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"content": "\u003cp>David Hockney doesn’t say much to Angela Karamian’s art class when all eyes are upon him. The soft-spoken, \u003ca href=\"http://www.hockneypictures.com/home.php\" target=\"_blank\" rel=\"noopener\">world-famous painter\u003c/a> simply does what he does best: draw.\u003c/p>\n\u003cp>The assignment Thursday was to use the software program \u003ca href=\"http://www.brushesapp.com/\" target=\"_blank\" rel=\"noopener\">Brushes\u003c/a> to draw a glass vase with flowers on an iPad. With mesmerizing ease, Hockney selects colors and builds a delightful picture, as a classroom of middle schoolers at the \u003ca href=\"http://49ersacademy.org/\" target=\"_blank\" rel=\"noopener\">San Francisco 49ers Academy\u003c/a> in East Palo Alto watches with rapt attention. (Earlier in the day, Hockney taught a class to Costaño Elemetary students who share the same campus.)\u003c/p>\n\u003cp>At the back of the class, a group of grown-ups responsible for this art lesson watch with the same rapt attention — including world-famous architect Frank Gehry.\u003c/p>\n\u003cfigure id=\"attachment_12651363\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651363\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-800x450.jpg\" alt=\"The assignment for today in Angela Karamian’s art class, courtesy of Turnaround Arts: California. Costaño/49ers Principal Viviana Espinosa says “It’s especially important in this community right now, with all the obstacles that students face, to have something like art. It’s a place where they can be comfortable. It’s a place where they can express themselves and create a counter narrative.”\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The materials for today in Angela Karamian’s art class, courtesy of Turnaround Arts: California. Costaño/49ers Principal Viviana Espinosa says, “It’s especially important in this community right now, with all the obstacles that students face, to have something like art. It’s a place where they can be comfortable. It’s a place where they can express themselves and create a counter narrative.” \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Along with the \u003ca href=\"http://www.arts.ca.gov/\" target=\"_blank\" rel=\"noopener\">California Arts Council\u003c/a>, Gehry pulled out his own checkbook to help launch the nonprofit organization that brought Hockney here, the California chapter of \u003ca href=\"http://turnaroundartsca.org\">Turnaround Arts\u003c/a>. It’s a private program launched by the Obama Administration in 2011 to narrow achievement gaps in struggling schools.\u003c/p>\n\u003cp>The idea immediately resonated with Gehry. His sister, Doreen Gehry-Nelson, is a pioneer in design-based learning. Focused on K–12 students, the philosophy focuses children on a physically engaging project, like art. Essentially, they learn complex concepts as they work.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“This engages people at a level that turns their souls and their hearts around,” Gehry says, watching the 49ers class draw. “And their self-respect, because immediately, they’ve got a thing to be proud of.”\u003c/p>\n\u003cfigure id=\"attachment_12651362\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651362\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-800x451.jpg\" alt='David Hockney demonstrates how he uses the program Brushes on an iPad to whip up a quick painting of a vase with flowers. “Everything is there (with Brushes) that you need,\" says Hockney. Most importantly, “There’s no cleaning up afterwards!”' width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut.jpg 1662w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Hockney demonstrates how he uses the program Brushes on an iPad to whip up a quick painting of a vase with flowers. “Everything is there (with Brushes) that you need,” says Hockney. Most importantly, “There’s no cleaning up afterwards!” \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It so happens Gehry has designed an\u003ca href=\"https://www.dezeen.com/2015/03/31/facebook-moves-into-campus-frank-gehry-silicon-valley-california/\" target=\"_blank\" rel=\"noopener\"> ambitious expansion for Facebook\u003c/a> in neighboring Menlo Park. Gehry and Hockney, who both live in Los Angeles, are personal friends.\u003c/p>\n\u003cp>“He asked me to come,” 80 year-old Hockney says after his demonstration before the class. “I said OK. I haven’t been inside a school for 40 years or more, and it’s very nice. The kids give off energy and I get it back.”\u003c/p>\n\u003cp>Lauren Swezey\u003cstrong>, \u003c/strong>sustainability and community outreach manager at Facebook, shares similarly positive feelings. “We want to be a good neighbor, and education is so important to the local community, and we want to be a part of that.”\u003c/p>\n\u003cp>Swezey declined to put a dollar amount on Facebook’s contribution to the art program here for Turnaround Arts. But she says Facebook has a habit of giving to local education programs like \u003ca href=\"http://www.codeforfun.com/\" target=\"_blank\" rel=\"noopener\">Code for Fun\u003c/a> and \u003ca href=\"http://www.ravenswoodef.org/makerspaces.html\" target=\"_blank\" rel=\"noopener\">Makerspaces\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12651364\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651364\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-800x450.jpg\" alt=\"The school had the iPads. Facebook helped pay for teacher training at Costaño-49ers in the Ravenswood City School District.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The school had the iPads. Facebook helped pay for teacher training at Costaño-49ers in the Ravenswood City School District. \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With Facebook’s financial backing, Turnaround sent one teacher from each grade level at Costaño/49ers to participate in teacher training at the \u003ca href=\"http://education.kennedy-center.org//education/ceta/\" target=\"_blank\" rel=\"noopener\">John F. Kennedy Center for the Performing Arts\u003c/a>, which took over administration of the national program from the President’s Committee on the Arts and Humanities.\u003c/p>\n\u003cp>“That’s really what we invest in: professional development, strategic planning,” says Malissa Shriver, the executive director of Turnaround Arts California, which supports the arts in 16 schools around the state, three of them in the Bay Area.\u003c/p>\n\u003cp>Turnaround also gets companies like art supply maker Crayola and organizations like the \u003ca href=\"https://www.namm.org/\" target=\"_blank\" rel=\"noopener\">National Association of Music Merchants\u003c/a> to donate arts materials and musical instruments. But Shriver says many schools are most in need of the teaching skills to offer a sophisticated arts curriculum.\u003c/p>\n\u003cfigure id=\"attachment_12651365\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651365\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-800x450.jpg\" alt='Frank Gehry co-founded the California chapter of Turnaround Arts. “Arts education in the United States has deteriorated,\" he says. \"It’s almost non-existent in the public schools, and that’s where it’s needed.”' width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Frank Gehry co-founded the California chapter of Turnaround Arts. “Arts education in the United States has deteriorated,” he says. “It’s almost non-existent in the public schools, and that’s where it’s needed.” \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s always the first thing cut,” says Shriver. “And if you have a system, like ours, that is funded by property taxes, there is going to be an inherent inequity. The children who benefit the most ironically get the least.”\u003c/p>\n\u003cp>Gehry has big plans for the budding artists at at Costaño/49ers. The architect plans to turn the kids’ images into big prints. He says he wants to put them up at Facebook’s offices in Menlo Park, where the students will later visit on a field trip. “They’re going to go and see them there,” he says with a big, satisfied smile.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That’s his short-term plan. In the long term? Gehry says, “We’re hoping that they (Facebook) get more involved than just the one school.”\u003c/p>\n\u003cfigure id=\"attachment_12651366\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651366\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-800x451.jpg\" alt=\"LA-based David Hockney doesn't have to revisit Costaño-49ers in East Palo Alto. But many of the celebrities engaged by Turnaround Arts: California become attached to the schools they've "adopted."\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-1020x576.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut.jpg 1166w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Los Angeles-based David Hockney doesn’t have to revisit Costaño/49ers in East Palo Alto. But many of the celebrities engaged by Turnaround Arts: California become attached to the schools they’ve ‘adopted.’ \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"title": "David Hockney, Frank Gehry Adopt the Arts at Two East Palo Alto Schools | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>David Hockney doesn’t say much to Angela Karamian’s art class when all eyes are upon him. The soft-spoken, \u003ca href=\"http://www.hockneypictures.com/home.php\" target=\"_blank\" rel=\"noopener\">world-famous painter\u003c/a> simply does what he does best: draw.\u003c/p>\n\u003cp>The assignment Thursday was to use the software program \u003ca href=\"http://www.brushesapp.com/\" target=\"_blank\" rel=\"noopener\">Brushes\u003c/a> to draw a glass vase with flowers on an iPad. With mesmerizing ease, Hockney selects colors and builds a delightful picture, as a classroom of middle schoolers at the \u003ca href=\"http://49ersacademy.org/\" target=\"_blank\" rel=\"noopener\">San Francisco 49ers Academy\u003c/a> in East Palo Alto watches with rapt attention. (Earlier in the day, Hockney taught a class to Costaño Elemetary students who share the same campus.)\u003c/p>\n\u003cp>At the back of the class, a group of grown-ups responsible for this art lesson watch with the same rapt attention — including world-famous architect Frank Gehry.\u003c/p>\n\u003cfigure id=\"attachment_12651363\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651363\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-800x450.jpg\" alt=\"The assignment for today in Angela Karamian’s art class, courtesy of Turnaround Arts: California. Costaño/49ers Principal Viviana Espinosa says “It’s especially important in this community right now, with all the obstacles that students face, to have something like art. It’s a place where they can be comfortable. It’s a place where they can express themselves and create a counter narrative.”\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23679_IMG_2668-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The materials for today in Angela Karamian’s art class, courtesy of Turnaround Arts: California. Costaño/49ers Principal Viviana Espinosa says, “It’s especially important in this community right now, with all the obstacles that students face, to have something like art. It’s a place where they can be comfortable. It’s a place where they can express themselves and create a counter narrative.” \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Along with the \u003ca href=\"http://www.arts.ca.gov/\" target=\"_blank\" rel=\"noopener\">California Arts Council\u003c/a>, Gehry pulled out his own checkbook to help launch the nonprofit organization that brought Hockney here, the California chapter of \u003ca href=\"http://turnaroundartsca.org\">Turnaround Arts\u003c/a>. It’s a private program launched by the Obama Administration in 2011 to narrow achievement gaps in struggling schools.\u003c/p>\n\u003cp>The idea immediately resonated with Gehry. His sister, Doreen Gehry-Nelson, is a pioneer in design-based learning. Focused on K–12 students, the philosophy focuses children on a physically engaging project, like art. Essentially, they learn complex concepts as they work.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This engages people at a level that turns their souls and their hearts around,” Gehry says, watching the 49ers class draw. “And their self-respect, because immediately, they’ve got a thing to be proud of.”\u003c/p>\n\u003cfigure id=\"attachment_12651362\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651362\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-800x451.jpg\" alt='David Hockney demonstrates how he uses the program Brushes on an iPad to whip up a quick painting of a vase with flowers. “Everything is there (with Brushes) that you need,\" says Hockney. Most importantly, “There’s no cleaning up afterwards!”' width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23674_IMG_2673-qut.jpg 1662w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Hockney demonstrates how he uses the program Brushes on an iPad to whip up a quick painting of a vase with flowers. “Everything is there (with Brushes) that you need,” says Hockney. Most importantly, “There’s no cleaning up afterwards!” \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It so happens Gehry has designed an\u003ca href=\"https://www.dezeen.com/2015/03/31/facebook-moves-into-campus-frank-gehry-silicon-valley-california/\" target=\"_blank\" rel=\"noopener\"> ambitious expansion for Facebook\u003c/a> in neighboring Menlo Park. Gehry and Hockney, who both live in Los Angeles, are personal friends.\u003c/p>\n\u003cp>“He asked me to come,” 80 year-old Hockney says after his demonstration before the class. “I said OK. I haven’t been inside a school for 40 years or more, and it’s very nice. The kids give off energy and I get it back.”\u003c/p>\n\u003cp>Lauren Swezey\u003cstrong>, \u003c/strong>sustainability and community outreach manager at Facebook, shares similarly positive feelings. “We want to be a good neighbor, and education is so important to the local community, and we want to be a part of that.”\u003c/p>\n\u003cp>Swezey declined to put a dollar amount on Facebook’s contribution to the art program here for Turnaround Arts. But she says Facebook has a habit of giving to local education programs like \u003ca href=\"http://www.codeforfun.com/\" target=\"_blank\" rel=\"noopener\">Code for Fun\u003c/a> and \u003ca href=\"http://www.ravenswoodef.org/makerspaces.html\" target=\"_blank\" rel=\"noopener\">Makerspaces\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12651364\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651364\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-800x450.jpg\" alt=\"The school had the iPads. Facebook helped pay for teacher training at Costaño-49ers in the Ravenswood City School District.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23678_IMG_2693-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The school had the iPads. Facebook helped pay for teacher training at Costaño-49ers in the Ravenswood City School District. \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With Facebook’s financial backing, Turnaround sent one teacher from each grade level at Costaño/49ers to participate in teacher training at the \u003ca href=\"http://education.kennedy-center.org//education/ceta/\" target=\"_blank\" rel=\"noopener\">John F. Kennedy Center for the Performing Arts\u003c/a>, which took over administration of the national program from the President’s Committee on the Arts and Humanities.\u003c/p>\n\u003cp>“That’s really what we invest in: professional development, strategic planning,” says Malissa Shriver, the executive director of Turnaround Arts California, which supports the arts in 16 schools around the state, three of them in the Bay Area.\u003c/p>\n\u003cp>Turnaround also gets companies like art supply maker Crayola and organizations like the \u003ca href=\"https://www.namm.org/\" target=\"_blank\" rel=\"noopener\">National Association of Music Merchants\u003c/a> to donate arts materials and musical instruments. But Shriver says many schools are most in need of the teaching skills to offer a sophisticated arts curriculum.\u003c/p>\n\u003cfigure id=\"attachment_12651365\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651365\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-800x450.jpg\" alt='Frank Gehry co-founded the California chapter of Turnaround Arts. “Arts education in the United States has deteriorated,\" he says. \"It’s almost non-existent in the public schools, and that’s where it’s needed.”' width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23677_IMG_2682-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Frank Gehry co-founded the California chapter of Turnaround Arts. “Arts education in the United States has deteriorated,” he says. “It’s almost non-existent in the public schools, and that’s where it’s needed.” \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s always the first thing cut,” says Shriver. “And if you have a system, like ours, that is funded by property taxes, there is going to be an inherent inequity. The children who benefit the most ironically get the least.”\u003c/p>\n\u003cp>Gehry has big plans for the budding artists at at Costaño/49ers. The architect plans to turn the kids’ images into big prints. He says he wants to put them up at Facebook’s offices in Menlo Park, where the students will later visit on a field trip. “They’re going to go and see them there,” he says with a big, satisfied smile.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That’s his short-term plan. In the long term? Gehry says, “We’re hoping that they (Facebook) get more involved than just the one school.”\u003c/p>\n\u003cfigure id=\"attachment_12651366\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12651366\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-800x451.jpg\" alt=\"LA-based David Hockney doesn't have to revisit Costaño-49ers in East Palo Alto. But many of the celebrities engaged by Turnaround Arts: California become attached to the schools they've "adopted."\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-1020x576.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-960x542.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/RS23681_IMG_2683-qut.jpg 1166w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Los Angeles-based David Hockney doesn’t have to revisit Costaño/49ers in East Palo Alto. But many of the celebrities engaged by Turnaround Arts: California become attached to the schools they’ve ‘adopted.’ \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Trump Inauguration Protests Sweep Across Bay Area",
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"content": "\u003cp>\u003cstrong>Post updated at 11:45 p.m.\u003c/strong>\u003c/p>\n\u003cp>Thousands of protesters, many wearing purple rain slickers and pink \u003ca href=\"https://ww2.kqed.org/news/2017/01/17/l-a-s-pussyhat-project-crafts-a-political-statement/\" target=\"_blank\">pussyhats\u003c/a>, formed a human chain across the Golden Gate Bridge on Friday to demonstrate against the inauguration of Donald J. Trump.\u003c/p>\n\u003cp>The \u003ca href=\"http://bridge.beyondtherectangle.org/\" target=\"_blank\">Bridge Together Golden Gate\u003c/a> event was described as “a collaborative, grassroots, community-based demonstration, and performance art piece,” according to the organizer’s website. The color purple was chosen because it represents anti-bullying.\u003c/p>\n\u003cp>San Francisco resident Terry Hong attended the bridge protest and said he wasn’t “politically active by nature” but was thinking about the next four years and how he could resist some Trump administration policies locally and across the state.\u003c/p>\n\u003cp>“As the son of immigrants, I am very concerned about how there’s been a lot of rhetoric that is xenophobic, misogynistic,” Hong said. “I wouldn’t tolerate that kind of rhetoric from my neighbor, co-worker, my boss and certainly not my president.”\u003c/p>\n\u003cfigure id=\"attachment_11279080\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11279080\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-800x533.jpg\" alt=\"Protestors gathered across the Golden Gate Bridge at about 10 a.m. on Jan. 20, 2017. The participants linked hands while cheering and wearing purple. Their demonstration acted as a message against President Donald Trump.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-520x347.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protesters gathered across the Golden Gate Bridge at about 10 a.m. on Jan. 20, 2017. The participants linked hands while cheering and wearing purple. Their demonstration acted as a message against President Donald Trump. \u003ccite>(Erasmo Martinez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was just one among many planned protests as thousands of demonstrators fanned out across the Bay Area in response to Trump’s inauguration. Protests are expected throughout the day and massive Women’s Marches are planned for Saturday.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/SilerTara/status/822515387476549633\u003c/p>\n\u003cp>In San Francisco, hundreds of protesters gathered at Justin Herman Plaza at the foot of Market Street on Friday morning and marched through downtown chanting “Not my president!” and “What do we do? Stand up, fight back!” Others carried signs that read “Black Lives Matter” and “Stop Trump, Evictor in Chief. Sanctuary City for all!”\u003c/p>\n\u003cp>Activists stopped to protest outside the San Francisco Immigration and Customs Enforcement office, Wells Fargo and the Israel Consulate, chanting “No more walls.”\u003c/p>\n\u003cp>Alondra Aragon, who works at Poder, an economic and environmental justice nonprofit in the Mission District, protested in downtown San Francisco. She’s expecting her first child.\u003c/p>\n\u003cp>“Once I found out Trump got elected I was like, oh my God, how am I going to raise a son, especially a person of color, in this world, especially in this society,” Aragon said. “So I was kind of nervous … but now that I’m in my third trimester, and I’m about to have him, I’m ready, and I’m excited because I’m going to raise a warrior. Just like they say, it takes a village to raise a child. This is my village in San Francisco, and yes, we’re being gentrified, but we’re still here. And this is why I’m here.”\u003c/p>\n\u003cp>A San Francisco Police Department spokeswoman said 17 people had been arrested outside Uber headquarters in San Francisco. Bay City News reported that eight people had chained themselves to the front doors of the building on Market Street between 11th Street and Van Ness Avenue to protest Uber CEO Travis Kalanick, who served as an adviser to Trump.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n\u003cp lang=\"en\" dir=\"ltr\">Pretty much the sentiment of this 1,000+ crowd marching in \u003ca href=\"https://twitter.com/hashtag/SF?src=hash&ref_src=twsrc%5Etfw\">#SF\u003c/a> right now, currently at Valencia/Market heading East. \u003ca href=\"https://t.co/pYEyZRh0LR\">pic.twitter.com/pYEyZRh0LR\u003c/a>\u003c/p>\n\u003cp>— Alex Emslie (@SFNewsReporter) \u003ca href=\"https://twitter.com/SFNewsReporter/status/822657974535684097?ref_src=twsrc%5Etfw\">January 21, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cscript async src=\"https://platform.twitter.com/widgets.js\" charset=\"utf-8\">\u003c/script>\u003c/p>\n\u003cp>Shortly after 8:30 a.m., protesters in San Francisco blocked Caltrain tracks at 16th Street, stopping trains and causing major service delays. A Caltrain spokeswoman said a dispersal order was issued at 10:30 a.m. Transit police, with the assistance of SFPD officers, arrested 12 protesters at the site. Trains started moving through the area again at 11:30 a.m.\u003c/p>\n\u003cp>Demonstrations continued into the evening, with more than 1,000 people gathering at San Francisco’s U.N. Plaza.\u003c/p>\n\u003cp>The crowd marched peacefully to the Mission District and back to City Hall.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n\u003cp lang=\"en\" dir=\"ltr\">\u003ca href=\"https://twitter.com/hashtag/SF?src=hash&ref_src=twsrc%5Etfw\">#SF\u003c/a> \u003ca href=\"https://twitter.com/hashtag/J20?src=hash&ref_src=twsrc%5Etfw\">#J20\u003c/a> \u003ca href=\"https://twitter.com/hashtag/Inauguration?src=hash&ref_src=twsrc%5Etfw\">#Inauguration\u003c/a> protest dissipating, but smaller group of a few hundred gathering in front of City Hall. \u003ca href=\"https://t.co/HLHVxa0sa6\">pic.twitter.com/HLHVxa0sa6\u003c/a>\u003c/p>\n\u003cp>— Alex Emslie (@SFNewsReporter) \u003ca href=\"https://twitter.com/SFNewsReporter/status/822665837819531265?ref_src=twsrc%5Etfw\">January 21, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cscript async src=\"https://platform.twitter.com/widgets.js\" charset=\"utf-8\">\u003c/script>\u003c/p>\n\u003cp>Erwin Kelly, an 85-year-old resident of the Castro, said he’s more concerned about Donald Trump than any other president in his lifetime.\u003c/p>\n\u003cp>“It was never as serious as this,” he said, adding that he plans to push his city to protects immigrants from deportation. “They can’t take our immigrants away from us. … I’m willing as an 85-year-old man to stand in any doorway where we have to stand to keep them from taking a family apart.”\u003c/p>\n\u003cp>In Oakland, protesters began gathering in the morning outside the city’s Federal Building for a day of demonstrations.\u003c/p>\n\u003cp>“I think it’s important that the voice of the people is heard and that the majority of us in this country don’t think what’s happening with this election is normal and it’s not what we support,” Oakland resident Leah Ricci said.\u003c/p>\n\u003cp>“I think it’s good that we now know the face of this institutionalized racism,” Oakland resident Meg Allen said. “I think once you bring it out in the open, you can address it.”\u003c/p>\n\u003cp>By nearly 6 p.m., about 300 demonstrators had gathered at Frank Ogawa Plaza in downtown Oakland and began a march south on Broadway into Chinatown flanked on both side by a heavy police presence, most officers on foot and some on motorcycles and bicycles.\u003c/p>\n\u003cp>Protesters chanted, “Racist, sexist, anti-gay. Donald Trump go away” and “No more presidents.”\u003c/p>\n\u003cp>UC Berkeley student Anisha Chemmachel carried a sign with the James Baldwin quote, “If I love you I must make you conscious of things you do not see.” She explained why she was at the demonstration before the march began.\u003c/p>\n\u003cp>“I guess the simplest answer would be to vocalize my dissent and to vocalize my solidarity with the marginalized groups that are specifically targeted by this Trump administration …” Chemmachel said. “Groups like immigrants, groups like Muslim individuals in this country, like laborers, like my queer peers. Folks who have been either directly or indirectly targeted or will be affected by upcoming legislation.”\u003c/p>\n\u003cp>A large constant Oakland police presence flanked marchers, preventing them from largely shifting away from a path that was being set by law enforcement.\u003c/p>\n\u003cp>https://twitter.com/ClydeDon/status/822631880319176704\u003c/p>\n\u003cp>Protesters eventually wound up back at Frank Ogawa Plaza by 8 p.m., and the crowd’s numbers thinned quickly. The protest was peaceful, but an Oakland police officer told KQED one protester had been arrested.\u003c/p>\n\u003cp>Bay City News reported on protests from the South Bay:\u003c/p>\n\u003cblockquote>\u003cp>Protesters braved heavy rain in the South Bay to march in San Jose.\u003c/p>\n\u003cp>The protesters started gathering in Plaza de Cesar Chavez before the planned rally at 11 a.m. The march left the plaza on its way to the federal building and City Hall just before noon.\u003c/p>\n\u003cp>Protesters are carrying signs reading “Stop the unending war,” “No mass deportations,” “Donald ¡vete! Kleptocrat — sexual predator,” and “Not my president.”\u003c/p>\n\u003cp>Activists focused on the environment, justice, labor and faith communities are protesting together.\u003c/p>\n\u003cp>“Instead of working separately, we’re working together against the platform of fear and hate that the new administration brings in,” Rise Up spokeswoman Shaunn Cartwright said. “By uniting, we will rise above this and we will resist the fear and hate.”\u003c/p>\n\u003cp>Brett Bymaster, a pastor at The River church community in San Jose, said he lives in the predominantly Latino Washington community in downtown San Jose.\u003c/p>\n\u003cp>“I am an evangelical Christian, and I definitely did not vote for Donald Trump,” Bymaster said. “We’re big supporters of undocumented immigrants and really want to fight for people’s rights.”\u003c/p>\n\u003cp>“We cannot tolerate the mass deportation, trying to portray Latinos as criminals and rapists,” San Jose resident Omar Vasquez, a 37-year-old bus driver and Peruvian immigrant, said. “He’s doing the same thing with Muslims, right? Telling them that they are terrorists.”\u003c/p>\u003c/blockquote>\n\u003cp>\u003cem>KQED’s Devin Katayama, Ted Goldberg, Erasmo Martinez, Tara Siler, Eli Wirtschafter and Alex Emslie contributed to this report.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This post contains reporting from Bay City News.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Post updated at 11:45 p.m.\u003c/strong>\u003c/p>\n\u003cp>Thousands of protesters, many wearing purple rain slickers and pink \u003ca href=\"https://ww2.kqed.org/news/2017/01/17/l-a-s-pussyhat-project-crafts-a-political-statement/\" target=\"_blank\">pussyhats\u003c/a>, formed a human chain across the Golden Gate Bridge on Friday to demonstrate against the inauguration of Donald J. Trump.\u003c/p>\n\u003cp>The \u003ca href=\"http://bridge.beyondtherectangle.org/\" target=\"_blank\">Bridge Together Golden Gate\u003c/a> event was described as “a collaborative, grassroots, community-based demonstration, and performance art piece,” according to the organizer’s website. The color purple was chosen because it represents anti-bullying.\u003c/p>\n\u003cp>San Francisco resident Terry Hong attended the bridge protest and said he wasn’t “politically active by nature” but was thinking about the next four years and how he could resist some Trump administration policies locally and across the state.\u003c/p>\n\u003cp>“As the son of immigrants, I am very concerned about how there’s been a lot of rhetoric that is xenophobic, misogynistic,” Hong said. “I wouldn’t tolerate that kind of rhetoric from my neighbor, co-worker, my boss and certainly not my president.”