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"content": "\u003cp>Anthony Robles’ story seems almost tailor made for a Hollywood film. Born with only one leg, his right, he overcame the prejudices of those around him and his own physical limitations to become a champion wrestler. Though coaches at the top wrestling programs couldn’t see his potential, he was undeterred, coasting on his own determination and his mother Judy’s (Jennifer Lopez) unwavering belief in him.\u003c/p>\n\u003cp>[aside postid='arts_13968835']The film version is aptly titled \u003cem>Unstoppable\u003c/em>, and it’s getting a limited theatrical release starting Friday before it streams on Prime Video on Jan. 16. Directed by William Goldenberg, the Oscar-winning editor of \u003cem>Argo\u003c/em> making his feature directorial debut, \u003cem>Unstoppable\u003c/em> has all the makings of a rousing sports drama that’s sure to have audiences cheering in theaters or on their couches. You’d have to be a certain kind of grinch not to get swept up in the hurdles and triumphs, especially with such a compelling lead performance from Jharrel Jerome. And yet for a story about a guy who shattered expectations, the film itself is rather conventional.\u003c/p>\n\u003cp>Eschewing the temptation to tell his story from birth, \u003cem>Unstoppable\u003c/em>’s arc begins at the end of high school. He chose long ago to not rely on a prosthetic and is comfortable in his body. His sport is wrestling, which he’ll joke later that he chose because it was the only one where the other guy couldn’t run away from him.\u003c/p>\n\u003cp>Though he’s winning at the high school level, the exciting college programs, like Iowa, are not interested in taking a chance on him. His best offer is a full ride at Drexel in Philadelphia, which everyone agrees is better than walking on at one of the better-known schools. But complications on the home front force his hand and soon enough he’s walking on at Arizona State University, trying to prove himself to a coach, Sean Charles (Don Cheadle), who had already advised him to go elsewhere.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=fxEEdR2ZTDw\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Mom as eldest son’s biggest cheerleader she isn’t, but Judy has a lot going on. She had Anthony at age 16 and, when we meet up with them, is married and has four young children with Rick (Bobby Cannavale), a toxic husband and father who goes long on the virtues of making the right choices and being a man and providing for his family (which, spoiler, he doesn’t). It’s a very one-note role for Cannavale, just a shorthand villain who’s always just around the corner ready to ruin things, whether it’s dinner or Anthony’s plans to move across the country.\u003c/p>\n\u003cp>[aside postid='arts_13969006']Regardless of how much this is true, \u003cem>Unstoppable\u003c/em> relies too heavily on the cliches of a working-class domestic drama and Rick’s vileness which perhaps is a little insulting to Judy’s experience. This is a woman who managed to achieve incredible things (revealed at the end) despite being a single mother to five. While Lopez is magnetic as always, it’s hard not to wonder what this character might have looked like if one of the three credited screenwriters had been a woman. Judy does get her own arc and demonstrates her agency in a mic drop kind of scene, but it seems like a rather small moment to concentrate on once you’ve learned what she went on to accomplish.\u003c/p>\n\u003cp>The film is really best when it’s about the sport, the impossible training including a run up a rocky hill that Anthony does on his crutches, the matches, and Anthony’s relationships with his coaches who become de facto father figures for him. Michael Peña, as his high school coach, is particularly impactful in his limited scenes, and Cheadle is always a joy. But it’s ultimately Jerome’s show, and a good one at that. Let’s hope it’s the first of many leading film roles for him.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Unstoppable’ is released in limited theaters on Dec. 6, 2024. It begins streaming on Prime Video on Jan. 16, 2025.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The film version is aptly titled \u003cem>Unstoppable\u003c/em>, and it’s getting a limited theatrical release starting Friday before it streams on Prime Video on Jan. 16. Directed by William Goldenberg, the Oscar-winning editor of \u003cem>Argo\u003c/em> making his feature directorial debut, \u003cem>Unstoppable\u003c/em> has all the makings of a rousing sports drama that’s sure to have audiences cheering in theaters or on their couches. You’d have to be a certain kind of grinch not to get swept up in the hurdles and triumphs, especially with such a compelling lead performance from Jharrel Jerome. And yet for a story about a guy who shattered expectations, the film itself is rather conventional.\u003c/p>\n\u003cp>Eschewing the temptation to tell his story from birth, \u003cem>Unstoppable\u003c/em>’s arc begins at the end of high school. He chose long ago to not rely on a prosthetic and is comfortable in his body. His sport is wrestling, which he’ll joke later that he chose because it was the only one where the other guy couldn’t run away from him.\u003c/p>\n\u003cp>Though he’s winning at the high school level, the exciting college programs, like Iowa, are not interested in taking a chance on him. His best offer is a full ride at Drexel in Philadelphia, which everyone agrees is better than walking on at one of the better-known schools. But complications on the home front force his hand and soon enough he’s walking on at Arizona State University, trying to prove himself to a coach, Sean Charles (Don Cheadle), who had already advised him to go elsewhere.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fxEEdR2ZTDw'\n title='//www.youtube.com/embed/fxEEdR2ZTDw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Regardless of how much this is true, \u003cem>Unstoppable\u003c/em> relies too heavily on the cliches of a working-class domestic drama and Rick’s vileness which perhaps is a little insulting to Judy’s experience. This is a woman who managed to achieve incredible things (revealed at the end) despite being a single mother to five. While Lopez is magnetic as always, it’s hard not to wonder what this character might have looked like if one of the three credited screenwriters had been a woman. Judy does get her own arc and demonstrates her agency in a mic drop kind of scene, but it seems like a rather small moment to concentrate on once you’ve learned what she went on to accomplish.\u003c/p>\n\u003cp>The film is really best when it’s about the sport, the impossible training including a run up a rocky hill that Anthony does on his crutches, the matches, and Anthony’s relationships with his coaches who become de facto father figures for him. Michael Peña, as his high school coach, is particularly impactful in his limited scenes, and Cheadle is always a joy. But it’s ultimately Jerome’s show, and a good one at that. Let’s hope it’s the first of many leading film roles for him.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Unstoppable’ is released in limited theaters on Dec. 6, 2024. It begins streaming on Prime Video on Jan. 16, 2025.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_13969030\" class=\"wp-caption aligncenter\" style=\"max-width: 1374px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13969030\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/child-time.png\" alt=\"A book cover featuring a landscape painting of a coast line and cloudy skies.\" width=\"1374\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/child-time.png 1374w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/child-time-800x1164.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/child-time-1020x1485.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/child-time-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/child-time-768x1118.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/child-time-1055x1536.png 1055w\" sizes=\"(max-width: 1374px) 100vw, 1374px\">\u003cfigcaption class=\"wp-caption-text\">‘Time of the Child’ by Niall Williams. \u003ccite>(Bloomsbury Publishing)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A village “on the western edge of a wet nowhere” populated by men who drink too much and women who smile too little. Throw in cows, an addled priest, an abandoned baby and a thick cloud cover of shame and you have the elements for a quintessential Irish story.\u003c/p>\n\u003cp>So quintessential, in fact, I’ve held off reading Niall Williams for a long time, despite hearing raves about his work. My skepticism, it turns out, was misplaced. I’ve just emerged from a Niall Williams binge with a belated appreciation for his writing, which invests specificity and life in characters and places easily reduced to clichés.\u003c/p>\n\u003cp>[aside postid='arts_13968936']\u003cem>Time of the Child \u003c/em>is Williams’ latest novel, a companion piece, rather than a sequel to, his 2019 novel, \u003cem>This Is Happiness. \u003c/em>Both books are set in the rural village of Faha — a town in the far west of Ireland whose inhabitants, we’re told, possess “the translucent flesh that came from living in an absolute humidity.”\u003c/p>\n\u003cp>\u003cem>Time of the Child\u003c/em> takes place in the weeks leading up to Christmas 1962 and opens — and closes — on a set piece of Mass at the parish church, where most of the village gathers. In between lies a story that feels, at once, realistic in its rough and comic everyday unfolding and mythic in its riffs on the grand themes of despair and spiritual redemption.\u003c/p>\n\u003cp>Jack Troy is the town doctor and central character here. He’s a melancholy contained man who, we’re told, “carrie[s] himself in a manner that [the townspeople of] Faha might have summarized as \u003cem>Not like us.\u003c/em>” Dr. Troy lost his wife and then the older woman he unexpectedly fell in love with, who’s now also dead. Keeping house for him is his 29-year-old daughter, Ronnie, the eldest of three sisters; the one who remained at home.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ronnie, too, is a semi-enigma to the townspeople: Our narrator tells us that “Added to [her] reserve was not only the screened lives of all women in the parish at the time, but the marginal natures of all writers, for Ronnie Troy’s closest companion was her notebook.”\u003c/p>\n\u003cp>[aside postid='arts_13968840']Dr. Troy has become haunted by despair and by a particularly heartrending question: “\u003cem>Why does no one love my daughter?” \u003c/em>The answer, he fears, is his own glowering presence that may have repelled one especially promising suitor.\u003c/p>\n\u003cp>Inspired by what we’re told is a “mixed fuel of … brandy … [and] a parent’s fear of the unmade world after them,” Dr. Troy, uncharacteristically, resolves on a bizarre scheme to make things right. As the saying goes: “Man plans, God laughs.”\u003c/p>\n\u003cp>Instead of unfolding the Troy family narrative chronologically, Williams layers it on top of other simultaneous storylines, all of which are graced with language as bracing as salt spray from the chill Atlantic. We follow, for instance, the wanderings of Jude Quinlan, a 12-year-old “on the rope-bridge between man and boy.”\u003c/p>\n\u003cp>Jude’s father drinks and gambles and his mother, Mamie, possesses “the anxious look of one married to an instability.” Listen to how Williams moves fluidly from the mundane to the wider lens of the numinous in these snippets from an extended passage where Jude helps to unload a van full of Christmas toys for the town fair:\u003c/p>\n\u003cblockquote>\n\u003cdiv>\n\u003cp>There were toy soldiers, kits for flying gliders, … skittles in a net, balls, bats. … dolls of one expression but many dresses, …\u003c/p>\n\u003cp>For Jude, carrying everything from the van … was as close has he would get to handling any of these things. He had no resentment or bitterness. Rather, from nearness to the marvelous something rubbed off on him …\u003c/p>\n\u003cp>The other thing, the one that only occurred to him years later when he would recall what happened that day, was that what he was carrying out of the van that December morning was his childhood.\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cp>[aside postid='arts_13968980']For those who believe in such phenomena, Jude will be the instrument for bringing a miracle — a Christmas miracle complete with a baby and a virginal mother, no less — into this story. The other miracle here is a literary one: \u003cem>Time of the Child\u003c/em> itself, which gives readers that singular experience of nearness to the marvelous.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Time of the Child’ by Niall Williams is out now, via Bloomsbury Publishing.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>Time of the Child \u003c/em>is Williams’ latest novel, a companion piece, rather than a sequel to, his 2019 novel, \u003cem>This Is Happiness. \u003c/em>Both books are set in the rural village of Faha — a town in the far west of Ireland whose inhabitants, we’re told, possess “the translucent flesh that came from living in an absolute humidity.”\u003c/p>\n\u003cp>\u003cem>Time of the Child\u003c/em> takes place in the weeks leading up to Christmas 1962 and opens — and closes — on a set piece of Mass at the parish church, where most of the village gathers. In between lies a story that feels, at once, realistic in its rough and comic everyday unfolding and mythic in its riffs on the grand themes of despair and spiritual redemption.\u003c/p>\n\u003cp>Jack Troy is the town doctor and central character here. He’s a melancholy contained man who, we’re told, “carrie[s] himself in a manner that [the townspeople of] Faha might have summarized as \u003cem>Not like us.\u003c/em>” Dr. Troy lost his wife and then the older woman he unexpectedly fell in love with, who’s now also dead. Keeping house for him is his 29-year-old daughter, Ronnie, the eldest of three sisters; the one who remained at home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ronnie, too, is a semi-enigma to the townspeople: Our narrator tells us that “Added to [her] reserve was not only the screened lives of all women in the parish at the time, but the marginal natures of all writers, for Ronnie Troy’s closest companion was her notebook.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Dr. Troy has become haunted by despair and by a particularly heartrending question: “\u003cem>Why does no one love my daughter?” \u003c/em>The answer, he fears, is his own glowering presence that may have repelled one especially promising suitor.\u003c/p>\n\u003cp>Inspired by what we’re told is a “mixed fuel of … brandy … [and] a parent’s fear of the unmade world after them,” Dr. Troy, uncharacteristically, resolves on a bizarre scheme to make things right. As the saying goes: “Man plans, God laughs.”\u003c/p>\n\u003cp>Instead of unfolding the Troy family narrative chronologically, Williams layers it on top of other simultaneous storylines, all of which are graced with language as bracing as salt spray from the chill Atlantic. We follow, for instance, the wanderings of Jude Quinlan, a 12-year-old “on the rope-bridge between man and boy.”\u003c/p>\n\u003cp>Jude’s father drinks and gambles and his mother, Mamie, possesses “the anxious look of one married to an instability.” Listen to how Williams moves fluidly from the mundane to the wider lens of the numinous in these snippets from an extended passage where Jude helps to unload a van full of Christmas toys for the town fair:\u003c/p>\n\u003cblockquote>\n\u003cdiv>\n\u003cp>There were toy soldiers, kits for flying gliders, … skittles in a net, balls, bats. … dolls of one expression but many dresses, …\u003c/p>\n\u003cp>For Jude, carrying everything from the van … was as close has he would get to handling any of these things. He had no resentment or bitterness. Rather, from nearness to the marvelous something rubbed off on him …\u003c/p>\n\u003cp>The other thing, the one that only occurred to him years later when he would recall what happened that day, was that what he was carrying out of the van that December morning was his childhood.\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For those who believe in such phenomena, Jude will be the instrument for bringing a miracle — a Christmas miracle complete with a baby and a virginal mother, no less — into this story. The other miracle here is a literary one: \u003cem>Time of the Child\u003c/em> itself, which gives readers that singular experience of nearness to the marvelous.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Time of the Child’ by Niall Williams is out now, via Bloomsbury Publishing.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>As much as theaters are humming right now, with \u003ca href=\"https://www.kqed.org/arts/13968348/wicked-defies-gravity-if-not-time\">\u003cem>Wicked\u003c/em>\u003c/a> and \u003cem>Moana 2\u003c/em> bringing moviegoers by the droves, it’s been a fairly bruising movie year.\u003c/p>\n\u003cp>In between the blockbusters, though, the challenge of not just capturing the attention of audiences but of simply getting to the screen feels more perilous than ever. The year was marked by filmmakers who wagered everything from a $120 million pile (Francis Ford Coppola’s \u003ca href=\"https://www.kqed.org/arts/13965555/megalopolis-francis-ford-coppola-review\">\u003cem>Megalopolis\u003c/em>\u003c/a>) to their life (the dissident Iranian filmmaker Mohammad Rasoulof’s \u003cem>The Seed of the Sacred Fig\u003c/em>).\u003c/p>\n\u003cp>[aside postid='arts_13968679']Considering the paths of the \u003cem>The Apprentice\u003c/em> (about Donald Trump’s rise in New York) or the Israeli occupation documentary \u003cem>No Other Land\u003c/em> (which still lacks a distributor), the question of what gets released was a common and chilling refrain.\u003c/p>\n\u003cp>That also made the movies that managed their way through — the ones that told urgent stories or dazzled with originality at a time of sequel stranglehold — all the more worth celebrating.\u003c/p>\n\u003cp>Here are The Associated Press’ Film Writers Jake Coyle and Lindsey Bahr’s picks for the best movies of 2024:\u003c/p>\n\u003ch2>Jake Coyle’s top movies of 2024\u003c/h2>\n\u003ch2>1. ‘\u003ca href=\"https://www.kqed.org/arts/13968437/all-we-imagine-as-light-movie-review-india-mumbai\">All We Imagine As Light\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=2mgQcpmYr_A\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Was this a great year for movies? The consensus seems to be no, and that may be true. But it did produce some stone-cold masterpieces, none more so than Payal Kapadia’s sublime tale of three women in modern Mumbai. It’s a grittily real movie graced, in equally parts, by keen-eyed documentary and dreamy poetry. Beguilingly, \u003cem>All We Imagine As Light\u003c/em> grows more profound as it cleaves further from reality. In theaters.\u003c/p>\n\u003ch2>2. ‘Nickel Boys’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=-2qZ429rUZw\u003c/p>\n\u003cp>Like Kapadia, RaMell Ross started out in documentary before bringing a singular eye to narrative film. His adaptation of Colson Whitehead’s Pulitzer Prize–winning novel, about two Black teenagers at an abusive reform school in the Jim Crow South, is shot mostly from the two boys’ first-person perspective. The result is one of the most visually inventive American films of the decade and, just as certainly, one of the richest in empathy. Opens in theaters Dec. 13.\u003c/p>\n\u003ch2>3. ‘\u003ca href=\"https://www.kqed.org/arts/13967226/anora-movie-review-sean-baker-mikey-madison\">Anora\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=08sR1MY2wpU\u003c/p>\n\u003cp>So many of the reasons to go to the movies — to laugh at a clattering comic set piece, to witness the breakthrough of a young performer, to be devastated by something tragic — are contained within the thrillingly kitchen-sink \u003cem>Anora\u003c/em>. It’s a concoction that only Sean Baker could conceive, let alone execute. (And, by the way, if you liked Yura Borisov’s performance alongside Mikey Madison, seek out 2021’s \u003cem>Compartment No. 6\u003c/em>.) In theaters.\u003c/p>\n\u003ch2>4. ‘\u003ca href=\"https://www.kqed.org/arts/13957217/bold-audacious-i-saw-the-tv-glow-explores-fandom-identity-and-the-way-we-remember\">I Saw the TV Glow\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=kymDzCgPwj0&t=41s\u003c/p>\n\u003cp>Jane Schoenbrun’s sophomore feature — a dramatic leap forward for filmmaker and a transfixing trans parable — is a chilling 1990s coming of age in which a \u003cem>Buffy the Vampire Slayer\u003c/em>-like series called \u003cem>The Pink Opaque\u003c/em> offers a possible portal out of drab suburban life and other suffocations. It feels chillingly, beautifully ripped out of Schoenbrun’s soul — and it’s got a killer soundtrack. Streaming on Max, available for digital rental.\u003c/p>\n\u003ch2>5. ‘Green Border’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=4Q2cNooTO0w\u003c/p>\n\u003cp>The fury of Agnieszka Holland’s searing migrant drama is suitably calibrated to the crisis. Along the Poland-Belarus border, a small band of migrants from Syria and Afghanistan are sent back and forth across a wooded borderland — sometimes they’re even literally tossed — in a grim game of “not in my backyard.” It’s not an easy movie to watch, nor should it be. To keep up with the times, more uncomfortable movies like this may be needed. Streaming on Kino Film Collection, available for digital rental.\u003c/p>\n\u003ch2>6. ‘\u003ca href=\"https://www.kqed.org/arts/13956892/the-fall-guy-remake-movie-review-ryan-gosling-emily-blunt\">The Fall Guy\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=j7jPnwVGdZ8&t=105s\u003c/p>\n\u003cp>We also need more big, fun movies with Ryan Gosling. David Leitch’s affectionate ode to stunt performers manages to celebrate behind-the-scenes crew members while simultaneously being completely carried by two of our most winning movie stars in Gosling and Emily Blunt. The societal value of watching Gosling cry to Taylor Swift’s “All Too Well” should not be underestimated. Streaming on Peacock, available for digital rental.\u003c/p>\n\u003ch2>7. ‘The Seed of the Sacred Fig’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=TV3Sk2zwqK4\u003c/p>\n\u003cp>The way the Iranian filmmaker Mohammad Rasoulof, who was forced into exile while editing this, condenses real-life social upheaval into a family drama makes this a uniquely disquieting film. Like Kurosawa’s \u003cem>Stray Dog\u003c/em>, Rasoulof’s movie centers around a lost handgun. The subsequent search reveals just how deeply the Iranian government’s policies have seeped into the most intimate relationships. In theaters.\u003c/p>\n\u003ch2>8. ‘Ghostlight’ and ‘\u003ca href=\"https://www.kqed.org/arts/13961106/sing-sing-movie-review-colman-domingo-prison-theater-program\">Sing Sing\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=R1TycuGX4Mw\u003c/p>\n\u003cp>We had not one but two movies this year that captured the therapeutic properties of theater. Each, almost unbelievably, deftly eludes tipping into cliche thanks to abiding compassion and authenticity in the performances. Alex Thompson and Kelly O’Sullivan’s \u003cem>Ghostlight\u003c/em> is about a grieving father, a construction worker (an exceptional Keith Kupferer), who reluctantly joins a local production of \u003cem>Romeo and Juliet\u003c/em>. \u003cem>Sing Sing\u003c/em> dramatizes a real rehabilitation prison program. Its screening at Sing Sing Correctional, where many of its performers were once incarcerated, was easily the most moving moviegoing experience of the year for me. \u003cem>Ghostlight\u003c/em> is available for digital rental. \u003cem>Sing Sing\u003c/em> returns to theaters Jan. 17.\u003c/p>\n\u003ch2>9. ‘\u003ca href=\"https://www.kqed.org/arts/13964403/a-dying-father-brings-his-three-daughters-together-in-a-sharply-written-film\">His Three Daughters\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=K0jwAP2fS1E\u003c/p>\n\u003cp>In Azazel Jacobs’ funny, tender and raw family drama, a flawless cast of Carrie Coon, Elizabeth Olsen and Natasha Lyonne play three sisters caring for their dying father. In close quarters and with death looming, it all comes out. Streaming on Netflix.\u003c/p>\n\u003ch2>10. ‘Made in England: The Films of Powell and Pressburger’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=BcXCsE3KB7k\u003c/p>\n\u003cp>In between large, lengthy epics, Martin Scorsese has made some of his most interesting and personal films. In this, Scorsese narrates for director David Hinton his lifetime journey with the films of Powell and Pressburger, the great filmmakers of \u003cem>The Red Shoes\u003c/em>, \u003cem>I Know Where I’m Going!