window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13960667": {
"type": "attachments",
"id": "arts_13960667",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960667",
"found": true
},
"title": "Everyone Is Dirty at WC02 (backyard show)",
"publishDate": 1720458628,
"status": "inherit",
"parent": 0,
"modified": 1720458808,
"caption": "Everyone Is Dirty performs at WC02, a backyard show in San Francisco in the summer of 2023, curated by Mae Powell. White Crate's event series invites a different local musician or label to program each show.",
"credit": "Courtesy White Crate",
"altTag": "an aerial shot of a backyard rock show",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-800x600.jpg",
"width": 800,
"height": 600,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-1020x765.jpg",
"width": 1020,
"height": 765,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-160x120.jpg",
"width": 160,
"height": 120,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-768x576.jpg",
"width": 768,
"height": 576,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-1536x1152.jpg",
"width": 1536,
"height": 1152,
"mimeType": "image/jpeg"
},
"2048x2048": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-2048x1536.jpg",
"width": 2048,
"height": 1536,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-1920x1440.jpg",
"width": 1920,
"height": 1440,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Everyone-Is-Dirty-at-WC02-backyard-show-scaled.jpg",
"width": 2560,
"height": 1920
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13960607": {
"type": "attachments",
"id": "arts_13960607",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960607",
"found": true
},
"title": "DSC_8502 (1)",
"publishDate": 1719856553,
"status": "inherit",
"parent": 13960603,
"modified": 1720459258,
"caption": "Marin-raised EDM producer and DJ Jauz, aka Sam Vogel, returns to the Bay Area on July 11 and 12.",
"credit": "Matt Calloway",
"altTag": "A white man in a baseball cap and black clothing stands in front of a cloudy sky and stares into the distance.",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"2048x2048": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-2048x1365.jpg",
"width": 2048,
"height": 1365,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DSC_8502-1-scaled.jpg",
"width": 2560,
"height": 1707
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13960644": {
"type": "attachments",
"id": "arts_13960644",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960644",
"found": true
},
"title": "Standing on the Corner credit Justin French",
"publishDate": 1720204859,
"status": "inherit",
"parent": 13960643,
"modified": 1720205181,
"caption": "An early incarnation of Standing on the Corner, led by Gio Escobar (second from right). ‘Anybody who participates in the meeting of a goal is a member of the ensemble,’ Escobar told the New York Times in 2023. ",
"credit": "Justin French",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Standing-on-the-Corner-credit-Justin-French-800x800.jpg",
"width": 800,
"height": 800,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Standing-on-the-Corner-credit-Justin-French-1020x1020.jpg",
"width": 1020,
"height": 1020,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Standing-on-the-Corner-credit-Justin-French-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Standing-on-the-Corner-credit-Justin-French-768x768.jpg",
"width": 768,
"height": 768,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Standing-on-the-Corner-credit-Justin-French-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Standing-on-the-Corner-credit-Justin-French-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Standing-on-the-Corner-credit-Justin-French.jpg",
"width": 1200,
"height": 1200
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_11746716": {
"type": "attachments",
"id": "arts_11746716",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11746716",
"found": true
},
"parent": 11727091,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/06/Waits.MAIN_-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1467097244,
"modified": 1467097348,
"caption": "Tom Waits is among many Bay Area musicians who approach homelessness with understanding instead of scorn.",
"description": "Tom Waits is among many Bay Area musicians who approach homelessness with understanding instead of scorn.",
"title": "Waits.MAIN",
"credit": "Photo: Matt Mahurin",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13915254": {
"type": "attachments",
"id": "arts_13915254",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915254",
"found": true
},
"parent": 13915237,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56872_002_KQED_SFPrideParade_06262022-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56872_002_KQED_SFPrideParade_06262022-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56872_002_KQED_SFPrideParade_06262022-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56872_002_KQED_SFPrideParade_06262022-qut.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56872_002_KQED_SFPrideParade_06262022-qut-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56872_002_KQED_SFPrideParade_06262022-qut-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56872_002_KQED_SFPrideParade_06262022-qut-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56872_002_KQED_SFPrideParade_06262022-qut-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1656345045,
"modified": 1656349127,
"caption": "Kai'lee Luckey (left) and Kaleonna Vang, both visiting from Sacramento, watch the San Francisco Pride Parade on June 26, 2022.",
"description": null,
"title": "RS56872_002_KQED_SFPrideParade_06262022-qut",
"credit": "Beth LaBerge/KQED",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13960168": {
"type": "attachments",
"id": "arts_13960168",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960168",
"found": true
},
"title": "Megan Thee Stallion Hot Girl Summer Tour",
"publishDate": 1719227231,
"status": "inherit",
"parent": 13960424,
"modified": 1719531249,
"caption": "Jakayla Murphy (left) and Valu Taloa wear custom t-shirts reading “Go Meg” and “Get em Glo” outside the Chase Center during Megan Thee Stallion's Hot Girl Summer Tour on Sunday, June 23, 2024.",
"credit": "Estefany Gonzalez for KQED",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_06-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_06-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_06-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_06-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_06-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_06-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_06-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_06.jpg",
"width": 1920,
"height": 1280
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13960257": {
"type": "attachments",
"id": "arts_13960257",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960257",
"found": true
},
"title": "Andre3000.16x9",
"publishDate": 1719337801,
"status": "inherit",
"parent": 13960252,
"modified": 1719339286,
"caption": "Andre 3000.",
"credit": "Gabe Drechsler",
"altTag": "Black and white image of rapper André 3000 wearing headphones.",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Andre3000.16x9-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Andre3000.16x9-1020x574.jpg",
"width": 1020,
"height": 574,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Andre3000.16x9-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Andre3000.16x9-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Andre3000.16x9-1536x864.jpg",
"width": 1536,
"height": 864,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Andre3000.16x9-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Andre3000.16x9-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Andre3000.16x9.jpg",
"width": 1920,
"height": 1080
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13960222": {
"type": "attachments",
"id": "arts_13960222",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960222",
"found": true
},
"title": "2024 Bonnaroo Music & Arts Festival",
"publishDate": 1719271203,
"status": "inherit",
"parent": 13960206,
"modified": 1719271229,
"caption": "Megan Thee Stallion performs during 2024 Bonnaroo Music & Arts Festival on June 16, 2024 in Manchester, Tennessee.",
"credit": "Erika Goldring/Getty Images",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157889026-800x534.jpg",
"width": 800,
"height": 534,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157889026-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157889026-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157889026-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157889026-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157889026-1024x576.jpg",
"width": 1024,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157889026.jpg",
"width": 1024,
"height": 683
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13960110": {
"type": "attachments",
"id": "arts_13960110",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960110",
"found": true
},
"title": "Disco_s Mighty Real Bay Area Roots (Estefany Gonzalez)_23",
"publishDate": 1718992477,
"status": "inherit",
"parent": 13960094,
"modified": 1718995526,
"caption": "Drag performer Bebe Sweet Briar and DJ Paul Goodyear, aka SanFranDisko, onstage at The Commons at KQED on June 6, 2024. ",
"credit": "Estefany Gonzalez for KQED",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_23-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_23-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_23-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_23-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_23-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_23-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_23-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_23.jpg",
"width": 1920,
"height": 1280
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13960063": {
"type": "attachments",
"id": "arts_13960063",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960063",
"found": true
},
"title": "2024 Governors Ball",
"publishDate": 1718918522,
"status": "inherit",
"parent": 13960034,
"modified": 1718918555,
"caption": "Sabrina Carpenter performs during the 2024 Governors Ball at Flushing Meadows Corona Park on June 08, 2024 in New York City. ",
"credit": "Marleen Moise/Getty Images",
"altTag": null,
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2156725960-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2156725960-1020x679.jpg",
"width": 1020,
"height": 679,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2156725960-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2156725960-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2156725960-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2156725960-1024x576.jpg",
"width": 1024,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2156725960.jpg",
"width": 1024,
"height": 682
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13960077": {
"type": "attachments",
"id": "arts_13960077",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13960077",
"found": true
},
"title": "Kendrick.Timothy-Norris-Getty-Images",
"publishDate": 1718923473,
"status": "inherit",
"parent": 13960019,
"modified": 1718989750,
"caption": "Kendrick Lamar performs during 'The Pop Out – Ken & Friends' at the Forum on June 19, 2024 in Inglewood, California.",
"credit": "Timothy Norris/Getty Images",
"altTag": "A Black man in a red hoodie raps on the mic and holds one finger aloft while an arena ceiling bathed in golden light is in the background",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kendrick.Timothy-Norris-Getty-Images-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kendrick.Timothy-Norris-Getty-Images-1020x574.jpg",
"width": 1020,
"height": 574,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kendrick.Timothy-Norris-Getty-Images-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kendrick.Timothy-Norris-Getty-Images-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kendrick.Timothy-Norris-Getty-Images-1536x864.jpg",
"width": 1536,
"height": 864,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kendrick.Timothy-Norris-Getty-Images-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kendrick.Timothy-Norris-Getty-Images-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kendrick.Timothy-Norris-Getty-Images.jpg",
"width": 1920,
"height": 1080
}
},
"isLoading": false,
"fetchFailed": false
},
"arts_13959906": {
"type": "attachments",
"id": "arts_13959906",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13959906",
"found": true
},
"title": "SunRa.London.16x9",
"publishDate": 1718645421,
"status": "inherit",
"parent": 13959879,
"modified": 1718645633,
"caption": "Sun Ra performing at The Venue in London on July 27, 1982. ",
"credit": "David Corio/Redferns",
"altTag": "A Black man in a glittery headpiece and shoulder sash tilts his head back, facing right, seen in profile",
"description": null,
"imgSizes": {
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/SunRa.London.16x9-800x450.jpg",
"width": 800,
"height": 450,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/SunRa.London.16x9-1020x574.jpg",
"width": 1020,
"height": 574,
"mimeType": "image/jpeg"
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/SunRa.London.16x9-160x90.jpg",
"width": 160,
"height": 90,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/SunRa.London.16x9-768x432.jpg",
"width": 768,
"height": 432,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/SunRa.London.16x9-1536x864.jpg",
"width": 1536,
"height": 864,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/SunRa.London.16x9-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/SunRa.London.16x9-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/SunRa.London.16x9.jpg",
"width": 1920,
"height": 1080
}
},
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13959879": {
"type": "authors",
"id": "byline_arts_13959879",
"meta": {
"override": true
},
"slug": "byline_arts_13959879",
"name": "Daniel Bromfield",
"isLoading": false
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"esilvers": {
"type": "authors",
"id": "7237",
"meta": {
"index": "authors_1716337520",
"id": "7237",
"found": true
},
"name": "Emma Silvers",
"firstName": "Emma",
"lastName": "Silvers",
"slug": "esilvers",
"email": "esilvers@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Emma Silvers is an editor at KQED Arts and a former digital producer at KQED News. Born and raised in the Bay Area, she has previously been an arts and entertainment editor at the \u003cem>San Francisco Chronicle\u003c/em>, \u003cem>SF Weekly\u003c/em> and the \u003cem>San Francisco Bay Guardian.\u003c/em> \u003ca href=\"https://www.emmasilvers.com\">Her work\u003c/a> has also appeared in \u003cem>Rolling Stone\u003c/em>, Pitchfork and \u003cem>Mother Jones\u003c/em>. In 2017 she was the recipient of the Society of Professional Journalists-Northern California's award for arts and culture reporting. In 1993 she \u003ca href=\"https://www.kqed.org/pop/16759/wait-what-my-coworker-was-a-voice-over-hyperventilator-for-jurassic-park\">hyperventilated in \u003cem>Jurassic Park\u003c/em>\u003c/a>.",
"avatar": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g",
"twitter": "emmaruthless",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"contributor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Emma Silvers | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/247beada39b88ea5759db1f51dba05cf?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/esilvers"
},
"aproehl": {
"type": "authors",
"id": "11296",
"meta": {
"index": "authors_1716337520",
"id": "11296",
"found": true
},
"name": "Ariana Proehl",
"firstName": "Ariana",
"lastName": "Proehl",
"slug": "aproehl",
"email": "aproehl@KQED.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Culture Reporter, KQED",
"bio": "Ariana Proehl is a Culture Reporter and Host.",
"avatar": "https://secure.gravatar.com/avatar/c96b24567eb5bb3a4f8bb295ed53e232?s=600&d=blank&r=g",
"twitter": "ArianaProehl",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": []
},
{
"site": "news",
"roles": []
},
{
"site": "education",
"roles": []
},
{
"site": "forum",
"roles": []
}
],
"headData": {
"title": "Ariana Proehl | KQED",
"description": "Culture Reporter, KQED",
"ogImgSrc": "https://secure.gravatar.com/avatar/c96b24567eb5bb3a4f8bb295ed53e232?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/c96b24567eb5bb3a4f8bb295ed53e232?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/aproehl"
},
"nvoynovskaya": {
"type": "authors",
"id": "11387",
"meta": {
"index": "authors_1716337520",
"id": "11387",
"found": true
},
"name": "Nastia Voynovskaya",
"firstName": "Nastia",
"lastName": "Voynovskaya",
"slug": "nvoynovskaya",
"email": "nvoynovskaya@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Editor and reporter",
"bio": "Nastia Voynovskaya is a reporter, editor and host at KQED Arts & Culture. She's been covering the arts in the Bay Area for over a decade, with a focus on music, queer culture, labor issues and grassroots organizing. She has edited KQED story series such as Trans Bay: A History of San Francisco's Gender-Diverse Community, and co-created KQED's Bay Area hip-hop history project, That's My Word. Nastia's work has been recognized by the Society of Professional Journalists and San Francisco Press Club. She regularly appears on podcasts and radio programs, including NPR's All Songs Considered, and hosts live events where music, culture and conversation meet.",
"avatar": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "https://www.instagram.com/nananastia/",
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Nastia Voynovskaya | KQED",
"description": "Editor and reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/nvoynovskaya"
},
"ogpenn": {
"type": "authors",
"id": "11491",
"meta": {
"index": "authors_1716337520",
"id": "11491",
"found": true
},
"name": "Pendarvis Harshaw",
"firstName": "Pendarvis",
"lastName": "Harshaw",
"slug": "ogpenn",
"email": "ogpenn@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Community Engagement Reporter",
"bio": "Pendarvis Harshaw is an educator, host and writer with KQED Arts.",
"avatar": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "ogpenn",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"author"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Pendarvis Harshaw | KQED",
"description": "Community Engagement Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ogpenn"
},
"ltsai": {
"type": "authors",
"id": "11743",
"meta": {
"index": "authors_1716337520",
"id": "11743",
"found": true
},
"name": "Luke Tsai",
"firstName": "Luke",
"lastName": "Tsai",
"slug": "ltsai",
"email": "ltsai@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Food Editor",
"bio": "Luke Tsai is KQED's food editor and resident stinky tofu connoisseur. Prior to KQED, he was an editor at Eater SF, \u003cem>San Francisco \u003c/em>magazine, and the \u003cem>East Bay Express\u003c/em>, and his work has also appeared in TASTE, the \u003cem>San Francisco Chronicle\u003c/em>, and the \u003cem>Best Food Writing\u003c/em> anthology. When he isn't writing or editing, you'll find him eating most everything he can get his hands on.",
"avatar": "https://secure.gravatar.com/avatar/1e59b45bf191526e7339d6ba46e33a57b2030d25c27660ecc64ea3cb863e34f7?s=600&d=blank&r=g",
"twitter": "theluketsai",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor",
"contributor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Luke Tsai | KQED",
"description": "Food Editor",
"ogImgSrc": "https://secure.gravatar.com/avatar/1e59b45bf191526e7339d6ba46e33a57b2030d25c27660ecc64ea3cb863e34f7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/1e59b45bf191526e7339d6ba46e33a57b2030d25c27660ecc64ea3cb863e34f7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ltsai"
},
"udursun": {
"type": "authors",
"id": "11883",
"meta": {
"index": "authors_1716337520",
"id": "11883",
"found": true
},
"name": "Ugur Dursun",
"firstName": "Ugur",
"lastName": "Dursun",
"slug": "udursun",
"email": "udursun@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Engagement Producer, KQED Arts & Culture",
"bio": "Ugur Dursun is a reporter and audience engagement producer for KQED Arts. Previously, her reporting has appeared on SFGate, East Bay Times, The Mercury News, KTVU, NBC Bay Area, The Stanford Daily, and other Bay Area local news outlets. In 2023, she was a recipient of Online News Association's \u003ca href=\"https://journalists.org/programs/mj-bear-fellowship/\">MJ Bear Fellowship\u003c/a>, which honors six standout journalists under the age of 30 who are pushing innovation in digital news.",
"avatar": "https://secure.gravatar.com/avatar/9c5fe6a93389635670fe02d7fa44666938055adfbfc2cfd7fffc1de9e29072a2?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Ugur Dursun | KQED",
"description": "Engagement Producer, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/9c5fe6a93389635670fe02d7fa44666938055adfbfc2cfd7fffc1de9e29072a2?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/9c5fe6a93389635670fe02d7fa44666938055adfbfc2cfd7fffc1de9e29072a2?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/udursun"
}
},
"pagesReducer": {
"arts_category_music": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"score": 10.847683
},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"title": "Music",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 46
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=music",
"seeMore": false,
"paginated": true,
"page": 46
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13960718": {
"type": "posts",
"id": "arts_13960718",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960718",
"score": null,
"sort": [
1720473150000
]
},
"guestAuthors": [],
"slug": "white-crate-bay-area-live-music",
"title": "White Crate Is Documenting the Bay Area’s Music Renaissance",
"publishDate": 1720473150,
"format": "standard",
"headTitle": "White Crate Is Documenting the Bay Area’s Music Renaissance | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>In the fall of 2020, with concert calendars blank for the foreseeable future, something shifted for Ronny Kerr.\u003c/p>\n\u003cp>The musician, record collector and DJ made a habit of taking long, contemplative walks around his neighborhood in West Oakland. Shows by touring bands and big festivals were off the table. So instead, he says, “I just became really interested and invested and curious about what was happening right here.”\u003c/p>\n\u003cp>Kerr, who grew up in Daly City, started scouring the internet for new releases from Bay Area artists. As loosening restrictions began to allow for small outdoor shows, he kept track of upcoming performances. Soon, he was sharing his weekly list of findings with friends.\u003c/p>\n\u003cp>“While everyone else was baking bread for the first time, I was like ‘I wanna start a newsletter about Bay Area music,’” says Kerr. He and his co-founder, longtime friend Elliot Engel, decided to name the project \u003ca href=\"https://whitecrate.org/\">White Crate\u003c/a>, after the crate they transported records in when they DJed together.\u003c/p>\n\u003cfigure id=\"attachment_13960737\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960737\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-scaled.jpg\" alt=\"two white men pose together at an outdoor music festival\" width=\"2560\" height=\"2397\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-800x749.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-1020x955.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-160x150.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-768x719.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-1536x1438.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-2048x1917.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-1920x1797.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">White Crate co-founders Ronny Kerr (left) and Elliot Engel at Portola Music Festival. \u003ccite>(Courtesy Ronny Kerr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nearly four years later, \u003ca href=\"https://whitecrate.org/\">White Crate\u003c/a> has become an indispensable resource for Bay Area music fans — and at an incredibly fertile time for local artists. (More on that in a minute.) White Crate has also expanded into so many formats that Kerr and Engel struggle to define it. In addition to the newsletter of show recommendations, there’s a website that publishes daily record reviews and artist interviews, plus a monthly online broadcast on \u003ca href=\"https://www.kqed.org/arts/13926316/hydefm-lower-grand-diy-internet-radio-stations-bay-area-music\">Lower Grand Radio\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Live events, White Crate’s newest venture, have so far included a \u003ca href=\"https://www.sfgate.com/sf-culture/article/grace-cathedral-rock-concert-review-17736176.php\">sold-out Cold Beat concert at Grace Cathedral\u003c/a>, and an ongoing series in which they invite a local artist or label to curate a lineup that highlights the best of their scene.\u003c/p>\n\u003cfigure id=\"attachment_13960734\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960734\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828.jpg\" alt=\"a Black woman with purple hair in a black dress sings into a microphone on a patio\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Qween at WC04, curated by local label 7000COILS. \u003ccite>(Courtesy White Crate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The next show in this series, WC05, is set for Saturday, July 13 at El Rio, with a lineup programmed by the Mission District’s own \u003ca href=\"https://www.kqed.org/arts/13816703/can-text-me-records-become-san-franciscos-new-hit-factory\">Text Me Records\u003c/a>. Producer and rapper \u003ca href=\"https://www.instagram.com/mayflowerjammy/?hl=en\">Jammy\u003c/a>, alt-hip-hop artist \u003ca href=\"https://www.instagram.com/whoisrickylake/?hl=en\">Ricky Lake\u003c/a>, Latin Grammy-winning singer \u003ca href=\"https://www.instagram.com/nataliaalafavi?igsh=MzRlODBiNWFlZA%3D%3D\">La Favi\u003c/a> and rapper-actress \u003ca href=\"https://www.instagram.com/tia.nomore/?hl=en\">Tia Nomore\u003c/a> are all set to perform live on the beloved queer bar’s sunny back patio, with DJ sets by \u003ca href=\"https://www.instagram.com/drewwwwwww___/?hl=en\">Drew Banga\u003c/a> and \u003ca href=\"https://www.instagram.com/louielser/?hl=en\">Louie El Ser\u003c/a>. [aside postid='arts_13925905']\u003c/p>\n\u003cp>“When you start doing research, you realize there’s just such a vast constellation of music and creators and community here that no single person can have a full grasp on it,” says Kerr of the guest-curator format. “So we rely on other people to share what’s going on.”\u003c/p>\n\u003cp>From where he’s sitting, what’s going on looks like a renaissance. Four years after the pandemic brought live music to a standstill, in garages and basements, in practice spaces and dive bars, the Bay Area music scene is blossoming once again.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8lbx1XrhkfE\u003c/p>\n\u003cp>“The Bay has always had and will always have amazing music, amazing visual art, amazing art in general. But I think it’s kind of a wave system…. and right now we’re in a really good little moment,” says Ricky Lake, whose most recent EP, \u003ca href=\"https://open.spotify.com/album/5r6tsQ17IlJlh0nyQ5pxXb\">\u003cem>Tundra\u003c/em>\u003c/a>, blends indie rock and emo pop sounds with rap. [aside postid='arts_13960603']\u003c/p>\n\u003cp>Despite having lived here for a decade, Lake said he’s recently started going to new venues — like downtown San Francisco speakeasy The Felix — and seeing more cross-Bay collaboration between Oakland and San Francisco crews. He also attributes a lot of the momentum in his particular scene to femme DJs: “I know that’s very specific!” he says with a laugh. “But people like Louie El Ser, and the DJs they’ve put me on to… they go so hard. No matter what else is happening, they’re finding spaces to throw lit events and create scenes that people want to go to.”\u003c/p>\n\u003cp>For La Favi, whose recent EP \u003ca href=\"https://favi.bandcamp.com/album/14-mission\">\u003cem>14 Mission\u003c/em>\u003c/a> takes its name from the bus line and neighborhood of her childhood, the El Rio showcase will be a hometown gig in the truest sense. “I was born and raised in San Francisco, it shaped who I am, my heart and my soul,” she says. While San Francisco has changed drastically since she was a kid, she says, “It’s always cool to see the new young artists that are coming up, the creativity of youth here — there are always little seeds. You just have to nurture them.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ry6Gb1kksmw\u003c/p>\n\u003cp>White Crate co-founder Elliot Engel hypothesizes that the surge of new albums released over the past year is a result of the pandemic’s dormant period.\u003c/p>\n\u003cp>“People were stuck at home, there was a lot of pent-up creativity,” says Engel. “And of course it’s easier now than ever to create music online. I mean, we’re still finding out about albums that were created during 2020 and 2021 that [artists] are just now releasing, and they’re incredibly creative.” [aside postid='arts_13960325']\u003c/p>\n\u003cp>Practically speaking, he adds, the eviction moratorium may have provided an all-too-brief glimpse into a world where artists don’t have to hustle around the clock to make rent: “People were allowed to breathe a little bit.”\u003c/p>\n\u003cp>Whatever the reasons for this resurgence, White Crate is documenting it — a role that feels increasingly important when so many outlets that once covered up-and-coming artists have shuttered. Following the decimation of the Bay Area’s alternative weeklies and the \u003ca href=\"https://www.kqed.org/arts/13901785/the-bay-bridged-longtime-local-music-site-will-close-down-in-october\">demise of indie music site \u003cem>The Bay Bridged\u003c/em>\u003c/a>, very few local media outlets devote significant resources to coverage of even “traditional” arts like the theater or symphony, let alone the scrappy punk bands, electronic music parties and house shows that form the basis of the independent scene.\u003c/p>\n\u003cfigure id=\"attachment_13960724\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960724\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03.jpg\" alt=\"a young person in a peach jumper and long braids smiles behind a DJ board\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">DJ Mizu at WC03. \u003ccite>(Chris Caceres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Importantly, White Crate’s founders say they’re not trying to grow into a media outlet. They both have full-time jobs, so the project is truly a labor of love. Which, in turn, helps explain why the whole thing has a touch of the nostalgic, DIY energy of a fanzine: They just want you to get to the show. And to celebrate local artists — even though the Fillmore and Fox’s calendars are once again filled with touring bands from around the world.\u003c/p>\n\u003cp>“There are so many great, accessible music venues that you can just pop into, like Thee Stork Club, Kilowatt, Bottom of the Hill, places where you can go and just be immersed among music people,” says Engel, of what he’d suggest to someone looking to discover independent Bay Area music. (Kerr chimes in, suggesting The Lab for the avant-garde scene, and event producers \u003ca href=\"https://www.instagram.com/n.o.b.i.a.s/?hl=en\">No Bias\u003c/a> and \u003ca href=\"https://www.instagram.com/vitamin1k/?hl=en\">Vitamin 1000\u003c/a> for dance music.)\u003c/p>\n\u003cp>“There’s remarkably little gatekeeping here. People are welcomed with open arms,” adds Engel. “It’s a pretty special place.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>WC05 takes place from 3\u003cspan style=\"font-weight: 400\">–\u003c/span>8 p.m. on Saturday, July 13 at El Rio (3158 Mission St., San Francisco). \u003ca href=\"https://www.eventbrite.com/e/wc05-curated-by-text-me-records-tickets-914809127727\">Tickets ($15-$20) and more info here\u003c/a>.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "The DIY platform has become a crucial resource for live music fans — at a fertile time for local artists.",
