window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13389912": {
"type": "attachments",
"id": "arts_13389912",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13389912",
"found": true
},
"parent": 13389908,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-520x296.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 296
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-160x91.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 91
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-960x547.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 547
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-375x214.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 214
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop.jpg",
"width": 1896,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-1020x581.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 581
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-1180x672.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 672
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-800x456.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 456
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-1180x672.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 672
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-768x437.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 437
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/06/Roscoe-Mitchellcrop-240x137.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 137
}
},
"publishDate": 1496881821,
"modified": 1558466885,
"caption": "Saxophonist Roscoe Mitchell listens to a solo on stage during the \"Jack DeJohnette's Made In Chicago\" performance at the Newport Jazz Festival in Newport, Rhode Island, on Aug. 1, 2015. ",
"description": "Saxophonist Roscoe Mitchell listens to a solo on stage during the \"Jack DeJohnette's Made In Chicago\" performance at the Newport Jazz Festival in Newport, Rhode Island, on Aug. 1, 2015. ",
"title": "US-MUSIC-JAZZ FESTIVAL",
"credit": "Eva Hambach/AFP/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13857761": {
"type": "attachments",
"id": "arts_13857761",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13857761",
"found": true
},
"parent": 13857064,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/GettyImages-1037576122-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1558382681,
"modified": 1558382858,
"caption": "Childish Gambino performs during the 2018 iHeartRadio Music Festival at T-Mobile Arena on September 21, 2018 in Las Vegas, Nevada.",
"description": "Childish Gambino performs during the 2018 iHeartRadio Music Festival at T-Mobile Arena on September 21, 2018 in Las Vegas, Nevada. ",
"title": "2018 iHeartRadio Music Festival - Night 1 - Show",
"credit": "Kevin Winter/Getty Images for iHeartMedia",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13857522": {
"type": "attachments",
"id": "arts_13857522",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13857522",
"found": true
},
"parent": 13857503,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez-160x95.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 95
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez.jpg",
"width": 1920,
"height": 1140
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez-1020x606.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 606
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez-1200x713.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 713
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez-1920x1140.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1140
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez-800x475.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 475
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/DariusGomez-768x456.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 456
}
},
"publishDate": 1558114166,
"modified": 1558114201,
"caption": "Darius Gomez at the Dirty Pesos warehouse, with one of his designs.",
"description": "Darius Gomez at the Dirty Pesos warehouse, with one of his designs.",
"title": "DariusGomez",
"credit": "Pendarvis Harshaw",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13857536": {
"type": "attachments",
"id": "arts_13857536",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13857536",
"found": true
},
"parent": 13857534,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/otr_wide-ee7308f54c491cde34e664a25d635de4ca49ade6-1-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/otr_wide-ee7308f54c491cde34e664a25d635de4ca49ade6-1-160x90.png",
"width": 160,
"mimeType": "image/png",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/otr_wide-ee7308f54c491cde34e664a25d635de4ca49ade6-1-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/otr_wide-ee7308f54c491cde34e664a25d635de4ca49ade6-1.png",
"width": 1824,
"height": 1026
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/otr_wide-ee7308f54c491cde34e664a25d635de4ca49ade6-1-1020x574.png",
"width": 1020,
"mimeType": "image/png",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/otr_wide-ee7308f54c491cde34e664a25d635de4ca49ade6-1-1200x675.png",
"width": 1200,
"mimeType": "image/png",
"height": 675
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/otr_wide-ee7308f54c491cde34e664a25d635de4ca49ade6-1-800x450.png",
"width": 800,
"mimeType": "image/png",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/otr_wide-ee7308f54c491cde34e664a25d635de4ca49ade6-1-768x432.png",
"width": 768,
"mimeType": "image/png",
"height": 432
}
},
"publishDate": 1558115715,
"modified": 1558115808,
"caption": "Billy Ray Cyrus (left) and Lil Nas X star in the \"Old Town Road\" music video.",
"description": "Billy Ray Cyrus (left) and Lil Nas X star in the \"Old Town Road\" music video.",
"title": "Billy Ray Cyrus (left) and Lil Nas X star in the \"Old Town Road\" music video.",
"credit": "YouTube",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13857415": {
"type": "attachments",
"id": "arts_13857415",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13857415",
"found": true
},
"parent": 13857414,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/winner_is_v01_wide-9fb533b26e191061151658296d3c1a16f57c828a-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/winner_is_v01_wide-9fb533b26e191061151658296d3c1a16f57c828a-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/winner_is_v01_wide-9fb533b26e191061151658296d3c1a16f57c828a-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/winner_is_v01_wide-9fb533b26e191061151658296d3c1a16f57c828a.jpg",
"width": 1120,
"height": 630
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/winner_is_v01_wide-9fb533b26e191061151658296d3c1a16f57c828a-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/winner_is_v01_wide-9fb533b26e191061151658296d3c1a16f57c828a-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/winner_is_v01_wide-9fb533b26e191061151658296d3c1a16f57c828a-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1558025054,
"modified": 1558025054,
"caption": null,
"description": "And the Tiny Desk Contest winner is...",
"title": "And the Tiny Desk Contest winner is...",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13857408": {
"type": "attachments",
"id": "arts_13857408",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13857408",
"found": true
},
"parent": 13857405,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/HollyHerndon-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/HollyHerndon-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/HollyHerndon-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/HollyHerndon.jpg",
"width": 1200,
"height": 675
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/HollyHerndon-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/HollyHerndon-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/HollyHerndon-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/HollyHerndon-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1558023145,
"modified": 1558023188,
"caption": "Holly Herndon's new album, 'PROTO,' was created in part by an artificial neural network.",
"description": "Holly Herndon's new album, 'PROTO,' was created in part by an artificial neural network.",
"title": "HollyHerndon",
"credit": "Boris Camaca",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13853845": {
"type": "attachments",
"id": "arts_13853845",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13853845",
"found": true
},
"parent": 13853824,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls-160x84.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 84
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls.jpg",
"width": 796,
"height": 420
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls-768x405.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 405
