cul>\n\u003cli>One day only\u003c/li>\n\u003cli>10 emojis to find!\u003c/li>\n\u003c/ul>\n\u003cp>On Saturday, Aug. 19, we’ll place 10 oversized emojis\u003ca href=\"http://www.20thstreetblockparty.com/information\"> within the boundaries\u003c/a> of Noise Pop’s Block Party on 20th and 19th streets, between Bryant and Harrison and Florida and Alabama Streets. Your task? FIND THEM. \u003cstrong>The first three people to find all ten emoji between 2pm and 5pm will receive awesome prizes\u003c/strong> including: concert tickets, swag and even a night on the town!\u003c/p>\n\u003cp>Don’t forget to follow \u003ca href=\"https://www.instagram.com/noisepop/\">@NoisePop\u003c/a> and \u003ca href=\"https://www.instagram.com/kqed_arts/\">@KQED_ Arts\u003c/a> on Instagram, where we’ll share clues leading up to this Saturday’s hunt.\u003c/p>\n\u003ch4>\u003cb>To Play\u003c/b>\u003c/h4>\n\u003cul>\n\u003cli>Follow Noise Pop and KQED Arts’ on Instagram — so you don’t miss out on the clues!\u003c/li>\n\u003cli>Once you find an emoji, snap a picture of it at the secret location (selfies encouraged), then post to your Instagram or Instagram Stories using the hashtag \u003cstrong>#NPxKQEDHunt\u003c/strong>.\u003c/li>\n\u003cli>Once you find all 10, bingo! Send \u003ca href=\"https://www.instagram.com/kqed_arts/\">@KQED_Arts\u003c/a> a direct message to be eligible to win.\u003c/li>\n\u003cli>\u003cspan style=\"text-decoration: underline\">Important\u003c/span>: You must make your account public to be eligibile to win.\u003c/li>\n\u003c/ul>\n\u003cfigure class=\"wp-caption alignnone\">\u003c/figure>\n\u003ch4>\u003cb>Prizes\u003c/b>\u003c/h4>\n\u003cp>\u003cstrong>First Place:\u003c/strong> A ‘golden ticket’ to Cafe du Nord and Swedish American Hall for September. This gives you access to any and all shows at either venue for the month of September.\u003c/p>\n\u003cp>\u003cstrong>Second Place:\u003c/strong> One pair of tickets to the 20th Street Block Party after-party, with Neon Indian spinning a DJ set at Cafe du Nord.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>This week, we’re talking about a Syrian wedding singer, the return of a beloved comedian, a NSFW art show, an Ethiopian jazz master, a 20th Street block party and more. Listen to the show above, or click through the links below for details.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Aug. 12 and 13\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/a-double-dose-of-filipino-culture-at-yerba-buena/\" target=\"_blank\" rel=\"noopener\">The Pistahan Filipino Festival at Yerba Buena Gardens\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 16\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/a-giant-of-ethiopian-jazz-meets-a-local-musical-ambassador/\" target=\"_blank\" rel=\"noopener\">Mulatu Astatke at the UC Theatre in Berkeley\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 17–Sept. 3\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/a-double-dose-of-filipino-culture-at-yerba-buena/\" target=\"_blank\" rel=\"noopener\">The Festval of New Filipino Cinema at YBCA\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 19\u003c/strong>: \u003ca href=\"http://www.20thstreetblockparty.com/\" target=\"_blank\" rel=\"noopener\">The 20th Street Block Party in San Francisco\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 23–26\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/ahem-bonsoir-so-loooovely-to-see-you-dahhhling/\" target=\"_blank\" rel=\"noopener\">Scott Thompson at The Punchline in San Francisco\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Ending Aug. 26\u003c/strong>: \u003ca href=\"https://spoke-art.com/collections/nsfw-art-show\" target=\"_blank\" rel=\"noopener\">The NSFW Art Show at Spoke Art in San Francisco\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Sept. 5\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/and-now-our-favorite-syrian-wedding-singer/\" target=\"_blank\" rel=\"noopener\">Omar Souleyman at The Ritz in San Jose\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week, we’re talking about a Syrian wedding singer, the return of a beloved comedian, a NSFW art show, an Ethiopian jazz master, a 20th Street block party and more. Listen to the show above, or click through the links below for details.\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Aug. 12 and 13\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/a-double-dose-of-filipino-culture-at-yerba-buena/\" target=\"_blank\" rel=\"noopener\">The Pistahan Filipino Festival at Yerba Buena Gardens\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 16\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/a-giant-of-ethiopian-jazz-meets-a-local-musical-ambassador/\" target=\"_blank\" rel=\"noopener\">Mulatu Astatke at the UC Theatre in Berkeley\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 17–Sept. 3\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/a-double-dose-of-filipino-culture-at-yerba-buena/\" target=\"_blank\" rel=\"noopener\">The Festval of New Filipino Cinema at YBCA\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 19\u003c/strong>: \u003ca href=\"http://www.20thstreetblockparty.com/\" target=\"_blank\" rel=\"noopener\">The 20th Street Block Party in San Francisco\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Aug. 23–26\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/ahem-bonsoir-so-loooovely-to-see-you-dahhhling/\" target=\"_blank\" rel=\"noopener\">Scott Thompson at The Punchline in San Francisco\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Ending Aug. 26\u003c/strong>: \u003ca href=\"https://spoke-art.com/collections/nsfw-art-show\" target=\"_blank\" rel=\"noopener\">The NSFW Art Show at Spoke Art in San Francisco\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Sept. 5\u003c/strong>: \u003ca href=\"https://ww2.kqed.org/arts/2017/08/09/and-now-our-favorite-syrian-wedding-singer/\" target=\"_blank\" rel=\"noopener\">Omar Souleyman at The Ritz in San Jose\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>If you’re a fiend for giant festivals — i.e, you didn’t bat an eye at this year’s Coachella prices, you live for the time-management Rubik’s cube that is trying to see as many bands as possible on different stages with conflicting set times in a crowd of 10,000 inebriated people — well, more power to you.\u003c/p>\n\u003cp>If you’re not? Come sit with me.\u003c/p>\n\u003cp>It’s no slight whatsoever when I say my favorite thing about \u003ca href=\"http://www.noisepop.com/2017/\" target=\"_blank\" rel=\"noopener\">Noise Pop\u003c/a> — the annual Bay Area music and film festival that runs from Feb. 17 through Feb. 27 this year — is its scant resemblance to a traditional festival. Unlike an overblown weekend in the desert, Noise Pop is a 10-day fest that takes place at independent venues throughout San Francisco and the East Bay, at venues as small as Bottom of the Hill and as large as the Fox Theater.\u003c/p>\n\u003cp>This structure has benefits that trickle down. Those venues (which need your support more than ever) make money; people use public transportation (hopefully), and patronize local bars and restaurants before and after shows. Remember, a healthy nightlife scene is one attribute of a healthy city.