"status": "publish",
"parent": 0,
"modified": 1720547675,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 22,
"wordCount": 1255
},
"headData": {
"title": "White Crate Is Documenting the Bay Area’s Music Renaissance | KQED",
"description": "The DIY platform has become a crucial resource for live music fans — at a fertile time for local artists.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "White Crate Is Documenting the Bay Area’s Music Renaissance",
"datePublished": "2024-07-08T14:12:30-07:00",
"dateModified": "2024-07-09T10:54:35-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13960718",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960718/white-crate-bay-area-live-music",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the fall of 2020, with concert calendars blank for the foreseeable future, something shifted for Ronny Kerr.\u003c/p>\n\u003cp>The musician, record collector and DJ made a habit of taking long, contemplative walks around his neighborhood in West Oakland. Shows by touring bands and big festivals were off the table. So instead, he says, “I just became really interested and invested and curious about what was happening right here.”\u003c/p>\n\u003cp>Kerr, who grew up in Daly City, started scouring the internet for new releases from Bay Area artists. As loosening restrictions began to allow for small outdoor shows, he kept track of upcoming performances. Soon, he was sharing his weekly list of findings with friends.\u003c/p>\n\u003cp>“While everyone else was baking bread for the first time, I was like ‘I wanna start a newsletter about Bay Area music,’” says Kerr. He and his co-founder, longtime friend Elliot Engel, decided to name the project \u003ca href=\"https://whitecrate.org/\">White Crate\u003c/a>, after the crate they transported records in when they DJed together.\u003c/p>\n\u003cfigure id=\"attachment_13960737\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960737\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-scaled.jpg\" alt=\"two white men pose together at an outdoor music festival\" width=\"2560\" height=\"2397\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-800x749.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-1020x955.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-160x150.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-768x719.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-1536x1438.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-2048x1917.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ronny-and-Elliot-at-Portola-1-1920x1797.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">White Crate co-founders Ronny Kerr (left) and Elliot Engel at Portola Music Festival. \u003ccite>(Courtesy Ronny Kerr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Nearly four years later, \u003ca href=\"https://whitecrate.org/\">White Crate\u003c/a> has become an indispensable resource for Bay Area music fans — and at an incredibly fertile time for local artists. (More on that in a minute.) White Crate has also expanded into so many formats that Kerr and Engel struggle to define it. In addition to the newsletter of show recommendations, there’s a website that publishes daily record reviews and artist interviews, plus a monthly online broadcast on \u003ca href=\"https://www.kqed.org/arts/13926316/hydefm-lower-grand-diy-internet-radio-stations-bay-area-music\">Lower Grand Radio\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Live events, White Crate’s newest venture, have so far included a \u003ca href=\"https://www.sfgate.com/sf-culture/article/grace-cathedral-rock-concert-review-17736176.php\">sold-out Cold Beat concert at Grace Cathedral\u003c/a>, and an ongoing series in which they invite a local artist or label to curate a lineup that highlights the best of their scene.\u003c/p>\n\u003cfigure id=\"attachment_13960734\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960734\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828.jpg\" alt=\"a Black woman with purple hair in a black dress sings into a microphone on a patio\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Qween-at-WC04-El-Rio-scaled-e1720470466828-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Qween at WC04, curated by local label 7000COILS. \u003ccite>(Courtesy White Crate)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The next show in this series, WC05, is set for Saturday, July 13 at El Rio, with a lineup programmed by the Mission District’s own \u003ca href=\"https://www.kqed.org/arts/13816703/can-text-me-records-become-san-franciscos-new-hit-factory\">Text Me Records\u003c/a>. Producer and rapper \u003ca href=\"https://www.instagram.com/mayflowerjammy/?hl=en\">Jammy\u003c/a>, alt-hip-hop artist \u003ca href=\"https://www.instagram.com/whoisrickylake/?hl=en\">Ricky Lake\u003c/a>, Latin Grammy-winning singer \u003ca href=\"https://www.instagram.com/nataliaalafavi?igsh=MzRlODBiNWFlZA%3D%3D\">La Favi\u003c/a> and rapper-actress \u003ca href=\"https://www.instagram.com/tia.nomore/?hl=en\">Tia Nomore\u003c/a> are all set to perform live on the beloved queer bar’s sunny back patio, with DJ sets by \u003ca href=\"https://www.instagram.com/drewwwwwww___/?hl=en\">Drew Banga\u003c/a> and \u003ca href=\"https://www.instagram.com/louielser/?hl=en\">Louie El Ser\u003c/a>. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13925905",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When you start doing research, you realize there’s just such a vast constellation of music and creators and community here that no single person can have a full grasp on it,” says Kerr of the guest-curator format. “So we rely on other people to share what’s going on.”\u003c/p>\n\u003cp>From where he’s sitting, what’s going on looks like a renaissance. Four years after the pandemic brought live music to a standstill, in garages and basements, in practice spaces and dive bars, the Bay Area music scene is blossoming once again.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8lbx1XrhkfE'\n title='//www.youtube.com/embed/8lbx1XrhkfE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“The Bay has always had and will always have amazing music, amazing visual art, amazing art in general. But I think it’s kind of a wave system…. and right now we’re in a really good little moment,” says Ricky Lake, whose most recent EP, \u003ca href=\"https://open.spotify.com/album/5r6tsQ17IlJlh0nyQ5pxXb\">\u003cem>Tundra\u003c/em>\u003c/a>, blends indie rock and emo pop sounds with rap. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13960603",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Despite having lived here for a decade, Lake said he’s recently started going to new venues — like downtown San Francisco speakeasy The Felix — and seeing more cross-Bay collaboration between Oakland and San Francisco crews. He also attributes a lot of the momentum in his particular scene to femme DJs: “I know that’s very specific!” he says with a laugh. “But people like Louie El Ser, and the DJs they’ve put me on to… they go so hard. No matter what else is happening, they’re finding spaces to throw lit events and create scenes that people want to go to.”\u003c/p>\n\u003cp>For La Favi, whose recent EP \u003ca href=\"https://favi.bandcamp.com/album/14-mission\">\u003cem>14 Mission\u003c/em>\u003c/a> takes its name from the bus line and neighborhood of her childhood, the El Rio showcase will be a hometown gig in the truest sense. “I was born and raised in San Francisco, it shaped who I am, my heart and my soul,” she says. While San Francisco has changed drastically since she was a kid, she says, “It’s always cool to see the new young artists that are coming up, the creativity of youth here — there are always little seeds. You just have to nurture them.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ry6Gb1kksmw'\n title='//www.youtube.com/embed/ry6Gb1kksmw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>White Crate co-founder Elliot Engel hypothesizes that the surge of new albums released over the past year is a result of the pandemic’s dormant period.\u003c/p>\n\u003cp>“People were stuck at home, there was a lot of pent-up creativity,” says Engel. “And of course it’s easier now than ever to create music online. I mean, we’re still finding out about albums that were created during 2020 and 2021 that [artists] are just now releasing, and they’re incredibly creative.” \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13960325",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Practically speaking, he adds, the eviction moratorium may have provided an all-too-brief glimpse into a world where artists don’t have to hustle around the clock to make rent: “People were allowed to breathe a little bit.”\u003c/p>\n\u003cp>Whatever the reasons for this resurgence, White Crate is documenting it — a role that feels increasingly important when so many outlets that once covered up-and-coming artists have shuttered. Following the decimation of the Bay Area’s alternative weeklies and the \u003ca href=\"https://www.kqed.org/arts/13901785/the-bay-bridged-longtime-local-music-site-will-close-down-in-october\">demise of indie music site \u003cem>The Bay Bridged\u003c/em>\u003c/a>, very few local media outlets devote significant resources to coverage of even “traditional” arts like the theater or symphony, let alone the scrappy punk bands, electronic music parties and house shows that form the basis of the independent scene.\u003c/p>\n\u003cfigure id=\"attachment_13960724\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960724\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03.jpg\" alt=\"a young person in a peach jumper and long braids smiles behind a DJ board\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/DJ-Mizu-at-WC03-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">DJ Mizu at WC03. \u003ccite>(Chris Caceres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Importantly, White Crate’s founders say they’re not trying to grow into a media outlet. They both have full-time jobs, so the project is truly a labor of love. Which, in turn, helps explain why the whole thing has a touch of the nostalgic, DIY energy of a fanzine: They just want you to get to the show. And to celebrate local artists — even though the Fillmore and Fox’s calendars are once again filled with touring bands from around the world.\u003c/p>\n\u003cp>“There are so many great, accessible music venues that you can just pop into, like Thee Stork Club, Kilowatt, Bottom of the Hill, places where you can go and just be immersed among music people,” says Engel, of what he’d suggest to someone looking to discover independent Bay Area music. (Kerr chimes in, suggesting The Lab for the avant-garde scene, and event producers \u003ca href=\"https://www.instagram.com/n.o.b.i.a.s/?hl=en\">No Bias\u003c/a> and \u003ca href=\"https://www.instagram.com/vitamin1k/?hl=en\">Vitamin 1000\u003c/a> for dance music.)\u003c/p>\n\u003cp>“There’s remarkably little gatekeeping here. People are welcomed with open arms,” adds Engel. “It’s a pretty special place.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>WC05 takes place from 3\u003cspan style=\"font-weight: 400\">–\u003c/span>8 p.m. on Saturday, July 13 at El Rio (3158 Mission St., San Francisco). \u003ca href=\"https://www.eventbrite.com/e/wc05-curated-by-text-me-records-tickets-914809127727\">Tickets ($15-$20) and more info here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960718/white-crate-bay-area-live-music",
"authors": [
"7237"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_10278",
"arts_681",
"arts_1146",
"arts_3338",
"arts_585"
],
"featImg": "arts_13960667",
"label": "arts_140"
},
"arts_13960603": {
"type": "posts",
"id": "arts_13960603",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960603",
"score": null,
"sort": [
1720459296000
]
},
"guestAuthors": [],
"slug": "jauz-wicked-wise-san-francisco-1015-folsom",
"title": "Jauz Brings His ‘Wicked’ and ‘Wise’ EDM to San Francisco",
"publishDate": 1720459296,
"format": "standard",
"headTitle": "Jauz Brings His ‘Wicked’ and ‘Wise’ EDM to San Francisco | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Sam Vogel — an EDM DJ and producer known professionally as \u003c/span>\u003ca href=\"https://www.instagram.com/jauzofficial/?hl=en\">\u003cspan style=\"font-weight: 400\">Jauz\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — regularly performs at electronic music festivals around the world, including meccas like Belgium’s Tomorrowland and New York’s Electric Zoo. And now he’s set to return to the Bay Area, his home turf, when he brings his current tour to 1015 Folsom in San Francisco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Vogel, who grew up in Marin, will play two different shows on July 11 and 12. First up is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Jauz Presents: The Wicked\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, or “Bass Night” featuring his more aggressive, drum and bass sounds, followed by \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Jauz Presents: The Wise\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, or “House Night,” featuring his more melodic, progressive house music.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The tour is inspired by a dystopian narrative he created for his 2018 concept album, \u003c/span>\u003ca href=\"https://www.billboard.com/music/music-news/jauz-the-wise-and-the-wicked-album-breakdown-8473042/\">\u003ci>\u003cspan style=\"font-weight: 400\">The Wise and the Wicked\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">. In it, the “Wise” members of society have a more uplifting outlook and want to improve the world, representing the house side of his music, while the “Wicked” are more destructive and anarchic, representing the drum and bass side. He delved deeper into the story with his 2023 albums \u003c/span>\u003ca href=\"https://www.youtube.com/playlist?list=OLAK5uy_n4bwjUiXXf-xL_7cK919M2zbGsoMjporU\">\u003ci>\u003cspan style=\"font-weight: 400\">WRATH OF THE WICKED\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=D87Uw6pEjJs&list=OLAK5uy_nclXF9j0y9PakkaRAllXaC2j1QFwdhVgI\">\u003ci>\u003cspan style=\"font-weight: 400\">Rise of the Wise\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=PDACKf0eoYU\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“My motto since day one has always been ‘music has no boundaries,’ which has kind of represented the idea that one artist can have all these different faces, and that should be something that’s celebrated,” explained Vogel, who founded his own record label, \u003ca href=\"https://www.heybitethis.com/\">Bite This\u003c/a>, in 2017. “That’s why I wanted to create these worlds.” \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Growing up in Marin, Vogel actually favored the heavy metal scene over EDM. He started playing guitar at age 11, inspired by Metallica and other bands coming out of the Bay Area. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I\u003c/span> \u003cspan style=\"font-weight: 400\">used to go just about every Tuesday or Wednesday to the Regency Ballroom [in San Francisco]. That was where all the metal bands that I loved were playing,” Vogel recalled. \u003c/span>\u003c/p>\n\u003cp>https://youtu.be/aC7LPL6Mvrk?si=2xNTjCl_ti_AkDFQ\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At first, he wanted to become a professional guitarist. “I’d tried starting so many bands that never really came to anything,” Vogel said. “I [also] tried to record myself as a one man band and that didn’t go very well.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Then he had a “light bulb moment” while putting together a short film as part of the \u003c/span>\u003ca href=\"https://www.youtube.com/channel/UCFU-CXRzr5Huj4_bC3USa4Q\">\u003cspan style=\"font-weight: 400\">Academy of Integrated Humanities and New Media (AIM)\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> documentary film program at Tamalpais High School.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I was putting together different pieces of audio — whether it was Foley background music or whatever,” Vogel said. “I looked at one of my friends and said, ‘Man, I wish I could make music like this. Just laying things together, like putting Lego pieces together.’” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His friend pointed across the room to another student making hip-hop beats on his computer. Vogel realized he didn’t have to play guitar or the drums to make music — his computer could be his instrument.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13960604\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960604\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-800x567.jpg\" alt=\"A male DJ in a white shirt and backwards baseball cap uses DJ equipment on a stage in front of a sea of people.\" width=\"800\" height=\"567\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-800x567.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-1020x723.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-768x544.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-1536x1089.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-2048x1451.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-1920x1361.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jauz spins on the Twin Peaks Stage during the 2016 Outside Lands Music and Arts Festival at Golden Gate Park on August 6, 2016 in San Francisco. \u003ccite>(FilmMagic via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Four albums and many popular remixes and singles later, Vogel has racked up over 600,000 followers on Instagram and fans from all over the world. Still, nothing compares to his hometown crowd. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’ve talked to so many of my peers and we all feel the same way: the crowds in San Francisco are on a completely different level to just about anywhere else in the country,” Vogel said. “And I don’t know what’s in the water, but they’re really just extra special.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So when he hits the stage at 1015 Folsom for his two-night run, it’ll be with a lot of pride.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s so cool because I get to be like, ‘Yeah, these are my people.’ Like, how rad is that — that where I came from [has] some of the best fans in the world — not just of me, but of all electronic music.”\u003c/span>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">‘Jauz Presents: The Wicked’ takes place July 11 at 1015 Folsom in San Francisco, followed by ‘The Wise’ on July 12. \u003c/span>\u003c/i>\u003ca href=\"https://jauzofficial.com/tour#music\">\u003ci>\u003cspan style=\"font-weight: 400\">Tickets and details here\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/i>\u003c/p>\n\n",
"blocks": [],
"excerpt": "The Marin-bred producer explores human nature's duality through house and drum and bass at 1015 Folsom.",
"status": "publish",
"parent": 0,
"modified": 1720722523,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 17,
"wordCount": 752
},
"headData": {
"title": "Jauz Brings His ‘Wicked’ and ‘Wise’ EDM to San Francisco | KQED",
"description": "The Marin-bred producer explores human nature's duality through house and drum and bass at 1015 Folsom.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Jauz Brings His ‘Wicked’ and ‘Wise’ EDM to San Francisco",
"datePublished": "2024-07-08T10:21:36-07:00",
"dateModified": "2024-07-11T11:28:43-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/8a56c68e-a0cf-4291-bac5-b1aa010b3df7/audio.mp3",
"sticky": false,
"nprStoryId": "kqed-13960603",
"templateType": "standard",
"featuredImageType": "standard",
"subhead": "The producer and DJ reflects on his Bay Area roots in the metal scene and loving hometown fans.",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960603/jauz-wicked-wise-san-francisco-1015-folsom",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Sam Vogel — an EDM DJ and producer known professionally as \u003c/span>\u003ca href=\"https://www.instagram.com/jauzofficial/?hl=en\">\u003cspan style=\"font-weight: 400\">Jauz\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — regularly performs at electronic music festivals around the world, including meccas like Belgium’s Tomorrowland and New York’s Electric Zoo. And now he’s set to return to the Bay Area, his home turf, when he brings his current tour to 1015 Folsom in San Francisco.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Vogel, who grew up in Marin, will play two different shows on July 11 and 12. First up is \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Jauz Presents: The Wicked\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, or “Bass Night” featuring his more aggressive, drum and bass sounds, followed by \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Jauz Presents: The Wise\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, or “House Night,” featuring his more melodic, progressive house music.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The tour is inspired by a dystopian narrative he created for his 2018 concept album, \u003c/span>\u003ca href=\"https://www.billboard.com/music/music-news/jauz-the-wise-and-the-wicked-album-breakdown-8473042/\">\u003ci>\u003cspan style=\"font-weight: 400\">The Wise and the Wicked\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">. In it, the “Wise” members of society have a more uplifting outlook and want to improve the world, representing the house side of his music, while the “Wicked” are more destructive and anarchic, representing the drum and bass side. He delved deeper into the story with his 2023 albums \u003c/span>\u003ca href=\"https://www.youtube.com/playlist?list=OLAK5uy_n4bwjUiXXf-xL_7cK919M2zbGsoMjporU\">\u003ci>\u003cspan style=\"font-weight: 400\">WRATH OF THE WICKED\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=D87Uw6pEjJs&list=OLAK5uy_nclXF9j0y9PakkaRAllXaC2j1QFwdhVgI\">\u003ci>\u003cspan style=\"font-weight: 400\">Rise of the Wise\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PDACKf0eoYU'\n title='//www.youtube.com/embed/PDACKf0eoYU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">“My motto since day one has always been ‘music has no boundaries,’ which has kind of represented the idea that one artist can have all these different faces, and that should be something that’s celebrated,” explained Vogel, who founded his own record label, \u003ca href=\"https://www.heybitethis.com/\">Bite This\u003c/a>, in 2017. “That’s why I wanted to create these worlds.” \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Growing up in Marin, Vogel actually favored the heavy metal scene over EDM. He started playing guitar at age 11, inspired by Metallica and other bands coming out of the Bay Area. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I\u003c/span> \u003cspan style=\"font-weight: 400\">used to go just about every Tuesday or Wednesday to the Regency Ballroom [in San Francisco]. That was where all the metal bands that I loved were playing,” Vogel recalled. \u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aC7LPL6Mvrk'\n title='//www.youtube.com/embed/aC7LPL6Mvrk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">At first, he wanted to become a professional guitarist. “I’d tried starting so many bands that never really came to anything,” Vogel said. “I [also] tried to record myself as a one man band and that didn’t go very well.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Then he had a “light bulb moment” while putting together a short film as part of the \u003c/span>\u003ca href=\"https://www.youtube.com/channel/UCFU-CXRzr5Huj4_bC3USa4Q\">\u003cspan style=\"font-weight: 400\">Academy of Integrated Humanities and New Media (AIM)\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> documentary film program at Tamalpais High School.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I was putting together different pieces of audio — whether it was Foley background music or whatever,” Vogel said. “I looked at one of my friends and said, ‘Man, I wish I could make music like this. Just laying things together, like putting Lego pieces together.’” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His friend pointed across the room to another student making hip-hop beats on his computer. Vogel realized he didn’t have to play guitar or the drums to make music — his computer could be his instrument.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13960604\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960604\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-800x567.jpg\" alt=\"A male DJ in a white shirt and backwards baseball cap uses DJ equipment on a stage in front of a sea of people.\" width=\"800\" height=\"567\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-800x567.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-1020x723.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-768x544.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-1536x1089.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-2048x1451.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Jauz-Outside-Lands-2016-1920x1361.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jauz spins on the Twin Peaks Stage during the 2016 Outside Lands Music and Arts Festival at Golden Gate Park on August 6, 2016 in San Francisco. \u003ccite>(FilmMagic via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Four albums and many popular remixes and singles later, Vogel has racked up over 600,000 followers on Instagram and fans from all over the world. Still, nothing compares to his hometown crowd. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’ve talked to so many of my peers and we all feel the same way: the crowds in San Francisco are on a completely different level to just about anywhere else in the country,” Vogel said. “And I don’t know what’s in the water, but they’re really just extra special.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So when he hits the stage at 1015 Folsom for his two-night run, it’ll be with a lot of pride.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s so cool because I get to be like, ‘Yeah, these are my people.’ Like, how rad is that — that where I came from [has] some of the best fans in the world — not just of me, but of all electronic music.”\u003c/span>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">‘Jauz Presents: The Wicked’ takes place July 11 at 1015 Folsom in San Francisco, followed by ‘The Wise’ on July 12. \u003c/span>\u003c/i>\u003ca href=\"https://jauzofficial.com/tour#music\">\u003ci>\u003cspan style=\"font-weight: 400\">Tickets and details here\u003c/span>\u003c/i>\u003c/a>\u003ci>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960603/jauz-wicked-wise-san-francisco-1015-folsom",
