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"title": "Fall Films: The World’s Watching Us, It’s Time For Us to Watch The World",
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"content": "\u003cp>Half a century ago, anti-Vietnam War protesters chanted “the whole world’s watching” at out-of-control Chicago police during the Democratic National Convention. (A band you might have heard of used the audio for a \u003ca href=\"https://www.youtube.com/watch?v=mR6BeerSSWw&index=11&list=PLWnVxuqvY7JhVvW831x9XyhMry0ZaCkxs&t=0s\" rel=\"noopener\" target=\"_blank\">track\u003c/a> on their first album, \u003cem>Chicago Transit Authority\u003c/em>.) \u003c/p>\n\u003cp>The whole world will be watching, again, when Americans vote in the midterm elections. Between now and then, it would behoove us to watch the world—to get beyond political calculations and machinations—through the films and stories of people in other countries. Here are some outstanding opportunities to do that.\u003c/p>\n\u003cfigure id=\"attachment_13839983\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/complicit.jpg\" alt=\"Still from 'Complicit.'\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13839983\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-520x293.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Complicit.’ \u003ccite>(Courtesy of The San Francisco Green Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Francisco Green Film Festival\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.greenfilmfest.org\" rel=\"noopener\" target=\"_blank\">Cowell and Castro Theaters\u003c/a>, San Francisco\u003cbr>\nSept. 6–14, 2018\u003c/b>\u003cbr>\nIt’s a travesty that neither the media nor politicians make climate change a campaign issue. Or, while we’re at it, exploitation of natural resources or environmental justice. The San Francisco Green Film Festival hikes into the void with a stellar selection of beautifully made, solution-oriented films from around the globe that spotlight the ways that humans abuse the planet (and each other). Can we handle the truth about the destructive effects of benzene on workers assembling our cellphones in Chinese factories (\u003cem>Complicit\u003c/em>, Sept. 7)? Will we ever confront our individual resistance to our impact on air, water, earth and fire (\u003cem>The Human Element\u003c/em>, Sept. 9)? Inquiring minds want to know.\u003c/p>\n\u003cp>https://vimeo.com/259475573\u003c/p>\n\u003ch2>Cine+Mas S.F. Latino Film Festival\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"http://sflff.gala-engine.com/2018/\" rel=\"noopener\" target=\"_blank\">Various San Francisco, Oakland and Berkeley theaters\u003c/a>\u003cbr>\nSept. 14–30, 2018\u003c/b>\u003cbr>\nCalifornia is a blue state, and Texas is turning purple. That tells us something about the true nature of immigration, assimilation and multiculturalism. The S.F. Latino Film Festival transcends headlines and slogans with movies whose themes encompass family, tradition, culture, urbanization and injustice—and that span this side of border down to the tips of Chile and Argentina. It reaches a kind of crescendo in \u003cem>Yo No Me Llamo Ruben Bladés\u003c/em> (\u003cem>Ruben Bladés is Not My Name\u003c/em>), Panamanian director Abner Menaim’s opening night portrait of a man for whom art, politics and life are a single pulsing thread.\u003c/p>\n\u003cfigure id=\"attachment_13839981\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200.jpg\" alt=\"A scene from Luchino Visconti's 'The Leopard.'\" width=\"1200\" height=\"675\" class=\"size-full wp-image-13839981\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-520x293.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A scene from Luchino Visconti’s ‘The Leopard.’ \u003ccite>(Courtesy of BAMPFA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Luchino Visconti: Cinema of Struggle and Splendor\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://bampfa.org/program/luchino-visconti-cinema-struggle-and-splendor\" rel=\"noopener\" target=\"_blank\">Berkeley Art Museum and Pacific Film Archive\u003c/a>\u003cbr>\nSept. 14–Nov. 30, 2018\u003c/b>\u003cbr>\n\u003cem>Ossessione\u003c/em>, \u003cem>Bellissima\u003c/em>, \u003cem>Rocco and His Brothers\u003c/em>, \u003cem>The Leopard\u003c/em>, \u003cem>The Damned\u003c/em>, \u003cem>Death in Venice\u003c/em>. There’s nothing coy or tentative about the titles of Luchino Visconti’s films; they set the stage for wrenching drama and fierce emotion before you even walk in the theater. An insider by birth and an outsider by way of political philosophy and sexual orientation, the late, great Italian director had the rare ability to infuse stark scenarios with lush (and luscious) artistry. (Your fall immersion in Italian cinema should include \u003ca href=\"http://www.cinemaitaliasf.com/\" rel=\"noopener\" target=\"_blank\">Ciao Marcello!\u003c/a>, the Mastroianni marathon at the Castro on Sept. 22.)\u003c/p>\n\u003cfigure id=\"attachment_13839978\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/a-private-war_1200.jpg\" alt=\"Still from 'A Private War.'\" width=\"1200\" height=\"799\" class=\"size-full wp-image-13839978\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-520x346.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘A Private War.’ \u003ccite>(Courtesy of Aviron Pictures)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mill Valley Film Festival\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.mvff.com\" rel=\"noopener\" target=\"_blank\">Various North Bay theaters\u003c/a>\u003cbr>\nOct. 4–14, 2017\u003c/b>\u003cbr>\nMarin County’s annual autumnal gem has figured out how to make two filmmaking strands, seemingly poles apart, harmoniously coexist: the hard-hitting social-issue documentaries that seek to incite audiences, and the star-driven dramas that aspire to gold statuettes. The grit and the glamour, if you will. But perhaps they aren’t as different as we think, because nowadays the prestige narratives are rarely backed by profit-obsessed Hollywood studios and represent the handiwork of serious-minded actors and filmmakers with a conscience. Hence the opening night selection of \u003cem>A Private War\u003c/em>, documentary filmmaker Matthew Heineman’s narrative debut starring Rosamund Pike as real-life war correspondent Marie Colvin.