\u003c/p>\n\u003cp>Now in its 25th year, Noise Pop has also expanded its range considerably: what began in a pretty cozy indie-rock and -pop zone now boasts hip-hop, folk, metal, electronic music, and more (not to mention the \u003ca href=\"https://ww2.kqed.org/arts/2017/02/14/over-40-years-later-musician-activist-victor-jara-remains-relevant-as-ever/\" target=\"_blank\" rel=\"noopener\">film offerings\u003c/a>, which are worth perusing on their own). Only problem is, other people have noticed it’s a pretty darn good festival too — which is why many shows have already sold out. Never you mind: Here’s a handful of great shows to which you can still buy tickets.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Feb. 22: \u003ca href=\"http://music.noisepop.com/events/2017/2/22/diet-cig\" target=\"_blank\" rel=\"noopener\">Diet Cig, Plush, Joyride! and Shutups\u003c/a> at Brick & Mortar Music Hall\u003c/strong>\u003cbr>\nThis stacked indie-pop lineup is sure to be full of cool kids — but if you think you’re too cool to dance, you might wanna stay home. Diet Cig (whose first full-length is due in April) is one of those duos that has the sweet, twee energy of a band three times as a big, and their buzz has only grown steadily since signing to Oakland/Portland label Father/Daughter Records last year. Be sure to get there in time for San Francisco’s own fuzz-pop royalty (and F/D labelmate) PLUSH’s set as well.\u003cem>\u003ca href=\"http://music.noisepop.com/events/2017/2/22/diet-cig\" target=\"_blank\" rel=\"noopener\"> 8pm, $13–$15; details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iVUcgmnm2GQ\u003c/p>\n\u003cp>\u003cstrong>Feb 23:\u003c/strong> \u003cstrong>\u003ca href=\"http://music.noisepop.com/events/2017/2/23/japanese-breakfast-miya-folick-dante-elephante\" target=\"_blank\" rel=\"noopener\">Japanese Breakfast, Miya Folick, Dante Elephante, Flying Circles\u003c/a> at the Rickshaw Stop\u003c/strong>\u003cbr>\nAnother thing Noise Pop does better than most giant music festivals — that pesky, almost always imbalanced gender breakdown. This is one of several shows headlined by solo women: Japanese Breakfast is the fuzzy, personal, lo-fi side project of Little Big League’s Michelle Zauner; grungey singer-songwriter Miya Folick is fresh off a tour with Sleigh Bells, with a new single called “God Is a Woman.” Please don’t hit on either of them at the merch table after the show.\u003ca href=\"http://music.noisepop.com/events/2017/2/23/japanese-breakfast-miya-folick-dante-elephante\" target=\"_blank\" rel=\"noopener\">\u003cem> 8:30pm, $15; details here. \u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Feb. 24:\u003c/strong> \u003cstrong>\u003ca href=\"http://music.noisepop.com/events/2017/2/24/hanni-el-khatib\" target=\"_blank\" rel=\"noopener\">Hanni El Khatib, The Buttertones, The Molochs, Innovative Leisure DJs\u003c/a> at The Chapel\u003c/strong>\u003cbr>\nSan Francisco-born multi-instrumentalist Hanni El Khatib is the product of a thoroughly mixed, incredibly American melange: his father is Palestinian, his mother is Filipino, and as a young Californian skate punk El Khatib favored British Invasion pioneers like the Zombies — all of which makes for a unique brand of punk-tinged blues. His latest, \u003cem>Savage Times\u003c/em>, is out this week, and this release party of sorts will have the support of his Innovative Leisure labelmates from start to finish. \u003ca href=\"http://music.noisepop.com/events/2017/2/24/hanni-el-khatib\">\u003cem>8pm, $18–$20; details here\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fYbJPcSbqe0\u003c/p>\n\u003cp>\u003cstrong> Feb. 25: \u003ca href=\"http://music.noisepop.com/events/2017/2/25/adia-victoria\" target=\"_blank\" rel=\"noopener\">Adia Victoria, Madi Sipes & the Painted Blue, Ahsa-Ti Nu \u003c/a>at Bottom of the Hill\u003c/strong>\u003cbr>\nIf Adia Victoria hadn’t already won me over with her debut album, last year’s \u003cem>Beyond the Bloodhounds, \u003c/em>or her Tiny Desk Concert, \u003ca href=\"https://www.instagram.com/p/BQfr3IbD1Dn/?taken-by=adiavictoria&hl=en\" target=\"_blank\" rel=\"noopener\">this photo she posted on Instagram on Valentine’s Day\u003c/a> would’ve sealed the deal. Fusing Delta blues with Afropunk, steered by her powerful voice and her electric guitar, the Nashville-based musician is a formidable presence onstage as well. Locals Madi Sipes & the Painted Blue provide (appropriately) blue-eyed soul that should get your blood pumping as well. \u003cem>\u003ca href=\"http://music.noisepop.com/events/2017/2/25/adia-victoria\" target=\"_blank\" rel=\"noopener\">8:30pm, $13 – $15; details here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LaCjgtH4zac\u003c/p>\n\u003cp>\u003cstrong>Feb. 26: \u003ca href=\"http://music.noisepop.com/events/2017/2/27/ty-segall\" target=\"_blank\" rel=\"noopener\">Ty Segall, Shannon & the Clams, White Fence, Axis: Sova\u003c/a> at the Fox Theater\u003c/strong>\u003cbr>\nYou know what they say: Never miss a chance to see Ty Segall, always the most prolific rocker in class, tearing ass around a stage with a guitar. Okay, so maybe that’s not a common saying, but if you came of age during the psych- and garage-rock revival that took place in San Francisco during the mid- to late-aughts, you know exactly the kind of eardrum workout this show will be — especially when you add in local doo-wop/punk four-piece Shannon & the Clams, \u003cem>and \u003c/em>Ty Segall’s frequent collaborator Tim Presley of White Fence. Come for the music, stay for the catharsis. \u003cem>\u003ca href=\"http://music.noisepop.com/events/2017/2/27/ty-segall\" target=\"_blank\" rel=\"noopener\">8pm, $25; details here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "Waited a bit too long to snag tickets to the fest? We've got you covered. ",
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"title": "Five Great Noise Pop Shows That Aren't Sold Out | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’re a fiend for giant festivals — i.e, you didn’t bat an eye at this year’s Coachella prices, you live for the time-management Rubik’s cube that is trying to see as many bands as possible on different stages with conflicting set times in a crowd of 10,000 inebriated people — well, more power to you.\u003c/p>\n\u003cp>If you’re not? Come sit with me.\u003c/p>\n\u003cp>It’s no slight whatsoever when I say my favorite thing about \u003ca href=\"http://www.noisepop.com/2017/\" target=\"_blank\" rel=\"noopener\">Noise Pop\u003c/a> — the annual Bay Area music and film festival that runs from Feb. 17 through Feb. 27 this year — is its scant resemblance to a traditional festival. Unlike an overblown weekend in the desert, Noise Pop is a 10-day fest that takes place at independent venues throughout San Francisco and the East Bay, at venues as small as Bottom of the Hill and as large as the Fox Theater.\u003c/p>\n\u003cp>This structure has benefits that trickle down. Those venues (which need your support more than ever) make money; people use public transportation (hopefully), and patronize local bars and restaurants before and after shows. Remember, a healthy nightlife scene is one attribute of a healthy city.\u003c/p>\n\u003cp>Now in its 25th year, Noise Pop has also expanded its range considerably: what began in a pretty cozy indie-rock and -pop zone now boasts hip-hop, folk, metal, electronic music, and more (not to mention the \u003ca href=\"https://ww2.kqed.org/arts/2017/02/14/over-40-years-later-musician-activist-victor-jara-remains-relevant-as-ever/\" target=\"_blank\" rel=\"noopener\">film offerings\u003c/a>, which are worth perusing on their own). Only problem is, other people have noticed it’s a pretty darn good festival too — which is why many shows have already sold out. Never you mind: Here’s a handful of great shows to which you can still buy tickets.