window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"bayareabites_107000": {
"type": "attachments",
"id": "bayareabites_107000",
"meta": {
"index": "attachments_1716263798",
"site": "bayareabites",
"id": "107000",
"found": true
},
"parent": 106992,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-1000x576.jpg",
"width": 1000,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-400x267.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 267
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-960x640.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 640
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949.jpg",
"width": 1000,
"height": 667
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-800x534.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 534
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"cat_post_thumb_sizecategory-posts-2": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/24/2016/02/shutterstock_212649949-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455843742,
"modified": 1455844367,
"caption": null,
"description": null,
"title": "shutterstock_212649949",
"credit": "Shutterstock",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11338684": {
"type": "attachments",
"id": "arts_11338684",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11338684",
"found": true
},
"parent": 11338682,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178.jpg",
"width": 3000,
"height": 1687
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/warren-richardson-hope-for-a-new-life_custom-bf4a5fa6204076ed4c0d042bcad199f985bc188f-e1455822186178-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455821980,
"modified": 1455822155,
"caption": "A man passes a baby through a barbed wire fence at the Serbia/Hungary border in Röszke, Hungary, on Aug. 28, 2015.",
"description": "A man passes a baby through a barbed wire fence at the Serbia/Hungary border in Röszke, Hungary, on Aug. 28, 201",
"title": "A man passes a baby through a barbed wire fence at the Serbia/Hungary border in Röszke, Hungary, on Aug. 28, 2015.",
"credit": "Photo: Warren Richardson",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11311946": {
"type": "attachments",
"id": "arts_11311946",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11311946",
"found": true
},
"parent": 11311114,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-400x194.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 194
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-960x465.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 465
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut.jpg",
"width": 1920,
"height": 929
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-1180x571.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 571
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-800x387.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 387
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-1920x929.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 929
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-1180x571.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 571
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-768x372.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 372
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/RS18394_NVS_Oct2015Concert-qut-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1454984367,
"modified": 1454984390,
"caption": "The Nova Vista Symphony is celebrating its 50th anniversary. It's one of more than 60 adult amateur orchestras in the San Francisco Bay Area.",
"description": "The Nova Vista Symphony is celebrating its 50th anniversary. It's one of more than 60 adult amateur orchestras in the San Francisco Bay Area.",
"title": "RS18394_NVS_Oct2015Concert-qut",
"credit": "Courtesy of Ivory Sky Media",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_20620": {
"type": "attachments",
"id": "pop_20620",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "20620",
"found": true
},
"parent": 20615,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-900x576.jpg",
"width": 900,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-400x226.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 226
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506.jpg",
"width": 897,
"height": 506
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-800x451.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 451
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-768x433.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 433
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85-e1455841466506-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455839080,
"modified": 1455839139,
"caption": "Sen. Bernie Sanders, having a good kvetch. ",
"description": null,
"title": "ap_738914881801-smaller_slide-c38afbf1af02da96e2f3e6688d883493538cf8cd-s900-c85",
"credit": "via NPR",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_20616": {
"type": "attachments",
"id": "pop_20616",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "20616",
"found": true
},
"parent": 20516,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-e1455869322716.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/presidents-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455836960,
"modified": 1512595843,
"caption": "Image: Emmanuel Hapsis",
"description": null,
"title": "presidents",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10149427": {
"type": "attachments",
"id": "arts_10149427",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10149427",
"found": true
},
"parent": 10149119,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-400x210.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 210
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum.jpg",
"width": 1227,
"height": 646
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-1180x621.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 621
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-800x421.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 421
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2014/11/lucasmuseum-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1416533141,
"modified": 1521058792,
"caption": "The proposed Lucas Museum of Narrative Art ",
"description": "The proposed Lucas Museum of Narrative Art ",
"title": "lucasmuseum",
"credit": "Courtesy of Lucas Museum of Narrative Art",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"pop_20591": {
"type": "attachments",
"id": "pop_20591",
"meta": {
"index": "attachments_1716263798",
"site": "pop",
"id": "20591",
"found": true
},
"parent": 20585,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85.jpg",
"width": 900,
"height": 506
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/12/2016/02/ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455758653,
"modified": 1455758672,
"caption": "Daniel Holtzclaw in court, December 2015.",
"description": null,
"title": "ap_749386553823_wide-4d3221d244e13ce43440d9cc312d9fd34c1d1acb-s900-c85",
"credit": "via NPR",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11333410": {
"type": "attachments",
"id": "arts_11333410",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11333410",
"found": true
},
"parent": 0,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277.jpg",
"width": 3264,
"height": 1836
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/025-e1455671276277-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455665073,
"modified": 1458694486,
"caption": "Archbishop Franzo King, co-founder of the St. John Coltrane Church",
"description": "Archbishop Franzo King, co-founder of the St. John Coltrane Church",
"title": "Archbishop Franzo King, co-founder of the St. John Coltrane Church",
"credit": "Photo: Cy Musiker/KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11333289": {
"type": "attachments",
"id": "arts_11333289",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11333289",
"found": true
},
"parent": 11333287,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-400x226.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 226
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety.jpg",
"width": 800,
"height": 451
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-800x451.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 451
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-768x433.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 433
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Vanity-Gety-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455663243,
"modified": 1455663311,
"caption": "Vanity 6, live in concert. Denise Matthews AKA Vanity is in the center",
"description": "Vanity 6, live in concert. Denise Matthews AKA Vanity is in the center",
"title": "Vanity Getty",
"credit": "Photo: Ron Wolfson/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11327801": {
"type": "attachments",
"id": "arts_11327801",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11327801",
"found": true
},
"parent": 11321950,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/BlackSeedCover-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455496531,
"modified": 1455497237,
"caption": "Black.Seed protesters on the Bay Bridge.",
"description": null,
"title": "BlackSeedCover",
"credit": "Photo: Brooke Anderson",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11318017": {
"type": "attachments",
"id": "arts_11318017",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11318017",
"found": true
},
"parent": 11317908,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/LittleErikright-400x217.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 217
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/LittleErikright-672x367.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 367
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/LittleErikright.jpg",
"width": 677,
"height": 367
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/LittleErikright-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/LittleErikright-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/LittleErikright-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/LittleErikright-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/LittleErikright-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455186410,
"modified": 1455186524,
"caption": "From left to right: Erik (Jack Wittmayer), Andi (Mariah Castle), Joie (Marilee Talkington), Freddie (Joe Estlack), and The Rat Wife (Wilma Bonet). Photo: David Allen.",
"description": null,
"title": "LittleErikright",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11319567": {
"type": "attachments",
"id": "arts_11319567",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11319567",
"found": true
},
"parent": 11319119,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Havok-No-Doubt-GRaphic-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455236904,
"modified": 1455237042,
"caption": "Left: Davey Havok of AFI playing Coachella in 2014. \nRight: Tom Dumont (L) and Tony Ashwin Kan of No Doubt perform onstage during day two of the 25th annual KROQ Almost Acoustic Christmas",
"description": "Left: Davey Havok of AFI playing Coachella in 2014. \nRight: Tom Dumont (L) and Tony Ashwin Kan of No Doubt perform onstage during day two of the 25th annual KROQ Almost Acoustic Christmas",
"title": "Havok No Doubt GRaphic",
"credit": "Photos: Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_11338682": {
"type": "authors",
"id": "byline_arts_11338682",
"meta": {
"override": true
},
"slug": "byline_arts_11338682",
"name": "Merrit Kennedy",
"isLoading": false
},
"byline_arts_11335825": {
"type": "authors",
"id": "byline_arts_11335825",
"meta": {
"override": true
},
"slug": "byline_arts_11335825",
"name": "Associated Press",
"isLoading": false
},
"byline_arts_11333287": {
"type": "authors",
"id": "byline_arts_11333287",
"meta": {
"override": true
},
"slug": "byline_arts_11333287",
"name": "Jesse J. Holland, Associated Press",
"isLoading": false
},
"ehapsis": {
"type": "authors",
"id": "27",
"meta": {
"index": "authors_1716337520",
"id": "27",
"found": true
},
"name": "Emmanuel Hapsis",
"firstName": "Emmanuel",
"lastName": "Hapsis",
"slug": "ehapsis",
"email": "ehapsis@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Emmanuel Hapsis is the creator and editor of KQED Pop and also the host of \u003cem>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>\u003c/em>. He studied creative writing at University of Maryland and went on to receive his MFA in the field from California College of the Arts. In his free time, he sings his heart out at karaoke.",
"avatar": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twitter": "xcusemybeauty",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Emmanuel Hapsis | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/6302b6f7ef8b2dcd3acd9e2c6bc570b7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ehapsis"
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"cfrock": {
"type": "authors",
"id": "58",
"meta": {
"index": "authors_1716337520",
"id": "58",
"found": true
},
"name": "Christian L. Frock",
"firstName": "Christian L.",
"lastName": "Frock",
"slug": "cfrock",
"email": "christian@invisiblevenue.com",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/da93aa5c1bc6f6561a99d5073186102c?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"contributor"
]
}
],
"headData": {
"title": "Christian L. Frock | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/da93aa5c1bc6f6561a99d5073186102c?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/da93aa5c1bc6f6561a99d5073186102c?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cfrock"
},
"kjones": {
"type": "authors",
"id": "93",
"meta": {
"index": "authors_1716337520",
"id": "93",
"found": true
},
"name": "Kevin L. Jones",
"firstName": "Kevin",
"lastName": "Jones",
"slug": "kjones",
"email": "kjones@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "styleguide",
"roles": [
"contributor"
]
},
{
"site": "artschool",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Kevin L. Jones | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kjones"
},
"rachael-myrow": {
"type": "authors",
"id": "251",
"meta": {
"index": "authors_1716337520",
"id": "251",
"found": true
},
"name": "Rachael Myrow",
"firstName": "Rachael",
"lastName": "Myrow",
"slug": "rachael-myrow",
"email": "rmyrow@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Senior Editor of KQED's Silicon Valley News Desk",
"bio": "• I write and edit stories about how Silicon Valley power and policies shape everyday life in California. I’m also passionate about making Bay Area history and culture more accessible to a broad public. • I’ve been a journalist for most of my life, starting in high school with The Franklin Press in Los Angeles, where I grew up. While earning my first degree in English at UC Berkeley, I got my start in public radio at KALX-FM. After completing a second degree in journalism at Cal, I landed my first professional job at Marketplace, then moved on to KPCC (now LAist), and then KQED, where I hosted The California Report for more than seven years. • My reporting has appeared on NPR, The World, WBUR’s \u003ci>Here & Now\u003c/i>, and the BBC. I also guest host for KQED’s \u003ci>Forum\u003c/i>, as well as the Commonwealth Club in San Francisco. • I speak periodically on media, democracy and technology issues, and do voiceover work for documentaries and educational video projects. • Outside of the studio, you'll find me hiking Bay Area trails and whipping up Insta-ready meals in my kitchen. • I do not accept gifts, money, or favors from anyone connected to my reporting, I don't pay people for information, and I do not support or donate to political causes. • I strive to treat the people I report on with fairness, honesty, and respect. I also recognize there are often multiple sides to a story and work to verify information through multiple sources and documentation. If I get something wrong, I correct it.",
"avatar": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twitter": "rachaelmyrow",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": "https://www.linkedin.com/in/rachaelmyrow/",
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"edit_others_posts",
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Rachael Myrow | KQED",
"description": "Senior Editor of KQED's Silicon Valley News Desk",
"ogImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/rachael-myrow"
},
"civileat": {
"type": "authors",
"id": "5583",
"meta": {
"index": "authors_1716337520",
"id": "5583",
"found": true
},
"name": "Civil Eats",
"firstName": "Civil",
"lastName": "Eats",
"slug": "civileat",
"email": "twilight@civileats.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "\u003ca href=\"http://civileats.com/\">Civil Eats\u003c/a> is a daily news source for critical thought about the American food system. We publish stories that shift the conversation around sustainable agriculture in an effort to build economically and socially just communities. Follow Civil Eats on Twitter \u003ca href=\"https://twitter.com/CivilEats\">@civileats\u003c/a> and on \u003ca href=\"https://www.facebook.com/pages/Civil-Eats/56766540637\">Facebook\u003c/a>.",
"avatar": "https://secure.gravatar.com/avatar/8f6f50bfb6403afe7cbc194b66cc1d4d?s=600&d=blank&r=g",
"twitter": "CivilEats",
"facebook": "/pages/Civil-Eats/56766540637?ref=hl",
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "bayareabites",
"roles": [
"contributor"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Civil Eats | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/8f6f50bfb6403afe7cbc194b66cc1d4d?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/8f6f50bfb6403afe7cbc194b66cc1d4d?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/civileat"
},
"esilvers": {
"type": "authors",
"id": "7237",
"meta": {
"index": "authors_1716337520",
"id": "7237",
"found": true
},
"name": "Emma Silvers",
"firstName": "Emma",
"lastName": "Silvers",
"slug": "esilvers",
"email": "esilvers@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Emma Silvers is an editor at KQED Arts and a former digital producer at KQED News. Born and raised in the Bay Area, she has previously been an arts and entertainment editor at the \u003cem>San Francisco Chronicle\u003c/em>, \u003cem>SF Weekly\u003c/em> and the \u003cem>San Francisco Bay Guardian.\u003c/em> \u003ca href=\"https://www.emmasilvers.com\">Her work\u003c/a> has also appeared in \u003cem>Rolling Stone\u003c/em>, Pitchfork and \u003cem>Mother Jones\u003c/em>. In 2017 she was the recipient of the Society of Professional Journalists-Northern California's award for arts and culture reporting. In 1993 she \u003ca href=\"https://www.kqed.org/pop/16759/wait-what-my-coworker-was-a-voice-over-hyperventilator-for-jurassic-park\">hyperventilated in \u003cem>Jurassic Park\u003c/em>\u003c/a>.",
"avatar": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g",
"twitter": "emmaruthless",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"contributor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Emma Silvers | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/esilvers"
},
"jwilkins": {
"type": "authors",
"id": "8668",
"meta": {
"index": "authors_1716337520",
"id": "8668",
"found": true
},
"name": "John Wilkins",
"firstName": "John",
"lastName": "Wilkins",
"slug": "jwilkins",
"email": "Johnrwilkins@aol.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "John Wilkins is the theater critic for KQED Arts. He was the Artistic Director of Last Planet Theatre for ten years and teaches in the Writing and Literature program at CCA. Follow him on Twitter @johnrwilkins2",
"avatar": "https://secure.gravatar.com/avatar/7798fcc8a10bee0e04387b724b492df7?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "John Wilkins | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/7798fcc8a10bee0e04387b724b492df7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/7798fcc8a10bee0e04387b724b492df7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jwilkins"
}
},
"pagesReducer": {
"arts_category_news": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"score": 10.81584
},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"title": "News",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 267
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=news",
"seeMore": false,
"paginated": true,
"page": 267
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"bayareabites_106992": {
"type": "posts",
"id": "bayareabites_106992",
"meta": {
"index": "posts_1716263798",
"site": "bayareabites",
"id": "106992",
"score": null,
"sort": [
1455907558000
]
},
"parent": 0,
"labelTerm": {
"site": "bayareabites"
},
"blocks": [],
"publishDate": 1455907558,
"format": "standard",
"disqusTitle": "What You Need to Know About Artificial Food Coloring Phase-Outs",
"title": "What You Need to Know About Artificial Food Coloring Phase-Outs",
"headTitle": "Bay Area Bites | KQED Food",
"content": "\u003cp>Artificial colors are so last year. Or that’s what the recent \u003ca href=\"http://www.mars.com/global/press-center/press-list/news-releases.aspx?SiteId=94&Id=6984\">announcement from Mars, Inc.\u003c/a>—the maker of colorful candy brands such as M&Ms, LifeSavers, and Skittles—suggests. With it, Mars joined a growing number of large food companies, including \u003ca href=\"http://blog.generalmills.com/2015/06/a-big-commitment-for-big-g-cereal/\">General Mills\u003c/a>, Kellogg’s, \u003ca href=\"http://www.kraftmacandcheese.com/FAQs\">Kraft,\u003c/a> Mondelez, and \u003ca href=\"http://www.nestleusa.com/media/pressreleases/nestl%C3%A9-usa-commits-to-removing-artificial-flavors-and-fda-certified-colors-from-all-nestl%C3%A9-chocolate-candy-by-the-end-of-20\">Nestlé\u003c/a>, which are all in the process of eliminating artificial food coloring.\u003cspan id=\"more-23971\">\u003c/span>\u003c/p>\n\u003cp>The company says it is making the change, expected to take five years, “to meet evolving consumer preferences,” not for any scientific reason.\u003c/p>\n\u003cp>“Artificial colors pose no known risks to human health or safety, but consumers today are calling on food manufacturers to use more natural ingredients in their products,” said Mars in its announcement. This sentiment echoes the other big food producers that have made the change. In fact, the companies we spoke to echoed much of the same sentiment.\u003c/p>\n\u003cp>Mondelez International—manufacturer of brands that include Oreos and Ritz crackers—told Civil Eats that consumers are asking for “simpler ingredients and no artificial colors or flavors.” Or as Nestlé put it, “we are on a journey to simplify our recipes and ingredient labels and offer more choices to meet consumers’ evolving preferences.” Kellogg’s said, “We know consumers are looking for foods with simpler ingredients and work is well underway to answer that call.”\u003c/p>\n\u003cp>What these companies don’t mention, however, is that these artificial colors have been\u003ca href=\"http://www.fda.gov/AdvisoryCommittees/CommitteesMeetingMaterials/FoodAdvisoryCommittee/ucm149740.htm\">under scrutiny since the 1970s\u003c/a> for their potential role in contributing to the rise in rates of \u003ca href=\"http://www.thelancet.com/journals/lancet/article/PIIS0140673607613063/abstract\">attention deficit hyperactivity disorder (ADHD) in children\u003c/a>. They also don’t mention the fact that studies demonstrating such links prompted the European Union to require\u003ca href=\"https://www.food.gov.uk/science/additives/foodcolours\">warning labels on products\u003c/a> containing these dyes beginning in 2010.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nor that \u003ca href=\"ews.bbc.co.uk:2:hi:health:7725316.stm\">the U.K. banned\u003c/a> these food additives in 2008—a move that led to the reformulation of many products also sold in the U.S. The companies also fail to mention that \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/24764054\">recent studies\u003c/a> suggest many children may be consuming far more dyes via the \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/21127082\">food\u003c/a>and \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/24037921\">drinks\u003c/a> they consume than previously thought.\u003c/p>\n\u003cp>\u003cstrong>FDA: ‘Food Coloring is Safe’\u003c/strong>\u003c/p>\n\u003cp>So why are American children eating far more artificially colored food than their European counterparts?\u003c/p>\n\u003cp>First, when a company like Mars says “artificial colors pose no known risks to human health or safety,” it is largely reflecting what the U.S. Food and Drug Administration (FDA) has said. “Color additives are very safe when used properly,” Linda Katz, director of the FDA’s Center for Food Safety and Applied Nutrition Office of Cosmetics and Colors, said \u003ca href=\"http://www.fda.gov/ForConsumers/ConsumerUpdates/ucm048951.htm\">in a statement\u003c/a> on the FDA website.\u003c/p>\n\u003cp>While the FDA considers all substances used to change the color of food “additives,” the colors in the hot seat are nine synthetic dyes derived from petroleum rather than plant-based materials. These dyes show up on ingredient labels with names that include FD&C Blue No. 1, FD&C Yellow No. 5 and 6, and FD&C Red No. 40. Their approval by the FDA \u003ca href=\"http://www.fda.gov/ForIndustry/ColorAdditives/ColorAdditiveInventories/ucm115641.htm#table1B\">dates back to the 1960s, 70s and 80s\u003c/a>.\u003c/p>\n\u003cp>And the agency must “certify” each “batch” of one of these dyes before it’s approved for use. In addition, the FDA must approve any new food coloring additives before they go on the market. That said, all but two artificial food dyes now in use can essentially be added to any and all food.\u003c/p>\n\u003cp>\u003cstrong>Kids Are Eating Much More Food Dye Than You’d Think\u003c/strong>\u003c/p>\n\u003cp>Based on experiments done with lab animals, the FDA set what it calls “\u003ca href=\"http://www.fda.gov/downloads/AdvisoryCommittees/CommitteesMeetingMaterials/FoodAdvisoryCommittee/UCM248549.pdf\">acceptable daily intakes\u003c/a>” in the 1960s, 70s, and 80s, based on how many milligrams of a dye is safe to eat in a day based on human body weight.\u003c/p>\n\u003cp>For example, the average 65-pound child would have to eat 150 mg of Yellow No. 5, to exceed this recommended limit. This probably isn’t a problem if they eat only one serving of a food that contains the dye. But even if that child stays away from brightly colored foods like popsicles and candy, the milligrams can add up quickly.\u003c/p>\n\u003cp>According to \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/24764054\">data compiled\u003c/a> by Perdue University Department of Foods & Nutrition researcher, Laura J. Stevens and colleagues, a serving of Apple Jacks (10 mg), a packet of peanut butter cheese crackers (15) and a cup of cherry Kool Aid (52), a serving of Hamburger Helper (8), a couple tablespoons of colored salad dressing (5), two cups of orange drink (41), and three strawberry Twizzlers (13), plus a few Vlasic pickle slices would put the child over the 100 mg mark.\u003c/p>\n\u003cp>\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2016/02/updatedcolorchart.jpg\" alt=\"Chart\" width=\"997\" height=\"389\" class=\"aligncenter size-full wp-image-107001\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart.jpg 997w, https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart-400x156.jpg 400w, https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart-800x312.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart-768x300.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart-960x375.jpg 960w\" sizes=\"(max-width: 997px) 100vw, 997px\">\u003c/p>\n\u003cp>“We don’t really know for sure exactly how many children are being affected,” says Stevens, referring to hyperactivity caused by food coloring. But the numbers are not insignificant. Studies looking at this connection have found that, \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/21127082\">nearly 90 percent\u003c/a> of children tested had adverse reactions when they ate 100 mg or more of these colors. And around 8 percent of all U.S. children—or almost \u003ca href=\"http://www.cdc.gov/ncbddd/adhd/data.html\">6.4 million as of 2011\u003c/a>—are estimated to suffer from ADHD symptoms that Stevens says may be exacerbated by food dyes.\u003c/p>\n\u003cp>In 2011, the last time the FDA convened a formal committee to review the science on these colors, it concluded that for “certain susceptible children,” behavior problems might be exacerbated by synthetic colors. In other words, explains \u003ca href=\"https://www.cspinet.org/\">Center for Science in the Public Interest\u003c/a> (CSPI) senior scientist Lisa Lefferts, “Even the FDA concedes that some children are sensitive.”\u003c/p>\n\u003cp>But because the agency couldn’t prove a definitive causal link—absolute cause and effect—between these dyes and behavioral impacts, it recommended more study rather than precautionary action.\u003c/p>\n\u003cp>CSPI recently released a report called “\u003ca href=\"http://cspinet.org/new/201601191.html\">Seeing Red\u003c/a>,” which takes the FDA to task for failing to take decisive and precautionary action on food dyes and for failing to set protective enough safety limits. “The underlying science has not been critically re-examined with reference to health outcomes that include behavioral impacts,” says CSPI director of regulatory affairs Laura MacCleery.\u003c/p>\n\u003cp>What’s come to light in the past 15 years, CSPI points out—including the \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/17825405\">studies that prompted regulatory action\u003c/a> in Europe—has not changed regulations created here several decades ago.\u003c/p>\n\u003cp>Meanwhile, whether they acknowledge the links to behavior problems explicitly or not, food manufacturers worldwide are responding to consumers who are voicing their preference for food without artificial colors. In fact, a \u003ca href=\"http://www.nielsen.com/content/dam/nielsenglobal/eu/nielseninsights/pdfs/Nielsen%20Global%20Health%20and%20Wellness%20Report%20-%20January%202015.pdf\">2014 Nielsen global survey\u003c/a> found artificial color to be the third highest consumer concern when it came to food and health.\u003c/p>\n\u003cp>So what’s a parent to do? “[Food coloring] is hard to avoid entirely so it’s a matter of minimizing,” says MacCleery. “Kids are getting way too much,” she says so “anything you can do to reduce this, they’ll be better off.”\u003c/p>\n\u003cp>Key to doing this is reading labels, since even the food manufacturers who have decided to eliminate these FD&C colors, are still in the midst of changing their ingredients. “You have to read every label,” said Stevens. And for those tempted by “red velvet” cupcake recipes? Try one made with \u003ca href=\"http://cooking.nytimes.com/recipes/1016333-beet-red-velvet-cake\">beets\u003c/a> instead of Red No. 40. Or \u003ca href=\"http://www.houseandgarden.co.uk/recipes/desserts-cakes/red-wine-velvet-cake-smitten-kitchen\">this one\u003c/a> MacCleery recommends, which calls for red wine.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>About the Writer\u003c/strong>\u003cbr>\nElizabeth Grossman is a senior reporter for Civil Eats focused on environmental and science issues. She is the author of \u003cem>Chasing Molecules\u003c/em>, \u003cem>High Tech Trash\u003c/em>,\u003cem>Watershed\u003c/em> and other books. Her work has appeared in a variety of publications, including \u003cem>Scientific American\u003c/em>, \u003cem>Environmental Health Perspectives\u003c/em>, Yale e360, Ensia,\u003cem>High Country News\u003c/em>, The Pump Handle, Chemical Watch, \u003cem>The Washington Post\u003c/em>,\u003ca href=\"http://theatlantic.com/\">TheAtlantic.com\u003c/a>, Salon, \u003cem>The Nation\u003c/em>, and \u003cem>Mother Jones\u003c/em>.\u003c/p>\n\n",
"disqusIdentifier": "106992 http://ww2.kqed.org/bayareabites/?p=106992",
"disqusUrl": "https://ww2.kqed.org/bayareabites/2016/02/19/what-you-need-to-know-about-artificial-food-coloring-phase-outs/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1335,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 27
},
"modified": 1455907558,
"excerpt": "As Mars joins the growing group of multinational food companies pledging to phase out artificial food coloring, its use remains widespread. Here’s why it matters.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "As Mars joins the growing group of multinational food companies pledging to phase out artificial food coloring, its use remains widespread. Here’s why it matters.",
"title": "What You Need to Know About Artificial Food Coloring Phase-Outs | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "What You Need to Know About Artificial Food Coloring Phase-Outs",
"datePublished": "2016-02-19T10:45:58-08:00",
"dateModified": "2016-02-19T10:45:58-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "what-you-need-to-know-about-artificial-food-coloring-phase-outs",
"status": "publish",
"path": "/bayareabites/106992/what-you-need-to-know-about-artificial-food-coloring-phase-outs",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Artificial colors are so last year. Or that’s what the recent \u003ca href=\"http://www.mars.com/global/press-center/press-list/news-releases.aspx?SiteId=94&Id=6984\">announcement from Mars, Inc.\u003c/a>—the maker of colorful candy brands such as M&Ms, LifeSavers, and Skittles—suggests. With it, Mars joined a growing number of large food companies, including \u003ca href=\"http://blog.generalmills.com/2015/06/a-big-commitment-for-big-g-cereal/\">General Mills\u003c/a>, Kellogg’s, \u003ca href=\"http://www.kraftmacandcheese.com/FAQs\">Kraft,\u003c/a> Mondelez, and \u003ca href=\"http://www.nestleusa.com/media/pressreleases/nestl%C3%A9-usa-commits-to-removing-artificial-flavors-and-fda-certified-colors-from-all-nestl%C3%A9-chocolate-candy-by-the-end-of-20\">Nestlé\u003c/a>, which are all in the process of eliminating artificial food coloring.\u003cspan id=\"more-23971\">\u003c/span>\u003c/p>\n\u003cp>The company says it is making the change, expected to take five years, “to meet evolving consumer preferences,” not for any scientific reason.\u003c/p>\n\u003cp>“Artificial colors pose no known risks to human health or safety, but consumers today are calling on food manufacturers to use more natural ingredients in their products,” said Mars in its announcement. This sentiment echoes the other big food producers that have made the change. In fact, the companies we spoke to echoed much of the same sentiment.\u003c/p>\n\u003cp>Mondelez International—manufacturer of brands that include Oreos and Ritz crackers—told Civil Eats that consumers are asking for “simpler ingredients and no artificial colors or flavors.” Or as Nestlé put it, “we are on a journey to simplify our recipes and ingredient labels and offer more choices to meet consumers’ evolving preferences.” Kellogg’s said, “We know consumers are looking for foods with simpler ingredients and work is well underway to answer that call.”\u003c/p>\n\u003cp>What these companies don’t mention, however, is that these artificial colors have been\u003ca href=\"http://www.fda.gov/AdvisoryCommittees/CommitteesMeetingMaterials/FoodAdvisoryCommittee/ucm149740.htm\">under scrutiny since the 1970s\u003c/a> for their potential role in contributing to the rise in rates of \u003ca href=\"http://www.thelancet.com/journals/lancet/article/PIIS0140673607613063/abstract\">attention deficit hyperactivity disorder (ADHD) in children\u003c/a>. They also don’t mention the fact that studies demonstrating such links prompted the European Union to require\u003ca href=\"https://www.food.gov.uk/science/additives/foodcolours\">warning labels on products\u003c/a> containing these dyes beginning in 2010.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nor that \u003ca href=\"ews.bbc.co.uk:2:hi:health:7725316.stm\">the U.K. banned\u003c/a> these food additives in 2008—a move that led to the reformulation of many products also sold in the U.S. The companies also fail to mention that \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/24764054\">recent studies\u003c/a> suggest many children may be consuming far more dyes via the \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/21127082\">food\u003c/a>and \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/24037921\">drinks\u003c/a> they consume than previously thought.\u003c/p>\n\u003cp>\u003cstrong>FDA: ‘Food Coloring is Safe’\u003c/strong>\u003c/p>\n\u003cp>So why are American children eating far more artificially colored food than their European counterparts?\u003c/p>\n\u003cp>First, when a company like Mars says “artificial colors pose no known risks to human health or safety,” it is largely reflecting what the U.S. Food and Drug Administration (FDA) has said. “Color additives are very safe when used properly,” Linda Katz, director of the FDA’s Center for Food Safety and Applied Nutrition Office of Cosmetics and Colors, said \u003ca href=\"http://www.fda.gov/ForConsumers/ConsumerUpdates/ucm048951.htm\">in a statement\u003c/a> on the FDA website.\u003c/p>\n\u003cp>While the FDA considers all substances used to change the color of food “additives,” the colors in the hot seat are nine synthetic dyes derived from petroleum rather than plant-based materials. These dyes show up on ingredient labels with names that include FD&C Blue No. 1, FD&C Yellow No. 5 and 6, and FD&C Red No. 40. Their approval by the FDA \u003ca href=\"http://www.fda.gov/ForIndustry/ColorAdditives/ColorAdditiveInventories/ucm115641.htm#table1B\">dates back to the 1960s, 70s and 80s\u003c/a>.\u003c/p>\n\u003cp>And the agency must “certify” each “batch” of one of these dyes before it’s approved for use. In addition, the FDA must approve any new food coloring additives before they go on the market. That said, all but two artificial food dyes now in use can essentially be added to any and all food.\u003c/p>\n\u003cp>\u003cstrong>Kids Are Eating Much More Food Dye Than You’d Think\u003c/strong>\u003c/p>\n\u003cp>Based on experiments done with lab animals, the FDA set what it calls “\u003ca href=\"http://www.fda.gov/downloads/AdvisoryCommittees/CommitteesMeetingMaterials/FoodAdvisoryCommittee/UCM248549.pdf\">acceptable daily intakes\u003c/a>” in the 1960s, 70s, and 80s, based on how many milligrams of a dye is safe to eat in a day based on human body weight.\u003c/p>\n\u003cp>For example, the average 65-pound child would have to eat 150 mg of Yellow No. 5, to exceed this recommended limit. This probably isn’t a problem if they eat only one serving of a food that contains the dye. But even if that child stays away from brightly colored foods like popsicles and candy, the milligrams can add up quickly.\u003c/p>\n\u003cp>According to \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/24764054\">data compiled\u003c/a> by Perdue University Department of Foods & Nutrition researcher, Laura J. Stevens and colleagues, a serving of Apple Jacks (10 mg), a packet of peanut butter cheese crackers (15) and a cup of cherry Kool Aid (52), a serving of Hamburger Helper (8), a couple tablespoons of colored salad dressing (5), two cups of orange drink (41), and three strawberry Twizzlers (13), plus a few Vlasic pickle slices would put the child over the 100 mg mark.\u003c/p>\n\u003cp>\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2016/02/updatedcolorchart.jpg\" alt=\"Chart\" width=\"997\" height=\"389\" class=\"aligncenter size-full wp-image-107001\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart.jpg 997w, https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart-400x156.jpg 400w, https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart-800x312.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart-768x300.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2016/02/updatedcolorchart-960x375.jpg 960w\" sizes=\"(max-width: 997px) 100vw, 997px\">\u003c/p>\n\u003cp>“We don’t really know for sure exactly how many children are being affected,” says Stevens, referring to hyperactivity caused by food coloring. But the numbers are not insignificant. Studies looking at this connection have found that, \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/21127082\">nearly 90 percent\u003c/a> of children tested had adverse reactions when they ate 100 mg or more of these colors. And around 8 percent of all U.S. children—or almost \u003ca href=\"http://www.cdc.gov/ncbddd/adhd/data.html\">6.4 million as of 2011\u003c/a>—are estimated to suffer from ADHD symptoms that Stevens says may be exacerbated by food dyes.\u003c/p>\n\u003cp>In 2011, the last time the FDA convened a formal committee to review the science on these colors, it concluded that for “certain susceptible children,” behavior problems might be exacerbated by synthetic colors. In other words, explains \u003ca href=\"https://www.cspinet.org/\">Center for Science in the Public Interest\u003c/a> (CSPI) senior scientist Lisa Lefferts, “Even the FDA concedes that some children are sensitive.”\u003c/p>\n\u003cp>But because the agency couldn’t prove a definitive causal link—absolute cause and effect—between these dyes and behavioral impacts, it recommended more study rather than precautionary action.\u003c/p>\n\u003cp>CSPI recently released a report called “\u003ca href=\"http://cspinet.org/new/201601191.html\">Seeing Red\u003c/a>,” which takes the FDA to task for failing to take decisive and precautionary action on food dyes and for failing to set protective enough safety limits. “The underlying science has not been critically re-examined with reference to health outcomes that include behavioral impacts,” says CSPI director of regulatory affairs Laura MacCleery.\u003c/p>\n\u003cp>What’s come to light in the past 15 years, CSPI points out—including the \u003ca href=\"http://www.ncbi.nlm.nih.gov/pubmed/17825405\">studies that prompted regulatory action\u003c/a> in Europe—has not changed regulations created here several decades ago.\u003c/p>\n\u003cp>Meanwhile, whether they acknowledge the links to behavior problems explicitly or not, food manufacturers worldwide are responding to consumers who are voicing their preference for food without artificial colors. In fact, a \u003ca href=\"http://www.nielsen.com/content/dam/nielsenglobal/eu/nielseninsights/pdfs/Nielsen%20Global%20Health%20and%20Wellness%20Report%20-%20January%202015.pdf\">2014 Nielsen global survey\u003c/a> found artificial color to be the third highest consumer concern when it came to food and health.\u003c/p>\n\u003cp>So what’s a parent to do? “[Food coloring] is hard to avoid entirely so it’s a matter of minimizing,” says MacCleery. “Kids are getting way too much,” she says so “anything you can do to reduce this, they’ll be better off.”\u003c/p>\n\u003cp>Key to doing this is reading labels, since even the food manufacturers who have decided to eliminate these FD&C colors, are still in the midst of changing their ingredients. “You have to read every label,” said Stevens. And for those tempted by “red velvet” cupcake recipes? Try one made with \u003ca href=\"http://cooking.nytimes.com/recipes/1016333-beet-red-velvet-cake\">beets\u003c/a> instead of Red No. 40. Or \u003ca href=\"http://www.houseandgarden.co.uk/recipes/desserts-cakes/red-wine-velvet-cake-smitten-kitchen\">this one\u003c/a> MacCleery recommends, which calls for red wine.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About the Writer\u003c/strong>\u003cbr>\nElizabeth Grossman is a senior reporter for Civil Eats focused on environmental and science issues. She is the author of \u003cem>Chasing Molecules\u003c/em>, \u003cem>High Tech Trash\u003c/em>,\u003cem>Watershed\u003c/em> and other books. Her work has appeared in a variety of publications, including \u003cem>Scientific American\u003c/em>, \u003cem>Environmental Health Perspectives\u003c/em>, Yale e360, Ensia,\u003cem>High Country News\u003c/em>, The Pump Handle, Chemical Watch, \u003cem>The Washington Post\u003c/em>,\u003ca href=\"http://theatlantic.com/\">TheAtlantic.com\u003c/a>, Salon, \u003cem>The Nation\u003c/em>, and \u003cem>Mother Jones\u003c/em>.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/bayareabites/106992/what-you-need-to-know-about-artificial-food-coloring-phase-outs",