\u003c/p>\n\u003cfigure id=\"attachment_13840044\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200.jpg\" alt=\"Still from Satyajit Ray's 'Pather Panchali.'\" width=\"1200\" height=\"865\" class=\"size-full wp-image-13840044\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-800x577.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-768x554.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-1020x735.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-1180x851.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-960x692.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-375x270.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-520x375.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Still from Satyajit Ray’s ‘Pather Panchali.’ \u003ccite>(Courtesy of SFFILM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Satyajit Ray: Intimate Universes\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.sfmoma.org/event/series/modern-cinema-satyajit-ray/#more-upcoming-events-103987\" rel=\"noopener\" target=\"_blank\">San Francisco Museum of Modern Art\u003c/a>\u003cbr>\nOct. 4–21, 2018\u003c/b>\u003cbr>\nModern Cinema, the thrice-yearly, three-weekend film series programmed and presented by SFFILM and SFMOMA, does a mighty swell job of connecting cinema’s past and present. It’s difficult to think of a filmmaker more timeless and universal than this season’s focus, Satyajit Ray, who put Indian cinema on the map in 1955 with the gentle-yet-unsentimental neorealist masterpiece \u003cem>Pather Panchali\u003c/em> and its sequels \u003cem>Aparajito\u003c/em> and \u003cem>The World of Apu\u003c/em> (all screening Oct. 4 and 5). The program encompasses Ray’s humanist brothers-in arms (peers Vittorio de Sica and Jean Renoir and successors Abbas Kiarostami and Krzysztof Kieślowski), as well as directors with a special affinity for India like Merchant-Ivory and Mira Nair. Highly recommended for anyone needing a dose of compassion, reason and humanity as an antidote to the campaign cacophony.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/mP0VHJYFOAU\u003c/p>\n\u003ch2>‘Bohemian Rhapsody’\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Opens Nov. 2, 2018 in Bay Area theaters\u003c/b>\u003cbr>\nThen again, perhaps arena-scale bombast is exactly what we need as the election season reaches its climax. Bryan Singer’s biopic, conceived by Brits Anthony McCarten and Peter Morgan and written by McCarten, recounts Queen’s rise to stardom, lead singer Freddie Mercury’s pursuit of a solo career and the band’s legendary 1985 performance at the Live Aid fundraising concert for Ethiopia. Expect the whole megillah: kick-out-the-jams rock, hedonistic excess, shimmering costumes, diva outbursts, tender romance and shameless third-act tearjerking. Regardless of your sexual or musical orientation, plan on three hankies.\u003c/p>\n\n",
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"excerpt": "Between now and the midterm elections, it would behoove us to watch the world—through the films and stories of people in other countries.",
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"title": "Fall Films: The World’s Watching Us, It’s Time For Us to Watch The World | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Half a century ago, anti-Vietnam War protesters chanted “the whole world’s watching” at out-of-control Chicago police during the Democratic National Convention. (A band you might have heard of used the audio for a \u003ca href=\"https://www.youtube.com/watch?v=mR6BeerSSWw&index=11&list=PLWnVxuqvY7JhVvW831x9XyhMry0ZaCkxs&t=0s\" rel=\"noopener\" target=\"_blank\">track\u003c/a> on their first album, \u003cem>Chicago Transit Authority\u003c/em>.) \u003c/p>\n\u003cp>The whole world will be watching, again, when Americans vote in the midterm elections. Between now and then, it would behoove us to watch the world—to get beyond political calculations and machinations—through the films and stories of people in other countries. Here are some outstanding opportunities to do that.\u003c/p>\n\u003cfigure id=\"attachment_13839983\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/complicit.jpg\" alt=\"Still from 'Complicit.'\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13839983\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/complicit-520x293.jpg 520w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Complicit.’ \u003ccite>(Courtesy of The San Francisco Green Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Francisco Green Film Festival\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.greenfilmfest.org\" rel=\"noopener\" target=\"_blank\">Cowell and Castro Theaters\u003c/a>, San Francisco\u003cbr>\nSept. 6–14, 2018\u003c/b>\u003cbr>\nIt’s a travesty that neither the media nor politicians make climate change a campaign issue. Or, while we’re at it, exploitation of natural resources or environmental justice. The San Francisco Green Film Festival hikes into the void with a stellar selection of beautifully made, solution-oriented films from around the globe that spotlight the ways that humans abuse the planet (and each other). Can we handle the truth about the destructive effects of benzene on workers assembling our cellphones in Chinese factories (\u003cem>Complicit\u003c/em>, Sept. 7)? Will we ever confront our individual resistance to our impact on air, water, earth and fire (\u003cem>The Human Element\u003c/em>, Sept. 9)? Inquiring minds want to know.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch2>Cine+Mas S.F. Latino Film Festival\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"http://sflff.gala-engine.com/2018/\" rel=\"noopener\" target=\"_blank\">Various San Francisco, Oakland and Berkeley theaters\u003c/a>\u003cbr>\nSept. 14–30, 2018\u003c/b>\u003cbr>\nCalifornia is a blue state, and Texas is turning purple. That tells us something about the true nature of immigration, assimilation and multiculturalism. The S.F. Latino Film Festival transcends headlines and slogans with movies whose themes encompass family, tradition, culture, urbanization and injustice—and that span this side of border down to the tips of Chile and Argentina. It reaches a kind of crescendo in \u003cem>Yo No Me Llamo Ruben Bladés\u003c/em> (\u003cem>Ruben Bladés is Not My Name\u003c/em>), Panamanian director Abner Menaim’s opening night portrait of a man for whom art, politics and life are a single pulsing thread.