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb. 22: \u003ca href=\"http://music.noisepop.com/events/2017/2/22/diet-cig\" target=\"_blank\" rel=\"noopener\">Diet Cig, Plush, Joyride! and Shutups\u003c/a> at Brick & Mortar Music Hall\u003c/strong>\u003cbr>\nThis stacked indie-pop lineup is sure to be full of cool kids — but if you think you’re too cool to dance, you might wanna stay home. Diet Cig (whose first full-length is due in April) is one of those duos that has the sweet, twee energy of a band three times as a big, and their buzz has only grown steadily since signing to Oakland/Portland label Father/Daughter Records last year. Be sure to get there in time for San Francisco’s own fuzz-pop royalty (and F/D labelmate) PLUSH’s set as well.\u003cem>\u003ca href=\"http://music.noisepop.com/events/2017/2/22/diet-cig\" target=\"_blank\" rel=\"noopener\"> 8pm, $13–$15; details here\u003c/a>.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iVUcgmnm2GQ'\n title='//www.youtube.com/embed/iVUcgmnm2GQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Feb 23:\u003c/strong> \u003cstrong>\u003ca href=\"http://music.noisepop.com/events/2017/2/23/japanese-breakfast-miya-folick-dante-elephante\" target=\"_blank\" rel=\"noopener\">Japanese Breakfast, Miya Folick, Dante Elephante, Flying Circles\u003c/a> at the Rickshaw Stop\u003c/strong>\u003cbr>\nAnother thing Noise Pop does better than most giant music festivals — that pesky, almost always imbalanced gender breakdown. This is one of several shows headlined by solo women: Japanese Breakfast is the fuzzy, personal, lo-fi side project of Little Big League’s Michelle Zauner; grungey singer-songwriter Miya Folick is fresh off a tour with Sleigh Bells, with a new single called “God Is a Woman.” Please don’t hit on either of them at the merch table after the show.\u003ca href=\"http://music.noisepop.com/events/2017/2/23/japanese-breakfast-miya-folick-dante-elephante\" target=\"_blank\" rel=\"noopener\">\u003cem> 8:30pm, $15; details here. \u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Feb. 24:\u003c/strong> \u003cstrong>\u003ca href=\"http://music.noisepop.com/events/2017/2/24/hanni-el-khatib\" target=\"_blank\" rel=\"noopener\">Hanni El Khatib, The Buttertones, The Molochs, Innovative Leisure DJs\u003c/a> at The Chapel\u003c/strong>\u003cbr>\nSan Francisco-born multi-instrumentalist Hanni El Khatib is the product of a thoroughly mixed, incredibly American melange: his father is Palestinian, his mother is Filipino, and as a young Californian skate punk El Khatib favored British Invasion pioneers like the Zombies — all of which makes for a unique brand of punk-tinged blues. His latest, \u003cem>Savage Times\u003c/em>, is out this week, and this release party of sorts will have the support of his Innovative Leisure labelmates from start to finish. \u003ca href=\"http://music.noisepop.com/events/2017/2/24/hanni-el-khatib\">\u003cem>8pm, $18–$20; details here\u003c/em>\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fYbJPcSbqe0'\n title='//www.youtube.com/embed/fYbJPcSbqe0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong> Feb. 25: \u003ca href=\"http://music.noisepop.com/events/2017/2/25/adia-victoria\" target=\"_blank\" rel=\"noopener\">Adia Victoria, Madi Sipes & the Painted Blue, Ahsa-Ti Nu \u003c/a>at Bottom of the Hill\u003c/strong>\u003cbr>\nIf Adia Victoria hadn’t already won me over with her debut album, last year’s \u003cem>Beyond the Bloodhounds, \u003c/em>or her Tiny Desk Concert, \u003ca href=\"https://www.instagram.com/p/BQfr3IbD1Dn/?taken-by=adiavictoria&hl=en\" target=\"_blank\" rel=\"noopener\">this photo she posted on Instagram on Valentine’s Day\u003c/a> would’ve sealed the deal. Fusing Delta blues with Afropunk, steered by her powerful voice and her electric guitar, the Nashville-based musician is a formidable presence onstage as well. Locals Madi Sipes & the Painted Blue provide (appropriately) blue-eyed soul that should get your blood pumping as well. \u003cem>\u003ca href=\"http://music.noisepop.com/events/2017/2/25/adia-victoria\" target=\"_blank\" rel=\"noopener\">8:30pm, $13 – $15; details here\u003c/a>. \u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LaCjgtH4zac'\n title='//www.youtube.com/embed/LaCjgtH4zac'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Feb. 26: \u003ca href=\"http://music.noisepop.com/events/2017/2/27/ty-segall\" target=\"_blank\" rel=\"noopener\">Ty Segall, Shannon & the Clams, White Fence, Axis: Sova\u003c/a> at the Fox Theater\u003c/strong>\u003cbr>\nYou know what they say: Never miss a chance to see Ty Segall, always the most prolific rocker in class, tearing ass around a stage with a guitar. Okay, so maybe that’s not a common saying, but if you came of age during the psych- and garage-rock revival that took place in San Francisco during the mid- to late-aughts, you know exactly the kind of eardrum workout this show will be — especially when you add in local doo-wop/punk four-piece Shannon & the Clams, \u003cem>and \u003c/em>Ty Segall’s frequent collaborator Tim Presley of White Fence. Come for the music, stay for the catharsis. \u003cem>\u003ca href=\"http://music.noisepop.com/events/2017/2/27/ty-segall\" target=\"_blank\" rel=\"noopener\">8pm, $25; details here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Over 40 Years Later, Musician-Activist Victor Jara Remains Relevant as Ever",
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"content": "\u003cp>Victor Jara might not be a household name outside his home country of Chile, but perhaps it should be: his story remains as relevant as it is poignant.\u003c/p>\n\u003cp>A singer-songwriter, theater director and working-class activist often called “the Bob Dylan of South America,” Jara became well-known in the late 1960s and early ’70s for his songs and writings on inequality, labor and social justice. That focus that took on a whole new layer of tragic irony when he was kidnapped, tortured and killed by Chilean military officers working for newly installed dictator Pinochet during the U.S.-backed coup of 1973.\u003c/p>\n\u003cp>\u003cem>The Resurrection of Victor Jara\u003c/em>, a 2015 documentary from director John Travers, explores the folk legend’s life, death and legacy through archival footage, interviews with musicians (Bono, Pete Seeger and Arlo Guthrie among them), and Jara’s songs — the artist’s own recordings as well as performances by the wide range of Chilean and Argentine musicians he influenced.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IT5pGOyAnDU\u003c/p>\n\u003cp>The film gets its West Coast debut this Saturday, Feb. 18, at Artists’ Television Access in San Francisco, as one of\u003ca href=\"http://film.noisepop.com/\" target=\"_blank\" rel=\"noopener\"> 11 films that comprise the Noise Pop festival’s 2017 lineup\u003c/a>. (Though it’s still primarily a music festival, Noise Pop has in recent years steadily expanded its film schedule; this year’s documentaries explore everything from the \u003ca href=\"http://film.noisepop.com/events/2017/2/18/my-buddha-is-punk\" target=\"_blank\" rel=\"noopener\">Burmese punk scene\u003c/a> to the rise of modern\u003ca href=\"http://film.noisepop.com/events/2017/2/17/festival\" target=\"_blank\" rel=\"noopener\"> festival culture\u003c/a> to rare footage from the \u003ca href=\"http://film.noisepop.com/events/2017/2/20/when-i-lay-my-burden-down-rare-footage-from-the-alan-lomax-archive-1937-1983\" target=\"_blank\" rel=\"noopener\">archives of folklorist Alan Lomax\u003c/a>.