"authors": [
"5583"
],
"categories": [
"bayareabites_13718",
"bayareabites_4084",
"bayareabites_1245",
"bayareabites_2035"
],
"tags": [
"bayareabites_12643",
"bayareabites_15294"
],
"featImg": "bayareabites_107000",
"label": "bayareabites"
},
"arts_11338682": {
"type": "posts",
"id": "arts_11338682",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11338682",
"score": null,
"sort": [
1455825605000
]
},
"guestAuthors": [],
"slug": "haunting-photo-of-migrants-takes-world-press-photos-top-prize",
"title": "Haunting Photo of Migrants Takes World Press Photo's Top Prize",
"publishDate": 1455825605,
"format": "standard",
"headTitle": "Haunting Photo of Migrants Takes World Press Photo’s Top Prize | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>An image of man passing a baby under a fence at the Hungarian-Serbian border has taken top honors at this year’s World Press Photo of the Year.\u003c/p>\n\u003cp>The photo, titled “Hope for a New Life,” was taken by Australian photographer Warren Richardson and shows a man with his eyes set on the horizon, passing the infant under coils of razor-wire into outstretched arms in the moonlight.\u003c/p>\n\u003cp>Richardson took the photo in late August in Röszke, Hungary, which is on the border with Serbia. Hungarian police have \u003ca href=\"http://www.npr.org/2015/09/15/440477068/hungary-closes-border-with-serbia-vows-to-arrest-trespassers\" target=\"_blank\" rel=\"noopener\">routinely cracked down on\u003c/a> the massive flow of migrants fleeing from Syria, Iraq and other countries.\u003c/p>\n\u003cp>“It had such power because of its simplicity, especially the symbolism of the barbed wire,” general jury chair and Agence France-Press photo director Francis Kohn said \u003ca href=\"http://www.worldpressphoto.org/news/2016-02-18/world-press-photo-year-2015-goes-warren-richardson\" target=\"_blank\" rel=\"noopener\">in a press release from World Press Photo.\u003c/a>\u003c/p>\n\u003cp>“It’s subtle, and shows the emotion and the real feeling from the deep heart of a father just trying to hand over his baby to the world he was longing to be in,” adds jury member and director of new media development at Xinhua News Agency Huang Wen.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Richardson describes the experience of covering border crossings in this area over the course of five days \u003ca href=\"http://www.warrenrichardson.com/2957080-refugee-crisis-hungary\" target=\"_blank\" rel=\"noopener\">on his website\u003c/a>: “There were men, women and children, amputees, the sick, all with stories to tell about where they had come from and where they wanted to go.”\u003c/p>\n\u003cp>One night stood out, he says. “There was a group of Syrians hiding amongst the apple trees on the Serbian side of the border with Hungary, their challenge was to put as many people under the newly constructed razor wire fence. In the group there were some ten engineers that had taken a good look at the fence to see where they could cross so that they could get as many of their friends and family members into Hungary.”\u003c/p>\n\u003cp>Here’s more of Richardson’s account:\u003c/p>\n\u003cblockquote>\n\u003cp>“Like a finely tuned machine, they played cat and mouse with the Hungarian police. The police would come and go from near where the Syrian group was hiding. Each time the police showed up, they would try to fix the fence so that people would not go under. But each time the police would leave, the Syrian engineers would make another hole so that they could help as many people as possible get under the fence. The police continually returned to the same spot, but this time they were a little more verbal and angry. The police attempted to fix the new holes that the Syrian engineers had made. The police were yelling into the darkness in broken English, ‘do not come illegally into Hungary, go away we do not want you here, if we catch you, you will be arrested.’ They proceeded to spray pepper everywhere to prevent anyone from using this particular spot. Again the police moved on to check other areas they were having problems with. Once again the Syrian engineers, with tears in their eyes from the pepper spray, created another hole in the fence to allow more people to move forward into Hungary to get to Germany, as this is where they desperately wanted to be. Four hours on from when they started, they had helped more than 200 people go under the razor wire fence. Once everyone had passed under the fence, the Syrian engineers said their last good byes to me, and left as they were the last ones to go into the darkness of the night.”\u003c/p>\n\u003c/blockquote>\n\u003cp>It’s not clear if the man depicted in this photo was among this particular group of engineers. But it gives a sense of the atmosphere where this photo was taken.\u003c/p>\n\u003cp>In a press release from World Press Photo, Richardson says the photo was taken by moonlight, because a flash would give away their location to the police.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Richardson, who is currently based in Eastern Europe, \u003ca href=\"http://www.warrenrichardson.com/about\">says on his website\u003c/a> that his next project will involve walking to the Arctic Circle. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Haunting+Photo+Of+Migrants+Takes+World+Press+Photo%27s+Top+Prize&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"blocks": [],
"excerpt": "The winning image, taken by Australian photographer Warren Richardson, shows a man passing a baby through a razor-wire fence at the Hungarian-Serbian border.",
"status": "publish",
"parent": 0,
"modified": 1726771256,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 14,
"wordCount": 700
},
"headData": {
"title": "Haunting Photo of Migrants Takes World Press Photo's Top Prize | KQED",
"description": "The winning image, taken by Australian photographer Warren Richardson, shows a man passing a baby through a razor-wire fence at the Hungarian-Serbian border.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Haunting Photo of Migrants Takes World Press Photo's Top Prize",
"datePublished": "2016-02-18T12:00:05-08:00",
"dateModified": "2024-09-19T11:40:56-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Merrit Kennedy",
"nprImageAgency": "Warren Richardson via World Press Photo",
"nprStoryId": "467201434",
"nprApiLink": "http://api.npr.org/query?id=467201434&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2016/02/18/467201434/haunting-photo-of-migrants-takes-world-press-photos-top-prize?ft=nprml&f=467201434",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 18 Feb 2016 10:49:00 -0500",
"nprStoryDate": "Thu, 18 Feb 2016 10:49:52 -0500",
"nprLastModifiedDate": "Thu, 18 Feb 2016 10:49:52 -0500",
"path": "/arts/11338682/haunting-photo-of-migrants-takes-world-press-photos-top-prize",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>An image of man passing a baby under a fence at the Hungarian-Serbian border has taken top honors at this year’s World Press Photo of the Year.\u003c/p>\n\u003cp>The photo, titled “Hope for a New Life,” was taken by Australian photographer Warren Richardson and shows a man with his eyes set on the horizon, passing the infant under coils of razor-wire into outstretched arms in the moonlight.\u003c/p>\n\u003cp>Richardson took the photo in late August in Röszke, Hungary, which is on the border with Serbia. Hungarian police have \u003ca href=\"http://www.npr.org/2015/09/15/440477068/hungary-closes-border-with-serbia-vows-to-arrest-trespassers\" target=\"_blank\" rel=\"noopener\">routinely cracked down on\u003c/a> the massive flow of migrants fleeing from Syria, Iraq and other countries.\u003c/p>\n\u003cp>“It had such power because of its simplicity, especially the symbolism of the barbed wire,” general jury chair and Agence France-Press photo director Francis Kohn said \u003ca href=\"http://www.worldpressphoto.org/news/2016-02-18/world-press-photo-year-2015-goes-warren-richardson\" target=\"_blank\" rel=\"noopener\">in a press release from World Press Photo.\u003c/a>\u003c/p>\n\u003cp>“It’s subtle, and shows the emotion and the real feeling from the deep heart of a father just trying to hand over his baby to the world he was longing to be in,” adds jury member and director of new media development at Xinhua News Agency Huang Wen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Richardson describes the experience of covering border crossings in this area over the course of five days \u003ca href=\"http://www.warrenrichardson.com/2957080-refugee-crisis-hungary\" target=\"_blank\" rel=\"noopener\">on his website\u003c/a>: “There were men, women and children, amputees, the sick, all with stories to tell about where they had come from and where they wanted to go.”\u003c/p>\n\u003cp>One night stood out, he says. “There was a group of Syrians hiding amongst the apple trees on the Serbian side of the border with Hungary, their challenge was to put as many people under the newly constructed razor wire fence. In the group there were some ten engineers that had taken a good look at the fence to see where they could cross so that they could get as many of their friends and family members into Hungary.”\u003c/p>\n\u003cp>Here’s more of Richardson’s account:\u003c/p>\n\u003cblockquote>\n\u003cp>“Like a finely tuned machine, they played cat and mouse with the Hungarian police. The police would come and go from near where the Syrian group was hiding. Each time the police showed up, they would try to fix the fence so that people would not go under. But each time the police would leave, the Syrian engineers would make another hole so that they could help as many people as possible get under the fence. The police continually returned to the same spot, but this time they were a little more verbal and angry. The police attempted to fix the new holes that the Syrian engineers had made. The police were yelling into the darkness in broken English, ‘do not come illegally into Hungary, go away we do not want you here, if we catch you, you will be arrested.’ They proceeded to spray pepper everywhere to prevent anyone from using this particular spot. Again the police moved on to check other areas they were having problems with. Once again the Syrian engineers, with tears in their eyes from the pepper spray, created another hole in the fence to allow more people to move forward into Hungary to get to Germany, as this is where they desperately wanted to be. Four hours on from when they started, they had helped more than 200 people go under the razor wire fence. Once everyone had passed under the fence, the Syrian engineers said their last good byes to me, and left as they were the last ones to go into the darkness of the night.”\u003c/p>\n\u003c/blockquote>\n\u003cp>It’s not clear if the man depicted in this photo was among this particular group of engineers. But it gives a sense of the atmosphere where this photo was taken.\u003c/p>\n\u003cp>In a press release from World Press Photo, Richardson says the photo was taken by moonlight, because a flash would give away their location to the police.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Richardson, who is currently based in Eastern Europe, \u003ca href=\"http://www.warrenrichardson.com/about\">says on his website\u003c/a> that his next project will involve walking to the Arctic Circle. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Haunting+Photo+Of+Migrants+Takes+World+Press+Photo%27s+Top+Prize&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11338682/haunting-photo-of-migrants-takes-world-press-photos-top-prize",
"authors": [
"byline_arts_11338682"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_1118",
"arts_746",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_11338684",
"label": "arts_137"
},
"arts_11311114": {
"type": "posts",
"id": "arts_11311114",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11311114",
"score": null,
"sort": [
1455811218000
]
},
"guestAuthors": [],
"slug": "silicon-valley-really-is-having-more-fun-playing-music-in-community-orchestras",
"title": "Silicon Valley Really Is Having More Fun Playing Music in Community Orchestras",
"publishDate": 1455811218,
"format": "standard",
"headTitle": "Silicon Valley Really Is Having More Fun Playing Music in Community Orchestras | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment wp-att-11316580 noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a> On nights when many of us are watching TV on the couch, hundreds of amateur musicians are showing up at churches and rec rooms to participate in community orchestras. Why? For the love of it, says George Yefchak, a member of the \u003ca href=\"http://www.novavista.org/\" target=\"_blank\" rel=\"noopener\">Nova Vista Symphony\u003c/a>, one of the oldest amateur orchestras in Silicon Valley. The orchestra is celebrating its 50\u003csup>th\u003c/sup> anniversary this year.\u003c/p>\n\u003cp>“I think we have way more fun than people who do it because it’s their job,” says Yefchak, who works as a research scientist and programmer for Agilent Technologies, a maker of scientific instruments, by day. By night, he’s a musical jack-of-all-trades, filling a wide variety of roles for orchestras all over the Bay Area. For Nova Vista, Yefchak’s an oboist, board member, and occasional rehearsal conductor.\u003c/p>\n\u003cp>Yefchak is part of a vibrant scene that compels thousands of passionate musicians to dedicate most of their free time to rehearsals in churches and multi-purpose rooms rented on the cheap from local schools.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/247923932″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=’166′ iframe=”true” /]\u003c/p>\n\u003cp>In truth, the terms “amateur” and “professional” as they’re generally understood today don’t really describe this world effectively. There’s a spectrum of talent that runs between those two points. And while many of the musicians who play for Nova Vista, like Yefchak, do have full-time jobs that are not music-related, they take their hobby seriously.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Nobody’s paid, except for me and the concert master and a few professionals we once in awhile bring in,” says Nova Vista music director, Anthony Quartuccio. “But everybody here treats this like a professional orchestra. There’s a very high standard of preparation. There’s a high standard for the way we run board meetings and our financials, and the way we go into the community. So it’s a professionally run orchestra by people who do it for the love of it.”\u003c/p>\n\u003cp>\u003cstrong>Keeping musicians challenged and coffers filled\u003c/strong>\u003c/p>\n\u003cp>On a recent evening at Lakewood Elementary School in Sunnyvale, many Nova Vista musicians arrived at rehearsal directly from work, wearing nurses scrubs, or jackets emblazoned with tech company logos.\u003c/p>\n\u003cp>These are people who love a challenge, and Quartuccio is happy to oblige. “Every season, we pick a piece or two that will be a rite of passage, which is something we’re not sure we can do, but we’re going to take it on anyway,” Quartuccio says. This season’s big musical challenge comes in the form of Tchaikovsky’s \u003ca href=\"http://www.classicfm.com/composers/tchaikovsky/music/symphony-no5-e-minor/#W2K00Z8r2IyxrX1T.97\" target=\"_blank\" rel=\"noopener\">\u003cem>Fifth\u003c/em>\u003cem> Symphony\u003c/em>\u003c/a>, one of the 19th century Russian composer’s most well-known pieces. Though perhaps not as difficult to perform as Tchaikovsky’s famously unplayable \u003cem>Violin Concerto in D Major\u003c/em>, the masterwork isn’t exactly a breeze either.\u003c/p>\n\u003cp>Even without the heavy overhead professional orchestras labor under, many amateur orchestras struggle for money. “Artistic expenses aside, it still costs money to put on a show,” says Kris Sinclair, executive director of the \u003ca href=\"http://www.acso.org/\" target=\"_blank\" rel=\"noopener\">Association of California Symphony Orchestras\u003c/a>. “And those ticket prices, if they charge admission, will be much lower than at a professional orchestra.”\u003c/p>\n\u003cp>Nova Vista typically charges $15 a ticket. Even so, the organization’s board members say money is not a problem. Nova Vista has an annual budget of $50,000. It doesn’t charge musicians annual dues, but they do donate and fund raise. “Everybody here treats this like a professional orchestra, sheerly for the love of it,” Quartuccio says.\u003c/p>\n\u003caside class=\"callout alignright\">\u003cstrong>pARTicipate with us! \u003c/strong>We need your help to make this project bloom. If you have an artistic hobby that you’re passionate about, or know about an artist or organization involved in community art-making, we want to hear from you in any or all of the following ways:\n\u003cul>\n\u003cli>Share an image or video of you (and your friends) participating in your activity\u003c/li>\n\u003cli>Tell us the story of how you got involved in your practice, what it is you do and why it means so much to you\u003c/li>\n\u003cli>Send us information about arts organizations or individual coaches who are helping to bring creativity to your community\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can reach us in the following ways:\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Email: \u003c/span>\u003ca href=\"mailto:cveltman@kqed.org\">\u003cspan style=\"font-weight: 400\">cveltman@kqed.org\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">Twitter: @KQEDarts and #KQEDparticipate\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Facebook: KQED Arts\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Instagram: @KQEDofficial and #KQEDparticipate\u003c/span>\u003c/p>\n\u003c/aside>\n\u003cp>Plus, this being Silicon Valley, there’s no shortage of corporate donors, including Google, NVIDIA, Hewlett-Packard, Intel, Apple, Texas Instruments, VMWare and Cisco Systems.\u003cb> \u003c/b>Firms often get behind local orchestras in part because their own employees play in them.\u003c/p>\n\u003cp>\u003cstrong>Finding community…and love\u003c/strong>\u003c/p>\n\u003cp>Many musicians join these orchestras as a way to find community. Software engineer and cellist Harris Karsch came out from the East Coast to work at Google about a year and a half ago. “I just love playing with an ensemble,” Karsch says. “It also keeps me practicing.”\u003c/p>\n\u003cp>Playing cello as an undergrad at Cornell, Karsch similarly found music a great way to integrate into the student body. “A lot of my best friends were from orchestra, not from my classes,” Karsch says. “Not the ones I ended up with in the dorms and living with but from orchestra and music.”\u003c/p>\n\u003cp>That’s proved true for many amateur musicians, some of whom date and even marry each other. Carl and Eva Ching of Sunnyvale met sitting next to each other at an orchestra rehearsal one night.\u003c/p>\n\u003cp>“I guess we took a liking to each other,” says Carl. “And so we’ve been married, I guess, 35 years.”\u003c/p>\n\u003cp>Eva’s family is full of musicians. Carl’s, not so much. For the past 25 years, Nova Vista has effectively been the couple’s third family; it’s a group where the Chings feel at home.\u003c/p>\n\u003cp>That, and they get to geek out performing some of classical music’s greatest hits. Last year, Quartuccio’s “rite of passage” piece was Beethoven’s \u003cem>Ninth Symphony\u003c/em>. “It’s been on our bucket list for years,” Eva says. “Both of us were sitting there in the middle of the second violin section during the concert, going ‘I can’t believe we’re playing this. Listen to how beautiful it sounds.’ And it just makes so much difference to share it with someone who enjoys it as much as you do.”\u003c/p>\n\u003cp>\u003cstrong>Sharing the music\u003c/strong>\u003c/p>\n\u003cp>Nova Vista often shares its performances with local students, professionals and musical organizations. Here are a few moments from a rehearsal of John Rutter’s \u003cem>Gloria\u003c/em> with Nova Vista Symphony and the San Jose Symphonic Choir conducted by Leroy Kromm. (Courtesy George Yefchak.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=44_n3RMdsDc\u003c/p>\n\u003cp>Many of the people in Nova Vista are so deep into making music that they find the time to play for more than one orchestra. This phenomenon is quite common, according to Michael Zwiebach, senior editor of the online classical music journal \u003cem>\u003ca href=\"https://www.sfcv.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Classical Voice\u003c/a>\u003c/em>. “Every church, every temple has a choir, right?” Zweibach says. “There are tons of musicians out there and they’re all looking for something to do.”\u003c/p>\n\u003cfigure id=\"attachment_11316324\" class=\"wp-caption alignright\" style=\"max-width: 325px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11316324\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-400x626.jpg\" alt=\""We all know people within our own families who’ve been great musicians," regardless of whether they're pro, says Michael Zwiebach of San Francisco Classical Voice. Here's his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married.\" width=\"325\" height=\"509\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-400x626.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-383x600.jpg 383w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut.jpg 511w\" sizes=\"(max-width: 325px) 100vw, 325px\">\u003cfigcaption class=\"wp-caption-text\">“We all know people within our own families who’ve been great musicians,” regardless of whether they’re pro, says Michael Zwiebach of San Francisco Classical Voice. Here’s his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married. \u003ccite>(Courtesy of Michael Zwiebach)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By Zwiebach’s estimation, the San Francisco Bay Area alone is home to more than 60 community orchestras, like the \u003ca href=\"http://www.redwoodsymphony.org/\" target=\"_blank\" rel=\"noopener\">Redwood Symphony\u003c/a>, the \u003ca href=\"http://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener\">Peninsula Symphony\u003c/a>, and the \u003ca href=\"http://southbayphilharmonic.org/\" target=\"_blank\" rel=\"noopener\">South Bay Philharmonic\u003c/a> (originally the Hewlett-Packard Symphony Orchestra).\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>Is the Bay Area typical for density of community orchestras?It’s impossible to tell. There’s nobody keeping a running tally. Celeste Wroblewski of the\u003ca href=\"http://www.americanorchestras.org/\" target=\"_blank\" rel=\"noopener\"> League of American Orchestras\u003c/a> explains that definitions of community orchestras vary, making such a task nigh on impossible. What she can say is that of 1,224 orchestras in the US, 845 run on annual budgets of less than $300,000.\u003c/p>\n\u003cp>Zwiebach says he’s heard fabulous music from all sorts of ensembles, large and small, semi-professional, and nowhere near it. And how does he feel about the prevailing pejorative attitude about amateurs? “That’s something that we really have to get over,” Zwiebach says. “That’s something that is built into an industrial society where professionalization and specialization is everything.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Nova Vista Symphony performs Elmahmoudi, Grieg, Sarasate and Ravel\u003c/em>\u003cem> at the De Anza Visual and Performing Arts Center on April 23. More information \u003ca href=\"http://www.novavista.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/strong>\u003c/p>\n\n",
"blocks": [],
"excerpt": "What keeps community orchestras in Silicon Valley running? Passion and cash.",
"status": "publish",
"parent": 0,
"modified": 1726701318,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 29,
"wordCount": 1591
},
"headData": {
"title": "Silicon Valley Really Is Having More Fun Playing Music in Community Orchestras | KQED",
"description": "What keeps community orchestras in Silicon Valley running? Passion and cash.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Silicon Valley Really Is Having More Fun Playing Music in Community Orchestras",
"datePublished": "2016-02-18T08:00:18-08:00",
"dateModified": "2024-09-18T16:15:18-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11311114/silicon-valley-really-is-having-more-fun-playing-music-in-community-orchestras",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment wp-att-11316580 noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a> On nights when many of us are watching TV on the couch, hundreds of amateur musicians are showing up at churches and rec rooms to participate in community orchestras. Why? For the love of it, says George Yefchak, a member of the \u003ca href=\"http://www.novavista.org/\" target=\"_blank\" rel=\"noopener\">Nova Vista Symphony\u003c/a>, one of the oldest amateur orchestras in Silicon Valley. The orchestra is celebrating its 50\u003csup>th\u003c/sup> anniversary this year.\u003c/p>\n\u003cp>“I think we have way more fun than people who do it because it’s their job,” says Yefchak, who works as a research scientist and programmer for Agilent Technologies, a maker of scientific instruments, by day. By night, he’s a musical jack-of-all-trades, filling a wide variety of roles for orchestras all over the Bay Area. For Nova Vista, Yefchak’s an oboist, board member, and occasional rehearsal conductor.\u003c/p>\n\u003cp>Yefchak is part of a vibrant scene that compels thousands of passionate musicians to dedicate most of their free time to rehearsals in churches and multi-purpose rooms rented on the cheap from local schools.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='’166′'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/247923932″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/247923932″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>In truth, the terms “amateur” and “professional” as they’re generally understood today don’t really describe this world effectively. There’s a spectrum of talent that runs between those two points. And while many of the musicians who play for Nova Vista, like Yefchak, do have full-time jobs that are not music-related, they take their hobby seriously.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Nobody’s paid, except for me and the concert master and a few professionals we once in awhile bring in,” says Nova Vista music director, Anthony Quartuccio. “But everybody here treats this like a professional orchestra. There’s a very high standard of preparation. There’s a high standard for the way we run board meetings and our financials, and the way we go into the community. So it’s a professionally run orchestra by people who do it for the love of it.”\u003c/p>\n\u003cp>\u003cstrong>Keeping musicians challenged and coffers filled\u003c/strong>\u003c/p>\n\u003cp>On a recent evening at Lakewood Elementary School in Sunnyvale, many Nova Vista musicians arrived at rehearsal directly from work, wearing nurses scrubs, or jackets emblazoned with tech company logos.\u003c/p>\n\u003cp>These are people who love a challenge, and Quartuccio is happy to oblige. “Every season, we pick a piece or two that will be a rite of passage, which is something we’re not sure we can do, but we’re going to take it on anyway,” Quartuccio says. This season’s big musical challenge comes in the form of Tchaikovsky’s \u003ca href=\"http://www.classicfm.com/composers/tchaikovsky/music/symphony-no5-e-minor/#W2K00Z8r2IyxrX1T.97\" target=\"_blank\" rel=\"noopener\">\u003cem>Fifth\u003c/em>\u003cem> Symphony\u003c/em>\u003c/a>, one of the 19th century Russian composer’s most well-known pieces. Though perhaps not as difficult to perform as Tchaikovsky’s famously unplayable \u003cem>Violin Concerto in D Major\u003c/em>, the masterwork isn’t exactly a breeze either.\u003c/p>\n\u003cp>Even without the heavy overhead professional orchestras labor under, many amateur orchestras struggle for money. “Artistic expenses aside, it still costs money to put on a show,” says Kris Sinclair, executive director of the \u003ca href=\"http://www.acso.org/\" target=\"_blank\" rel=\"noopener\">Association of California Symphony Orchestras\u003c/a>. “And those ticket prices, if they charge admission, will be much lower than at a professional orchestra.”\u003c/p>\n\u003cp>Nova Vista typically charges $15 a ticket. Even so, the organization’s board members say money is not a problem. Nova Vista has an annual budget of $50,000. It doesn’t charge musicians annual dues, but they do donate and fund raise. “Everybody here treats this like a professional orchestra, sheerly for the love of it,” Quartuccio says.\u003c/p>\n\u003caside class=\"callout alignright\">\u003cstrong>pARTicipate with us! \u003c/strong>We need your help to make this project bloom. If you have an artistic hobby that you’re passionate about, or know about an artist or organization involved in community art-making, we want to hear from you in any or all of the following ways:\n\u003cul>\n\u003cli>Share an image or video of you (and your friends) participating in your activity\u003c/li>\n\u003cli>Tell us the story of how you got involved in your practice, what it is you do and why it means so much to you\u003c/li>\n\u003cli>Send us information about arts organizations or individual coaches who are helping to bring creativity to your community\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can reach us in the following ways:\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Email: \u003c/span>\u003ca href=\"mailto:cveltman@kqed.org\">\u003cspan style=\"font-weight: 400\">cveltman@kqed.org\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">Twitter: @KQEDarts and #KQEDparticipate\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Facebook: KQED Arts\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Instagram: @KQEDofficial and #KQEDparticipate\u003c/span>\u003c/p>\n\u003c/aside>\n\u003cp>Plus, this being Silicon Valley, there’s no shortage of corporate donors, including Google, NVIDIA, Hewlett-Packard, Intel, Apple, Texas Instruments, VMWare and Cisco Systems.\u003cb> \u003c/b>Firms often get behind local orchestras in part because their own employees play in them.\u003c/p>\n\u003cp>\u003cstrong>Finding community…and love\u003c/strong>\u003c/p>\n\u003cp>Many musicians join these orchestras as a way to find community. Software engineer and cellist Harris Karsch came out from the East Coast to work at Google about a year and a half ago. “I just love playing with an ensemble,” Karsch says. “It also keeps me practicing.”\u003c/p>\n\u003cp>Playing cello as an undergrad at Cornell, Karsch similarly found music a great way to integrate into the student body. “A lot of my best friends were from orchestra, not from my classes,” Karsch says. “Not the ones I ended up with in the dorms and living with but from orchestra and music.”\u003c/p>\n\u003cp>That’s proved true for many amateur musicians, some of whom date and even marry each other. Carl and Eva Ching of Sunnyvale met sitting next to each other at an orchestra rehearsal one night.\u003c/p>\n\u003cp>“I guess we took a liking to each other,” says Carl. “And so we’ve been married, I guess, 35 years.”\u003c/p>\n\u003cp>Eva’s family is full of musicians. Carl’s, not so much. For the past 25 years, Nova Vista has effectively been the couple’s third family; it’s a group where the Chings feel at home.\u003c/p>\n\u003cp>That, and they get to geek out performing some of classical music’s greatest hits. Last year, Quartuccio’s “rite of passage” piece was Beethoven’s \u003cem>Ninth Symphony\u003c/em>. “It’s been on our bucket list for years,” Eva says. “Both of us were sitting there in the middle of the second violin section during the concert, going ‘I can’t believe we’re playing this. Listen to how beautiful it sounds.’ And it just makes so much difference to share it with someone who enjoys it as much as you do.”\u003c/p>\n\u003cp>\u003cstrong>Sharing the music\u003c/strong>\u003c/p>\n\u003cp>Nova Vista often shares its performances with local students, professionals and musical organizations. Here are a few moments from a rehearsal of John Rutter’s \u003cem>Gloria\u003c/em> with Nova Vista Symphony and the San Jose Symphonic Choir conducted by Leroy Kromm. (Courtesy George Yefchak.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/44_n3RMdsDc'\n title='//www.youtube.com/embed/44_n3RMdsDc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Many of the people in Nova Vista are so deep into making music that they find the time to play for more than one orchestra. This phenomenon is quite common, according to Michael Zwiebach, senior editor of the online classical music journal \u003cem>\u003ca href=\"https://www.sfcv.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Classical Voice\u003c/a>\u003c/em>. “Every church, every temple has a choir, right?” Zweibach says. “There are tons of musicians out there and they’re all looking for something to do.”\u003c/p>\n\u003cfigure id=\"attachment_11316324\" class=\"wp-caption alignright\" style=\"max-width: 325px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11316324\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-400x626.jpg\" alt=\""We all know people within our own families who’ve been great musicians," regardless of whether they're pro, says Michael Zwiebach of San Francisco Classical Voice. Here's his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married.\" width=\"325\" height=\"509\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-400x626.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut-383x600.jpg 383w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18401_IMG_2710.JPG-qut.jpg 511w\" sizes=\"(max-width: 325px) 100vw, 325px\">\u003cfigcaption class=\"wp-caption-text\">“We all know people within our own families who’ve been great musicians,” regardless of whether they’re pro, says Michael Zwiebach of San Francisco Classical Voice. Here’s his great aunt, Birdie Engle, playing the piano on her 90th birthday. She sang at the Metropolitan Opera in the 1910s, before she got married. \u003ccite>(Courtesy of Michael Zwiebach)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>By Zwiebach’s estimation, the San Francisco Bay Area alone is home to more than 60 community orchestras, like the \u003ca href=\"http://www.redwoodsymphony.org/\" target=\"_blank\" rel=\"noopener\">Redwood Symphony\u003c/a>, the \u003ca href=\"http://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener\">Peninsula Symphony\u003c/a>, and the \u003ca href=\"http://southbayphilharmonic.org/\" target=\"_blank\" rel=\"noopener\">South Bay Philharmonic\u003c/a> (originally the Hewlett-Packard Symphony Orchestra).\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>Is the Bay Area typical for density of community orchestras?It’s impossible to tell. There’s nobody keeping a running tally. Celeste Wroblewski of the\u003ca href=\"http://www.americanorchestras.org/\" target=\"_blank\" rel=\"noopener\"> League of American Orchestras\u003c/a> explains that definitions of community orchestras vary, making such a task nigh on impossible. What she can say is that of 1,224 orchestras in the US, 845 run on annual budgets of less than $300,000.\u003c/p>\n\u003cp>Zwiebach says he’s heard fabulous music from all sorts of ensembles, large and small, semi-professional, and nowhere near it. And how does he feel about the prevailing pejorative attitude about amateurs? “That’s something that we really have to get over,” Zwiebach says. “That’s something that is built into an industrial society where professionalization and specialization is everything.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Nova Vista Symphony performs Elmahmoudi, Grieg, Sarasate and Ravel\u003c/em>\u003cem> at the De Anza Visual and Performing Arts Center on April 23. More information \u003ca href=\"http://www.novavista.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11311114/silicon-valley-really-is-having-more-fun-playing-music-in-community-orchestras",
"authors": [
"251"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1037",
"arts_1119",
"arts_1118",
"arts_596"
],
"featImg": "arts_11311946",
"label": "arts"
},
"pop_20615": {
"type": "posts",
"id": "pop_20615",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "20615",
"score": null,
"sort": [
1455839929000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1455839929,
"format": "standard",
"disqusTitle": "Why Bernie Sanders Tawks Like That",
"title": "Why Bernie Sanders Tawks Like That",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>No matter where your political allegiances lie, you've got to admit it's been fun listening to Bernie Sanders talk these past few months. From FDR to the Kennedys to the Clintons, rarely have we had the pleasure of hearing a presidential hopeful speak as plainly as Sanders does.\u003c/p>\n\u003cp>Or...maybe I'm particularly drawn in because I'm the offspring of Brooklyn-born Jews who grew up in the '50s -- and I've sure never heard a would-be president who sounded anything like them before.\u003c/p>\n\u003cp>Those are the characteristics that present themselves in Sanders' accent, according to the linguists cited in this excellent Vox video. Though the explainer takes the senator from Vermont as its guinea pig, it's a fascinating look at how the simple, unconscious idiosyncrasies of anyone's speaking style can reveal a world of information about region, time period, culture, socioeconomic status, and more.\u003c/p>\n\u003cp>Give it a watch below.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=waeXBCUkuL8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"disqusIdentifier": "20615 http://ww2.kqed.org/pop/?p=20615",
"disqusUrl": "https://ww2.kqed.org/pop/2016/02/18/why-bernie-sanders-tawks-like-that/",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 171,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1455907313,
"excerpt": "AKA, why Larry David will be on Lorne Michael's speed-dial for the next few months, at the very least. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "AKA, why Larry David will be on Lorne Michael's speed-dial for the next few months, at the very least. ",
"title": "Why Bernie Sanders Tawks Like That | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Why Bernie Sanders Tawks Like That",
"datePublished": "2016-02-18T15:58:49-08:00",
"dateModified": "2016-02-19T10:41:53-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "why-bernie-sanders-tawks-like-that",
"status": "publish",