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/weather_girls-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1553737204,
"modified": 1557945061,
"caption": "Break out your umbrella-ella-ella and stream this crowdsourced playlist for a rainy day. ",
"description": "Break out your umbrella-ella-ella and stream this crowdsourced playlist for a rainy day. ",
"title": "weather_girls",
"credit": "Album art for the Weather Girls' \"It's Raining Men\"",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13857335": {
"type": "attachments",
"id": "arts_13857335",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13857335",
"found": true
},
"parent": 13857317,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1557947423,
"modified": 1557947469,
"caption": "Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. ",
"description": "Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. ",
"title": "Journey And Santana In Concert - New York, New York",
"credit": "Theo Wargo/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13848854": {
"type": "attachments",
"id": "arts_13848854",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13848854",
"found": true
},
"parent": 13848850,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/01/Kronos_2014_a_creditWojciechWandzel-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1547666906,
"modified": 1648152086,
"caption": "Kronos Quartet.",
"description": "Kronos Quartet. ",
"title": "Kronos_2014_a_creditWojciechWandzel",
"credit": "Wojciech Wandzel",
"status": "inherit",
"altTag": "Kronos Quartet.",
"isLoading": false,
"fetchFailed": false
},
"arts_13857220": {
"type": "attachments",
"id": "arts_13857220",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13857220",
"found": true
},
"parent": 13857192,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/TribeMidnightUndercover-160x100.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 100
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/TribeMidnightUndercover-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/TribeMidnightUndercover.jpg",
"width": 800,
"height": 501
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/TribeMidnightUndercover-800x501.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 501
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/TribeMidnightUndercover-768x481.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 481
}
},
"publishDate": 1557779623,
"modified": 1557779665,
"caption": "Cover detail for Undercover Presents' 'A Tribute to A Tribe Called Quest's Midnight Marauders.'",
"description": "Cover detail for Undercover Presents' 'A Tribute to A Tribe Called Quest's Midnight Marauders.'",
"title": "TribeMidnightUndercover",
"credit": "R.Black ",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13856952": {
"type": "attachments",
"id": "arts_13856952",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13856952",
"found": true
},
"parent": 13856737,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/wizard-apprentice-dig-a-pit-cover-cropped-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/wizard-apprentice-dig-a-pit-cover-cropped-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/wizard-apprentice-dig-a-pit-cover-cropped-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/wizard-apprentice-dig-a-pit-cover-cropped.jpg",
"width": 1500,
"height": 844
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/wizard-apprentice-dig-a-pit-cover-cropped-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/wizard-apprentice-dig-a-pit-cover-cropped-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/wizard-apprentice-dig-a-pit-cover-cropped-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/wizard-apprentice-dig-a-pit-cover-cropped-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1557433374,
"modified": 1557433467,
"caption": "In their new EP, 'Dig a Pit,' Wizard Apprentice attempts to understand an emotionally abusive relationship.",
"description": "In their new EP, 'Dig a Pit,' Wizard Apprentice attempts to understand an emotionally abusive relationship.",
"title": "Wizard Apprentice",
"credit": "Wizard Apprentice",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13856922": {
"type": "attachments",
"id": "arts_13856922",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13856922",
"found": true
},
"parent": 13856915,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured-160x87.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 87
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured.jpg",
"width": 1920,
"height": 1040
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured-1020x553.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 553
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured-1200x650.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 650
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured-1920x1040.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1040
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured-800x433.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 433
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/05/xrayspex-featured-768x416.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 416
}
},
"publishDate": 1557420539,
"modified": 1557420616,
"caption": "Detail of X-Ray Spex 'I'm A Cliché' (1977) Virgin Records Ltd. ",
"description": "Detail of X-Ray Spex 'I'm A Cliché' (1977) Virgin Records Ltd. ",
"title": "xrayspex-featured",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13857534": {
"type": "authors",
"id": "byline_arts_13857534",
"meta": {
"override": true
},
"slug": "byline_arts_13857534",
"name": "Joshua Bote",
"isLoading": false
},
"byline_arts_13857414": {
"type": "authors",
"id": "byline_arts_13857414",
"meta": {
"override": true
},
"slug": "byline_arts_13857414",
"name": "Bob Boilen",
"isLoading": false
},
"byline_arts_13856915": {
"type": "authors",
"id": "byline_arts_13856915",
"meta": {
"override": true
},
"slug": "byline_arts_13856915",
"name": "Marissa Lorusso",
"isLoading": false
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"lblanco": {
"type": "authors",
"id": "11357",
"meta": {
"index": "authors_1716337520",
"id": "11357",
"found": true
},
"name": "Lina Blanco",
"firstName": "Lina",
"lastName": "Blanco",
"slug": "lblanco",
"email": "lblanco@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "Lina was a Senior Engagement Platforms Manager for KQED News, producing engagement strategies on social media at \u003ca href=\"https://twitter.com/KQEDnews\">@KQEDNews, \u003c/a>via \u003ca href=\"https://www.kqed.org/about/newsletters/\">KQED's daily newsletter\u003c/a> as well as texting campaigns with KQED readers and listeners. She also co-produces for KQED's bilingual news hub \u003ca href=\"https://www.instagram.com/kqedenespanol/\">KQED en Español\u003c/a>.\r\n\r\nLina previously worked for \u003ca href=\"https://kqed.org/arts\">KQED Arts\u003c/a> — supporting audience engagement efforts on the weekly \u003ca href=\"https://www.kqed.org/podcasts/rightnowish\">\u003cem>Rightnowish\u003c/em> \u003c/a>podcast, Webby-winning video series \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a>, and daily Arts & Culture reporting. She won a \u003ca href=\"https://www.kqed.org/pressroom/10884/murrow\">National 2019 Edward R. Murrow Award for Excellence in Social Media\u003c/a> for KQED's series \u003cem>The Hustle\u003c/em>.\r\n\r\nBefore KQED, Lina worked as a graphic designer and digital storytelling facilitator at the \u003ca href=\"https://www.nativehealth.org/\">Native American Health Center\u003c/a>.\r\n\r\nShe's mom to a senior Chihuahua (plus one black cat) and lives in West Sonoma County on a small farmstead.",
"avatar": "https://secure.gravatar.com/avatar/77ec326d67223c38a436b87bcfd2a2e8?s=600&d=mm&r=g",
"twitter": "LinaBlanco",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "about",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "checkplease",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": []
},
{
"site": "perspectives",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Lina Blanco | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/77ec326d67223c38a436b87bcfd2a2e8?s=600&d=mm&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/77ec326d67223c38a436b87bcfd2a2e8?s=600&d=mm&r=g"
},
"isLoading": false,
"link": "/author/lblanco"
},
"nvoynovskaya": {
"type": "authors",
"id": "11387",
"meta": {
"index": "authors_1716337520",
"id": "11387",
"found": true
},
"name": "Nastia Voynovskaya",
"firstName": "Nastia",
"lastName": "Voynovskaya",
"slug": "nvoynovskaya",
"email": "nvoynovskaya@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Editor and reporter",
