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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Have you ever done anything for 24 hours straight other than binge-watch \u003cem>Game Of Thrones\u003c/em> before a new season starts? This guy \u003ca href=\"https://www.youtube.com/watch?v=tM7dlqKL9XU\" target=\"_blank\" rel=\"noopener\">spun a fidget spinner\u003c/a> for a full day, so you know, the sky’s the limit. Endurance tests now just seem like excuses to sit on your butt and get praise for it.\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/artists/329770596/asgeir\">Ásgeir\u003c/a>, the Icelandic artist with the crystalline falsetto, wants to elevate the 24-hour challenge. Starting at 1 p.m. ET today, he will record stripped-down versions of his songs (and some covers) directly to 7″ vinyl via Icelandic national television and a YouTube live stream. Fans can request songs using the hashtag #asgeirstraighttovinyl and by commenting on YouTube. An “international scavenger hunt” for physical copies of the music has been promised, to be announced at some later point.\u003c/p>\n\u003cp>Now the real question is: What sort of studio madness will occur once sleep deprivation kicks in? Will Ásgeir turn songs from \u003cem>\u003ca href=\"http://www.npr.org/2017/05/01/526314280/first-listen-sgeir-afterglow\">Afterglow\u003c/a>\u003c/em> into a nightmarish jigsaw puzzle, à la Captain Beefheart’s \u003cem>Trout Mask Replica\u003c/em>? Tune in to find out! \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=For+24+Hours+Straight%2C+%C3%81sgeir+Is+Taking+Requests+And+Pressing+Them+To+Vinyl&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>California is full of incredible, unique places. Even for those of us who have lived here all our lives, there are still secret, off-the-beaten-path spots we’ve never even heard of.\u003c/p>\n\u003cp>Every summer, we put together a special show about some of those hidden gems.\u003c/p>\n\u003cp>I decided to host this year’s show from a \u003ca href=\"https://www.sonomacanopytours.com/\" target=\"_blank\" rel=\"noopener noreferrer\">zipline in Sonoma County\u003c/a>, with help from our intrepid producer Suzie Racho. Soaring above the redwoods — with our microphones, headphones and tape recorders — was nerve-wracking.\u003c/p>\n\u003cp>[gallery type=\"rectangular\" ids=\"11526701,11526697\"]\u003c/p>\n\u003cp>I’ve hiked through redwoods and tried to put my arms around them. But I’ve never flown above them suspended from a cable or seen the treetop canopy from a 100-foot-high platform. It gave me a different perspective on one of California’s greatest treasures.\u003c/p>\n\u003ch3>Some of This Year’s Hidden Gems\u003c/h3>\n\u003cp>At \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/nancys-airport-cafe-where-regulars-fly-in-for-pie/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Nancy’s Airport Cafe\u003c/strong>\u003c/a>, steps from the tarmac in rural Glenn County, the pie is so good that small-plane pilots fly in just for the food.\u003c/p>\n\u003cfigure id=\"attachment_11524197\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/nancys-airport-cafe-where-regulars-fly-in-for-pie/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11524197 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tricia Lawson has worked as a server at Nancy’s for 26 years. She still wears the nametag she got when she started. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Madame Ganna Walska, an eccentric Polish opera diva, planted lush gardens near Santa Barbara where you can still walk among plants that predate the dinosaurs. \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/33-years-after-her-death-eccentric-opera-singers-garden-still-grows/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>She called it Lotusland\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11524458\" class=\"wp-caption aligncenter\" style=\"max-width: 660px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/33-years-after-her-death-eccentric-opera-singers-garden-still-grows/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11524458 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut.jpg\" alt=\"\" width=\"660\" height=\"444\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut.jpg 660w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-375x252.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-520x350.jpg 520w\" sizes=\"(max-width: 660px) 100vw, 660px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Madame Ganna Walska poses for a photographer in the garden. \u003ccite>(Courtesy of Lotusland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Want to get giant, fresh and legendary strawberry doughnuts near Los Angeles in the middle of the night? \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/are-these-the-best-donuts-in-southern-california/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Meet the Donut Man\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11528631\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/are-these-the-best-donuts-in-southern-california/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11528631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-800x685.jpg\" alt=\"Katelyn Johnson displays The Donut Man's calling card: the strawberry donut.\" width=\"800\" height=\"685\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-160x137.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-240x206.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-375x321.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-520x445.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Katelyn Johnson displays the Donut Man’s calling card: the strawberry doughnut. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nestled among the vineyards of Napa County, there’s a place dating back to when California was part of Mexico. At 36 feet tall, \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/when-in-napa-skip-the-wine-and-head-for-the-mill/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>the Bale Grist Mill’s\u003c/strong>\u003c/a> waterwheel is one of the tallest in North America.\u003c/p>\n\u003cfigure id=\"attachment_11528633\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/when-in-napa-skip-the-wine-and-head-for-the-mill/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11528633 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-800x530.jpg\" alt=\"\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-1180x782.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Bale Grist Mill. (Ryan Levi/KQED) \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Layers of sandstone form buttes and towering cliffs. Joshua Trees stand guard on the desert floor, and there are way more lizards than people. It’s no wonder this place has been the backdrop for a lot of Westerns. Not far from Hollywood, \u003ca href=\"https://ww2.kqed.org/news/2017/06/26/not-far-from-hollywood-this-state-park-is-a-scene-stealer/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Red Rock Canyon State Park is a scene-stealer\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11533693\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11533693\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RedRockMain-800x506.jpg\" alt=\"Red Rock Canyon looks a little like Utah, except for all the Joshua Trees.\" width=\"800\" height=\"506\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-800x506.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-1020x645.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-1180x746.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-960x607.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-375x237.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-520x329.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Red Rock Canyon looks a little like Utah, except for all the Joshua Trees. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "We visit a garden founded by a Polish opera diva, eat what might be Southern California's best doughnuts and stop by a cafe with pie so good the pilots fly in for it.",
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"title": "An Audio Road Trip: Unearthing California's Hidden Gems | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>California is full of incredible, unique places. Even for those of us who have lived here all our lives, there are still secret, off-the-beaten-path spots we’ve never even heard of.\u003c/p>\n\u003cp>Every summer, we put together a special show about some of those hidden gems.\u003c/p>\n\u003cp>I decided to host this year’s show from a \u003ca href=\"https://www.sonomacanopytours.com/\" target=\"_blank\" rel=\"noopener noreferrer\">zipline in Sonoma County\u003c/a>, with help from our intrepid producer Suzie Racho. Soaring above the redwoods — with our microphones, headphones and tape recorders — was nerve-wracking.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve hiked through redwoods and tried to put my arms around them. But I’ve never flown above them suspended from a cable or seen the treetop canopy from a 100-foot-high platform. It gave me a different perspective on one of California’s greatest treasures.\u003c/p>\n\u003ch3>Some of This Year’s Hidden Gems\u003c/h3>\n\u003cp>At \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/nancys-airport-cafe-where-regulars-fly-in-for-pie/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Nancy’s Airport Cafe\u003c/strong>\u003c/a>, steps from the tarmac in rural Glenn County, the pie is so good that small-plane pilots fly in just for the food.\u003c/p>\n\u003cfigure id=\"attachment_11524197\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/nancys-airport-cafe-where-regulars-fly-in-for-pie/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11524197 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25545_IMG_6759-qut-520x390.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tricia Lawson has worked as a server at Nancy’s for 26 years. She still wears the nametag she got when she started. \u003ccite>(Lisa Morehouse/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Madame Ganna Walska, an eccentric Polish opera diva, planted lush gardens near Santa Barbara where you can still walk among plants that predate the dinosaurs. \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/33-years-after-her-death-eccentric-opera-singers-garden-still-grows/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>She called it Lotusland\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11524458\" class=\"wp-caption aligncenter\" style=\"max-width: 660px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/33-years-after-her-death-eccentric-opera-singers-garden-still-grows/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11524458 size-full\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut.jpg\" alt=\"\" width=\"660\" height=\"444\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut.jpg 660w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-240x161.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-375x252.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25748_MGW-in-Garden-kneeling-qut-520x350.jpg 520w\" sizes=\"(max-width: 660px) 100vw, 660px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Madame Ganna Walska poses for a photographer in the garden. \u003ccite>(Courtesy of Lotusland)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Want to get giant, fresh and legendary strawberry doughnuts near Los Angeles in the middle of the night? \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/are-these-the-best-donuts-in-southern-california/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Meet the Donut Man\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11528631\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/are-these-the-best-donuts-in-southern-california/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11528631\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-800x685.jpg\" alt=\"Katelyn Johnson displays The Donut Man's calling card: the strawberry donut.