\u003c/em> and \u003cem>Black Narcissus\u003c/em>. As an expression of movie love — of the power of film to transfix you, to change your life, to live alongside you as you grow older — \u003cem>Made in England\u003c/em> could hardly be more effusive. Such insightful, passionate testimonies are an increasingly necessary lifeblood in a film culture where algorithms are typically blind to the treasures of cinema’s past. Streaming on WatchTCM and available for digital rental.\u003c/p>\n\u003cp>Also: \u003cem>Grand Tour, Ernest Cole: Lost and Found, No Other Land, Rebel Ridge, The Brutalist, Between the Temples, Evil Does Not Exist, Universal Language, Daughters\u003c/em>\u003c/p>\n\u003ch2>Lindsey Bahr’s top movies of 2024\u003c/h2>\n\u003ch2>1. ‘\u003ca href=\"https://www.kqed.org/arts/13967528/steve-mcqueen-wwii-drama-blitz-movie-review-appletv-saoirse-ronan-elliott-heffernan\">Blitz\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=iZwykQK9aZo\u003c/p>\n\u003cp>Steve McQueen tells a different kind of World War II story in \u003cem>Blitz\u003c/em>, a powerful and clear-eyed odyssey through London during the German bombing raid. Structured around a 9-year-old boy (Elliott Heffernan) trying to make his way back to his mother (Saoirse Ronan), it is a sneakily revolutionary glimpse into and poignant elegy for worlds unexplored and stories untold. Streaming on Apple TV+.\u003c/p>\n\u003ch2>2. ‘\u003ca href=\"https://www.kqed.org/arts/13968437/all-we-imagine-as-light-movie-review-india-mumbai\">All We Imagine as Light\u003c/a>’\u003c/h2>\n\u003cp>Poetic and transportive, Kapadia’s Mumbai-set film explores the vibrations of a thrilling but brutally impersonal metropolis, the lives of three women in different stages and predicaments (forbidden love, loneliness, eviction) and delicacy of female friendships.\u003c/p>\n\u003ch2>3. ‘\u003ca href=\"https://www.kqed.org/arts/13960032/thelma-movie-review-june-squibb-delightful-revenge-comedy\">Thelma\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=t3iETKRp24c\u003c/p>\n\u003cp>Josh Margolin’s debut feature about a 90-something (played by the incomparable June Squibb) on a mission to get $10,000 back from a scammer is so modest in scope and effortlessly enjoyable that it’s easy to undervalue. This independent film feels as sharp and put-together as a yesteryear studio comedy. It’s pure joy and one of those movies you could recommend to anyone. Streaming on Hulu.\u003c/p>\n\u003ch2>4. ‘\u003ca href=\"https://www.kqed.org/arts/13967226/anora-movie-review-sean-baker-mikey-madison\">Anora\u003c/a>’\u003c/h2>\n\u003cp>It takes a special kind of movie to transcend the echo chamber of arthouse cinephelia and become a cultural moment, but Baker’s \u003cem>Anora\u003c/em> did it. A classic in waiting, Baker and his star Mikey Madison, who lifts the streetwise stripper trope, take audiences on an unforgettable ride in this fairy tale that falls apart in spectacular fashion.\u003c/p>\n\u003ch2>5. ‘Nickel Boys’\u003c/h2>\n\u003cp>Ross transforms Whitehead’s Pulitzer-winning novel about the abuses and generational trauma of a reform school in the Jim Crow South for the screen by employing first-person point-of-view. It’s a bold choice that pays off, transporting you into the heartbreaking reality of Elwood and Turner, two characters you won’t soon forget.\u003c/p>\n\u003ch2>6. ‘\u003ca href=\"https://www.kqed.org/arts/13952684/dune-part-two-sustains-the-dystopian-dream-of-part-one\">Dune: Part Two\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=Way9Dexny3w\u003c/p>\n\u003cp>Decades of dreaming about a film does not always seem to benefit said film, but Denis Villeneuve was able to translate his passion for Frank Herbert’s opus into pure cinematic spectacle, and doom, about the rise of a leader. It’s a grand and thrilling adventure that could make sci-fi nerds out of us all. Streaming on MAX.\u003c/p>\n\u003ch2>7. ‘\u003ca href=\"https://www.kqed.org/arts/13967522/kieran-culkin-shines-in-jesse-eisenbergs-deft-accomplished-a-real-pain\">A Real Pain\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=b2et8Vpu7Ls&t=3s\u003c/p>\n\u003cp>Jesse Eisenberg grapples with modern and historical trauma in the disarmingly entertaining road trip film \u003cem>A Real Pain\u003c/em>, which he wrote, directed and stars in alongside Kieran Culkin as cousins on a Holocaust tour in Poland. In theaters.\u003c/p>\n\u003ch2>8. ‘\u003ca href=\"https://www.kqed.org/arts/13965970/the-outrun-movie-review-saoirse-ronan-amy-liptrot-memoir\">The Outrun\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=pFv-v_wFsK8\u003c/p>\n\u003cp>Saoirse Ronan delivered one of the year’s absolute best performances as an alcoholic who goes further and further into seclusion in the Orkney Islands in an attempt to start life anew. Films about addiction are hardly novel, and yet Nora Fingscheidt captures the wild highs, lows and in-betweens of the human condition with unapologetic honesty. Available for digital rental.\u003c/p>\n\u003ch2>9. ‘\u003ca href=\"https://www.kqed.org/arts/13957223/evil-does-not-exist-movie-review-ryusuke-hamaguchi-nature-film\">Evil Does Not Exist\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=zVY4lWfrbME\u003c/p>\n\u003cp>Ryûsuke Hamaguchi’s follow-up to \u003ca href=\"https://www.kqed.org/arts/13906968/drive-my-car-may-be-the-most-absorbing-ride-you-take-all-year\">\u003cem>Drive My Car\u003c/em>\u003c/a> takes us to a small mountain village in Japan, where residents are hesitant to welcome a big city company with plans to set up a glamping site. It’s a slow-burn kind of experience, with community debates about mountain streams and septic tanks that might not sound terribly exciting and yet it’s one of the year’s most haunting and effective. Streaming on Criterion Channel, available for digital rental.\u003c/p>\n\u003ch2>10. ‘\u003ca href=\"https://www.kqed.org/arts/13962259/delicate-and-powerful-good-one-is-one-of-the-years-indie-breakouts\">Good One\u003c/a>’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=RGZNT7qgeG4\u003c/p>\n\u003cp>It was a great year for first-time directors, including India Donaldson whose quietly brilliant character study of a teenage girl on a camping trip with her dad and his friend resonates even a year later. Streaming on Apple TV+.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Also: \u003cem>The Taste of Things, Green Border, Challengers, Beetlejuice Beetlejuice, La Cocina, Will & Harper, Conclave, Maria, Young Woman and the Sea, Tuesday, Lee\u003c/em>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As much as theaters are humming right now, with \u003ca href=\"https://www.kqed.org/arts/13968348/wicked-defies-gravity-if-not-time\">\u003cem>Wicked\u003c/em>\u003c/a> and \u003cem>Moana 2\u003c/em> bringing moviegoers by the droves, it’s been a fairly bruising movie year.\u003c/p>\n\u003cp>In between the blockbusters, though, the challenge of not just capturing the attention of audiences but of simply getting to the screen feels more perilous than ever. The year was marked by filmmakers who wagered everything from a $120 million pile (Francis Ford Coppola’s \u003ca href=\"https://www.kqed.org/arts/13965555/megalopolis-francis-ford-coppola-review\">\u003cem>Megalopolis\u003c/em>\u003c/a>) to their life (the dissident Iranian filmmaker Mohammad Rasoulof’s \u003cem>The Seed of the Sacred Fig\u003c/em>).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Considering the paths of the \u003cem>The Apprentice\u003c/em> (about Donald Trump’s rise in New York) or the Israeli occupation documentary \u003cem>No Other Land\u003c/em> (which still lacks a distributor), the question of what gets released was a common and chilling refrain.\u003c/p>\n\u003cp>That also made the movies that managed their way through — the ones that told urgent stories or dazzled with originality at a time of sequel stranglehold — all the more worth celebrating.\u003c/p>\n\u003cp>Here are The Associated Press’ Film Writers Jake Coyle and Lindsey Bahr’s picks for the best movies of 2024:\u003c/p>\n\u003ch2>Jake Coyle’s top movies of 2024\u003c/h2>\n\u003ch2>1. ‘\u003ca href=\"https://www.kqed.org/arts/13968437/all-we-imagine-as-light-movie-review-india-mumbai\">All We Imagine As Light\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2mgQcpmYr_A'\n title='//www.youtube.com/embed/2mgQcpmYr_A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Was this a great year for movies? The consensus seems to be no, and that may be true. But it did produce some stone-cold masterpieces, none more so than Payal Kapadia’s sublime tale of three women in modern Mumbai. It’s a grittily real movie graced, in equally parts, by keen-eyed documentary and dreamy poetry. Beguilingly, \u003cem>All We Imagine As Light\u003c/em> grows more profound as it cleaves further from reality. In theaters.\u003c/p>\n\u003ch2>2. ‘Nickel Boys’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-2qZ429rUZw'\n title='//www.youtube.com/embed/-2qZ429rUZw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Like Kapadia, RaMell Ross started out in documentary before bringing a singular eye to narrative film. His adaptation of Colson Whitehead’s Pulitzer Prize–winning novel, about two Black teenagers at an abusive reform school in the Jim Crow South, is shot mostly from the two boys’ first-person perspective. The result is one of the most visually inventive American films of the decade and, just as certainly, one of the richest in empathy. Opens in theaters Dec. 13.\u003c/p>\n\u003ch2>3. ‘\u003ca href=\"https://www.kqed.org/arts/13967226/anora-movie-review-sean-baker-mikey-madison\">Anora\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/08sR1MY2wpU'\n title='//www.youtube.com/embed/08sR1MY2wpU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>So many of the reasons to go to the movies — to laugh at a clattering comic set piece, to witness the breakthrough of a young performer, to be devastated by something tragic — are contained within the thrillingly kitchen-sink \u003cem>Anora\u003c/em>. It’s a concoction that only Sean Baker could conceive, let alone execute. (And, by the way, if you liked Yura Borisov’s performance alongside Mikey Madison, seek out 2021’s \u003cem>Compartment No. 6\u003c/em>.) In theaters.\u003c/p>\n\u003ch2>4. ‘\u003ca href=\"https://www.kqed.org/arts/13957217/bold-audacious-i-saw-the-tv-glow-explores-fandom-identity-and-the-way-we-remember\">I Saw the TV Glow\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kymDzCgPwj0'\n title='//www.youtube.com/embed/kymDzCgPwj0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Jane Schoenbrun’s sophomore feature — a dramatic leap forward for filmmaker and a transfixing trans parable — is a chilling 1990s coming of age in which a \u003cem>Buffy the Vampire Slayer\u003c/em>-like series called \u003cem>The Pink Opaque\u003c/em> offers a possible portal out of drab suburban life and other suffocations. It feels chillingly, beautifully ripped out of Schoenbrun’s soul — and it’s got a killer soundtrack. Streaming on Max, available for digital rental.\u003c/p>\n\u003ch2>5. ‘Green Border’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4Q2cNooTO0w'\n title='//www.youtube.com/embed/4Q2cNooTO0w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The fury of Agnieszka Holland’s searing migrant drama is suitably calibrated to the crisis. Along the Poland-Belarus border, a small band of migrants from Syria and Afghanistan are sent back and forth across a wooded borderland — sometimes they’re even literally tossed — in a grim game of “not in my backyard.” It’s not an easy movie to watch, nor should it be. To keep up with the times, more uncomfortable movies like this may be needed. Streaming on Kino Film Collection, available for digital rental.\u003c/p>\n\u003ch2>6. ‘\u003ca href=\"https://www.kqed.org/arts/13956892/the-fall-guy-remake-movie-review-ryan-gosling-emily-blunt\">The Fall Guy\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/j7jPnwVGdZ8'\n title='//www.youtube.com/embed/j7jPnwVGdZ8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>We also need more big, fun movies with Ryan Gosling. David Leitch’s affectionate ode to stunt performers manages to celebrate behind-the-scenes crew members while simultaneously being completely carried by two of our most winning movie stars in Gosling and Emily Blunt. The societal value of watching Gosling cry to Taylor Swift’s “All Too Well” should not be underestimated. Streaming on Peacock, available for digital rental.\u003c/p>\n\u003ch2>7. ‘The Seed of the Sacred Fig’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TV3Sk2zwqK4'\n title='//www.youtube.com/embed/TV3Sk2zwqK4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The way the Iranian filmmaker Mohammad Rasoulof, who was forced into exile while editing this, condenses real-life social upheaval into a family drama makes this a uniquely disquieting film. Like Kurosawa’s \u003cem>Stray Dog\u003c/em>, Rasoulof’s movie centers around a lost handgun. The subsequent search reveals just how deeply the Iranian government’s policies have seeped into the most intimate relationships. In theaters.\u003c/p>\n\u003ch2>8. ‘Ghostlight’ and ‘\u003ca href=\"https://www.kqed.org/arts/13961106/sing-sing-movie-review-colman-domingo-prison-theater-program\">Sing Sing\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/R1TycuGX4Mw'\n title='//www.youtube.com/embed/R1TycuGX4Mw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>We had not one but two movies this year that captured the therapeutic properties of theater. Each, almost unbelievably, deftly eludes tipping into cliche thanks to abiding compassion and authenticity in the performances. Alex Thompson and Kelly O’Sullivan’s \u003cem>Ghostlight\u003c/em> is about a grieving father, a construction worker (an exceptional Keith Kupferer), who reluctantly joins a local production of \u003cem>Romeo and Juliet\u003c/em>. \u003cem>Sing Sing\u003c/em> dramatizes a real rehabilitation prison program. Its screening at Sing Sing Correctional, where many of its performers were once incarcerated, was easily the most moving moviegoing experience of the year for me. \u003cem>Ghostlight\u003c/em> is available for digital rental. \u003cem>Sing Sing\u003c/em> returns to theaters Jan. 17.\u003c/p>\n\u003ch2>9. ‘\u003ca href=\"https://www.kqed.org/arts/13964403/a-dying-father-brings-his-three-daughters-together-in-a-sharply-written-film\">His Three Daughters\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K0jwAP2fS1E'\n title='//www.youtube.com/embed/K0jwAP2fS1E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In Azazel Jacobs’ funny, tender and raw family drama, a flawless cast of Carrie Coon, Elizabeth Olsen and Natasha Lyonne play three sisters caring for their dying father. In close quarters and with death looming, it all comes out. Streaming on Netflix.\u003c/p>\n\u003ch2>10. ‘Made in England: The Films of Powell and Pressburger’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BcXCsE3KB7k'\n title='//www.youtube.com/embed/BcXCsE3KB7k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In between large, lengthy epics, Martin Scorsese has made some of his most interesting and personal films. In this, Scorsese narrates for director David Hinton his lifetime journey with the films of Powell and Pressburger, the great filmmakers of \u003cem>The Red Shoes\u003c/em>, \u003cem>I Know Where I’m Going!\u003c/em> and \u003cem>Black Narcissus\u003c/em>. As an expression of movie love — of the power of film to transfix you, to change your life, to live alongside you as you grow older — \u003cem>Made in England\u003c/em> could hardly be more effusive. Such insightful, passionate testimonies are an increasingly necessary lifeblood in a film culture where algorithms are typically blind to the treasures of cinema’s past. Streaming on WatchTCM and available for digital rental.\u003c/p>\n\u003cp>Also: \u003cem>Grand Tour, Ernest Cole: Lost and Found, No Other Land, Rebel Ridge, The Brutalist, Between the Temples, Evil Does Not Exist, Universal Language, Daughters\u003c/em>\u003c/p>\n\u003ch2>Lindsey Bahr’s top movies of 2024\u003c/h2>\n\u003ch2>1. ‘\u003ca href=\"https://www.kqed.org/arts/13967528/steve-mcqueen-wwii-drama-blitz-movie-review-appletv-saoirse-ronan-elliott-heffernan\">Blitz\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iZwykQK9aZo'\n title='//www.youtube.com/embed/iZwykQK9aZo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Steve McQueen tells a different kind of World War II story in \u003cem>Blitz\u003c/em>, a powerful and clear-eyed odyssey through London during the German bombing raid. Structured around a 9-year-old boy (Elliott Heffernan) trying to make his way back to his mother (Saoirse Ronan), it is a sneakily revolutionary glimpse into and poignant elegy for worlds unexplored and stories untold. Streaming on Apple TV+.\u003c/p>\n\u003ch2>2. ‘\u003ca href=\"https://www.kqed.org/arts/13968437/all-we-imagine-as-light-movie-review-india-mumbai\">All We Imagine as Light\u003c/a>’\u003c/h2>\n\u003cp>Poetic and transportive, Kapadia’s Mumbai-set film explores the vibrations of a thrilling but brutally impersonal metropolis, the lives of three women in different stages and predicaments (forbidden love, loneliness, eviction) and delicacy of female friendships.\u003c/p>\n\u003ch2>3. ‘\u003ca href=\"https://www.kqed.org/arts/13960032/thelma-movie-review-june-squibb-delightful-revenge-comedy\">Thelma\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/t3iETKRp24c'\n title='//www.youtube.com/embed/t3iETKRp24c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Josh Margolin’s debut feature about a 90-something (played by the incomparable June Squibb) on a mission to get $10,000 back from a scammer is so modest in scope and effortlessly enjoyable that it’s easy to undervalue. This independent film feels as sharp and put-together as a yesteryear studio comedy. It’s pure joy and one of those movies you could recommend to anyone. Streaming on Hulu.\u003c/p>\n\u003ch2>4. ‘\u003ca href=\"https://www.kqed.org/arts/13967226/anora-movie-review-sean-baker-mikey-madison\">Anora\u003c/a>’\u003c/h2>\n\u003cp>It takes a special kind of movie to transcend the echo chamber of arthouse cinephelia and become a cultural moment, but Baker’s \u003cem>Anora\u003c/em> did it. A classic in waiting, Baker and his star Mikey Madison, who lifts the streetwise stripper trope, take audiences on an unforgettable ride in this fairy tale that falls apart in spectacular fashion.\u003c/p>\n\u003ch2>5. ‘Nickel Boys’\u003c/h2>\n\u003cp>Ross transforms Whitehead’s Pulitzer-winning novel about the abuses and generational trauma of a reform school in the Jim Crow South for the screen by employing first-person point-of-view. It’s a bold choice that pays off, transporting you into the heartbreaking reality of Elwood and Turner, two characters you won’t soon forget.\u003c/p>\n\u003ch2>6. ‘\u003ca href=\"https://www.kqed.org/arts/13952684/dune-part-two-sustains-the-dystopian-dream-of-part-one\">Dune: Part Two\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Way9Dexny3w'\n title='//www.youtube.com/embed/Way9Dexny3w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Decades of dreaming about a film does not always seem to benefit said film, but Denis Villeneuve was able to translate his passion for Frank Herbert’s opus into pure cinematic spectacle, and doom, about the rise of a leader. It’s a grand and thrilling adventure that could make sci-fi nerds out of us all. Streaming on MAX.\u003c/p>\n\u003ch2>7. ‘\u003ca href=\"https://www.kqed.org/arts/13967522/kieran-culkin-shines-in-jesse-eisenbergs-deft-accomplished-a-real-pain\">A Real Pain\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/b2et8Vpu7Ls'\n title='//www.youtube.com/embed/b2et8Vpu7Ls'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Jesse Eisenberg grapples with modern and historical trauma in the disarmingly entertaining road trip film \u003cem>A Real Pain\u003c/em>, which he wrote, directed and stars in alongside Kieran Culkin as cousins on a Holocaust tour in Poland. In theaters.\u003c/p>\n\u003ch2>8. ‘\u003ca href=\"https://www.kqed.org/arts/13965970/the-outrun-movie-review-saoirse-ronan-amy-liptrot-memoir\">The Outrun\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pFv-v_wFsK8'\n title='//www.youtube.com/embed/pFv-v_wFsK8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Saoirse Ronan delivered one of the year’s absolute best performances as an alcoholic who goes further and further into seclusion in the Orkney Islands in an attempt to start life anew. Films about addiction are hardly novel, and yet Nora Fingscheidt captures the wild highs, lows and in-betweens of the human condition with unapologetic honesty. Available for digital rental.\u003c/p>\n\u003ch2>9. ‘\u003ca href=\"https://www.kqed.org/arts/13957223/evil-does-not-exist-movie-review-ryusuke-hamaguchi-nature-film\">Evil Does Not Exist\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zVY4lWfrbME'\n title='//www.youtube.com/embed/zVY4lWfrbME'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Ryûsuke Hamaguchi’s follow-up to \u003ca href=\"https://www.kqed.org/arts/13906968/drive-my-car-may-be-the-most-absorbing-ride-you-take-all-year\">\u003cem>Drive My Car\u003c/em>\u003c/a> takes us to a small mountain village in Japan, where residents are hesitant to welcome a big city company with plans to set up a glamping site. It’s a slow-burn kind of experience, with community debates about mountain streams and septic tanks that might not sound terribly exciting and yet it’s one of the year’s most haunting and effective. Streaming on Criterion Channel, available for digital rental.\u003c/p>\n\u003ch2>10. ‘\u003ca href=\"https://www.kqed.org/arts/13962259/delicate-and-powerful-good-one-is-one-of-the-years-indie-breakouts\">Good One\u003c/a>’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RGZNT7qgeG4'\n title='//www.youtube.com/embed/RGZNT7qgeG4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It was a great year for first-time directors, including India Donaldson whose quietly brilliant character study of a teenage girl on a camping trip with her dad and his friend resonates even a year later. Streaming on Apple TV+.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Also: \u003cem>The Taste of Things, Green Border, Challengers, Beetlejuice Beetlejuice, La Cocina, Will & Harper, Conclave, Maria, Young Woman and the Sea, Tuesday, Lee\u003c/em>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "jay-zs-the-book-of-hov-exhibit-lives-up-to-its-name-and-becomes-a-book",
"title": "Jay-Z’s ‘The Book of Hov’ Exhibit Lives Up to Its Name and Becomes a Book",
