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"content": "\u003cp>Emma Cline, whose 2016 breakthrough debut novel \u003cem>The Girls\u003c/em> heralded her as an emerging voice in the literary world, is being sued for plagiarism by her ex-boyfriend, author Chaz Reetz-Laiolo.\u003c/p>\n\u003cp>Reetz-Laiolo, \u003ca href=\"https://32fc87n66z83fzh742e992fv-wpengine.netdna-ssl.com/wp-content/uploads/2017/11/ReetzLaiolocomplaint.pdf\">whose suit was filed in San Francisco federal court on Nov. 29\u003c/a>, alleges that Cline surreptitiously deployed keystroke logging software to plagiarize phrases and plot points from his manuscripts, which would later end up in \u003cem>The Girls\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"https://32fc87n66z83fzh742e992fv-wpengine.netdna-ssl.com/wp-content/uploads/2017/11/Clinecomplaint.pdf\" target=\"_blank\" rel=\"noopener\">Cline filed a countersuit on the same day,\u003c/a> disputing many of the claims in Reetz-Laiolo’s suit while contending that the keylogger was used as means of protecting herself within an abusive relationship.\u003c/p>\n\u003cp>Reetz-Laiolo and Cline began living together in Berkeley in the summer of 2010 after becoming romantically involved the year prior. It was during their cohabitation, Reetz-Laiolo alleges in the complaint, that Cline deployed a keylogging software called Refog on her personal computer in order to track, and later access, his personal bank accounts and e-mails. Screenshots embedded in the suit allegedly show Cline accessing Reetz-Laiolo’s bank accounts and his e-mails, where she searched for keywords like “mom” and “ass” and looked through correspondence with editors on his Gmail account.\u003c/p>\n\u003cp>He also alleges that these e-mails contained manuscripts of his work, which he says she plagiarized from. Embedded in his complaint is a table of eight purported instances of Cline’s plagiarism. (At least three carry no attributions to Reetz-Laiolo’s work, with one cited as a common phrase he used in conversations.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Reetz-Laiolo also alleges that Cline had intentionally kept Refog on the device after he had bought her laptop in 2013 with the understanding that it was “wiped.”\u003c/p>\n\u003cp>Two other plaintiffs in the suit, including a former partner of Reetz-Laiolo and a mutual friend, also allege that Cline had used the keylogging software to track their personal e-mails. They are seeking unspecified damages.\u003c/p>\n\u003cp>Cline’s suit, however, depicts Reetz-Laiolo as an abusive partner seeking retribution for his ex-girlfriend’s rapid ascent into success.\u003c/p>\n\u003cp>While they lived with each other, the suit details, “Reetz-Laiolo’s behavior toward her turned violent and abusive,” going on to list a series of violent acts Reetz-Laiolo allegedly committed during their nearly-three year relationship, such as destroying her belongings, punching walls and in one incident, choking her to the point of losing her breath.\u003c/p>\n\u003cp>Her complaint states that Refog, the spyware in question, was used solely to track Reetz-Laiolo’s possible infidelity. (Reetz-Laiolo, in his suit, alleges that the relationship was intended to be non-monogamous from the beginning, without any mention of their tumultuous history.)\u003c/p>\n\u003cp>Cline’s complaint goes on to allege that Reetz-Laiolo himself partook in surreptitious tracking and plagiarism. Her complaint includes accounts of Reetz-Laiolo emailing himself her private journals and other writings of hers, which she says he lifting from for his own work. She also alleges that he coerced her into selling him the computer.\u003c/p>\n\u003cp>\u003cem>The Girls\u003c/em>, Cline’s debut novel, centers on a woman recounting her adolescent involvement in a Petaluma cult bearing resemblance to the Manson Family — themes that Cline argues in the suit recurred in short stories drafted as far back as 2008. The book itself earned accolades from publications like \u003cem>The New Yorker\u003c/em> and \u003cem>The Washington Post\u003c/em>.\u003c/p>\n\u003cp>The media coverage surrounding the suit and its participants, inadvertently, has become a focal point of both suits. A piece in the \u003cem>New Yorker\u003c/em> broke various legal spats that led up to the complaint, including a draft of the complaint issued in May that contained, among other explicit content, lewd images of Cline.\u003c/p>\n\u003cp>“Cline’s lawyers are attempting to manipulate the important national conversation about sexual harassment to muddy the clear case of Ms. Cline’s plagiarism and illegal activity and to silence our clients, whose privacy she deliberately invaded over a span of years,” writes Reetz-Laiolo’s counsel, Boies, Schiller, Flexner, in a statement.\u003c/p>\n\u003cp>In October, \u003ca href=\"https://www.thecut.com/2017/10/emma-cline-the-price-of-smiling-for-the-photos.html\" target=\"_blank\" rel=\"noopener\">Cline detailed her experiences of sexual assault in the publishing industry for \u003cem>The Cut\u003c/em>\u003c/a>, closing off the story with her experiences of Reetz-Laiolo’s abuse.\u003c/p>\n\u003cp>Cline is seeking $75,000 in emotional damages in this counter-suit, in addition to requesting that Reetz-Laiolo’s infringement claims be dropped.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Both writers are, or have previously been, Bay Area residents. Cline was born in Sonoma, where her parents own a winery. Reetz-Laiolo has lectured at UC Berkeley’s School of Journalism and served as a senior editor for \u003cem>SOMA Magazine\u003c/em>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Emma Cline, whose 2016 breakthrough debut novel \u003cem>The Girls\u003c/em> heralded her as an emerging voice in the literary world, is being sued for plagiarism by her ex-boyfriend, author Chaz Reetz-Laiolo.\u003c/p>\n\u003cp>Reetz-Laiolo, \u003ca href=\"https://32fc87n66z83fzh742e992fv-wpengine.netdna-ssl.com/wp-content/uploads/2017/11/ReetzLaiolocomplaint.pdf\">whose suit was filed in San Francisco federal court on Nov. 29\u003c/a>, alleges that Cline surreptitiously deployed keystroke logging software to plagiarize phrases and plot points from his manuscripts, which would later end up in \u003cem>The Girls\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"https://32fc87n66z83fzh742e992fv-wpengine.netdna-ssl.com/wp-content/uploads/2017/11/Clinecomplaint.pdf\" target=\"_blank\" rel=\"noopener\">Cline filed a countersuit on the same day,\u003c/a> disputing many of the claims in Reetz-Laiolo’s suit while contending that the keylogger was used as means of protecting herself within an abusive relationship.\u003c/p>\n\u003cp>Reetz-Laiolo and Cline began living together in Berkeley in the summer of 2010 after becoming romantically involved the year prior. It was during their cohabitation, Reetz-Laiolo alleges in the complaint, that Cline deployed a keylogging software called Refog on her personal computer in order to track, and later access, his personal bank accounts and e-mails. Screenshots embedded in the suit allegedly show Cline accessing Reetz-Laiolo’s bank accounts and his e-mails, where she searched for keywords like “mom” and “ass” and looked through correspondence with editors on his Gmail account.\u003c/p>\n\u003cp>He also alleges that these e-mails contained manuscripts of his work, which he says she plagiarized from. Embedded in his complaint is a table of eight purported instances of Cline’s plagiarism. (At least three carry no attributions to Reetz-Laiolo’s work, with one cited as a common phrase he used in conversations.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Reetz-Laiolo also alleges that Cline had intentionally kept Refog on the device after he had bought her laptop in 2013 with the understanding that it was “wiped.”\u003c/p>\n\u003cp>Two other plaintiffs in the suit, including a former partner of Reetz-Laiolo and a mutual friend, also allege that Cline had used the keylogging software to track their personal e-mails. They are seeking unspecified damages.\u003c/p>\n\u003cp>Cline’s suit, however, depicts Reetz-Laiolo as an abusive partner seeking retribution for his ex-girlfriend’s rapid ascent into success.\u003c/p>\n\u003cp>While they lived with each other, the suit details, “Reetz-Laiolo’s behavior toward her turned violent and abusive,” going on to list a series of violent acts Reetz-Laiolo allegedly committed during their nearly-three year relationship, such as destroying her belongings, punching walls and in one incident, choking her to the point of losing her breath.\u003c/p>\n\u003cp>Her complaint states that Refog, the spyware in question, was used solely to track Reetz-Laiolo’s possible infidelity. (Reetz-Laiolo, in his suit, alleges that the relationship was intended to be non-monogamous from the beginning, without any mention of their tumultuous history.)