"path": "/pop/20615/why-bernie-sanders-tawks-like-that",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>No matter where your political allegiances lie, you've got to admit it's been fun listening to Bernie Sanders talk these past few months. From FDR to the Kennedys to the Clintons, rarely have we had the pleasure of hearing a presidential hopeful speak as plainly as Sanders does.\u003c/p>\n\u003cp>Or...maybe I'm particularly drawn in because I'm the offspring of Brooklyn-born Jews who grew up in the '50s -- and I've sure never heard a would-be president who sounded anything like them before.\u003c/p>\n\u003cp>Those are the characteristics that present themselves in Sanders' accent, according to the linguists cited in this excellent Vox video. Though the explainer takes the senator from Vermont as its guinea pig, it's a fascinating look at how the simple, unconscious idiosyncrasies of anyone's speaking style can reveal a world of information about region, time period, culture, socioeconomic status, and more.\u003c/p>\n\u003cp>Give it a watch below.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/waeXBCUkuL8'\n title='//www.youtube.com/embed/waeXBCUkuL8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/20615/why-bernie-sanders-tawks-like-that",
"authors": [
"7237"
],
"categories": [
"pop_1041"
],
"featImg": "pop_20620",
"label": "pop"
},
"pop_20516": {
"type": "posts",
"id": "pop_20516",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "20516",
"score": null,
"sort": [
1455839418000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1455839418,
"format": "standard",
"title": "Weird Facts You Never Knew about the U.S. Presidents",
"headTitle": "Weird Facts You Never Knew about the U.S. Presidents | KQED",
"content": "\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/02/prez.mp3\" title=\"God Bless Beyoncé (and America Too)\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener\">\u003cimg decoding=\"async\" class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener\">\u003cimg decoding=\"async\" class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>[contextly_sidebar id=”jxysB6mZu4wlZiOFe3bsI8hoiG3wtFPr”]Back in high school, U.S. History was not my thing. A bunch of white dudes in powdered wigs bickering? No thanks. But behind every boring textbook page is a treasure trove of super interesting facts. Did you know one of our presidents was murdered…by cherries? Or that another vandalized Shakespeare’s property? Or that a president’s cursing parrot was kicked out of a funeral? Believe it! Here are all the weird facts your history teacher really should have taught:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>George Washington (1789-1797)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20529\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"/pop/wp-content/uploads/sites/12/2016/02/George_Washington_1776.jpg\" rel=\"attachment wp-att-20529\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20529\" src=\"/pop/wp-content/uploads/sites/12/2016/02/George_Washington_1776.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"932\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_Washington_1776.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_Washington_1776-400x466.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_Washington_1776-768x895.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/George_Washington#/media/File:George_Washington,_1776.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite popular myth, his dentures weren’t made of wood. They were made of hippopotamus ivory, bone, animal and human teeth, lead, brass screws and gold wire. So where did the wood theory come from? Some historians believe that Washington’s fondness for dark wine stained the fractures in his false teeth, giving off the look of grainy wood.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>John Adams (1797-1801)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20530\" class=\"wp-caption aligncenter\" style=\"max-width: 2398px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792.jpg\" rel=\"attachment wp-att-20530\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20530\" src=\"//ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792.jpg\" alt=\"Photo: Wiki Commons\" width=\"2398\" height=\"3000\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792.jpg 2398w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-400x500.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-800x1001.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-768x961.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-1440x1802.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-1920x2402.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-1180x1476.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-960x1201.jpg 960w\" sizes=\"(max-width: 2398px) 100vw, 2398px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/John_Adams#/media/File:Official_Presidential_portrait_of_John_Adams_(by_John_Trumbull,_circa_1792).jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>John Adams visited Shakespeare’s home in Stratford-upon-Avon with Thomas Jefferson, before they hated each other’s guts. While there, they chipped off a piece of one of Shakespeare’s chairs as a souvenir.\u003c/p>\n\u003cp>[aside postid=arts_13882779]Years later, Adams was embroiled in an election battle against his Vice President Jefferson. Adams called him “a mean-spirited, low-lived fellow, the son of a half-breed Indian squaw, sired by a Virginia mulatto father” and, in an attack ad, warned of the consequences of a potential Jefferson presidency: “Murder, robbery, rape, adultery, and incest will be openly taught and practiced, the air will be rent with the cries of the distressed, the soil will be soaked with blood and the nation black with crimes.” And we thought the 2016 election cycle was out of control!\u003c/p>\n\u003cp>As Fate would have it, both Adams and Jefferson died on the same day, July 4, 1826, the 50th anniversary of the Declaration of Independence. You can’t make this stuff up.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Thomas Jefferson (1801-1817)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20531\" class=\"wp-caption aligncenter\" style=\"max-width: 2512px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800.jpg\" rel=\"attachment wp-att-20531\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20531\" src=\"//ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800.jpg\" alt=\"Photo: Wiki Commons\" width=\"2512\" height=\"2996\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800.jpg 2512w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-400x477.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-800x954.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-768x916.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-1440x1717.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-1920x2290.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-1180x1407.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-960x1145.jpg 960w\" sizes=\"(max-width: 2512px) 100vw, 2512px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Thomas_Jefferson#/media/File:Official_Presidential_portrait_of_Thomas_Jefferson_(by_Rembrandt_Peale,_1800).jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Vandalizing Shakespeare’s chair isn’t the only chair-related Jefferson trivia: he invented the swivel chair!\u003c/p>\n\u003cp>Something you wouldn’t expect from one of the most famous politicians in American history: Jefferson hated public speaking so much that he only gave two speeches in his presidency, one per term. He also started a tradition of sending State of the Union speeches as written documents to be read at Congress by a clerk (Woodrow Wilson reinstated the practice of delivering the speech in person in 1913).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James Madison (1809-1817)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20532\" class=\"wp-caption aligncenter\" style=\"max-width: 2465px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Madison.jpg\" rel=\"attachment wp-att-20532\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20532\" src=\"//ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Madison.jpg\" alt=\"Photo: Wiki Commons\" width=\"2465\" height=\"3000\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison.jpg 2465w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-400x487.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-800x974.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-768x935.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-1440x1753.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-1920x2337.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-1180x1436.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-960x1168.jpg 960w\" sizes=\"(max-width: 2465px) 100vw, 2465px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_Madison#/media/File:James_Madison.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Our smallest president stood at 5’4″ and weighed around 100 pounds. Aw!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James Monroe (1817-1825)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20533\" class=\"wp-caption aligncenter\" style=\"max-width: 2491px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Monroe_White_House_portrait_1819.gif\" rel=\"attachment wp-att-20533\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20533\" src=\"/pop/wp-content/uploads/sites/12/2016/02/James_Monroe_White_House_portrait_1819.gif\" alt=\"Photo: Wiki Commons\" width=\"2491\" height=\"3000\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_Monroe#/media/File:James_Monroe_White_House_portrait_1819.gif\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Due to his penchant for outdated Revolutionary War era dress, Monroe’s nickname was “The Last Cocked Hat.”\u003c/p>\n\u003cp>His first term was called the Era of Good Feelings because of the national unity that followed the end of the War of 1812. He ran unopposed for his re-election, something that has only happened one other time in U.S. history (George Washington).\u003c/p>\n\u003cp>The last surviving Founding Father, Monroe died on July 4th, 1831, five years after both Jefferson and Adams died and 55 years after the Declaration of Independence was signed.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>John Quincy Adams (1825-1829)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20534\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JQA_Photo.tif_.jpg\" rel=\"attachment wp-att-20534\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20534\" src=\"/pop/wp-content/uploads/sites/12/2016/02/JQA_Photo.tif_.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"1045\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/JQA_Photo.tif_.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JQA_Photo.tif_-400x523.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JQA_Photo.tif_-768x1003.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/John_Quincy_Adams#/media/File:JQA_Photo.tif\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>The son of our Jefferson-hating second president, John Quincy Adams was known for skinny dipping in the Potomac River every morning. A reporter took advantage of this information and sat on his clothes until he would grant her an interview.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Andrew Jackson (1829-1837)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20535\" class=\"wp-caption aligncenter\" style=\"max-width: 610px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Andrew_Jackson.jpg\" rel=\"attachment wp-att-20535\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20535\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Andrew_Jackson.jpg\" alt=\"Photo: Wiki Commons\" width=\"610\" height=\"739\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Andrew_Jackson.jpg 610w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Andrew_Jackson-400x485.jpg 400w\" sizes=\"(max-width: 610px) 100vw, 610px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Andrew_Jackson#/media/File:Andrew_Jackson.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>One popular rumor is that Jackson taught his pet parrot how to curse. It was all fun and games, until the parrot had to allegedly be removed from Jackson’s funeral because it wouldn’t stop cursing.\u003c/p>\n\u003cp>Jackson had a thing for taking it outside. He was involved in an estimated 100 duels, usually because someone said something negative about his wife. In 1806, he was shot in the chest during one of these duels. And in 1813, he took a bullet to the arm in a bar fight with a Senator.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Martin Van Buren (1837-1841)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20536\" class=\"wp-caption aligncenter\" style=\"max-width: 2988px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58.jpg\" rel=\"attachment wp-att-20536\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20536\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58.jpg\" alt=\"Photo: Wiki Commons\" width=\"2988\" height=\"3742\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58.jpg 2988w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-400x501.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-800x1002.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-768x962.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-1440x1803.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-1920x2404.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-1180x1478.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-960x1202.jpg 960w\" sizes=\"(max-width: 2988px) 100vw, 2988px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Martin_Van_Buren#/media/File:Martin_Van_Buren_by_Mathew_Brady_c1855-58.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Van Buren holds the title of the first president to be born in the U.S.\u003c/p>\n\u003cp>He had a lot of nicknames: “Sly Fox” because of his political prowess, “Little Magician” because he was only 5’6″ and “Red Fox of Kinderhook” because he had reddish hair and was from a town in upstate New York called Kinderhook. But the most long-lasting nickname goes to “Old Kinderhook,” which was used during his 1840 election campaign in the form of supporters carrying around signs marked OK. The abbreviation became popular around this time and we use it to this day.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>William Henry Harrison (1841)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20537\" class=\"wp-caption aligncenter\" style=\"max-width: 6165px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project.jpg\" rel=\"attachment wp-att-20537\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20537\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project.jpg\" alt=\"Photo: Wiki Commons\" width=\"6165\" height=\"7498\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project.jpg 6165w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-400x486.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-800x973.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-768x934.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-1440x1751.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-1920x2335.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-1180x1435.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-960x1168.jpg 960w\" sizes=\"(max-width: 6165px) 100vw, 6165px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/William_Henry_Harrison#/media/File:Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>During his campaign, the opposition tried to cast him as someone who’d rather “sit in his log cabin, drinking hard cider.” Harrison took the criticism and made (spiked) lemonade; he handed out whiskey in bottles shaped like log cabins.\u003c/p>\n\u003cp>Harrison gave the longest inauguration speech ever (8,445 words over 90 minutes) on a wet, cold day in 1841. He fell ill soon thereafter and died 33 days into his presidency.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>John Tyler (1841-1845)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20538\" class=\"wp-caption aligncenter\" style=\"max-width: 1410px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration.jpg\" rel=\"attachment wp-att-20538\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20538\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration.jpg\" alt=\"Photo: Wiki Commons\" width=\"1410\" height=\"1989\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration.jpg 1410w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-400x564.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-800x1129.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-768x1083.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-1180x1665.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-960x1354.jpg 960w\" sizes=\"(max-width: 1410px) 100vw, 1410px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/John_Tyler#/media/File:Tyler_Daguerreotype_(restoration).jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>After Harrison’s untimely death, there was disagreement over what power Tyler had as the surviving Vice President. He managed to convince everyone that he should just become president, paving the way for the 25th Amendment, which made the line of succession official.\u003c/p>\n\u003cp>[aside postid=arts_13931210]Everyone pretty much hated him. He was expelled from his own party during his presidency, his entire cabinet (minus one person) resigned over his policies, and he was the first president who faced impeachment. One newspaper editor called him a “poor, miserable, despised imbecile” and \u003cem>The New York Times\u003c/em> called him “the most unpopular public man that had ever held any office in the United States” in his own obituary! Upon his death, Lincoln didn’t issue a mourning proclamation and flags were not placed at half-mast.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James K. Polk (1845-1849)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20539\" class=\"wp-caption aligncenter\" style=\"max-width: 2079px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Polk_restored.jpg\" rel=\"attachment wp-att-20539\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20539\" src=\"/pop/wp-content/uploads/sites/12/2016/02/James_Polk_restored.jpg\" alt=\"Photo: Wiki Commons\" width=\"2079\" height=\"2500\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored.jpg 2079w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-400x481.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-800x962.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-768x924.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-1440x1732.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-1920x2309.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-1180x1419.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-960x1154.jpg 960w\" sizes=\"(max-width: 2079px) 100vw, 2079px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_K._Polk#/media/File:James_Polk_restored.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Every party has a pooper and that pooper was Polk. He banned booze, card playing and dancing from the White House.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Zachary Taylor (1849-1850)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20540\" class=\"wp-caption aligncenter\" style=\"max-width: 780px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped.png\" rel=\"attachment wp-att-20540\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20540\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped.png\" alt=\"Photo: Wiki Commons\" width=\"780\" height=\"1026\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped.png 780w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped-400x526.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped-768x1010.png 768w\" sizes=\"(max-width: 780px) 100vw, 780px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Zachary_Taylor#/media/File:Zachary_Taylor_restored_and_cropped.png\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>While celebrating the Fourth of July on the grounds where the Washington Monument would later stand, Taylor snacked on a bunch of cherries and washed it all down with iced milk (ew). Bacteria was present in either the cherries or the milk, leading to his death a few days later.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Millard Fillmore (1850-1853)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20541\" class=\"wp-caption aligncenter\" style=\"max-width: 1052px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849.jpg\" rel=\"attachment wp-att-20541\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20541\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849.jpg\" alt=\"Photo: Wiki Commons\" width=\"1052\" height=\"1254\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849.jpg 1052w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849-400x477.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849-800x954.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849-768x915.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849-960x1144.jpg 960w\" sizes=\"(max-width: 1052px) 100vw, 1052px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Millard_Fillmore#/media/File:Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Fillmore married his schoolteacher (oo la la!). Other than that, most historians don’t really have much to say about him. Even the White House website calls him “an uninspiring man.” Ouch.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Franklin Pierce (1853-1857)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20542\" class=\"wp-caption aligncenter\" style=\"max-width: 4562px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop.jpg\" rel=\"attachment wp-att-20542\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20542\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop.jpg\" alt=\"Photo: Wiki Commons\" width=\"4562\" height=\"5678\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop.jpg 4562w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-400x498.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-800x996.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-768x956.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-1440x1792.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-1920x2390.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-1180x1469.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-960x1195.jpg 960w\" sizes=\"(max-width: 4562px) 100vw, 4562px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Franklin_Pierce#/media/File:Mathew_Brady_-_Franklin_Pierce_-_alternate_crop.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Another president most people don’t remember, Pierce was pretty unpopular while in office, leading to his own party refusing to renominate him. His reply to being cast out: “There is nothing left to do but get drunk.” His penchant for the hooch might explain his alleged arrest for running over an old lady with his horse.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James Buchanan (1857-1861)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20543\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Hon._James_Buchanan_-_NARA_-_528318-crop.jpg\" rel=\"attachment wp-att-20543\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20543\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Hon._James_Buchanan_-_NARA_-_528318-crop.jpg\" alt=\"Photo: Wiki Commons\" width=\"750\" height=\"938\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Hon._James_Buchanan_-_NARA_-_528318-crop.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Hon._James_Buchanan_-_NARA_-_528318-crop-400x500.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_Buchanan#/media/File:Hon._James_Buchanan_-_NARA_-_528318-crop.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Buchanan holds the record of being the only bachelor to be president, although he may not have been truly single. There was a lot of speculation about his sexuality and close relationship with Alabama Senator William Rufus King. The two lived together for more than 10 years, despite being rich enough to have their own homes. Andrew Jackson called them “Miss Nancy and Aunt Fancy” behind their backs. When King left for France in 1844, Buchanan wrote: “I am now ‘solitary and alone,’ having no companion in the house with me. I have gone a wooing several gentlemen, but have not succeeded with any one of them.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Abraham Lincoln (1861-1865)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20544\" class=\"wp-caption aligncenter\" style=\"max-width: 931px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop.jpg\" rel=\"attachment wp-att-20544\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20544\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop.jpg\" alt=\"Photo: Wiki Commons\" width=\"931\" height=\"1230\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop.jpg 931w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop-400x528.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop-800x1057.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop-768x1015.jpg 768w\" sizes=\"(max-width: 931px) 100vw, 931px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Abraham_Lincoln#/media/File:Abraham_Lincoln_by_Byers,_1858_-_crop.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to being a tall drink of water, Lincoln also serves tall drinks as a bartender. He was also a really good wrestler. He won all but one of approximately 300 matches. *fans self*\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Andrew Johnson (1865-1869)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20545\" class=\"wp-caption aligncenter\" style=\"max-width: 1617px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Andrew_Johnson.jpg\" rel=\"attachment wp-att-20545\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20545\" src=\"/pop/wp-content/uploads/sites/12/2016/02/President_Andrew_Johnson.jpg\" alt=\"Photo: Wiki Commons\" width=\"1617\" height=\"2156\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson.jpg 1617w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-768x1024.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-1440x1920.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-1180x1573.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-960x1280.jpg 960w\" sizes=\"(max-width: 1617px) 100vw, 1617px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Andrew_Johnson#/media/File:President_Andrew_Johnson.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>The first president to be impeached, Johnson didn’t have an easy time in childhood either. After his father died, his mother sent him and his brother out as indentured servants to a tailor. Johnson and his brother ran away two years later. The tailor put out a reward of $10 for their capture, but they were never apprehended. Using what he learned during his time with the tailor, he made all of his own suits as president.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Ulysses S. Grant (1869-1877)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20546\" class=\"wp-caption aligncenter\" style=\"max-width: 1828px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo.png\" rel=\"attachment wp-att-20546\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20546\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo.png\" alt=\"Photo: Wiki Commons\" width=\"1828\" height=\"1704\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo.png 1828w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-400x373.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-800x746.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-768x716.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-1440x1342.png 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-1180x1100.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-960x895.png 960w\" sizes=\"(max-width: 1828px) 100vw, 1828px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Ulysses_S._Grant#/media/File:Grant_crop_of_Cold_Harbor_photo.png\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Grant was supposed to be in Lincoln’s theater box on the night of his assassination, but changed plans at the last minute. He regretted not being there for the rest of his life because he believed he could have stopped it from happening.\u003c/p>\n\u003cp>Other fun facts about Grant: he couldn’t stand the sight of blood, which is ironic considering his Civil War history. And he dismantled the Ku Klux Klan during his presidency (they unfortunately regrouped decades later).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Rutherford B. Hayes (1877-1881)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20547\" class=\"wp-caption aligncenter\" style=\"max-width: 3031px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored.jpg\" rel=\"attachment wp-att-20547\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20547\" src=\"/pop/wp-content/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored.jpg\" alt=\"Photo: Wiki Commons\" width=\"3031\" height=\"3688\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored.jpg 3031w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-400x487.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-800x973.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-768x934.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-1440x1752.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-1920x2336.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-1180x1436.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-960x1168.jpg 960w\" sizes=\"(max-width: 3031px) 100vw, 3031px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Rutherford_B._Hayes#/media/File:President_Rutherford_Hayes_1870_-_1880_Restored.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>The victor of one of the most disputed elections ever; he lost the popular vote by 250,000, but eked out an electoral college win by a single vote, earning him the nicknames “Rutherfraud” and “His Fraudulency.” Was also called “Granny Hayes” because he didn’t drink, smoke or gamble.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James A. Garfield (1881)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20548\" class=\"wp-caption aligncenter\" style=\"max-width: 3182px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated.jpg\" rel=\"attachment wp-att-20548\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20548\" src=\"/pop/wp-content/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated.jpg\" alt=\"Photo: Wiki Commons\" width=\"3182\" height=\"4034\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated.jpg 3182w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-400x507.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-800x1014.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-768x974.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-1440x1826.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-1920x2434.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-1180x1496.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-960x1217.jpg 960w\" sizes=\"(max-width: 3182px) 100vw, 3182px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_A._Garfield#/media/File:James_Abram_Garfield,_photo_portrait_seated.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Garfield was ambidextrous and could write in Greek with one hand and in Latin with the other at the same time!\u003c/p>\n\u003cp>He was shot a few months into his presidency by an assassin and died 11 weeks later. Doctors tried using a newly invented metal detector by Andrew Graham Bell to locate the bullet, but the metal bedsprings kept messing up the results, leading the doctors to cut in the wrong places. On top of this, the doctors also introduced bacteria into Garfield’s body with their unsterilized, prying fingers.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Chester A. Arthur (1881-1885)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20549\" class=\"wp-caption aligncenter\" style=\"max-width: 1908px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/20_Chester_Arthur_3x4.jpg\" rel=\"attachment wp-att-20549\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20549\" src=\"/pop/wp-content/uploads/sites/12/2016/02/20_Chester_Arthur_3x4.jpg\" alt=\"Photo: Wiki Commons\" width=\"1908\" height=\"2544\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4.jpg 1908w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-768x1024.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-1440x1920.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-1180x1573.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-960x1280.jpg 960w\" sizes=\"(max-width: 1908px) 100vw, 1908px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Chester_A._Arthur#/media/File:20_Chester_Arthur_3x4.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Arthur wanted the White House completely redecorated, but needed money to pay for all the new furniture. His solution: sell off 24 wagon loads of historical relics, including a pair of Lincoln’s pants and one of John Quincy Adams’ hats. The redecoration wasn’t the only luxury he took; he also owned elaborate clothing, including 80 different pairs of pants, earning him the nickname”Elegant Arthur.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Grover Cleveland (1885-1889)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20550\" class=\"wp-caption aligncenter\" style=\"max-width: 788px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/StephenGroverCleveland.png\" rel=\"attachment wp-att-20550\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20550\" src=\"/pop/wp-content/uploads/sites/12/2016/02/StephenGroverCleveland.png\" alt=\"Photo: Wiki Commons\" width=\"788\" height=\"1025\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland.png 788w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland-400x520.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland-768x999.png 768w\" sizes=\"(max-width: 788px) 100vw, 788px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Grover_Cleveland#/media/File:StephenGroverCleveland.png\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Upon the death of his law partner, Cleveland became the legal guardian to his friend’s 11-year-old orphaned daughter. 10 years later, they were married at the White House, making her the youngest First Lady ever at the age of 21 and making him the Woody Allen of the 19th century.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Benjamin Harrison (1889-1893)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20551\" class=\"wp-caption aligncenter\" style=\"max-width: 2638px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison.jpg\" rel=\"attachment wp-att-20551\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20551\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison.jpg\" alt=\"Photo: Wiki Commons\" width=\"2638\" height=\"3765\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison.jpg 2638w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-400x571.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-800x1142.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-768x1096.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-1440x2055.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-1920x2740.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-1180x1684.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-960x1370.jpg 960w\" sizes=\"(max-width: 2638px) 100vw, 2638px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Benjamin_Harrison#/media/File:Pach_Brothers_-_Benjamin_Harrison.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>The grandson of President William Henry Harrison, he was called the “human iceberg” by some for how stiff he was with people. Maybe people misread anxiety for stiffness though: He was the first president to have electricity in the White House and was so scared of being electrocuted that he refused to touch the light switches and was known to go to bed with all the lights on.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Grover Cleveland (1893-1897)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20550\" class=\"wp-caption aligncenter\" style=\"max-width: 788px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/StephenGroverCleveland.png\" rel=\"attachment wp-att-20550\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20550\" src=\"/pop/wp-content/uploads/sites/12/2016/02/StephenGroverCleveland.png\" alt=\"Photo: Wiki Commons\" width=\"788\" height=\"1025\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland.png 788w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland-400x520.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland-768x999.png 768w\" sizes=\"(max-width: 788px) 100vw, 788px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Grover_Cleveland#/media/File:StephenGroverCleveland.png\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>No, this isn’t a typo. Cleveland is the only president to hold the office for two non-consecutive terms. Here’s a fact that isn’t as creepy as the first. Part of Cleveland’s jaw was made of vulcanized rubber, as a result of a secret surgery on a friend’s yacht.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>William McKinley (1897-1901)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20552\" class=\"wp-caption aligncenter\" style=\"max-width: 488px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/William_McKinley_by_Courtney_Art_Studio_1896.jpg\" rel=\"attachment wp-att-20552\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20552\" src=\"/pop/wp-content/uploads/sites/12/2016/02/William_McKinley_by_Courtney_Art_Studio_1896.jpg\" alt=\"Photo: Wiki Commons\" width=\"488\" height=\"683\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/William_McKinley_by_Courtney_Art_Studio_1896.jpg 488w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/William_McKinley_by_Courtney_Art_Studio_1896-400x560.jpg 400w\" sizes=\"(max-width: 488px) 100vw, 488px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/William_McKinley#/media/File:William_McKinley_by_Courtney_Art_Studio,_1896.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>McKinley considered carnations his good luck charm and wore them everywhere. On September 6, 1901, he gave a little girl the carnation from his lapel and was shot by an assassin a short time later. He died the following week.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Theodore Roosevelt (1901-1909)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20553\" class=\"wp-caption aligncenter\" style=\"max-width: 476px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/TR_Buckskin_Tiffany_Knife.jpg\" rel=\"attachment wp-att-20553\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20553\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/TR_Buckskin_Tiffany_Knife.jpg\" alt=\"Photo: Wiki Commons\" width=\"476\" height=\"596\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/TR_Buckskin_Tiffany_Knife.jpg 476w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/TR_Buckskin_Tiffany_Knife-400x501.jpg 400w\" sizes=\"(max-width: 476px) 100vw, 476px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Theodore_Roosevelt#/media/File:TR_Buckskin_Tiffany_Knife.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>On Valentine’s Day in 1884, both his first wife and mother died. A page from his journal from that day:\u003c/p>\n\u003cp>https://twitter.com/HistoryInPics/status/698937389348163585\u003c/p>\n\u003cp>Unrelated to that super depressing diary entry: While delivering a speech, Roosevelt was shot and had this to say about it: “I don’t know whether you fully understand that I have just been shot. I give you my word, I do not care a rap about being shot; not a rap!” He finished his hour and a half speech with a bullet lodged in his chest.\u003c/p>\n\u003cp>In short, the dude was pretty great and worthy of having said greatness commemorated. A toy maker did just that by producing “Teddy Bears” in his honor, after news got out that Roosevelt refused to shoot a bear cub on a hunting trip.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>William H. Taft (1909-1913)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20554\" class=\"wp-caption aligncenter\" style=\"max-width: 3705px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908.jpg\" rel=\"attachment wp-att-20554\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20554\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908.jpg\" alt=\"Photo: Wiki Commons\" width=\"3705\" height=\"4545\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908.jpg 3705w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-400x491.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-800x981.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-768x942.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-1440x1766.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-1920x2355.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-1180x1448.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-960x1178.jpg 960w\" sizes=\"(max-width: 3705px) 100vw, 3705px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/William_Howard_Taft#/media/File:Wm_H_Taft_smiling_1908.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Taft is most known for his waist line and supposedly getting stuck in a bathtub (historians say this didn’t really happen), but what people don’t talk about enough is his stuffed animal. Toy manufacturers believed Teddy Bears would fade out and wanted a replacement. They came up with Billy Possum. Unfortunately, the origin tale has nothing to do with Taft sparing a baby possum and everything to do with him scarfing down a huge possum dinner one night. Despite rude anti-Teddy Bear postcards like the one below, Billy Possum did not catch on.