\" width=\"800\" height=\"685\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-160x137.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-240x206.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-375x321.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/StrawberryDonuts-800x685-1-520x445.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Katelyn Johnson displays the Donut Man’s calling card: the strawberry doughnut. \u003ccite>(Peter Gilstrap/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nestled among the vineyards of Napa County, there’s a place dating back to when California was part of Mexico. At 36 feet tall, \u003ca href=\"https://ww2.kqed.org/news/2017/06/23/when-in-napa-skip-the-wine-and-head-for-the-mill/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>the Bale Grist Mill’s\u003c/strong>\u003c/a> waterwheel is one of the tallest in North America.\u003c/p>\n\u003cfigure id=\"attachment_11528633\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/news/2017/06/23/when-in-napa-skip-the-wine-and-head-for-the-mill/\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11528633 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-800x530.jpg\" alt=\"\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-1180x782.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-960x636.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-240x159.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-375x248.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RS25733_WHEEL-qut-1-1920x1272-1-520x345.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Bale Grist Mill. (Ryan Levi/KQED) \u003ccite>(Ryan Levi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Layers of sandstone form buttes and towering cliffs. Joshua Trees stand guard on the desert floor, and there are way more lizards than people. It’s no wonder this place has been the backdrop for a lot of Westerns. Not far from Hollywood, \u003ca href=\"https://ww2.kqed.org/news/2017/06/26/not-far-from-hollywood-this-state-park-is-a-scene-stealer/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Red Rock Canyon State Park is a scene-stealer\u003c/strong>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11533693\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11533693\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/RedRockMain-800x506.jpg\" alt=\"Red Rock Canyon looks a little like Utah, except for all the Joshua Trees.\" width=\"800\" height=\"506\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-800x506.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-1020x645.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-1180x746.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-960x607.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-375x237.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/10/2017/06/RedRockMain-520x329.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Red Rock Canyon looks a little like Utah, except for all the Joshua Trees. \u003ccite>(Alice Daniel/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "'Autograph Bill' Sparks Lawsuit from Local Bookseller",
"headTitle": "‘Autograph Bill’ Sparks Lawsuit from Local Bookseller | KQED",
"content": "\u003cp>A law originally intended to protect buyers of \u003cem>Star Wars\u003c/em> paraphernalia has culminated in one Bay Area bookstore owner taking the State of California to court.\u003c/p>\n\u003cp>Bill Petrocelli, an owner at the independent bookstore chain Book Passage, filed a lawsuit in May against the state to overturn Assembly Bill No. 1570. The bill, which was officially enacted in January, expands California’s “autograph law” to put regulations on any autographed good or memorabilia item worth more than $5. The original “autograph law” was passed in 1992 to cover autographed sports memorabilia.\u003c/p>\n\u003cp>Bookstore owners such as Petrocelli fear the repercussions that AB 1570 could have on the future of independent bookstores. Under AB 1570, bookstores that sell autographed books and hold author events and talks — such as Book Passage, which holds around 700 speaking engagements annually across its three Bay Area locations — would run the risk of legal woes.\u003c/p>\n\u003cp>“This law was aimed at protecting people who bought collectible items — sports and entertainment memorabilia,” said Petrocelli. “It was drafted in such a way that it would apply to everything that has an autograph, which, in our case, is books. We don’t charge extra for the book. [The autograph] is done simultaneously in front of the customer. There’s a whole bunch of ways in which our situation is different from collectibles and memorabilia.”\u003c/p>\n\u003cp>The bill was written by former State Representative Ling Ling Chang to restrict the distribution of collectible goods with forged autographs. The original bill was famously advocated by \u003cem>Star Wars\u003c/em> actor Mark Hammill, who has issued “counterfeit checks” (verifying or denying his autograph’s authenticity) for fans who have purchased signed memorabilia on Twitter.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/HamillHimself/status/681256044975144960\u003c/p>\n\u003cp>\u003ca href=\"http://www.bookweb.org/news/california-collectibles-bill-clarification-expected-34750\">Chang issued a clarification in October last year\u003c/a>, a month after the original bill was signed by Gov. Jerry Brown. The clarification would have exempted bookstores, specifically stating that the bill would only regulate collectible dealers and other merchants of rare memorabilia. Its legitimacy, however, is made tenuous by the fact that Chang no longer holds a seat in the Assembly after a failed run for a State Senate seat last year.\u003c/p>\n\u003cp>According to Petrocelli, the Book Passage has been “walking on eggshells” by continuing to hold author signings and selling autographed books at their stores since AB 1570 was officially put into law.\u003c/p>\n\u003cp>“If we’re not considered a dealer [by law], then the rules don’t apply,” Petrocelli said. “But, at any time, someone could file a lawsuit. There’s simply no way we can comply with it aside from doing the wherewithal of the complicated requirements.”\u003c/p>\n\u003cp>The requirements for the bill mandate that small bookstores must issue a Certificate of Authenticity for any qualifying good, document these goods and its previous owner and maintain a list in its archives for at least seven years.\u003c/p>\n\u003cp>For Petrocelli’s attorney Anastasia Boden of the Pacific Legal Foundation, the passage of AB 1570 carries ramifications that extend into First Amendment violations.\u003c/p>\n\u003cp>“We are arguing that the law violates the First Amendment by burdening the sale of books, and books are a form of communication protected by the First Amendment,” she said. “This autograph law would deprive authors of a venue to share their ideas, and deprive readers a space to hear these ideas out.”\u003c/p>\n\u003cp>The Pacific Legal Foundation, a conservative-leaning public interest law firm, is taking on Petrocelli’s case \u003cem>pro bono\u003c/em>.\u003c/p>\n\u003cp>Some legislators are already working to pass bills that would exempt Book Passage and other indie bookstores from the “autograph bill.” The most notable of these acts was \u003ca href=\"https://legiscan.com/CA/bill/AB228/2017\">Assembly Bill No. 228\u003c/a>, introduced by Assemblymembers Todd Gloria and David Chiu, and its companion bill \u003ca href=\"https://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201720180SB579\">Senate Bill No. 579\u003c/a>.\u003c/p>\n\u003cp>Both bills would loosen restrictions on bookstores that sell autographed books, whether through holding in-store events or by stocking new and used autographed copies of books. However, Boden contends that while the Senate Bill covers bookstore exemptions, the language in AB 228 fails to fully protect bookstores from possible litigation.\u003c/p>\n\u003cp>“The Assembly bill would include certain books, including entertainment and sports memorabilia,” said Boden. “If you think about it, any book that’s made into a movie — is that memorabilia? Is a biography of Michael Jordan sports memorabilia?”\u003c/p>\n\u003cp>Chiu, who represents San Francisco’s District 17, nevertheless hopes that the amended bill can rectify Petrocelli’s concerns, though he was not familiar with the lawsuit.\u003c/p>\n\u003cp>“AB 228 is intended to make it clear and easy for bookstores to have those events,” Chiu said. “We want to make sure that their challenges are alleviated.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As of Tuesday, the Senate hearing for AB 228 has been postponed in committee. The lawsuit itself, \u003cem>Book Passage v\u003c/em>. \u003cem>Becerra, \u003c/em>has yet to be heard by a Superior Court. Petrocelli and the Pacific Legal Foundation, in the meantime, are planning to issue a preliminary injunction to invalidate AB 1570 until the case can be settled in court.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A law originally intended to protect buyers of \u003cem>Star Wars\u003c/em> paraphernalia has culminated in one Bay Area bookstore owner taking the State of California to court.\u003c/p>\n\u003cp>Bill Petrocelli, an owner at the independent bookstore chain Book Passage, filed a lawsuit in May against the state to overturn Assembly Bill No. 1570. The bill, which was officially enacted in January, expands California’s “autograph law” to put regulations on any autographed good or memorabilia item worth more than $5. The original “autograph law” was passed in 1992 to cover autographed sports memorabilia.\u003c/p>\n\u003cp>Bookstore owners such as Petrocelli fear the repercussions that AB 1570 could have on the future of independent bookstores. Under AB 1570, bookstores that sell autographed books and hold author events and talks — such as Book Passage, which holds around 700 speaking engagements annually across its three Bay Area locations — would run the risk of legal woes.\u003c/p>\n\u003cp>“This law was aimed at protecting people who bought collectible items — sports and entertainment memorabilia,” said Petrocelli. “It was drafted in such a way that it would apply to everything that has an autograph, which, in our case, is books. We don’t charge extra for the book. [The autograph] is done simultaneously in front of the customer. There’s a whole bunch of ways in which our situation is different from collectibles and memorabilia.”\u003c/p>\n\u003cp>The bill was written by former State Representative Ling Ling Chang to restrict the distribution of collectible goods with forged autographs. The original bill was famously advocated by \u003cem>Star Wars\u003c/em> actor Mark Hammill, who has issued “counterfeit checks” (verifying or denying his autograph’s authenticity) for fans who have purchased signed memorabilia on Twitter.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003ca href=\"http://www.bookweb.org/news/california-collectibles-bill-clarification-expected-34750\">Chang issued a clarification in October last year\u003c/a>, a month after the original bill was signed by Gov. Jerry Brown. The clarification would have exempted bookstores, specifically stating that the bill would only regulate collectible dealers and other merchants of rare memorabilia. Its legitimacy, however, is made tenuous by the fact that Chang no longer holds a seat in the Assembly after a failed run for a State Senate seat last year.