\u003c/p>\n\u003cp>Cline’s complaint goes on to allege that Reetz-Laiolo himself partook in surreptitious tracking and plagiarism. Her complaint includes accounts of Reetz-Laiolo emailing himself her private journals and other writings of hers, which she says he lifting from for his own work. She also alleges that he coerced her into selling him the computer.\u003c/p>\n\u003cp>\u003cem>The Girls\u003c/em>, Cline’s debut novel, centers on a woman recounting her adolescent involvement in a Petaluma cult bearing resemblance to the Manson Family — themes that Cline argues in the suit recurred in short stories drafted as far back as 2008. The book itself earned accolades from publications like \u003cem>The New Yorker\u003c/em> and \u003cem>The Washington Post\u003c/em>.\u003c/p>\n\u003cp>The media coverage surrounding the suit and its participants, inadvertently, has become a focal point of both suits. A piece in the \u003cem>New Yorker\u003c/em> broke various legal spats that led up to the complaint, including a draft of the complaint issued in May that contained, among other explicit content, lewd images of Cline.\u003c/p>\n\u003cp>“Cline’s lawyers are attempting to manipulate the important national conversation about sexual harassment to muddy the clear case of Ms. Cline’s plagiarism and illegal activity and to silence our clients, whose privacy she deliberately invaded over a span of years,” writes Reetz-Laiolo’s counsel, Boies, Schiller, Flexner, in a statement.\u003c/p>\n\u003cp>In October, \u003ca href=\"https://www.thecut.com/2017/10/emma-cline-the-price-of-smiling-for-the-photos.html\" target=\"_blank\" rel=\"noopener\">Cline detailed her experiences of sexual assault in the publishing industry for \u003cem>The Cut\u003c/em>\u003c/a>, closing off the story with her experiences of Reetz-Laiolo’s abuse.\u003c/p>\n\u003cp>Cline is seeking $75,000 in emotional damages in this counter-suit, in addition to requesting that Reetz-Laiolo’s infringement claims be dropped.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Both writers are, or have previously been, Bay Area residents. Cline was born in Sonoma, where her parents own a winery. Reetz-Laiolo has lectured at UC Berkeley’s School of Journalism and served as a senior editor for \u003cem>SOMA Magazine\u003c/em>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Before reading another word, watch the video at the bottom of this post. It’s the best way to understand the work of Garrett + Moulton, the dance making duo kicking off their 15th anniversary season. Now that you’ve seen the video, you realize what fun Janice Garrett and Charles Moulton have had all these years making these complex ball-passing pieces that are part-dance, part-puzzle. Moulton says the inspiration came partly from his love of novelty numbers from the days when his father and grandfather were in vaudeville. And the ball passing, he said, is a pretty good metaphor for life. “If you drop a ball, you drop a ball, and it usually falls very inconveniently on someone else’s head,” he said after a rehearsal a few days ago. “When that happens, you’re as honest as you’re ever going to be are about yourself. When you don’t look so good. And because of that, the piece has a sense of humanity. It’s fun, but it also speaks to the futility of the human condition.” \u003c/p>\n\u003cp>Garrett + Moulton’s 15th anniversary season kicks off with a new ball passing piece and two other world premieres. \u003ca href=\"http://garrettmoulton.org/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttps://www.youtube.com/watch?v=7On1UsMqAgM\u003cbr>\n\u003c/aside>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Before reading another word, watch the video at the bottom of this post. It’s the best way to understand the work of Garrett + Moulton, the dance making duo kicking off their 15th anniversary season. Now that you’ve seen the video, you realize what fun Janice Garrett and Charles Moulton have had all these years making these complex ball-passing pieces that are part-dance, part-puzzle. Moulton says the inspiration came partly from his love of novelty numbers from the days when his father and grandfather were in vaudeville. And the ball passing, he said, is a pretty good metaphor for life. “If you drop a ball, you drop a ball, and it usually falls very inconveniently on someone else’s head,” he said after a rehearsal a few days ago. “When that happens, you’re as honest as you’re ever going to be are about yourself. When you don’t look so good. And because of that, the piece has a sense of humanity. It’s fun, but it also speaks to the futility of the human condition.” \u003c/p>\n\u003cp>Garrett + Moulton’s 15th anniversary season kicks off with a new ball passing piece and two other world premieres. \u003ca href=\"http://garrettmoulton.org/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>\u003c/p>\n\u003caside class=\"aligncenter noborder\">\nhttps://www.youtube.com/watch?v=7On1UsMqAgM\u003cbr>\n\u003c/aside>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "#MeToo Movement is Person of the Year, 'Time' Says",
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"content": "\u003cp>It has created a wave of awareness and brave confrontations over sexual harassment and assault, taking down powerful men in the process. And now the #MeToo movement has been named \u003cem>Time\u003c/em> magazine’s Person of the Year for 2017.\u003c/p>\n\u003cp>On its cover, \u003cem>Time\u003c/em> called the people behind the movement “The Silence Breakers.” Its story features women and men who have spoken out — including activist \u003ca href=\"https://twitter.com/TaranaBurke/status/938388492299702277\" target=\"_blank\" rel=\"noopener\">Tarana Burke\u003c/a>, who started the hashtag 10 years ago.\u003c/p>\n\u003cfigure id=\"attachment_13816800\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1.jpg\" alt='Time magazine says the women who shared stories about sexual harassment and abuse through the #metoo campaign — the \"silence breakers\" — are its Person of the Year.' width=\"700\" height=\"933\" class=\"size-full wp-image-13816800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1-520x693.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Time magazine says the women who shared stories about sexual harassment and abuse through the #metoo campaign — the “silence breakers” — are its Person of the Year. \u003ccite>(Time magazine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>#MeToo rose to prominence as a social media campaign in the wake of high-profile accusations against Hollywood producer Harvey Weinstein. After actress Alyssa Milano popularized the hashtag, thousands of women began sharing their stories about the pervasive damage wrought by sexual harassment and by “open secrets” about abuse.\u003c/p>\n\u003cp>The movement’s empowering reach could be seen in the platform on which \u003cem>Time\u003c/em> announced its choice: the \u003cem>Today\u003c/em> show. It was just one week ago that NBC fired the morning program’s longtime and powerful co-host, Matt Lauer, over \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/30/567421270/fired-today-host-matt-lauer-responds-promises-soul-searching\" target=\"_blank\" rel=\"noopener\">a detailed complaint\u003c/a> of “inappropriate sexual behavior in the workplace.”\u003c/p>\n\u003cp>While the most high-profile #MeToo stories have come from women and men who work in the movies and media, \u003ca href=\"http://time.com/time-person-of-the-year-2017-silence-breakers/\">the Time article\u003c/a> also features women who work hourly jobs, some of whom want to remain anonymous. The magazine’s cover portrait includes strawberry picker Isabel Pascual, lobbyist Adama Iwu and former Uber engineer Susan Fowler along with Ashley Judd and Taylor Swift.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The reckoning appears to have sprung up overnight. But it has actually been simmering for years, decades, centuries,” \u003cem>Time’s\u003c/em> Stephanie Zacharek, Eliana Dockterman and Haley Sweetland Edwards write. “Women have had it with bosses and coworkers who not only cross boundaries but don’t even seem to know that boundaries exist.”\u003c/p>\n\u003cp>Marking a possible cultural shift \u003ca href=\"https://www.npr.org/2017/10/16/558165331/in-the-wake-of-harvey-weinstein-scandal-women-say-metoo\" target=\"_blank\" rel=\"noopener\">back in October\u003c/a>, NPR’s Sarah McCammon quoted associate professor Lisa Huebner saying of #MeToo, “It helps a lot of people individually, I think, and it also will help us to mark publicly that this is a widespread occurrence, and it’s not OK.”