\u003c/p>\n\u003cfigure id=\"attachment_11279080\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11279080\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-800x533.jpg\" alt=\"Protestors gathered across the Golden Gate Bridge at about 10 a.m. on Jan. 20, 2017. The participants linked hands while cheering and wearing purple. Their demonstration acted as a message against President Donald Trump.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23697_18-qut-520x347.jpg 520w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protesters gathered across the Golden Gate Bridge at about 10 a.m. on Jan. 20, 2017. The participants linked hands while cheering and wearing purple. Their demonstration acted as a message against President Donald Trump. \u003ccite>(Erasmo Martinez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was just one among many planned protests as thousands of demonstrators fanned out across the Bay Area in response to Trump’s inauguration. Protests are expected throughout the day and massive Women’s Marches are planned for Saturday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In San Francisco, hundreds of protesters gathered at Justin Herman Plaza at the foot of Market Street on Friday morning and marched through downtown chanting “Not my president!” and “What do we do? Stand up, fight back!” Others carried signs that read “Black Lives Matter” and “Stop Trump, Evictor in Chief. Sanctuary City for all!”\u003c/p>\n\u003cp>Activists stopped to protest outside the San Francisco Immigration and Customs Enforcement office, Wells Fargo and the Israel Consulate, chanting “No more walls.”\u003c/p>\n\u003cp>Alondra Aragon, who works at Poder, an economic and environmental justice nonprofit in the Mission District, protested in downtown San Francisco. She’s expecting her first child.\u003c/p>\n\u003cp>“Once I found out Trump got elected I was like, oh my God, how am I going to raise a son, especially a person of color, in this world, especially in this society,” Aragon said. “So I was kind of nervous … but now that I’m in my third trimester, and I’m about to have him, I’m ready, and I’m excited because I’m going to raise a warrior. Just like they say, it takes a village to raise a child. This is my village in San Francisco, and yes, we’re being gentrified, but we’re still here. And this is why I’m here.”\u003c/p>\n\u003cp>A San Francisco Police Department spokeswoman said 17 people had been arrested outside Uber headquarters in San Francisco. Bay City News reported that eight people had chained themselves to the front doors of the building on Market Street between 11th Street and Van Ness Avenue to protest Uber CEO Travis Kalanick, who served as an adviser to Trump.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n\u003cp lang=\"en\" dir=\"ltr\">Pretty much the sentiment of this 1,000+ crowd marching in \u003ca href=\"https://twitter.com/hashtag/SF?src=hash&ref_src=twsrc%5Etfw\">#SF\u003c/a> right now, currently at Valencia/Market heading East. \u003ca href=\"https://t.co/pYEyZRh0LR\">pic.twitter.com/pYEyZRh0LR\u003c/a>\u003c/p>\n\u003cp>— Alex Emslie (@SFNewsReporter) \u003ca href=\"https://twitter.com/SFNewsReporter/status/822657974535684097?ref_src=twsrc%5Etfw\">January 21, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cscript async src=\"https://platform.twitter.com/widgets.js\" charset=\"utf-8\">\u003c/script>\u003c/p>\n\u003cp>Shortly after 8:30 a.m., protesters in San Francisco blocked Caltrain tracks at 16th Street, stopping trains and causing major service delays. A Caltrain spokeswoman said a dispersal order was issued at 10:30 a.m. Transit police, with the assistance of SFPD officers, arrested 12 protesters at the site. Trains started moving through the area again at 11:30 a.m.\u003c/p>\n\u003cp>Demonstrations continued into the evening, with more than 1,000 people gathering at San Francisco’s U.N. Plaza.\u003c/p>\n\u003cp>The crowd marched peacefully to the Mission District and back to City Hall.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n\u003cp lang=\"en\" dir=\"ltr\">\u003ca href=\"https://twitter.com/hashtag/SF?src=hash&ref_src=twsrc%5Etfw\">#SF\u003c/a> \u003ca href=\"https://twitter.com/hashtag/J20?src=hash&ref_src=twsrc%5Etfw\">#J20\u003c/a> \u003ca href=\"https://twitter.com/hashtag/Inauguration?src=hash&ref_src=twsrc%5Etfw\">#Inauguration\u003c/a> protest dissipating, but smaller group of a few hundred gathering in front of City Hall. \u003ca href=\"https://t.co/HLHVxa0sa6\">pic.twitter.com/HLHVxa0sa6\u003c/a>\u003c/p>\n\u003cp>— Alex Emslie (@SFNewsReporter) \u003ca href=\"https://twitter.com/SFNewsReporter/status/822665837819531265?ref_src=twsrc%5Etfw\">January 21, 2017\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cscript async src=\"https://platform.twitter.com/widgets.js\" charset=\"utf-8\">\u003c/script>\u003c/p>\n\u003cp>Erwin Kelly, an 85-year-old resident of the Castro, said he’s more concerned about Donald Trump than any other president in his lifetime.\u003c/p>\n\u003cp>“It was never as serious as this,” he said, adding that he plans to push his city to protects immigrants from deportation. “They can’t take our immigrants away from us. … I’m willing as an 85-year-old man to stand in any doorway where we have to stand to keep them from taking a family apart.”\u003c/p>\n\u003cp>In Oakland, protesters began gathering in the morning outside the city’s Federal Building for a day of demonstrations.\u003c/p>\n\u003cp>“I think it’s important that the voice of the people is heard and that the majority of us in this country don’t think what’s happening with this election is normal and it’s not what we support,” Oakland resident Leah Ricci said.\u003c/p>\n\u003cp>“I think it’s good that we now know the face of this institutionalized racism,” Oakland resident Meg Allen said. “I think once you bring it out in the open, you can address it.”\u003c/p>\n\u003cp>By nearly 6 p.m., about 300 demonstrators had gathered at Frank Ogawa Plaza in downtown Oakland and began a march south on Broadway into Chinatown flanked on both side by a heavy police presence, most officers on foot and some on motorcycles and bicycles.\u003c/p>\n\u003cp>Protesters chanted, “Racist, sexist, anti-gay. Donald Trump go away” and “No more presidents.”\u003c/p>\n\u003cp>UC Berkeley student Anisha Chemmachel carried a sign with the James Baldwin quote, “If I love you I must make you conscious of things you do not see.” She explained why she was at the demonstration before the march began.\u003c/p>\n\u003cp>“I guess the simplest answer would be to vocalize my dissent and to vocalize my solidarity with the marginalized groups that are specifically targeted by this Trump administration …” Chemmachel said. “Groups like immigrants, groups like Muslim individuals in this country, like laborers, like my queer peers. Folks who have been either directly or indirectly targeted or will be affected by upcoming legislation.”\u003c/p>\n\u003cp>A large constant Oakland police presence flanked marchers, preventing them from largely shifting away from a path that was being set by law enforcement.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Protesters eventually wound up back at Frank Ogawa Plaza by 8 p.m., and the crowd’s numbers thinned quickly. The protest was peaceful, but an Oakland police officer told KQED one protester had been arrested.\u003c/p>\n\u003cp>Bay City News reported on protests from the South Bay:\u003c/p>\n\u003cblockquote>\u003cp>Protesters braved heavy rain in the South Bay to march in San Jose.\u003c/p>\n\u003cp>The protesters started gathering in Plaza de Cesar Chavez before the planned rally at 11 a.m. The march left the plaza on its way to the federal building and City Hall just before noon.\u003c/p>\n\u003cp>Protesters are carrying signs reading “Stop the unending war,” “No mass deportations,” “Donald ¡vete! Kleptocrat — sexual predator,” and “Not my president.”\u003c/p>\n\u003cp>Activists focused on the environment, justice, labor and faith communities are protesting together.\u003c/p>\n\u003cp>“Instead of working separately, we’re working together against the platform of fear and hate that the new administration brings in,” Rise Up spokeswoman Shaunn Cartwright said. “By uniting, we will rise above this and we will resist the fear and hate.”\u003c/p>\n\u003cp>Brett Bymaster, a pastor at The River church community in San Jose, said he lives in the predominantly Latino Washington community in downtown San Jose.\u003c/p>\n\u003cp>“I am an evangelical Christian, and I definitely did not vote for Donald Trump,” Bymaster said. “We’re big supporters of undocumented immigrants and really want to fight for people’s rights.”\u003c/p>\n\u003cp>“We cannot tolerate the mass deportation, trying to portray Latinos as criminals and rapists,” San Jose resident Omar Vasquez, a 37-year-old bus driver and Peruvian immigrant, said. “He’s doing the same thing with Muslims, right? Telling them that they are terrorists.”\u003c/p>\u003c/blockquote>\n\u003cp>\u003cem>KQED’s Devin Katayama, Ted Goldberg, Erasmo Martinez, Tara Siler, Eli Wirtschafter and Alex Emslie contributed to this report.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This post contains reporting from Bay City News.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003caside class=\"aligncenter\">\n\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/strong>\u003cbr>\nhttps://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/anon/radio/thedolist/2017/01/TDL20170120.mp3\u003cbr>\n\u003c/aside>\n\u003cp>Whether the presidential inauguration is making you queasy or giving you a thrill, it’s always a good idea to turn off the TV and take in some shows. As extras this week, we’re suggesting the pianist \u003ca href=\"http://www.hollybowling.com/\" target=\"_blank\" rel=\"noopener\">Holly Bowling’s\u003c/a> reimagining of the Grateful Dead’s songs at the \u003ca href=\"http://centerfornewmusic.com/calendar/\" target=\"_blank\" rel=\"noopener\">Center for New Music on Jan. 25\u003c/a>. Or for pure musical pleasure but with a political payoff, try an inauguration night (Jan. 20) benefit concert by \u003ca href=\"http://www.f49music.com/\" target=\"_blank\" rel=\"noopener\">Frequency 49\u003c/a>, a San Francisco-based woodwind sextet, with all proceeds going to the American Civil Liberties Union, at the \u003ca href=\"http://www.uusf.org/\" target=\"_blank\" rel=\"noopener\">First Unitarian Universalist Church of San Francisco\u003c/a>. \u003c/p>\n\u003cp>Now on to the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=p3gcYSndLfc\u003c/p>\n\u003cp>\u003cstrong>Jan 21 and 22\u003c/strong>: \u003ca href=\"https://www.symphonysiliconvalley.org/\" target=\"_blank\" rel=\"noopener\">Symphony Silicon Valley\u003c/a> isn’t like most orchestras. For one, there are no charismatic conductors; instead General Director Andrew Bales picks the repertory, finds a good conductor, and then counts on his devoted musicians to make it all sound great. That formula is working well, and this weekend Bales got \u003ca href=\"http://paulpolivnick.com/\" target=\"_blank\" rel=\"noopener\">Paul Polivnick\u003c/a> (a regular) conducting two pieces by American composer Kevin Puts (once a composer in residence at the California Symphony), Leonard Bernstein’s \u003cem>Fancy Free \u003c/em>(gorgeous), and a violin concerto by \u003ca href=\"http://www.boosey.com/composer/Dmitry+Kabalevsky\" target=\"_blank\" rel=\"noopener\">Dmitri Kabalavsky\u003c/a> that features virtuoso \u003ca href=\"http://www.dispeker.com/artist.php?id=mkamio\" target=\"_blank\" rel=\"noopener\">Mayuko Kamio\u003c/a>. \u003ca href=\"https://www.symphonysiliconvalley.org/concerts.php\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12645341\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12645341\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-800x556.jpg\" alt=\"Taxicab driver at the wheel with two passengers, N.Y.C. 1956\" width=\"800\" height=\"556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-768x534.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-1020x709.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-1920x1335.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-1180x820.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-960x667.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-520x362.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taxicab driver at the wheel with two passengers, N.Y.C. 1956 \u003ccite>(Photo: Diane Arbus/Courtesy of SFMOMA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 25–April 30\u003c/strong>: \u003ca href=\"http://nymag.com/thecut/2016/07/diane-arbus-c-v-r.html\" target=\"_blank\" rel=\"noopener\">Diane Arbus\u003c/a> was such a brave photographer, daring to shoot pictures of people on the street who many of us might have been too shy to approach, and outsiders like a fire eater on Coney Island, or a stripper backstage in Atlantic City. And her subjects stare right back at you. The San Francisco Museum of Modern Art is presenting a show of Arbus’s early work (curated by the Metropolitan Museum of Art) called \u003cem>Diane Arbus: In the Beginning,\u003c/em> and these 100 pictures show her already mastering that penetratingly direct gaze. \u003ca href=\"https://www.sfmoma.org/exhibition/diane-arbus-beginning/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gEAVSLzhxN0\u003c/p>\n\u003cp>\u003cstrong>Jan 21\u003c/strong>: The Bay Area’s \u003ca href=\"https://www.andreaclaburn.com/\" target=\"_blank\" rel=\"noopener\">Andrea Claburn\u003c/a> is a young, underappreciated veteran of the West Coast jazz scene. David notes that she’s a true jazz singer, getting the most out of her chosen instrument. She also does her own arrangements, and wrote five of the songs on her new album, \u003cem>Nightshade. \u003c/em>She’s a graduate of Berkeley’s \u003ca href=\"https://cjc.edu/concerts/\" target=\"_blank\" rel=\"noopener\">California Jazz Conservatory\u003c/a>, where she now teaches. For the album, and her gig Jan. 21 at the Jazz Conservatory, she’s working with an all star band: Matt Clark on piano (her regular accompaniist), Erik Jekabson on trumpet, Terence Brewer on guitar, and Jon Santos on percussion. It’s a \u003cstrong>CHEAP THRILL!\u003c/strong>, just $15, and it should be very good. Details \u003ca href=\"https://www.andreaclaburn.com/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> or \u003ca href=\"https://cjc.edu/concerts/?eid=17219\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wMJvLTZOhpE\u003c/p>\n\u003cp>\u003cstrong>Jan 25–Feb. 19\u003c/strong>: I know everyone is gung ho about \u003ca href=\"http://www.hamiltonbroadway.com/tour.php\" target=\"_blank\" rel=\"noopener\">\u003cem>Hamilton\u003c/em>\u003c/a> finally coming to San Francisco, but my feeling is that the \u003ca href=\"http://funhomebroadway.com/tour.php\" target=\"_blank\" rel=\"noopener\">\u003cem>Fun Home\u003c/em>\u003c/a> tour is just as big a deal. This is \u003ca href=\"http://www.lisakron.org/\" target=\"_blank\" rel=\"noopener\">Lisa Kron \u003c/a>(\u003cem>Well\u003c/em>) and Jeanine Tesori’s (\u003cem>Caroline or Change\u003c/em>) Tony-winning musical based on the graphic memoir by \u003ca href=\"https://www.facebook.com/alison.bechdel/\" target=\"_blank\" rel=\"noopener\">Alison Bechdel\u003c/a>, about growing up lesbian in her parent’s funeral home, with a closeted gay dad and a withholding mom. It’s a beautiful and sad coming-of-age story, and the first Broadway musical featuring a lesbian character in the lead. \u003ca href=\"https://sfcurran.com/shows/fun-home/\" target=\"_blank\" rel=\"noopener\"> Details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12644538\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12644538\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-800x495.jpg\" alt=\"Carole Shorenstein Hayes in her favorite seat in the upper balcony at the refurbished Curran Theater\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-1920x1188.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-520x322.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carole Shorenstein Hayes in her favorite seat in the upper balcony at the refurbished Curran Theater \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Audiences for \u003cem>Fun Home\u003c/em> also get to christen the refurbished Curran Theater. Owned by Carole Shorenstein Hays, one of the great local theater producers (\u003cem>Fences\u003c/em>), Shorensteing-Yas says she just spent two years and a “zillion dollars” (she won’t reveal the actual number) refurbishing the Curran, which is near Union Square. As she sat in her favorite seat way up in the balcony, I asked Hays why attending shows at the Curran means so much to her. “Being in the audience,” she said, “illuminates the mind and settles the soul. We’re suddenly together and understanding that we’re not alone. The audience for me is as sacred and as essential as the artists on stage, and when we’re all together, we really become our best.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zLQ1Bvm7SFo\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jan. 21\u003c/strong>: \u003ca href=\"http://fatpossum.com/artists/american-wrestlers/\" target=\"_blank\" rel=\"noopener\">American Wrestlers\u003c/a> make music for dancing and thinking, not chokeholds. They’re a St. Louis band led by Scotsman Gary McClure and his wife Bridgette Imperial. They make terrific music with smart lyrics, and I love how tricky categories are in pop music these days. One article about the group described them as alt-rock, indie, power pop, lo-fi, and shoe-gaze. Take your pick, but see them at Bottom of the Hill. \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.UCt1GavV.dpbs\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/strong>\u003cbr>\nhttps://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/anon/radio/thedolist/2017/01/TDL20170120.mp3\u003cbr>\n\u003c/aside>\n\u003cp>Whether the presidential inauguration is making you queasy or giving you a thrill, it’s always a good idea to turn off the TV and take in some shows. As extras this week, we’re suggesting the pianist \u003ca href=\"http://www.hollybowling.com/\" target=\"_blank\" rel=\"noopener\">Holly Bowling’s\u003c/a> reimagining of the Grateful Dead’s songs at the \u003ca href=\"http://centerfornewmusic.com/calendar/\" target=\"_blank\" rel=\"noopener\">Center for New Music on Jan. 25\u003c/a>. Or for pure musical pleasure but with a political payoff, try an inauguration night (Jan. 20) benefit concert by \u003ca href=\"http://www.f49music.com/\" target=\"_blank\" rel=\"noopener\">Frequency 49\u003c/a>, a San Francisco-based woodwind sextet, with all proceeds going to the American Civil Liberties Union, at the \u003ca href=\"http://www.uusf.org/\" target=\"_blank\" rel=\"noopener\">First Unitarian Universalist Church of San Francisco\u003c/a>. \u003c/p>\n\u003cp>Now on to the show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/p3gcYSndLfc'\n title='//www.youtube.com/embed/p3gcYSndLfc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Jan 21 and 22\u003c/strong>: \u003ca href=\"https://www.symphonysiliconvalley.org/\" target=\"_blank\" rel=\"noopener\">Symphony Silicon Valley\u003c/a> isn’t like most orchestras. For one, there are no charismatic conductors; instead General Director Andrew Bales picks the repertory, finds a good conductor, and then counts on his devoted musicians to make it all sound great. That formula is working well, and this weekend Bales got \u003ca href=\"http://paulpolivnick.com/\" target=\"_blank\" rel=\"noopener\">Paul Polivnick\u003c/a> (a regular) conducting two pieces by American composer Kevin Puts (once a composer in residence at the California Symphony), Leonard Bernstein’s \u003cem>Fancy Free \u003c/em>(gorgeous), and a violin concerto by \u003ca href=\"http://www.boosey.com/composer/Dmitry+Kabalevsky\" target=\"_blank\" rel=\"noopener\">Dmitri Kabalavsky\u003c/a> that features virtuoso \u003ca href=\"http://www.dispeker.com/artist.php?id=mkamio\" target=\"_blank\" rel=\"noopener\">Mayuko Kamio\u003c/a>. \u003ca href=\"https://www.symphonysiliconvalley.org/concerts.php\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12645341\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12645341\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-800x556.jpg\" alt=\"Taxicab driver at the wheel with two passengers, N.Y.C. 1956\" width=\"800\" height=\"556\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-800x556.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-768x534.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-1020x709.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-1920x1335.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-1180x820.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-960x667.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-240x167.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-375x261.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C-520x362.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/06.-Diane-Arbus-Taxicab-driver-at-the-wheel-with-two-passengers-N.Y.C.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Taxicab driver at the wheel with two passengers, N.Y.C. 1956 \u003ccite>(Photo: Diane Arbus/Courtesy of SFMOMA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 25–April 30\u003c/strong>: \u003ca href=\"http://nymag.com/thecut/2016/07/diane-arbus-c-v-r.html\" target=\"_blank\" rel=\"noopener\">Diane Arbus\u003c/a> was such a brave photographer, daring to shoot pictures of people on the street who many of us might have been too shy to approach, and outsiders like a fire eater on Coney Island, or a stripper backstage in Atlantic City. And her subjects stare right back at you. The San Francisco Museum of Modern Art is presenting a show of Arbus’s early work (curated by the Metropolitan Museum of Art) called \u003cem>Diane Arbus: In the Beginning,\u003c/em> and these 100 pictures show her already mastering that penetratingly direct gaze. \u003ca href=\"https://www.sfmoma.org/exhibition/diane-arbus-beginning/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gEAVSLzhxN0'\n title='//www.youtube.com/embed/gEAVSLzhxN0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Jan 21\u003c/strong>: The Bay Area’s \u003ca href=\"https://www.andreaclaburn.com/\" target=\"_blank\" rel=\"noopener\">Andrea Claburn\u003c/a> is a young, underappreciated veteran of the West Coast jazz scene. David notes that she’s a true jazz singer, getting the most out of her chosen instrument. She also does her own arrangements, and wrote five of the songs on her new album, \u003cem>Nightshade. \u003c/em>She’s a graduate of Berkeley’s \u003ca href=\"https://cjc.edu/concerts/\" target=\"_blank\" rel=\"noopener\">California Jazz Conservatory\u003c/a>, where she now teaches. For the album, and her gig Jan. 21 at the Jazz Conservatory, she’s working with an all star band: Matt Clark on piano (her regular accompaniist), Erik Jekabson on trumpet, Terence Brewer on guitar, and Jon Santos on percussion. It’s a \u003cstrong>CHEAP THRILL!\u003c/strong>, just $15, and it should be very good. Details \u003ca href=\"https://www.andreaclaburn.com/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> or \u003ca href=\"https://cjc.edu/concerts/?eid=17219\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wMJvLTZOhpE'\n title='//www.youtube.com/embed/wMJvLTZOhpE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Jan 25–Feb. 19\u003c/strong>: I know everyone is gung ho about \u003ca href=\"http://www.hamiltonbroadway.com/tour.php\" target=\"_blank\" rel=\"noopener\">\u003cem>Hamilton\u003c/em>\u003c/a> finally coming to San Francisco, but my feeling is that the \u003ca href=\"http://funhomebroadway.com/tour.php\" target=\"_blank\" rel=\"noopener\">\u003cem>Fun Home\u003c/em>\u003c/a> tour is just as big a deal. This is \u003ca href=\"http://www.lisakron.org/\" target=\"_blank\" rel=\"noopener\">Lisa Kron \u003c/a>(\u003cem>Well\u003c/em>) and Jeanine Tesori’s (\u003cem>Caroline or Change\u003c/em>) Tony-winning musical based on the graphic memoir by \u003ca href=\"https://www.facebook.com/alison.bechdel/\" target=\"_blank\" rel=\"noopener\">Alison Bechdel\u003c/a>, about growing up lesbian in her parent’s funeral home, with a closeted gay dad and a withholding mom. It’s a beautiful and sad coming-of-age story, and the first Broadway musical featuring a lesbian character in the lead. \u003ca href=\"https://sfcurran.com/shows/fun-home/\" target=\"_blank\" rel=\"noopener\"> Details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12644538\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12644538\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-800x495.jpg\" alt=\"Carole Shorenstein Hayes in her favorite seat in the upper balcony at the refurbished Curran Theater\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-1920x1188.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11-520x322.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-11.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carole Shorenstein Hayes in her favorite seat in the upper balcony at the refurbished Curran Theater \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Audiences for \u003cem>Fun Home\u003c/em> also get to christen the refurbished Curran Theater. Owned by Carole Shorenstein Hays, one of the great local theater producers (\u003cem>Fences\u003c/em>), Shorensteing-Yas says she just spent two years and a “zillion dollars” (she won’t reveal the actual number) refurbishing the Curran, which is near Union Square. As she sat in her favorite seat way up in the balcony, I asked Hays why attending shows at the Curran means so much to her. “Being in the audience,” she said, “illuminates the mind and settles the soul. We’re suddenly together and understanding that we’re not alone. The audience for me is as sacred and as essential as the artists on stage, and when we’re all together, we really become our best.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zLQ1Bvm7SFo'\n title='//www.youtube.com/embed/zLQ1Bvm7SFo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jan. 21\u003c/strong>: \u003ca href=\"http://fatpossum.com/artists/american-wrestlers/\" target=\"_blank\" rel=\"noopener\">American Wrestlers\u003c/a> make music for dancing and thinking, not chokeholds. They’re a St. Louis band led by Scotsman Gary McClure and his wife Bridgette Imperial. They make terrific music with smart lyrics, and I love how tricky categories are in pop music these days. One article about the group described them as alt-rock, indie, power pop, lo-fi, and shoe-gaze. Take your pick, but see them at Bottom of the Hill. \u003ca href=\"http://www.bottomofthehill.com/calendar.html#sthash.UCt1GavV.dpbs\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>As the new administration prepares to move into the White House this week, \u003ca href=\"http://thehill.com/policy/finance/314991-trump-team-prepares-dramatic-cuts\" target=\"_blank\" rel=\"noopener\">The Hill \u003c/a>reported Thursday of the incoming administration’s plan to privatize the Corporation for Public Broadcasting (CPB), and cut funding completely to the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH).\u003c/p>\n\u003cp>The Hill’s coverage states that the Trump administration aims to trim overall federal spending by $10.5 trillion over 10 years. The plans are said to include the elimination of the national endowments, major reductions in funding for the departments of energy and commerce, as well as significant cuts to the departments of justice, transportation, and state.\u003c/p>\n\u003cp>Such cuts sync with the desires of the \u003ca href=\"http://www.heritage.org/about\" target=\"_blank\" rel=\"noopener\">Heritage Foundation\u003c/a>, a conservative think tank focused on promoting policies, according to its website, “based on the principles of free enterprise, limited government, individual freedom, traditional American values, and a strong national defense.” The foundation has pushed for the \u003ca href=\"http://www.heritage.org/research/reports/1992/01/making-public-television-public\" target=\"_blank\" rel=\"noopener\">privatization of the CPB\u003c/a> and for \u003ca href=\"http://www.heritage.org/research/reports/1997/04/bg1110-ten-good-reasons-to-eliminate-funding-for-the-nea\" target=\"_blank\" rel=\"noopener\">cutting national endowments\u003c/a> since the 1990s.\u003c/p>\n\u003cp>The Hill reports that two members of Trump’s transition team — Russ Vought, a former aide to Vice President-elect Mike Pence, and John Gray, a former staffer for Sen. Rand Paul (R-Ky.) and Rep. Paul Ryan (R-Wis.) — both previously worked at the Heritage Foundation.\u003c/p>\n\u003cp>The CPB, the largest source of funding for public radio, television, and related online and mobile services in the country, receives $445 million a year from the federal government, which constitutes just .001 percent of the total federal budget. \u003ca href=\"http://www.cpb.org/sites/default/files/CPB_Fact_Sheet.pdf?v3\" target=\"_blank\" rel=\"noopener\">According to the CPB\u003c/a>, 70 percent of its funds go to supporting local affiliate stations across the nation, and funding the entity costs taxpayers $1.35 each per year.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The NEA receives $148 million a year, or .0003 percent of the total federal budget. It funds a wide variety of artistic productions, exhibitions and programs, including many in the Bay Area: in the \u003ca href=\"https://ww2.kqed.org/arts/2015/12/08/nea-awards-27m-in-grants-for-2016-over-2m-for-bay-area-orgs/\" target=\"_blank\" rel=\"noopener\">most recent list of grants\u003c/a>, local groups such as the Berkeley Repertory Theatre, the Kala Institute and the Healdsburg Jazz Festival received awards of tens of thousands of dollars.\u003c/p>\n\u003cp>Conservatives have pushed to eliminate the NEA since the Reagan administration first \u003ca href=\"http://www.nytimes.com/1988/05/15/arts/book-discloses-that-reagan-planned-to-kill-national-endowment-for-arts.html\" target=\"_blank\" rel=\"noopener\">took office in 1981\u003c/a>. Later that decade, the NEA was at the center of a public policy fight led by Republican Sen. Jesse Helms, who attacked artists such as Robert Mapplethorpe and Andres Serrano who received federal funding to create controversial art works.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Cutting all of the programs listed in the Hill article would account for just .55 percent of the $10.5 trillion that Trump’s administration hopes to slash from the budget, according to \u003ca href=\"https://twitter.com/MichaelSLinden\" target=\"_blank\" rel=\"noopener\">Michael Linden\u003c/a>, policy and research director at the \u003ca href=\"http://thehubproject.org/\" target=\"_blank\" rel=\"noopener\">Hub Project\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As the new administration prepares to move into the White House this week, \u003ca href=\"http://thehill.com/policy/finance/314991-trump-team-prepares-dramatic-cuts\" target=\"_blank\" rel=\"noopener\">The Hill \u003c/a>reported Thursday of the incoming administration’s plan to privatize the Corporation for Public Broadcasting (CPB), and cut funding completely to the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH).\u003c/p>\n\u003cp>The Hill’s coverage states that the Trump administration aims to trim overall federal spending by $10.5 trillion over 10 years. The plans are said to include the elimination of the national endowments, major reductions in funding for the departments of energy and commerce, as well as significant cuts to the departments of justice, transportation, and state.\u003c/p>\n\u003cp>Such cuts sync with the desires of the \u003ca href=\"http://www.heritage.org/about\" target=\"_blank\" rel=\"noopener\">Heritage Foundation\u003c/a>, a conservative think tank focused on promoting policies, according to its website, “based on the principles of free enterprise, limited government, individual freedom, traditional American values, and a strong national defense.” The foundation has pushed for the \u003ca href=\"http://www.heritage.org/research/reports/1992/01/making-public-television-public\" target=\"_blank\" rel=\"noopener\">privatization of the CPB\u003c/a> and for \u003ca href=\"http://www.heritage.org/research/reports/1997/04/bg1110-ten-good-reasons-to-eliminate-funding-for-the-nea\" target=\"_blank\" rel=\"noopener\">cutting national endowments\u003c/a> since the 1990s.\u003c/p>\n\u003cp>The Hill reports that two members of Trump’s transition team — Russ Vought, a former aide to Vice President-elect Mike Pence, and John Gray, a former staffer for Sen. Rand Paul (R-Ky.) and Rep. Paul Ryan (R-Wis.) — both previously worked at the Heritage Foundation.\u003c/p>\n\u003cp>The CPB, the largest source of funding for public radio, television, and related online and mobile services in the country, receives $445 million a year from the federal government, which constitutes just .001 percent of the total federal budget. \u003ca href=\"http://www.cpb.org/sites/default/files/CPB_Fact_Sheet.pdf?v3\" target=\"_blank\" rel=\"noopener\">According to the CPB\u003c/a>, 70 percent of its funds go to supporting local affiliate stations across the nation, and funding the entity costs taxpayers $1.35 each per year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The NEA receives $148 million a year, or .0003 percent of the total federal budget. It funds a wide variety of artistic productions, exhibitions and programs, including many in the Bay Area: in the \u003ca href=\"https://ww2.kqed.org/arts/2015/12/08/nea-awards-27m-in-grants-for-2016-over-2m-for-bay-area-orgs/\" target=\"_blank\" rel=\"noopener\">most recent list of grants\u003c/a>, local groups such as the Berkeley Repertory Theatre, the Kala Institute and the Healdsburg Jazz Festival received awards of tens of thousands of dollars.\u003c/p>\n\u003cp>Conservatives have pushed to eliminate the NEA since the Reagan administration first \u003ca href=\"http://www.nytimes.com/1988/05/15/arts/book-discloses-that-reagan-planned-to-kill-national-endowment-for-arts.html\" target=\"_blank\" rel=\"noopener\">took office in 1981\u003c/a>. Later that decade, the NEA was at the center of a public policy fight led by Republican Sen. Jesse Helms, who attacked artists such as Robert Mapplethorpe and Andres Serrano who received federal funding to create controversial art works.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Cutting all of the programs listed in the Hill article would account for just .55 percent of the $10.5 trillion that Trump’s administration hopes to slash from the budget, according to \u003ca href=\"https://twitter.com/MichaelSLinden\" target=\"_blank\" rel=\"noopener\">Michael Linden\u003c/a>, policy and research director at the \u003ca href=\"http://thehubproject.org/\" target=\"_blank\" rel=\"noopener\">Hub Project\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "On Inauguration Day, a Dance Performance Steeped in Significance",