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"content": "\u003cp>\u003ca href=\"https://www.kqed.org/arts/tag/jay-z\">Jay-Z\u003c/a> ’s popular exhibit \u003ca href=\"https://www.thebookofhov.com/\">\u003cem>The Book of Hov\u003c/em>\u003c/a> in New York is about to live up to its name by becoming an actual book.\u003c/p>\n\u003cp>[aside postid='arts_13968608']\u003cem>The Book of Hov: A Tribute to Jay-Z\u003c/em> debuts Wednesday, following the success of Jay-Z’s free immersive exhibit at the Brooklyn Public Library, which drew more than 600,000 visitors in a six-month span last year. The 432-page book, released by Assouline, goes on pre-sale Tuesday.\u003c/p>\n\u003cp>The book serves as both a commemoration and a time capsule of the exhibition that celebrated the life and work of the 24-time Grammy winner, bringing together thousands of archived artifacts from his illustrious career. There are nearly 700 images. In the eight chapters, readers will find everything from iconic stage outfits to rare interviews, awards and never-before-seen photographs.\u003c/p>\n\u003cfigure id=\"attachment_13968981\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968981\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV.png\" alt=\"A blue book cover with white lettering on the front.\" width=\"2000\" height=\"1711\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-800x684.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-1020x873.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-160x137.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-768x657.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-1536x1314.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-1920x1643.png 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">‘The Book of Hov: A Tribute to Jay-Z.’ \u003ccite>(Assouline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The chapter titles are drawn from Jay-Z’s lyrics.\u003c/p>\n\u003cp>\u003cem>The Book of Hov: A Tribute to Jay-Z\u003c/em> unveils Jay-Z’s deep connection with the art world and his rising business ventures, reveals his unique method of composing rhymes mentally and his criminal and social justice activism. It offers a tribute to Baseline Studios where \u003cem>The Blueprint\u003c/em> and \u003cem>The Black Album\u003c/em> were birthed. The book also captures him articulating his vision and manifesting his future through a series of interviews spanning several years.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some of the book’s other highlights include the guitar Jay-Z played at the Glastonbury Festival; Daniel Arsham’s sculpture of the iconic \u003cem>HOV Hands\u003c/em>; his Rock & Roll Hall of Fame award; and hundreds of paper planes, which were created by New York City schoolchildren who wrote their dreams inside.\u003c/p>\n\u003cp>[aside postid='arts_13968679']\u003cem>The Book of Hov: A Tribute to Jay-Z\u003c/em> will be available in three editions: The classic version for $120, the ultimate for $2,000 and price upon request for five special limited- edition copies with a tri-fold each housed in a bronze slipcase artwork by Arsham.\u003c/p>\n\u003cp>A portion of the proceeds from the sale of the special limited edition will be donated to the Brooklyn Public Library.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Book of Hov: A Tribute to Jay-Z’ is released on Dec. 4, 2024 via Assouline. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>The Book of Hov: A Tribute to Jay-Z\u003c/em> debuts Wednesday, following the success of Jay-Z’s free immersive exhibit at the Brooklyn Public Library, which drew more than 600,000 visitors in a six-month span last year. The 432-page book, released by Assouline, goes on pre-sale Tuesday.\u003c/p>\n\u003cp>The book serves as both a commemoration and a time capsule of the exhibition that celebrated the life and work of the 24-time Grammy winner, bringing together thousands of archived artifacts from his illustrious career. There are nearly 700 images. In the eight chapters, readers will find everything from iconic stage outfits to rare interviews, awards and never-before-seen photographs.\u003c/p>\n\u003cfigure id=\"attachment_13968981\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968981\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV.png\" alt=\"A blue book cover with white lettering on the front.\" width=\"2000\" height=\"1711\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-800x684.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-1020x873.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-160x137.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-768x657.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-1536x1314.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/HOV-1920x1643.png 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">‘The Book of Hov: A Tribute to Jay-Z.’ \u003ccite>(Assouline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The chapter titles are drawn from Jay-Z’s lyrics.\u003c/p>\n\u003cp>\u003cem>The Book of Hov: A Tribute to Jay-Z\u003c/em> unveils Jay-Z’s deep connection with the art world and his rising business ventures, reveals his unique method of composing rhymes mentally and his criminal and social justice activism. It offers a tribute to Baseline Studios where \u003cem>The Blueprint\u003c/em> and \u003cem>The Black Album\u003c/em> were birthed. The book also captures him articulating his vision and manifesting his future through a series of interviews spanning several years.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some of the book’s other highlights include the guitar Jay-Z played at the Glastonbury Festival; Daniel Arsham’s sculpture of the iconic \u003cem>HOV Hands\u003c/em>; his Rock & Roll Hall of Fame award; and hundreds of paper planes, which were created by New York City schoolchildren who wrote their dreams inside.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>The Book of Hov: A Tribute to Jay-Z\u003c/em> will be available in three editions: The classic version for $120, the ultimate for $2,000 and price upon request for five special limited- edition copies with a tri-fold each housed in a bronze slipcase artwork by Arsham.\u003c/p>\n\u003cp>A portion of the proceeds from the sale of the special limited edition will be donated to the Brooklyn Public Library.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘The Book of Hov: A Tribute to Jay-Z’ is released on Dec. 4, 2024 via Assouline. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Have you ever bought a \u003ca href=\"https://www.kqed.org/arts/tag/christmas\">Christmas\u003c/a> gift for someone that you know just isn’t right for them? This often happens when we don’t take the time to consider the person’s interests — or are shopping at the last minute.\u003c/p>\n\u003cp>And when that happens, “that’s an awkward feeling” for both you and the recipient, says \u003ca href=\"https://www.rachelwmiller.com/\">Rachel Wilkerson Miller\u003c/a>, editor-in-chief of \u003cem>SELF Magazine\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13968491']This holiday season, let’s give our loved ones gifts they will actually appreciate, shall we? One easy way to do that is to think about their personality type as a guide for your choices, says Miller. People who are more practical, for example, probably won’t want the same kinds of presents as those who are sentimental.\u003c/p>\n\u003cp>The key is to “really think about your relationship with that person,” says \u003ca href=\"https://www.instagram.com/aasian/?hl=en\">Asia Jackson\u003c/a>, an actress and content creator who loves sharing gift ideas — \u003ca href=\"https://www.youtube.com/watch?v=Pd1YOxKbB-U\">especially low-cost ones\u003c/a> — with her nearly half a million YouTube subscribers.\u003c/p>\n\u003cp>“What have you been talking about in your conversations? What have you heard that they liked or disliked?” she says. Those insights can “give you an idea for what you could give to them.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Miller and Jackson share advice on how to buy meaningful presents for five different personality types.\u003c/p>\n\u003ch3>The practical one\u003c/h3>\n\u003cp>Got that special someone in your life who gets more excited about a tool kit than a designer purse? You might be dealing with a person who is into practical gifts.\u003c/p>\n\u003cp>Get them something they can use in their daily lives — whether it’s something that helps lower their spending costs or an item that has practical value (like a \u003ca href=\"https://www.foodnetwork.com/how-to/packages/shopping/product-reviews/best-can-openers\">really good can opener\u003c/a>).\u003c/p>\n\u003cp>Miller recommends gift cards for services like oil changes, car washes, house cleaning or dog walking. “[Think] about the pain points in their everyday life. What are they stressed about having to take care of? How can you take care of that for them?” she says.\u003c/p>\n\u003cp>[aside postid='arts_13968478']If you’re on a budget — think about how \u003cem>you\u003c/em> can provide the service. “Give them a booklet of [homemade] coupons,” says Jackson. “Write something like, ‘I’ll babysit your kid so you can have a date night out.’ “You can also make coupons for other errands like delivering meals or picking up groceries.\u003c/p>\n\u003cp>And if your practical gift recipient has a wish list — just get something off it, says Miller. For this personality type,”it’s not a copout. It’s fine to buy them exactly what they asked for” — a sensible solution for your sensible gift-recipient.\u003c/p>\n\u003ch3>The sentimental one\u003c/h3>\n\u003cp>A generic gift card likely won’t cut it for someone who gets misty-eyed at a handmade scrapbook. Gifts for a sentimental loved one should symbolize your relationship, says Miller.\u003c/p>\n\u003cp>Consider giving them a memento that relates to a memory you both share, she says. Let’s say your partner proposed to you this year at the fancy French restaurant where you first met. Miller says reach out to the business and ask for some help. Maybe get a print copy of the menu from that day and put it in a nice frame. Or get “the secret recipe to their amazing pumpkin bread,” says Miller. It shows you went the extra mile to get something special.\u003c/p>\n\u003cp>These gift recipients also love customized objects, says Miller. Think personalized T-shirts, charcuterie boards or jewelry on Etsy. They show how well you know the person and that you value their individuality.\u003c/p>\n\u003cp>Handmade gifts like paintings, ceramics and knitwear are great too, says Jackson. Sentimental types will cherish the time and effort you put into making these items. And don’t be afraid to keep things simple.”It could literally be an origami swan that says ‘I love you’ on it — and the person receiving it would appreciate it,” says Jackson.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg decoding=\"async\" src=\"https://media.npr.org/assets/img/2022/12/14/chart-gift_custom-4924a71e59d060105b87213d15114d5de4682337.jpg?s=1200&c=75&f=jpeg\">\u003cfigcaption>\u003ccite> (Malaka Gharib/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The one who’s into experiences\u003c/h3>\n\u003cp>Maybe your loved one lights up more at the idea of a scenic hike than another tchotchke for their shelf.\u003c/p>\n\u003cp>For these folks, activity-based gifts are the way to go, says Miller. “You want [to get something with the] implication that we’re going to work on this thing together.” Think Lego sets (this \u003ca href=\"https://www.lego.com/en-us/product/succulents-10309\">one that looks like succulents\u003c/a> doubles as home decor), jigsaw puzzles and board games (like this addictive two-player \u003ca href=\"https://www.amazon.com/Board-Games-Two-Lanterns-MR01/dp/B00CS41TQ0\">mushroom-hunting game\u003c/a>, Morels). You could even get them a membership to a local museum you both enjoy.\u003c/p>\n\u003cp>Cookbooks also make terrific gifts, says Miller. Pick one that has a personal tie — maybe one written by a chef from a cooking show you both enjoy (\u003ca href=\"https://www.npr.org/2022/10/28/1132205161/mexican-cooking-ingredients-expert-tips\">or heard about\u003c/a> on \u003ca href=\"https://www.npr.org/2022/03/28/1089175288/authentic-cooking-korean-american-food\">Life Kit\u003c/a>!) — then suggest future dates to cook from the book together.\u003c/p>\n\u003ch3>The cozy one\u003c/h3>\n\u003cp>These gift recipients want something that not only feels good \u003cem>on\u003c/em> their body but helps them “feel good\u003cem> in\u003c/em> their own body,” says Jackson.\u003c/p>\n\u003cp>[aside postid='arts_13968322']Focus your attention on gifts that can help your loved one relax and de-stress, like a massage gun, says Miller. These handheld devices offer targeted vibration to simulate a massage at home.\u003c/p>\n\u003cp>Or get them soft and fuzzy items to get them into the \u003ca href=\"https://www.npr.org/2022/10/14/1128960386/its-hygge-season-how-to-embrace-the-danish-lifestyle-of-rest-and-coziness\">hygge spirit\u003c/a>, like a “lush robe or cozy blanket,” says Miller.\u003c/p>\n\u003cp>Turn your gift into an experience by pairing it with something that you can both do together. For example, if you’re giving a blanket, “give it with a popcorn bowl [and say] ‘this is for us to cuddle up and have movie night,'” says Miller.\u003c/p>\n\u003ch3>The one who has it all\u003c/h3>\n\u003cp>Lastly, there’s that person who just seems impossible to shop for. Whatever they want, they get for themselves. What’s left for you to give them?\u003c/p>\n\u003cp>One possible idea is to give them something totally fun and unexpected, says Miller — like a personalized video message from a celebrity. The app \u003ca href=\"https://www.cameo.com/?g_network=g&g_adid=519422005594&g_keyword=cameo&g_campaign=US_GGLADS_Core_ACQ_Evergreen_EM_CameoKeyword_SB_INT_ENG_110821_%28%29&g_adgroupid=128141006584&g_keywordid=kwd-13259836&utm_source=google&utm_campaign=12810371164&g_adtype=search&g_acctid=899-640-7900&g_campaignid=12810371164&utm_medium=cpc&utm_term=cameo-128141006584&&utm_campaign=12810371164&utm_source=google&utm_campaign=12810371164&utm_medium=cpc&utm_term=cameo-128141006584&gclid=CjwKCAiAheacBhB8EiwAItVO241b2sBVCjSavkFFI4GVfSz-vg_T9iVsLZ0rTMYDfkEgvxsO3395-RoCYjEQAvD_BwE&gclsrc=aw.ds\">Cameo\u003c/a>, for example, allows people to commission these messages from actors like Freddie Prinze, Jr., and musician Mark McGrath. Choose a celeb who your loved one would want to hear words of encouragement from — and “they can replay that whenever they need a little pick-me-up,” says Miller.\u003c/p>\n\u003cp>Another idea is to give them something priceless — like a heartfelt, handwritten letter telling them just how much they mean to you, says Jackson.\u003c/p>\n\u003cp>[aside postid='arts_13939307']She says that’s been one of the best gifts she’s ever given her father. Once, when they were on vacation together, Jackson wrote a note to him using the hotel notepad.\u003c/p>\n\u003cp>“I wrote this long letter and I put it underneath his phone,” says Jackson. The next morning, she heard sniffling. “I turned around and it was my dad reading the letter and he really, really appreciated it.”\u003c/p>\n\u003cp>If you’re still not quite sure what to give, don’t stress. Remember the golden rule of gift giving, says Miller. “It’s the thought that counts. If you get it wrong, there’s always next year.”\u003c/p>\n\u003cp>\u003cem>The digital story was edited by Malaka Gharib with art direction by Beck Harlan. We’d love to hear from you. Leave us a voicemail at \u003c/em>\u003ca href=\"tel:2022169823\">\u003cem>202-216-9823\u003c/em>\u003c/a>\u003cem>, or email us at \u003c/em>\u003ca href=\"mailto:LifeKit@npr.org\">\u003cem>LifeKit@npr.org\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Listen to Life Kit on\u003c/em>\u003ca href=\"http://n.pr/3LdRb0X\">\u003cem> Apple Podcasts\u003c/em>\u003c/a>\u003cem> and\u003c/em>\u003ca href=\"http://n.pr/3K3xVln\">\u003cem> Spotify\u003c/em>\u003c/a>\u003cem>, or sign up for our\u003c/em>\u003ca href=\"http://n.pr/3xN1tB9\">\u003cem> newsletter\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Have you ever bought a \u003ca href=\"https://www.kqed.org/arts/tag/christmas\">Christmas\u003c/a> gift for someone that you know just isn’t right for them? This often happens when we don’t take the time to consider the person’s interests — or are shopping at the last minute.\u003c/p>\n\u003cp>And when that happens, “that’s an awkward feeling” for both you and the recipient, says \u003ca href=\"https://www.rachelwmiller.com/\">Rachel Wilkerson Miller\u003c/a>, editor-in-chief of \u003cem>SELF Magazine\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>This holiday season, let’s give our loved ones gifts they will actually appreciate, shall we? One easy way to do that is to think about their personality type as a guide for your choices, says Miller. People who are more practical, for example, probably won’t want the same kinds of presents as those who are sentimental.\u003c/p>\n\u003cp>The key is to “really think about your relationship with that person,” says \u003ca href=\"https://www.instagram.com/aasian/?hl=en\">Asia Jackson\u003c/a>, an actress and content creator who loves sharing gift ideas — \u003ca href=\"https://www.youtube.com/watch?v=Pd1YOxKbB-U\">especially low-cost ones\u003c/a> — with her nearly half a million YouTube subscribers.\u003c/p>\n\u003cp>“What have you been talking about in your conversations? What have you heard that they liked or disliked?” she says. Those insights can “give you an idea for what you could give to them.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Miller and Jackson share advice on how to buy meaningful presents for five different personality types.\u003c/p>\n\u003ch3>The practical one\u003c/h3>\n\u003cp>Got that special someone in your life who gets more excited about a tool kit than a designer purse? You might be dealing with a person who is into practical gifts.\u003c/p>\n\u003cp>Get them something they can use in their daily lives — whether it’s something that helps lower their spending costs or an item that has practical value (like a \u003ca href=\"https://www.foodnetwork.com/how-to/packages/shopping/product-reviews/best-can-openers\">really good can opener\u003c/a>).\u003c/p>\n\u003cp>Miller recommends gift cards for services like oil changes, car washes, house cleaning or dog walking. “[Think] about the pain points in their everyday life. What are they stressed about having to take care of? How can you take care of that for them?” she says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>If you’re on a budget — think about how \u003cem>you\u003c/em> can provide the service. “Give them a booklet of [homemade] coupons,” says Jackson. “Write something like, ‘I’ll babysit your kid so you can have a date night out.’ “You can also make coupons for other errands like delivering meals or picking up groceries.\u003c/p>\n\u003cp>And if your practical gift recipient has a wish list — just get something off it, says Miller. For this personality type,”it’s not a copout. It’s fine to buy them exactly what they asked for” — a sensible solution for your sensible gift-recipient.\u003c/p>\n\u003ch3>The sentimental one\u003c/h3>\n\u003cp>A generic gift card likely won’t cut it for someone who gets misty-eyed at a handmade scrapbook. Gifts for a sentimental loved one should symbolize your relationship, says Miller.\u003c/p>\n\u003cp>Consider giving them a memento that relates to a memory you both share, she says. Let’s say your partner proposed to you this year at the fancy French restaurant where you first met. Miller says reach out to the business and ask for some help. Maybe get a print copy of the menu from that day and put it in a nice frame. Or get “the secret recipe to their amazing pumpkin bread,” says Miller. It shows you went the extra mile to get something special.\u003c/p>\n\u003cp>These gift recipients also love customized objects, says Miller. Think personalized T-shirts, charcuterie boards or jewelry on Etsy. They show how well you know the person and that you value their individuality.\u003c/p>\n\u003cp>Handmade gifts like paintings, ceramics and knitwear are great too, says Jackson. Sentimental types will cherish the time and effort you put into making these items. And don’t be afraid to keep things simple.”It could literally be an origami swan that says ‘I love you’ on it — and the person receiving it would appreciate it,” says Jackson.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\u003cimg decoding=\"async\" src=\"https://media.npr.org/assets/img/2022/12/14/chart-gift_custom-4924a71e59d060105b87213d15114d5de4682337.jpg?s=1200&c=75&f=jpeg\">\u003cfigcaption>\u003ccite> (Malaka Gharib/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The one who’s into experiences\u003c/h3>\n\u003cp>Maybe your loved one lights up more at the idea of a scenic hike than another tchotchke for their shelf.\u003c/p>\n\u003cp>For these folks, activity-based gifts are the way to go, says Miller. “You want [to get something with the] implication that we’re going to work on this thing together.” Think Lego sets (this \u003ca href=\"https://www.lego.com/en-us/product/succulents-10309\">one that looks like succulents\u003c/a> doubles as home decor), jigsaw puzzles and board games (like this addictive two-player \u003ca href=\"https://www.amazon.com/Board-Games-Two-Lanterns-MR01/dp/B00CS41TQ0\">mushroom-hunting game\u003c/a>, Morels). You could even get them a membership to a local museum you both enjoy.\u003c/p>\n\u003cp>Cookbooks also make terrific gifts, says Miller. Pick one that has a personal tie — maybe one written by a chef from a cooking show you both enjoy (\u003ca href=\"https://www.npr.org/2022/10/28/1132205161/mexican-cooking-ingredients-expert-tips\">or heard about\u003c/a> on \u003ca href=\"https://www.npr.org/2022/03/28/1089175288/authentic-cooking-korean-american-food\">Life Kit\u003c/a>!) — then suggest future dates to cook from the book together.\u003c/p>\n\u003ch3>The cozy one\u003c/h3>\n\u003cp>These gift recipients want something that not only feels good \u003cem>on\u003c/em> their body but helps them “feel good\u003cem> in\u003c/em> their own body,” says Jackson.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Focus your attention on gifts that can help your loved one relax and de-stress, like a massage gun, says Miller. These handheld devices offer targeted vibration to simulate a massage at home.\u003c/p>\n\u003cp>Or get them soft and fuzzy items to get them into the \u003ca href=\"https://www.npr.org/2022/10/14/1128960386/its-hygge-season-how-to-embrace-the-danish-lifestyle-of-rest-and-coziness\">hygge spirit\u003c/a>, like a “lush robe or cozy blanket,” says Miller.\u003c/p>\n\u003cp>Turn your gift into an experience by pairing it with something that you can both do together. For example, if you’re giving a blanket, “give it with a popcorn bowl [and say] ‘this is for us to cuddle up and have movie night,'” says Miller.\u003c/p>\n\u003ch3>The one who has it all\u003c/h3>\n\u003cp>Lastly, there’s that person who just seems impossible to shop for. Whatever they want, they get for themselves. What’s left for you to give them?\u003c/p>\n\u003cp>One possible idea is to give them something totally fun and unexpected, says Miller — like a personalized video message from a celebrity. The app \u003ca href=\"https://www.cameo.com/?g_network=g&g_adid=519422005594&g_keyword=cameo&g_campaign=US_GGLADS_Core_ACQ_Evergreen_EM_CameoKeyword_SB_INT_ENG_110821_%28%29&g_adgroupid=128141006584&g_keywordid=kwd-13259836&utm_source=google&utm_campaign=12810371164&g_adtype=search&g_acctid=899-640-7900&g_campaignid=12810371164&utm_medium=cpc&utm_term=cameo-128141006584&&utm_campaign=12810371164&utm_source=google&utm_campaign=12810371164&utm_medium=cpc&utm_term=cameo-128141006584&gclid=CjwKCAiAheacBhB8EiwAItVO241b2sBVCjSavkFFI4GVfSz-vg_T9iVsLZ0rTMYDfkEgvxsO3395-RoCYjEQAvD_BwE&gclsrc=aw.ds\">Cameo\u003c/a>, for example, allows people to commission these messages from actors like Freddie Prinze, Jr., and musician Mark McGrath. Choose a celeb who your loved one would want to hear words of encouragement from — and “they can replay that whenever they need a little pick-me-up,” says Miller.\u003c/p>\n\u003cp>Another idea is to give them something priceless — like a heartfelt, handwritten letter telling them just how much they mean to you, says Jackson.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>She says that’s been one of the best gifts she’s ever given her father. Once, when they were on vacation together, Jackson wrote a note to him using the hotel notepad.\u003c/p>\n\u003cp>“I wrote this long letter and I put it underneath his phone,” says Jackson. The next morning, she heard sniffling. “I turned around and it was my dad reading the letter and he really, really appreciated it.”\u003c/p>\n\u003cp>If you’re still not quite sure what to give, don’t stress. Remember the golden rule of gift giving, says Miller. “It’s the thought that counts. If you get it wrong, there’s always next year.”\u003c/p>\n\u003cp>\u003cem>The digital story was edited by Malaka Gharib with art direction by Beck Harlan. We’d love to hear from you. Leave us a voicemail at \u003c/em>\u003ca href=\"tel:2022169823\">\u003cem>202-216-9823\u003c/em>\u003c/a>\u003cem>, or email us at \u003c/em>\u003ca href=\"mailto:LifeKit@npr.org\">\u003cem>LifeKit@npr.org\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen to Life Kit on\u003c/em>\u003ca href=\"http://n.pr/3LdRb0X\">\u003cem> Apple Podcasts\u003c/em>\u003c/a>\u003cem> and\u003c/em>\u003ca href=\"http://n.pr/3K3xVln\">\u003cem> Spotify\u003c/em>\u003c/a>\u003cem>, or sign up for our\u003c/em>\u003ca href=\"http://n.pr/3xN1tB9\">\u003cem> newsletter\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_13968937\" class=\"wp-caption aligncenter\" style=\"max-width: 1370px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968937\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/bellvue.png\" alt=\"A book cover depicting iron gates with the word 'Bellvue' on them. Cloudy skies hang low overhead.\" width=\"1370\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/bellvue.png 1370w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/bellvue-800x1168.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/bellvue-1020x1489.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/bellvue-160x234.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/bellvue-768x1121.