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"content": "\u003cp>Some of the biggest names in music, entertainment and fashion assembled in New York City for Monday’s \u003ca href=\"https://www.kqed.org/arts/13957112/where-to-watch-met-gala-2024-zendaya-best-red-carpet-looks\">“Garden of Time”-themed Met Gala\u003c/a>, decked out in flowers, sparkles and extravagant timepieces.\u003c/p>\n\u003cp>Contrary to the images circulating on social media, Katy Perry was not one of them.\u003c/p>\n\u003cp>“Couldn’t make it to the MET, had to work,” the singer \u003ca href=\"https://www.instagram.com/p/C6pivKUNWxQ/?img_index=5\">posted on Instagram\u003c/a>, alongside a video of herself singing in the studio — as well as two photos seemingly showing her at the gala.\u003c/p>\n\u003cp>They were actually made with AI.\u003c/p>\n\u003cp>https://twitter.com/jxries/status/1787603212075233371\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the first, Perry appears to be standing on a hedge-lined red carpet at the Met, wearing an elaborate ball gown covered in flowers and butterflies, with her dark hair styled in long waves. In the second, a close-up shot, Perry is wearing a metallic corset top with a large key handle down the middle and a short skirt of flowers and leaves, her hair straight and tousled.\u003c/p>\n\u003cp>The photos — whose exact origin is unclear — made a splash on X (formerly known as Twitter) earlier in the night, as viewers at home refreshed their feeds and weighed in on their favorite celebrity fits.\u003c/p>\n\u003cp>One \u003ca href=\"https://x.com/jxries/status/1787603212075233371\">X post\u003c/a> of the ball gown photo had over 300,000 likes and nearly 70,000 reposts as of Tuesday morning — and a note at the bottom clarifying that it was created with AI. Another post, \u003ca href=\"https://x.com/wanthatoo/status/1787604418956754956\">of the corset outfit\u003c/a>, garnered over 100,000 likes and was eventually labeled “digitally created.”\u003c/p>\n\u003cp>https://twitter.com/wanthatoo/status/1787604418956754956\u003c/p>\n\u003cp>Perry is a regular Met Gala attendee (and famous for dressing on-theme, including as a \u003ca href=\"https://www.vogue.com/slideshow/katy-perry-best-met-gala-looks\">chandelier and hamburger\u003c/a> in recent years), so internet observers would be forgiven for assuming she was there on Monday.\u003c/p>\n\u003cp>Even Perry’s mom, Mary Hudson, thought so. One of the posts in the singer’s Instagram carousel was a screenshot of a text conversation between the two.\u003c/p>\n\u003cp>[aside postid='arts_13957112']“Didn’t know you went to the Met,” her mom wrote. “What a gorgeous gown, you look like the Rose Parade, you are your own float lol.”\u003c/p>\n\u003cp>Perry was quick to clear things up.\u003c/p>\n\u003cp>“Lol mom the AI got you too,” she replied. “BEWARE!”\u003c/p>\n\u003cp>AI-generated images are increasingly easy to make, and celebrity deep fakes are increasingly prevalent — from sexually explicit \u003ca href=\"https://natlawreview.com/article/why-taylor-swift-ai-scandal-pushing-lawmakers-address-pornographic-deepfakes\">deep fakes of Taylor Swift\u003c/a> circulating earlier this year to \u003ca href=\"https://www.npr.org/2024/01/22/1226129926/nh-primary-biden-ai-robocall\">robocalls imitating President Biden\u003c/a> ahead of the New Hampshire primary.\u003c/p>\n\u003cp>In fact, Perry wasn’t the only star to be basically photoshopped onto the Met Gala red carpet: A viral X post claimed to show an elaborately dressed Rihanna in attendance, when she was actually home \u003ca href=\"https://www.eonline.com/news/1400722/why-rihanna-skipped-met-gala-2024-at-the-last-minute\">sick with the flu\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/tereluprados/status/1787618574564999346\u003c/p>\n\u003cp>Another purported to show Lady Gaga, who hasn’t been there \u003ca href=\"https://www.kqed.org/arts/13856751/camp-lgbtq-celebs-shut-down-the-2019-met-gala\">since 2019\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/he_so_candid/status/1787608442116472883\u003c/p>\n\u003cp>And before the gala, \u003ca href=\"https://x.com/duasmoker/status/1787606705380917712\">photos circulated of Dua Lipa\u003c/a> wearing bangs and a corset, only for her to show up on the carpet with crimson hair and an all-black ensemble — and for an X user to point out the early photos were from a \u003ca href=\"https://www.vogue.com/article/dua-lipa-demeanor-video-marie-antoinette\">2021 \u003cem>Vogue\u003c/em> shoot\u003c/a>.\u003c/p>\n\u003cp>While some social media users dismissed the Met Gala fakes as part of the fun, others see them as a worrisome sign of what could lie ahead.\u003c/p>\n\u003cp>Experts warn AI-generated deep fakes pose a threat to everything from \u003ca href=\"https://www.npr.org/2024/02/16/1232001889/ai-deepfakes-election-tech-accord\">election security\u003c/a> to \u003ca href=\"https://www.npr.org/2023/03/22/1165448073/voice-clones-ai-scams-ftc\">everyday scams\u003c/a>. And just last month, more than 200 artists — including Perry herself — \u003ca href=\"https://artistrightsnow.medium.com/200-artists-urge-tech-platforms-stop-devaluing-music-559fb109bbac\">signed a letter\u003c/a> urging tech platforms and digital music services to stop using AI to “infringe upon and devalue the rights of human artists.”\u003c/p>\n\u003ch3>How to tell if an image is fake (or at least suspicious)\u003c/h3>\n\u003cp>So what clues should Mary Hudson — and other discerning viewers — be looking for to spot potential fakes?\u003c/p>\n\u003cp>[aside postid='arts_13952796']Sam Gregory of the nonprofit Witness, which helps people use video and technology to protect human rights, encourages viewers to rely on context and intuition in situations like this one.\u003c/p>\n\u003cp>“My starting point with all images like [Perry’s] is to not trust the online detectors as there are too many variables around whether they give an accurate result,” he explained over email.\u003c/p>\n\u003cp>He said when he ran both Perry images through a widely-used detector, the flower dress came back as “likely human” and the corset as “likely AI generated.” He also discourages people from looking for visual clues in these kinds of images, saying that can “lead down a rabbit hole of unproductive forensic skepticism.”\u003c/p>\n\u003cp>With a high-profile event like the Met Gala, Gregory says, it’s best to use “classic media literacy and verification approaches.” In this case, that could mean looking for more proof of Perry’s attendance, from a variety of sources.\u003c/p>\n\u003cp>“Although some media literacy strategies like checking the source might lead us astray — perhaps we do trust Katy Perry to share real images of herself — if we use another strategy and look for other images from the same event from reliable sources, we’d quickly see this isn’t real,” he explained.\u003c/p>\n\u003cp>He adds that it reminds him of the AI-created images of a \u003ca href=\"https://www.npr.org/2023/05/22/1177590231/fake-viral-images-of-an-explosion-at-the-pentagon-were-probably-created-by-ai\">fire at the Pentagon\u003c/a> that went viral last year. In both cases, he says, the first question people should ask themselves is not whether they can spot the AI glitches in the photo, but “Why aren’t there other photos and videos of this event in a highly populated area?”\u003c/p>\n\u003cp>[aside postid='arts_13932477']But the bigger question, as Gregory sees it, is whether the public should be expected to do this at all.\u003c/p>\n\u003cp>“Why wouldn’t Katy Perry be at the Met Gala and why would we second-guess that, particularly if she’s part of the deception?” he says.\u003c/p>\n\u003cp>More help may be coming from social media platforms, amid growing concerns about the potential for AI to mislead users. Meta said earlier this year that it would start \u003ca href=\"https://www.npr.org/2024/02/06/1229317971/meta-labeling-ai-generated-images-instagram-facebook-artificial-intelligence\">labeling AI-generated images\u003c/a> on Facebook, Instagram and Threads, \u003ca href=\"https://about.fb.com/news/2024/04/metas-approach-to-labeling-ai-generated-content-and-manipulated-media/\">beginning in May\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But for now — and as always — keeping your guard up is key. If you need some more pointers, check out these expert tips on how to spot \u003ca href=\"https://www.npr.org/2023/06/07/1180768459/how-to-identify-ai-generated-deepfake-images\">AI-generated images\u003c/a> and \u003ca href=\"https://www.npr.org/2024/04/01/1241657867/april-fools-day-online-misinformation\">avoid getting tricked online\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Perry is a regular Met Gala attendee (and famous for dressing on-theme, including as a \u003ca href=\"https://www.vogue.com/slideshow/katy-perry-best-met-gala-looks\">chandelier and hamburger\u003c/a> in recent years), so internet observers would be forgiven for assuming she was there on Monday.\u003c/p>\n\u003cp>Even Perry’s mom, Mary Hudson, thought so. One of the posts in the singer’s Instagram carousel was a screenshot of a text conversation between the two.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Didn’t know you went to the Met,” her mom wrote. “What a gorgeous gown, you look like the Rose Parade, you are your own float lol.”\u003c/p>\n\u003cp>Perry was quick to clear things up.\u003c/p>\n\u003cp>“Lol mom the AI got you too,” she replied. “BEWARE!”\u003c/p>\n\u003cp>AI-generated images are increasingly easy to make, and celebrity deep fakes are increasingly prevalent — from sexually explicit \u003ca href=\"https://natlawreview.com/article/why-taylor-swift-ai-scandal-pushing-lawmakers-address-pornographic-deepfakes\">deep fakes of Taylor Swift\u003c/a> circulating earlier this year to \u003ca href=\"https://www.npr.org/2024/01/22/1226129926/nh-primary-biden-ai-robocall\">robocalls imitating President Biden\u003c/a> ahead of the New Hampshire primary.\u003c/p>\n\u003cp>In fact, Perry wasn’t the only star to be basically photoshopped onto the Met Gala red carpet: A viral X post claimed to show an elaborately dressed Rihanna in attendance, when she was actually home \u003ca href=\"https://www.eonline.com/news/1400722/why-rihanna-skipped-met-gala-2024-at-the-last-minute\">sick with the flu\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Another purported to show Lady Gaga, who hasn’t been there \u003ca href=\"https://www.kqed.org/arts/13856751/camp-lgbtq-celebs-shut-down-the-2019-met-gala\">since 2019\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And before the gala, \u003ca href=\"https://x.com/duasmoker/status/1787606705380917712\">photos circulated of Dua Lipa\u003c/a> wearing bangs and a corset, only for her to show up on the carpet with crimson hair and an all-black ensemble — and for an X user to point out the early photos were from a \u003ca href=\"https://www.vogue.com/article/dua-lipa-demeanor-video-marie-antoinette\">2021 \u003cem>Vogue\u003c/em> shoot\u003c/a>.\u003c/p>\n\u003cp>While some social media users dismissed the Met Gala fakes as part of the fun, others see them as a worrisome sign of what could lie ahead.\u003c/p>\n\u003cp>Experts warn AI-generated deep fakes pose a threat to everything from \u003ca href=\"https://www.npr.org/2024/02/16/1232001889/ai-deepfakes-election-tech-accord\">election security\u003c/a> to \u003ca href=\"https://www.npr.org/2023/03/22/1165448073/voice-clones-ai-scams-ftc\">everyday scams\u003c/a>. And just last month, more than 200 artists — including Perry herself — \u003ca href=\"https://artistrightsnow.medium.com/200-artists-urge-tech-platforms-stop-devaluing-music-559fb109bbac\">signed a letter\u003c/a> urging tech platforms and digital music services to stop using AI to “infringe upon and devalue the rights of human artists.”\u003c/p>\n\u003ch3>How to tell if an image is fake (or at least suspicious)\u003c/h3>\n\u003cp>So what clues should Mary Hudson — and other discerning viewers — be looking for to spot potential fakes?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Sam Gregory of the nonprofit Witness, which helps people use video and technology to protect human rights, encourages viewers to rely on context and intuition in situations like this one.\u003c/p>\n\u003cp>“My starting point with all images like [Perry’s] is to not trust the online detectors as there are too many variables around whether they give an accurate result,” he explained over email.\u003c/p>\n\u003cp>He said when he ran both Perry images through a widely-used detector, the flower dress came back as “likely human” and the corset as “likely AI generated.” He also discourages people from looking for visual clues in these kinds of images, saying that can “lead down a rabbit hole of unproductive forensic skepticism.”\u003c/p>\n\u003cp>With a high-profile event like the Met Gala, Gregory says, it’s best to use “classic media literacy and verification approaches.” In this case, that could mean looking for more proof of Perry’s attendance, from a variety of sources.\u003c/p>\n\u003cp>“Although some media literacy strategies like checking the source might lead us astray — perhaps we do trust Katy Perry to share real images of herself — if we use another strategy and look for other images from the same event from reliable sources, we’d quickly see this isn’t real,” he explained.\u003c/p>\n\u003cp>He adds that it reminds him of the AI-created images of a \u003ca href=\"https://www.npr.org/2023/05/22/1177590231/fake-viral-images-of-an-explosion-at-the-pentagon-were-probably-created-by-ai\">fire at the Pentagon\u003c/a> that went viral last year. In both cases, he says, the first question people should ask themselves is not whether they can spot the AI glitches in the photo, but “Why aren’t there other photos and videos of this event in a highly populated area?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But the bigger question, as Gregory sees it, is whether the public should be expected to do this at all.\u003c/p>\n\u003cp>“Why wouldn’t Katy Perry be at the Met Gala and why would we second-guess that, particularly if she’s part of the deception?” he says.\u003c/p>\n\u003cp>More help may be coming from social media platforms, amid growing concerns about the potential for AI to mislead users. Meta said earlier this year that it would start \u003ca href=\"https://www.npr.org/2024/02/06/1229317971/meta-labeling-ai-generated-images-instagram-facebook-artificial-intelligence\">labeling AI-generated images\u003c/a> on Facebook, Instagram and Threads, \u003ca href=\"https://about.fb.com/news/2024/04/metas-approach-to-labeling-ai-generated-content-and-manipulated-media/\">beginning in May\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But for now — and as always — keeping your guard up is key. If you need some more pointers, check out these expert tips on how to spot \u003ca href=\"https://www.npr.org/2023/06/07/1180768459/how-to-identify-ai-generated-deepfake-images\">AI-generated images\u003c/a> and \u003ca href=\"https://www.npr.org/2024/04/01/1241657867/april-fools-day-online-misinformation\">avoid getting tricked online\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "How to Watch Zendaya Win the 2024 Met Gala Red Carpet",