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"content": "\u003cp>It’s pure coincidence that dozens of Bay Area dance artists will converge at a site of great spiritual significance on the day of the presidential inauguration. But it feels as if this year’s \u003ca href=\"http://www.brownpapertickets.com/event/2709268\" target=\"_blank\" rel=\"noopener\">San Francisco Movement Arts Festival\u003c/a>, taking place at Grace Cathedral on the evening of Friday, Jan. 20, has been created especially for the occasion.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" class=\"alignright size-full wp-image-12667846\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>This year’s festival already premiered with a separate performance on Friday, Jan. 13, at the Cathedral of St. Mary of the Assumption. And while Grace Cathedral has no direct involvement in producing the festival, the building’s long tradition of supporting art and social justice means that this second outing, on Inauguration Day, will likely be steeped in significance.\u003c/p>\n\u003cfigure id=\"attachment_12623972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12623972\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-800x533.jpeg\" alt=\"Palanza Dance Company in the Station of the Women Against War in the 2016 San Francisco Movement Arts Festival at Grace Cathedral (Photo: Pak Han)\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-1920x1279.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-1180x786.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-960x640.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-240x160.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-375x250.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-520x346.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Palanza Dance Company in the ‘Station of the Women Against War’ at the 2016 San Francisco Movement Arts Festival at Grace Cathedral. (Photo: Pak Han)\u003c/figcaption>\u003c/figure>\n\u003cp>The cathedral is no stranger to \u003ca href=\"https://www.youtube.com/watch?v=so8kSH8IwIA\" target=\"_blank\" rel=\"noopener\">social justice movements\u003c/a> and \u003ca href=\"http://archive.episcopalchurch.org/3577_80370_ENG_HTM.htm\" target=\"_blank\" rel=\"noopener\">political protest\u003c/a>. Over the decades, it has led the Episcopal church in awareness of and response to San Francisco’s \u003ca href=\"http://www.sfgate.com/news/article/Bishop-William-Swing-wants-a-U-N-for-religions-2452180.php\" target=\"_blank\" rel=\"noopener\">homeless crisis\u003c/a>, the \u003ca href=\"http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199362202.001.0001/acprof-9780199362202\" target=\"_blank\" rel=\"noopener\">AIDS crisis\u003c/a> of the 1980s and ’90s, and \u003ca href=\"http://press.princeton.edu/titles/8413.html\" target=\"_blank\" rel=\"noopener\">LGBT issues\u003c/a>. After last November’s contentious presidential election season, the cathedral held a \u003ca href=\"http://www.sfexaminer.com/what-do-we-do-now/\" target=\"_blank\" rel=\"noopener\">prayer service\u003c/a> for healing and unity. “People are in pain today,” said the Rev. Dr. Malcolm Clemens Young, dean of the cathedral, at that service. “If you haven’t heard from people who felt it, then you need to talk to more people.”\u003c/p>\n\u003cp>Under Grace’s majestic vaulted ceilings, several groups of dancers will rotate at each of 12 “stations of movement” scattered throughout the cathedral. The audience is free to roam around the space taking in the different performances against a varied backdrop of visual art, video, spoken word poetry and music.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"SFMAF Highlights as Montage 2nd20 Productions Jan 9, 2016\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/7PzBP4cqG2w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>At least two pieces in the festival lineup deal with loss. One is Jetta Martin’s tribute to a fallen friend named Eli — choreographed for herself, her sister Coral Martin, and fellow dancer LizAnne Roman Roberts. “Eli was only 30, which is close to the age of all of the performers,” said Martin. “So his passing affected us in a way that forced us to reflect on our own mortality, how quickly what seems stable can lose its ballast or extinguish entirely.”\u003c/p>\n\u003cp>Julie-Ann Gambino’s piece, an excerpt from the choreographer’s work \u003cem>Mother Mary\u003c/em> which premiered last year at SAFEhouse Arts in San Francisco, also wrestles with loss. The work portrays the impact on a family after a debilitating accident puts the mother in a coma.\u003c/p>\n\u003cfigure id=\"attachment_12623971\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12623971\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-800x448.jpeg\" alt=\"Carla S. Dancer in Station of the Carrying Burden in the 2016 San Francisco Movement Arts Festival at Grace Cathedral (Photo: 2nd 20 Productions)\" width=\"800\" height=\"448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-800x448.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-768x430.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-1020x571.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-960x537.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-240x134.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-375x210.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-520x291.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns.jpeg 1119w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carla S. Dancer in ‘Station of the Carrying Burden’ at the 2016 San Francisco Movement Arts Festival at Grace Cathedral. (Photo: 2nd 20 Productions)\u003c/figcaption>\u003c/figure>\n\u003cp>There are many other thought-provoking works in the mix. Marika Brussel has her dancers wind along the cathedral’s inner labyrinth, continuously melting and unwinding from the ground as if tracing the tortured paths of the homeless. Costume designer Susan Roemer made the costumes for the work in hues that meld with the cathedral’s grey flagstone floor. The observer, at first, cannot tell dancer from environment, reflecting the “invisibility” of the homeless around San Francisco.\u003c/p>\n\u003cp>Meanwhile, AXIS Dance Company, the pioneering Oakland-based dance organization that unites traditionally able-bodied dancers and those with physical challenges, presents excerpts from Sonya Delwaide’s duet for two women, \u003cem>Dix Minutes Plus Tard (Ten Minutes Later)\u003c/em>, and Marc Brew’s trio \u003cem>Divide\u003c/em>.\u003c/p>\n\u003cp>Featuring visual artist Carl Andre’s striking minimalist designs against the sparest of soundscapes, \u003cem>Divide\u003c/em> explores how people negotiate and interact across fissures (in relationships, in the community). \u003cem>Dix Minutes Plus Tard\u003c/em> addresses the intimate connection between two people, one of whom is missing part of an arm. The piece cloaks intricate partnering in the pensive music of Franz Schubert.\u003c/p>\n\u003cfigure id=\"attachment_12623969\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-1020x816.jpg\" alt=\"Calvin Thomas and Alexandra Fitzgibbon in Marika Brussel's work for the 2017 San Francisco Movement Arts Festival at Grace Cathedral.\" width=\"640\" height=\"512\" class=\"size-large wp-image-12623969\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-1020x816.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-800x640.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-768x614.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-1920x1536.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-1180x944.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-960x768.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-240x192.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-375x300.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-520x416.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried.jpg 2048w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Calvin Thomas and Alexandra Fitzgibbon in Marika Brussel’s work for the 2017 San Francisco Movement Arts Festival at Grace Cathedral. \u003ccite>(Photo: Lynne Fried)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Rev. William E. Swing, retired Bishop of California, spoke in a \u003ca href=\"https://www.gracecathedral.org/sermons/\" target=\"_blank\" rel=\"noopener\">Christmas Day sermon\u003c/a> at Grace Cathedral about “living in a ‘post-truth’ time,” in which “words don’t matter.”\u003c/p>\n\u003cp>Yet it will be hard to ignore the messages delivered wordlessly by San Francisco’s dance artists — especially when they congregate en masse in such splendid surroundings to engage in highly personal rituals of joy, trust, anguish, and rebellion in a bastion of centuries-old, ordained ritual.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The San Francisco Movement Arts Festival takes place on Friday, Jan. 20, at Grace Cathedral. Information \u003ca href=\"http://www.sfmaf.org\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s pure coincidence that dozens of Bay Area dance artists will converge at a site of great spiritual significance on the day of the presidential inauguration. But it feels as if this year’s \u003ca href=\"http://www.brownpapertickets.com/event/2709268\" target=\"_blank\" rel=\"noopener\">San Francisco Movement Arts Festival\u003c/a>, taking place at Grace Cathedral on the evening of Friday, Jan. 20, has been created especially for the occasion.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" class=\"alignright size-full wp-image-12667846\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>This year’s festival already premiered with a separate performance on Friday, Jan. 13, at the Cathedral of St. Mary of the Assumption. And while Grace Cathedral has no direct involvement in producing the festival, the building’s long tradition of supporting art and social justice means that this second outing, on Inauguration Day, will likely be steeped in significance.\u003c/p>\n\u003cfigure id=\"attachment_12623972\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12623972\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-800x533.jpeg\" alt=\"Palanza Dance Company in the Station of the Women Against War in the 2016 San Francisco Movement Arts Festival at Grace Cathedral (Photo: Pak Han)\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-1920x1279.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-1180x786.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-960x640.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-240x160.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-375x250.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han-520x346.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Women-Against-War-Palanza-Dance-Co-Photo-Pak-Han.jpeg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Palanza Dance Company in the ‘Station of the Women Against War’ at the 2016 San Francisco Movement Arts Festival at Grace Cathedral. (Photo: Pak Han)\u003c/figcaption>\u003c/figure>\n\u003cp>The cathedral is no stranger to \u003ca href=\"https://www.youtube.com/watch?v=so8kSH8IwIA\" target=\"_blank\" rel=\"noopener\">social justice movements\u003c/a> and \u003ca href=\"http://archive.episcopalchurch.org/3577_80370_ENG_HTM.htm\" target=\"_blank\" rel=\"noopener\">political protest\u003c/a>. Over the decades, it has led the Episcopal church in awareness of and response to San Francisco’s \u003ca href=\"http://www.sfgate.com/news/article/Bishop-William-Swing-wants-a-U-N-for-religions-2452180.php\" target=\"_blank\" rel=\"noopener\">homeless crisis\u003c/a>, the \u003ca href=\"http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199362202.001.0001/acprof-9780199362202\" target=\"_blank\" rel=\"noopener\">AIDS crisis\u003c/a> of the 1980s and ’90s, and \u003ca href=\"http://press.princeton.edu/titles/8413.html\" target=\"_blank\" rel=\"noopener\">LGBT issues\u003c/a>. After last November’s contentious presidential election season, the cathedral held a \u003ca href=\"http://www.sfexaminer.com/what-do-we-do-now/\" target=\"_blank\" rel=\"noopener\">prayer service\u003c/a> for healing and unity. “People are in pain today,” said the Rev. Dr. Malcolm Clemens Young, dean of the cathedral, at that service. “If you haven’t heard from people who felt it, then you need to talk to more people.”\u003c/p>\n\u003cp>Under Grace’s majestic vaulted ceilings, several groups of dancers will rotate at each of 12 “stations of movement” scattered throughout the cathedral. The audience is free to roam around the space taking in the different performances against a varied backdrop of visual art, video, spoken word poetry and music.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"SFMAF Highlights as Montage 2nd20 Productions Jan 9, 2016\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/7PzBP4cqG2w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>At least two pieces in the festival lineup deal with loss. One is Jetta Martin’s tribute to a fallen friend named Eli — choreographed for herself, her sister Coral Martin, and fellow dancer LizAnne Roman Roberts. “Eli was only 30, which is close to the age of all of the performers,” said Martin. “So his passing affected us in a way that forced us to reflect on our own mortality, how quickly what seems stable can lose its ballast or extinguish entirely.”\u003c/p>\n\u003cp>Julie-Ann Gambino’s piece, an excerpt from the choreographer’s work \u003cem>Mother Mary\u003c/em> which premiered last year at SAFEhouse Arts in San Francisco, also wrestles with loss. The work portrays the impact on a family after a debilitating accident puts the mother in a coma.\u003c/p>\n\u003cfigure id=\"attachment_12623971\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12623971\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-800x448.jpeg\" alt=\"Carla S. Dancer in Station of the Carrying Burden in the 2016 San Francisco Movement Arts Festival at Grace Cathedral (Photo: 2nd 20 Productions)\" width=\"800\" height=\"448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-800x448.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-768x430.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-1020x571.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-960x537.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-240x134.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-375x210.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns-520x291.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Station-of-the-Carrying-Burden-Carla-S.-Dancer-Photo-2nd-20-Prodns.jpeg 1119w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carla S. Dancer in ‘Station of the Carrying Burden’ at the 2016 San Francisco Movement Arts Festival at Grace Cathedral. (Photo: 2nd 20 Productions)\u003c/figcaption>\u003c/figure>\n\u003cp>There are many other thought-provoking works in the mix. Marika Brussel has her dancers wind along the cathedral’s inner labyrinth, continuously melting and unwinding from the ground as if tracing the tortured paths of the homeless. Costume designer Susan Roemer made the costumes for the work in hues that meld with the cathedral’s grey flagstone floor. The observer, at first, cannot tell dancer from environment, reflecting the “invisibility” of the homeless around San Francisco.\u003c/p>\n\u003cp>Meanwhile, AXIS Dance Company, the pioneering Oakland-based dance organization that unites traditionally able-bodied dancers and those with physical challenges, presents excerpts from Sonya Delwaide’s duet for two women, \u003cem>Dix Minutes Plus Tard (Ten Minutes Later)\u003c/em>, and Marc Brew’s trio \u003cem>Divide\u003c/em>.\u003c/p>\n\u003cp>Featuring visual artist Carl Andre’s striking minimalist designs against the sparest of soundscapes, \u003cem>Divide\u003c/em> explores how people negotiate and interact across fissures (in relationships, in the community). \u003cem>Dix Minutes Plus Tard\u003c/em> addresses the intimate connection between two people, one of whom is missing part of an arm. The piece cloaks intricate partnering in the pensive music of Franz Schubert.\u003c/p>\n\u003cfigure id=\"attachment_12623969\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-1020x816.jpg\" alt=\"Calvin Thomas and Alexandra Fitzgibbon in Marika Brussel's work for the 2017 San Francisco Movement Arts Festival at Grace Cathedral.\" width=\"640\" height=\"512\" class=\"size-large wp-image-12623969\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-1020x816.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-800x640.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-768x614.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-1920x1536.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-1180x944.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-960x768.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-240x192.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-375x300.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried-520x416.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Calvin-Thomas-and-Alexandra-FitzGibbon-in-Marika-Brussel-Photo-Lynne-Fried.jpg 2048w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Calvin Thomas and Alexandra Fitzgibbon in Marika Brussel’s work for the 2017 San Francisco Movement Arts Festival at Grace Cathedral. \u003ccite>(Photo: Lynne Fried)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Rev. William E. Swing, retired Bishop of California, spoke in a \u003ca href=\"https://www.gracecathedral.org/sermons/\" target=\"_blank\" rel=\"noopener\">Christmas Day sermon\u003c/a> at Grace Cathedral about “living in a ‘post-truth’ time,” in which “words don’t matter.”\u003c/p>\n\u003cp>Yet it will be hard to ignore the messages delivered wordlessly by San Francisco’s dance artists — especially when they congregate en masse in such splendid surroundings to engage in highly personal rituals of joy, trust, anguish, and rebellion in a bastion of centuries-old, ordained ritual.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The San Francisco Movement Arts Festival takes place on Friday, Jan. 20, at Grace Cathedral. Information \u003ca href=\"http://www.sfmaf.org\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "trump-election-spurs-sales-of-books-about-white-working-class-and-totalitarianism",
"title": "Trump Election Spurs Sales of Books About White Working Class and Totalitarianism",
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"headTitle": "Trump Election Spurs Sales of Books About White Working Class and Totalitarianism | KQED",
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"content": "\u003cp>Thanks to the election of Donald Trump, Dog Eared Books in San Francisco has a whole new section. It’s right up front and filled with books about social justice.\u003c/p>\n\u003cp>Dan Weiss, head buyer of new books for the store, created the section the day after the election. It has books about rural white America, like Arlie Russell Hochschild’s “Strangers in Their Own Land,” and ones about activism, like Angela Davis’ “Freedom Is a Constant Struggle.” Other bookstores, like City Lights and Alley Cat, have created similar areas and have similar books.\u003c/p>\n\u003cp>“It’s not a selfless gesture,” Weiss said. “We’re making money on it as a store. I don’t want to make us sound like heroes, because we’re not. But it feels good to make this information more available.”\u003c/p>\n\u003cfigure id=\"attachment_11275499\" class=\"wp-caption aligncenter\" style=\"max-width: 498px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11275499\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/01/IMG_1073-800x600.jpg\" alt=\"Store manager Ryan Smith (left) and Dan Weiss (right) in front of the book section Weiss created in response to Donald Trump's election.\" width=\"498\" height=\"374\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-520x390.jpg 520w\" sizes=\"(max-width: 498px) 100vw, 498px\">\u003cfigcaption class=\"wp-caption-text\">Ryan Smith (left) and Dan Weiss (right) of Dog Eared Books in front of the book section Weiss created in response to Donald Trump’s election. \u003ccite>(Sam Harnett/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Weiss said he also wanted to feature books that give some political and social insights into what is happening in America. People told him again and again about one particular book, “The Origins of Totalitarianism,” by Hannah Arendt. He ordered it, and the book immediately sold. Copies have been flying off the shelves ever since.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/303344352″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>\u003cstrong>Surging Sales\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other books have seen a spike in sales after Trump’s election. Titles about the white working class and rural America have done particularly well — books like “White Trash” by Nancy Isenberg and “Hillbilly Elegy” by J.D. Vance. “Hillbilly Elegy” started selling three times as fast after the election, according to the book’s publisher. As of Jan. 18, it was once again on top of the New York Times hardcover \u003ca href=\"http://www.nytimes.com/books/best-sellers/hardcover-nonfiction/?_r=0\" target=\"_blank\" rel=\"noopener\">nonfiction best-seller list\u003c/a>.\u003c/p>\n\u003cp>But these books are new and intended for a popular audience. They were already selling well before the election. “The Origins of Totalitarianism,” not so much. Weiss said Dog Eared Books usually sold just a few copies a year and often bought the book on publisher overstock or remainder.\u003c/p>\n\u003cp>“The Origins of Totalitarianism” is a dense tome of political theory published in 1951. In over 500 pages, author Arendt details the elements in society that led to the rise of Stalinism and Nazism. The book is not typically a hot commodity. But by mid-December, many Bay Area bookstores were sold out. Even Amazon briefly ran out of stock.\u003c/p>\n\u003cp>Jim Milliot, editorial director of the trade magazine Publishers Weekly, said demand for Arendt’s book started to rise right after Trump’s election.\u003c/p>\n\u003cp>Milliot said about 50 copies of “The Origins of Totalitarianism” normally sell nationally each week, according to data from Nielsen BookScan. When sales of the book peaked in December, it was selling at 16 times that rate.\u003c/p>\n\u003cp>Milliot said these are very good numbers for a decades-old book of political theory. He added that the surge in demand was not some holiday bump — December 2015 saw no surge in sales. Milliot said this isn’t the kind of book someone would normally give as a Christmas present.\u003c/p>\n\u003cp>\u003cstrong>Shocked and Heartened\u003c/strong>\u003c/p>\n\u003cp>Roger Berkowitz, founder of the \u003ca href=\"http://hac.bard.edu/\" target=\"_blank\" rel=\"noopener\">Hannah Arendt Center at Bard College\u003c/a>, is both shocked and heartened by the sales numbers.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘The amount of interest in [this book] is sort of shocking.’ \u003ccite>Roger Berkowitz, head of Hannah Arendt Center\u003c/cite>\u003c/aside>\n\u003cp>Berkowitz said he’s never seen so much interest in Arendt’s work. There have been articles about her writings in the \u003ca href=\"https://www.nytimes.com/2016/12/21/opinion/books-for-the-trump-era.html\" target=\"_blank\" rel=\"noopener\">New York Times\u003c/a>, \u003ca href=\"https://www.washingtonpost.com/news/monkey-cage/wp/2016/12/17/how-hannah-arendts-classic-work/?utm_term=.a2b70f22b8d3\" target=\"_blank\" rel=\"noopener\">the Washington Post\u003c/a>, \u003ca href=\"http://www.nybooks.com/daily/2016/11/27/trump-realism-vs-moral-politics-choice-we-face/\" target=\"_blank\" rel=\"noopener\">New York Review of Books\u003c/a> and a host of other publications. Berkowitz is starting \u003ca href=\"http://hac.bard.edu/membership/vrg/\" target=\"_blank\" rel=\"noopener\">a virtual reading group\u003c/a> open to the public on Friday to tackle “The Origins of Totalitarianism,” and people are signing up at an unprecedented rate.\u003c/p>\n\u003cp>Berkowitz says it makes sense that people are turning to Arendt now, because the right-wing populism and dissatisfaction with government sweeping through Europe and the U.S. is reminiscent of what happened in the 1920s and ’30s in Nazi Germany and Communist Russia.\u003c/p>\n\u003cp>Arendt identified three major social problems back then, which Berkowitz said are still relevant today: rootlessness, loneliness and homelessness — not lacking a physical house, but the larger sense of being disconnected from a place where you feel at home. Berkowitz said these modern ills are all slightly different, but “their overarching impact is the same, which is that we live in a world in which people don’t feel as if their lives have purposes or meaning.”\u003c/p>\n\u003cp>Arendt wrote about how these conditions open the door for totalitarianism, a political system in which the state has complete power and establishes a single ideology that people follow en masse. Arendt investigated how, once that kind of mass movement begins, individuals no longer accept rational arguments that contradict their ideology. She wrote that they will sacrifice even their own well-being to preserve a movement that has become the central thing that gives their lives meaning.\u003c/p>\n\u003cp>\u003cstrong>The Burden of Our Times\u003c/strong>\u003c/p>\n\u003cp>Trump started a movement with some unsettling characteristics, Berkowitz said — like how the campaign handled facts — but that Trump is no totalitarian. He said we should not exaggerate the comparison between now and the 1920s and 1930s.\u003c/p>\n\u003cp>“Arendt would be the first that point out that we are not living in a totalitarian era right now,” Berkowitz said, but “that doesn’t mean that one can’t emerge.”\u003c/p>\n\u003cp>Berkowitz said some of the interest in this book today undoubtedly, and perhaps unfortunately, comes from the title, “The Origins of Totalitarianism,” which may seem to promise answers to readers.\u003c/p>\n\u003cp>Berkowitz said Hannah Arendt actually did not like the title, which came from the publisher. She didn’t think you could pinpoint the origins of totalitarianism because of the messy complexity of the world.\u003c/p>\n\u003cp>Berkowitz said the book gives readers the analytical tools to see the elements in society that increase the potential for totalitarianism, like loneliness and the isolation or “atomization” of individuals. Arendt originally wanted to call the book “The Burden of Our Times.”\u003c/p>\n\u003cp>\u003cstrong>Difficult Books for Difficult Times\u003c/strong>\u003c/p>\n\u003cp>At Dog Eared Books, Dan Weiss said readers are feeling uncertainty about the future, and they’re searching for a way to understand it. That’s one reason they’re buying challenging books.\u003c/p>\n\u003cp>“People are feeling more commitment, I think, to read things that are difficult right now than they would have before,” Weiss said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But some customers are coming in because they want to steer clear of the real world altogether. Since the election, Weiss said, the store has sold quite a few science fiction novels.\u003c/p>\n\n",