\u003c/p>\n\u003cp>According to Petrocelli, the Book Passage has been “walking on eggshells” by continuing to hold author signings and selling autographed books at their stores since AB 1570 was officially put into law.\u003c/p>\n\u003cp>“If we’re not considered a dealer [by law], then the rules don’t apply,” Petrocelli said. “But, at any time, someone could file a lawsuit. There’s simply no way we can comply with it aside from doing the wherewithal of the complicated requirements.”\u003c/p>\n\u003cp>The requirements for the bill mandate that small bookstores must issue a Certificate of Authenticity for any qualifying good, document these goods and its previous owner and maintain a list in its archives for at least seven years.\u003c/p>\n\u003cp>For Petrocelli’s attorney Anastasia Boden of the Pacific Legal Foundation, the passage of AB 1570 carries ramifications that extend into First Amendment violations.\u003c/p>\n\u003cp>“We are arguing that the law violates the First Amendment by burdening the sale of books, and books are a form of communication protected by the First Amendment,” she said. “This autograph law would deprive authors of a venue to share their ideas, and deprive readers a space to hear these ideas out.”\u003c/p>\n\u003cp>The Pacific Legal Foundation, a conservative-leaning public interest law firm, is taking on Petrocelli’s case \u003cem>pro bono\u003c/em>.\u003c/p>\n\u003cp>Some legislators are already working to pass bills that would exempt Book Passage and other indie bookstores from the “autograph bill.” The most notable of these acts was \u003ca href=\"https://legiscan.com/CA/bill/AB228/2017\">Assembly Bill No. 228\u003c/a>, introduced by Assemblymembers Todd Gloria and David Chiu, and its companion bill \u003ca href=\"https://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201720180SB579\">Senate Bill No. 579\u003c/a>.\u003c/p>\n\u003cp>Both bills would loosen restrictions on bookstores that sell autographed books, whether through holding in-store events or by stocking new and used autographed copies of books. However, Boden contends that while the Senate Bill covers bookstore exemptions, the language in AB 228 fails to fully protect bookstores from possible litigation.\u003c/p>\n\u003cp>“The Assembly bill would include certain books, including entertainment and sports memorabilia,” said Boden. “If you think about it, any book that’s made into a movie — is that memorabilia? Is a biography of Michael Jordan sports memorabilia?”\u003c/p>\n\u003cp>Chiu, who represents San Francisco’s District 17, nevertheless hopes that the amended bill can rectify Petrocelli’s concerns, though he was not familiar with the lawsuit.\u003c/p>\n\u003cp>“AB 228 is intended to make it clear and easy for bookstores to have those events,” Chiu said. “We want to make sure that their challenges are alleviated.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As of Tuesday, the Senate hearing for AB 228 has been postponed in committee. The lawsuit itself, \u003cem>Book Passage v\u003c/em>. \u003cem>Becerra, \u003c/em>has yet to be heard by a Superior Court. Petrocelli and the Pacific Legal Foundation, in the meantime, are planning to issue a preliminary injunction to invalidate AB 1570 until the case can be settled in court.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Simone Veil, a Holocaust survivor and women’s rights advocate who was instrumental in legalizing abortion in France, has died at age 89.\u003c/p>\n\u003cp>Veil was among France’s most popular politicians and was revered across the political spectrum. In 1979, she became the first directly elected president of the European Parliament.\u003c/p>\n\u003cp>“May her example inspire our countrymen, who will find in her the best of France,” French President Emmanuel Macron \u003ca href=\"https://twitter.com/EmmanuelMacron/status/880713591300796417\">said in a message on Twitter\u003c/a>, in which he also expressed condolences to her family.\u003c/p>\n\u003cp>https://twitter.com/EmmanuelMacron/status/880713591300796417\u003c/p>\n\u003cp>Veil, who was originally from the city of Nice, was rounded up with other French Jews when she was 16 and sent to the Auschwitz concentration camp. Both of her parents and two of her siblings were killed during the war, \u003ca href=\"http://webdoc.france24.com/obituary-simone-veil-holocaust-women-abortion-france/\">France 24 reported\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Veil avoided being immediately sent to the gas chambers by lying to the Nazis about her age, the broadcaster reported. “She was registered for the labour camp, shaved from head to toe and tattooed with the serial number 78651 on her arm.”\u003c/p>\n\u003cp>After the war, Veil pursued a law degree and entered politics. During her time as health minister, she fought to loosen restrictions on contraceptive use.\u003c/p>\n\u003cp>A year later, she faced powerful opposition, including from her own political allies, when she fought to legalize abortion.\u003c/p>\n\u003cp>“No woman resorts to an abortion with a light heart. One only has to listen to them: It is always a tragedy,” Veil said in her opening address in 1974 at the National Assembly, France 24 reported. “We can no longer shut our eyes to the 300,000 abortions that each year mutilate the women of this country, trample on its laws and humiliate or traumatise those who undergo them.”\u003c/p>\n\u003cp>During her push for legal abortion, she “braved a volley of insults, some of them likening terminations to the Nazis’ treatment of Jews,” \u003ca href=\"https://www.theguardian.com/world/2017/jun/30/simone-veil-auschwitz-survivor-abortion-pioneer-dies-france\">The Guardian reported\u003c/a>. The bill ultimately passed because the left-wing opposition backed it, France 24 added.\u003c/p>\n\u003cp>The legislation that legalized abortion in France is still known as “Veil’s law,” and the \u003cem>Guardian\u003c/em> adds that it is “considered a cornerstone of women’s rights and secularism in France.”\u003c/p>\n\u003cp>Veil’s experience during the Holocaust prompted her to advocate for European unity, as she said in a 2007 interview with The Associated Press. “The idea of war was for me something terrible. … The only possible option was to make peace.”\u003c/p>\n\u003cp>Elected president of the European Parliament in its first direct vote of lawmakers in 1979, she “served as president until 1982 and remained in the Parliament until 1993,” the AP added.\u003c/p>\n\u003cp>Veil also served on the Constitutional Council — France’s top constitutional authority — and left public office in 2007.\u003c/p>\n\u003cp>She was elected to the Academie Francaise, which presides over the French language, in 2008.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/2017/06/30/world/europe/simone-veil-dead.html?_r=0\">As The New York Times reported\u003c/a>, when she was inducted into the Academie, novelist Jean d’Ormesson paid tribute to her vast support among the French:\u003c/p>\n\u003cblockquote>\n\u003cp>“This support does not rest on mediocre and lame consensus among the countless opinions that never cease dividing our old country. … It rests on the principles that you affirm and, against all odds, without ever raising your voice, manage to convince everyone of. We can say this without airs: In the heart of political life, you offer a moral and republican image.”\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=French+Politician+Simone+Veil%2C+Holocaust+Survivor+And+Abortion+Pioneer%2C+Dies+At+89&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Simone Veil, a Holocaust survivor and women’s rights advocate who was instrumental in legalizing abortion in France, has died at age 89.\u003c/p>\n\u003cp>Veil was among France’s most popular politicians and was revered across the political spectrum. In 1979, she became the first directly elected president of the European Parliament.\u003c/p>\n\u003cp>“May her example inspire our countrymen, who will find in her the best of France,” French President Emmanuel Macron \u003ca href=\"https://twitter.com/EmmanuelMacron/status/880713591300796417\">said in a message on Twitter\u003c/a>, in which he also expressed condolences to her family.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Veil avoided being immediately sent to the gas chambers by lying to the Nazis about her age, the broadcaster reported. “She was registered for the labour camp, shaved from head to toe and tattooed with the serial number 78651 on her arm.”\u003c/p>\n\u003cp>After the war, Veil pursued a law degree and entered politics. During her time as health minister, she fought to loosen restrictions on contraceptive use.\u003c/p>\n\u003cp>A year later, she faced powerful opposition, including from her own political allies, when she fought to legalize abortion.\u003c/p>\n\u003cp>“No woman resorts to an abortion with a light heart. One only has to listen to them: It is always a tragedy,” Veil said in her opening address in 1974 at the National Assembly, France 24 reported. “We can no longer shut our eyes to the 300,000 abortions that each year mutilate the women of this country, trample on its laws and humiliate or traumatise those who undergo them.”\u003c/p>\n\u003cp>During her push for legal abortion, she “braved a volley of insults, some of them likening terminations to the Nazis’ treatment of Jews,” \u003ca href=\"https://www.theguardian.com/world/2017/jun/30/simone-veil-auschwitz-survivor-abortion-pioneer-dies-france\">The Guardian reported\u003c/a>. The bill ultimately passed because the left-wing opposition backed it, France 24 added.\u003c/p>\n\u003cp>The legislation that legalized abortion in France is still known as “Veil’s law,” and the \u003cem>Guardian\u003c/em> adds that it is “considered a cornerstone of women’s rights and secularism in France.”\u003c/p>\n\u003cp>Veil’s experience during the Holocaust prompted her to advocate for European unity, as she said in a 2007 interview with The Associated Press. “The idea of war was for me something terrible. … The only possible option was to make peace.”\u003c/p>\n\u003cp>Elected president of the European Parliament in its first direct vote of lawmakers in 1979, she “served as president until 1982 and remained in the Parliament until 1993,” the AP added.\u003c/p>\n\u003cp>Veil also served on the Constitutional Council — France’s top constitutional authority — and left public office in 2007.\u003c/p>\n\u003cp>She was elected to the Academie Francaise, which presides over the French language, in 2008.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/2017/06/30/world/europe/simone-veil-dead.html?_r=0\">As The New York Times reported\u003c/a>, when she was inducted into the Academie, novelist Jean d’Ormesson paid tribute to her vast support among the French:\u003c/p>\n\u003cblockquote>\n\u003cp>“This support does not rest on mediocre and lame consensus among the countless opinions that never cease dividing our old country. … It rests on the principles that you affirm and, against all odds, without ever raising your voice, manage to convince everyone of. We can say this without airs: In the heart of political life, you offer a moral and republican image.”\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=French+Politician+Simone+Veil%2C+Holocaust+Survivor+And+Abortion+Pioneer%2C+Dies+At+89&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In an era where people are protesting noisily around the country, we’re looking for stories of quiet resistance.