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/12/bellvue-1052x1536.png 1052w\" sizes=\"(max-width: 1370px) 100vw, 1370px\">\u003cfigcaption class=\"wp-caption-text\">‘Bellevue’ by Robin Cook. \u003ccite>(G.P. Putnam's Sons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The building on New York’s East Side that used to house Bellevue Psychiatric Hospital has inspired tales of horror from the likes of H.P. Lovecraft and served as the model for Arkham Asylum in fictional Gotham City. For novelist Robin Cook, who interned there in the 1960s, it’s the perfect setting for his latest medical thriller.\u003c/p>\n\u003cp>\u003cem>Bellevue\u003c/em> is set in the present day, but hearkens often to the hospital’s controversial and storied past. The plot centers around 23-year-old Mitt Fuller, embarking on his surgical residency at the iconic hospital. Mitt’s “long and impressive medical pedigree” goes back more than 400 years and includes three previous surgeons and a psychiatrist. It’s always been Mitt’s dream to follow in his forefathers’ footsteps.\u003c/p>\n\u003cp>[aside postid='arts_13968593']But this is a Robin Cook novel, so readers shouldn’t be surprised that Mitt’s dream slowly becomes a nightmare. Cook does a nice job of drawing readers into the tale, not horrifying them all at once. Mitt possesses a little precognitive power and can sometimes see things before they happen or sense when he’s in danger. So when forceps start moving of their own accord during a procedure or sutures untie themselves, readers and Mitt get a serious case of the heebie-jeebies.\u003c/p>\n\u003cp>Readers learn early in the story why the hospital is haunted, but dramatic irony is at play for more than a hundred pages as Mitt assembles the puzzle and unearths his family’s buried secrets. Mitt’s medical training and belief in science don’t exactly square with a haunted hospital, but when he meets another hospital employee whose family has a history at the institution, together they put together the rest of the pieces.\u003c/p>\n\u003cp>The denouement is jarring, but feels earned. Cook has told a tale that delivers a measure of justice for some patients, while preserving the dreadful mystique spelled out on top of the “decorative rusty wrought iron fence” at the southeastern corner of First Avenue and 30th Street: B-E-L-L-E-V-U-E.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>‘Bellevue’ by Robin Cook is out on Dec. 3, 2024, via G.P. Putnam’s Sons.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>We’ve demure-d our way through 2024. We’ve played passenger princess. \u003ca href=\"https://www.kqed.org/arts/13879390/everything-you-need-to-know-about-sourdough-starters-but-were-afraid-to-ask\">We’ve baked enough sourdough\u003c/a> to cover the world with our bubbly starters. We’ve rawdogged it and we’ve hyped it. All of it.\u003c/p>\n\u003cp>There’s lots to leave behind as the new year rolls around. Here’s a tiny tip of the iceberg of what we’re over as we move on to 2025.\u003c/p>\n\u003ch2>Summer’s over demure-ers!\u003c/h2>\n\u003cp>TikToker Jools Lebron’s 38-second video describing her workday makeup routine as “Very demure. Very mindful” lit up the summer with memes. The video has been viewed more than 50 million times.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@joolieannie/video/7399736793119247662\" data-video-id=\"7399736793119247662\">\n\u003csection>\u003ca title=\"@joolieannie\" href=\"https://www.tiktok.com/@joolieannie?refer=embed\" target=\"_blank\" rel=\"noopener\">@joolieannie\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"demure\" href=\"https://www.tiktok.com/tag/demure?refer=embed\" target=\"_blank\" rel=\"noopener\">#demure\u003c/a> \u003ca title=\"♬ original sound - Jools Lebron\" href=\"https://www.tiktok.com/music/original-sound-7399736743798262574?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – Jools Lebron\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>With her newfound fame, Lebron, a transgender woman, was able to earn toward her transition, help her family, rack up some brand deals and make a big statement about staying positive. In another video, she got the world going on “very cutesy.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Love you, Jools! But here’s the thing all you meme-makers: Summer’s over. We’re also looking at you, “brat” enthusiasts. The summer slime greenness of it all and \u003ca href=\"https://www.kqed.org/arts/13967133/charli-xcx-fans-election-2024-harris-trump\">the Charli XCX-Kamala Harris moment\u003c/a> were great! We know you’ll keep it demure as you move on to the next big thing.\u003c/p>\n\u003cp>As for all those dogs and cats eeeking out in videos over President Donald Trump’s Haitian immigrant remark? Here’s to a calmer 2025 for you, Springfield, Ohio.\u003c/p>\n\u003ch2>Passenger princesses: Take the wheel\u003c/h2>\n\u003cp>Speaking of demure but no longer cutesy, in the name of all things Holy Feminism, passenger princesses must abdicate.\u003c/p>\n\u003cp>[aside postid='arts_13965878']A passenger princess, according to Urban Dictionary, is “a pretty girl that has no other job but to look pretty in the passenger seat while her sneaky link/boyfriend/significant other drives.” What’s a sneaky link, you might ask? It’s a secret hookup. For sex.\u003c/p>\n\u003cp>Passenger princesses decorate their sides of front seats with little baubles in the air vent. They pack in snacks on little trays that fit on their Stanley cups. They bring cozy blankies, replace visor mirrors with fancy lit ones and generally reign while demanding their men place one hand on their nearest leg.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@jordan.natae/video/7385623670804319530\" data-video-id=\"7385623670804319530\">\n\u003csection>\u003ca title=\"@jordan.natae\" href=\"https://www.tiktok.com/@jordan.natae?refer=embed\" target=\"_blank\" rel=\"noopener\">@jordan.natae\u003c/a> 💕ultimate passenger princess💕 \u003ca title=\"passengerprincess\" href=\"https://www.tiktok.com/tag/passengerprincess?refer=embed\" target=\"_blank\" rel=\"noopener\">#passengerprincess\u003c/a> \u003ca title=\"grwm\" href=\"https://www.tiktok.com/tag/grwm?refer=embed\" target=\"_blank\" rel=\"noopener\">#grwm\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"♬ GOOD LUCK BABE by CHAPPELL ROAN - Chappell’s Fandom 👑\" href=\"https://www.tiktok.com/music/GOOD-LUCK-BABE-by-CHAPPELL-ROAN-7354234642725096235?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ GOOD LUCK BABE by CHAPPELL ROAN – Chappell’s Fandom 👑\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>The term has been around since at least 2020, when a Twitter (now X) user called his dog a passenger princess on a photo of said dog in the front seat of his car. That, eventually, morphed into human princesses storming TikTok.\u003c/p>\n\u003cp>Take the wheel, dear princesses. We know you know how to drive. And congrats, TikToker @masonshea. Your passenger prince video has amassed more than 60 million views since you posted an equal treatment grab in early 2023.\u003c/p>\n\u003ch2>Bubble dressing, pop off\u003c/h2>\n\u003cp>Unless you’re in a \u003ca href=\"https://www.kqed.org/arts/tag/k-pop\">K-pop\u003c/a> girl band and-or young, tall and stick-thin, this fashion thang looks good on exactly no one. And it’s back. On runways. In streetwear. On shopping sites and store shelves.\u003c/p>\n\u003cp>Why reach for puff ball dresses, skirts, bloomers and tops with so many other options out there? \u003cem>Teen Vogue\u003c/em> noted Gen Z’s embrace in September, describing the silhouette as having a form-fitting waist and balloon-like hem. It’s, wait for it, “feminine and romantic” and “draws attention to the body,” the magazine said.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@amadiakilah/video/7381771996205419819\" data-video-id=\"7381771996205419819\">\n\u003csection>\u003ca title=\"@amadiakilah\" href=\"https://www.tiktok.com/@amadiakilah?refer=embed\" target=\"_blank\" rel=\"noopener\">@amadiakilah\u003c/a> Replying to @Caliii Here you go!!!🤍🤍🤍 \u003ca title=\"styletips\" href=\"https://www.tiktok.com/tag/styletips?refer=embed\" target=\"_blank\" rel=\"noopener\">#styletips\u003c/a> \u003ca title=\"styling\" href=\"https://www.tiktok.com/tag/styling?refer=embed\" target=\"_blank\" rel=\"noopener\">#styling\u003c/a> \u003ca title=\"outfitideas\" href=\"https://www.tiktok.com/tag/outfitideas?refer=embed\" target=\"_blank\" rel=\"noopener\">#outfitideas\u003c/a> \u003ca title=\"♬ original sound - AMADI AKILAH\" href=\"https://www.tiktok.com/music/original-sound-7381772013393693482?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – AMADI AKILAH\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>Not, on the aforementioned, in a good way. And that means the majority of women.\u003c/p>\n\u003cp>“There is just something funny about bubble hems and the way they, well, bubble up around your thighs,” \u003cem>Harper Bazaar\u003c/em>’s Tara Gonzalez wrote in August. “They’re vaguely diaperlike in that sense, which is why they aren’t a crowd-pleaser. Instead, they’re something either you get or you don’t.”\u003c/p>\n\u003cp>Bubble dresses, in various iterations, are hardly fresh fashion. Pierre Cardin, Christian Dior, Hubert de Givenchy and Yves Saint Laurent got there first in the 1950s. They, yes, bubbled back up in the 1980s, and again in the 2000s.\u003c/p>\n\u003cp>Dare to be different!\u003c/p>\n\u003ch2>Ooey gooey sourdough starter videos\u003c/h2>\n\u003cp>What did we do during the lockdowns of the coronavirus pandemic? We baked bread. Specifically, we went nuts for sourdough because we were home with time on our hands to feed our starters and tend to our rises and bake our loaves.\u003c/p>\n\u003cp>[aside postid='arts_13967439']Well, some of y’all are still putting up sourdough videos, naming your starters, selling dehydrated bits of your starters, spending hours on rises and pull-and-folds and waxing wise on which tools and baskets are the best.\u003c/p>\n\u003cp>The world has re-started. Keep your bread videos to yourselves. Your starters bubble. They multiply. Your dough rises and rises again. Your little razor cuts are epic. Sourdough bread is lovely and it’s healthy and, now, we all know how to make it.\u003c/p>\n\u003cp>Sourdough videos? No need. Thank you for your service.\u003c/p>\n\u003ch2>Rawdogging: Dump it both ways\u003c/h2>\n\u003cp>Depending on who you are, rawdogging has different meanings. There’s having sex without a condom. And there’s the male-driven travel trend of eschewing all distractions and movement and sustenance while long-haul flying. The latter raw dogging spiked in 2024.\u003c/p>\n\u003cp>You’ve got your hyper-male enthusiasts looking to, well, be hyper-male. And you’ve got your travelers seeking to lock in some sort of mindfulness or uber-focus or, what? Who knows.\u003c/p>\n\u003cp>Listen: You paid for that ticket. Enjoy the food and music and movies. Also, not drinking is just dehydration silly. So is blood clot-worthy not moving around.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@sspencerevans/video/7404979330583104814\" data-video-id=\"7404979330583104814\">\n\u003csection>\u003ca title=\"@sspencerevans\" href=\"https://www.tiktok.com/@sspencerevans?refer=embed\" target=\"_blank\" rel=\"noopener\">@sspencerevans\u003c/a> Just raw dogged this entire flight. 24 hours. \u003ca title=\"flight\" href=\"https://www.tiktok.com/tag/flight?refer=embed\" target=\"_blank\" rel=\"noopener\">#flight\u003c/a> \u003ca title=\"sigmagrindset\" href=\"https://www.tiktok.com/tag/sigmagrindset?refer=embed\" target=\"_blank\" rel=\"noopener\">#sigmagrindset\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"trend\" href=\"https://www.tiktok.com/tag/trend?refer=embed\" target=\"_blank\" rel=\"noopener\">#trend\u003c/a> \u003ca title=\"flying\" href=\"https://www.tiktok.com/tag/flying?refer=embed\" target=\"_blank\" rel=\"noopener\">#flying\u003c/a> \u003ca title=\"fory\" href=\"https://www.tiktok.com/tag/fory?refer=embed\" target=\"_blank\" rel=\"noopener\">#fory\u003c/a> \u003ca title=\"pov\" href=\"https://www.tiktok.com/tag/pov?refer=embed\" target=\"_blank\" rel=\"noopener\">#pov\u003c/a> \u003ca title=\"♬ sonido original - 𝑪𝑶𝑴𝑨𝑵𝑫𝑨𝑵𝑻𝑬_𝑯𝑵💀🎶\" href=\"https://www.tiktok.com/music/sonido-original-7387531526982814470?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ sonido original – 𝑪𝑶𝑴𝑨𝑵𝑫𝑨𝑵𝑻𝑬_𝑯𝑵💀🎶\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>Finding your center by simply staring at the in-flight map seems, simply, pointless. Here’s to a rawdog-free new year. The same goes for that plane seat belt thing where people find it somehow useful (not) to buckle up at the ankles, their knees hiked to their chins. C’mon. That can’t be all that comfortable, let alone safe. Happy turbulence to you all.\u003c/p>\n\u003cp>Speaking of travel trends, shove off people curating the contents of your TSA trays. As for those among you who bought TSA trays to conveniently produce content at home. Not cutesy.\u003c/p>\n\u003ch2>Social media hype talk, take a breath!\u003c/h2>\n\u003cp>These potatoes. I mean, come ON! Are you kidding me? Wow, just wow. Don’t sleep on these! Potatoes!\u003c/p>\n\u003cp>Where there are content creators, there’s hype talk. There’s a superlative mountain. There’s fake amazement, surprise, excitement over the mundanest of mundaney things as the race for likes, shares and comments carries on.\u003c/p>\n\u003cp>[aside postid='arts_13908052']And there’s a plague of weird verbalisms that make various tasks sound like battlegrounds: I’m “going in” with the ranch dressing. I’m “going in” with this concealer. I’m “frying off” the garlic. I’m gonna “hit it” with the salt!\u003c/p>\n\u003cp>Much has been made of social media speak for decades. This species is just so dumbly an attempt to make something truly boring sound viral worthy. It spread faster than a runaway money train.\u003c/p>\n\u003cp>Take a breath. We’ll look at you making potatoes. We promise.\u003c/p>\n\u003ch2>Standalone ‘staches, wiggle away\u003c/h2>\n\u003cp>The chevron. The Dali. The pencil. The walrus.\u003c/p>\n\u003cp>Since virus lockdowns offered men the time and space to curate their faces, mustaches all by their lonesome have been on the rise. Justin Bieber, Harry Styles, Pedro Pascal, The Weeknd and Jacob Elordi rocked their ‘staches sans beards on red carpets and social media, upping the nowness of it all.\u003c/p>\n\u003cp>As of September 2022, Gillette estimated that 12.5 million men in the U.S. had mustaches. That’s a 1.5% increase from March 2020. The shaving company launched a facial hair-grooming brand, King C. Gillette, to ride the wave.\u003c/p>\n\u003cp>Mustaches, with beards. Fine. Freestanding mustaches. Polarizing. Do we thank a contingent of ironical millennials looking to revisit the past for this, uh, trend? What about the unironical? Do we point to Miles Teller’s character in the 2022 film, \u003cem>Top Gun: Maverick?\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pVcMsjyKlaM\u003c/p>\n\u003cp>Teller’s ‘stache was a nod to Anthony Edwards’ similar one in the original 1986 \u003cem>Top Gun\u003c/em>. This is not 1986.\u003c/p>\n\u003cp>Have a nice day.\u003c/p>\n\u003ch2>Dorm rooms on steroids\u003c/h2>\n\u003cp>Fancy headboards. Custom-made cabinetry. An interior designer. Dorm room decor for some is way, WAY off the rails, leaving students who can’t afford to spend thousands in the dirt.\u003c/p>\n\u003cp>The cost of college — tuition, fees, room and board — nearly doubled between 1992 and 2022, rising from an inflation-adjusted average of $14,441 per year to $26,903 across all types of schools, according to the National Center for Education Statistics. Dorm costs saw a similar increase in the same time span, $3,824 to $7,097.\u003c/p>\n\u003cp>Hello haves and have-nots. We see you. And thank you TikTok for fueling the frenzy.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@hello.itskatie/video/6990691618747649286\" data-video-id=\"6990691618747649286\">\n\u003csection>\u003ca title=\"@hello.itskatie\" href=\"https://www.tiktok.com/@hello.itskatie?refer=embed\" target=\"_blank\" rel=\"noopener\">@hello.itskatie\u003c/a> Comment your college! \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"foryou\" href=\"https://www.tiktok.com/tag/foryou?refer=embed\" target=\"_blank\" rel=\"noopener\">#foryou\u003c/a> \u003ca title=\"foryoupage\" href=\"https://www.tiktok.com/tag/foryoupage?refer=embed\" target=\"_blank\" rel=\"noopener\">#foryoupage\u003c/a> \u003ca title=\"college\" href=\"https://www.tiktok.com/tag/college?refer=embed\" target=\"_blank\" rel=\"noopener\">#college\u003c/a> \u003ca title=\"dormroom\" href=\"https://www.tiktok.com/tag/dormroom?refer=embed\" target=\"_blank\" rel=\"noopener\">#dormroom\u003c/a> \u003ca title=\"welcomeback\" href=\"https://www.tiktok.com/tag/welcomeback?refer=embed\" target=\"_blank\" rel=\"noopener\">#WelcomeBack\u003c/a> \u003ca title=\"chilidogyumplz\" href=\"https://www.tiktok.com/tag/chilidogyumplz?refer=embed\" target=\"_blank\" rel=\"noopener\">#ChiliDogYumPlz\u003c/a> \u003ca title=\"liveflowsweatduet\" href=\"https://www.tiktok.com/tag/liveflowsweatduet?refer=embed\" target=\"_blank\" rel=\"noopener\">#LiveFlowSweatDuet\u003c/a> \u003ca title=\"thesuicidesquadmovie\" href=\"https://www.tiktok.com/tag/thesuicidesquadmovie?refer=embed\" target=\"_blank\" rel=\"noopener\">#TheSuicideSquadMovie\u003c/a> \u003ca title=\"viral\" href=\"https://www.tiktok.com/tag/viral?refer=embed\" target=\"_blank\" rel=\"noopener\">#viral\u003c/a> \u003ca title=\"♬ Psycho (feat. Rubi Rose) - Dixie\" href=\"https://www.tiktok.com/music/Psycho-feat-Rubi-Rose-6977948755974850561?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ Psycho (feat. Rubi Rose) – Dixie\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003ch2>Over It runners-up\u003c/h2>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13882681/we-all-know-a-karen-when-we-see-one-now-we-need-to-talk-about-kevin\">Karens\u003c/a>: Airplane Karens. In-store Karens. Neighbor Karens. Park Karens. Yes, we’ve mentioned you before and, lo, you’re still here. You’ve had your day. You’ve had your years. Meds. Therapy. Whatever it takes.\u003c/p>\n\u003cp>Sanewashing: Advance the power of facts. End the false equivalence. In all things. That is all.\u003c/p>\n\u003cp>Anti-aging products for young girls: Damage has been done. Parents, get a grip.\u003c/p>\n\u003cp>Paging Dr. Beat: Emergency, emergency! All you walking-in-place video creators showing off your scrubs and your jammies and your entire wardrobes. Tired content. Cut it out.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@verarosalind/video/7396855444674759979\" data-video-id=\"7396855444674759979\">\n\u003csection>\u003ca title=\"@verarosalind\" href=\"https://www.tiktok.com/@verarosalind?refer=embed\" target=\"_blank\" rel=\"noopener\">@verarosalind\u003c/a> which look is your fav? \u003ca title=\"deminstyle\" href=\"https://www.tiktok.com/tag/deminstyle?refer=embed\" target=\"_blank\" rel=\"noopener\">#deminstyle\u003c/a> \u003ca title=\"drbeat\" href=\"https://www.tiktok.com/tag/drbeat?refer=embed\" target=\"_blank\" rel=\"noopener\">#drbeat\u003c/a> \u003ca title=\"emergency\" href=\"https://www.tiktok.com/tag/emergency?refer=embed\" target=\"_blank\" rel=\"noopener\">#emergency\u003c/a> \u003ca title=\"emergencydancetrend\" href=\"https://www.tiktok.com/tag/emergencydancetrend?refer=embed\" target=\"_blank\" rel=\"noopener\">#emergencydancetrend\u003c/a> \u003ca title=\"modelsoftiktok\" href=\"https://www.tiktok.com/tag/modelsoftiktok?refer=embed\" target=\"_blank\" rel=\"noopener\">#modelsoftiktok\u003c/a> \u003ca title=\"♬ 911 Emergency - Carl\" href=\"https://www.tiktok.com/music/911-Emergency-7371044842366978064?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ 911 Emergency – Carl\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>New year. New song. New memes.\u003c/p>\n\n",
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"excerpt": "With just weeks to go until the New Year, let's examine which viral TikToks are best left in 2024.",
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"title": "TikTok Trends to Ditch in 2025 | KQED",
"description": "With just weeks to go until the New Year, let's examine which viral TikToks are best left in 2024.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’ve demure-d our way through 2024. We’ve played passenger princess. \u003ca href=\"https://www.kqed.org/arts/13879390/everything-you-need-to-know-about-sourdough-starters-but-were-afraid-to-ask\">We’ve baked enough sourdough\u003c/a> to cover the world with our bubbly starters. We’ve rawdogged it and we’ve hyped it. All of it.\u003c/p>\n\u003cp>There’s lots to leave behind as the new year rolls around. Here’s a tiny tip of the iceberg of what we’re over as we move on to 2025.\u003c/p>\n\u003ch2>Summer’s over demure-ers!\u003c/h2>\n\u003cp>TikToker Jools Lebron’s 38-second video describing her workday makeup routine as “Very demure. Very mindful” lit up the summer with memes. The video has been viewed more than 50 million times.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@joolieannie/video/7399736793119247662\" data-video-id=\"7399736793119247662\">\n\u003csection>\u003ca title=\"@joolieannie\" href=\"https://www.tiktok.com/@joolieannie?refer=embed\" target=\"_blank\" rel=\"noopener\">@joolieannie\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"demure\" href=\"https://www.tiktok.com/tag/demure?refer=embed\" target=\"_blank\" rel=\"noopener\">#demure\u003c/a> \u003ca title=\"♬ original sound - Jools Lebron\" href=\"https://www.tiktok.com/music/original-sound-7399736743798262574?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – Jools Lebron\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With her newfound fame, Lebron, a transgender woman, was able to earn toward her transition, help her family, rack up some brand deals and make a big statement about staying positive. In another video, she got the world going on “very cutesy.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Love you, Jools! But here’s the thing all you meme-makers: Summer’s over. We’re also looking at you, “brat” enthusiasts. The summer slime greenness of it all and \u003ca href=\"https://www.kqed.org/arts/13967133/charli-xcx-fans-election-2024-harris-trump\">the Charli XCX-Kamala Harris moment\u003c/a> were great! We know you’ll keep it demure as you move on to the next big thing.\u003c/p>\n\u003cp>As for all those dogs and cats eeeking out in videos over President Donald Trump’s Haitian immigrant remark? Here’s to a calmer 2025 for you, Springfield, Ohio.\u003c/p>\n\u003ch2>Passenger princesses: Take the wheel\u003c/h2>\n\u003cp>Speaking of demure but no longer cutesy, in the name of all things Holy Feminism, passenger princesses must abdicate.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A passenger princess, according to Urban Dictionary, is “a pretty girl that has no other job but to look pretty in the passenger seat while her sneaky link/boyfriend/significant other drives.” What’s a sneaky link, you might ask? It’s a secret hookup. For sex.\u003c/p>\n\u003cp>Passenger princesses decorate their sides of front seats with little baubles in the air vent. They pack in snacks on little trays that fit on their Stanley cups. They bring cozy blankies, replace visor mirrors with fancy lit ones and generally reign while demanding their men place one hand on their nearest leg.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@jordan.natae/video/7385623670804319530\" data-video-id=\"7385623670804319530\">\n\u003csection>\u003ca title=\"@jordan.natae\" href=\"https://www.tiktok.com/@jordan.natae?refer=embed\" target=\"_blank\" rel=\"noopener\">@jordan.natae\u003c/a> 💕ultimate passenger princess💕 \u003ca title=\"passengerprincess\" href=\"https://www.tiktok.com/tag/passengerprincess?refer=embed\" target=\"_blank\" rel=\"noopener\">#passengerprincess\u003c/a> \u003ca title=\"grwm\" href=\"https://www.tiktok.com/tag/grwm?refer=embed\" target=\"_blank\" rel=\"noopener\">#grwm\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"♬ GOOD LUCK BABE by CHAPPELL ROAN - Chappell’s Fandom 👑\" href=\"https://www.tiktok.com/music/GOOD-LUCK-BABE-by-CHAPPELL-ROAN-7354234642725096235?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ GOOD LUCK BABE by CHAPPELL ROAN – Chappell’s Fandom 👑\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The term has been around since at least 2020, when a Twitter (now X) user called his dog a passenger princess on a photo of said dog in the front seat of his car. That, eventually, morphed into human princesses storming TikTok.\u003c/p>\n\u003cp>Take the wheel, dear princesses. We know you know how to drive. And congrats, TikToker @masonshea. Your passenger prince video has amassed more than 60 million views since you posted an equal treatment grab in early 2023.