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"title": "Trump Election Spurs Sales of Books About White Working Class and Totalitarianism | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Thanks to the election of Donald Trump, Dog Eared Books in San Francisco has a whole new section. It’s right up front and filled with books about social justice.\u003c/p>\n\u003cp>Dan Weiss, head buyer of new books for the store, created the section the day after the election. It has books about rural white America, like Arlie Russell Hochschild’s “Strangers in Their Own Land,” and ones about activism, like Angela Davis’ “Freedom Is a Constant Struggle.” Other bookstores, like City Lights and Alley Cat, have created similar areas and have similar books.\u003c/p>\n\u003cp>“It’s not a selfless gesture,” Weiss said. “We’re making money on it as a store. I don’t want to make us sound like heroes, because we’re not. But it feels good to make this information more available.”\u003c/p>\n\u003cfigure id=\"attachment_11275499\" class=\"wp-caption aligncenter\" style=\"max-width: 498px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11275499\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/01/IMG_1073-800x600.jpg\" alt=\"Store manager Ryan Smith (left) and Dan Weiss (right) in front of the book section Weiss created in response to Donald Trump's election.\" width=\"498\" height=\"374\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/IMG_1073-520x390.jpg 520w\" sizes=\"(max-width: 498px) 100vw, 498px\">\u003cfigcaption class=\"wp-caption-text\">Ryan Smith (left) and Dan Weiss (right) of Dog Eared Books in front of the book section Weiss created in response to Donald Trump’s election. \u003ccite>(Sam Harnett/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Weiss said he also wanted to feature books that give some political and social insights into what is happening in America. People told him again and again about one particular book, “The Origins of Totalitarianism,” by Hannah Arendt. He ordered it, and the book immediately sold. Copies have been flying off the shelves ever since.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/303344352″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/303344352″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Surging Sales\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other books have seen a spike in sales after Trump’s election. Titles about the white working class and rural America have done particularly well — books like “White Trash” by Nancy Isenberg and “Hillbilly Elegy” by J.D. Vance. “Hillbilly Elegy” started selling three times as fast after the election, according to the book’s publisher. As of Jan. 18, it was once again on top of the New York Times hardcover \u003ca href=\"http://www.nytimes.com/books/best-sellers/hardcover-nonfiction/?_r=0\" target=\"_blank\" rel=\"noopener\">nonfiction best-seller list\u003c/a>.\u003c/p>\n\u003cp>But these books are new and intended for a popular audience. They were already selling well before the election. “The Origins of Totalitarianism,” not so much. Weiss said Dog Eared Books usually sold just a few copies a year and often bought the book on publisher overstock or remainder.\u003c/p>\n\u003cp>“The Origins of Totalitarianism” is a dense tome of political theory published in 1951. In over 500 pages, author Arendt details the elements in society that led to the rise of Stalinism and Nazism. The book is not typically a hot commodity. But by mid-December, many Bay Area bookstores were sold out. Even Amazon briefly ran out of stock.\u003c/p>\n\u003cp>Jim Milliot, editorial director of the trade magazine Publishers Weekly, said demand for Arendt’s book started to rise right after Trump’s election.\u003c/p>\n\u003cp>Milliot said about 50 copies of “The Origins of Totalitarianism” normally sell nationally each week, according to data from Nielsen BookScan. When sales of the book peaked in December, it was selling at 16 times that rate.\u003c/p>\n\u003cp>Milliot said these are very good numbers for a decades-old book of political theory. He added that the surge in demand was not some holiday bump — December 2015 saw no surge in sales. Milliot said this isn’t the kind of book someone would normally give as a Christmas present.\u003c/p>\n\u003cp>\u003cstrong>Shocked and Heartened\u003c/strong>\u003c/p>\n\u003cp>Roger Berkowitz, founder of the \u003ca href=\"http://hac.bard.edu/\" target=\"_blank\" rel=\"noopener\">Hannah Arendt Center at Bard College\u003c/a>, is both shocked and heartened by the sales numbers.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘The amount of interest in [this book] is sort of shocking.’ \u003ccite>Roger Berkowitz, head of Hannah Arendt Center\u003c/cite>\u003c/aside>\n\u003cp>Berkowitz said he’s never seen so much interest in Arendt’s work. There have been articles about her writings in the \u003ca href=\"https://www.nytimes.com/2016/12/21/opinion/books-for-the-trump-era.html\" target=\"_blank\" rel=\"noopener\">New York Times\u003c/a>, \u003ca href=\"https://www.washingtonpost.com/news/monkey-cage/wp/2016/12/17/how-hannah-arendts-classic-work/?utm_term=.a2b70f22b8d3\" target=\"_blank\" rel=\"noopener\">the Washington Post\u003c/a>, \u003ca href=\"http://www.nybooks.com/daily/2016/11/27/trump-realism-vs-moral-politics-choice-we-face/\" target=\"_blank\" rel=\"noopener\">New York Review of Books\u003c/a> and a host of other publications. Berkowitz is starting \u003ca href=\"http://hac.bard.edu/membership/vrg/\" target=\"_blank\" rel=\"noopener\">a virtual reading group\u003c/a> open to the public on Friday to tackle “The Origins of Totalitarianism,” and people are signing up at an unprecedented rate.\u003c/p>\n\u003cp>Berkowitz says it makes sense that people are turning to Arendt now, because the right-wing populism and dissatisfaction with government sweeping through Europe and the U.S. is reminiscent of what happened in the 1920s and ’30s in Nazi Germany and Communist Russia.\u003c/p>\n\u003cp>Arendt identified three major social problems back then, which Berkowitz said are still relevant today: rootlessness, loneliness and homelessness — not lacking a physical house, but the larger sense of being disconnected from a place where you feel at home. Berkowitz said these modern ills are all slightly different, but “their overarching impact is the same, which is that we live in a world in which people don’t feel as if their lives have purposes or meaning.”\u003c/p>\n\u003cp>Arendt wrote about how these conditions open the door for totalitarianism, a political system in which the state has complete power and establishes a single ideology that people follow en masse. Arendt investigated how, once that kind of mass movement begins, individuals no longer accept rational arguments that contradict their ideology. She wrote that they will sacrifice even their own well-being to preserve a movement that has become the central thing that gives their lives meaning.\u003c/p>\n\u003cp>\u003cstrong>The Burden of Our Times\u003c/strong>\u003c/p>\n\u003cp>Trump started a movement with some unsettling characteristics, Berkowitz said — like how the campaign handled facts — but that Trump is no totalitarian. He said we should not exaggerate the comparison between now and the 1920s and 1930s.\u003c/p>\n\u003cp>“Arendt would be the first that point out that we are not living in a totalitarian era right now,” Berkowitz said, but “that doesn’t mean that one can’t emerge.”\u003c/p>\n\u003cp>Berkowitz said some of the interest in this book today undoubtedly, and perhaps unfortunately, comes from the title, “The Origins of Totalitarianism,” which may seem to promise answers to readers.\u003c/p>\n\u003cp>Berkowitz said Hannah Arendt actually did not like the title, which came from the publisher. She didn’t think you could pinpoint the origins of totalitarianism because of the messy complexity of the world.\u003c/p>\n\u003cp>Berkowitz said the book gives readers the analytical tools to see the elements in society that increase the potential for totalitarianism, like loneliness and the isolation or “atomization” of individuals. Arendt originally wanted to call the book “The Burden of Our Times.”\u003c/p>\n\u003cp>\u003cstrong>Difficult Books for Difficult Times\u003c/strong>\u003c/p>\n\u003cp>At Dog Eared Books, Dan Weiss said readers are feeling uncertainty about the future, and they’re searching for a way to understand it. That’s one reason they’re buying challenging books.\u003c/p>\n\u003cp>“People are feeling more commitment, I think, to read things that are difficult right now than they would have before,” Weiss said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But some customers are coming in because they want to steer clear of the real world altogether. Since the election, Weiss said, the store has sold quite a few science fiction novels.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The \u003ca href=\"https://www.facebook.com/Merced-County-Sheriff-Posse-221349218281746/\" target=\"_blank\" rel=\"noopener\">Merced County Sheriff’s Posse\u003c/a> has been riding since the 1940s. The group appears in parades around California, and this week members are heading to Washington, D.C. — with 14 horses in tow — for their third \u003ca href=\"http://www.inaugural.senate.gov/days-events/inaugural-parade\" target=\"_blank\" rel=\"noopener\">inauguration day parade\u003c/a>.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/302609642″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>Since the election of Donald Trump, \u003ca href=\"https://ww2.kqed.org/news/2017/01/17/california-gears-up-for-resistance-as-trump-era-begins/\" target=\"_blank\" rel=\"noopener\">California has emerged as a leader in the movement to challenge the incoming administration\u003c/a> on issues like climate change and immigration, and there are a lot of protests planned both here and in D.C. on inauguration day. But for the posse, the chance to be part of this historic tradition transcends politics.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I’m the only gunslinger… But what are we gonna be called the, uh, almond tree growers posse? Gotta be sheriff’s posse.’\u003ccite>Sheriff Vern Warnke\u003c/cite>\u003c/aside>\n\u003cp>At a fundraiser for the trip last week, Merced County Sheriff Vern Warnke took the stage in a white Stetson and gleaming belt buckle. \u003c/p>\n\u003cp>“We’re gonna represent not only Merced County, but the Central Valley and not only the Central Valley but the State of California in Washington, D.C., when we go march in front of our newly elected president,” he told the crowd. “Folks, your support to help us get there has been overwhelming. Sometimes, literally, I want to cry.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>They need all the support they can get, because Warnke says it’s costing them $25,000 just to transport the horses across the country. They’ll be riding in luxury climate-controlled trailers, he says, with handlers and individual pens.\u003c/p>\n\u003cfigure id=\"attachment_11275790\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11275790 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-800x600.jpg\" alt=\"Sheriff Warnke on stage \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Merced County Sheriff Vern Warnke addresses the crowd at a fundraiser for the posse’s trip to DC. \u003ccite>(Vanessa Rancano/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Warnke admits ‘sheriff’s posse’ is kind of a misnomer for the group. “I’m the only gunslinger,” he says. They’re mostly farmers and ranchers. But Warnke says it sounds cooler this way. “What are we gonna be called the, uh, almond tree growers posse? Gotta be sheriff’s posse.”\u003c/p>\n\u003cp>Some 20 posse members are heading east, Warnke says, and 14 of them will ride Palominos in the inaugural parade wearing dazzling outfits. \u003c/p>\n\u003cp>“The uniforms are actually jeweled with rubies, emeralds and rhinestones,” Warnke says. “This isn’t one of those that you went and bought at K-Mart.” The horses will be decked out, too, in intricate silver-embellished saddles. Posse members will carry American flags and wave as they ride by the new president.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7J6yX6H6bBY\u003c/p>\n\u003cp>For supporters at the benefit, though, the inaugural ride is more than pomp. Peter and Katherine Stavrianoudakis aren’t Trump fans, but they’re posse supporters.\u003c/p>\n\u003cp>“Often our voices aren’t heard,” Katherine says of Central Valley residents. “There are times that people forget about us because we’re lower educated, we have a high crime rate. There’s a lot of problems in the Valley, but there’s a lot to be proud of, and that’s what the posse is — we’re being recognized at a national level.” \u003c/p>\n\u003cp>Her husband Peter chimes in to say he went to high school with Sheriff Warnke and that everybody knows everybody here. “That little hometown feel will be in D.C.,” he says. “That’s kind of special.”\u003c/p>\n\u003cp>Not all Merced residents see it that way. Outside the fundraiser a few anti-Trump protesters braved the rain, \u003ca href=\"http://www.mercedsunstar.com/news/politics-government/article125455954.html\" target=\"_blank\" rel=\"noopener\">trying to ensure that no public funds\u003c/a> will be used for the trip.\u003c/p>\n\u003cp>In the end, Sheriff Warnke says, the group \u003ca href=\"http://www.mercedsunstar.com/news/article125779489.html\">raised over $60,000 in donations\u003c/a>, enough to cover the trip. The posse had decided they’d try to ride in the inauguration parade no matter who won the election. \u003c/p>\n\u003cp>“Whether you care about the man or not, bottom line is the president is the leader of the greatest nation on Earth,” Warnke says. “We’re going to represent every citizen in our communities and we’ll be doing so with our heads held high.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Follow the group’s D.C. doings on\u003ca href=\"https://www.facebook.com/Merced-County-Sheriff-Posse-221349218281746/\" target=\"_blank\" rel=\"noopener\"> the posse Facebook page\u003c/a>.\u003c/p>\n\n",
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"excerpt": "While others protest, posse members will be strutting their stuff before the new president in bejeweled outfits. They say they're keeping politics out of it. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://www.facebook.com/Merced-County-Sheriff-Posse-221349218281746/\" target=\"_blank\" rel=\"noopener\">Merced County Sheriff’s Posse\u003c/a> has been riding since the 1940s. The group appears in parades around California, and this week members are heading to Washington, D.C. — with 14 horses in tow — for their third \u003ca href=\"http://www.inaugural.senate.gov/days-events/inaugural-parade\" target=\"_blank\" rel=\"noopener\">inauguration day parade\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/302609642″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/302609642″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Since the election of Donald Trump, \u003ca href=\"https://ww2.kqed.org/news/2017/01/17/california-gears-up-for-resistance-as-trump-era-begins/\" target=\"_blank\" rel=\"noopener\">California has emerged as a leader in the movement to challenge the incoming administration\u003c/a> on issues like climate change and immigration, and there are a lot of protests planned both here and in D.C. on inauguration day. But for the posse, the chance to be part of this historic tradition transcends politics.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I’m the only gunslinger… But what are we gonna be called the, uh, almond tree growers posse? Gotta be sheriff’s posse.’\u003ccite>Sheriff Vern Warnke\u003c/cite>\u003c/aside>\n\u003cp>At a fundraiser for the trip last week, Merced County Sheriff Vern Warnke took the stage in a white Stetson and gleaming belt buckle. \u003c/p>\n\u003cp>“We’re gonna represent not only Merced County, but the Central Valley and not only the Central Valley but the State of California in Washington, D.C., when we go march in front of our newly elected president,” he told the crowd. “Folks, your support to help us get there has been overwhelming. Sometimes, literally, I want to cry.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>They need all the support they can get, because Warnke says it’s costing them $25,000 just to transport the horses across the country. They’ll be riding in luxury climate-controlled trailers, he says, with handlers and individual pens.\u003c/p>\n\u003cfigure id=\"attachment_11275790\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11275790 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-800x600.jpg\" alt=\"Sheriff Warnke on stage \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/01/RS23663_Sheriff-Warnke-on-stage-1-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Merced County Sheriff Vern Warnke addresses the crowd at a fundraiser for the posse’s trip to DC. \u003ccite>(Vanessa Rancano/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Warnke admits ‘sheriff’s posse’ is kind of a misnomer for the group. “I’m the only gunslinger,” he says. They’re mostly farmers and ranchers. But Warnke says it sounds cooler this way. “What are we gonna be called the, uh, almond tree growers posse? Gotta be sheriff’s posse.”\u003c/p>\n\u003cp>Some 20 posse members are heading east, Warnke says, and 14 of them will ride Palominos in the inaugural parade wearing dazzling outfits. \u003c/p>\n\u003cp>“The uniforms are actually jeweled with rubies, emeralds and rhinestones,” Warnke says. “This isn’t one of those that you went and bought at K-Mart.” The horses will be decked out, too, in intricate silver-embellished saddles. Posse members will carry American flags and wave as they ride by the new president.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7J6yX6H6bBY'\n title='//www.youtube.com/embed/7J6yX6H6bBY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For supporters at the benefit, though, the inaugural ride is more than pomp. Peter and Katherine Stavrianoudakis aren’t Trump fans, but they’re posse supporters.\u003c/p>\n\u003cp>“Often our voices aren’t heard,” Katherine says of Central Valley residents. “There are times that people forget about us because we’re lower educated, we have a high crime rate. There’s a lot of problems in the Valley, but there’s a lot to be proud of, and that’s what the posse is — we’re being recognized at a national level.” \u003c/p>\n\u003cp>Her husband Peter chimes in to say he went to high school with Sheriff Warnke and that everybody knows everybody here. “That little hometown feel will be in D.C.,” he says. “That’s kind of special.”\u003c/p>\n\u003cp>Not all Merced residents see it that way. Outside the fundraiser a few anti-Trump protesters braved the rain, \u003ca href=\"http://www.mercedsunstar.com/news/politics-government/article125455954.html\" target=\"_blank\" rel=\"noopener\">trying to ensure that no public funds\u003c/a> will be used for the trip.\u003c/p>\n\u003cp>In the end, Sheriff Warnke says, the group \u003ca href=\"http://www.mercedsunstar.com/news/article125779489.html\">raised over $60,000 in donations\u003c/a>, enough to cover the trip. The posse had decided they’d try to ride in the inauguration parade no matter who won the election. \u003c/p>\n\u003cp>“Whether you care about the man or not, bottom line is the president is the leader of the greatest nation on Earth,” Warnke says. “We’re going to represent every citizen in our communities and we’ll be doing so with our heads held high.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Follow the group’s D.C. doings on\u003ca href=\"https://www.facebook.com/Merced-County-Sheriff-Posse-221349218281746/\" target=\"_blank\" rel=\"noopener\"> the posse Facebook page\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"http://www.edisoninternationalusa.com/about.html\" target=\"_blank\" rel=\"noopener\">Cheryl Edison\u003c/a> said she knew what was coming after the Ghost Ship Fire.\u003c/p>\n\u003cp>“Heads up,” Edison texted her boss the next day. “There’s been a big warehouse fire, and because our property is called a warehouse, there’s likely to be a backlash.”\u003c/p>\n\u003cp>Edison was a consultant, finding artists and makers to occupy a co-working space called \u003ca href=\"http://thefactory510.com/\" target=\"_blank\" rel=\"noopener\">Factory 510\u003c/a>, part of the \u003ca href=\"http://thegate510.com/the-team/\" target=\"_blank\" rel=\"noopener\">Gate 510\u003c/a> complex, which houses a number of retail, tech, maker, and artist spaces off Davis Street in San Leandro.\u003c/p>\n\u003cp>And Edison said her boss, \u003ca href=\"https://skbcos.com/expertise/#team_members\" target=\"_blank\" rel=\"noopener\">Steve Wong\u003c/a>, a property manager with the real estate merchant banker \u003ca href=\"https://skbcos.com/expertise/\" target=\"_blank\" rel=\"noopener\">ScanlanKemperBard \u003c/a>(SKB), based in Portland, texted her back.\u003c/p>\n\u003cp>“We have nothing to worry about. Our property is nothing like that (the Ghost Ship) property. We are concrete and steel beams, sprinklers throughout.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But Edison was right. On the Monday morning after the fire, “came fire officials,” Edison said, “and representatives from the city of San Leandro, making a huge scene. I was called by tenants and members, I contacted SKB. And I said Steve, we have an issue here.”\u003c/p>\n\u003cp>\u003ca href=\"http://thegate510.com/about-the-gate/\" target=\"_blank\" rel=\"noopener\">Gate 510 \u003c/a>encompasses nearly a million square-feet of space. It was once a manufacturing plant for Dodges and Plymouths, and then Caterpillar tractors. Now there’s a Home Depot, a Ross Dress for Less and other retailers downstairs. Upstairs, SKB has built studios and offices for entrepreneurs, tech companies, artists, and makers.\u003c/p>\n\u003cp>Edison showed me around the huge modern looking space a few weeks ago. A few artists were there with her, packing their gear, because SKB terminated all the leases for Factory 510 as of Jan. 9.\u003c/p>\n\u003cfigure id=\"attachment_12644935\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12644935\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/004-800x600.jpg\" alt=\"Cheryl Edison stand by a giant mural that used to decorate a common area of Factory 510 that safety inspectors told her was a fire hazard\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Edison stand by a giant mural that used to decorate a common area of Factory 510 that safety inspectors told her was a fire hazard \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What happened here, is like saying we’ve got a problem with forest fires, so let’s just cut all the trees down,” said Andrew Johnstone, an artist who designs and builds huge sculptures, including the iconic Burning Man figure used at last summer’s Burning Man Festival. “That’s not how you deal with this.”\u003c/p>\n\u003cp>\u003cstrong>The City Building Official\u003c/strong>\u003c/p>\n\u003cp>But Jerry Smith Jr., San Leandro’s chief building official, said the inspection on Dec. 5 was routine and not a crackdown.\u003c/p>\n\u003cp>“There’s this perception,” Smith said in a phone interview, “because of the Ghost Ship fire, that we suddenly had this interest in the Gate. I was at the gate my first week here.\u003c/p>\n\u003cp>“It’s so complex,” Smith said. “It’s so far ahead of the code, that we regularly go through to figure out what they’re doing, how do we protect them, what’s the best way to do this.”\u003c/p>\n\u003cp>Smith is like many city officials after the Ghost Ship fire, eager to work with artists, entrepreneurs, and makers — all of whom bring innovation and taxes to their cities. “This city is pro-artist and pro-maker,” Smith said. But he added that he always worries that he could be overlooking a major safety hazard.\u003c/p>\n\u003cp>“When we do our job, nothing happens,” Smith said. “I have prevented more death and injury than any first responder in the history of mankind.”\u003c/p>\n\u003cp>Smith said what he found at Factory 510 was a neon art installation with bare wires tied to the building steel in an area designated as a refuge, a safe room to which people could go in the event of a fire.\u003c/p>\n\u003cp>“People would have gotten electrocuted,” Smith said. “And the neon was suspended over the top of the exit path. Can you imagine if we had an earthquake event. It would have shattered, you would have gotten a glass shower.”\u003c/p>\n\u003cp>Edison said Smith and the fire inspector told her that “anything that could loosely be called art was no longer something that could be permitted.”\u003c/p>\n\u003cp>Artist Nick Randell, who installed the neon said, “I did some wonderful installations here which I assure you were perfectly safe. I’ve been setting up neon in places for over 30 years and I have yet to electrocute anyone or burn anything down.”\u003c/p>\n\u003cp>Johnstone said the inspectors warned him that he had flammable paintings hanging on a wall, and he was ordered to remove them. That established, what he called, an impossible safety standard for a working artist.\u003c/p>\n\u003cp>\u003cstrong>The Landlord\u003c/strong>\u003c/p>\n\u003cp>Meanwhile SKB’s Steve Wong said in a phone interview that the inspection was only a minor factor in ending the company’s arrangement with Edison and the artists she was leasing to. “Part of Edison’s job was going away,” Wong said, “because she’d done such a good job of leasing the space.\u003c/p>\n\u003cp>“If anything the timing of it relative to the Oakland fire may have accelerated it by a few months,” Wong said. “And some of those folks leaving were short term tenants under Cheryl’s purview.”\u003c/p>\n\u003cp>Wong said SKB was happy with the work Edison did bringing in artists and tech entrepreneurs. But the company “needed to take a couple of steps back because of the additional scrutiny on fire and safety.”\u003c/p>\n\u003cp>\u003cstrong>A Plea For a Home\u003c/strong>\u003c/p>\n\u003cp>Back at Factory 510, neon artist Nick Randell takes the long view on his eviction. “This is just a temporary setback,” said Randell. “Our work is done here. Artists come in when a place is down at the heels. And once it gets successful they get rid of us.”\u003c/p>\n\u003cp>And despite losing her consultancy with SKB, Edison said “There are no villains here.”\u003c/p>\n\u003cp>The real problem, she said, is that cities still don’t understand how to take the Bay Area’s many under-used warehouses and “upcycle those buildings to allow them to be used safely and adequately for new uses.”\u003c/p>\n\u003cp>Edison paused a minute. “I’m not going to cry,” she said, tearing up for just a second.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I’m reaching out to the mayor of Alameda, the mayor of Berkeley, the mayor of Oakland,” Edison said. “Have you got a space for dozens and dozens of tech companies and artists, who play by the rules, who want to be safe, and need a place to make innovation thrive, and make an economy thrive? Just like we did here in San Leandro. We need a place to be.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.edisoninternationalusa.com/about.html\" target=\"_blank\" rel=\"noopener\">Cheryl Edison\u003c/a> said she knew what was coming after the Ghost Ship Fire.\u003c/p>\n\u003cp>“Heads up,” Edison texted her boss the next day. “There’s been a big warehouse fire, and because our property is called a warehouse, there’s likely to be a backlash.”\u003c/p>\n\u003cp>Edison was a consultant, finding artists and makers to occupy a co-working space called \u003ca href=\"http://thefactory510.com/\" target=\"_blank\" rel=\"noopener\">Factory 510\u003c/a>, part of the \u003ca href=\"http://thegate510.com/the-team/\" target=\"_blank\" rel=\"noopener\">Gate 510\u003c/a> complex, which houses a number of retail, tech, maker, and artist spaces off Davis Street in San Leandro.\u003c/p>\n\u003cp>And Edison said her boss, \u003ca href=\"https://skbcos.com/expertise/#team_members\" target=\"_blank\" rel=\"noopener\">Steve Wong\u003c/a>, a property manager with the real estate merchant banker \u003ca href=\"https://skbcos.com/expertise/\" target=\"_blank\" rel=\"noopener\">ScanlanKemperBard \u003c/a>(SKB), based in Portland, texted her back.\u003c/p>\n\u003cp>“We have nothing to worry about. Our property is nothing like that (the Ghost Ship) property. We are concrete and steel beams, sprinklers throughout.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But Edison was right. On the Monday morning after the fire, “came fire officials,” Edison said, “and representatives from the city of San Leandro, making a huge scene. I was called by tenants and members, I contacted SKB. And I said Steve, we have an issue here.”\u003c/p>\n\u003cp>\u003ca href=\"http://thegate510.com/about-the-gate/\" target=\"_blank\" rel=\"noopener\">Gate 510 \u003c/a>encompasses nearly a million square-feet of space. It was once a manufacturing plant for Dodges and Plymouths, and then Caterpillar tractors. Now there’s a Home Depot, a Ross Dress for Less and other retailers downstairs. Upstairs, SKB has built studios and offices for entrepreneurs, tech companies, artists, and makers.\u003c/p>\n\u003cp>Edison showed me around the huge modern looking space a few weeks ago. A few artists were there with her, packing their gear, because SKB terminated all the leases for Factory 510 as of Jan. 9.\u003c/p>\n\u003cfigure id=\"attachment_12644935\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12644935\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/004-800x600.jpg\" alt=\"Cheryl Edison stand by a giant mural that used to decorate a common area of Factory 510 that safety inspectors told her was a fire hazard\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/004.