\u003c/p>\n\u003cp>The \u003ca href=\"http://time.com/5045719/time-person-of-the-year-2017-shortlist/\" target=\"_blank\" rel=\"noopener\">shortlist of candidates\u003c/a> for the distinction included:\u003c/p>\n\u003cul>\n\u003cli>The Dreamers\u003c/li>\n\u003cli>Amazon founder Jeff Bezos\u003c/li>\n\u003cli>\u003cem>Wonder Woman\u003c/em> director Patty Jenkins\u003c/li>\n\u003cli>North Korean leader Kim Jong Un\u003c/li>\n\u003cli>Protest leader Colin Kaepernick\u003c/li>\n\u003cli>Special counsel Robert Mueller\u003c/li>\n\u003cli>Chinese President Xi Jinping\u003c/li>\n\u003cli>Crown Prince Mohammed bin Salman of Saudi Arabia\u003c/li>\n\u003cli>President Trump\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>Time\u003c/em> also conducted a reader poll, which the magazine says was won by Mohammed bin Salman, with 24 percent of the votes. Second place went to the #MeToo movement, followed by a three-way tie among Kaepernick, Mueller and the Dreamers.\u003c/p>\n\u003cp>In the magazine’s tally, Trump was the runner-up.\u003c/p>\n\u003cp>The final decision comes weeks after Trump — who was named Person of the Year in 2016 — said he \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/25/566433478/trump-says-he-passed-on-being-person-of-the-year-time-says-he-s-incorrect\" target=\"_blank\" rel=\"noopener\">“took a pass” on being named again\u003c/a> in 2017. Trump, who had called it “a tremendous honor” to win last year, said the magazine had been in touch to say he would “probably” win.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The president’s comment prompted \u003cem>Time\u003c/em> to clarify, “The President is incorrect about how we choose Person of the Year. TIME does not comment on our choice until publication, which is December 6.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It has created a wave of awareness and brave confrontations over sexual harassment and assault, taking down powerful men in the process. And now the #MeToo movement has been named \u003cem>Time\u003c/em> magazine’s Person of the Year for 2017.\u003c/p>\n\u003cp>On its cover, \u003cem>Time\u003c/em> called the people behind the movement “The Silence Breakers.” Its story features women and men who have spoken out — including activist \u003ca href=\"https://twitter.com/TaranaBurke/status/938388492299702277\" target=\"_blank\" rel=\"noopener\">Tarana Burke\u003c/a>, who started the hashtag 10 years ago.\u003c/p>\n\u003cfigure id=\"attachment_13816800\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1.jpg\" alt='Time magazine says the women who shared stories about sexual harassment and abuse through the #metoo campaign — the \"silence breakers\" — are its Person of the Year.' width=\"700\" height=\"933\" class=\"size-full wp-image-13816800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/poy-2017-cover_vert-f1543ad0e414ef2a31d9b0e95c3d100a62eeee91-s700-c85-1-520x693.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Time magazine says the women who shared stories about sexual harassment and abuse through the #metoo campaign — the “silence breakers” — are its Person of the Year. \u003ccite>(Time magazine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>#MeToo rose to prominence as a social media campaign in the wake of high-profile accusations against Hollywood producer Harvey Weinstein. After actress Alyssa Milano popularized the hashtag, thousands of women began sharing their stories about the pervasive damage wrought by sexual harassment and by “open secrets” about abuse.\u003c/p>\n\u003cp>The movement’s empowering reach could be seen in the platform on which \u003cem>Time\u003c/em> announced its choice: the \u003cem>Today\u003c/em> show. It was just one week ago that NBC fired the morning program’s longtime and powerful co-host, Matt Lauer, over \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/30/567421270/fired-today-host-matt-lauer-responds-promises-soul-searching\" target=\"_blank\" rel=\"noopener\">a detailed complaint\u003c/a> of “inappropriate sexual behavior in the workplace.”\u003c/p>\n\u003cp>While the most high-profile #MeToo stories have come from women and men who work in the movies and media, \u003ca href=\"http://time.com/time-person-of-the-year-2017-silence-breakers/\">the Time article\u003c/a> also features women who work hourly jobs, some of whom want to remain anonymous. The magazine’s cover portrait includes strawberry picker Isabel Pascual, lobbyist Adama Iwu and former Uber engineer Susan Fowler along with Ashley Judd and Taylor Swift.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The reckoning appears to have sprung up overnight. But it has actually been simmering for years, decades, centuries,” \u003cem>Time’s\u003c/em> Stephanie Zacharek, Eliana Dockterman and Haley Sweetland Edwards write. “Women have had it with bosses and coworkers who not only cross boundaries but don’t even seem to know that boundaries exist.”\u003c/p>\n\u003cp>Marking a possible cultural shift \u003ca href=\"https://www.npr.org/2017/10/16/558165331/in-the-wake-of-harvey-weinstein-scandal-women-say-metoo\" target=\"_blank\" rel=\"noopener\">back in October\u003c/a>, NPR’s Sarah McCammon quoted associate professor Lisa Huebner saying of #MeToo, “It helps a lot of people individually, I think, and it also will help us to mark publicly that this is a widespread occurrence, and it’s not OK.”\u003c/p>\n\u003cp>The \u003ca href=\"http://time.com/5045719/time-person-of-the-year-2017-shortlist/\" target=\"_blank\" rel=\"noopener\">shortlist of candidates\u003c/a> for the distinction included:\u003c/p>\n\u003cul>\n\u003cli>The Dreamers\u003c/li>\n\u003cli>Amazon founder Jeff Bezos\u003c/li>\n\u003cli>\u003cem>Wonder Woman\u003c/em> director Patty Jenkins\u003c/li>\n\u003cli>North Korean leader Kim Jong Un\u003c/li>\n\u003cli>Protest leader Colin Kaepernick\u003c/li>\n\u003cli>Special counsel Robert Mueller\u003c/li>\n\u003cli>Chinese President Xi Jinping\u003c/li>\n\u003cli>Crown Prince Mohammed bin Salman of Saudi Arabia\u003c/li>\n\u003cli>President Trump\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>Time\u003c/em> also conducted a reader poll, which the magazine says was won by Mohammed bin Salman, with 24 percent of the votes. Second place went to the #MeToo movement, followed by a three-way tie among Kaepernick, Mueller and the Dreamers.\u003c/p>\n\u003cp>In the magazine’s tally, Trump was the runner-up.\u003c/p>\n\u003cp>The final decision comes weeks after Trump — who was named Person of the Year in 2016 — said he \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/25/566433478/trump-says-he-passed-on-being-person-of-the-year-time-says-he-s-incorrect\" target=\"_blank\" rel=\"noopener\">“took a pass” on being named again\u003c/a> in 2017. Trump, who had called it “a tremendous honor” to win last year, said the magazine had been in touch to say he would “probably” win.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The president’s comment prompted \u003cem>Time\u003c/em> to clarify, “The President is incorrect about how we choose Person of the Year. TIME does not comment on our choice until publication, which is December 6.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%23MeToo+Movement+Is+Person+Of+The+Year%2C+%27Time%27+Says&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>New York’s Metropolitan Museum of Art has refused to remove a 1938 painting by the artist known as Balthus that depicts a young girl in what some are saying is a sexually suggestive pose.\u003c/p>\n\u003cp>The painting , entitled “Therese Dreaming,” shows the girl leaning back with her underwear visible. The late Polish-French artist, born Balthasar Klossowski, is known for his erotically-charged images of pubescent girls.\u003c/p>\n\u003cp>An online petition that had garnered thousands of signatures on Monday urged the museum to rethink its decision to display the painting in light of today’s climate around sexual assault.\u003c/p>\n\u003cp>“Given the current climate around sexual assault and allegations that become more public each day, in showcasing this work for the masses, The Met is romanticizing voyeurism and the objectification of children,” the petition reads.\u003c/p>\n\u003cp>The petition’s author, Mia Merrill, suggested that the painting be replaced by one created by a female artist of the same period.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Museum spokesman Ken Weine said the decision to not remove the painting provides an opportunity to reflect on today’s culture.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Moments such as this provide an opportunity for conversation, and visual art is one of the most significant means we have for reflecting on both the past and the present and encouraging the continuing evolution of existing culture through informed discussion and respect for creative expression,” Weine said.\u003c/p>\n\n",