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"content": "\u003cp>Aaah, Zendaya. Oakland-born goddess. Desert warrior of \u003cem>Dune\u003c/em>. Marvel mistress. Disney star. Dazzling denizen of red carpets everywhere. All this, and on May 6, Zendaya is stepping out in a brand new role: co-chair of the \u003ca href=\"https://www.kqed.org/arts/tag/met-gala\">Met Gala\u003c/a>.\u003c/p>\n\u003cp>What does a Met Gala co-chair do exactly? Well, basically, it means you’re hand-picked by (let’s be real) scary \u003cem>Vogue\u003c/em> editor Anna Wintour to help make decisions about the gala’s theme (\u003cem>Sleeping Beauties: Reawakening Fashion\u003c/em>), dinner and performers. This year, Zendaya was selected along with J.Lo, Bad Bunny and Chris Hemsworth for the job. And sure, OK, we might be a teeny bit biased, but if this red carpet is a contest (and we all know that it is), Zendaya is going to win the night.\u003c/p>\n\u003cp>How do we know? The following 5 reasons.\u003c/p>\n\u003ch2>1. Zendaya at the 2019 Met Gala\u003c/h2>\n\u003cp>The last time Zendaya attended the Met Gala, she did a literal magic trick on the red carpet. The theme that year was \u003cem>Camp: Notes on Fashion\u003c/em>. She teamed up with Tommy Hilfiger to come up with this light-up Cinderella moment, which nods to her beginnings as a Disney Channel child star.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iJEUt0w1B94\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If Zendaya did this for \u003cem>Camp\u003c/em>, just think what she’s going to do as host for \u003cem>Sleeping Beauties\u003c/em>. More ethereal glory awaits!\u003c/p>\n\u003ch2>2. Zendaya at the 2018 Met Gala\u003c/h2>\n\u003cfigure id=\"attachment_13957126\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957126\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-955770278-scaled-e1714682523213.jpg\" alt=\"A beautiful young woman with a red bob stands on a white carpet surrounded by photographers, wearing a dress made of chainmail and armor.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Zendaya at the 2018 Met Gala, just Joan of Arc-ing it up. \u003ccite>(Neilson Barnard/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The theme of the 2018 Met Gala was \u003cem>Heavenly Bodies: Fashion & The Catholic Imagination\u003c/em>. Kim Kardashian showed up in a gold gown with a cross stuck on the hip. Katy Perry wore a gold gown with giant wings attached. Sarah Jessica Parker donned a gold gown with a miniature chapel on her head. Cardi B accessorized her gold gown with a halo thing on her face. Then Zendaya rolled up like, “Hold my sword, chumps,” in this nod to Joan of Arc badassery. Combining strength and elegance has never looked so cool.\u003c/p>\n\u003ch2>3. Zendaya at the 2017 Met Gala\u003c/h2>\n\u003cfigure id=\"attachment_13957128\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957128\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-677358932-scaled-e1714683330678.jpg\" alt=\"A young Black woman with natural hair stands at the foot of a staircase wearing a red and orange off the shoulder gown featuring a bold pattern including parrots. \" width=\"1920\" height=\"1680\">\u003cfigcaption class=\"wp-caption-text\">Zendaya at the 2017 Met Gala. \u003ccite>(Karwai Tang/ WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In honor of 2017’s \u003cem>Rei Kawakubo/Comme des Garçons: Art Of The In-Between \u003c/em>theme, Zendaya showed up on the Met Gala steps wearing a Dolce & Gabbana parrot-themed gown and — more importantly — her hair in a beautiful, exaggerated afro. That style choice was made just two years after Guiliana Rancic had said the actress’ dreadlocks at the 2015 Academy Awards made her look like she “\u003ca href=\"https://www.kqed.org/pop/95643/how-oaklands-zendaya-became-the-most-woke-disney-star-ever\">smells like patchouli oil or weed\u003c/a>.”\u003c/p>\n\u003cp>[aside postid='arts_13928464']In a since-removed post on Instagram, Zendaya responded to Rancic, noting: “I was hit with ignorant slurs and pure disrespect … To say that an 18-year-old young woman with locs must smell of patchouli oil or ‘weed’ is not only a large stereotype but outrageously offensive. I don’t usually feel the need to respond to negative things but certain remarks cannot go unchecked.”\u003c/p>\n\u003cp>There can be little doubt that this 2017 Met Gala hair moment was a middle finger to fashion white supremacy — and it was glorious.\u003c/p>\n\u003ch2>4. Zendaya at the 2016 Met Gala\u003c/h2>\n\u003cfigure id=\"attachment_13957137\" class=\"wp-caption aligncenter\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957137\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-scaled.jpg\" alt=\"A young, slender Black woman stands on a white and red carpet wearing a form-fitting, one-shouldered gold gown and sleek bowl hairstyle.\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-1920x2880.jpg 1920w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Zendaya at the 2016 Met Gala. \u003ccite>(Taylor Hill/ FilmMagic)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The theme was \u003cem>Manus x Machina: Fashion in an Age of Technology.\u003c/em> Zendaya channeled Alicia Vikander in \u003cem>Ex Machina\u003c/em> but made it high fashion. In the process, she reminded us that Michael Kors still occasionally makes genuinely cool clothing — a feat even more spectacular than making helmet hair seem like a good idea.\u003c/p>\n\u003ch2>5. Zendaya at every ‘Challengers’ promo\u003c/h2>\n\u003cfigure id=\"attachment_13957162\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957162\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tennis-z-scaled-e1714689329514.jpg\" alt=\"Three separate images of a young, slender Black woman wearing sleek dresses.\" width=\"1920\" height=\"1436\">\u003cfigcaption class=\"wp-caption-text\">Zendaya promoting her 2024 film ‘Challengers’ in (left to right) London, Los Angeles and Italy. \u003ccite>((L) Mike Marsland/ WireImage; (C) Eric Charbonneau/ Getty Images for Amazon MGM Studios; (R) Marilla Sicilia/ Archivio Marilla Sicilia/ Mondadori Portfolio via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>How do you make tennis sexy? Aside from having Luca Guadagnino make \u003ca href=\"https://www.kqed.org/arts/13956512/chellengers-review-zendaya-stylish-tennis-drama-josh-oconnor-mike-faist\">a movie about three very hot young people\u003c/a> doing an \u003ca href=\"https://www.kqed.org/arts/13957096/challengers-throuple-zendaya-polyamorous-couple\">unethical throuple\u003c/a> between bouts of sweaty on-the-court action? Zendaya has been offering a masterclass for months now, as she promotes that movie — \u003cem>Challengers\u003c/em> — in a series of outfits that nod to the demure formalwear tennis prides itself on and making it, well, kinda slutty. Game, set, match, lady. Game, set, match.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>You can watch Zendaya — and everyone else, I guess — arrive at the Met Gala on May 6, 2024. Cable subscribers can see the action live on \u003ca href=\"https://www.eonline.com/news/1399387/how-to-watch-the-2024-met-gala-and-live-from-e-on-tv-and-online\">E! starting at 6 p.m.\u003c/a>, while everyone else can catch it on \u003ca href=\"https://www.vogue.com/article/watch-met-gala-live-stream-2023\">Vogue’s livestream\u003c/a>, starting at 3 p.m.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Aaah, Zendaya. Oakland-born goddess. Desert warrior of \u003cem>Dune\u003c/em>. Marvel mistress. Disney star. Dazzling denizen of red carpets everywhere. All this, and on May 6, Zendaya is stepping out in a brand new role: co-chair of the \u003ca href=\"https://www.kqed.org/arts/tag/met-gala\">Met Gala\u003c/a>.\u003c/p>\n\u003cp>What does a Met Gala co-chair do exactly? Well, basically, it means you’re hand-picked by (let’s be real) scary \u003cem>Vogue\u003c/em> editor Anna Wintour to help make decisions about the gala’s theme (\u003cem>Sleeping Beauties: Reawakening Fashion\u003c/em>), dinner and performers. This year, Zendaya was selected along with J.Lo, Bad Bunny and Chris Hemsworth for the job. And sure, OK, we might be a teeny bit biased, but if this red carpet is a contest (and we all know that it is), Zendaya is going to win the night.\u003c/p>\n\u003cp>How do we know? The following 5 reasons.\u003c/p>\n\u003ch2>1. Zendaya at the 2019 Met Gala\u003c/h2>\n\u003cp>The last time Zendaya attended the Met Gala, she did a literal magic trick on the red carpet. The theme that year was \u003cem>Camp: Notes on Fashion\u003c/em>. She teamed up with Tommy Hilfiger to come up with this light-up Cinderella moment, which nods to her beginnings as a Disney Channel child star.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iJEUt0w1B94'\n title='//www.youtube.com/embed/iJEUt0w1B94'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If Zendaya did this for \u003cem>Camp\u003c/em>, just think what she’s going to do as host for \u003cem>Sleeping Beauties\u003c/em>. More ethereal glory awaits!\u003c/p>\n\u003ch2>2. Zendaya at the 2018 Met Gala\u003c/h2>\n\u003cfigure id=\"attachment_13957126\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957126\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-955770278-scaled-e1714682523213.jpg\" alt=\"A beautiful young woman with a red bob stands on a white carpet surrounded by photographers, wearing a dress made of chainmail and armor.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Zendaya at the 2018 Met Gala, just Joan of Arc-ing it up. \u003ccite>(Neilson Barnard/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The theme of the 2018 Met Gala was \u003cem>Heavenly Bodies: Fashion & The Catholic Imagination\u003c/em>. Kim Kardashian showed up in a gold gown with a cross stuck on the hip. Katy Perry wore a gold gown with giant wings attached. Sarah Jessica Parker donned a gold gown with a miniature chapel on her head. Cardi B accessorized her gold gown with a halo thing on her face. Then Zendaya rolled up like, “Hold my sword, chumps,” in this nod to Joan of Arc badassery. Combining strength and elegance has never looked so cool.\u003c/p>\n\u003ch2>3. Zendaya at the 2017 Met Gala\u003c/h2>\n\u003cfigure id=\"attachment_13957128\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957128\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-677358932-scaled-e1714683330678.jpg\" alt=\"A young Black woman with natural hair stands at the foot of a staircase wearing a red and orange off the shoulder gown featuring a bold pattern including parrots. \" width=\"1920\" height=\"1680\">\u003cfigcaption class=\"wp-caption-text\">Zendaya at the 2017 Met Gala. \u003ccite>(Karwai Tang/ WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In honor of 2017’s \u003cem>Rei Kawakubo/Comme des Garçons: Art Of The In-Between \u003c/em>theme, Zendaya showed up on the Met Gala steps wearing a Dolce & Gabbana parrot-themed gown and — more importantly — her hair in a beautiful, exaggerated afro. That style choice was made just two years after Guiliana Rancic had said the actress’ dreadlocks at the 2015 Academy Awards made her look like she “\u003ca href=\"https://www.kqed.org/pop/95643/how-oaklands-zendaya-became-the-most-woke-disney-star-ever\">smells like patchouli oil or weed\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In a since-removed post on Instagram, Zendaya responded to Rancic, noting: “I was hit with ignorant slurs and pure disrespect … To say that an 18-year-old young woman with locs must smell of patchouli oil or ‘weed’ is not only a large stereotype but outrageously offensive. I don’t usually feel the need to respond to negative things but certain remarks cannot go unchecked.”\u003c/p>\n\u003cp>There can be little doubt that this 2017 Met Gala hair moment was a middle finger to fashion white supremacy — and it was glorious.\u003c/p>\n\u003ch2>4. Zendaya at the 2016 Met Gala\u003c/h2>\n\u003cfigure id=\"attachment_13957137\" class=\"wp-caption aligncenter\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957137\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-scaled.jpg\" alt=\"A young, slender Black woman stands on a white and red carpet wearing a form-fitting, one-shouldered gold gown and sleek bowl hairstyle.\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/GettyImages-527575338-1920x2880.jpg 1920w\" sizes=\"(max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">Zendaya at the 2016 Met Gala. \u003ccite>(Taylor Hill/ FilmMagic)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The theme was \u003cem>Manus x Machina: Fashion in an Age of Technology.\u003c/em> Zendaya channeled Alicia Vikander in \u003cem>Ex Machina\u003c/em> but made it high fashion. In the process, she reminded us that Michael Kors still occasionally makes genuinely cool clothing — a feat even more spectacular than making helmet hair seem like a good idea.\u003c/p>\n\u003ch2>5. Zendaya at every ‘Challengers’ promo\u003c/h2>\n\u003cfigure id=\"attachment_13957162\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13957162\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/tennis-z-scaled-e1714689329514.jpg\" alt=\"Three separate images of a young, slender Black woman wearing sleek dresses.\" width=\"1920\" height=\"1436\">\u003cfigcaption class=\"wp-caption-text\">Zendaya promoting her 2024 film ‘Challengers’ in (left to right) London, Los Angeles and Italy. \u003ccite>((L) Mike Marsland/ WireImage; (C) Eric Charbonneau/ Getty Images for Amazon MGM Studios; (R) Marilla Sicilia/ Archivio Marilla Sicilia/ Mondadori Portfolio via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>How do you make tennis sexy? Aside from having Luca Guadagnino make \u003ca href=\"https://www.kqed.org/arts/13956512/chellengers-review-zendaya-stylish-tennis-drama-josh-oconnor-mike-faist\">a movie about three very hot young people\u003c/a> doing an \u003ca href=\"https://www.kqed.org/arts/13957096/challengers-throuple-zendaya-polyamorous-couple\">unethical throuple\u003c/a> between bouts of sweaty on-the-court action? Zendaya has been offering a masterclass for months now, as she promotes that movie — \u003cem>Challengers\u003c/em> — in a series of outfits that nod to the demure formalwear tennis prides itself on and making it, well, kinda slutty. Game, set, match, lady. Game, set, match.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>You can watch Zendaya — and everyone else, I guess — arrive at the Met Gala on May 6, 2024. Cable subscribers can see the action live on \u003ca href=\"https://www.eonline.com/news/1399387/how-to-watch-the-2024-met-gala-and-live-from-e-on-tv-and-online\">E! starting at 6 p.m.\u003c/a>, while everyone else can catch it on \u003ca href=\"https://www.vogue.com/article/watch-met-gala-live-stream-2023\">Vogue’s livestream\u003c/a>, starting at 3 p.m.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "It's Met Gala 2023! Let's All Pretend Karl Lagerfeld Was Cool!",
"headTitle": "It’s Met Gala 2023! Let’s All Pretend Karl Lagerfeld Was Cool! | KQED",
"content": "\u003cp>Oh, hey, look everybody! It’s the first Monday in May! That can mean only one thing: Celebrities trying to out-fashion each other on the Metropolitan Museum’s red carpet in New York. Except that this year’s Met Gala also happened to fall on \u003ca href=\"https://www.britannica.com/topic/May-Day-international-observance\">May Day\u003c/a> — a day traditionally dedicated to the workers of the world uniting and pushing back against the powers that be. (Somewhere, in the back of a limo, someone’s assistant was wearing Fruit of the Loom underwear in solidarity.)\u003c/p>\n\u003cp>[aside postid='arts_13912817']Also making the 2023 Met Gala even weirder this year? The damn theme: \u003cem>Karl Lagerfeld: A Line of Beauty\u003c/em>. Lagerfeld was a hateful little man who proudly wore his misogyny, fatphobia and \u003ca href=\"https://www.theguardian.com/fashion/2017/nov/13/karl-lagerfeld-sparks-outrage-over-migrant-holocaust-comments\">Islamaphobia\u003c/a> on his impeccably tailored sleeve. He also spent 36 years of his life working for Chanel — the fashion house founded by \u003ca href=\"https://www.pbs.org/wgbh/roadshow/stories/articles/2022/1/3/coco-chanel-fashion-designer-and-nazi-informant#:~:text=Gabrielle%20%E2%80%9CCoco%E2%80%9D%20Chanel%20was%20a,a%20Nazi%20sympathizer%20and%20informer.\">known Nazi sympathizer and secret agent, Coco Chanel\u003c/a>. Oh, and then there was that time in 2013 when \u003ca href=\"https://theweek.com/articles/493757/claudia-schiffers-blackface-photos-defensible\">he put Claudia Schiffer in blackface and an afro\u003c/a>. Hurray!\u003c/p>\n\u003cp>Is everyone feeling super awkward and uncomfortable yet? Like Kim Kardashian in that \u003ca href=\"https://www.wmagazine.com/story/kim-kardashian-met-gala-corset-mugler-mr-pearl\">very corseted Thierry Mugler dress\u003c/a> at 2019’s Met Gala? Good. Then let’s take a look at the fashion!\u003c/p>\n\u003ch2>Penélope Cruz and Dua Lipa\u003c/h2>\n\u003cfigure id=\"attachment_13928511\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928511\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-800x533.jpg\" alt=\"Two women with pale flawless skin and dark brown hair stand side by side. One is wearing a corseted white dress with black stitching. The other is a wearing a plunging, belted white dress with a transparent white hood.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A nun and a milkmaid walk into a museum… \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Penélope Cruz arrived in a Chanel take on Elsa from \u003cem>Frozen,\u003c/em> while Dua Lipa donned 1992 Chanel that was giving fancy-ass milkmaid. Cruz is a mom of two and therefore a reminder of that time Lagerfeld told a journalist at \u003cem>Interview \u003c/em>magazine\u003cem>: “\u003c/em>You’re lucky because [your children] are very beautiful. \u003ca href=\"https://www.interviewmagazine.com/fashion/carine-roitfeld\">It would have been difficult to have an ugly daughter\u003c/a>.” He continued: “If I were a woman, I would love to have lots of kids. But for men, I don’t believe in it.”\u003c/p>\n\u003cp>Nice!\u003c/p>\n\u003ch2>Salma Hayek\u003c/h2>\n\u003cfigure id=\"attachment_13928518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-800x533.jpg\" alt=\"A striking movie star stands on a red carpet wearing a red, tiered gown and bodice, hand on her hip. Photographers are lined up behind her.