\u003c/p>\n\u003cfigure id=\"attachment_13839981\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200.jpg\" alt=\"A scene from Luchino Visconti's 'The Leopard.'\" width=\"1200\" height=\"675\" class=\"size-full wp-image-13839981\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Visconti_Leopard_1200-520x293.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A scene from Luchino Visconti’s ‘The Leopard.’ \u003ccite>(Courtesy of BAMPFA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Luchino Visconti: Cinema of Struggle and Splendor\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://bampfa.org/program/luchino-visconti-cinema-struggle-and-splendor\" rel=\"noopener\" target=\"_blank\">Berkeley Art Museum and Pacific Film Archive\u003c/a>\u003cbr>\nSept. 14–Nov. 30, 2018\u003c/b>\u003cbr>\n\u003cem>Ossessione\u003c/em>, \u003cem>Bellissima\u003c/em>, \u003cem>Rocco and His Brothers\u003c/em>, \u003cem>The Leopard\u003c/em>, \u003cem>The Damned\u003c/em>, \u003cem>Death in Venice\u003c/em>. There’s nothing coy or tentative about the titles of Luchino Visconti’s films; they set the stage for wrenching drama and fierce emotion before you even walk in the theater. An insider by birth and an outsider by way of political philosophy and sexual orientation, the late, great Italian director had the rare ability to infuse stark scenarios with lush (and luscious) artistry. (Your fall immersion in Italian cinema should include \u003ca href=\"http://www.cinemaitaliasf.com/\" rel=\"noopener\" target=\"_blank\">Ciao Marcello!\u003c/a>, the Mastroianni marathon at the Castro on Sept. 22.)\u003c/p>\n\u003cfigure id=\"attachment_13839978\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/a-private-war_1200.jpg\" alt=\"Still from 'A Private War.'\" width=\"1200\" height=\"799\" class=\"size-full wp-image-13839978\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/a-private-war_1200-520x346.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘A Private War.’ \u003ccite>(Courtesy of Aviron Pictures)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mill Valley Film Festival\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.mvff.com\" rel=\"noopener\" target=\"_blank\">Various North Bay theaters\u003c/a>\u003cbr>\nOct. 4–14, 2017\u003c/b>\u003cbr>\nMarin County’s annual autumnal gem has figured out how to make two filmmaking strands, seemingly poles apart, harmoniously coexist: the hard-hitting social-issue documentaries that seek to incite audiences, and the star-driven dramas that aspire to gold statuettes. The grit and the glamour, if you will. But perhaps they aren’t as different as we think, because nowadays the prestige narratives are rarely backed by profit-obsessed Hollywood studios and represent the handiwork of serious-minded actors and filmmakers with a conscience. Hence the opening night selection of \u003cem>A Private War\u003c/em>, documentary filmmaker Matthew Heineman’s narrative debut starring Rosamund Pike as real-life war correspondent Marie Colvin.\u003c/p>\n\u003cfigure id=\"attachment_13840044\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200.jpg\" alt=\"Still from Satyajit Ray's 'Pather Panchali.'\" width=\"1200\" height=\"865\" class=\"size-full wp-image-13840044\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-160x115.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-800x577.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-768x554.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-1020x735.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-1180x851.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-960x692.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-375x270.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/PATHERPANCHALI_1200-520x375.jpg 520w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Still from Satyajit Ray’s ‘Pather Panchali.’ \u003ccite>(Courtesy of SFFILM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Satyajit Ray: Intimate Universes\u003c/h2>\n\u003cp>\u003cb>\u003ca href=\"https://www.sfmoma.org/event/series/modern-cinema-satyajit-ray/#more-upcoming-events-103987\" rel=\"noopener\" target=\"_blank\">San Francisco Museum of Modern Art\u003c/a>\u003cbr>\nOct. 4–21, 2018\u003c/b>\u003cbr>\nModern Cinema, the thrice-yearly, three-weekend film series programmed and presented by SFFILM and SFMOMA, does a mighty swell job of connecting cinema’s past and present. It’s difficult to think of a filmmaker more timeless and universal than this season’s focus, Satyajit Ray, who put Indian cinema on the map in 1955 with the gentle-yet-unsentimental neorealist masterpiece \u003cem>Pather Panchali\u003c/em> and its sequels \u003cem>Aparajito\u003c/em> and \u003cem>The World of Apu\u003c/em> (all screening Oct. 4 and 5). The program encompasses Ray’s humanist brothers-in arms (peers Vittorio de Sica and Jean Renoir and successors Abbas Kiarostami and Krzysztof Kieślowski), as well as directors with a special affinity for India like Merchant-Ivory and Mira Nair. Highly recommended for anyone needing a dose of compassion, reason and humanity as an antidote to the campaign cacophony.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Summon Your Inner Yeti at This Year’s Bigfoot Bonanza",
"headTitle": "Summon Your Inner Yeti at This Year’s Bigfoot Bonanza | KQED",