"authors": [
"11296"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_1501",
"arts_10278",
"arts_1146",
"arts_585"
],
"featImg": "arts_13960607",
"label": "arts_140"
},
"arts_13960643": {
"type": "posts",
"id": "arts_13960643",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960643",
"score": null,
"sort": [
1720205936000
]
},
"guestAuthors": [],
"slug": "standing-on-the-corner-smartbomb-sfjazz",
"title": "Standing on the Corner, a Shapeshifting New York Ensemble, Makes Return to SF",
"publishDate": 1720205936,
"format": "standard",
"headTitle": "Standing on the Corner, a Shapeshifting New York Ensemble, Makes Return to SF | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>The only guarantee about the Brooklyn-based musical ensemble Standing on the Corner is that there are no guarantees. \u003c/p>\n\u003cp>The group, founded nearly a decade ago, has played both avant-garde jazz sets and lo-fi beat sets. They’ve soundtracked afrofuturist films. They’ve performed at radio station benefits, and even acupuncture sessions. \u003c/p>\n\u003cp>On Saturday, the group, led on organ by Puerto Rican multidisciplinarian Gio Escobar, headlines a half-day festival at SFJAZZ while a who’s-who of Bay Area grassroots collectives and artists take over the building’s side rooms and upstairs lobby.\u003c/p>\n\u003cp>It’s the first time Standing on the Corner has played the Bay Area since 2017, opening for King Krule at the Fillmore and performing molasses-slathered renditions of “Body and Soul” and “My Funny Valentine” that handily predated the \u003ca href=\"https://pitchfork.com/thepitch/how-slowed-reverb-remixes-became-the-melancholy-heart-of-music-youtube/\">slowed ‘n’ reverbed TikTok trend\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13960645\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee.jpg\" alt=\"\" width=\"1920\" height=\"890\" class=\"size-full wp-image-13960645\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-800x371.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-1020x473.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-160x74.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-768x356.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-1536x712.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Zachary James Watkins and Maylee Todd also perform at Saturday’s mini-festival, coproduced by the Bay Area collective Smartbomb. \u003ccite>(Courtesy Smartbomb / Brittany Carmichael )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the seven years since, the group has collaborated with film director \u003ca href=\"https://www.youtube.com/watch?v=PEwQV6RRrzQ\">Melvin Van Peebles\u003c/a>, the rapper \u003ca href=\"https://www.youtube.com/watch?v=5vVHPRZ21iE\">Earl Sweatshirt\u003c/a>, hip-hop pioneers the Last Poets and the singer \u003ca href=\"https://www.youtube.com/watch?v=wrrjls-oxFo\">Solange\u003c/a>. After two dizzyingly creative independent releases, Standing on the Corner signed a record contract with XL Recordings but have not released a proper album since, preferring instead to self-release live cassettes and stage elaborate installations. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Saturday’s show, co-produced by the Bay’s \u003ca href=\"https://www.kqed.org/arts/13837846/oaklands-experimental-hip-hop-party-smart-bomb-is-blowing-up\">Smartbomb\u003c/a> collective, also features live sets by \u003ca href=\"https://www.kqed.org/arts/11864342/the-time-traversing-sound-of-oaklands-black-spirituals\">Zachary James Watkins\u003c/a>, Maylee Todd, Musele Project and Diego Gaeta, and an art market with Smartbomb DJs and vendors from \u003ca href=\"https://www.kqed.org/arts/13919544/eternal-now-west-oakland-store-will-bundy-ali-madigan\">Eternal Now\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13931586/discodelic-brings-latin-vinyl-home-to-the-mission-district\">Discodelic Records\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13926316/hydefm-lower-grand-diy-internet-radio-stations-bay-area-music\">Lower Grand Radio\u003c/a> and more. \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Standing on the Corner plays Saturday, July 6, at SFJAZZ. \u003ca href=\"https://www.sfjazz.org/tickets/productions/sfjazz-x-smartbomb/\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "The Brooklyn group headlines a mini-festival coproduced by Smartbomb, with live music, DJs and an art market.",
"status": "publish",
"parent": 0,
"modified": 1720206328,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 9,
"wordCount": 306
},
"headData": {
"title": "Standing on the Corner, a Shapeshifting New York Ensemble, Makes Return to SF | KQED",
"description": "The Brooklyn group headlines a mini-festival coproduced by Smartbomb, with live music, DJs and an art market.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Standing on the Corner, a Shapeshifting New York Ensemble, Makes Return to SF",
"datePublished": "2024-07-05T11:58:56-07:00",
"dateModified": "2024-07-05T12:05:28-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13960643",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960643/standing-on-the-corner-smartbomb-sfjazz",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The only guarantee about the Brooklyn-based musical ensemble Standing on the Corner is that there are no guarantees. \u003c/p>\n\u003cp>The group, founded nearly a decade ago, has played both avant-garde jazz sets and lo-fi beat sets. They’ve soundtracked afrofuturist films. They’ve performed at radio station benefits, and even acupuncture sessions. \u003c/p>\n\u003cp>On Saturday, the group, led on organ by Puerto Rican multidisciplinarian Gio Escobar, headlines a half-day festival at SFJAZZ while a who’s-who of Bay Area grassroots collectives and artists take over the building’s side rooms and upstairs lobby.\u003c/p>\n\u003cp>It’s the first time Standing on the Corner has played the Bay Area since 2017, opening for King Krule at the Fillmore and performing molasses-slathered renditions of “Body and Soul” and “My Funny Valentine” that handily predated the \u003ca href=\"https://pitchfork.com/thepitch/how-slowed-reverb-remixes-became-the-melancholy-heart-of-music-youtube/\">slowed ‘n’ reverbed TikTok trend\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13960645\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee.jpg\" alt=\"\" width=\"1920\" height=\"890\" class=\"size-full wp-image-13960645\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-800x371.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-1020x473.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-160x74.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-768x356.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/zachary.maylee-1536x712.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">(L–R) Zachary James Watkins and Maylee Todd also perform at Saturday’s mini-festival, coproduced by the Bay Area collective Smartbomb. \u003ccite>(Courtesy Smartbomb / Brittany Carmichael )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the seven years since, the group has collaborated with film director \u003ca href=\"https://www.youtube.com/watch?v=PEwQV6RRrzQ\">Melvin Van Peebles\u003c/a>, the rapper \u003ca href=\"https://www.youtube.com/watch?v=5vVHPRZ21iE\">Earl Sweatshirt\u003c/a>, hip-hop pioneers the Last Poets and the singer \u003ca href=\"https://www.youtube.com/watch?v=wrrjls-oxFo\">Solange\u003c/a>. After two dizzyingly creative independent releases, Standing on the Corner signed a record contract with XL Recordings but have not released a proper album since, preferring instead to self-release live cassettes and stage elaborate installations. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Saturday’s show, co-produced by the Bay’s \u003ca href=\"https://www.kqed.org/arts/13837846/oaklands-experimental-hip-hop-party-smart-bomb-is-blowing-up\">Smartbomb\u003c/a> collective, also features live sets by \u003ca href=\"https://www.kqed.org/arts/11864342/the-time-traversing-sound-of-oaklands-black-spirituals\">Zachary James Watkins\u003c/a>, Maylee Todd, Musele Project and Diego Gaeta, and an art market with Smartbomb DJs and vendors from \u003ca href=\"https://www.kqed.org/arts/13919544/eternal-now-west-oakland-store-will-bundy-ali-madigan\">Eternal Now\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13931586/discodelic-brings-latin-vinyl-home-to-the-mission-district\">Discodelic Records\u003c/a>, \u003ca href=\"https://www.kqed.org/arts/13926316/hydefm-lower-grand-diy-internet-radio-stations-bay-area-music\">Lower Grand Radio\u003c/a> and more. \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Standing on the Corner plays Saturday, July 6, at SFJAZZ. \u003ca href=\"https://www.sfjazz.org/tickets/productions/sfjazz-x-smartbomb/\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960643/standing-on-the-corner-smartbomb-sfjazz",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_1420",
"arts_2048",
"arts_585"
],
"featImg": "arts_13960644",
"label": "arts_140"
},
"arts_11727091": {
"type": "posts",
"id": "arts_11727091",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11727091",
"score": null,
"sort": [
1719589239000
]
},
"guestAuthors": [],
"slug": "five-songs-for-the-homeless-the-bay-areas-empathy-on-record",
"title": "Five Songs for People Who've Been Homeless: The Bay Area's Empathy on Record",
"publishDate": 1719589239,
"format": "image",
"headTitle": "Five Songs for People Who’ve Been Homeless: The Bay Area’s Empathy on Record | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003cem>\u003cstrong>This story was originally published in 2016.\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>You might have seen it, tucked into a recent \u003ca href=\"http://www.nytimes.com/2016/05/16/us/san-francisco-homelessness.html\" target=\"_blank\" rel=\"noopener\">\u003cem>New York Times\u003c/em> report\u003c/a>: the phrase “clumps of humanity,” referring to San Francisco’s homeless population.\u003c/p>\n\u003cp>My KQED coworkers and I \u003ca href=\"http://www.salon.com/2016/05/16/clumps_of_humanity_this_new_york_times_article_treated_homelessness_in_just_about_the_worst_way_possible/\" target=\"_blank\" rel=\"noopener\">weren’t the only ones\u003c/a> who noticed the \u003cem>Times\u003c/em>’ term, a denigration to those down on their luck. But it was especially strange to someone who covers music. Immediately, I thought of the many songs from the Bay Area that treat homelessness not with scorn, but with understanding and empathy.\u003c/p>\n\u003cp>Some of those songs are by musicians who’ve been homeless themselves. Nearly all are by artists who’ve found ways to either give back to the organizations that helped them, or to help others without a roof over their head.\u003c/p>\n\u003ch2>Crimpshrine, ‘Sleep, What’s That?’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=BPIXlsXurdI\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>San Francisco punk bands had sung about being homeless before — DRI’s “\u003ca href=\"http://genius.com/Dri-soup-kitchen-lyrics\" target=\"_blank\" rel=\"noopener\">Soup Kitchen Blues\u003c/a>” and MDC’s “\u003ca href=\"http://genius.com/Mdc-no-place-to-piss-lyrics\" target=\"_blank\" rel=\"noopener\">No Place to Piss\u003c/a>” were both products of band members’ experiences squatting and couch-surfing in mid-’80s San Francisco. But Crimpshrine’s \u003cem>Sleep, What’s That?\u003c/em> EP, released in 1988 by a fledgling new record label called Lookout Records, tackled the issue head-on in its title track. Singer/guitarist Jeff Ott was himself homeless at the time, singing:\u003c/p>\n\u003cblockquote>\u003cp>So much food to eat, so many homes to sleep in\u003cbr>\nStores so full of food, so why must I eat from a garbage bin?\u003cbr>\nThere’s 1,600 people walking around today, thinking life’s a little game to play\u003cbr>\nTrying to avoid police abduction, trying to avoid hunger and self-destruction\u003c/p>\u003c/blockquote>\n\u003cp>During \u003ca href=\"https://www.youtube.com/watch?v=adbbq2-w2WY\" target=\"_blank\" rel=\"noopener\">a show at 924 Gilman\u003c/a> in 1989, Ott introduced the song by saying: “It’s about myself and all my friends on Telegraph Avenue who have no place to live, and who go without enough food every day. And there’s places they could be sleeping, and they get busted for it.”\u003c/p>\n\u003cp>Lookout Records would go on to international renown with bands like Green Day and Operation Ivy. When Crimpshrine’s EPs were reissued, the band took the opportunity to give back to the organizations that’d helped them when they were on the streets, donating royalties to \u003ca href=\"http://ebfnb.org/\" target=\"_blank\" rel=\"noopener\">Food Not Bombs\u003c/a> and the \u003ca href=\"http://www.berkeleyfreeclinic.org/\" target=\"_blank\" rel=\"noopener\">Berkeley Free Clinic\u003c/a>.\u003c/p>\n\u003ch2>Tom Waits, ‘Cold Water’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=DgwJQj2E6So\u003c/p>\n\u003cp>Tom Waits has long been an advocate for the homeless, whether in songs like “On the Nickel” — a beautiful ballad from \u003cem>Heartattack and Vine\u003c/em> about Los Angeles’ Fifth Street — or in lending a song to the soundtrack of \u003cem>Streetwise\u003c/em>, a 1984 documentary about homeless teenagers in Seattle.\u003c/p>\n\u003cp>For his 1999 album \u003cem>Mule Variations\u003c/em>, Waits penned the sympathetic ode “Cold Water,” a lovely and sad song in the voice of a homeless teenager:\u003c/p>\n\u003cblockquote>\u003cp>I look 47 but I’m 24\u003cbr>\nWell they shooed me away from here the time before\u003cbr>\nTurned their backs and they locked their doors\u003cbr>\nI’m watchin’ TV in the window of a furniture store\u003c/p>\u003c/blockquote>\n\u003cp>In 2011, Waits released \u003cem>Seeds on Hard Ground\u003c/em>, a limited-edition chapbook of his poetry about homelessness. All proceeds were donated to the \u003ca href=\"http://www.refb.org/\" target=\"_blank\" rel=\"noopener\">Redwood Empire Food Bank\u003c/a>, \u003ca href=\"http://sonomacountyhomeless.org/\" target=\"_blank\" rel=\"noopener\">Sonoma County Homeless Referral Services\u003c/a> and \u003ca href=\"http://www.srcharities.org/get-help/shelter-housing\" target=\"_blank\" rel=\"noopener\">Family Support Center\u003c/a> run by the Catholic Charities of Santa Rosa.\u003c/p>\n\u003ch2>2Pac, ‘Changes’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=eXvBjCO19QY\u003c/p>\n\u003cp>Before he moved to Oakland, Tupac Shakur grew up around tough neighborhoods in the Bronx, Harlem and Baltimore. Oftentimes, without a steady income, his single mother Afeni brought Shakur to stay at homeless shelters. The experience helped inspire “Changes,” originally recorded in 1993:\u003c/p>\n\u003cblockquote>\u003cp>And still I see no changes\u003cbr>\nCan’t a brother get a little peace?\u003cbr>\nIt’s war on the streets and a war in the Middle East\u003cbr>\nInstead of war on poverty\u003cbr>\nThey got a war on drugs so the police can bother me\u003c/p>\u003c/blockquote>\n\u003cp>Shakur put his money where his mouth was, \u003ca href=\"http://articles.latimes.com/1996-08-30/local/me-38987_1_safe-house\" target=\"_blank\" rel=\"noopener\">planning a high-profile benefit concert\u003c/a> for the brand-new community center \u003ca href=\"http://www.apch.org/\" target=\"_blank\" rel=\"noopener\">A Place Called Home\u003c/a>, serving impoverished and at-risk children in South Central Los Angeles. Shakur was murdered just weeks before the concert, but he greatly raised the center’s visibility. A Place Called Home is still going strong.\u003c/p>\n\u003ch2>Metallica, ‘Low Man’s Lyric’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=k2Qq_tBhDsQ\u003c/p>\n\u003cp>You might assume that James Hetfield doesn’t have much exposure to homelessness, living as he did for years in one of the wealthiest per-capita counties in the nation. And yet a \u003ca href=\"https://ww2.kqed.org/forum/2016/06/21/forum-on-the-road-san-rafael-s-homeless-plan-stirs-debate/\" target=\"_blank\" rel=\"noopener\">KQED Forum broadcast from Marin County\u003c/a> showed that amidst Marin’s multi-million dollar homes and shiny Maseratis lives a sizeable homeless population on the street. Some are there due to drug addiction, a group Hetfield sings for in “Low Man’s Lyric”:\u003c/p>\n\u003cblockquote>\u003cp>The trash fire is warm\u003cbr>\nBut nowhere safe from the storm\u003cbr>\nAnd I can’t bear to see\u003cbr>\nWhat I’ve let me be\u003cbr>\nSo wicked and worn\u003c/p>\u003c/blockquote>\n\u003cp>Marin is an interesting case study for homelessness in areas with a vast senior-citizen population; the vicious resistance to affordable housing in the region is leaving many of advanced age out in the cold. While organizations like \u003ca href=\"https://hbofm.org/\" target=\"_blank\" rel=\"noopener\">Homeward Bound\u003c/a> and the \u003ca href=\"http://www.rittercenter.org/\" target=\"_blank\" rel=\"noopener\">Ritter Center\u003c/a> provide for Marin’s homeless, Metallica bassist Robert Trujilo recently \u003ca href=\"http://www.ktvu.com/news/134956135-story\" target=\"_blank\" rel=\"noopener\">took part in a benefit\u003c/a> for San Francisco’s St. Anthony’s Foundation, which provides services and meals to those in need.\u003c/p>\n\u003ch2>Dead Kennedys, ‘Kill the Poor’\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=sgpa7wEAz7I\u003c/p>\n\u003cp>It wouldn’t be the Bay Area without a heavy dose of satire, would it? With “Kill the Poor,” Dead Kennedys singer Jello Biafra takes intensive homeless eradication (like San Francisco’s \u003ca href=\"http://ww2.kqed.org/news/2016/03/01/s-f-clearing-homeless-holdouts-from-division-street-neighborhood\" target=\"_blank\" rel=\"noopener\">recent encampment sweeps\u003c/a>) to its logical conclusion:\u003c/p>\n\u003cblockquote>\u003cp>The sun beams down on a brand new day\u003cbr>\nNo more welfare tax to pay\u003cbr>\nUnsightly slums gone up in flashing light\u003cbr>\nJobless millions whisked away\u003cbr>\nAt last we have more room to play\u003cbr>\nAll systems go: kill the poor tonight!\u003c/p>\u003c/blockquote>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>It couldn’t happen here, could it? And yet after witnessing a \u003ca href=\"http://ww2.kqed.org/news/2016/03/01/s-f-clearing-homeless-holdouts-from-division-street-neighborhood\" target=\"_blank\" rel=\"noopener\">complete sweep of the homeless on Division Street\u003c/a> — complete with tents removed, personal possessions hauled away and barricades erected to block public land — one can’t help but wonder how many steps away we are, really, from Biafra’s over-the-top proposal.\u003c/p>\n\n",
"blocks": [],
"excerpt": "For decades, Bay Area musicians have sung about homelessness with understanding, instead of scorn.",
"status": "publish",
"parent": 0,
"modified": 1719590870,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 23,
"wordCount": 1111
},
"headData": {
"title": "Five Songs for People Who've Been Homeless: The Bay Area's Empathy on Record | KQED",
"description": "For decades, Bay Area musicians have sung about homelessness with understanding, instead of scorn.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Five Songs for People Who've Been Homeless: The Bay Area's Empathy on Record",
"datePublished": "2024-06-28T08:40:39-07:00",
"dateModified": "2024-06-28T09:07:50-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/11727091/five-songs-for-the-homeless-the-bay-areas-empathy-on-record",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>This story was originally published in 2016.\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>You might have seen it, tucked into a recent \u003ca href=\"http://www.nytimes.com/2016/05/16/us/san-francisco-homelessness.html\" target=\"_blank\" rel=\"noopener\">\u003cem>New York Times\u003c/em> report\u003c/a>: the phrase “clumps of humanity,” referring to San Francisco’s homeless population.\u003c/p>\n\u003cp>My KQED coworkers and I \u003ca href=\"http://www.salon.com/2016/05/16/clumps_of_humanity_this_new_york_times_article_treated_homelessness_in_just_about_the_worst_way_possible/\" target=\"_blank\" rel=\"noopener\">weren’t the only ones\u003c/a> who noticed the \u003cem>Times\u003c/em>’ term, a denigration to those down on their luck. But it was especially strange to someone who covers music. Immediately, I thought of the many songs from the Bay Area that treat homelessness not with scorn, but with understanding and empathy.\u003c/p>\n\u003cp>Some of those songs are by musicians who’ve been homeless themselves. Nearly all are by artists who’ve found ways to either give back to the organizations that helped them, or to help others without a roof over their head.\u003c/p>\n\u003ch2>Crimpshrine, ‘Sleep, What’s That?’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BPIXlsXurdI'\n title='//www.youtube.com/embed/BPIXlsXurdI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco punk bands had sung about being homeless before — DRI’s “\u003ca href=\"http://genius.com/Dri-soup-kitchen-lyrics\" target=\"_blank\" rel=\"noopener\">Soup Kitchen Blues\u003c/a>” and MDC’s “\u003ca href=\"http://genius.com/Mdc-no-place-to-piss-lyrics\" target=\"_blank\" rel=\"noopener\">No Place to Piss\u003c/a>” were both products of band members’ experiences squatting and couch-surfing in mid-’80s San Francisco. But Crimpshrine’s \u003cem>Sleep, What’s That?\u003c/em> EP, released in 1988 by a fledgling new record label called Lookout Records, tackled the issue head-on in its title track. Singer/guitarist Jeff Ott was himself homeless at the time, singing:\u003c/p>\n\u003cblockquote>\u003cp>So much food to eat, so many homes to sleep in\u003cbr>\nStores so full of food, so why must I eat from a garbage bin?\u003cbr>\nThere’s 1,600 people walking around today, thinking life’s a little game to play\u003cbr>\nTrying to avoid police abduction, trying to avoid hunger and self-destruction\u003c/p>\u003c/blockquote>\n\u003cp>During \u003ca href=\"https://www.youtube.com/watch?v=adbbq2-w2WY\" target=\"_blank\" rel=\"noopener\">a show at 924 Gilman\u003c/a> in 1989, Ott introduced the song by saying: “It’s about myself and all my friends on Telegraph Avenue who have no place to live, and who go without enough food every day. And there’s places they could be sleeping, and they get busted for it.”\u003c/p>\n\u003cp>Lookout Records would go on to international renown with bands like Green Day and Operation Ivy. When Crimpshrine’s EPs were reissued, the band took the opportunity to give back to the organizations that’d helped them when they were on the streets, donating royalties to \u003ca href=\"http://ebfnb.org/\" target=\"_blank\" rel=\"noopener\">Food Not Bombs\u003c/a> and the \u003ca href=\"http://www.berkeleyfreeclinic.org/\" target=\"_blank\" rel=\"noopener\">Berkeley Free Clinic\u003c/a>.\u003c/p>\n\u003ch2>Tom Waits, ‘Cold Water’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DgwJQj2E6So'\n title='//www.youtube.com/embed/DgwJQj2E6So'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Tom Waits has long been an advocate for the homeless, whether in songs like “On the Nickel” — a beautiful ballad from \u003cem>Heartattack and Vine\u003c/em> about Los Angeles’ Fifth Street — or in lending a song to the soundtrack of \u003cem>Streetwise\u003c/em>, a 1984 documentary about homeless teenagers in Seattle.\u003c/p>\n\u003cp>For his 1999 album \u003cem>Mule Variations\u003c/em>, Waits penned the sympathetic ode “Cold Water,” a lovely and sad song in the voice of a homeless teenager:\u003c/p>\n\u003cblockquote>\u003cp>I look 47 but I’m 24\u003cbr>\nWell they shooed me away from here the time before\u003cbr>\nTurned their backs and they locked their doors\u003cbr>\nI’m watchin’ TV in the window of a furniture store\u003c/p>\u003c/blockquote>\n\u003cp>In 2011, Waits released \u003cem>Seeds on Hard Ground\u003c/em>, a limited-edition chapbook of his poetry about homelessness. All proceeds were donated to the \u003ca href=\"http://www.refb.org/\" target=\"_blank\" rel=\"noopener\">Redwood Empire Food Bank\u003c/a>, \u003ca href=\"http://sonomacountyhomeless.org/\" target=\"_blank\" rel=\"noopener\">Sonoma County Homeless Referral Services\u003c/a> and \u003ca href=\"http://www.srcharities.org/get-help/shelter-housing\" target=\"_blank\" rel=\"noopener\">Family Support Center\u003c/a> run by the Catholic Charities of Santa Rosa.\u003c/p>\n\u003ch2>2Pac, ‘Changes’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eXvBjCO19QY'\n title='//www.youtube.com/embed/eXvBjCO19QY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before he moved to Oakland, Tupac Shakur grew up around tough neighborhoods in the Bronx, Harlem and Baltimore. Oftentimes, without a steady income, his single mother Afeni brought Shakur to stay at homeless shelters. The experience helped inspire “Changes,” originally recorded in 1993:\u003c/p>\n\u003cblockquote>\u003cp>And still I see no changes\u003cbr>\nCan’t a brother get a little peace?\u003cbr>\nIt’s war on the streets and a war in the Middle East\u003cbr>\nInstead of war on poverty\u003cbr>\nThey got a war on drugs so the police can bother me\u003c/p>\u003c/blockquote>\n\u003cp>Shakur put his money where his mouth was, \u003ca href=\"http://articles.latimes.com/1996-08-30/local/me-38987_1_safe-house\" target=\"_blank\" rel=\"noopener\">planning a high-profile benefit concert\u003c/a> for the brand-new community center \u003ca href=\"http://www.apch.org/\" target=\"_blank\" rel=\"noopener\">A Place Called Home\u003c/a>, serving impoverished and at-risk children in South Central Los Angeles. Shakur was murdered just weeks before the concert, but he greatly raised the center’s visibility. A Place Called Home is still going strong.\u003c/p>\n\u003ch2>Metallica, ‘Low Man’s Lyric’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/k2Qq_tBhDsQ'\n title='//www.youtube.com/embed/k2Qq_tBhDsQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>You might assume that James Hetfield doesn’t have much exposure to homelessness, living as he did for years in one of the wealthiest per-capita counties in the nation. And yet a \u003ca href=\"https://ww2.kqed.org/forum/2016/06/21/forum-on-the-road-san-rafael-s-homeless-plan-stirs-debate/\" target=\"_blank\" rel=\"noopener\">KQED Forum broadcast from Marin County\u003c/a> showed that amidst Marin’s multi-million dollar homes and shiny Maseratis lives a sizeable homeless population on the street. Some are there due to drug addiction, a group Hetfield sings for in “Low Man’s Lyric”:\u003c/p>\n\u003cblockquote>\u003cp>The trash fire is warm\u003cbr>\nBut nowhere safe from the storm\u003cbr>\nAnd I can’t bear to see\u003cbr>\nWhat I’ve let me be\u003cbr>\nSo wicked and worn\u003c/p>\u003c/blockquote>\n\u003cp>Marin is an interesting case study for homelessness in areas with a vast senior-citizen population; the vicious resistance to affordable housing in the region is leaving many of advanced age out in the cold. While organizations like \u003ca href=\"https://hbofm.org/\" target=\"_blank\" rel=\"noopener\">Homeward Bound\u003c/a> and the \u003ca href=\"http://www.rittercenter.org/\" target=\"_blank\" rel=\"noopener\">Ritter Center\u003c/a> provide for Marin’s homeless, Metallica bassist Robert Trujilo recently \u003ca href=\"http://www.ktvu.com/news/134956135-story\" target=\"_blank\" rel=\"noopener\">took part in a benefit\u003c/a> for San Francisco’s St. Anthony’s Foundation, which provides services and meals to those in need.\u003c/p>\n\u003ch2>Dead Kennedys, ‘Kill the Poor’\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sgpa7wEAz7I'\n title='//www.youtube.com/embed/sgpa7wEAz7I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It wouldn’t be the Bay Area without a heavy dose of satire, would it? With “Kill the Poor,” Dead Kennedys singer Jello Biafra takes intensive homeless eradication (like San Francisco’s \u003ca href=\"http://ww2.kqed.org/news/2016/03/01/s-f-clearing-homeless-holdouts-from-division-street-neighborhood\" target=\"_blank\" rel=\"noopener\">recent encampment sweeps\u003c/a>) to its logical conclusion:\u003c/p>\n\u003cblockquote>\u003cp>The sun beams down on a brand new day\u003cbr>\nNo more welfare tax to pay\u003cbr>\nUnsightly slums gone up in flashing light\u003cbr>\nJobless millions whisked away\u003cbr>\nAt last we have more room to play\u003cbr>\nAll systems go: kill the poor tonight!\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It couldn’t happen here, could it? And yet after witnessing a \u003ca href=\"http://ww2.kqed.org/news/2016/03/01/s-f-clearing-homeless-holdouts-from-division-street-neighborhood\" target=\"_blank\" rel=\"noopener\">complete sweep of the homeless on Division Street\u003c/a> — complete with tents removed, personal possessions hauled away and barricades erected to block public land — one can’t help but wonder how many steps away we are, really, from Biafra’s over-the-top proposal.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11727091/five-songs-for-the-homeless-the-bay-areas-empathy-on-record",