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/billy_poster.jpg\" rel=\"attachment wp-att-20524\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-20524\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/billy_poster.jpg\" alt=\"billy possum poster\" width=\"620\" height=\"386\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/billy_poster.jpg 620w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/billy_poster-400x249.jpg 400w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Woodrow Wilson (1913-1921)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20555\" class=\"wp-caption aligncenter\" style=\"max-width: 2976px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912.jpg\" rel=\"attachment wp-att-20555\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20555\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912.jpg\" alt=\"Photo: Wiki Commons\" width=\"2976\" height=\"3623\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912.jpg 2976w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-400x487.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-800x974.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-768x935.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-1440x1753.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-1920x2337.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-1180x1437.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-960x1169.jpg 960w\" sizes=\"(max-width: 2976px) 100vw, 2976px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Woodrow_Wilson#/media/File:President_Woodrow_Wilson_portrait_December_2_1912.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1919, incredible stress led to Wilson experiencing a series of strokes. He was left partially paralyzed and almost blind, but stayed in office until 1921. He relied heavily on his wife Edith Bolling Galt, a descendant of Pocahontas (!!!), for help, leading to her nickname as the “Presidentress.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Warren G. Harding (1921-1923)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20563\" class=\"wp-caption aligncenter\" style=\"max-width: 3165px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing.jpg\" rel=\"attachment wp-att-20563\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20563\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing.jpg\" alt=\"Photo: Wiki Commons\" width=\"3165\" height=\"4302\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing.jpg 3165w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-400x544.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-800x1087.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-768x1044.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-1440x1957.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-1920x2610.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-1180x1604.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-960x1305.jpg 960w\" sizes=\"(max-width: 3165px) 100vw, 3165px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Warren_G._Harding#/media/File:Warren_G_Harding-Harris_%26_Ewing.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Harding had quite the wandering eye. He had an affair with his wife’s close friend, Carrie Fulton Phillips, which was revealed through a series of love letters. He also messed around with a woman named Nan Britton, who wrote a book called “The President’s Daughter” about how her daughter was Harding’s. In 2005, thanks to DNA testing, it was proven that he was in fact the baby daddy.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Calvin Coolidge (1923-1929)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20564\" class=\"wp-caption aligncenter\" style=\"max-width: 3112px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777.jpg\" rel=\"attachment wp-att-20564\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20564\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777.jpg\" alt=\"Photo: Wiki Commons\" width=\"3112\" height=\"3836\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777.jpg 3112w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-400x493.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-800x986.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-768x947.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-1440x1775.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-1920x2367.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-1180x1455.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-960x1183.jpg 960w\" sizes=\"(max-width: 3112px) 100vw, 3112px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Calvin_Coolidge#/media/File:Calvin_Coolidge_cph.3g10777.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Coolidge had a morning ritual of having someone rub Vaseline on his head while he ate breakfast. The unusual also extended to his choice of pets: two raccoons named Reuben and Rebecca, who would sometimes run around the White House.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Herbert Hoover (1929-1933)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20565\" class=\"wp-caption aligncenter\" style=\"max-width: 3623px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut.jpg\" rel=\"attachment wp-att-20565\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20565\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut.jpg\" alt=\"Photo: Wiki Commons\" width=\"3623\" height=\"5023\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut.jpg 3623w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-400x555.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-800x1109.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-768x1065.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-1440x1996.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-1920x2662.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-1180x1636.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-960x1331.jpg 960w\" sizes=\"(max-width: 3623px) 100vw, 3623px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Herbert_Hoover#/media/File:Herbert_Hoover_and_King_Tut.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Not to be outdone by Coolidge’s odd choice in pets, Hoover’s son had two pet alligators, who also ran around the White House grounds.\u003c/p>\n\u003cp>Hoover and his wife lived in China for a time and would speak Mandarin in the White House when they wanted to have a private conversation.\u003c/p>\n\u003cp>Rumor has it that Hoover requested his servants be “invisible.” Their choices: jump into closets to hide when Hoover entered a room or be fired.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Franklin D. Roosevelt (1933-1945)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20566\" class=\"wp-caption aligncenter\" style=\"max-width: 2040px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop.jpg\" rel=\"attachment wp-att-20566\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20566\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop.jpg\" alt=\"Photo: Wiki Commons\" width=\"2040\" height=\"1700\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop.jpg 2040w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-400x333.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-800x667.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-768x640.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-1440x1200.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-1920x1600.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-1180x983.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-960x800.jpg 960w\" sizes=\"(max-width: 2040px) 100vw, 2040px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Fala_(dog)#/media/File:FDR-Fala-White-House-1941-crop.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>FDR was obsessed with his dog, Fala. He insisted on being the only one who was allowed to feed him and even made Fala an honorary Army private during WWII. Fala was so popular with the press and the American public that he became the subject of a comic strip and MGM even made two movies about him. Fala is the only pet to be\u003ca href=\"http://barkpost-assets.s3.amazonaws.com/wp-content/uploads/2013/12/Monument.jpg\" target=\"_blank\" rel=\"noopener\"> immortalized in a presidential memorial \u003c/a>alongside his owner.\u003c/p>\n\u003cp>Eleanor Roosevelt didn’t have to change her last name when she married FDR because they’re cousins. Her uncle and his cousin “Teddy” Roosevelt walked her down the aisle.\u003c/p>\n\u003cp>[aside postid=arts_13919589]But that’s not the only president he was related to! Also distant relatives: Washington, both Adams, Madison, Van Buren, both Harrisons, Taylor, Grant and Taft. Also: Winston Churchill.\u003c/p>\n\u003cp>FDR was really afraid of the number 13 and refused to have dinner with that number of people or leave for a trip on the 13th of any month.\u003c/p>\n\u003cp>His battle with what was then thought to be polio (new research suggests he actually suffered from Guillain-Barre Syndrome) is now widespread, but back then the public didn’t really know much about it or how bad his paralysis was. The media rarely mentioned it and the Secret Service allegedly yanked out the film from any photographers who tried grabbing a photo of him in his wheelchair.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Harry S. Truman (1945-1953)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20567\" class=\"wp-caption aligncenter\" style=\"max-width: 1871px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2.jpg\" rel=\"attachment wp-att-20567\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20567\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2.jpg\" alt=\"Photo: Wiki Commons\" width=\"1871\" height=\"2251\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2.jpg 1871w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-400x481.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-800x962.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-768x924.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-1440x1732.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-1180x1420.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-960x1155.jpg 960w\" sizes=\"(max-width: 1871px) 100vw, 1871px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Harry_S._Truman#/media/File:Harry_S_Truman_-_NARA_-_530677_(2).jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>He met his wife, Bess, in Sunday school when he was six. Talk about locking it down!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Dwight D. Eisenhower (1953-1961)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20568\" class=\"wp-caption aligncenter\" style=\"max-width: 1663px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Eisenhower_official.jpg\" rel=\"attachment wp-att-20568\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20568\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Eisenhower_official.jpg\" alt=\"Photo: Wiki Commons\" width=\"1663\" height=\"2100\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official.jpg 1663w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-400x505.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-800x1010.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-768x970.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-1440x1818.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-1180x1490.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-960x1212.jpg 960w\" sizes=\"(max-width: 1663px) 100vw, 1663px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Dwight_D._Eisenhower#/media/File:Eisenhower_official.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Ike changed the name of FDR’s presidential Maryland retreat from Shangri-la to Camp David. His reason: Shangri-la was “just a little too fancy for a Kansas farm boy.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>John F. Kennedy (1961-1963)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20569\" class=\"wp-caption aligncenter\" style=\"max-width: 760px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JFK_White_House_portrait_looking_up_lighting_corrected.jpg\" rel=\"attachment wp-att-20569\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20569\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JFK_White_House_portrait_looking_up_lighting_corrected.jpg\" alt=\"Photo: Wiki Commons\" width=\"760\" height=\"970\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/JFK_White_House_portrait_looking_up_lighting_corrected.jpg 760w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JFK_White_House_portrait_looking_up_lighting_corrected-400x511.jpg 400w\" sizes=\"(max-width: 760px) 100vw, 760px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/John_F._Kennedy#/media/File:JFK_White_House_portrait_looking_up_lighting_corrected.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>JFK received $1 million on his 21st birthday (all nine brothers and sisters got the same), but that generosity did not extend to the Harvard recommendation letter his father wrote for him. He wrote that Jack was “careless and lacks application.” He got in anyway.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Lyndon B. Johnson (1963-1969)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20570\" class=\"wp-caption aligncenter\" style=\"max-width: 2071px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped.jpg\" rel=\"attachment wp-att-20570\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20570\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped.jpg\" alt=\"Photo: Wiki Commons\" width=\"2071\" height=\"3293\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped.jpg 2071w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-400x636.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-800x1272.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-768x1221.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-1440x2290.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-1920x3053.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-1180x1876.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-960x1526.jpg 960w\" sizes=\"(max-width: 2071px) 100vw, 2071px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Lyndon_B._Johnson#/media/File:Lyndon_B._Johnson,_photo_portrait,_leaning_on_chair,_color_cropped.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>JFK’s unexpected assassination led to Johnson becoming president, but another factor that made his presidency possible was a fateful trip to the bathroom. Let me explain: While enlisted in the military during WWII, Johnson boarded a plane called the Wabash Cannonball for his one and only bombing mission in the South Pacific. But he had to use the bathroom really badly so he got off and took care of business. By the time he got back, the Wabash Cannonball had left. The plane ended up crashing and everyone on it perished.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Richard M. Nixon (1969-1974)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_.jpg\" rel=\"attachment wp-att-20573\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20573\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"945\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_-400x473.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_-768x907.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Richard_Nixon#/media/File:Richard_M._Nixon,_ca._1935_-_1982_-_NARA_-_530679.tif\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Nixon loved to bowl so much that he had a one-lane alley put in the basement of the White House.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Gerald R. Ford (1974-1977)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20574\" class=\"wp-caption aligncenter\" style=\"max-width: 3978px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Gerald_Ford.jpg\" rel=\"attachment wp-att-20574\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20574\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Gerald_Ford.jpg\" alt=\"Photo: Wiki Commons\" width=\"3978\" height=\"5838\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford.jpg 3978w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-400x587.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-800x1174.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-768x1127.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-1440x2113.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-1920x2818.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-1180x1732.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-960x1409.jpg 960w\" sizes=\"(max-width: 3978px) 100vw, 3978px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Gerald_Ford#/media/File:Gerald_Ford.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>His real name was Leslie Lynch King, Jr.\u003c/p>\n\u003cp>Remember this for the next trivia night at your local bar: Ford is the only president to never be elected by the voting public to president or vice president (first Vice President Spiro Agnew resigned, followed shortly thereafter by Nixon).\u003c/p>\n\u003cp>Ford’s daughter Susan hosted her senior prom at the White House.\u003c/p>\n\u003cp>Two different assassins tried to take Ford’s life within over a span of 17 days. Both were women.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Jimmy Carter (1977-1981)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20575\" class=\"wp-caption aligncenter\" style=\"max-width: 1650px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JimmyCarterPortrait2.jpg\" rel=\"attachment wp-att-20575\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20575\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JimmyCarterPortrait2.jpg\" alt=\"Photo: Wiki Commons\" width=\"1650\" height=\"2027\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2.jpg 1650w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-400x491.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-800x983.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-768x943.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-1440x1769.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-1180x1450.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-960x1179.jpg 960w\" sizes=\"(max-width: 1650px) 100vw, 1650px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Jimmy_Carter#/media/File:JimmyCarterPortrait2.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">Carter appeared in an unlikely publication: \u003cem>Playboy\u003c/em>. And he got a lot of grief for it because of the following remarks: “I’ve looked on a lot of women with lust. I’ve committed adultery in my heart many times. This is something that God recognizes I will do—and I have done it—and God forgives me for it.” It was during a presidential campaign too, which made the outcry even more pronounced. Carter refused to apologize.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Ronald Reagan (1981-1989)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20576\" class=\"wp-caption aligncenter\" style=\"max-width: 2399px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981.jpg\" rel=\"attachment wp-att-20576\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20576\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981.jpg\" alt=\"Photo: Wiki Commons\" width=\"2399\" height=\"3000\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981.jpg 2399w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-400x500.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-800x1000.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-768x960.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-1440x1801.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-1920x2401.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-1180x1476.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-960x1201.jpg 960w\" sizes=\"(max-width: 2399px) 100vw, 2399px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Ronald_Reagan#/media/File:Official_Portrait_of_President_Reagan_1981.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Reagan regularly consulted with an astrologer, Joan Quigley, before making decisions and scheduling big events.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> George H. W. Bush (1989-1993)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20577\" class=\"wp-caption aligncenter\" style=\"max-width: 1439px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait.jpg\" rel=\"attachment wp-att-20577\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20577\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait.jpg\" alt=\"Photo: Wiki Commons\" width=\"1439\" height=\"1809\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait.jpg 1439w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-400x503.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-800x1006.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-768x965.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-1180x1483.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-960x1207.jpg 960w\" sizes=\"(max-width: 1439px) 100vw, 1439px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/George_H._W._Bush#/media/File:George_H._W._Bush,_President_of_the_United_States,_official_portrait.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">Bush inspired a Japanese word, “Bushusuru,” which means “to do the Bush thing.” What thing, you ask? Vomiting in public, as Bush did all over the Japanese Prime Minister in 1992.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=XnOnDatqENo\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> William J. Clinton (1993-2001)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20578\" class=\"wp-caption aligncenter\" style=\"max-width: 2103px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/44_Bill_Clinton_3x4.jpg\" rel=\"attachment wp-att-20578\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20578\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/44_Bill_Clinton_3x4.jpg\" alt=\"Photo: Wiki Commons\" width=\"2103\" height=\"2804\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4.jpg 2103w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-768x1024.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-1440x1920.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-1920x2560.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-1180x1573.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-960x1280.jpg 960w\" sizes=\"(max-width: 2103px) 100vw, 2103px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Bill_Clinton#/media/File:44_Bill_Clinton_3x4.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Bill has two Grammys (one for Best Spoken Word Album and another for Best Spoken Word Album for Children). Future EGOT?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> George W. Bush (2001-2009)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20579\" class=\"wp-caption aligncenter\" style=\"max-width: 2267px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/George-W-Bush.jpeg\" rel=\"attachment wp-att-20579\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20579\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/George-W-Bush.jpeg\" alt=\"Photo: Wiki Commons\" width=\"2267\" height=\"3000\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush.jpeg 2267w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-400x529.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-800x1059.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-768x1016.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-1440x1906.jpeg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-1920x2541.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-1180x1562.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-960x1270.jpeg 960w\" sizes=\"(max-width: 2267px) 100vw, 2267px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/George_W._Bush#/media/File:George-W-Bush.jpeg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">W. was his high school’s head cheerleader.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Barack Obama (2009-2017)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20580\" class=\"wp-caption aligncenter\" style=\"max-width: 2687px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Barack_Obama.jpg\" rel=\"attachment wp-att-20580\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20580\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Barack_Obama.jpg\" alt=\"Photo: Wiki Commons\" width=\"2687\" height=\"3356\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama.jpg 2687w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-400x500.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-800x999.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-768x959.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-1440x1799.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-1920x2398.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-1180x1474.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-960x1199.jpg 960w\" sizes=\"(max-width: 2687px) 100vw, 2687px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Barack_Obama#/media/File:President_Barack_Obama.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>While living in Indonesia, Obama had a pet ape called Tata.\u003c/p>\n\u003cp>[aside postid=arts_13927137]His experience working at a Baskin-Robbins as a teen has made him hate ice cream.\u003c/p>\n\u003cp>In high school, he used to be called “O’Bomber” for his basketball skills.\u003c/p>\n\u003cp>While studying at Harvard, he applied to be featured in a black pin-up calendar. The all-female committee declined (and probably regret it every single day).\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>For even more presidential facts, get a load of this episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>:\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"//w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/247832051&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>And for a hint as to who will be the next president on this list, read up on what YouTube astrologers are predicting:\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>https://ww2.kqed.org/pop/2016/06/21/will-our-next-president-be-hillary-or-trump-astrologers-think-they-know/\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": true,
"hasPolis": false,
"wordCount": 3679,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 74
},
"modified": 1693524295,
"excerpt": "Cursing parrots, deadly cherries, vandalism at Shakespeare's house and so much more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Cursing parrots, deadly cherries, vandalism at Shakespeare's house and so much more!",
"title": "Weird Facts You Never Knew about the U.S. Presidents | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Weird Facts You Never Knew about the U.S. Presidents",
"datePublished": "2016-02-18T15:50:18-08:00",
"dateModified": "2023-08-31T16:24:55-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "weird-facts-you-never-knew-about-the-u-s-presidents",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"articleAge": "0",
"path": "/pop/20516/weird-facts-you-never-knew-about-the-u-s-presidents",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audio",
"attributes": {
"named": {
"program": "The Cooler",
"image": "https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg",
"label": "src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/02/prez.mp3\" title=\"God Bless Beyoncé (and America Too)\""
},
"numeric": [
"src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/02/prez.mp3\" title=\"God",
"Bless",
"Beyoncé",
"(and",
"America",
"Too)\""
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener\">\u003cimg decoding=\"async\" class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener\">\u003cimg decoding=\"async\" class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Back in high school, U.S. History was not my thing. A bunch of white dudes in powdered wigs bickering? No thanks. But behind every boring textbook page is a treasure trove of super interesting facts. Did you know one of our presidents was murdered…by cherries? Or that another vandalized Shakespeare’s property? Or that a president’s cursing parrot was kicked out of a funeral? Believe it! Here are all the weird facts your history teacher really should have taught:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>George Washington (1789-1797)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20529\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"/pop/wp-content/uploads/sites/12/2016/02/George_Washington_1776.jpg\" rel=\"attachment wp-att-20529\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20529\" src=\"/pop/wp-content/uploads/sites/12/2016/02/George_Washington_1776.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"932\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_Washington_1776.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_Washington_1776-400x466.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_Washington_1776-768x895.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/George_Washington#/media/File:George_Washington,_1776.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite popular myth, his dentures weren’t made of wood. They were made of hippopotamus ivory, bone, animal and human teeth, lead, brass screws and gold wire. So where did the wood theory come from? Some historians believe that Washington’s fondness for dark wine stained the fractures in his false teeth, giving off the look of grainy wood.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>John Adams (1797-1801)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20530\" class=\"wp-caption aligncenter\" style=\"max-width: 2398px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792.jpg\" rel=\"attachment wp-att-20530\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20530\" src=\"//ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792.jpg\" alt=\"Photo: Wiki Commons\" width=\"2398\" height=\"3000\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792.jpg 2398w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-400x500.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-800x1001.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-768x961.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-1440x1802.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-1920x2402.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-1180x1476.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_John_Adams_by_John_Trumbull_circa_1792-960x1201.jpg 960w\" sizes=\"(max-width: 2398px) 100vw, 2398px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/John_Adams#/media/File:Official_Presidential_portrait_of_John_Adams_(by_John_Trumbull,_circa_1792).jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>John Adams visited Shakespeare’s home in Stratford-upon-Avon with Thomas Jefferson, before they hated each other’s guts. While there, they chipped off a piece of one of Shakespeare’s chairs as a souvenir.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13882779",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Years later, Adams was embroiled in an election battle against his Vice President Jefferson. Adams called him “a mean-spirited, low-lived fellow, the son of a half-breed Indian squaw, sired by a Virginia mulatto father” and, in an attack ad, warned of the consequences of a potential Jefferson presidency: “Murder, robbery, rape, adultery, and incest will be openly taught and practiced, the air will be rent with the cries of the distressed, the soil will be soaked with blood and the nation black with crimes.” And we thought the 2016 election cycle was out of control!\u003c/p>\n\u003cp>As Fate would have it, both Adams and Jefferson died on the same day, July 4, 1826, the 50th anniversary of the Declaration of Independence. You can’t make this stuff up.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Thomas Jefferson (1801-1817)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20531\" class=\"wp-caption aligncenter\" style=\"max-width: 2512px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800.jpg\" rel=\"attachment wp-att-20531\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20531\" src=\"//ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800.jpg\" alt=\"Photo: Wiki Commons\" width=\"2512\" height=\"2996\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800.jpg 2512w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-400x477.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-800x954.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-768x916.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-1440x1717.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-1920x2290.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-1180x1407.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Presidential_portrait_of_Thomas_Jefferson_by_Rembrandt_Peale_1800-960x1145.jpg 960w\" sizes=\"(max-width: 2512px) 100vw, 2512px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Thomas_Jefferson#/media/File:Official_Presidential_portrait_of_Thomas_Jefferson_(by_Rembrandt_Peale,_1800).jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Vandalizing Shakespeare’s chair isn’t the only chair-related Jefferson trivia: he invented the swivel chair!\u003c/p>\n\u003cp>Something you wouldn’t expect from one of the most famous politicians in American history: Jefferson hated public speaking so much that he only gave two speeches in his presidency, one per term. He also started a tradition of sending State of the Union speeches as written documents to be read at Congress by a clerk (Woodrow Wilson reinstated the practice of delivering the speech in person in 1913).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James Madison (1809-1817)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20532\" class=\"wp-caption aligncenter\" style=\"max-width: 2465px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Madison.jpg\" rel=\"attachment wp-att-20532\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20532\" src=\"//ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Madison.jpg\" alt=\"Photo: Wiki Commons\" width=\"2465\" height=\"3000\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison.jpg 2465w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-400x487.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-800x974.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-768x935.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-1440x1753.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-1920x2337.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-1180x1436.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Madison-960x1168.jpg 960w\" sizes=\"(max-width: 2465px) 100vw, 2465px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_Madison#/media/File:James_Madison.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Our smallest president stood at 5’4″ and weighed around 100 pounds. Aw!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James Monroe (1817-1825)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20533\" class=\"wp-caption aligncenter\" style=\"max-width: 2491px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Monroe_White_House_portrait_1819.gif\" rel=\"attachment wp-att-20533\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20533\" src=\"/pop/wp-content/uploads/sites/12/2016/02/James_Monroe_White_House_portrait_1819.gif\" alt=\"Photo: Wiki Commons\" width=\"2491\" height=\"3000\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_Monroe#/media/File:James_Monroe_White_House_portrait_1819.gif\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Due to his penchant for outdated Revolutionary War era dress, Monroe’s nickname was “The Last Cocked Hat.”\u003c/p>\n\u003cp>His first term was called the Era of Good Feelings because of the national unity that followed the end of the War of 1812. He ran unopposed for his re-election, something that has only happened one other time in U.S. history (George Washington).\u003c/p>\n\u003cp>The last surviving Founding Father, Monroe died on July 4th, 1831, five years after both Jefferson and Adams died and 55 years after the Declaration of Independence was signed.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>John Quincy Adams (1825-1829)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20534\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JQA_Photo.tif_.jpg\" rel=\"attachment wp-att-20534\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20534\" src=\"/pop/wp-content/uploads/sites/12/2016/02/JQA_Photo.tif_.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"1045\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/JQA_Photo.tif_.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JQA_Photo.tif_-400x523.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JQA_Photo.tif_-768x1003.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/John_Quincy_Adams#/media/File:JQA_Photo.tif\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>The son of our Jefferson-hating second president, John Quincy Adams was known for skinny dipping in the Potomac River every morning. A reporter took advantage of this information and sat on his clothes until he would grant her an interview.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Andrew Jackson (1829-1837)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20535\" class=\"wp-caption aligncenter\" style=\"max-width: 610px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Andrew_Jackson.jpg\" rel=\"attachment wp-att-20535\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20535\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Andrew_Jackson.jpg\" alt=\"Photo: Wiki Commons\" width=\"610\" height=\"739\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Andrew_Jackson.jpg 610w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Andrew_Jackson-400x485.jpg 400w\" sizes=\"(max-width: 610px) 100vw, 610px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Andrew_Jackson#/media/File:Andrew_Jackson.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>One popular rumor is that Jackson taught his pet parrot how to curse. It was all fun and games, until the parrot had to allegedly be removed from Jackson’s funeral because it wouldn’t stop cursing.\u003c/p>\n\u003cp>Jackson had a thing for taking it outside. He was involved in an estimated 100 duels, usually because someone said something negative about his wife. In 1806, he was shot in the chest during one of these duels. And in 1813, he took a bullet to the arm in a bar fight with a Senator.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Martin Van Buren (1837-1841)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20536\" class=\"wp-caption aligncenter\" style=\"max-width: 2988px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58.jpg\" rel=\"attachment wp-att-20536\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20536\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58.jpg\" alt=\"Photo: Wiki Commons\" width=\"2988\" height=\"3742\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58.jpg 2988w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-400x501.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-800x1002.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-768x962.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-1440x1803.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-1920x2404.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-1180x1478.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Martin_Van_Buren_by_Mathew_Brady_c1855-58-960x1202.jpg 960w\" sizes=\"(max-width: 2988px) 100vw, 2988px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Martin_Van_Buren#/media/File:Martin_Van_Buren_by_Mathew_Brady_c1855-58.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Van Buren holds the title of the first president to be born in the U.S.\u003c/p>\n\u003cp>He had a lot of nicknames: “Sly Fox” because of his political prowess, “Little Magician” because he was only 5’6″ and “Red Fox of Kinderhook” because he had reddish hair and was from a town in upstate New York called Kinderhook. But the most long-lasting nickname goes to “Old Kinderhook,” which was used during his 1840 election campaign in the form of supporters carrying around signs marked OK. The abbreviation became popular around this time and we use it to this day.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>William Henry Harrison (1841)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20537\" class=\"wp-caption aligncenter\" style=\"max-width: 6165px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project.jpg\" rel=\"attachment wp-att-20537\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20537\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project.jpg\" alt=\"Photo: Wiki Commons\" width=\"6165\" height=\"7498\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project.jpg 6165w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-400x486.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-800x973.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-768x934.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-1440x1751.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-1920x2335.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-1180x1435.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project-960x1168.jpg 960w\" sizes=\"(max-width: 6165px) 100vw, 6165px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/William_Henry_Harrison#/media/File:Rembrandt_Peale_-_William_Henry_Harrison_-_Google_Art_Project.