"content": "\u003cp>Did \u003ci>The Shape of Water\u003c/i> rekindle your cinematic interest in things not quite human, not quite animal — or perhaps awaken new desires? If so, take heed: the second annual \u003ca href=\"https://www.bigfootbonanza.com/\" rel=\"noopener\" target=\"_blank\">Bigfoot Bonanza\u003c/a>, a conference and film festival at San Francisco’s Vogue Theatre, is just days away. \u003c/p>\n\u003cp>On March 10 and 11, two jam-packed days of cult classic bigfoot and yeti flicks screen alongside documentaries and guest speakers like cryptozoologist \u003ca href=\"http://lorencoleman.com/\" rel=\"noopener\" target=\"_blank\">Loren Coleman\u003c/a>. (Coleman defines cryptozoology as the “study of hidden animals”; Wikipedia defines it as a pseudoscience.)\u003c/p>\n\u003cp>Titles include films like \u003ci>The Legend of Boggy Creek\u003c/i>, \u003ci>The Abominable Snow Rabbit\u003c/i> (animated!) and \u003ci>Man Beast\u003c/i>. \u003c/p>\n\u003cp>Closing out the fest is the 1977 Italian monster film \u003ci>Yeti: Giant of the 20th Century\u003c/i>, directed by Gianfranco Parolini and described by \u003ca href=\"https://horrorpedia.com/2013/01/30/yeti-the-giant-of-the-20th-century-1977-italian-film-review/\" rel=\"noopener\" target=\"_blank\">one reviewer\u003c/a> as “challengingly budgeted,” but “terrific fun.” Not only is the ancient yeti recently thawed out, he’s enormous, kind of like someone watched Dino De Laurentiis’ 1976 \u003ci>King Kong\u003c/i> and decided to rip it off with a disco-tinged soundtrack.\u003c/p>\n\u003cp>https://youtu.be/97FAle0F1jE\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Interest piqued? As organizer Kai Wada Roath says, “AwoooOOOooogaH!”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Bigfoot Bonanza takes place March 10 and 11 at the Vogue Theatre in San Francisco (3290 Sacramento St). For tickets and more information, \u003ca href=\"https://www.bigfootbonanza.com/\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"excerpt": "The Vogue packs in two full days of abominable snowmen, mysterious monsters and sasquatches for the second year of this fantastical film festival. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Did \u003ci>The Shape of Water\u003c/i> rekindle your cinematic interest in things not quite human, not quite animal — or perhaps awaken new desires? If so, take heed: the second annual \u003ca href=\"https://www.bigfootbonanza.com/\" rel=\"noopener\" target=\"_blank\">Bigfoot Bonanza\u003c/a>, a conference and film festival at San Francisco’s Vogue Theatre, is just days away. \u003c/p>\n\u003cp>On March 10 and 11, two jam-packed days of cult classic bigfoot and yeti flicks screen alongside documentaries and guest speakers like cryptozoologist \u003ca href=\"http://lorencoleman.com/\" rel=\"noopener\" target=\"_blank\">Loren Coleman\u003c/a>. (Coleman defines cryptozoology as the “study of hidden animals”; Wikipedia defines it as a pseudoscience.)\u003c/p>\n\u003cp>Titles include films like \u003ci>The Legend of Boggy Creek\u003c/i>, \u003ci>The Abominable Snow Rabbit\u003c/i> (animated!) and \u003ci>Man Beast\u003c/i>. \u003c/p>\n\u003cp>Closing out the fest is the 1977 Italian monster film \u003ci>Yeti: Giant of the 20th Century\u003c/i>, directed by Gianfranco Parolini and described by \u003ca href=\"https://horrorpedia.com/2013/01/30/yeti-the-giant-of-the-20th-century-1977-italian-film-review/\" rel=\"noopener\" target=\"_blank\">one reviewer\u003c/a> as “challengingly budgeted,” but “terrific fun.” Not only is the ancient yeti recently thawed out, he’s enormous, kind of like someone watched Dino De Laurentiis’ 1976 \u003ci>King Kong\u003c/i> and decided to rip it off with a disco-tinged soundtrack.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/97FAle0F1jE'\n title='//www.youtube.com/embed/97FAle0F1jE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Interest piqued? As organizer Kai Wada Roath says, “AwoooOOOooogaH!”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Bigfoot Bonanza takes place March 10 and 11 at the Vogue Theatre in San Francisco (3290 Sacramento St). For tickets and more information, \u003ca href=\"https://www.bigfootbonanza.com/\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>For every Academy Award winner developing the next Pixar hit, there is someone toiling away in a basement, working on something that will probably never play in theaters before a \u003cem>Finding Nemo\u003c/em> sequel. But that’s exactly the kind of film Jeanette Bonds and Sean Buckelew want for the \u003ca href=\"http://www.glasanimation.com/\" target=\"_blank\" rel=\"noopener\">GLAS Animation Festival\u003c/a>. \u003c/p>\n\u003cp>While there are plenty of established animation-specific festivals in Europe, Japan, and elsewhere, there are only a handful in the United States, and nothing quite like GLAS. So Bonds helped start the event in 2016, creating a space specifically for independent animators, with Buckelew as lead programmer. Now in its second year, the festival hosts screenings, panels, and more at venues across Berkeley from March 2–5, with a schedule that includes an international mix of films and directors. \u003c/p>\n\u003cp>Both Bonds and Buckelew are graduates of CalArts’ experimental animation program. Before GLAS, Bonds worked as a programmer and screener for events like Slamdance and the Los Angeles Film Festival, while Buckelew created the animated sequences in \u003cem>We are Your Friends\u003c/em> and \u003cem>He Named Me Malala\u003c/em> (and is featured in \u003ca href=\"https://vimeo.com/170070171/9a7d5161c2\" target=\"_blank\" rel=\"noopener\">Season 4 of KQED’s Film School Shorts\u003c/a>). They’re also members of Late Night Work Club, a cohort of indie animators. (The collective has two screenings at GLAS this year, which Bonds and Buckelew highly recommend.)\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttps://vimeo.com/203754807\u003cbr>\n\u003c/aside>\n\u003cp>But GLAS isn’t a festival designed exclusively for a cliquish audience of indie animators. “I think there are curators who are more formal, but Jeanette and I are just into movies,” Buckelew says. “I would show my parents all this stuff and hope they get excited. It’s almost pitching to that level — I like audiences to really enjoy screenings.”\u003c/p>\n\u003cp>The festival has also managed to snag some of the most familiar names in mainstream animation. Last year’s guest of honor was Henry Selick, director of \u003cem>The Nightmare Before Christmas\u003c/em> and \u003cem>Coraline\u003c/em>, while this year features Brad Bird, who made \u003cem>The Iron Giant\u003c/em>, \u003cem>The Incredibles\u003c/em>, and even \u003cem>Mission Impossible: Ghost Protocol\u003c/em>, all of which screen at the fest. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“[Bird] is one of the few directors who’s worked in both live action and animation,” Bonds points out. “That’s rare and important and exciting.” \u003c/p>\n\u003cp>While Buckelew is a Berkeley native, neither he nor Bonds live in the Bay Area. As a matter of fact, they’re both based in Los Angeles. So why not host the festival in Hollywood?