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"content": "\u003cp>I didn’t know Peter Wadsworth, but I wish I had known him. Here are his vital statistics: \u003c/p>\n\u003cblockquote>\u003cp>Peter Wadsworth, age 38. Attended Reed College and Harvard. Studied History, Psychology, Chinese, Religion. Spoke some Mandarin. Spoke some Coptic. \u003c/p>\u003c/blockquote>\n\u003cp>Spoke some Mandarin and some Coptic. That’s when I began to appreciate Wadsworth’s deep intellect. He wrote on his LinkedIn Profile the he “designed non-traditional drones for private consultants.” He worked on drone projects that involved VTOL — vertical take-off and landing — extended range and payload capacity and a mix of fuel sources and propellant. Drones using these technologies can map large areas or deliver small loads. What this means is that Peter Wadsworth was a thinker in an emerging field of drone technology and application. He saw the potential for technology and how it could be helpful. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-800x800.jpg\" alt=\"peter-wadsworth_courtesy-of-facebook\" width=\"800\" height=\"800\" class=\"alignright size-medium wp-image-12483758\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>A thinker. That’s what Wadsworth was. A friend of his — who would only talk to KQED if we agreed not to use his name because he wanted to honor how Wadsworth “didn’t like to draw any attention to himself” — says, “he was one of the smartest guys I knew (literally genius level in my estimation), and always wanted to be part of a big idea, from behind the scenes. He’s had impact in the early stages of at least one of the biggest California tech success stories, but no one would know because that’s not how he wants to be known. Wicked nice guy with a big heart and always willing to make time for others.” \u003c/p>\n\u003cp>Wadsworth’s high school literature teacher, Steven Craig, wrote a blog post about his former student upon hearing the news of his death: “His papers were grammatically flawed but philosophically insightful, and I pushed him to explore the boundaries of his thinking,” Craig writes. “As he would sit in my room long after class to discuss Oscar Wilde (a personal favorite for both of us), Shakespeare or Huxley, I knew I had this kid hooked. He was sort of like my prized protégé, comprised of an intellect that had the cutting ability to see through the bullshit but the passionate heart to embrace all the world had to offer us nonetheless.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Wadsworth’s good friend, Tammy Tasoff, a dental student at UCSF, tells the \u003cem>San Francisco Chronicle\u003c/em> how he would help her with her computer and her organization. “He’d make me food. He took really good care of me. He was like my big brother.” Wadsworth’s Facebook page reveals that he even helped Tasoff gather teeth to study dentistry: “A friend of mine is in dental school and I know a few of you are dentists, then there are a few married to dentists and all of you (should) be seeing dentists!” his post on the subject says. “If you can ask them for teeth (adult human please) that she can practice on it would be pretty fantastic to help out her and if there is a surplus, her classmates. Message me for details….thanks!”\u003c/p>\n\u003cp>Peter’s Facebook page is also filled with posts about the cutting edges of technology and invention: 3D printing technology, Tor sites, conductive thread, contact lenses with zoom capability. He also posted environmental articles about the drought and smog in Beijing. He described the novel \u003cem>Cloud Atlas\u003c/em> as “one of the most amazing books I have ever read.”\u003c/p>\n\u003cfigure id=\"attachment_12483757\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-800x600.jpg\" alt=\"Peter Wadsworth's cat\" width=\"800\" height=\"600\" class=\"size-medium wp-image-12483757\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Peter Wadsworth’s cat. \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And he obviously loved cats. Wadsworth’s Facebook cover image is a picture of a sprawling cat with the title “King Aeneas” by the photo. There are many posts about cat rescue organizations and cute articles about cats. \u003c/p>\n\u003cp>I asked the friend who wanted to remain anonymous what the world has lost in losing Wadsworth to the Ghost Ship Fire. He says, “The world has a lost a person of high regard for his actions, himself and others. He did the right thing, because, well, why would you do it any other way? The world may have lost Pete, but Pete hasn’t left the world. He’s shared himself with so many people that the world is a better place for having had Pete in it for a mere 38 years. We carry those characteristics with us and will continue to pass them on to others as Pete did.” \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/peterwadsworthedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Drone technology, 3D printing, the Tor Project and other pioneering fields captivated Wadsworth's deep mind.",
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"title": "Peter Wadsworth, Thinker in Emerging Tech With 'A Big Heart' | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I didn’t know Peter Wadsworth, but I wish I had known him. Here are his vital statistics: \u003c/p>\n\u003cblockquote>\u003cp>Peter Wadsworth, age 38. Attended Reed College and Harvard. Studied History, Psychology, Chinese, Religion. Spoke some Mandarin. Spoke some Coptic. \u003c/p>\u003c/blockquote>\n\u003cp>Spoke some Mandarin and some Coptic. That’s when I began to appreciate Wadsworth’s deep intellect. He wrote on his LinkedIn Profile the he “designed non-traditional drones for private consultants.” He worked on drone projects that involved VTOL — vertical take-off and landing — extended range and payload capacity and a mix of fuel sources and propellant. Drones using these technologies can map large areas or deliver small loads. What this means is that Peter Wadsworth was a thinker in an emerging field of drone technology and application. He saw the potential for technology and how it could be helpful. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-800x800.jpg\" alt=\"peter-wadsworth_courtesy-of-facebook\" width=\"800\" height=\"800\" class=\"alignright size-medium wp-image-12483758\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_courtesy-of-Facebook-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>A thinker. That’s what Wadsworth was. A friend of his — who would only talk to KQED if we agreed not to use his name because he wanted to honor how Wadsworth “didn’t like to draw any attention to himself” — says, “he was one of the smartest guys I knew (literally genius level in my estimation), and always wanted to be part of a big idea, from behind the scenes. He’s had impact in the early stages of at least one of the biggest California tech success stories, but no one would know because that’s not how he wants to be known. Wicked nice guy with a big heart and always willing to make time for others.” \u003c/p>\n\u003cp>Wadsworth’s high school literature teacher, Steven Craig, wrote a blog post about his former student upon hearing the news of his death: “His papers were grammatically flawed but philosophically insightful, and I pushed him to explore the boundaries of his thinking,” Craig writes. “As he would sit in my room long after class to discuss Oscar Wilde (a personal favorite for both of us), Shakespeare or Huxley, I knew I had this kid hooked. He was sort of like my prized protégé, comprised of an intellect that had the cutting ability to see through the bullshit but the passionate heart to embrace all the world had to offer us nonetheless.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Wadsworth’s good friend, Tammy Tasoff, a dental student at UCSF, tells the \u003cem>San Francisco Chronicle\u003c/em> how he would help her with her computer and her organization. “He’d make me food. He took really good care of me. He was like my big brother.” Wadsworth’s Facebook page reveals that he even helped Tasoff gather teeth to study dentistry: “A friend of mine is in dental school and I know a few of you are dentists, then there are a few married to dentists and all of you (should) be seeing dentists!” his post on the subject says. “If you can ask them for teeth (adult human please) that she can practice on it would be pretty fantastic to help out her and if there is a surplus, her classmates. Message me for details….thanks!”\u003c/p>\n\u003cp>Peter’s Facebook page is also filled with posts about the cutting edges of technology and invention: 3D printing technology, Tor sites, conductive thread, contact lenses with zoom capability. He also posted environmental articles about the drought and smog in Beijing. He described the novel \u003cem>Cloud Atlas\u003c/em> as “one of the most amazing books I have ever read.”\u003c/p>\n\u003cfigure id=\"attachment_12483757\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-800x600.jpg\" alt=\"Peter Wadsworth's cat\" width=\"800\" height=\"600\" class=\"size-medium wp-image-12483757\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Peter-Wadsworth_the-cat-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Peter Wadsworth’s cat. \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And he obviously loved cats. Wadsworth’s Facebook cover image is a picture of a sprawling cat with the title “King Aeneas” by the photo. There are many posts about cat rescue organizations and cute articles about cats. \u003c/p>\n\u003cp>I asked the friend who wanted to remain anonymous what the world has lost in losing Wadsworth to the Ghost Ship Fire. He says, “The world has a lost a person of high regard for his actions, himself and others. He did the right thing, because, well, why would you do it any other way? The world may have lost Pete, but Pete hasn’t left the world. He’s shared himself with so many people that the world is a better place for having had Pete in it for a mere 38 years. We carry those characteristics with us and will continue to pass them on to others as Pete did.” \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/peterwadsworthedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Vanessa Plotkin, 'Determined, Focused' Student and Radio Volunteer",
"headTitle": "Vanessa Plotkin, ‘Determined, Focused’ Student and Radio Volunteer | KQED",
"content": "\u003cp>“Our Vanessa Grace Plotkin, or how we nicknamed her, Nessa, Nessie or Ness,” says Vanessa Plotkin’s father, Gary Plotkin, of the daughter whom he lost in the Oakland warehouse fire. “I had fun with her name: Princess Ness, your ness-Ness, or messy-Ness, happy-Ness, super-Ness, sweet-Ness godly-Ness, smart-Ness, positive-Ness and not the least, lovely-Ness.” \u003c/p>\n\u003cfigure id=\"attachment_12483956\" class=\"wp-caption alignright\" style=\"max-width: 572px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2.jpg\" alt=\"Plotkin\" width=\"572\" height=\"960\" class=\"size-full wp-image-12483956\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2.jpg 572w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2-160x269.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2-240x403.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2-375x629.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2-520x873.jpg 520w\" sizes=\"(max-width: 572px) 100vw, 572px\">\u003cfigcaption class=\"wp-caption-text\">Vanessa Plotkin.\u003c/figcaption>\u003c/figure>\n\u003cp>Plotkin, a 21-year-old junior from Lakewood in Southern California who was majoring in sociology, moved to Berkeley in August. She’d found a home at Cal, where she roomed with her close friend, Jenny Morris, who also died in the Dec. 2 blaze.\u003c/p>\n\u003cp>“We attended the Lake Merritt vigil for all of the victims of this fire and that vigil gave me the full picture of my daughter,” Gary Plotkin says. “The love and acceptance that exists in this community is who she is — who she has always been since her birth — and by her attending school here only increased that reverberation that existed in her.”\u003c/p>\n\u003cp>It took Plotkin two tries to get into Berkeley, her dad says, noting that she was “determined, focused and persistent.” When she got to Cal, Plotkin “reached her mountaintop,” her father says. “This is where she belonged. This was her dream. This is where she was excelling.”\u003c/p>\n\u003cp>As part of her Cal experience, Plotkin had recently started volunteering at the campus radio station, KALX. “We will feel the loss of her kindness, bright smile, and love for music,” the station wrote in a statement about Plotkin.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Though she was far from home, Plotkin kept close ties to her family and friends back in Lakewood. Her mom, Valerie Plotkkin, shared text messages, complete with heart emojis. “She was such a beautiful daughter to me,” she says. “I was blessed to have her for 21 years.”\u003c/p>\n\u003cfigure id=\"attachment_12483955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-800x800.jpg\" alt=\"Vanessa Plotkin\" width=\"800\" height=\"800\" class=\"size-medium wp-image-12483955\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1.jpg 914w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vanessa Plotkin\u003c/figcaption>\u003c/figure>\n\u003cp>The last correspondence between mom and daughter was a text on that Friday morning, when Vanessa told her how a video she’d made using photos of her mother had been well-received in class.\u003c/p>\n\u003cp>Of that message, Valerie Plotkin says: “She just told me: ‘My class loved the video I made of you mom!! A couple of people even cried LOL. Ha-ha. I am going to share it with you and the family. I hope you like it.’ And then I replied to her, ‘Aw, really,’ and I gave her an emoji throwing a kiss.”\u003c/p>\n\u003cp>Plotkin adored music. Her close childhood friend, Olivia Greene, recalls listening with Plotkin to a Lil’ Kim song that she loved.\u003c/p>\n\u003cp>“Vanessa is my childhood,” Greene says. “I can tell our friendship in music. It might start with Hillary Duff, her iconic \u003cem>Metamorphosis\u003c/em> album was a thing for a good period of time. I can’t wait to buy a record player and buy the records of all our favorite songs, because I know she is with me when I listen to them.”\u003c/p>\n\u003cp>Plotkin’s parents says they will be grieving their daughter’s loss for a long time. But they take comfort from a message she left tacked on her memo board in her bedroom. “All it said was ‘I will be OK,’” Valerie Plotkin says. “And so we just know that Vanessa will be OK, up in heaven with my mom and my dad and people who love her.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/vanessaplotkinedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "The junior at UC Berkeley held a lifelong love of music, and had started working at the college station KALX.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Our Vanessa Grace Plotkin, or how we nicknamed her, Nessa, Nessie or Ness,” says Vanessa Plotkin’s father, Gary Plotkin, of the daughter whom he lost in the Oakland warehouse fire. “I had fun with her name: Princess Ness, your ness-Ness, or messy-Ness, happy-Ness, super-Ness, sweet-Ness godly-Ness, smart-Ness, positive-Ness and not the least, lovely-Ness.” \u003c/p>\n\u003cfigure id=\"attachment_12483956\" class=\"wp-caption alignright\" style=\"max-width: 572px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2.jpg\" alt=\"Plotkin\" width=\"572\" height=\"960\" class=\"size-full wp-image-12483956\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2.jpg 572w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2-160x269.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2-240x403.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2-375x629.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin2-520x873.jpg 520w\" sizes=\"(max-width: 572px) 100vw, 572px\">\u003cfigcaption class=\"wp-caption-text\">Vanessa Plotkin.\u003c/figcaption>\u003c/figure>\n\u003cp>Plotkin, a 21-year-old junior from Lakewood in Southern California who was majoring in sociology, moved to Berkeley in August. She’d found a home at Cal, where she roomed with her close friend, Jenny Morris, who also died in the Dec. 2 blaze.\u003c/p>\n\u003cp>“We attended the Lake Merritt vigil for all of the victims of this fire and that vigil gave me the full picture of my daughter,” Gary Plotkin says. “The love and acceptance that exists in this community is who she is — who she has always been since her birth — and by her attending school here only increased that reverberation that existed in her.”\u003c/p>\n\u003cp>It took Plotkin two tries to get into Berkeley, her dad says, noting that she was “determined, focused and persistent.” When she got to Cal, Plotkin “reached her mountaintop,” her father says. “This is where she belonged. This was her dream. This is where she was excelling.”\u003c/p>\n\u003cp>As part of her Cal experience, Plotkin had recently started volunteering at the campus radio station, KALX. “We will feel the loss of her kindness, bright smile, and love for music,” the station wrote in a statement about Plotkin.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Though she was far from home, Plotkin kept close ties to her family and friends back in Lakewood. Her mom, Valerie Plotkkin, shared text messages, complete with heart emojis. “She was such a beautiful daughter to me,” she says. “I was blessed to have her for 21 years.”\u003c/p>\n\u003cfigure id=\"attachment_12483955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-800x800.jpg\" alt=\"Vanessa Plotkin\" width=\"800\" height=\"800\" class=\"size-medium wp-image-12483955\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/VanessaPlotkin1.jpg 914w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vanessa Plotkin\u003c/figcaption>\u003c/figure>\n\u003cp>The last correspondence between mom and daughter was a text on that Friday morning, when Vanessa told her how a video she’d made using photos of her mother had been well-received in class.\u003c/p>\n\u003cp>Of that message, Valerie Plotkin says: “She just told me: ‘My class loved the video I made of you mom!! A couple of people even cried LOL. Ha-ha. I am going to share it with you and the family. I hope you like it.’ And then I replied to her, ‘Aw, really,’ and I gave her an emoji throwing a kiss.”\u003c/p>\n\u003cp>Plotkin adored music. Her close childhood friend, Olivia Greene, recalls listening with Plotkin to a Lil’ Kim song that she loved.\u003c/p>\n\u003cp>“Vanessa is my childhood,” Greene says. “I can tell our friendship in music. It might start with Hillary Duff, her iconic \u003cem>Metamorphosis\u003c/em> album was a thing for a good period of time. I can’t wait to buy a record player and buy the records of all our favorite songs, because I know she is with me when I listen to them.”\u003c/p>\n\u003cp>Plotkin’s parents says they will be grieving their daughter’s loss for a long time. But they take comfort from a message she left tacked on her memo board in her bedroom. “All it said was ‘I will be OK,’” Valerie Plotkin says. “And so we just know that Vanessa will be OK, up in heaven with my mom and my dad and people who love her.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/vanessaplotkinedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Nicholas Walrath, MIT Graduate and Attorney With Deep Intellect",