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"content": "\u003cp>The 40th annual Kennedy Center Honors last night (Dec. 3) recognized those in the arts who’ve made lifetime achievements in American pop culture and ushered in some new traditions in the process. This year’s honorees were dancer/choreographer \u003ca href=\"https://www.npr.org/2014/10/28/359326972/at-83-dancer-carmen-de-lavallade-looks-back-at-a-life-spent-onstage\" target=\"_blank\" rel=\"noopener\">Carmen de Lavallade\u003c/a>, singer \u003ca href=\"https://www.npr.org/2017/10/02/554730777/shocking-omissions-gloria-estefan-and-miami-sound-machine-s-let-it-loose\" target=\"_blank\" rel=\"noopener\">Gloria Estefan\u003c/a>, rapper \u003ca href=\"https://www.npr.org/artists/15770396/ll-cool-j\" target=\"_blank\" rel=\"noopener\">LL Cool J\u003c/a>, TV writer\u003ca href=\"https://www.npr.org/2014/11/18/364985147/norman-lear-looks-back-on-his-long-life-in-even-this-i-get-to-experience\" target=\"_blank\" rel=\"noopener\"> Norman Lear\u003c/a> and singer \u003ca href=\"https://www.npr.org/artists/15398116/lionel-richie\" target=\"_blank\" rel=\"noopener\">Lionel Richie\u003c/a>.\u003c/p>\n\u003cp>LL Cool J becomes the first hip-hop artist to be recognized at the Kennedy Center Honors. In a career spanning more than three decades, the Queens-born MC helped pioneer the burgeoning rap genre, while often being cited as hip-hop’s first heartthrob. As Def Jam Recordings’ first signee, LL is best known for hits like “Mama Said Knock You Out” and “Doin’ It.”\u003c/p>\n\u003cp>Fellow golden-era rapper Queen Latifah immortalized LL on stage before he received the award. Q-Tip and The Roots members Questlove and Black Thought were in attendance for support while Busta Rhymes, DMC and DJ Z-Trip paid tribute to LL in a performance. A true chameleon in the industry, LL has earned many awards for rapping and acting, including two Grammys, but the legendary MC told NPR’s \u003ca href=\"https://www.npr.org/2017/12/04/568255235/kennedy-center-celebrates-latest-honorees-but-without-the-first-family\" target=\"_blank\" rel=\"noopener\">\u003cem>Morning Edition\u003c/em>\u003c/a>, the Kennedy Center Honors is different “because now you’re being recognized by your country.”\u003c/p>\n\u003cp>Another ‘first’ for the evening was Gloria Estefan’s induction as the first Cuban-American to receive a Kennedy Center Honor. Estefan, who’s served as front woman for the Miami Sound Machine for nearly two decades, is best known for crossover hits like “Conga” and “Get On Your Feet.” The latter song has later become the title of a Broadway production based on the singer’s life.\u003c/p>\n\u003cp>2001 honoree Quincy Jones, 1999 honoree Stevie Wonder, Kenny Rogers and Leona Lewis and paid tribute to R&B titan Lionel Richie in song, belting a rendition of his song “All Night Long.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>While the 2017 honorees graciously shared the spotlight, some of the night’s conversation pivoted to a famous face that was noticeably missing from the ceremony. \u003ca href=\"https://www.npr.org/tags/511343536/president-trump\" target=\"_blank\" rel=\"noopener\">President Trump\u003c/a> notably did not go this year’s honors, breaking a presidential tradition of the first family attending the ceremony. President Trump announced he would be missing the ceremony back in \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/08/19/544684679/president-trump-to-skip-kennedy-center-honors-highlighting-rift-with-artists\" target=\"_blank\" rel=\"noopener\">August\u003c/a> after Lear and de Lavallade said they would boycott the awards if he was there. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=40th+Annual+Kennedy+Center+Honors+Recognize+Hip-Hop+For+The+First+Time&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The 40th annual Kennedy Center Honors last night (Dec. 3) recognized those in the arts who’ve made lifetime achievements in American pop culture and ushered in some new traditions in the process. This year’s honorees were dancer/choreographer \u003ca href=\"https://www.npr.org/2014/10/28/359326972/at-83-dancer-carmen-de-lavallade-looks-back-at-a-life-spent-onstage\" target=\"_blank\" rel=\"noopener\">Carmen de Lavallade\u003c/a>, singer \u003ca href=\"https://www.npr.org/2017/10/02/554730777/shocking-omissions-gloria-estefan-and-miami-sound-machine-s-let-it-loose\" target=\"_blank\" rel=\"noopener\">Gloria Estefan\u003c/a>, rapper \u003ca href=\"https://www.npr.org/artists/15770396/ll-cool-j\" target=\"_blank\" rel=\"noopener\">LL Cool J\u003c/a>, TV writer\u003ca href=\"https://www.npr.org/2014/11/18/364985147/norman-lear-looks-back-on-his-long-life-in-even-this-i-get-to-experience\" target=\"_blank\" rel=\"noopener\"> Norman Lear\u003c/a> and singer \u003ca href=\"https://www.npr.org/artists/15398116/lionel-richie\" target=\"_blank\" rel=\"noopener\">Lionel Richie\u003c/a>.\u003c/p>\n\u003cp>LL Cool J becomes the first hip-hop artist to be recognized at the Kennedy Center Honors. In a career spanning more than three decades, the Queens-born MC helped pioneer the burgeoning rap genre, while often being cited as hip-hop’s first heartthrob. As Def Jam Recordings’ first signee, LL is best known for hits like “Mama Said Knock You Out” and “Doin’ It.”\u003c/p>\n\u003cp>Fellow golden-era rapper Queen Latifah immortalized LL on stage before he received the award. Q-Tip and The Roots members Questlove and Black Thought were in attendance for support while Busta Rhymes, DMC and DJ Z-Trip paid tribute to LL in a performance. A true chameleon in the industry, LL has earned many awards for rapping and acting, including two Grammys, but the legendary MC told NPR’s \u003ca href=\"https://www.npr.org/2017/12/04/568255235/kennedy-center-celebrates-latest-honorees-but-without-the-first-family\" target=\"_blank\" rel=\"noopener\">\u003cem>Morning Edition\u003c/em>\u003c/a>, the Kennedy Center Honors is different “because now you’re being recognized by your country.”\u003c/p>\n\u003cp>Another ‘first’ for the evening was Gloria Estefan’s induction as the first Cuban-American to receive a Kennedy Center Honor. Estefan, who’s served as front woman for the Miami Sound Machine for nearly two decades, is best known for crossover hits like “Conga” and “Get On Your Feet.” The latter song has later become the title of a Broadway production based on the singer’s life.\u003c/p>\n\u003cp>2001 honoree Quincy Jones, 1999 honoree Stevie Wonder, Kenny Rogers and Leona Lewis and paid tribute to R&B titan Lionel Richie in song, belting a rendition of his song “All Night Long.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>While the 2017 honorees graciously shared the spotlight, some of the night’s conversation pivoted to a famous face that was noticeably missing from the ceremony. \u003ca href=\"https://www.npr.org/tags/511343536/president-trump\" target=\"_blank\" rel=\"noopener\">President Trump\u003c/a> notably did not go this year’s honors, breaking a presidential tradition of the first family attending the ceremony. President Trump announced he would be missing the ceremony back in \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/08/19/544684679/president-trump-to-skip-kennedy-center-honors-highlighting-rift-with-artists\" target=\"_blank\" rel=\"noopener\">August\u003c/a> after Lear and de Lavallade said they would boycott the awards if he was there. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=40th+Annual+Kennedy+Center+Honors+Recognize+Hip-Hop+For+The+First+Time&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Met Suspends Famed Conductor Accused of Molesting Teen For Years",