\u003c/p>\n\u003cp>Opting out of the status quo doesn’t have to make a big political statement. Sometimes little acts of dissent can bring about big change. In fact, we tend to forget how much “the power of no” is part of our everyday lives.\u003c/p>\n\u003cp>We’re interested in the reasons why people decide to say no to the apparently minor things that most of us are conditioned to say yes to, and what happens to them and their communities when they refuse to participate.\u003c/p>\n\u003cp>\u003cstrong>Please take our \u003ca href=\"https://docs.google.com/forms/d/1QJCqXE5vvlU2xlRWpwNUjXDKOw0sjmqCtQXOKMILQdQ/edit?ts=594068fe\" target=\"_blank\" rel=\"noopener noreferrer\">short survey\u003c/a> to tell us your story:\u003c/strong>\u003c/p>\n\u003cp>https://docs.google.com/forms/d/1QJCqXE5vvlU2xlRWpwNUjXDKOw0sjmqCtQXOKMILQdQ/edit?ts=594068fe\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Here are some examples of the sorts of stories we’re interested in hearing — though please don’t limit yourself to these archetypes:\u003c/p>\n\u003cul>\n\u003cli>A member of a group of political activists (e.g., a student or environmental group) who decides not to participate in a particular action with the rest of the group.\u003c/li>\n\u003cli>A person who won’t work more than 40 hours a week on principle even in a workplace where working long hours is the norm.\u003c/li>\n\u003cli>A high-performing student who chooses not to attend a four-year university.\u003c/li>\n\u003cli>\u003cspan style=\"line-height: 1.5\">A parent who chooses not to send their kid(s) to a private or charter school, and instead puts them in the local public school, when their peers actively searched out, applied for and sent their kid(s) to private or charter schools.\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"line-height: 1.5\">A couple in a community where everyone typically has lots of children who decide not to have kids.\u003c/span>\u003c/li>\n\u003cli>A prom king or queen who decides not to go to the school prom, even though everyone in their peer group is going.\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In an era where people are protesting noisily around the country, we’re looking for stories of quiet resistance.\u003c/p>\n\u003cp>Opting out of the status quo doesn’t have to make a big political statement. Sometimes little acts of dissent can bring about big change. In fact, we tend to forget how much “the power of no” is part of our everyday lives.\u003c/p>\n\u003cp>We’re interested in the reasons why people decide to say no to the apparently minor things that most of us are conditioned to say yes to, and what happens to them and their communities when they refuse to participate.\u003c/p>\n\u003cp>\u003cstrong>Please take our \u003ca href=\"https://docs.google.com/forms/d/1QJCqXE5vvlU2xlRWpwNUjXDKOw0sjmqCtQXOKMILQdQ/edit?ts=594068fe\" target=\"_blank\" rel=\"noopener noreferrer\">short survey\u003c/a> to tell us your story:\u003c/strong>\u003c/p>\n\u003cp>https://docs.google.com/forms/d/1QJCqXE5vvlU2xlRWpwNUjXDKOw0sjmqCtQXOKMILQdQ/edit?ts=594068fe\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Here are some examples of the sorts of stories we’re interested in hearing — though please don’t limit yourself to these archetypes:\u003c/p>\n\u003cul>\n\u003cli>A member of a group of political activists (e.g., a student or environmental group) who decides not to participate in a particular action with the rest of the group.\u003c/li>\n\u003cli>A person who won’t work more than 40 hours a week on principle even in a workplace where working long hours is the norm.\u003c/li>\n\u003cli>A high-performing student who chooses not to attend a four-year university.\u003c/li>\n\u003cli>\u003cspan style=\"line-height: 1.5\">A parent who chooses not to send their kid(s) to a private or charter school, and instead puts them in the local public school, when their peers actively searched out, applied for and sent their kid(s) to private or charter schools.\u003c/span>\u003c/li>\n\u003cli>\u003cspan style=\"line-height: 1.5\">A couple in a community where everyone typically has lots of children who decide not to have kids.\u003c/span>\u003c/li>\n\u003cli>A prom king or queen who decides not to go to the school prom, even though everyone in their peer group is going.\u003c/li>\n\u003c/ul>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>I’m glad to welcome my co-host this week, Ariana Proehl — KQED’s youth media manager who’s also an artist, media maker and music nerd in her own right. We couldn’t quite squeeze in two extras we both were excited about: the first is the \u003ca href=\"http://www.3dwebfest.com/\" target=\"_blank\" rel=\"noopener noreferrer\">3D Webfest\u003c/a> on Friday, June 30, at the Palace of Fine Arts, a chance to see what’s happening on the cutting edge of 3D video making. Details \u003ca href=\"http://codame.com/events/3d-web-fest-2017\" target=\"_blank\" rel=\"noopener noreferrer\">here.\u003c/a> And I wanted to highlight the San Francisco Opera’s live simulcast of Mozart’s \u003cem>Don Giovanni\u003c/em>, streamed live from the War Memorial Opera House into AT&T Park. It’s \u003cstrong>free\u003c/strong>, but get your tickets online to avoid a wait as up to 30,000 people stream into the ballpark to get their garlic fries and Mozart. Details \u003ca href=\"https://sfopera.com/discover-opera/free-events/san-francisco-opera-at-att-park/simulcast-signup/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. Now on with the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tjSnrDikc4M\u003c/p>\n\u003cp>\u003cstrong>July 1 & 2\u003c/strong>: Burger Boogaloo (organized by Total Trash Productions and Burger Records) is back with a bigger lineup than ever, celebrating punk greats from the distant and recent past like Iggy Pop, NoBunny, the Buzzcocks and X, as well as contemporary garage acts like La Luz and San Francisco’s Shannon and the Clams. John Waters is also back as host, because, he says, he’s just a huge fan of punk. Waters has also called Oakland the Baltimore of the Bay Area, which is high praise indeed for him. It’s a bit pricey, but then you never know for sure when or if you’ll get to see Iggy Pop again. Details for the two-day fest at Oakland’s Mosswood Park are \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZdcmC2UsamA\u003c/p>\n\u003cp>\u003cstrong>July 14\u003c/strong>: We’re giving \u003ca href=\"https://www.facebook.com/laluzusa/\" target=\"_blank\" rel=\"noopener noreferrer\">La Luz\u003c/a> a separate mention here, because we really like this psychedelic surf-punk band. They were born in rainy Seattle, but they’ve since moved to Los Angeles, a sunnier place, and as such their music veers from gloom to bubbly pop. They’re at The Ritz in San Jose on July 14, and details are \u003ca href=\"http://theritzsanjose.com/shows/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13546359\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13546359\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-800x266.jpg\" alt=\"The I am an Immigrant pop-up store is open in San Francisco June 30th with t-shirts to buy and free activities\" width=\"800\" height=\"266\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-800x266.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-768x255.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-240x80.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-375x125.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-520x173.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The I Am An Immigrant pop-up store opens in San Francisco one day only, June 30, with T-shirts to buy and free activities. \u003ccite>(Photo: Courtesy of I am an Immigrant campaign)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 30\u003c/strong>: June is Immigrant Heritage Month, and a pop-up store has opened just in time in San Francisco called \u003ca href=\"https://www.iamanimmigrant.com/events/immigrant-san-francisco-pop\" target=\"_blank\" rel=\"noopener noreferrer\">I Am An Immigrant\u003c/a>. It’s part of a campaign celebrating the contributions immigrants have made to the U.S., and on some level, it’s an act of resistance to President Trump’s anti-immigrant policies. They sell “I am an Immigrant” and “I Stand With Immigrants” T-shirts, but there are free activities as well: photos of you in a T-shirt to post on social media, mural making for kids, and music in the evening. Details for the pop-up at the Laundry Gallery and Cafe on 26th Street in San Francisco — only there through June 30 — are\u003ca href=\"https://www.facebook.com/events/293894134387306/?acontext=%7B%22ref%22%3A%223%22%2C%22ref_newsfeed_story_type%22%3A%22regular%22%2C%22feed_story_type%22%3A%2217%22%2C%22action_history%22%3A%22null%22%7D\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13546784\" class=\"wp-caption aligncenter\" style=\"max-width: 299px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13546784\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/fireworks-over-Craneway-1-e1498777275742.jpg\" alt=\"Fireworks over the Craneway Pavilion in Richmond, where the Oakland Symphony is playing a free show on July 3rd,\" width=\"299\" height=\"169\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/fireworks-over-Craneway-1-e1498777275742.jpg 299w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/fireworks-over-Craneway-1-e1498777275742-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/fireworks-over-Craneway-1-e1498777275742-240x136.jpg 240w\" sizes=\"(max-width: 299px) 100vw, 299px\">\u003cfigcaption class=\"wp-caption-text\">Fireworks over the Craneway Pavilion in Richmond, where the Oakland Symphony plays a free show on July 3. \u003ccite>(Photo: Courtesy of Oakland Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>July 3 & 4:\u003c/strong> Celebrating America’s immigrant heritage seems very patriotic to me, which brings us to a trio of symphonic Fourth of July events. You can beat the rush on July 3 with conductor Michael Morgan, when he leads the Oakland Symphony in its ninth annual free concert (note: parking is $20) at the Craneway Pavilion in Richmond. The San Francisco Symphony is at the Shoreline Amphitheatre with singer Storm Large, who has a voice as bright and powerful as the fireworks on display. And the Santa Rosa Symphony plays the Green Music Center at Sonoma State in Rohnert Park. Ariana calls the setting “divine” when the sliding doors at the back are opened, and people sit on the grass and enjoy craft beer (kids under 12 get in free, and are free to roam). The Santa Rosa Symphony is joined by Kathy Mattea, a country singer with a lot of presence and a big, pure voice out of West Virginia.\u003c/p>\n\u003cfigure id=\"attachment_13547110\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13547110 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-800x450.jpg\" alt=\"Axis Dance in a rehearsal for 'Occupy' at Yerba Buena Gardens\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-520x292.