"authors": [
"185"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1355",
"arts_22197",
"arts_1010",
"arts_913",
"arts_5183",
"arts_4269"
],
"featImg": "arts_11746716",
"label": "arts"
},
"arts_13960283": {
"type": "posts",
"id": "arts_13960283",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960283",
"score": null,
"sort": [
1719587853000
]
},
"guestAuthors": [],
"slug": "2024-san-francisco-pride-party-guide",
"title": "Your 2024 San Francisco Pride Party Guide",
"publishDate": 1719587853,
"format": "standard",
"headTitle": "Your 2024 San Francisco Pride Party Guide | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>The gay high holy days are upon us as San Francisco prepares to host one of the biggest Pride celebrations on the globe. The draw for many is the star-studded, weekend-long \u003ca href=\"https://sfpride.org/\">SF Pride\u003c/a> celebration at Civic Center on June 29 and 30, which culminates in the parade on Sunday. For others, the highlight might be Friday’s more grassroots and protest-oriented \u003ca href=\"https://www.transmarch.org/\">Trans March\u003c/a> or Dyke Day at Dolores Park, where women and friends post up to picnic all afternoon. (Saturday’s official Dyke March is, unfortunately, \u003ca href=\"https://www.kqed.org/news/11992072/dyke-march-canceled-for-san-francisco-pride-organizers-say\">canceled this year\u003c/a>.) [aside postid='news_11991990,news_11992072,news_11990430']\u003c/p>\n\u003cp>Surrounding all these festivities are block parties, kickbacks, raves and ragers that literally go from morning to night throughout the weekend. To help you plan, here’s our handy guide of 10 parties you shouldn’t miss, with a mix of events catering to different music tastes, vibes and LGBTQ+ identities.\u003c/p>\n\u003cp>Keep in mind that each of the venues mentioned on this list has a stacked schedule all weekend long. If these parties aren’t your thing, check out the venues’ websites or your favorite DJ or drag queen’s Instagram for other events to choose from.\u003c/p>\n\u003cp>And word to the wise: Stay hydrated, \u003ca href=\"https://fentcheck.org/check-your-drugs-2\">test your party favors\u003c/a>, practice safer sex, take care of your friends and remember to have fun!\u003c/p>\n\u003cfigure id=\"attachment_13915276\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915276\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Trans March makes its way along Market Street to a rally on Turk and Taylor in San Francisco on June 24, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://ticketstripe.com/bustinout24\">Bustin’ Out: Official Trans March After Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 6 p.m.–Saturday, June 29, 1:30 a.m.\u003cbr>\nEl Rio, San Francisco\u003cbr>\n$25\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Friday’s annual Trans March feels like an organic gathering, true to Pride’s activist roots. With trans rights under attack nationwide, this pilgrimage from Dolores Park to the Tenderloin’s Transgender District is where gender-nonconforming people and allies take up space. Instead of corporate floats, you’ll find protest signs affirming the diversity of the gender spectrum and calling for equal rights to healthcare and housing. The annual Bustin’ Out afterparty at El Rio after the march is a benefit for Transgender Gender-Variant & Intersex Justice Project (TGIJP), an organization that fights prison abuses and supports formerly incarcerated trans people. DJ sets by Dreams, Succubus, Honeybear and Lady Ryan will turn up the energy, and there’ll be a designated chill zone next door at Mothership with music by Piano Rain and Del. San Francisco’s all-Black drag show, Reparations, will host performances. Presales have sold out, so getting there early to snag door tickets is a must.\u003c/p>\n\u003cfigure id=\"attachment_13936004\" class=\"wp-caption aligncenter\" style=\"max-width: 1288px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936004\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius.jpg\" alt=\"\" width=\"1288\" height=\"725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius.jpg 1288w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-768x432.jpg 768w\" sizes=\"(max-width: 1288px) 100vw, 1288px\">\u003cfigcaption class=\"wp-caption-text\">VivvyAnne ForeverMORE! \u003ccite>(Marcel Pardo Ariza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/forever-queer-pride-dancing-and-drag-tickets-915617696177?\">Forever-Queer Pride Dancing and Drag\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 9 p.m.–Saturday, June 29, 2 a.m.\u003cbr>\nThe Stud, San Francisco\u003cbr>\n$20\u003c/em>\u003c/p>\n\u003cp>Legendary queer bar The Stud recently reopened its doors in SoMa, and drag performer Vivvyanne ForeverMORE! is kicking off a new party during Pride weekend: Forever. With performances by Clutch the Pearls co-founder Churro Nomi, Princess co-host Lisa Frankenstein, Major Hammy, Hands and Britney Smearz, this event celebrates the experimental and off-kilter style of drag The Stud is known for. DJs Infinite Jess and JUMPR will keep the dance floor going all night.\u003c/p>\n\u003cfigure id=\"attachment_13960292\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960292\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">UNiiQU3 performs at Webster Hall Thursdays on March 24, 2016. \u003ccite>(Nicky Digital/Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/club-ablunt-presents-just-us-pride-2024-w-uniiqu3-tickets-912343874087?\">Club A.B.L.U.N.T. Presents: Pride with UNIIQU3\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 10 p.m.–Saturday, June 29, 3 a.m.\u003cbr>\nMonarch, San Francisco\u003cbr>\n$20–$30\u003c/em>\u003c/p>\n\u003cp>UNIIQU3 has rocked massive festival stages, but CLUB A.B.L.U.N.T..’s pride party at Monarch offers the rare opportunity to experience her manic Jersey club beats in their optimal setting: while getting your life in a sweaty basement. This party’s stacked lineup features a dozen of the Bay’s top-tier DJs: experimental beatmaker Tomu DJ; Hard French founder Brown Amy; hyperpop connoisseur Freaky Emo; house music experts Charles Hawthorne and Floridawtr; and Black, who started A.B.L.U.N.T. (Asians, Blacks and Latins Uniting with Native Tribes), one of the first Bay Area parties to center queer people of color, back in the early ’90s. [aside postid='arts_13915614']\u003c/p>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/bearracuda-san-francisco-pride-2024-tickets-793750056787?\">Bearracuda\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 9 p.m.–Saturday, June 29, 3 a.m.\u003cbr>\nPublic Works, San Francisco\u003cbr>\n$30–$60\u003c/em>\u003c/p>\n\u003cp>If you’re looking for a celebration of beefy and burly men, look no further than Bearracuda on Friday night. This bear-centric event will take over the 1,000-capacity nightclub Public Works — and it promises to be a full house. As far as dress code, underwear is encouraged, and there will be a place to check your clothes (not just your coat). DJs David Harness, Mateo Segade and Philip Grasso — plus go-go dancers — will keep the crowd moving to house beats all night. [aside postid='arts_13960094']\u003c/p>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/hella-gay-sf-pride-after-party-tickets-927530176727?\">Hella Gay Pride Dance Party\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, June 29, 8 p.m.–Sunday, June 30, 2 a.m.\u003cbr>\nFirst Edition, Oakland\u003cbr>\n$10, $20\u003c/i>\u003c/p>\n\u003cp>Hella Gay was an Oakland queer party staple pre-pandemic, and it returns during Pride weekend at Oakland cocktail bar First Edition. East Bay dwellers now have a dance option that won’t have them scrambling to catch last BART or break the bank for an Uber from the City. DJs Homofongo, Kare Bear and Micahtron (who, full disclosure, booked me to DJ at First Edition once last year), will be spinning genre-bending sets of Afrobeats, dembow, house, hip-hop and more to get booties of all genders popping all night.\u003c/p>\n\u003cfigure id=\"attachment_13929153\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929153\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\" alt=\"a drag performer in high heel red boots laughs as she performs outside for a crowd\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1920x1280.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga performs at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/drag-vs-burlesque-pride-show-tickets-914988313677?aff=ebdssbdestsearch\">Drag vs. Burlesque\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Saturday, June 29, 9 p.m.–Sunday, June 30, 2 a.m.\u003cbr>\nThe White Horse, Oakland\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Helmed by Queer Fem Parties, Drag vs. Burlesque promises a night of pole dancing and drag with femme performers of color at the center, and a lineup that celebrates all shapes and sizes. Expect gravity-defying moves and lip sync numbers alike from Lici Louboutin Makaveli, Ashanti Altovese, Nani Panther, Mari V, Mahlae Balenciaga and Qozmo the Clown, plus music by DJ Fredie.\u003c/p>\n\u003cfigure id=\"attachment_13930600\" class=\"wp-caption aligncenter\" style=\"max-width: 1636px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13930600\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022.png\" alt=\"a large street party with a pink stage and a crowd of people dancing in front of it\" width=\"1636\" height=\"1088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022.png 1636w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-800x532.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-1020x678.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-768x511.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-1536x1021.png 1536w\" sizes=\"(max-width: 1636px) 100vw, 1636px\">\u003cfigcaption class=\"wp-caption-text\">The Pink Block party, 2022. \u003ccite>(Saylor Nedelman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/polyglamorous-pink-block-2024-tickets-828178543317?\">Polyglamorous Pink Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Saturday, June 29, 12 p.m.–Sunday, Jun3 30, 3 a.m.\u003cbr>\nThe Great Northern, San Francisco\u003cbr>\n$30–$110\u003c/em>\u003c/p>\n\u003cp>If you’re looking for rave vibes during Pride weekend, don’t sleep on the massive Polyglamorous block party. The all-day, all-night event boasts an enormous lineup of over 40 DJs and 12 drag performers. Daytime headliners include funky beat selector DJ Holographic, Scissor Sisters’ Ana Matronic and Olof Dreijer of The Knife; Massimiliano Pagliara — a driving force of Berlin’s disco revival — headlines after-dark festivities.\u003c/p>\n\u003cfigure id=\"attachment_13960303\" class=\"wp-caption aligncenter\" style=\"max-width: 1702px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960303\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-scaled.jpg\" alt=\"\" width=\"1702\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-scaled.jpg 1702w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-800x1203.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1020x1534.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-768x1155.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1021x1536.jpg 1021w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1362x2048.jpg 1362w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1920x2887.jpg 1920w\" sizes=\"(max-width: 1702px) 100vw, 1702px\">\u003cfigcaption class=\"wp-caption-text\">MTooray plays dhol at Central Park SummerStage during the Basement Bhangra 20th Anniversary celebration, New York, New York, August 6, 2017. \u003ccite>( Jack Vartoogian/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tickettailor.com/events/soulovely/1230049\">Queer as in Uprising! Soulovely Pride Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 1–6 p.m.\u003cbr>\nVictory Hall & Parlor, San Francisco\u003cbr>\n$35–$45\u003c/em>\u003c/p>\n\u003cp>Oakland’s Soulovely crosses the bridge during Pride weekend for a daytime outdoor block party that centers queer and trans people of color. The theme? “Queer Liberation Combat Boots the House Down Drag.” That means boots, berets, shirts repping activist causes or dressing in whatever way speaks to your definition of queer resistance. Soulovely is known for a hyped dance floor and eclectic music selection, and headlining this event is DJ and percussionist MTOORAY of No Nazar, the touring party that highlights global beats of the Middle Eastern, South Asian and African diaspora. Charles Hawthorne and La Femme Papi round out the lineup with perreo, dembow, house and a spectrum of uplifting, rump-shaking sounds.\u003c/p>\n\u003cfigure id=\"attachment_13914979\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13914979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER.jpg\" alt=\"Crowd with drag queen and furry in dog costume at center\" width=\"1920\" height=\"1395\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-1536x1116.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE!’s Pride party in 2021. \u003ccite>(Gooch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/juanita-more-pride-2024-celebrating-20-years-tickets-836331549177?\">Juanita MORE! Pride\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 12–7 p.m.\u003cbr>\n620 Jones, San Francisco\u003cbr>\n$60\u003c/em>\u003c/p>\n\u003cp>Local drag legend, DJ and activist Juanita MORE! knows how to throw a party with a purpose, and she’s personally raised more than a million dollars for local queer organizations with her events over the past three decades. This year, her annual Pride blowout benefits LYRIC Center for LGTBQQ+ Youth, which offers young people job and housing resources and social support. Expect a fabulous soiree with drag, drinks and dancing for a righteous cause. Online presales have ended but you can still grab tickets at the door or at these \u003ca href=\"https://www.instagram.com/p/C6y33BnxDgY/\">select San Francisco locations\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13960302\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960302\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219.jpg\" alt=\"\" width=\"1024\" height=\"682\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Amanda Tori Meating performs onstage during MTV RuPaul’s Drag Race Season 16 Premiere Extravaganza Presented by ViiV Healthcare at Hammerstein Ballroom on January 04, 2024 in New York City. \u003ccite>(Santiago Felipe/Getty Images for MTV)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/pride-sunday-w-amanda-tori-meating-hershii-liqcour-jete-tickets-913246223037?\">Pride Sunday with Amanda Tori Meating and Hershii Liqcour Jeté\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 8 p.m.–Monday, July 1, 2 a.m.\u003cbr>\nOasis, San Francisco\u003cbr>\n$20\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>San Francisco’s premier drag club, Oasis, is doing it big on Pride Sunday. Whether you need an afterparty for the main celebration or a place to dance after sleeping off Saturday’s festivities, Oasis has a stacked lineup of drag performers lip syncing every half hour. The headliners are Amanda Tori Meating and Hershii Liqcour Jeté of \u003ci>RuPaul’s Drag Race\u003c/i> Season 16 fame, who’ll be heading to Oasis after they perform on the main SF Pride stage, plus local drags of all genders: Snaxx, Vera!, Kochina Rude, Lisa Frankenstein, Melanie Sparksss, Loma Prietta and Siri. Go-go dancers will shake it all night as DJ Rubella Spreads keeps the house and disco beats pumping.\u003c/p>\n\n",
"blocks": [],
"excerpt": "We’ve got 10 dance parties, drag shows and block parties for your weekend itinerary. ",
"status": "publish",
"parent": 0,
"modified": 1726701130,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 26,
"wordCount": 1627
},
"headData": {
"title": "Your 2024 San Francisco Pride Party Guide | KQED",
"description": "We’ve got 10 dance parties, drag shows and block parties for your weekend itinerary. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Your 2024 San Francisco Pride Party Guide",
"datePublished": "2024-06-28T08:17:33-07:00",
"dateModified": "2024-09-18T16:12:10-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13960283",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960283/2024-san-francisco-pride-party-guide",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The gay high holy days are upon us as San Francisco prepares to host one of the biggest Pride celebrations on the globe. The draw for many is the star-studded, weekend-long \u003ca href=\"https://sfpride.org/\">SF Pride\u003c/a> celebration at Civic Center on June 29 and 30, which culminates in the parade on Sunday. For others, the highlight might be Friday’s more grassroots and protest-oriented \u003ca href=\"https://www.transmarch.org/\">Trans March\u003c/a> or Dyke Day at Dolores Park, where women and friends post up to picnic all afternoon. (Saturday’s official Dyke March is, unfortunately, \u003ca href=\"https://www.kqed.org/news/11992072/dyke-march-canceled-for-san-francisco-pride-organizers-say\">canceled this year\u003c/a>.) \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_11991990,news_11992072,news_11990430",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Surrounding all these festivities are block parties, kickbacks, raves and ragers that literally go from morning to night throughout the weekend. To help you plan, here’s our handy guide of 10 parties you shouldn’t miss, with a mix of events catering to different music tastes, vibes and LGBTQ+ identities.\u003c/p>\n\u003cp>Keep in mind that each of the venues mentioned on this list has a stacked schedule all weekend long. If these parties aren’t your thing, check out the venues’ websites or your favorite DJ or drag queen’s Instagram for other events to choose from.\u003c/p>\n\u003cp>And word to the wise: Stay hydrated, \u003ca href=\"https://fentcheck.org/check-your-drugs-2\">test your party favors\u003c/a>, practice safer sex, take care of your friends and remember to have fun!\u003c/p>\n\u003cfigure id=\"attachment_13915276\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13915276\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg\" alt=\"\" width=\"1920\" height=\"1278\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1536x1022.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Trans March makes its way along Market Street to a rally on Turk and Taylor in San Francisco on June 24, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://ticketstripe.com/bustinout24\">Bustin’ Out: Official Trans March After Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 6 p.m.–Saturday, June 29, 1:30 a.m.\u003cbr>\nEl Rio, San Francisco\u003cbr>\n$25\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Friday’s annual Trans March feels like an organic gathering, true to Pride’s activist roots. With trans rights under attack nationwide, this pilgrimage from Dolores Park to the Tenderloin’s Transgender District is where gender-nonconforming people and allies take up space. Instead of corporate floats, you’ll find protest signs affirming the diversity of the gender spectrum and calling for equal rights to healthcare and housing. The annual Bustin’ Out afterparty at El Rio after the march is a benefit for Transgender Gender-Variant & Intersex Justice Project (TGIJP), an organization that fights prison abuses and supports formerly incarcerated trans people. DJ sets by Dreams, Succubus, Honeybear and Lady Ryan will turn up the energy, and there’ll be a designated chill zone next door at Mothership with music by Piano Rain and Del. San Francisco’s all-Black drag show, Reparations, will host performances. Presales have sold out, so getting there early to snag door tickets is a must.\u003c/p>\n\u003cfigure id=\"attachment_13936004\" class=\"wp-caption aligncenter\" style=\"max-width: 1288px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936004\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius.jpg\" alt=\"\" width=\"1288\" height=\"725\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius.jpg 1288w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/Cornelius-768x432.jpg 768w\" sizes=\"(max-width: 1288px) 100vw, 1288px\">\u003cfigcaption class=\"wp-caption-text\">VivvyAnne ForeverMORE! \u003ccite>(Marcel Pardo Ariza)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/forever-queer-pride-dancing-and-drag-tickets-915617696177?\">Forever-Queer Pride Dancing and Drag\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 9 p.m.–Saturday, June 29, 2 a.m.\u003cbr>\nThe Stud, San Francisco\u003cbr>\n$20\u003c/em>\u003c/p>\n\u003cp>Legendary queer bar The Stud recently reopened its doors in SoMa, and drag performer Vivvyanne ForeverMORE! is kicking off a new party during Pride weekend: Forever. With performances by Clutch the Pearls co-founder Churro Nomi, Princess co-host Lisa Frankenstein, Major Hammy, Hands and Britney Smearz, this event celebrates the experimental and off-kilter style of drag The Stud is known for. DJs Infinite Jess and JUMPR will keep the dance floor going all night.\u003c/p>\n\u003cfigure id=\"attachment_13960292\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960292\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-615333066-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">UNiiQU3 performs at Webster Hall Thursdays on March 24, 2016. \u003ccite>(Nicky Digital/Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/club-ablunt-presents-just-us-pride-2024-w-uniiqu3-tickets-912343874087?\">Club A.B.L.U.N.T. Presents: Pride with UNIIQU3\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 10 p.m.–Saturday, June 29, 3 a.m.\u003cbr>\nMonarch, San Francisco\u003cbr>\n$20–$30\u003c/em>\u003c/p>\n\u003cp>UNIIQU3 has rocked massive festival stages, but CLUB A.B.L.U.N.T..’s pride party at Monarch offers the rare opportunity to experience her manic Jersey club beats in their optimal setting: while getting your life in a sweaty basement. This party’s stacked lineup features a dozen of the Bay’s top-tier DJs: experimental beatmaker Tomu DJ; Hard French founder Brown Amy; hyperpop connoisseur Freaky Emo; house music experts Charles Hawthorne and Floridawtr; and Black, who started A.B.L.U.N.T. (Asians, Blacks and Latins Uniting with Native Tribes), one of the first Bay Area parties to center queer people of color, back in the early ’90s. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13915614",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/bearracuda-san-francisco-pride-2024-tickets-793750056787?\">Bearracuda\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Friday, June 28, 9 p.m.–Saturday, June 29, 3 a.m.\u003cbr>\nPublic Works, San Francisco\u003cbr>\n$30–$60\u003c/em>\u003c/p>\n\u003cp>If you’re looking for a celebration of beefy and burly men, look no further than Bearracuda on Friday night. This bear-centric event will take over the 1,000-capacity nightclub Public Works — and it promises to be a full house. As far as dress code, underwear is encouraged, and there will be a place to check your clothes (not just your coat). DJs David Harness, Mateo Segade and Philip Grasso — plus go-go dancers — will keep the crowd moving to house beats all night. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13960094",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/hella-gay-sf-pride-after-party-tickets-927530176727?\">Hella Gay Pride Dance Party\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, June 29, 8 p.m.–Sunday, June 30, 2 a.m.\u003cbr>\nFirst Edition, Oakland\u003cbr>\n$10, $20\u003c/i>\u003c/p>\n\u003cp>Hella Gay was an Oakland queer party staple pre-pandemic, and it returns during Pride weekend at Oakland cocktail bar First Edition. East Bay dwellers now have a dance option that won’t have them scrambling to catch last BART or break the bank for an Uber from the City. DJs Homofongo, Kare Bear and Micahtron (who, full disclosure, booked me to DJ at First Edition once last year), will be spinning genre-bending sets of Afrobeats, dembow, house, hip-hop and more to get booties of all genders popping all night.\u003c/p>\n\u003cfigure id=\"attachment_13929153\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929153\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\" alt=\"a drag performer in high heel red boots laughs as she performs outside for a crowd\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1920x1280.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga performs at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/drag-vs-burlesque-pride-show-tickets-914988313677?aff=ebdssbdestsearch\">Drag vs. Burlesque\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Saturday, June 29, 9 p.m.–Sunday, June 30, 2 a.m.\u003cbr>\nThe White Horse, Oakland\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Helmed by Queer Fem Parties, Drag vs. Burlesque promises a night of pole dancing and drag with femme performers of color at the center, and a lineup that celebrates all shapes and sizes. Expect gravity-defying moves and lip sync numbers alike from Lici Louboutin Makaveli, Ashanti Altovese, Nani Panther, Mari V, Mahlae Balenciaga and Qozmo the Clown, plus music by DJ Fredie.\u003c/p>\n\u003cfigure id=\"attachment_13930600\" class=\"wp-caption aligncenter\" style=\"max-width: 1636px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13930600\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022.png\" alt=\"a large street party with a pink stage and a crowd of people dancing in front of it\" width=\"1636\" height=\"1088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022.png 1636w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-800x532.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-1020x678.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-768x511.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Pink-Block-2022-1536x1021.png 1536w\" sizes=\"(max-width: 1636px) 100vw, 1636px\">\u003cfigcaption class=\"wp-caption-text\">The Pink Block party, 2022. \u003ccite>(Saylor Nedelman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/polyglamorous-pink-block-2024-tickets-828178543317?\">Polyglamorous Pink Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Saturday, June 29, 12 p.m.–Sunday, Jun3 30, 3 a.m.\u003cbr>\nThe Great Northern, San Francisco\u003cbr>\n$30–$110\u003c/em>\u003c/p>\n\u003cp>If you’re looking for rave vibes during Pride weekend, don’t sleep on the massive Polyglamorous block party. The all-day, all-night event boasts an enormous lineup of over 40 DJs and 12 drag performers. Daytime headliners include funky beat selector DJ Holographic, Scissor Sisters’ Ana Matronic and Olof Dreijer of The Knife; Massimiliano Pagliara — a driving force of Berlin’s disco revival — headlines after-dark festivities.\u003c/p>\n\u003cfigure id=\"attachment_13960303\" class=\"wp-caption aligncenter\" style=\"max-width: 1702px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960303\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-scaled.jpg\" alt=\"\" width=\"1702\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-scaled.jpg 1702w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-800x1203.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1020x1534.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-768x1155.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1021x1536.jpg 1021w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1362x2048.jpg 1362w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-923462530-1920x2887.jpg 1920w\" sizes=\"(max-width: 1702px) 100vw, 1702px\">\u003cfigcaption class=\"wp-caption-text\">MTooray plays dhol at Central Park SummerStage during the Basement Bhangra 20th Anniversary celebration, New York, New York, August 6, 2017. \u003ccite>( Jack Vartoogian/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.tickettailor.com/events/soulovely/1230049\">Queer as in Uprising! Soulovely Pride Block Party\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 1–6 p.m.\u003cbr>\nVictory Hall & Parlor, San Francisco\u003cbr>\n$35–$45\u003c/em>\u003c/p>\n\u003cp>Oakland’s Soulovely crosses the bridge during Pride weekend for a daytime outdoor block party that centers queer and trans people of color. The theme? “Queer Liberation Combat Boots the House Down Drag.” That means boots, berets, shirts repping activist causes or dressing in whatever way speaks to your definition of queer resistance. Soulovely is known for a hyped dance floor and eclectic music selection, and headlining this event is DJ and percussionist MTOORAY of No Nazar, the touring party that highlights global beats of the Middle Eastern, South Asian and African diaspora. Charles Hawthorne and La Femme Papi round out the lineup with perreo, dembow, house and a spectrum of uplifting, rump-shaking sounds.\u003c/p>\n\u003cfigure id=\"attachment_13914979\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13914979\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER.jpg\" alt=\"Crowd with drag queen and furry in dog costume at center\" width=\"1920\" height=\"1395\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-1020x741.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/178-JMPride21-PhotobyGooch_COVER-1536x1116.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE!’s Pride party in 2021. \u003ccite>(Gooch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/juanita-more-pride-2024-celebrating-20-years-tickets-836331549177?\">Juanita MORE! Pride\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 12–7 p.m.\u003cbr>\n620 Jones, San Francisco\u003cbr>\n$60\u003c/em>\u003c/p>\n\u003cp>Local drag legend, DJ and activist Juanita MORE! knows how to throw a party with a purpose, and she’s personally raised more than a million dollars for local queer organizations with her events over the past three decades. This year, her annual Pride blowout benefits LYRIC Center for LGTBQQ+ Youth, which offers young people job and housing resources and social support. Expect a fabulous soiree with drag, drinks and dancing for a righteous cause. Online presales have ended but you can still grab tickets at the door or at these \u003ca href=\"https://www.instagram.com/p/C6y33BnxDgY/\">select San Francisco locations\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13960302\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960302\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219.jpg\" alt=\"\" width=\"1024\" height=\"682\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-1909717219-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Amanda Tori Meating performs onstage during MTV RuPaul’s Drag Race Season 16 Premiere Extravaganza Presented by ViiV Healthcare at Hammerstein Ballroom on January 04, 2024 in New York City. \u003ccite>(Santiago Felipe/Getty Images for MTV)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/pride-sunday-w-amanda-tori-meating-hershii-liqcour-jete-tickets-913246223037?\">Pride Sunday with Amanda Tori Meating and Hershii Liqcour Jeté\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sunday, June 30, 8 p.m.–Monday, July 1, 2 a.m.\u003cbr>\nOasis, San Francisco\u003cbr>\n$20\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>San Francisco’s premier drag club, Oasis, is doing it big on Pride Sunday. Whether you need an afterparty for the main celebration or a place to dance after sleeping off Saturday’s festivities, Oasis has a stacked lineup of drag performers lip syncing every half hour. The headliners are Amanda Tori Meating and Hershii Liqcour Jeté of \u003ci>RuPaul’s Drag Race\u003c/i> Season 16 fame, who’ll be heading to Oasis after they perform on the main SF Pride stage, plus local drags of all genders: Snaxx, Vera!, Kochina Rude, Lisa Frankenstein, Melanie Sparksss, Loma Prietta and Siri. Go-go dancers will shake it all night as DJ Rubella Spreads keeps the house and disco beats pumping.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960283/2024-san-francisco-pride-party-guide",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_966",