\u003c/p>\n\u003ch2>Bubble dressing, pop off\u003c/h2>\n\u003cp>Unless you’re in a \u003ca href=\"https://www.kqed.org/arts/tag/k-pop\">K-pop\u003c/a> girl band and-or young, tall and stick-thin, this fashion thang looks good on exactly no one. And it’s back. On runways. In streetwear. On shopping sites and store shelves.\u003c/p>\n\u003cp>Why reach for puff ball dresses, skirts, bloomers and tops with so many other options out there? \u003cem>Teen Vogue\u003c/em> noted Gen Z’s embrace in September, describing the silhouette as having a form-fitting waist and balloon-like hem. It’s, wait for it, “feminine and romantic” and “draws attention to the body,” the magazine said.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@amadiakilah/video/7381771996205419819\" data-video-id=\"7381771996205419819\">\n\u003csection>\u003ca title=\"@amadiakilah\" href=\"https://www.tiktok.com/@amadiakilah?refer=embed\" target=\"_blank\" rel=\"noopener\">@amadiakilah\u003c/a> Replying to @Caliii Here you go!!!🤍🤍🤍 \u003ca title=\"styletips\" href=\"https://www.tiktok.com/tag/styletips?refer=embed\" target=\"_blank\" rel=\"noopener\">#styletips\u003c/a> \u003ca title=\"styling\" href=\"https://www.tiktok.com/tag/styling?refer=embed\" target=\"_blank\" rel=\"noopener\">#styling\u003c/a> \u003ca title=\"outfitideas\" href=\"https://www.tiktok.com/tag/outfitideas?refer=embed\" target=\"_blank\" rel=\"noopener\">#outfitideas\u003c/a> \u003ca title=\"♬ original sound - AMADI AKILAH\" href=\"https://www.tiktok.com/music/original-sound-7381772013393693482?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ original sound – AMADI AKILAH\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Not, on the aforementioned, in a good way. And that means the majority of women.\u003c/p>\n\u003cp>“There is just something funny about bubble hems and the way they, well, bubble up around your thighs,” \u003cem>Harper Bazaar\u003c/em>’s Tara Gonzalez wrote in August. “They’re vaguely diaperlike in that sense, which is why they aren’t a crowd-pleaser. Instead, they’re something either you get or you don’t.”\u003c/p>\n\u003cp>Bubble dresses, in various iterations, are hardly fresh fashion. Pierre Cardin, Christian Dior, Hubert de Givenchy and Yves Saint Laurent got there first in the 1950s. They, yes, bubbled back up in the 1980s, and again in the 2000s.\u003c/p>\n\u003cp>Dare to be different!\u003c/p>\n\u003ch2>Ooey gooey sourdough starter videos\u003c/h2>\n\u003cp>What did we do during the lockdowns of the coronavirus pandemic? We baked bread. Specifically, we went nuts for sourdough because we were home with time on our hands to feed our starters and tend to our rises and bake our loaves.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Well, some of y’all are still putting up sourdough videos, naming your starters, selling dehydrated bits of your starters, spending hours on rises and pull-and-folds and waxing wise on which tools and baskets are the best.\u003c/p>\n\u003cp>The world has re-started. Keep your bread videos to yourselves. Your starters bubble. They multiply. Your dough rises and rises again. Your little razor cuts are epic. Sourdough bread is lovely and it’s healthy and, now, we all know how to make it.\u003c/p>\n\u003cp>Sourdough videos? No need. Thank you for your service.\u003c/p>\n\u003ch2>Rawdogging: Dump it both ways\u003c/h2>\n\u003cp>Depending on who you are, rawdogging has different meanings. There’s having sex without a condom. And there’s the male-driven travel trend of eschewing all distractions and movement and sustenance while long-haul flying. The latter raw dogging spiked in 2024.\u003c/p>\n\u003cp>You’ve got your hyper-male enthusiasts looking to, well, be hyper-male. And you’ve got your travelers seeking to lock in some sort of mindfulness or uber-focus or, what? Who knows.\u003c/p>\n\u003cp>Listen: You paid for that ticket. Enjoy the food and music and movies. Also, not drinking is just dehydration silly. So is blood clot-worthy not moving around.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@sspencerevans/video/7404979330583104814\" data-video-id=\"7404979330583104814\">\n\u003csection>\u003ca title=\"@sspencerevans\" href=\"https://www.tiktok.com/@sspencerevans?refer=embed\" target=\"_blank\" rel=\"noopener\">@sspencerevans\u003c/a> Just raw dogged this entire flight. 24 hours. \u003ca title=\"flight\" href=\"https://www.tiktok.com/tag/flight?refer=embed\" target=\"_blank\" rel=\"noopener\">#flight\u003c/a> \u003ca title=\"sigmagrindset\" href=\"https://www.tiktok.com/tag/sigmagrindset?refer=embed\" target=\"_blank\" rel=\"noopener\">#sigmagrindset\u003c/a> \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"trend\" href=\"https://www.tiktok.com/tag/trend?refer=embed\" target=\"_blank\" rel=\"noopener\">#trend\u003c/a> \u003ca title=\"flying\" href=\"https://www.tiktok.com/tag/flying?refer=embed\" target=\"_blank\" rel=\"noopener\">#flying\u003c/a> \u003ca title=\"fory\" href=\"https://www.tiktok.com/tag/fory?refer=embed\" target=\"_blank\" rel=\"noopener\">#fory\u003c/a> \u003ca title=\"pov\" href=\"https://www.tiktok.com/tag/pov?refer=embed\" target=\"_blank\" rel=\"noopener\">#pov\u003c/a> \u003ca title=\"♬ sonido original - 𝑪𝑶𝑴𝑨𝑵𝑫𝑨𝑵𝑻𝑬_𝑯𝑵💀🎶\" href=\"https://www.tiktok.com/music/sonido-original-7387531526982814470?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ sonido original – 𝑪𝑶𝑴𝑨𝑵𝑫𝑨𝑵𝑻𝑬_𝑯𝑵💀🎶\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Finding your center by simply staring at the in-flight map seems, simply, pointless. Here’s to a rawdog-free new year. The same goes for that plane seat belt thing where people find it somehow useful (not) to buckle up at the ankles, their knees hiked to their chins. C’mon. That can’t be all that comfortable, let alone safe. Happy turbulence to you all.\u003c/p>\n\u003cp>Speaking of travel trends, shove off people curating the contents of your TSA trays. As for those among you who bought TSA trays to conveniently produce content at home. Not cutesy.\u003c/p>\n\u003ch2>Social media hype talk, take a breath!\u003c/h2>\n\u003cp>These potatoes. I mean, come ON! Are you kidding me? Wow, just wow. Don’t sleep on these! Potatoes!\u003c/p>\n\u003cp>Where there are content creators, there’s hype talk. There’s a superlative mountain. There’s fake amazement, surprise, excitement over the mundanest of mundaney things as the race for likes, shares and comments carries on.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>And there’s a plague of weird verbalisms that make various tasks sound like battlegrounds: I’m “going in” with the ranch dressing. I’m “going in” with this concealer. I’m “frying off” the garlic. I’m gonna “hit it” with the salt!\u003c/p>\n\u003cp>Much has been made of social media speak for decades. This species is just so dumbly an attempt to make something truly boring sound viral worthy. It spread faster than a runaway money train.\u003c/p>\n\u003cp>Take a breath. We’ll look at you making potatoes. We promise.\u003c/p>\n\u003ch2>Standalone ‘staches, wiggle away\u003c/h2>\n\u003cp>The chevron. The Dali. The pencil. The walrus.\u003c/p>\n\u003cp>Since virus lockdowns offered men the time and space to curate their faces, mustaches all by their lonesome have been on the rise. Justin Bieber, Harry Styles, Pedro Pascal, The Weeknd and Jacob Elordi rocked their ‘staches sans beards on red carpets and social media, upping the nowness of it all.\u003c/p>\n\u003cp>As of September 2022, Gillette estimated that 12.5 million men in the U.S. had mustaches. That’s a 1.5% increase from March 2020. The shaving company launched a facial hair-grooming brand, King C. Gillette, to ride the wave.\u003c/p>\n\u003cp>Mustaches, with beards. Fine. Freestanding mustaches. Polarizing. Do we thank a contingent of ironical millennials looking to revisit the past for this, uh, trend? What about the unironical? Do we point to Miles Teller’s character in the 2022 film, \u003cem>Top Gun: Maverick?\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pVcMsjyKlaM'\n title='//www.youtube.com/embed/pVcMsjyKlaM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Teller’s ‘stache was a nod to Anthony Edwards’ similar one in the original 1986 \u003cem>Top Gun\u003c/em>. This is not 1986.\u003c/p>\n\u003cp>Have a nice day.\u003c/p>\n\u003ch2>Dorm rooms on steroids\u003c/h2>\n\u003cp>Fancy headboards. Custom-made cabinetry. An interior designer. Dorm room decor for some is way, WAY off the rails, leaving students who can’t afford to spend thousands in the dirt.\u003c/p>\n\u003cp>The cost of college — tuition, fees, room and board — nearly doubled between 1992 and 2022, rising from an inflation-adjusted average of $14,441 per year to $26,903 across all types of schools, according to the National Center for Education Statistics. Dorm costs saw a similar increase in the same time span, $3,824 to $7,097.\u003c/p>\n\u003cp>Hello haves and have-nots. We see you. And thank you TikTok for fueling the frenzy.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@hello.itskatie/video/6990691618747649286\" data-video-id=\"6990691618747649286\">\n\u003csection>\u003ca title=\"@hello.itskatie\" href=\"https://www.tiktok.com/@hello.itskatie?refer=embed\" target=\"_blank\" rel=\"noopener\">@hello.itskatie\u003c/a> Comment your college! \u003ca title=\"fyp\" href=\"https://www.tiktok.com/tag/fyp?refer=embed\" target=\"_blank\" rel=\"noopener\">#fyp\u003c/a> \u003ca title=\"foryou\" href=\"https://www.tiktok.com/tag/foryou?refer=embed\" target=\"_blank\" rel=\"noopener\">#foryou\u003c/a> \u003ca title=\"foryoupage\" href=\"https://www.tiktok.com/tag/foryoupage?refer=embed\" target=\"_blank\" rel=\"noopener\">#foryoupage\u003c/a> \u003ca title=\"college\" href=\"https://www.tiktok.com/tag/college?refer=embed\" target=\"_blank\" rel=\"noopener\">#college\u003c/a> \u003ca title=\"dormroom\" href=\"https://www.tiktok.com/tag/dormroom?refer=embed\" target=\"_blank\" rel=\"noopener\">#dormroom\u003c/a> \u003ca title=\"welcomeback\" href=\"https://www.tiktok.com/tag/welcomeback?refer=embed\" target=\"_blank\" rel=\"noopener\">#WelcomeBack\u003c/a> \u003ca title=\"chilidogyumplz\" href=\"https://www.tiktok.com/tag/chilidogyumplz?refer=embed\" target=\"_blank\" rel=\"noopener\">#ChiliDogYumPlz\u003c/a> \u003ca title=\"liveflowsweatduet\" href=\"https://www.tiktok.com/tag/liveflowsweatduet?refer=embed\" target=\"_blank\" rel=\"noopener\">#LiveFlowSweatDuet\u003c/a> \u003ca title=\"thesuicidesquadmovie\" href=\"https://www.tiktok.com/tag/thesuicidesquadmovie?refer=embed\" target=\"_blank\" rel=\"noopener\">#TheSuicideSquadMovie\u003c/a> \u003ca title=\"viral\" href=\"https://www.tiktok.com/tag/viral?refer=embed\" target=\"_blank\" rel=\"noopener\">#viral\u003c/a> \u003ca title=\"♬ Psycho (feat. Rubi Rose) - Dixie\" href=\"https://www.tiktok.com/music/Psycho-feat-Rubi-Rose-6977948755974850561?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ Psycho (feat. Rubi Rose) – Dixie\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>Over It runners-up\u003c/h2>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13882681/we-all-know-a-karen-when-we-see-one-now-we-need-to-talk-about-kevin\">Karens\u003c/a>: Airplane Karens. In-store Karens. Neighbor Karens. Park Karens. Yes, we’ve mentioned you before and, lo, you’re still here. You’ve had your day. You’ve had your years. Meds. Therapy. Whatever it takes.\u003c/p>\n\u003cp>Sanewashing: Advance the power of facts. End the false equivalence. In all things. That is all.\u003c/p>\n\u003cp>Anti-aging products for young girls: Damage has been done. Parents, get a grip.\u003c/p>\n\u003cp>Paging Dr. Beat: Emergency, emergency! All you walking-in-place video creators showing off your scrubs and your jammies and your entire wardrobes. Tired content. Cut it out.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@verarosalind/video/7396855444674759979\" data-video-id=\"7396855444674759979\">\n\u003csection>\u003ca title=\"@verarosalind\" href=\"https://www.tiktok.com/@verarosalind?refer=embed\" target=\"_blank\" rel=\"noopener\">@verarosalind\u003c/a> which look is your fav? \u003ca title=\"deminstyle\" href=\"https://www.tiktok.com/tag/deminstyle?refer=embed\" target=\"_blank\" rel=\"noopener\">#deminstyle\u003c/a> \u003ca title=\"drbeat\" href=\"https://www.tiktok.com/tag/drbeat?refer=embed\" target=\"_blank\" rel=\"noopener\">#drbeat\u003c/a> \u003ca title=\"emergency\" href=\"https://www.tiktok.com/tag/emergency?refer=embed\" target=\"_blank\" rel=\"noopener\">#emergency\u003c/a> \u003ca title=\"emergencydancetrend\" href=\"https://www.tiktok.com/tag/emergencydancetrend?refer=embed\" target=\"_blank\" rel=\"noopener\">#emergencydancetrend\u003c/a> \u003ca title=\"modelsoftiktok\" href=\"https://www.tiktok.com/tag/modelsoftiktok?refer=embed\" target=\"_blank\" rel=\"noopener\">#modelsoftiktok\u003c/a> \u003ca title=\"♬ 911 Emergency - Carl\" href=\"https://www.tiktok.com/music/911-Emergency-7371044842366978064?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ 911 Emergency – Carl\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>New year. New song. New memes.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "best-2024-christmas-movies-hanukkah-hot-frosty-netflix-lifetime-hallmark",
"title": "Our 2024 Holiday Movie Guide, With Hanukkah, ‘Hot Frosty’ and All",
"publishDate": 1733168010,
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"headTitle": "Our 2024 Holiday Movie Guide, With Hanukkah, ‘Hot Frosty’ and All | KQED",
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"content": "\u003cp>As is tradition, we find ourselves once again in the heart of holiday movie season. This year’s installments include everything from a snowman who “comes to life,” shirtless Chad Michael Murray, Jack Black as Satan, and two Donna Kelce cameos. An exhaustive list would be prohibitive for both my editorial resources and your patience, but holiday movies are too dear to too many people to skip an update about what’s shaking in this particular glittery snow globe.\u003c/p>\n\u003cp>Here, we’ve broken down the highlights of the season, from the heavy-hitters to new franchise installments and goofy titles. There are casting surprises (like stars of \u003cem>The Office\u003c/em>), and Hanukkah movies on the way. Many of these TV movies are out as of Thanksgiving, but we’ve noted the premiere dates of those yet to come.\u003c/p>\n\u003cp>Let’s take a tour through some highlights.\u003c/p>\n\u003ch2>High-profile entries\u003c/h2>\n\u003cp>Every year, a few holiday TV movies poke their heads above the sea of films made for the die-hards — the people who can tell you off the tops of their heads exactly which frequent lead starred opposite Brandon Routh in \u003cem>The Nine Lives of Christmas\u003c/em> — and become known to the wider population.\u003c/p>\n\u003cp>(It was Kimberley Sustad, obviously. She’s not only been a great lead for Hallmark, but she’s now writing for them, too.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Here are a few that may reach you even if you are not a close follower of this space. They lean toward Netflix, simply because of its size and reach, as well as the fact that Netflix makes fewer movies and makes a bigger deal out of each of them than some of the other providers.\u003c/p>\n\u003ch2>‘Hot Frosty’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=Dmi794YO-0w\u003c/p>\n\u003cp>Social media may have given you the lowdown on \u003cem>Hot Frosty\u003c/em>, which ran for many days at the very top of Netflix’s list of hottest movies. But just in case: \u003cem>Hot Frosty \u003c/em>stars Lacey Chabert (of \u003cem>Party of Five\u003c/em>, \u003cem>Mean Girls\u003c/em>, and roughly 15 prior Christmas movies by my count) and Dustin Milligan (\u003cem>Schitt’s Creek\u003c/em>). She plays a woman who puts a magic scarf on a very realistic snowman who comes to life; he plays the “comes to life.”\u003c/p>\n\u003cp>What follows is a very, very silly — but fortunately self-aware — little comedy also starring Craig Robinson and Joe Lo Truglio (in a \u003cem>Brooklyn Nine-Nine\u003c/em> reunion) as local law enforcement. They are in pursuit of the snowman because they believe him to be a dangerous streaker. That’s right: a dangerous streaker. I mean, he did come to life without pants on.\u003c/p>\n\u003ch2>‘The Merry Gentlemen’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=G80Q8-MJM1A\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>Speaking of coming to life without pants on: I’ve always thought the holiday movie market needs more exotic dancers. Netflix comes through with \u003cem>The Merry Gentlemen\u003c/em>, in which Chad Michael Murray (of \u003cem>One Tree Hill\u003c/em>) and some other shirtless fellows save Christmas. He meets a woman, played by Britt Robertson, who wants desperately to save her parents’ struggling small music venue, The Rhythm Room (!).\u003c/p>\n\u003cp>She comes up with an idea: a PG-13 all-male revue featuring hot men she happens to know in her personal life. My favorite supporting Merry Gentleman: a local played by Maxwell Caulfield, who looked great in \u003cem>Grease 2 \u003c/em>when he was in his early 20s and looks great in this in his 60s. You go, Maxwell Caulfield. Don’t you let them touch your chest hair, either. (This, by the way, is the film that has dethroned \u003cem>Hot Frosty \u003c/em>atop the Netflix Top 10 list as of this writing.)\u003c/p>\n\u003ch2>‘Holiday Touchdown: A Chiefs Love Story’\u003c/h2>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=syuN4M-wa9s\u003c/p>\n\u003cp>When Hallmark announced \u003cem>Holiday Touchdown: A Chiefs Love Story \u003c/em>(Nov. 30) over the summer, it seemed perfectly clear that its intent was to capitalize on the whole Taylor Swift-and-Travis Kelce thing. And don’t get me wrong: That’s true. (Donna Kelce has a cameo — although hilariously, she also has one in Hallmark’s \u003cem>Christmas on Call\u003c/em>, which takes place in Philadelphia. No favoritism for Mama Kelce!) \u003cem>Holiday Touchdown\u003c/em> was also made as a partnership with the team, much like Hallmark partnerships that have existed in the past with locations like Dollywood (\u003cem>\u003ca href=\"https://www.hallmarkchannel.com/christmas-at-dollywood\">Christmas at Dollywood\u003c/a>\u003c/em>), the Plaza Hotel (\u003cem>\u003ca href=\"https://www.hallmarkchannel.com/christmas-at-the-plaza/about-christmas-at-the-plaza\">Christmas at the Plaza\u003c/a>\u003c/em>) and the Biltmore Estate (\u003cem>\u003ca href=\"https://www.hallmarkchannel.com/a-biltmore-christmas\">A Biltmore Christmas\u003c/a>\u003c/em>).\u003c/p>\n\u003cp>[aside postid='arts_13921477']But \u003cem>Holiday Touchdown\u003c/em> is not directly inspired by the Travis/Taylor story. It’s about a woman (Hunter King) whose family is obsessed with the Kansas City Chiefs, and they’re being considered as part of the team’s Fan Of The Year contest. (… Sure.) She meets a guy (Tyler Hynes) who works for the team and becomes the family’s handler for the contest while also falling for her (an enormous conflict of interest, tssk). There’s a magic hat (sure!), there are many (many many) Kansas City cameos and references, and there is an avalanche of Chiefs branding. This one might be a B for regular Hallmark-ers, but it’s an A for Kansas City locals and anybody who’s ever shared a sports team obsession with people they love.\u003c/p>\n\u003cp>And here’s the twist! There \u003cem>is\u003c/em> a movie that looks directly Travis/Taylor inspired, and it’s over on Lifetime. Called \u003cem>\u003ca href=\"https://play.mylifetime.com/movies/christmas-in-the-spotlight/preview-christmas-in-the-spotlight\">Christmas in the Spotlight\u003c/a>\u003c/em>, it is about a pop megastar and a football player — he’s just not a Chiefs player. Glad we could clear this up.\u003c/p>\n\u003ch2>‘Our Little Secret’\u003c/h2>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=fcc9G9PXTEE\u003c/p>\n\u003cp>Lindsay Lohan was very charming in last year’s \u003ca href=\"https://www.kqed.org/arts/13921477/lindsay-lohan-christmas-movie-netflix-falling-for-christmas\">\u003cem>Falling for Christmas \u003c/em>\u003c/a>on Netflix; this year, she’s back with \u003cem>Our Little Secret\u003c/em>, in which she plays a woman who goes to spend the holidays with the family of her new boyfriend and runs into — dun! — her old boyfriend, who’s dating her new boyfriend’s sister. Kristin Chenoweth has the time of her life as the prospective mother-in-law, and Lindsay Lohan is, yet again, a durably charismatic lead who’s still got her comedy chops.\u003c/p>\n\u003ch2>Franchises and sequels\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=IO2Vov72T3Q\u003c/p>\n\u003cp>You may remember 2022’s \u003cem>Three Wise Men and a Baby\u003c/em>, starring three of Hallmark’s top leading men — Andrew Walker, Tyler Hynes and Paul Campbell, or as I admit I knew them for a long time while thoroughly enjoying their work, “that one guy,” “that other guy,” and “oh sure that guy.”\u003c/p>\n\u003cp>[aside postid='arts_13939153']They were brothers stuck caring for a baby over the holidays. Naturally, we now get the sequel titled \u003cem>Three Wiser Men and a Boy\u003c/em>. This is mostly a straight-up family comedy; it’s one of several Hallmark is doing this year that are not really romcoms even if they have romance elements. And, driven by the charm of the three leads, it’s a lot of fun. (These stories are co-written by Campbell and … Kimberley Sustad!)\u003c/p>\n\u003cp>As a side note, it’s been interesting to see Hallmark lean into the popularity of their male leads, who, for a long time, were treated as largely interchangeable partners for higher-profile actresses. They’re even airing a reality show this year called \u003cem>Finding Mr. Christmas\u003c/em>, hosted by Jonathan Bennett, in which men compete for a spot in a Hallmark movie called \u003cem>Happy Howlidays\u003c/em>\u003cem>,\u003c/em> which will then air on Dec. 21.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=j94E_7uwYPI\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>Also up: BET+’s \u003cem>Brewster’s Millions: Christmas \u003c/em>(Dec. 5), a sequel about the niece of Montgomery Brewster, played by Richard Pryor in the 1985 movie. Perhaps not the sequel we were expecting this year, but hey — long waits before stories get picked up again are the norm at this point.\u003c/p>\n\u003cp>We should also note a momentous franchise retirement: Between 2018 and 2023, Hallmark made the loosely connected films \u003cem>Time for Me to Come Home for Christmas\u003c/em>, \u003cem>Time for You to Come Home for Christmas\u003c/em>, \u003cem>Time for Him to Come Home for Christmas\u003c/em>, \u003cem>Time for Her to Come Home for Christmas\u003c/em>, \u003cem>Time for Them to Come Home for Christmas\u003c/em>, and \u003cem>Time for Us to Come Home for Christmas\u003c/em>. Perhaps owing to their exhaustion of the most familiar personal pronouns, they have seemingly completed this series.\u003c/p>\n\u003ch2>What is that title?\u003c/h2>\n\u003cp>Sometimes, the most enjoyable part of previewing holiday movies is looking ahead to the titles that will quite understandably make you wonder whether you are hallucinating — and then assuring you that you are not. Here are some of my favorite titles of 2024.\u003c/p>\n\u003ch2>\u003cstrong>\u003cem>A Very Merry Beauty Salon\u003cbr>\n\u003c/em>\u003c/strong>\u003cspan style=\"font-size: 16px;font-weight: 400\">Lifetime, Dec. 7\u003c/span>\u003c/h2>\n\u003cp>Tia Mowry plays a salon owner who is preparing for a charity ball, and she meets a dashing wine CEO, and what’s not to like about that?\u003c/p>\n\u003ch2>\u003cstrong>\u003cem>The Holiday Junkie\u003cbr>\n\u003c/em>\u003c/strong>\u003cspan style=\"font-size: 16px;font-weight: 400\">Lifetime, Dec. 14\u003c/span>\u003c/h2>\n\u003cp>Jennifer Love Hewitt co-wrote, directed and stars in this story about a woman who works with her mother as a decorator with a special fondness for Christmas. After her mom dies, she meets a Grinchy man who can perhaps help her deal with grief and also kissing.\u003c/p>\n\u003ch2>\u003cstrong>\u003cem>A ’90s Christmas\u003cbr>\n\u003c/em>\u003c/strong>\u003cspan style=\"font-size: 16px;font-weight: 400\">Hallmark, Nov. 29\u003c/span>\u003c/h2>\n\u003cp>I am deeply wounded by the suggestion that the ’90s are ready for their nostalgia run (I know, I know, you don’t have to tell me how the math plays out), but here we are. This one is about a woman who seemingly goes back to 1999 with the help of … an enchanted Uber? (The description says “a mysterious rideshare experience.” I think that means “enchanted Uber.”)