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"content": "\u003cp>\u003cstrong>Updated at 8:45 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>James Levine, a legendary conductor at the Metropolitan Opera, has been accused of sexually abusing a teenager in Illinois for a period of several years in the 1980s. \u003c/p>\n\u003cp>The Met said in \u003ca href=\"https://www.facebook.com/MetOpera/posts/10159806195345533\">a statement\u003c/a> Sunday it is suspending Levine from all activities related to the opera house while the allegations are being investigated, “following multiple allegations of sexual misconduct committed by Mr. Levine that took place from the 60’s to the 80’s, including the earlier part of his conducting career at the Met.”\u003c/p>\n\u003cp>Met General Manager Peter Gelb added, “While we await the results of the investigation, based on these new news reports, the Met has made the decision to act now.”\u003c/p>\n\u003cp>Levine, now 74, was the music director at the Met for four decades. He has recently suffered a variety of health problems and retired from his headline role at the Met last year, but continues to conduct occasional performances. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Officials at the Met were reportedly made aware of the allegations sometime in 2016. On Saturday, the Met said on Twitter that an investigation has been launched, with the help of “outside resources,” to evaluate the veracity of the claims.\u003c/p>\n\u003cp>https://twitter.com/MetOpera/status/937139056991002624\u003c/p>\n\u003cp>The allegations, \u003ca href=\"https://nypost.com/2017/12/02/legendary-opera-conductor-molested-teen-for-years-police-report/\" target=\"_blank\" rel=\"noopener\">first described\u003c/a> by the \u003cem>New York Post, \u003c/em>were described in a police report that was filed in 2016. In that report, a man says that he met Levine as a child in Illinois, where Levine was a conductor at the Ravinia Music Festival each summer. \u003c/p>\n\u003cp>In the report the man alleges that in 1985, when he was 15 and Levine was 41, Levine held his hand in a “prolonged and incredibly sensual way” while they were alone in a car, the \u003cem>Post\u003c/em> reports. The following year Levine began to touch the teenager’s genitalia and masturbate in front of him. The ensuing sexual contact lasted for years, according to the allegation.\u003c/p>\n\u003cp>Levine also served as a mentor to the teenager, wrote a college recommendation essay, and gave him tens of thousands of dollars of cash, the \u003cem>Post \u003c/em>writes. \u003c/p>\n\u003cp>There were “hundreds of incidents,” the alleged victim said. The man, who says he is straight and that he was not aroused by any of their interactions, wrote in the report that he was “confused and paralyzed” by Levine’s actions.\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/2017/12/02/arts/music/james-levine-sexual-misconduct-met-opera.html\" target=\"_blank\" rel=\"noopener\">The New York Times\u003c/a> has also seen a copy of the police report, and confirmed the stories contained in the report with the alleged victim and with one of his relatives. The \u003cem>Times \u003c/em>also notes that rumors of sexual misconduct have swirled around Levine, unconfirmed, for years. \u003c/p>\n\u003cp>\u003cem>The\u003c/em> \u003cem>Times \u003c/em>reports that Levine invited the victim to audition as a conductor, and told him that he should focus on “other talents” — while continuing to promise to “raise [him] ‘special’ ” in some way. The young man first told a relative about the abuse in 1993, the newspaper writes; he reported it to police in 2016, after realizing that Levine’s behavior had negatively affected his life.\u003c/p>\n\u003cp>The allegations describe acts that would be criminal in Illinois, but the statute of limitations for sex crimes with children had expired by the time the police report was filed, the \u003cem>Post \u003c/em>says.\u003c/p>\n\u003cp>Police from Lake Forest, Ill., spoke to Peter Gelb, the general manager of the Met, among other people, the \u003cem>Times \u003c/em>reports:\u003cem> \u003c/em>“Met officials acknowledged they had been aware of the police report since last year, but said that Mr. Levine had denied the accusation and that they had heard nothing further from the police.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Met’s announcement of an investigation does not mention prior knowledge of the allegations; it cites media reports as the inspiration for taking action. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Met+Suspends+Famed+Conductor+Accused+Of+Molesting+Teenager+For+Years+In+The+%2780s&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 8:45 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>James Levine, a legendary conductor at the Metropolitan Opera, has been accused of sexually abusing a teenager in Illinois for a period of several years in the 1980s. \u003c/p>\n\u003cp>The Met said in \u003ca href=\"https://www.facebook.com/MetOpera/posts/10159806195345533\">a statement\u003c/a> Sunday it is suspending Levine from all activities related to the opera house while the allegations are being investigated, “following multiple allegations of sexual misconduct committed by Mr. Levine that took place from the 60’s to the 80’s, including the earlier part of his conducting career at the Met.”\u003c/p>\n\u003cp>Met General Manager Peter Gelb added, “While we await the results of the investigation, based on these new news reports, the Met has made the decision to act now.”\u003c/p>\n\u003cp>Levine, now 74, was the music director at the Met for four decades. He has recently suffered a variety of health problems and retired from his headline role at the Met last year, but continues to conduct occasional performances. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Officials at the Met were reportedly made aware of the allegations sometime in 2016. On Saturday, the Met said on Twitter that an investigation has been launched, with the help of “outside resources,” to evaluate the veracity of the claims.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The allegations, \u003ca href=\"https://nypost.com/2017/12/02/legendary-opera-conductor-molested-teen-for-years-police-report/\" target=\"_blank\" rel=\"noopener\">first described\u003c/a> by the \u003cem>New York Post, \u003c/em>were described in a police report that was filed in 2016. In that report, a man says that he met Levine as a child in Illinois, where Levine was a conductor at the Ravinia Music Festival each summer. \u003c/p>\n\u003cp>In the report the man alleges that in 1985, when he was 15 and Levine was 41, Levine held his hand in a “prolonged and incredibly sensual way” while they were alone in a car, the \u003cem>Post\u003c/em> reports. The following year Levine began to touch the teenager’s genitalia and masturbate in front of him. The ensuing sexual contact lasted for years, according to the allegation.\u003c/p>\n\u003cp>Levine also served as a mentor to the teenager, wrote a college recommendation essay, and gave him tens of thousands of dollars of cash, the \u003cem>Post \u003c/em>writes. \u003c/p>\n\u003cp>There were “hundreds of incidents,” the alleged victim said. The man, who says he is straight and that he was not aroused by any of their interactions, wrote in the report that he was “confused and paralyzed” by Levine’s actions.\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/2017/12/02/arts/music/james-levine-sexual-misconduct-met-opera.html\" target=\"_blank\" rel=\"noopener\">The New York Times\u003c/a> has also seen a copy of the police report, and confirmed the stories contained in the report with the alleged victim and with one of his relatives. The \u003cem>Times \u003c/em>also notes that rumors of sexual misconduct have swirled around Levine, unconfirmed, for years. \u003c/p>\n\u003cp>\u003cem>The\u003c/em> \u003cem>Times \u003c/em>reports that Levine invited the victim to audition as a conductor, and told him that he should focus on “other talents” — while continuing to promise to “raise [him] ‘special’ ” in some way. The young man first told a relative about the abuse in 1993, the newspaper writes; he reported it to police in 2016, after realizing that Levine’s behavior had negatively affected his life.\u003c/p>\n\u003cp>The allegations describe acts that would be criminal in Illinois, but the statute of limitations for sex crimes with children had expired by the time the police report was filed, the \u003cem>Post \u003c/em>says.\u003c/p>\n\u003cp>Police from Lake Forest, Ill., spoke to Peter Gelb, the general manager of the Met, among other people, the \u003cem>Times \u003c/em>reports:\u003cem> \u003c/em>“Met officials acknowledged they had been aware of the police report since last year, but said that Mr. Levine had denied the accusation and that they had heard nothing further from the police.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Met’s announcement of an investigation does not mention prior knowledge of the allegations; it cites media reports as the inspiration for taking action. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Met+Suspends+Famed+Conductor+Accused+Of+Molesting+Teenager+For+Years+In+The+%2780s&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Roughly 50 elementary school kids from East Palo Alto are being treated this Sunday to a one-of-a-kind tour of \u003ca href=\"https://sfopera.com/\">SF Opera\u003c/a>, led by the famous artist and opera set designer David Hockney.\u003c/p>\n\u003cp>Following a pre-show workshop on Hockney’s set design, originally created for the opera company’s 1993 season, they’re expected to have a meet-and-greet with the artist himself before settling in for a matinee performance of \u003ci>Turandot\u003c/i>.\u003c/p>\n\u003cp>\u003ca href=\"http://turnaroundartsca.org/\">Turnaround Arts\u003c/a>, a non-profit that pairs artists with lower performing schools, connected Hockney with the \u003ca href=\"https://costanoschool.weebly.com/about-us.html\" target=\"_blank\" rel=\"noopener\">Costaño School\u003c/a> last January. He visited the school around then and taught a couple classes on how to paint on an iPad.