"bio": "Nastia Voynovskaya is a reporter, editor and host at KQED Arts & Culture. She's been covering the arts in the Bay Area for over a decade, with a focus on music, queer culture, labor issues and grassroots organizing. She has edited KQED story series such as Trans Bay: A History of San Francisco's Gender-Diverse Community, and co-created KQED's Bay Area hip-hop history project, That's My Word. Nastia's work has been recognized by the Society of Professional Journalists and San Francisco Press Club. She regularly appears on podcasts and radio programs, including NPR's All Songs Considered, and hosts live events where music, culture and conversation meet.",
"avatar": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "https://www.instagram.com/nananastia/",
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Nastia Voynovskaya | KQED",
"description": "Editor and reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/nvoynovskaya"
},
"ogpenn": {
"type": "authors",
"id": "11491",
"meta": {
"index": "authors_1716337520",
"id": "11491",
"found": true
},
"name": "Pendarvis Harshaw",
"firstName": "Pendarvis",
"lastName": "Harshaw",
"slug": "ogpenn",
"email": "ogpenn@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Community Engagement Reporter",
"bio": "Pendarvis Harshaw is an educator, host and writer with KQED Arts.",
"avatar": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "ogpenn",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"author"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Pendarvis Harshaw | KQED",
"description": "Community Engagement Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ogpenn"
}
},
"pagesReducer": {
"arts_category_music": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"score": 10.851818
},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"title": "Music",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 150
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=music",
"seeMore": false,
"paginated": true,
"page": 150
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13857895": {
"type": "posts",
"id": "arts_13857895",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857895",
"score": null,
"sort": [
1558469941000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1558469941,
"format": "standard",
"title": "NEA Jazz Masters Announced; Tribute Concert Coming to San Francisco",
"headTitle": "NEA Jazz Masters Announced; Tribute Concert Coming to San Francisco | KQED",
"content": "\u003cp>The National Endowment for the Arts (NEA) on Tuesday announced the honorees of its \u003ca href=\"https://www.arts.gov/news/2019/national-endowment-arts-announces-2020-nea-jazz-masters\" target=\"_blank\" rel=\"noopener\">2020 Jazz Masters Fellowship\u003c/a>, a grant of up to $25,000 reserved for the genre’s boundary-pushers, innovators and advocates. Two of the four selected musicians have deep ties to the Bay Area.\u003c/p>\n\u003cp>Saxophonist Roscoe Mitchell, who was key to the formation of Chicago’s avant-garde jazz scene in the ’60s with the Art Ensemble of Chicago, served as one of Mills College’s most renowned faculty members in Oakland \u003ca href=\"https://www.kqed.org/arts/13845889/roscoe-mitchell-jazz-iconoclast-bids-the-bay-farewell-with-intimate-gigs\" target=\"_blank\" rel=\"noopener\">until his recent retirement\u003c/a>. And Bobby McFerrin, best known for the novelty pop hit “Don’t Worry, Be Happy,” is a 10-time Grammy-winning jazz vocalist who started his career in San Francisco and even once guest-conducted the San Francisco Symphony.\u003c/p>\n\u003cp>The Jazz Masters Fellows are nominated by the public and selected by a panel of industry professionals. Previous recipients have included Ella Fitzgerald, Sonny Rollins and Miles Davis, and the NEA \u003ca href=\"https://www.arts.gov/honors/jazz\" target=\"_blank\" rel=\"noopener\">documents\u003c/a> honorees’ careers online through podcasts, videos and other multimedia. The other 2020 honorees are bassist Reggie Workman, best known for his work with John Coltrane and Thelonious Monk, and Dorthaan Kirk from Newark Public Radio.\u003c/p>\n\u003cp>“The 2020 NEA Jazz Masters have made an incredible impact on jazz, whether it’s through their artistic work to expand the musical boundaries of the genre, their educational contributions, or their efforts to reach new audiences for jazz,” said Acting Chairman of the Arts Endowment Mary Anne Carter in a statement.\u003c/p>\n\u003cp>In addition, the NEA celebrates this year’s honorees with a \u003ca href=\"https://www.sfjazz.org/tickets/events/2020-jazz-masters-tribute-concert/\" target=\"_blank\" rel=\"noopener\">free tribute concert\u003c/a> at SFJAZZ on April 2, 2020—the first time the Jazz Masters Fellowship concert has taken place in the Bay Area since 2005. Tickets will become available in February 2020, and there will also be a live stream of the concert.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 322,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705026174,
"excerpt": "Avant-garde saxophonist Roscoe Mitchell and vocalist Bobby McFerrin are among the 2020 recipients. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Avant-garde saxophonist Roscoe Mitchell and vocalist Bobby McFerrin are among the 2020 recipients. ",
"title": "NEA Jazz Masters Announced; Tribute Concert Coming to San Francisco | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "NEA Jazz Masters Announced; Tribute Concert Coming to San Francisco",
"datePublished": "2019-05-21T13:19:01-07:00",
"dateModified": "2024-01-11T18:22:54-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "nea-jazz-masters-announced-tribute-concert-coming-to-san-francisco",
"status": "publish",
"sticky": false,
"path": "/arts/13857895/nea-jazz-masters-announced-tribute-concert-coming-to-san-francisco",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The National Endowment for the Arts (NEA) on Tuesday announced the honorees of its \u003ca href=\"https://www.arts.gov/news/2019/national-endowment-arts-announces-2020-nea-jazz-masters\" target=\"_blank\" rel=\"noopener\">2020 Jazz Masters Fellowship\u003c/a>, a grant of up to $25,000 reserved for the genre’s boundary-pushers, innovators and advocates. Two of the four selected musicians have deep ties to the Bay Area.\u003c/p>\n\u003cp>Saxophonist Roscoe Mitchell, who was key to the formation of Chicago’s avant-garde jazz scene in the ’60s with the Art Ensemble of Chicago, served as one of Mills College’s most renowned faculty members in Oakland \u003ca href=\"https://www.kqed.org/arts/13845889/roscoe-mitchell-jazz-iconoclast-bids-the-bay-farewell-with-intimate-gigs\" target=\"_blank\" rel=\"noopener\">until his recent retirement\u003c/a>. And Bobby McFerrin, best known for the novelty pop hit “Don’t Worry, Be Happy,” is a 10-time Grammy-winning jazz vocalist who started his career in San Francisco and even once guest-conducted the San Francisco Symphony.\u003c/p>\n\u003cp>The Jazz Masters Fellows are nominated by the public and selected by a panel of industry professionals. Previous recipients have included Ella Fitzgerald, Sonny Rollins and Miles Davis, and the NEA \u003ca href=\"https://www.arts.gov/honors/jazz\" target=\"_blank\" rel=\"noopener\">documents\u003c/a> honorees’ careers online through podcasts, videos and other multimedia. The other 2020 honorees are bassist Reggie Workman, best known for his work with John Coltrane and Thelonious Monk, and Dorthaan Kirk from Newark Public Radio.\u003c/p>\n\u003cp>“The 2020 NEA Jazz Masters have made an incredible impact on jazz, whether it’s through their artistic work to expand the musical boundaries of the genre, their educational contributions, or their efforts to reach new audiences for jazz,” said Acting Chairman of the Arts Endowment Mary Anne Carter in a statement.\u003c/p>\n\u003cp>In addition, the NEA celebrates this year’s honorees with a \u003ca href=\"https://www.sfjazz.org/tickets/events/2020-jazz-masters-tribute-concert/\" target=\"_blank\" rel=\"noopener\">free tribute concert\u003c/a> at SFJAZZ on April 2, 2020—the first time the Jazz Masters Fellowship concert has taken place in the Bay Area since 2005. Tickets will become available in February 2020, and there will also be a live stream of the concert.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857895/nea-jazz-masters-announced-tribute-concert-coming-to-san-francisco",
"authors": [
"11387"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1420",
"arts_1730",
"arts_2297"
],
"featImg": "arts_13389912",
"label": "arts"
},
"arts_13857064": {
"type": "posts",
"id": "arts_13857064",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857064",
"score": null,
"sort": [
1558389651000
]
},
"guestAuthors": [],
"slug": "hot-summer-guide-2019-the-bay-areas-best-outdoor-concerts",
"title": "Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts",
"publishDate": 1558389651,
"format": "image",