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>During his campaign, the opposition tried to cast him as someone who’d rather “sit in his log cabin, drinking hard cider.” Harrison took the criticism and made (spiked) lemonade; he handed out whiskey in bottles shaped like log cabins.\u003c/p>\n\u003cp>Harrison gave the longest inauguration speech ever (8,445 words over 90 minutes) on a wet, cold day in 1841. He fell ill soon thereafter and died 33 days into his presidency.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>John Tyler (1841-1845)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20538\" class=\"wp-caption aligncenter\" style=\"max-width: 1410px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration.jpg\" rel=\"attachment wp-att-20538\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20538\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration.jpg\" alt=\"Photo: Wiki Commons\" width=\"1410\" height=\"1989\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration.jpg 1410w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-400x564.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-800x1129.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-768x1083.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-1180x1665.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Tyler_Daguerreotype_restoration-960x1354.jpg 960w\" sizes=\"(max-width: 1410px) 100vw, 1410px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/John_Tyler#/media/File:Tyler_Daguerreotype_(restoration).jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>After Harrison’s untimely death, there was disagreement over what power Tyler had as the surviving Vice President. He managed to convince everyone that he should just become president, paving the way for the 25th Amendment, which made the line of succession official.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13931210",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Everyone pretty much hated him. He was expelled from his own party during his presidency, his entire cabinet (minus one person) resigned over his policies, and he was the first president who faced impeachment. One newspaper editor called him a “poor, miserable, despised imbecile” and \u003cem>The New York Times\u003c/em> called him “the most unpopular public man that had ever held any office in the United States” in his own obituary! Upon his death, Lincoln didn’t issue a mourning proclamation and flags were not placed at half-mast.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James K. Polk (1845-1849)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20539\" class=\"wp-caption aligncenter\" style=\"max-width: 2079px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Polk_restored.jpg\" rel=\"attachment wp-att-20539\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20539\" src=\"/pop/wp-content/uploads/sites/12/2016/02/James_Polk_restored.jpg\" alt=\"Photo: Wiki Commons\" width=\"2079\" height=\"2500\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored.jpg 2079w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-400x481.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-800x962.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-768x924.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-1440x1732.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-1920x2309.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-1180x1419.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Polk_restored-960x1154.jpg 960w\" sizes=\"(max-width: 2079px) 100vw, 2079px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_K._Polk#/media/File:James_Polk_restored.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Every party has a pooper and that pooper was Polk. He banned booze, card playing and dancing from the White House.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Zachary Taylor (1849-1850)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20540\" class=\"wp-caption aligncenter\" style=\"max-width: 780px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped.png\" rel=\"attachment wp-att-20540\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20540\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped.png\" alt=\"Photo: Wiki Commons\" width=\"780\" height=\"1026\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped.png 780w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped-400x526.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Zachary_Taylor_restored_and_cropped-768x1010.png 768w\" sizes=\"(max-width: 780px) 100vw, 780px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Zachary_Taylor#/media/File:Zachary_Taylor_restored_and_cropped.png\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>While celebrating the Fourth of July on the grounds where the Washington Monument would later stand, Taylor snacked on a bunch of cherries and washed it all down with iced milk (ew). Bacteria was present in either the cherries or the milk, leading to his death a few days later.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Millard Fillmore (1850-1853)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20541\" class=\"wp-caption aligncenter\" style=\"max-width: 1052px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849.jpg\" rel=\"attachment wp-att-20541\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20541\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849.jpg\" alt=\"Photo: Wiki Commons\" width=\"1052\" height=\"1254\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849.jpg 1052w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849-400x477.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849-800x954.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849-768x915.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849-960x1144.jpg 960w\" sizes=\"(max-width: 1052px) 100vw, 1052px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Millard_Fillmore#/media/File:Millard_Fillmore_daguerreotype_by_Mathew_Brady_1849.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Fillmore married his schoolteacher (oo la la!). Other than that, most historians don’t really have much to say about him. Even the White House website calls him “an uninspiring man.” Ouch.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Franklin Pierce (1853-1857)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20542\" class=\"wp-caption aligncenter\" style=\"max-width: 4562px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop.jpg\" rel=\"attachment wp-att-20542\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20542\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop.jpg\" alt=\"Photo: Wiki Commons\" width=\"4562\" height=\"5678\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop.jpg 4562w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-400x498.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-800x996.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-768x956.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-1440x1792.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-1920x2390.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-1180x1469.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Mathew_Brady_-_Franklin_Pierce_-_alternate_crop-960x1195.jpg 960w\" sizes=\"(max-width: 4562px) 100vw, 4562px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Franklin_Pierce#/media/File:Mathew_Brady_-_Franklin_Pierce_-_alternate_crop.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Another president most people don’t remember, Pierce was pretty unpopular while in office, leading to his own party refusing to renominate him. His reply to being cast out: “There is nothing left to do but get drunk.” His penchant for the hooch might explain his alleged arrest for running over an old lady with his horse.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James Buchanan (1857-1861)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20543\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Hon._James_Buchanan_-_NARA_-_528318-crop.jpg\" rel=\"attachment wp-att-20543\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20543\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Hon._James_Buchanan_-_NARA_-_528318-crop.jpg\" alt=\"Photo: Wiki Commons\" width=\"750\" height=\"938\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Hon._James_Buchanan_-_NARA_-_528318-crop.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Hon._James_Buchanan_-_NARA_-_528318-crop-400x500.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_Buchanan#/media/File:Hon._James_Buchanan_-_NARA_-_528318-crop.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Buchanan holds the record of being the only bachelor to be president, although he may not have been truly single. There was a lot of speculation about his sexuality and close relationship with Alabama Senator William Rufus King. The two lived together for more than 10 years, despite being rich enough to have their own homes. Andrew Jackson called them “Miss Nancy and Aunt Fancy” behind their backs. When King left for France in 1844, Buchanan wrote: “I am now ‘solitary and alone,’ having no companion in the house with me. I have gone a wooing several gentlemen, but have not succeeded with any one of them.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Abraham Lincoln (1861-1865)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20544\" class=\"wp-caption aligncenter\" style=\"max-width: 931px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop.jpg\" rel=\"attachment wp-att-20544\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20544\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop.jpg\" alt=\"Photo: Wiki Commons\" width=\"931\" height=\"1230\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop.jpg 931w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop-400x528.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop-800x1057.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Abraham_Lincoln_by_Byers_1858_-_crop-768x1015.jpg 768w\" sizes=\"(max-width: 931px) 100vw, 931px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Abraham_Lincoln#/media/File:Abraham_Lincoln_by_Byers,_1858_-_crop.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>In addition to being a tall drink of water, Lincoln also serves tall drinks as a bartender. He was also a really good wrestler. He won all but one of approximately 300 matches. *fans self*\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Andrew Johnson (1865-1869)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20545\" class=\"wp-caption aligncenter\" style=\"max-width: 1617px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Andrew_Johnson.jpg\" rel=\"attachment wp-att-20545\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20545\" src=\"/pop/wp-content/uploads/sites/12/2016/02/President_Andrew_Johnson.jpg\" alt=\"Photo: Wiki Commons\" width=\"1617\" height=\"2156\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson.jpg 1617w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-768x1024.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-1440x1920.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-1180x1573.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Andrew_Johnson-960x1280.jpg 960w\" sizes=\"(max-width: 1617px) 100vw, 1617px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Andrew_Johnson#/media/File:President_Andrew_Johnson.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>The first president to be impeached, Johnson didn’t have an easy time in childhood either. After his father died, his mother sent him and his brother out as indentured servants to a tailor. Johnson and his brother ran away two years later. The tailor put out a reward of $10 for their capture, but they were never apprehended. Using what he learned during his time with the tailor, he made all of his own suits as president.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Ulysses S. Grant (1869-1877)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20546\" class=\"wp-caption aligncenter\" style=\"max-width: 1828px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo.png\" rel=\"attachment wp-att-20546\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20546\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo.png\" alt=\"Photo: Wiki Commons\" width=\"1828\" height=\"1704\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo.png 1828w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-400x373.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-800x746.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-768x716.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-1440x1342.png 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-1180x1100.png 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Grant_crop_of_Cold_Harbor_photo-960x895.png 960w\" sizes=\"(max-width: 1828px) 100vw, 1828px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Ulysses_S._Grant#/media/File:Grant_crop_of_Cold_Harbor_photo.png\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Grant was supposed to be in Lincoln’s theater box on the night of his assassination, but changed plans at the last minute. He regretted not being there for the rest of his life because he believed he could have stopped it from happening.\u003c/p>\n\u003cp>Other fun facts about Grant: he couldn’t stand the sight of blood, which is ironic considering his Civil War history. And he dismantled the Ku Klux Klan during his presidency (they unfortunately regrouped decades later).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Rutherford B. Hayes (1877-1881)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20547\" class=\"wp-caption aligncenter\" style=\"max-width: 3031px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored.jpg\" rel=\"attachment wp-att-20547\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20547\" src=\"/pop/wp-content/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored.jpg\" alt=\"Photo: Wiki Commons\" width=\"3031\" height=\"3688\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored.jpg 3031w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-400x487.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-800x973.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-768x934.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-1440x1752.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-1920x2336.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-1180x1436.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Rutherford_Hayes_1870_-_1880_Restored-960x1168.jpg 960w\" sizes=\"(max-width: 3031px) 100vw, 3031px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Rutherford_B._Hayes#/media/File:President_Rutherford_Hayes_1870_-_1880_Restored.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>The victor of one of the most disputed elections ever; he lost the popular vote by 250,000, but eked out an electoral college win by a single vote, earning him the nicknames “Rutherfraud” and “His Fraudulency.” Was also called “Granny Hayes” because he didn’t drink, smoke or gamble.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>James A. Garfield (1881)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20548\" class=\"wp-caption aligncenter\" style=\"max-width: 3182px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated.jpg\" rel=\"attachment wp-att-20548\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20548\" src=\"/pop/wp-content/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated.jpg\" alt=\"Photo: Wiki Commons\" width=\"3182\" height=\"4034\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated.jpg 3182w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-400x507.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-800x1014.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-768x974.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-1440x1826.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-1920x2434.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-1180x1496.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/James_Abram_Garfield_photo_portrait_seated-960x1217.jpg 960w\" sizes=\"(max-width: 3182px) 100vw, 3182px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/James_A._Garfield#/media/File:James_Abram_Garfield,_photo_portrait_seated.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Garfield was ambidextrous and could write in Greek with one hand and in Latin with the other at the same time!\u003c/p>\n\u003cp>He was shot a few months into his presidency by an assassin and died 11 weeks later. Doctors tried using a newly invented metal detector by Andrew Graham Bell to locate the bullet, but the metal bedsprings kept messing up the results, leading the doctors to cut in the wrong places. On top of this, the doctors also introduced bacteria into Garfield’s body with their unsterilized, prying fingers.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Chester A. Arthur (1881-1885)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20549\" class=\"wp-caption aligncenter\" style=\"max-width: 1908px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/20_Chester_Arthur_3x4.jpg\" rel=\"attachment wp-att-20549\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20549\" src=\"/pop/wp-content/uploads/sites/12/2016/02/20_Chester_Arthur_3x4.jpg\" alt=\"Photo: Wiki Commons\" width=\"1908\" height=\"2544\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4.jpg 1908w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-768x1024.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-1440x1920.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-1180x1573.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/20_Chester_Arthur_3x4-960x1280.jpg 960w\" sizes=\"(max-width: 1908px) 100vw, 1908px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Chester_A._Arthur#/media/File:20_Chester_Arthur_3x4.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Arthur wanted the White House completely redecorated, but needed money to pay for all the new furniture. His solution: sell off 24 wagon loads of historical relics, including a pair of Lincoln’s pants and one of John Quincy Adams’ hats. The redecoration wasn’t the only luxury he took; he also owned elaborate clothing, including 80 different pairs of pants, earning him the nickname”Elegant Arthur.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Grover Cleveland (1885-1889)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20550\" class=\"wp-caption aligncenter\" style=\"max-width: 788px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/StephenGroverCleveland.png\" rel=\"attachment wp-att-20550\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20550\" src=\"/pop/wp-content/uploads/sites/12/2016/02/StephenGroverCleveland.png\" alt=\"Photo: Wiki Commons\" width=\"788\" height=\"1025\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland.png 788w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland-400x520.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland-768x999.png 768w\" sizes=\"(max-width: 788px) 100vw, 788px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Grover_Cleveland#/media/File:StephenGroverCleveland.png\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Upon the death of his law partner, Cleveland became the legal guardian to his friend’s 11-year-old orphaned daughter. 10 years later, they were married at the White House, making her the youngest First Lady ever at the age of 21 and making him the Woody Allen of the 19th century.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Benjamin Harrison (1889-1893)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20551\" class=\"wp-caption aligncenter\" style=\"max-width: 2638px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison.jpg\" rel=\"attachment wp-att-20551\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20551\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison.jpg\" alt=\"Photo: Wiki Commons\" width=\"2638\" height=\"3765\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison.jpg 2638w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-400x571.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-800x1142.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-768x1096.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-1440x2055.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-1920x2740.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-1180x1684.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Pach_Brothers_-_Benjamin_Harrison-960x1370.jpg 960w\" sizes=\"(max-width: 2638px) 100vw, 2638px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Benjamin_Harrison#/media/File:Pach_Brothers_-_Benjamin_Harrison.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>The grandson of President William Henry Harrison, he was called the “human iceberg” by some for how stiff he was with people. Maybe people misread anxiety for stiffness though: He was the first president to have electricity in the White House and was so scared of being electrocuted that he refused to touch the light switches and was known to go to bed with all the lights on.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Grover Cleveland (1893-1897)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20550\" class=\"wp-caption aligncenter\" style=\"max-width: 788px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/StephenGroverCleveland.png\" rel=\"attachment wp-att-20550\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20550\" src=\"/pop/wp-content/uploads/sites/12/2016/02/StephenGroverCleveland.png\" alt=\"Photo: Wiki Commons\" width=\"788\" height=\"1025\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland.png 788w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland-400x520.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/StephenGroverCleveland-768x999.png 768w\" sizes=\"(max-width: 788px) 100vw, 788px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Grover_Cleveland#/media/File:StephenGroverCleveland.png\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>No, this isn’t a typo. Cleveland is the only president to hold the office for two non-consecutive terms. Here’s a fact that isn’t as creepy as the first. Part of Cleveland’s jaw was made of vulcanized rubber, as a result of a secret surgery on a friend’s yacht.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>William McKinley (1897-1901)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20552\" class=\"wp-caption aligncenter\" style=\"max-width: 488px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/William_McKinley_by_Courtney_Art_Studio_1896.jpg\" rel=\"attachment wp-att-20552\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20552\" src=\"/pop/wp-content/uploads/sites/12/2016/02/William_McKinley_by_Courtney_Art_Studio_1896.jpg\" alt=\"Photo: Wiki Commons\" width=\"488\" height=\"683\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/William_McKinley_by_Courtney_Art_Studio_1896.jpg 488w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/William_McKinley_by_Courtney_Art_Studio_1896-400x560.jpg 400w\" sizes=\"(max-width: 488px) 100vw, 488px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/William_McKinley#/media/File:William_McKinley_by_Courtney_Art_Studio,_1896.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>McKinley considered carnations his good luck charm and wore them everywhere. On September 6, 1901, he gave a little girl the carnation from his lapel and was shot by an assassin a short time later. He died the following week.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Theodore Roosevelt (1901-1909)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20553\" class=\"wp-caption aligncenter\" style=\"max-width: 476px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/TR_Buckskin_Tiffany_Knife.jpg\" rel=\"attachment wp-att-20553\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20553\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/TR_Buckskin_Tiffany_Knife.jpg\" alt=\"Photo: Wiki Commons\" width=\"476\" height=\"596\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/TR_Buckskin_Tiffany_Knife.jpg 476w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/TR_Buckskin_Tiffany_Knife-400x501.jpg 400w\" sizes=\"(max-width: 476px) 100vw, 476px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Theodore_Roosevelt#/media/File:TR_Buckskin_Tiffany_Knife.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>On Valentine’s Day in 1884, both his first wife and mother died. A page from his journal from that day:\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "698937389348163585"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Unrelated to that super depressing diary entry: While delivering a speech, Roosevelt was shot and had this to say about it: “I don’t know whether you fully understand that I have just been shot. I give you my word, I do not care a rap about being shot; not a rap!” He finished his hour and a half speech with a bullet lodged in his chest.\u003c/p>\n\u003cp>In short, the dude was pretty great and worthy of having said greatness commemorated. A toy maker did just that by producing “Teddy Bears” in his honor, after news got out that Roosevelt refused to shoot a bear cub on a hunting trip.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>William H. Taft (1909-1913)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20554\" class=\"wp-caption aligncenter\" style=\"max-width: 3705px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908.jpg\" rel=\"attachment wp-att-20554\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20554\" src=\"/pop/wp-content/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908.jpg\" alt=\"Photo: Wiki Commons\" width=\"3705\" height=\"4545\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908.jpg 3705w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-400x491.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-800x981.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-768x942.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-1440x1766.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-1920x2355.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-1180x1448.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Wm_H_Taft_smiling_1908-960x1178.jpg 960w\" sizes=\"(max-width: 3705px) 100vw, 3705px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/William_Howard_Taft#/media/File:Wm_H_Taft_smiling_1908.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Taft is most known for his waist line and supposedly getting stuck in a bathtub (historians say this didn’t really happen), but what people don’t talk about enough is his stuffed animal. Toy manufacturers believed Teddy Bears would fade out and wanted a replacement. They came up with Billy Possum. Unfortunately, the origin tale has nothing to do with Taft sparing a baby possum and everything to do with him scarfing down a huge possum dinner one night. Despite rude anti-Teddy Bear postcards like the one below, Billy Possum did not catch on.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/billy_poster.jpg\" rel=\"attachment wp-att-20524\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-20524\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/billy_poster.jpg\" alt=\"billy possum poster\" width=\"620\" height=\"386\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/billy_poster.jpg 620w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/billy_poster-400x249.jpg 400w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Woodrow Wilson (1913-1921)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20555\" class=\"wp-caption aligncenter\" style=\"max-width: 2976px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912.jpg\" rel=\"attachment wp-att-20555\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20555\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912.jpg\" alt=\"Photo: Wiki Commons\" width=\"2976\" height=\"3623\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912.jpg 2976w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-400x487.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-800x974.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-768x935.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-1440x1753.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-1920x2337.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-1180x1437.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Woodrow_Wilson_portrait_December_2_1912-960x1169.jpg 960w\" sizes=\"(max-width: 2976px) 100vw, 2976px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Woodrow_Wilson#/media/File:President_Woodrow_Wilson_portrait_December_2_1912.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1919, incredible stress led to Wilson experiencing a series of strokes. He was left partially paralyzed and almost blind, but stayed in office until 1921. He relied heavily on his wife Edith Bolling Galt, a descendant of Pocahontas (!!!), for help, leading to her nickname as the “Presidentress.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Warren G. Harding (1921-1923)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20563\" class=\"wp-caption aligncenter\" style=\"max-width: 3165px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing.jpg\" rel=\"attachment wp-att-20563\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20563\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing.jpg\" alt=\"Photo: Wiki Commons\" width=\"3165\" height=\"4302\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing.jpg 3165w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-400x544.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-800x1087.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-768x1044.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-1440x1957.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-1920x2610.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-1180x1604.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Warren_G_Harding-Harris__Ewing-960x1305.jpg 960w\" sizes=\"(max-width: 3165px) 100vw, 3165px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Warren_G._Harding#/media/File:Warren_G_Harding-Harris_%26_Ewing.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Harding had quite the wandering eye. He had an affair with his wife’s close friend, Carrie Fulton Phillips, which was revealed through a series of love letters. He also messed around with a woman named Nan Britton, who wrote a book called “The President’s Daughter” about how her daughter was Harding’s. In 2005, thanks to DNA testing, it was proven that he was in fact the baby daddy.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Calvin Coolidge (1923-1929)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20564\" class=\"wp-caption aligncenter\" style=\"max-width: 3112px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777.jpg\" rel=\"attachment wp-att-20564\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20564\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777.jpg\" alt=\"Photo: Wiki Commons\" width=\"3112\" height=\"3836\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777.jpg 3112w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-400x493.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-800x986.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-768x947.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-1440x1775.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-1920x2367.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-1180x1455.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Calvin_Coolidge_cph.3g10777-960x1183.jpg 960w\" sizes=\"(max-width: 3112px) 100vw, 3112px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Calvin_Coolidge#/media/File:Calvin_Coolidge_cph.3g10777.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Coolidge had a morning ritual of having someone rub Vaseline on his head while he ate breakfast. The unusual also extended to his choice of pets: two raccoons named Reuben and Rebecca, who would sometimes run around the White House.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Herbert Hoover (1929-1933)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20565\" class=\"wp-caption aligncenter\" style=\"max-width: 3623px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut.jpg\" rel=\"attachment wp-att-20565\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20565\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut.jpg\" alt=\"Photo: Wiki Commons\" width=\"3623\" height=\"5023\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut.jpg 3623w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-400x555.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-800x1109.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-768x1065.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-1440x1996.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-1920x2662.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-1180x1636.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Herbert_Hoover_and_King_Tut-960x1331.jpg 960w\" sizes=\"(max-width: 3623px) 100vw, 3623px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Herbert_Hoover#/media/File:Herbert_Hoover_and_King_Tut.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Not to be outdone by Coolidge’s odd choice in pets, Hoover’s son had two pet alligators, who also ran around the White House grounds.\u003c/p>\n\u003cp>Hoover and his wife lived in China for a time and would speak Mandarin in the White House when they wanted to have a private conversation.\u003c/p>\n\u003cp>Rumor has it that Hoover requested his servants be “invisible.” Their choices: jump into closets to hide when Hoover entered a room or be fired.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Franklin D. Roosevelt (1933-1945)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20566\" class=\"wp-caption aligncenter\" style=\"max-width: 2040px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop.jpg\" rel=\"attachment wp-att-20566\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20566\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop.jpg\" alt=\"Photo: Wiki Commons\" width=\"2040\" height=\"1700\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop.jpg 2040w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-400x333.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-800x667.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-768x640.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-1440x1200.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-1920x1600.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-1180x983.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/FDR-Fala-White-House-1941-crop-960x800.jpg 960w\" sizes=\"(max-width: 2040px) 100vw, 2040px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Fala_(dog)#/media/File:FDR-Fala-White-House-1941-crop.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>FDR was obsessed with his dog, Fala. He insisted on being the only one who was allowed to feed him and even made Fala an honorary Army private during WWII. Fala was so popular with the press and the American public that he became the subject of a comic strip and MGM even made two movies about him. Fala is the only pet to be\u003ca href=\"http://barkpost-assets.s3.amazonaws.com/wp-content/uploads/2013/12/Monument.jpg\" target=\"_blank\" rel=\"noopener\"> immortalized in a presidential memorial \u003c/a>alongside his owner.\u003c/p>\n\u003cp>Eleanor Roosevelt didn’t have to change her last name when she married FDR because they’re cousins. Her uncle and his cousin “Teddy” Roosevelt walked her down the aisle.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13919589",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>But that’s not the only president he was related to! Also distant relatives: Washington, both Adams, Madison, Van Buren, both Harrisons, Taylor, Grant and Taft. Also: Winston Churchill.\u003c/p>\n\u003cp>FDR was really afraid of the number 13 and refused to have dinner with that number of people or leave for a trip on the 13th of any month.\u003c/p>\n\u003cp>His battle with what was then thought to be polio (new research suggests he actually suffered from Guillain-Barre Syndrome) is now widespread, but back then the public didn’t really know much about it or how bad his paralysis was. The media rarely mentioned it and the Secret Service allegedly yanked out the film from any photographers who tried grabbing a photo of him in his wheelchair.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Harry S. Truman (1945-1953)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20567\" class=\"wp-caption aligncenter\" style=\"max-width: 1871px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2.jpg\" rel=\"attachment wp-att-20567\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20567\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2.jpg\" alt=\"Photo: Wiki Commons\" width=\"1871\" height=\"2251\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2.jpg 1871w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-400x481.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-800x962.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-768x924.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-1440x1732.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-1180x1420.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Harry_S_Truman_-_NARA_-_530677_2-960x1155.jpg 960w\" sizes=\"(max-width: 1871px) 100vw, 1871px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Harry_S._Truman#/media/File:Harry_S_Truman_-_NARA_-_530677_(2).jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>He met his wife, Bess, in Sunday school when he was six. Talk about locking it down!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Dwight D. Eisenhower (1953-1961)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20568\" class=\"wp-caption aligncenter\" style=\"max-width: 1663px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Eisenhower_official.jpg\" rel=\"attachment wp-att-20568\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20568\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Eisenhower_official.jpg\" alt=\"Photo: Wiki Commons\" width=\"1663\" height=\"2100\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official.jpg 1663w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-400x505.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-800x1010.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-768x970.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-1440x1818.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-1180x1490.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Eisenhower_official-960x1212.jpg 960w\" sizes=\"(max-width: 1663px) 100vw, 1663px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Dwight_D._Eisenhower#/media/File:Eisenhower_official.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Ike changed the name of FDR’s presidential Maryland retreat from Shangri-la to Camp David. His reason: Shangri-la was “just a little too fancy for a Kansas farm boy.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>John F. Kennedy (1961-1963)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20569\" class=\"wp-caption aligncenter\" style=\"max-width: 760px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JFK_White_House_portrait_looking_up_lighting_corrected.jpg\" rel=\"attachment wp-att-20569\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20569\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JFK_White_House_portrait_looking_up_lighting_corrected.jpg\" alt=\"Photo: Wiki Commons\" width=\"760\" height=\"970\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/JFK_White_House_portrait_looking_up_lighting_corrected.jpg 760w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JFK_White_House_portrait_looking_up_lighting_corrected-400x511.jpg 400w\" sizes=\"(max-width: 760px) 100vw, 760px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/John_F._Kennedy#/media/File:JFK_White_House_portrait_looking_up_lighting_corrected.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>JFK received $1 million on his 21st birthday (all nine brothers and sisters got the same), but that generosity did not extend to the Harvard recommendation letter his father wrote for him. He wrote that Jack was “careless and lacks application.” He got in anyway.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Lyndon B. Johnson (1963-1969)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20570\" class=\"wp-caption aligncenter\" style=\"max-width: 2071px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped.jpg\" rel=\"attachment wp-att-20570\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20570\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped.jpg\" alt=\"Photo: Wiki Commons\" width=\"2071\" height=\"3293\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped.jpg 2071w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-400x636.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-800x1272.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-768x1221.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-1440x2290.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-1920x3053.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-1180x1876.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Lyndon_B._Johnson_photo_portrait_leaning_on_chair_color_cropped-960x1526.jpg 960w\" sizes=\"(max-width: 2071px) 100vw, 2071px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Lyndon_B._Johnson#/media/File:Lyndon_B._Johnson,_photo_portrait,_leaning_on_chair,_color_cropped.