"headTitle": "Nicholas Walrath, MIT Graduate and Attorney With Deep Intellect | KQED",
"content": "\u003cp>Nicholas Walrath’s friends talk about his college years as if he was a superhero learning to use his own powers. They describe him as a hyper-intelligent, humble, athletic man in constant search of understanding why the world — and people — existed.\u003c/p>\n\u003cp>In pursuit of this fundamental question, Walrath tried his hand at atomic physics and philosophy, studying the former in Colorado and the latter at Cambridge. He was a legendary scholastic workhorse, known to sit down for hours and complete meticulous, tedious tasks. His smarts and work ethic would send Walrath to graduate with honors from MIT, majoring in philosophy and physics. He then went to New York University law school, finishing near the top of his class.\u003c/p>\n\u003cfigure id=\"attachment_12471331\" class=\"wp-caption alignright\" style=\"max-width: 245px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12471331\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Nicholas_Walrath-Vert-Litigation-Daily.jpg\" alt=\"Nicholas Walrath\" width=\"245\" height=\"368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas_Walrath-Vert-Litigation-Daily.jpg 245w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas_Walrath-Vert-Litigation-Daily-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas_Walrath-Vert-Litigation-Daily-240x360.jpg 240w\" sizes=\"(max-width: 245px) 100vw, 245px\">\u003cfigcaption class=\"wp-caption-text\">Nicholas Walrath.\u003c/figcaption>\u003c/figure>\n\u003cp>And besides the world-class smarts, there were his looks. “Dude looked like Thor,” says his lifelong friend Julian Klepper, echoing the general consensus of Walrath as a superhero dreamboat. “The guy couldn’t take a bad picture.”\u003c/p>\n\u003cp>Yet Klepper says his friend’s quest to understand the universe through physics, philosophy, and the law led him to a singular conclusion about his own existence.\u003c/p>\n\u003cp>“Nick thought none of it mattered,” Klepper says. “We were sitting in our apartment in Brooklyn, maybe like seven years ago or so, and I remember he said, ‘If you look at this long enough, you’ll find there is no scientific reason for this earth.’”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“He wasn’t sad about it,” adds friend David Droz. “It was more like, he had come to this understanding both philosophically and scientifically that existence was without any higher meaning.”\u003c/p>\n\u003cp>“That was a huge conclusion for him to come to, because even as a kid he had lived his life trying to add purpose and meaning,” Klepper says.\u003c/p>\n\u003cp>Both Klepper and Droz say their friend came to this understanding during a particularly harsh summer in Cambridge, where he was isolated from friends and under immense academic pressure.\u003c/p>\n\u003cp>“We used to Skype a lot, and he would always say the only thing he was working for at Cambridge was one test,” Droz says. “So everyone was inside, it was raining, he was away from his friends, and he was feeling really, really lonely.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12471333\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook.jpg\" alt=\"nicholas-walrath-facebook\" width=\"634\" height=\"812\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook.jpg 634w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook-160x205.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook-240x307.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook-375x480.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook-520x666.jpg 520w\" sizes=\"(max-width: 634px) 100vw, 634px\">\u003c/p>\n\u003cp>When he returned to the U.S., Walrath carried around his personality and existential understanding with him in every part of his life — even on his OK Cupid profile. Walrath refused to mention his notable achievements, and he often found it difficult to satiate his desire for a deep level of connection with the few dates he did attract.\u003c/p>\n\u003cp>“I had to write his OK Cupid profile, and once I bragged to everyone what kind of guy he was, he would get dozens of messages a day,” Klepper says. “It was nuts.”\u003c/p>\n\u003cp>One of the people he met online was Alexis Abrams-Bourke, a loquacious and curious young woman who was quick to ask Walrath, “Why take life so seriously?”\u003c/p>\n\u003cp>And while Walrath struggled at first to be as effusive and talkative as his new friend, he found in Abrams-Bourke a partner who brought out an energetic goofball side that had laid dormant while he sought out cerebral, high minded questions.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12471523\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Nick-Walrath.jpg\" alt=\"nick-walrath\" width=\"442\" height=\"491\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nick-Walrath.jpg 442w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nick-Walrath-160x178.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nick-Walrath-240x267.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nick-Walrath-375x417.jpg 375w\" sizes=\"(max-width: 442px) 100vw, 442px\">\u003c/p>\n\u003cp>“When I met him he was a solid nihilist libertarian,” Abrams-Bourke says. “Although he didn’t tell me he was a libertarian. If he would have told me he was a libertarian, I would have run away.” Abrams-Bourke says the couple connected on a playful level. “He had this high-pitch giggle which you wouldn’t expect from a six-foot-two, big dude,” Abrams-Bourke says. “I can remember early on in the relationship, we were trying to figure out what we were doing. And he said, ‘I can be so goofy with you.’ It wasn’t the only reason, but we connected on this deep, playful level, and over time I was watching him become more and more spiritual, and finding more and more meaning in his life through love and his relationships.”\u003c/p>\n\u003cp>Recently, Walrath had joined the firm Durie Tangri LLP, which remembered him in a statement as “a fine lawyer as well as a good and caring person.” Previously, Walrath had clerked at the U.S. District Court for the Northern District of California and the Ninth Circuit Court of Appeals.\u003c/p>\n\u003cp>On the night of the Ghost Ship fire, Abrams-Bourke invited her boyfriend to a magazine opening in San Francisco. Walrath decided to stay close to their Oakland home instead. “I think he hoped I would come home early and we could hang out,” Abrams-Bourke says. “But I texted him and told him I was going to this party, and so he was looking for something to do.”\u003c/p>\n\u003cp>Ultimately, Walrath decided to bike over to the underground music and art show on 31st Avenue in Oakland.\u003c/p>\n\u003cp>At 11:25 pm, Abrams-Bourke got a text from her boyfriend. “Fire,” it read.\u003c/p>\n\u003cp>A split second later, Walrath sent the last text of his life.\u003c/p>\n\u003cp>“I love you,” he wrote.\u003c/p>\n\u003cp>Abrams-Bourke says she, too, thought of Walrath as a sort of superhero, someone who wouldn’t ever die. “Immortal,” as she puts it. Abrams-Bourke says she can’t make sense of why he didn’t escape the warehouse. She thinks the fire must have come at him quickly for his text messages to have been so short.\u003c/p>\n\u003cp>“That’s what he chose to do, send me a text,” Abrams-Bourke says. “I know he wanted me to know he loved me, and what had happened. But now I want a why. I want to believe in something more, but I don’t know if I do… I wish he was here, because he could help me figure this out.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/nicolaswalrathedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nicholas Walrath’s friends talk about his college years as if he was a superhero learning to use his own powers. They describe him as a hyper-intelligent, humble, athletic man in constant search of understanding why the world — and people — existed.\u003c/p>\n\u003cp>In pursuit of this fundamental question, Walrath tried his hand at atomic physics and philosophy, studying the former in Colorado and the latter at Cambridge. He was a legendary scholastic workhorse, known to sit down for hours and complete meticulous, tedious tasks. His smarts and work ethic would send Walrath to graduate with honors from MIT, majoring in philosophy and physics. He then went to New York University law school, finishing near the top of his class.\u003c/p>\n\u003cfigure id=\"attachment_12471331\" class=\"wp-caption alignright\" style=\"max-width: 245px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12471331\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Nicholas_Walrath-Vert-Litigation-Daily.jpg\" alt=\"Nicholas Walrath\" width=\"245\" height=\"368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas_Walrath-Vert-Litigation-Daily.jpg 245w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas_Walrath-Vert-Litigation-Daily-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas_Walrath-Vert-Litigation-Daily-240x360.jpg 240w\" sizes=\"(max-width: 245px) 100vw, 245px\">\u003cfigcaption class=\"wp-caption-text\">Nicholas Walrath.\u003c/figcaption>\u003c/figure>\n\u003cp>And besides the world-class smarts, there were his looks. “Dude looked like Thor,” says his lifelong friend Julian Klepper, echoing the general consensus of Walrath as a superhero dreamboat. “The guy couldn’t take a bad picture.”\u003c/p>\n\u003cp>Yet Klepper says his friend’s quest to understand the universe through physics, philosophy, and the law led him to a singular conclusion about his own existence.\u003c/p>\n\u003cp>“Nick thought none of it mattered,” Klepper says. “We were sitting in our apartment in Brooklyn, maybe like seven years ago or so, and I remember he said, ‘If you look at this long enough, you’ll find there is no scientific reason for this earth.’”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“He wasn’t sad about it,” adds friend David Droz. “It was more like, he had come to this understanding both philosophically and scientifically that existence was without any higher meaning.”\u003c/p>\n\u003cp>“That was a huge conclusion for him to come to, because even as a kid he had lived his life trying to add purpose and meaning,” Klepper says.\u003c/p>\n\u003cp>Both Klepper and Droz say their friend came to this understanding during a particularly harsh summer in Cambridge, where he was isolated from friends and under immense academic pressure.\u003c/p>\n\u003cp>“We used to Skype a lot, and he would always say the only thing he was working for at Cambridge was one test,” Droz says. “So everyone was inside, it was raining, he was away from his friends, and he was feeling really, really lonely.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12471333\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook.jpg\" alt=\"nicholas-walrath-facebook\" width=\"634\" height=\"812\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook.jpg 634w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook-160x205.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook-240x307.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook-375x480.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nicholas-Walrath-facebook-520x666.jpg 520w\" sizes=\"(max-width: 634px) 100vw, 634px\">\u003c/p>\n\u003cp>When he returned to the U.S., Walrath carried around his personality and existential understanding with him in every part of his life — even on his OK Cupid profile. Walrath refused to mention his notable achievements, and he often found it difficult to satiate his desire for a deep level of connection with the few dates he did attract.\u003c/p>\n\u003cp>“I had to write his OK Cupid profile, and once I bragged to everyone what kind of guy he was, he would get dozens of messages a day,” Klepper says. “It was nuts.”\u003c/p>\n\u003cp>One of the people he met online was Alexis Abrams-Bourke, a loquacious and curious young woman who was quick to ask Walrath, “Why take life so seriously?”\u003c/p>\n\u003cp>And while Walrath struggled at first to be as effusive and talkative as his new friend, he found in Abrams-Bourke a partner who brought out an energetic goofball side that had laid dormant while he sought out cerebral, high minded questions.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12471523\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Nick-Walrath.jpg\" alt=\"nick-walrath\" width=\"442\" height=\"491\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nick-Walrath.jpg 442w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nick-Walrath-160x178.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nick-Walrath-240x267.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Nick-Walrath-375x417.jpg 375w\" sizes=\"(max-width: 442px) 100vw, 442px\">\u003c/p>\n\u003cp>“When I met him he was a solid nihilist libertarian,” Abrams-Bourke says. “Although he didn’t tell me he was a libertarian. If he would have told me he was a libertarian, I would have run away.” Abrams-Bourke says the couple connected on a playful level. “He had this high-pitch giggle which you wouldn’t expect from a six-foot-two, big dude,” Abrams-Bourke says. “I can remember early on in the relationship, we were trying to figure out what we were doing. And he said, ‘I can be so goofy with you.’ It wasn’t the only reason, but we connected on this deep, playful level, and over time I was watching him become more and more spiritual, and finding more and more meaning in his life through love and his relationships.”\u003c/p>\n\u003cp>Recently, Walrath had joined the firm Durie Tangri LLP, which remembered him in a statement as “a fine lawyer as well as a good and caring person.” Previously, Walrath had clerked at the U.S. District Court for the Northern District of California and the Ninth Circuit Court of Appeals.\u003c/p>\n\u003cp>On the night of the Ghost Ship fire, Abrams-Bourke invited her boyfriend to a magazine opening in San Francisco. Walrath decided to stay close to their Oakland home instead. “I think he hoped I would come home early and we could hang out,” Abrams-Bourke says. “But I texted him and told him I was going to this party, and so he was looking for something to do.”\u003c/p>\n\u003cp>Ultimately, Walrath decided to bike over to the underground music and art show on 31st Avenue in Oakland.\u003c/p>\n\u003cp>At 11:25 pm, Abrams-Bourke got a text from her boyfriend. “Fire,” it read.\u003c/p>\n\u003cp>A split second later, Walrath sent the last text of his life.\u003c/p>\n\u003cp>“I love you,” he wrote.\u003c/p>\n\u003cp>Abrams-Bourke says she, too, thought of Walrath as a sort of superhero, someone who wouldn’t ever die. “Immortal,” as she puts it. Abrams-Bourke says she can’t make sense of why he didn’t escape the warehouse. She thinks the fire must have come at him quickly for his text messages to have been so short.\u003c/p>\n\u003cp>“That’s what he chose to do, send me a text,” Abrams-Bourke says. “I know he wanted me to know he loved me, and what had happened. But now I want a why. I want to believe in something more, but I don’t know if I do… I wish he was here, because he could help me figure this out.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/nicolaswalrathedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Edmond Lapine, Musician and 'Magnetic Person' Who Bridged Worlds",