"headTitle": "Hot Summer Guide 2019: The Bay Area’s Best Outdoor Concerts | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>Summer in the Bay Area has no shortage of outdoor concerts and music festivals—some practically in our backyards, and others worth a scenic road trip to a gorgeous vineyard or beachside park. Whether you’re into low-key community gatherings or large-scale productions with stacked lineups, we’ve got you covered with our list of this summer’s must-see shows.\u003c/p>\n\u003cfigure id=\"attachment_13857335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg\" alt=\"Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>BottleRock\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\n\u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A wine-country summer staple, BottleRock returns with electro-pop band Imagine Dragons, rock’n’roll great Neil Young and indie-folk group Mumford & Sons as daily headliners. The rest of the lineup is even more eclectic, with highlights including guitar god Carlos Santana, super-producer Pharrell Williams and rapper Big Boi of Outkast. Local artists such as garage rock revivalist Shannon Shaw (plus her hand, Shannon and the Clams), Town legend Too Short and soul band Con Brio will rep the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13857750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-800x552.jpg\" alt=\"Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-768x530.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>California Roots\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nMonterey County Fairgrounds, Monterey\u003cbr>\n\u003ca href=\"https://californiarootsfestival.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sunshine, reggae and camping less than a mile from the beach? Say no more. This year’s California Roots Music and Arts Festival stars California bands Stick Figure and Slightly Stoopid, who both fuse elements of reggae, pop-punk and funk into their sound, as well as the Grammy-nominated Rebelution. For out-of-town guests who prefer not to stay in hotels, the festival offers on-site, luxury glamping. Attendees who prefer the much cheaper option of regular camping can pitch their tents at Laguna Seca, where a shuttle will take them to and from Cali Roots.\u003c/p>\n\u003cfigure id=\"attachment_13805318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805318\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Live at Lagunitas\u003c/strong>\u003cbr>\n\u003cem>May 27–Oct. 7, 2019\u003cbr>\nLagunitas Brewery, Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Lagunitas Brewery’s Petaluma Amphitheater has shaped up to be one of the North Bay’s most popular outdoor music venues, hosting a wide variety of up-and-coming and established artists. This summer’s highlights include the high-energy pop-punk band Fidlar on June 4, virtuoso bassist Thundercat on June 24 and folk-rock singer-songwriter James McMurtry on Aug. 5. Bonus for beer lovers: Lagunitas offers plenty of locally brewed beverages to choose from.\u003c/p>\n\u003cfigure id=\"attachment_13835712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13835712 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg\" alt=\"The members of Lumerians say their ideas often start in the kitchen.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1180x664.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-960x540.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-240x135.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-375x211.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-520x293.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01.jpeg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumerians. \u003ccite>(Courtesy of Lumerians)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Huichica Music Festival\u003c/strong>\u003cbr>\n\u003cem>June 7–8, 2019\u003cbr>\nGundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.huichica.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As mega-festivals such as Coachella get more popular every year, Huichica provides a low-key alternative for those who want to see great live music in a less crowded setting. Set against the stunning backdrop of a historic winery, this year’s Huichica features indie disco experimentalist Connan Mockasin, psych rockers Lumerians, SF treasure Chuck Prophet, indie rock outfit Real Estate and more.\u003c/p>\n\u003cfigure id=\"attachment_13839071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839071\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg\" alt=\"Sol Development.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1200x857.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2.jpg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sol Development. \u003ccite>(Jean Melesaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Phono del Sol\u003c/strong>\u003cbr>\n\u003cem>June 15, 2019\u003cbr>\nPotrero del Sol Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Back from a year-long hiatus, the free festival Phono Del Sol boasts a stacked lineup of must-see Bay Area rising stars. Hip-hop band Sol Development, whose uplifting work features social-justice themes and a rollicking instrumental section, performs, as well as experimental singer and loop pedal wiz Spellling. Ah-Mer-Ah-Su, whose delicate electropop soundtracked \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">a recent documentary\u003c/a> about trans activist Miss Major, is also slated to grace the stage, plus feminist rapper Queens D.Light and psych band Salami Rose Joe Lewis, who recently toured with Toro y Moi.\u003c/p>\n\u003cfigure id=\"attachment_13854290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854290\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg\" alt=\"Mitski performs onstage during the 2017 Panorama Music Festival - Day 2 at Randall's Island on July 29, 2017 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mitski performs during the 2017 Panorama Music Festival at Randall’s Island on July 29, 2017 in New York City. \u003ccite>(Nicholas Hunt/Getty Images for Panorama)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Stern Grove Festival\u003c/strong>\u003cbr>\n\u003cem>June 16–Aug. 18, 2019\u003cbr>\n19th Ave and Sloat Blvd., San Francisco\u003cbr>\n\u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>One of the Bay Area’s most beloved free concert series, Stern Grove features a slate of rising stars, local talent and all-time greats. Indie rocker Mitski, whose \u003cem>Be the Cowboy \u003c/em>was one of KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">favorite 2018 albums\u003c/a>, performs July 14 (local singer-songwriter Madeline Kenney opens). The ’90s rap trio Digable Planets perform on June 16 with local bilingual hip-hop group Bang Data. July 7 presents a rare opportunity to see the San Francisco Symphony in a casual, outdoor setting, and the festival wraps up on Aug. 18 with a performance from soul music stars the Isley Brothers.\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11316316\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Burger Boogaloo\u003c/strong>\u003cbr>\n\u003cem>July 6–7, 2019\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Now in its 10th year, Burger Boogaloo brings garage-punk weirdness to Oakland’s Mosswood Park, with filmmaker and counterculture icon John Waters as host. The festival provides a chance to catch old-school cult favorites such as the Jesus & Mary Chain, the Scientists and Dead Boys, plus newer acts such as Sheer Mag and Terry & Louie. Burger Boogaloo partners with the \u003ca href=\"http://homelessactioncenter.org/\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a> this year and encourages showgoers to donate to the nonprofit with their ticket purchase or at the festival.\u003c/p>\n\u003cfigure id=\"attachment_13857755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-800x566.jpg\" alt=\"Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-768x543.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \u003ccite>(Jason Davis/Getty Images for IEBA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Jose Jazz Summer Fest\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nPlaza de Cezar Chavez, San Jose\u003cbr>\n\u003ca href=\"http://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The San Jose Jazz Summer Fest is one of the South Bay’s most highly anticipated live music events, with a lineup of jazz, soul and blues legends, mid-career artists and up-and-comers alike. One of this year’s headliners is the Family Stone, born out of the pioneering Oakland funk band, with Sly Stone’s daughter Phunne Stone as bandleader. Rock’n’roll-Hall-of-Famers the O’Jays are set to perform as well, in addition to Afrofuturist psychedelic jazz sensations Sons of Kemet, Grammy-winning jazz contralto Dianne Reeves and Oakland’s well-loved and uplifting Interfaith Gospel Choir.