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>JFK’s unexpected assassination led to Johnson becoming president, but another factor that made his presidency possible was a fateful trip to the bathroom. Let me explain: While enlisted in the military during WWII, Johnson boarded a plane called the Wabash Cannonball for his one and only bombing mission in the South Pacific. But he had to use the bathroom really badly so he got off and took care of business. By the time he got back, the Wabash Cannonball had left. The plane ended up crashing and everyone on it perished.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Richard M. Nixon (1969-1974)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_.jpg\" rel=\"attachment wp-att-20573\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20573\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_.jpg\" alt=\"Photo: Wiki Commons\" width=\"800\" height=\"945\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_-400x473.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Richard_M._Nixon_ca._1935_-_1982_-_NARA_-_530679.tif_-768x907.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Richard_Nixon#/media/File:Richard_M._Nixon,_ca._1935_-_1982_-_NARA_-_530679.tif\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Nixon loved to bowl so much that he had a one-lane alley put in the basement of the White House.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Gerald R. Ford (1974-1977)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20574\" class=\"wp-caption aligncenter\" style=\"max-width: 3978px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Gerald_Ford.jpg\" rel=\"attachment wp-att-20574\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20574\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Gerald_Ford.jpg\" alt=\"Photo: Wiki Commons\" width=\"3978\" height=\"5838\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford.jpg 3978w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-400x587.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-800x1174.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-768x1127.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-1440x2113.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-1920x2818.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-1180x1732.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Gerald_Ford-960x1409.jpg 960w\" sizes=\"(max-width: 3978px) 100vw, 3978px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Gerald_Ford#/media/File:Gerald_Ford.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>His real name was Leslie Lynch King, Jr.\u003c/p>\n\u003cp>Remember this for the next trivia night at your local bar: Ford is the only president to never be elected by the voting public to president or vice president (first Vice President Spiro Agnew resigned, followed shortly thereafter by Nixon).\u003c/p>\n\u003cp>Ford’s daughter Susan hosted her senior prom at the White House.\u003c/p>\n\u003cp>Two different assassins tried to take Ford’s life within over a span of 17 days. Both were women.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Jimmy Carter (1977-1981)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20575\" class=\"wp-caption aligncenter\" style=\"max-width: 1650px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JimmyCarterPortrait2.jpg\" rel=\"attachment wp-att-20575\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20575\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/JimmyCarterPortrait2.jpg\" alt=\"Photo: Wiki Commons\" width=\"1650\" height=\"2027\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2.jpg 1650w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-400x491.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-800x983.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-768x943.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-1440x1769.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-1180x1450.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/JimmyCarterPortrait2-960x1179.jpg 960w\" sizes=\"(max-width: 1650px) 100vw, 1650px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Jimmy_Carter#/media/File:JimmyCarterPortrait2.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">Carter appeared in an unlikely publication: \u003cem>Playboy\u003c/em>. And he got a lot of grief for it because of the following remarks: “I’ve looked on a lot of women with lust. I’ve committed adultery in my heart many times. This is something that God recognizes I will do—and I have done it—and God forgives me for it.” It was during a presidential campaign too, which made the outcry even more pronounced. Carter refused to apologize.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Ronald Reagan (1981-1989)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20576\" class=\"wp-caption aligncenter\" style=\"max-width: 2399px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981.jpg\" rel=\"attachment wp-att-20576\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20576\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981.jpg\" alt=\"Photo: Wiki Commons\" width=\"2399\" height=\"3000\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981.jpg 2399w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-400x500.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-800x1000.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-768x960.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-1440x1801.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-1920x2401.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-1180x1476.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/Official_Portrait_of_President_Reagan_1981-960x1201.jpg 960w\" sizes=\"(max-width: 2399px) 100vw, 2399px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Ronald_Reagan#/media/File:Official_Portrait_of_President_Reagan_1981.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Reagan regularly consulted with an astrologer, Joan Quigley, before making decisions and scheduling big events.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> George H. W. Bush (1989-1993)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20577\" class=\"wp-caption aligncenter\" style=\"max-width: 1439px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait.jpg\" rel=\"attachment wp-att-20577\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20577\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait.jpg\" alt=\"Photo: Wiki Commons\" width=\"1439\" height=\"1809\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait.jpg 1439w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-400x503.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-800x1006.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-768x965.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-1180x1483.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George_H._W._Bush_President_of_the_United_States_official_portrait-960x1207.jpg 960w\" sizes=\"(max-width: 1439px) 100vw, 1439px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/George_H._W._Bush#/media/File:George_H._W._Bush,_President_of_the_United_States,_official_portrait.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">Bush inspired a Japanese word, “Bushusuru,” which means “to do the Bush thing.” What thing, you ask? Vomiting in public, as Bush did all over the Japanese Prime Minister in 1992.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XnOnDatqENo'\n title='//www.youtube.com/embed/XnOnDatqENo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: center\">\u003cstrong> William J. Clinton (1993-2001)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20578\" class=\"wp-caption aligncenter\" style=\"max-width: 2103px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/44_Bill_Clinton_3x4.jpg\" rel=\"attachment wp-att-20578\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20578\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/44_Bill_Clinton_3x4.jpg\" alt=\"Photo: Wiki Commons\" width=\"2103\" height=\"2804\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4.jpg 2103w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-400x533.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-768x1024.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-1440x1920.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-1920x2560.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-1180x1573.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/44_Bill_Clinton_3x4-960x1280.jpg 960w\" sizes=\"(max-width: 2103px) 100vw, 2103px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Bill_Clinton#/media/File:44_Bill_Clinton_3x4.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Bill has two Grammys (one for Best Spoken Word Album and another for Best Spoken Word Album for Children). Future EGOT?\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> George W. Bush (2001-2009)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20579\" class=\"wp-caption aligncenter\" style=\"max-width: 2267px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/George-W-Bush.jpeg\" rel=\"attachment wp-att-20579\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20579\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/George-W-Bush.jpeg\" alt=\"Photo: Wiki Commons\" width=\"2267\" height=\"3000\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush.jpeg 2267w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-400x529.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-800x1059.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-768x1016.jpeg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-1440x1906.jpeg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-1920x2541.jpeg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-1180x1562.jpeg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/George-W-Bush-960x1270.jpeg 960w\" sizes=\"(max-width: 2267px) 100vw, 2267px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/George_W._Bush#/media/File:George-W-Bush.jpeg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">W. was his high school’s head cheerleader.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong> Barack Obama (2009-2017)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_20580\" class=\"wp-caption aligncenter\" style=\"max-width: 2687px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Barack_Obama.jpg\" rel=\"attachment wp-att-20580\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-20580\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/02/President_Barack_Obama.jpg\" alt=\"Photo: Wiki Commons\" width=\"2687\" height=\"3356\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama.jpg 2687w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-400x500.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-800x999.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-768x959.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-1440x1799.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-1920x2398.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-1180x1474.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/02/President_Barack_Obama-960x1199.jpg 960w\" sizes=\"(max-width: 2687px) 100vw, 2687px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://en.wikipedia.org/wiki/Barack_Obama#/media/File:President_Barack_Obama.jpg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>While living in Indonesia, Obama had a pet ape called Tata.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13927137",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>His experience working at a Baskin-Robbins as a teen has made him hate ice cream.\u003c/p>\n\u003cp>In high school, he used to be called “O’Bomber” for his basketball skills.\u003c/p>\n\u003cp>While studying at Harvard, he applied to be featured in a black pin-up calendar. The all-female committee declined (and probably regret it every single day).\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>For even more presidential facts, get a load of this episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\">The Cooler\u003c/a>:\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"//w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/247832051&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>And for a hint as to who will be the next president on this list, read up on what YouTube astrologers are predicting:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "kqedEmbed",
"attributes": {
"named": {
"url": "https://ww2.kqed.org/pop/2016/06/21/will-our-next-president-be-hillary-or-trump-astrologers-think-they-know/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/20516/weird-facts-you-never-knew-about-the-u-s-presidents",
"authors": [
"27"
],
"categories": [
"pop_2793"
],
"tags": [
"pop_1100"
],
"featImg": "pop_20616",
"label": "pop"
},
"arts_11335825": {
"type": "posts",
"id": "arts_11335825",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11335825",
"score": null,
"sort": [
1455740089000
]
},
"guestAuthors": [],
"slug": "judge-warns-chicago-about-starting-work-on-lucas-museum",
"title": "Judge Warns Chicago About Starting Work on Lucas Museum",
"publishDate": 1455740089,
"format": "standard",
"headTitle": "Judge Warns Chicago About Starting Work on Lucas Museum | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>A federal judge has warned Chicago officials that if the court allows construction to start on \u003cem>Star Wars\u003c/em> creator George Lucas’ lakefront museum, it may have to be torn down later if opponents of the project win their civil case.\u003c/p>\n\u003cp>Judge John Darrah said Wednesday he’ll rule by April 21 on a city request to lift an order barring construction from starting. Lucas wants to build the $400 million, 300,000-square-foot Lucas Museum of Narrative Art along Lake Michigan near Soldier Field.\u003c/p>\n\u003cp>The nonprofit Friends of the Parks is suing, arguing that building the museum at the site violates laws restricting development along the lake.\u003c/p>\n\u003cp>The Chicago Sun-Times reports (http://bit.ly/20EeYYU) that Darrah suggested both sides try to agree on preliminary steps the city could take while the lawsuit continues.\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726710342,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 148
},
"headData": {
"title": "Judge Warns Chicago About Starting Work on Lucas Museum | KQED",
"description": "A federal judge has warned Chicago officials that if the court allows construction to start on Star Wars creator George Lucas' lakefront museum, it may have to be torn down later if opponents of the project win their civil case. Judge John Darrah said Wednesday he'll rule by April 21 on a city request to lift an order barring construction from starting. Lucas wants to build the $400 million, 300,000-square-foot Lucas Museum of Narrative Art along Lake Michigan near Soldier Field. The nonprofit Friends of the Parks is suing, arguing that building the museum at the site violates laws restricting",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Judge Warns Chicago About Starting Work on Lucas Museum",
"datePublished": "2016-02-17T12:14:49-08:00",
"dateModified": "2024-09-18T18:45:42-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"path": "/arts/11335825/judge-warns-chicago-about-starting-work-on-lucas-museum",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A federal judge has warned Chicago officials that if the court allows construction to start on \u003cem>Star Wars\u003c/em> creator George Lucas’ lakefront museum, it may have to be torn down later if opponents of the project win their civil case.\u003c/p>\n\u003cp>Judge John Darrah said Wednesday he’ll rule by April 21 on a city request to lift an order barring construction from starting. Lucas wants to build the $400 million, 300,000-square-foot Lucas Museum of Narrative Art along Lake Michigan near Soldier Field.\u003c/p>\n\u003cp>The nonprofit Friends of the Parks is suing, arguing that building the museum at the site violates laws restricting development along the lake.\u003c/p>\n\u003cp>The Chicago Sun-Times reports (http://bit.ly/20EeYYU) that Darrah suggested both sides try to agree on preliminary steps the city could take while the lawsuit continues.\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11335825/judge-warns-chicago-about-starting-work-on-lucas-museum",
"authors": [
"byline_arts_11335825"
],
"categories": [
"arts_74",
"arts_235",
"arts_70"
],
"tags": [
"arts_1254",
"arts_596"
],
"featImg": "arts_10149427",
"label": "arts"
},
"pop_20585": {
"type": "posts",
"id": "pop_20585",
"meta": {
"index": "posts_1716263798",
"site": "pop",
"id": "20585",
"score": null,
"sort": [
1455760395000
]
},
"parent": 0,
"labelTerm": {
"site": "pop"
},
"blocks": [],
"publishDate": 1455760395,
"format": "standard",
"disqusTitle": "How Not to Write About a Serial Rapist",
"title": "How Not to Write About a Serial Rapist",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>There's no way around this: Media companies, in the year 2016, are rushed. If you're gonna get paid, you've gotta get clicks, and if you're gonna get clicks, you've gotta churn out content -- quickly.\u003c/p>\n\u003cp>That is one part of one explanation for how this, \u003ca href=\"http://cc.bingj.com/cache.aspx?q=who+is+Daniel+Holtzclaw&d=5845767626852&mkt=en-US&setlang=en-US&w=EB3ZpkXAFMx95yOxbU9PyE81lbaOWUjR\" target=\"_blank\">a sympathetic 12,000-word profile of convicted serial rapist Daniel Holtzclaw\u003c/a>, came to be published today on SB Nation, a sports news website under the Vox Media umbrella.\u003c/p>\n\u003cp>As of this writing, the story has been pulled from the site. In its place is \u003ca href=\"http://www.sbnation.com/2016/2/17/11038614/a-note-from-the-editorial-director\" target=\"_blank\">a note from the site's editor\u003c/a>, Spencer Hall, apologizing for the piece, calling it a \"failure,\" and declaring that its publication \"represents a complete breakdown of a part of the editorial process at SB Nation.\" So. Okay. That's a good apology. That's how you do it. We'll talk about the wording in a moment.\u003c/p>\n\u003cp>Holtzclaw, you will recall, is a former Oklahoma City police officer and onetime NFL hopeful who was \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/12/11/459334314/former-oklahoma-city-police-officer-found-guilty-of-multiple-rapes\" target=\"_blank\">convicted in December 2015 of the sexual assaults of 13 women\u003c/a> over the span of around six months. He appeared to target women with existing criminal records, running background checks to determine if there was information he could use to coerce sex, and trusted that these victims would be too fearful to report a crime by a police officer to the police -- or that no one would believe them if they did.\u003c/p>\n\u003cp>If you don't have the time to slowly become nauseous over the course of 12,000 words of breathless writing about a sexual predator who preyed specifically on women of color (with some absolutely mind-blowing theories floated on top about how either getting hit on the head or maybe just not getting drafted into the NFL can turn you into a serial rapist), let's just say the story aims to dig into Holtzclaw's background, with an apparent goal of getting at \"who he really is\": Writer Jeff Arnold talks to former teammates of Holtzclaw's from his college team; he talks to his family; he talks to his lawyer. The vast majority of the voices in the story -- the opinions placed in quotes, the people who get speaking time -- are people who believe Holtzclaw is innocent.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If it seems like this repetition simply amounts to a chorus of \"But he's a really good guy!\", please understand that is not just bad writing. It's a strategy, one usually used by writers who have an obligation to be objective, when they want other people to say their opinions for them. Often it takes the form of quoting people from both sides of the story, but then letting the favored side get \"the last word.\" But why do that when you can just ignore other opinions entirely?\u003c/p>\n\u003cp>Wait, you might say. There are also scientists in this story! Scientists like Dr. Fred Berlin, the director of the Sexual Behaviors Consultation Unit at Johns Hopkins University.\u003c/p>\n\u003cp>\"Berlin said given what on the surface appears to be a very natural appetite for sex may have gone off the tracks if Holtzclaw exhibited abnormal sexual fantasies of being in control of or coercing women, which followed a pattern of behavior in most of the complaints against him,\" writes Arnold.\u003c/p>\n\u003cp>\"If that was true, Berlin surmised, it may be possible that some type of disorder may have been in play during the six-month period when the crimes took place in 2013 and 2014 when, without the potential of an NFL career to suppress his behavior, Holtzclaw seemingly became a completely different person.\"\u003c/p>\n\u003cp>\u003cem>Without the potential of an NFL career to suppress his behavior. \u003c/em>\u003c/p>\n\u003cp>WITHOUT THE POTENTIAL OF AN NFL CAREER TO SUPPRESS HIS BEHAVIOR?\u003c/p>\n\u003cp>\u003cem>Without the potential of a six-figure book deal to suppress her behavior, Silvers seemingly became a completely different person.\u003c/em> Look for my totally explainable murder spree, forthcoming in 2017!\u003c/p>\n\u003cp>Okay, so it turns out I have neither the time nor the stomach to parse every batsh*t-bonkers sentence in this piece. Suffice it to say, yes, this was a massive failure, and the site's editor was right to call it that. The phrasing \"a complete breakdown of a part of the editorial process\" is interesting to me, though, because the less official way to say it is this piece slipped through the cracks. This happens. I've worked at publications where this has happened, to varying degrees. Here are the situations in which things slip through the cracks: When a publication is understaffed or rushed or both. (Most are both.) When a publication is hungry for edgy, shareable content at all costs. (Again: more than you might think.)\u003c/p>\n\u003cp>And also: When the tenor of a piece -- the bias, the tone-deafness, the bad reporting and worse word choices for which an editor will later have to apologize -- is \u003cem>not really that out of tune\u003c/em> with the rest of the words we breathe in and out over the course of a day of being on the internet, watching TV, or bullsh*tting about current events with our coworkers. The approach of \u003cem>\"How could this former football star, who by all accounts was a super normal dude, who worked his way into a position of authority as an officer of the law, have done these things?\"\u003c/em> feels pretty regular because we see it with regularity.\u003c/p>\n\u003cp>The suggestion of \"maybe he didn't\" is one of many things that took this piece an extra step over the line. But the way the question doesn't ring in our ears as off-key in the first place says something about our misunderstanding of rape; our underestimation of exactly how common violence, sexual assault, and attacks of all kinds on those in society with the least amount of power really are; and our misconceptions about the most common perpetrators. About our steadfast refusal to internalize that yes, you can behave a like a normal guy in your regular life and also be a violent rapist, and it probably has less to do with football than with living in a culture that encourages you to see women's bodies as things you deserve. It's an approach to entitlement, and to monstrosity, that expects people to wear easily identifiable monster suits if they're going to do bad things.\u003c/p>\n\u003cp>I know that SB Nation isn't exactly known for its compelling and nuanced discussion of gender politics, but it \u003cem>is\u003c/em> a site widely read by young men, so this is more than dumb and embarrassing. The moment we learn to stop positioning \"nice normal dudes\" as the diametric opposite of \"rapists,\" we can maybe start to have a real conversation. That begins with calling out this framing when we see it, with making it sound wrong (because it is), and, yes, with not letting it slip quite so easily through the cracks.\u003c/p>\n\u003cp>Bonus for journalism: Far fewer crow-eating apology notes to grade. It'd be a good thing all around.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
"disqusIdentifier": "20585 http://ww2.kqed.org/pop/?p=20585",
"disqusUrl": "https://ww2.kqed.org/pop/2016/02/17/how-not-to-write-about-a-serial-rapist/",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1222,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 19
},
"modified": 1455912350,
"excerpt": "Step 1: Don't attempt to explain away rape with football. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Step 1: Don't attempt to explain away rape with football. ",
"title": "How Not to Write About a Serial Rapist | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "How Not to Write About a Serial Rapist",
"datePublished": "2016-02-17T17:53:15-08:00",
"dateModified": "2016-02-19T12:05:50-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "how-not-to-write-about-a-serial-rapist",
"status": "publish",
"path": "/pop/20585/how-not-to-write-about-a-serial-rapist",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There's no way around this: Media companies, in the year 2016, are rushed. If you're gonna get paid, you've gotta get clicks, and if you're gonna get clicks, you've gotta churn out content -- quickly.\u003c/p>\n\u003cp>That is one part of one explanation for how this, \u003ca href=\"http://cc.bingj.com/cache.aspx?q=who+is+Daniel+Holtzclaw&d=5845767626852&mkt=en-US&setlang=en-US&w=EB3ZpkXAFMx95yOxbU9PyE81lbaOWUjR\" target=\"_blank\">a sympathetic 12,000-word profile of convicted serial rapist Daniel Holtzclaw\u003c/a>, came to be published today on SB Nation, a sports news website under the Vox Media umbrella.\u003c/p>\n\u003cp>As of this writing, the story has been pulled from the site. In its place is \u003ca href=\"http://www.sbnation.com/2016/2/17/11038614/a-note-from-the-editorial-director\" target=\"_blank\">a note from the site's editor\u003c/a>, Spencer Hall, apologizing for the piece, calling it a \"failure,\" and declaring that its publication \"represents a complete breakdown of a part of the editorial process at SB Nation.\" So. Okay. That's a good apology. That's how you do it. We'll talk about the wording in a moment.\u003c/p>\n\u003cp>Holtzclaw, you will recall, is a former Oklahoma City police officer and onetime NFL hopeful who was \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/12/11/459334314/former-oklahoma-city-police-officer-found-guilty-of-multiple-rapes\" target=\"_blank\">convicted in December 2015 of the sexual assaults of 13 women\u003c/a> over the span of around six months. He appeared to target women with existing criminal records, running background checks to determine if there was information he could use to coerce sex, and trusted that these victims would be too fearful to report a crime by a police officer to the police -- or that no one would believe them if they did.\u003c/p>\n\u003cp>If you don't have the time to slowly become nauseous over the course of 12,000 words of breathless writing about a sexual predator who preyed specifically on women of color (with some absolutely mind-blowing theories floated on top about how either getting hit on the head or maybe just not getting drafted into the NFL can turn you into a serial rapist), let's just say the story aims to dig into Holtzclaw's background, with an apparent goal of getting at \"who he really is\": Writer Jeff Arnold talks to former teammates of Holtzclaw's from his college team; he talks to his family; he talks to his lawyer. The vast majority of the voices in the story -- the opinions placed in quotes, the people who get speaking time -- are people who believe Holtzclaw is innocent.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If it seems like this repetition simply amounts to a chorus of \"But he's a really good guy!\", please understand that is not just bad writing. It's a strategy, one usually used by writers who have an obligation to be objective, when they want other people to say their opinions for them. Often it takes the form of quoting people from both sides of the story, but then letting the favored side get \"the last word.\" But why do that when you can just ignore other opinions entirely?\u003c/p>\n\u003cp>Wait, you might say. There are also scientists in this story! Scientists like Dr. Fred Berlin, the director of the Sexual Behaviors Consultation Unit at Johns Hopkins University.\u003c/p>\n\u003cp>\"Berlin said given what on the surface appears to be a very natural appetite for sex may have gone off the tracks if Holtzclaw exhibited abnormal sexual fantasies of being in control of or coercing women, which followed a pattern of behavior in most of the complaints against him,\" writes Arnold.\u003c/p>\n\u003cp>\"If that was true, Berlin surmised, it may be possible that some type of disorder may have been in play during the six-month period when the crimes took place in 2013 and 2014 when, without the potential of an NFL career to suppress his behavior, Holtzclaw seemingly became a completely different person.\"\u003c/p>\n\u003cp>\u003cem>Without the potential of an NFL career to suppress his behavior. \u003c/em>\u003c/p>\n\u003cp>WITHOUT THE POTENTIAL OF AN NFL CAREER TO SUPPRESS HIS BEHAVIOR?\u003c/p>\n\u003cp>\u003cem>Without the potential of a six-figure book deal to suppress her behavior, Silvers seemingly became a completely different person.\u003c/em> Look for my totally explainable murder spree, forthcoming in 2017!\u003c/p>\n\u003cp>Okay, so it turns out I have neither the time nor the stomach to parse every batsh*t-bonkers sentence in this piece. Suffice it to say, yes, this was a massive failure, and the site's editor was right to call it that. The phrasing \"a complete breakdown of a part of the editorial process\" is interesting to me, though, because the less official way to say it is this piece slipped through the cracks. This happens. I've worked at publications where this has happened, to varying degrees. Here are the situations in which things slip through the cracks: When a publication is understaffed or rushed or both. (Most are both.) When a publication is hungry for edgy, shareable content at all costs. (Again: more than you might think.)\u003c/p>\n\u003cp>And also: When the tenor of a piece -- the bias, the tone-deafness, the bad reporting and worse word choices for which an editor will later have to apologize -- is \u003cem>not really that out of tune\u003c/em> with the rest of the words we breathe in and out over the course of a day of being on the internet, watching TV, or bullsh*tting about current events with our coworkers. The approach of \u003cem>\"How could this former football star, who by all accounts was a super normal dude, who worked his way into a position of authority as an officer of the law, have done these things?\"\u003c/em> feels pretty regular because we see it with regularity.\u003c/p>\n\u003cp>The suggestion of \"maybe he didn't\" is one of many things that took this piece an extra step over the line. But the way the question doesn't ring in our ears as off-key in the first place says something about our misunderstanding of rape; our underestimation of exactly how common violence, sexual assault, and attacks of all kinds on those in society with the least amount of power really are; and our misconceptions about the most common perpetrators. About our steadfast refusal to internalize that yes, you can behave a like a normal guy in your regular life and also be a violent rapist, and it probably has less to do with football than with living in a culture that encourages you to see women's bodies as things you deserve. It's an approach to entitlement, and to monstrosity, that expects people to wear easily identifiable monster suits if they're going to do bad things.\u003c/p>\n\u003cp>I know that SB Nation isn't exactly known for its compelling and nuanced discussion of gender politics, but it \u003cem>is\u003c/em> a site widely read by young men, so this is more than dumb and embarrassing. The moment we learn to stop positioning \"nice normal dudes\" as the diametric opposite of \"rapists,\" we can maybe start to have a real conversation. That begins with calling out this framing when we see it, with making it sound wrong (because it is), and, yes, with not letting it slip quite so easily through the cracks.\u003c/p>\n\u003cp>Bonus for journalism: Far fewer crow-eating apology notes to grade. It'd be a good thing all around.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/pop/20585/how-not-to-write-about-a-serial-rapist",
"authors": [
"7237"
],
"categories": [
"pop_5"
],
"tags": [
"pop_2833",
"pop_2835",
"pop_2834"
],
"featImg": "pop_20591",
"label": "pop"
},
"arts_11333533": {
"type": "posts",
"id": "arts_11333533",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11333533",
"score": null,
"sort": [
1455671298000
]
},
"guestAuthors": [],
"slug": "little-hope-for-saving-coltrane-church-last-vestige-of-sf-jazz-district",
"title": "Little Hope for Saving Coltrane Church, Last Vestige of SF Jazz District",
"publishDate": 1455671298,
"format": "standard",
"headTitle": "Little Hope for Saving Coltrane Church, Last Vestige of SF Jazz District | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The St. John Coltrane Church in San Francisco’s Fillmore District is in danger of eviction and barring an injection of cash, it looks like there’s little the church can do about it.\u003c/p>\n\u003cp>The storefront church is tiny, but attracts worshipers from around the world because of its Sunday performances of music by saxophone legend John Coltrane, still a towering figure in jazz nearly 50 years after his death.\u003c/p>\n\u003cp>Archbishop and co-founder Franzo King says the landlord, the West Bay Conference Center, is trying to raise the church’s rent from $1,600 a month to $4,000. But King says the issue is bigger than a rent hike. The church, he says, is one of the last black-owned businesses in a neighborhood known as the “Harlem of the West,” before the city redeveloped the Fillmore in the 1960s.\u003c/p>\n\u003cp>“The outmigration of the African American community is what we’re fighting against. The salvation of black culture and people in this community,” King said.\u003c/p>\n\u003cp>Since the closure last year of \u003ca href=\"http://ww2.kqed.org/arts/2015/01/12/the-addition-formerly-yoshis-in-san-francisco-to-abruptly-close/\" target=\"_blank\" rel=\"noopener\">the jazz club The Addition\u003c/a>, the John Coltrane Church is also the only jazz presenter in a neighborhood San Francisco has named the “Fillmore Jazz Preservation District.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A board member for the landlord had no comment on negotiations with the church. An aide to Supervisor London Breed says the supervisor wants to help the church find a new home, but that’s a challenge when so many non-profits are being priced out of the city.\u003c/p>\n\u003cp>Archbishop King says, “That’s our goal now, to find a home for this church that has proven itself to be something that is very necessary for the culture on a global level.”\u003c/p>\n\u003cp>Earlier this month, \u003ca href=\"http://ww2.kqed.org/arts/2016/02/10/coltrane-church-says-its-under-threat-of-being-priced-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">King started an online petition\u003c/a> in the hopes of gathering enough signatures to pressure local politicians to help the church stay around. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This isn’t the first time the Coltrane Church has faced eviction: \u003ca href=\"http://www.mtv.com/news/620905/church-of-saint-john-coltrane-facing-eviction/\" target=\"_blank\" rel=\"noopener\">back in 2000\u003c/a>, the church was forced out of its storefront space on Divisadero St., which had been its home since 1971.\u003c/p>\n\n",
"blocks": [],
"excerpt": "The situation isn't looking good for the beloved San Francisco institution. ",
"status": "publish",
"parent": 0,
"modified": 1726710348,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 357
},
"headData": {
"title": "Little Hope for Saving Coltrane Church, Last Vestige of SF Jazz District | KQED",
"description": "The situation isn't looking good for the beloved San Francisco institution. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Little Hope for Saving Coltrane Church, Last Vestige of SF Jazz District",
"datePublished": "2016-02-16T17:08:18-08:00",
"dateModified": "2024-09-18T18:45:48-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11333533/little-hope-for-saving-coltrane-church-last-vestige-of-sf-jazz-district",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The St. John Coltrane Church in San Francisco’s Fillmore District is in danger of eviction and barring an injection of cash, it looks like there’s little the church can do about it.\u003c/p>\n\u003cp>The storefront church is tiny, but attracts worshipers from around the world because of its Sunday performances of music by saxophone legend John Coltrane, still a towering figure in jazz nearly 50 years after his death.\u003c/p>\n\u003cp>Archbishop and co-founder Franzo King says the landlord, the West Bay Conference Center, is trying to raise the church’s rent from $1,600 a month to $4,000. But King says the issue is bigger than a rent hike. The church, he says, is one of the last black-owned businesses in a neighborhood known as the “Harlem of the West,” before the city redeveloped the Fillmore in the 1960s.\u003c/p>\n\u003cp>“The outmigration of the African American community is what we’re fighting against. The salvation of black culture and people in this community,” King said.\u003c/p>\n\u003cp>Since the closure last year of \u003ca href=\"http://ww2.kqed.org/arts/2015/01/12/the-addition-formerly-yoshis-in-san-francisco-to-abruptly-close/\" target=\"_blank\" rel=\"noopener\">the jazz club The Addition\u003c/a>, the John Coltrane Church is also the only jazz presenter in a neighborhood San Francisco has named the “Fillmore Jazz Preservation District.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A board member for the landlord had no comment on negotiations with the church. An aide to Supervisor London Breed says the supervisor wants to help the church find a new home, but that’s a challenge when so many non-profits are being priced out of the city.\u003c/p>\n\u003cp>Archbishop King says, “That’s our goal now, to find a home for this church that has proven itself to be something that is very necessary for the culture on a global level.”\u003c/p>\n\u003cp>Earlier this month, \u003ca href=\"http://ww2.kqed.org/arts/2016/02/10/coltrane-church-says-its-under-threat-of-being-priced-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">King started an online petition\u003c/a> in the hopes of gathering enough signatures to pressure local politicians to help the church stay around. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This isn’t the first time the Coltrane Church has faced eviction: \u003ca href=\"http://www.mtv.com/news/620905/church-of-saint-john-coltrane-facing-eviction/\" target=\"_blank\" rel=\"noopener\">back in 2000\u003c/a>, the church was forced out of its storefront space on Divisadero St., which had been its home since 1971.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11333533/little-hope-for-saving-coltrane-church-last-vestige-of-sf-jazz-district",
"authors": [
"32"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_746",
"arts_596"
],
"featImg": "arts_11333410",
"label": "arts"
},
"arts_11333287": {
"type": "posts",
"id": "arts_11333287",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11333287",
"score": null,
"sort": [
1455663795000
]
},
"guestAuthors": [],
"slug": "singer-actress-vanity-a-prince-protege-dies-at-a-fremont-hospital",
"title": "Singer, Actress Vanity, a Prince Protégé, Dies at a Fremont Hospital",
"publishDate": 1455663795,
"format": "standard",