\u003c/p>\n\u003cp>“We’ve been really, really fortunate to have David Hockney adopt our school. It’s pretty amazing,” Angela Karamian, an arts specialist at the Costaño School, said. “The arts are relevant to everything they see in their classrooms. That’s a message I push all the time.”\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/RDnews/2017/12/MyrowKidsOperaTrip.mp3\" Image=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/RS28235_Turandot-Act-I_David-Hockney-set_photo-Cory-Weaver-qut-800x490.jpg\" Title=\"Hockney Puts Opera Set Design on Curriculum for East Palo Alto Students\" program=\"KQED News\"]\u003c/p>\n\u003cp>The SF Opera idea came to Karamian not long ago while driving to work. She heard on the radio that the SF Opera was performing \u003cem>Turandot\u003c/em>, and that Hockney designed the sets.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Malissa Shriver, who heads the California chapter of Turnaround Arts, says Hockney was game to reconnect with the kids, and bankroll a field trip to San Francisco.\u003c/p>\n\u003cp>“You know, David said to me after the first visit at Costaño, that he hadn’t been so excited and inspired in such a long time,” Shriver said.\u003c/p>\n\u003cp>“The arts bridge so many divides,” Shriver added. “You know, across language, across culture, across age. Here’s a man of 80 years old interacting and being loved by these children who are in 3rd and 4th and 5th grade, you know? I feel like in our culture, young people often don’t really have a lot of time for old people — and vice versa.”\u003c/p>\n\u003cfigure id=\"attachment_13816494\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816494\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-800x450.jpg\" alt=\"David Hockney was a hit with the children of Costaño School back in January, but then it's fair to say they were a hit with him. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Hockney was a hit with the children of Costaño School back in January, but then it’s fair to say they were a hit with him. \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>SF Opera is also talking with the Costaño School about creating a class for 7th graders where they learn to write opera.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Roughly 50 elementary school kids from East Palo Alto are being treated this Sunday to a one-of-a-kind tour of \u003ca href=\"https://sfopera.com/\">SF Opera\u003c/a>, led by the famous artist and opera set designer David Hockney.\u003c/p>\n\u003cp>Following a pre-show workshop on Hockney’s set design, originally created for the opera company’s 1993 season, they’re expected to have a meet-and-greet with the artist himself before settling in for a matinee performance of \u003ci>Turandot\u003c/i>.\u003c/p>\n\u003cp>\u003ca href=\"http://turnaroundartsca.org/\">Turnaround Arts\u003c/a>, a non-profit that pairs artists with lower performing schools, connected Hockney with the \u003ca href=\"https://costanoschool.weebly.com/about-us.html\" target=\"_blank\" rel=\"noopener\">Costaño School\u003c/a> last January. He visited the school around then and taught a couple classes on how to paint on an iPad.\u003c/p>\n\u003cp>“We’ve been really, really fortunate to have David Hockney adopt our school. It’s pretty amazing,” Angela Karamian, an arts specialist at the Costaño School, said. “The arts are relevant to everything they see in their classrooms. That’s a message I push all the time.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Malissa Shriver, who heads the California chapter of Turnaround Arts, says Hockney was game to reconnect with the kids, and bankroll a field trip to San Francisco.\u003c/p>\n\u003cp>“You know, David said to me after the first visit at Costaño, that he hadn’t been so excited and inspired in such a long time,” Shriver said.\u003c/p>\n\u003cp>“The arts bridge so many divides,” Shriver added. “You know, across language, across culture, across age. Here’s a man of 80 years old interacting and being loved by these children who are in 3rd and 4th and 5th grade, you know? I feel like in our culture, young people often don’t really have a lot of time for old people — and vice versa.”\u003c/p>\n\u003cfigure id=\"attachment_13816494\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13816494\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-800x450.jpg\" alt=\"David Hockney was a hit with the children of Costaño School back in January, but then it's fair to say they were a hit with him. \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/RS23676_IMG_2677-qut-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Hockney was a hit with the children of Costaño School back in January, but then it’s fair to say they were a hit with him. \u003ccite>(Photo: Rachael Myrow/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>SF Opera is also talking with the Costaño School about creating a class for 7th graders where they learn to write opera.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Oakland Warehouse Coalition (OWC) sent a scathing letter Friday to the head of inspections at the City of Oakland, accusing his unit of ignoring the mayor’s orders regarding safety violations at warehouse spaces.\u003c/p>\n\u003cp>\u003ca href=\"https://drive.google.com/file/d/1SOksSx19Ur18ts3A9gzNO5epbI0WZMlx/view\" rel=\"noopener\" target=\"_blank\">The letter to Rich Fielding\u003c/a>, supervisor for the inspection unit at Oakland’s Department of Building and Planning, states that in the majority of warehouse evictions this past year, inspectors found safety violations but did not work on a plan with tenants to fix them. Tenants were also barred from working directly with inspectors. \u003c/p>\n\u003cp>Such evictions are in direct defiance \u003ca href=\"https://ww2.kqed.org/arts/2017/01/11/oakland-mayor-issues-exec-order-protecting-tenants-of-unsafe-warehouse-spaces/\" rel=\"noopener\" target=\"_blank\">Executive Order 2017-1\u003c/a>, issued by Mayor Libby Schaaf a month after the deadly \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" rel=\"noopener\" target=\"_blank\">Ghost Ship fire\u003c/a>. The order requires that those who own buildings not permitted for residential use but have tenants and or don’t conform to codes must make a plan with city officials within \u003ca href=\"http://www2.oaklandnet.com/w/OAK062364\" rel=\"noopener\" target=\"_blank\">60 days to correct the space’s issues\u003c/a>. Landlords are also asked to not displace tenants in those buildings if none of its code violations are life-threatening.\u003c/p>\n\u003cp>“While I’m not sure where the break is in the chain of command from the Mayor to the inspectors that you supervise, one thing is clear: if you were instructed to abide by the guidelines in Executive Order 2017-1, you did not effectively integrate them into your workflow, and both you and your inspectors continue to disregard Ms. Schaaf’s directives to this day,” OWC executive director Jonah Strauss wrote.\u003c/p>\n\u003cp>The letter came after the \u003ca href=\"https://www.eastbayexpress.com/oakland/evictions-after-ghost-ship/Content?oid=11223343\" rel=\"noopener\" target=\"_blank\">\u003cem>East Bay Express\u003c/em> reported\u003c/a> that city inspectors had ordered evictions at 10 nonresidential spaces, thereby displacing 45 people within an eight-month period following the fire. The report also claims that the city’s approach to such inspections did not change following the order, despite directives from the planning department to change protocol. Landlords and tenants at other spaces said they expected more evictions to come. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Following the Ghost Ship fire, which killed 36 people, warehouse spaces in \u003ca href=\"https://ww2.kqed.org/arts/2016/12/08/bay-area-warehouse-scene-threatened-after-decades-of-incubating-art/\" rel=\"noopener\" target=\"_blank\">Nashville and Baltimore\u003c/a> were evicted almost immediately. There were calls from activists for city officials to pass legislation similar to \u003ca href=\"http://nyclofttenants.org/loft-law-101/\" rel=\"noopener\" target=\"_blank\">New York City’s 2010 Loft Law.\u003c/a> Trying to appease the large community of Oakland residents that live in warehouse spaces or “warehomes,” Schaaf instead issued executive order 2017-1. Though it took into account that many warehouse tenants would probably be priced out of Oakland if they had to move, it did little to prevent evictions.