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Salma Hayek: 10 out of 10, no notes. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The iconic actress provided a rare pop of color to the black and white-centric gala, in a stunning red, tiered, full-length gown and rubber bodice. For some reason — maybe because Hayek survived nightmarish harassment by Harvey Weinstein and \u003ca href=\"https://www.nytimes.com/interactive/2017/12/13/opinion/contributors/salma-hayek-harvey-weinstein.html?smid=tw-nytopinion&smtyp=cur&mtrref=t.co&assetType=opinion&mtrref=theplaylist.net&gwh=58685C1FA7FF98DAD582641F4BB2C2C9&gwt=pay&assetType=PAYWALL\">wrote a powerful essay about it\u003c/a>? — I can’t help but think about that time Karl Lagerfeld said he was “fed up” with the #MeToo movement.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“What shocks me most in all of this,” \u003ca href=\"https://www.hollywoodreporter.com/lifestyle/style/karl-lagerfeld-metoo-comments-you-don-t-want-your-pants-pulled-don-t-become-a-model-1102596/\">the designer said\u003c/a>, “are the starlets who have taken 20 years to remember what happened.”\u003c/p>\n\u003cp>Literally stunning!\u003c/p>\n\u003ch2>Cara Delevingne\u003c/h2>\n\u003cfigure id=\"attachment_13928520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-800x533.jpg\" alt=\"A white woman with cropped shaggy silver hair stands on a red carpet surrounded by photographers, fanning out a huge white cape from a mini dress. Her legs are covered with black leather sheaths.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cara Delevingne being di(la)vine at the 2023 Met Gala. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cara Delevingne is one of the most in-demand models in the world not just because of her looks, but because of her tough persona and assertive edge. I wonder if she remembers that time in 2018 when \u003ca href=\"https://www.hollywoodreporter.com/lifestyle/style/karl-lagerfeld-metoo-comments-you-don-t-want-your-pants-pulled-don-t-become-a-model-1102596/\">Karl Lagerfeld wanted models to stop speaking up for themselves\u003c/a>?\u003c/p>\n\u003cp>“I read somewhere that now you must ask a model if she is comfortable with posing,” Lagerfeld said. “It’s simply too much; from now on, as a designer, you can’t do anything. It’s unbelievable. If you don’t want your pants pulled about, don’t become a model. Join a nunnery. There’ll always be a place for you in the convent.”\u003c/p>\n\u003cp>Sensational!\u003c/p>\n\u003ch2>Cardi B\u003c/h2>\n\u003cfigure id=\"attachment_13928522\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928522\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486936357-800x554.jpg\" alt=\"A Black woman wearing a dramatic black gown with white sleeveless collared shirt and black tie underneath, stands on the red carpet, gloved arms outstretched. She is wearing a long, straight, silver wig.\" width=\"800\" height=\"554\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-800x554.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1020x707.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-768x532.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1536x1064.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-2048x1419.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1920x1330.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Talented rapper and tattooed human, Cardi B. \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rapper arrived in a bell-shaped gown paired with boss-lady collared shirt and black tie. Cardi’s silver wig was a nod to Lagerfeld’s own strange mane, which is super fun when you think about that time the designer said: “I think tattoos are horrible. It’s like living in a Pucci dress full-time.”\u003c/p>\n\u003cp>Hope you like Pucci, Cardi!\u003c/p>\n\u003ch2>Janelle Monáe\u003c/h2>\n\u003cfigure id=\"attachment_13928521\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928521\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486933737-800x533.jpg\" alt=\"A Black woman wearing a stunned facial expression stands wearing an oversized conical black and white suit coat, held up by a wired underskirt.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe doing iconic weeble business. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Janelle Monáe upped the theatricality with an avant-garde, oversized, conical-shaped, black and white coat that she later whipped off to reveal a structured, mesh underskirt. While there is zero evidence to support this theory, I am hoping this illusion of largeness was a nod to the time Karl Lagerfeld said: “The hole in social security, it’s also [because of] all the diseases caught by people who are too fat.”\u003c/p>\n\u003cp>Cool!\u003c/p>\n\u003ch2>David Byrne\u003c/h2>\n\u003cfigure id=\"attachment_13928512\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928512\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486913679-800x533.jpg\" alt=\"A man in a crisp white suit and casual sneakers stands on a red carpet with a bicycle, smiling.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Byrne and his bicycle. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Talking Heads legend David Byrne showed up in a crisp white suit with his bicycle — an excellent accessory, tailor-made to get grease all over your couture as you haul it up the stairs. Something about this striking look was reminiscent of the time Karl Lagerfeld declared: “\u003ca href=\"https://www.harpersbazaar.com/fashion/designers/a26405187/karl-lagerfeld-quotes/\">I hate intellectual conversation with intellectuals because I only care about my opinion\u003c/a>.”\u003c/p>\n\u003cp>Perfection!\u003c/p>\n\u003ch2>Lil Nas X\u003c/h2>\n\u003cfigure id=\"attachment_13928517\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928517\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486925234-800x559.jpg\" alt=\"A man in silver body paint and crystal-encrusted face mask strikes a pose in front of a white curtain. He is wearing only a loin cloth.\" width=\"800\" height=\"559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-800x559.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1020x712.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1536x1073.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-2048x1431.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1920x1341.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil Nas X in a typically understated silver ensemble. \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lil Nas X showed up in a subtle silver number that emphasized his, uh, assets. Because of his status as a queer icon, it’s hard not to think about the time Karl Lagerfeld endorsed marriage equality on the runway, then immediately told everyone \u003ca href=\"https://www.theguardian.com/fashion/2013/jan/22/karl-lagerfeld-chanel-gay-marriage\">he was “less keen” on gay couples being allowed to adopt\u003c/a> children.\u003c/p>\n\u003cp>So awesome!\u003c/p>\n\u003ch2>Michaela Coel\u003c/h2>\n\u003cfigure id=\"attachment_13928516\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928516\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-800x533.jpg\" alt=\"A beautiful black woman with feline features and cornrows wears a heavily beaded gold gown.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A look so perfect, it would have rendered even Karl Lagerfeld speechless. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Holy crap. Michaela Coel looked so dazzling, I briefly stopped thinking about what a troll Karl Lagerfeld was.\u003c/p>\n\u003cp>Thank you, Michaela Coel, for allowing me to not think about Karl Lagerfeld for three minutes.\u003c/p>\n\u003ch2>Gisele Bündchen\u003c/h2>\n\u003cfigure id=\"attachment_13928514\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928514\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-800x570.jpg\" alt=\"A beautiful woman spins on the red carpet wearing a full-length crystal-beaded gown and a full length feather shrug.\" width=\"800\" height=\"570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-800x570.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-1020x727.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-1536x1095.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gisele Bündchen wearing about 57,000 birds. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Giselle had a sparkly, swan-inspired moment on the red carpet, spinning her full-length feather cape for awaiting photographers. It was hard to see all those feathers without recalling the time in 2009 when Karl Lagerfeld insisted on \u003ca href=\"http://fashion.telegraph.co.uk/news-features/TMG4075783/Karl-Lagerfeld-defends-fur-industry-saying-beasts-would-kill-us-if-we-didnt-kill-them.html\">giving his two cents about the use of animal products\u003c/a> in couture.\u003c/p>\n\u003cp>“In a meat-eating world, wearing leather for shoes and clothes and even handbags, the discussion of fur is childish.” He was also careful to note that the dead animals in question were merely “beasts who would kill us if they could.”\u003c/p>\n\u003cp>Screw you, fluffy animals!\u003c/p>\n\u003ch2>Lizzo and Jared Leto\u003c/h2>\n\u003cfigure id=\"attachment_13928519\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928519\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-800x533.jpg\" alt=\"A plus-sized Black woman in a full-length black gown covered in strings of white pearls stands on a busy red carpet talking to someone in a giant fluffy cat costume.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jared Leto, dressed as Karl Lagerfeld’s cat Choupette, chats with Lizzo. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I was super into watching Lizzo converse with a human-sized cat until I:\u003c/p>\n\u003cp>(a) found out that the cat costume was, in fact, inhabited by \u003ca href=\"https://www.kqed.org/arts/13865555/thirty-seconds-to-mars-jared-leto-started-a-cult-because-of-course-he-did\">human pretension factory Jared Leto\u003c/a>, and,\u003c/p>\n\u003cp>(b) remembered that time Karl Lagerfeld said of another plus-sized songstress, Adele: “She’s a little too fat but she has a beautiful face.” Later Lagerfeld implied that his unsolicited comments about her physique actually did Adele a favor. “After that,” he said, “she lost eight kilos [17.6 pounds] so I think the message was not that bad.”\u003c/p>\n\u003cp>Give me strength, Lord.\u003c/p>\n\u003ch2>Doja Cat\u003c/h2>\n\u003cfigure id=\"attachment_13928523\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928523\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-800x533.jpg\" alt=\"A Black woman wearing face enhancements that make her look like a cat poses on the red carpet. She's wearing a silver gown with hood that has cat ear embellishments.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat = Literal cat now. Cool. \u003ccite>(Theo Wargo/Getty Images for Karl Lagerfeld)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One time, offering unsolicited commentary about Lana Del Rey’s appearance, Karl Lagerfeld said: “In her photos, she is beautiful. Is she a construct with all her implants?”\u003c/p>\n\u003cp>How’s this for a construct, Karl? Doja Cat is an actual cat now.\u003c/p>\n\u003cp>Mic drop!\u003c/p>\n\u003ch2>Ashley Graham\u003c/h2>\n\u003cfigure id=\"attachment_13928515\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486923634-800x593.jpg\" alt=\"A beautiful white woman wearing a tight fitting pink and black off-the-shoulder gown with embellishments around her ankles, hips and elbows to emphasize her curves.\" width=\"800\" height=\"593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-800x593.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1020x757.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-768x570.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1536x1139.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-2048x1519.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1920x1424.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Graham in a stunning pink and black off-the-shoulder gown. \u003ccite>(Theo Wargo/Getty Images for Karl Lagerfeld)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Body positivity leader and plus-sized model Ashley Graham was stunning in a figure-hugging gown with embellishments that served to emphasize her curves. One can’t help but wonder how Karl Lagerfeld would receive this look today, given his 2009 statement that: “\u003ca href=\"https://www.smh.com.au/lifestyle/fashion/no-one-wants-to-see-curvy-women-karl-lagerfeld-20091012-gskk.html\">No one wants to see curvy women\u003c/a>.”\u003c/p>\n\u003cp>Get outta here, you!\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>May next year’s theme be much, much easier to not think about.\u003c/p>\n\n",
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"excerpt": "The most prestigious night in fashion pays homage to a guy who hated almost everyone and couldn't wait to talk about it. Stunning!",
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"title": "It's Met Gala 2023! Let's All Pretend Karl Lagerfeld Was Cool! | KQED",
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"headline": "It's Met Gala 2023! Let's All Pretend Karl Lagerfeld Was Cool!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oh, hey, look everybody! It’s the first Monday in May! That can mean only one thing: Celebrities trying to out-fashion each other on the Metropolitan Museum’s red carpet in New York. Except that this year’s Met Gala also happened to fall on \u003ca href=\"https://www.britannica.com/topic/May-Day-international-observance\">May Day\u003c/a> — a day traditionally dedicated to the workers of the world uniting and pushing back against the powers that be. (Somewhere, in the back of a limo, someone’s assistant was wearing Fruit of the Loom underwear in solidarity.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Also making the 2023 Met Gala even weirder this year? The damn theme: \u003cem>Karl Lagerfeld: A Line of Beauty\u003c/em>. Lagerfeld was a hateful little man who proudly wore his misogyny, fatphobia and \u003ca href=\"https://www.theguardian.com/fashion/2017/nov/13/karl-lagerfeld-sparks-outrage-over-migrant-holocaust-comments\">Islamaphobia\u003c/a> on his impeccably tailored sleeve. He also spent 36 years of his life working for Chanel — the fashion house founded by \u003ca href=\"https://www.pbs.org/wgbh/roadshow/stories/articles/2022/1/3/coco-chanel-fashion-designer-and-nazi-informant#:~:text=Gabrielle%20%E2%80%9CCoco%E2%80%9D%20Chanel%20was%20a,a%20Nazi%20sympathizer%20and%20informer.\">known Nazi sympathizer and secret agent, Coco Chanel\u003c/a>. Oh, and then there was that time in 2013 when \u003ca href=\"https://theweek.com/articles/493757/claudia-schiffers-blackface-photos-defensible\">he put Claudia Schiffer in blackface and an afro\u003c/a>. Hurray!\u003c/p>\n\u003cp>Is everyone feeling super awkward and uncomfortable yet? Like Kim Kardashian in that \u003ca href=\"https://www.wmagazine.com/story/kim-kardashian-met-gala-corset-mugler-mr-pearl\">very corseted Thierry Mugler dress\u003c/a> at 2019’s Met Gala? Good. Then let’s take a look at the fashion!\u003c/p>\n\u003ch2>Penélope Cruz and Dua Lipa\u003c/h2>\n\u003cfigure id=\"attachment_13928511\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928511\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-800x533.jpg\" alt=\"Two women with pale flawless skin and dark brown hair stand side by side. One is wearing a corseted white dress with black stitching. The other is a wearing a plunging, belted white dress with a transparent white hood.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486910904-scaled-e1682979054617.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A nun and a milkmaid walk into a museum… \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Penélope Cruz arrived in a Chanel take on Elsa from \u003cem>Frozen,\u003c/em> while Dua Lipa donned 1992 Chanel that was giving fancy-ass milkmaid. Cruz is a mom of two and therefore a reminder of that time Lagerfeld told a journalist at \u003cem>Interview \u003c/em>magazine\u003cem>: “\u003c/em>You’re lucky because [your children] are very beautiful. \u003ca href=\"https://www.interviewmagazine.com/fashion/carine-roitfeld\">It would have been difficult to have an ugly daughter\u003c/a>.” He continued: “If I were a woman, I would love to have lots of kids. But for men, I don’t believe in it.”\u003c/p>\n\u003cp>Nice!\u003c/p>\n\u003ch2>Salma Hayek\u003c/h2>\n\u003cfigure id=\"attachment_13928518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-800x533.jpg\" alt=\"A striking movie star stands on a red carpet wearing a red, tiered gown and bodice, hand on her hip. Photographers are lined up behind her.