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"content": "\u003cp>\u003ca href=\"https://www.npr.org/sections/allsongs/2019/05/16/723554077/meet-quinn-christopherson-winner-of-the-2019-tiny-desk-contest\">Quinn Christopherson\u003c/a> may be the winner of the 2019 Tiny Desk Contest, but this year’s 6,000-plus entries included many outstanding performances.\u003c/p>\n\u003cp>One of those standouts came from rapper Ruby Ibarra and her band The Balikbayans, a group of Filipino-American musicians based out of the San Francisco Bay Area. Ibarra — who was born in Tacloban City in the Philippines and immigrated to the United States with her family in the 1990s — calls the song she submitted, “Someday,” an ode to her mother.\u003c/p>\n\u003cp>[aside postID='arts_13812554' hero='https://ww2.kqed.org/wp-content/uploads/sites/2/2017/10/ARTS_FILIPINODJS_1-1920x1080.jpg' target='_blank']\u003c/p>\n\u003cp>Ibarra reflects on the song in a note that she sent to NPR:\u003c/p>\n\u003cp>\u003cem>It is my declaration that my mother and I will make it in this country. I think that when we talk about immigration, especially in mainstream media, much of that is often romanticized and simplified; the experience and struggles are overlooked and the formation of identity and sense of belonging are neglected. \u003c/em>\u003c/p>\n\u003cp>\u003cem>When my mom moved to California from the Philippines in 1991, she went from being an accountant to a fast food janitor/cashier. She left everything behind in her motherland in hopes to provide better opportunities for me and my younger sister. She learned quickly how to be on survival mode and realized that the American Dream was far more complex than the mainstream narrative. The song “Someday” captures these themes and most importantly, captures my mother’s story, which is ultimately a similar story for many immigrants — trying to find a place to call home.\u003c/em>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Ruby Ibarra & The Balikbayans - Someday [2019 NPR Tiny Desk]\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/SCd3iSfnWSw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Ibarra describes her art as unfiltered, a quality that shines through in her band’s Tiny Desk submission. “I feel like when I am on that stage, or when I’m expressing myself through the lyrics that I rap, I feel like that’s me in my rawest form,” she says.\u003c/p>\n\u003cp>Ibarra’s verses on “Someday,” addressed to her mother, are a testament to this rawness. “Mama, I know it’s gon’ be fine wherever we go / ‘Cause we know, you raised this girl to dream and be a hero / What’s an ego to an eagle? I free-flow when I speak though / My pipe dreams through a peephole, my skin so Filipino,” she raps.\u003c/p>\n\u003cp>After earning an accounting degree \u003cem>cum laude \u003c/em>at her university in the Philippines, Ibarra’s mother decided to come to the United States.\u003c/p>\n\u003cp>“Especially during the ’80s and the ’90s, the economy wasn’t doing so well in the Philippines. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ibarra reflects on the song in a note that she sent to NPR:\u003c/p>\n\u003cp>\u003cem>It is my declaration that my mother and I will make it in this country. I think that when we talk about immigration, especially in mainstream media, much of that is often romanticized and simplified; the experience and struggles are overlooked and the formation of identity and sense of belonging are neglected. \u003c/em>\u003c/p>\n\u003cp>\u003cem>When my mom moved to California from the Philippines in 1991, she went from being an accountant to a fast food janitor/cashier. She left everything behind in her motherland in hopes to provide better opportunities for me and my younger sister. She learned quickly how to be on survival mode and realized that the American Dream was far more complex than the mainstream narrative. The song “Someday” captures these themes and most importantly, captures my mother’s story, which is ultimately a similar story for many immigrants — trying to find a place to call home.\u003c/em>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Ruby Ibarra & The Balikbayans - Someday [2019 NPR Tiny Desk]\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/SCd3iSfnWSw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Ibarra describes her art as unfiltered, a quality that shines through in her band’s Tiny Desk submission. “I feel like when I am on that stage, or when I’m expressing myself through the lyrics that I rap, I feel like that’s me in my rawest form,” she says.\u003c/p>\n\u003cp>Ibarra’s verses on “Someday,” addressed to her mother, are a testament to this rawness. “Mama, I know it’s gon’ be fine wherever we go / ‘Cause we know, you raised this girl to dream and be a hero / What’s an ego to an eagle? I free-flow when I speak though / My pipe dreams through a peephole, my skin so Filipino,” she raps.\u003c/p>\n\u003cp>After earning an accounting degree \u003cem>cum laude \u003c/em>at her university in the Philippines, Ibarra’s mother decided to come to the United States.\u003c/p>\n\u003cp>“Especially during the ’80s and the ’90s, the economy wasn’t doing so well in the Philippines. And a lot of people really had this mentality that, ‘If I go to America, I’m gonna have better educated children or a better life,’ basically,” Ibarra says. “Upon moving here, I think that’s when my mom realized that it wasn’t all she expected it to be.”\u003c/p>\n\u003cp>But the rapper says that her mother always remained a model of resilience for Ibarra and her sister. “She was the matriarch and the patriarch in our household,” Ibarra says. “She was always my example of what it meant to be \u003ca href=\"https://www.npr.org/sections/codeswitch/2016/05/24/478560399/filipino-americans-blending-cultures-redefining-race\">\u003cem>Pinay\u003c/em>\u003c/a>, a woman who pretty much did s*** on her own, carried everything on her own back.”\u003c/p>\n\u003cp>Ibarra expresses her profound admiration for her mother in the lyrics of “Someday.” When she raps, “Mama we goin’ make it here someday” it’s meant to be a promise.