\u003c/p>\n\u003cp>But the OWC’s letter goes even further in its castigation of the city’s inspectors, claiming that the department is under-reporting the number of evictions and shutting down warehomes that don’t “harbor imminent life safety hazards.” By ignoring the executive order, “intimidated or opportunistic landlords are encouraged to remove their tenants by the easiest, most rapid means available,” Strauss says, and the OWC has found no proof of landlords providing relocation funds for displaced tenants. \u003c/p>\n\u003cp>“Most tenants displaced since Ghost Ship lack the education, vocabulary, or means to pursue appropriate legal action, and choose to focus instead on survival,” Strauss wrote. “They are forced to seek new housing in the midst of an untenable shortage, which is universally more expensive than the affordable housing they were renting – sometimes double or triple the cost.”\u003c/p>\n\u003cp>Strauss said he sent the letter Friday to Fielding several other city officials to raise awareness of what the city inspectors are doing.\u003c/p>\n\u003cp>“We have worked tirelessly throughout this first year to introduce both legislative and internal policy measures, and though we have seen a slowly dawning understanding result from Ms. Cappio, Mr. Ranelletti, and now Mr. Gilchrist, zero progress has been made from Mr. Fielding downwards,” Strauss said.\u003c/p>\n\u003cp>As for a response to the letter from Fielding or other city officials, Strauss said he doesn’t expect much. \u003c/p>\n\u003cp>“While we are speaking here primarily about overreach, we could just as easily criticize their lack of action,” Strauss said. “The exact messages expressed in the letter have been expressed literally hundreds of times, and in fact have significantly influenced the practices, language, and PR attempts of the Fire Safety Task Force.”\u003c/p>\n\u003cp>“Given Mr. Fielding’s extensive history of ordering owners to remove their tenants from buildings with real and perceived hazards alike, we feel he should be fired. But because there exists a murky structure whereby he appears untouchable, we will settle for the next best thing: the total reorganization of his department,” Strauss added. \u003c/p>\n\u003cp>Attempts to reach Fielding were not returned by press time.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003ca href=\"https://drive.google.com/file/d/1SOksSx19Ur18ts3A9gzNO5epbI0WZMlx/view\" rel=\"noopener\" target=\"_blank\">Read the OWC’s letter here.\u003c/a> \u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Oakland Warehouse Coalition (OWC) sent a scathing letter Friday to the head of inspections at the City of Oakland, accusing his unit of ignoring the mayor’s orders regarding safety violations at warehouse spaces.\u003c/p>\n\u003cp>\u003ca href=\"https://drive.google.com/file/d/1SOksSx19Ur18ts3A9gzNO5epbI0WZMlx/view\" rel=\"noopener\" target=\"_blank\">The letter to Rich Fielding\u003c/a>, supervisor for the inspection unit at Oakland’s Department of Building and Planning, states that in the majority of warehouse evictions this past year, inspectors found safety violations but did not work on a plan with tenants to fix them. Tenants were also barred from working directly with inspectors. \u003c/p>\n\u003cp>Such evictions are in direct defiance \u003ca href=\"https://ww2.kqed.org/arts/2017/01/11/oakland-mayor-issues-exec-order-protecting-tenants-of-unsafe-warehouse-spaces/\" rel=\"noopener\" target=\"_blank\">Executive Order 2017-1\u003c/a>, issued by Mayor Libby Schaaf a month after the deadly \u003ca href=\"https://ww2.kqed.org/arts/programs/oakland-warehouse-memorial/\" rel=\"noopener\" target=\"_blank\">Ghost Ship fire\u003c/a>. The order requires that those who own buildings not permitted for residential use but have tenants and or don’t conform to codes must make a plan with city officials within \u003ca href=\"http://www2.oaklandnet.com/w/OAK062364\" rel=\"noopener\" target=\"_blank\">60 days to correct the space’s issues\u003c/a>. Landlords are also asked to not displace tenants in those buildings if none of its code violations are life-threatening.\u003c/p>\n\u003cp>“While I’m not sure where the break is in the chain of command from the Mayor to the inspectors that you supervise, one thing is clear: if you were instructed to abide by the guidelines in Executive Order 2017-1, you did not effectively integrate them into your workflow, and both you and your inspectors continue to disregard Ms. Schaaf’s directives to this day,” OWC executive director Jonah Strauss wrote.\u003c/p>\n\u003cp>The letter came after the \u003ca href=\"https://www.eastbayexpress.com/oakland/evictions-after-ghost-ship/Content?oid=11223343\" rel=\"noopener\" target=\"_blank\">\u003cem>East Bay Express\u003c/em> reported\u003c/a> that city inspectors had ordered evictions at 10 nonresidential spaces, thereby displacing 45 people within an eight-month period following the fire. The report also claims that the city’s approach to such inspections did not change following the order, despite directives from the planning department to change protocol. Landlords and tenants at other spaces said they expected more evictions to come. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Following the Ghost Ship fire, which killed 36 people, warehouse spaces in \u003ca href=\"https://ww2.kqed.org/arts/2016/12/08/bay-area-warehouse-scene-threatened-after-decades-of-incubating-art/\" rel=\"noopener\" target=\"_blank\">Nashville and Baltimore\u003c/a> were evicted almost immediately. There were calls from activists for city officials to pass legislation similar to \u003ca href=\"http://nyclofttenants.org/loft-law-101/\" rel=\"noopener\" target=\"_blank\">New York City’s 2010 Loft Law.\u003c/a> Trying to appease the large community of Oakland residents that live in warehouse spaces or “warehomes,” Schaaf instead issued executive order 2017-1. Though it took into account that many warehouse tenants would probably be priced out of Oakland if they had to move, it did little to prevent evictions.\u003c/p>\n\u003cp>But the OWC’s letter goes even further in its castigation of the city’s inspectors, claiming that the department is under-reporting the number of evictions and shutting down warehomes that don’t “harbor imminent life safety hazards.” By ignoring the executive order, “intimidated or opportunistic landlords are encouraged to remove their tenants by the easiest, most rapid means available,” Strauss says, and the OWC has found no proof of landlords providing relocation funds for displaced tenants. \u003c/p>\n\u003cp>“Most tenants displaced since Ghost Ship lack the education, vocabulary, or means to pursue appropriate legal action, and choose to focus instead on survival,” Strauss wrote. “They are forced to seek new housing in the midst of an untenable shortage, which is universally more expensive than the affordable housing they were renting – sometimes double or triple the cost.”\u003c/p>\n\u003cp>Strauss said he sent the letter Friday to Fielding several other city officials to raise awareness of what the city inspectors are doing.\u003c/p>\n\u003cp>“We have worked tirelessly throughout this first year to introduce both legislative and internal policy measures, and though we have seen a slowly dawning understanding result from Ms. Cappio, Mr. Ranelletti, and now Mr. Gilchrist, zero progress has been made from Mr. Fielding downwards,” Strauss said.\u003c/p>\n\u003cp>As for a response to the letter from Fielding or other city officials, Strauss said he doesn’t expect much. \u003c/p>\n\u003cp>“While we are speaking here primarily about overreach, we could just as easily criticize their lack of action,” Strauss said. “The exact messages expressed in the letter have been expressed literally hundreds of times, and in fact have significantly influenced the practices, language, and PR attempts of the Fire Safety Task Force.”\u003c/p>\n\u003cp>“Given Mr. Fielding’s extensive history of ordering owners to remove their tenants from buildings with real and perceived hazards alike, we feel he should be fired. But because there exists a murky structure whereby he appears untouchable, we will settle for the next best thing: the total reorganization of his department,” Strauss added. \u003c/p>\n\u003cp>Attempts to reach Fielding were not returned by press time.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003ca href=\"https://drive.google.com/file/d/1SOksSx19Ur18ts3A9gzNO5epbI0WZMlx/view\" rel=\"noopener\" target=\"_blank\">Read the OWC’s letter here.\u003c/a> \u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Sunset\u003c/em> magazine, the West Coast-centered lifestyle publication and forebear to the current deluge of food and lifestyle media, is changing ownership amid its parent company Time Inc.’s own acquisition.\u003c/p>\n\u003cp>Time Inc. announced on Thursday that \u003cem>Sunset\u003c/em>, which is based out of Oakland’s Jack London Square, is switching hands to Regent, a private equity firm out of Beverly Hills.