\u003c/p>\n\u003cp>“L.A. is a 24/7 film festival, and you’re constantly competing with a Robert de Niro thing for 10 bucks somewhere, and most people aren’t even going to that,” Bond says. \u003c/p>\n\u003cfigure id=\"attachment_12832522\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Deer-Flower-800x451.jpg\" alt=\"Scene from 'Deer Flower'\" width=\"800\" height=\"451\" class=\"size-medium wp-image-12832522\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-1920x1081.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower.jpg 1980w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Scene from ‘Deer Flower.’ \u003ccite>(Courtesy of GLAS Animation Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Berkeley had everything Bonds wanted: multiple theaters within walking distance of each other, hotels and restaurants, and, most importantly, a community that was excited to support a brand new festival. \u003c/p>\n\u003cp>“A lot of other cities didn’t really have that,” Bonds says. \u003c/p>\n\u003cp>And in just two short years, GLAS has managed to attract an audience of animators and fans from across the country and around the world to the East Bay, while still managing to be accessible to a local crowd. \u003c/p>\n\u003cp>“No matter who you are, there’s one or two films you’ll go home and Google and see if they’re online so you can send them to a friend,” Buckelew says. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For every Academy Award winner developing the next Pixar hit, there is someone toiling away in a basement, working on something that will probably never play in theaters before a \u003cem>Finding Nemo\u003c/em> sequel. But that’s exactly the kind of film Jeanette Bonds and Sean Buckelew want for the \u003ca href=\"http://www.glasanimation.com/\" target=\"_blank\" rel=\"noopener\">GLAS Animation Festival\u003c/a>. \u003c/p>\n\u003cp>While there are plenty of established animation-specific festivals in Europe, Japan, and elsewhere, there are only a handful in the United States, and nothing quite like GLAS. So Bonds helped start the event in 2016, creating a space specifically for independent animators, with Buckelew as lead programmer. Now in its second year, the festival hosts screenings, panels, and more at venues across Berkeley from March 2–5, with a schedule that includes an international mix of films and directors. \u003c/p>\n\u003cp>Both Bonds and Buckelew are graduates of CalArts’ experimental animation program. Before GLAS, Bonds worked as a programmer and screener for events like Slamdance and the Los Angeles Film Festival, while Buckelew created the animated sequences in \u003cem>We are Your Friends\u003c/em> and \u003cem>He Named Me Malala\u003c/em> (and is featured in \u003ca href=\"https://vimeo.com/170070171/9a7d5161c2\" target=\"_blank\" rel=\"noopener\">Season 4 of KQED’s Film School Shorts\u003c/a>). They’re also members of Late Night Work Club, a cohort of indie animators. (The collective has two screenings at GLAS this year, which Bonds and Buckelew highly recommend.)\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttps://vimeo.com/203754807\u003cbr>\n\u003c/aside>\n\u003cp>But GLAS isn’t a festival designed exclusively for a cliquish audience of indie animators. “I think there are curators who are more formal, but Jeanette and I are just into movies,” Buckelew says. “I would show my parents all this stuff and hope they get excited. It’s almost pitching to that level — I like audiences to really enjoy screenings.”\u003c/p>\n\u003cp>The festival has also managed to snag some of the most familiar names in mainstream animation. Last year’s guest of honor was Henry Selick, director of \u003cem>The Nightmare Before Christmas\u003c/em> and \u003cem>Coraline\u003c/em>, while this year features Brad Bird, who made \u003cem>The Iron Giant\u003c/em>, \u003cem>The Incredibles\u003c/em>, and even \u003cem>Mission Impossible: Ghost Protocol\u003c/em>, all of which screen at the fest. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“[Bird] is one of the few directors who’s worked in both live action and animation,” Bonds points out. “That’s rare and important and exciting.” \u003c/p>\n\u003cp>While Buckelew is a Berkeley native, neither he nor Bonds live in the Bay Area. As a matter of fact, they’re both based in Los Angeles. So why not host the festival in Hollywood?\u003c/p>\n\u003cp>“L.A. is a 24/7 film festival, and you’re constantly competing with a Robert de Niro thing for 10 bucks somewhere, and most people aren’t even going to that,” Bond says. \u003c/p>\n\u003cfigure id=\"attachment_12832522\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Deer-Flower-800x451.jpg\" alt=\"Scene from 'Deer Flower'\" width=\"800\" height=\"451\" class=\"size-medium wp-image-12832522\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-1920x1081.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/Deer-Flower.jpg 1980w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Scene from ‘Deer Flower.’ \u003ccite>(Courtesy of GLAS Animation Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Berkeley had everything Bonds wanted: multiple theaters within walking distance of each other, hotels and restaurants, and, most importantly, a community that was excited to support a brand new festival. \u003c/p>\n\u003cp>“A lot of other cities didn’t really have that,” Bonds says. \u003c/p>\n\u003cp>And in just two short years, GLAS has managed to attract an audience of animators and fans from across the country and around the world to the East Bay, while still managing to be accessible to a local crowd. \u003c/p>\n\u003cp>“No matter who you are, there’s one or two films you’ll go home and Google and see if they’re online so you can send them to a friend,” Buckelew says. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "When the Heck is that Film Festival?",
"headTitle": "When the Heck is that Film Festival? | KQED",