"headTitle": "Edmond Lapine, Musician and ‘Magnetic Person’ Who Bridged Worlds | KQED",
"content": "\u003cp>Wherever musician Edmond Lapine, 34, made his home — be it Park City, Utah; Olympia, Washington; or Oakland — others couldn’t help but be drawn to his wisdom, generosity and undeniable creativity.\u003c/p>\n\u003cp>“He’s just a magnetic person. Edmond was one of the purest hearts,” says Colleen Johnson, a friend of Lapine’s from Evergreen State College in Olympia, where they connected through a mutual friend and a shared love of music. “For a lot of us, music is our entire world, and everything that matters happens within that framework,” Johnson says. “I feel he embodied that completely. He was so dedicated to the scene.”\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/175257054″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”150″ iframe=”true” /]\u003c/p>\n\u003cp>Sami Long Kopelman, Lapine’s mother, says her son was drawn to music even as a child. Lapine loved to record his voice on a Fisher-Price cassette player she’d given him when he was young, and over time he collected other instruments and tools that fostered his love for the medium.\u003c/p>\n\u003cp>“After declaring he wanted to be a rock star and becoming part of a local Park City, Utah, teen band, it was nearly impossible to get Edmond into any other hobby or activity,” Kopelman says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A self-taught guitarist, Lapine played in various bands around the Northwest before moving to Oakland two years ago, drawn by the city’s vibrant electronic music scene. He produced music under the moniker \u003ca href=\"https://soundcloud.com/cooldetat\" target=\"_blank\" rel=\"noopener\">Cool d’État\u003c/a>, a DJ name marked by an irreverent humor that Johnson says reflects Lapine’s “curmudgeonly joie de vivre.” \u003c/p>\n\u003cfigure id=\"attachment_12492604\" class=\"wp-caption aligncenter\" style=\"max-width: 399px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Edmond1.jpg\" alt=\"Edmond Lapine, on Halloween, dressed as Agent Deckard from 'Blade Runner.'\" width=\"399\" height=\"540\" class=\"size-full wp-image-12492604\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Edmond1.jpg 399w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Edmond1-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Edmond1-240x325.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Edmond1-375x508.jpg 375w\" sizes=\"(max-width: 399px) 100vw, 399px\">\u003cfigcaption class=\"wp-caption-text\">Edmond Lapine, on Halloween, dressed as Agent Deckard from ‘Blade Runner.’ \u003ccite>(Courtesy Sami Long Kopelman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But what truly seemed to sustain Lapine was the sense of community that music brings. “Even though he liked a lot of different stuff and I liked a lot of different stuff, there was overlap, and I could always tell that he would steer our conversations about music to where that overlap existed so we could relate to each other,” Lapine’s former coworker David Adelson told the \u003cem>San Francisco Chronicle\u003c/em>.\u003c/p>\n\u003cp>Joshua James Amberson, who performed with Lapine in the music group \u003ca href=\"https://letters.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Letters\u003c/a>, wrote about the times they’d shared obsessing over music together and the support they’d provided each other. “Even though I hadn’t seen him since he moved to the Bay a couple years ago, I always knew Edmond was rooting for me, believing in me, and I hope he knew that I rooted and believed in him in the same way,” Amberson wrote.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/126653572″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”150″ iframe=”true” /]\u003c/p>\n\u003cp>It’s that support that sticks in Johnson’s mind most when she thinks back on her friendship with Lapine. She recalls the time when Lapine approached her after a show she played with her band Upside Drown a few years ago: “He was talking to me and said, ‘Colleen, what you just did – that is why I play music. That’s why I’m here, that was everything.'” Johnson says. “It meant a lot to hear that from somebody who’s a dynamic and incredibly intelligent person.”\u003c/p>\n\u003cp>Roxy Blank, Lapine’s partner, remembers him the same way, with a combination of “insight, emotional intelligence, and his general intellect” — and she was enchanted, she says, “from the moment I met him.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Hear more of Lapine’s music as Cool d’État at \u003ca href=\"https://soundcloud.com/cooldetat\" target=\"_blank\" rel=\"noopener\">his Soundcloud page\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/edmondlapineedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "A firm believer in community, the gifted musical mastermind often focused on that which brought people together and supported their vision.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Wherever musician Edmond Lapine, 34, made his home — be it Park City, Utah; Olympia, Washington; or Oakland — others couldn’t help but be drawn to his wisdom, generosity and undeniable creativity.\u003c/p>\n\u003cp>“He’s just a magnetic person. Edmond was one of the purest hearts,” says Colleen Johnson, a friend of Lapine’s from Evergreen State College in Olympia, where they connected through a mutual friend and a shared love of music. “For a lot of us, music is our entire world, and everything that matters happens within that framework,” Johnson says. “I feel he embodied that completely. He was so dedicated to the scene.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”150″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/175257054″&visual=true&”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true”'\n title='”https://api.soundcloud.com/tracks/175257054″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Sami Long Kopelman, Lapine’s mother, says her son was drawn to music even as a child. Lapine loved to record his voice on a Fisher-Price cassette player she’d given him when he was young, and over time he collected other instruments and tools that fostered his love for the medium.\u003c/p>\n\u003cp>“After declaring he wanted to be a rock star and becoming part of a local Park City, Utah, teen band, it was nearly impossible to get Edmond into any other hobby or activity,” Kopelman says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A self-taught guitarist, Lapine played in various bands around the Northwest before moving to Oakland two years ago, drawn by the city’s vibrant electronic music scene. He produced music under the moniker \u003ca href=\"https://soundcloud.com/cooldetat\" target=\"_blank\" rel=\"noopener\">Cool d’État\u003c/a>, a DJ name marked by an irreverent humor that Johnson says reflects Lapine’s “curmudgeonly joie de vivre.” \u003c/p>\n\u003cfigure id=\"attachment_12492604\" class=\"wp-caption aligncenter\" style=\"max-width: 399px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Edmond1.jpg\" alt=\"Edmond Lapine, on Halloween, dressed as Agent Deckard from 'Blade Runner.'\" width=\"399\" height=\"540\" class=\"size-full wp-image-12492604\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Edmond1.jpg 399w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Edmond1-160x217.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Edmond1-240x325.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Edmond1-375x508.jpg 375w\" sizes=\"(max-width: 399px) 100vw, 399px\">\u003cfigcaption class=\"wp-caption-text\">Edmond Lapine, on Halloween, dressed as Agent Deckard from ‘Blade Runner.’ \u003ccite>(Courtesy Sami Long Kopelman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But what truly seemed to sustain Lapine was the sense of community that music brings. “Even though he liked a lot of different stuff and I liked a lot of different stuff, there was overlap, and I could always tell that he would steer our conversations about music to where that overlap existed so we could relate to each other,” Lapine’s former coworker David Adelson told the \u003cem>San Francisco Chronicle\u003c/em>.\u003c/p>\n\u003cp>Joshua James Amberson, who performed with Lapine in the music group \u003ca href=\"https://letters.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Letters\u003c/a>, wrote about the times they’d shared obsessing over music together and the support they’d provided each other. “Even though I hadn’t seen him since he moved to the Bay a couple years ago, I always knew Edmond was rooting for me, believing in me, and I hope he knew that I rooted and believed in him in the same way,” Amberson wrote.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”150″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/126653572″&visual=true&”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true”'\n title='”https://api.soundcloud.com/tracks/126653572″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>It’s that support that sticks in Johnson’s mind most when she thinks back on her friendship with Lapine. She recalls the time when Lapine approached her after a show she played with her band Upside Drown a few years ago: “He was talking to me and said, ‘Colleen, what you just did – that is why I play music. That’s why I’m here, that was everything.'” Johnson says. “It meant a lot to hear that from somebody who’s a dynamic and incredibly intelligent person.”\u003c/p>\n\u003cp>Roxy Blank, Lapine’s partner, remembers him the same way, with a combination of “insight, emotional intelligence, and his general intellect” — and she was enchanted, she says, “from the moment I met him.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Hear more of Lapine’s music as Cool d’État at \u003ca href=\"https://soundcloud.com/cooldetat\" target=\"_blank\" rel=\"noopener\">his Soundcloud page\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/edmondlapineedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Jennifer Mendiola, Ph.D. Student Dedicated to Improving Public Health",
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"content": "\u003cp>Jennifer Mendiola threw herself into work and play with such passion, her friends and colleagues lived in awe of her.\u003c/p>\n\u003cp>When she died in the Ghost Ship fire, Mendiola, 35, was close to finishing up her doctorate in health psychology at the University of California Merced. She focused on the social and emotional factors that influence healthy and unhealthy behavior. To watch her presentation on the “Daily Impact of Social Relationships” is to see a woman in command of her facts and enthusiastically optimistic about improving public health. \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hk3DK_3sda8\u003c/p>\n\u003cp>“Social interactions are important. They can make us feel happy, supported, loved,” Mendiola says in her talk. “But sometimes, we don’t get enough social interactions, or they aren’t always positive, and they can make us feel alone, and even sick.”\u003c/p>\n\u003cp>One semester away from earning the title “Dr. Mendiola,” she had already published articles in academic journals and mainstream media like the \u003cem>Los Angeles Times\u003c/em>, in which she \u003ca href=\"http://www.latimes.com/opinion/op-ed/la-oe-gonzalez-et-al-latino-vaccination-20151229-story.html\" target=\"_blank\" rel=\"noopener\">wrote an op-ed\u003c/a> on the implications of resistance to flu shots among Latinos in California. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“She had this strong sense of justice in the world,” says Zora Burden, a close friend of Mendiola for 20 years. “She was a sister to me, like family.” \u003c/p>\n\u003cp>Mendiola worked as a social worker and advocate for the marginalized while getting her degree. But it would be a mistake to think she was all work and no play. “I think she’d want to be remembered for her sense of humor — and her dancing,” Burden says of her old friend.\u003c/p>\n\u003cfigure id=\"attachment_12485558\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-800x625.jpg\" alt=\"Jennifer Mendiola loved to dress up and go out dancing\" width=\"800\" height=\"625\" class=\"size-medium wp-image-12485558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-800x625.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-768x600.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-240x188.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-375x293.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-520x406.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jennifer Mendiola loved to dress up and go out dancing \u003ccite>(Photo: Zora Burden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>From the time she was a teenager, Mendiola loved live music, especially goth, punk and new wave. She grew up in Sacramento, but when her academic career brought her to San Francisco State University, Mendiola took full advantage of the Bay Area’s nightlife. “Her biggest passion in life was dancing,” Burden says. “She felt free and could lose herself completely at clubs. She was an incredible dancer.”\u003c/p>\n\u003cp>San Francisco actor Zachary Culbertson met Mendiola in the early 2000s when they were both in their 20s. They often saw each other at venues like Kimo’s and the Cat Club, and briefly dated at one point. “The last time I spoke with her online, we had plans to see Peter Murphy,” Culbertson says, referring to the English goth vocalist. The night they were scheduled to attend Murphy’s concert was the night President Barack Obama \u003ca href=\"https://www.whitehouse.gov/the-press-office/2016/12/05/statement-president-oakland-fire\" target=\"_blank\" rel=\"noopener\">released a statement to the nation\u003c/a> about the Oakland warehouse fire. “How dramatic and strange and sad,” Culbertson says.\u003c/p>\n\u003cp>Mendiola was at the Ghost Ship the night of the fire to see her boyfriend, electronica musician Micah Danemayer, perform. Danemayer also died as the couple attempted to flee the warehouse together. They had just moved into an apartment together in Oakland, cementing their blossoming relationship. \u003c/p>\n\u003cfigure id=\"attachment_12485559\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-800x755.jpg\" alt=\"Jennifer Mendiola\" width=\"800\" height=\"755\" class=\"size-medium wp-image-12485559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-160x151.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-768x725.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-240x227.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-375x354.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-520x491.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jennifer Mendiola\u003c/figcaption>\u003c/figure>\n\u003cp>On a memorial page for Mendiola \u003ca href=\"https://www.facebook.com/Jennifer-Mendiola-Barmby-Alana-Kane-1209280089157043/\" target=\"_blank\" rel=\"noopener\">set up on Facebook\u003c/a>, friends posted pictures of flowers left at her new front door, as well as a live stream of Danemayer’s recent memorial at Eli’s Mile High Club in Oakland. \u003c/p>\n\u003cp>“They were so deeply in love they couldn’t stand to be apart, and were constantly texting or calling each other,” Burden says. “They planned to get married and talked of having children.” \u003c/p>\n\u003cp>“She was kind. She never judged anyone by outward appearances,” wrote Lisa Jensen in a eulogy for her friend of 13 years. “She wanted to be appreciated for what she had on the inside, which was tremendous. She embraced life the same way she embraced her studies: fully and completely, and touched so many people along the way.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Read Jennifer Mendiola’s op-ed about the implications of resistance to flu shots among Latinos \u003ca href=\"http://www.latimes.com/opinion/op-ed/la-oe-gonzalez-et-al-latino-vaccination-20151229-story.html\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/jennifermendiolaedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jennifer Mendiola threw herself into work and play with such passion, her friends and colleagues lived in awe of her.\u003c/p>\n\u003cp>When she died in the Ghost Ship fire, Mendiola, 35, was close to finishing up her doctorate in health psychology at the University of California Merced. She focused on the social and emotional factors that influence healthy and unhealthy behavior. To watch her presentation on the “Daily Impact of Social Relationships” is to see a woman in command of her facts and enthusiastically optimistic about improving public health. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hk3DK_3sda8'\n title='//www.youtube.com/embed/hk3DK_3sda8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Social interactions are important. They can make us feel happy, supported, loved,” Mendiola says in her talk. “But sometimes, we don’t get enough social interactions, or they aren’t always positive, and they can make us feel alone, and even sick.”