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Edison stand by a giant mural that used to decorate a common area of Factory 510 that safety inspectors told her was a fire hazard \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What happened here, is like saying we’ve got a problem with forest fires, so let’s just cut all the trees down,” said Andrew Johnstone, an artist who designs and builds huge sculptures, including the iconic Burning Man figure used at last summer’s Burning Man Festival. “That’s not how you deal with this.”\u003c/p>\n\u003cp>\u003cstrong>The City Building Official\u003c/strong>\u003c/p>\n\u003cp>But Jerry Smith Jr., San Leandro’s chief building official, said the inspection on Dec. 5 was routine and not a crackdown.\u003c/p>\n\u003cp>“There’s this perception,” Smith said in a phone interview, “because of the Ghost Ship fire, that we suddenly had this interest in the Gate. I was at the gate my first week here.\u003c/p>\n\u003cp>“It’s so complex,” Smith said. “It’s so far ahead of the code, that we regularly go through to figure out what they’re doing, how do we protect them, what’s the best way to do this.”\u003c/p>\n\u003cp>Smith is like many city officials after the Ghost Ship fire, eager to work with artists, entrepreneurs, and makers — all of whom bring innovation and taxes to their cities. “This city is pro-artist and pro-maker,” Smith said. But he added that he always worries that he could be overlooking a major safety hazard.\u003c/p>\n\u003cp>“When we do our job, nothing happens,” Smith said. “I have prevented more death and injury than any first responder in the history of mankind.”\u003c/p>\n\u003cp>Smith said what he found at Factory 510 was a neon art installation with bare wires tied to the building steel in an area designated as a refuge, a safe room to which people could go in the event of a fire.\u003c/p>\n\u003cp>“People would have gotten electrocuted,” Smith said. “And the neon was suspended over the top of the exit path. Can you imagine if we had an earthquake event. It would have shattered, you would have gotten a glass shower.”\u003c/p>\n\u003cp>Edison said Smith and the fire inspector told her that “anything that could loosely be called art was no longer something that could be permitted.”\u003c/p>\n\u003cp>Artist Nick Randell, who installed the neon said, “I did some wonderful installations here which I assure you were perfectly safe. I’ve been setting up neon in places for over 30 years and I have yet to electrocute anyone or burn anything down.”\u003c/p>\n\u003cp>Johnstone said the inspectors warned him that he had flammable paintings hanging on a wall, and he was ordered to remove them. That established, what he called, an impossible safety standard for a working artist.\u003c/p>\n\u003cp>\u003cstrong>The Landlord\u003c/strong>\u003c/p>\n\u003cp>Meanwhile SKB’s Steve Wong said in a phone interview that the inspection was only a minor factor in ending the company’s arrangement with Edison and the artists she was leasing to. “Part of Edison’s job was going away,” Wong said, “because she’d done such a good job of leasing the space.\u003c/p>\n\u003cp>“If anything the timing of it relative to the Oakland fire may have accelerated it by a few months,” Wong said. “And some of those folks leaving were short term tenants under Cheryl’s purview.”\u003c/p>\n\u003cp>Wong said SKB was happy with the work Edison did bringing in artists and tech entrepreneurs. But the company “needed to take a couple of steps back because of the additional scrutiny on fire and safety.”\u003c/p>\n\u003cp>\u003cstrong>A Plea For a Home\u003c/strong>\u003c/p>\n\u003cp>Back at Factory 510, neon artist Nick Randell takes the long view on his eviction. “This is just a temporary setback,” said Randell. “Our work is done here. Artists come in when a place is down at the heels. And once it gets successful they get rid of us.”\u003c/p>\n\u003cp>And despite losing her consultancy with SKB, Edison said “There are no villains here.”\u003c/p>\n\u003cp>The real problem, she said, is that cities still don’t understand how to take the Bay Area’s many under-used warehouses and “upcycle those buildings to allow them to be used safely and adequately for new uses.”\u003c/p>\n\u003cp>Edison paused a minute. “I’m not going to cry,” she said, tearing up for just a second.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’m reaching out to the mayor of Alameda, the mayor of Berkeley, the mayor of Oakland,” Edison said. “Have you got a space for dozens and dozens of tech companies and artists, who play by the rules, who want to be safe, and need a place to make innovation thrive, and make an economy thrive? Just like we did here in San Leandro. We need a place to be.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "First 100 Days: Art in the Age of Trump",
"headTitle": "First 100 Days: Art in the Age of Trump | KQED",
"content": "\u003cp>Welcome to KQED Arts’ series, First 100 Days: Art in the Age of Trump, which serves to highlight the responses of artists and other creatives during the first hundred days of Donald Trump’s administration. From Jan. 20 to Apr. 29, we will publish a consistent stream of related content online as part of this effort.\u003c/p>\n\u003cp>With artists uniting around issues that the new president has promised to act upon within his first hundred days, such as immigration, the environment, women’s rights and health care, we want to help our audience think more deeply about what’s happening to our world and our democracy, and give the members of our community — artists and non-artists alike — a sense of purpose and hope.\u003c/p>\n\u003cp>If you’ve written a song or concerto about the latest immigration policy, made a short film about changes to the Environmental Protection Act, or created a poem, play, dance piece or visual art work about women’s rights at the dawn of a new era — or if you know of any such projects going on — we want to hear from you. \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSfeIngg5WJjEDtvvrNoLakI5vln04VHkuBJx83HWMlpadEs4g/viewform\" target=\"_blank\" rel=\"noopener\">Submit your project here\u003c/a>.\u003c/p>\n\u003ch1>\u003cb>Our Coverage\u003c/b>\u003c/h1>\n\u003cp>\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Edna-Lehnert-and-her-10-yea-1920x1280.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/30/climate-march-marks-trumps-100th-day-with-oakland-protest-photos/\" target=\"_blank\" rel=\"noopener\">\u003c/a>\u003c/p>\n\u003ch3>Climate March Marks Trump’s 100th Day With Oakland Protest: Photos\u003c/h3>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/GettyImages-470733560-800x534.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/29/in-the-early-days-of-the-trump-empire-the-protest-song-springs-to-life/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>In the Early Days of the Trump Era, the Protest Song Springs to Life\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"row\">\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/battery-panel-e1493161527691.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/28/as-100-days-approaches-bay-area-creatives-share-tips-for-continuing-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>As 100 Days Approaches, Bay Area Creatives Share Tips for Continuing Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/posterheader.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/26/we-the-people-in-a-middle-school-classroom-in-san-francisco/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>We, the People, in a Middle-School Classroom in San Francisco\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/PBO-Temple-Glory_By-Jeff-Phillips.-Sheehan-philponet-sweeney_smith-trego-e1492988432976-800x451.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/26/obscure-french-opera-calls-trumps-leadership-skills-into-question/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Obscure French Opera Calls Trump’s Leadership Skills into Question\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/POTUS-and-me-1920x1920.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/25/pro-trump-artist-jon-proby-takes-a-stand-in-oakland/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Pro-Trump Artist Jon Proby Takes a Stand in Oakland\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/TRUTH-political-commenary-art-jewelry-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/24/fabricating-truth-one-tin-can-bracelet-at-a-time/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Fabricating ‘Truth,’ One Tin Can Bracelet at a Time\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/rockypress3_orig-e1492651875945-768x431.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/21/rocky-riveras-round-we-go-is-a-call-to-action-and-a-reminder-weve-been-here-before/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Rocky Rivera’s ‘Round We Go’ Is a Call to Action: ‘We Need to Organize’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Sperry.MAIN_-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/21/rock-poster-artist-chuck-sperry-turns-focus-to-science-march/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Rock Poster Artist Chuck Sperry Turns Focus to Science March\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/defyingtrumplandia_coverFINAL-e1492638297111-1180x667.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/20/does-it-matter-if-trump-doesnt-read-your-protest-poetry/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Does it Matter if Trump Doesn’t Read Your Protest Poetry?\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Bobbi-Jean-Three-Legs-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/19/theres-still-hope-for-planet-earth-at-the-sf-green-film-festival/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>There’s Still Hope for Planet Earth at the SF Green Film Festival\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/FakeNewsroom_COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/18/fake-newsroom-reimagines-1983-photo-project-about-truth-and-media/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Fake Newsroom’ Reimagines 1983 Photo Project About Truth and Media\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/TrumpMadMax_VonWong_3-e1491418839671-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/17/mad-max-meets-trumps-america-images-spark-controversy/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Mad Max Meets Trump’s America’ Images Spark Controversy\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Alec_Baldwin-1920x1078.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/14/alec-baldwins-trump-impersonations-arent-the-most-important-thing/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Alec Baldwin’s Trump Impersonations Aren’t the Most Important Thing\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/jelliott-e1492125056958-768x461.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/14/on-john-elliotts-the-art-of-the-deal-a-young-trump-is-the-real-wolf-of-wall-street/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On John Elliott’s ‘The Art Of the Deal,’ a Young Trump Is the Real Wolf of Wall Street\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/RS24915_Attracting-Public-001-qut-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/13/tree-bursting-with-mosaic-leaves-sends-political-message/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Tree Bursting with Mosaic Leaves Sends Political Message\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/RS24898_MBeach_Peace-of-Mind_Full-001-qut-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/san-jose-quilter-stitches-message-of-peace-and-hope/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>San Jose Quilter Stitches Message of Peace and Hope\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"/arts/wp-content/uploads/sites/2/2017/03/RS24681_From-Russia-with-Love-qut-e1491325801323-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"/arts/2017/04/11/mark-harris-creates-postage-stamps-for-a-trumpian-world/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Mark Harris Creates Postage Stamps for a Trumpian World\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/ARTS_CHILAQUILES_JULIOFAVIANNA.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/04/the-recipe-for-radical-visibility-and-chilaquiles-with-a-side-of-kale-salad/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Recipe for Radical Visibility and Chilaquiles (with a Side of Kale Salad)\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/QuinnposterframeforKQED.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/28/meet-the-oakland-14-year-old-cartooning-the-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Meet the Oakland 14-Year-Old Cartooning the Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/lisa032915c-e1490740399737-1920x1083.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/10/republican-cartoonist-lisa-benson-thrives-in-left-leaning-california/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Republican Cartoonist Lisa Benson Thrives in Left-Leaning California\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/07/joan-baez-imagines-a-post-trump-world-on-nasty-man/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Joan Baez Imagines a Post-Trump World on ‘Nasty Man’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/keyboard-3-2.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/07/iranian-born-composer-sahba-aminikia-bridges-worlds-in-extreme-times/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Iranian-Born Composer Sahba Aminikia Bridges Worlds in Extreme Times\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/immigrantshow_posterframeoption2.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/08/portraits-of-an-immigrant-filled-nation-at-walter-maciel-gallery/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Portraits of an Immigrant-Filled Nation at Walter Maciel Gallery\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/NWcontrol-Margeau_COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/07/oakland-gallery-celebrates-nasty-women/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Nasty Women’ Raise Funds for Planned Parenthood with Art\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/RS24865_DSC_0314-001-qut-800x451.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/06/chicanex-artists-mobilize-community-through-reproducible-prints-and-exhibitions/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Chicanex Artists Mobilize Community in Age of Trump\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/GHM16REH_ET35575-e1491346816936.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/05/sf-ballet-dancer-choreographer-responds-to-political-climate/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>SF Ballet Dancer-Choreographer Responds to Political Climate\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/17498394_10154253977377027_1725804909677506473_n-e1491609371709-768x431.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/31/on-kev-choices-morning-star-palestine-isnt-so-far-from-home/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On Kev Choice’s ‘Morning Star,’ Palestine Isn’t So Far From Home\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/YoussefCOVER-768x429.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/03/john-stewart-of-egypt-looks-for-more-than-just-laughs-in-u-s/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Jon Stewart of Egypt’ Looks for More than Just Laughs in U.S.\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Roar-from-the-Heart-Annoyed-e1490910830821-800x455.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/30/deaf-photographer-protests-trump-with-strong-words\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Deaf Photographer Protests Trump with Strong Words\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/IMG_6863-e1490829099100-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/30/d-i-r-t-festival-resists-land-grab-and-trump-agenda/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘D.I.R.T Festival’ Resists Land Grab and Trump Agenda\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/29/coordinated-screenings-of-1984-unite-independent-cinemas-across-us/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Coordinated Screenings of ‘1984’ Unite Independent Cinemas Across US\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/CakesSHORTIE.gif\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/28/any-way-you-slice-it-protest-cakes-make-politics-a-bit-sweeter/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Any Way You Slice it, Protest Cakes Make Politics a Bit Sweeter\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Cover1800.gif\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/27/emily-wicks-inverted-stars-and-stripes-reflect-new-political-reality/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>When Everything Feels Backwards, Emily Wick Raises a New Flag\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/RS24668_persist2high-qut-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/25/san-jose-artist-persists-with-viral-protest-meme-shepersisted/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>San Jose Artist Persists With Viral Protest Meme #ShePersisted\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/maxresdefault-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/24/diana-gameros-questions-borders-and-bridges-in-como-hacer/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Diana Gameros Questions Borders and Bridges In ‘¿Cómo Hacer?’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/shoruq-pic-large-1-768x516.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/23/the-dawn-of-palestinian-rap-young-women-take-the-stage/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Young Women of Shoruq Signal a New Dawn of Palestinian Rap\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/004-e1490143198494-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/22/fighting-to-give-everyone-access-to-arts-and-culture/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Fighting to Give Everyone Access to Arts and Culture\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Malaquias-Montoya-Mein-Trumpf-e1490060601648-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/21/political-prints-pull-no-punches-at-juan-r-fuentes-gallery/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Political Prints Pull No Punches at Juan R. Fuentes Gallery\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/SOundboxMarch2017MAIN-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/20/a-legacy-of-resistance-celebrated-at-soundboxs-rebel-concert/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Soundbox’s Timely ‘Rebel’ Concert Celebrates a Legacy of Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/061_adrien_lee-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/19/draw-the-line-illustrates-the-simplicity-beauty-of-taking-action/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Draw The Line Illustrates the Simplicity, Beauty of Taking Action\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/TrumpTweetSongs-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/18/turning-the-presidents-tweets-into-tiny-little-songs/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Turning the President’s Tweets Into Tiny Little Songs\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/the-sam-chase-150428-standing-comp_orig-768x512.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/17/sam-chase-drowns-out-political-chaos-with-a-great-white-noise/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Sam Chase Drowns Out Political Chaos With a ‘Great White Noise’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/President-Trump-released-his-budget-blueprint-on-Thursday-calling-for-a-boost-in-military-spending-and-deep-cuts-in-the-Environmental-Protection-Agency-and-other-programs.-1020x626.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/17/in-california-the-beginning-of-the-battle-to-save-arts-funding/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>In California, the ‘Beginning of the Battle’ to Save Arts Funding\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/estefaniaviva-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/15/portrait-series-remembers-the-legacies-of-powerful-mujeres/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Portrait Series Remembers the Legacies of Powerful ‘Mujeres’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/17309077_10155938843794488_5057348776494606261_n-e1489606150605-768x523.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/16/artist-michele-pred-wears-her-feminism-on-her-sleeve-and-on-her-handbags/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Artist Michele Pred Wears Her Feminism On Her Sleeve — and On Her Handbags\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Aswat1-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/13/music-from-seven-muslim-majority-countries-in-notes-against-the-ban/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Music From Seven Muslim-Majority Countries in ‘Notes Against the Ban’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/moshinhamid2-1920x796.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/12/transience-and-migration-is-human-moshin-hamids-exit-west/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Transience and Migration is Human: Moshin Hamid’s ‘Exit West’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/playtest1-768x505.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/11/time2escalate-interactive-game-shows-how-activism-requires-collaboration/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>#Time2Escalate: Interactive Game Shows How Activism Requires Collaboration\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/01044e1adf8a722ae7f88f04e53130e82017162222319340-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/10/dame-drummers-black-and-beautiful-rises-above-the-negativity/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Dame Drummer’s ‘Black and Beautiful’ Rises Above the Negativity\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/GaleriaCOVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/10/at-galeria-de-la-raza-artists-fight-to-protect-water-and-human-rights/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>At Galería de la Raza, Artists Fight to Protect Water and Human Rights\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/COVER-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/09/looking-and-truly-seeing-iranian-diasporic-art-at-sfsu/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>At SFSU, Looking and Truly Seeing the Middle East Through Art\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Tongo-Eisen-Martin-e1489009714785-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/08/a-joint-address-to-change-hearts-and-minds-through-poetry/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>A Joint Address to Change Hearts and Minds Through Poetry\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Still-lighter_COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/08/1970s-immigration-story-becomes-timely-in-caamfests-tiger-hunter/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>1970s Immigration Story Becomes Timely in CAAMFest’s ‘Tiger Hunter’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Hung.Liu_.Luzao_.MAIN_-1920x1109.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/06/we-who-work-pays-tribute-to-those-laboring-in-santa-cruz-and-beyond/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘We Who Work’ Pays Tribute to Those Laboring in Santa Cruz and Beyond\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/CrochetCralReef.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/05/the-unlikely-marriage-of-crochet-and-climate-change/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Unlikely Marriage of Crochet and Climate Change\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Torange_PhotobyNavidGMaghami-e1488074247615-768x434.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/04/golden-thread-productions-puts-a-human-face-on-muslim-culture/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Golden Thread Productions Puts a Human Face on Muslim Culture\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Chicano-Batman_Josue-Rivas-Promo-Photo-01-e1488330296472-768x431.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/03/chicano-batman-master-the-art-of-perspective-on-freedom-is-free/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Chicano Batman Masters the Art of Perspective on ‘Freedom Is Free’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/anthem_poster.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/02/why-we-should-sing-the-star-spangled-banners-obscure-fifth-verse/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Why We Should Sing ‘The Star-Spangled Banner’s’ Obscure Fifth Verse\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Mosaic-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/01/a-black-history-month-recap-through-the-eyes-of-blackinamerica2017/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>A Black History Month Recap Through the Eyes of ‘#BlackInAmerica2017’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/forum/wp-content/uploads/sites/43/2017/02/02_inauguralball1200-100-days-arts-for-web.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/forum/2017/02/28/bay-area-artists-respond-to-the-trump-presidency/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Bay Area Artists Respond to the Trump Presidency\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/download-1-768x432.png\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/28/chinatowns-ross-alley-transformed-with-ripples-of-immigrant-history/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Chinatown’s Ross Alley Transformed with Ripples of Immigrant History\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/brettstanleyphotodotcom-160603-_MG_8362-Edit-e1486952949931-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/27/a-ballet-dancer-performs-underwater-for-eco-minded-change/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Would You Change Your Ways for This Underwater Ballet Dancer?\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/16797025_10155860167943626_1755773203652807945_o-e1487881067589-768x416.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/25/las-cafeteras-imagine-a-radically-peaceful-future-in-if-i-was-president/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Las Cafeteras Imagine a Radically Peaceful Future In ‘If I Was President’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/RS24352_i-NgFDx99-XL-qut-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/24/silicon-valley-theatre-scene-bristles-with-political-edge-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Silicon Valley Theatre Scene Bristles with Political Edge in the Age of Trump\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Salesman8-e1487841938600-768x433.jpeg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/24/ubuntus-novel-but-problematic-death-of-a-salesman-looks-to-a-new-age/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Ubuntu’s Novel-Yet-Lacking ‘Death of a Salesman’ Looks to a New Age\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Dawson1-e1487749487595.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/23/black-choreographers-festival-points-to-black-bodies-in-crisis/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Black Choreographers Festival Points to Black Bodies in Crisis\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Joseph26-e1487750282790-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/24/watch-marc-bamuthi-josephs-100-days-drumpf-monologue/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Watch Marc Bamuthi Joseph’s ‘100 Days Drumpf’ Monologue\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ShanghaiAngel-768x403.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/21/with-shanghai-angel-heather-klein-tells-a-timely-refugee-tale/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>With ‘Shanghai Angel,’ Heather Klein Tells a Timely Refugee Tale\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/kuruma-e1487369235563-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/20/dorothea-lange-photos-lead-researchers-to-prison-camp-survivors/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Dorothea Lange Photos Lead Historians to Japanese Camp Survivors\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Response-to-Community-Security-e1486927291324.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/18/lending-an-ear-to-the-trump-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Lending an Ear to the Trump Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/unspecified-768x512.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/19/for-mexico-city-musicians-theres-no-hiding-from-el-futuro/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>For Mexico City Musicians, There’s No Hiding From ‘El Futuro’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/IMG_4199-e1487300583333-768x458.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/17/in-he-will-not-divide-us-immigration-issues-hit-robin-dupont-close-to-home\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>In ‘He Will Not Divide Us,’ Deportation Hits Close to Home for Robin DuPont\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Screen-Shot-2017-02-13-at-10.52.44-%D9%82.%D8%AF.-768x433.png\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/16/a-prayformance-confronting-islamophobia-stakes-claim-for-common-ground/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>A ‘Prayformance’ Confronts Islamophobia, Claims Common Ground\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/BadUndies-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/15/bad-hombres-nasty-women-to-engage-in-nationwide-art-projects-feb-20/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Bad Hombres, Nasty Women to Engage in Nationwide Art Projects Feb. 20\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Mixed-Messages-COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/10/chris-eckerts-mixed-messages-transforms-news-into-morse-code/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Chris Eckert’s ‘Mixed Messages’ Transforms News into Morse Code\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_2_BUG-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/14/boolander-bamboo-bike-to-bring-eco-sense-and-eccentricity-to-climate-ride/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Boolander’ Bamboo Bike to Bring Eco Sense and Eccentricity to Climate Ride’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/attachment-17-e1486435739778-768x415.jpeg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/13/comedy-series-the-north-pole-takes-on-gentrification-and-global-warming/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Comedy Series ‘The North Pole’ Takes on Gentrification and Global Warming\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Atwood.Orwell.MAIN_-1920x1021.