"content": "\u003cp>Do you ever ask yourself, when the heck is that __________ film festival happening? Do you ever kick yourself for inadvertently being out of town during your favorite movie-viewing time of year? Well, fear no more. We (along with a little help from \u003ca title=\"Michael Fox\" href=\"http://ww2.kqed.org/arts/author/mfox/\" target=\"_blank\" rel=\"noopener\">Michael Fox\u003c/a>) have put together a (not so) short list of the best of the Bay, so you can enjoy year-round access to films and storytellers.\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/assets/pdf/arts/filmfestivals.pdf\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/thumbnail-filmfestival.jpg\" alt=\"thumbnail-filmfestival\" width=\"200\" height=\"260\" class=\"alignright size-full wp-image-10529260\">\u003c/a>So, bookmark this post or print out this handy, \u003ca title=\"Film Festivals\" href=\"http://www.kqed.org/assets/pdf/arts/filmfestivals.pdf\" target=\"_blank\" rel=\"noopener\">\u003cstrong>print-friendly list\u003c/strong>\u003c/a> — and sleep easy knowing you won’t miss out on indie films throughout the year. Visit the festivals’ websites for exact dates.\u003c/p>\n\u003cp>\u003cstrong>January\u003c/strong>\u003cbr>\n– \u003ca title=\"Goethe-Institut\" href=\"http://www.berlinbeyond.com\" target=\"_blank\" rel=\"noopener\">Berlin and Beyond\u003c/a> presented by the Goethe-Institut\u003cbr>\n– \u003ca title=\"Noir City\" href=\"http://www.noircity.com\" target=\"_blank\" rel=\"noopener\">Noir City Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>February\u003c/strong>\u003cbr>\n– \u003ca title=\"Cinequest\" href=\"http://www.cinequest.org\" target=\"_blank\" rel=\"noopener\">Cinequest Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Mostly British\" href=\"http://mostlybritish.org\" target=\"_blank\" rel=\"noopener\">Mostly British Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Noisepop\" href=\"http://noisepop.com\" target=\"_blank\" rel=\"noopener\">NoisePop Film Series\u003c/a>\u003cbr>\n– \u003ca title=\"SFIndie\" href=\"http://sfindie.com/festivals/sf-indiefest\" target=\"_blank\" rel=\"noopener\">San Francisco Independent Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March\u003c/strong>\u003cbr>\n– \u003ca title=\"Ocean Film Fest\" href=\"http://oceanfilmfest.org\" target=\"_blank\" rel=\"noopener\">San Francisco International Ocean Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"CAAM Fest\" href=\"http://caamfest.com\" target=\"_blank\" rel=\"noopener\">CAAMFest\u003c/a> (formerly the SF International Asian American Film Festival)\u003cbr>\n– \u003ca title=\"East Bay Jewish Film\" href=\"http://eastbayjewishfilm.org\" target=\"_blank\" rel=\"noopener\">East Bay International Jewish Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Sonoma Film Festival\" href=\"http://www.sonomafilmfest.org\" target=\"_blank\" rel=\"noopener\">Sonoma International Film Festival\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>April\u003c/strong>\u003cbr>\n– \u003ca title=\"SF Cinematheque\" href=\"http://www.sfcinematheque.org\" target=\"_blank\" rel=\"noopener\">Crossroads\u003c/a> (avant-garde films) presented by San Francisco Cinematheque\u003cbr>\n– \u003ca title=\"Disposable Film Festival\" href=\"https://disposablefilm.com\" target=\"_blank\" rel=\"noopener\">Disposable Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Food and Farm\" href=\"http://www.foodandfarmfilms.com\" target=\"_blank\" rel=\"noopener\">Food & Farm Film Fest\u003c/a>\u003cbr>\n– \u003ca title=\"USFCA\" href=\"http://www.usfca.edu/artsci/hrff/\" target=\"_blank\" rel=\"noopener\">Human Rights Film Festival\u003c/a> presented by the University of San Francisco\u003cbr>\n– \u003ca title=\"Buddhist Film Foundation\" href=\"http://www.buddhistfilmfoundation.org/international-buddhist-film-festival\" target=\"_blank\" rel=\"noopener\">International Buddhist Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Oakland International Film Festival\" href=\"http://www.oiff.org\" target=\"_blank\" rel=\"noopener\">Oakland International Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"SF Film Society\" href=\"http://www.sffs.org/festival-home\" target=\"_blank\" rel=\"noopener\">San Francisco International Film Festival\u003c/a>\u003cbr>\n– \u003ca href=\"http://www.tiburonfilmfestival.com\" title=\"Tiburon Film\" target=\"_blank\" rel=\"noopener\">Tiburon International Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>May\u003c/strong>\u003cbr>\n– \u003ca title=\"Green Film Festival\" href=\"http://www.greenfilmfest.org\" target=\"_blank\" rel=\"noopener\">San Francisco Green Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Silent Film Festival\" href=\"http://www.silentfilm.org\" target=\"_blank\" rel=\"noopener\">San Francisco Silent Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>June\u003c/strong>\u003cbr>\n– \u003ca title=\"Docfest\" href=\"http://sfindie.com/festivals/sf-docfest\" target=\"_blank\" rel=\"noopener\">San Francisco Documentary Festival\u003c/a>\u003cbr>\n– \u003ca title=\"SF Black Film Festival\" href=\"http://sfbff.org\" target=\"_blank\" rel=\"noopener\">San Francisco Black Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Frameline\" href=\"http://www.frameline.org\" target=\"_blank\" rel=\"noopener\">San Francisco International LGBT Film Festival\u003c/a> presented by Frameline\u003c/p>\n\u003cp>\u003cstrong>July\u003c/strong>\u003cbr>\n– \u003ca title=\"Frozen Film Festival\" href=\"http://www.frozenfilmfestival.com\" target=\"_blank\" rel=\"noopener\">San Francisco Frozen Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"San Francisco Jewish Film Festival\" href=\"http://www.sfjff.org\" target=\"_blank\" rel=\"noopener\">San Francisco Jewish Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>August\u003c/strong>\u003cbr>\n– \u003ca title=\"Japan Film\" href=\"http://jffsf.org\" target=\"_blank\" rel=\"noopener\">Japan Film Festival of San Francisco\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>September\u003c/strong>\u003cbr>\n– \u003ca title=\"CAAM San Jose\" href=\"http://caamedia.org/caamfest-san-jose/\" target=\"_blank\" rel=\"noopener\">CAAMFest San Jose\u003c/a>\u003cbr>\n– \u003ca title=\"SF Latino Film Festival\" href=\"http://www.sflatinofilmfestival.com\" target=\"_blank\" rel=\"noopener\">Cine+Mas San Francisco Latino Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Oakland Underground Film Festival\" href=\"http://oakuff.org\" target=\"_blank\" rel=\"noopener\">Oakland Underground Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>October\u003c/strong>\u003cbr>\n– \u003ca title=\"Arab Film Festival\" href=\"http://www.arabfilmfestival.org\" target=\"_blank\" rel=\"noopener\">Arab Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Mill