\u003c/p>\n\u003ch2>Fun with casting\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=91L4X-XNBzU\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>\u003cem>Confessions of a Christmas Letter \u003c/em>(Hallmark) is about a mom played by Angela Kinsey (of \u003cem>The Office\u003c/em>) who loves her family very much but struggles with her desire to write a competitively braggy Christmas letter about them. Her ultimate goal? To impress the man at the post office who keeps a “Hall of Fame” of Christmas letters. He is played by Brian Baumgartner (who played Kevin on \u003cem>The Office\u003c/em>). So she hires a novelist to spend two weeks writing one for her (uh, I am AVAILABLE FOR THIS GIG). While sparks do fly between said novelist and her daughter, this movie is mostly about this woman’s efforts to accept her imperfect family Christmas as the one that’s perfect for them.\u003c/p>\n\u003cp>\u003cem>Holiday Mismatch \u003c/em>(Hallmark) features two moms who don’t get along, who accidentally set up their adult children and then have to try to get them to break up. The moms are played by Beth Broderick and Caroline Rhea, who spent years playing the two aunts on \u003cem>Sabrina The Teenage Witch\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3n1GUmAhoTs\u003c/p>\n\u003cp>Something quite different: Jack Black’s holiday movie highlight up to this point might be, well, \u003cem>The Holiday\u003c/em>. But this season, on Paramount+, in \u003cem>Dear Santa\u003c/em>, he shows up as Satan (yep), after a kid’s misspelling accidentally summons the wrong higher power at Christmas. Also around for this one: Keegan-Michael Key and Post Malone. In some ways, it’s mostly surprising that Jack Black hasn’t played Satan before now.\u003c/p>\n\u003ch2>What about Hanukkah?\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=Tohd6NlQDXc\u003c/p>\n\u003cp>When the big purveyors of holiday movies do Hanukkah, the results can be mixed, to say the least. BUT. Hallmark made an excellent Hanukkah one last year called \u003cem>Round and Round\u003c/em>, so I have higher hopes for these entries than I used to. This year, Hallmark has two. One, called \u003cem>Leah’s Perfect Gift\u003c/em> (Dec. 8), is about a Jewish woman who loves Christmas (though she doesn’t celebrate it) and welcomes the chance to participate with her boyfriend’s family, only to find things are more complicated than they might seem. It sounds like a tough premise to get perfectly right, but also maybe like a chance for some interesting storytelling.\u003c/p>\n\u003cp>More straightforward-sounding is \u003cem>Hanukkah on the Rocks \u003c/em>(Dec. 13), in which a corporate lawyer ends up bartending for “quirky regulars” at a Chicago bar, goes on a quest for Hanukkah candles, and that’s about the size of that.\u003c/p>\n\u003ch2>Also of note\u003c/h2>\n\u003cp>Most Hallmark Christmas movies have until very recently had a pretty consistent soft-rom-com tone, but it feels like they’re starting to branch out a little. I enjoyed \u003cem>The Christmas Charade\u003c/em>, which is about a woman who gets wrapped up in a spy operation. It reminded me of ’80s shows I adored like \u003cem>Remington Steele\u003c/em>, where beautiful and well-dressed people have adventures while flirting. More of this, say I!\u003c/p>\n\u003cp>\u003cem>The 5-Year Christmas Party \u003c/em>(Hallmark) floats on the outstanding chemistry between Katie Findlay and Jordan Fisher, who play old friends who keep being tempted to make out all the time. It’s lovely and quite funny, and while I was watching this one, I had the thought: “It’s nice that women characters in Hallmark movies are sometimes allowed to have short hair now.”\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=6ooAi6la7xU\u003c/p>\n\u003cp>To say that Hallmark has a sketchy relationship with diversity is an understatement, but I liked \u003cem>Christmas with the Singhs\u003c/em>, which tries to engage with difference in a more straightforward way than their past TV movies. This one is about what it’s like to try to manage families with different holiday traditions when they’re joined by marriage.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=CdW5MdKk_-s\u003c/p>\n\u003cp>As a person with a long history of watching \u003cem>The Amazing Race\u003c/em>, I had a great time with \u003cem>Jingle Bell Run \u003c/em>(Hallmark), which follows two people thrown together on a team for what amounts to a Christmas-themed \u003cem>Amazing Race\u003c/em>. Obviously they fall in love, and it’s super-charming. It stars Ashley Williams and Andrew Walker, who are two of the bigger stars in the Hallmark firmament, and it even gently acknowledges once or twice that they’re getting older, which is very welcome. (I mean, it happens.)\u003c/p>\n\u003cp>[aside postid='arts_13922004']If you like Finland, or dogs, perhaps you’re up for \u003cem>The Finnish Line\u003c/em> (Hallmark, Dec. 1), which is about dogsledding. As a person who has parasocial relationships with many internet dogs, including some sled dogs, this spoke to me personally. (Although I don’t think its grasp on the realities of mushing is terribly firm.)\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So grab a blanket, grab your cocoa, grab a snuggly person or pet or just your warmest sweater, and enjoy some of the standard and not-so-standard offerings of the holiday season.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As is tradition, we find ourselves once again in the heart of holiday movie season. This year’s installments include everything from a snowman who “comes to life,” shirtless Chad Michael Murray, Jack Black as Satan, and two Donna Kelce cameos. An exhaustive list would be prohibitive for both my editorial resources and your patience, but holiday movies are too dear to too many people to skip an update about what’s shaking in this particular glittery snow globe.\u003c/p>\n\u003cp>Here, we’ve broken down the highlights of the season, from the heavy-hitters to new franchise installments and goofy titles. There are casting surprises (like stars of \u003cem>The Office\u003c/em>), and Hanukkah movies on the way. Many of these TV movies are out as of Thanksgiving, but we’ve noted the premiere dates of those yet to come.\u003c/p>\n\u003cp>Let’s take a tour through some highlights.\u003c/p>\n\u003ch2>High-profile entries\u003c/h2>\n\u003cp>Every year, a few holiday TV movies poke their heads above the sea of films made for the die-hards — the people who can tell you off the tops of their heads exactly which frequent lead starred opposite Brandon Routh in \u003cem>The Nine Lives of Christmas\u003c/em> — and become known to the wider population.\u003c/p>\n\u003cp>(It was Kimberley Sustad, obviously. She’s not only been a great lead for Hallmark, but she’s now writing for them, too.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Here are a few that may reach you even if you are not a close follower of this space. They lean toward Netflix, simply because of its size and reach, as well as the fact that Netflix makes fewer movies and makes a bigger deal out of each of them than some of the other providers.\u003c/p>\n\u003ch2>‘Hot Frosty’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Dmi794YO-0w'\n title='//www.youtube.com/embed/Dmi794YO-0w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Social media may have given you the lowdown on \u003cem>Hot Frosty\u003c/em>, which ran for many days at the very top of Netflix’s list of hottest movies. But just in case: \u003cem>Hot Frosty \u003c/em>stars Lacey Chabert (of \u003cem>Party of Five\u003c/em>, \u003cem>Mean Girls\u003c/em>, and roughly 15 prior Christmas movies by my count) and Dustin Milligan (\u003cem>Schitt’s Creek\u003c/em>). She plays a woman who puts a magic scarf on a very realistic snowman who comes to life; he plays the “comes to life.”\u003c/p>\n\u003cp>What follows is a very, very silly — but fortunately self-aware — little comedy also starring Craig Robinson and Joe Lo Truglio (in a \u003cem>Brooklyn Nine-Nine\u003c/em> reunion) as local law enforcement. They are in pursuit of the snowman because they believe him to be a dangerous streaker. That’s right: a dangerous streaker. I mean, he did come to life without pants on.\u003c/p>\n\u003ch2>‘The Merry Gentlemen’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G80Q8-MJM1A'\n title='//www.youtube.com/embed/G80Q8-MJM1A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>Speaking of coming to life without pants on: I’ve always thought the holiday movie market needs more exotic dancers. Netflix comes through with \u003cem>The Merry Gentlemen\u003c/em>, in which Chad Michael Murray (of \u003cem>One Tree Hill\u003c/em>) and some other shirtless fellows save Christmas. He meets a woman, played by Britt Robertson, who wants desperately to save her parents’ struggling small music venue, The Rhythm Room (!).\u003c/p>\n\u003cp>She comes up with an idea: a PG-13 all-male revue featuring hot men she happens to know in her personal life. My favorite supporting Merry Gentleman: a local played by Maxwell Caulfield, who looked great in \u003cem>Grease 2 \u003c/em>when he was in his early 20s and looks great in this in his 60s. You go, Maxwell Caulfield. Don’t you let them touch your chest hair, either. (This, by the way, is the film that has dethroned \u003cem>Hot Frosty \u003c/em>atop the Netflix Top 10 list as of this writing.)\u003c/p>\n\u003ch2>‘Holiday Touchdown: A Chiefs Love Story’\u003c/h2>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/syuN4M-wa9s'\n title='//www.youtube.com/embed/syuN4M-wa9s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When Hallmark announced \u003cem>Holiday Touchdown: A Chiefs Love Story \u003c/em>(Nov. 30) over the summer, it seemed perfectly clear that its intent was to capitalize on the whole Taylor Swift-and-Travis Kelce thing. And don’t get me wrong: That’s true. (Donna Kelce has a cameo — although hilariously, she also has one in Hallmark’s \u003cem>Christmas on Call\u003c/em>, which takes place in Philadelphia. No favoritism for Mama Kelce!) \u003cem>Holiday Touchdown\u003c/em> was also made as a partnership with the team, much like Hallmark partnerships that have existed in the past with locations like Dollywood (\u003cem>\u003ca href=\"https://www.hallmarkchannel.com/christmas-at-dollywood\">Christmas at Dollywood\u003c/a>\u003c/em>), the Plaza Hotel (\u003cem>\u003ca href=\"https://www.hallmarkchannel.com/christmas-at-the-plaza/about-christmas-at-the-plaza\">Christmas at the Plaza\u003c/a>\u003c/em>) and the Biltmore Estate (\u003cem>\u003ca href=\"https://www.hallmarkchannel.com/a-biltmore-christmas\">A Biltmore Christmas\u003c/a>\u003c/em>).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But \u003cem>Holiday Touchdown\u003c/em> is not directly inspired by the Travis/Taylor story. It’s about a woman (Hunter King) whose family is obsessed with the Kansas City Chiefs, and they’re being considered as part of the team’s Fan Of The Year contest. (… Sure.) She meets a guy (Tyler Hynes) who works for the team and becomes the family’s handler for the contest while also falling for her (an enormous conflict of interest, tssk). There’s a magic hat (sure!), there are many (many many) Kansas City cameos and references, and there is an avalanche of Chiefs branding. This one might be a B for regular Hallmark-ers, but it’s an A for Kansas City locals and anybody who’s ever shared a sports team obsession with people they love.\u003c/p>\n\u003cp>And here’s the twist! There \u003cem>is\u003c/em> a movie that looks directly Travis/Taylor inspired, and it’s over on Lifetime. Called \u003cem>\u003ca href=\"https://play.mylifetime.com/movies/christmas-in-the-spotlight/preview-christmas-in-the-spotlight\">Christmas in the Spotlight\u003c/a>\u003c/em>, it is about a pop megastar and a football player — he’s just not a Chiefs player. Glad we could clear this up.\u003c/p>\n\u003ch2>‘Our Little Secret’\u003c/h2>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fcc9G9PXTEE'\n title='//www.youtube.com/embed/fcc9G9PXTEE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Lindsay Lohan was very charming in last year’s \u003ca href=\"https://www.kqed.org/arts/13921477/lindsay-lohan-christmas-movie-netflix-falling-for-christmas\">\u003cem>Falling for Christmas \u003c/em>\u003c/a>on Netflix; this year, she’s back with \u003cem>Our Little Secret\u003c/em>, in which she plays a woman who goes to spend the holidays with the family of her new boyfriend and runs into — dun! — her old boyfriend, who’s dating her new boyfriend’s sister. Kristin Chenoweth has the time of her life as the prospective mother-in-law, and Lindsay Lohan is, yet again, a durably charismatic lead who’s still got her comedy chops.\u003c/p>\n\u003ch2>Franchises and sequels\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IO2Vov72T3Q'\n title='//www.youtube.com/embed/IO2Vov72T3Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>You may remember 2022’s \u003cem>Three Wise Men and a Baby\u003c/em>, starring three of Hallmark’s top leading men — Andrew Walker, Tyler Hynes and Paul Campbell, or as I admit I knew them for a long time while thoroughly enjoying their work, “that one guy,” “that other guy,” and “oh sure that guy.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>They were brothers stuck caring for a baby over the holidays. Naturally, we now get the sequel titled \u003cem>Three Wiser Men and a Boy\u003c/em>. This is mostly a straight-up family comedy; it’s one of several Hallmark is doing this year that are not really romcoms even if they have romance elements. And, driven by the charm of the three leads, it’s a lot of fun. (These stories are co-written by Campbell and … Kimberley Sustad!)\u003c/p>\n\u003cp>As a side note, it’s been interesting to see Hallmark lean into the popularity of their male leads, who, for a long time, were treated as largely interchangeable partners for higher-profile actresses. They’re even airing a reality show this year called \u003cem>Finding Mr. Christmas\u003c/em>, hosted by Jonathan Bennett, in which men compete for a spot in a Hallmark movie called \u003cem>Happy Howlidays\u003c/em>\u003cem>,\u003c/em> which will then air on Dec. 21.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/j94E_7uwYPI'\n title='//www.youtube.com/embed/j94E_7uwYPI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>Also up: BET+’s \u003cem>Brewster’s Millions: Christmas \u003c/em>(Dec. 5), a sequel about the niece of Montgomery Brewster, played by Richard Pryor in the 1985 movie. Perhaps not the sequel we were expecting this year, but hey — long waits before stories get picked up again are the norm at this point.\u003c/p>\n\u003cp>We should also note a momentous franchise retirement: Between 2018 and 2023, Hallmark made the loosely connected films \u003cem>Time for Me to Come Home for Christmas\u003c/em>, \u003cem>Time for You to Come Home for Christmas\u003c/em>, \u003cem>Time for Him to Come Home for Christmas\u003c/em>, \u003cem>Time for Her to Come Home for Christmas\u003c/em>, \u003cem>Time for Them to Come Home for Christmas\u003c/em>, and \u003cem>Time for Us to Come Home for Christmas\u003c/em>. Perhaps owing to their exhaustion of the most familiar personal pronouns, they have seemingly completed this series.\u003c/p>\n\u003ch2>What is that title?\u003c/h2>\n\u003cp>Sometimes, the most enjoyable part of previewing holiday movies is looking ahead to the titles that will quite understandably make you wonder whether you are hallucinating — and then assuring you that you are not. Here are some of my favorite titles of 2024.\u003c/p>\n\u003ch2>\u003cstrong>\u003cem>A Very Merry Beauty Salon\u003cbr>\n\u003c/em>\u003c/strong>\u003cspan style=\"font-size: 16px;font-weight: 400\">Lifetime, Dec. 7\u003c/span>\u003c/h2>\n\u003cp>Tia Mowry plays a salon owner who is preparing for a charity ball, and she meets a dashing wine CEO, and what’s not to like about that?\u003c/p>\n\u003ch2>\u003cstrong>\u003cem>The Holiday Junkie\u003cbr>\n\u003c/em>\u003c/strong>\u003cspan style=\"font-size: 16px;font-weight: 400\">Lifetime, Dec. 14\u003c/span>\u003c/h2>\n\u003cp>Jennifer Love Hewitt co-wrote, directed and stars in this story about a woman who works with her mother as a decorator with a special fondness for Christmas. After her mom dies, she meets a Grinchy man who can perhaps help her deal with grief and also kissing.\u003c/p>\n\u003ch2>\u003cstrong>\u003cem>A ’90s Christmas\u003cbr>\n\u003c/em>\u003c/strong>\u003cspan style=\"font-size: 16px;font-weight: 400\">Hallmark, Nov. 29\u003c/span>\u003c/h2>\n\u003cp>I am deeply wounded by the suggestion that the ’90s are ready for their nostalgia run (I know, I know, you don’t have to tell me how the math plays out), but here we are. This one is about a woman who seemingly goes back to 1999 with the help of … an enchanted Uber? (The description says “a mysterious rideshare experience.” I think that means “enchanted Uber.”)\u003c/p>\n\u003ch2>Fun with casting\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/91L4X-XNBzU'\n title='//www.youtube.com/embed/91L4X-XNBzU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>\u003cem>Confessions of a Christmas Letter \u003c/em>(Hallmark) is about a mom played by Angela Kinsey (of \u003cem>The Office\u003c/em>) who loves her family very much but struggles with her desire to write a competitively braggy Christmas letter about them. Her ultimate goal? To impress the man at the post office who keeps a “Hall of Fame” of Christmas letters. He is played by Brian Baumgartner (who played Kevin on \u003cem>The Office\u003c/em>). So she hires a novelist to spend two weeks writing one for her (uh, I am AVAILABLE FOR THIS GIG). While sparks do fly between said novelist and her daughter, this movie is mostly about this woman’s efforts to accept her imperfect family Christmas as the one that’s perfect for them.\u003c/p>\n\u003cp>\u003cem>Holiday Mismatch \u003c/em>(Hallmark) features two moms who don’t get along, who accidentally set up their adult children and then have to try to get them to break up. The moms are played by Beth Broderick and Caroline Rhea, who spent years playing the two aunts on \u003cem>Sabrina The Teenage Witch\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3n1GUmAhoTs'\n title='//www.youtube.com/embed/3n1GUmAhoTs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Something quite different: Jack Black’s holiday movie highlight up to this point might be, well, \u003cem>The Holiday\u003c/em>. But this season, on Paramount+, in \u003cem>Dear Santa\u003c/em>, he shows up as Satan (yep), after a kid’s misspelling accidentally summons the wrong higher power at Christmas. Also around for this one: Keegan-Michael Key and Post Malone. In some ways, it’s mostly surprising that Jack Black hasn’t played Satan before now.\u003c/p>\n\u003ch2>What about Hanukkah?\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Tohd6NlQDXc'\n title='//www.youtube.com/embed/Tohd6NlQDXc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When the big purveyors of holiday movies do Hanukkah, the results can be mixed, to say the least. BUT. Hallmark made an excellent Hanukkah one last year called \u003cem>Round and Round\u003c/em>, so I have higher hopes for these entries than I used to. This year, Hallmark has two. One, called \u003cem>Leah’s Perfect Gift\u003c/em> (Dec. 8), is about a Jewish woman who loves Christmas (though she doesn’t celebrate it) and welcomes the chance to participate with her boyfriend’s family, only to find things are more complicated than they might seem. It sounds like a tough premise to get perfectly right, but also maybe like a chance for some interesting storytelling.\u003c/p>\n\u003cp>More straightforward-sounding is \u003cem>Hanukkah on the Rocks \u003c/em>(Dec. 13), in which a corporate lawyer ends up bartending for “quirky regulars” at a Chicago bar, goes on a quest for Hanukkah candles, and that’s about the size of that.\u003c/p>\n\u003ch2>Also of note\u003c/h2>\n\u003cp>Most Hallmark Christmas movies have until very recently had a pretty consistent soft-rom-com tone, but it feels like they’re starting to branch out a little. I enjoyed \u003cem>The Christmas Charade\u003c/em>, which is about a woman who gets wrapped up in a spy operation. It reminded me of ’80s shows I adored like \u003cem>Remington Steele\u003c/em>, where beautiful and well-dressed people have adventures while flirting. More of this, say I!\u003c/p>\n\u003cp>\u003cem>The 5-Year Christmas Party \u003c/em>(Hallmark) floats on the outstanding chemistry between Katie Findlay and Jordan Fisher, who play old friends who keep being tempted to make out all the time. It’s lovely and quite funny, and while I was watching this one, I had the thought: “It’s nice that women characters in Hallmark movies are sometimes allowed to have short hair now.”\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6ooAi6la7xU'\n title='//www.youtube.com/embed/6ooAi6la7xU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>To say that Hallmark has a sketchy relationship with diversity is an understatement, but I liked \u003cem>Christmas with the Singhs\u003c/em>, which tries to engage with difference in a more straightforward way than their past TV movies. This one is about what it’s like to try to manage families with different holiday traditions when they’re joined by marriage.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/CdW5MdKk_-s'\n title='//www.youtube.com/embed/CdW5MdKk_-s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As a person with a long history of watching \u003cem>The Amazing Race\u003c/em>, I had a great time with \u003cem>Jingle Bell Run \u003c/em>(Hallmark), which follows two people thrown together on a team for what amounts to a Christmas-themed \u003cem>Amazing Race\u003c/em>. Obviously they fall in love, and it’s super-charming. It stars Ashley Williams and Andrew Walker, who are two of the bigger stars in the Hallmark firmament, and it even gently acknowledges once or twice that they’re getting older, which is very welcome. (I mean, it happens.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>If you like Finland, or dogs, perhaps you’re up for \u003cem>The Finnish Line\u003c/em> (Hallmark, Dec. 1), which is about dogsledding. As a person who has parasocial relationships with many internet dogs, including some sled dogs, this spoke to me personally. (Although I don’t think its grasp on the realities of mushing is terribly firm.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So grab a blanket, grab your cocoa, grab a snuggly person or pet or just your warmest sweater, and enjoy some of the standard and not-so-standard offerings of the holiday season.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Daniel Craig Is a Revelation in ‘Queer,’ a Trippy Tale of Longing",