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Resurrection\u003c/em>’s producer, Fernando Andres, will be onhand at ATA for a post-screening Q&A. And in case anyone needed help connecting the thematic threads presented by\u003ci> \u003c/i>Victor Jara’s story to modern-day problems: the feature-length film will be preceded by the 10-minute short \u003ci>The Boombox Collection: Boots Riley\u003c/i>, by local filmmaker Mohammad Gorjestani. The first installment in a portrait series focusing on underground hip-hop artists, the 2016 doc follows The Coup’s frontman on a drive through his native Oakland as he reflects on his long-running crusade against capitalism and his efforts to use music as a “mouthpiece.”\u003c/p>\n\u003cp>“It’s always being said that a movement needs art,” says Riley at one point. “I think art needs a movement.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Resurrection of Victor Jara’ screens at 4pm this Saturday, Feb. 18, at \u003ca href=\"http://www.atasite.org/\" target=\"_blank\" rel=\"noopener\">Artists’ Television Access\u003c/a> in San Francisco. \u003ca href=\"http://film.noisepop.com/events/2017/2/18/the-resurrection-of-victor-jara\" target=\"_blank\" rel=\"noopener\">Tickets ($12) and more info here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"excerpt": "Through interviews, songs and archival footage, 'The Resurrection of Victor Jara' explores the legacy of the activist, musician and folk hero often called 'the Bob Dylan of South America.' ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Victor Jara might not be a household name outside his home country of Chile, but perhaps it should be: his story remains as relevant as it is poignant.\u003c/p>\n\u003cp>A singer-songwriter, theater director and working-class activist often called “the Bob Dylan of South America,” Jara became well-known in the late 1960s and early ’70s for his songs and writings on inequality, labor and social justice. That focus that took on a whole new layer of tragic irony when he was kidnapped, tortured and killed by Chilean military officers working for newly installed dictator Pinochet during the U.S.-backed coup of 1973.\u003c/p>\n\u003cp>\u003cem>The Resurrection of Victor Jara\u003c/em>, a 2015 documentary from director John Travers, explores the folk legend’s life, death and legacy through archival footage, interviews with musicians (Bono, Pete Seeger and Arlo Guthrie among them), and Jara’s songs — the artist’s own recordings as well as performances by the wide range of Chilean and Argentine musicians he influenced.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IT5pGOyAnDU'\n title='//www.youtube.com/embed/IT5pGOyAnDU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The film gets its West Coast debut this Saturday, Feb. 18, at Artists’ Television Access in San Francisco, as one of\u003ca href=\"http://film.noisepop.com/\" target=\"_blank\" rel=\"noopener\"> 11 films that comprise the Noise Pop festival’s 2017 lineup\u003c/a>. (Though it’s still primarily a music festival, Noise Pop has in recent years steadily expanded its film schedule; this year’s documentaries explore everything from the \u003ca href=\"http://film.noisepop.com/events/2017/2/18/my-buddha-is-punk\" target=\"_blank\" rel=\"noopener\">Burmese punk scene\u003c/a> to the rise of modern\u003ca href=\"http://film.noisepop.com/events/2017/2/17/festival\" target=\"_blank\" rel=\"noopener\"> festival culture\u003c/a> to rare footage from the \u003ca href=\"http://film.noisepop.com/events/2017/2/20/when-i-lay-my-burden-down-rare-footage-from-the-alan-lomax-archive-1937-1983\" target=\"_blank\" rel=\"noopener\">archives of folklorist Alan Lomax\u003c/a>.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Resurrection\u003c/em>’s producer, Fernando Andres, will be onhand at ATA for a post-screening Q&A. And in case anyone needed help connecting the thematic threads presented by\u003ci> \u003c/i>Victor Jara’s story to modern-day problems: the feature-length film will be preceded by the 10-minute short \u003ci>The Boombox Collection: Boots Riley\u003c/i>, by local filmmaker Mohammad Gorjestani. The first installment in a portrait series focusing on underground hip-hop artists, the 2016 doc follows The Coup’s frontman on a drive through his native Oakland as he reflects on his long-running crusade against capitalism and his efforts to use music as a “mouthpiece.”\u003c/p>\n\u003cp>“It’s always being said that a movement needs art,” says Riley at one point. “I think art needs a movement.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Resurrection of Victor Jara’ screens at 4pm this Saturday, Feb. 18, at \u003ca href=\"http://www.atasite.org/\" target=\"_blank\" rel=\"noopener\">Artists’ Television Access\u003c/a> in San Francisco. \u003ca href=\"http://film.noisepop.com/events/2017/2/18/the-resurrection-of-victor-jara\" target=\"_blank\" rel=\"noopener\">Tickets ($12) and more info here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Noise Pop Fest Announces Initial Lineup: Vince Staples, Ty Segall, Deafheaven and More",
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"content": "\u003cp>Noise Pop, which began as a teeny, distinctly homegrown-feeling indie rock festival in 1993, has grown over the past decade into one of the Bay Area’s heaviest hitters in terms of promoters, booking the \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a> and the newly refurbished Swedish American Hall, as well as planning events like the (growing) annual 20th Street Block Party. But perhaps there’s no better indication of how the formerly tiny company has grown than the \u003ca href=\"http://lineup.noisepop.com/\" target=\"_blank\" rel=\"noopener\">lineup for the 2017 fest\u003c/a>, the first “phase” of which was rolled out today, Nov. 14.\u003c/p>\n\u003cp>Vince Staples, who sold out two different venues during last year’s fest, returns as a headliner; in 2015, \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" target=\"_blank\" rel=\"noopener\">Noise Pop’s Dawson Ludwig explained to KQED Arts how the fest came to embrace jazz and hip-hop these past few years\u003c/a>. This year’s inclusion of up-and-comer Adia Victoria — known for her “Gothic blues” — as well as Canadian electronic producers BadBadNotGood, known for their collaborations with Tyler, the Creator and Earl Sweatshirt et al., only serves to stretch that umbrella a little bit wider.\u003c/p>\n\u003cfigure id=\"attachment_12345530\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12345530\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-800x450.jpg\" alt=\"Vince Staples performs at the Social Hall in SF during Noise Pop 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Vince Staples performs at the Social Hall in SF during Noise Pop 2016. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other headliners from the initial announcement have obvious Bay Area cred: songwriter and multi-instrumentalist Ty Segall, prince of the Bay Area’s garage rock revival, makes an appearance, as do the city’s reigning black metal heads, Deafheaven (who were reportedly great sports in the rain at TIMF, for what that’s worth). A few more offhand recommendations from farther down the poster: old-school melodic noise rock from Blonde Redhead; terrifyingly smart hip-hop from clipping. (featuring Oakland native and \u003cem>Hamilton\u003c/em> star Daveed Diggs); the gleeful, defiant queer punk of PWR BTTM; and hazy, synthy dream-folk from Emma Ruth Rundle.\u003c/p>\n\u003cp>The festival runs Feb. 16–26, 2017. Early-bird badges ($145 and up)\u003ca href=\"https://www.ticketfly.com/purchase/event/1252843?utm_medium=bks\" target=\"_blank\" rel=\"noopener\"> go on sale here\u003c/a> Nov. 14; tickets for individual shows go on sale this Friday, Nov. 18, at 9am. For a full lineup — or, rather, the first chunk of at least three or four more announcements — \u003ca href=\"http://lineup.noisepop.com/\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Clipping., PWR BTTM, Blonde Redhead and Emma Ruth Rundle round out our early recommendations for the 2017 festival, which kicks off in February. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Noise Pop, which began as a teeny, distinctly homegrown-feeling indie rock festival in 1993, has grown over the past decade into one of the Bay Area’s heaviest hitters in terms of promoters, booking the \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a> and the newly refurbished Swedish American Hall, as well as planning events like the (growing) annual 20th Street Block Party. But perhaps there’s no better indication of how the formerly tiny company has grown than the \u003ca href=\"http://lineup.noisepop.com/\" target=\"_blank\" rel=\"noopener\">lineup for the 2017 fest\u003c/a>, the first “phase” of which was rolled out today, Nov. 14.\u003c/p>\n\u003cp>Vince Staples, who sold out two different venues during last year’s fest, returns as a headliner; in 2015, \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" target=\"_blank\" rel=\"noopener\">Noise Pop’s Dawson Ludwig explained to KQED Arts how the fest came to embrace jazz and hip-hop these past few years\u003c/a>. This year’s inclusion of up-and-comer Adia Victoria — known for her “Gothic blues” — as well as Canadian electronic producers BadBadNotGood, known for their collaborations with Tyler, the Creator and Earl Sweatshirt et al., only serves to stretch that umbrella a little bit wider.\u003c/p>\n\u003cfigure id=\"attachment_12345530\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12345530\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-800x450.jpg\" alt=\"Vince Staples performs at the Social Hall in SF during Noise Pop 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Vince Staples performs at the Social Hall in SF during Noise Pop 2016. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other headliners from the initial announcement have obvious Bay Area cred: songwriter and multi-instrumentalist Ty Segall, prince of the Bay Area’s garage rock revival, makes an appearance, as do the city’s reigning black metal heads, Deafheaven (who were reportedly great sports in the rain at TIMF, for what that’s worth). A few more offhand recommendations from farther down the poster: old-school melodic noise rock from Blonde Redhead; terrifyingly smart hip-hop from clipping. (featuring Oakland native and \u003cem>Hamilton\u003c/em> star Daveed Diggs); the gleeful, defiant queer punk of PWR BTTM; and hazy, synthy dream-folk from Emma Ruth Rundle.\u003c/p>\n\u003cp>The festival runs Feb. 16–26, 2017. Early-bird badges ($145 and up)\u003ca href=\"https://www.ticketfly.com/purchase/event/1252843?utm_medium=bks\" target=\"_blank\" rel=\"noopener\"> go on sale here\u003c/a> Nov. 14; tickets for individual shows go on sale this Friday, Nov. 18, at 9am. For a full lineup — or, rather, the first chunk of at least three or four more announcements — \u003ca href=\"http://lineup.noisepop.com/\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "With SF-Based ’30 Days, 30 Songs' Project, Musicians Rally Against Trump",
"headTitle": "With SF-Based ’30 Days, 30 Songs’ Project, Musicians Rally Against Trump | KQED",
"content": "\u003cp>If the past few weeks of election coverage have felt more like a couple of years, you’re not alone.\u003c/p>\n\u003cp>That’s just one reason \u003cem>\u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">30 Days, 30 Songs\u003c/a>\u003c/em> feels like such a light at the end of the tunnel: It’s confirmation that we’ve hit a 30-day countdown. The project, helmed by Noise Pop co-founder Jordan Kurland and McSweeney’s founder Dave Eggers, will release one new, original anti-Trump song from both emerging and established artists each morning at 9am until Election Day; a statement by the day’s artist accompanies a YouTube video and Spotify stream at the website \u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">30days30songs.com\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=XE0nOfTA3pY\u003c/p>\n\u003cp>Day one, on Oct. 10, brought a new Death Cab for Cutie song called “Million Dollar Loan,” while the morning of Oct. 11 delivered a wry, uptempo song by Aimee Mann written from the Donald’s point of view, called “Can’t You Tell?”\u003c/p>\n\u003cp>“I wanted to write about Trump in the first person because I think it’s more interesting to speculate on what people’s inner life might be,” writes Mann in the post accompanying her contribution. “I had heard a theory that Trump’s interest in running for President was really kicked off at the 2011 White House Correspondent’s dinner when President Obama basically roasted him, so that’s where I started. And my own feeling was that it wasn’t really the job itself he wanted, but the thrill of running and winning, and that maybe it had all gotten out of hand and was a runaway train that he couldn’t stop.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=qROQ0XYP4Ck\u003c/p>\n\u003cp>Before the first week is out, the project’s organizers promise new songs from the hip-hop trio \u003ca href=\"https://www.subpop.com/artists/clipping\" target=\"_blank\" rel=\"noopener\">clipping.\u003c/a> (featuring Hamilton star and \u003ca href=\"https://ww2.kqed.org/pop/2016/05/10/watch-hamilton-star-and-oakland-native-daveed-diggs-can-rap-very-very-fast/\" target=\"_blank\" rel=\"noopener\">Oakland native Daveed Diggs\u003c/a>), local indie favorites \u003ca href=\"https://ww2.kqed.org/news/2016/04/30/thao-nguyen-on-songwriting-s-f-and-sorting-through-her-troubled-relationship-with-her-dad/\" target=\"_blank\" rel=\"noopener\">Thao Nguyen \u003c/a>and \u003ca href=\"http://www.npr.org/2015/05/16/407212524/in-rhythm-bhi-bhimans-music-isnt-limited-by-national-borders\" target=\"_blank\" rel=\"noopener\">Bhi Bhiman\u003c/a>, and a new live track from everyone’s favorite liberal uncles (\u003ca href=\"https://ww2.kqed.org/pop/2015/09/09/r-e-m-to-donald-trump-go-f-yourself/\" target=\"_blank\" rel=\"noopener\">and documented Trump haters\u003c/a>) R.E.M.