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">AXIS Dance in a rehearsal for ‘Occupy’ at Yerba Buena Gardens. \u003ccite>(Photo: Courtesy of Axis Dance)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>July 1 & 2\u003c/strong>: AXIS Dance is the Oakland company, founded by Judith Smith, that features dancers with and without disabilities who show how nimbly and beautifully people can move in wheelchairs or with crutches. They’re performing a new piece this weekend choreographed by Stephen Koplowitz, who’s made his name in site-specific dance. \u003cem>Occupy\u003c/em> is about how people occupy their own bodies, a constant issue for a dancer with a disability, but also about the history of Yerba Buena Gardens, a major redevelopment project pushed through City Hall over objections by the poor residents of the neighborhood. With live music by electronic music pioneer Pamela Z, these performances are sure to be compelling. It’s free, but RSVPs are encouraged. \u003ca href=\"http://www.axisdance.org/occupy\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=jryzEU7WAlg\u003c/p>\n\u003cp>\u003cstrong>July 1\u003c/strong>: \u003ca href=\"http://www.phantogram.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phantogram\u003c/a> is Sarah Barthel and Josh Carter, childhood friends who grew up to become the smartest and sexiest duo in synth-pop. Ariana’s been a fan for a while. She saw them at Coachella, and she says she got her sister hooked on their big wall of sound as well. Barthes has this delicate, high voice, but she’s a powerhouse performer on stage, looping a keyboard and working the crowd into an ecstatic mess. They play the Greek Theater in Berkeley on Saturday, and you’ll find\u003ca href=\"http://thegreekberkeley.com/events/miike-snow-phantogram/\" target=\"_blank\" rel=\"noopener noreferrer\"> details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13547112\" class=\"wp-caption aligncenter\" style=\"max-width: 719px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13547112\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl.jpg\" alt=\"The Do List's Cy Musiker and Ariana Proehl\" width=\"719\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl.jpg 719w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl-520x391.jpg 520w\" sizes=\"(max-width: 719px) 100vw, 719px\">\u003cfigcaption class=\"wp-caption-text\">The Do List’s Cy Musiker with co-host Ariana Proehl. \u003ccite>(Photo: Zaldy Serrano/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I’m glad to welcome my co-host this week, Ariana Proehl — KQED’s youth media manager who’s also an artist, media maker and music nerd in her own right. We couldn’t quite squeeze in two extras we both were excited about: the first is the \u003ca href=\"http://www.3dwebfest.com/\" target=\"_blank\" rel=\"noopener noreferrer\">3D Webfest\u003c/a> on Friday, June 30, at the Palace of Fine Arts, a chance to see what’s happening on the cutting edge of 3D video making. Details \u003ca href=\"http://codame.com/events/3d-web-fest-2017\" target=\"_blank\" rel=\"noopener noreferrer\">here.\u003c/a> And I wanted to highlight the San Francisco Opera’s live simulcast of Mozart’s \u003cem>Don Giovanni\u003c/em>, streamed live from the War Memorial Opera House into AT&T Park. It’s \u003cstrong>free\u003c/strong>, but get your tickets online to avoid a wait as up to 30,000 people stream into the ballpark to get their garlic fries and Mozart. Details \u003ca href=\"https://sfopera.com/discover-opera/free-events/san-francisco-opera-at-att-park/simulcast-signup/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. Now on with the show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tjSnrDikc4M'\n title='//www.youtube.com/embed/tjSnrDikc4M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>July 1 & 2\u003c/strong>: Burger Boogaloo (organized by Total Trash Productions and Burger Records) is back with a bigger lineup than ever, celebrating punk greats from the distant and recent past like Iggy Pop, NoBunny, the Buzzcocks and X, as well as contemporary garage acts like La Luz and San Francisco’s Shannon and the Clams. John Waters is also back as host, because, he says, he’s just a huge fan of punk. Waters has also called Oakland the Baltimore of the Bay Area, which is high praise indeed for him. It’s a bit pricey, but then you never know for sure when or if you’ll get to see Iggy Pop again. Details for the two-day fest at Oakland’s Mosswood Park are \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZdcmC2UsamA'\n title='//www.youtube.com/embed/ZdcmC2UsamA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>July 14\u003c/strong>: We’re giving \u003ca href=\"https://www.facebook.com/laluzusa/\" target=\"_blank\" rel=\"noopener noreferrer\">La Luz\u003c/a> a separate mention here, because we really like this psychedelic surf-punk band. They were born in rainy Seattle, but they’ve since moved to Los Angeles, a sunnier place, and as such their music veers from gloom to bubbly pop. They’re at The Ritz in San Jose on July 14, and details are \u003ca href=\"http://theritzsanjose.com/shows/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13546359\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13546359\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-800x266.jpg\" alt=\"The I am an Immigrant pop-up store is open in San Francisco June 30th with t-shirts to buy and free activities\" width=\"800\" height=\"266\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-800x266.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-160x53.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-768x255.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-240x80.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-375x125.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/I-am-an-immigrant-520x173.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The I Am An Immigrant pop-up store opens in San Francisco one day only, June 30, with T-shirts to buy and free activities. \u003ccite>(Photo: Courtesy of I am an Immigrant campaign)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 30\u003c/strong>: June is Immigrant Heritage Month, and a pop-up store has opened just in time in San Francisco called \u003ca href=\"https://www.iamanimmigrant.com/events/immigrant-san-francisco-pop\" target=\"_blank\" rel=\"noopener noreferrer\">I Am An Immigrant\u003c/a>. It’s part of a campaign celebrating the contributions immigrants have made to the U.S., and on some level, it’s an act of resistance to President Trump’s anti-immigrant policies. They sell “I am an Immigrant” and “I Stand With Immigrants” T-shirts, but there are free activities as well: photos of you in a T-shirt to post on social media, mural making for kids, and music in the evening. Details for the pop-up at the Laundry Gallery and Cafe on 26th Street in San Francisco — only there through June 30 — are\u003ca href=\"https://www.facebook.com/events/293894134387306/?acontext=%7B%22ref%22%3A%223%22%2C%22ref_newsfeed_story_type%22%3A%22regular%22%2C%22feed_story_type%22%3A%2217%22%2C%22action_history%22%3A%22null%22%7D\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13546784\" class=\"wp-caption aligncenter\" style=\"max-width: 299px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13546784\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/fireworks-over-Craneway-1-e1498777275742.jpg\" alt=\"Fireworks over the Craneway Pavilion in Richmond, where the Oakland Symphony is playing a free show on July 3rd,\" width=\"299\" height=\"169\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/fireworks-over-Craneway-1-e1498777275742.jpg 299w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/fireworks-over-Craneway-1-e1498777275742-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/fireworks-over-Craneway-1-e1498777275742-240x136.jpg 240w\" sizes=\"(max-width: 299px) 100vw, 299px\">\u003cfigcaption class=\"wp-caption-text\">Fireworks over the Craneway Pavilion in Richmond, where the Oakland Symphony plays a free show on July 3. \u003ccite>(Photo: Courtesy of Oakland Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>July 3 & 4:\u003c/strong> Celebrating America’s immigrant heritage seems very patriotic to me, which brings us to a trio of symphonic Fourth of July events. You can beat the rush on July 3 with conductor Michael Morgan, when he leads the Oakland Symphony in its ninth annual free concert (note: parking is $20) at the Craneway Pavilion in Richmond. The San Francisco Symphony is at the Shoreline Amphitheatre with singer Storm Large, who has a voice as bright and powerful as the fireworks on display. And the Santa Rosa Symphony plays the Green Music Center at Sonoma State in Rohnert Park. Ariana calls the setting “divine” when the sliding doors at the back are opened, and people sit on the grass and enjoy craft beer (kids under 12 get in free, and are free to roam). The Santa Rosa Symphony is joined by Kathy Mattea, a country singer with a lot of presence and a big, pure voice out of West Virginia.\u003c/p>\n\u003cfigure id=\"attachment_13547110\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13547110 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-800x450.jpg\" alt=\"Axis Dance in a rehearsal for 'Occupy' at Yerba Buena Gardens\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/DSC_1647-1-e1498779998356-520x292.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">AXIS Dance in a rehearsal for ‘Occupy’ at Yerba Buena Gardens. \u003ccite>(Photo: Courtesy of Axis Dance)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>July 1 & 2\u003c/strong>: AXIS Dance is the Oakland company, founded by Judith Smith, that features dancers with and without disabilities who show how nimbly and beautifully people can move in wheelchairs or with crutches. They’re performing a new piece this weekend choreographed by Stephen Koplowitz, who’s made his name in site-specific dance. \u003cem>Occupy\u003c/em> is about how people occupy their own bodies, a constant issue for a dancer with a disability, but also about the history of Yerba Buena Gardens, a major redevelopment project pushed through City Hall over objections by the poor residents of the neighborhood. With live music by electronic music pioneer Pamela Z, these performances are sure to be compelling. It’s free, but RSVPs are encouraged. \u003ca href=\"http://www.axisdance.org/occupy\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jryzEU7WAlg'\n title='//www.youtube.com/embed/jryzEU7WAlg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>July 1\u003c/strong>: \u003ca href=\"http://www.phantogram.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Phantogram\u003c/a> is Sarah Barthel and Josh Carter, childhood friends who grew up to become the smartest and sexiest duo in synth-pop. Ariana’s been a fan for a while. She saw them at Coachella, and she says she got her sister hooked on their big wall of sound as well. Barthes has this delicate, high voice, but she’s a powerhouse performer on stage, looping a keyboard and working the crowd into an ecstatic mess. They play the Greek Theater in Berkeley on Saturday, and you’ll find\u003ca href=\"http://thegreekberkeley.com/events/miike-snow-phantogram/\" target=\"_blank\" rel=\"noopener noreferrer\"> details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13547112\" class=\"wp-caption aligncenter\" style=\"max-width: 719px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13547112\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl.jpg\" alt=\"The Do List's Cy Musiker and Ariana Proehl\" width=\"719\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl.jpg 719w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl-375x282.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/The-Do-Lists-Cy-Musiker-and-Ariana-Proehl-520x391.jpg 520w\" sizes=\"(max-width: 719px) 100vw, 719px\">\u003cfigcaption class=\"wp-caption-text\">The Do List’s Cy Musiker with co-host Ariana Proehl. \u003ccite>(Photo: Zaldy Serrano/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "sf-theater-which-birthed-angels-in-america-to-close-after-45-years",
"title": "SF Theater Which Birthed 'Angels in America' to Close After 45 Years",