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"content": "\u003cp>One of the first real signs that \u003cem>Queer\u003c/em> is going to be an unconventional movie is when Daniel Craig in a linen suit saunters through Mexico City during the early ‘50s and the soundtrack blasts a song by Nirvana.\u003c/p>\n\u003cp>It’s a pretty nifty way to explain this story of a man unmoored by time, geography and himself. Craig plays William Lee, an American hiding out in Mexico who spends his time going from bar to bar, knocking back tequila or mescal.\u003c/p>\n\u003cp>[aside postid='arts_13968738']Why is he hiding out? For one thing, he’s a junkie and Mexico is more permissive about heroin use than the States at this time. He’s also gay when being gay was considered abhorrent and Mexico was, again, more permissive. Lee is part of a wealthy expat contingent that fritters away the days stewed in liquor and gossip.\u003c/p>\n\u003cp>He doesn’t just sound like a William S. Burroughs hero, he’s partly Burroughs himself — \u003cem>Queer\u003c/em> was a confessional novella written long before his breakthrough novel \u003cem>Naked Lunch\u003c/em>. So buckle up. You’re going to see some weird stuff.\u003c/p>\n\u003cp>\u003cem>Queer\u003c/em> is best when it’s a character study of Lee, who in Craig’s hands is charming, selfish, arrogant, abrasive, foppish and sometimes unable to read a room. It’s a million miles from 007, even if Lee carries a pistol. Craig allows us to see the yearning for real love that Lee numbs with shot glasses and needles. That Nirvana song is “Come as You Are.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One day that real love suddenly appears in the form of the younger Eugene Allerton (a superb, icy Drew Starkey), who unlocks something in Lee. Could Eugene be the one to make Lee whole? Could they ride off into the sunset? Don’t be silly. This is a Burroughs story.\u003c/p>\n\u003cp>Eugene is on-again, off-again, sometimes loving Lee and sometimes preferring a woman’s company. Part of Eugene seems to dislike Lee or being seen with him. Lee’s voracious need — shown with vigorous lovemaking scenes — is overpowering.\u003c/p>\n\u003cp>One scene has the two men walking down a street and Eugene subtly shakes off the older man’s hand on his shoulder. “Is he a queer?” Lee asks a friend. “I can’t tell.” One drunken night he approaches his source of adoration and confesses he wants to speak without speaking. He soon will try.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ltinrfX03S4\u003c/p>\n\u003cp>Director Luca Guadagnino and screenwriter Justin Kuritzkes, who teamed up for \u003cem>Challengers\u003c/em>, face enormous challenges in adapting Burroughs’s words to the screen and yet they manage it, lyrically.\u003c/p>\n\u003cp>[aside postid='arts_13968600']There is a single-take scene in which Lee assembles the equipment necessary to inject himself with heroin and the camera watches as he gets high, slowing his body down to become a sort of pathetic statue at the kitchen table.\u003c/p>\n\u003cp>Symbols — a wriggling bug, snakes and mirrors — combine with trippy techniques meant to show Lee’s interior life, like his arm superimposed onto a scene tenderly touching his paramour when, in reality, it is hanging still. And there is a late moment of surreal beauty as the lovers climb into each other’s bodies, hands under the skin.\u003c/p>\n\u003cp>\u003cem>Queer\u003c/em> — broken up into three chapters and an epilogue — gets trippier in the later stages, when Lee and Eugene leave Mexico in search of a South American plant that apparently gives users telepathic powers. Lee is clearly trying to find a shortcut into the soul, bypassing the messiness of human interactions. “You think it can fix things for you,” he is told.\u003c/p>\n\u003cp>But this part isn’t well integrated with the first half, almost like a movie fragment, and the filmmakers fumble an attempt to deal with the death of Burroughs’ wife, Joan Vollmer. Guadagnino seems to unnecessarily channel Stanley Kubrick as the movie wobbles to its end, with scenes filled with deafening sound, then pregnant silence and an artificial momentousness.\u003c/p>\n\u003cp>[aside postid='arts_13968446']The score by Trent Reznor and Atticus Ross is vibrant but it gets a chef’s kiss with the addition of songs by Prince, New Order and Lydia Mendoza, mixed with contemporary songs by Benny Goodman, Eddie Cantor, Frankie Lane and Cole Porter.\u003c/p>\n\u003cp>The weight of it all comes down to Craig, and he’s a wonder in a fedora, dirt stains on his linen pants. \u003cem>Queer\u003c/em> is a reminder of how good an actor he is and how brave he can be — naked, needy and noxious. You’ll be shaken and stirred.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Queer’ opens in Bay Area theaters on Dec. 5, 2024 and nationwide on Dec. 13.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Why is he hiding out? For one thing, he’s a junkie and Mexico is more permissive about heroin use than the States at this time. He’s also gay when being gay was considered abhorrent and Mexico was, again, more permissive. Lee is part of a wealthy expat contingent that fritters away the days stewed in liquor and gossip.\u003c/p>\n\u003cp>He doesn’t just sound like a William S. Burroughs hero, he’s partly Burroughs himself — \u003cem>Queer\u003c/em> was a confessional novella written long before his breakthrough novel \u003cem>Naked Lunch\u003c/em>. So buckle up. You’re going to see some weird stuff.\u003c/p>\n\u003cp>\u003cem>Queer\u003c/em> is best when it’s a character study of Lee, who in Craig’s hands is charming, selfish, arrogant, abrasive, foppish and sometimes unable to read a room. It’s a million miles from 007, even if Lee carries a pistol. Craig allows us to see the yearning for real love that Lee numbs with shot glasses and needles. That Nirvana song is “Come as You Are.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One day that real love suddenly appears in the form of the younger Eugene Allerton (a superb, icy Drew Starkey), who unlocks something in Lee. Could Eugene be the one to make Lee whole? Could they ride off into the sunset? Don’t be silly. This is a Burroughs story.\u003c/p>\n\u003cp>Eugene is on-again, off-again, sometimes loving Lee and sometimes preferring a woman’s company. Part of Eugene seems to dislike Lee or being seen with him. Lee’s voracious need — shown with vigorous lovemaking scenes — is overpowering.\u003c/p>\n\u003cp>One scene has the two men walking down a street and Eugene subtly shakes off the older man’s hand on his shoulder. “Is he a queer?” Lee asks a friend. “I can’t tell.” One drunken night he approaches his source of adoration and confesses he wants to speak without speaking. He soon will try.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ltinrfX03S4'\n title='//www.youtube.com/embed/ltinrfX03S4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Director Luca Guadagnino and screenwriter Justin Kuritzkes, who teamed up for \u003cem>Challengers\u003c/em>, face enormous challenges in adapting Burroughs’s words to the screen and yet they manage it, lyrically.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>There is a single-take scene in which Lee assembles the equipment necessary to inject himself with heroin and the camera watches as he gets high, slowing his body down to become a sort of pathetic statue at the kitchen table.\u003c/p>\n\u003cp>Symbols — a wriggling bug, snakes and mirrors — combine with trippy techniques meant to show Lee’s interior life, like his arm superimposed onto a scene tenderly touching his paramour when, in reality, it is hanging still. And there is a late moment of surreal beauty as the lovers climb into each other’s bodies, hands under the skin.\u003c/p>\n\u003cp>\u003cem>Queer\u003c/em> — broken up into three chapters and an epilogue — gets trippier in the later stages, when Lee and Eugene leave Mexico in search of a South American plant that apparently gives users telepathic powers. Lee is clearly trying to find a shortcut into the soul, bypassing the messiness of human interactions. “You think it can fix things for you,” he is told.\u003c/p>\n\u003cp>But this part isn’t well integrated with the first half, almost like a movie fragment, and the filmmakers fumble an attempt to deal with the death of Burroughs’ wife, Joan Vollmer. Guadagnino seems to unnecessarily channel Stanley Kubrick as the movie wobbles to its end, with scenes filled with deafening sound, then pregnant silence and an artificial momentousness.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The score by Trent Reznor and Atticus Ross is vibrant but it gets a chef’s kiss with the addition of songs by Prince, New Order and Lydia Mendoza, mixed with contemporary songs by Benny Goodman, Eddie Cantor, Frankie Lane and Cole Porter.\u003c/p>\n\u003cp>The weight of it all comes down to Craig, and he’s a wonder in a fedora, dirt stains on his linen pants. \u003cem>Queer\u003c/em> is a reminder of how good an actor he is and how brave he can be — naked, needy and noxious. You’ll be shaken and stirred.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Queer’ opens in Bay Area theaters on Dec. 5, 2024 and nationwide on Dec. 13.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Cyndi Lauper Consoles a Post-Election Crowd in San Francisco",
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"content": "\u003cp>Cyndi Lauper didn’t once mention the election Tuesday night, but it hung in the air so clearly that she didn’t need to. For a San Francisco crowd that included Nancy Pelosi in the third row, Lauper acknowledged the past three weeks without once saying the E-word or, God forbid, the T-word. \u003c/p>\n\u003cp>“I never thought I’d be a second-class citizen again, and not have autonomy over my own body because of my gender,” she said at one point. She talked about rock bands full of “men, men, men, men, men”; she spoke of the power in a woman driving herself somewhere, or writing her own songs. \u003c/p>\n\u003cfigure id=\"attachment_13968723\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27.jpg\" alt=\"\" width=\"2000\" height=\"1280\" class=\"size-full wp-image-13968723\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1020x653.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-768x492.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1536x983.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1920x1229.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, after opener “She Bop” — a once-scandalous ode to (gasp!) female masturbation that underscored just how far American society has progressed since the 1980s — she talked about pretty much anything on her mind, like the ways American society has moved backward, particularly on women’s equal rights.\u003c/p>\n\u003cp>Lauper is on what she’s promising is her final tour, and she’s so beloved by fans that she padded an hour-and-45-minute farewell set with these extended, off-the-cuff monologues. But it was the songs that got the people to their feet, from the belting Gene Pitney torch ballad “I’m Gonna Be Strong’ to the No. 1 single “Time After Time,” performed to an arena bathed in phone lights. \u003c/p>\n\u003cfigure id=\"attachment_13968725\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44.jpg\" alt=\"\" width=\"2000\" height=\"1400\" class=\"size-full wp-image-13968725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-800x560.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1020x714.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-768x538.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1536x1075.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1920x1344.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It is an odd artifact of the 1980s that both Cyndi Lauper and Donald Trump advocated for and \u003ca href=\"https://www.youtube.com/watch?v=JsKMb899g2Y\">participated in\u003c/a> pro wrestling. “The Goonies ‘R’ Good Enough” and its attendant film montage gave Lauper a reason to shout out wrestlers like Lou Albano, Fred Blassie and Rowdy Roddy Piper. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>How Trump used pro wrestling’s playbook and a reality TV show (on which Lauper \u003ca href=\"https://www.youtube.com/watch?v=k_Ie5B6utUA\">appeared\u003c/a>) to commandeer a political party and twice take over a nation will be studied for decades. For her part, Lauper on Tuesday night introduced a song that, as she said, seemed more true than ever: “Money Changes Everything.”\u003c/p>\n\u003cfigure id=\"attachment_13968726\" class=\"wp-caption aligncenter\" style=\"max-width: 1480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46.jpg\" alt=\"\" width=\"1480\" height=\"2000\" class=\"size-full wp-image-13968726\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46.jpg 1480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-800x1081.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-1020x1378.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-160x216.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-768x1038.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-1137x1536.jpg 1137w\" sizes=\"(max-width: 1480px) 100vw, 1480px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In fact, just about any song from Lauper’s smash album \u003cem>She’s So Unusual\u003c/em> won over the mostly 40-and-up crowd. During “When You Were Mine,” the masterwork by Prince about the aftermath of a situationship, you could feel the energy of thousands of people remembering what the song once meant to them, or who they shared it with, and where, long ago. \u003c/p>\n\u003cp>That connection persisted for “True Colors,” the enduring LGBTQ anthem which Lauper performed on a small stage in the center of the arena, a sheer rainbow fabric rippling in the air above. The moment was so strong, nearly reverent, that the following set closer arrived as a foregone afterthought.\u003c/p>\n\u003cfigure id=\"attachment_13968728\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" class=\"size-full wp-image-13968728\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Girls Just Wanna Have Fun” is so ubiquitous, so universal, that Lauper often finds new ways to perform it. On Tuesday night, oddly, that meant three giant portraits of the artist Yayoi Kusama, stern and unsmiling, on the giant stage backdrop, and a set and wardrobe bathed in Kusama’s red-and-white polka dots.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Cyndi Lauper hugged Nancy Pelosi. Opener Trixie Mattel came back out to sing the second verse. Confetti ribbons shot into the air. If this truly was the last time San Francisco will see Lauper sing her hits, it left a memorable image. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Cyndi Lauper didn’t once mention the election Tuesday night, but it hung in the air so clearly that she didn’t need to. For a San Francisco crowd that included Nancy Pelosi in the third row, Lauper acknowledged the past three weeks without once saying the E-word or, God forbid, the T-word. \u003c/p>\n\u003cp>“I never thought I’d be a second-class citizen again, and not have autonomy over my own body because of my gender,” she said at one point. She talked about rock bands full of “men, men, men, men, men”; she spoke of the power in a woman driving herself somewhere, or writing her own songs. \u003c/p>\n\u003cfigure id=\"attachment_13968723\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27.jpg\" alt=\"\" width=\"2000\" height=\"1280\" class=\"size-full wp-image-13968723\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1020x653.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-768x492.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1536x983.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-27-1920x1229.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, after opener “She Bop” — a once-scandalous ode to (gasp!) female masturbation that underscored just how far American society has progressed since the 1980s — she talked about pretty much anything on her mind, like the ways American society has moved backward, particularly on women’s equal rights.\u003c/p>\n\u003cp>Lauper is on what she’s promising is her final tour, and she’s so beloved by fans that she padded an hour-and-45-minute farewell set with these extended, off-the-cuff monologues. But it was the songs that got the people to their feet, from the belting Gene Pitney torch ballad “I’m Gonna Be Strong’ to the No. 1 single “Time After Time,” performed to an arena bathed in phone lights. \u003c/p>\n\u003cfigure id=\"attachment_13968725\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44.jpg\" alt=\"\" width=\"2000\" height=\"1400\" class=\"size-full wp-image-13968725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-800x560.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1020x714.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-160x112.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-768x538.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1536x1075.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-44-1920x1344.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It is an odd artifact of the 1980s that both Cyndi Lauper and Donald Trump advocated for and \u003ca href=\"https://www.youtube.com/watch?v=JsKMb899g2Y\">participated in\u003c/a> pro wrestling. “The Goonies ‘R’ Good Enough” and its attendant film montage gave Lauper a reason to shout out wrestlers like Lou Albano, Fred Blassie and Rowdy Roddy Piper. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>How Trump used pro wrestling’s playbook and a reality TV show (on which Lauper \u003ca href=\"https://www.youtube.com/watch?v=k_Ie5B6utUA\">appeared\u003c/a>) to commandeer a political party and twice take over a nation will be studied for decades. For her part, Lauper on Tuesday night introduced a song that, as she said, seemed more true than ever: “Money Changes Everything.”\u003c/p>\n\u003cfigure id=\"attachment_13968726\" class=\"wp-caption aligncenter\" style=\"max-width: 1480px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46.jpg\" alt=\"\" width=\"1480\" height=\"2000\" class=\"size-full wp-image-13968726\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46.jpg 1480w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-800x1081.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-1020x1378.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-160x216.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-768x1038.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-46-1137x1536.jpg 1137w\" sizes=\"(max-width: 1480px) 100vw, 1480px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In fact, just about any song from Lauper’s smash album \u003cem>She’s So Unusual\u003c/em> won over the mostly 40-and-up crowd. During “When You Were Mine,” the masterwork by Prince about the aftermath of a situationship, you could feel the energy of thousands of people remembering what the song once meant to them, or who they shared it with, and where, long ago. \u003c/p>\n\u003cp>That connection persisted for “True Colors,” the enduring LGBTQ anthem which Lauper performed on a small stage in the center of the arena, a sheer rainbow fabric rippling in the air above. The moment was so strong, nearly reverent, that the following set closer arrived as a foregone afterthought.\u003c/p>\n\u003cfigure id=\"attachment_13968728\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" class=\"size-full wp-image-13968728\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/20241127_CyndiLauper_GC-29_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Cyndi Lauper performs during her Girls Just Wanna Have Fun Farewell Tour at the Chase Center in San Francisco on Nov. 26, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Girls Just Wanna Have Fun” is so ubiquitous, so universal, that Lauper often finds new ways to perform it. On Tuesday night, oddly, that meant three giant portraits of the artist Yayoi Kusama, stern and unsmiling, on the giant stage backdrop, and a set and wardrobe bathed in Kusama’s red-and-white polka dots.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Cyndi Lauper hugged Nancy Pelosi. Opener Trixie Mattel came back out to sing the second verse. Confetti ribbons shot into the air. If this truly was the last time San Francisco will see Lauper sing her hits, it left a memorable image. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Angelina Jolie Is Graceful and Sharp as Opera Star Maria Callas in ‘Maria’",
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"headTitle": "Angelina Jolie Is Graceful and Sharp as Opera Star Maria Callas in ‘Maria’ | KQED",
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"content": "\u003cp>Angelina Jolie glides through the final days of Maria Callas’ short life in Pablo Larraín’s \u003cem>Maria\u003c/em>, a dramatic, evocative elegy to the famed soprano. It’s an affair that’s at turns melancholy, biting and grandly theatrical, an aria for a once in a generation star.\u003c/p>\n\u003cp>Reality is of little consequence on the stage and in \u003cem>Maria\u003c/em>. It’s all about the raw feeling, which serves the movie well, more dream than history lesson about La Callas. Early on, she pops some Mandrax and tells her devoted butler Ferruccio (a simply wonderful Pierfrancesco Favino) that a television crew is on the way. Are they real, he wonders.\u003c/p>\n\u003cp>[aside postid='arts_13968359']“As of this morning, what is real and what is not real is my business,” she says calmly and definitively, making a feast out of Steven Knight’s sharp script. It’s one of many great lines and moments for Jolie, whose intensity and resolve belie her fragile appearance. And it’s a signal to the audience as well: Don’t fret about dull facts or that Jolie doesn’t really resemble Callas all that much. This is a biopic as opera — an emotional journey fitting of the great diva, full of flair, beauty, betrayal, revelations and sorrow.\u003c/p>\n\u003cp>In \u003cem>Maria\u003c/em>, we are the companion to a protagonist with an ever-loosening grip on reality, walking with her through Paris, and her life, for one week in September 1977.\u003c/p>\n\u003cp>The images from cinematographer Ed Lachman, playfully shifting in form and style, take us on a scattershot journey through her triumphs on stage, her scandalous romance with Aristotle Onassis (Haluk Bilginer) and her traumatic youth. In the present, at age 53, she sleeps till midday, drinks the minimal calories she ingests, goes to restaurants where the waiters know her name looking for adulation and has visions of performances staged just for her all around the city.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Callas is always immaculately dressed and assured, whether reflecting to the imagined news crew (led by Kodi Smit-McPhee) or attempting to find her voice again. Her instrument had famously diminished, leaving her wondering what’s left to live for. The only consistent praise she gets is from her obedient housemaid Bruna (Alba Rohrwacher). It’s no secret that the destination is death. And you suspect that she knows quite well that everything will be a big dimmer when her spotlight is turned off.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_7_ze9palm0\u003c/p>\n\u003cp>Larraín has made a lasting mark on cinema with his unofficial trilogy about these famous women with tragic narratives. With \u003cem>Jackie\u003c/em>, \u003cem>Spencer\u003c/em> and now \u003cem>Maria\u003c/em>, his films are also an unintentional antidote to Ryan Murphy’s stranglehold of the grand dames of recent history, which are all style and scandal and little substance. And yet Larraín’s films are not for everyone. If \u003cem>Jackie\u003c/em> and \u003cem>Spencer\u003c/em> did not speak to you, did not show those women as you hoped they would, \u003cem>Maria\u003c/em> will not turn you into a believer. Three movies in, it seems that audiences are either very on board with his vision or not. There is little room for an in between.\u003c/p>\n\u003cp>And yet it’s hard to deny that his films are incredible showcases for actors. Jolie as a movie star is somehow both omnipresent and elusive, and lately she chooses to step in front of the camera all too infrequently. Sometimes you wish she could just follow in Nicole Kidman’s footsteps, for whom quantity does not seem to ever jeopardize quality, and she seems to be having fun doing it all, all the time. Perhaps it’s because performances like Jolie’s in \u003cem>Maria\u003c/em> look so all-consuming.\u003c/p>\n\u003cp>[aside postid='arts_13968437']In the film, Maria scolds a fan for daring to question that she faked sickness to miss a performance. He doesn’t understand the total commitment of body and soul required to make it look effortless, which is probably true. Jolie is not so dramatic, at least publicly, about what it takes to create art. But here the lines blur: Character and actor blend so seamlessly, so ferociously, that you leave not just with heightened empathy for La Callas but Jolie as well.\u003c/p>\n\u003cp>In one of the film’s few regrettable scenes, she’s put face to face with John F. Kennedy (no fault of Caspar Phillipson), whose wife has caught the greedy eye of Onassis. As a testament to the power of Jolie and the script, you almost forgive yet another JFK impersonation for giving her one of the great brushoffs to utter, romantic and withering all at once. Is it all a little much? Of course, but that’s kind of the point of Maria.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Maria’ is out in Bay Area theaters on Nov. 27, 2024, and begins streaming on Netflix on Dec. 11.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Pablo Larraín follows ‘Jackie’ and ‘Spencer’ with this meditative and melancholy biopic.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Angelina Jolie glides through the final days of Maria Callas’ short life in Pablo Larraín’s \u003cem>Maria\u003c/em>, a dramatic, evocative elegy to the famed soprano. It’s an affair that’s at turns melancholy, biting and grandly theatrical, an aria for a once in a generation star.\u003c/p>\n\u003cp>Reality is of little consequence on the stage and in \u003cem>Maria\u003c/em>. It’s all about the raw feeling, which serves the movie well, more dream than history lesson about La Callas. Early on, she pops some Mandrax and tells her devoted butler Ferruccio (a simply wonderful Pierfrancesco Favino) that a television crew is on the way. Are they real, he wonders.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“As of this morning, what is real and what is not real is my business,” she says calmly and definitively, making a feast out of Steven Knight’s sharp script. It’s one of many great lines and moments for Jolie, whose intensity and resolve belie her fragile appearance. And it’s a signal to the audience as well: Don’t fret about dull facts or that Jolie doesn’t really resemble Callas all that much. This is a biopic as opera — an emotional journey fitting of the great diva, full of flair, beauty, betrayal, revelations and sorrow.