\u003c/p>\n\u003cp>Per the project’s mission statement, a note signed “Artists For a Trump-Free America”:\u003c/p>\n\u003cblockquote>\u003cp>As artists, we are united in our desire to speak out against the ignorant, divisive, and hateful campaign of Donald Trump. We will not be duped by Mr. Trump’s rhetorical contortions, by his pandering and lies and false promises. He has shown the content of his character time and time again, and the very fact of his candidacy is a blight on the nation. His words incite hatred and celebrate inequity. Most troubling of all, over the past year, the country has become inured to the towering vileness of his rhetoric and deeds, his attacks on women, Mexican-Americans, Muslims, and those with disabilities. But we have to remember these acts, and act against them. In the words of Cornell West, we cannot become “well-adjusted to injustice.”\u003c/p>\u003c/blockquote>\n\u003cp>If the one-new-thing-a-day premise sounds familiar, it’s probably because the project is brought to you by the same folks behind \u003cem>\u003ca href=\"http://90days90reasons.net/\">90 Days, 90 Reasons\u003c/a>\u003c/em>, which in 2012 recruited writers and artists to pen essays that motivated voters to elect President Obama for a second term.\u003c/p>\n\u003cp>But while those pieces of writing were sweet, convincing (for many) and full of renewed hope, it must be said: there’s really nothing like a protest song. Just ask Pete Seeger, Billy Bragg, or NOFX’s Fat Mike, who in 2004 recruited other punks and alternative acts for two full \u003cem>Rock Against Bush\u003c/em> compilation albums and a tour to help prevent Bush’s re-election.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZSb3nG4oTNQ\u003c/p>\n\u003cp>Of course, we all know how that one turned out. In this election, as of this writing, we have 28 more days of crazy-making headlines and (I’ll speak for myself here) constant, low-humming anxiety. But hey: at least now it’s got a nice new soundtrack.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If the past few weeks of election coverage have felt more like a couple of years, you’re not alone.\u003c/p>\n\u003cp>That’s just one reason \u003cem>\u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">30 Days, 30 Songs\u003c/a>\u003c/em> feels like such a light at the end of the tunnel: It’s confirmation that we’ve hit a 30-day countdown. The project, helmed by Noise Pop co-founder Jordan Kurland and McSweeney’s founder Dave Eggers, will release one new, original anti-Trump song from both emerging and established artists each morning at 9am until Election Day; a statement by the day’s artist accompanies a YouTube video and Spotify stream at the website \u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">30days30songs.com\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XE0nOfTA3pY'\n title='//www.youtube.com/embed/XE0nOfTA3pY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Day one, on Oct. 10, brought a new Death Cab for Cutie song called “Million Dollar Loan,” while the morning of Oct. 11 delivered a wry, uptempo song by Aimee Mann written from the Donald’s point of view, called “Can’t You Tell?”\u003c/p>\n\u003cp>“I wanted to write about Trump in the first person because I think it’s more interesting to speculate on what people’s inner life might be,” writes Mann in the post accompanying her contribution. “I had heard a theory that Trump’s interest in running for President was really kicked off at the 2011 White House Correspondent’s dinner when President Obama basically roasted him, so that’s where I started. And my own feeling was that it wasn’t really the job itself he wanted, but the thrill of running and winning, and that maybe it had all gotten out of hand and was a runaway train that he couldn’t stop.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qROQ0XYP4Ck'\n title='//www.youtube.com/embed/qROQ0XYP4Ck'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before the first week is out, the project’s organizers promise new songs from the hip-hop trio \u003ca href=\"https://www.subpop.com/artists/clipping\" target=\"_blank\" rel=\"noopener\">clipping.\u003c/a> (featuring Hamilton star and \u003ca href=\"https://ww2.kqed.org/pop/2016/05/10/watch-hamilton-star-and-oakland-native-daveed-diggs-can-rap-very-very-fast/\" target=\"_blank\" rel=\"noopener\">Oakland native Daveed Diggs\u003c/a>), local indie favorites \u003ca href=\"https://ww2.kqed.org/news/2016/04/30/thao-nguyen-on-songwriting-s-f-and-sorting-through-her-troubled-relationship-with-her-dad/\" target=\"_blank\" rel=\"noopener\">Thao Nguyen \u003c/a>and \u003ca href=\"http://www.npr.org/2015/05/16/407212524/in-rhythm-bhi-bhimans-music-isnt-limited-by-national-borders\" target=\"_blank\" rel=\"noopener\">Bhi Bhiman\u003c/a>, and a new live track from everyone’s favorite liberal uncles (\u003ca href=\"https://ww2.kqed.org/pop/2015/09/09/r-e-m-to-donald-trump-go-f-yourself/\" target=\"_blank\" rel=\"noopener\">and documented Trump haters\u003c/a>) R.E.M.\u003c/p>\n\u003cp>Per the project’s mission statement, a note signed “Artists For a Trump-Free America”:\u003c/p>\n\u003cblockquote>\u003cp>As artists, we are united in our desire to speak out against the ignorant, divisive, and hateful campaign of Donald Trump. We will not be duped by Mr. Trump’s rhetorical contortions, by his pandering and lies and false promises. He has shown the content of his character time and time again, and the very fact of his candidacy is a blight on the nation. His words incite hatred and celebrate inequity. Most troubling of all, over the past year, the country has become inured to the towering vileness of his rhetoric and deeds, his attacks on women, Mexican-Americans, Muslims, and those with disabilities. But we have to remember these acts, and act against them. In the words of Cornell West, we cannot become “well-adjusted to injustice.”\u003c/p>\u003c/blockquote>\n\u003cp>If the one-new-thing-a-day premise sounds familiar, it’s probably because the project is brought to you by the same folks behind \u003cem>\u003ca href=\"http://90days90reasons.net/\">90 Days, 90 Reasons\u003c/a>\u003c/em>, which in 2012 recruited writers and artists to pen essays that motivated voters to elect President Obama for a second term.\u003c/p>\n\u003cp>But while those pieces of writing were sweet, convincing (for many) and full of renewed hope, it must be said: there’s really nothing like a protest song. Just ask Pete Seeger, Billy Bragg, or NOFX’s Fat Mike, who in 2004 recruited other punks and alternative acts for two full \u003cem>Rock Against Bush\u003c/em> compilation albums and a tour to help prevent Bush’s re-election.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZSb3nG4oTNQ'\n title='//www.youtube.com/embed/ZSb3nG4oTNQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Of course, we all know how that one turned out. In this election, as of this writing, we have 28 more days of crazy-making headlines and (I’ll speak for myself here) constant, low-humming anxiety. But hey: at least now it’s got a nice new soundtrack.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Every year, avid local show goers eagerly look forward to seeing what Noise Pop, the annual SF music festival celebrating the best in indie music, will offer. They know to expect a wide-ranging well-picked and inclusive lineup of many local favorites, and with each year that passes, much much more. This year’s 15th anniversary festival not only provided a comprehensive lineup of music acts, but also featured art exhibits, film and comedy as well. \u003c/p>\n\u003cp>And as Noise Pop’s festival grows, so does its calendar. Chris Appelgren joined the staff last year when the event went from a two-person operation putting on a six-day event to organizing and sponsoring events throughout the year with a full, year-round staff. He met with me at the Noise Pop offices in the Mission on Tuesday shortly before \u003ca href=\"http://www.noisepop.com/freedm\" target=\"offsite\" rel=\"noopener\">Freedm Night\u003c/a> kicked off the festival. I was a little let down to discover that the office was not the frenzied mess of nerves and shouting I was expecting, but a constant stream of phone calls and inter-office questions did provide an appropriately industrious aural backdrop for our conversation. Chris described how \u003cb>Noise Pop\u003c/b> has shifted its focus in recent years to accommodate changes in the music scene.