Valley Film Festival\" href=\"http://www.mvff.com\" target=\"_blank\" rel=\"noopener\">Mill Valley Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"SF Dance Film Festival\" href=\"http://www.sfdancefilmfest.org\" target=\"_blank\" rel=\"noopener\">San Francisco Dance Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Third I\" href=\"http://www.thirdi.org/festival/\" target=\"_blank\" rel=\"noopener\">San Francisco International South Asian Film Festival\u003c/a> presented by Third I\u003cbr>\n– \u003ca title=\"San Jose International Short\" href=\"http://www.sjsff.com\" target=\"_blank\" rel=\"noopener\">San Jose International Short Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"SF Shorts\" href=\"http://www.sfshorts.com\" target=\"_blank\" rel=\"noopener\">SF Shorts\u003c/a>\u003cbr>\n– \u003ca title=\"Silicon Valley Jewish Film Festival\" href=\"http://www.svjff.org\" target=\"_blank\" rel=\"noopener\">Silicon Valley Jewish Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"UNAFF\" href=\"http://www.unaff.org\" target=\"_blank\" rel=\"noopener\">UNAFF International Documentary Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>November\u003c/strong>\u003cbr>\n– \u003ca title=\"American Indian Film\" href=\"http://aifisf.com\" target=\"_blank\" rel=\"noopener\">American Indian Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Napa Valley Film Festival\" href=\"http://napavalleyfilmfest.org\" target=\"_blank\" rel=\"noopener\">Napa Valley Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"San Francisco Film Society\" href=\"http://www.sffs.org\" target=\"_blank\" rel=\"noopener\">San Francisco Film Society fall season\u003c/a>, which includes French Cinema Now, Hong Kong Cinema, New Italian Cinema (NICE) and Essential SF\u003cbr>\n– \u003ca title=\"Santa Cruz Film Festival\" href=\"http://santacruzfilmfestival.org\" target=\"_blank\" rel=\"noopener\">Santa Cruz Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>December\u003c/strong>\u003cbr>\n– \u003ca title=\"SF Indie\" href=\"http://sfindie.com\" target=\"_blank\" rel=\"noopener\">Another Hole in the Head\u003c/a> (horror, sci-fi, dark fantasy films) presented by SF IndieFest\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Editor’s Note: The following changes were made to this post on May 4, 2015: Added Santa Cruz Film Festival, Food & Farm Film Fest, Napa Valley Film Festival, and SF Shorts. Removed ReelAbilities Film Festival.\u003c/strong>\u003c/p>\n\n",
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"excerpt": "Do you ever ask yourself, \"When is the heck is that film festival happening?\" If so, check out our printable guide.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Do you ever ask yourself, when the heck is that __________ film festival happening? Do you ever kick yourself for inadvertently being out of town during your favorite movie-viewing time of year? Well, fear no more. We (along with a little help from \u003ca title=\"Michael Fox\" href=\"http://ww2.kqed.org/arts/author/mfox/\" target=\"_blank\" rel=\"noopener\">Michael Fox\u003c/a>) have put together a (not so) short list of the best of the Bay, so you can enjoy year-round access to films and storytellers.\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/assets/pdf/arts/filmfestivals.pdf\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/04/thumbnail-filmfestival.jpg\" alt=\"thumbnail-filmfestival\" width=\"200\" height=\"260\" class=\"alignright size-full wp-image-10529260\">\u003c/a>So, bookmark this post or print out this handy, \u003ca title=\"Film Festivals\" href=\"http://www.kqed.org/assets/pdf/arts/filmfestivals.pdf\" target=\"_blank\" rel=\"noopener\">\u003cstrong>print-friendly list\u003c/strong>\u003c/a> — and sleep easy knowing you won’t miss out on indie films throughout the year. Visit the festivals’ websites for exact dates.\u003c/p>\n\u003cp>\u003cstrong>January\u003c/strong>\u003cbr>\n– \u003ca title=\"Goethe-Institut\" href=\"http://www.berlinbeyond.com\" target=\"_blank\" rel=\"noopener\">Berlin and Beyond\u003c/a> presented by the Goethe-Institut\u003cbr>\n– \u003ca title=\"Noir City\" href=\"http://www.noircity.com\" target=\"_blank\" rel=\"noopener\">Noir City Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>February\u003c/strong>\u003cbr>\n– \u003ca title=\"Cinequest\" href=\"http://www.cinequest.org\" target=\"_blank\" rel=\"noopener\">Cinequest Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Mostly British\" href=\"http://mostlybritish.org\" target=\"_blank\" rel=\"noopener\">Mostly British Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Noisepop\" href=\"http://noisepop.com\" target=\"_blank\" rel=\"noopener\">NoisePop Film Series\u003c/a>\u003cbr>\n– \u003ca title=\"SFIndie\" href=\"http://sfindie.com/festivals/sf-indiefest\" target=\"_blank\" rel=\"noopener\">San Francisco Independent Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>March\u003c/strong>\u003cbr>\n– \u003ca title=\"Ocean Film Fest\" href=\"http://oceanfilmfest.org\" target=\"_blank\" rel=\"noopener\">San Francisco International Ocean Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"CAAM Fest\" href=\"http://caamfest.com\" target=\"_blank\" rel=\"noopener\">CAAMFest\u003c/a> (formerly the SF International Asian American Film Festival)\u003cbr>\n– \u003ca title=\"East Bay Jewish Film\" href=\"http://eastbayjewishfilm.org\" target=\"_blank\" rel=\"noopener\">East Bay International Jewish Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Sonoma Film Festival\" href=\"http://www.sonomafilmfest.org\" target=\"_blank\" rel=\"noopener\">Sonoma International Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April\u003c/strong>\u003cbr>\n– \u003ca title=\"SF Cinematheque\" href=\"http://www.sfcinematheque.org\" target=\"_blank\" rel=\"noopener\">Crossroads\u003c/a> (avant-garde films) presented by San Francisco Cinematheque\u003cbr>\n– \u003ca title=\"Disposable Film Festival\" href=\"https://disposablefilm.com\" target=\"_blank\" rel=\"noopener\">Disposable Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Food and Farm\" href=\"http://www.foodandfarmfilms.com\" target=\"_blank\" rel=\"noopener\">Food & Farm Film Fest\u003c/a>\u003cbr>\n– \u003ca title=\"USFCA\" href=\"http://www.usfca.edu/artsci/hrff/\" target=\"_blank\" rel=\"noopener\">Human