\u003c/p>\n\u003cp>“I want to reach a point someday where I can look at her in the face and say that we made it,” Ibarra says. “I think that sense of belonging, that sense of hope, is a thread that’s very common in a lot of immigrant stories.”\u003c/p>\n\u003cp>In addition to expressing her truest self through her music, Ibarra says that she hopes to pass inspiration on to others who want to do the same.\u003c/p>\n\u003cp>“I am what I talk about in my music. I am \u003cem>Pinay\u003c/em>, I’m powerful, I’m fearless, I’m unfiltered,” Ibarra says. “And I like to hope that there’s young women out there who feel the same way. Or even if they don’t feel the same way, I hope to inspire young women out there to want to use their voice, to claim who they are and to embrace their identity.”\u003c/p>\n\u003cp>\u003cem>Listen to the full aired story at the audio link\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Music, Cars and Don't Forget the Hair: Eugene Kim's 'Cherry' Channels 90s Daly City",
"headTitle": "Music, Cars and Don’t Forget the Hair: Eugene Kim’s ‘Cherry’ Channels 90s Daly City | KQED",
"content": "\u003cp>\u003cem>Editor’s Note: \u003ca href=\"https://www.kqed.org/arts/series/behind-the-lens\" target=\"_blank\" rel=\"noopener noreferrer\">Behind the Lens\u003c/a> is a digital video series featuring bold California indie filmmakers pushing the boundaries of their craft. Each episode captures the personal experiences that inform a filmmaker’s work and the risks they take to bring stories to the screen.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When Eugene Kim put his filmmaking career on hold to help his parents achieve financial stability, he didn’t know if he’d ever make it back to the career of his dreams. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The dream kept getting further and further away,” he remembers. But eight years later, he owns three San Francisco coffee shops. And a little voice in his head told him it was time to get back into filmmaking.\u003c/span>\u003cspan style=\"font-weight: 400\"> (\u003ca href=\"https://www.hbovisionaries.com/\" target=\"_blank\" rel=\"noopener noreferrer\">HBO’s Asian Pacific American Visionaries short film competition,\u003c/a> and its submission deadline, didn’t hurt his motivation either.) \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With the help of a small crew of film school friends from San Jose State, Kim just wrapped shooting his short film, \u003ca href=\"https://www.instagram.com/cherrythemovie/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Cherry\u003c/em>\u003c/a>, the story of an R&B artist coming up in 1990s Daly City. It’s a script pulled from Kim’s own memories of growing up on the peninsula in that very scene, where \u003ca href=\"https://www.kqed.org/arts/13812554/how-daly-citys-filipino-mobile-dj-scene-changed-hip-hop-forever\" target=\"_blank\" rel=\"noopener noreferrer\">Filipino DJs were pioneering a new style\u003c/a>, B-Boys competed at car shows and everyone knew they were part of a historic moment in music history.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13847002\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847002\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/in-the-car_2-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Cherry’, courtesy of Eugene Kim\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There were so many Asian kids involved with different subcultures,” Kim says. He channeled those memories of music, hair, style and romances into one day in the life of Christian Flores, a singer trying to find the money to get his car out of the impound lot, and a girl named Cherry he meets along the way. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The thing that I’m most proud of with \u003cem>Cherry\u003c/em> is just the fact that we got it done,” Kim says. “We all promised to take time off and prioritize this project, that in itself felt like a victory.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13847006\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847006\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/BTS_4-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4.jpg 1698w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Eugene Kim on the set of ‘Cherry’\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">The biggest lesson he learned getting back into the filmmaking game? “There’s no time limit or an expiration date on your creativity.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED sat down with Kim to talk about growing up with a supportive family, not holding yourself to outdated timelines and learning from small stories. — \u003cem>Introductory Text by Sarah Hotchkiss\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>How did you get your start in filmmaking?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I feel like I’ve always had an imagination ever since I was a kid, and it’s just fun to tell stories. My parents were so open to us being creative and artistic, they let me feel like it was OK to pursue something like that. We spent a lot of time watching movies. My dad always had a camera. He filmed us growing up, especially me because I was the first child. And then my friends growing up used to skateboard and rollerblade, [and] make weird goofy films together. Finally I thought, “You could do that as a major in college.” \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>How do you define success for yourself?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If you are able to create something and you continue doing so and you grow with each project. Let’s say I put out a project, and the next project, something’s better. Maybe it’s just cinematography. Maybe it’s the sound, maybe it’s the writing or the acting. As long as you’re progressing and getting better with each project and learning something from your previous project, I feel like that’s success. Some projects you might not find any success [with], but being able to pick yourself up and say, “Hey, onto the next project.” We have to keep working towards becoming better storytellers or filmmakers. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>What’s something you wish you could say to your younger self?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There’s no need to rush. There’s no time limit or an expiration date on when your creativity stops. When I was younger, I felt like I put all these limitations on myself. As long as you’re creating something that you’re happy with there’s no point to stopping. If you’re in it because you like to create stuff with your friends and just put out cool stuff, there’s really no limit to [creativity].\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13847007\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847007\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Cherry-3-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Cherry’, courtesy of Eugene Kim\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What is a source of inspiration to you that might be surprising to other people?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I feel like a source of inspiration for me is my friends and family. The older I get, the more I realize how important it is to have people that surround me, that support me. Building a strong support system has been huge for me. Overall I’m just inspired by real people—the stories that I’ve heard from the people in my life. [It’s the] little things that you learn through life that inspire you and give you ideas for stories and characters.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>What does the future of filmmaking look like in your ideal world?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’d like to see more stories about different people, different ethnicities, different races. I feel like we’re going to start realizing that lead male or female doesn’t have to look like a supermodel. I feel like we’re going to see more and more stories that we can all relate to as people—at least that’s what I’d like to see. And I feel like it’s starting to happen. But, I think we’re going to start seeing a lot more from people in terms of small stories, small things that we can all grow from, the stories that are going to educate us a little more and teach us about different types of people [from] different backgrounds.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Editor’s Note: \u003ca href=\"https://www.kqed.org/arts/series/behind-the-lens\" target=\"_blank\" rel=\"noopener noreferrer\">Behind the Lens\u003c/a> is a digital video series featuring bold California indie filmmakers pushing the boundaries of their craft. Each episode captures the personal experiences that inform a filmmaker’s work and the risks they take to bring stories to the screen.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When Eugene Kim put his filmmaking career on hold to help his parents achieve financial stability, he didn’t know if he’d ever make it back to the career of his dreams. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The dream kept getting further and further away,” he remembers. But eight years later, he owns three San Francisco coffee shops. And a little voice in his head told him it was time to get back into filmmaking.\u003c/span>\u003cspan style=\"font-weight: 400\"> (\u003ca href=\"https://www.hbovisionaries.com/\" target=\"_blank\" rel=\"noopener noreferrer\">HBO’s Asian Pacific American Visionaries short film competition,\u003c/a> and its submission deadline, didn’t hurt his motivation either.) \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With the help of a small crew of film school friends from San Jose State, Kim just wrapped shooting his short film, \u003ca href=\"https://www.instagram.com/cherrythemovie/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Cherry\u003c/em>\u003c/a>, the story of an R&B artist coming up in 1990s Daly City. It’s a script pulled from Kim’s own memories of growing up on the peninsula in that very scene, where \u003ca href=\"https://www.kqed.org/arts/13812554/how-daly-citys-filipino-mobile-dj-scene-changed-hip-hop-forever\" target=\"_blank\" rel=\"noopener noreferrer\">Filipino DJs were pioneering a new style\u003c/a>, B-Boys competed at car shows and everyone knew they were part of a historic moment in music history.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13847002\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847002\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/in-the-car_2-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/in-the-car_2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Cherry’, courtesy of Eugene Kim\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">“There were so many Asian kids involved with different subcultures,” Kim says. He channeled those memories of music, hair, style and romances into one day in the life of Christian Flores, a singer trying to find the money to get his car out of the impound lot, and a girl named Cherry he meets along the way. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“The thing that I’m most proud of with \u003cem>Cherry\u003c/em> is just the fact that we got it done,” Kim says. “We all promised to take time off and prioritize this project, that in itself felt like a victory.”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13847006\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847006\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/BTS_4-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/BTS_4.jpg 1698w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Eugene Kim on the set of ‘Cherry’\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">The biggest lesson he learned getting back into the filmmaking game? “There’s no time limit or an expiration date on your creativity.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">KQED sat down with Kim to talk about growing up with a supportive family, not holding yourself to outdated timelines and learning from small stories. — \u003cem>Introductory Text by Sarah Hotchkiss\u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>How did you get your start in filmmaking?