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486926230-scaled-e1682985176606.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Salma Hayek: 10 out of 10, no notes. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The iconic actress provided a rare pop of color to the black and white-centric gala, in a stunning red, tiered, full-length gown and rubber bodice. For some reason — maybe because Hayek survived nightmarish harassment by Harvey Weinstein and \u003ca href=\"https://www.nytimes.com/interactive/2017/12/13/opinion/contributors/salma-hayek-harvey-weinstein.html?smid=tw-nytopinion&smtyp=cur&mtrref=t.co&assetType=opinion&mtrref=theplaylist.net&gwh=58685C1FA7FF98DAD582641F4BB2C2C9&gwt=pay&assetType=PAYWALL\">wrote a powerful essay about it\u003c/a>? — I can’t help but think about that time Karl Lagerfeld said he was “fed up” with the #MeToo movement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“What shocks me most in all of this,” \u003ca href=\"https://www.hollywoodreporter.com/lifestyle/style/karl-lagerfeld-metoo-comments-you-don-t-want-your-pants-pulled-don-t-become-a-model-1102596/\">the designer said\u003c/a>, “are the starlets who have taken 20 years to remember what happened.”\u003c/p>\n\u003cp>Literally stunning!\u003c/p>\n\u003ch2>Cara Delevingne\u003c/h2>\n\u003cfigure id=\"attachment_13928520\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928520\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-800x533.jpg\" alt=\"A white woman with cropped shaggy silver hair stands on a red carpet surrounded by photographers, fanning out a huge white cape from a mini dress. Her legs are covered with black leather sheaths.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486932554-scaled-e1682987052540.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cara Delevingne being di(la)vine at the 2023 Met Gala. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cara Delevingne is one of the most in-demand models in the world not just because of her looks, but because of her tough persona and assertive edge. I wonder if she remembers that time in 2018 when \u003ca href=\"https://www.hollywoodreporter.com/lifestyle/style/karl-lagerfeld-metoo-comments-you-don-t-want-your-pants-pulled-don-t-become-a-model-1102596/\">Karl Lagerfeld wanted models to stop speaking up for themselves\u003c/a>?\u003c/p>\n\u003cp>“I read somewhere that now you must ask a model if she is comfortable with posing,” Lagerfeld said. “It’s simply too much; from now on, as a designer, you can’t do anything. It’s unbelievable. If you don’t want your pants pulled about, don’t become a model. Join a nunnery. There’ll always be a place for you in the convent.”\u003c/p>\n\u003cp>Sensational!\u003c/p>\n\u003ch2>Cardi B\u003c/h2>\n\u003cfigure id=\"attachment_13928522\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928522\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486936357-800x554.jpg\" alt=\"A Black woman wearing a dramatic black gown with white sleeveless collared shirt and black tie underneath, stands on the red carpet, gloved arms outstretched. She is wearing a long, straight, silver wig.\" width=\"800\" height=\"554\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-800x554.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1020x707.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-768x532.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1536x1064.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-2048x1419.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486936357-1920x1330.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Talented rapper and tattooed human, Cardi B. \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The rapper arrived in a bell-shaped gown paired with boss-lady collared shirt and black tie. Cardi’s silver wig was a nod to Lagerfeld’s own strange mane, which is super fun when you think about that time the designer said: “I think tattoos are horrible. It’s like living in a Pucci dress full-time.”\u003c/p>\n\u003cp>Hope you like Pucci, Cardi!\u003c/p>\n\u003ch2>Janelle Monáe\u003c/h2>\n\u003cfigure id=\"attachment_13928521\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928521\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486933737-800x533.jpg\" alt=\"A Black woman wearing a stunned facial expression stands wearing an oversized conical black and white suit coat, held up by a wired underskirt.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486933737-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe doing iconic weeble business. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Janelle Monáe upped the theatricality with an avant-garde, oversized, conical-shaped, black and white coat that she later whipped off to reveal a structured, mesh underskirt. While there is zero evidence to support this theory, I am hoping this illusion of largeness was a nod to the time Karl Lagerfeld said: “The hole in social security, it’s also [because of] all the diseases caught by people who are too fat.”\u003c/p>\n\u003cp>Cool!\u003c/p>\n\u003ch2>David Byrne\u003c/h2>\n\u003cfigure id=\"attachment_13928512\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928512\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486913679-800x533.jpg\" alt=\"A man in a crisp white suit and casual sneakers stands on a red carpet with a bicycle, smiling.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486913679-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Byrne and his bicycle. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Talking Heads legend David Byrne showed up in a crisp white suit with his bicycle — an excellent accessory, tailor-made to get grease all over your couture as you haul it up the stairs. Something about this striking look was reminiscent of the time Karl Lagerfeld declared: “\u003ca href=\"https://www.harpersbazaar.com/fashion/designers/a26405187/karl-lagerfeld-quotes/\">I hate intellectual conversation with intellectuals because I only care about my opinion\u003c/a>.”\u003c/p>\n\u003cp>Perfection!\u003c/p>\n\u003ch2>Lil Nas X\u003c/h2>\n\u003cfigure id=\"attachment_13928517\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928517\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486925234-800x559.jpg\" alt=\"A man in silver body paint and crystal-encrusted face mask strikes a pose in front of a white curtain. He is wearing only a loin cloth.\" width=\"800\" height=\"559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-800x559.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1020x712.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1536x1073.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-2048x1431.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486925234-1920x1341.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil Nas X in a typically understated silver ensemble. \u003ccite>(Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lil Nas X showed up in a subtle silver number that emphasized his, uh, assets. Because of his status as a queer icon, it’s hard not to think about the time Karl Lagerfeld endorsed marriage equality on the runway, then immediately told everyone \u003ca href=\"https://www.theguardian.com/fashion/2013/jan/22/karl-lagerfeld-chanel-gay-marriage\">he was “less keen” on gay couples being allowed to adopt\u003c/a> children.\u003c/p>\n\u003cp>So awesome!\u003c/p>\n\u003ch2>Michaela Coel\u003c/h2>\n\u003cfigure id=\"attachment_13928516\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928516\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-800x533.jpg\" alt=\"A beautiful black woman with feline features and cornrows wears a heavily beaded gold gown.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486916795-scaled-e1682984031541.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A look so perfect, it would have rendered even Karl Lagerfeld speechless. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Holy crap. Michaela Coel looked so dazzling, I briefly stopped thinking about what a troll Karl Lagerfeld was.\u003c/p>\n\u003cp>Thank you, Michaela Coel, for allowing me to not think about Karl Lagerfeld for three minutes.\u003c/p>\n\u003ch2>Gisele Bündchen\u003c/h2>\n\u003cfigure id=\"attachment_13928514\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928514\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-800x570.jpg\" alt=\"A beautiful woman spins on the red carpet wearing a full-length crystal-beaded gown and a full length feather shrug.\" width=\"800\" height=\"570\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-800x570.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-1020x727.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-768x548.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446-1536x1095.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486917532-scaled-e1682982093446.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gisele Bündchen wearing about 57,000 birds. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Giselle had a sparkly, swan-inspired moment on the red carpet, spinning her full-length feather cape for awaiting photographers. It was hard to see all those feathers without recalling the time in 2009 when Karl Lagerfeld insisted on \u003ca href=\"http://fashion.telegraph.co.uk/news-features/TMG4075783/Karl-Lagerfeld-defends-fur-industry-saying-beasts-would-kill-us-if-we-didnt-kill-them.html\">giving his two cents about the use of animal products\u003c/a> in couture.\u003c/p>\n\u003cp>“In a meat-eating world, wearing leather for shoes and clothes and even handbags, the discussion of fur is childish.” He was also careful to note that the dead animals in question were merely “beasts who would kill us if they could.”\u003c/p>\n\u003cp>Screw you, fluffy animals!\u003c/p>\n\u003ch2>Lizzo and Jared Leto\u003c/h2>\n\u003cfigure id=\"attachment_13928519\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928519\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-800x533.jpg\" alt=\"A plus-sized Black woman in a full-length black gown covered in strings of white pearls stands on a busy red carpet talking to someone in a giant fluffy cat costume.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486928126-scaled-e1682986187433.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jared Leto, dressed as Karl Lagerfeld’s cat Choupette, chats with Lizzo. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I was super into watching Lizzo converse with a human-sized cat until I:\u003c/p>\n\u003cp>(a) found out that the cat costume was, in fact, inhabited by \u003ca href=\"https://www.kqed.org/arts/13865555/thirty-seconds-to-mars-jared-leto-started-a-cult-because-of-course-he-did\">human pretension factory Jared Leto\u003c/a>, and,\u003c/p>\n\u003cp>(b) remembered that time Karl Lagerfeld said of another plus-sized songstress, Adele: “She’s a little too fat but she has a beautiful face.” Later Lagerfeld implied that his unsolicited comments about her physique actually did Adele a favor. “After that,” he said, “she lost eight kilos [17.6 pounds] so I think the message was not that bad.”\u003c/p>\n\u003cp>Give me strength, Lord.\u003c/p>\n\u003ch2>Doja Cat\u003c/h2>\n\u003cfigure id=\"attachment_13928523\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928523\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-800x533.jpg\" alt=\"A Black woman wearing face enhancements that make her look like a cat poses on the red carpet. She's wearing a silver gown with hood that has cat ear embellishments.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486937845-scaled-e1682989079658.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Doja Cat = Literal cat now. Cool. \u003ccite>(Theo Wargo/Getty Images for Karl Lagerfeld)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One time, offering unsolicited commentary about Lana Del Rey’s appearance, Karl Lagerfeld said: “In her photos, she is beautiful. Is she a construct with all her implants?”\u003c/p>\n\u003cp>How’s this for a construct, Karl? Doja Cat is an actual cat now.\u003c/p>\n\u003cp>Mic drop!\u003c/p>\n\u003ch2>Ashley Graham\u003c/h2>\n\u003cfigure id=\"attachment_13928515\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928515\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1486923634-800x593.jpg\" alt=\"A beautiful white woman wearing a tight fitting pink and black off-the-shoulder gown with embellishments around her ankles, hips and elbows to emphasize her curves.\" width=\"800\" height=\"593\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-800x593.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1020x757.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-768x570.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1536x1139.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-2048x1519.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1486923634-1920x1424.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ashley Graham in a stunning pink and black off-the-shoulder gown. \u003ccite>(Theo Wargo/Getty Images for Karl Lagerfeld)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Body positivity leader and plus-sized model Ashley Graham was stunning in a figure-hugging gown with embellishments that served to emphasize her curves. One can’t help but wonder how Karl Lagerfeld would receive this look today, given his 2009 statement that: “\u003ca href=\"https://www.smh.com.au/lifestyle/fashion/no-one-wants-to-see-curvy-women-karl-lagerfeld-20091012-gskk.html\">No one wants to see curvy women\u003c/a>.”\u003c/p>\n\u003cp>Get outta here, you!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>May next year’s theme be much, much easier to not think about.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The ‘Gilded Glamour’ (and Unchecked Folly) of the 2022 Met Gala",
"headTitle": "The ‘Gilded Glamour’ (and Unchecked Folly) of the 2022 Met Gala | KQED",
"content": "\u003cp>If you, like me, feel as if the 2021 Met Gala only just happened, give yourself a hearty pat on the back for your instincts are correct. The last one was all of six and a half months ago, which is easy to remember because everyone showed up wearing tents. (September in New York, eh?)\u003c/p>\n\u003cp>[aside postid='arts_13902995']Initially, due to the “Gilded Glamour” theme, it seemed like MG’22 was simply going to be a chic affair that made everyone not in attendance feel like gross, poverty-stricken plebeians. (Which it kind of does every year once you realize that it costs $35,000 per person to attend. Meaning a single table costs between $200,000 and $300,000.)\u003c/p>\n\u003cp>Indeed, the theme did lend itself to attracting many elegant and enviable gowns. Like Janelle Monáe’s, which took her established android vibe to an even more stunning place than usual:\u003c/p>\n\u003cfigure id=\"attachment_13912820\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912820\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395043602-800x573.jpg\" alt=\"Janeelle Monae in a sleek black gown with short train, low back and a silver hood and chest embellishment.\" width=\"800\" height=\"573\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe in an outfit that immediately made me think of that one Beastie Boys song where Ad-Rock shouts, “Don’t touch me ’cause I’m electric! And if you touch me, you’ll get shocked!” … In a good way. \u003ccite>(Cindy Ord/MG22/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then there was Tessa Thompson looking like an actual dream:\u003c/p>\n\u003cfigure id=\"attachment_13912821\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912821\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395044573-800x534.jpg\" alt=\"Tessa Thompson wearing a pale pink dress with sculpted bodice and skirt and layered train.\" width=\"800\" height=\"534\">\u003cfigcaption class=\"wp-caption-text\">Tessa Thompson in that one dress every girly girl has been dreaming about since they were 4 years old. \u003ccite>(John Shearer/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sabrina Carpenter somehow made a belly-dancing-costume-inspired ensemble seem effortlessly cool:\u003c/p>\n\u003cfigure id=\"attachment_13912823\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912823\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395045841-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">A gold bra, bare midriff and flowing gold skirt shouldn’t work in this particular context, but holy crap, it so does on Sabrina. \u003ccite>(Kevin Mazur/MG22/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lizzo showed up looking like royalty, stopping only to play the flute (\u003cem>a goddamn gold flute!