\u003c/p>\n\u003cp>One semester away from earning the title “Dr. Mendiola,” she had already published articles in academic journals and mainstream media like the \u003cem>Los Angeles Times\u003c/em>, in which she \u003ca href=\"http://www.latimes.com/opinion/op-ed/la-oe-gonzalez-et-al-latino-vaccination-20151229-story.html\" target=\"_blank\" rel=\"noopener\">wrote an op-ed\u003c/a> on the implications of resistance to flu shots among Latinos in California. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“She had this strong sense of justice in the world,” says Zora Burden, a close friend of Mendiola for 20 years. “She was a sister to me, like family.” \u003c/p>\n\u003cp>Mendiola worked as a social worker and advocate for the marginalized while getting her degree. But it would be a mistake to think she was all work and no play. “I think she’d want to be remembered for her sense of humor — and her dancing,” Burden says of her old friend.\u003c/p>\n\u003cfigure id=\"attachment_12485558\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-800x625.jpg\" alt=\"Jennifer Mendiola loved to dress up and go out dancing\" width=\"800\" height=\"625\" class=\"size-medium wp-image-12485558\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-800x625.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-160x125.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-768x600.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-240x188.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-375x293.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-2-520x406.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jennifer Mendiola loved to dress up and go out dancing \u003ccite>(Photo: Zora Burden)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>From the time she was a teenager, Mendiola loved live music, especially goth, punk and new wave. She grew up in Sacramento, but when her academic career brought her to San Francisco State University, Mendiola took full advantage of the Bay Area’s nightlife. “Her biggest passion in life was dancing,” Burden says. “She felt free and could lose herself completely at clubs. She was an incredible dancer.”\u003c/p>\n\u003cp>San Francisco actor Zachary Culbertson met Mendiola in the early 2000s when they were both in their 20s. They often saw each other at venues like Kimo’s and the Cat Club, and briefly dated at one point. “The last time I spoke with her online, we had plans to see Peter Murphy,” Culbertson says, referring to the English goth vocalist. The night they were scheduled to attend Murphy’s concert was the night President Barack Obama \u003ca href=\"https://www.whitehouse.gov/the-press-office/2016/12/05/statement-president-oakland-fire\" target=\"_blank\" rel=\"noopener\">released a statement to the nation\u003c/a> about the Oakland warehouse fire. “How dramatic and strange and sad,” Culbertson says.\u003c/p>\n\u003cp>Mendiola was at the Ghost Ship the night of the fire to see her boyfriend, electronica musician Micah Danemayer, perform. Danemayer also died as the couple attempted to flee the warehouse together. They had just moved into an apartment together in Oakland, cementing their blossoming relationship. \u003c/p>\n\u003cfigure id=\"attachment_12485559\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-800x755.jpg\" alt=\"Jennifer Mendiola\" width=\"800\" height=\"755\" class=\"size-medium wp-image-12485559\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-160x151.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-768x725.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-240x227.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-375x354.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Jennifer-Mendiola-520x491.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jennifer Mendiola\u003c/figcaption>\u003c/figure>\n\u003cp>On a memorial page for Mendiola \u003ca href=\"https://www.facebook.com/Jennifer-Mendiola-Barmby-Alana-Kane-1209280089157043/\" target=\"_blank\" rel=\"noopener\">set up on Facebook\u003c/a>, friends posted pictures of flowers left at her new front door, as well as a live stream of Danemayer’s recent memorial at Eli’s Mile High Club in Oakland. \u003c/p>\n\u003cp>“They were so deeply in love they couldn’t stand to be apart, and were constantly texting or calling each other,” Burden says. “They planned to get married and talked of having children.” \u003c/p>\n\u003cp>“She was kind. She never judged anyone by outward appearances,” wrote Lisa Jensen in a eulogy for her friend of 13 years. “She wanted to be appreciated for what she had on the inside, which was tremendous. She embraced life the same way she embraced her studies: fully and completely, and touched so many people along the way.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Read Jennifer Mendiola’s op-ed about the implications of resistance to flu shots among Latinos \u003ca href=\"http://www.latimes.com/opinion/op-ed/la-oe-gonzalez-et-al-latino-vaccination-20151229-story.html\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/jennifermendiolaedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/12/TDL20161216.mp3\u003c/p>\n\u003cp>This is the last weekend for \u003cem>Inversion: Circus Disobedience, \u003c/em>an intimate and beautifully performed circus show at Kinetic Arts in West Oakland. Details \u003ca href=\"http://www.kineticartsproductions.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. And it’s the last weekend for one of the big art shows of the fall, For-Site Foundation’s\u003cem> Homeland Security,\u003c/em> an exhibit on national security in the WWII era bunkers and buildings in the Presidio. Details \u003ca href=\"http://www.for-site.org/project/home-land-security/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And we’re featuring more benefits for the families, friends and roommates of those who died in the Ghost Ship fire (see below).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kKZLbZmll4w\u003c/p>\n\u003cp>\u003cstrong>Dec 31\u003c/strong>: How do you say goodbye to a year some are calling the worst ever? Laugh through the tears. Paula Poundstone, a regular on NPR’s \u003ca href=\"http://www.npr.org/programs/wait-wait-dont-tell-me/504987196/wait-wait-dont-tell-me-for-dec-10-2016\" target=\"_blank\" rel=\"noopener\">\u003cem>Wait Wait… Don’t Tell Me\u003c/em>\u003c/a>, does her sneakily subversive style of family comedy at the Nourse Theatre on New Year’s Eve. Details \u003ca href=\"http://www.axs.com/events/310261/paula-poundstone-tickets?skin=goldenvoice%20%7D\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 31: \u003c/strong>If you want to support \u003cem>local\u003c/em> comedians, try the Brava Theater Center’s New Year’s Eve Comedy Fiesta. Headliner Marga Gomez is fresh from a stint in New York with her 12th autobiographical show, and she’s joined by Tom Ammiano, former standup comedian and state lawmaker, plus Priya Prasad, Butch Escobar, and Chey Bell. This one may not be much fun for supporters of President-elect Trump. Details \u003ca href=\"http://www.brava.org/current-shows/pp/bravas-4th-annual-new-years-eve-comedy-fiesta-w-marga-gome/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8qoOtUMQ12k\u003c/p>\n\u003cp>\u003cstrong>Dec. 31: \u003c/strong>The San Francisco Symphony managed a big get for it’s Holiday Concert Series: two guests who can sing, tell jokes, do Broadway musicals and star in a popular television series. Tituss Burgess and Jane Krakowski are in the Netflix show \u003cem>\u003ca href=\"https://www.netflix.com/title/80025384\" target=\"_blank\" rel=\"noopener\">The Unbreakable Kimmy Schmidt\u003c/a>\u003c/em>\u003cem>, \u003c/em>and they’ll sing and crack wise with the San Francisco Symphony at Davies Hall New Year’s Eve. Details \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2016-2017/New-Year-Tituss-Burgess-Jane-Krakowski.aspx\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003cem>\u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2016-2017/New-Year-Tituss-Burgess-Jane-Krakowski.aspx\" target=\"_blank\" rel=\"noopener\">. \u003c/a> \u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_12483971\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12483971\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-800x596.jpg\" alt=\"Opera San Jose has formed a chorus of military veterans, which will perform a program of Christmas and patriotic songs\" width=\"800\" height=\"596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-800x596.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-768x572.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-1020x760.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-1920x1430.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-1180x879.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-960x715.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-240x179.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-375x279.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-520x387.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Opera San Jose has formed a chorus of military veterans, which will perform a program of Christmas and patriotic songs \u003ccite>(Photo: Collage courtesy of Opera San Jose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Dec. 16: \u003c/strong>Opera San Jose\u003cstrong> \u003c/strong>has done a kind of star-search for military veterans, and recruited them into a chorus for a holiday concert. It’s a commemoration of the little-known Christmas Eve truce of 1914, when Scottish, French and German soldiers celebrated Christmas in the trenches on the Western front. It’s also a preview for Opera San Jose’s upcoming production (Feb. 2017) of the Pulitzer Prize-winning \u003cem>\u003ca href=\"https://www.operasj.org/buy-tickets/single-tickets/\" target=\"_blank\" rel=\"noopener\">Silent Night\u003c/a>,\u003c/em> by Kevin Puts and Mark Campbell\u003cem>,\u003c/em> an opera about that same Christmas truce. Details on the veterans’ chorus concert at \u003ca href=\"http://www.trianontheatre.com/\" target=\"_blank\" rel=\"noopener\">Le Petit Trianon Theatre\u003c/a> in San Jose are \u003ca href=\"https://www.operasj.org/buy-tickets/single-tickets/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12488622\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12488622\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-800x508.jpg\" alt=\"William Scott's cityscapes are featured at the gallery 836M in San Francisco\" width=\"800\" height=\"508\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-800x508.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-768x488.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-960x610.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-375x238.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-520x330.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794.jpg 1011w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">William Scott’s cityscapes are featured at the gallery 836M in San Francisco \u003ccite>(Photo: Courtesy of Creative Growth)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Continuing through Jan. 31\u003c/strong>: William Scott paints utopian cityscapes, in which San Francisco becomes Praise Frisco, a community of love and harmony. Scott, who grew up in the Bayview, is developmentally disabled, and he’s painted for years at \u003ca href=\"http://creativegrowth.org/category/news/\" target=\"_blank\" rel=\"noopener\">Creative Growth \u003c/a>in Oakland, a non-profit for people with learning disabilities. Scott’s work is in the permanent collection at New York’s MOMA, and he’s getting an exhibit in San Francisco at 836M, a gallery that’s been showcasing Creative Growth artists this fall.\u003c/p>\n\u003cp>Creative Growth Director Tom di Maria says the exhibit is about being home for the holidays. “But it also brings up issues around displacement and families,” di Maria said, “For a lot of our people and artists with disabilities, it’s a really difficult time for them. Some of them don’t know their families, some are challenged by a time when they’re supposed to be happy, but they can feel alone. But William Scott’s work is so amazing. He’s the nicest guy on the planet, he wants to make the city perfect and clean and wholesome so that people’s lives will be better.” Details for the show at 836M are \u003ca href=\"http://www.836m.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. And Creative Growth has its own terrific gallery with work by Scott and other artists. What a nice place to shop for holiday gifts. Details \u003ca href=\"http://creativegrowth.org/exhibitions/holiday-2016-revel/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BFRCUoK-gkw\u003cbr>\n\u003cstrong>Dec. 16\u003c/strong>: Members of The Atom Age are punk legends, and they’re part of the lineup with Dirty Denim and others in a benefit for families and friends of those who died in the Ghost Ship fire. Details for their concert at the Starry Plough in Berkeley (with donations going to the\u003ca href=\"https://www.youcaring.com/firevictimsofoaklandfiredec232016-706684\" target=\"_blank\" rel=\"noopener\"> Fire\u003c/a>\u003ca href=\"https://www.youcaring.com/firevictimsofoaklandfiredec232016-706684\" target=\"_blank\" rel=\"noopener\"> Relief fund \u003c/a>organized by Gray Area Foundation for The Arts) are \u003ca href=\"http://calendar.thebaybridged.com/events/2016/12/16/ghost-ship-benefit-show-with-the-atom-age-and-dirty-denim\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec 17\u003c/strong>: \u003ca href=\"https://about.me/elcircodia\" target=\"_blank\" rel=\"noopener\">El Circo Dia\u003c/a>‘s is restaging their aerial dance/theater piece \u003cem>Refuge: A Ballad for the Renting Class \u003c/em>at Project Artaud, as a benefit for the Ghost Ship fire. Details \u003ca href=\"http://www.refugebenefit.brownpapertickets.com\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=O5fIZinvWxc\u003cbr>\n\u003cstrong>Dec. 18:\u003c/strong> And there’s another way to heal and and to mourn those lost in the Ghost Ship fire. The Chapel of the Chimes is holding its annual free concert called \u003cem>Musical Reflections\u003c/em>, dedicated to those who died in the musical community this year. The concert features members of Kitka, the Temple of Light Georgian Community Choir, the William Winant Percussion Group, the Cardew Choir, Samuel Carl Adams, Ellen Fullman, Pamela Z, Sarah Cahill, members of Volti, and many more. Details \u003ca href=\"http://oakland.chapelofthechimes.com/who-we-are/community-events\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This is the last weekend for \u003cem>Inversion: Circus Disobedience, \u003c/em>an intimate and beautifully performed circus show at Kinetic Arts in West Oakland. Details \u003ca href=\"http://www.kineticartsproductions.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. And it’s the last weekend for one of the big art shows of the fall, For-Site Foundation’s\u003cem> Homeland Security,\u003c/em> an exhibit on national security in the WWII era bunkers and buildings in the Presidio. Details \u003ca href=\"http://www.for-site.org/project/home-land-security/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And we’re featuring more benefits for the families, friends and roommates of those who died in the Ghost Ship fire (see below).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kKZLbZmll4w'\n title='//www.youtube.com/embed/kKZLbZmll4w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Dec 31\u003c/strong>: How do you say goodbye to a year some are calling the worst ever? Laugh through the tears. Paula Poundstone, a regular on NPR’s \u003ca href=\"http://www.npr.org/programs/wait-wait-dont-tell-me/504987196/wait-wait-dont-tell-me-for-dec-10-2016\" target=\"_blank\" rel=\"noopener\">\u003cem>Wait Wait… Don’t Tell Me\u003c/em>\u003c/a>, does her sneakily subversive style of family comedy at the Nourse Theatre on New Year’s Eve. Details \u003ca href=\"http://www.axs.com/events/310261/paula-poundstone-tickets?skin=goldenvoice%20%7D\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Dec. 31: \u003c/strong>If you want to support \u003cem>local\u003c/em> comedians, try the Brava Theater Center’s New Year’s Eve Comedy Fiesta. Headliner Marga Gomez is fresh from a stint in New York with her 12th autobiographical show, and she’s joined by Tom Ammiano, former standup comedian and state lawmaker, plus Priya Prasad, Butch Escobar, and Chey Bell. This one may not be much fun for supporters of President-elect Trump. Details \u003ca href=\"http://www.brava.org/current-shows/pp/bravas-4th-annual-new-years-eve-comedy-fiesta-w-marga-gome/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8qoOtUMQ12k'\n title='//www.youtube.com/embed/8qoOtUMQ12k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Dec. 31: \u003c/strong>The San Francisco Symphony managed a big get for it’s Holiday Concert Series: two guests who can sing, tell jokes, do Broadway musicals and star in a popular television series. Tituss Burgess and Jane Krakowski are in the Netflix show \u003cem>\u003ca href=\"https://www.netflix.com/title/80025384\" target=\"_blank\" rel=\"noopener\">The Unbreakable Kimmy Schmidt\u003c/a>\u003c/em>\u003cem>, \u003c/em>and they’ll sing and crack wise with the San Francisco Symphony at Davies Hall New Year’s Eve. Details \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2016-2017/New-Year-Tituss-Burgess-Jane-Krakowski.aspx\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003cem>\u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2016-2017/New-Year-Tituss-Burgess-Jane-Krakowski.aspx\" target=\"_blank\" rel=\"noopener\">. \u003c/a> \u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_12483971\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12483971\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-800x596.jpg\" alt=\"Opera San Jose has formed a chorus of military veterans, which will perform a program of Christmas and patriotic songs\" width=\"800\" height=\"596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-800x596.