\u003c/p>\n\u003cp>In \u003cem>Maria\u003c/em>, we are the companion to a protagonist with an ever-loosening grip on reality, walking with her through Paris, and her life, for one week in September 1977.\u003c/p>\n\u003cp>The images from cinematographer Ed Lachman, playfully shifting in form and style, take us on a scattershot journey through her triumphs on stage, her scandalous romance with Aristotle Onassis (Haluk Bilginer) and her traumatic youth. In the present, at age 53, she sleeps till midday, drinks the minimal calories she ingests, goes to restaurants where the waiters know her name looking for adulation and has visions of performances staged just for her all around the city.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Callas is always immaculately dressed and assured, whether reflecting to the imagined news crew (led by Kodi Smit-McPhee) or attempting to find her voice again. Her instrument had famously diminished, leaving her wondering what’s left to live for. The only consistent praise she gets is from her obedient housemaid Bruna (Alba Rohrwacher). It’s no secret that the destination is death. And you suspect that she knows quite well that everything will be a big dimmer when her spotlight is turned off.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_7_ze9palm0'\n title='//www.youtube.com/embed/_7_ze9palm0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Larraín has made a lasting mark on cinema with his unofficial trilogy about these famous women with tragic narratives. With \u003cem>Jackie\u003c/em>, \u003cem>Spencer\u003c/em> and now \u003cem>Maria\u003c/em>, his films are also an unintentional antidote to Ryan Murphy’s stranglehold of the grand dames of recent history, which are all style and scandal and little substance. And yet Larraín’s films are not for everyone. If \u003cem>Jackie\u003c/em> and \u003cem>Spencer\u003c/em> did not speak to you, did not show those women as you hoped they would, \u003cem>Maria\u003c/em> will not turn you into a believer. Three movies in, it seems that audiences are either very on board with his vision or not. There is little room for an in between.\u003c/p>\n\u003cp>And yet it’s hard to deny that his films are incredible showcases for actors. Jolie as a movie star is somehow both omnipresent and elusive, and lately she chooses to step in front of the camera all too infrequently. Sometimes you wish she could just follow in Nicole Kidman’s footsteps, for whom quantity does not seem to ever jeopardize quality, and she seems to be having fun doing it all, all the time. Perhaps it’s because performances like Jolie’s in \u003cem>Maria\u003c/em> look so all-consuming.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In the film, Maria scolds a fan for daring to question that she faked sickness to miss a performance. He doesn’t understand the total commitment of body and soul required to make it look effortless, which is probably true. Jolie is not so dramatic, at least publicly, about what it takes to create art. But here the lines blur: Character and actor blend so seamlessly, so ferociously, that you leave not just with heightened empathy for La Callas but Jolie as well.\u003c/p>\n\u003cp>In one of the film’s few regrettable scenes, she’s put face to face with John F. Kennedy (no fault of Caspar Phillipson), whose wife has caught the greedy eye of Onassis. As a testament to the power of Jolie and the script, you almost forgive yet another JFK impersonation for giving her one of the great brushoffs to utter, romantic and withering all at once. Is it all a little much? Of course, but that’s kind of the point of Maria.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Maria’ is out in Bay Area theaters on Nov. 27, 2024, and begins streaming on Netflix on Dec. 11.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>If you have an avid cook or food lover in your life, your gifting opportunities these days are vast and deep. There are authentic ingredients and creative concoctions in brick-and-mortar shops and online. The global pantry beckons. Plus, in many cases, the packaging is gorgeous!\u003c/p>\n\u003cp>Many of these affordable luxuries can be tucked into a stocking, but they also make great presents for a co-worker, mail carrier, nephew or teacher. As a slightly compulsive and obsessive gift giver, matching the right edible treat to the recipient is my jam (another great gifting option!).\u003c/p>\n\u003cp>All of these items cost under $50, but make a big splash.\u003c/p>\n\u003cp>Let’s go!\u003c/p>\n\u003ch2>Ah, nuts\u003c/h2>\n\u003cp>Two Chinese American friends took the flavors of their favorite childhood treats and transformed them into sweet spreads, ready to be slathered on toast, apples or just eaten with a spoon. Rooted Fare sells spreads like Crunchy Black Sesame Butter (inspired by tang yuan, a Lunar New Year dessert ), Pineapple Cake Cashew Butter, and Chinese Almond Cookie Butter. $15 per jar.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Il Colle del Gusto makes some sweet and unusual nut-based spreads with an Italian twist: Coarse Hazelnut and Cocoa, Crunchy Peanut, and Sicilian Pistachio, all blended with olive oil. Swirl them into ice cream, slather them onto toast. Each jar under $10.\u003c/p>\n\u003cp>Related: Sesame lovers will be delighted with either an assortment of tahini products such as Chocolate Sesame Sauce, or a tub of flaky, melt-in-your-mouth halva in flavors like cardamom and pistachio from Seed + Mill. Some great gift sets available for under $50.\u003c/p>\n\u003ch2>The crunchiest\u003c/h2>\n\u003cfigure id=\"attachment_13968674\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968674\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by.png\" alt=\"A gift box and several jars sit on top of a white marble surface.\" width=\"2000\" height=\"1361\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-800x544.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-1020x694.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-160x109.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-768x523.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-1536x1045.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-1920x1307.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A variety of chili crunch products. \u003ccite>(Katie Workman via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chile crunch condiments have taken the cooking world by storm, and there are some highly giftable options.\u003c/p>\n\u003cp>Fly By Jing makes a large assortment of Asian-inspired chile crunches, and they have some attractively packaged gift sets for the holidays. The mini sampler set is around $20.\u003c/p>\n\u003cp>The aptly named Chile Crunch sells several varieties of their crunchy condiment, including hot, chipotle, mild and original, all for about $13 per jar.\u003c/p>\n\u003cp>Somos’ Salsa Macha Mexican Chili Crisps explode with texture thanks to a whole lot of nuts and seeds. Scoop these spicy-crunchy sauces over everything from avocado toast to tacos — and try the sweeter one on ice cream! The gift set of two comes with a cute spoon for $35.\u003c/p>\n\u003ch2>Feeling saucy\u003c/h2>\n\u003cp>Chef Patricia Quintana has created a line of salsas, sauces, dressings and condiments that preserves the heritage of traditional Mexican cooking. Treat someone to a jar of Achiote sauce or Pineapple Habanero Salsa (and hope you get invited over for the ensuing meal). $15 to $20 per jar.\u003c/p>\n\u003cp>Ever heard of Secret Aardvark sauces? You might be tempted to spread the word. This Caribbean/Tex-Mex line of condiments has a big following for what they call their “flavor that kicks you in the mouth.” There are many choices, including Drunken Jerk Jamaican Marinade, and Aardvark Habanero Hot Sauce. $10 each, with combo packs starting at $20.\u003c/p>\n\u003ch2>Something fishy\u003c/h2>\n\u003cfigure id=\"attachment_13968675\" class=\"wp-caption aligncenter\" style=\"max-width: 1854px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968675\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish.png\" alt=\"\" width=\"1854\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish.png 1854w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-800x863.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-1020x1100.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-160x173.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-768x828.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-1424x1536.png 1424w\" sizes=\"(max-width: 1854px) 100vw, 1854px\">\u003cfigcaption class=\"wp-caption-text\">A variety of tinned fish. \u003ccite>(Katie Workman via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tinned fish is also having a blockbuster culinary moment (and in many cases the packaging is super fun). Fishwife cans ethically sourced fish, like salmon, anchovies and trout, from around the world, with some attractive gift boxes under $50.\u003c/p>\n\u003cp>La Narval focuses on combinations of fish and sauce, such as their mussels in Spanish sauce. Each tin is about $10.\u003c/p>\n\u003ch2>Just a nibble\u003c/h2>\n\u003cp>The Drinks Bakery creates savory snacks with flavor profiles meant to match up perfectly with your favorite libations. Munch on a Lancashire Cheese and Spring Onion biscuit with a hoppy IPA or a sauvignon blanc. Serve the Parmesan, Toasted Pine Nut and Basil biscuits with a whiskey highball or champagne. Choose from small or larger boxes.\u003c/p>\n\u003ch2>Oil and vinegar\u003c/h2>\n\u003cfigure id=\"attachment_13968676\" class=\"wp-caption aligncenter\" style=\"max-width: 1764px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968676\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil.png\" alt=\"\" width=\"1764\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil.png 1764w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-800x907.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-1020x1156.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-160x181.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-768x871.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-1355x1536.png 1355w\" sizes=\"(max-width: 1764px) 100vw, 1764px\">\u003cfigcaption class=\"wp-caption-text\">A selection of oils and vinegars. \u003ccite>(Katie Workman via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I can’t think of a food gift I’m happier to see than a high-quality bottle of oil or vinegar, two of the most-used ingredients in my kitchen. Bona Fortuna’s selection of Sicilian olive oils is fresh and fragrant, and their aged balsamic vinegars are thick, sweet and rich. The Invecchiato 7-Year Aged Balsamic Vinegar of Modena, for instance, sells for $44.95; Forte Extra Virgin Olive Oil from $10.95 to $39.95.\u003c/p>\n\u003cp>Metafora olive oil comes in a beautiful bottle and is a nice introduction to Portuguese olive oil. $40.\u003c/p>\n\u003cp>Alvear makes lovely Andalusian sherry vinegars. For the salad makers and Spanish chefs in your life, think about gifting one each of the bottles, a sweet and a dry, about $20 a pop.\u003c/p>\n\u003ch2>Fancy pants\u003c/h2>\n\u003cp>Tartuflanghe makes all sorts of luxury ingredients infused with white and black truffles. Elevate your cooking game with truffle-infused butters with flavors like porcini or anchovy (about $10 each). Pick up a box of decadent, truffle-flavored Tartufissima 19 for $32. Or how about a little jar of black truffle pearls, which look like caviar, and are the most elegant way to finish off a risotto or a deviled egg ($40)?\u003c/p>\n\u003ch2>Sweet delicacies\u003c/h2>\n\u003cfigure id=\"attachment_13968672\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968672\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders.png\" alt=\"\" width=\"2000\" height=\"1353\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-800x541.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-1020x690.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-768x520.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-1536x1039.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-1920x1299.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Two bags of sea salt caramels from Sanders. \u003ccite>(Katie Workman via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>’Tis the season for sweet things, but there’s no need to settle for the same old bonbons.\u003c/p>\n\u003cp>Sanders is known for decadent, chocolate-covered caramels, and this holiday season they have some limited-edition flavors. Do you know someone who might like a bag of bourbon, maple or peppermint dark-chocolate sea-salt caramels? I do! $10.\u003c/p>\n\u003cp>Perhaps you’ve seen the elegant Lady M layered crepe cakes? Well this holiday, try their more portable and giftable Holiday Crepe Biscuit Collection. Eight wedge-shaped boxes contain a delicate crepe biscuit with fillings such as vanilla, chocolate hazelnut and green tea. $28.\u003c/p>\n\u003cp>André’s Confiserie Suisse makes handmade chocolate with deep rich flavor, a result of generations of Swiss chocolate-making expertise. Some unusual classics include the Nussbergerli Sticks, a mix of caramel, candied orange peel and nuts, covered in either dark or milk chocolate, as well as a lovely assortment of chocolate-covered almonds. Also check out the festive, almond-stuffed chocolate pinecones, a cute edible ornament. Offerings start at $7.\u003c/p>\n\u003cp>There are chocolate bars and then there are chocolate bars. At Chocopologie, it’s hard to decide among the creative confections. Burnt Caramel Hawaiian Sea Salt? A S’Mores Bar that includes organic graham crackers and vegan marshmallows? At $10 each, you might need to buy a few.\u003c/p>\n\u003cp>The bakers you know will love playing around with the Salted Caramel Crumbles from Kitty Keller. These toffee-like crumbles are made from the butter and salted caramel of Brittany, France, and can be used to finish all kinds of sweet treats with a crunchy little panache. $12.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I could go on (quite clearly), but suffice it to say that a little special treat can have a big impact. Those stockings aren’t going to stuff themselves!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you have an avid cook or food lover in your life, your gifting opportunities these days are vast and deep. There are authentic ingredients and creative concoctions in brick-and-mortar shops and online. The global pantry beckons. Plus, in many cases, the packaging is gorgeous!\u003c/p>\n\u003cp>Many of these affordable luxuries can be tucked into a stocking, but they also make great presents for a co-worker, mail carrier, nephew or teacher. As a slightly compulsive and obsessive gift giver, matching the right edible treat to the recipient is my jam (another great gifting option!).\u003c/p>\n\u003cp>All of these items cost under $50, but make a big splash.\u003c/p>\n\u003cp>Let’s go!\u003c/p>\n\u003ch2>Ah, nuts\u003c/h2>\n\u003cp>Two Chinese American friends took the flavors of their favorite childhood treats and transformed them into sweet spreads, ready to be slathered on toast, apples or just eaten with a spoon. Rooted Fare sells spreads like Crunchy Black Sesame Butter (inspired by tang yuan, a Lunar New Year dessert ), Pineapple Cake Cashew Butter, and Chinese Almond Cookie Butter. $15 per jar.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Il Colle del Gusto makes some sweet and unusual nut-based spreads with an Italian twist: Coarse Hazelnut and Cocoa, Crunchy Peanut, and Sicilian Pistachio, all blended with olive oil. Swirl them into ice cream, slather them onto toast. Each jar under $10.\u003c/p>\n\u003cp>Related: Sesame lovers will be delighted with either an assortment of tahini products such as Chocolate Sesame Sauce, or a tub of flaky, melt-in-your-mouth halva in flavors like cardamom and pistachio from Seed + Mill. Some great gift sets available for under $50.\u003c/p>\n\u003ch2>The crunchiest\u003c/h2>\n\u003cfigure id=\"attachment_13968674\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968674\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by.png\" alt=\"A gift box and several jars sit on top of a white marble surface.\" width=\"2000\" height=\"1361\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-800x544.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-1020x694.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-160x109.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-768x523.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-1536x1045.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fly-by-1920x1307.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A variety of chili crunch products. \u003ccite>(Katie Workman via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Chile crunch condiments have taken the cooking world by storm, and there are some highly giftable options.\u003c/p>\n\u003cp>Fly By Jing makes a large assortment of Asian-inspired chile crunches, and they have some attractively packaged gift sets for the holidays. The mini sampler set is around $20.\u003c/p>\n\u003cp>The aptly named Chile Crunch sells several varieties of their crunchy condiment, including hot, chipotle, mild and original, all for about $13 per jar.\u003c/p>\n\u003cp>Somos’ Salsa Macha Mexican Chili Crisps explode with texture thanks to a whole lot of nuts and seeds. Scoop these spicy-crunchy sauces over everything from avocado toast to tacos — and try the sweeter one on ice cream! The gift set of two comes with a cute spoon for $35.\u003c/p>\n\u003ch2>Feeling saucy\u003c/h2>\n\u003cp>Chef Patricia Quintana has created a line of salsas, sauces, dressings and condiments that preserves the heritage of traditional Mexican cooking. Treat someone to a jar of Achiote sauce or Pineapple Habanero Salsa (and hope you get invited over for the ensuing meal). $15 to $20 per jar.\u003c/p>\n\u003cp>Ever heard of Secret Aardvark sauces? You might be tempted to spread the word. This Caribbean/Tex-Mex line of condiments has a big following for what they call their “flavor that kicks you in the mouth.” There are many choices, including Drunken Jerk Jamaican Marinade, and Aardvark Habanero Hot Sauce. $10 each, with combo packs starting at $20.\u003c/p>\n\u003ch2>Something fishy\u003c/h2>\n\u003cfigure id=\"attachment_13968675\" class=\"wp-caption aligncenter\" style=\"max-width: 1854px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968675\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish.png\" alt=\"\" width=\"1854\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish.png 1854w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-800x863.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-1020x1100.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-160x173.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-768x828.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/fish-1424x1536.png 1424w\" sizes=\"(max-width: 1854px) 100vw, 1854px\">\u003cfigcaption class=\"wp-caption-text\">A variety of tinned fish. \u003ccite>(Katie Workman via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tinned fish is also having a blockbuster culinary moment (and in many cases the packaging is super fun). Fishwife cans ethically sourced fish, like salmon, anchovies and trout, from around the world, with some attractive gift boxes under $50.\u003c/p>\n\u003cp>La Narval focuses on combinations of fish and sauce, such as their mussels in Spanish sauce. Each tin is about $10.\u003c/p>\n\u003ch2>Just a nibble\u003c/h2>\n\u003cp>The Drinks Bakery creates savory snacks with flavor profiles meant to match up perfectly with your favorite libations. Munch on a Lancashire Cheese and Spring Onion biscuit with a hoppy IPA or a sauvignon blanc. Serve the Parmesan, Toasted Pine Nut and Basil biscuits with a whiskey highball or champagne. Choose from small or larger boxes.\u003c/p>\n\u003ch2>Oil and vinegar\u003c/h2>\n\u003cfigure id=\"attachment_13968676\" class=\"wp-caption aligncenter\" style=\"max-width: 1764px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968676\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil.png\" alt=\"\" width=\"1764\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil.png 1764w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-800x907.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-1020x1156.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-160x181.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-768x871.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/oil-1355x1536.png 1355w\" sizes=\"(max-width: 1764px) 100vw, 1764px\">\u003cfigcaption class=\"wp-caption-text\">A selection of oils and vinegars. \u003ccite>(Katie Workman via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I can’t think of a food gift I’m happier to see than a high-quality bottle of oil or vinegar, two of the most-used ingredients in my kitchen. Bona Fortuna’s selection of Sicilian olive oils is fresh and fragrant, and their aged balsamic vinegars are thick, sweet and rich. The Invecchiato 7-Year Aged Balsamic Vinegar of Modena, for instance, sells for $44.95; Forte Extra Virgin Olive Oil from $10.95 to $39.95.\u003c/p>\n\u003cp>Metafora olive oil comes in a beautiful bottle and is a nice introduction to Portuguese olive oil. $40.\u003c/p>\n\u003cp>Alvear makes lovely Andalusian sherry vinegars. For the salad makers and Spanish chefs in your life, think about gifting one each of the bottles, a sweet and a dry, about $20 a pop.\u003c/p>\n\u003ch2>Fancy pants\u003c/h2>\n\u003cp>Tartuflanghe makes all sorts of luxury ingredients infused with white and black truffles. Elevate your cooking game with truffle-infused butters with flavors like porcini or anchovy (about $10 each). Pick up a box of decadent, truffle-flavored Tartufissima 19 for $32. Or how about a little jar of black truffle pearls, which look like caviar, and are the most elegant way to finish off a risotto or a deviled egg ($40)?\u003c/p>\n\u003ch2>Sweet delicacies\u003c/h2>\n\u003cfigure id=\"attachment_13968672\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968672\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders.png\" alt=\"\" width=\"2000\" height=\"1353\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-800x541.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-1020x690.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-768x520.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-1536x1039.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/sanders-1920x1299.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Two bags of sea salt caramels from Sanders. \u003ccite>(Katie Workman via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>’Tis the season for sweet things, but there’s no need to settle for the same old bonbons.\u003c/p>\n\u003cp>Sanders is known for decadent, chocolate-covered caramels, and this holiday season they have some limited-edition flavors. Do you know someone who might like a bag of bourbon, maple or peppermint dark-chocolate sea-salt caramels? I do! $10.\u003c/p>\n\u003cp>Perhaps you’ve seen the elegant Lady M layered crepe cakes? Well this holiday, try their more portable and giftable Holiday Crepe Biscuit Collection. Eight wedge-shaped boxes contain a delicate crepe biscuit with fillings such as vanilla, chocolate hazelnut and green tea. $28.\u003c/p>\n\u003cp>André’s Confiserie Suisse makes handmade chocolate with deep rich flavor, a result of generations of Swiss chocolate-making expertise. Some unusual classics include the Nussbergerli Sticks, a mix of caramel, candied orange peel and nuts, covered in either dark or milk chocolate, as well as a lovely assortment of chocolate-covered almonds. Also check out the festive, almond-stuffed chocolate pinecones, a cute edible ornament. Offerings start at $7.\u003c/p>\n\u003cp>There are chocolate bars and then there are chocolate bars. At Chocopologie, it’s hard to decide among the creative confections. Burnt Caramel Hawaiian Sea Salt? A S’Mores Bar that includes organic graham crackers and vegan marshmallows? At $10 each, you might need to buy a few.\u003c/p>\n\u003cp>The bakers you know will love playing around with the Salted Caramel Crumbles from Kitty Keller. These toffee-like crumbles are made from the butter and salted caramel of Brittany, France, and can be used to finish all kinds of sweet treats with a crunchy little panache. $12.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I could go on (quite clearly), but suffice it to say that a little special treat can have a big impact. Those stockings aren’t going to stuff themselves!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
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},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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