"arts_69",
"arts_235"
],
"tags": [
"arts_10278",
"arts_3226",
"arts_5158",
"arts_7564",
"arts_585"
],
"featImg": "arts_13915254",
"label": "arts_140"
},
"arts_13960424": {
"type": "posts",
"id": "arts_13960424",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960424",
"score": null,
"sort": [
1719587336000
]
},
"guestAuthors": [],
"slug": "megan-thee-stallion-stans-hotties-election-biden-trump-san-francisco",
"title": "Megan Thee Stallion Stans Are Salty Over Their Choice of Candidates",
"publishDate": 1719587336,
"format": "standard",
"headTitle": "Megan Thee Stallion Stans Are Salty Over Their Choice of Candidates | KQED",
"labelTerm": {},
"content": "\u003cp>\u003cem>This story is part of the KQED series \u003ca href=\"https://www.kqed.org/fandomvote\">The Fandom Vote\u003c/a>, exploring the election-year concerns and voting preferences of significant pop culture fanbases.\u003c/em>\u003c/p>\n\u003cp>[dropcap]M[/dropcap]egan Thee Stallion fans from the Bay Area and beyond flocked to San Francisco’s Chase Center on June 23 for the rapper’s Hot Girl Summer Tour.\u003c/p>\n\u003cp>As anticipation filled the air outside the arena, we talked with Megan Thee Stallion fans, known as \u003ca href=\"https://www.complex.com/music/a/cmplxkishlal/megan-thee-stallion-fans\">Hotties\u003c/a>, about what they admire about the rap star — and, evidently, what they do \u003cem>not\u003c/em> admire about the candidates in the 2024 Presidential Election.\u003c/p>\n\u003cfigure id=\"attachment_13960247\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960247\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Abby Nation (left) and her fiancé Emma Gray pose for a portrait outside the Chase Center on Sunday, June 23, 2024, during Megan Thee Stallion’s Hot Girl Summer Tour. Gray said Palestine is among the top concerns on her mind during this election. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Emma Gray, who lives near Stockton, came to see Megan Thee Stallion with her fiancé, Abby Nation. “It’s very disappointing that I don’t feel there is a candidate that I can trust to end genocide,” Gray said. “I would vote for a third party, [even if] I know it’s probably not going to result in that person being elected,” she explained. “But I’m also not going to put my vote to someone who is causing so much harm.”\u003c/p>\n\u003cfigure id=\"attachment_13960238\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960238\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From Left: Adrienne Williams, Erica Williams, Lauryn Major and Jasmine Cannon pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“For me, the most important thing is to free Palestine,” echoed Lauryn Major, who showed up to the concert with three of her friends. “That’s the only thing that I’m voting on this year.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Adding to Major’s comment, her friend Jasmine Cannon listed some of her priorities: “Ceasefire, reproductive rights, voting access, education, funding libraries, decriminalizing weed and other nonviolent crimes.”\u003c/p>\n\u003cfigure id=\"attachment_13960244\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960244\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28.jpg 853w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christian, who declined to give her last name, poses for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Christian considers President Biden her only option of the two leading candidates, but is conflicted due to his support of Israel. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Christian, who declined to give her last name, flew in for the show from Arkansas. She said she “doesn’t really like either of [the candidates], but Biden is better.” Still, she’s upset by Biden’s continued support of Israel and “sending money to help kill other people […] when we should be helping our citizens.”\u003c/p>\n\u003cfigure id=\"attachment_13960450\" class=\"wp-caption aligncenter\" style=\"max-width: 1746px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych.jpg\" alt=\"\" width=\"1746\" height=\"1280\" class=\"size-full wp-image-13960450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych.jpg 1746w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-800x586.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-1020x748.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-768x563.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-1536x1126.jpg 1536w\" sizes=\"(max-width: 1746px) 100vw, 1746px\">\u003cfigcaption class=\"wp-caption-text\">Kierunya Davis, who brought a bouquet of flowers, poses in her custom Megan The Stallion-inspired outfit outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kierunya Davis flew in from Compton bearing gifts for Megan Thee Stallion, who later accepted them on stage. “White men do not speak for the majority,” Davis said. “We deserve better as brown and black people — for somebody to actually make promises and follow through.”\u003c/p>\n\u003cfigure id=\"attachment_13960236\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960236\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Cruz (left) and Katarina Ruiz pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Cruz has reproductive and immigration rights front of mind this election year. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Self-identified Hottie Alex Cruz said she’s anxious about the election, “especially with Roe v. Wade recently being overturned.” She said it’s “disappointing that Biden hasn’t been able to do more” regarding reproductive rights and immigration reform, but clarified that she is “probably just going to end up voting for him anyway.”\u003c/p>\n\u003cfigure id=\"attachment_13960231\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960231\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mia Williams poses for a portrait in her Starfire superhero costume outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Williams isn’t happy with the choice of presidential candidates in the upcoming election. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mia Williams, from Seattle, also traveled hundreds of miles to see Megan Thee Stallion. “She stands up for body positivity and she helped push female rap to where it is,” Williams said.\u003c/p>\n\u003cp>When asked about the election, Williams was less hopeful. “I feel like regardless, it’s a bad choice,” she said. “I don’t know how [Joe Biden] could do another four years,” she said, “and [Donald Trump] is just a bigot.” She continued, “Also, he’s a felon now, so I don’t think a felon should be a president.”\u003c/p>\n\u003cfigure id=\"attachment_13960243\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960243\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mourice Grey (left) and Karl Daniels pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mourice Grey and Karl Daniels both live in San Leandro, and cited rent control, women’s rights and queer rights as their top concerns this year. “[Trump] broke the law, so he should not get the opportunity,” Daniels noted.\u003c/p>\n\u003cfigure id=\"attachment_13960242\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960242\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From Left: Iyobosa Igbinake, Ayah Benjamin, Aminah Benjamin, Ifela Hayes pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Benjamin has yet to decide if she’ll be voting this year, and said being a young person today is exhausting. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Decked out in Sailor Mars cosplay, Ayah Benjamin said she “hasn’t made a decision yet” on whether she will vote this year. “Capitalism and being a young person in society is genuinely exhausting,” she expressed with frustration. “Civil rights, humanitarian issues and obviously the genocides globally” are her primary concerns in this election.\u003c/p>\n\u003cfigure id=\"attachment_13960240\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960240\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Destiny Phan (left) and Jeneveive Kongkham pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Megan Thee Stallion show at the Chase Center was Destiny Phan’s first concert. This year’s election will mark another first, as she’s finally old enough to vote. Phan said it’s been “hard to keep up” with politics this year.\u003c/p>\n\u003cfigure id=\"attachment_13960246\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960246\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tourean Barnes (right) poses for a portrait with his nephew Javonte Barnes outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Tourean Barnes is unsure if he’ll vote in the next election and said he sees the two leading candidates as entertainers rather than presidents. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Tourean Barnes was there to attend the concert with his nephew Javonte Barnes. “My main issue would be the stability of our democracy,” said Tourean, adding that the two front-running candidates are “more like entertainers than presidents.”\u003c/p>\n\n",
"blocks": [],
"excerpt": "Making voters choose between Biden or Trump? For Hotties at Megan's San Francisco show, that's savage.",
"status": "publish",
"parent": 0,
"modified": 1726791484,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 17,
"wordCount": 1213
},
"headData": {
"title": "Megan Thee Stallion Stans Are Salty Over Their Choice of Candidates | KQED",
"description": "Making voters choose between Biden or Trump? For Hotties at Megan's San Francisco show, that's savage.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Megan Thee Stallion Stans Are Salty Over Their Choice of Candidates",
"datePublished": "2024-06-28T08:08:56-07:00",
"dateModified": "2024-09-19T17:18:04-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "The Fandom Vote",
"sourceUrl": "https://www.kqed.org/fandomvote",
"sticky": false,
"nprStoryId": "kqed-13960424",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960424/megan-thee-stallion-stans-hotties-election-biden-trump-san-francisco",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story is part of the KQED series \u003ca href=\"https://www.kqed.org/fandomvote\">The Fandom Vote\u003c/a>, exploring the election-year concerns and voting preferences of significant pop culture fanbases.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">M\u003c/span>\u003c/p>\u003cp>egan Thee Stallion fans from the Bay Area and beyond flocked to San Francisco’s Chase Center on June 23 for the rapper’s Hot Girl Summer Tour.\u003c/p>\n\u003cp>As anticipation filled the air outside the arena, we talked with Megan Thee Stallion fans, known as \u003ca href=\"https://www.complex.com/music/a/cmplxkishlal/megan-thee-stallion-fans\">Hotties\u003c/a>, about what they admire about the rap star — and, evidently, what they do \u003cem>not\u003c/em> admire about the candidates in the 2024 Presidential Election.\u003c/p>\n\u003cfigure id=\"attachment_13960247\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960247\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_31.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Abby Nation (left) and her fiancé Emma Gray pose for a portrait outside the Chase Center on Sunday, June 23, 2024, during Megan Thee Stallion’s Hot Girl Summer Tour. Gray said Palestine is among the top concerns on her mind during this election. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Emma Gray, who lives near Stockton, came to see Megan Thee Stallion with her fiancé, Abby Nation. “It’s very disappointing that I don’t feel there is a candidate that I can trust to end genocide,” Gray said. “I would vote for a third party, [even if] I know it’s probably not going to result in that person being elected,” she explained. “But I’m also not going to put my vote to someone who is causing so much harm.”\u003c/p>\n\u003cfigure id=\"attachment_13960238\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960238\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_22.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From Left: Adrienne Williams, Erica Williams, Lauryn Major and Jasmine Cannon pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“For me, the most important thing is to free Palestine,” echoed Lauryn Major, who showed up to the concert with three of her friends. “That’s the only thing that I’m voting on this year.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Adding to Major’s comment, her friend Jasmine Cannon listed some of her priorities: “Ceasefire, reproductive rights, voting access, education, funding libraries, decriminalizing weed and other nonviolent crimes.”\u003c/p>\n\u003cfigure id=\"attachment_13960244\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960244\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28-800x1200.jpg\" alt=\"\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_28.jpg 853w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Christian, who declined to give her last name, poses for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Christian considers President Biden her only option of the two leading candidates, but is conflicted due to his support of Israel. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Christian, who declined to give her last name, flew in for the show from Arkansas. She said she “doesn’t really like either of [the candidates], but Biden is better.” Still, she’s upset by Biden’s continued support of Israel and “sending money to help kill other people […] when we should be helping our citizens.”\u003c/p>\n\u003cfigure id=\"attachment_13960450\" class=\"wp-caption aligncenter\" style=\"max-width: 1746px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych.jpg\" alt=\"\" width=\"1746\" height=\"1280\" class=\"size-full wp-image-13960450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych.jpg 1746w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-800x586.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-1020x748.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-768x563.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStalliondiptych-1536x1126.jpg 1536w\" sizes=\"(max-width: 1746px) 100vw, 1746px\">\u003cfigcaption class=\"wp-caption-text\">Kierunya Davis, who brought a bouquet of flowers, poses in her custom Megan The Stallion-inspired outfit outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kierunya Davis flew in from Compton bearing gifts for Megan Thee Stallion, who later accepted them on stage. “White men do not speak for the majority,” Davis said. “We deserve better as brown and black people — for somebody to actually make promises and follow through.”\u003c/p>\n\u003cfigure id=\"attachment_13960236\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960236\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_20.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Cruz (left) and Katarina Ruiz pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Cruz has reproductive and immigration rights front of mind this election year. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Self-identified Hottie Alex Cruz said she’s anxious about the election, “especially with Roe v. Wade recently being overturned.” She said it’s “disappointing that Biden hasn’t been able to do more” regarding reproductive rights and immigration reform, but clarified that she is “probably just going to end up voting for him anyway.”\u003c/p>\n\u003cfigure id=\"attachment_13960231\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960231\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_15.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mia Williams poses for a portrait in her Starfire superhero costume outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Williams isn’t happy with the choice of presidential candidates in the upcoming election. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mia Williams, from Seattle, also traveled hundreds of miles to see Megan Thee Stallion. “She stands up for body positivity and she helped push female rap to where it is,” Williams said.\u003c/p>\n\u003cp>When asked about the election, Williams was less hopeful. “I feel like regardless, it’s a bad choice,” she said. “I don’t know how [Joe Biden] could do another four years,” she said, “and [Donald Trump] is just a bigot.” She continued, “Also, he’s a felon now, so I don’t think a felon should be a president.”\u003c/p>\n\u003cfigure id=\"attachment_13960243\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960243\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_27.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mourice Grey (left) and Karl Daniels pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mourice Grey and Karl Daniels both live in San Leandro, and cited rent control, women’s rights and queer rights as their top concerns this year. “[Trump] broke the law, so he should not get the opportunity,” Daniels noted.\u003c/p>\n\u003cfigure id=\"attachment_13960242\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960242\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_26.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From Left: Iyobosa Igbinake, Ayah Benjamin, Aminah Benjamin, Ifela Hayes pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Benjamin has yet to decide if she’ll be voting this year, and said being a young person today is exhausting. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Decked out in Sailor Mars cosplay, Ayah Benjamin said she “hasn’t made a decision yet” on whether she will vote this year. “Capitalism and being a young person in society is genuinely exhausting,” she expressed with frustration. “Civil rights, humanitarian issues and obviously the genocides globally” are her primary concerns in this election.\u003c/p>\n\u003cfigure id=\"attachment_13960240\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960240\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_24.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Destiny Phan (left) and Jeneveive Kongkham pose for a portrait outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Megan Thee Stallion show at the Chase Center was Destiny Phan’s first concert. This year’s election will mark another first, as she’s finally old enough to vote. Phan said it’s been “hard to keep up” with politics this year.\u003c/p>\n\u003cfigure id=\"attachment_13960246\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13960246\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/240624_MeganTheeStallionPF_EG_30.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tourean Barnes (right) poses for a portrait with his nephew Javonte Barnes outside the Chase Center during Megan Thee Stallion’s Hot Girl Summer Tour on Sunday, June 23, 2024. Tourean Barnes is unsure if he’ll vote in the next election and said he sees the two leading candidates as entertainers rather than presidents. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Tourean Barnes was there to attend the concert with his nephew Javonte Barnes. “My main issue would be the stability of our democracy,” said Tourean, adding that the two front-running candidates are “more like entertainers than presidents.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960424/megan-thee-stallion-stans-hotties-election-biden-trump-san-francisco",
"authors": [
"11883"
],
"series": [
"arts_22318"
],
"categories": [
"arts_1",
"arts_69",
"arts_235"
],
"tags": [
"arts_6926",
"arts_4949",
"arts_22227",
"arts_10278",
"arts_831",
"arts_7957",
"arts_1146"
],
"featImg": "arts_13960168",
"label": "source_arts_13960424"
},
"arts_13960252": {
"type": "posts",
"id": "arts_13960252",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960252",
"score": null,
"sort": [
1719339681000
]
},
"guestAuthors": [],
"slug": "andre-3000-presale-code-oakland-fox-theater-ticket-alert",
"title": "Ticket Alert: André 3000 Is Bringing His Flute to Oakland's Fox Theater",
"publishDate": 1719339681,
"format": "aside",
"headTitle": "Ticket Alert: André 3000 Is Bringing His Flute to Oakland’s Fox Theater | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cfigure id=\"attachment_13960259\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville.jpg\" alt=\"Black and white image of rapper André 3000 wearing headphones.\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13960259\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Andre 3000. \u003ccite>(Gabe Drechsler)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hip-hop legend André 3000 is bringing his flute back to the Bay Area: The former Outkast rapper’s \u003ca href=\"https://andre3000.com/\">just-announced fall tour\u003c/a> will hit Oakland’s Fox Theater on Oct. 5.\u003c/p>\n\u003cp>It’s Andre 3000’s second national tour for \u003cem>New Blue Sun\u003c/em>, the new-agey solo jazz album he released last fall. In February, he played a series of \u003ca href=\"https://48hills.org/2024/02/andre-3000-spoke-another-language-at-bimbos/\">vibey\u003c/a>, sold-out shows in \u003ca href=\"https://48hills.org/2024/02/flute-in-hand-andre-3000-returns-after-a-decade-to-conquer-the-bay/\">Berkeley\u003c/a> and \u003ca href=\"https://www.sfgate.com/sf-culture/article/andre-3000-concert-review-san-francisco-18678561.php\">San Francisco\u003c/a>.\u003c/p>\n\u003cp>This time, André 3000 and his band of Los Angeles jazz musicians will make just one Bay Area stop.\u003c/p>\n\u003cp>Here’s how to score seats: Tickets for the all-ages show \u003ca href=\"https://www.ticketmaster.com/event/1C0060D1BB5627B6?camefrom=CFC_ANOTHERPLANET_artist&brand=anotherplanet\">go on sale to the general public on Friday, Jun. 28, at 10 a.m.\u003c/a>, with reserved seating \u003ca href=\"https://thefoxoakland.com/events/andre-3000-241005\">starting at $59.50\u003c/a> plus fees. A \u003ca href=\"https://www.ticketmaster.com/event/1C0060D1BB5627B6?camefrom=CFC_ANOTHERPLANET_artist&brand=anotherplanet\">presale\u003c/a> for the show the Fox Theater will start on Thursday, Jun. 27, at 10 a.m., which can be unlocked using the presale code \u003cstrong>drexl\u003c/strong>. There will also be an artist presale starting on Wednesday, Jun. 26, at 10 a.m.\u003c/p>\n\u003cp>Full ticket sales and presales are listed \u003ca href=\"https://www.ticketmaster.com/event/1C0060D1BB5627B6?camefrom=CFC_ANOTHERPLANET_artist&brand=anotherplanet\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "The hip-hop legend — now in his jazz flute era — will kick off a 26-city fall tour in September.",
"status": "publish",
"parent": 0,
"modified": 1719339681,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 189
},
"headData": {
"title": "Ticket Alert: Presale Code for André 3000 at the Fox Theater in Oakland | KQED",
"description": "The hip-hop legend — now in his jazz flute era — will kick off a 26-city fall tour in September.",
"ogTitle": "Ticket Alert: André 3000 Is Bringing His Flute to Oakland's Fox Theater",
"ogDescription": "",
"ogImgId": "",
"twTitle": "Ticket Alert: André 3000 Is Bringing His Flute to Oakland's Fox Theater",
"twDescription": "",
"twImgId": "",
"socialTitle": "Ticket Alert: Presale Code for André 3000 at the Fox Theater in Oakland %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Ticket Alert: André 3000 Is Bringing His Flute to Oakland's Fox Theater",
"datePublished": "2024-06-25T11:21:21-07:00",
"dateModified": "2024-06-25T11:21:21-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13960252",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960252/andre-3000-presale-code-oakland-fox-theater-ticket-alert",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13960259\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville.jpg\" alt=\"Black and white image of rapper André 3000 wearing headphones.\" width=\"1920\" height=\"1440\" class=\"size-full wp-image-13960259\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/11_Andre-Nashville-1536x1152.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Andre 3000. \u003ccite>(Gabe Drechsler)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Hip-hop legend André 3000 is bringing his flute back to the Bay Area: The former Outkast rapper’s \u003ca href=\"https://andre3000.com/\">just-announced fall tour\u003c/a> will hit Oakland’s Fox Theater on Oct. 5.\u003c/p>\n\u003cp>It’s Andre 3000’s second national tour for \u003cem>New Blue Sun\u003c/em>, the new-agey solo jazz album he released last fall. In February, he played a series of \u003ca href=\"https://48hills.org/2024/02/andre-3000-spoke-another-language-at-bimbos/\">vibey\u003c/a>, sold-out shows in \u003ca href=\"https://48hills.org/2024/02/flute-in-hand-andre-3000-returns-after-a-decade-to-conquer-the-bay/\">Berkeley\u003c/a> and \u003ca href=\"https://www.sfgate.com/sf-culture/article/andre-3000-concert-review-san-francisco-18678561.php\">San Francisco\u003c/a>.\u003c/p>\n\u003cp>This time, André 3000 and his band of Los Angeles jazz musicians will make just one Bay Area stop.\u003c/p>\n\u003cp>Here’s how to score seats: Tickets for the all-ages show \u003ca href=\"https://www.ticketmaster.com/event/1C0060D1BB5627B6?camefrom=CFC_ANOTHERPLANET_artist&brand=anotherplanet\">go on sale to the general public on Friday, Jun. 28, at 10 a.m.\u003c/a>, with reserved seating \u003ca href=\"https://thefoxoakland.com/events/andre-3000-241005\">starting at $59.50\u003c/a> plus fees. A \u003ca href=\"https://www.ticketmaster.com/event/1C0060D1BB5627B6?camefrom=CFC_ANOTHERPLANET_artist&brand=anotherplanet\">presale\u003c/a> for the show the Fox Theater will start on Thursday, Jun. 27, at 10 a.m., which can be unlocked using the presale code \u003cstrong>drexl\u003c/strong>. There will also be an artist presale starting on Wednesday, Jun. 26, at 10 a.m.\u003c/p>\n\u003cp>Full ticket sales and presales are listed \u003ca href=\"https://www.ticketmaster.com/event/1C0060D1BB5627B6?camefrom=CFC_ANOTHERPLANET_artist&brand=anotherplanet\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960252/andre-3000-presale-code-oakland-fox-theater-ticket-alert",