\u003c/p>\n\u003cfigure id=\"attachment_13805124\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13805124\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/5.OL_.jpg\" alt=\"Kacey Musgraves at Outside Lands in 2014.\" width=\"700\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-520x371.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves at Outside Lands in 2014. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Paul Simon came out of retirement to headline this year’s Outside Lands, so you know it’s gonna be good. The long-running festival is one of the Bay Area’s largest and most popular, with Twenty One Pilots and Childish Gambino as 2019’s other big headliners. More acts to look forward to include country star Kacey Musgraves, Southern rap icon Lil Wayne, “Boo’d Up” singer Ella Mai and R&B and gospel legend Mavis Staples. Plus, up-and-coming Bay Area artists the Seshen, P-Lo and ALLBLACK also perform.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>\u003cbr>\n\u003cem>Sept. 1, 2019\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sonido Clash celebrates left-of-center Chicanx and Latinx culture with live cumbia, twerk-worthy DJ sets, punk, indie and experimental bands, poetry readings and more. The fest was founded in 2016 by a party collective of the same name—one that’s been championing eclectic underground sounds in San Jose’s nightlife scene since the 2000s. Although this year’s festival lineup has yet to be announced, previous years have boasted self-described “Cholo goth” band Prayers, indie crooner Helado Negro and reggaeton producer Rosa Pistola.\u003c/p>\n\u003cfigure id=\"attachment_13840221\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840221\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_9400-800x533.jpg\" alt=\"Dj Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>\u003cbr>\n\u003cem>Sept. 2, 2019\u003cbr>\nOakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Hiero Day is an Oakland staple, celebrating Bay Area rappers and R&B singers who hold it down for their community, as well as like-minded artists from across the country. The grassroots festival is curated by the influential hip-hop collective Hieroglyphics, who brought us hits like “You Never Know” and Souls of Mischief’s “93 Til Infinity.” The 2019 lineup hasn’t been released yet (that usually happens after the $19.93 tickets are sold out), but if the inclusion of Bun B, Goapele, Mistah Fab and Richie Rich in previous years is any indication, Hiero Day is always a good time for West Coast hip-hop lovers.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Your guide to free shows in the park, multi-day festivals, grassroots gatherings and more. ",
"status": "publish",
"parent": 0,
"modified": 1726766980,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 25,
"wordCount": 1454
},
"headData": {
"title": "Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts | KQED",
"description": "Your guide to free shows in the park, multi-day festivals, grassroots gatherings and more. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts",
"datePublished": "2019-05-20T15:00:51-07:00",
"dateModified": "2024-09-19T10:29:40-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13857064/hot-summer-guide-2019-the-bay-areas-best-outdoor-concerts",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Summer in the Bay Area has no shortage of outdoor concerts and music festivals—some practically in our backyards, and others worth a scenic road trip to a gorgeous vineyard or beachside park. Whether you’re into low-key community gatherings or large-scale productions with stacked lineups, we’ve got you covered with our list of this summer’s must-see shows.\u003c/p>\n\u003cfigure id=\"attachment_13857335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg\" alt=\"Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>BottleRock\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\n\u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A wine-country summer staple, BottleRock returns with electro-pop band Imagine Dragons, rock’n’roll great Neil Young and indie-folk group Mumford & Sons as daily headliners. The rest of the lineup is even more eclectic, with highlights including guitar god Carlos Santana, super-producer Pharrell Williams and rapper Big Boi of Outkast. Local artists such as garage rock revivalist Shannon Shaw (plus her hand, Shannon and the Clams), Town legend Too Short and soul band Con Brio will rep the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13857750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-800x552.jpg\" alt=\"Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-768x530.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>California Roots\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nMonterey County Fairgrounds, Monterey\u003cbr>\n\u003ca href=\"https://californiarootsfestival.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sunshine, reggae and camping less than a mile from the beach? Say no more. This year’s California Roots Music and Arts Festival stars California bands Stick Figure and Slightly Stoopid, who both fuse elements of reggae, pop-punk and funk into their sound, as well as the Grammy-nominated Rebelution. For out-of-town guests who prefer not to stay in hotels, the festival offers on-site, luxury glamping. Attendees who prefer the much cheaper option of regular camping can pitch their tents at Laguna Seca, where a shuttle will take them to and from Cali Roots.\u003c/p>\n\u003cfigure id=\"attachment_13805318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805318\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Live at Lagunitas\u003c/strong>\u003cbr>\n\u003cem>May 27–Oct. 7, 2019\u003cbr>\nLagunitas Brewery, Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Lagunitas Brewery’s Petaluma Amphitheater has shaped up to be one of the North Bay’s most popular outdoor music venues, hosting a wide variety of up-and-coming and established artists. This summer’s highlights include the high-energy pop-punk band Fidlar on June 4, virtuoso bassist Thundercat on June 24 and folk-rock singer-songwriter James McMurtry on Aug. 5. Bonus for beer lovers: Lagunitas offers plenty of locally brewed beverages to choose from.\u003c/p>\n\u003cfigure id=\"attachment_13835712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13835712 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg\" alt=\"The members of Lumerians say their ideas often start in the kitchen.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1180x664.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-960x540.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-240x135.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-375x211.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-520x293.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01.jpeg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumerians. \u003ccite>(Courtesy of Lumerians)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Huichica Music Festival\u003c/strong>\u003cbr>\n\u003cem>June 7–8, 2019\u003cbr>\nGundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.huichica.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As mega-festivals such as Coachella get more popular every year, Huichica provides a low-key alternative for those who want to see great live music in a less crowded setting. Set against the stunning backdrop of a historic winery, this year’s Huichica features indie disco experimentalist Connan Mockasin, psych rockers Lumerians, SF treasure Chuck Prophet, indie rock outfit Real Estate and more.\u003c/p>\n\u003cfigure id=\"attachment_13839071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839071\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg\" alt=\"Sol Development.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1200x857.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2.jpg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sol Development. \u003ccite>(Jean Melesaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Phono del Sol\u003c/strong>\u003cbr>\n\u003cem>June 15, 2019\u003cbr>\nPotrero del Sol Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Back from a year-long hiatus, the free festival Phono Del Sol boasts a stacked lineup of must-see Bay Area rising stars. Hip-hop band Sol Development, whose uplifting work features social-justice themes and a rollicking instrumental section, performs, as well as experimental singer and loop pedal wiz Spellling. Ah-Mer-Ah-Su, whose delicate electropop soundtracked \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">a recent documentary\u003c/a> about trans activist Miss Major, is also slated to grace the stage, plus feminist rapper Queens D.Light and psych band Salami Rose Joe Lewis, who recently toured with Toro y Moi.