"headTitle": "Singer, Actress Vanity, a Prince Protégé, Dies at a Fremont Hospital | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Vanity, a Prince protege who renounced her sexy stage persona to become a Christian minister, has died. She was 57.\u003c/p>\n\u003cp>The singer and actress, born Denise Matthews, died Monday at a hospital in Fremont, California, said Gisela Hernandez, a spokeswoman for Washington Hospital Health Care System. Hernandez did not give a cause of death.\u003c/p>\n\u003cp>Matthews’ sister Renay said the death was from complications over longstanding kidney issues.\u003c/p>\n\u003cp>She said Denise Matthews was happy in recent years. “She loved her time in the ’80s, but I think she loved her recent time more, because she had been at peace,” Renay Matthews said.\u003c/p>\n\u003cp>A native of Niagara Falls, Ontario, Matthews first rocketed to stardom through her association with Prince and the 80s girl group Vanity 6. During her time in music, Vanity released four albums with Motown and Warner Brothers and was known for her sultry appearance and sexually-themed music, including “Nasty Girl.” She also appeared in films in the late 1980s and early 1990s, including “The Last Dragon,” ”52 Pick-Up” and “Action Jackson.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Matthews’ health took a turn for the worse in 1992 and she was hospitalized for kidney failure, which she blamed on cocaine and other drug use.\u003c/p>\n\u003cp>“I was sick inside. I was a crack cocaine addict and didn’t even know how to wake up in the morning without some smoke,” she said in an Associated Press story in 1999.\u003c/p>\n\u003cp>She renounced her Hollywood lifestyle and became a Christian minister. She married former Oakland Raider Anthony Smith in 1995 and they divorced the next year.\u003c/p>\n\u003cp>On a \u003ca href=\"https://www.gofundme.com/esiy74\" target=\"_blank\" rel=\"noopener\">GoFundMe page\u003c/a> aimed at helping her pay her medical bills, Matthews said four months ago she had gone through 23 surgeries and was on dialysis three times a week. She said she was also diagnosed with sclerosis encapsulating peritonitis, a rare benign cause of small bowel obstruction.\u003c/p>\n\u003cp>Matthews expressed no regrets about leaving her celebrity lifestyle behind.\u003c/p>\n\u003cp>“When I was Vanity, it was all about me,” she said in 1999. “But when I’m preaching the word of God, it’s Jesus Christ speaking through me. I don’t want people to know who I was back then, but the new creature that God has made me.”\u003c/p>\n\u003cp>Musicians around the world expressed sorrow at Matthews’ death.\u003c/p>\n\u003cp>Prince, who was touring in Australia, dedicated several songs to Matthews during a show, according to the Herald Sun newspaper. They “used to love each other deeply,” Prince said, according to the newspaper. “She loved me for the artist I was, I loved her for the artist she was trying to be.”\u003c/p>\n\u003cp>“Miss you dearly. U are in his arms now, no pain,” tweeted drummer Sheila E., who also worked with Prince.\u003c/p>\n\u003cp>Rapper MC Hammer tweeted that he had just attended church with Matthews on Saturday.\u003c/p>\n\u003cp>“Vanity left church after giving a beautiful testimony of appreciation for her Pastors & Thanks to her savior Jesus, I was there,” he tweeted. “I was looking for her Sunday and the announcement came that she fell ill during the night.”\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>Associated Press Writer Hillel Italie contributed to this story.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726710355,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 21,
"wordCount": 558
},
"headData": {
"title": "Singer, Actress Vanity, a Prince Protégé, Dies at a Fremont Hospital | KQED",
"description": "Vanity, a Prince protege who renounced her sexy stage persona to become a Christian minister, has died. She was 57. The singer and actress, born Denise Matthews, died Monday at a hospital in Fremont, California, said Gisela Hernandez, a spokeswoman for Washington Hospital Health Care System. Hernandez did not give a cause of death. Matthews' sister Renay said the death was from complications over longstanding kidney issues. She said Denise Matthews was happy in recent years. "She loved her time in the '80s, but I think she loved her recent time more, because she had been at peace," Renay Matthews",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Singer, Actress Vanity, a Prince Protégé, Dies at a Fremont Hospital",
"datePublished": "2016-02-16T15:03:15-08:00",
"dateModified": "2024-09-18T18:45:55-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Jesse J. Holland, Associated Press",
"path": "/arts/11333287/singer-actress-vanity-a-prince-protege-dies-at-a-fremont-hospital",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Vanity, a Prince protege who renounced her sexy stage persona to become a Christian minister, has died. She was 57.\u003c/p>\n\u003cp>The singer and actress, born Denise Matthews, died Monday at a hospital in Fremont, California, said Gisela Hernandez, a spokeswoman for Washington Hospital Health Care System. Hernandez did not give a cause of death.\u003c/p>\n\u003cp>Matthews’ sister Renay said the death was from complications over longstanding kidney issues.\u003c/p>\n\u003cp>She said Denise Matthews was happy in recent years. “She loved her time in the ’80s, but I think she loved her recent time more, because she had been at peace,” Renay Matthews said.\u003c/p>\n\u003cp>A native of Niagara Falls, Ontario, Matthews first rocketed to stardom through her association with Prince and the 80s girl group Vanity 6. During her time in music, Vanity released four albums with Motown and Warner Brothers and was known for her sultry appearance and sexually-themed music, including “Nasty Girl.” She also appeared in films in the late 1980s and early 1990s, including “The Last Dragon,” ”52 Pick-Up” and “Action Jackson.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Matthews’ health took a turn for the worse in 1992 and she was hospitalized for kidney failure, which she blamed on cocaine and other drug use.\u003c/p>\n\u003cp>“I was sick inside. I was a crack cocaine addict and didn’t even know how to wake up in the morning without some smoke,” she said in an Associated Press story in 1999.\u003c/p>\n\u003cp>She renounced her Hollywood lifestyle and became a Christian minister. She married former Oakland Raider Anthony Smith in 1995 and they divorced the next year.\u003c/p>\n\u003cp>On a \u003ca href=\"https://www.gofundme.com/esiy74\" target=\"_blank\" rel=\"noopener\">GoFundMe page\u003c/a> aimed at helping her pay her medical bills, Matthews said four months ago she had gone through 23 surgeries and was on dialysis three times a week. She said she was also diagnosed with sclerosis encapsulating peritonitis, a rare benign cause of small bowel obstruction.\u003c/p>\n\u003cp>Matthews expressed no regrets about leaving her celebrity lifestyle behind.\u003c/p>\n\u003cp>“When I was Vanity, it was all about me,” she said in 1999. “But when I’m preaching the word of God, it’s Jesus Christ speaking through me. I don’t want people to know who I was back then, but the new creature that God has made me.”\u003c/p>\n\u003cp>Musicians around the world expressed sorrow at Matthews’ death.\u003c/p>\n\u003cp>Prince, who was touring in Australia, dedicated several songs to Matthews during a show, according to the Herald Sun newspaper. They “used to love each other deeply,” Prince said, according to the newspaper. “She loved me for the artist I was, I loved her for the artist she was trying to be.”\u003c/p>\n\u003cp>“Miss you dearly. U are in his arms now, no pain,” tweeted drummer Sheila E., who also worked with Prince.\u003c/p>\n\u003cp>Rapper MC Hammer tweeted that he had just attended church with Matthews on Saturday.\u003c/p>\n\u003cp>“Vanity left church after giving a beautiful testimony of appreciation for her Pastors & Thanks to her savior Jesus, I was there,” he tweeted. “I was looking for her Sunday and the announcement came that she fell ill during the night.”\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>Associated Press Writer Hillel Italie contributed to this story.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11333287/singer-actress-vanity-a-prince-protege-dies-at-a-fremont-hospital",
"authors": [
"byline_arts_11333287"
],
"categories": [
"arts_74",
"arts_69",
"arts_235"
],
"tags": [
"arts_1254",
"arts_596",
"arts_1091"
],
"featImg": "arts_11333289",
"label": "arts"
},
"arts_11321950": {
"type": "posts",
"id": "arts_11321950",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11321950",
"score": null,
"sort": [
1455552004000
]
},
"guestAuthors": [],
"slug": "no-justice-without-us-the-bay-areas-legacy-of-art-activism",
"title": "No Justice Without Us: The Bay Area's Legacy of Art Activism",
"publishDate": 1455552004,
"format": "image",
"headTitle": "No Justice Without Us: The Bay Area’s Legacy of Art Activism | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Bay Area history is deeply rooted in art activism and social justice organizing. The area is recognized for a firmly entrenched spirit of working towards a just world across an encyclopedic range of issues, including labor organizing, freedom of speech, gender/LGBTQ equality, racial justice and environmentalism, among so many others. The spirit of protest is deeply engrained in this place; it’s a legacy that is among the Bay Area’s proudest contributions to this country’s evolving vision of freedom and equality.\u003c/p>\n\u003cfigure id=\"attachment_11327803\" class=\"wp-caption alignright\" style=\"max-width: 550px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327803\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/black-panthers-vanguard-of-the-revolution-sig-550x309.jpg\" alt=\"Still from 'Black Panthers: Vanguard of the Revolution.'\" width=\"550\" height=\"309\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/black-panthers-vanguard-of-the-revolution-sig-550x309.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/black-panthers-vanguard-of-the-revolution-sig-550x309-400x225.jpg 400w\" sizes=\"(max-width: 550px) 100vw, 550px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Black Panthers: Vanguard of the Revolution.’\u003c/figcaption>\u003c/figure>\n\u003cp>2016 marks the 50th anniversary of the Black Panther Party, founded in Oakland in 1966. The new documentary \u003ci>\u003ca href=\"http://www.pbs.org/independentlens/films/the-black-panthers-vanguard-of-the-revolution/\" target=\"_blank\" rel=\"noopener\">The Black Panthers: Vanguard of the Revolution\u003c/a>\u003c/i> airs on KQED starting Feb. 16 and the Oakland Museum of California opens their exhibition \u003ci>\u003ca href=\"http://museumca.org/exhibit/all-power-people-black-panthers-50\" target=\"_blank\" rel=\"noopener\">All Power to the People: Black Panthers at 50\u003c/a>\u003c/i> on Oct. 8, to coincide with the Party’s founding.\u003c/p>\n\u003cp>As we look back on this formative homegrown movement, we might also consider the Bay Area’s larger history of art activism. By no means comprehensive — an impossible task given the range and depth of this history — this timeline offers notes on our collective history as a vastly influential site of art, protest and change making.\u003c/p>\n\u003cfigure id=\"attachment_11327804\" class=\"wp-caption alignleft\" style=\"max-width: 241px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11327804 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Sargent_Johnson_painting_-_NARA_-_559180-e1455497672993.jpg\" alt=\"Sargent Johnson painting, year unknown.\" width=\"241\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Sargent Johnson painting, year unknown. \u003ccite>(Courtesy National Archives and Records Administration, College Park)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1939\u003c/h3>\n\u003cp>Prominent African-American WPA artist and lifelong communist Sargent Johnson \u003ca href=\"https://livingnewdeal.org/projects/aquatic-park-bathhouse-maritime-museum-johnson-mural-san-francisco-ca/\" target=\"_blank\" rel=\"noopener\">walks off the project before the completion of \u003ci>Sea Forms\u003c/i>\u003c/a>, a glazed tile mural commissioned by the Federal Art Project for the San Francisco Maritime Museum, after learning that the site would house a private restaurant for San Francisco’s elite. The mural remains incomplete to this day.\u003c/p>\n\u003ch3>1965\u003c/h3>\n\u003cp>Three faith-based organizations pool resources to initiate a new experimental arts organization called \u003ca href=\"http://www.theintersection.org/\" target=\"_blank\" rel=\"noopener\">Intersection for the Arts\u003c/a>, with the objective of using art to engage marginalized youth and providing an alternative space for artists who are conscientious objectors to the American war in Vietnam. Intersection eventually fosters a growing number of influential artists through various programs, while also fiscally sponsoring more than 500 projects.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://vimeo.com/128523144\u003c/p>\n\u003ch3>1966\u003c/h3>\n\u003cp>Huey P. Newton and Bobby Seale found the \u003ca href=\"https://www.marxists.org/history/usa/workers/black-panthers/\" target=\"_blank\" rel=\"noopener\">Black Panther Party\u003c/a> to challenge police brutality in Oakland. Originally called the Black Panther Party for Self-Defense, it grows into a controversial national movement, instituting a number of community programs including free breakfast for children and health clinics. \u003ci>The Black Panther Newspaper\u003c/i>, art directed and illustrated by Emory Douglas from 1967 until the party disbanded, provides one of the most comprehensive records of the Black Power movement of the 1960s, ’70s and ’80s.\u003c/p>\n\u003ch3>1969\u003c/h3>\n\u003cp>Following on the heels of the infamous \u003ca href=\"https://en.wikipedia.org/wiki/1969_Santa_Barbara_oil_spill\" target=\"_blank\" rel=\"noopener\">Santa Barbara oil spill\u003c/a>, the largest spill to occur in the waters off of California, artists \u003ca href=\"http://openspace.sfmoma.org/2013/12/henderson/\" target=\"_blank\" rel=\"noopener\">Joe Hawley, Mel Henderson, and Alfred Young spell “OIL”\u003c/a> on the San Francisco Bay near the refineries using yellow, nontoxic uranine marker dye. Later, the same artists orchestrate a traffic disruption by calling 100 yellow cabs to the same destination (the six-sided intersection of Castro and Market Streets) at the same time.\u003c/p>\n\u003cfigure id=\"attachment_11327674\" class=\"wp-caption alignleft\" style=\"max-width: 234px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327674\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/1972_poster_asof2009.03.23_234w.jpg\" alt=\"Poster for the June 25, 1972 Gay Pride Parade in San Francisco.\" width=\"234\" height=\"313\">\u003cfigcaption class=\"wp-caption-text\">Poster for the June 25, 1972 Gay Pride Parade in San Francisco. \u003ccite>(Courtesy of San Francisco Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1972\u003c/h3>\n\u003cp>\u003ca href=\"http://www.sfgate.com/bayarea/article/Our-SF-Long-road-led-to-victory-for-LGBT-pride-6336727.php\" target=\"_blank\" rel=\"noopener\">San Francisco’s first pride parade takes place\u003c/a> with some 2,000 marchers — many dressed in togas and some dressed in nothing at all — and 15,000 cheering spectators. The float for the Society for Individual Rights features a gay wedding. A group from Bakersfield wears Boy Scout uniforms and chants, “We’re everywhere!”\u003c/p>\n\u003ch3>1974\u003c/h3>\n\u003cp>Mark di Suvero’s sculpture \u003ci>Mother Peace\u003c/i> is installed in front of the Oakland Courthouse as part of the Oakland Museum’s landmark exhibition \u003ci>Public Sculpture, Urban Environment\u003c/i>. A conservative judge \u003ca href=\"http://www.sfgate.com/art/article/Judy-Chicago-A-Butterfly-for-Oakland-revisited-5590989.php\" target=\"_blank\" rel=\"noopener\">takes issue with the antiwar sentiment\u003c/a> of the sculpture’s peace symbol and successfully lobbies for its removal. The museum’s longer-term plans to acquire the sculpture dissolve.\u003c/p>\n\u003cfigure id=\"attachment_11327676\" class=\"wp-caption aligncenter\" style=\"max-width: 1576px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327676\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel.jpg\" alt=\"Hundreds of protesters linking arms in front of the International Hotel in San Francisco try to prevent the San Francisco Sheriffs' deputies from evicting elderly tenants on August 4,1977. \" width=\"1576\" height=\"1056\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel.jpg 1576w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-400x268.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-768x515.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-1180x791.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-960x643.jpg 960w\" sizes=\"(max-width: 1576px) 100vw, 1576px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds of protesters linking arms in front of the International Hotel in San Francisco try to prevent the San Francisco Sheriffs’ deputies from evicting elderly tenants on August 4,1977. \u003ccite>(Photo by Nancy Wong)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1977\u003c/h3>\n\u003cp>San Francisco’s International Hotel is slated for demolition and redevelopment — 196 low-income Filipino and Chinese residents are evicted amidst a sweeping wave of gentrification and displacement. Artists take part in the struggle by silk-screening protest posters, painting murals on the building and organizing art events and exhibitions. As part of the protests hundreds of artists march down Mission Street with \u003ca href=\"http://reimaginerpe.org/rpe/oscar-art-of-protest\" target=\"_blank\" rel=\"noopener\">their faces painted white\u003c/a> to protest the displacement of people of color, creating a media spectacle that captures international attention.\u003c/p>\n\u003cfigure id=\"attachment_11327677\" class=\"wp-caption alignright\" style=\"max-width: 426px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11327677 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/building-1024x721-e1455508136542.png\" alt=\"Full MaestraPeace Mural from the corner of 18th Street and Lapidge Street.\" width=\"426\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Full MaestraPeace Mural from the corner of 18th Street and Lapidge Street. \u003ccite>(Courtesy: The Women's Building)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1979\u003c/h3>\n\u003cp>After initially organizing to found the San Francisco Women’s Centers in 1971, a group of women purchase a four-story building and former meeting hall in the Mission District to establish The Women’s Building, the \u003ca href=\"http://womensbuilding.org/about/mission-history/\" target=\"_blank\" rel=\"noopener\">first woman-owned and operated community center\u003c/a> in the country. Fifteen years later, a group of artists complete the \u003ca href=\"http://womensbuilding.org/the-mural/\" target=\"_blank\" rel=\"noopener\">MaestraPeace Mural\u003c/a> on its façade, one of the city’s largest murals according to the Women’s Building website.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vIH-t2aLFog\u003c/p>\n\u003ch3>1984\u003c/h3>\n\u003cp>The War Chest Tours, a group of punk rockers, disrupt the Democratic Party Convention in San Francisco. Some 100 punks stage actions, interventions and die-ins in response to police sweeps (under the direction of Mayor Dianne Feinstein) organized to remove sex workers and the homeless from the view of convention-goers. Many are arrested; the \u003ci>San Francisco Chronicle\u003c/i> covers events the next day with the headline, “Punk Rocker Protest — 84 arrests.”\u003c/p>\n\u003cfigure id=\"attachment_11327678\" class=\"wp-caption aligncenter\" style=\"max-width: 1069px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327678\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/NavyProtest.jpg\" alt=\"The Peace Navy obstructs USS Missouri during contentious campaign to homeport the Missouri in San Francisco during the 1980s; a Peace Navy boat.\" width=\"1069\" height=\"481\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest.jpg 1069w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest-400x180.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest-800x360.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest-768x346.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest-960x432.jpg 960w\" sizes=\"(max-width: 1069px) 100vw, 1069px\">\u003cfigcaption class=\"wp-caption-text\">The Peace Navy obstructs USS Missouri during contentious campaign to homeport the Missouri in San Francisco during the 1980s; a Peace Navy boat. \u003ccite>(Photos: Bob Heifetz, Peace Navy / Courtesy Shaping SF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1988\u003c/h3>\n\u003cp>The Bay Area Peace Navy (a coalition of tradespeople, artists, filmmakers and 100 privately owned boats) and the San Francisco Mime Troupe \u003ca href=\"http://foundsf.org/index.php?title=Bay_Area_Peace_Navy\" target=\"_blank\" rel=\"noopener\">stage a dramatization of a nuclear accident at sea\u003c/a>. Part of an international campaign to disarm the seas, the performance takes place aboard a specially crafted 100-foot-long submarine in Sausalito’s waterfront.\u003c/p>\n\u003cfigure id=\"attachment_11327679\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327679\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo.jpg\" alt=\"Installing the pink priangle in 2002; A view from afar in 2004.\" width=\"1200\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-400x160.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-800x320.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-768x307.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-1180x472.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-960x384.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Installing the pink triangle in 2002; A view from afar in 2004. \u003ccite>(Courtesy of Friends of the Pink Triangle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1995\u003c/h3>\n\u003cp>Initially conceived as a “renegade craft project,” \u003ca href=\"http://www.thepinktriangle.com/index.html\" target=\"_blank\" rel=\"noopener\">a giant pink fabric triangle\u003c/a> is installed on Twin Peaks during Pride Weekend to memorialize the homosexuals who were persecuted in Nazi Germany during the Holocaust. The first installation is christened by Mayor Willie Brown with pink champagne. The unfurling of this reclaimed symbol, once used to identify and shame gays, becomes an annual event maintained by The Friends of the Pink Triangle.\u003c/p>\n\u003cfigure id=\"attachment_11327680\" class=\"wp-caption alignleft\" style=\"max-width: 450px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11327680 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/elliotjohnsonOscarGrant-e1455508162652.jpg\" alt=\"Graffiti memorializing Oscar Grant.\" width=\"450\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Graffiti memorializing Oscar Grant. \u003ccite>(Photo: Elliot Johnson / Courtesy Oscar Grant Memorial Arts Project)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>2009\u003c/h3>\n\u003cp>Oscar Grant is killed in Oakland on New Year’s morning by BART police officer Johannes Mehserle — his death sparks numerous protests and creative actions, including the \u003ca href=\"http://reimaginerpe.org/rpe/oscar\" target=\"_blank\" rel=\"noopener\">Oscar Grant Memorial Arts Project\u003c/a>, as well as inspiration for Bay Area filmmaker Ryan Coogler’s critically acclaimed \u003ci>Fruitvale Station\u003c/i>, which wins the Grand Jury Prize at Sundance Film Festival and Best First Film at Cannes Film Festival, both in 2013. Grant’s death, along with that of Trayvon Martin in Florida, is among the events that catapult the \u003ca href=\"http://blacklivesmatter.com/\" target=\"_blank\" rel=\"noopener\">Black Lives Matter\u003c/a> movement into action in July 2013.\u003c/p>\n\u003cp>https://vimeo.com/152916274\u003c/p>\n\u003ch3>2013\u003c/h3>\n\u003cp>\u003ca href=\"http://antievictionmappingproject.net/\" target=\"_blank\" rel=\"noopener\">The Anti-Eviction Mapping Project\u003c/a> is founded by a group of artists, activists and technologists to create visual maps of San Francisco’s eviction crisis. The visually compelling maps succinctly data map the city’s housing crisis and draw international media attention to how these shifts implicate new wealth in the city’s revitalized technology sector.\u003c/p>\n\u003ch3>2013 February\u003c/h3>\n\u003cp>Writer, historian and activist Rebecca Solnit pens \u003ca href=\"http://www.lrb.co.uk/v35/n03/rebecca-solnit/diary\" target=\"_blank\" rel=\"noopener\">an incendiary essay\u003c/a> on the rapid changes in San Francisco for the \u003ci>London Review of Books\u003c/i>. The article becomes an international sensation, drawing greater attention to the changes happening in the city and spawning an avalanche of media coverage on the city’s tech boom.\u003c/p>\n\u003cfigure id=\"attachment_11327798\" class=\"wp-caption aligncenter\" style=\"max-width: 1568px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327798\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Nieto.jpg\" alt=\"Aztec dancers march for Alejandro Nieto in March 2014.\" width=\"1568\" height=\"1002\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto.jpg 1568w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-400x256.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-1180x754.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-960x613.jpg 960w\" sizes=\"(max-width: 1568px) 100vw, 1568px\">\u003cfigcaption class=\"wp-caption-text\">Aztec dancers march for Alejandro Nieto in March 2014. \u003ccite>(Photo: Alex Emslie/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>2014 March\u003c/h3>\n\u003cp>Alex Nieto is killed by San Francisco police in a hail of 59 bullets fired into Bernal Hill Park at twilight. The Mission community, led by several artists, including writer \u003ca href=\"http://www.unsettlers.org/\" target=\"_blank\" rel=\"noopener\">Adriana Camarena\u003c/a> and poet and author \u003ca href=\"https://todobododown.wordpress.com/\" target=\"_blank\" rel=\"noopener\">Benjamin Bac Sierra\u003c/a>, organizes \u003ca href=\"https://justice4alexnieto.org/alex-story/\" target=\"_blank\" rel=\"noopener\">Justice for Alex Nieto\u003c/a> to undertake a series of creative protests demanding information. The protests include \u003ca href=\"http://ww2.hdnux.com/photos/33/34/02/7192741/5/1024x1024.jpg\" target=\"_blank\" rel=\"noopener\">media interventions\u003c/a> during the 2014 playoffs and World Series at AT&T Park.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FZkXZQGbnJs\u003c/p>\n\u003ch3>2014 April\u003c/h3>\n\u003cp>Building on the success of previous tech shuttle bus protests, a group of artists and activists from the organization Heart of the City \u003ca href=\"http://www.motherjones.com/mojo/2014/04/google-bus-protest-most-san-francisco-thing-ever\" target=\"_blank\" rel=\"noopener\">stage a theatrical demonstration\u003c/a> at 24th and Valencia Streets to draw attention to a proposed tax hike on public transportation. Complete with colorful costumes and a walking surveillance camera on stilts, \u003ci>Mother Jones\u003c/i> calls the performance protest “the most San Francisco Thing ever.”\u003c/p>\n\u003cfigure id=\"attachment_11327799\" class=\"wp-caption alignleft\" style=\"max-width: 541px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327799\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Black.Seed-Bay-Bridge-Shut-down_Reclaim-MLK_011816_Source-www.baybridgeinfo.orgconstruction-cams-e1455508207943.png\" alt=\"View from the construction cameras on the Bay Bride during the Black.Seed protest.\" width=\"541\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">View from the construction cameras on the Bay Bride during the Black.Seed protest. \u003ccite>(Source: baybridgeinfo.org)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>2016\u003c/h3>\n\u003cp>Responding to a nationwide call to \u003ca href=\"https://twitter.com/hashtag/reclaimmlk\" target=\"_blank\" rel=\"noopener\">#ReclaimMLK\u003c/a> through 96 hours of direct action over the weekend preceding Martin Luther King, Jr. Day, Black.Seed, a queer liberation collective, shuts down the west-bound span of the Bay Bridge to demand justice for Bay Area victims of police brutality. A temporary radio station broadcasts the event and it is live-tweeted by the \u003ca href=\"http://www.antipoliceterrorproject.org/new-blog/2016/1/18/black-queer-liberation-collective-blackseed-shuts-down-bay-bridge\" target=\"_blank\" rel=\"noopener\">Anti Police-Terror Project\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>What would you add to this list of art activism? Feel free contribute your own memories in the comments section below.\u003c/em>\u003c/strong>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Bay Area history is filled with powerful art activism movements -- from the Black Panther Party to Black.Seed.",
"status": "publish",
"parent": 0,
"modified": 1726788184,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 23,
"wordCount": 1657
},
"headData": {
"title": "No Justice Without Us: The Bay Area's Legacy of Art Activism | KQED",
"description": "Bay Area history is filled with powerful art activism movements -- from the Black Panther Party to Black.Seed.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "No Justice Without Us: The Bay Area's Legacy of Art Activism",
"datePublished": "2016-02-15T08:00:04-08:00",
"dateModified": "2024-09-19T16:23:04-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11321950/no-justice-without-us-the-bay-areas-legacy-of-art-activism",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bay Area history is deeply rooted in art activism and social justice organizing. The area is recognized for a firmly entrenched spirit of working towards a just world across an encyclopedic range of issues, including labor organizing, freedom of speech, gender/LGBTQ equality, racial justice and environmentalism, among so many others. The spirit of protest is deeply engrained in this place; it’s a legacy that is among the Bay Area’s proudest contributions to this country’s evolving vision of freedom and equality.\u003c/p>\n\u003cfigure id=\"attachment_11327803\" class=\"wp-caption alignright\" style=\"max-width: 550px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327803\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/black-panthers-vanguard-of-the-revolution-sig-550x309.jpg\" alt=\"Still from 'Black Panthers: Vanguard of the Revolution.'\" width=\"550\" height=\"309\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/black-panthers-vanguard-of-the-revolution-sig-550x309.jpg 550w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/black-panthers-vanguard-of-the-revolution-sig-550x309-400x225.jpg 400w\" sizes=\"(max-width: 550px) 100vw, 550px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Black Panthers: Vanguard of the Revolution.’\u003c/figcaption>\u003c/figure>\n\u003cp>2016 marks the 50th anniversary of the Black Panther Party, founded in Oakland in 1966. The new documentary \u003ci>\u003ca href=\"http://www.pbs.org/independentlens/films/the-black-panthers-vanguard-of-the-revolution/\" target=\"_blank\" rel=\"noopener\">The Black Panthers: Vanguard of the Revolution\u003c/a>\u003c/i> airs on KQED starting Feb. 16 and the Oakland Museum of California opens their exhibition \u003ci>\u003ca href=\"http://museumca.org/exhibit/all-power-people-black-panthers-50\" target=\"_blank\" rel=\"noopener\">All Power to the People: Black Panthers at 50\u003c/a>\u003c/i> on Oct. 8, to coincide with the Party’s founding.\u003c/p>\n\u003cp>As we look back on this formative homegrown movement, we might also consider the Bay Area’s larger history of art activism. By no means comprehensive — an impossible task given the range and depth of this history — this timeline offers notes on our collective history as a vastly influential site of art, protest and change making.\u003c/p>\n\u003cfigure id=\"attachment_11327804\" class=\"wp-caption alignleft\" style=\"max-width: 241px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11327804 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Sargent_Johnson_painting_-_NARA_-_559180-e1455497672993.jpg\" alt=\"Sargent Johnson painting, year unknown.\" width=\"241\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Sargent Johnson painting, year unknown. \u003ccite>(Courtesy National Archives and Records Administration, College Park)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1939\u003c/h3>\n\u003cp>Prominent African-American WPA artist and lifelong communist Sargent Johnson \u003ca href=\"https://livingnewdeal.org/projects/aquatic-park-bathhouse-maritime-museum-johnson-mural-san-francisco-ca/\" target=\"_blank\" rel=\"noopener\">walks off the project before the completion of \u003ci>Sea Forms\u003c/i>\u003c/a>, a glazed tile mural commissioned by the Federal Art Project for the San Francisco Maritime Museum, after learning that the site would house a private restaurant for San Francisco’s elite. The mural remains incomplete to this day.\u003c/p>\n\u003ch3>1965\u003c/h3>\n\u003cp>Three faith-based organizations pool resources to initiate a new experimental arts organization called \u003ca href=\"http://www.theintersection.org/\" target=\"_blank\" rel=\"noopener\">Intersection for the Arts\u003c/a>, with the objective of using art to engage marginalized youth and providing an alternative space for artists who are conscientious objectors to the American war in Vietnam. Intersection eventually fosters a growing number of influential artists through various programs, while also fiscally sponsoring more than 500 projects.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "vimeoLink",
"attributes": {
"named": {
"vimeoId": "128523144"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch3>1966\u003c/h3>\n\u003cp>Huey P. Newton and Bobby Seale found the \u003ca href=\"https://www.marxists.org/history/usa/workers/black-panthers/\" target=\"_blank\" rel=\"noopener\">Black Panther Party\u003c/a> to challenge police brutality in Oakland. Originally called the Black Panther Party for Self-Defense, it grows into a controversial national movement, instituting a number of community programs including free breakfast for children and health clinics. \u003ci>The Black Panther Newspaper\u003c/i>, art directed and illustrated by Emory Douglas from 1967 until the party disbanded, provides one of the most comprehensive records of the Black Power movement of the 1960s, ’70s and ’80s.\u003c/p>\n\u003ch3>1969\u003c/h3>\n\u003cp>Following on the heels of the infamous \u003ca href=\"https://en.wikipedia.org/wiki/1969_Santa_Barbara_oil_spill\" target=\"_blank\" rel=\"noopener\">Santa Barbara oil spill\u003c/a>, the largest spill to occur in the waters off of California, artists \u003ca href=\"http://openspace.sfmoma.org/2013/12/henderson/\" target=\"_blank\" rel=\"noopener\">Joe Hawley, Mel Henderson, and Alfred Young spell “OIL”\u003c/a> on the San Francisco Bay near the refineries using yellow, nontoxic uranine marker dye. Later, the same artists orchestrate a traffic disruption by calling 100 yellow cabs to the same destination (the six-sided intersection of Castro and Market Streets) at the same time.\u003c/p>\n\u003cfigure id=\"attachment_11327674\" class=\"wp-caption alignleft\" style=\"max-width: 234px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327674\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/1972_poster_asof2009.03.23_234w.jpg\" alt=\"Poster for the June 25, 1972 Gay Pride Parade in San Francisco.\" width=\"234\" height=\"313\">\u003cfigcaption class=\"wp-caption-text\">Poster for the June 25, 1972 Gay Pride Parade in San Francisco. \u003ccite>(Courtesy of San Francisco Pride)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1972\u003c/h3>\n\u003cp>\u003ca href=\"http://www.sfgate.com/bayarea/article/Our-SF-Long-road-led-to-victory-for-LGBT-pride-6336727.php\" target=\"_blank\" rel=\"noopener\">San Francisco’s first pride parade takes place\u003c/a> with some 2,000 marchers — many dressed in togas and some dressed in nothing at all — and 15,000 cheering spectators. The float for the Society for Individual Rights features a gay wedding. A group from Bakersfield wears Boy Scout uniforms and chants, “We’re everywhere!”\u003c/p>\n\u003ch3>1974\u003c/h3>\n\u003cp>Mark di Suvero’s sculpture \u003ci>Mother Peace\u003c/i> is installed in front of the Oakland Courthouse as part of the Oakland Museum’s landmark exhibition \u003ci>Public Sculpture, Urban Environment\u003c/i>. A conservative judge \u003ca href=\"http://www.sfgate.com/art/article/Judy-Chicago-A-Butterfly-for-Oakland-revisited-5590989.php\" target=\"_blank\" rel=\"noopener\">takes issue with the antiwar sentiment\u003c/a> of the sculpture’s peace symbol and successfully lobbies for its removal. The museum’s longer-term plans to acquire the sculpture dissolve.\u003c/p>\n\u003cfigure id=\"attachment_11327676\" class=\"wp-caption aligncenter\" style=\"max-width: 1576px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327676\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel.jpg\" alt=\"Hundreds of protesters linking arms in front of the International Hotel in San Francisco try to prevent the San Francisco Sheriffs' deputies from evicting elderly tenants on August 4,1977. \" width=\"1576\" height=\"1056\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel.jpg 1576w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-400x268.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-800x536.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-768x515.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-1180x791.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Protesters_in_front_of_the_International_Hotel-960x643.jpg 960w\" sizes=\"(max-width: 1576px) 100vw, 1576px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds of protesters linking arms in front of the International Hotel in San Francisco try to prevent the San Francisco Sheriffs’ deputies from evicting elderly tenants on August 4,1977. \u003ccite>(Photo by Nancy Wong)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1977\u003c/h3>\n\u003cp>San Francisco’s International Hotel is slated for demolition and redevelopment — 196 low-income Filipino and Chinese residents are evicted amidst a sweeping wave of gentrification and displacement. Artists take part in the struggle by silk-screening protest posters, painting murals on the building and organizing art events and exhibitions. As part of the protests hundreds of artists march down Mission Street with \u003ca href=\"http://reimaginerpe.org/rpe/oscar-art-of-protest\" target=\"_blank\" rel=\"noopener\">their faces painted white\u003c/a> to protest the displacement of people of color, creating a media spectacle that captures international attention.\u003c/p>\n\u003cfigure id=\"attachment_11327677\" class=\"wp-caption alignright\" style=\"max-width: 426px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11327677 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/building-1024x721-e1455508136542.png\" alt=\"Full MaestraPeace Mural from the corner of 18th Street and Lapidge Street.\" width=\"426\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Full MaestraPeace Mural from the corner of 18th Street and Lapidge Street. \u003ccite>(Courtesy: The Women's Building)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1979\u003c/h3>\n\u003cp>After initially organizing to found the San Francisco Women’s Centers in 1971, a group of women purchase a four-story building and former meeting hall in the Mission District to establish The Women’s Building, the \u003ca href=\"http://womensbuilding.org/about/mission-history/\" target=\"_blank\" rel=\"noopener\">first woman-owned and operated community center\u003c/a> in the country. Fifteen years later, a group of artists complete the \u003ca href=\"http://womensbuilding.org/the-mural/\" target=\"_blank\" rel=\"noopener\">MaestraPeace Mural\u003c/a> on its façade, one of the city’s largest murals according to the Women’s Building website.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vIH-t2aLFog'\n title='//www.youtube.com/embed/vIH-t2aLFog'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>1984\u003c/h3>\n\u003cp>The War Chest Tours, a group of punk rockers, disrupt the Democratic Party Convention in San Francisco. Some 100 punks stage actions, interventions and die-ins in response to police sweeps (under the direction of Mayor Dianne Feinstein) organized to remove sex workers and the homeless from the view of convention-goers. Many are arrested; the \u003ci>San Francisco Chronicle\u003c/i> covers events the next day with the headline, “Punk Rocker Protest — 84 arrests.”\u003c/p>\n\u003cfigure id=\"attachment_11327678\" class=\"wp-caption aligncenter\" style=\"max-width: 1069px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327678\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/NavyProtest.jpg\" alt=\"The Peace Navy obstructs USS Missouri during contentious campaign to homeport the Missouri in San Francisco during the 1980s; a Peace Navy boat.\" width=\"1069\" height=\"481\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest.jpg 1069w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest-400x180.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest-800x360.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest-768x346.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/NavyProtest-960x432.jpg 960w\" sizes=\"(max-width: 1069px) 100vw, 1069px\">\u003cfigcaption class=\"wp-caption-text\">The Peace Navy obstructs USS Missouri during contentious campaign to homeport the Missouri in San Francisco during the 1980s; a Peace Navy boat. \u003ccite>(Photos: Bob Heifetz, Peace Navy / Courtesy Shaping SF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1988\u003c/h3>\n\u003cp>The Bay Area Peace Navy (a coalition of tradespeople, artists, filmmakers and 100 privately owned boats) and the San Francisco Mime Troupe \u003ca href=\"http://foundsf.org/index.php?title=Bay_Area_Peace_Navy\" target=\"_blank\" rel=\"noopener\">stage a dramatization of a nuclear accident at sea\u003c/a>. Part of an international campaign to disarm the seas, the performance takes place aboard a specially crafted 100-foot-long submarine in Sausalito’s waterfront.\u003c/p>\n\u003cfigure id=\"attachment_11327679\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327679\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo.jpg\" alt=\"Installing the pink priangle in 2002; A view from afar in 2004.\" width=\"1200\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-400x160.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-800x320.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-768x307.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-1180x472.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/PinkTriangleCombo-960x384.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Installing the pink triangle in 2002; A view from afar in 2004. \u003ccite>(Courtesy of Friends of the Pink Triangle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>1995\u003c/h3>\n\u003cp>Initially conceived as a “renegade craft project,” \u003ca href=\"http://www.thepinktriangle.com/index.html\" target=\"_blank\" rel=\"noopener\">a giant pink fabric triangle\u003c/a> is installed on Twin Peaks during Pride Weekend to memorialize the homosexuals who were persecuted in Nazi Germany during the Holocaust. The first installation is christened by Mayor Willie Brown with pink champagne. The unfurling of this reclaimed symbol, once used to identify and shame gays, becomes an annual event maintained by The Friends of the Pink Triangle.\u003c/p>\n\u003cfigure id=\"attachment_11327680\" class=\"wp-caption alignleft\" style=\"max-width: 450px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11327680 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/elliotjohnsonOscarGrant-e1455508162652.jpg\" alt=\"Graffiti memorializing Oscar Grant.\" width=\"450\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Graffiti memorializing Oscar Grant. \u003ccite>(Photo: Elliot Johnson / Courtesy Oscar Grant Memorial Arts Project)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>2009\u003c/h3>\n\u003cp>Oscar Grant is killed in Oakland on New Year’s morning by BART police officer Johannes Mehserle — his death sparks numerous protests and creative actions, including the \u003ca href=\"http://reimaginerpe.org/rpe/oscar\" target=\"_blank\" rel=\"noopener\">Oscar Grant Memorial Arts Project\u003c/a>, as well as inspiration for Bay Area filmmaker Ryan Coogler’s critically acclaimed \u003ci>Fruitvale Station\u003c/i>, which wins the Grand Jury Prize at Sundance Film Festival and Best First Film at Cannes Film Festival, both in 2013. Grant’s death, along with that of Trayvon Martin in Florida, is among the events that catapult the \u003ca href=\"http://blacklivesmatter.com/\" target=\"_blank\" rel=\"noopener\">Black Lives Matter\u003c/a> movement into action in July 2013.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "vimeoLink",