"authors": [
"11743"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_22191",
"arts_3944",
"arts_831",
"arts_1143",
"arts_700"
],
"featImg": "arts_13960257",
"label": "arts_140"
},
"arts_13960206": {
"type": "posts",
"id": "arts_13960206",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960206",
"score": null,
"sort": [
1719271949000
]
},
"guestAuthors": [],
"slug": "a-victory-lap-for-megan-thee-stallion-at-sfs-chase-center",
"title": "A Victory Lap for Megan Thee Stallion at SF’s Chase Center",
"publishDate": 1719271949,
"format": "standard",
"headTitle": "A Victory Lap for Megan Thee Stallion at SF’s Chase Center | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>From the moment the lights went down at Chase Center in San Francisco, it was clear that Megan Thee Stallion was ready to leave it all on the floor for her Bay Area Hotties.\u003c/p>\n\u003cp>On June 23, the rap titan ascended on a platform during her trash-talking, latest No. 1 single, “\u003ca href=\"https://www.youtube.com/watch?v=XVgCLQ_JQfU\">HISS\u003c/a>,” delivering venomous bars a cappella as an enthusiastic crowd rapped along. The track clapped back at her former collaborator \u003ca href=\"https://www.kqed.org/arts/13953284/nicki-minaj-review-oakland-arena-pink-friday-2-tour\">Nicki Minaj\u003c/a> and Canadian menaces \u003ca href=\"https://www.rollingstone.com/music/music-news/drake-controversial-support-tory-lanez-megan-thee-stallion-shooting-appeal-1234975634/\">Drake\u003c/a> and \u003ca href=\"https://www.npr.org/2023/08/08/1181702809/tory-lanez-megan-thee-stallion\">Tory Lanez\u003c/a>, leaving no doubt that this tour represents a boisterous victory lap.\u003c/p>\n\u003cp>Megan Thee Stallion captured the zeitgeist in 2019 with her sex-positive lyricism and superhuman knee strength. After a global pandemic, \u003ca href=\"https://www.npr.org/2023/03/14/1163603837/megans-rule-being-exceptional-doesnt-make-you-the-exception\">surviving a shooting\u003c/a> and enduring a battle with her former record label, the rapper at long last embarked on her first headlining tour, flying her “Hot Girl Summer” banner across the country in support of her self-titled third studio album, due out Friday.\u003c/p>\n\u003cfigure id=\"attachment_13958683\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958683\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at BottleRock Napa Valley festival on Friday, May 24, 2024.\u003c/figcaption>\u003c/figure>\n\u003cp>The 26-song setlist covered a lot of ground, and had a lot of payoff for new and old-school fans alike. Megan Thee Stallion reached as far back as her 2017 track “\u003ca href=\"https://youtu.be/gvSD05Yu7Ig?si=195uTm3kfDZ6ZHtg\">Stalli (Freestyle)\u003c/a>,” where she questions the penmanship of her peers while impressively using the word “onomatopoeia” in her flow: “Your favorite rapper only use onomatopoeias / You don’t wanna hear it ’cause you only wanna see her.”\u003c/p>\n\u003cp>Superstardom has not been easy for the Houston rapper, who has received misogynistic and racist backlash following her breakthrough. “My motherfuckin’ body, my choice / Ain’t no lil’ dick takin’ my voice,” she rapped to the menacing beat of “\u003ca href=\"https://www.youtube.com/watch?v=oA9M928sL5Y\">Gift & A Curse\u003c/a>.” The roaring crowd echoed her words back in a moment that felt both timeless and extremely timely.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Later in the night, fans of all genders, shapes and sizes — many dressed in their best cheek-baring outfits — joined her on stage for an epic twerk-off that celebrated individuality and pride in their bodies.\u003c/p>\n\u003cfigure id=\"attachment_13958607\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958607\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at BottleRock Napa Valley festival on Friday, May 24, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>GloRilla, who delivered a high-octane opening set earlier in the night, returned to the stage to perform her addictive new track featuring Megan Thee Stallion, “\u003ca href=\"https://www.youtube.com/watch?v=BT_83vSP1es\">Wanna Be\u003c/a>.” The duo’s synergy elevated the cocky tune to new heights, and a symphony of “Go Meg!” and “Get ’em Glo!” chants erupted as they got low. [aside postid='arts_13960019']\u003c/p>\n\u003cp>Throughout the show, Megan Thee Stallion interacted with the crowd as if they were her best friends, which created some hilarious moments. A fan seemingly proposed to her with a banner: “Petite Black woman who will sign an NDA.” Another fan’s sign read “Both of my boyfriends are Captain Hook,” referencing the rapper’s explicit 2020 hit. “I’m jealous,” Thee Stallion commented after initially being taken aback — the best we can do is hope the boyfriends don’t mind sharing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As the show drew to a close with Megan Thee Stallion’s gargantuan Beyoncé collaboration “\u003ca href=\"https://www.youtube.com/watch?v=lEIqjoO0-Bs\">Savage Remix\u003c/a>,” for which she had a cameo in the singer’s \u003cem>RENAISSANCE\u003c/em> tour film, all I could think about was what a huge triumph this tour has been for her. If anyone had any doubt that Megan Thee Stallion is an impeccable live performer, bar spitter, knee bender and entertainer, there’s no way they could’ve left Chase Center thinking anything but that.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Her long-awaited ‘Hot Girl Summer’ tour brought triumphant bars and a sex-positive celebration.",
"status": "publish",
"parent": 0,
"modified": 1719271991,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 627
},
"headData": {
"title": "Review: Megan Thee Stallion’s ‘Hot Girl Summer’ Tour in SF | KQED",
"description": "Her long-awaited headlining tour brought triumphant bars and a sex-positive celebration.",
"ogTitle": "A Victory Lap for Megan Thee Stallion at SF’s Chase Center",
"ogDescription": "",
"ogImgId": "",
"twTitle": "A Victory Lap for Megan Thee Stallion at SF’s Chase Center",
"twDescription": "",
"twImgId": "",
"socialTitle": "Review: Megan Thee Stallion’s ‘Hot Girl Summer’ Tour in SF %%page%% %%sep%% KQED",
"socialDescription": "Her long-awaited headlining tour brought triumphant bars and a sex-positive celebration.",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Victory Lap for Megan Thee Stallion at SF’s Chase Center",
"datePublished": "2024-06-24T16:32:29-07:00",
"dateModified": "2024-06-24T16:33:11-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13960206",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960206/a-victory-lap-for-megan-thee-stallion-at-sfs-chase-center",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>From the moment the lights went down at Chase Center in San Francisco, it was clear that Megan Thee Stallion was ready to leave it all on the floor for her Bay Area Hotties.\u003c/p>\n\u003cp>On June 23, the rap titan ascended on a platform during her trash-talking, latest No. 1 single, “\u003ca href=\"https://www.youtube.com/watch?v=XVgCLQ_JQfU\">HISS\u003c/a>,” delivering venomous bars a cappella as an enthusiastic crowd rapped along. The track clapped back at her former collaborator \u003ca href=\"https://www.kqed.org/arts/13953284/nicki-minaj-review-oakland-arena-pink-friday-2-tour\">Nicki Minaj\u003c/a> and Canadian menaces \u003ca href=\"https://www.rollingstone.com/music/music-news/drake-controversial-support-tory-lanez-megan-thee-stallion-shooting-appeal-1234975634/\">Drake\u003c/a> and \u003ca href=\"https://www.npr.org/2023/08/08/1181702809/tory-lanez-megan-thee-stallion\">Tory Lanez\u003c/a>, leaving no doubt that this tour represents a boisterous victory lap.\u003c/p>\n\u003cp>Megan Thee Stallion captured the zeitgeist in 2019 with her sex-positive lyricism and superhuman knee strength. After a global pandemic, \u003ca href=\"https://www.npr.org/2023/03/14/1163603837/megans-rule-being-exceptional-doesnt-make-you-the-exception\">surviving a shooting\u003c/a> and enduring a battle with her former record label, the rapper at long last embarked on her first headlining tour, flying her “Hot Girl Summer” banner across the country in support of her self-titled third studio album, due out Friday.\u003c/p>\n\u003cfigure id=\"attachment_13958683\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958683\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at BottleRock Napa Valley festival on Friday, May 24, 2024.\u003c/figcaption>\u003c/figure>\n\u003cp>The 26-song setlist covered a lot of ground, and had a lot of payoff for new and old-school fans alike. Megan Thee Stallion reached as far back as her 2017 track “\u003ca href=\"https://youtu.be/gvSD05Yu7Ig?si=195uTm3kfDZ6ZHtg\">Stalli (Freestyle)\u003c/a>,” where she questions the penmanship of her peers while impressively using the word “onomatopoeia” in her flow: “Your favorite rapper only use onomatopoeias / You don’t wanna hear it ’cause you only wanna see her.”\u003c/p>\n\u003cp>Superstardom has not been easy for the Houston rapper, who has received misogynistic and racist backlash following her breakthrough. “My motherfuckin’ body, my choice / Ain’t no lil’ dick takin’ my voice,” she rapped to the menacing beat of “\u003ca href=\"https://www.youtube.com/watch?v=oA9M928sL5Y\">Gift & A Curse\u003c/a>.” The roaring crowd echoed her words back in a moment that felt both timeless and extremely timely.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Later in the night, fans of all genders, shapes and sizes — many dressed in their best cheek-baring outfits — joined her on stage for an epic twerk-off that celebrated individuality and pride in their bodies.\u003c/p>\n\u003cfigure id=\"attachment_13958607\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958607\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at BottleRock Napa Valley festival on Friday, May 24, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>GloRilla, who delivered a high-octane opening set earlier in the night, returned to the stage to perform her addictive new track featuring Megan Thee Stallion, “\u003ca href=\"https://www.youtube.com/watch?v=BT_83vSP1es\">Wanna Be\u003c/a>.” The duo’s synergy elevated the cocky tune to new heights, and a symphony of “Go Meg!” and “Get ’em Glo!” chants erupted as they got low. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13960019",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Throughout the show, Megan Thee Stallion interacted with the crowd as if they were her best friends, which created some hilarious moments. A fan seemingly proposed to her with a banner: “Petite Black woman who will sign an NDA.” Another fan’s sign read “Both of my boyfriends are Captain Hook,” referencing the rapper’s explicit 2020 hit. “I’m jealous,” Thee Stallion commented after initially being taken aback — the best we can do is hope the boyfriends don’t mind sharing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As the show drew to a close with Megan Thee Stallion’s gargantuan Beyoncé collaboration “\u003ca href=\"https://www.youtube.com/watch?v=lEIqjoO0-Bs\">Savage Remix\u003c/a>,” for which she had a cameo in the singer’s \u003cem>RENAISSANCE\u003c/em> tour film, all I could think about was what a huge triumph this tour has been for her. If anyone had any doubt that Megan Thee Stallion is an impeccable live performer, bar spitter, knee bender and entertainer, there’s no way they could’ve left Chase Center thinking anything but that.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960206/a-victory-lap-for-megan-thee-stallion-at-sfs-chase-center",
"authors": [
"11883"
],
"categories": [
"arts_1",
"arts_2303",
"arts_69"
],
"tags": [
"arts_10278",
"arts_7957",
"arts_769"
],
"featImg": "arts_13960222",
"label": "arts"
},
"arts_13960094": {
"type": "posts",
"id": "arts_13960094",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960094",
"score": null,
"sort": [
1718995541000
]
},
"guestAuthors": [],
"slug": "watch-discos-mighty-real-bay-area-roots-live-at-kqed",
"title": "Watch: Disco's Mighty Real Bay Area Roots, Live at KQED",
"publishDate": 1718995541,
"format": "standard",
"headTitle": "Watch: Disco’s Mighty Real Bay Area Roots, Live at KQED | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>In the 1970s, as activists fought for gay liberation, Black power and women’s rights, a new sound hit dance floors from coast to coast: disco.\u003c/p>\n\u003cp>In the new PBS documentary \u003ca href=\"https://www.pbs.org/show/disco-soundtrack-of-a-revolution/\">\u003cem>Disco: Soundtrack of a Revolution \u003c/em>\u003c/a>(available now for streaming and on \u003ca href=\"https://www.kqed.org/tv/schedules/monthly\">KQED TV\u003c/a>), singers, DJs and cultural figures show how the music became a balm for oppression and created space for people of different backgrounds to let loose and get free. Despite whitewashing and backlash that followed disco’s explosion into the mainstream, its queer, Black roots continue to influence pop’s biggest stars.\u003c/p>\n\u003cp>To celebrate the documentary’s release, NPR’s \u003ca href=\"https://www.npr.org/people/1143683347/corey-antonio-rose\">Corey Antonio Rose\u003c/a> and KQED’s \u003ca href=\"https://www.kqed.org/author/nvoynovskaya\">Nastia Voynovskaya\u003c/a> co-hosted a special panel discussion and performance in KQED’s San Francisco event space, The Commons. Singer and drag star \u003ca href=\"https://www.instagram.com/bebesweetbriar/?hl=en\">Bebe Sweetbriar\u003c/a> (who kicked off the night with a fiery lip sync) and \u003ca href=\"https://www.djpaulgoodyear.com/#/\">DJ Paul Goodyear\u003c/a>, aka SanFranDisko, walked us through disco’s transformation of nightlife and DJ culture, and how it catalyzed organizing and community care during the AIDS crisis. We spoke at length about Sylvester, the San Francisco disco star who paved the way for genderfluid self-expression.\u003c/p>\n\u003cfigure id=\"attachment_13960109\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960109\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Charles Hawthorne and Rodney Barnette (left to right) discuss the past and present of queer nightlife spaces. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Later in the evening, \u003ca href=\"https://www.kqed.org/arts/13914457/rightnowish-searching-for-a-kiki-sfs-first-black-owned-gay-bar\">Rodney Barnette\u003c/a>, a former Black Panther, revealed that the disco scene wasn’t as utopian as it may seem. Queer people of color were regularly discriminated against, which prompted him to open the New Eagle Creek Saloon, San Francisco’s first Black-owned gay bar, in 1990. With the slogan “a friendly place with funky bass for every race,” the Eagle Creek became a social support system. \u003ca href=\"https://www.instagram.com/djcharleshawthorne/\">Charles Hawthorne\u003c/a>, a DJ who works with Oaklash and Nectar Social Club, chatted with Rodney about the current generation’s ways of carrying the torch and creating a truly inclusive queer culture.\u003c/p>\n\u003cp>The evening closed out with a live musical number from Bebe and a dance party. Watch the full program below.\u003c/p>\n\u003cdiv style=\"padding:56.25% 0 0 0;position:relative;\">\u003ciframe src=\"https://player.vimeo.com/video/960740891?h=354c2d35e3&badge=0&autopause=0&player_id=0&app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Disco's Mighty Real Bay Area Roots\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cscript src=\"https://player.vimeo.com/api/player.js\">\u003c/script>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "A discussion of nightlife and activism in 1970s San Francisco — and how disco paved the way for today's generation.",
"status": "publish",
"parent": 0,
"modified": 1718996854,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 351
},
"headData": {
"title": "Watch: Disco's Mighty Real Bay Area Roots, Live at KQED | KQED",
"description": "A discussion of nightlife and activism in 1970s San Francisco — and how disco paved the way for today's generation.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Watch: Disco's Mighty Real Bay Area Roots, Live at KQED",
"datePublished": "2024-06-21T11:45:41-07:00",
"dateModified": "2024-06-21T12:07:34-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"videoEmbed": "https://vimeo.com/960740891/354c2d35e3?share=copy",
"sticky": false,
"nprStoryId": "kqed-13960094",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960094/watch-discos-mighty-real-bay-area-roots-live-at-kqed",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the 1970s, as activists fought for gay liberation, Black power and women’s rights, a new sound hit dance floors from coast to coast: disco.\u003c/p>\n\u003cp>In the new PBS documentary \u003ca href=\"https://www.pbs.org/show/disco-soundtrack-of-a-revolution/\">\u003cem>Disco: Soundtrack of a Revolution \u003c/em>\u003c/a>(available now for streaming and on \u003ca href=\"https://www.kqed.org/tv/schedules/monthly\">KQED TV\u003c/a>), singers, DJs and cultural figures show how the music became a balm for oppression and created space for people of different backgrounds to let loose and get free. Despite whitewashing and backlash that followed disco’s explosion into the mainstream, its queer, Black roots continue to influence pop’s biggest stars.\u003c/p>\n\u003cp>To celebrate the documentary’s release, NPR’s \u003ca href=\"https://www.npr.org/people/1143683347/corey-antonio-rose\">Corey Antonio Rose\u003c/a> and KQED’s \u003ca href=\"https://www.kqed.org/author/nvoynovskaya\">Nastia Voynovskaya\u003c/a> co-hosted a special panel discussion and performance in KQED’s San Francisco event space, The Commons. Singer and drag star \u003ca href=\"https://www.instagram.com/bebesweetbriar/?hl=en\">Bebe Sweetbriar\u003c/a> (who kicked off the night with a fiery lip sync) and \u003ca href=\"https://www.djpaulgoodyear.com/#/\">DJ Paul Goodyear\u003c/a>, aka SanFranDisko, walked us through disco’s transformation of nightlife and DJ culture, and how it catalyzed organizing and community care during the AIDS crisis. We spoke at length about Sylvester, the San Francisco disco star who paved the way for genderfluid self-expression.\u003c/p>\n\u003cfigure id=\"attachment_13960109\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13960109\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Disco_s-Mighty-Real-Bay-Area-Roots-Estefany-Gonzalez_30-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Charles Hawthorne and Rodney Barnette (left to right) discuss the past and present of queer nightlife spaces. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Later in the evening, \u003ca href=\"https://www.kqed.org/arts/13914457/rightnowish-searching-for-a-kiki-sfs-first-black-owned-gay-bar\">Rodney Barnette\u003c/a>, a former Black Panther, revealed that the disco scene wasn’t as utopian as it may seem. Queer people of color were regularly discriminated against, which prompted him to open the New Eagle Creek Saloon, San Francisco’s first Black-owned gay bar, in 1990. With the slogan “a friendly place with funky bass for every race,” the Eagle Creek became a social support system. \u003ca href=\"https://www.instagram.com/djcharleshawthorne/\">Charles Hawthorne\u003c/a>, a DJ who works with Oaklash and Nectar Social Club, chatted with Rodney about the current generation’s ways of carrying the torch and creating a truly inclusive queer culture.\u003c/p>\n\u003cp>The evening closed out with a live musical number from Bebe and a dance party. Watch the full program below.\u003c/p>\n\u003cdiv style=\"padding:56.25% 0 0 0;position:relative;\">\u003ciframe src=\"https://player.vimeo.com/video/960740891?h=354c2d35e3&badge=0&autopause=0&player_id=0&app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"Disco's Mighty Real Bay Area Roots\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cscript src=\"https://player.vimeo.com/api/player.js\">\u003c/script>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960094/watch-discos-mighty-real-bay-area-roots-live-at-kqed",
"authors": [
"11387"
],
"categories": [
"arts_1",
"arts_69",
"arts_990"
],
"tags": [
"arts_8530",
"arts_10278"
],
"featImg": "arts_13960110",
"label": "arts"
},
"arts_13960034": {
"type": "posts",
"id": "arts_13960034",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960034",
"score": null,
"sort": [
1718923328000
]
},
"guestAuthors": [],
"slug": "sabrina-carpenter-to-headline-outside-lands-instead-of-tyler-the-creator",
"title": "Sabrina Carpenter to Headline Outside Lands Instead of Tyler, the Creator",
"publishDate": 1718923328,
"format": "standard",
"headTitle": "Sabrina Carpenter to Headline Outside Lands Instead of Tyler, the Creator | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Tyler, the Creator has canceled his headlining sets at \u003ca href=\"https://sfoutsidelands.com/\">San Francisco’s Outside Lands\u003c/a> and Chicago’s Lollapalooza, both slated for August.\u003c/p>\n\u003cp>“i made a commitment that i can no longer keep, and that bums me out knowing how excited folks were. that is not sexy at all. please please forgive me or call me names when you see me in person. love,” he wrote on X, formerly known as Twitter.\u003c/p>\n\u003cp>Outside Lands quickly announced that rising star Sabrina Carpenter will take Tyler’s place as the festival’s Saturday headliner when the annual festival returns to Golden Gate Park Aug. 9-11. She joins rock icons The Killers and country hitmaker Sturgill Simpson at the top of the bill.\u003c/p>\n\u003cp>Carpenter also announced her own headlining tour, which brings her to the Chase Center in San Francisco on Nov. 9. Tickets go on sale to the general public on Friday, June 28, while presale tickets go on sale Tuesday, June 25. Fans can currently sign up for ticket presale info by RSVPing on \u003ca href=\"https://store.sabrinacarpenter.com/pages/tour\">her tour site\u003c/a>.\u003c/p>\n\u003cp>Carpenter’s ultra-catchy “Espresso” and its \u003ca href=\"https://mashable.com/article/espresso-sabrina-carpenter-memes\">corresponding memes\u003c/a> have been inescapable this year. The lightly funky earworm contains a danceable groove and oddly memorable hook: “That’s that me espresso.” Hazy, sunny and perfect for day drinking, it’s a top contender for song of the summer (with a much different audience than the other obvious choice, Kendrick Lamar’s “\u003ca href=\"https://www.kqed.org/arts/13960019/the-culture-kendrick-lamar-pop-out-juneteenth\">Not Like Us\u003c/a>“).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/eVli-tstM5E?si=OMQ6gPv-zDyhY0XY\u003c/p>\n\u003cp>Carpenter has spent past several years plotting her crossover from Disney to pop stardom, and recently followed “Espresso” with “Please Please Please,” another dance-pop banger with anthemic ’80s synths and tongue-in-cheek lyrics, this time about indulging in an ill-advised love affair against her better judgment. (Its kitschy, gangster flick-style music video stars Carpenter’s boyfriend, “\u003ca href=\"https://www.usatoday.com/story/entertainment/celebrities/2024/06/14/hot-rodent-men-summer/74093463007/\">hot rodent man\u003c/a>” archetype and \u003cem>Saltburn \u003c/em>star Barry Keoghan.) Expect to hear both tracks blasting at Pride parties everywhere throughout June.\u003c/p>\n\u003cp>Carpenter’s sixth studio album \u003cem>Short n’ Sweet\u003c/em> (a nod to her 4’11” stature and \u003ca href=\"https://x.com/scarpenterbr/status/1684285823586275331\">Polly Pocket look\u003c/a>) will be released Aug. 23, two weeks after her Outside Lands appearance.\u003c/p>\n\u003cp>https://youtu.be/cF1Na4AIecM?si=7irXq3tXc4ZfbAk5\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Outside Lands takes place Aug. 9-11 in San Francisco’s Golden Gate Park. Single-day tickets start at $199 plus fees; three-day tickets start at $465. \u003ca href=\"https://sfoutsidelands.com/tickets/\">Full lineup and details here\u003c/a>.\u003c/i>\u003c/p>\n\n",
"blocks": [],
"excerpt": "The \"Espresso\" hitmaker joins The Killers and Sturgill Simpson at the San Francisco festival in August. ",
"status": "publish",
"parent": 0,
"modified": 1718986473,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 10,
"wordCount": 431
},
"headData": {
"title": "Sabrina Carpenter to Headline Outside Lands Instead of Tyler, the Creator | KQED",
"description": "The "Espresso" hitmaker joins The Killers and Sturgill Simpson at the San Francisco festival in August. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Sabrina Carpenter to Headline Outside Lands Instead of Tyler, the Creator",
"datePublished": "2024-06-20T15:42:08-07:00",
"dateModified": "2024-06-21T09:14:33-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13960034",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960034/sabrina-carpenter-to-headline-outside-lands-instead-of-tyler-the-creator",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tyler, the Creator has canceled his headlining sets at \u003ca href=\"https://sfoutsidelands.com/\">San Francisco’s Outside Lands\u003c/a> and Chicago’s Lollapalooza, both slated for August.\u003c/p>\n\u003cp>“i made a commitment that i can no longer keep, and that bums me out knowing how excited folks were. that is not sexy at all. please please forgive me or call me names when you see me in person. love,” he wrote on X, formerly known as Twitter.\u003c/p>\n\u003cp>Outside Lands quickly announced that rising star Sabrina Carpenter will take Tyler’s place as the festival’s Saturday headliner when the annual festival returns to Golden Gate Park Aug. 9-11. She joins rock icons The Killers and country hitmaker Sturgill Simpson at the top of the bill.\u003c/p>\n\u003cp>Carpenter also announced her own headlining tour, which brings her to the Chase Center in San Francisco on Nov. 9. Tickets go on sale to the general public on Friday, June 28, while presale tickets go on sale Tuesday, June 25. Fans can currently sign up for ticket presale info by RSVPing on \u003ca href=\"https://store.sabrinacarpenter.com/pages/tour\">her tour site\u003c/a>.\u003c/p>\n\u003cp>Carpenter’s ultra-catchy “Espresso” and its \u003ca href=\"https://mashable.com/article/espresso-sabrina-carpenter-memes\">corresponding memes\u003c/a> have been inescapable this year. The lightly funky earworm contains a danceable groove and oddly memorable hook: “That’s that me espresso.” Hazy, sunny and perfect for day drinking, it’s a top contender for song of the summer (with a much different audience than the other obvious choice, Kendrick Lamar’s “\u003ca href=\"https://www.kqed.org/arts/13960019/the-culture-kendrick-lamar-pop-out-juneteenth\">Not Like Us\u003c/a>“).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eVli-tstM5E'\n title='//www.youtube.com/embed/eVli-tstM5E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Carpenter has spent past several years plotting her crossover from Disney to pop stardom, and recently followed “Espresso” with “Please Please Please,” another dance-pop banger with anthemic ’80s synths and tongue-in-cheek lyrics, this time about indulging in an ill-advised love affair against her better judgment. (Its kitschy, gangster flick-style music video stars Carpenter’s boyfriend, “\u003ca href=\"https://www.usatoday.com/story/entertainment/celebrities/2024/06/14/hot-rodent-men-summer/74093463007/\">hot rodent man\u003c/a>” archetype and \u003cem>Saltburn \u003c/em>star Barry Keoghan.) Expect to hear both tracks blasting at Pride parties everywhere throughout June.\u003c/p>\n\u003cp>Carpenter’s sixth studio album \u003cem>Short n’ Sweet\u003c/em> (a nod to her 4’11” stature and \u003ca href=\"https://x.com/scarpenterbr/status/1684285823586275331\">Polly Pocket look\u003c/a>) will be released Aug. 23, two weeks after her Outside Lands appearance.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cF1Na4AIecM'\n title='//www.youtube.com/embed/cF1Na4AIecM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Outside Lands takes place Aug. 9-11 in San Francisco’s Golden Gate Park. Single-day tickets start at $199 plus fees; three-day tickets start at $465. \u003ca href=\"https://sfoutsidelands.com/tickets/\">Full lineup and details here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960034/sabrina-carpenter-to-headline-outside-lands-instead-of-tyler-the-creator",
"authors": [
"11387"
],
"categories": [
"arts_1",
"arts_69",
"arts_235"
],
"tags": [
"arts_1739",
"arts_1146"
],
"featImg": "arts_13960063",
"label": "arts"
},
"arts_13960019": {
"type": "posts",
"id": "arts_13960019",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13960019",