\u003c/p>\n\u003cfigure id=\"attachment_13854290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854290\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg\" alt=\"Mitski performs onstage during the 2017 Panorama Music Festival - Day 2 at Randall's Island on July 29, 2017 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mitski performs during the 2017 Panorama Music Festival at Randall’s Island on July 29, 2017 in New York City. \u003ccite>(Nicholas Hunt/Getty Images for Panorama)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Stern Grove Festival\u003c/strong>\u003cbr>\n\u003cem>June 16–Aug. 18, 2019\u003cbr>\n19th Ave and Sloat Blvd., San Francisco\u003cbr>\n\u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>One of the Bay Area’s most beloved free concert series, Stern Grove features a slate of rising stars, local talent and all-time greats. Indie rocker Mitski, whose \u003cem>Be the Cowboy \u003c/em>was one of KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">favorite 2018 albums\u003c/a>, performs July 14 (local singer-songwriter Madeline Kenney opens). The ’90s rap trio Digable Planets perform on June 16 with local bilingual hip-hop group Bang Data. July 7 presents a rare opportunity to see the San Francisco Symphony in a casual, outdoor setting, and the festival wraps up on Aug. 18 with a performance from soul music stars the Isley Brothers.\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11316316\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Burger Boogaloo\u003c/strong>\u003cbr>\n\u003cem>July 6–7, 2019\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Now in its 10th year, Burger Boogaloo brings garage-punk weirdness to Oakland’s Mosswood Park, with filmmaker and counterculture icon John Waters as host. The festival provides a chance to catch old-school cult favorites such as the Jesus & Mary Chain, the Scientists and Dead Boys, plus newer acts such as Sheer Mag and Terry & Louie. Burger Boogaloo partners with the \u003ca href=\"http://homelessactioncenter.org/\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a> this year and encourages showgoers to donate to the nonprofit with their ticket purchase or at the festival.\u003c/p>\n\u003cfigure id=\"attachment_13857755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-800x566.jpg\" alt=\"Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-768x543.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \u003ccite>(Jason Davis/Getty Images for IEBA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Jose Jazz Summer Fest\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nPlaza de Cezar Chavez, San Jose\u003cbr>\n\u003ca href=\"http://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The San Jose Jazz Summer Fest is one of the South Bay’s most highly anticipated live music events, with a lineup of jazz, soul and blues legends, mid-career artists and up-and-comers alike. One of this year’s headliners is the Family Stone, born out of the pioneering Oakland funk band, with Sly Stone’s daughter Phunne Stone as bandleader. Rock’n’roll-Hall-of-Famers the O’Jays are set to perform as well, in addition to Afrofuturist psychedelic jazz sensations Sons of Kemet, Grammy-winning jazz contralto Dianne Reeves and Oakland’s well-loved and uplifting Interfaith Gospel Choir.\u003c/p>\n\u003cfigure id=\"attachment_13805124\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13805124\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/5.OL_.jpg\" alt=\"Kacey Musgraves at Outside Lands in 2014.\" width=\"700\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-520x371.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves at Outside Lands in 2014. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Paul Simon came out of retirement to headline this year’s Outside Lands, so you know it’s gonna be good. The long-running festival is one of the Bay Area’s largest and most popular, with Twenty One Pilots and Childish Gambino as 2019’s other big headliners. More acts to look forward to include country star Kacey Musgraves, Southern rap icon Lil Wayne, “Boo’d Up” singer Ella Mai and R&B and gospel legend Mavis Staples. Plus, up-and-coming Bay Area artists the Seshen, P-Lo and ALLBLACK also perform.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>\u003cbr>\n\u003cem>Sept. 1, 2019\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sonido Clash celebrates left-of-center Chicanx and Latinx culture with live cumbia, twerk-worthy DJ sets, punk, indie and experimental bands, poetry readings and more. The fest was founded in 2016 by a party collective of the same name—one that’s been championing eclectic underground sounds in San Jose’s nightlife scene since the 2000s. Although this year’s festival lineup has yet to be announced, previous years have boasted self-described “Cholo goth” band Prayers, indie crooner Helado Negro and reggaeton producer Rosa Pistola.\u003c/p>\n\u003cfigure id=\"attachment_13840221\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840221\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_9400-800x533.jpg\" alt=\"Dj Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>\u003cbr>\n\u003cem>Sept. 2, 2019\u003cbr>\nOakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hiero Day is an Oakland staple, celebrating Bay Area rappers and R&B singers who hold it down for their community, as well as like-minded artists from across the country. The grassroots festival is curated by the influential hip-hop collective Hieroglyphics, who brought us hits like “You Never Know” and Souls of Mischief’s “93 Til Infinity.” The 2019 lineup hasn’t been released yet (that usually happens after the $19.93 tickets are sold out), but if the inclusion of Bun B, Goapele, Mistah Fab and Richie Rich in previous years is any indication, Hiero Day is always a good time for West Coast hip-hop lovers.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857064/hot-summer-guide-2019-the-bay-areas-best-outdoor-concerts",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1853",
"arts_1693",
"arts_1118",
"arts_7455",
"arts_1694",
"arts_1739"
],
"featImg": "arts_13857761",
"label": "arts_140"
},
"arts_13857503": {
"type": "posts",
"id": "arts_13857503",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857503",
"score": null,
"sort": [
1558119615000
]
},
"guestAuthors": [],
"slug": "rightnowish-darius-gomez-and-dirty-pesos-clothing",
"title": "Rightnowish: Darius Gomez and Dirty Pesos Clothing",
"publishDate": 1558119615,
"format": "audio",
"headTitle": "Rightnowish: Darius Gomez and Dirty Pesos Clothing | KQED",
"labelTerm": {
"term": 8720,
"site": "arts"
},
"content": "\u003cp>I’ve seen Dirty Pesos hoodies and shirts all around town, as well as in music videos. But it took me a while before I realized who the designer was.\u003c/p>\n\u003cp>I don’t recall when it all clicked, but when it did, I was like: \u003cem>Oh! I know Darius Gomez!\u003c/em>\u003c/p>\n\u003cp>I mean, it feels like everyone in the Bay knows Darius Gomez. He’s the son of longtime radio personality and community culture keeper Chuy Gomez. Back in the day, his pops used to bring him on the \u003ca href=\"https://www.youtube.com/watch?v=P50nSukq4jc\" target=\"_blank\" rel=\"noopener\">California Music Channel\u003c/a>, which I used to watch after middle school; I feel like I grew up with Darius.\u003c/p>\n\u003cfigure id=\"attachment_13857506\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857506\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-800x600.jpg\" alt=\"Darius Gomez showing his Dirty Pesos patches.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Darius Gomez showing his Dirty Pesos patches. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Far removed from the kid some might remember from the TV screen, Darius’ latest move is evidence of his maturation. After starting as an intern at \u003ca href=\"http://agwscreenworks.com/?page_id=29\">AGW Screen works\u003c/a> in San Leandro when he was 19, Darius launched his own clothing brand \u003ca href=\"https://dirtypesosworldwide.com/\">Dirty Pesos Worldwide\u003c/a> just about four years ago. Inspired by other Bay Area brands like \u003ca href=\"https://shmoplife.com/\">Shmoplife\u003c/a> and \u003ca href=\"https://cookiessf.com/\">Cookies SF\u003c/a>, Darius decided to put his ideas to work.\u003c/p>\n\u003cp>“The first two years were slow,” Darius told me when I met up with him in his warehouse, but “as soon as I dropped these hoodies, that’s when things just started flying off the shelf.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Now 26, Darius has seen his clothes land on the backs of some the Bay’s top athletes and artists, including L.A. Rams player Marcus Peters and East Oakland rapper ALLBLACK.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For this week’s episode of \u003ca href=\"https://www.kqed.org/arts/tag/rightnowish\" target=\"_blank\" rel=\"noopener\">Rightnowish\u003c/a>, I talked to Darius about his clothing line, what his family thinks about his success and how it feels to have his clothes worn by some of the tightest and brightest out of the Bay Area. To hear our convo, click the link above!\u003c/p>\n\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726766985,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 9,