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-768x572.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-1020x760.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-1920x1430.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-1180x879.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-960x715.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-240x179.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-375x279.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487-520x387.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/SilentNIght_Collage_small-e1481760742487.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Opera San Jose has formed a chorus of military veterans, which will perform a program of Christmas and patriotic songs \u003ccite>(Photo: Collage courtesy of Opera San Jose)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Dec. 16: \u003c/strong>Opera San Jose\u003cstrong> \u003c/strong>has done a kind of star-search for military veterans, and recruited them into a chorus for a holiday concert. It’s a commemoration of the little-known Christmas Eve truce of 1914, when Scottish, French and German soldiers celebrated Christmas in the trenches on the Western front. It’s also a preview for Opera San Jose’s upcoming production (Feb. 2017) of the Pulitzer Prize-winning \u003cem>\u003ca href=\"https://www.operasj.org/buy-tickets/single-tickets/\" target=\"_blank\" rel=\"noopener\">Silent Night\u003c/a>,\u003c/em> by Kevin Puts and Mark Campbell\u003cem>,\u003c/em> an opera about that same Christmas truce. Details on the veterans’ chorus concert at \u003ca href=\"http://www.trianontheatre.com/\" target=\"_blank\" rel=\"noopener\">Le Petit Trianon Theatre\u003c/a> in San Jose are \u003ca href=\"https://www.operasj.org/buy-tickets/single-tickets/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12488622\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12488622\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-800x508.jpg\" alt=\"William Scott's cityscapes are featured at the gallery 836M in San Francisco\" width=\"800\" height=\"508\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-800x508.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-768x488.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-960x610.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-375x238.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794-520x330.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/P1070627-e1481841966794.jpg 1011w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">William Scott’s cityscapes are featured at the gallery 836M in San Francisco \u003ccite>(Photo: Courtesy of Creative Growth)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Continuing through Jan. 31\u003c/strong>: William Scott paints utopian cityscapes, in which San Francisco becomes Praise Frisco, a community of love and harmony. Scott, who grew up in the Bayview, is developmentally disabled, and he’s painted for years at \u003ca href=\"http://creativegrowth.org/category/news/\" target=\"_blank\" rel=\"noopener\">Creative Growth \u003c/a>in Oakland, a non-profit for people with learning disabilities. Scott’s work is in the permanent collection at New York’s MOMA, and he’s getting an exhibit in San Francisco at 836M, a gallery that’s been showcasing Creative Growth artists this fall.\u003c/p>\n\u003cp>Creative Growth Director Tom di Maria says the exhibit is about being home for the holidays. “But it also brings up issues around displacement and families,” di Maria said, “For a lot of our people and artists with disabilities, it’s a really difficult time for them. Some of them don’t know their families, some are challenged by a time when they’re supposed to be happy, but they can feel alone. But William Scott’s work is so amazing. He’s the nicest guy on the planet, he wants to make the city perfect and clean and wholesome so that people’s lives will be better.” Details for the show at 836M are \u003ca href=\"http://www.836m.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. And Creative Growth has its own terrific gallery with work by Scott and other artists. What a nice place to shop for holiday gifts. Details \u003ca href=\"http://creativegrowth.org/exhibitions/holiday-2016-revel/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BFRCUoK-gkw\u003cbr>\n\u003cstrong>Dec. 16\u003c/strong>: Members of The Atom Age are punk legends, and they’re part of the lineup with Dirty Denim and others in a benefit for families and friends of those who died in the Ghost Ship fire. Details for their concert at the Starry Plough in Berkeley (with donations going to the\u003ca href=\"https://www.youcaring.com/firevictimsofoaklandfiredec232016-706684\" target=\"_blank\" rel=\"noopener\"> Fire\u003c/a>\u003ca href=\"https://www.youcaring.com/firevictimsofoaklandfiredec232016-706684\" target=\"_blank\" rel=\"noopener\"> Relief fund \u003c/a>organized by Gray Area Foundation for The Arts) are \u003ca href=\"http://calendar.thebaybridged.com/events/2016/12/16/ghost-ship-benefit-show-with-the-atom-age-and-dirty-denim\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Dec 17\u003c/strong>: \u003ca href=\"https://about.me/elcircodia\" target=\"_blank\" rel=\"noopener\">El Circo Dia\u003c/a>‘s is restaging their aerial dance/theater piece \u003cem>Refuge: A Ballad for the Renting Class \u003c/em>at Project Artaud, as a benefit for the Ghost Ship fire. Details \u003ca href=\"http://www.refugebenefit.brownpapertickets.com\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=O5fIZinvWxc\u003cbr>\n\u003cstrong>Dec. 18:\u003c/strong> And there’s another way to heal and and to mourn those lost in the Ghost Ship fire. The Chapel of the Chimes is holding its annual free concert called \u003cem>Musical Reflections\u003c/em>, dedicated to those who died in the musical community this year. The concert features members of Kitka, the Temple of Light Georgian Community Choir, the William Winant Percussion Group, the Cardew Choir, Samuel Carl Adams, Ellen Fullman, Pamela Z, Sarah Cahill, members of Volti, and many more. Details \u003ca href=\"http://oakland.chapelofthechimes.com/who-we-are/community-events\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Michele 'Colette' Sylvan, Clothing Designer, 'Beautiful Inside and Out'",
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"content": "\u003cp>Fashion designer Michele Sylvan, 37, was known as “Colette” to her friends. She lived for several years in Oakland’s Vulcan Lofts with her partner, \u003ca href=\"https://ww2.kqed.org/arts/2016/12/13/wolfgang-renner/\" target=\"_blank\" rel=\"noopener\">Wolfgang Renner\u003c/a>, who also died in the fire at Ghost Ship. \u003c/p>\n\u003cp>“I was really taken by Colette the first time that I met her,” her friend Stefania Devire says. “She was beautiful inside and out.”\u003c/p>\n\u003cp>Sylvan designed ornate outfits that wouldn’t have looked out of place at Burning Man. “She had hundreds of beautiful, whimsical, fantastic designs in her room,” Devire says. “Haute couture. Really high-end fashion, made impeccably by hand. Ruffles head to toe. Lots of detail.” \u003c/p>\n\u003cfigure id=\"attachment_12485759\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/kiss-800x571.jpg\" alt=\"Wolfgang Renner and Michele Sylvan\" width=\"800\" height=\"571\" class=\"size-medium wp-image-12485759\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss.jpg 1344w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wolfgang Renner and Michele Sylvan.\u003c/figcaption>\u003c/figure>\n\u003cp>Sylvan also designed the clothes her partner wore. “They were so in love,” Devire says of Sylvan and Renner’s relationship. “The ultimate love affair. It was very romantic the connection they had.”\u003c/p>\n\u003cp>But as much as Sylvan and Renner were into each other, they were also a lot of fun for others to hang out with. Renner made the cocktails, they ate BBQ, and the conversations at the Vulcan ran long into the night. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I was taken with her presence,” Devire says. “She was sweet and friendly, but also fiery, which added to her being such an interesting person.” \u003c/p>\n\u003cp>Sylvan and Renner were regulars on the underground electro and goth music scenes. One of their friends, Robert Janca, paid tribute to the couple on Facebook. “His lovely, wildly creative partner Michelle was a potent visionary and was always up for life’s adventure,” Janca wrote. “The world is a decidedly less colorful one without them.” \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Click \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/michelesylvanedit.pdf\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for a printable poster of the portrait above.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/michelesylvanedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fashion designer Michele Sylvan, 37, was known as “Colette” to her friends. She lived for several years in Oakland’s Vulcan Lofts with her partner, \u003ca href=\"https://ww2.kqed.org/arts/2016/12/13/wolfgang-renner/\" target=\"_blank\" rel=\"noopener\">Wolfgang Renner\u003c/a>, who also died in the fire at Ghost Ship. \u003c/p>\n\u003cp>“I was really taken by Colette the first time that I met her,” her friend Stefania Devire says. “She was beautiful inside and out.”\u003c/p>\n\u003cp>Sylvan designed ornate outfits that wouldn’t have looked out of place at Burning Man. “She had hundreds of beautiful, whimsical, fantastic designs in her room,” Devire says. “Haute couture. Really high-end fashion, made impeccably by hand. Ruffles head to toe. Lots of detail.” \u003c/p>\n\u003cfigure id=\"attachment_12485759\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/kiss-800x571.jpg\" alt=\"Wolfgang Renner and Michele Sylvan\" width=\"800\" height=\"571\" class=\"size-medium wp-image-12485759\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/kiss.jpg 1344w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wolfgang Renner and Michele Sylvan.\u003c/figcaption>\u003c/figure>\n\u003cp>Sylvan also designed the clothes her partner wore. “They were so in love,” Devire says of Sylvan and Renner’s relationship. “The ultimate love affair. It was very romantic the connection they had.”\u003c/p>\n\u003cp>But as much as Sylvan and Renner were into each other, they were also a lot of fun for others to hang out with. Renner made the cocktails, they ate BBQ, and the conversations at the Vulcan ran long into the night. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I was taken with her presence,” Devire says. “She was sweet and friendly, but also fiery, which added to her being such an interesting person.” \u003c/p>\n\u003cp>Sylvan and Renner were regulars on the underground electro and goth music scenes. One of their friends, Robert Janca, paid tribute to the couple on Facebook. “His lovely, wildly creative partner Michelle was a potent visionary and was always up for life’s adventure,” Janca wrote. “The world is a decidedly less colorful one without them.” \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Click \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/michelesylvanedit.pdf\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for a printable poster of the portrait above.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/michelesylvanedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Billy Dixon, Musician, Producer and Beatboxer with 'Amazing Ability'",
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"content": "\u003cp>Guitarist and electronic musician Billy Dixon told friends he was studying microbiology in college because he wanted to create tiny dolphins and whales to put in fish tanks. “We laughed a lot because it was a joke,” says Robert St John Price, a friend of Dixon’s of about 15 years. “But deep down I’m certain he was being 100-percent serious.”\u003c/p>\n\u003cfigure id=\"attachment_12479464\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12479464\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/billydixon-1020x765.jpg\" alt=\"Billy Dixon\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon.jpg 2048w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Billy Dixon. \u003ccite>(Courtesy Robert St. John Price)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That was who Dixon was — a quirky, 35-year-old who was one part entertainer and one part mad scientist. When making music on computers became widely accessible, Dixon was all over it. And his creations had a distinctive sound. He never did create tiny dolphins. But wherever he was, Dixon sought out spaces where he could create.\u003c/p>\n\u003cp>“He had the amazing ability to hole away for entire nights without any social interaction in his recording studio or electronic workshop he stuffed into the giant spare closet,” Price says.\u003c/p>\n\u003cp>When Dixon was 19, he and his friend Jonny Gunton would drive to an apartment in East Cleveland between jobs to work on making a hip-hop record. Dixon took on the beat and Gunton was on vocals. “Being 19 was weird,” Gunton says. They were both just trying to figure life out. Music was their vent.\u003c/p>\n\u003cp>When Gunton first got to really know Dixon, they were both taking guitar classes at a local church in Ohio. “I remember being like ‘Wow, he’s really good,'” Gunton says. “And he didn’t even have to try that hard.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12479462\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/billydixon1-800x653.jpg\" alt=\"Billy Dixon\" width=\"800\" height=\"653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-800x653.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-160x131.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-768x627.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-240x196.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-375x306.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-520x425.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Dixon was a quick study who was always happy to share his knowledge with others. It came naturally to him, Gunton says. Dixon was the kind of guy who was so organically talented in music that it was almost frustrating to watch. “He just had it,” Gunton says.\u003c/p>\n\u003cp>Dixon surrounded himself with art. “He was always present at the small gatherings and fine art shows and gallery openings,” Price says. “These were intimate experiences.”\u003c/p>\n\u003cp>Up until the day he died in the Oakland warehouse fire, Dixon was always searching out new and interesting spaces to make and share in art. This was the impulse that drew him to the Ghost Ship warehouse. “He was just one of those people you know who’s in your orbit your whole life,” Gunton says.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/billydixonedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Often traveling long distances or staying up late nights to work on music, Billy Dixon had an innate gift for the creative process.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Guitarist and electronic musician Billy Dixon told friends he was studying microbiology in college because he wanted to create tiny dolphins and whales to put in fish tanks. “We laughed a lot because it was a joke,” says Robert St John Price, a friend of Dixon’s of about 15 years. “But deep down I’m certain he was being 100-percent serious.”\u003c/p>\n\u003cfigure id=\"attachment_12479464\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12479464\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/billydixon-1020x765.jpg\" alt=\"Billy Dixon\" width=\"640\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon.jpg 2048w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Billy Dixon. \u003ccite>(Courtesy Robert St. John Price)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That was who Dixon was — a quirky, 35-year-old who was one part entertainer and one part mad scientist. When making music on computers became widely accessible, Dixon was all over it. And his creations had a distinctive sound. He never did create tiny dolphins. But wherever he was, Dixon sought out spaces where he could create.\u003c/p>\n\u003cp>“He had the amazing ability to hole away for entire nights without any social interaction in his recording studio or electronic workshop he stuffed into the giant spare closet,” Price says.\u003c/p>\n\u003cp>When Dixon was 19, he and his friend Jonny Gunton would drive to an apartment in East Cleveland between jobs to work on making a hip-hop record. Dixon took on the beat and Gunton was on vocals. “Being 19 was weird,” Gunton says. They were both just trying to figure life out. Music was their vent.\u003c/p>\n\u003cp>When Gunton first got to really know Dixon, they were both taking guitar classes at a local church in Ohio. “I remember being like ‘Wow, he’s really good,'” Gunton says. “And he didn’t even have to try that hard.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12479462\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/billydixon1-800x653.jpg\" alt=\"Billy Dixon\" width=\"800\" height=\"653\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-800x653.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-160x131.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-768x627.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-240x196.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-375x306.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/billydixon1-520x425.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Dixon was a quick study who was always happy to share his knowledge with others. It came naturally to him, Gunton says. Dixon was the kind of guy who was so organically talented in music that it was almost frustrating to watch. “He just had it,” Gunton says.\u003c/p>\n\u003cp>Dixon surrounded himself with art. “He was always present at the small gatherings and fine art shows and gallery openings,” Price says. “These were intimate experiences.”\u003c/p>\n\u003cp>Up until the day he died in the Oakland warehouse fire, Dixon was always searching out new and interesting spaces to make and share in art. This was the impulse that drew him to the Ghost Ship warehouse. “He was just one of those people you know who’s in your orbit your whole life,” Gunton says.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/billydixonedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Jenny Morris, 'Authentic and Pure' Singer, Musician and Student",