"score": null,
"sort": [
1718906228000
]
},
"guestAuthors": [],
"slug": "the-culture-kendrick-lamar-pop-out-juneteenth",
"title": "The Culture",
"publishDate": 1718906228,
"format": "standard",
"headTitle": "The Culture | KQED",
"labelTerm": {},
"content": "\u003cp>[dropcap]T[/dropcap]here’s a difference between Black culture and American culture. Sometimes, they unfortunately get intertwined.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" class=\"alignright size-thumbnail wp-image-13833985\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\"> In America, the coolness of being Black is often enmeshed with the ever-present danger of being Black. Big, beautiful smiles on African American children are a gauze for the gaping wounds caused by conditions from which many of them come. The strength and solidarity of Black love is too often held up in contrast to the hate this country has instilled in its people; our people.\u003c/p>\n\u003cp>Let’s dissect “the culture.”\u003c/p>\n\u003cfigure id=\"attachment_13960027\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13960027\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Charity Nichols reads a book at the Oakland Museum of California’s Garden on June 19, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I celebrated Juneteenth with household chores and reading before sitting on the couch, oscillating between social media apps and double-tapping posts celebrating the anniversary of enslaved Africans in Texas learning that they’d been freed. In the background, my TV screen illuminated with images and music from \u003ca href=\"https://en.wikipedia.org/wiki/The_Pop_Out:_Ken_%26_Friends\">The Pop Out\u003c/a>, a one-day festival featuring hip-hop acts from Los Angeles, headlined by Kendrick Lamar.\u003c/p>\n\u003cp>Narrated \u003ca href=\"https://www.instagram.com/p/C8bJVTVu1sN/?img_index=1\" target=\"_blank\" rel=\"noopener\">by Vallejo’s E-40\u003c/a>, the event put Black inner-city culture of L.A. front and center: red and blue flags, Chuck Taylors, fingers twisting up as sets were repped and folks dancing– or rather walkin’– in honor of their hoods.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Younger artists like Westside Boogie and Kalan.FrFr performed on the same stage that Dr. Dre would later rock. Viewers were reminded that Problem now performs under his name JasonMartin, that Tommy The Clown has been putting in community work for over three decades, and that DJ Mustard’s extensive list of hits still slap.\u003c/p>\n\u003cfigure id=\"attachment_13960106\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13960106\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar performs during ‘The Pop Out – Ken & Friends’ at the Forum on June 19, 2024 in Inglewood, California. \u003ccite>(Timothy Norris/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then Kendrick hit the stage, opening with his track “Euphoria,” a six-minute diss song that dropped earlier this year, aimed at Canadian rapper Drake. The audience rapped along bar for bar. Kendrick then brought out his former TDE label-mates Jay Rock, Ab-Soul and ScHoolboy Q for hit songs like “Money Trees” and “Collard Greens.”\u003c/p>\n\u003cp>And then it was time for the mega-hit song of the summer, “\u003ca href=\"https://www.youtube.com/watch?v=T6eK-2OQtew\" target=\"_blank\" rel=\"noopener\">Not Like Us\u003c/a>.” Having grown from a Drake diss to a party anthem, “Not Like Us” is now part of the lexicon. “Sometimes you gotta pop out and show niggas” is the mantra for 2024.\u003c/p>\n\u003cp>With the song, and the event as a whole, Kendrick’s goal wasn’t solely to tarnish Drake’s reputation for speaking foul on the West Coast. Kendrick accomplished that handily by running back “Not Like Us” not once, not twice, but instead performing it five times in a row. His true aim went much higher: to use the region’s animosity of one man to unify the notoriously splintered communities of Southern California.\u003c/p>\n\u003cp>[aside postID='arts_13912853']“This shit making me emotional,” said Kendrick to the crowd, as a growing number of performers and professional athletes came on stage toward the end of the show. “We been fucked up since Nipsey died… we been fucked up since Kobe died.”\u003c/p>\n\u003cp>As people got into place for a group photo, Kendrick, wearing a red hoodie, glasses and a red Dodgers cap, continued to speak to the audience. “We done lost a lot of homies to this music shit, a lot of homies to this street shit. And for all of us to be on stage together, unity, from each side of muthafuckin’ L.A. — crips, bloods, pirus — that shit is special, man.”\u003c/p>\n\u003cp>All this at the Forum in Inglewood, where Kobe and Shaq carried on the legacy of the Showtime Lakers that Kareem and Magic created. A place where superstars like Prince and Whitney Houston gave legendary performances. And now, a historic showing of Black Los Angeles culture. On Juneteenth, nonetheless.\u003c/p>\n\u003cfigure id=\"attachment_13960030\" class=\"wp-caption aligncenter\" style=\"max-width: 1400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch.jpg\" alt=\"\" width=\"1400\" height=\"933\" class=\"size-full wp-image-13960030\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch.jpg 1400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch-768x512.jpg 768w\" sizes=\"(max-width: 1400px) 100vw, 1400px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar assembles a historic group photo onstage at the Forum in Inglewood, California, June 19, 2024. \u003ccite>(Amazon Music / Twitch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]I[/dropcap]t was beautiful. It could’ve simply been a diss-track party. Instead, it illustrated how deeply committed Kendrick is to his community’s culture.\u003c/p>\n\u003cp>It also reminded me that he’s not one to shy away from critiquing it as well.\u003c/p>\n\u003cp>In 2022, ahead of the release of his album \u003cem>Mr. Morale & the Big Steppers\u003c/em>, Kendrick dropped the song “The Heart Part 5.” He opens the song candidly talking about conflicts of \u003cem>the culture\u003c/em>. “In a land where hurt people hurt people,” says Kendrick, “fuck calling it culture.”\u003c/p>\n\u003cfigure id=\"attachment_13960105\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13960105\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">(From left) Parlet Cooper, Daja Herad, Omarri Beck, and Christian Johnson, pose for a portrait before the Kendrick Lamar Pop Out concert on Juneteenth at The Forum on Wednesday, June 19, 2024 in Inglewood, CA. \u003ccite>(Michael Blackshire / Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kendrick didn’t perform that song last night, but I woke up thinking about it. It crossed my mind as I lay in bed scrolling social media, the sun rising on the first day of summer.\u003c/p>\n\u003cp>In my feed, images of people attending The Pop Out and joyous Juneteenth celebrations around the country collided with heinous videos showing multiple people shot in the aftermath of an event by Lake Merritt in Oakland.\u003c/p>\n\u003cp>According to reports, thousands of people were present. Many of them were young folks of color, Black people. I scrolled and saw clips of sunshine, food, music — people celebrating freedom. And then I heard recordings of gunshots, saw people ducking and diving, pools of blood and a limp body.\u003c/p>\n\u003cp>The culture.\u003c/p>\n\u003cfigure id=\"attachment_13960026\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13960026\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Individuals dance at the Hella Juneteenth ‘The Cookout’ at the Oakland Museum of California’s Garden on June 19, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This isn’t just Oakland. There were also unfortunate shootings at or after recent Juneteenth celebrations in \u003ca href=\"https://www.wavy.com/news/local-news/norfolk/police-shooting-in-norfolk-at-the-800-e-olney-road/\" target=\"_blank\" rel=\"noopener\">Norfolk, Virginia\u003c/a>; \u003ca href=\"https://www.wisn.com/article/detective-opens-fire-on-shooter-who-killed-teen-at-milwaukee-park-after-juneteenth-event/61182147\" target=\"_blank\" rel=\"noopener\">Milwaukee, Wisconsin\u003c/a>; and \u003ca href=\"https://www.cbsnews.com/news/round-rock-texas-shooting-juneteenth-celebration/\" target=\"_blank\" rel=\"noopener\">in Texas, just north of Austin.\u003c/a>\u003c/p>\n\u003cp>As you read this, there are news outlets and social media pundits taking these examples of pain and framing them as an aspect of Black culture.\u003c/p>\n\u003cp>But it’s American culture.\u003c/p>\n\u003cp>Well, it’s American. I wouldn’t even call it culture. \u003cem>In a land where hurt people hurt people, fuck calling it culture.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13960028\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13960028\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A family eats together at the Hella Juneteenth ‘The Cookout’ at the Oakland Museum of California’s Garden on June 19, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]K[/dropcap]endrick’s show at the Forum wasn’t perfect. There’s righteous critiques about the lack of women performing, and the platforming of Dr. Dre given\u003ca href=\"https://thegrio.com/2023/02/14/dr-dre-has-long-been-accused-of-violence-against-women-why-is-he-still-being-rewarded/\" target=\"_blank\" rel=\"noopener\"> his documented cases of domestic abuse\u003c/a>. There’s even the age-old notion that showcasing “gang culture” might lead others to want to be a part of that lifestyle.\u003c/p>\n\u003cp>But what our cousins to the south got \u003cem>right\u003c/em> was unity. That’s Black culture, that’s African diasporic culture. We come together as a people. For funerals, parties and more, we unify. Coming together to celebrate the downfall of a collective enemy — be it a culture vulture who poses as a pop star or the institution of slavery — Black folks come together.\u003c/p>\n\u003cp>But the question remains: how can we continue to be in community, and not let the very American culture of guns and violence continue to creep into our celebrations?\u003c/p>\n\u003cp>Communication. Community. Cultivating healthy methods of healing. Offering resources. Getting rid of the pervasive American war-bent mindset. We know what the answers are, but we haven’t shown that we can apply them en masse.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I look forward to the day we collectively pop out, together — like Kendrick showed us — to celebrate Black culture.\u003c/p>\n\n",
"blocks": [],
"excerpt": "On Juneteenth, Kendrick Lamar showed a way forward for Black celebration — beyond American violence.",
"status": "publish",
"parent": 0,
"modified": 1726701178,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 30,
"wordCount": 1337
},
"headData": {
"title": "What Kendrick's Pop Out Meant for the Culture on Juneteenth | KQED",
"description": "On Juneteenth, Kendrick Lamar showed a way forward for Black celebration — beyond American violence.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialTitle": "What Kendrick's Pop Out Meant for the Culture on Juneteenth %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Culture",
"datePublished": "2024-06-20T10:57:08-07:00",
"dateModified": "2024-09-18T16:12:58-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Commentary",
"sourceUrl": "https://www.kqed.org/artscommentary",
"sticky": false,
"nprStoryId": "kqed-13960019",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13960019/the-culture-kendrick-lamar-pop-out-juneteenth",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">T\u003c/span>\u003c/p>\u003cp>here’s a difference between Black culture and American culture. Sometimes, they unfortunately get intertwined.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" class=\"alignright size-thumbnail wp-image-13833985\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\"> In America, the coolness of being Black is often enmeshed with the ever-present danger of being Black. Big, beautiful smiles on African American children are a gauze for the gaping wounds caused by conditions from which many of them come. The strength and solidarity of Black love is too often held up in contrast to the hate this country has instilled in its people; our people.\u003c/p>\n\u003cp>Let’s dissect “the culture.”\u003c/p>\n\u003cfigure id=\"attachment_13960027\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13960027\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-3-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Charity Nichols reads a book at the Oakland Museum of California’s Garden on June 19, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I celebrated Juneteenth with household chores and reading before sitting on the couch, oscillating between social media apps and double-tapping posts celebrating the anniversary of enslaved Africans in Texas learning that they’d been freed. In the background, my TV screen illuminated with images and music from \u003ca href=\"https://en.wikipedia.org/wiki/The_Pop_Out:_Ken_%26_Friends\">The Pop Out\u003c/a>, a one-day festival featuring hip-hop acts from Los Angeles, headlined by Kendrick Lamar.\u003c/p>\n\u003cp>Narrated \u003ca href=\"https://www.instagram.com/p/C8bJVTVu1sN/?img_index=1\" target=\"_blank\" rel=\"noopener\">by Vallejo’s E-40\u003c/a>, the event put Black inner-city culture of L.A. front and center: red and blue flags, Chuck Taylors, fingers twisting up as sets were repped and folks dancing– or rather walkin’– in honor of their hoods.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Younger artists like Westside Boogie and Kalan.FrFr performed on the same stage that Dr. Dre would later rock. Viewers were reminded that Problem now performs under his name JasonMartin, that Tommy The Clown has been putting in community work for over three decades, and that DJ Mustard’s extensive list of hits still slap.\u003c/p>\n\u003cfigure id=\"attachment_13960106\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13960106\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2158458558-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar performs during ‘The Pop Out – Ken & Friends’ at the Forum on June 19, 2024 in Inglewood, California. \u003ccite>(Timothy Norris/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Then Kendrick hit the stage, opening with his track “Euphoria,” a six-minute diss song that dropped earlier this year, aimed at Canadian rapper Drake. The audience rapped along bar for bar. Kendrick then brought out his former TDE label-mates Jay Rock, Ab-Soul and ScHoolboy Q for hit songs like “Money Trees” and “Collard Greens.”\u003c/p>\n\u003cp>And then it was time for the mega-hit song of the summer, “\u003ca href=\"https://www.youtube.com/watch?v=T6eK-2OQtew\" target=\"_blank\" rel=\"noopener\">Not Like Us\u003c/a>.” Having grown from a Drake diss to a party anthem, “Not Like Us” is now part of the lexicon. “Sometimes you gotta pop out and show niggas” is the mantra for 2024.\u003c/p>\n\u003cp>With the song, and the event as a whole, Kendrick’s goal wasn’t solely to tarnish Drake’s reputation for speaking foul on the West Coast. Kendrick accomplished that handily by running back “Not Like Us” not once, not twice, but instead performing it five times in a row. His true aim went much higher: to use the region’s animosity of one man to unify the notoriously splintered communities of Southern California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13912853",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“This shit making me emotional,” said Kendrick to the crowd, as a growing number of performers and professional athletes came on stage toward the end of the show. “We been fucked up since Nipsey died… we been fucked up since Kobe died.”\u003c/p>\n\u003cp>As people got into place for a group photo, Kendrick, wearing a red hoodie, glasses and a red Dodgers cap, continued to speak to the audience. “We done lost a lot of homies to this music shit, a lot of homies to this street shit. And for all of us to be on stage together, unity, from each side of muthafuckin’ L.A. — crips, bloods, pirus — that shit is special, man.”\u003c/p>\n\u003cp>All this at the Forum in Inglewood, where Kobe and Shaq carried on the legacy of the Showtime Lakers that Kareem and Magic created. A place where superstars like Prince and Whitney Houston gave legendary performances. And now, a historic showing of Black Los Angeles culture. On Juneteenth, nonetheless.\u003c/p>\n\u003cfigure id=\"attachment_13960030\" class=\"wp-caption aligncenter\" style=\"max-width: 1400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch.jpg\" alt=\"\" width=\"1400\" height=\"933\" class=\"size-full wp-image-13960030\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch.jpg 1400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/kendrick.popout.group_.amazonmusic.twitch-768x512.jpg 768w\" sizes=\"(max-width: 1400px) 100vw, 1400px\">\u003cfigcaption class=\"wp-caption-text\">Kendrick Lamar assembles a historic group photo onstage at the Forum in Inglewood, California, June 19, 2024. \u003ccite>(Amazon Music / Twitch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp>t was beautiful. It could’ve simply been a diss-track party. Instead, it illustrated how deeply committed Kendrick is to his community’s culture.\u003c/p>\n\u003cp>It also reminded me that he’s not one to shy away from critiquing it as well.\u003c/p>\n\u003cp>In 2022, ahead of the release of his album \u003cem>Mr. Morale & the Big Steppers\u003c/em>, Kendrick dropped the song “The Heart Part 5.” He opens the song candidly talking about conflicts of \u003cem>the culture\u003c/em>. “In a land where hurt people hurt people,” says Kendrick, “fuck calling it culture.”\u003c/p>\n\u003cfigure id=\"attachment_13960105\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13960105\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/GettyImages-2157939644-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">(From left) Parlet Cooper, Daja Herad, Omarri Beck, and Christian Johnson, pose for a portrait before the Kendrick Lamar Pop Out concert on Juneteenth at The Forum on Wednesday, June 19, 2024 in Inglewood, CA. \u003ccite>(Michael Blackshire / Los Angeles Times via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Kendrick didn’t perform that song last night, but I woke up thinking about it. It crossed my mind as I lay in bed scrolling social media, the sun rising on the first day of summer.\u003c/p>\n\u003cp>In my feed, images of people attending The Pop Out and joyous Juneteenth celebrations around the country collided with heinous videos showing multiple people shot in the aftermath of an event by Lake Merritt in Oakland.\u003c/p>\n\u003cp>According to reports, thousands of people were present. Many of them were young folks of color, Black people. I scrolled and saw clips of sunshine, food, music — people celebrating freedom. And then I heard recordings of gunshots, saw people ducking and diving, pools of blood and a limp body.\u003c/p>\n\u003cp>The culture.\u003c/p>\n\u003cfigure id=\"attachment_13960026\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13960026\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/download-2-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Individuals dance at the Hella Juneteenth ‘The Cookout’ at the Oakland Museum of California’s Garden on June 19, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This isn’t just Oakland. There were also unfortunate shootings at or after recent Juneteenth celebrations in \u003ca href=\"https://www.wavy.com/news/local-news/norfolk/police-shooting-in-norfolk-at-the-800-e-olney-road/\" target=\"_blank\" rel=\"noopener\">Norfolk, Virginia\u003c/a>; \u003ca href=\"https://www.wisn.com/article/detective-opens-fire-on-shooter-who-killed-teen-at-milwaukee-park-after-juneteenth-event/61182147\" target=\"_blank\" rel=\"noopener\">Milwaukee, Wisconsin\u003c/a>; and \u003ca href=\"https://www.cbsnews.com/news/round-rock-texas-shooting-juneteenth-celebration/\" target=\"_blank\" rel=\"noopener\">in Texas, just north of Austin.\u003c/a>\u003c/p>\n\u003cp>As you read this, there are news outlets and social media pundits taking these examples of pain and framing them as an aspect of Black culture.\u003c/p>\n\u003cp>But it’s American culture.\u003c/p>\n\u003cp>Well, it’s American. I wouldn’t even call it culture. \u003cem>In a land where hurt people hurt people, fuck calling it culture.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13960028\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13960028\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/20240619_JuneteenthCookout_GC-44_scr-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A family eats together at the Hella Juneteenth ‘The Cookout’ at the Oakland Museum of California’s Garden on June 19, 2024. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">K\u003c/span>\u003c/p>\u003cp>endrick’s show at the Forum wasn’t perfect. There’s righteous critiques about the lack of women performing, and the platforming of Dr. Dre given\u003ca href=\"https://thegrio.com/2023/02/14/dr-dre-has-long-been-accused-of-violence-against-women-why-is-he-still-being-rewarded/\" target=\"_blank\" rel=\"noopener\"> his documented cases of domestic abuse\u003c/a>. There’s even the age-old notion that showcasing “gang culture” might lead others to want to be a part of that lifestyle.\u003c/p>\n\u003cp>But what our cousins to the south got \u003cem>right\u003c/em> was unity. That’s Black culture, that’s African diasporic culture. We come together as a people. For funerals, parties and more, we unify. Coming together to celebrate the downfall of a collective enemy — be it a culture vulture who poses as a pop star or the institution of slavery — Black folks come together.\u003c/p>\n\u003cp>But the question remains: how can we continue to be in community, and not let the very American culture of guns and violence continue to creep into our celebrations?\u003c/p>\n\u003cp>Communication. Community. Cultivating healthy methods of healing. Offering resources. Getting rid of the pervasive American war-bent mindset. We know what the answers are, but we haven’t shown that we can apply them en masse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I look forward to the day we collectively pop out, together — like Kendrick showed us — to celebrate Black culture.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13960019/the-culture-kendrick-lamar-pop-out-juneteenth",
"authors": [
"11491"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_2767",
"arts_10342",
"arts_10278",
"arts_7465",
"arts_1774",
"arts_1785",
"arts_1143"
],
"featImg": "arts_13960077",
"label": "source_arts_13960019"
},
"arts_13959879": {
"type": "posts",
"id": "arts_13959879",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13959879",
"score": null,
"sort": [
1718645755000
]
},
"guestAuthors": [],
"slug": "sun-ra-kronos-quartet-outer-spaceways-incorporated-festival",
"title": "Sun Ra and Kronos Quartet Collide in the Spaceways",
"publishDate": 1718645755,
"format": "standard",
"headTitle": "Sun Ra and Kronos Quartet Collide in the Spaceways | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>“The outer space beings are my brothers. They sent me here.”\u003c/p>\n\u003cp>So spoke the composer and pianist Sun Ra, who famously claimed to have traveled from Saturn to bring a message of peace and love to Earth. Having first emerged in the Chicago jazz scene of the 1940s, Ra swiftly gained notoriety for his self-created sci-fi mythology, theatrical live shows and experimental musical instincts. Often in resplendent headgear suggestive of an Egyptian god, Ra was as gifted at writing indelible melodies (“Outer Spaceways Incorporated,” “Space is the Place”) as leading his “Arkestra” in freakouts like “Atlantis” and “The Magic City.”\u003c/p>\n\u003cp>Sooner or later, a composer with such an illustrious and eccentric career will cross paths with the \u003ca href=\"https://www.kqed.org/arts/tag/kronos-quartet\">Kronos Quartet\u003c/a>. Ra died in 1993, and never collaborated with the quartet during his lifetime. But his music fits perfectly with the avant-garde repertoire of the long-running San Francisco ensemble.\u003c/p>\n\u003cfigure id=\"attachment_13959893\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nacio%CC%81n-Imago-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13959893\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A Kronos Quartet performance in Guadalajara, Mexico. \u003ccite>(Nación Imago)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“He feels like part of our posse of composers,” says founding Kronos member and first violinist David Harrington. “It feels very natural to be a part of his music and to create new limbs in the tree of our work. If he were around today, he would be in a Kronos rehearsal without any question, or we would be in a Sun Ra rehearsal without question.”\u003c/p>\n\u003cp>Ra’s compositions and Kronos’s strings form the core of \u003cem>Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra\u003c/em>, a collaboration with a host of guests from throughout the spectra of jazz, new music, and even EDM. The album includes interpretations of Ra’s compositions, pieces inspired by Ra written by other composers, and new works that use samples of Ra’s original recordings provided by Ra’s archivist, the outré-music scholar Irwin Chusid. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='news_11941785']The project was organized by John Carlin, founder of Red Hot, a New York-based nonprofit founded in 1990 known for organizing high-profile tribute albums to raise awareness of issues such as AIDS and climate change. This is Carlin’s fourth album honoring Ra, and the only one entirely in collaboration with Kronos, who first worked with Red Hot on the 2009 compilation \u003cem>Dark Was the Night\u003c/em>.\u003c/p>\n\u003cp>“David [Harrington] and I had a very particular agenda, which was to make sure that Sun Ra was thought of as a significant 20th century American composer,” says Carlin.\u003c/p>\n\u003cp>Carlin believes Ra’s emphasis on “the collective” rather than individual ego is one of the most important qualities in his work. As such, Carlin and the Quartet tapped a vast swath of collaborators from across the left-field music world to appear on the album.\u003c/p>\n\u003cfigure id=\"attachment_13959897\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways.jpg\" alt=\"A composite image of a man, seen from behind, walking into the galaxy of stars and nebulae\" width=\"1200\" height=\"1200\" class=\"size-full wp-image-13959897\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways-768x768.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Cover art for ‘Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra.’ \u003ccite>(Red Hot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Marshall Allen, the saxophonist who at the age of 100 continues to lead Ra’s Arkestra with vigor and enthusiasm, appears. So do art-music legends Laurie Anderson and Terry Riley; electronic producers Jlin and RP Boo from the Chicago area’s highly experimental footwork scene; and Laraaji, who released some of the earliest ambient recordings in the 1970s and early 1980s both solo and in collaboration with Brian Eno.\u003c/p>\n\u003cp>Laraaji, who shared a bill with the Arkestra at Children’s Fairyland in Oakland last year, had the chance to see Sun Ra perform twice in the early 1980s. \u003c/p>\n\u003cp>“The dancers and the musicians all wore very bright, resplendent, cosmic-centric outfits,” the New York-based composer recalls. “And the music was nothing I could hum. It relaxed me from the rather straight, rigid Western compositional space that I had been educated in.”\u003c/p>\n\u003cp>\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852828604/size=small/bgcol=ffffff/linkcol=0687f5/track=1836229666/transparent=true/\" seamless>\u003ca href=\"https://redhot.bandcamp.com/album/outer-spaceways-incorporated-kronos-quartet-friends-meet-sun-ra\">Outer Spaceways Incorporated : Kronos Quartet & Friends Meet Sun Ra by Georgia Anne Muldrow, Jacob Garchik\u003c/a>\u003c/iframe>\u003c/p>\n\u003cp>Laraaji, like most of the album’s participants, did not work directly in person with the quartet. Rather, he sent his own remix of the Sun Ra track “Daddy’s Gonna Tell You No Lie” to Red Hot, who then sent it to the Quartet for further overdubbing. \u003c/p>\n\u003cp>The release, which also features Bay Area-based experimentalists Victoria Shen and Zachary James Watkins, comes at a transitional time for the quartet. Violinist John Sherba and violist Hank Dutt, the two other original members besides Harrington, will retire at the end of this month. The quartet has more albums recorded featuring the two departing members, so \u003cem>Outer Spaceways Incorporated\u003c/em> is not their final album together.\u003c/p>\n\u003cp>This year’s installment of the quartet’s annual Kronos Festival will, however, represent Sherba and Dutt’s final performances with the group. In addition to several pieces from \u003cem>Outer Spaceways Incorporated\u003c/em>, the program features works from new-music royalty like Riley, Philip Glass and Yoko Ono, plus collaborations with artists like Chinese pipa player Wu Man and Inuit throat singer Tanya Tagaq.\u003c/p>\n\u003cfigure id=\"attachment_13959896\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1.jpg\" alt=\"\" width=\"1920\" height=\"1282\" class=\"size-full wp-image-13959896\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-1536x1026.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kronos Quartet perform at the Musical instrument Museum in Phoenix, Ariz. in 2020. \u003ccite>(Musical Instrument Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, Harrington and cellist Paul Wiancko have been hard at work bringing the two new members, violinist Gabriela Díaz and violist Ayane Kozasa, on board. Rehearsals will continue through the summer and into the fall before the quartet resumes performing.\u003c/p>\n\u003cp>While a gig with one of America’s most prestigious musical ensembles is no easy task, Harrington says the two new recruits are more than a match for the challenge.\u003c/p>\n\u003cp>“It’s not a matter of bringing them up to speed,” says Harrington. “It’s a matter of keeping up with \u003cem>them\u003c/em>.”\u003c/p>\n\u003chr>\n\u003cp>\u003cem>‘Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra’ will be released on June 21. \u003ca href=\"https://redhot.bandcamp.com/album/outer-spaceways-incorporated-kronos-quartet-friends-meet-sun-ra\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This year’s Kronos Festival runs four nights, June 20–23, at SFJAZZ in San Francisco. \u003ca href=\"https://kronosquartet.org/kronos-festival-2024/\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "With guests Terry Riley, Laraaji, RP Boo and others, Kronos Quartet honor the afrofuturist jazz visionary. ",