"wordCount": 318
},
"headData": {
"title": "Rightnowish: Darius Gomez and Dirty Pesos Clothing | KQED",
"description": "I've seen Dirty Pesos hoodies and shirts all around town, as well as in music videos. But it took me a while before I realized who the designer was. I don't recall when it all clicked, but when it did, I was like: Oh! I know Darius Gomez! I mean, it feels like everyone in the Bay knows Darius Gomez. He's the son of longtime radio personality and community culture keeper Chuy Gomez. Back in the day, his pops used to bring him on the California Music Channel, which I used to watch after middle school; I feel like I",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Rightnowish: Darius Gomez and Dirty Pesos Clothing",
"datePublished": "2019-05-17T12:00:15-07:00",
"dateModified": "2024-09-19T10:29:45-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https://www.kqed.org/.stream/anon/radio/rightnowish/2019/06/RightnowishEp13DariusGomezWeb.mp3",
"sticky": false,
"audioTrackLength": 238,
"path": "/arts/13857503/rightnowish-darius-gomez-and-dirty-pesos-clothing",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I’ve seen Dirty Pesos hoodies and shirts all around town, as well as in music videos. But it took me a while before I realized who the designer was.\u003c/p>\n\u003cp>I don’t recall when it all clicked, but when it did, I was like: \u003cem>Oh! I know Darius Gomez!\u003c/em>\u003c/p>\n\u003cp>I mean, it feels like everyone in the Bay knows Darius Gomez. He’s the son of longtime radio personality and community culture keeper Chuy Gomez. Back in the day, his pops used to bring him on the \u003ca href=\"https://www.youtube.com/watch?v=P50nSukq4jc\" target=\"_blank\" rel=\"noopener\">California Music Channel\u003c/a>, which I used to watch after middle school; I feel like I grew up with Darius.\u003c/p>\n\u003cfigure id=\"attachment_13857506\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857506\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-800x600.jpg\" alt=\"Darius Gomez showing his Dirty Pesos patches.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/image_from_ios-1-1.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Darius Gomez showing his Dirty Pesos patches. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Far removed from the kid some might remember from the TV screen, Darius’ latest move is evidence of his maturation. After starting as an intern at \u003ca href=\"http://agwscreenworks.com/?page_id=29\">AGW Screen works\u003c/a> in San Leandro when he was 19, Darius launched his own clothing brand \u003ca href=\"https://dirtypesosworldwide.com/\">Dirty Pesos Worldwide\u003c/a> just about four years ago. Inspired by other Bay Area brands like \u003ca href=\"https://shmoplife.com/\">Shmoplife\u003c/a> and \u003ca href=\"https://cookiessf.com/\">Cookies SF\u003c/a>, Darius decided to put his ideas to work.\u003c/p>\n\u003cp>“The first two years were slow,” Darius told me when I met up with him in his warehouse, but “as soon as I dropped these hoodies, that’s when things just started flying off the shelf.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now 26, Darius has seen his clothes land on the backs of some the Bay’s top athletes and artists, including L.A. Rams player Marcus Peters and East Oakland rapper ALLBLACK.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For this week’s episode of \u003ca href=\"https://www.kqed.org/arts/tag/rightnowish\" target=\"_blank\" rel=\"noopener\">Rightnowish\u003c/a>, I talked to Darius about his clothing line, what his family thinks about his success and how it feels to have his clothes worn by some of the tightest and brightest out of the Bay Area. To hear our convo, click the link above!\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857503/rightnowish-darius-gomez-and-dirty-pesos-clothing",
"authors": [
"11491"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_69",
"arts_21759"
],
"tags": [
"arts_1696",
"arts_1118",
"arts_1143",
"arts_6764",
"arts_1635",
"arts_5422"
],
"featImg": "arts_13857522",
"label": "arts_8720"
},
"arts_13857534": {
"type": "posts",
"id": "arts_13857534",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857534",
"score": null,
"sort": [
1558115955000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1558115955,
"format": "video",
"title": "Lil Nas X's 'Old Town Road' Video Is Here To Lasso The Yeehaw Agenda",
"headTitle": "Lil Nas X’s ‘Old Town Road’ Video Is Here To Lasso The Yeehaw Agenda | KQED",
"content": "\u003cp>Folks, the yeehaw agenda has reached its absolute apex. The video for \u003ca href=\"https://www.npr.org/artists/718208340/lil-nas-x\">Lil Nas X\u003c/a>‘s runaway smash “Old Town Road” is officially out, after a solid two weeks of keeping \u003ca href=\"https://www.complex.com/music/2019/05/lil-nas-x-old-town-road-block-ed-sheeran-justin-bieber-no-1-spot\">pop radio’s biggest superstars off the top of the charts\u003c/a>. It’s not quite a full-length movie, as the credits promise, but it sure is a doozy.\u003c/p>\n\u003cp>[aside postID='arts_13854359' hero='https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/billy-ray-cyrus-lil-nas-x.jpg' target='_blank']\u003c/p>\n\u003cp>Lil Nas X and Billy Ray Cyrus play troubadours on the run after a bank robbery. They transport into the modern day, horse in the back and all. Along the way, they become beloved fixtures of the community, with a brand new get-up for the both of them.\u003c/p>\n\u003cp>Cameos abound, too. Lil Nas X wins a drag race with \u003ca href=\"https://www.npr.org/artists/418529525/vince-staples\">Vince Staples\u003c/a>. Lil Nas X and Cyrus crash what looks to be a cowboy-themed old folks’ bingo night supervised by none other than D.C. rapper Rico Nasty. Naturally, they play a gig, with \u003ca href=\"https://www.npr.org/artists/15586761/diplo\">Diplo\u003c/a> on washboard. There’s a brief plug for Snapple-branded Yee Yee Juice, a nod to the \u003ca href=\"https://www.youtube.com/watch?v=wAkODfHgAio\">TikTok trend that made him famous \u003c/a>and a product that this writer wishes existed in the universe. Oh, and for good measure, Chris Rock makes an early cameo as a cowboy in awe of Lil Nas X and Cyrus’ horse-riding prowess. You absolutely have to see it for yourself.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 261,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705026194,
"excerpt": "Folks, the yeehaw agenda has reached its absolute apex. Chris Rock, Rico Nasty, Vince Staples, Diplo and, of course, Billy Ray Cyrus guest in the video for the smash hit. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Folks, the yeehaw agenda has reached its absolute apex. Chris Rock, Rico Nasty, Vince Staples, Diplo and, of course, Billy Ray Cyrus guest in the video for the smash hit. ",
"title": "Lil Nas X's 'Old Town Road' Video Is Here To Lasso The Yeehaw Agenda | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Lil Nas X's 'Old Town Road' Video Is Here To Lasso The Yeehaw Agenda",
"datePublished": "2019-05-17T10:59:15-07:00",
"dateModified": "2024-01-11T18:23:14-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "lil-nas-xs-old-town-road-video-is-here-to-lasso-the-yeehaw-agenda",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=724339197&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"videoEmbed": "https://youtu.be/w2Ov5jzm3j8",
"nprByline": "Joshua Bote",
"nprStoryDate": "Fri, 17 May 2019 13:04:26 -0400",
"nprLastModifiedDate": "Fri, 17 May 2019 13:21:57 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2019/05/17/724339197/lil-nas-xs-old-town-road-video-is-here-to-lasso-the-yeehaw-agenda?ft=nprml&f=724339197",
"nprImageAgency": "YouTube",
"nprStoryId": "724339197",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 17 May 2019 13:21:00 -0400",
"path": "/arts/13857534/lil-nas-xs-old-town-road-video-is-here-to-lasso-the-yeehaw-agenda",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Folks, the yeehaw agenda has reached its absolute apex. The video for \u003ca href=\"https://www.npr.org/artists/718208340/lil-nas-x\">Lil Nas X\u003c/a>‘s runaway smash “Old Town Road” is officially out, after a solid two weeks of keeping \u003ca href=\"https://www.complex.com/music/2019/05/lil-nas-x-old-town-road-block-ed-sheeran-justin-bieber-no-1-spot\">pop radio’s biggest superstars off the top of the charts\u003c/a>. It’s not quite a full-length movie, as the credits promise, but it sure is a doozy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13854359",