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"content": "\u003cp>The scrappy San Francisco theater company that birthed \u003ca href=\"https://en.wikipedia.org/wiki/Angels_in_America:_A_Gay_Fantasia_on_National_Themes\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Angels in America\u003c/em>\u003c/a>, one of the most iconic American plays of the late 20th century, is closing after 45 years.\u003c/p>\n\u003cp>Founded in 1972, the \u003ca href=\"http://www.theeurekatheatre.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Eureka Theatre\u003c/a> helped to launch the careers of well-known actors, directors and playwrights, like Danny Glover and Anna Deavere Smith.\u003c/p>\n\u003cp>But it’s best known for commissioning Tony Kushner to write \u003cem>Angels in America\u003c/em>. The searing political drama about the AIDS crisis had its world premiere at Eureka in 1991.\u003c/p>\n\u003cp>Kushner’s drama went on to acclaimed runs on Broadway and the UK’s National Theatre, and in 2003 became a \u003ca href=\"http://www.hbo.com/movies/angels-in-america\" target=\"_blank\" rel=\"noopener noreferrer\">hit TV miniseries\u003c/a> starring Al Pacino and Meryl Streep.\u003c/p>\n\u003cp>Laird Rodet, Eureka’s executive director, cites several reasons for the decision to shut down the company, including escalating maintenance costs on its venue, located on Jackson Street in the heart of San Francisco’s Financial District.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“After our 10-year lease expired, the landlord, Gateway Partners, wanted to have year-to-year leases for all of their tenants including Starbucks, Safeway, Togo’s and Eureka,” Rodet says. “For a non-profit venue to have a year-to-year lease, it’s almost impossible to raise funds from foundations and individuals for renovations.”\u003c/span>\u003c/p>\n\u003cp>The Eureka Theatre Company has had two distinct identities over the past 45 years. It began as a producing organization. But following a four-year hiatus in the late 1990s, it reemerged principally as a venue, renting subsidized performance space to other small Bay Area-based arts producers like \u003ca href=\"http://42ndstmoon.org/\" target=\"_blank\" rel=\"noopener noreferrer\">42nd Street Moon\u003c/a>, \u003ca href=\"http://www.sfsketchfest.com/\" target=\"_blank\" rel=\"noopener noreferrer\">SF Sketchfest\u003c/a> and \u003ca href=\"http://therhino.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Rhinoceros\u003c/a> for their shows.\u003c/p>\n\u003cp>42nd Street Moon is taking over the venue’s lease, and will continue to sublet the space to other companies as well as produce its own shows there. The venue’s name will change to Gateway Theatre.\u003c/p>\n\u003cp>“It’s in our interest to keep that space as our long-term home,” says 42nd Street Moon executive director Daren Carollo. “We want that stability.”\u003c/p>\n\u003cp>Carollo says his organization is in the process of negotiating a longer lease with Gateway Partners. “The Partners are interested in keeping arts as a vital part of space,” Carollo says. “But they want a producing company in it.”\u003c/p>\n\u003cp>Eureka will officially cease operations on Wednesday, July 5, following the final performance of Theatre Rhinoceros’ musical production of \u003ca href=\"http://therhino.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Priscilla, Queen of the Desert\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "The Eureka Theatre helped launch the careers of Danny Glover and Anna Deavere Smith, but it’s best known for commissioning Tony Kushner to write one of the most iconic dramas of the late 20th century.\r\n",
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"title": "SF Theater Which Birthed 'Angels in America' to Close After 45 Years | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The scrappy San Francisco theater company that birthed \u003ca href=\"https://en.wikipedia.org/wiki/Angels_in_America:_A_Gay_Fantasia_on_National_Themes\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Angels in America\u003c/em>\u003c/a>, one of the most iconic American plays of the late 20th century, is closing after 45 years.\u003c/p>\n\u003cp>Founded in 1972, the \u003ca href=\"http://www.theeurekatheatre.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Eureka Theatre\u003c/a> helped to launch the careers of well-known actors, directors and playwrights, like Danny Glover and Anna Deavere Smith.\u003c/p>\n\u003cp>But it’s best known for commissioning Tony Kushner to write \u003cem>Angels in America\u003c/em>. The searing political drama about the AIDS crisis had its world premiere at Eureka in 1991.\u003c/p>\n\u003cp>Kushner’s drama went on to acclaimed runs on Broadway and the UK’s National Theatre, and in 2003 became a \u003ca href=\"http://www.hbo.com/movies/angels-in-america\" target=\"_blank\" rel=\"noopener noreferrer\">hit TV miniseries\u003c/a> starring Al Pacino and Meryl Streep.\u003c/p>\n\u003cp>Laird Rodet, Eureka’s executive director, cites several reasons for the decision to shut down the company, including escalating maintenance costs on its venue, located on Jackson Street in the heart of San Francisco’s Financial District.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>After 10 years, the Treasure Island Music Festival is taking a breather.\u003c/p>\n\u003cp>The two-day festival, held annually since 2007 on man-made Treasure Island, will not return this year, organizers said Wednesday in a press release. The festival is expected to return in 2018 at a different location.\u003c/p>\n\u003cp>“Although the event will no longer be held on Treasure Island, there are no plans to change the festival’s name, if for no other reason than to pay homage to the historic little island that was home to the event for a decade,” said the release.\u003c/p>\n\u003cp>Festival organizers Another Planet Entertainment and Noise Pop have yet to announce where the festival will take place in 2018.\u003c/p>\n\u003cp>The hiatus comes after \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\">last year’s festival\u003c/a> was fraught with heavy rain and other issues. The decision to relocate was determined prior to the festival, as construction for the landmark Treasure Island Development project began in March last year on the island’s western shoreline. This resulted in a last-minute relocation for the festival from the Great Lawn to a barren area on the southeast corner of the island.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some acts, including How to Dress Well and Glass Animals, performed abridged sets due to the heavy rain. Others, such as DJs Duke Dumont and Flight Facilities, cancelled their sets outright. To make up for his cancellation, James Blake performed a show at the Fox Theater the Monday after the festival that was free to festival ticketholders.\u003c/p>\n\u003cp class=\"p1\">“Last year’s festival had no impact on the decision to not hold a festival in 2017,” said Alex Scott, executive vice president at Another Planet Entertainment. “We are simply taking the time it takes to finalize the new location, making sure the new site will be one we can settle into for the foreseeable future.”\u003c/p>\n\u003cp>Previous iterations of Treasure Island Music Festival, which officially launched in 2007, were headlined by the likes of Outkast, Beck, LCD Soundsystem and Major Lazer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After 10 years, the Treasure Island Music Festival is taking a breather.\u003c/p>\n\u003cp>The two-day festival, held annually since 2007 on man-made Treasure Island, will not return this year, organizers said Wednesday in a press release. The festival is expected to return in 2018 at a different location.\u003c/p>\n\u003cp>“Although the event will no longer be held on Treasure Island, there are no plans to change the festival’s name, if for no other reason than to pay homage to the historic little island that was home to the event for a decade,” said the release.\u003c/p>\n\u003cp>Festival organizers Another Planet Entertainment and Noise Pop have yet to announce where the festival will take place in 2018.\u003c/p>\n\u003cp>The hiatus comes after \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\">last year’s festival\u003c/a> was fraught with heavy rain and other issues. The decision to relocate was determined prior to the festival, as construction for the landmark Treasure Island Development project began in March last year on the island’s western shoreline. This resulted in a last-minute relocation for the festival from the Great Lawn to a barren area on the southeast corner of the island.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some acts, including How to Dress Well and Glass Animals, performed abridged sets due to the heavy rain. Others, such as DJs Duke Dumont and Flight Facilities, cancelled their sets outright. To make up for his cancellation, James Blake performed a show at the Fox Theater the Monday after the festival that was free to festival ticketholders.\u003c/p>\n\u003cp class=\"p1\">“Last year’s festival had no impact on the decision to not hold a festival in 2017,” said Alex Scott, executive vice president at Another Planet Entertainment. “We are simply taking the time it takes to finalize the new location, making sure the new site will be one we can settle into for the foreseeable future.”\u003c/p>\n\u003cp>Previous iterations of Treasure Island Music Festival, which officially launched in 2007, were headlined by the likes of Outkast, Beck, LCD Soundsystem and Major Lazer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In the state budget Gov. Jerry Brown \u003ca href=\"http://www.mercurynews.com/2017/06/27/jerry-brown-signs-125-billion-budget-for-california/\" target=\"_blank\" rel=\"noopener noreferrer\">just signed\u003c/a> there’s a big win for the arts, and specifically the \u003ca href=\"http://arts.ca.gov/news/prdetail.php?id=250\" target=\"_blank\" rel=\"noopener noreferrer\">California Arts Council\u003c/a>: $6.8 million permanently added to the agency’s budget.\u003c/p>\n\u003cp>At a time when federal funding for \u003ca href=\"https://ww2.kqed.org/arts/2017/03/17/in-california-the-beginning-of-the-battle-to-save-arts-funding/\" target=\"_blank\" rel=\"noopener noreferrer\">the arts is in jeopardy\u003c/a>, the state agency can count on a bigger pot of money to support a wide variety of arts programs all over California. It’s also a sign that state legislators have reprioritized arts funding after years of dedicating little money to the council.\u003c/p>\n\u003cp>The \u003ca href=\"http://nasaa-arts.org/nasaa_research/per-capita-ranking-estimation-tool/\" target=\"_blank\" rel=\"noopener noreferrer\">National Assembly of State Arts Agencies\u003c/a> ranks states according to arts funding in four different ways, but in terms of total state agency spending, California ranks 40th out of 50 states in per-capita funding, based on this fiscal year. The ranking based on this latest budget hasn’t been released yet.\u003c/p>\n\u003cp>“We are thrilled,” Brad Erickson, Executive Director of \u003ca href=\"http://www.theatrebayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Bay Area,\u003c/a> said. He’s followed budget negotiations closely over the years, and in the past, he’s \u003ca href=\"https://ww2.kqed.org/arts/2017/06/13/california-arts-council-announces-record-breaking-grants-worth-15-million/\" target=\"_blank\" rel=\"noopener noreferrer\">criticized state government\u003c/a> for one-time budget boosts that leave the council and its grantees in a state of suspense about the future of programs. The Governor, Erickson says, “has set an new baseline for its future funding.”