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I feel like I’ve always had an imagination ever since I was a kid, and it’s just fun to tell stories. My parents were so open to us being creative and artistic, they let me feel like it was OK to pursue something like that. We spent a lot of time watching movies. My dad always had a camera. He filmed us growing up, especially me because I was the first child. And then my friends growing up used to skateboard and rollerblade, [and] make weird goofy films together. Finally I thought, “You could do that as a major in college.” \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>How do you define success for yourself?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If you are able to create something and you continue doing so and you grow with each project. Let’s say I put out a project, and the next project, something’s better. Maybe it’s just cinematography. Maybe it’s the sound, maybe it’s the writing or the acting. As long as you’re progressing and getting better with each project and learning something from your previous project, I feel like that’s success. Some projects you might not find any success [with], but being able to pick yourself up and say, “Hey, onto the next project.” We have to keep working towards becoming better storytellers or filmmakers. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>What’s something you wish you could say to your younger self?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There’s no need to rush. There’s no time limit or an expiration date on when your creativity stops. When I was younger, I felt like I put all these limitations on myself. As long as you’re creating something that you’re happy with there’s no point to stopping. If you’re in it because you like to create stuff with your friends and just put out cool stuff, there’s really no limit to [creativity].\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13847007\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847007\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Cherry-3-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Cherry-3-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Cherry’, courtesy of Eugene Kim\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What is a source of inspiration to you that might be surprising to other people?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I feel like a source of inspiration for me is my friends and family. The older I get, the more I realize how important it is to have people that surround me, that support me. Building a strong support system has been huge for me. Overall I’m just inspired by real people—the stories that I’ve heard from the people in my life. [It’s the] little things that you learn through life that inspire you and give you ideas for stories and characters.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>What does the future of filmmaking look like in your ideal world?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I’d like to see more stories about different people, different ethnicities, different races. I feel like we’re going to start realizing that lead male or female doesn’t have to look like a supermodel. I feel like we’re going to see more and more stories that we can all relate to as people—at least that’s what I’d like to see. And I feel like it’s starting to happen. But, I think we’re going to start seeing a lot more from people in terms of small stories, small things that we can all grow from, the stories that are going to educate us a little more and teach us about different types of people [from] different backgrounds.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Ah, downtown San Francisco, alive with the smell of coffee, weed, and, well, \u003ca href=\"http://www.atlasobscura.com/articles/san-francisco-was-just-subjected-to-a-mysterious-gross-smell\" target=\"_blank\" rel=\"noopener\">other things\u003c/a>. But if you’re near Yerba Buena Gardens in San Francisco on Aug. 12 or 13, you’ll probably be drawn in by the marvelous aroma of \u003cem>adobo\u003c/em> and \u003cem>lechon\u003c/em>. That’s where the free annual Pistahan Filipino Festival is taking place, with a parade down Market Street on Saturday and a soirée of Filipino food, art and music at Yerba Buena Gardens. \u003ca href=\"http://www.pistahan.net/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13804923\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Pistahan.jpg\" alt=\"\" width=\"1000\" height=\"667\" class=\"size-full wp-image-13804923\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Pistahan.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Pistahan-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Pistahan-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Pistahan-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Pistahan-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Pistahan-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Pistahan-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Pistahan-520x347.jpg 520w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">The parade on Market Street. \u003ccite>(via Pistahan Fetsival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, inside YBCA starting Aug. 17, there’s the \u003ca href=\"https://ybca.org/whats-on/new-filipino-cinema-2017\" target=\"_blank\" rel=\"noopener\">Festival of New Filipino Cinema\u003c/a>, which organizers are framing as a response to the current political climate — and the anxiety over the unpredictable presidents of both the U.S. and the Philippines. \u003c/p>\n\u003cp>Along with films about life under President Rodrigo Duterte, about the war on drugs and other upheavals, there’s also the festival’s opening film: \u003cem>Sunday Beauty Queen\u003c/em>, a documentary about domestic workers in Hong Kong who spend their solitary day off at the end of the working week getting dressed up, putting on makeup, and holding a beauty pageant for themselves. That’s opening night, Thursday, Aug. 17. New Filipino Cinema runs through Sept. 3 at the Yerba Buena Center for the Arts. \u003ca href=\"https://ybca.org/whats-on/new-filipino-cinema-2017\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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