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"content": "\u003cp>Jenny Morris, a 21-year-old UC Berkeley student, was the kind of person everyone wanted to hang out with: sincere, genuine and without artifice. \u003c/p>\n\u003cp>“Jenny was such a beautiful, loving, caring, intelligent, bright shining star,” her cousin Drew Morris told the crowd gathered for a vigil on the UC Berkeley campus in the wake of the Oakland warehouse fire.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5KFsHblfH10\u003c/p>\n\u003cp>Drew Morris said he saw his cousin last summer at a family reunion, where she fixed a technical problem on one of his devices. He and his wife had spent all day wrestling with it as they traveled to the reunion, and Morris fixed it in about 20 seconds. \u003c/p>\n\u003cfigure id=\"attachment_12485752\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/jenny-morris.jpg\" alt=\"Jenny Morris\" width=\"400\" height=\"701\" class=\"size-full wp-image-12485752\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/jenny-morris.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/jenny-morris-160x280.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/jenny-morris-240x421.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/jenny-morris-375x657.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Jenny Morris.\u003c/figcaption>\u003c/figure>\n\u003cp>That willingness to lend a hand wasn’t just for friends and family, say those who knew her. Morris shone her light equally on everyone she met. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Morris attended San Mateo High School, were she excelled academically (studying pre-calculus as a sophomore, and AP statistics as a senior) as well as artistically, participating in the school choir. “There was a sweet quality to her,” says San Mateo High School choral director Shawn Reifschaneider. “She was honest and authentic and pure. I liken it to the sweet elegance of Audrey Hepburn, and it was endearing to everyone around her.”\u003c/p>\n\u003cp>When Morris pulled out her ukulele and settled in to sing, Reifschaneider says, the other kids would gather around her, cross-legged on the floor, some joining in with their own ukuleles. “She was the one who drew everyone together.”\u003c/p>\n\u003cp>San Mateo High math teacher Jared Wilke says his son was in choir with Morris. “He used to ask her to protect him every time they went to sing in a church, so he wouldn’t burn up,” Wilke says. “She’d laugh about it.”\u003c/p>\n\u003cp>Former San Mateo High student David Huang remembers Morris’ captivating voice. “One of the most magical things is hearing her sing,” Huang says. “She’s so into it, so focused in it. It’s like she \u003cem>was\u003c/em> the music.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qk0RcivOlms\u003c/p>\n\u003cp>Huang is now at the Rhode Island School of Design, but he and Morris regularly got together during college breaks. He remembers Morris pulling up to the curb in her car to pick him up with a big smile on her face. Then the pair would have long talks in cafes. Huang would pull out his sketchbook to draw her as they talked. “I’m not afraid to keep a sketchbook when I’m around her,” Huang says. “She appreciated it. With other people, they would think I’m doing something outside the conversation, but for Jenny it was part of the conversation. Art and music were natural to her.” \u003c/p>\n\u003cfigure id=\"attachment_12488423\" class=\"wp-caption alignright\" style=\"max-width: 390px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/JennyMorris.jpg\" alt=\"Jenny Morris.\" width=\"390\" height=\"390\" class=\"size-full wp-image-12488423\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris.jpg 390w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-150x150.jpg 150w\" sizes=\"(max-width: 390px) 100vw, 390px\">\u003cfigcaption class=\"wp-caption-text\">Jenny Morris. \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Morris went from high school to UC Santa Cruz, and then did a stint at College of San Mateo before transferring to UC Berkeley. She began volunteering this semester at KALX, the university’s radio station, working in the music department. Staff remember how excited she was to discover new music as it arrived at the station. Morris was one of four KALX volunteers who died in the Ghost Ship fire; others include Vanessa Plotkin (Morris’ best friend), Griffin Madden, and Chelsea Faith Dolan.\u003c/p>\n\u003cp>“It’s been devastating to people at the station,” station manager Sandra Wasson says. “Our DJs are doing lots of on-air tributes, playing music to help the community heal.”\u003c/p>\n\u003cp>Morris’ family is deeply moved by the outpouring of love received from the many people whose lives she touched, says brother Chris Morris. “I found this tweet from about a year ago, where she said, ‘2015 was a year of blessings,’” Chris Morris says. “‘In 2016 I will be smarter, more humbled and more aligned with the person that I want to be and would be proud of.'”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Watch Jenny Morris sing a cover and her original music at \u003ca href=\"https://www.youtube.com/channel/UCWhS_qa2W_Z-wl0-2DLTU7Q\" target=\"_blank\" rel=\"noopener\">her YouTube channel\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/jennymorrisedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "The singer who could command a room with her voice and ukelele is remembered as beautiful, caring and intelligent; 'the one who drew everyone together.'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jenny Morris, a 21-year-old UC Berkeley student, was the kind of person everyone wanted to hang out with: sincere, genuine and without artifice. \u003c/p>\n\u003cp>“Jenny was such a beautiful, loving, caring, intelligent, bright shining star,” her cousin Drew Morris told the crowd gathered for a vigil on the UC Berkeley campus in the wake of the Oakland warehouse fire.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5KFsHblfH10'\n title='//www.youtube.com/embed/5KFsHblfH10'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Drew Morris said he saw his cousin last summer at a family reunion, where she fixed a technical problem on one of his devices. He and his wife had spent all day wrestling with it as they traveled to the reunion, and Morris fixed it in about 20 seconds. \u003c/p>\n\u003cfigure id=\"attachment_12485752\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/jenny-morris.jpg\" alt=\"Jenny Morris\" width=\"400\" height=\"701\" class=\"size-full wp-image-12485752\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/jenny-morris.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/jenny-morris-160x280.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/jenny-morris-240x421.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/jenny-morris-375x657.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Jenny Morris.\u003c/figcaption>\u003c/figure>\n\u003cp>That willingness to lend a hand wasn’t just for friends and family, say those who knew her. Morris shone her light equally on everyone she met. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Morris attended San Mateo High School, were she excelled academically (studying pre-calculus as a sophomore, and AP statistics as a senior) as well as artistically, participating in the school choir. “There was a sweet quality to her,” says San Mateo High School choral director Shawn Reifschaneider. “She was honest and authentic and pure. I liken it to the sweet elegance of Audrey Hepburn, and it was endearing to everyone around her.”\u003c/p>\n\u003cp>When Morris pulled out her ukulele and settled in to sing, Reifschaneider says, the other kids would gather around her, cross-legged on the floor, some joining in with their own ukuleles. “She was the one who drew everyone together.”\u003c/p>\n\u003cp>San Mateo High math teacher Jared Wilke says his son was in choir with Morris. “He used to ask her to protect him every time they went to sing in a church, so he wouldn’t burn up,” Wilke says. “She’d laugh about it.”\u003c/p>\n\u003cp>Former San Mateo High student David Huang remembers Morris’ captivating voice. “One of the most magical things is hearing her sing,” Huang says. “She’s so into it, so focused in it. It’s like she \u003cem>was\u003c/em> the music.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qk0RcivOlms'\n title='//www.youtube.com/embed/Qk0RcivOlms'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Huang is now at the Rhode Island School of Design, but he and Morris regularly got together during college breaks. He remembers Morris pulling up to the curb in her car to pick him up with a big smile on her face. Then the pair would have long talks in cafes. Huang would pull out his sketchbook to draw her as they talked. “I’m not afraid to keep a sketchbook when I’m around her,” Huang says. “She appreciated it. With other people, they would think I’m doing something outside the conversation, but for Jenny it was part of the conversation. Art and music were natural to her.” \u003c/p>\n\u003cfigure id=\"attachment_12488423\" class=\"wp-caption alignright\" style=\"max-width: 390px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/JennyMorris.jpg\" alt=\"Jenny Morris.\" width=\"390\" height=\"390\" class=\"size-full wp-image-12488423\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris.jpg 390w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/JennyMorris-150x150.jpg 150w\" sizes=\"(max-width: 390px) 100vw, 390px\">\u003cfigcaption class=\"wp-caption-text\">Jenny Morris. \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Morris went from high school to UC Santa Cruz, and then did a stint at College of San Mateo before transferring to UC Berkeley. She began volunteering this semester at KALX, the university’s radio station, working in the music department. Staff remember how excited she was to discover new music as it arrived at the station. Morris was one of four KALX volunteers who died in the Ghost Ship fire; others include Vanessa Plotkin (Morris’ best friend), Griffin Madden, and Chelsea Faith Dolan.\u003c/p>\n\u003cp>“It’s been devastating to people at the station,” station manager Sandra Wasson says. “Our DJs are doing lots of on-air tributes, playing music to help the community heal.”\u003c/p>\n\u003cp>Morris’ family is deeply moved by the outpouring of love received from the many people whose lives she touched, says brother Chris Morris. “I found this tweet from about a year ago, where she said, ‘2015 was a year of blessings,’” Chris Morris says. “‘In 2016 I will be smarter, more humbled and more aligned with the person that I want to be and would be proud of.'”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Watch Jenny Morris sing a cover and her original music at \u003ca href=\"https://www.youtube.com/channel/UCWhS_qa2W_Z-wl0-2DLTU7Q\" target=\"_blank\" rel=\"noopener\">her YouTube channel\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/jennymorrisedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Barrett Clark, Caring and Widely Respected 'Philosopher of Sound'",
"headTitle": "Barrett Clark, Caring and Widely Respected ‘Philosopher of Sound’ | KQED",
"content": "\u003cp>I met Barrett Clark for the first time years ago, at a small art gallery in downtown Oakland. My friend Nihar Bhatt was making his debut as a live electronic music performer, and Barrett had lent his sound system to the event, as well as his time and labor to operate it. (I learned this fact much later, and realize it was just one selfless act in a life defined by them.)\u003c/p>\n\u003cp>I struck up a conversation with Barrett outside the gallery, and talk immediately turned to music, as it goes with music geeks of a certain stripe.\u003c/p>\n\u003cfigure id=\"attachment_12484172\" class=\"wp-caption alignright\" style=\"max-width: 394px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12484172\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/BarrettClark3.jpg\" alt=\"Barrett Clark\" width=\"394\" height=\"403\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3.jpg 394w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-160x164.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-240x245.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-375x384.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-64x64.jpg 64w\" sizes=\"(max-width: 394px) 100vw, 394px\">\u003cfigcaption class=\"wp-caption-text\">Barrett Clark \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a lifelong fan of difficult music, I’m used to blank stares when asked “So what do you listen to?” Not so with Barrett. He was a consummate lover of the strange, the weird, the challenging, the unusual, the outré. Barrett knew and loved outsider music of all kinds, and waxed lyrical about it all with a big, goofy smile on his face.\u003c/p>\n\u003cp>To quote the words of the brilliantly talented Swedish crooner Jens Lekman, with whom Barrett toured, managing sound and audio, for years: “Barrett was one of the kindest humans I’ve ever met — a patient, caring, romantic goth kid who liked strange, dark music and all the beauty of the world.”\u003c/p>\n\u003cp>Barrett, 35, was many things to many people: a devoted friend, a beloved partner, a brilliant musician, a community mainstay, and a peerless sound engineer. “Sound engineer” is reductive, as a matter of fact: Barrett was a bonafide philosopher of sound.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=814141738/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1080205356/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Long-time friend Tyler Green, who grew up alongside Barrett in Santa Rosa, sums it up: “Barrett grasped inherently where sound frequencies live, and how they interact with each other,” Green says. “His knowledge was as deep as it comes. The right sound elements had their own space, and the elements that needed to blend did.” Anyone can pick up technical knowledge, says Green, “but Barrett understood the artistry behind making live music sound truly great.”\u003c/p>\n\u003cfigure id=\"attachment_12484173\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12484173\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/BarrettClark1-800x800.jpg\" alt=\"Barrett Clark\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Barrett Clark\u003c/figcaption>\u003c/figure>\n\u003cp>To Green, Barrett was more than a brilliant musician and sound engineer. He was an inspiration. “The first time I met Barrett, it struck me just how much of an individual he was,” Green says. “It was fascinating and alien to me — and alluring at the same time, because I come from a conservative military family. As I got to know him over the years, one thing Barrett taught me will stay with me for the rest of my life: You can defy all the conventions forced upon us by society, be totally uncompromising, and still be a great person. Barrett was among the strongest, kindest, gentlest, and sweetest people I’ve ever met. The saddest part is that he was only getting better with time.”\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/142838203″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”150″ iframe=”true” /]\u003c/p>\n\u003cp>Within the experimental music community in particular, Barrett was respected and cherished. Tributes have poured in from some of the most revered figures in the scene. “Such a sudden loss is heart-wrenchingly sad,” say legendary British duo Chris & Cosey. “That we touched his life with our music is a privilege.” Even Blixa Bargeld, the singular lead vocalist of German industrial music pioneers Einstürzende Neubauten, gave condolences to Barrett’s friends and family, remarking that his loss is a “terrible tragedy.”