\u003c/em>) on the red carpet:\u003c/p>\n\u003cfigure id=\"attachment_13912831\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912831\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395052911-800x533.jpg\" alt=\"Lizzo wearing a black ensemble with gold embroidery plays a gold flute on the red carpet, hair cascading over her shoulders.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">We must protect this woman at all costs. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Kid Cudi demonstrated how you Man Fashion without making a sorry spectacle of yourself:\u003c/p>\n\u003cfigure id=\"attachment_13912833\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912833\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395053339-800x1200.jpg\" alt=\"Kid Cudi wearing a white shirt with frilled cuffs, black bow tie, bold blue suit and a matching blue cape.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yes-yes. Yes-yes-yes. \u003ccite>(Theo Wargo/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Which is kind of the opposite of what Bad Bunny did in this butcher paper moment and matronly up-do:\u003c/p>\n\u003cfigure id=\"attachment_13912825\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912825\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395048721-800x1200.jpg\" alt=\"Bad Bunny in a slender, full-length beige coat with puffy sleeves and a white shirt and black tie underneath.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-1920x2881.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny wearing a face that suggests he’s having a really hard time trusting this process. And frankly, who can blame him? \u003ccite>(Kevin Mazur/MG22/Getty Images for The Met Museum/Vogue )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Also cringe was the kid from \u003cem>The Power of the Dog\u003c/em> who showed up looking like he slept through his alarm, rolled out of bed and, in a panic, made a quick stop at grandma’s to grab a brooch and her best dishwashing gloves. (\u003cem>Who did this to you, Kodi Smit-McPhee?\u003c/em>)\u003c/p>\n\u003cfigure id=\"attachment_13912818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912818\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395042146-800x1200.jpg\" alt=\"Kodi Smit-McPhee wearing a white shirt, tucked into casual blue jeans with no belt. A brooch sits at his collar where a tie would ordinarily be, and his hands and forearms are covered by bright red gloves.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-1020x1529.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-1920x2879.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kodi Smit-McPhee’s stylist heard the words “Gilded Glamour” and came up with … this. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the opposite end of the effort scale was fashion entrepreneur (whatever that means), Fredrik Robertsson. Robertsson showed up in an ensemble so patently ridiculous, people thought he was Jared Leto for a full 10 minutes. (I mean… the self-satisfied glare \u003cem>does\u003c/em> bear an incredible similarity…)\u003c/p>\n\u003cfigure id=\"attachment_13912826\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912826\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395048660-800x1200.jpg\" alt=\"A white man wearing a silver ensemble with layers of tendrils stretching up and around from his body.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Somebody at some point looked at this ensemble and went: “You know what this needs? Bell bottoms.” \u003ccite>(Jeff Kravitz/FilmMagic)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of which managed to make \u003ca href=\"https://www.kqed.org/arts/13865555/thirty-seconds-to-mars-jared-leto-started-a-cult-because-of-course-he-did\" target=\"_blank\" rel=\"noopener noreferrer\">Jared Leto look less like a cult leader\u003c/a> for a spell. And—who knew?—all he had to do was arrive wearing … not a be-tendrilled silver skin suit from a 1970s roller disco movie in space.\u003c/p>\n\u003cfigure id=\"attachment_13912828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912828\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395048467-800x533.jpg\" alt=\"Jared Leto in a cream double breasted suit with black collar and button and red bow tie. He also wears dark sunglasses and black leather gloves.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Is Jared Leto, like, normal now? Or did that Fred guy just mess with my perspective? \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wait! No! There it is!\u003c/p>\n\u003cfigure id=\"attachment_13912830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912830\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395047845-800x533.jpg\" alt=\"Allesandro Michele and Jared Leto stand on the Met Gala red carpet in head-to-toe matching outfits.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Jared brought a twin with him, in the form of Italian designer Alessandro Michele. That’s more like it, Jared, you insufferable fool! \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, even as some of the kook on display took itself to a trying-too-hard place, some stars got weird in the best way possible.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Like Winnie Harlow, who took a \u003cem>Flash Gordon\u003c/em> headpiece and some taffeta and made it frickin’ fabulous:\u003c/p>\n\u003cfigure id=\"attachment_13912822\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912822\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395045583-800x1200.jpg\" alt=\"Winnie Harlow in an ethereal short white, lily-like dress with silver embellishments, plus white headdress with tiers of wings either side of her face.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Now THIS is how you headdress. \u003ccite>(Kevin Mazur/MG22/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And Emma Corrin, who somehow made ‘Pageboy From A Haunted Painting In Tilda Swinton’s Country Mansion’ work:\u003c/p>\n\u003cfigure id=\"attachment_13912834\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912834\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395055983-800x1200.jpg\" alt=\"Emma Corrin, wearing white tights, a sleeveless black military coat, black oversized shorts, pocket watch and black top hat, with tartan coat slung over her shoulder. \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">If you say “Princess Diana” three times into a mirror during a full moon, this is what appears behind you. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kendall Jenner also deserves an honorary mention for having faith that she would look dope with with no eyebrows. Because, it turns out, she looks dope with no eyebrows:\u003c/p>\n\u003cfigure id=\"attachment_13912832\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912832\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395053012-800x533.jpg\" alt=\"Kendall Jenner wears her long brown hair in a center part with simple teardrop earrings. Her eyebrows have been bleached and are now almost invisible.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Like the vast majority of women who were alive in the late-1990s, Kendall Jenner no longer has any eyebrows. \u003ccite>(Theo Wargo/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other things to note that no one actually wants to see here:\u003c/p>\n\u003cul>\n\u003cli>Elon Musk showed up looking like the haunted mannequin from Kodi Smit-McPhee’s grandma’s attic.\u003c/li>\n\u003cli>Bella Hadid arrived like the shadow person from Kodi Smit-McPhee’s grandma’s basement.\u003c/li>\n\u003cli>Gigi Hadid came dressed as an inflatable red slide from \u003cem>The Fifth Element\u003c/em>, thereby bringing the ’90s revival to its natural conclusion.\u003c/li>\n\u003cli>Dakota Johnson was dressed like an updated version of Zuul from \u003cem>Ghostbusters\u003c/em>, but it was kinda-sorta okay (even though a Rottweiler accessory would really have completed the look).\u003c/li>\n\u003cli>Kim Kardashian and Pete Davidson looked actually very cute together and I can’t talk about it while I’m still processing.\u003c/li>\n\u003cli>Travis Barker decided he simply must put his tongue in Kourtney Kardashian’s mouth on the red carpet, lest there was a person left on Earth that hadn’t seen him do that yet.\u003c/li>\n\u003cli>Kylie Jenner wore a wedding-veil-attached-to-a-white-baseball-cap and no one cares if you married Travis Scott dude.\u003c/li>\n\u003cli>I don’t want to say anything bad about the wonder that is Chloe Bailey, so I’m just going to leave this photo here, back out of the room slowly like Homer Simpson into that hedge, and glare at her stylist from afar.\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_13912827\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912827\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395048650-800x1200.jpg\" alt=\"Chloe Bailey wears a gold gown with high leg slit that appears at first to be form fitting, but features strange angles and lumps protruding from the bodice at strange angles.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Is that the shape of your dress, or are you just hiding giant Easter eggs from me? \u003ccite>(Arturo Holmes/MG22/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s Met Gala was hosted by Regina King, Lin-Manuel Miranda, Blake Lively and Ryan Reynolds—all of whom looked lovely in a forgettable sort of way. Probably because they were paid to be there and don’t need the column inches.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Until next year! (Or… you know… six and a half months—pandemic conditions permitting.)\u003c/p>\n\n",
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"excerpt": "Spoiler alert: Kendall Jenner’s got no eyebrows and Emma Corrin somehow made ‘Pageboy From A Haunted Painting’ work.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you, like me, feel as if the 2021 Met Gala only just happened, give yourself a hearty pat on the back for your instincts are correct. The last one was all of six and a half months ago, which is easy to remember because everyone showed up wearing tents. (September in New York, eh?)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Initially, due to the “Gilded Glamour” theme, it seemed like MG’22 was simply going to be a chic affair that made everyone not in attendance feel like gross, poverty-stricken plebeians. (Which it kind of does every year once you realize that it costs $35,000 per person to attend. Meaning a single table costs between $200,000 and $300,000.)\u003c/p>\n\u003cp>Indeed, the theme did lend itself to attracting many elegant and enviable gowns. Like Janelle Monáe’s, which took her established android vibe to an even more stunning place than usual:\u003c/p>\n\u003cfigure id=\"attachment_13912820\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912820\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395043602-800x573.jpg\" alt=\"Janeelle Monae in a sleek black gown with short train, low back and a silver hood and chest embellishment.\" width=\"800\" height=\"573\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monáe in an outfit that immediately made me think of that one Beastie Boys song where Ad-Rock shouts, “Don’t touch me ’cause I’m electric! And if you touch me, you’ll get shocked!” … In a good way. \u003ccite>(Cindy Ord/MG22/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then there was Tessa Thompson looking like an actual dream:\u003c/p>\n\u003cfigure id=\"attachment_13912821\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912821\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395044573-800x534.jpg\" alt=\"Tessa Thompson wearing a pale pink dress with sculpted bodice and skirt and layered train.\" width=\"800\" height=\"534\">\u003cfigcaption class=\"wp-caption-text\">Tessa Thompson in that one dress every girly girl has been dreaming about since they were 4 years old. \u003ccite>(John Shearer/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sabrina Carpenter somehow made a belly-dancing-costume-inspired ensemble seem effortlessly cool:\u003c/p>\n\u003cfigure id=\"attachment_13912823\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912823\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395045841-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">A gold bra, bare midriff and flowing gold skirt shouldn’t work in this particular context, but holy crap, it so does on Sabrina. \u003ccite>(Kevin Mazur/MG22/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Lizzo showed up looking like royalty, stopping only to play the flute (\u003cem>a goddamn gold flute!\u003c/em>) on the red carpet:\u003c/p>\n\u003cfigure id=\"attachment_13912831\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912831\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395052911-800x533.jpg\" alt=\"Lizzo wearing a black ensemble with gold embroidery plays a gold flute on the red carpet, hair cascading over her shoulders.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">We must protect this woman at all costs. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Kid Cudi demonstrated how you Man Fashion without making a sorry spectacle of yourself:\u003c/p>\n\u003cfigure id=\"attachment_13912833\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912833\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395053339-800x1200.jpg\" alt=\"Kid Cudi wearing a white shirt with frilled cuffs, black bow tie, bold blue suit and a matching blue cape.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395053339-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yes-yes. Yes-yes-yes. \u003ccite>(Theo Wargo/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Which is kind of the opposite of what Bad Bunny did in this butcher paper moment and matronly up-do:\u003c/p>\n\u003cfigure id=\"attachment_13912825\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912825\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395048721-800x1200.jpg\" alt=\"Bad Bunny in a slender, full-length beige coat with puffy sleeves and a white shirt and black tie underneath.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-1920x2881.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048721-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bad Bunny wearing a face that suggests he’s having a really hard time trusting this process. And frankly, who can blame him? \u003ccite>(Kevin Mazur/MG22/Getty Images for The Met Museum/Vogue )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Also cringe was the kid from \u003cem>The Power of the Dog\u003c/em> who showed up looking like he slept through his alarm, rolled out of bed and, in a panic, made a quick stop at grandma’s to grab a brooch and her best dishwashing gloves. (\u003cem>Who did this to you, Kodi Smit-McPhee?\u003c/em>)\u003c/p>\n\u003cfigure id=\"attachment_13912818\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912818\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395042146-800x1200.jpg\" alt=\"Kodi Smit-McPhee wearing a white shirt, tucked into casual blue jeans with no belt. A brooch sits at his collar where a tie would ordinarily be, and his hands and forearms are covered by bright red gloves.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-1020x1529.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-1920x2879.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395042146-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kodi Smit-McPhee’s stylist heard the words “Gilded Glamour” and came up with … this. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the opposite end of the effort scale was fashion entrepreneur (whatever that means), Fredrik Robertsson. Robertsson showed up in an ensemble so patently ridiculous, people thought he was Jared Leto for a full 10 minutes. (I mean… the self-satisfied glare \u003cem>does\u003c/em> bear an incredible similarity…)\u003c/p>\n\u003cfigure id=\"attachment_13912826\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912826\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395048660-800x1200.jpg\" alt=\"A white man wearing a silver ensemble with layers of tendrils stretching up and around from his body.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048660-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Somebody at some point looked at this ensemble and went: “You know what this needs? Bell bottoms.” \u003ccite>(Jeff Kravitz/FilmMagic)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of which managed to make \u003ca href=\"https://www.kqed.org/arts/13865555/thirty-seconds-to-mars-jared-leto-started-a-cult-because-of-course-he-did\" target=\"_blank\" rel=\"noopener noreferrer\">Jared Leto look less like a cult leader\u003c/a> for a spell. And—who knew?—all he had to do was arrive wearing … not a be-tendrilled silver skin suit from a 1970s roller disco movie in space.