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/12/talking-with-the-anonymous-donors-giving-away-free-copies-of-1984/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Talking With the Anonymous Donors Giving Away Free Copies of ‘1984’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Girl_with_paint_on_her_face-768x432.jpeg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/11/fighting-facial-recognition-software-with-an-artistic-flourish/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Fighting Facial-Recognition Software With an Artistic Flourish\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cp>=\u003c/p>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/unamused-768x396.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/02/09/that-joke-isnt-funny-anymore-thanks-to-trump/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Cooler: That Joke Isn’t Funny Anymore, Thanks to Trump\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Candorville-2008-Voter-Suppression-768x350.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/08/darrin-bells-candorville-a-funny-pages-feud-against-trump-policies/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Darrin Bell’s ‘Candorville’ a Comics-Page Commentary on Trump Policies\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/immigrantshow_posterframeoption2.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/08/portraits-of-an-immigrant-filled-nation-at-walter-maciel-gallery/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Portraits of an Immigrant-Filled Nation at Walter Maciel Gallery\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/JOhnAdams1.VernEvans-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/07/why-john-adams-wont-write-an-opera-about-president-trump/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Why John Adams Won’t Write an Opera About President Trump\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/gettyimages-589409396_wide-dc42a246b080dc69812314490069975885d3e0c8-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/06/even-with-travel-ban-blocked-artists-are-still-left-hanging/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Even With Travel Ban Blocked, Artists Are Still Left Hanging\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ArtResistance.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/05/a-town-hall-feel-at-the-art-of-resistance-in-santa-rosa/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>A Town-Hall Feel at ‘The Art of Resistance’ in Santa Rosa\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/treat-yo-self-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/02/02/fight-the-power-with-protest-songs-and-radical-self-care/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Fight the Power with Protest Songs and Radical Self-Care!\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/rihanna-kim-k-sia-twitter-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/01/29/kim-kardashian-sia-and-other-celebs-use-social-media-to-resist-trumps-immigration-ban/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Kim Kardashian, Sia, and Other Celebs Use Social Media to Resist Trump’s Immigration Ban\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/TaravatFreshness-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/02/westoxicated-reminds-us-of-our-shared-humanity-and-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Amid Immigration Ban, ‘Westoxicated’ Reclaims a Shared Humanity\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/AlphaRock4-e1485902515263-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/01/alphabet-rockers-now-making-childrens-songs-about-social-issues/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Alphabet Rockers Shift Their Children’s Songs Toward Social Issues\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/ARTS_SOLTRON-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/31/soltron-a-new-musical-message-of-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Soltron, A New Musical Message of Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/WorkshopRNGCOVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/30/with-fabric-banners-stephanie-syjuco-shares-patterns-for-protest/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>With Fabric Banners, Stephanie Syjuco Shares Patterns for Protest\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/mo.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/01/20/the-best-twitter-reactions-to-donald-trumps-inauguration/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Best Twitter Reactions to Donald Trump’s Inauguration\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-08-at-8.52.48-PM-768x427.png\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/01/08/watch-meryl-streep-call-out-trump-defend-foreigners-and-the-press-in-emotional-golden-globes-speech/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Watch Meryl Streep Call Out Trump, Defend Foreigners and the Press in Emotional Golden Globes Speech\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/LetThemNotSay-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/29/jane-hirshfield-let-them-not-say/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Jane Hirshfield, ‘Let Them Not Say’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/liana-garcia-lenny-letter-1920x1080-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/28/say-it-with-flowers-a-petaled-present-of-presidential-protest/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Say it with Flowers’: A Petaled Present of Presidential Protest\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/c650f5768b5cb0c8aa9b18f9ee709455-e1485382618855-768x458.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/27/kiwi-illafontes-seeds-is-the-nina-simone-sampling-protest-track-you-need/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Kiwi Illafonte’s ‘Seeds’ Taps Nina Simone For an Uplifting Protest Message\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/pussyhat-1020x721.png\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/01/17/dont-know-how-to-knit-make-your-own-pussy-hat-out-of-paper/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Don’t Know How to Knit? Make Your Own ‘Pussy Hat’ Out of Paper!\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/CapitolBuildingProtest.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/27/my-art-is-not-a-bridge-its-a-battery/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>My Art Is Not A Bridge—It’s a Battery\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Ghostlight1_ACT-e1485200421502-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/26/lefty-bay-area-ghostlight-theater-protests-point-to-conservatism/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Lefty Bay Area ‘Ghostlight’ Theater Protests Point to Conservatism\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"row\">\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Literature.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/25/on-literature-in-a-new-era/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On Literature in a New Era\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/WM_Finalfeaturedimage.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/24/building-a-stronger-more-representative-womens-march/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Building a Stronger, More Representative Women’s March\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Cooke-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/24/30-songs-project-expanded-to-1000-songs-after-inauguration/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>’30 Songs’ Project Expanded to 1,000 Songs After Inauguration\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/1_AMorePerfectUnion_by-Arthur-EvansCOVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/24/a-living-thing-creates-space-for-civil-discourse-against-patriotic-backdrop/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘A Living Thing’ Creates Space for Civil Discourse Against Patriotic Backdrop\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/ClauVideo.MAIN_.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/23/resilience-in-the-rain-at-san-franciscos-womens-march/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Resilience in the Rain at San Francisco’s Women’s March\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/TrumpMarchArt-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/21/at-bay-area-womens-marches-creativity-out-in-force/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>LIVE COVERAGE: At Bay Area Women’s Marches, Creativity Out in Force\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Playlist.PartTwo.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/21/an-alternate-inauguration-day-playlist-part-two-looking-up/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>An Alternate Inauguration Day Playlist, Part Two: Looking Up\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/CurtisMayfield-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/20/an-alternate-inauguration-day-playlist-part-one-looking-down/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>An Alternate Inauguration Day Playlist, Part One: Looking Down\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/01_wethepeopleCOVER-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/20/local-artists-organize-100-day-calendar-of-creative-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Local Artists Organize 100-Day Calendar of Creative Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/YouthSpeaksQueen-e1484804185345.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/19/on-mlk-day-youth-speaks-poets-speak-out-against-injustice/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On MLK Day, Youth Speaks Poets Raise a Voice Against Injustice\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Lukaza.MAIN_-768x461.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/19/the-politics-of-lukaza-branfman-verissimos-brown-black-blue-body/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Politics of Lukaza Branfman-Verissimo’s Brown, Black, Blue Body\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/LucyChen.MAIN_-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/19/dancers-create-community-at-grace-cathedral-on-inauguration-day/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On Inauguration Day, a Dance Performance Steeped in Significance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/pussyhatfeaturedimage-800x450.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/oakland-yarn-shop-becomes-ground-zero-for-pussy-hat-protest-effort/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Oakland Yarn Shop Becomes Ground Zero for ‘Pussy Hat’ Protest Effort\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/gettyimages-156981595_custom-3773bda15230b2e5f74d930aeb0f9c6929c7fbea-e1484771009587.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/after-trumps-election-a-nonpracticing-muslim-returns-to-prayer/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>After Trump’s Election, a Nonpracticing Muslim Returns to Prayer\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/ap_426566488621_custom-cd3e702e570a95a942b34c36b7dd9f54bab10622-e1447063556243-800x450.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/kqeds-arts-packed-inauguration-day-survival-guide/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>KQED’s Arts-Packed Inauguration Day Survival Guide\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100days_final01BG1-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/17/kqed-arts-launches-new-series-first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>KQED Arts Launches New Series, ‘First 100 Days: Art in the Age of Trump’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003c/div>\u003c/div>\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "With artists mobilizing around the hot-button issues that the new president has promised to move on within his first hundred days, we want to help our audience think more deeply about what’s happening to our world and our democracy.",
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"description": "With artists mobilizing around the hot-button issues that the new president has promised to move on within his first hundred days, we want to help our audience think more deeply about what’s happening to our world and our democracy.",
"title": "First 100 Days: Art in the Age of Trump | KQED",
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"headline": "First 100 Days: Art in the Age of Trump",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to KQED Arts’ series, First 100 Days: Art in the Age of Trump, which serves to highlight the responses of artists and other creatives during the first hundred days of Donald Trump’s administration. From Jan. 20 to Apr. 29, we will publish a consistent stream of related content online as part of this effort.\u003c/p>\n\u003cp>With artists uniting around issues that the new president has promised to act upon within his first hundred days, such as immigration, the environment, women’s rights and health care, we want to help our audience think more deeply about what’s happening to our world and our democracy, and give the members of our community — artists and non-artists alike — a sense of purpose and hope.\u003c/p>\n\u003cp>If you’ve written a song or concerto about the latest immigration policy, made a short film about changes to the Environmental Protection Act, or created a poem, play, dance piece or visual art work about women’s rights at the dawn of a new era — or if you know of any such projects going on — we want to hear from you. \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSfeIngg5WJjEDtvvrNoLakI5vln04VHkuBJx83HWMlpadEs4g/viewform\" target=\"_blank\" rel=\"noopener\">Submit your project here\u003c/a>.\u003c/p>\n\u003ch1>\u003cb>Our Coverage\u003c/b>\u003c/h1>\n\u003cp>\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Edna-Lehnert-and-her-10-yea-1920x1280.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/30/climate-march-marks-trumps-100th-day-with-oakland-protest-photos/\" target=\"_blank\" rel=\"noopener\">\u003c/a>\u003c/p>\n\u003ch3>Climate March Marks Trump’s 100th Day With Oakland Protest: Photos\u003c/h3>\n\u003cp>\u003c/p>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/GettyImages-470733560-800x534.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/29/in-the-early-days-of-the-trump-empire-the-protest-song-springs-to-life/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>In the Early Days of the Trump Era, the Protest Song Springs to Life\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"row\">\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/battery-panel-e1493161527691.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/28/as-100-days-approaches-bay-area-creatives-share-tips-for-continuing-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>As 100 Days Approaches, Bay Area Creatives Share Tips for Continuing Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/posterheader.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/26/we-the-people-in-a-middle-school-classroom-in-san-francisco/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>We, the People, in a Middle-School Classroom in San Francisco\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/PBO-Temple-Glory_By-Jeff-Phillips.-Sheehan-philponet-sweeney_smith-trego-e1492988432976-800x451.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/26/obscure-french-opera-calls-trumps-leadership-skills-into-question/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Obscure French Opera Calls Trump’s Leadership Skills into Question\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/POTUS-and-me-1920x1920.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/25/pro-trump-artist-jon-proby-takes-a-stand-in-oakland/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Pro-Trump Artist Jon Proby Takes a Stand in Oakland\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/TRUTH-political-commenary-art-jewelry-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/24/fabricating-truth-one-tin-can-bracelet-at-a-time/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Fabricating ‘Truth,’ One Tin Can Bracelet at a Time\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/rockypress3_orig-e1492651875945-768x431.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/21/rocky-riveras-round-we-go-is-a-call-to-action-and-a-reminder-weve-been-here-before/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Rocky Rivera’s ‘Round We Go’ Is a Call to Action: ‘We Need to Organize’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Sperry.MAIN_-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/21/rock-poster-artist-chuck-sperry-turns-focus-to-science-march/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Rock Poster Artist Chuck Sperry Turns Focus to Science March\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/defyingtrumplandia_coverFINAL-e1492638297111-1180x667.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/20/does-it-matter-if-trump-doesnt-read-your-protest-poetry/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Does it Matter if Trump Doesn’t Read Your Protest Poetry?\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Bobbi-Jean-Three-Legs-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/19/theres-still-hope-for-planet-earth-at-the-sf-green-film-festival/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>There’s Still Hope for Planet Earth at the SF Green Film Festival\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/FakeNewsroom_COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/18/fake-newsroom-reimagines-1983-photo-project-about-truth-and-media/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Fake Newsroom’ Reimagines 1983 Photo Project About Truth and Media\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/TrumpMadMax_VonWong_3-e1491418839671-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/17/mad-max-meets-trumps-america-images-spark-controversy/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Mad Max Meets Trump’s America’ Images Spark Controversy\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Alec_Baldwin-1920x1078.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/14/alec-baldwins-trump-impersonations-arent-the-most-important-thing/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Alec Baldwin’s Trump Impersonations Aren’t the Most Important Thing\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/jelliott-e1492125056958-768x461.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/14/on-john-elliotts-the-art-of-the-deal-a-young-trump-is-the-real-wolf-of-wall-street/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On John Elliott’s ‘The Art Of the Deal,’ a Young Trump Is the Real Wolf of Wall Street\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/RS24915_Attracting-Public-001-qut-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/13/tree-bursting-with-mosaic-leaves-sends-political-message/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Tree Bursting with Mosaic Leaves Sends Political Message\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/RS24898_MBeach_Peace-of-Mind_Full-001-qut-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/san-jose-quilter-stitches-message-of-peace-and-hope/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>San Jose Quilter Stitches Message of Peace and Hope\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"/arts/wp-content/uploads/sites/2/2017/03/RS24681_From-Russia-with-Love-qut-e1491325801323-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"/arts/2017/04/11/mark-harris-creates-postage-stamps-for-a-trumpian-world/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Mark Harris Creates Postage Stamps for a Trumpian World\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/ARTS_CHILAQUILES_JULIOFAVIANNA.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/04/the-recipe-for-radical-visibility-and-chilaquiles-with-a-side-of-kale-salad/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Recipe for Radical Visibility and Chilaquiles (with a Side of Kale Salad)\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/QuinnposterframeforKQED.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/28/meet-the-oakland-14-year-old-cartooning-the-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Meet the Oakland 14-Year-Old Cartooning the Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/lisa032915c-e1490740399737-1920x1083.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/10/republican-cartoonist-lisa-benson-thrives-in-left-leaning-california/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Republican Cartoonist Lisa Benson Thrives in Left-Leaning California\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/Joan-Baez-1020x574-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/07/joan-baez-imagines-a-post-trump-world-on-nasty-man/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Joan Baez Imagines a Post-Trump World on ‘Nasty Man’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/keyboard-3-2.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/07/iranian-born-composer-sahba-aminikia-bridges-worlds-in-extreme-times/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Iranian-Born Composer Sahba Aminikia Bridges Worlds in Extreme Times\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/immigrantshow_posterframeoption2.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/08/portraits-of-an-immigrant-filled-nation-at-walter-maciel-gallery/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Portraits of an Immigrant-Filled Nation at Walter Maciel Gallery\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/NWcontrol-Margeau_COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/07/oakland-gallery-celebrates-nasty-women/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Nasty Women’ Raise Funds for Planned Parenthood with Art\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/RS24865_DSC_0314-001-qut-800x451.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/06/chicanex-artists-mobilize-community-through-reproducible-prints-and-exhibitions/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Chicanex Artists Mobilize Community in Age of Trump\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/GHM16REH_ET35575-e1491346816936.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/05/sf-ballet-dancer-choreographer-responds-to-political-climate/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>SF Ballet Dancer-Choreographer Responds to Political Climate\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/17498394_10154253977377027_1725804909677506473_n-e1491609371709-768x431.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/31/on-kev-choices-morning-star-palestine-isnt-so-far-from-home/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On Kev Choice’s ‘Morning Star,’ Palestine Isn’t So Far From Home\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/YoussefCOVER-768x429.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/04/03/john-stewart-of-egypt-looks-for-more-than-just-laughs-in-u-s/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Jon Stewart of Egypt’ Looks for More than Just Laughs in U.S.\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Roar-from-the-Heart-Annoyed-e1490910830821-800x455.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/30/deaf-photographer-protests-trump-with-strong-words\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Deaf Photographer Protests Trump with Strong Words\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/IMG_6863-e1490829099100-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/30/d-i-r-t-festival-resists-land-grab-and-trump-agenda/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘D.I.R.T Festival’ Resists Land Grab and Trump Agenda\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/29/coordinated-screenings-of-1984-unite-independent-cinemas-across-us/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Coordinated Screenings of ‘1984’ Unite Independent Cinemas Across US\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/CakesSHORTIE.gif\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/28/any-way-you-slice-it-protest-cakes-make-politics-a-bit-sweeter/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Any Way You Slice it, Protest Cakes Make Politics a Bit Sweeter\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Cover1800.gif\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/27/emily-wicks-inverted-stars-and-stripes-reflect-new-political-reality/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>When Everything Feels Backwards, Emily Wick Raises a New Flag\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/RS24668_persist2high-qut-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/25/san-jose-artist-persists-with-viral-protest-meme-shepersisted/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>San Jose Artist Persists With Viral Protest Meme #ShePersisted\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/maxresdefault-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/24/diana-gameros-questions-borders-and-bridges-in-como-hacer/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Diana Gameros Questions Borders and Bridges In ‘¿Cómo Hacer?’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/shoruq-pic-large-1-768x516.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/23/the-dawn-of-palestinian-rap-young-women-take-the-stage/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Young Women of Shoruq Signal a New Dawn of Palestinian Rap\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/004-e1490143198494-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/22/fighting-to-give-everyone-access-to-arts-and-culture/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Fighting to Give Everyone Access to Arts and Culture\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Malaquias-Montoya-Mein-Trumpf-e1490060601648-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/21/political-prints-pull-no-punches-at-juan-r-fuentes-gallery/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Political Prints Pull No Punches at Juan R. Fuentes Gallery\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/SOundboxMarch2017MAIN-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/20/a-legacy-of-resistance-celebrated-at-soundboxs-rebel-concert/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Soundbox’s Timely ‘Rebel’ Concert Celebrates a Legacy of Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/061_adrien_lee-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/19/draw-the-line-illustrates-the-simplicity-beauty-of-taking-action/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Draw The Line Illustrates the Simplicity, Beauty of Taking Action\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/TrumpTweetSongs-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/18/turning-the-presidents-tweets-into-tiny-little-songs/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Turning the President’s Tweets Into Tiny Little Songs\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/the-sam-chase-150428-standing-comp_orig-768x512.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/17/sam-chase-drowns-out-political-chaos-with-a-great-white-noise/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Sam Chase Drowns Out Political Chaos With a ‘Great White Noise’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/President-Trump-released-his-budget-blueprint-on-Thursday-calling-for-a-boost-in-military-spending-and-deep-cuts-in-the-Environmental-Protection-Agency-and-other-programs.-1020x626.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/17/in-california-the-beginning-of-the-battle-to-save-arts-funding/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>In California, the ‘Beginning of the Battle’ to Save Arts Funding\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/estefaniaviva-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/15/portrait-series-remembers-the-legacies-of-powerful-mujeres/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Portrait Series Remembers the Legacies of Powerful ‘Mujeres’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/17309077_10155938843794488_5057348776494606261_n-e1489606150605-768x523.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/16/artist-michele-pred-wears-her-feminism-on-her-sleeve-and-on-her-handbags/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Artist Michele Pred Wears Her Feminism On Her Sleeve — and On Her Handbags\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Aswat1-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/13/music-from-seven-muslim-majority-countries-in-notes-against-the-ban/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Music From Seven Muslim-Majority Countries in ‘Notes Against the Ban’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/moshinhamid2-1920x796.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/12/transience-and-migration-is-human-moshin-hamids-exit-west/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Transience and Migration is Human: Moshin Hamid’s ‘Exit West’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/playtest1-768x505.