\u003c/p>\n\u003cp>“What this really means is that the excellent programs begun last year with these funds will continue,” Erickson added.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Tamara Alvarado heads the \u003ca href=\"http://schoolofartsandculture.org/\" target=\"_blank\" rel=\"noopener noreferrer\">School of Arts & Culture\u003c/a> at San Jose’s Mexican Heritage Plaza, which provides “high quality arts education primarily through mariachi music and Mexican folkloric dance.” The School is getting two grants this fiscal year, worth roughly $170,000, for arts education and creative place-making in San Jose.\u003c/p>\n\u003cp>“In this time when the NEA is on the chopping block, I am pleased to see the Governor sign on to a budget that includes permanent funding. It tells me that the Governor understands and supports the concept and practice of every Californian having access to creativity and art,” Alvarado said.\u003c/p>\n\u003cp>\u003cstrong>But Wait, There’s More\u003c/strong>\u003c/p>\n\u003cp>The California Arts Council budget also includes an additional $750,000 ongoing allocation to support increased arts programming for youth engaged in the juvenile justice system, as well as an additional $2 million increased allocation for California’s \u003ca href=\"http://arts.ca.gov/initiatives/aic.php\" target=\"_blank\" rel=\"noopener noreferrer\">Arts in Corrections\u003c/a> program.\u003c/p>\n\u003cp>And then there’s approximately $1.1 million in annual federal support from the National Endowment for the Arts in the council’s budget, and approximately $2.5 million in annual funds from sales and renewals of California’s \u003ca href=\"http://arts.ca.gov/getinvolved/alp.php\" target=\"_blank\" rel=\"noopener noreferrer\">Arts License Plate\u003c/a> and voluntary state tax return contributions to the \u003ca href=\"http://arts.ca.gov/getinvolved/kais.php\" target=\"_blank\" rel=\"noopener noreferrer\">Keep Arts in Schools Fund\u003c/a>. Altogether, the Arts Council’s total 2017-18 budget will be approximately $19.48 million, plus an additional, separate $8 million state allocation for Arts in Corrections.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are grateful to Governor Brown and our state legislators for their belief in the power of the arts to enrich our lives and foster safe, healthy, and vibrant California communities,” Donn Harris, California Arts Council Chair, is quoted saying in the agency’s press release. “The state’s increased investment in culture and creative expression has helped to grow arts programs benefitting Californians at all levels of society, and demonstrates clearly who we are and what we value as a state.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the state budget Gov. Jerry Brown \u003ca href=\"http://www.mercurynews.com/2017/06/27/jerry-brown-signs-125-billion-budget-for-california/\" target=\"_blank\" rel=\"noopener noreferrer\">just signed\u003c/a> there’s a big win for the arts, and specifically the \u003ca href=\"http://arts.ca.gov/news/prdetail.php?id=250\" target=\"_blank\" rel=\"noopener noreferrer\">California Arts Council\u003c/a>: $6.8 million permanently added to the agency’s budget.\u003c/p>\n\u003cp>At a time when federal funding for \u003ca href=\"https://ww2.kqed.org/arts/2017/03/17/in-california-the-beginning-of-the-battle-to-save-arts-funding/\" target=\"_blank\" rel=\"noopener noreferrer\">the arts is in jeopardy\u003c/a>, the state agency can count on a bigger pot of money to support a wide variety of arts programs all over California. It’s also a sign that state legislators have reprioritized arts funding after years of dedicating little money to the council.\u003c/p>\n\u003cp>The \u003ca href=\"http://nasaa-arts.org/nasaa_research/per-capita-ranking-estimation-tool/\" target=\"_blank\" rel=\"noopener noreferrer\">National Assembly of State Arts Agencies\u003c/a> ranks states according to arts funding in four different ways, but in terms of total state agency spending, California ranks 40th out of 50 states in per-capita funding, based on this fiscal year. The ranking based on this latest budget hasn’t been released yet.\u003c/p>\n\u003cp>“We are thrilled,” Brad Erickson, Executive Director of \u003ca href=\"http://www.theatrebayarea.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Theatre Bay Area,\u003c/a> said. He’s followed budget negotiations closely over the years, and in the past, he’s \u003ca href=\"https://ww2.kqed.org/arts/2017/06/13/california-arts-council-announces-record-breaking-grants-worth-15-million/\" target=\"_blank\" rel=\"noopener noreferrer\">criticized state government\u003c/a> for one-time budget boosts that leave the council and its grantees in a state of suspense about the future of programs. The Governor, Erickson says, “has set an new baseline for its future funding.”\u003c/p>\n\u003cp>“What this really means is that the excellent programs begun last year with these funds will continue,” Erickson added.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Tamara Alvarado heads the \u003ca href=\"http://schoolofartsandculture.org/\" target=\"_blank\" rel=\"noopener noreferrer\">School of Arts & Culture\u003c/a> at San Jose’s Mexican Heritage Plaza, which provides “high quality arts education primarily through mariachi music and Mexican folkloric dance.” The School is getting two grants this fiscal year, worth roughly $170,000, for arts education and creative place-making in San Jose.\u003c/p>\n\u003cp>“In this time when the NEA is on the chopping block, I am pleased to see the Governor sign on to a budget that includes permanent funding. It tells me that the Governor understands and supports the concept and practice of every Californian having access to creativity and art,” Alvarado said.\u003c/p>\n\u003cp>\u003cstrong>But Wait, There’s More\u003c/strong>\u003c/p>\n\u003cp>The California Arts Council budget also includes an additional $750,000 ongoing allocation to support increased arts programming for youth engaged in the juvenile justice system, as well as an additional $2 million increased allocation for California’s \u003ca href=\"http://arts.ca.gov/initiatives/aic.php\" target=\"_blank\" rel=\"noopener noreferrer\">Arts in Corrections\u003c/a> program.\u003c/p>\n\u003cp>And then there’s approximately $1.1 million in annual federal support from the National Endowment for the Arts in the council’s budget, and approximately $2.5 million in annual funds from sales and renewals of California’s \u003ca href=\"http://arts.ca.gov/getinvolved/alp.php\" target=\"_blank\" rel=\"noopener noreferrer\">Arts License Plate\u003c/a> and voluntary state tax return contributions to the \u003ca href=\"http://arts.ca.gov/getinvolved/kais.php\" target=\"_blank\" rel=\"noopener noreferrer\">Keep Arts in Schools Fund\u003c/a>. Altogether, the Arts Council’s total 2017-18 budget will be approximately $19.48 million, plus an additional, separate $8 million state allocation for Arts in Corrections.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are grateful to Governor Brown and our state legislators for their belief in the power of the arts to enrich our lives and foster safe, healthy, and vibrant California communities,” Donn Harris, California Arts Council Chair, is quoted saying in the agency’s press release. “The state’s increased investment in culture and creative expression has helped to grow arts programs benefitting Californians at all levels of society, and demonstrates clearly who we are and what we value as a state.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "In This L.A. Neighborhood, Protest Art Is a Verb",
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"content": "\u003cp>For a first-time visitor, Anderson Street in Los Angeles' Boyle Heights neighborhood looks pretty gritty and industrial: old brick workshops, small factories and a steady rumble of delivery trucks driving by.\u003c/p>\n\u003cp>But step inside some of the old, soot-stained buildings and you're in a world of high-end art, with paintings worth thousands of dollars on the walls.\u003c/p>\n\u003cp>Over the last couple of years, about a dozen art galleries have moved to vacant industrial spaces on and around Anderson Street to escape escalating rents in other parts of the city. Their arrival in the largely Latino neighborhood has angered some residents and neighborhood activists. With about a third of its 90,000 residents living below the poverty line, they argue the community has more important needs than art galleries.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/534443389/534516212\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\"A laundromat, a homeless shelter, affordable housing for people who make less than $20,000 a year, maybe get some parks, and some gardens, \" says Leonardo Vilchis, who is executive director of Union de Vecinos, a Boyle Heights nonprofit that represents low-income residents in the neighborhood.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Vilchis fears the art galleries on Anderson Street could represent just the first wave of gentrification in Boyle Heights, a wave that could force longtime residents out as other businesses arrive and rents rise in their wake. Some observers have dubbed this connection between art and gentrification \"art washing.\"\u003c/p>\n\u003cp>\"Put in an art gallery with paintings that cost tens of thousands of dollars and the audience that comes to this place starts looking for other kinds of amenities,\" says Vilchis. \"They look for the brewery, for the coffee shop, for the place to hang out. All of those things increase the cost and the value of the local neighborhood.\"\u003c/p>\n\u003cfigure id=\"attachment_11535651\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11535651\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/dsc09213-dc9c625c760ce4d1667c335db0d34177ae02c896-800x600.jpg\" alt=\"Leonardo Vilchis is executive director of Union de Vecinos, a Boyle Heights nonprofit that represents low-income residents. His group wants the art galleries out of the neighborhood.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Leonardo Vilchis is executive director of Union de Vecinos, a Boyle Heights nonprofit that represents low-income residents. His group wants the art galleries out of the neighborhood. \u003ccite>(Saul Gonzalez/KCRW)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Eva Chimento, of Chimento Contemporary, admits that before her gallery's opening night she was pretty clueless about this part of Boyle Heights.\u003c/p>\n\u003cp>\u003cem>\"\u003c/em>You know like when you cross the state line there are empty fields that is like 'No Man's Land.' It's not Arizona, it's not California it's just 'No Man's Land.' That's where I thought I was,\" Chimento says.\u003c/p>\n\u003ch3>'Hipster Trash'\u003c/h3>\n\u003cp>Boyle Heights is a community with a long history of protest dating back to the Chicano civil rights movement of the 1960s. And anti-gentrification activists are using some of that same energy in a campaign to force the galleries to leave Boyle Heights.\u003c/p>\n\u003cp>Their tactics include protests in front of the galleries and the posting of mock eviction notices on the businesses' doors.\u003c/p>\n\u003cp>One group has even posted flyers showing a human skull in gun sights and the words \"Boyle Heights is not safe for hipster trash.\"\u003c/p>\n\u003cfigure id=\"attachment_11535669\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11535669\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-800x450.jpg\" alt=\"Protesters posted these flyers around Boyle Heights.