\u003c/p>\n\u003cp>With this shift to new management — its fourth in over 120 years — about five staff members will be laid off as the publication pivots its focus on events and digital media.\u003c/p>\n\u003cp>“As a native Californian, I am honored to take the mantle as the fourth owner of this iconic and beloved institution,” Michael Reinstein, Regent’s chairman, said in a statement. “For almost 120 years \u003cem>Sunset\u003c/em> has been the definitive, pioneering voice of the promise, hope, values and innovative spirit of the West.”\u003c/p>\n\u003cp>This acquisition comes days after Time Inc. was purchased by Meredith Corp., the Midwest media group that counts among its properties \u003cem>Better Homes & Gardens\u003c/em>. Meredith Corp. made the nearly $3 billion deal in part with equity funneled in by Koch Industries, the corporation largely owned by Charles and David Koch.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Still, Time has been planning the sale of \u003cem>Sunset\u003c/em> since July as part of its restructuring plan.\u003c/p>\n\u003cp>A publication conceived in 1898 to inspire Southern Pacific train passengers to move westward, Sunset sowed its seeds in the Bay Area and has kept its roots despite a media landscape experiencing growing pains. It has served as an vehicle for weighty fiction and reporting by the likes of Sinclair Lewis, Jack London and Herbert Hoover, but its lasting impression as a magazine for reliable food, home and gardening writing holds today.\u003c/p>\n\u003cp>It called San Francisco home for its first 50 years of publication. It weathered the 1906 fire — which burned its main offices — as well as two sales during this era: one to \u003cem>Sunset\u003c/em> employees in 1914 and one to ad exec-turned-publisher Lawrence Lane fifteen years later.\u003c/p>\n\u003cp>During World War II, \u003cem>Sunset\u003c/em> editors and Lane’s children Bill and Mel Lane pushed for Californians to plant their own victory gardens by successfully raising their own one-acre victory garden in Berkeley.\u003c/p>\n\u003cp>\u003cem>Sunset\u003c/em> relocated to its famed Menlo Park headquarters in 1951, a seven-acre behemoth designed by Cliff May once deemed “the laboratory of Western living.” With it, the magazine’s culinary and horticultural experiments could be housed in the same roof as its in-house writing staff.\u003c/p>\n\u003cp>The publication has adapted to the changing digital landscape with varying degrees of success. \u003cem>Sunset\u003c/em> legitimized food blogging with its forays into locavore cuisine through its \u003ca href=\"https://www.sunset.com/food-wine/sunset-one-block-feast\" target=\"_blank\" rel=\"noopener\">One-Block Diet experiments\u003c/a>. \u003ca href=\"https://ww2.kqed.org/bayareabites/2010/11/21/sunset-cookbook-review/\" target=\"_blank\" rel=\"noopener\">Its definitive cookbooks and garden books remain evergreen staples\u003c/a>. Its Idea Houses have installed forward-thinking architecture in locales like the Berkeley Hills. (\u003ca href=\"https://www.sunset.com/home/for-sale-sunsets-2016-bay-area-idea-house\" target=\"_blank\" rel=\"noopener\">The 2016 Idea House is now on sale\u003c/a>.)\u003c/p>\n\u003cp>\u003cem>Sunset\u003c/em> sold their Menlo Park headquarters in 2014 and moved to a smaller space in Oakland after the appointment of its current editor-in-chief, Irene Edwards. Despite mixed reception from readers, the move symbolized the ongoing changes affecting the publication.\u003c/p>\n\u003cp>“I can’t imagine a better city for the modern \u003cem>Sunset\u003c/em>. This is its audience,” \u003ca href=\"https://ww2.kqed.org/bayareabites/2016/02/20/sunset-magazine-opens-hip-new-headquarters-in-oakland/\" target=\"_blank\" rel=\"noopener\">Edwards told KQED in 2014.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For what it’s worth, the new ownership does not signal that \u003cem>Sunset\u003c/em> will relocate again. Its Oakland offices, and Edwards, will remain in place.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Sunset\u003c/em> magazine, the West Coast-centered lifestyle publication and forebear to the current deluge of food and lifestyle media, is changing ownership amid its parent company Time Inc.’s own acquisition.\u003c/p>\n\u003cp>Time Inc. announced on Thursday that \u003cem>Sunset\u003c/em>, which is based out of Oakland’s Jack London Square, is switching hands to Regent, a private equity firm out of Beverly Hills.\u003c/p>\n\u003cp>With this shift to new management — its fourth in over 120 years — about five staff members will be laid off as the publication pivots its focus on events and digital media.\u003c/p>\n\u003cp>“As a native Californian, I am honored to take the mantle as the fourth owner of this iconic and beloved institution,” Michael Reinstein, Regent’s chairman, said in a statement. “For almost 120 years \u003cem>Sunset\u003c/em> has been the definitive, pioneering voice of the promise, hope, values and innovative spirit of the West.”\u003c/p>\n\u003cp>This acquisition comes days after Time Inc. was purchased by Meredith Corp., the Midwest media group that counts among its properties \u003cem>Better Homes & Gardens\u003c/em>. Meredith Corp. made the nearly $3 billion deal in part with equity funneled in by Koch Industries, the corporation largely owned by Charles and David Koch.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Still, Time has been planning the sale of \u003cem>Sunset\u003c/em> since July as part of its restructuring plan.\u003c/p>\n\u003cp>A publication conceived in 1898 to inspire Southern Pacific train passengers to move westward, Sunset sowed its seeds in the Bay Area and has kept its roots despite a media landscape experiencing growing pains. It has served as an vehicle for weighty fiction and reporting by the likes of Sinclair Lewis, Jack London and Herbert Hoover, but its lasting impression as a magazine for reliable food, home and gardening writing holds today.\u003c/p>\n\u003cp>It called San Francisco home for its first 50 years of publication. It weathered the 1906 fire — which burned its main offices — as well as two sales during this era: one to \u003cem>Sunset\u003c/em> employees in 1914 and one to ad exec-turned-publisher Lawrence Lane fifteen years later.\u003c/p>\n\u003cp>During World War II, \u003cem>Sunset\u003c/em> editors and Lane’s children Bill and Mel Lane pushed for Californians to plant their own victory gardens by successfully raising their own one-acre victory garden in Berkeley.\u003c/p>\n\u003cp>\u003cem>Sunset\u003c/em> relocated to its famed Menlo Park headquarters in 1951, a seven-acre behemoth designed by Cliff May once deemed “the laboratory of Western living.” With it, the magazine’s culinary and horticultural experiments could be housed in the same roof as its in-house writing staff.\u003c/p>\n\u003cp>The publication has adapted to the changing digital landscape with varying degrees of success. \u003cem>Sunset\u003c/em> legitimized food blogging with its forays into locavore cuisine through its \u003ca href=\"https://www.sunset.com/food-wine/sunset-one-block-feast\" target=\"_blank\" rel=\"noopener\">One-Block Diet experiments\u003c/a>. \u003ca href=\"https://ww2.kqed.org/bayareabites/2010/11/21/sunset-cookbook-review/\" target=\"_blank\" rel=\"noopener\">Its definitive cookbooks and garden books remain evergreen staples\u003c/a>. Its Idea Houses have installed forward-thinking architecture in locales like the Berkeley Hills. (\u003ca href=\"https://www.sunset.com/home/for-sale-sunsets-2016-bay-area-idea-house\" target=\"_blank\" rel=\"noopener\">The 2016 Idea House is now on sale\u003c/a>.)\u003c/p>\n\u003cp>\u003cem>Sunset\u003c/em> sold their Menlo Park headquarters in 2014 and moved to a smaller space in Oakland after the appointment of its current editor-in-chief, Irene Edwards. Despite mixed reception from readers, the move symbolized the ongoing changes affecting the publication.\u003c/p>\n\u003cp>“I can’t imagine a better city for the modern \u003cem>Sunset\u003c/em>. This is its audience,” \u003ca href=\"https://ww2.kqed.org/bayareabites/2016/02/20/sunset-magazine-opens-hip-new-headquarters-in-oakland/\" target=\"_blank\" rel=\"noopener\">Edwards told KQED in 2014.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For what it’s worth, the new ownership does not signal that \u003cem>Sunset\u003c/em> will relocate again. Its Oakland offices, and Edwards, will remain in place.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"link": "/californiareportmagazine",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
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},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
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"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
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