Rights Film Festival\u003c/a> presented by the University of San Francisco\u003cbr>\n– \u003ca title=\"Buddhist Film Foundation\" href=\"http://www.buddhistfilmfoundation.org/international-buddhist-film-festival\" target=\"_blank\" rel=\"noopener\">International Buddhist Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Oakland International Film Festival\" href=\"http://www.oiff.org\" target=\"_blank\" rel=\"noopener\">Oakland International Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"SF Film Society\" href=\"http://www.sffs.org/festival-home\" target=\"_blank\" rel=\"noopener\">San Francisco International Film Festival\u003c/a>\u003cbr>\n– \u003ca href=\"http://www.tiburonfilmfestival.com\" title=\"Tiburon Film\" target=\"_blank\" rel=\"noopener\">Tiburon International Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>May\u003c/strong>\u003cbr>\n– \u003ca title=\"Green Film Festival\" href=\"http://www.greenfilmfest.org\" target=\"_blank\" rel=\"noopener\">San Francisco Green Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Silent Film Festival\" href=\"http://www.silentfilm.org\" target=\"_blank\" rel=\"noopener\">San Francisco Silent Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>June\u003c/strong>\u003cbr>\n– \u003ca title=\"Docfest\" href=\"http://sfindie.com/festivals/sf-docfest\" target=\"_blank\" rel=\"noopener\">San Francisco Documentary Festival\u003c/a>\u003cbr>\n– \u003ca title=\"SF Black Film Festival\" href=\"http://sfbff.org\" target=\"_blank\" rel=\"noopener\">San Francisco Black Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Frameline\" href=\"http://www.frameline.org\" target=\"_blank\" rel=\"noopener\">San Francisco International LGBT Film Festival\u003c/a> presented by Frameline\u003c/p>\n\u003cp>\u003cstrong>July\u003c/strong>\u003cbr>\n– \u003ca title=\"Frozen Film Festival\" href=\"http://www.frozenfilmfestival.com\" target=\"_blank\" rel=\"noopener\">San Francisco Frozen Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"San Francisco Jewish Film Festival\" href=\"http://www.sfjff.org\" target=\"_blank\" rel=\"noopener\">San Francisco Jewish Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>August\u003c/strong>\u003cbr>\n– \u003ca title=\"Japan Film\" href=\"http://jffsf.org\" target=\"_blank\" rel=\"noopener\">Japan Film Festival of San Francisco\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>September\u003c/strong>\u003cbr>\n– \u003ca title=\"CAAM San Jose\" href=\"http://caamedia.org/caamfest-san-jose/\" target=\"_blank\" rel=\"noopener\">CAAMFest San Jose\u003c/a>\u003cbr>\n– \u003ca title=\"SF Latino Film Festival\" href=\"http://www.sflatinofilmfestival.com\" target=\"_blank\" rel=\"noopener\">Cine+Mas San Francisco Latino Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Oakland Underground Film Festival\" href=\"http://oakuff.org\" target=\"_blank\" rel=\"noopener\">Oakland Underground Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>October\u003c/strong>\u003cbr>\n– \u003ca title=\"Arab Film Festival\" href=\"http://www.arabfilmfestival.org\" target=\"_blank\" rel=\"noopener\">Arab Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Mill Valley Film Festival\" href=\"http://www.mvff.com\" target=\"_blank\" rel=\"noopener\">Mill Valley Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"SF Dance Film Festival\" href=\"http://www.sfdancefilmfest.org\" target=\"_blank\" rel=\"noopener\">San Francisco Dance Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Third I\" href=\"http://www.thirdi.org/festival/\" target=\"_blank\" rel=\"noopener\">San Francisco International South Asian Film Festival\u003c/a> presented by Third I\u003cbr>\n– \u003ca title=\"San Jose International Short\" href=\"http://www.sjsff.com\" target=\"_blank\" rel=\"noopener\">San Jose International Short Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"SF Shorts\" href=\"http://www.sfshorts.com\" target=\"_blank\" rel=\"noopener\">SF Shorts\u003c/a>\u003cbr>\n– \u003ca title=\"Silicon Valley Jewish Film Festival\" href=\"http://www.svjff.org\" target=\"_blank\" rel=\"noopener\">Silicon Valley Jewish Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"UNAFF\" href=\"http://www.unaff.org\" target=\"_blank\" rel=\"noopener\">UNAFF International Documentary Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>November\u003c/strong>\u003cbr>\n– \u003ca title=\"American Indian Film\" href=\"http://aifisf.com\" target=\"_blank\" rel=\"noopener\">American Indian Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"Napa Valley Film Festival\" href=\"http://napavalleyfilmfest.org\" target=\"_blank\" rel=\"noopener\">Napa Valley Film Festival\u003c/a>\u003cbr>\n– \u003ca title=\"San Francisco Film Society\" href=\"http://www.sffs.org\" target=\"_blank\" rel=\"noopener\">San Francisco Film Society fall season\u003c/a>, which includes French Cinema Now, Hong Kong Cinema, New Italian Cinema (NICE) and Essential SF\u003cbr>\n– \u003ca title=\"Santa Cruz Film Festival\" href=\"http://santacruzfilmfestival.org\" target=\"_blank\" rel=\"noopener\">Santa Cruz Film Festival\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>December\u003c/strong>\u003cbr>\n– \u003ca title=\"SF Indie\" href=\"http://sfindie.com\" target=\"_blank\" rel=\"noopener\">Another Hole in the Head\u003c/a> (horror, sci-fi, dark fantasy films) presented by SF IndieFest\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Editor’s Note: The following changes were made to this post on May 4, 2015: Added Santa Cruz Film Festival, Food & Farm Film Fest, Napa Valley Film Festival, and SF Shorts. Removed ReelAbilities Film Festival.\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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}
},
"city-arts": {
"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
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},
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},
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"filters": [
"Any Region"
]
},
"cuisine": {
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},
"restaurantDataById": {},
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"userAgentReducer": {
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"isBot": true
},
"requestOutcomesReducer": {
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}
}