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/11/time2escalate-interactive-game-shows-how-activism-requires-collaboration/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>#Time2Escalate: Interactive Game Shows How Activism Requires Collaboration\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/01044e1adf8a722ae7f88f04e53130e82017162222319340-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/10/dame-drummers-black-and-beautiful-rises-above-the-negativity/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Dame Drummer’s ‘Black and Beautiful’ Rises Above the Negativity\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/GaleriaCOVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/10/at-galeria-de-la-raza-artists-fight-to-protect-water-and-human-rights/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>At Galería de la Raza, Artists Fight to Protect Water and Human Rights\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/COVER-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/09/looking-and-truly-seeing-iranian-diasporic-art-at-sfsu/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>At SFSU, Looking and Truly Seeing the Middle East Through Art\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Tongo-Eisen-Martin-e1489009714785-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/08/a-joint-address-to-change-hearts-and-minds-through-poetry/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>A Joint Address to Change Hearts and Minds Through Poetry\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Still-lighter_COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/08/1970s-immigration-story-becomes-timely-in-caamfests-tiger-hunter/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>1970s Immigration Story Becomes Timely in CAAMFest’s ‘Tiger Hunter’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Hung.Liu_.Luzao_.MAIN_-1920x1109.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/06/we-who-work-pays-tribute-to-those-laboring-in-santa-cruz-and-beyond/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘We Who Work’ Pays Tribute to Those Laboring in Santa Cruz and Beyond\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/CrochetCralReef.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/05/the-unlikely-marriage-of-crochet-and-climate-change/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Unlikely Marriage of Crochet and Climate Change\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Torange_PhotobyNavidGMaghami-e1488074247615-768x434.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/04/golden-thread-productions-puts-a-human-face-on-muslim-culture/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Golden Thread Productions Puts a Human Face on Muslim Culture\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Chicano-Batman_Josue-Rivas-Promo-Photo-01-e1488330296472-768x431.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/03/chicano-batman-master-the-art-of-perspective-on-freedom-is-free/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Chicano Batman Masters the Art of Perspective on ‘Freedom Is Free’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/anthem_poster.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/02/why-we-should-sing-the-star-spangled-banners-obscure-fifth-verse/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Why We Should Sing ‘The Star-Spangled Banner’s’ Obscure Fifth Verse\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Mosaic-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/03/01/a-black-history-month-recap-through-the-eyes-of-blackinamerica2017/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>A Black History Month Recap Through the Eyes of ‘#BlackInAmerica2017’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/forum/wp-content/uploads/sites/43/2017/02/02_inauguralball1200-100-days-arts-for-web.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/forum/2017/02/28/bay-area-artists-respond-to-the-trump-presidency/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Bay Area Artists Respond to the Trump Presidency\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/download-1-768x432.png\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/28/chinatowns-ross-alley-transformed-with-ripples-of-immigrant-history/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Chinatown’s Ross Alley Transformed with Ripples of Immigrant History\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/brettstanleyphotodotcom-160603-_MG_8362-Edit-e1486952949931-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/27/a-ballet-dancer-performs-underwater-for-eco-minded-change/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Would You Change Your Ways for This Underwater Ballet Dancer?\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/16797025_10155860167943626_1755773203652807945_o-e1487881067589-768x416.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/25/las-cafeteras-imagine-a-radically-peaceful-future-in-if-i-was-president/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Las Cafeteras Imagine a Radically Peaceful Future In ‘If I Was President’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/RS24352_i-NgFDx99-XL-qut-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/24/silicon-valley-theatre-scene-bristles-with-political-edge-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Silicon Valley Theatre Scene Bristles with Political Edge in the Age of Trump\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Salesman8-e1487841938600-768x433.jpeg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/24/ubuntus-novel-but-problematic-death-of-a-salesman-looks-to-a-new-age/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Ubuntu’s Novel-Yet-Lacking ‘Death of a Salesman’ Looks to a New Age\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Dawson1-e1487749487595.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/23/black-choreographers-festival-points-to-black-bodies-in-crisis/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Black Choreographers Festival Points to Black Bodies in Crisis\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Joseph26-e1487750282790-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/24/watch-marc-bamuthi-josephs-100-days-drumpf-monologue/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Watch Marc Bamuthi Joseph’s ‘100 Days Drumpf’ Monologue\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ShanghaiAngel-768x403.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/21/with-shanghai-angel-heather-klein-tells-a-timely-refugee-tale/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>With ‘Shanghai Angel,’ Heather Klein Tells a Timely Refugee Tale\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/kuruma-e1487369235563-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/20/dorothea-lange-photos-lead-researchers-to-prison-camp-survivors/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Dorothea Lange Photos Lead Historians to Japanese Camp Survivors\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Response-to-Community-Security-e1486927291324.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/18/lending-an-ear-to-the-trump-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Lending an Ear to the Trump Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/unspecified-768x512.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/19/for-mexico-city-musicians-theres-no-hiding-from-el-futuro/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>For Mexico City Musicians, There’s No Hiding From ‘El Futuro’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/IMG_4199-e1487300583333-768x458.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/17/in-he-will-not-divide-us-immigration-issues-hit-robin-dupont-close-to-home\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>In ‘He Will Not Divide Us,’ Deportation Hits Close to Home for Robin DuPont\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Screen-Shot-2017-02-13-at-10.52.44-%D9%82.%D8%AF.-768x433.png\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/16/a-prayformance-confronting-islamophobia-stakes-claim-for-common-ground/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>A ‘Prayformance’ Confronts Islamophobia, Claims Common Ground\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/BadUndies-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/15/bad-hombres-nasty-women-to-engage-in-nationwide-art-projects-feb-20/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Bad Hombres, Nasty Women to Engage in Nationwide Art Projects Feb. 20\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Mixed-Messages-COVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/10/chris-eckerts-mixed-messages-transforms-news-into-morse-code/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Chris Eckert’s ‘Mixed Messages’ Transforms News into Morse Code\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ARTS_CUSTOMEBIKES_2_BUG-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/14/boolander-bamboo-bike-to-bring-eco-sense-and-eccentricity-to-climate-ride/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Boolander’ Bamboo Bike to Bring Eco Sense and Eccentricity to Climate Ride’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/attachment-17-e1486435739778-768x415.jpeg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/13/comedy-series-the-north-pole-takes-on-gentrification-and-global-warming/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Comedy Series ‘The North Pole’ Takes on Gentrification and Global Warming\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Atwood.Orwell.MAIN_-1920x1021.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/12/talking-with-the-anonymous-donors-giving-away-free-copies-of-1984/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Talking With the Anonymous Donors Giving Away Free Copies of ‘1984’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Girl_with_paint_on_her_face-768x432.jpeg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/11/fighting-facial-recognition-software-with-an-artistic-flourish/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Fighting Facial-Recognition Software With an Artistic Flourish\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cp>=\u003c/p>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/unamused-768x396.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/02/09/that-joke-isnt-funny-anymore-thanks-to-trump/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Cooler: That Joke Isn’t Funny Anymore, Thanks to Trump\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/Candorville-2008-Voter-Suppression-768x350.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/08/darrin-bells-candorville-a-funny-pages-feud-against-trump-policies/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Darrin Bell’s ‘Candorville’ a Comics-Page Commentary on Trump Policies\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/immigrantshow_posterframeoption2.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/08/portraits-of-an-immigrant-filled-nation-at-walter-maciel-gallery/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Portraits of an Immigrant-Filled Nation at Walter Maciel Gallery\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/JOhnAdams1.VernEvans-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/07/why-john-adams-wont-write-an-opera-about-president-trump/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Why John Adams Won’t Write an Opera About President Trump\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/gettyimages-589409396_wide-dc42a246b080dc69812314490069975885d3e0c8-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/06/even-with-travel-ban-blocked-artists-are-still-left-hanging/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Even With Travel Ban Blocked, Artists Are Still Left Hanging\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/ArtResistance.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/05/a-town-hall-feel-at-the-art-of-resistance-in-santa-rosa/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>A Town-Hall Feel at ‘The Art of Resistance’ in Santa Rosa\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/treat-yo-self-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/02/02/fight-the-power-with-protest-songs-and-radical-self-care/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Fight the Power with Protest Songs and Radical Self-Care!\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/rihanna-kim-k-sia-twitter-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/01/29/kim-kardashian-sia-and-other-celebs-use-social-media-to-resist-trumps-immigration-ban/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Kim Kardashian, Sia, and Other Celebs Use Social Media to Resist Trump’s Immigration Ban\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/TaravatFreshness-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/02/westoxicated-reminds-us-of-our-shared-humanity-and-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Amid Immigration Ban, ‘Westoxicated’ Reclaims a Shared Humanity\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/AlphaRock4-e1485902515263-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/02/01/alphabet-rockers-now-making-childrens-songs-about-social-issues/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Alphabet Rockers Shift Their Children’s Songs Toward Social Issues\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/ARTS_SOLTRON-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/31/soltron-a-new-musical-message-of-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Soltron, A New Musical Message of Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/WorkshopRNGCOVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/30/with-fabric-banners-stephanie-syjuco-shares-patterns-for-protest/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>With Fabric Banners, Stephanie Syjuco Shares Patterns for Protest\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/mo.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/01/20/the-best-twitter-reactions-to-donald-trumps-inauguration/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Best Twitter Reactions to Donald Trump’s Inauguration\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-08-at-8.52.48-PM-768x427.png\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/01/08/watch-meryl-streep-call-out-trump-defend-foreigners-and-the-press-in-emotional-golden-globes-speech/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Watch Meryl Streep Call Out Trump, Defend Foreigners and the Press in Emotional Golden Globes Speech\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/LetThemNotSay-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/29/jane-hirshfield-let-them-not-say/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Jane Hirshfield, ‘Let Them Not Say’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/liana-garcia-lenny-letter-1920x1080-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/28/say-it-with-flowers-a-petaled-present-of-presidential-protest/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘Say it with Flowers’: A Petaled Present of Presidential Protest\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/c650f5768b5cb0c8aa9b18f9ee709455-e1485382618855-768x458.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/27/kiwi-illafontes-seeds-is-the-nina-simone-sampling-protest-track-you-need/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Kiwi Illafonte’s ‘Seeds’ Taps Nina Simone For an Uplifting Protest Message\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/pussyhat-1020x721.png\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/pop/2017/01/17/dont-know-how-to-knit-make-your-own-pussy-hat-out-of-paper/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Don’t Know How to Knit? Make Your Own ‘Pussy Hat’ Out of Paper!\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/CapitolBuildingProtest.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/27/my-art-is-not-a-bridge-its-a-battery/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>My Art Is Not A Bridge—It’s a Battery\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Ghostlight1_ACT-e1485200421502-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/26/lefty-bay-area-ghostlight-theater-protests-point-to-conservatism/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Lefty Bay Area ‘Ghostlight’ Theater Protests Point to Conservatism\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"row\">\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Literature.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/25/on-literature-in-a-new-era/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On Literature in a New Era\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/WM_Finalfeaturedimage.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/24/building-a-stronger-more-representative-womens-march/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Building a Stronger, More Representative Women’s March\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Cooke-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/24/30-songs-project-expanded-to-1000-songs-after-inauguration/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>’30 Songs’ Project Expanded to 1,000 Songs After Inauguration\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/1_AMorePerfectUnion_by-Arthur-EvansCOVER-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/24/a-living-thing-creates-space-for-civil-discourse-against-patriotic-backdrop/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>‘A Living Thing’ Creates Space for Civil Discourse Against Patriotic Backdrop\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/ClauVideo.MAIN_.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/23/resilience-in-the-rain-at-san-franciscos-womens-march/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Resilience in the Rain at San Francisco’s Women’s March\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/TrumpMarchArt-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/21/at-bay-area-womens-marches-creativity-out-in-force/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>LIVE COVERAGE: At Bay Area Women’s Marches, Creativity Out in Force\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Playlist.PartTwo.MAIN_-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/21/an-alternate-inauguration-day-playlist-part-two-looking-up/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>An Alternate Inauguration Day Playlist, Part Two: Looking Up\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/CurtisMayfield-1920x1080.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/20/an-alternate-inauguration-day-playlist-part-one-looking-down/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>An Alternate Inauguration Day Playlist, Part One: Looking Down\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/01_wethepeopleCOVER-768x433.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/20/local-artists-organize-100-day-calendar-of-creative-resistance/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Local Artists Organize 100-Day Calendar of Creative Resistance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/YouthSpeaksQueen-e1484804185345.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/19/on-mlk-day-youth-speaks-poets-speak-out-against-injustice/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On MLK Day, Youth Speaks Poets Raise a Voice Against Injustice\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Lukaza.MAIN_-768x461.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/19/the-politics-of-lukaza-branfman-verissimos-brown-black-blue-body/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>The Politics of Lukaza Branfman-Verissimo’s Brown, Black, Blue Body\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/LucyChen.MAIN_-768x432.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/19/dancers-create-community-at-grace-cathedral-on-inauguration-day/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>On Inauguration Day, a Dance Performance Steeped in Significance\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/pussyhatfeaturedimage-800x450.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/oakland-yarn-shop-becomes-ground-zero-for-pussy-hat-protest-effort/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>Oakland Yarn Shop Becomes Ground Zero for ‘Pussy Hat’ Protest Effort\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003cdiv class=\"small-12 medium-6 column\">\n\u003cimg decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/gettyimages-156981595_custom-3773bda15230b2e5f74d930aeb0f9c6929c7fbea-e1484771009587.jpg\" alt=\"\">\u003cbr>\n\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/after-trumps-election-a-nonpracticing-muslim-returns-to-prayer/\" target=\"_blank\" rel=\"noopener\">\n\u003ch3>After Trump’s Election, a Nonpracticing Muslim Returns to Prayer\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003chr>\n\u003cdiv class=\"small-12 medium-6 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Trump’\u003c/h3>\n\u003cp>\u003c/p>\u003c/a>\n\u003c/div>\n\u003c/div>\u003c/div>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Long before Donald J. Trump won the presidential election last November, the Bay Area’s creative community had begun reacting to the nominee’s personality and policies. Over the past year, we’ve seen everything from Sita Kuratomi Bhaumik’s \u003ca href=\"https://ww2.kqed.org/arts/2016/11/02/instead-of-dividing-a-border-wall-of-pinatas-brings-a-community-together/\" target=\"_blank\" rel=\"noopener\">installation of handmade, brick-shaped piñatas\u003c/a> assembled to mimic Trump’s proposed border wall to a \u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">monthlong series\u003c/a> of songs about Trump — \u003ca href=\"http://elections.kqed.org/article/12190593/with-sf-based-30-days-30-songs-project-musicians-rally-against-trump\" target=\"_blank\" rel=\"noopener\">‘30 Days, 30 Songs’\u003c/a> — commissioned by writer, publisher and educator Dave Eggers and music impresario Jordan Kurland.\u003c/p>\n\u003cp>Now, with the reality of a Trump administration upon us, artist-activists are working all over the region. Our upcoming series, ‘First 100 Days: Art in the Age of Trump,’ serves to highlight the responses of artists and other creatives during the first hundred days of Donald Trump’s administration — 100 days being the timeframe when a president’s power and influence are supposedly at their zenith. From Jan. 20 to Apr. 29, we will publish a consistent stream of related content online as part of this effort.\u003c/p>\n\u003cfigure id=\"attachment_12292032\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12292032\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-1020x574.jpg\" alt=\"Artist Sita Kuratomi Bhaumik (center) with the makers at Piñatas Las Morenitas\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter.jpg 1852w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Artist Sita Kuratomi Bhaumik (center) with the makers of a piñata wall assembled to mimic Trump’s proposed border wall between the United States and Mexico. \u003ccite>(Photo: Kelly Whalen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With artists uniting around issues that the new president has promised to act upon within his first hundred days, such as immigration, the environment, women’s rights and health care, we want to help our audience think more deeply about what’s happening to our world and our democracy, and give the members of our community — artists and non-artists alike — a sense of purpose and hope.\u003c/p>\n\u003cp>We’re focused, though not limited, to the work of Bay Area creatives. That’s not just because we live here, but also because of our region’s long and proud legacy of arts activism. We’re also more interested in drawing attention to how artists make sense of the issues than in their depictions of Trump himself. And, though it may be rare in the progressive Bay Area, we will not refrain from covering pro-Trump art that might arise.\u003c/p>\n\u003cfigure id=\"attachment_10776804\" class=\"wp-caption aligncenter\" style=\"max-width: 670px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10776804 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/Mission-Mural.jpg\" alt=\"The original mural by Manuel Paul at Galeria de la Raza\" width=\"670\" height=\"317\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/Mission-Mural.jpg 670w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/Mission-Mural-400x189.jpg 400w\" sizes=\"(max-width: 670px) 100vw, 670px\">\u003cfigcaption class=\"wp-caption-text\">A mural in the Mission District by Manuel Paul at Galeria de la Raza. \u003ccite>(Photo: Galeria de la Raza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our coverage in this series will take a variety of formats, from audio, video, photo and written pieces by our team, to samples of work we’re seeing in the community.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So if you’ve written a song or concerto about the latest immigration policy, made a short film about changes to the Environmental Protection Act, created a poem, play, dance piece or visual art work about women’s rights at the dawn of a new era, or indeed if you know of any such projects going on in your community — we want to hear from you.\u003c/p>\n\u003cp>Please provide your submissions using the Google form below, and look for our series to start on Friday, Jan. 20. \u003cem>— Chloe Veltman, Senior Editor\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://docs.google.com/forms/d/e/1FAIpQLSfeIngg5WJjEDtvvrNoLakI5vln04VHkuBJx83HWMlpadEs4g/viewform?embedded=true\" width=\"800\" height=\"600\" frameborder=\"0\" marginheight=\"0\" marginwidth=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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Over the past year, we’ve seen everything from Sita Kuratomi Bhaumik’s \u003ca href=\"https://ww2.kqed.org/arts/2016/11/02/instead-of-dividing-a-border-wall-of-pinatas-brings-a-community-together/\" target=\"_blank\" rel=\"noopener\">installation of handmade, brick-shaped piñatas\u003c/a> assembled to mimic Trump’s proposed border wall to a \u003ca href=\"http://www.30days30songs.com/\" target=\"_blank\" rel=\"noopener\">monthlong series\u003c/a> of songs about Trump — \u003ca href=\"http://elections.kqed.org/article/12190593/with-sf-based-30-days-30-songs-project-musicians-rally-against-trump\" target=\"_blank\" rel=\"noopener\">‘30 Days, 30 Songs’\u003c/a> — commissioned by writer, publisher and educator Dave Eggers and music impresario Jordan Kurland.\u003c/p>\n\u003cp>Now, with the reality of a Trump administration upon us, artist-activists are working all over the region. Our upcoming series, ‘First 100 Days: Art in the Age of Trump,’ serves to highlight the responses of artists and other creatives during the first hundred days of Donald Trump’s administration — 100 days being the timeframe when a president’s power and influence are supposedly at their zenith. From Jan. 20 to Apr. 29, we will publish a consistent stream of related content online as part of this effort.\u003c/p>\n\u003cfigure id=\"attachment_12292032\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-12292032\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-1020x574.jpg\" alt=\"Artist Sita Kuratomi Bhaumik (center) with the makers at Piñatas Las Morenitas\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Weareagainstthewallposter.jpg 1852w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Artist Sita Kuratomi Bhaumik (center) with the makers of a piñata wall assembled to mimic Trump’s proposed border wall between the United States and Mexico. \u003ccite>(Photo: Kelly Whalen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With artists uniting around issues that the new president has promised to act upon within his first hundred days, such as immigration, the environment, women’s rights and health care, we want to help our audience think more deeply about what’s happening to our world and our democracy, and give the members of our community — artists and non-artists alike — a sense of purpose and hope.\u003c/p>\n\u003cp>We’re focused, though not limited, to the work of Bay Area creatives. 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"content": "\u003cp>What would you do with a few tons of steel left over from the demolition of the eastern span of the Oakland-San Francisco Bay Bridge?\u003c/p>\n\u003cp>Well 15 artists and design teams will get a chance to build, among other things, playful structures on Treasure Island, artwork just north of the Ferry Building, a sundial at Laney College, a sculpture near the Petaluma River and the platform for a miniature railroad in Truckee.\u003c/p>\n\u003cp>\u003ca href=\"http://museumca.org/\" target=\"_blank\" rel=\"noopener\">The Oakland Museum of California\u003c/a> Tuesday announced the final five winners of sections of steel, rivets and an old Bay Bridge warning light, all to be used in public projects around California. \u003ca href=\"http://mtc.ca.gov/about-mtc/what-mtc/bay-area-toll-authority-bata\" target=\"_blank\" rel=\"noopener\">The Bay Area Toll Authority\u003c/a> had put the museum in charge of sifting through applications from dozens of artists who wanted to work with material from the iconic cantilever section of the bridge. OMCA had picked some of the winners in earlier announcements.\u003c/p>\n\u003cfigure id=\"attachment_12640890\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12640890\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge.jpg\" alt=\"The eastern span of the old Bay Bridge\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge-520x293.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The eastern span of the old Bay Bridge \u003ccite>(Bryan Goebel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A statement from OMCA says the toll authority will begin to distribute the steel in the spring of this year.\u003c/p>\n\u003cp>Among the newly chosen projects, one that seems timed to the inauguration of President-elect Trump; “Building Bridges, Not Walls,” by the \u003ca href=\"https://livingnewdeal.org/\" target=\"_blank\" rel=\"noopener\">Living New Deal Project\u003c/a>, highlighting the contributions of immigrant workers in building the bridge.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Fifteen artists learned Tuesday that they will get the chance to recycle Bay Bridge steel as art",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>What would you do with a few tons of steel left over from the demolition of the eastern span of the Oakland-San Francisco Bay Bridge?\u003c/p>\n\u003cp>Well 15 artists and design teams will get a chance to build, among other things, playful structures on Treasure Island, artwork just north of the Ferry Building, a sundial at Laney College, a sculpture near the Petaluma River and the platform for a miniature railroad in Truckee.\u003c/p>\n\u003cp>\u003ca href=\"http://museumca.org/\" target=\"_blank\" rel=\"noopener\">The Oakland Museum of California\u003c/a> Tuesday announced the final five winners of sections of steel, rivets and an old Bay Bridge warning light, all to be used in public projects around California. \u003ca href=\"http://mtc.ca.gov/about-mtc/what-mtc/bay-area-toll-authority-bata\" target=\"_blank\" rel=\"noopener\">The Bay Area Toll Authority\u003c/a> had put the museum in charge of sifting through applications from dozens of artists who wanted to work with material from the iconic cantilever section of the bridge. OMCA had picked some of the winners in earlier announcements.\u003c/p>\n\u003cfigure id=\"attachment_12640890\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12640890\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge.jpg\" alt=\"The eastern span of the old Bay Bridge\" width=\"640\" height=\"360\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Eastern-Span-of-the-Old-Bay-Bridge-520x293.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The eastern span of the old Bay Bridge \u003ccite>(Bryan Goebel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A statement from OMCA says the toll authority will begin to distribute the steel in the spring of this year.\u003c/p>\n\u003cp>Among the newly chosen projects, one that seems timed to the inauguration of President-elect Trump; “Building Bridges, Not Walls,” by the \u003ca href=\"https://livingnewdeal.org/\" target=\"_blank\" rel=\"noopener\">Living New Deal Project\u003c/a>, highlighting the contributions of immigrant workers in building the bridge.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "oakland-warehouse-artists-unite-to-stay-safe-and-to-petition-city-hall",