\u003c/p>\n\u003cfigure id=\"attachment_12484174\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12484174\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/BarrettClark2-800x800.jpg\" alt=\"Barrett Clark\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Barrett Clark\u003c/figcaption>\u003c/figure>\n\u003cp>But for Barrett’s close friend and fellow experimental musician Jay Fields, that is all beside the point. “Barrett was the next level — the next incarnation of those luminaries we all look up to,” Fields says. “He was carrying the torch in the most humble, ego-free, delicate manner. We’re now discovering his completed, unreleased music, almost a dozen albums’ worth, and the music he was making in high school puts the big names to shame. That shows us how high his standards were.”\u003c/p>\n\u003cp>Barrett’s live-in partner, Valentyn Rosewood, remembers him as a devoted, loving partner. “Barrett was pure love, which he’d often remind me was something he learned from his parents,” she says. He “loved deeply, fiercely, and was very protective.”\u003c/p>\n\u003cp>Barrett and Rosewood met decades ago. “He told me this story over and over — the first time he saw me, he knew he wanted to be with me forever,” says Rosewood. “We kept finding our way back together. Sometimes with long gaps of many years in between, but we always found our way back to each other.” He taught Rosewood “unconditional love and complete and total devotion,” she says, adding that she will live her life “immortalizing his spirit by extending that same example to the loved ones in my life.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3797133084/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=3535928928/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Fields has a photograph of himself with Barrett and fellow musician Michael Buchanan, taken by experimental artist Sean Dimentia the Wednesday before the Oakland warehouse fire. The four were meeting to plan the future output of the long-running experimental collective they co-produce called Katabatik. “I’ve looked at this photo a lot, lately, and I imagine him sleeping blissfully,” Fields says. “Rest in peace, my brother.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more from Clark’s label and soundsystem Katabatik, see the collective’s \u003ca href=\"https://katabatik.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Bandcamp\u003c/a> and \u003ca href=\"https://soundcloud.com/katabatik\" target=\"_blank\" rel=\"noopener\">Soundcloud\u003c/a> pages.\u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/barrettclarkedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I met Barrett Clark for the first time years ago, at a small art gallery in downtown Oakland. My friend Nihar Bhatt was making his debut as a live electronic music performer, and Barrett had lent his sound system to the event, as well as his time and labor to operate it. (I learned this fact much later, and realize it was just one selfless act in a life defined by them.)\u003c/p>\n\u003cp>I struck up a conversation with Barrett outside the gallery, and talk immediately turned to music, as it goes with music geeks of a certain stripe.\u003c/p>\n\u003cfigure id=\"attachment_12484172\" class=\"wp-caption alignright\" style=\"max-width: 394px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12484172\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/BarrettClark3.jpg\" alt=\"Barrett Clark\" width=\"394\" height=\"403\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3.jpg 394w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-160x164.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-240x245.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-375x384.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark3-64x64.jpg 64w\" sizes=\"(max-width: 394px) 100vw, 394px\">\u003cfigcaption class=\"wp-caption-text\">Barrett Clark \u003ccite>(via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a lifelong fan of difficult music, I’m used to blank stares when asked “So what do you listen to?” Not so with Barrett. He was a consummate lover of the strange, the weird, the challenging, the unusual, the outré. Barrett knew and loved outsider music of all kinds, and waxed lyrical about it all with a big, goofy smile on his face.\u003c/p>\n\u003cp>To quote the words of the brilliantly talented Swedish crooner Jens Lekman, with whom Barrett toured, managing sound and audio, for years: “Barrett was one of the kindest humans I’ve ever met — a patient, caring, romantic goth kid who liked strange, dark music and all the beauty of the world.”\u003c/p>\n\u003cp>Barrett, 35, was many things to many people: a devoted friend, a beloved partner, a brilliant musician, a community mainstay, and a peerless sound engineer. “Sound engineer” is reductive, as a matter of fact: Barrett was a bonafide philosopher of sound.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=814141738/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=1080205356/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Long-time friend Tyler Green, who grew up alongside Barrett in Santa Rosa, sums it up: “Barrett grasped inherently where sound frequencies live, and how they interact with each other,” Green says. “His knowledge was as deep as it comes. The right sound elements had their own space, and the elements that needed to blend did.” Anyone can pick up technical knowledge, says Green, “but Barrett understood the artistry behind making live music sound truly great.”\u003c/p>\n\u003cfigure id=\"attachment_12484173\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12484173\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/BarrettClark1-800x800.jpg\" alt=\"Barrett Clark\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark1-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Barrett Clark\u003c/figcaption>\u003c/figure>\n\u003cp>To Green, Barrett was more than a brilliant musician and sound engineer. He was an inspiration. “The first time I met Barrett, it struck me just how much of an individual he was,” Green says. “It was fascinating and alien to me — and alluring at the same time, because I come from a conservative military family. As I got to know him over the years, one thing Barrett taught me will stay with me for the rest of my life: You can defy all the conventions forced upon us by society, be totally uncompromising, and still be a great person. Barrett was among the strongest, kindest, gentlest, and sweetest people I’ve ever met. The saddest part is that he was only getting better with time.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”150″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/142838203″&visual=true&”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true”'\n title='”https://api.soundcloud.com/tracks/142838203″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Within the experimental music community in particular, Barrett was respected and cherished. Tributes have poured in from some of the most revered figures in the scene. “Such a sudden loss is heart-wrenchingly sad,” say legendary British duo Chris & Cosey. “That we touched his life with our music is a privilege.” Even Blixa Bargeld, the singular lead vocalist of German industrial music pioneers Einstürzende Neubauten, gave condolences to Barrett’s friends and family, remarking that his loss is a “terrible tragedy.”\u003c/p>\n\u003cfigure id=\"attachment_12484174\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12484174\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/BarrettClark2-800x800.jpg\" alt=\"Barrett Clark\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/BarrettClark2-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Barrett Clark\u003c/figcaption>\u003c/figure>\n\u003cp>But for Barrett’s close friend and fellow experimental musician Jay Fields, that is all beside the point. “Barrett was the next level — the next incarnation of those luminaries we all look up to,” Fields says. “He was carrying the torch in the most humble, ego-free, delicate manner. We’re now discovering his completed, unreleased music, almost a dozen albums’ worth, and the music he was making in high school puts the big names to shame. That shows us how high his standards were.”\u003c/p>\n\u003cp>Barrett’s live-in partner, Valentyn Rosewood, remembers him as a devoted, loving partner. “Barrett was pure love, which he’d often remind me was something he learned from his parents,” she says. He “loved deeply, fiercely, and was very protective.”\u003c/p>\n\u003cp>Barrett and Rosewood met decades ago. “He told me this story over and over — the first time he saw me, he knew he wanted to be with me forever,” says Rosewood. “We kept finding our way back together. Sometimes with long gaps of many years in between, but we always found our way back to each other.” He taught Rosewood “unconditional love and complete and total devotion,” she says, adding that she will live her life “immortalizing his spirit by extending that same example to the loved ones in my life.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3797133084/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=3535928928/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Fields has a photograph of himself with Barrett and fellow musician Michael Buchanan, taken by experimental artist Sean Dimentia the Wednesday before the Oakland warehouse fire. The four were meeting to plan the future output of the long-running experimental collective they co-produce called Katabatik. “I’ve looked at this photo a lot, lately, and I imagine him sleeping blissfully,” Fields says. “Rest in peace, my brother.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>For more from Clark’s label and soundsystem Katabatik, see the collective’s \u003ca href=\"https://katabatik.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Bandcamp\u003c/a> and \u003ca href=\"https://soundcloud.com/katabatik\" target=\"_blank\" rel=\"noopener\">Soundcloud\u003c/a> pages.\u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/barrettclarkedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Denalda Nicole Renae, Outgoing, 'Fiercely Creative' Musician",
"headTitle": "Denalda Nicole Renae, Outgoing, ‘Fiercely Creative’ Musician | KQED",
"content": "\u003cp>One of the most special things about Nicole “Denalda” Renae, 29, was her curiosity, says Michelle Campbell.\u003c/p>\n\u003cp>“It was a never-ending curiosity to make unique sounds from the synth,” Campbell says. “She was like a mad scientist in a lab.”\u003c/p>\n\u003cfigure id=\"attachment_12485548\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-800x1067.jpg\" alt=\"Denalda\" width=\"800\" height=\"1067\" class=\"size-medium wp-image-12485548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-520x693.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nicole ‘Denalda’ Renae.\u003c/figcaption>\u003c/figure>\n\u003cp>Campbell managed Introflirt, the band that Denalda — that’s the name she went by — and music partner \u003ca href=\"https://ww2.kqed.org/arts/2016/12/09/ben-runnels/\" target=\"_blank\" rel=\"noopener\">Ben Runnels\u003c/a> created together. Their singular sound blended her synthesizer with his 1940s crooner voice, tipping a hat to the past while creating a fresh sound they called “croon-wave.” Both Denalda, who was born Nicole Renae Siegrist in Lincoln, Nebraska, and Runnels died in the Oakland warehouse fire. \u003c/p>\n\u003cp>“The keyboard was like an extension of herself,” says Daniel Wayne Lugo, a performance and visual artist who goes by “El Maldito.” He got to know Denalda over the last few years as they attended each other’s performances and showings. “She got locked on the rhythm and held it,” El Maldito says. “You kept your eyes on her, like, what’s she going to do? It was a super-intriguing kind of performance.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3088238573/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In an RIP message to Introflirt on Facebook, El Maldito describes the band as, “an intense duo who were embarking on a great musical journey. Humbled to have shared artistic spaces with them and witness their craft shine like the solid people they were. Blessings.”\u003c/p>\n\u003cp>The name of the band, Introflirt, was a combination of Denalda and Runnels’ personalities. \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7Fdhmlzkzko&feature=youtu.be\u003c/p>\n\u003cp>Runnels, who was introspective, leant his character to the first part of the band’s name. Denalda characterized the second: “Denalda was the outgoing, flirtatious individual, very playful,” Campbell says. She had a theatrical presence onstage, fueled partly by the mystery of what she and her friends had styled that night for her outfit. The first time Campbell saw her, Denalda was a blond with a neckline down to her waist, and the last show Campbell saw her in, she was straight out of the cast of \u003cem>Dallas\u003c/em>, in a red top with puffy shoulder pads. Denalda had a vast assortment of wigs, and her appearance changed so often that friends sometimes didn’t recognize her. \u003c/p>\n\u003cp>“Denalda was fiercely creative, fiercely individual and fierce in her opinions, free-spirited, super-loving and very excited to be doing what she was doing,” Campbell says. “She was constantly honing her skills, she was taking piano classes at Laney College up until this past week.” Denalda had also worked at the Grand Lake Theatre in Oakland, which paid tribute to her \u003ca href=\"https://www.instagram.com/p/BN_ZVo-hCYT/\" target=\"_blank\" rel=\"noopener\">in auditorium signage\u003c/a> and \u003ca href=\"https://twitter.com/McMurtrieSF/status/805997444060225536\" target=\"_blank\" rel=\"noopener\">on the marquee\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12487711\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/INtrofilrt-800x500.jpg\" alt=\"Nicole 'Denalda' Renae (right) with Ben Runnels as Introflirt. \" width=\"800\" height=\"500\" class=\"size-medium wp-image-12487711\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-520x325.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt.jpg 995w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nicole ‘Denalda’ Renae (right) with Ben Runnels as Introflirt.\u003c/figcaption>\u003c/figure>\n\u003cp>Probably the most telling detail about the success of Denalda’s music is that people gave it their full attention, friends say. El Maldito says the last time he saw Introflirt was six or seven months ago at the Legionnaire Saloon in Oakland. Most of the crowd had come to hear the out-of-town headliners that night. But Introflirt’s performance was so dynamic, he says, that a lot of people left when the duo finished. \u003c/p>\n\u003cp>“Introflirt took the whole place down,” El Maldito says. “They were very magnetic. They had that presence to pull you in so much you forgot who else was going to play. People were dancing the whole time.”\u003c/p>\n\u003cfigure id=\"attachment_12485547\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-800x796.jpg\" alt=\"Denalda\" width=\"800\" height=\"796\" class=\"size-medium wp-image-12485547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-800x796.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-160x159.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-768x764.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-240x239.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-375x373.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-520x517.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nicole ‘Denalda’ Renae.\u003c/figcaption>\u003c/figure>\n\u003cp>El Maldito says Denalda was as humble and supportive of other artists as she was a powerful artist herself. She could say with a look that she cared what other artists were doing. “She had big eyes that would look at you and give you strong affirmation, like, ‘I see you. I’m glad to be here with you,’” El Maldito says. \u003c/p>\n\u003cp>https://twitter.com/McMurtrieSF/status/805997444060225536\u003c/p>\n\u003cp>The best way to honor Denalda’s memory, says Campbell, is to engage with Introflirt’s music. “Dance to their music,” Campbell says. “Listen to it, tell your friends about it. Because this is what they did.”\u003c/p>\n\u003cp>Campbell says Denalda’s parents have asked for no media contact, and have authorized friends to speak on their behalf.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>To hear music from Introflirt, see \u003ca href=\"https://soundcloud.com/introflirt\" target=\"_blank\" rel=\"noopener\">the duo’s Soundcloud page\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/denaldarenaeedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "As the musical mind of the synth duo Introflirt, Denalda had a captivating presence; 'free-spirited, super-loving and very excited to be doing what she was doing.'",