\u003c/p>\n\u003cfigure id=\"attachment_13912828\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912828\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395048467-800x533.jpg\" alt=\"Jared Leto in a cream double breasted suit with black collar and button and red bow tie. He also wears dark sunglasses and black leather gloves.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048467-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Is Jared Leto, like, normal now? Or did that Fred guy just mess with my perspective? \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wait! No! There it is!\u003c/p>\n\u003cfigure id=\"attachment_13912830\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912830\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395047845-800x533.jpg\" alt=\"Allesandro Michele and Jared Leto stand on the Met Gala red carpet in head-to-toe matching outfits.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Jared brought a twin with him, in the form of Italian designer Alessandro Michele. That’s more like it, Jared, you insufferable fool! \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Still, even as some of the kook on display took itself to a trying-too-hard place, some stars got weird in the best way possible.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Like Winnie Harlow, who took a \u003cem>Flash Gordon\u003c/em> headpiece and some taffeta and made it frickin’ fabulous:\u003c/p>\n\u003cfigure id=\"attachment_13912822\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912822\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395045583-800x1200.jpg\" alt=\"Winnie Harlow in an ethereal short white, lily-like dress with silver embellishments, plus white headdress with tiers of wings either side of her face.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395045583-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Now THIS is how you headdress. \u003ccite>(Kevin Mazur/MG22/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And Emma Corrin, who somehow made ‘Pageboy From A Haunted Painting In Tilda Swinton’s Country Mansion’ work:\u003c/p>\n\u003cfigure id=\"attachment_13912834\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912834\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395055983-800x1200.jpg\" alt=\"Emma Corrin, wearing white tights, a sleeveless black military coat, black oversized shorts, pocket watch and black top hat, with tartan coat slung over her shoulder. \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395055983-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">If you say “Princess Diana” three times into a mirror during a full moon, this is what appears behind you. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kendall Jenner also deserves an honorary mention for having faith that she would look dope with with no eyebrows. Because, it turns out, she looks dope with no eyebrows:\u003c/p>\n\u003cfigure id=\"attachment_13912832\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912832\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395053012-800x533.jpg\" alt=\"Kendall Jenner wears her long brown hair in a center part with simple teardrop earrings. Her eyebrows have been bleached and are now almost invisible.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">Like the vast majority of women who were alive in the late-1990s, Kendall Jenner no longer has any eyebrows. \u003ccite>(Theo Wargo/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other things to note that no one actually wants to see here:\u003c/p>\n\u003cul>\n\u003cli>Elon Musk showed up looking like the haunted mannequin from Kodi Smit-McPhee’s grandma’s attic.\u003c/li>\n\u003cli>Bella Hadid arrived like the shadow person from Kodi Smit-McPhee’s grandma’s basement.\u003c/li>\n\u003cli>Gigi Hadid came dressed as an inflatable red slide from \u003cem>The Fifth Element\u003c/em>, thereby bringing the ’90s revival to its natural conclusion.\u003c/li>\n\u003cli>Dakota Johnson was dressed like an updated version of Zuul from \u003cem>Ghostbusters\u003c/em>, but it was kinda-sorta okay (even though a Rottweiler accessory would really have completed the look).\u003c/li>\n\u003cli>Kim Kardashian and Pete Davidson looked actually very cute together and I can’t talk about it while I’m still processing.\u003c/li>\n\u003cli>Travis Barker decided he simply must put his tongue in Kourtney Kardashian’s mouth on the red carpet, lest there was a person left on Earth that hadn’t seen him do that yet.\u003c/li>\n\u003cli>Kylie Jenner wore a wedding-veil-attached-to-a-white-baseball-cap and no one cares if you married Travis Scott dude.\u003c/li>\n\u003cli>I don’t want to say anything bad about the wonder that is Chloe Bailey, so I’m just going to leave this photo here, back out of the room slowly like Homer Simpson into that hedge, and glare at her stylist from afar.\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_13912827\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13912827\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/05/GettyImages-1395048650-800x1200.jpg\" alt=\"Chloe Bailey wears a gold gown with high leg slit that appears at first to be form fitting, but features strange angles and lumps protruding from the bodice at strange angles.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-1366x2048.jpg 1366w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/05/GettyImages-1395048650-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Is that the shape of your dress, or are you just hiding giant Easter eggs from me? \u003ccite>(Arturo Holmes/MG22/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year’s Met Gala was hosted by Regina King, Lin-Manuel Miranda, Blake Lively and Ryan Reynolds—all of whom looked lovely in a forgettable sort of way. Probably because they were paid to be there and don’t need the column inches.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Until next year! (Or… you know… six and a half months—pandemic conditions permitting.)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Celebs Mostly Interpreted ‘America: A Lexicon of Fashion’ as ‘Glamping,’ at the 2021 Met Gala",
"headTitle": "Celebs Mostly Interpreted ‘America: A Lexicon of Fashion’ as ‘Glamping,’ at the 2021 Met Gala | KQED",
"content": "\u003cp>When the Met Gala provides celebrities and designers with a clear-cut theme, the results tend to be stunning. Think 2018’s \u003ci>Heavenly Bodies: Fashion and the Catholic Imagination\u003c/i> with its spectacular plays on religious iconography. (\u003ca href=\"https://www.thecut.com/2018/05/met-gala-2018-rihanna-pope-hat.html\" target=\"_blank\" rel=\"noopener noreferrer\">Rihanna wore a pearl-encrusted pope hat!\u003c/a>) Or 2019’s \u003ci>Camp: Notes on Fashion\u003c/i> with its unabashedly kitsch and kooky couture experiments. (Like \u003ca href=\"https://www.youtube.com/watch?v=8WuC-kUe6c0\" target=\"_blank\" rel=\"noopener noreferrer\">Lady Gaga’s iconic hot pink striptease\u003c/a>.)\u003c/p>\n\u003cp>Last night’s Met Gala was guided only by the phrase (and \u003ca href=\"https://www.metmuseum.org/exhibitions/listings/2021/in-america\" target=\"_blank\" rel=\"noopener noreferrer\">exhibition title\u003c/a>) \u003ci>In America: A Lexicon of Fashion\u003c/i>. And its vagueness was evident all over the red carpet.\u003c/p>\n\u003cp>Billie Eilish took the opportunity to run straight towards old-school Hollywood glamour in a divine Oscar de la Renta gown. “I’m so excited. I have butterflies,” Eilish told E! News. “I couldn’t be happier.” Same, Billie. Same.\u003c/p>\n\u003cfigure id=\"attachment_13902996\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13902996\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340169495-800x564.jpg\" alt=\"\" width=\"800\" height=\"564\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-800x564.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-1020x719.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-768x541.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-1536x1083.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-2048x1444.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-1920x1354.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish came as a heavenly goddess. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Emily Ratajkowski took that “lexicon” and read it as vamp, in Vera Wang:\u003c/p>\n\u003cfigure id=\"attachment_13903002\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903002\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340147917-800x640.jpg\" alt=\"\" width=\"800\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-800x640.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-1020x816.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-768x615.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-1536x1229.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-2048x1639.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-1920x1536.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Emily Ratajkowski in her form-fitting lacy Vera Wang gown. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A few people embraced the “America” part of the theme. Like Debbie Harry in her flag stripes and blue denim:\u003c/p>\n\u003cfigure id=\"attachment_13903003\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903003\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340160855-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Debbie Harry, stunning as ever, in her all-American Zac Posen ensemble. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And Pharrell Williams and his wife Helen Lasichanh, who did a matching leather cowboy thing:\u003c/p>\n\u003cfigure id=\"attachment_13903009\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903009\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340168467-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chanel meets ‘Bonanza’. Yee-haw! \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But if I’d have had to guess what the theme of the evening was last night, I’d have said \u003ci>Glamping: Survivalist-Wear For a Post-COVID World\u003c/i>. Nowhere was this more visible than in the ensembles of Rihanna and A$AP Rocky.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Here’s RiRi in her black, survivalist Balenciaga sleeping bag, and A$AP in a high-end grandma quilt made by ERL. (Every time I eat outdoors at night in San Francisco, I will dream of the warmth contained in both of these outfits.)\u003c/p>\n\u003cfigure id=\"attachment_13902997\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13902997\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340176852-800x716.jpg\" alt=\"(L-R) A$AP Rocky and Rihanna.\" width=\"800\" height=\"716\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-800x716.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-1020x914.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-160x143.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-768x688.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-1536x1376.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-2048x1834.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-1920x1720.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cozy 1 and Cozy 2. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Whoopi Goldberg showed up in a Valentino getup, working hard to get an invite to the Rihanna and A$AP campgrounds, in this raincoat-cum-sleeping bag:\u003c/p>\n\u003cfigure id=\"attachment_13902998\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13902998\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340150934-800x1132.jpg\" alt=\"\" width=\"800\" height=\"1132\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-800x1132.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-1020x1444.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-160x226.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-768x1087.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-1085x1536.jpg 1085w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-1447x2048.jpg 1447w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-1920x2718.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-scaled.jpg 1809w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Whoopi Goldberg in her Valentino ruffled duvet. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, Normani—also in Valentino—was on hand to demonstrate how to don a sleeping bag and shoulder pillows, \u003cem>and\u003c/em> make it sexy:\u003c/p>\n\u003cfigure id=\"attachment_13903011\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903011\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340156770-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-1920x2881.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Normani: You wouldn’t lose this dress on a mountainside at night. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Janet Mock, also in Valentino, was on the exact same page:\u003c/p>\n\u003cfigure id=\"attachment_13903025\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903025\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340157987-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-1920x2881.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cozy 3. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Presumably in that photo, she’s eyeing up Tessa Thompson, who came dressed in Iris Van Herpen, as the most alluring campfire in all of history.\u003c/p>\n\u003cfigure id=\"attachment_13903000\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903000\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340146962-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tessa Thompson being straight fire in a short red cocktail dress with cowboy accessories. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like RiRi, A$AP, Whoopi and Normani, Lil Nas X arrived as posh bedding…\u003c/p>\n\u003cfigure id=\"attachment_13903019\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903019\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340131424-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cozy 4. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pulled a fast one by transforming, first, into an C-3PO campfire lunchbox…\u003c/p>\n\u003cfigure id=\"attachment_13903022\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903022\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340131427-800x547.jpg\" alt=\"\" width=\"800\" height=\"547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-800x547.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-1020x697.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-1536x1050.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-2048x1400.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-1920x1312.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shazam! \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before revealing himself as a sneaky little snake invader! And yes, actually, come hiss at us, you slinky love muffin:\u003c/p>\n\u003cfigure id=\"attachment_13903013\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903013\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340130135-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil Nas X slithering on up to RiRi’s campgrounds. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dan Levy cared not about nearby snakes, for he chose to fully embrace his inner survivalist, in a LOEWE outfit that combined pajamas, hiking boots, some floatation devices, and—actual genius!—maps. (Why didn’t anyone else think of that?)\u003c/p>\n\u003cfigure id=\"attachment_13903048\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903048\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340154032-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-1920x1279.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dan Levy: The floofiest survivalist in all the land. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Finally, of course, no camping trip would be complete without something terrifying lurking in the shadows. And last night, Balenciaga dressed Kim Kardashian as that one dark patch behind that tree over there, that might just be a shadow, but also might well be a serial killer.\u003c/p>\n\u003cfigure id=\"attachment_13903010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1235256182-800x529.jpg\" alt=\"\" width=\"800\" height=\"529\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-800x529.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-768x508.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-1536x1016.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-2048x1355.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-1920x1271.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kim Kardashian in an outfit even scarier than that flowery Givenchy couch cover she wore in 2013. \u003ccite>(ANGELA WEISS/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Until 2022, fashion fans!\u003c/p>\n\n",