"title": "Oakland Warehouse Artists Unite to Stay Safe — And to Petition City Hall",
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"content": "\u003cp>In the Bay Area, artists and makers are banding together because they’re spooked.\u003c/p>\n\u003cp>“This stuff makes me feel, oh my god, I have to go more underground,” said one San Francisco artist at a recent fire safety event. She wouldn’t give her name, for fear of attracting attention — like the two recent safety inspections that came after a complaint from a neighbor, despite her live/work space being legal.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/303184972″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>“I don’t want to come from a place of fear. And now we’re all kind of like, oh my god, are they going to come and get us next.”\u003c/p>\n\u003cp>While artists in the Bay Area have spent the past month mourning the 36 people killed in the \u003ca href=\"https://ww2.kqed.org/news/2016/12/07/recovery-effort-ends-at-oakland-warehouse-fire-more-victims-identified/\" target=\"_blank\" rel=\"noopener\">Ghost Ship Fire\u003c/a>, they’ve also been organizing to protect unconventional, sometimes illegal, studio spaces. And they have good reason to worry: one artist group estimates that cities and landlords have shut down 20 artist and maker spaces nationwide in the past month.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s a Catch-22 for some: those living in warehouses can’t ask city departments for help with safety upgrades without alerting the powers that be to their existence. So they’re turning to grassroots organizations working as underground safety consultants.\u003c/p>\n\u003cfigure id=\"attachment_12631920\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12631920 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/007-e1484526233461-800x530.jpg\" alt=\"David Keenan, an organizer with the DIY Safety Group and the Omni Commons collective\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1920x1271.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1180x781.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-520x344.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Keenan, an organizer with the DIY Safety Group and the Omni Commons collective. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We tried to create an intake,” said David Keenan, an organizer with the DIY Safety Group, a coalition of artists, makers, contractors, and electricians. “Someone would email (us), saying, ‘Oh god, I’ve got this notice of inspection tomorrow, I’m trying to make it safer, can you guys help.”\u003c/p>\n\u003cp>Keenan said the safety group then sends out experts to fix the problems — experts who know the minutiae of the fire code. “Your fire extinguishers aren’t tagged right,” he says, “or they’re at the wrong height — or they’re not there.”\u003c/p>\n\u003cp>Another group, \u003ca href=\"https://www.facebook.com/wetheartists/\" target=\"_blank\" rel=\"noopener\">We the Artists of the Bay Area \u003c/a>has been providing similar help.\u003c/p>\n\u003cfigure id=\"attachment_12632118\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12632118\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-800x511.jpg\" alt=\"We the Artists of the Bay Area gave away free fire extinguishers and smoke alarms at a recent event\" width=\"800\" height=\"511\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1020x652.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1920x1226.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1180x754.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-960x613.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-240x153.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-375x240.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-520x332.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">We the Artists of the Bay Area gave away free fire extinguishers and smoke alarms at a recent event. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A few days ago, a steady stream of artists stopped by a West Oakland studio to pick up free fire extinguishers and get trained on how to use them. We the Artists had posted the giveaway on its Facebook page.\u003c/p>\n\u003cp>“You know when you’re living on the edge, behind the curtain in some of these spaces, your responsibility is almost tripled as far as life safety,” said \u003ca href=\"http://www.westword.com/arts/burning-man-flame-effects-specialist-davex-on-how-to-play-with-fire-safely-5816424\" target=\"_blank\" rel=\"noopener\">Dave X\u003c/a>. He had rigged up a propane stove to burst into flame so tenants could practice using a fire extinguisher the right way.\u003c/p>\n\u003cfigure id=\"attachment_12632117\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12632117\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-800x495.jpg\" alt=\"Dave X talks fire safety with artist Rose Kelly\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-1920x1188.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-520x322.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dave X talks fire safety with artist Rose Kelly. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dave X manages events with fire and fireworks at the annual Burning Man festival. We the Artists, he said, is doing a kind of harm-reduction program to make legal and illegal studios safer.\u003c/p>\n\u003cp>“I hate to liken it to a needle exchange,” Dave X said, between demos. “But in a way it kind of is. People living in the fringe come to seek out safety services where they can, without exposing themselves to the repercussions of maybe going to a city agency to ask for that help.”\u003c/p>\n\u003cp>Still another artists group, the \u003ca href=\"https://www.facebook.com/OaktownWarehouseCoalition/\" target=\"_blank\" rel=\"noopener\">Oakland Warehouse Coalition\u003c/a>, has proposed a moratorium on evictions, and is asking the City Council to vote on it at their meeting scheduled for \u003cdel datetime=\"2017-01-20T05:47:28+00:00\">Jan 25\u003c/del>. [UPDATE: The meeting has been moved to Jan. 23.]\u003c/p>\n\u003cfigure id=\"attachment_12631917\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12631917 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/008-e1484526462336-800x502.jpg\" alt=\"Jonah Strauss co-founder of the Oakland Warehouse Coalition\" width=\"800\" height=\"502\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-800x502.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-1020x640.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-1920x1205.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-1180x740.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-960x602.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-240x151.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-375x235.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-520x326.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jonah Strauss, co-founder of the Oakland Warehouse Coalition. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Our most at-risk and marginalized tenants are low-income people of color, immigrants, working class people, queer people, transgender, artists and musicians,” said Warehouse Coalition co-founder Jonah Strauss at a recent city council hearing. “These folks are crucial to maintaining our civic and cultural and racial balance, and we owe it to our people to keep Oakland diverse and protect them.”\u003c/p>\n\u003cfigure id=\"attachment_12631915\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12631915\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/002-e1484526541479-800x1154.jpg\" alt=\"A welcome sign at the Omni Commons collective in North Oakland\" width=\"800\" height=\"1154\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-800x1154.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-160x231.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-768x1108.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-1020x1472.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-1180x1703.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-960x1385.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-240x346.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-375x541.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-520x750.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479.jpg 1341w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A welcome sign at the Omni Commons collective in North Oakland. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even the most safety-conscious artists and makers have felt under attack. DIY Safety Group’s David Keenan is also an organizer with the \u003ca href=\"https://omnicommons.org/\" target=\"_blank\" rel=\"noopener\">Omni Commons\u003c/a>, a group of maker collectives that recently bought an old Italian clubhouse in North Oakland. He showed me around the sprawling space, built in 1934. One room was cluttered with computers (the hacker collective Sudoroom) and lab equipment (the biohacker collective Counter Culture Labs). Keenan explained how the group did all its own code and safety upgrades.\u003c/p>\n\u003cp>“This is an exit sign with what’s called bug eyes,” Keenan said, standing in a doorway equipped with an exit sign plus battery and emergency lights.\u003c/p>\n\u003cp>Next to the doorway Keenan pointed to a DIY exit map, made by the collective, saving the five thousand dollars they’d been quoted for the service. “And they’re stamped and signed by the fire marshall, everything’s to code. The exact inches of the text. The colors of the stairs, the fact that this is a non-reflective plexiglass panel that’s exactly a ¼ inch thick.”\u003c/p>\n\u003cfigure id=\"attachment_12631916\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12631916\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/003-e1484526713153-800x508.jpg\" alt=\"An evacuation map signed by the Oakland Fire Marshall at the Omni Commons\" width=\"800\" height=\"508\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-800x508.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-768x488.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-1020x647.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-1920x1219.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-1180x749.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-960x609.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-375x238.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-520x330.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An evacuation map signed by the Oakland Fire Marshall at the Omni Commons. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But just before Christmas, a senior Oakland building inspector threatened to revoke the building’s status as a meeting and maker space after misreading an old insurance map showing fire hazards in the neighborhood.\u003c/p>\n\u003cp>“I would say it’s an act of bad faith by the building official,” Keenan said, “who basically had an agenda, probably based on a fear of liability for the city; a knee-jerk reaction to shut down all assemblies.”\u003c/p>\n\u003cp>Keenan challenged the inspector’s reading of the map, and won the dispute.\u003c/p>\n\u003cp>Oakland officials say they’re still fine-tuning the balance between safety and protecting artists and makers against eviction. “We’ve learned a lot from that,” said Assistant City Administrator, Claudia Cappio, referring to what she called “the Omni Commons screwup.”\u003c/p>\n\u003cp>“Part of it is making sure that our on-the-ground folks have really consistent and clear direction from us,” Cappio said. “That’s in process.”\u003c/p>\n\u003cp>City officials around the Bay Area say they have to be extra conscious of safety after the deadly fire in the Ghost Ship warehouse, the inside of which Oakland fire officials had never inspected. “Safety first is a really big principle in all of this,” Cappio said. “And not to overreact, but there is an increased level of scrutiny.”\u003c/p>\n\u003cfigure id=\"attachment_12452198\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12452198\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/12452197-thumb-800x450.jpg\" alt=\"Oakland Mayor Libby Schaaf at the Oakland Warehouse known as the Ghost Ship\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Mayor Libby Schaaf at the Oakland warehouse known as the Ghost Ship. \u003ccite>(Photo: Elijah Nouvelage/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last week, Mayor Libby Schaaf issued an \u003ca href=\"https://ww2.kqed.org/arts/2017/01/11/oakland-mayor-issues-exec-order-protecting-tenants-of-unsafe-warehouse-spaces/\" target=\"_blank\" rel=\"noopener\">executive order \u003c/a>that puts a high priority on avoiding eviction. City inspectors are ordered to give landlords with illegal units 60 days to come up with a safety plan, and more time to make necessary improvements, as long as there’s no immediate threat to tenant safety.\u003c/p>\n\u003cp>“While this executive order will not make everybody happy, it is a clear path that we believe does the best job of maximizing both safety as well as our need to preserve housing and creative space.”\u003c/p>\n\u003cp>Schaaf says the city has money from a housing bond and other sources to help landlords pay for safety improvements, so long as they can guarantee that rents will remain affordable. And she’s backing a measure from City Councilwoman Rebecca Kaplan that would provide tenants more relocation money if they are evicted due to code violations.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The executive order, Schaaf says, is a direct response to the lobbying of artist and maker groups. The question now is: will landlords join the effort?\u003c/p>\n\n",
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"excerpt": "As underground consultants continue to make Oakland warehouses safer, grassroots groups petition City Hall for leniency in evictions.",
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"title": "Oakland Warehouse Artists Unite to Stay Safe — And to Petition City Hall | KQED",
"description": "As underground consultants continue to make Oakland warehouses safer, grassroots groups petition City Hall for leniency in evictions.",
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"headline": "Oakland Warehouse Artists Unite to Stay Safe — And to Petition City Hall",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the Bay Area, artists and makers are banding together because they’re spooked.\u003c/p>\n\u003cp>“This stuff makes me feel, oh my god, I have to go more underground,” said one San Francisco artist at a recent fire safety event. She wouldn’t give her name, for fear of attracting attention — like the two recent safety inspections that came after a complaint from a neighbor, despite her live/work space being legal.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/303184972″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/303184972″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“I don’t want to come from a place of fear. And now we’re all kind of like, oh my god, are they going to come and get us next.”\u003c/p>\n\u003cp>While artists in the Bay Area have spent the past month mourning the 36 people killed in the \u003ca href=\"https://ww2.kqed.org/news/2016/12/07/recovery-effort-ends-at-oakland-warehouse-fire-more-victims-identified/\" target=\"_blank\" rel=\"noopener\">Ghost Ship Fire\u003c/a>, they’ve also been organizing to protect unconventional, sometimes illegal, studio spaces. And they have good reason to worry: one artist group estimates that cities and landlords have shut down 20 artist and maker spaces nationwide in the past month.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s a Catch-22 for some: those living in warehouses can’t ask city departments for help with safety upgrades without alerting the powers that be to their existence. So they’re turning to grassroots organizations working as underground safety consultants.\u003c/p>\n\u003cfigure id=\"attachment_12631920\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12631920 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/007-e1484526233461-800x530.jpg\" alt=\"David Keenan, an organizer with the DIY Safety Group and the Omni Commons collective\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1020x675.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1920x1271.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-1180x781.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461-520x344.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/007-e1484526233461.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Keenan, an organizer with the DIY Safety Group and the Omni Commons collective. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We tried to create an intake,” said David Keenan, an organizer with the DIY Safety Group, a coalition of artists, makers, contractors, and electricians. “Someone would email (us), saying, ‘Oh god, I’ve got this notice of inspection tomorrow, I’m trying to make it safer, can you guys help.”\u003c/p>\n\u003cp>Keenan said the safety group then sends out experts to fix the problems — experts who know the minutiae of the fire code. “Your fire extinguishers aren’t tagged right,” he says, “or they’re at the wrong height — or they’re not there.”\u003c/p>\n\u003cp>Another group, \u003ca href=\"https://www.facebook.com/wetheartists/\" target=\"_blank\" rel=\"noopener\">We the Artists of the Bay Area \u003c/a>has been providing similar help.\u003c/p>\n\u003cfigure id=\"attachment_12632118\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12632118\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-800x511.jpg\" alt=\"We the Artists of the Bay Area gave away free fire extinguishers and smoke alarms at a recent event\" width=\"800\" height=\"511\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-800x511.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1020x652.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1920x1226.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-1180x754.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-960x613.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-240x153.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-375x240.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10-520x332.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-10.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">We the Artists of the Bay Area gave away free fire extinguishers and smoke alarms at a recent event. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A few days ago, a steady stream of artists stopped by a West Oakland studio to pick up free fire extinguishers and get trained on how to use them. We the Artists had posted the giveaway on its Facebook page.\u003c/p>\n\u003cp>“You know when you’re living on the edge, behind the curtain in some of these spaces, your responsibility is almost tripled as far as life safety,” said \u003ca href=\"http://www.westword.com/arts/burning-man-flame-effects-specialist-davex-on-how-to-play-with-fire-safely-5816424\" target=\"_blank\" rel=\"noopener\">Dave X\u003c/a>. He had rigged up a propane stove to burst into flame so tenants could practice using a fire extinguisher the right way.\u003c/p>\n\u003cfigure id=\"attachment_12632117\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12632117\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-800x495.jpg\" alt=\"Dave X talks fire safety with artist Rose Kelly\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-800x495.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-768x475.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-1020x631.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-1920x1188.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-1180x730.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-960x594.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-240x148.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-375x232.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1-520x322.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/FullSizeRender-8-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dave X talks fire safety with artist Rose Kelly. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Dave X manages events with fire and fireworks at the annual Burning Man festival. We the Artists, he said, is doing a kind of harm-reduction program to make legal and illegal studios safer.\u003c/p>\n\u003cp>“I hate to liken it to a needle exchange,” Dave X said, between demos. “But in a way it kind of is. People living in the fringe come to seek out safety services where they can, without exposing themselves to the repercussions of maybe going to a city agency to ask for that help.”\u003c/p>\n\u003cp>Still another artists group, the \u003ca href=\"https://www.facebook.com/OaktownWarehouseCoalition/\" target=\"_blank\" rel=\"noopener\">Oakland Warehouse Coalition\u003c/a>, has proposed a moratorium on evictions, and is asking the City Council to vote on it at their meeting scheduled for \u003cdel datetime=\"2017-01-20T05:47:28+00:00\">Jan 25\u003c/del>. [UPDATE: The meeting has been moved to Jan. 23.]\u003c/p>\n\u003cfigure id=\"attachment_12631917\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12631917 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/008-e1484526462336-800x502.jpg\" alt=\"Jonah Strauss co-founder of the Oakland Warehouse Coalition\" width=\"800\" height=\"502\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-800x502.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-1020x640.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-1920x1205.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-1180x740.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-960x602.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-240x151.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-375x235.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336-520x326.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/008-e1484526462336.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jonah Strauss, co-founder of the Oakland Warehouse Coalition. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Our most at-risk and marginalized tenants are low-income people of color, immigrants, working class people, queer people, transgender, artists and musicians,” said Warehouse Coalition co-founder Jonah Strauss at a recent city council hearing. “These folks are crucial to maintaining our civic and cultural and racial balance, and we owe it to our people to keep Oakland diverse and protect them.”\u003c/p>\n\u003cfigure id=\"attachment_12631915\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12631915\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/002-e1484526541479-800x1154.jpg\" alt=\"A welcome sign at the Omni Commons collective in North Oakland\" width=\"800\" height=\"1154\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-800x1154.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-160x231.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-768x1108.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-1020x1472.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-1180x1703.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-960x1385.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-240x346.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-375x541.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479-520x750.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/002-e1484526541479.jpg 1341w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A welcome sign at the Omni Commons collective in North Oakland. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even the most safety-conscious artists and makers have felt under attack. DIY Safety Group’s David Keenan is also an organizer with the \u003ca href=\"https://omnicommons.org/\" target=\"_blank\" rel=\"noopener\">Omni Commons\u003c/a>, a group of maker collectives that recently bought an old Italian clubhouse in North Oakland. He showed me around the sprawling space, built in 1934. One room was cluttered with computers (the hacker collective Sudoroom) and lab equipment (the biohacker collective Counter Culture Labs). Keenan explained how the group did all its own code and safety upgrades.\u003c/p>\n\u003cp>“This is an exit sign with what’s called bug eyes,” Keenan said, standing in a doorway equipped with an exit sign plus battery and emergency lights.\u003c/p>\n\u003cp>Next to the doorway Keenan pointed to a DIY exit map, made by the collective, saving the five thousand dollars they’d been quoted for the service. “And they’re stamped and signed by the fire marshall, everything’s to code. The exact inches of the text. The colors of the stairs, the fact that this is a non-reflective plexiglass panel that’s exactly a ¼ inch thick.”\u003c/p>\n\u003cfigure id=\"attachment_12631916\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12631916\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/003-e1484526713153-800x508.jpg\" alt=\"An evacuation map signed by the Oakland Fire Marshall at the Omni Commons\" width=\"800\" height=\"508\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-800x508.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-768x488.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-1020x647.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-1920x1219.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-1180x749.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-960x609.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-375x238.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153-520x330.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/003-e1484526713153.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An evacuation map signed by the Oakland Fire Marshall at the Omni Commons. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But just before Christmas, a senior Oakland building inspector threatened to revoke the building’s status as a meeting and maker space after misreading an old insurance map showing fire hazards in the neighborhood.\u003c/p>\n\u003cp>“I would say it’s an act of bad faith by the building official,” Keenan said, “who basically had an agenda, probably based on a fear of liability for the city; a knee-jerk reaction to shut down all assemblies.”\u003c/p>\n\u003cp>Keenan challenged the inspector’s reading of the map, and won the dispute.\u003c/p>\n\u003cp>Oakland officials say they’re still fine-tuning the balance between safety and protecting artists and makers against eviction. “We’ve learned a lot from that,” said Assistant City Administrator, Claudia Cappio, referring to what she called “the Omni Commons screwup.”\u003c/p>\n\u003cp>“Part of it is making sure that our on-the-ground folks have really consistent and clear direction from us,” Cappio said. “That’s in process.”\u003c/p>\n\u003cp>City officials around the Bay Area say they have to be extra conscious of safety after the deadly fire in the Ghost Ship warehouse, the inside of which Oakland fire officials had never inspected. “Safety first is a really big principle in all of this,” Cappio said. “And not to overreact, but there is an increased level of scrutiny.”\u003c/p>\n\u003cfigure id=\"attachment_12452198\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12452198\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/12/12452197-thumb-800x450.jpg\" alt=\"Oakland Mayor Libby Schaaf at the Oakland Warehouse known as the Ghost Ship\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/12/12452197-thumb-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Mayor Libby Schaaf at the Oakland warehouse known as the Ghost Ship. \u003ccite>(Photo: Elijah Nouvelage/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last week, Mayor Libby Schaaf issued an \u003ca href=\"https://ww2.kqed.org/arts/2017/01/11/oakland-mayor-issues-exec-order-protecting-tenants-of-unsafe-warehouse-spaces/\" target=\"_blank\" rel=\"noopener\">executive order \u003c/a>that puts a high priority on avoiding eviction. City inspectors are ordered to give landlords with illegal units 60 days to come up with a safety plan, and more time to make necessary improvements, as long as there’s no immediate threat to tenant safety.\u003c/p>\n\u003cp>“While this executive order will not make everybody happy, it is a clear path that we believe does the best job of maximizing both safety as well as our need to preserve housing and creative space.”\u003c/p>\n\u003cp>Schaaf says the city has money from a housing bond and other sources to help landlords pay for safety improvements, so long as they can guarantee that rents will remain affordable. And she’s backing a measure from City Councilwoman Rebecca Kaplan that would provide tenants more relocation money if they are evicted due to code violations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The executive order, Schaaf says, is a direct response to the lobbying of artist and maker groups. The question now is: will landlords join the effort?\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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