"attributes": {
"named": {
"vimeoId": "152916274"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch3>2013\u003c/h3>\n\u003cp>\u003ca href=\"http://antievictionmappingproject.net/\" target=\"_blank\" rel=\"noopener\">The Anti-Eviction Mapping Project\u003c/a> is founded by a group of artists, activists and technologists to create visual maps of San Francisco’s eviction crisis. The visually compelling maps succinctly data map the city’s housing crisis and draw international media attention to how these shifts implicate new wealth in the city’s revitalized technology sector.\u003c/p>\n\u003ch3>2013 February\u003c/h3>\n\u003cp>Writer, historian and activist Rebecca Solnit pens \u003ca href=\"http://www.lrb.co.uk/v35/n03/rebecca-solnit/diary\" target=\"_blank\" rel=\"noopener\">an incendiary essay\u003c/a> on the rapid changes in San Francisco for the \u003ci>London Review of Books\u003c/i>. The article becomes an international sensation, drawing greater attention to the changes happening in the city and spawning an avalanche of media coverage on the city’s tech boom.\u003c/p>\n\u003cfigure id=\"attachment_11327798\" class=\"wp-caption aligncenter\" style=\"max-width: 1568px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327798\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Nieto.jpg\" alt=\"Aztec dancers march for Alejandro Nieto in March 2014.\" width=\"1568\" height=\"1002\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto.jpg 1568w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-400x256.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-1180x754.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Nieto-960x613.jpg 960w\" sizes=\"(max-width: 1568px) 100vw, 1568px\">\u003cfigcaption class=\"wp-caption-text\">Aztec dancers march for Alejandro Nieto in March 2014. \u003ccite>(Photo: Alex Emslie/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>2014 March\u003c/h3>\n\u003cp>Alex Nieto is killed by San Francisco police in a hail of 59 bullets fired into Bernal Hill Park at twilight. The Mission community, led by several artists, including writer \u003ca href=\"http://www.unsettlers.org/\" target=\"_blank\" rel=\"noopener\">Adriana Camarena\u003c/a> and poet and author \u003ca href=\"https://todobododown.wordpress.com/\" target=\"_blank\" rel=\"noopener\">Benjamin Bac Sierra\u003c/a>, organizes \u003ca href=\"https://justice4alexnieto.org/alex-story/\" target=\"_blank\" rel=\"noopener\">Justice for Alex Nieto\u003c/a> to undertake a series of creative protests demanding information. The protests include \u003ca href=\"http://ww2.hdnux.com/photos/33/34/02/7192741/5/1024x1024.jpg\" target=\"_blank\" rel=\"noopener\">media interventions\u003c/a> during the 2014 playoffs and World Series at AT&T Park.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FZkXZQGbnJs'\n title='//www.youtube.com/embed/FZkXZQGbnJs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch3>2014 April\u003c/h3>\n\u003cp>Building on the success of previous tech shuttle bus protests, a group of artists and activists from the organization Heart of the City \u003ca href=\"http://www.motherjones.com/mojo/2014/04/google-bus-protest-most-san-francisco-thing-ever\" target=\"_blank\" rel=\"noopener\">stage a theatrical demonstration\u003c/a> at 24th and Valencia Streets to draw attention to a proposed tax hike on public transportation. Complete with colorful costumes and a walking surveillance camera on stilts, \u003ci>Mother Jones\u003c/i> calls the performance protest “the most San Francisco Thing ever.”\u003c/p>\n\u003cfigure id=\"attachment_11327799\" class=\"wp-caption alignleft\" style=\"max-width: 541px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11327799\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Black.Seed-Bay-Bridge-Shut-down_Reclaim-MLK_011816_Source-www.baybridgeinfo.orgconstruction-cams-e1455508207943.png\" alt=\"View from the construction cameras on the Bay Bride during the Black.Seed protest.\" width=\"541\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">View from the construction cameras on the Bay Bride during the Black.Seed protest. \u003ccite>(Source: baybridgeinfo.org)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>2016\u003c/h3>\n\u003cp>Responding to a nationwide call to \u003ca href=\"https://twitter.com/hashtag/reclaimmlk\" target=\"_blank\" rel=\"noopener\">#ReclaimMLK\u003c/a> through 96 hours of direct action over the weekend preceding Martin Luther King, Jr. Day, Black.Seed, a queer liberation collective, shuts down the west-bound span of the Bay Bridge to demand justice for Bay Area victims of police brutality. A temporary radio station broadcasts the event and it is live-tweeted by the \u003ca href=\"http://www.antipoliceterrorproject.org/new-blog/2016/1/18/black-queer-liberation-collective-blackseed-shuts-down-bay-bridge\" target=\"_blank\" rel=\"noopener\">Anti Police-Terror Project\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>What would you add to this list of art activism? Feel free contribute your own memories in the comments section below.\u003c/em>\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11321950/no-justice-without-us-the-bay-areas-legacy-of-art-activism",
"authors": [
"58"
],
"categories": [
"arts_74",
"arts_235",
"arts_967",
"arts_70"
],
"tags": [
"arts_1346",
"arts_1119",
"arts_1118",
"arts_596"
],
"featImg": "arts_11327801",
"label": "arts"
},
"arts_11317908": {
"type": "posts",
"id": "arts_11317908",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11317908",
"score": null,
"sort": [
1455307218000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1455307218,
"format": "standard",
"title": "Theater Junkie: Child Actors Take On Plays about Pedophilia and Disability",
"headTitle": "Theater Junkie: Child Actors Take On Plays about Pedophilia and Disability | KQED",
"content": "\u003cp>The world premiere of Mark Jackson’s \u003cem>Little Erik\u003c/em>, a savage and free-wheeling adaption of Henrik Ibsen’s missing child play, \u003cem>Little Eyolf\u003c/em>, is currently underway at Berkeley’s Aurora Theatre. It’s the best play the Aurora has produced in some time. Ibsen was a master at giving his supposedly respectable audiences a taste of their own trash, and Jackson has the same nasty impulse here to skewer the bourgeoisie on the corpses of their children. How perfect that this play should open in one of the most self-regarding cities in America, if not the world.\u003c/p>\n\u003cp>\u003cem>Little Erik\u003c/em> begins in extreme tension and classic form: Joie sits. Andi enters. Andi seems innocent, but guilty. Joie is a wild cat homing in for the kill. At first you have no idea how these women are related. From moment to moment they feel like sisters, or mother/nanny, mother/child, or opposing poles of a \u003cem>ménage a trois\u003c/em>. It’s impossible to tell the nature of their relationship. All we know is that they can barely handle this chance encounter.\u003c/p>\n\u003cp>When we find out Joie and Andi are in fact sisters-in-law, it’s a small-scale psychic shock that unbalances the typical geometry of the family drama. In a world of shimmering rectangles, where the placement of a chair has the feeling of law, these sisters by marriage seem to be overstepping their bounds. It’s as if they are slowly slipping outside the limits of representation.\u003cb> \u003c/b>It’s one of the many ways Jackson streamlines and focuses the overwrought melodrama of Ibsen’s original.\u003c/p>\n\u003cfigure id=\"attachment_11317912\" class=\"wp-caption alignright\" style=\"max-width: 297px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11317912\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/LittleErik2.jpg\" alt=\"LittleErik2\" width=\"297\" height=\"410\">\u003cfigcaption class=\"wp-caption-text\">From left to right: Andi (Mariah Castle) and Joie (Marilee Talkington). Photo: David Allen.\u003c/figcaption>\u003c/figure>\n\u003cp>Andi seems too much a sister and way too much of an aunt, while Joie is clearly too little a wife and mother. They hover on the edge of their roles, and actresses Marilee Talkington (Joie) and Mariah Castle (Andi) slip between the obvious and opaque with haunting results. We know these people. They have the scent of cliché. And yet they keep tripping back into the unknowable.\u003c/p>\n\u003cp>By the time husband and brother Freddie enters with son and nephew Little Erik on his back, we’re longing for clarity, and these carefree fellows provide it. Freddie is exactly what we expect: a charismatic charlatan capable of keeping sister, wife, and child locked in his thrall. And Joe Estlack certainly knows how to play a man who believes that he’s the loveliest thing God has ever created. And Little Erik? Well, he’s the riot we’ve all been waiting for.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That a physically impaired child, his foot pointing at an impossibly oblique angle, should signal both dramatic action and his parents’ failures is an obscenity. And that’s the beauty of both Ibsen’s play, Jackson’s liberal re-imagining of it, and young Jack Wittmayer’s striking and controlled performance as Erik. We’re asked to see purely symbolic relations realized in strict realism, as if deformity itself could speak for a society’s ills. It can’t, but then the play proceeds as if it can and you’re forced into the ugly position of nodding your head in agreement: yes, this is what a life of heedless self-involvement will get you—a deformed kid.\u003c/p>\n\u003cp>That’s about as morally suspect as you can get (just wait until the Mexican witch appears) and yet by embracing a clichéd and flawed symbolism, Jackson forces us to take account of how we mis-perceive the world. The symbolic elements of \u003cem>Little Erik\u003c/em> aren’t there as an aesthetic, but rather as a strategy to a more forceful realism and accounting of the world. And for the first 70 minutes of this 80-minute play, Jackson achieves a terrific balance between our corrupt fantasies and his steely commitment to depicting them.\u003c/p>\n\u003cp>Unfortunately, Jackson ultimately abandons realism for symbolism. Instead of having his characters stumble towards some sort of peace or hell, he uses nature as an idea–brute and arbitrary–to end the play. This misses the dramatic logic of the drama’s singular image and title: Little Erik’s body and Wittmayer’s commanding performance.\u003c/p>\n\u003cp>It’s a disappointing end to an otherwise excellent night out at the theater. But it’s also a demonstration of how difficult morally-engaged, aesthetically-daring art can be. There’s Jackson walking a tightrope, and when he reaches the end, looking for one more flourish, he falls. And you can’t help but think about the boy Erik, and how his misshapen body is overburdened with an excess of meaning. Even mangled, both character and play demand our attention. We cannot look away.\u003c/p>\n\u003cfigure id=\"attachment_11317910\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11317910 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/netherinterrogation-800x533.jpg\" alt=\"netherinterrogation\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From right to left: Morris (Ruibo Qian) interrogates Doyle (Louis Parnell). Photo: Jessica Palopoli.\u003c/figcaption>\u003c/figure>\n\u003cp>In Jennifer Haley’s sci-fi thriller, \u003cem>The Nether\u003c/em>, at SF Playhouse, the dramatist does the looking away for us, as the play is quite explicit about what we are not seeing: a pedophile’s dream of the perfectly available little girl; the brutal rejection of that dream in ritual violence; and finally, the fantasy of knowing that none of it matters, that you can indulge in your most heinous desires without consequence. Or in more brutal terms, \u003cem>The Nether\u003c/em> is about fucking a child, killing a child, and then having the pleasure of that child coming back to life for more of the same for as long as you want.\u003c/p>\n\u003cp>All of this plays out over the well-worn clichés of cop drama and dystopic science fiction. Morris, a young and startlingly unconvincing detective, interrogates Sims, a flustered gentleman of the old school, over his creation of a virtual reality website for pedophiles called “the Hideaway.” Sims, aka Papa, argues that he’s within his rights, that it is not real, that there are no actual children involved, and that by providing an outlet for deviants he’s making the real world safer. Haley’s writing style in these interrogation scenes is classic \u003cem>Law & Order\u003c/em>, only with inferior craftsmanship and thought.\u003c/p>\n\u003cp>The scenes in the fantasy world of the Hideaway are better, especially those between a customer, Doyle, aka Woodnut, and Iris, a pre-pubescent, virtual girl. But there’s a lie at the center of this play that has to do with the casting of an actual child in the role of a virtual one.\u003c/p>\n\u003cp>Great moral art should make you feel uncomfortable. But here the discomfort has nothing to do with artistry. When the virtual Iris begins her seduction of Woodnut, what we are really watching is a young actress enact the fantasies of a pedophile. It is the exact opposite of what the play would have us understand we’re experiencing: Haley believes she’s depicting a virtual encounter, but we’re actually seeing and experiencing a real one, albeit under the guise of fiction. It’s a misapprehension of the theater, where every actor’s body is fundamentally real, especially a child’s, and especially when that child is initiating sex with an adult.\u003c/p>\n\u003cp>That Haley ends the scene before anything technically happens is a necessity of casting a child. But her decision underscores a rather technical notion of what’s appropriate for a child to perform. Both the playwright and SF Playhouse seem to believe that it is merely the depiction of sex that must be avoided. This seems naïve—at least to me.\u003c/p>\n\u003cp>This inability of the producers to think through the ethics and mechanics of production, alongside the playwright’s limited notion of realism and reticence to depict the full obscenity of pedophilia, are all signs of a bankrupt imagination. Would it matter if Haley were a better writer? Could she then get away with casting a child? Probably, yes. But that play would be something immense, wild, and caring, where all we have here is the narcissism of false daring.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Little Erik\u003c/em> runs through February 28th at the Aurora Theater in Berkeley. For tickets and information visit www.auroratheatre.org.\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Nether\u003c/em> runs through March 5th at the SF Playhouse in San Francisco. For tickets and information visit www.sfplayhouse.org\u003c/strong>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1464,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 19
},
"modified": 1705045138,
"excerpt": "Mark Jackson's domestic drama 'Little Erik' scores at Berkeley's Aurora Theatre, while Jennifer Haley’s sci-fi thriller, 'The Nether', flops at SF Playhouse.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Mark Jackson's domestic drama 'Little Erik' scores at Berkeley's Aurora Theatre, while Jennifer Haley’s sci-fi thriller, 'The Nether', flops at SF Playhouse.",
"title": "Theater Junkie: Child Actors Take On Plays about Pedophilia and Disability | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Theater Junkie: Child Actors Take On Plays about Pedophilia and Disability",
"datePublished": "2016-02-12T12:00:18-08:00",
"dateModified": "2024-01-11T23:38:58-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "theater-junkie-child-actors-take-on-plays-about-pedophilia-and-disability",
"status": "publish",
"sticky": false,
"path": "/arts/11317908/theater-junkie-child-actors-take-on-plays-about-pedophilia-and-disability",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The world premiere of Mark Jackson’s \u003cem>Little Erik\u003c/em>, a savage and free-wheeling adaption of Henrik Ibsen’s missing child play, \u003cem>Little Eyolf\u003c/em>, is currently underway at Berkeley’s Aurora Theatre. It’s the best play the Aurora has produced in some time. Ibsen was a master at giving his supposedly respectable audiences a taste of their own trash, and Jackson has the same nasty impulse here to skewer the bourgeoisie on the corpses of their children. How perfect that this play should open in one of the most self-regarding cities in America, if not the world.\u003c/p>\n\u003cp>\u003cem>Little Erik\u003c/em> begins in extreme tension and classic form: Joie sits. Andi enters. Andi seems innocent, but guilty. Joie is a wild cat homing in for the kill. At first you have no idea how these women are related. From moment to moment they feel like sisters, or mother/nanny, mother/child, or opposing poles of a \u003cem>ménage a trois\u003c/em>. It’s impossible to tell the nature of their relationship. All we know is that they can barely handle this chance encounter.\u003c/p>\n\u003cp>When we find out Joie and Andi are in fact sisters-in-law, it’s a small-scale psychic shock that unbalances the typical geometry of the family drama. In a world of shimmering rectangles, where the placement of a chair has the feeling of law, these sisters by marriage seem to be overstepping their bounds. It’s as if they are slowly slipping outside the limits of representation.\u003cb> \u003c/b>It’s one of the many ways Jackson streamlines and focuses the overwrought melodrama of Ibsen’s original.\u003c/p>\n\u003cfigure id=\"attachment_11317912\" class=\"wp-caption alignright\" style=\"max-width: 297px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11317912\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/LittleErik2.jpg\" alt=\"LittleErik2\" width=\"297\" height=\"410\">\u003cfigcaption class=\"wp-caption-text\">From left to right: Andi (Mariah Castle) and Joie (Marilee Talkington). Photo: David Allen.\u003c/figcaption>\u003c/figure>\n\u003cp>Andi seems too much a sister and way too much of an aunt, while Joie is clearly too little a wife and mother. They hover on the edge of their roles, and actresses Marilee Talkington (Joie) and Mariah Castle (Andi) slip between the obvious and opaque with haunting results. We know these people. They have the scent of cliché. And yet they keep tripping back into the unknowable.\u003c/p>\n\u003cp>By the time husband and brother Freddie enters with son and nephew Little Erik on his back, we’re longing for clarity, and these carefree fellows provide it. Freddie is exactly what we expect: a charismatic charlatan capable of keeping sister, wife, and child locked in his thrall. And Joe Estlack certainly knows how to play a man who believes that he’s the loveliest thing God has ever created. And Little Erik? Well, he’s the riot we’ve all been waiting for.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That a physically impaired child, his foot pointing at an impossibly oblique angle, should signal both dramatic action and his parents’ failures is an obscenity. And that’s the beauty of both Ibsen’s play, Jackson’s liberal re-imagining of it, and young Jack Wittmayer’s striking and controlled performance as Erik. We’re asked to see purely symbolic relations realized in strict realism, as if deformity itself could speak for a society’s ills. It can’t, but then the play proceeds as if it can and you’re forced into the ugly position of nodding your head in agreement: yes, this is what a life of heedless self-involvement will get you—a deformed kid.\u003c/p>\n\u003cp>That’s about as morally suspect as you can get (just wait until the Mexican witch appears) and yet by embracing a clichéd and flawed symbolism, Jackson forces us to take account of how we mis-perceive the world. The symbolic elements of \u003cem>Little Erik\u003c/em> aren’t there as an aesthetic, but rather as a strategy to a more forceful realism and accounting of the world. And for the first 70 minutes of this 80-minute play, Jackson achieves a terrific balance between our corrupt fantasies and his steely commitment to depicting them.\u003c/p>\n\u003cp>Unfortunately, Jackson ultimately abandons realism for symbolism. Instead of having his characters stumble towards some sort of peace or hell, he uses nature as an idea–brute and arbitrary–to end the play. This misses the dramatic logic of the drama’s singular image and title: Little Erik’s body and Wittmayer’s commanding performance.\u003c/p>\n\u003cp>It’s a disappointing end to an otherwise excellent night out at the theater. But it’s also a demonstration of how difficult morally-engaged, aesthetically-daring art can be. There’s Jackson walking a tightrope, and when he reaches the end, looking for one more flourish, he falls. And you can’t help but think about the boy Erik, and how his misshapen body is overburdened with an excess of meaning. Even mangled, both character and play demand our attention. We cannot look away.\u003c/p>\n\u003cfigure id=\"attachment_11317910\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11317910 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/netherinterrogation-800x533.jpg\" alt=\"netherinterrogation\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/netherinterrogation-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From right to left: Morris (Ruibo Qian) interrogates Doyle (Louis Parnell). Photo: Jessica Palopoli.\u003c/figcaption>\u003c/figure>\n\u003cp>In Jennifer Haley’s sci-fi thriller, \u003cem>The Nether\u003c/em>, at SF Playhouse, the dramatist does the looking away for us, as the play is quite explicit about what we are not seeing: a pedophile’s dream of the perfectly available little girl; the brutal rejection of that dream in ritual violence; and finally, the fantasy of knowing that none of it matters, that you can indulge in your most heinous desires without consequence. Or in more brutal terms, \u003cem>The Nether\u003c/em> is about fucking a child, killing a child, and then having the pleasure of that child coming back to life for more of the same for as long as you want.\u003c/p>\n\u003cp>All of this plays out over the well-worn clichés of cop drama and dystopic science fiction. Morris, a young and startlingly unconvincing detective, interrogates Sims, a flustered gentleman of the old school, over his creation of a virtual reality website for pedophiles called “the Hideaway.” Sims, aka Papa, argues that he’s within his rights, that it is not real, that there are no actual children involved, and that by providing an outlet for deviants he’s making the real world safer. Haley’s writing style in these interrogation scenes is classic \u003cem>Law & Order\u003c/em>, only with inferior craftsmanship and thought.\u003c/p>\n\u003cp>The scenes in the fantasy world of the Hideaway are better, especially those between a customer, Doyle, aka Woodnut, and Iris, a pre-pubescent, virtual girl. But there’s a lie at the center of this play that has to do with the casting of an actual child in the role of a virtual one.\u003c/p>\n\u003cp>Great moral art should make you feel uncomfortable. But here the discomfort has nothing to do with artistry. When the virtual Iris begins her seduction of Woodnut, what we are really watching is a young actress enact the fantasies of a pedophile. It is the exact opposite of what the play would have us understand we’re experiencing: Haley believes she’s depicting a virtual encounter, but we’re actually seeing and experiencing a real one, albeit under the guise of fiction. It’s a misapprehension of the theater, where every actor’s body is fundamentally real, especially a child’s, and especially when that child is initiating sex with an adult.\u003c/p>\n\u003cp>That Haley ends the scene before anything technically happens is a necessity of casting a child. But her decision underscores a rather technical notion of what’s appropriate for a child to perform. Both the playwright and SF Playhouse seem to believe that it is merely the depiction of sex that must be avoided. This seems naïve—at least to me.\u003c/p>\n\u003cp>This inability of the producers to think through the ethics and mechanics of production, alongside the playwright’s limited notion of realism and reticence to depict the full obscenity of pedophilia, are all signs of a bankrupt imagination. Would it matter if Haley were a better writer? Could she then get away with casting a child? Probably, yes. But that play would be something immense, wild, and caring, where all we have here is the narcissism of false daring.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Little Erik\u003c/em> runs through February 28th at the Aurora Theater in Berkeley. For tickets and information visit www.auroratheatre.org.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>The Nether\u003c/em> runs through March 5th at the SF Playhouse in San Francisco. For tickets and information visit www.sfplayhouse.org\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11317908/theater-junkie-child-actors-take-on-plays-about-pedophilia-and-disability",
"authors": [
"8668"
],
"categories": [
"arts_235",
"arts_967"
],
"tags": [
"arts_1118",
"arts_596",
"arts_769"
],
"featImg": "arts_11318017",
"label": "arts"
},
"arts_11319119": {
"type": "posts",
"id": "arts_11319119",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11319119",
"score": null,
"sort": [
1455237734000
]
},
"guestAuthors": [],
"slug": "afi-singer-starts-super-group-with-members-of-no-doubt",
"title": "AFI Singer Starts Supergroup with Members of No Doubt",
"publishDate": 1455237734,
"format": "standard",
"headTitle": "AFI Singer Starts Supergroup with Members of No Doubt | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In Thursday’s edition of “did not expect that” news, \u003ca href=\"http://www.billboard.com/articles/news/magazine-feature/6874737/afi-singer-no-doubt-members-form-supergroup\" target=\"_blank\" rel=\"noopener\">Billboard is reporting\u003c/a> that Davey Havok, lead singer of the Bay Area-based rock group AFI, has started a supergroup with all the members of No Doubt who aren’t Gwen Stefani: guitarist Tom Dumont, bassist Tony Kanal, and drummer Adrian Young.\u003c/p>\n\u003cp>As of press time, the band is unnamed and without a label but they do have a manager — Green Day’s Pat Magnarella — and have already completed their first record, according to reports.\u003c/p>\n\u003cp>The Voltron-like assemblage of this new group, which could be best described as the emo/ska/pop version of \u003ca href=\"https://en.wikipedia.org/wiki/Audioslave\" target=\"_blank\" rel=\"noopener\">Audioslave,\u003c/a> comes at an opportune time for both bands. Last year, after a successful tour pushing the disappointing \u003ci>Push and Shove\u003c/i>, Stefani hired a new manager and began concentrating on her next solo album, leaving her longtime group in the lurch. As for Havok, AFI, which he co-founded while living in Ukiah back in the early ’90s, haven’t released a new album since 2013’s \u003ci>Burials.\u003c/i>\u003c/p>\n\u003cp>The question is, what will this group sound like? Audioslave, a collaboration between Soundgarden’s Chris Cornell and the non-singing members of Rage Against the Machine, certainly created music that sounded well-beyond a simple mashup between their two former groups. Being that both bands come from punk backgrounds — remember when No Doubt \u003ca href=\"https://www.youtube.com/watch?v=PWIzAjZqUcw\" target=\"_blank\" rel=\"noopener\">covered Bad Brains\u003c/a>? — one could guess that they’ll tap into this common ground. Maybe Havok will even bust out his old jar of pomade and go back to aping Misfits-era Glenn Danzig?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=L4R8C4HblkM\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726710360,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 6,
"wordCount": 286
},
"headData": {
"title": "AFI Singer Starts Supergroup with Members of No Doubt | KQED",
"description": "In Thursday's edition of "did not expect that" news, Billboard is reporting that Davey Havok, lead singer of the Bay Area-based rock group AFI, has started a supergroup with all the members of No Doubt who aren't Gwen Stefani: guitarist Tom Dumont, bassist Tony Kanal, and drummer Adrian Young. As of press time, the band is unnamed and without a label but they do have a manager -- Green Day's Pat Magnarella -- and have already completed their first record, according to reports. The Voltron-like assemblage of this new group, which could be best described as the emo/ska/pop version of Audioslave,",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "AFI Singer Starts Supergroup with Members of No Doubt",
"datePublished": "2016-02-11T16:42:14-08:00",
"dateModified": "2024-09-18T18:46:00-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11319119/afi-singer-starts-super-group-with-members-of-no-doubt",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In Thursday’s edition of “did not expect that” news, \u003ca href=\"http://www.billboard.com/articles/news/magazine-feature/6874737/afi-singer-no-doubt-members-form-supergroup\" target=\"_blank\" rel=\"noopener\">Billboard is reporting\u003c/a> that Davey Havok, lead singer of the Bay Area-based rock group AFI, has started a supergroup with all the members of No Doubt who aren’t Gwen Stefani: guitarist Tom Dumont, bassist Tony Kanal, and drummer Adrian Young.\u003c/p>\n\u003cp>As of press time, the band is unnamed and without a label but they do have a manager — Green Day’s Pat Magnarella — and have already completed their first record, according to reports.\u003c/p>\n\u003cp>The Voltron-like assemblage of this new group, which could be best described as the emo/ska/pop version of \u003ca href=\"https://en.wikipedia.org/wiki/Audioslave\" target=\"_blank\" rel=\"noopener\">Audioslave,\u003c/a> comes at an opportune time for both bands. Last year, after a successful tour pushing the disappointing \u003ci>Push and Shove\u003c/i>, Stefani hired a new manager and began concentrating on her next solo album, leaving her longtime group in the lurch. As for Havok, AFI, which he co-founded while living in Ukiah back in the early ’90s, haven’t released a new album since 2013’s \u003ci>Burials.\u003c/i>\u003c/p>\n\u003cp>The question is, what will this group sound like? Audioslave, a collaboration between Soundgarden’s Chris Cornell and the non-singing members of Rage Against the Machine, certainly created music that sounded well-beyond a simple mashup between their two former groups. Being that both bands come from punk backgrounds — remember when No Doubt \u003ca href=\"https://www.youtube.com/watch?v=PWIzAjZqUcw\" target=\"_blank\" rel=\"noopener\">covered Bad Brains\u003c/a>? — one could guess that they’ll tap into this common ground. Maybe Havok will even bust out his old jar of pomade and go back to aping Misfits-era Glenn Danzig?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/L4R8C4HblkM'\n title='//www.youtube.com/embed/L4R8C4HblkM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11319119/afi-singer-starts-super-group-with-members-of-no-doubt",
"authors": [
"93"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_596"
],
"featImg": "arts_11319567",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=news": {
"isFetching": false,
"latestQuery": {
"from": 3192,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 3759,
"relation": "eq"
},
"items": [
"bayareabites_106992",
"arts_11338682",
"arts_11311114",
"pop_20615",
"pop_20516",
"arts_11335825",
"pop_20585",
"arts_11333533",
"arts_11333287",
"arts_11321950",
"arts_11317908",
"arts_11319119"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_news": {
"isLoading": true
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"bayareabites_13718": {
"type": "terms",
"id": "bayareabites_13718",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "13718",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Civil Eats",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Civil Eats Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 8190,
"slug": "civil-eats",
"isLoading": false,
"link": "/bayareabites/category/civil-eats"
},
"bayareabites_4084": {
"type": "terms",
"id": "bayareabites_4084",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "4084",
"found": true
},
"relationships": {},
"featImg": null,
"name": "food trends and technology",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "food trends and technology Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 2573,
"slug": "food-and-technology",
"isLoading": false,
"link": "/bayareabites/category/food-and-technology"
},
"bayareabites_1245": {
"type": "terms",
"id": "bayareabites_1245",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "1245",
"found": true
},
"relationships": {},
"featImg": null,
"name": "health and nutrition",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "health and nutrition Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 1078,
"slug": "health-and-nutrition",
"isLoading": false,
"link": "/bayareabites/category/health-and-nutrition"
},
"bayareabites_2035": {
"type": "terms",
"id": "bayareabites_2035",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "2035",
"found": true
},
"relationships": {},
"featImg": null,
"name": "politics, activism, food safety",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "politics, activism, food safety Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 943,
"slug": "politics-activism-food-safety",
"isLoading": false,
"link": "/bayareabites/category/politics-activism-food-safety"
},
"bayareabites_12643": {
"type": "terms",
"id": "bayareabites_12643",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "12643",
"found": true
},
"relationships": {},
"featImg": null,
"name": "artificial color",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "artificial color Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 7106,
"slug": "artificial-color",
"isLoading": false,
"link": "/bayareabites/tag/artificial-color"
},
"bayareabites_15294": {
"type": "terms",
"id": "bayareabites_15294",
"meta": {
"index": "terms_1716263798",
"site": "bayareabites",
"id": "15294",
"found": true
},
"relationships": {},
"featImg": null,
"name": "artificial food coloring",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "artificial food coloring Archives | KQED Bay Area Bites",
"ogDescription": null
},
"ttid": 99624,
"slug": "artificial-food-coloring",
"isLoading": false,
"link": "/bayareabites/tag/artificial-food-coloring"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_746": {
"type": "terms",
"id": "arts_746",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "746",
"found": true
},
"relationships": {},
"featImg": null,
"name": "news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 764,
"slug": "news-2",
"isLoading": false,
"link": "/arts/tag/news-2"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_1037": {
"type": "terms",
"id": "arts_1037",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1037",
"found": true
},
"relationships": {},
"featImg": null,
"name": "audio",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "audio Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1054,
"slug": "audio",
"isLoading": false,
"link": "/arts/tag/audio"
},
"arts_1119": {
"type": "terms",
"id": "arts_1119",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1119",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feature",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feature Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1136,
"slug": "feature",
"isLoading": false,
"link": "/arts/tag/feature"
},
"pop_1041": {
"type": "terms",
"id": "pop_1041",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1041",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Zeitgeist",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Zeitgeist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1042,
"slug": "zeitgeist",
"isLoading": false,
"link": "/pop/category/zeitgeist"
},
"pop_2793": {
"type": "terms",
"id": "pop_2793",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2793",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/12/2015/09/thecoolerlogo_BW_400.png",
"name": "The Cooler",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Cooler Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2793,
"slug": "the-cooler",
"isLoading": false,
"link": "/pop/category/the-cooler"
},
"pop_1100": {
"type": "terms",
"id": "pop_1100",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "1100",
"found": true
},
"relationships": {},
"featImg": null,
"name": "history",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "history Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1101,
"slug": "history",
"isLoading": false,
"link": "/pop/tag/history"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_1254": {
"type": "terms",
"id": "arts_1254",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1254",
"found": true
},
"relationships": {},
"featImg": null,
"name": "exclude",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "exclude Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1266,
"slug": "exclude",
"isLoading": false,
"link": "/arts/tag/exclude"
},
"pop_5": {
"type": "terms",
"id": "pop_5",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "5",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Internet",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Internet Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5,
"slug": "theinternet",
"isLoading": false,
"link": "/pop/category/theinternet"
},
"pop_2833": {
"type": "terms",
"id": "pop_2833",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2833",
"found": true
},
"relationships": {},
"featImg": null,
"name": "daniel holtzclaw",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "daniel holtzclaw Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2833,
"slug": "daniel-holtzclaw",
"isLoading": false,
"link": "/pop/tag/daniel-holtzclaw"
},
"pop_2835": {
"type": "terms",
"id": "pop_2835",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2835",
"found": true
},
"relationships": {},
"featImg": null,
"name": "journalism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "journalism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2835,
"slug": "journalism",
"isLoading": false,
"link": "/pop/tag/journalism"
},
"pop_2834": {
"type": "terms",
"id": "pop_2834",
"meta": {
"index": "terms_1716263798",
"site": "pop",
"id": "2834",
"found": true
},
"relationships": {},
"featImg": null,
"name": "rape",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "rape Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2834,
"slug": "rape",
"isLoading": false,
"link": "/pop/tag/rape"
},
"arts_1091": {
"type": "terms",
"id": "arts_1091",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1091",
"found": true
},
"relationships": {},
"featImg": null,
"name": "obit",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "obit Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1108,
"slug": "obit",
"isLoading": false,
"link": "/arts/tag/obit"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_1346": {
"type": "terms",
"id": "arts_1346",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1346",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Black Panthers",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Black Panthers Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1358,
"slug": "black-panthers",
"isLoading": false,
"link": "/arts/tag/black-panthers"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}