\u003c/p>\n\u003cp>“As we’ve gotten bigger, our mission shifted to not only celebrating what’s great about the city, but also teaming it up with great national artists in a way that’s more intimate. We want the shows to feel carefully created and considered.”\u003c/p>\n\u003cp>This year, I scanned the roster of over 110 bands playing over 30 shows, and felt pretty overwhelmed, but was excited to find \u003ca href=\"http://www.hellaband.com\" target=\"offsite\" rel=\"noopener\">Hella\u003c/a> headlining a\u003ca href=\"http://www.bottomofthehill.com\" target=\"offsite\" rel=\"noopener\">Bottom of the Hill\u003c/a> show. I’d been introduced to \u003cb>Hella\u003c/b>, a math rock outfit from Sacramento with a steadily growing fan base around the country, a couple of years ago, but had never had the chance see them live before. The show was entirely packed, with the body heat inside beating the frigid chill creeping in from the outside and confirming the show’s sold out success.\u003c/p>\n\u003cp>Like many other fans who came out expressly to see Hella, I knew next to nothing about the other bands that would be playing that night, which made it all the more of a special noisy treat to discover three killer acts — each absolutely nothing like the previous.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bay Area-based \u003ca href=\"http://www.tartufirock.net\" target=\"offsite\" rel=\"noopener\">Tartufi\u003c/a> started off the show with a thirty minute set of fascinating live loop-based songs, which combined layers upon layers of vocals and reverb with alternating slow intense passages and hard/fast rock drumming. With a four-year history as a three-piece group rather than the two-piece that played, some fans didn’t know what to expect, but they were pleased with the results. I got a chance to corner Lynn Angel, who provides guitar, vocals and live looping for the band, just as she had gotten her parents (who are evidently very good sports) into a cab after the set. She confirmed that Tartufi would be remaining a two-piece for now. Many Noise Pop openers move up through the ranks to become headliners, so expect to see more of Tartufi in the future, as part of Noise Pop or just around town.\u003c/p>\n\u003cp>\u003ca href=\"http://www.macromantics.com\" target=\"offsite\" rel=\"noopener\">Macromantics\u003c/a> from Australia kept things going with a dark yet goofy hip hop set that conformed to many of the conventions of hip hop without sounding like any particular act I’d heard before. There was the command to get your hands in the air as well as the song written only to spell out M-A-C-R-O-M-A-N-T-I-C-S. But there was also gritty beats mixed with references to Ella Fitzgerald and James Brown and a refrain from the nursery rhyme “Baa Baa Black Sheep.” While fans were enthusiastic about the set, Macromantics convinced me about her potential by working the merchandise table after performing. For a rising artist on her way to South by Southwest, she was willing to put in the time and the effort to win over every fan she could.\u003c/p>\n\u003cp>\u003ca href=\"http://www.ninjatune.net/ninja/artist.php?id=125\" target=\"offsite\" rel=\"noopener\">Pop Levi\u003c/a> turned it out for a genre-bending set of classic rock with elements of glam, funk and pretty much everything else thrown in. Hailing from Los Angeles, Liverpool and lately, his van, Pop is clearly destined for hipster stardom, with appropriately obscure listening tastes (wax cylinder recordings from the Bahamas) and a pedigree to match. He boasts a long-standing gig with electroclashers \u003ca href=\"http://www.ladytron.com\" target=\"offsite\" rel=\"noopener\">Ladytron\u003c/a>, and before that, time on \u003ca href=\"http://www.ninjatune.net\" target=\"offsite\" rel=\"noopener\">NinjaTune Records\u003c/a> with his band \u003ca href=\"http://www.ninjatune.net/ninja/artist.php?id=94\" target=\"offsite\" rel=\"noopener\">Super Numeri\u003c/a>. Despite a distinctly retro edge to his sound, the music is far from derivative. And Pop isn’t interested in being a throwback. While his music draws on an extremely wide variety of influences, he mentioned just two artists he particularly admires — Bob Dylan and Sun Ra — neither immediately evident in his sound. Another artist fitting in a Noise Pop gig before landing at South by Southwest, Pop is currently in the middle of a punishingly lengthy tour. Be on the lookout for him to come through SF again soon.\u003c/p>\n\u003cp>Hella is probably best known for the genius drumming of Zach Hill, who has also been part of other excellent Northern California acts including \u003ca href=\"http://www.crimeinchoir.net\" target=\"offsite\" rel=\"noopener\">Crime in Choir\u003c/a>, who played an epic, sweaty show at the \u003ca href=\"http://www.hemlocktavern.net\" target=\"offsite\" rel=\"noopener\">Hemlock\u003c/a> just last week. His drumming, while it confounds the average show goer by making it nearly impossible to dance — much less bob your head to — for longer than a three-second spurt, inspires the truly dedicated fan to new heights in rhythm. This is where I would normally place my choicely worded description of Hella’s sound — but I really can’t top the Wikipedia entry, which describes it as a “technical, Nintendo-influenced blend of math rock, noise rock and avant-garde.”\u003c/p>\n\u003cp>The show last Wednesday (Feb 28, 2007) featured this sound front and center, but added a new element — a full complement of vocals on every song. I’d heard snippets from the recently-released full-length album, \u003cb>There’s No 666 in Outer Space\u003c/b>, before heading out to the show, and was struck by how the addition of vocals made for a dramatic, wailing rock sound approaching the \u003ca href=\"http://www.themarsvolta.com\" target=\"offsite\" rel=\"noopener\">Mars Volta\u003c/a>. But in person, the vocals were even more raw and echoey.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Without a doubt, as \u003cb>Noise Pop\u003c/b> continues to grow, you can expect some very exciting treats throughout the year. For more on this year’s \u003ca href=\"http://www.noisepop.com\" target=\"offsite\" rel=\"noopener\">festival and future events\u003c/a>, visit noisepop.