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"title": "Denalda Nicole Renae, Outgoing, 'Fiercely Creative' Musician | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of the most special things about Nicole “Denalda” Renae, 29, was her curiosity, says Michelle Campbell.\u003c/p>\n\u003cp>“It was a never-ending curiosity to make unique sounds from the synth,” Campbell says. “She was like a mad scientist in a lab.”\u003c/p>\n\u003cfigure id=\"attachment_12485548\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-800x1067.jpg\" alt=\"Denalda\" width=\"800\" height=\"1067\" class=\"size-medium wp-image-12485548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE-520x693.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/Denalda.USETHISONEINLINE.jpg 1536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nicole ‘Denalda’ Renae.\u003c/figcaption>\u003c/figure>\n\u003cp>Campbell managed Introflirt, the band that Denalda — that’s the name she went by — and music partner \u003ca href=\"https://ww2.kqed.org/arts/2016/12/09/ben-runnels/\" target=\"_blank\" rel=\"noopener\">Ben Runnels\u003c/a> created together. Their singular sound blended her synthesizer with his 1940s crooner voice, tipping a hat to the past while creating a fresh sound they called “croon-wave.” Both Denalda, who was born Nicole Renae Siegrist in Lincoln, Nebraska, and Runnels died in the Oakland warehouse fire. \u003c/p>\n\u003cp>“The keyboard was like an extension of herself,” says Daniel Wayne Lugo, a performance and visual artist who goes by “El Maldito.” He got to know Denalda over the last few years as they attended each other’s performances and showings. “She got locked on the rhythm and held it,” El Maldito says. “You kept your eyes on her, like, what’s she going to do? It was a super-intriguing kind of performance.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3088238573/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In an RIP message to Introflirt on Facebook, El Maldito describes the band as, “an intense duo who were embarking on a great musical journey. Humbled to have shared artistic spaces with them and witness their craft shine like the solid people they were. Blessings.”\u003c/p>\n\u003cp>The name of the band, Introflirt, was a combination of Denalda and Runnels’ personalities. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7Fdhmlzkzko'\n title='//www.youtube.com/embed/7Fdhmlzkzko'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Runnels, who was introspective, leant his character to the first part of the band’s name. Denalda characterized the second: “Denalda was the outgoing, flirtatious individual, very playful,” Campbell says. She had a theatrical presence onstage, fueled partly by the mystery of what she and her friends had styled that night for her outfit. The first time Campbell saw her, Denalda was a blond with a neckline down to her waist, and the last show Campbell saw her in, she was straight out of the cast of \u003cem>Dallas\u003c/em>, in a red top with puffy shoulder pads. Denalda had a vast assortment of wigs, and her appearance changed so often that friends sometimes didn’t recognize her. \u003c/p>\n\u003cp>“Denalda was fiercely creative, fiercely individual and fierce in her opinions, free-spirited, super-loving and very excited to be doing what she was doing,” Campbell says. “She was constantly honing her skills, she was taking piano classes at Laney College up until this past week.” Denalda had also worked at the Grand Lake Theatre in Oakland, which paid tribute to her \u003ca href=\"https://www.instagram.com/p/BN_ZVo-hCYT/\" target=\"_blank\" rel=\"noopener\">in auditorium signage\u003c/a> and \u003ca href=\"https://twitter.com/McMurtrieSF/status/805997444060225536\" target=\"_blank\" rel=\"noopener\">on the marquee\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12487711\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/INtrofilrt-800x500.jpg\" alt=\"Nicole 'Denalda' Renae (right) with Ben Runnels as Introflirt. \" width=\"800\" height=\"500\" class=\"size-medium wp-image-12487711\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt-520x325.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/INtrofilrt.jpg 995w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nicole ‘Denalda’ Renae (right) with Ben Runnels as Introflirt.\u003c/figcaption>\u003c/figure>\n\u003cp>Probably the most telling detail about the success of Denalda’s music is that people gave it their full attention, friends say. El Maldito says the last time he saw Introflirt was six or seven months ago at the Legionnaire Saloon in Oakland. Most of the crowd had come to hear the out-of-town headliners that night. But Introflirt’s performance was so dynamic, he says, that a lot of people left when the duo finished. \u003c/p>\n\u003cp>“Introflirt took the whole place down,” El Maldito says. “They were very magnetic. They had that presence to pull you in so much you forgot who else was going to play. People were dancing the whole time.”\u003c/p>\n\u003cfigure id=\"attachment_12485547\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-800x796.jpg\" alt=\"Denalda\" width=\"800\" height=\"796\" class=\"size-medium wp-image-12485547\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-800x796.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-160x159.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-768x764.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-240x239.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-375x373.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-520x517.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/DenaldaRenae1-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Nicole ‘Denalda’ Renae.\u003c/figcaption>\u003c/figure>\n\u003cp>El Maldito says Denalda was as humble and supportive of other artists as she was a powerful artist herself. She could say with a look that she cared what other artists were doing. “She had big eyes that would look at you and give you strong affirmation, like, ‘I see you. I’m glad to be here with you,’” El Maldito says. \u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The best way to honor Denalda’s memory, says Campbell, is to engage with Introflirt’s music. “Dance to their music,” Campbell says. “Listen to it, tell your friends about it. Because this is what they did.”\u003c/p>\n\u003cp>Campbell says Denalda’s parents have asked for no media contact, and have authorized friends to speak on their behalf.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>To hear music from Introflirt, see \u003ca href=\"https://soundcloud.com/introflirt\" target=\"_blank\" rel=\"noopener\">the duo’s Soundcloud page\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For more of our tributes to the victims of the Oakland warehouse fire, please visit our \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" target=\"_blank\" rel=\"noopener\">remembrances page here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For a printable poster of the illustration above, \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/denaldarenaeedit.pdf\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "'Growing Pains' Star and TV Host Alan Thicke Dies at Age 69",
"headTitle": "‘Growing Pains’ Star and TV Host Alan Thicke Dies at Age 69 | KQED",
"content": "\u003cp>Alan Thicke, a versatile performer who gained his greatest renown as the beloved dad on a long-running sitcom, has died at age 69.\u003c/p>\n\u003cp>Carleen Donovan, who is a publicist for Thicke’s son, singer Robin Thicke, said the actor died from a heart attack on Tuesday in Los Angeles. She had no further details.\u003c/p>\n\u003cp>Thicke was a Canadian-born TV host, writer, composer and actor well-known in his homeland before making his name in the United States, most notably with the ABC series \u003cem>Growing Pains\u003c/em>.\u003c/p>\n\u003cp>On that comedy, which aired from 1985 to 1992, Thicke played Dr. Jason Seaver, a psychiatrist and father-knows-best who moved his practice into his home so his wife could go back to work as a reporter. Along with his clients, he had three (later four) kids under foot, including his oldest son, Mike, played by breakout heart-throb Kirk Cameron, who served as a constant source of comedic trouble for the family.\u003c/p>\n\u003cp>Born in Ontario, Canada, in 1947, Thicke was nominated for three Emmy Awards for his work in the late 1970s as a writer for Barry Manilow’s talk show, and later for a satirical take on the genre in the variety show \u003cem>America 2-Night\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He composed several popular theme songs, including the original theme for \u003cem>The Wheel of Fortune\u003c/em> and other shows including \u003cem>The Facts of Life\u003c/em> and \u003cem>Diff’rent Strokes\u003c/em>.\u003c/p>\n\u003cp>Perhaps his boldest assault on the U.S. market was as a virtual unknown taking on the King of Late Night, Johnny Carson. \u003cem>Thicke of the Night\u003c/em> was a syndicated talk-music-and-comedy show meant to go head-to-head against NBC’s \u003cem>The Tonight Show Starring Johnny Carson\u003c/em>.\u003c/p>\n\u003cp>It premiered in September 1983 with great fanfare, boasting an innovative format and regulars including Richard Belzer, Arsenio Hall, Gilbert Gottfried and Fred Willard. But all too quickly, it was evident that Carson wasn’t going to be dethroned, and the ambitious \u003cem>Thicke\u003c/em> disappeared into the night after one season.\u003c/p>\n\u003cp>In the 1990s and beyond, Thicke stayed busy as a celebrity TV host and with guest shots on dozens of series, including \u003cem>How I Met Your Mother\u003c/em> and, this year, the Netflix series \u003cem>Fuller House\u003c/em> and the NBC drama \u003cem>This Is Us\u003c/em>.\u003c/p>\n\u003cp>Celebrities who had crossed paths with Thicke, whether through music, acting or simply as friends, expressed their sorrow at news of his death.\u003c/p>\n\u003cp>“I grew up watching him and got to know him through Robin. He was always so kind to me,” John Legend posted on Twitter.\u003c/p>\n\u003cp>“You were a part of my family and hockey family. You will be greatly missed. My heart hurts,” Candace Cameron Bure tweeted.\u003c/p>\n\u003cp>“RIP dear friend and gentleman,” posted Marlee Matlin.\u003c/p>\n\u003cp>Thicke’s fellow Canadians also responded quickly.\u003c/p>\n\u003cp>William Shatner tweeted that he was saddened by his friend’s loss, and singer Anne Murray’s Twitter post said she was “shocked and devastated,” recalling him as a friend as well as a writer and producer of many of her TV specials.\u003c/p>\n\u003cp>The Edmonton Oilers also weighed in.\u003c/p>\n\u003cp>“RIP to one of the great ones, Alan Thicke,” was posted on the hockey team’s website, with a photo of a young Thicke and Wayne Gretzky on the ice.\u003c/p>\n\u003cp>Like any good Canadian, Thicke was a hockey fan, frequently attending LA Kings games. He took credit for introducing the sport to celebrity friends.\u003c/p>\n\u003cp>He began playing at age 5, but acknowledged he wasn’t very good at it.\u003c/p>\n\u003cp>“You were expected to play,” he said in 1998. “I was never good enough for the big time, but I always had fun at it.”\u003c/p>\n\u003cp>In 2003, Thicke received 30 stitches and lost five teeth after he was struck by a puck while practicing for a celebrity fundraising hockey game. “I won’t be playing any leading men roles in the next couple of months,” he joked after the accident.\u003c/p>\n\u003cp>He had the satisfaction of seeing his musical skills passed down to son Robin, a successful singer-songwriter and producer who, with brother Brennan, was born to Thicke and the first of his three wives, Gloria Loring.\u003c/p>\n\u003cp>In an email, Loring described Thicke’s passing as “a shock. We were all just together for Thanksgiving. He was funny, talented and deeply devoted to his family.”\u003c/p>\n\u003cp>Thicke also leaves a son, Carter, from his marriage to second wife Gina Tolleson. He had been married to Tanya Callau since 2005.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>___\u003cbr>\nAP Entertainment Writer Anthony McCartney in Los Angeles and AP Music Writer Mesfin Fekadu in New York contributed to this report.\u003c/p>\n\n",
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"excerpt": "Alan Thicke, a versatile performer who gained his renown as the beloved dad on a sitcom, has died at age 69",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Alan Thicke, a versatile performer who gained his greatest renown as the beloved dad on a long-running sitcom, has died at age 69.\u003c/p>\n\u003cp>Carleen Donovan, who is a publicist for Thicke’s son, singer Robin Thicke, said the actor died from a heart attack on Tuesday in Los Angeles. She had no further details.\u003c/p>\n\u003cp>Thicke was a Canadian-born TV host, writer, composer and actor well-known in his homeland before making his name in the United States, most notably with the ABC series \u003cem>Growing Pains\u003c/em>.\u003c/p>\n\u003cp>On that comedy, which aired from 1985 to 1992, Thicke played Dr. Jason Seaver, a psychiatrist and father-knows-best who moved his practice into his home so his wife could go back to work as a reporter. Along with his clients, he had three (later four) kids under foot, including his oldest son, Mike, played by breakout heart-throb Kirk Cameron, who served as a constant source of comedic trouble for the family.\u003c/p>\n\u003cp>Born in Ontario, Canada, in 1947, Thicke was nominated for three Emmy Awards for his work in the late 1970s as a writer for Barry Manilow’s talk show, and later for a satirical take on the genre in the variety show \u003cem>America 2-Night\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He composed several popular theme songs, including the original theme for \u003cem>The Wheel of Fortune\u003c/em> and other shows including \u003cem>The Facts of Life\u003c/em> and \u003cem>Diff’rent Strokes\u003c/em>.\u003c/p>\n\u003cp>Perhaps his boldest assault on the U.S. market was as a virtual unknown taking on the King of Late Night, Johnny Carson. \u003cem>Thicke of the Night\u003c/em> was a syndicated talk-music-and-comedy show meant to go head-to-head against NBC’s \u003cem>The Tonight Show Starring Johnny Carson\u003c/em>.\u003c/p>\n\u003cp>It premiered in September 1983 with great fanfare, boasting an innovative format and regulars including Richard Belzer, Arsenio Hall, Gilbert Gottfried and Fred Willard. But all too quickly, it was evident that Carson wasn’t going to be dethroned, and the ambitious \u003cem>Thicke\u003c/em> disappeared into the night after one season.\u003c/p>\n\u003cp>In the 1990s and beyond, Thicke stayed busy as a celebrity TV host and with guest shots on dozens of series, including \u003cem>How I Met Your Mother\u003c/em> and, this year, the Netflix series \u003cem>Fuller House\u003c/em> and the NBC drama \u003cem>This Is Us\u003c/em>.\u003c/p>\n\u003cp>Celebrities who had crossed paths with Thicke, whether through music, acting or simply as friends, expressed their sorrow at news of his death.\u003c/p>\n\u003cp>“I grew up watching him and got to know him through Robin. He was always so kind to me,” John Legend posted on Twitter.\u003c/p>\n\u003cp>“You were a part of my family and hockey family. You will be greatly missed. My heart hurts,” Candace Cameron Bure tweeted.\u003c/p>\n\u003cp>“RIP dear friend and gentleman,” posted Marlee Matlin.\u003c/p>\n\u003cp>Thicke’s fellow Canadians also responded quickly.\u003c/p>\n\u003cp>William Shatner tweeted that he was saddened by his friend’s loss, and singer Anne Murray’s Twitter post said she was “shocked and devastated,” recalling him as a friend as well as a writer and producer of many of her TV specials.\u003c/p>\n\u003cp>The Edmonton Oilers also weighed in.\u003c/p>\n\u003cp>“RIP to one of the great ones, Alan Thicke,” was posted on the hockey team’s website, with a photo of a young Thicke and Wayne Gretzky on the ice.\u003c/p>\n\u003cp>Like any good Canadian, Thicke was a hockey fan, frequently attending LA Kings games. He took credit for introducing the sport to celebrity friends.\u003c/p>\n\u003cp>He began playing at age 5, but acknowledged he wasn’t very good at it.\u003c/p>\n\u003cp>“You were expected to play,” he said in 1998. “I was never good enough for the big time, but I always had fun at it.”\u003c/p>\n\u003cp>In 2003, Thicke received 30 stitches and lost five teeth after he was struck by a puck while practicing for a celebrity fundraising hockey game. “I won’t be playing any leading men roles in the next couple of months,” he joked after the accident.\u003c/p>\n\u003cp>He had the satisfaction of seeing his musical skills passed down to son Robin, a successful singer-songwriter and producer who, with brother Brennan, was born to Thicke and the first of his three wives, Gloria Loring.\u003c/p>\n\u003cp>In an email, Loring described Thicke’s passing as “a shock. We were all just together for Thanksgiving. He was funny, talented and deeply devoted to his family.”\u003c/p>\n\u003cp>Thicke also leaves a son, Carter, from his marriage to second wife Gina Tolleson. He had been married to Tanya Callau since 2005.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>___\u003cbr>\nAP Entertainment Writer Anthony McCartney in Los Angeles and AP Music Writer Mesfin Fekadu in New York contributed to this report.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
"id": "reveal",
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
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