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"excerpt": "Sleeping bag couture was embraced by Rihanna, A$AP Rocky, Janet Mock and more...",
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"title": "Celebs Mostly Interpreted ‘America: A Lexicon of Fashion’ as ‘Glamping,’ at the 2021 Met Gala | KQED",
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"headline": "Celebs Mostly Interpreted ‘America: A Lexicon of Fashion’ as ‘Glamping,’ at the 2021 Met Gala",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When the Met Gala provides celebrities and designers with a clear-cut theme, the results tend to be stunning. Think 2018’s \u003ci>Heavenly Bodies: Fashion and the Catholic Imagination\u003c/i> with its spectacular plays on religious iconography. (\u003ca href=\"https://www.thecut.com/2018/05/met-gala-2018-rihanna-pope-hat.html\" target=\"_blank\" rel=\"noopener noreferrer\">Rihanna wore a pearl-encrusted pope hat!\u003c/a>) Or 2019’s \u003ci>Camp: Notes on Fashion\u003c/i> with its unabashedly kitsch and kooky couture experiments. (Like \u003ca href=\"https://www.youtube.com/watch?v=8WuC-kUe6c0\" target=\"_blank\" rel=\"noopener noreferrer\">Lady Gaga’s iconic hot pink striptease\u003c/a>.)\u003c/p>\n\u003cp>Last night’s Met Gala was guided only by the phrase (and \u003ca href=\"https://www.metmuseum.org/exhibitions/listings/2021/in-america\" target=\"_blank\" rel=\"noopener noreferrer\">exhibition title\u003c/a>) \u003ci>In America: A Lexicon of Fashion\u003c/i>. And its vagueness was evident all over the red carpet.\u003c/p>\n\u003cp>Billie Eilish took the opportunity to run straight towards old-school Hollywood glamour in a divine Oscar de la Renta gown. “I’m so excited. I have butterflies,” Eilish told E! News. “I couldn’t be happier.” Same, Billie. Same.\u003c/p>\n\u003cfigure id=\"attachment_13902996\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13902996\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340169495-800x564.jpg\" alt=\"\" width=\"800\" height=\"564\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-800x564.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-1020x719.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-768x541.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-1536x1083.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-2048x1444.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340169495-1920x1354.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish came as a heavenly goddess. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Emily Ratajkowski took that “lexicon” and read it as vamp, in Vera Wang:\u003c/p>\n\u003cfigure id=\"attachment_13903002\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903002\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340147917-800x640.jpg\" alt=\"\" width=\"800\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-800x640.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-1020x816.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-768x615.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-1536x1229.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-2048x1639.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340147917-1920x1536.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Emily Ratajkowski in her form-fitting lacy Vera Wang gown. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A few people embraced the “America” part of the theme. Like Debbie Harry in her flag stripes and blue denim:\u003c/p>\n\u003cfigure id=\"attachment_13903003\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903003\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340160855-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340160855-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Debbie Harry, stunning as ever, in her all-American Zac Posen ensemble. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And Pharrell Williams and his wife Helen Lasichanh, who did a matching leather cowboy thing:\u003c/p>\n\u003cfigure id=\"attachment_13903009\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903009\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340168467-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340168467-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Chanel meets ‘Bonanza’. Yee-haw! \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But if I’d have had to guess what the theme of the evening was last night, I’d have said \u003ci>Glamping: Survivalist-Wear For a Post-COVID World\u003c/i>. Nowhere was this more visible than in the ensembles of Rihanna and A$AP Rocky.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Here’s RiRi in her black, survivalist Balenciaga sleeping bag, and A$AP in a high-end grandma quilt made by ERL. (Every time I eat outdoors at night in San Francisco, I will dream of the warmth contained in both of these outfits.)\u003c/p>\n\u003cfigure id=\"attachment_13902997\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13902997\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340176852-800x716.jpg\" alt=\"(L-R) A$AP Rocky and Rihanna.\" width=\"800\" height=\"716\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-800x716.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-1020x914.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-160x143.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-768x688.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-1536x1376.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-2048x1834.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340176852-1920x1720.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cozy 1 and Cozy 2. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Whoopi Goldberg showed up in a Valentino getup, working hard to get an invite to the Rihanna and A$AP campgrounds, in this raincoat-cum-sleeping bag:\u003c/p>\n\u003cfigure id=\"attachment_13902998\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13902998\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340150934-800x1132.jpg\" alt=\"\" width=\"800\" height=\"1132\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-800x1132.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-1020x1444.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-160x226.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-768x1087.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-1085x1536.jpg 1085w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-1447x2048.jpg 1447w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-1920x2718.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340150934-scaled.jpg 1809w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Whoopi Goldberg in her Valentino ruffled duvet. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, Normani—also in Valentino—was on hand to demonstrate how to don a sleeping bag and shoulder pillows, \u003cem>and\u003c/em> make it sexy:\u003c/p>\n\u003cfigure id=\"attachment_13903011\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903011\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340156770-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-1920x2881.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340156770-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Normani: You wouldn’t lose this dress on a mountainside at night. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Janet Mock, also in Valentino, was on the exact same page:\u003c/p>\n\u003cfigure id=\"attachment_13903025\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903025\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340157987-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-1920x2881.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340157987-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cozy 3. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Presumably in that photo, she’s eyeing up Tessa Thompson, who came dressed in Iris Van Herpen, as the most alluring campfire in all of history.\u003c/p>\n\u003cfigure id=\"attachment_13903000\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903000\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340146962-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340146962-scaled.jpg 1706w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tessa Thompson being straight fire in a short red cocktail dress with cowboy accessories. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like RiRi, A$AP, Whoopi and Normani, Lil Nas X arrived as posh bedding…\u003c/p>\n\u003cfigure id=\"attachment_13903019\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903019\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340131424-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131424-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cozy 4. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Pulled a fast one by transforming, first, into an C-3PO campfire lunchbox…\u003c/p>\n\u003cfigure id=\"attachment_13903022\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903022\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340131427-800x547.jpg\" alt=\"\" width=\"800\" height=\"547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-800x547.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-1020x697.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-1536x1050.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-2048x1400.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340131427-1920x1312.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Shazam! \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before revealing himself as a sneaky little snake invader! And yes, actually, come hiss at us, you slinky love muffin:\u003c/p>\n\u003cfigure id=\"attachment_13903013\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903013\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340130135-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340130135-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lil Nas X slithering on up to RiRi’s campgrounds. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dan Levy cared not about nearby snakes, for he chose to fully embrace his inner survivalist, in a LOEWE outfit that combined pajamas, hiking boots, some floatation devices, and—actual genius!—maps. (Why didn’t anyone else think of that?)\u003c/p>\n\u003cfigure id=\"attachment_13903048\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903048\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1340154032-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1340154032-1920x1279.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dan Levy: The floofiest survivalist in all the land. \u003ccite>(Mike Coppola/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Finally, of course, no camping trip would be complete without something terrifying lurking in the shadows. And last night, Balenciaga dressed Kim Kardashian as that one dark patch behind that tree over there, that might just be a shadow, but also might well be a serial killer.\u003c/p>\n\u003cfigure id=\"attachment_13903010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13903010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/09/GettyImages-1235256182-800x529.jpg\" alt=\"\" width=\"800\" height=\"529\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-800x529.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-768x508.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-1536x1016.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-2048x1355.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/09/GettyImages-1235256182-1920x1271.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kim Kardashian in an outfit even scarier than that flowery Givenchy couch cover she wore in 2013. \u003ccite>(ANGELA WEISS/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Until 2022, fashion fans!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "camp-lgbtq-celebs-shut-down-the-2019-met-gala",
"title": "Forget the Black Tie—LGBTQ+ Celebs Shut Down the 2019 Camp Met Gala",
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"headTitle": "Forget the Black Tie—LGBTQ+ Celebs Shut Down the 2019 Camp Met Gala | KQED",
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"content": "\u003cp>The queer and trans community has perfected the art of camp for decades through extravagant drag looks, otherworldly club kid fashions and themed vogue balls. Embracing the glittery, the tacky, the over-the-top, the gender-bending and the taboo, camp is an aesthetic that flies in the face of Western hetero notions of respectability and good taste, and looks good doing it.\u003c/p>\n\u003cp>Susan Sontag defined the flashy, kitschy style as a “love of the unnatural, of artifice and exaggeration.” Her 1964 essay “Notes on ‘Camp'” is the theme of this year’s Met Gala fundraiser for the Metropolitan Museum of Art—and LGBTQ+ celebrities absolutely killed it on the red carpet.\u003c/p>\n\u003cp>In February, \u003cem>Pose\u003c/em> star Billy Porter made homophobes quake in their boots with his androgynous Oscars look—an exaggerated, high-femme A-line gown with a masculine black blazer. Ever the king of extra, he dialed it up 10 notches with his Met Gala ensemble by The Blonds. Dressed like a luminescent rendition of Ra, the Ancient Egyptian sun god, Porter levitated above the red carpet on a throne carried by chiseled manservants. Naturally, he spread his gold bird wings once he returned to the ground.\u003c/p>\n\u003cfigure id=\"attachment_13856763\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856763\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-800x550.jpg\" alt=\"Billy Porter attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-1200x824.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billy Porter attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Camp means as hugely over-the-top and grand and what some may feel is ridiculous and silly, and embracing all of those creative impulses inside us that very often are squelched,” Porter told \u003ca href=\"https://variety.com/2019/scene/news/met-gala-billy-porter-what-camp-means-1203206324/\" target=\"_blank\" rel=\"noopener\">Variety\u003c/a>.\u003c/p>\n\u003cp>Trans actress and activist Laverne Cox sparkled in her all-black Christian Siriano attire—an art deco-inspired gown with wisps of tulle that floated around her body like angel wings in Botticelli’s \u003cem>Birth of Venus\u003c/em>. With her turquoise hair and makeup as the only pops of color, the monochromatic outfit’s dramatic shape and texture did the talking.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“This sensibility, that is historically very queer, excited me to no end,” she told \u003ca href=\"https://www.eonline.com/news/1038799/laverne-cox-reveals-the-inspiration-behind-her-big-shoulder-moment-at-2019-met-gala\" target=\"_blank\" rel=\"noopener\">E!\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13856767\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856767\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-800x592.jpg\" alt=\"Laverne Cox attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"592\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-800x592.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-768x568.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-1020x755.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-1200x888.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laverne Cox attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Janelle Monae, whose 2018 album \u003cem>Dirty Computer\u003c/em> was celebrated as a pansexual pop paean, wore a gravity-defying hat-made-of-hats and pop-art, portrait-style Siriano dress (with an eye complete with long lashes covering one of her breasts). Lady Gaga, who is bisexual, turned heads with not one, not two, but four outfit changes, stripping (a la a drag reveal) from an enormous hot-pink ball gown by Brandon Maxwell into fishnets and lingerie. Cardi B, who hasn’t formally declared herself bi but has spoken openly about experiences with women, stunned in a wine-red, feathered Thom Browne gown with an enormous train and female anatomy-inspired details.\u003c/p>\n\u003cp>Queer actor Ezra Miller opted for illusion: he wore a mask of his own face, and the dizzying makeup on his \u003cem>actual\u003c/em> face made it look like seeing double, as though through beer goggles. Model Cara Delevingne, who typically opts for masculine streetwear, wore a rainbow Dior playsuit with a bizarre headpiece made of plastic bananas and fake teeth, rainbow stripper heels and a Willy Wonka-esque cane. (I don’t know what it means, but I’m into it.)