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-1920x1080.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protesters posted these flyers around Boyle Heights. \u003ccite>(Saul Gonzalez/KCRW)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last year, the door of a gallery was graffiti-tagged with the words \"F*** White Art.\" That prompted an ongoing hate crime investigation by the Los Angeles Police Department.\u003c/p>\n\u003cp>Vilchis doesn't apologize for these actions, saying that they're the only way Boyle Heights' poor and working-class residents can get attention.\u003c/p>\n\u003cp>He also likens the presence of galleries in the neighborhood to a kind of cancer and believes compromise is impossible, even with gallery owners who say they want to help the community.\u003c/p>\n\u003cp>\u003cem>\"\u003c/em>What you need to do with cancer is you've got to do surgery, right?\" says Vilchis.\"You need to start killing the cells that are creating the cancer. So to say, 'OK, I'm a cancer cell, but I want to be good,' doesn't change the fact that you're a cancer cell. You need to move out.\"\u003c/p>\n\u003cp>And how are the gallery owners reacting to such tough talk?\u003c/p>\n\u003cp>\"It's not intimidating,\" says Mihai Nicodim, owner of the gallery that was graffiti-tagged.\u003c/p>\n\u003cfigure id=\"attachment_11535638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11535638\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/dsc09734_wide-ae920878b95fca4f73c5650de2a7bc600fd2a851-800x450.jpg\" alt=\"Anti-gentrification activists staged a protest outside Weird Wave Coffee Brewers recently, chanting 'Weird Cafe has got to go.'\" width=\"800\" height=\"450\">\u003cfigcaption class=\"wp-caption-text\">Anti-gentrification activists staged a protest outside Weird Wave Coffee Brewers recently, chanting 'Weird Cafe has got to go.' \u003ccite>(Saul Gonzalez/KCRW)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nicodim opened his Boyle Heights Gallery in 2015, but he's a longtime figure in the L.A. arts scene.\u003c/p>\n\u003cp>\"I'm not going anywhere,\" Nicodim says.\" I've been here in the downtown area for the last 25 years, I'm not going to go away because someone tells me to just go, you know? I'm home.\"\u003c/p>\n\u003cp>But gallery opponents recently scored their first victory. Citing persistent harassment and trolling, one art space in Boyle Heights closed this year.\u003c/p>\n\u003cp>To celebrate its closure, Vilchis and his fellow anti-gallery activists held a party in front of the building, complete with a mariachi group.\u003c/p>\n\u003cp>As the battle for Boyle Heights continues, gallery owner Eva Chimento is already thinking about her own long-term future in the neighborhood. But she says it has more to do with escalating costs than protests.\u003c/p>\n\u003cp>\"Well, when my lease is up, I may be moving, too,\" Chimento says. \"I might not be able to afford the rent.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>You can follow Saul Gonzalez on Twitter at \u003ca href=\"https://twitter.com/SaulKCRW?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">@SaulKCRW\u003c/a>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 KCRW. To see more, visit \u003ca href=\"http://www.kcrw.com\">KCRW\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+This+LA+Neighborhood%2C+Protest+Art+Is+A+Verb&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "About a third of Boyle Heights' 90,000 residents live below the poverty line. But lower rents have attracted art galleries to the area, and that's drawing the ire of residents and activists.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For a first-time visitor, Anderson Street in Los Angeles' Boyle Heights neighborhood looks pretty gritty and industrial: old brick workshops, small factories and a steady rumble of delivery trucks driving by.\u003c/p>\n\u003cp>But step inside some of the old, soot-stained buildings and you're in a world of high-end art, with paintings worth thousands of dollars on the walls.\u003c/p>\n\u003cp>Over the last couple of years, about a dozen art galleries have moved to vacant industrial spaces on and around Anderson Street to escape escalating rents in other parts of the city. Their arrival in the largely Latino neighborhood has angered some residents and neighborhood activists. With about a third of its 90,000 residents living below the poverty line, they argue the community has more important needs than art galleries.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/534443389/534516212\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\"A laundromat, a homeless shelter, affordable housing for people who make less than $20,000 a year, maybe get some parks, and some gardens, \" says Leonardo Vilchis, who is executive director of Union de Vecinos, a Boyle Heights nonprofit that represents low-income residents in the neighborhood.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Vilchis fears the art galleries on Anderson Street could represent just the first wave of gentrification in Boyle Heights, a wave that could force longtime residents out as other businesses arrive and rents rise in their wake. Some observers have dubbed this connection between art and gentrification \"art washing.\"\u003c/p>\n\u003cp>\"Put in an art gallery with paintings that cost tens of thousands of dollars and the audience that comes to this place starts looking for other kinds of amenities,\" says Vilchis. \"They look for the brewery, for the coffee shop, for the place to hang out. All of those things increase the cost and the value of the local neighborhood.\"\u003c/p>\n\u003cfigure id=\"attachment_11535651\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11535651\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/dsc09213-dc9c625c760ce4d1667c335db0d34177ae02c896-800x600.jpg\" alt=\"Leonardo Vilchis is executive director of Union de Vecinos, a Boyle Heights nonprofit that represents low-income residents. His group wants the art galleries out of the neighborhood.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Leonardo Vilchis is executive director of Union de Vecinos, a Boyle Heights nonprofit that represents low-income residents. His group wants the art galleries out of the neighborhood. \u003ccite>(Saul Gonzalez/KCRW)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Eva Chimento, of Chimento Contemporary, admits that before her gallery's opening night she was pretty clueless about this part of Boyle Heights.\u003c/p>\n\u003cp>\u003cem>\"\u003c/em>You know like when you cross the state line there are empty fields that is like 'No Man's Land.' It's not Arizona, it's not California it's just 'No Man's Land.' That's where I thought I was,\" Chimento says.\u003c/p>\n\u003ch3>'Hipster Trash'\u003c/h3>\n\u003cp>Boyle Heights is a community with a long history of protest dating back to the Chicano civil rights movement of the 1960s. And anti-gentrification activists are using some of that same energy in a campaign to force the galleries to leave Boyle Heights.\u003c/p>\n\u003cp>Their tactics include protests in front of the galleries and the posting of mock eviction notices on the businesses' doors.\u003c/p>\n\u003cp>One group has even posted flyers showing a human skull in gun sights and the words \"Boyle Heights is not safe for hipster trash.\"\u003c/p>\n\u003cfigure id=\"attachment_11535669\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11535669\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-800x450.jpg\" alt=\"Protesters posted these flyers around Boyle Heights.\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-1920x1080.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-240x135.jpg 240w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-375x211.jpg 375w, https://ww2.kqed.org/app/uploads/sites/10/2017/06/dsc09296_wide-fae9b53a5c7671298c1f544cb89011f244c890aa-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protesters posted these flyers around Boyle Heights. \u003ccite>(Saul Gonzalez/KCRW)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last year, the door of a gallery was graffiti-tagged with the words \"F*** White Art.\" That prompted an ongoing hate crime investigation by the Los Angeles Police Department.\u003c/p>\n\u003cp>Vilchis doesn't apologize for these actions, saying that they're the only way Boyle Heights' poor and working-class residents can get attention.\u003c/p>\n\u003cp>He also likens the presence of galleries in the neighborhood to a kind of cancer and believes compromise is impossible, even with gallery owners who say they want to help the community.\u003c/p>\n\u003cp>\u003cem>\"\u003c/em>What you need to do with cancer is you've got to do surgery, right?\" says Vilchis.\"You need to start killing the cells that are creating the cancer. So to say, 'OK, I'm a cancer cell, but I want to be good,' doesn't change the fact that you're a cancer cell. You need to move out.\"\u003c/p>\n\u003cp>And how are the gallery owners reacting to such tough talk?\u003c/p>\n\u003cp>\"It's not intimidating,\" says Mihai Nicodim, owner of the gallery that was graffiti-tagged.\u003c/p>\n\u003cfigure id=\"attachment_11535638\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11535638\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2017/06/dsc09734_wide-ae920878b95fca4f73c5650de2a7bc600fd2a851-800x450.jpg\" alt=\"Anti-gentrification activists staged a protest outside Weird Wave Coffee Brewers recently, chanting 'Weird Cafe has got to go.'\" width=\"800\" height=\"450\">\u003cfigcaption class=\"wp-caption-text\">Anti-gentrification activists staged a protest outside Weird Wave Coffee Brewers recently, chanting 'Weird Cafe has got to go.' \u003ccite>(Saul Gonzalez/KCRW)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nicodim opened his Boyle Heights Gallery in 2015, but he's a longtime figure in the L.A. arts scene.\u003c/p>\n\u003cp>\"I'm not going anywhere,\" Nicodim says.\" I've been here in the downtown area for the last 25 years, I'm not going to go away because someone tells me to just go, you know? I'm home.\"\u003c/p>\n\u003cp>But gallery opponents recently scored their first victory. Citing persistent harassment and trolling, one art space in Boyle Heights closed this year.\u003c/p>\n\u003cp>To celebrate its closure, Vilchis and his fellow anti-gallery activists held a party in front of the building, complete with a mariachi group.\u003c/p>\n\u003cp>As the battle for Boyle Heights continues, gallery owner Eva Chimento is already thinking about her own long-term future in the neighborhood. But she says it has more to do with escalating costs than protests.\u003c/p>\n\u003cp>\"Well, when my lease is up, I may be moving, too,\" Chimento says. \"I might not be able to afford the rent.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>You can follow Saul Gonzalez on Twitter at \u003ca href=\"https://twitter.com/SaulKCRW?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">@SaulKCRW\u003c/a>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 KCRW. To see more, visit \u003ca href=\"http://www.kcrw.com\">KCRW\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+This+LA+Neighborhood%2C+Protest+Art+Is+A+Verb&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 8
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},
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"order": 9
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"airtime": "SUN 7:30pm-8pm",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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