"status": "publish",
"parent": 0,
"modified": 1718737818,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": true,
"iframeSrcs": [
"https://bandcamp.com/EmbeddedPlayer/album=1852828604/size=small/bgcol=ffffff/linkcol=0687f5/track=1836229666/transparent=true/"
],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 22,
"wordCount": 1005
},
"headData": {
"title": "Sun Ra and Kronos Quartet Collide in the Spaceways | KQED",
"description": "With guests Terry Riley, Laraaji, RP Boo and others, Kronos Quartet honor the afrofuturist jazz visionary. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Sun Ra and Kronos Quartet Collide in the Spaceways",
"datePublished": "2024-06-17T10:35:55-07:00",
"dateModified": "2024-06-18T12:10:18-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Daniel Bromfield",
"nprStoryId": "kqed-13959879",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/arts/13959879/sun-ra-kronos-quartet-outer-spaceways-incorporated-festival",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“The outer space beings are my brothers. They sent me here.”\u003c/p>\n\u003cp>So spoke the composer and pianist Sun Ra, who famously claimed to have traveled from Saturn to bring a message of peace and love to Earth. Having first emerged in the Chicago jazz scene of the 1940s, Ra swiftly gained notoriety for his self-created sci-fi mythology, theatrical live shows and experimental musical instincts. Often in resplendent headgear suggestive of an Egyptian god, Ra was as gifted at writing indelible melodies (“Outer Spaceways Incorporated,” “Space is the Place”) as leading his “Arkestra” in freakouts like “Atlantis” and “The Magic City.”\u003c/p>\n\u003cp>Sooner or later, a composer with such an illustrious and eccentric career will cross paths with the \u003ca href=\"https://www.kqed.org/arts/tag/kronos-quartet\">Kronos Quartet\u003c/a>. Ra died in 1993, and never collaborated with the quartet during his lifetime. But his music fits perfectly with the avant-garde repertoire of the long-running San Francisco ensemble.\u003c/p>\n\u003cfigure id=\"attachment_13959893\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nacio%CC%81n-Imago-1.jpg\" alt=\"\" width=\"1920\" height=\"1280\" class=\"size-full wp-image-13959893\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-04-Guadalajara-Mexico-credit-Nación-Imago-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A Kronos Quartet performance in Guadalajara, Mexico. \u003ccite>(Nación Imago)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“He feels like part of our posse of composers,” says founding Kronos member and first violinist David Harrington. “It feels very natural to be a part of his music and to create new limbs in the tree of our work. If he were around today, he would be in a Kronos rehearsal without any question, or we would be in a Sun Ra rehearsal without question.”\u003c/p>\n\u003cp>Ra’s compositions and Kronos’s strings form the core of \u003cem>Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra\u003c/em>, a collaboration with a host of guests from throughout the spectra of jazz, new music, and even EDM. The album includes interpretations of Ra’s compositions, pieces inspired by Ra written by other composers, and new works that use samples of Ra’s original recordings provided by Ra’s archivist, the outré-music scholar Irwin Chusid. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_11941785",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>The project was organized by John Carlin, founder of Red Hot, a New York-based nonprofit founded in 1990 known for organizing high-profile tribute albums to raise awareness of issues such as AIDS and climate change. This is Carlin’s fourth album honoring Ra, and the only one entirely in collaboration with Kronos, who first worked with Red Hot on the 2009 compilation \u003cem>Dark Was the Night\u003c/em>.\u003c/p>\n\u003cp>“David [Harrington] and I had a very particular agenda, which was to make sure that Sun Ra was thought of as a significant 20th century American composer,” says Carlin.\u003c/p>\n\u003cp>Carlin believes Ra’s emphasis on “the collective” rather than individual ego is one of the most important qualities in his work. As such, Carlin and the Quartet tapped a vast swath of collaborators from across the left-field music world to appear on the album.\u003c/p>\n\u003cfigure id=\"attachment_13959897\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways.jpg\" alt=\"A composite image of a man, seen from behind, walking into the galaxy of stars and nebulae\" width=\"1200\" height=\"1200\" class=\"size-full wp-image-13959897\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos.OuterSpaceways-768x768.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Cover art for ‘Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra.’ \u003ccite>(Red Hot)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Marshall Allen, the saxophonist who at the age of 100 continues to lead Ra’s Arkestra with vigor and enthusiasm, appears. So do art-music legends Laurie Anderson and Terry Riley; electronic producers Jlin and RP Boo from the Chicago area’s highly experimental footwork scene; and Laraaji, who released some of the earliest ambient recordings in the 1970s and early 1980s both solo and in collaboration with Brian Eno.\u003c/p>\n\u003cp>Laraaji, who shared a bill with the Arkestra at Children’s Fairyland in Oakland last year, had the chance to see Sun Ra perform twice in the early 1980s. \u003c/p>\n\u003cp>“The dancers and the musicians all wore very bright, resplendent, cosmic-centric outfits,” the New York-based composer recalls. “And the music was nothing I could hum. It relaxed me from the rather straight, rigid Western compositional space that I had been educated in.”\u003c/p>\n\u003cp>\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1852828604/size=small/bgcol=ffffff/linkcol=0687f5/track=1836229666/transparent=true/\" seamless>\u003ca href=\"https://redhot.bandcamp.com/album/outer-spaceways-incorporated-kronos-quartet-friends-meet-sun-ra\">Outer Spaceways Incorporated : Kronos Quartet & Friends Meet Sun Ra by Georgia Anne Muldrow, Jacob Garchik\u003c/a>\u003c/iframe>\u003c/p>\n\u003cp>Laraaji, like most of the album’s participants, did not work directly in person with the quartet. Rather, he sent his own remix of the Sun Ra track “Daddy’s Gonna Tell You No Lie” to Red Hot, who then sent it to the Quartet for further overdubbing. \u003c/p>\n\u003cp>The release, which also features Bay Area-based experimentalists Victoria Shen and Zachary James Watkins, comes at a transitional time for the quartet. Violinist John Sherba and violist Hank Dutt, the two other original members besides Harrington, will retire at the end of this month. The quartet has more albums recorded featuring the two departing members, so \u003cem>Outer Spaceways Incorporated\u003c/em> is not their final album together.\u003c/p>\n\u003cp>This year’s installment of the quartet’s annual Kronos Festival will, however, represent Sherba and Dutt’s final performances with the group. In addition to several pieces from \u003cem>Outer Spaceways Incorporated\u003c/em>, the program features works from new-music royalty like Riley, Philip Glass and Yoko Ono, plus collaborations with artists like Chinese pipa player Wu Man and Inuit throat singer Tanya Tagaq.\u003c/p>\n\u003cfigure id=\"attachment_13959896\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1.jpg\" alt=\"\" width=\"1920\" height=\"1282\" class=\"size-full wp-image-13959896\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/06/Kronos-Quartet-03-Musical-Instrument-Museum-credit-Musical-Instrument-Museum-1-1536x1026.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kronos Quartet perform at the Musical instrument Museum in Phoenix, Ariz. in 2020. \u003ccite>(Musical Instrument Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, Harrington and cellist Paul Wiancko have been hard at work bringing the two new members, violinist Gabriela Díaz and violist Ayane Kozasa, on board. Rehearsals will continue through the summer and into the fall before the quartet resumes performing.\u003c/p>\n\u003cp>While a gig with one of America’s most prestigious musical ensembles is no easy task, Harrington says the two new recruits are more than a match for the challenge.\u003c/p>\n\u003cp>“It’s not a matter of bringing them up to speed,” says Harrington. “It’s a matter of keeping up with \u003cem>them\u003c/em>.”\u003c/p>\n\u003chr>\n\u003cp>\u003cem>‘Outer Spaceways Incorporated: Kronos Quartet & Friends Meet Sun Ra’ will be released on June 21. \u003ca href=\"https://redhot.bandcamp.com/album/outer-spaceways-incorporated-kronos-quartet-friends-meet-sun-ra\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This year’s Kronos Festival runs four nights, June 20–23, at SFJAZZ in San Francisco. \u003ca href=\"https://kronosquartet.org/kronos-festival-2024/\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13959879/sun-ra-kronos-quartet-outer-spaceways-incorporated-festival",
"authors": [
"byline_arts_13959879"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69"
],
"tags": [
"arts_4003",
"arts_1312",
"arts_10278",
"arts_1420",
"arts_2244",
"arts_22188",
"arts_585"
],
"featImg": "arts_13959906",
"label": "arts_140"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=music": {
"isFetching": false,
"latestQuery": {
"from": 540,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 4896,
"relation": "eq"
},
"items": [
"arts_13960718",
"arts_13960603",
"arts_13960643",
"arts_11727091",
"arts_13960283",
"arts_13960424",
"arts_13960252",
"arts_13960206",
"arts_13960094",
"arts_13960034",
"arts_13960019",
"arts_13959879"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_music": {
"isLoading": true
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"source_arts_13960424": {
"type": "terms",
"id": "source_arts_13960424",
"meta": {
"override": true
},
"name": "The Fandom Vote",
"link": "https://www.kqed.org/fandomvote",
"isLoading": false
},
"source_arts_13960019": {
"type": "terms",
"id": "source_arts_13960019",
"meta": {
"override": true
},
"name": "Commentary",
"link": "https://www.kqed.org/artscommentary",
"isLoading": false
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_681": {
"type": "terms",
"id": "arts_681",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "681",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 690,
"slug": "music-2",
"isLoading": false,
"link": "/arts/tag/music-2"
},
"arts_1146": {
"type": "terms",
"id": "arts_1146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1146",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Arts",
"ogDescription": null
},
"ttid": 701,
"slug": "san-francisco",
"isLoading": false,
"link": "/arts/tag/san-francisco"
},
"arts_3338": {
"type": "terms",
"id": "arts_3338",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3338",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Text Me Records",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Text Me Records Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3350,
"slug": "text-me-records",
"isLoading": false,
"link": "/arts/tag/text-me-records"
},
"arts_585": {
"type": "terms",
"id": "arts_585",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "585",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thedolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thedolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 590,
"slug": "thedolist",
"isLoading": false,
"link": "/arts/tag/thedolist"
},
"arts_21866": {
"type": "terms",
"id": "arts_21866",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21866",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21878,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/arts/interest/arts-and-culture"
},
"arts_21879": {
"type": "terms",
"id": "arts_21879",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21879",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Entertainment",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Entertainment Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21891,
"slug": "entertainment",
"isLoading": false,
"link": "/arts/interest/entertainment"
},
"arts_21859": {
"type": "terms",
"id": "arts_21859",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21859",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21871,
"slug": "san-francisco",
"isLoading": false,
"link": "/arts/interest/san-francisco"
},
"arts_1501": {
"type": "terms",
"id": "arts_1501",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1501",
"found": true
},
"relationships": {},
"featImg": null,
"name": "electronic music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "electronic music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1513,
"slug": "electronic-music",
"isLoading": false,
"link": "/arts/tag/electronic-music"
},
"arts_21873": {
"type": "terms",
"id": "arts_21873",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21873",
"found": true
},
"relationships": {},
"featImg": null,
"name": "North Bay",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "North Bay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21885,
"slug": "north-bay",
"isLoading": false,
"link": "/arts/interest/north-bay"
},
"arts_1420": {
"type": "terms",
"id": "arts_1420",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1420",
"found": true
},
"relationships": {},
"featImg": null,
"name": "jazz",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "jazz Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1432,
"slug": "jazz",
"isLoading": false,
"link": "/arts/tag/jazz"
},
"arts_2048": {
"type": "terms",
"id": "arts_2048",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2048",
"found": true
},
"relationships": {},
"featImg": null,
"name": "SFJAZZ",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "SFJAZZ Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2060,
"slug": "sfjazz",
"isLoading": false,
"link": "/arts/tag/sfjazz"
},
"arts_21870": {
"type": "terms",
"id": "arts_21870",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21870",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Events",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Events Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21882,
"slug": "events",
"isLoading": false,
"link": "/arts/interest/events"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_1355": {
"type": "terms",
"id": "arts_1355",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1355",
"found": true
},
"relationships": {},
"featImg": null,
"name": "homelessness",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "homelessness Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1367,
"slug": "homelessness",
"isLoading": false,
"link": "/arts/tag/homelessness"
},
"arts_22197": {
"type": "terms",
"id": "arts_22197",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22197",
"found": true
},
"relationships": {},
"name": "jello biafra",
"slug": "jello-biafra",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "jello biafra Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22209,
"isLoading": false,
"link": "/arts/tag/jello-biafra"
},
"arts_1010": {
"type": "terms",
"id": "arts_1010",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1010",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Metallica",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Metallica Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1027,
"slug": "metallica",
"isLoading": false,
"link": "/arts/tag/metallica"
},
"arts_913": {
"type": "terms",
"id": "arts_913",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "913",
"found": true
},
"relationships": {},
"featImg": null,
"name": "punk",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "punk Archives | KQED Arts",
"ogDescription": null
},
"ttid": 931,
"slug": "punk",
"isLoading": false,
"link": "/arts/tag/punk"
},
"arts_5183": {
"type": "terms",
"id": "arts_5183",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5183",
"found": true
},
"relationships": {},
"featImg": null,
"name": "SF Homeless Project",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "SF Homeless Project Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5195,
"slug": "sf-homeless-project",
"isLoading": false,
"link": "/arts/tag/sf-homeless-project"
},
"arts_4269": {
"type": "terms",
"id": "arts_4269",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4269",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tupac shakur",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tupac shakur Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4281,
"slug": "tupac-shakur",
"isLoading": false,
"link": "/arts/tag/tupac-shakur"
},
"arts_21869": {
"type": "terms",
"id": "arts_21869",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21869",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Housing",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Housing Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21881,
"slug": "housing",
"isLoading": false,
"link": "/arts/interest/housing"
},
"arts_966": {
"type": "terms",
"id": "arts_966",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Dance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 984,
"slug": "dance",
"isLoading": false,
"link": "/arts/category/dance"
},
"arts_3226": {
"type": "terms",
"id": "arts_3226",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3226",
"found": true
},
"relationships": {},
"name": "LGBTQ+",
"slug": "lgbtq",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "LGBTQ+ | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 3238,
"isLoading": false,
"link": "/arts/tag/lgbtq"
},
"arts_5158": {
"type": "terms",
"id": "arts_5158",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5158",
"found": true
},
"relationships": {},
"name": "Pride",
"slug": "pride",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Pride | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 5170,
"isLoading": false,
"link": "/arts/tag/pride"
},
"arts_7564": {
"type": "terms",
"id": "arts_7564",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7564",
"found": true
},
"relationships": {},
"name": "SF Pride",
"slug": "sf-pride",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "SF Pride | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 7576,
"isLoading": false,
"link": "/arts/tag/sf-pride"
},
"arts_21860": {
"type": "terms",
"id": "arts_21860",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21860",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21872,
"slug": "oakland",
"isLoading": false,
"link": "/arts/interest/oakland"
},
"arts_22318": {
"type": "terms",
"id": "arts_22318",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22318",
"found": true
},
"relationships": {},
"name": "The Fandom Vote",
"slug": "the-fandom-vote",
"taxonomy": "series",
"description": null,
"featImg": null,
"headData": {
"title": "The Fandom Vote | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22330,
"isLoading": false,
"link": "/arts/series/the-fandom-vote"
},
"arts_6926": {
"type": "terms",
"id": "arts_6926",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6926",
"found": true
},
"relationships": {},
"featImg": null,
"name": "chase center",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "chase center Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6938,
"slug": "chase-center",
"isLoading": false,
"link": "/arts/tag/chase-center"
},
"arts_4949": {
"type": "terms",
"id": "arts_4949",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4949",
"found": true
},
"relationships": {},
"featImg": null,
"name": "election",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "election Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4961,
"slug": "election",
"isLoading": false,
"link": "/arts/tag/election"
},
"arts_22227": {
"type": "terms",
"id": "arts_22227",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22227",
"found": true
},
"relationships": {},
"name": "fandomvote",
"slug": "fandomvote",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "fandomvote Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22239,
"isLoading": false,
"link": "/arts/tag/fandomvote"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_7957": {
"type": "terms",
"id": "arts_7957",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7957",
"found": true
},
"relationships": {},
"featImg": null,
"name": "megan thee stallion",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "megan thee stallion Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7969,
"slug": "megan-thee-stallion",
"isLoading": false,
"link": "/arts/tag/megan-thee-stallion"
},
"arts_22191": {
"type": "terms",
"id": "arts_22191",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22191",
"found": true
},
"relationships": {},
"name": "andre 3000",
"slug": "andre-3000",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "andre 3000 Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22203,
"isLoading": false,
"link": "/arts/tag/andre-3000"
},
"arts_3944": {
"type": "terms",
"id": "arts_3944",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3944",
"found": true
},
"relationships": {},
"featImg": null,
"name": "fox theater",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "fox theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3956,
"slug": "fox-theater",
"isLoading": false,
"link": "/arts/tag/fox-theater"
},
"arts_1143": {
"type": "terms",
"id": "arts_1143",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1143",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 692,
"slug": "oakland",
"isLoading": false,
"link": "/arts/tag/oakland"
},
"arts_700": {
"type": "terms",
"id": "arts_700",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "700",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ticket alert",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ticket alert Archives | KQED Arts",
"ogDescription": null
},
"ttid": 711,
"slug": "ticket-alert",
"isLoading": false,
"link": "/arts/tag/ticket-alert"
},
"arts_21871": {
"type": "terms",
"id": "arts_21871",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21871",
"found": true
},
"relationships": {},
"featImg": null,
"name": "East Bay",
"description": null,
"taxonomy": "interest",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "East Bay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21883,
"slug": "east-bay",
"isLoading": false,
"link": "/arts/interest/east-bay"
},
"arts_2303": {
"type": "terms",
"id": "arts_2303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2303",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Commentary",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2315,
"slug": "commentary",
"isLoading": false,
"link": "/arts/category/commentary"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_8530": {
"type": "terms",
"id": "arts_8530",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8530",
"found": true
},
"relationships": {},
"featImg": null,
"name": "1970s",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "1970s Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8542,
"slug": "1970s",
"isLoading": false,
"link": "/arts/tag/1970s"
},
"arts_1739": {
"type": "terms",
"id": "arts_1739",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1739",
"found": true
},
"relationships": {},
"name": "Outside Lands",
"slug": "outside-lands",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Outside Lands | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 1751,
"isLoading": false,
"link": "/arts/tag/outside-lands"
},
"arts_2767": {
"type": "terms",
"id": "arts_2767",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2767",
"found": true
},
"relationships": {},
"featImg": null,
"name": "commentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2779,
"slug": "commentary",
"isLoading": false,
"link": "/arts/tag/commentary"
},
"arts_10342": {
"type": "terms",
"id": "arts_10342",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10342",
"found": true
},
"relationships": {},
"featImg": null,
"name": "editorspick",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "editorspick Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10354,
"slug": "editorspick",
"isLoading": false,
"link": "/arts/tag/editorspick"
},
"arts_7465": {
"type": "terms",
"id": "arts_7465",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7465",
"found": true
},
"relationships": {},
"featImg": null,
"name": "juneteenth",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "juneteenth Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7477,
"slug": "juneteenth",
"isLoading": false,
"link": "/arts/tag/juneteenth"
},
"arts_1774": {
"type": "terms",
"id": "arts_1774",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1774",
"found": true
},
"relationships": {},
"featImg": null,
"name": "kendrick lamar",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "kendrick lamar Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1786,
"slug": "kendrick-lamar",
"isLoading": false,
"link": "/arts/tag/kendrick-lamar"
},
"arts_1785": {
"type": "terms",
"id": "arts_1785",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1785",
"found": true
},
"relationships": {},
"featImg": null,
"name": "lake merritt",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "lake merritt Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1797,
"slug": "lake-merritt",
"isLoading": false,
"link": "/arts/tag/lake-merritt"
},
"arts_4003": {
"type": "terms",
"id": "arts_4003",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4003",
"found": true
},
"relationships": {},
"featImg": null,
"name": "afrofuturism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "afrofuturism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4015,
"slug": "afrofuturism",
"isLoading": false,
"link": "/arts/tag/afrofuturism"
},
"arts_1312": {
"type": "terms",
"id": "arts_1312",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1312",
"found": true
},
"relationships": {},
"featImg": null,
"name": "classical music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "From Symphony Hall to Hidden Gems: Bay Area's Classical Music Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Immerse yourself in the Bay Area's rich classical music world! KQED brings you news, educational resources, and event listings.",
"metaRobotsNoIndex": "index",
"title": "From Symphony Hall to Hidden Gems: Bay Area's Classical Music Stories",
"ogDescription": null
},
"ttid": 1324,
"slug": "classical-music",
"isLoading": false,
"link": "/arts/tag/classical-music"
},
"arts_2244": {
"type": "terms",
"id": "arts_2244",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2244",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Kronos Quartet",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Kronos Quartet Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2256,
"slug": "kronos-quartet",
"isLoading": false,
"link": "/arts/tag/kronos-quartet"
},
"arts_22188": {
"type": "terms",
"id": "arts_22188",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "22188",
"found": true
},
"relationships": {},
"name": "sun ra",
"slug": "sun-ra",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "sun ra Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 22200,
"isLoading": false,
"link": "/arts/tag/sun-ra"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