\u003c/p>\n\u003cfigure id=\"attachment_13856766\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856766\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147431465-800x1200.jpg\" alt=\"Ezra Miller attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147431465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147431465-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147431465-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ezra Miller attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Photo by Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In comparison to these displays of queer ingenuity, some straight red carpet A-listers looked boring in slightly shinier-than-normal formalwear. \u003ca href=\"https://twitter.com/dashwestcloset/status/1125552633954099200\" target=\"_blank\" rel=\"noopener\">Kim Kardashian\u003c/a> showed up in typical skin-tight beige. \u003ca href=\"https://twitter.com/mefeater/status/1125579321068990466\" target=\"_blank\" rel=\"noopener\">Nicki Minaj\u003c/a> looked \u003cem>nice \u003c/em>but safe in pastel pink. And \u003ca href=\"https://www.buzzfeed.com/whitneyjefferson/heres-what-men-wore-to-the-met-gala-this-year\" target=\"_blank\" rel=\"noopener\">some Hollywood men\u003c/a> completely ignored the theme and wore black blazers.\u003c/p>\n\u003cp>Other straight celebs like \u003ca href=\"https://twitter.com/ComplexStyle/status/1125555339716378624\" target=\"_blank\" rel=\"noopener\">Katy Perry \u003c/a>and \u003ca href=\"https://twitter.com/thefader/status/1125559954180648960\" target=\"_blank\" rel=\"noopener\">Ciara\u003c/a> nailed the theme (Perry wore a literal chandelier; Ciara stunned in a three-foot-long afro). But this year’s Met Gala made history with its overt celebration of queer culture, and LGBTQ+ stars’ daring styles showed the world what camp is all about.\u003c/p>\n\u003cfigure id=\"attachment_13856764\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856764\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147430855-800x1200.jpg\" alt=\"NEW YORK, NEW YORK - MAY 06: Cara Delevingne attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147430855.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147430855-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147430855-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">NEW YORK, NEW YORK – MAY 06: Cara Delevingne attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856765\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856765\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147426852-800x1200.jpg\" alt=\"Janelle Monae attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147426852.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147426852-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147426852-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monae attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856789\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856789\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-800x533.jpg\" alt=\"Cardi B attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cardi B attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Neilson Barnard/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856769\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856769\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-800x631.jpg\" alt=\"Singer/actress Lady Gaga arrives for the 2019 Met Gala at the Metropolitan Museum of Art on May 6, 2019, in New York. - The Gala raises money for the Metropolitan Museum of Arts Costume Institute.\" width=\"800\" height=\"631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-800x631.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-160x126.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-768x606.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-1020x805.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-1200x947.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Singer/actress Lady Gaga arrives for the 2019 Met Gala at the Metropolitan Museum of Art on May 6, 2019, in New York. – The Gala raises money for the Metropolitan Museum of Arts Costume Institute. \u003ccite>(Angela Weiss/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856785\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856785\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-800x558.jpg\" alt=\"Lena Waithe and Kerby Jean-Raymond arrive for the 2019 Met Gala at the Metropolitan Museum of Art on May 6, 2019, in New York. \" width=\"800\" height=\"558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-1020x711.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-1200x837.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lena Waithe and Kerby Jean-Raymond arrive for the 2019 Met Gala at the Metropolitan Museum of Art on May 6, 2019, in New York. \u003ccite>(Angela Weiss/AFP/Getty Images))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856786\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856786\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-800x532.jpg\" alt=\"Hamish Bowles attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-1200x798.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hamish Bowles attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Camp, a queer art form, was the theme of this year's annual Met Gala fundraiser.",
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"title": "Forget the Black Tie—LGBTQ+ Celebs Shut Down the 2019 Camp Met Gala | KQED",
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"headline": "Forget the Black Tie—LGBTQ+ Celebs Shut Down the 2019 Camp Met Gala",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The queer and trans community has perfected the art of camp for decades through extravagant drag looks, otherworldly club kid fashions and themed vogue balls. Embracing the glittery, the tacky, the over-the-top, the gender-bending and the taboo, camp is an aesthetic that flies in the face of Western hetero notions of respectability and good taste, and looks good doing it.\u003c/p>\n\u003cp>Susan Sontag defined the flashy, kitschy style as a “love of the unnatural, of artifice and exaggeration.” Her 1964 essay “Notes on ‘Camp'” is the theme of this year’s Met Gala fundraiser for the Metropolitan Museum of Art—and LGBTQ+ celebrities absolutely killed it on the red carpet.\u003c/p>\n\u003cp>In February, \u003cem>Pose\u003c/em> star Billy Porter made homophobes quake in their boots with his androgynous Oscars look—an exaggerated, high-femme A-line gown with a masculine black blazer. Ever the king of extra, he dialed it up 10 notches with his Met Gala ensemble by The Blonds. Dressed like a luminescent rendition of Ra, the Ancient Egyptian sun god, Porter levitated above the red carpet on a throne carried by chiseled manservants. Naturally, he spread his gold bird wings once he returned to the ground.\u003c/p>\n\u003cfigure id=\"attachment_13856763\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856763\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-800x550.jpg\" alt=\"Billy Porter attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-1020x701.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693-1200x824.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147407693.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billy Porter attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Camp means as hugely over-the-top and grand and what some may feel is ridiculous and silly, and embracing all of those creative impulses inside us that very often are squelched,” Porter told \u003ca href=\"https://variety.com/2019/scene/news/met-gala-billy-porter-what-camp-means-1203206324/\" target=\"_blank\" rel=\"noopener\">Variety\u003c/a>.\u003c/p>\n\u003cp>Trans actress and activist Laverne Cox sparkled in her all-black Christian Siriano attire—an art deco-inspired gown with wisps of tulle that floated around her body like angel wings in Botticelli’s \u003cem>Birth of Venus\u003c/em>. With her turquoise hair and makeup as the only pops of color, the monochromatic outfit’s dramatic shape and texture did the talking.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This sensibility, that is historically very queer, excited me to no end,” she told \u003ca href=\"https://www.eonline.com/news/1038799/laverne-cox-reveals-the-inspiration-behind-her-big-shoulder-moment-at-2019-met-gala\" target=\"_blank\" rel=\"noopener\">E!\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13856767\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856767\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-800x592.jpg\" alt=\"Laverne Cox attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"592\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-800x592.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-160x118.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-768x568.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-1020x755.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879-1200x888.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147408879.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Laverne Cox attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Janelle Monae, whose 2018 album \u003cem>Dirty Computer\u003c/em> was celebrated as a pansexual pop paean, wore a gravity-defying hat-made-of-hats and pop-art, portrait-style Siriano dress (with an eye complete with long lashes covering one of her breasts). Lady Gaga, who is bisexual, turned heads with not one, not two, but four outfit changes, stripping (a la a drag reveal) from an enormous hot-pink ball gown by Brandon Maxwell into fishnets and lingerie. Cardi B, who hasn’t formally declared herself bi but has spoken openly about experiences with women, stunned in a wine-red, feathered Thom Browne gown with an enormous train and female anatomy-inspired details.\u003c/p>\n\u003cp>Queer actor Ezra Miller opted for illusion: he wore a mask of his own face, and the dizzying makeup on his \u003cem>actual\u003c/em> face made it look like seeing double, as though through beer goggles. Model Cara Delevingne, who typically opts for masculine streetwear, wore a rainbow Dior playsuit with a bizarre headpiece made of plastic bananas and fake teeth, rainbow stripper heels and a Willy Wonka-esque cane. (I don’t know what it means, but I’m into it.)\u003c/p>\n\u003cfigure id=\"attachment_13856766\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856766\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147431465-800x1200.jpg\" alt=\"Ezra Miller attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147431465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147431465-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147431465-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ezra Miller attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Photo by Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In comparison to these displays of queer ingenuity, some straight red carpet A-listers looked boring in slightly shinier-than-normal formalwear. \u003ca href=\"https://twitter.com/dashwestcloset/status/1125552633954099200\" target=\"_blank\" rel=\"noopener\">Kim Kardashian\u003c/a> showed up in typical skin-tight beige. \u003ca href=\"https://twitter.com/mefeater/status/1125579321068990466\" target=\"_blank\" rel=\"noopener\">Nicki Minaj\u003c/a> looked \u003cem>nice \u003c/em>but safe in pastel pink. And \u003ca href=\"https://www.buzzfeed.com/whitneyjefferson/heres-what-men-wore-to-the-met-gala-this-year\" target=\"_blank\" rel=\"noopener\">some Hollywood men\u003c/a> completely ignored the theme and wore black blazers.\u003c/p>\n\u003cp>Other straight celebs like \u003ca href=\"https://twitter.com/ComplexStyle/status/1125555339716378624\" target=\"_blank\" rel=\"noopener\">Katy Perry \u003c/a>and \u003ca href=\"https://twitter.com/thefader/status/1125559954180648960\" target=\"_blank\" rel=\"noopener\">Ciara\u003c/a> nailed the theme (Perry wore a literal chandelier; Ciara stunned in a three-foot-long afro). But this year’s Met Gala made history with its overt celebration of queer culture, and LGBTQ+ stars’ daring styles showed the world what camp is all about.\u003c/p>\n\u003cfigure id=\"attachment_13856764\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856764\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147430855-800x1200.jpg\" alt=\"NEW YORK, NEW YORK - MAY 06: Cara Delevingne attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147430855.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147430855-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147430855-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">NEW YORK, NEW YORK – MAY 06: Cara Delevingne attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856765\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856765\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147426852-800x1200.jpg\" alt=\"Janelle Monae attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147426852.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147426852-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147426852-768x1152.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monae attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Dimitrios Kambouris/Getty Images for The Met Museum/Vogue)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856789\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856789\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-800x533.jpg\" alt=\"Cardi B attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147448874.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cardi B attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Neilson Barnard/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856769\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856769\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-800x631.jpg\" alt=\"Singer/actress Lady Gaga arrives for the 2019 Met Gala at the Metropolitan Museum of Art on May 6, 2019, in New York. - The Gala raises money for the Metropolitan Museum of Arts Costume Institute.\" width=\"800\" height=\"631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-800x631.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-160x126.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-768x606.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-1020x805.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559-1200x947.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141787559.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Singer/actress Lady Gaga arrives for the 2019 Met Gala at the Metropolitan Museum of Art on May 6, 2019, in New York. – The Gala raises money for the Metropolitan Museum of Arts Costume Institute. \u003ccite>(Angela Weiss/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856785\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856785\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-800x558.jpg\" alt=\"Lena Waithe and Kerby Jean-Raymond arrive for the 2019 Met Gala at the Metropolitan Museum of Art on May 6, 2019, in New York. \" width=\"800\" height=\"558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-800x558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-768x536.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-1020x711.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874-1200x837.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1141834874.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lena Waithe and Kerby Jean-Raymond arrive for the 2019 Met Gala at the Metropolitan Museum of Art on May 6, 2019, in New York. \u003ccite>(Angela Weiss/AFP/Getty Images))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13856786\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13856786\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-800x532.jpg\" alt=\"Hamish Bowles attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609-1200x798.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-1147412609.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hamish Bowles attends The 2019 Met Gala Celebrating Camp: Notes on Fashion at Metropolitan Museum of Art on May 06, 2019 in New York City. \u003ccite>(Jamie McCarthy/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This post has been updated.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
"meta": {
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
"link": "/podcasts/closealltabs",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"link": "/radio/program/code-switch-life-kit",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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}
},
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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