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Every year, avid local show goers eagerly look forward to seeing what Noise Pop, the annual SF music festival celebrating the best in indie music, will offer. They know to expect a wide-ranging well-picked and inclusive lineup of many local favorites, and with each year that passes, much much more. This year’s 15th anniversary festival not only provided a comprehensive lineup of music acts, but also featured art exhibits, film and comedy as well. \u003c/p>\n\u003cp>And as Noise Pop’s festival grows, so does its calendar. Chris Appelgren joined the staff last year when the event went from a two-person operation putting on a six-day event to organizing and sponsoring events throughout the year with a full, year-round staff. He met with me at the Noise Pop offices in the Mission on Tuesday shortly before \u003ca href=\"http://www.noisepop.com/freedm\" target=\"offsite\" rel=\"noopener\">Freedm Night\u003c/a> kicked off the festival. I was a little let down to discover that the office was not the frenzied mess of nerves and shouting I was expecting, but a constant stream of phone calls and inter-office questions did provide an appropriately industrious aural backdrop for our conversation. Chris described how \u003cb>Noise Pop\u003c/b> has shifted its focus in recent years to accommodate changes in the music scene.\u003c/p>\n\u003cp>“As we’ve gotten bigger, our mission shifted to not only celebrating what’s great about the city, but also teaming it up with great national artists in a way that’s more intimate. We want the shows to feel carefully created and considered.”\u003c/p>\n\u003cp>This year, I scanned the roster of over 110 bands playing over 30 shows, and felt pretty overwhelmed, but was excited to find \u003ca href=\"http://www.hellaband.com\" target=\"offsite\" rel=\"noopener\">Hella\u003c/a> headlining a\u003ca href=\"http://www.bottomofthehill.com\" target=\"offsite\" rel=\"noopener\">Bottom of the Hill\u003c/a> show. I’d been introduced to \u003cb>Hella\u003c/b>, a math rock outfit from Sacramento with a steadily growing fan base around the country, a couple of years ago, but had never had the chance see them live before. The show was entirely packed, with the body heat inside beating the frigid chill creeping in from the outside and confirming the show’s sold out success.\u003c/p>\n\u003cp>Like many other fans who came out expressly to see Hella, I knew next to nothing about the other bands that would be playing that night, which made it all the more of a special noisy treat to discover three killer acts — each absolutely nothing like the previous.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bay Area-based \u003ca href=\"http://www.tartufirock.net\" target=\"offsite\" rel=\"noopener\">Tartufi\u003c/a> started off the show with a thirty minute set of fascinating live loop-based songs, which combined layers upon layers of vocals and reverb with alternating slow intense passages and hard/fast rock drumming. With a four-year history as a three-piece group rather than the two-piece that played, some fans didn’t know what to expect, but they were pleased with the results. I got a chance to corner Lynn Angel, who provides guitar, vocals and live looping for the band, just as she had gotten her parents (who are evidently very good sports) into a cab after the set. She confirmed that Tartufi would be remaining a two-piece for now. Many Noise Pop openers move up through the ranks to become headliners, so expect to see more of Tartufi in the future, as part of Noise Pop or just around town.\u003c/p>\n\u003cp>\u003ca href=\"http://www.macromantics.com\" target=\"offsite\" rel=\"noopener\">Macromantics\u003c/a> from Australia kept things going with a dark yet goofy hip hop set that conformed to many of the conventions of hip hop without sounding like any particular act I’d heard before. There was the command to get your hands in the air as well as the song written only to spell out M-A-C-R-O-M-A-N-T-I-C-S. But there was also gritty beats mixed with references to Ella Fitzgerald and James Brown and a refrain from the nursery rhyme “Baa Baa Black Sheep.” While fans were enthusiastic about the set, Macromantics convinced me about her potential by working the merchandise table after performing. For a rising artist on her way to South by Southwest, she was willing to put in the time and the effort to win over every fan she could.\u003c/p>\n\u003cp>\u003ca href=\"http://www.ninjatune.net/ninja/artist.php?id=125\" target=\"offsite\" rel=\"noopener\">Pop Levi\u003c/a> turned it out for a genre-bending set of classic rock with elements of glam, funk and pretty much everything else thrown in. Hailing from Los Angeles, Liverpool and lately, his van, Pop is clearly destined for hipster stardom, with appropriately obscure listening tastes (wax cylinder recordings from the Bahamas) and a pedigree to match. He boasts a long-standing gig with electroclashers \u003ca href=\"http://www.ladytron.com\" target=\"offsite\" rel=\"noopener\">Ladytron\u003c/a>, and before that, time on \u003ca href=\"http://www.ninjatune.net\" target=\"offsite\" rel=\"noopener\">NinjaTune Records\u003c/a> with his band \u003ca href=\"http://www.ninjatune.net/ninja/artist.php?id=94\" target=\"offsite\" rel=\"noopener\">Super Numeri\u003c/a>. Despite a distinctly retro edge to his sound, the music is far from derivative. And Pop isn’t interested in being a throwback. While his music draws on an extremely wide variety of influences, he mentioned just two artists he particularly admires — Bob Dylan and Sun Ra — neither immediately evident in his sound. Another artist fitting in a Noise Pop gig before landing at South by Southwest, Pop is currently in the middle of a punishingly lengthy tour. Be on the lookout for him to come through SF again soon.\u003c/p>\n\u003cp>Hella is probably best known for the genius drumming of Zach Hill, who has also been part of other excellent Northern California acts including \u003ca href=\"http://www.crimeinchoir.net\" target=\"offsite\" rel=\"noopener\">Crime in Choir\u003c/a>, who played an epic, sweaty show at the \u003ca href=\"http://www.hemlocktavern.net\" target=\"offsite\" rel=\"noopener\">Hemlock\u003c/a> just last week. His drumming, while it confounds the average show goer by making it nearly impossible to dance — much less bob your head to — for longer than a three-second spurt, inspires the truly dedicated fan to new heights in rhythm. This is where I would normally place my choicely worded description of Hella’s sound — but I really can’t top the Wikipedia entry, which describes it as a “technical, Nintendo-influenced blend of math rock, noise rock and avant-garde.”\u003c/p>\n\u003cp>The show last Wednesday (Feb 28, 2007) featured this sound front and center, but added a new element — a full complement of vocals on every song. I’d heard snippets from the recently-released full-length album, \u003cb>There’s No 666 in Outer Space\u003c/b>, before heading out to the show, and was struck by how the addition of vocals made for a dramatic, wailing rock sound approaching the \u003ca href=\"http://www.themarsvolta.com\" target=\"offsite\" rel=\"noopener\">Mars Volta\u003c/a>. But in person, the vocals were even more raw and echoey.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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},
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 8
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},
"link": "https://www.cityarts.net",
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
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"source": "Commonwealth Club of California"
},
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
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"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
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