"hero": "https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/billy-ray-cyrus-lil-nas-x.jpg",
"target": "_blank",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lil Nas X and Billy Ray Cyrus play troubadours on the run after a bank robbery. They transport into the modern day, horse in the back and all. Along the way, they become beloved fixtures of the community, with a brand new get-up for the both of them.\u003c/p>\n\u003cp>Cameos abound, too. Lil Nas X wins a drag race with \u003ca href=\"https://www.npr.org/artists/418529525/vince-staples\">Vince Staples\u003c/a>. Lil Nas X and Cyrus crash what looks to be a cowboy-themed old folks’ bingo night supervised by none other than D.C. rapper Rico Nasty. Naturally, they play a gig, with \u003ca href=\"https://www.npr.org/artists/15586761/diplo\">Diplo\u003c/a> on washboard. There’s a brief plug for Snapple-branded Yee Yee Juice, a nod to the \u003ca href=\"https://www.youtube.com/watch?v=wAkODfHgAio\">TikTok trend that made him famous \u003c/a>and a product that this writer wishes existed in the universe. Oh, and for good measure, Chris Rock makes an early cameo as a cowboy in awe of Lil Nas X and Cyrus’ horse-riding prowess. You absolutely have to see it for yourself.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857534/lil-nas-xs-old-town-road-video-is-here-to-lasso-the-yeehaw-agenda",
"authors": [
"byline_arts_13857534"
],
"categories": [
"arts_69",
"arts_75"
],
"tags": [
"arts_7108",
"arts_2624"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13857536",
"label": "arts_137"
},
"arts_13857414": {
"type": "posts",
"id": "arts_13857414",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857414",
"score": null,
"sort": [
1558025533000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1558025533,
"format": "aside",
"title": "Announcing The 2019 Tiny Desk Contest Winner",
"headTitle": "Announcing The 2019 Tiny Desk Contest Winner | KQED",
"content": "\u003cfigure id=\"attachment_13857417\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-800x450.jpg\" alt=\"Quinn Christopherson is this year's Tiny Desk Contest winner.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13857417\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Quinn Christopherson is this year’s Tiny Desk Contest winner. \u003ccite>(Ash Adams/Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year, I was blown away by the Tiny Desk Contest entries I saw. We received over 6,000 entries from all across the country. We saw tiny desks up on rooftops and down on a subway platform; tucked into treetops, pickup trucks and laundromats. We heard songs about the situations that make life difficult and the people that make life worth living. \u003c/p>\n\u003cp>But in the end, the judges and I could only choose one winning entry. We’re so proud to share with you the music of \u003ca href=\"https://www.youtube.com/watch?v=xoFlHMG6Wfo\">Quinn Christopherson\u003c/a>, this year’s Tiny Desk Contest winner!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=xoFlHMG6Wfo\u003c/p>\n\u003cp>Quinn’s entry astounded our judge panel from start to finish. His powerful song “Erase Me” is a nuanced take on his experience as a transgender man coming to terms with the power of his voice. Standing in front of a majestic painting of Mt. Denali, Quinn and his bandmate, Nick Carpenter, created their own work of art. \u003c/p>\n\u003cp>When I called Quinn to tell him the good news, he was amazed and surprised. “You just made my entire life,” he said from his home in Anchorage, Alaska. He was also extremely humbled, saying he had “watched so many entries” featuring “so many talented people.” He’s right: We saw so much talent this year. But in the midst of all those entries we watched, it was his song the judges and I couldn’t stop playing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Lucy Dacus, another of this year’s judges, agrees. She praised “Erase Me” for the way it concisely shares such a complex and personal message. “The song is so captivating, and his performance seemed so earnest,” she tells NPR’s Noel King and me on \u003cem>Morning Edition\u003c/em>. “I kept coming back to the video.” (Hear that interview at the audio link above.)\u003c/p>\n\u003cp>Soon, Quinn will be coming to Washington D.C. to play his very own Tiny Desk concert. After that, he’ll \u003ca href=\"https://www.nprpresents.org/\">come on tour \u003c/a>with NPR Music to play alongside other artists who entered the Contest this year. We’re excited to hit the road again to celebrate artists we love.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Thank you to everyone who shared a song with us this year; we saw so many amazing entries and were introduced to many new artists to love. Thank you to Blue Microphones for its support of the Contest. And again, congratulations to Quinn, our newest Contest winner. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Announcing+The+2019+Tiny+Desk+Contest+Winner&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 451,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705026201,
"excerpt": "From the 6,000 entries this year, meet the one who captivated NPR's panel of judges.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "From the 6,000 entries this year, meet the one who captivated NPR's panel of judges.",
"title": "Announcing The 2019 Tiny Desk Contest Winner | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Announcing The 2019 Tiny Desk Contest Winner",
"datePublished": "2019-05-16T09:52:13-07:00",
"dateModified": "2024-01-11T18:23:21-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "announcing-the-2019-tiny-desk-contest-winner",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=723269208&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprStoryDate": "Thu, 16 May 2019 05:06:00 -0400",
"nprLastModifiedDate": "Thu, 16 May 2019 08:44:12 -0400",
"nprHtmlLink": "https://www.npr.org/sections/allsongs/2019/05/16/723269208/announcing-the-2019-tiny-desk-contest-winner?ft=nprml&f=723269208",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2019/05/20190516_me_announcing_the_2019_tiny_desk_contest_winner.mp3?orgId=1&topicId=1106&d=207&p=3&story=723269208&ft=nprml&f=723269208",
"nprImageAgency": "NPR",
"nprAudioM3u": "http://api.npr.org/m3u/1723878836-fc07aa.m3u?orgId=1&topicId=1106&d=207&p=3&story=723269208&ft=nprml&f=723269208",
"nprStoryId": "723269208",
"nprByline": "Bob Boilen",
"sticky": false,
"audioTrackLength": 208,
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 16 May 2019 10:09:00 -0400",
"path": "/arts/13857414/announcing-the-2019-tiny-desk-contest-winner",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2019/05/20190516_me_announcing_the_2019_tiny_desk_contest_winner.mp3?orgId=1&topicId=1106&d=207&p=3&story=723269208&ft=nprml&f=723269208",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13857417\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-800x450.jpg\" alt=\"Quinn Christopherson is this year's Tiny Desk Contest winner.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13857417\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0-1920x1080.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/190515_npr_quinn-107_wide-1701bd85f5e953287c8774eff9880b2a51b617b0.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Quinn Christopherson is this year’s Tiny Desk Contest winner. \u003ccite>(Ash Adams/Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This year, I was blown away by the Tiny Desk Contest entries I saw. We received over 6,000 entries from all across the country. We saw tiny desks up on rooftops and down on a subway platform; tucked into treetops, pickup trucks and laundromats. We heard songs about the situations that make life difficult and the people that make life worth living. \u003c/p>\n\u003cp>But in the end, the judges and I could only choose one winning entry. We’re so proud to share with you the music of \u003ca href=\"https://www.youtube.com/watch?v=xoFlHMG6Wfo\">Quinn Christopherson\u003c/a>, this year’s Tiny Desk Contest winner!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xoFlHMG6Wfo'\n title='//www.youtube.com/embed/xoFlHMG6Wfo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Quinn’s entry astounded our judge panel from start to finish. His powerful song “Erase Me” is a nuanced take on his experience as a transgender man coming to terms with the power of his voice. Standing in front of a majestic painting of Mt. Denali, Quinn and his bandmate, Nick Carpenter, created their own work of art. \u003c/p>\n\u003cp>When I called Quinn to tell him the good news, he was amazed and surprised. “You just made my entire life,” he said from his home in Anchorage, Alaska. He was also extremely humbled, saying he had “watched so many entries” featuring “so many talented people.” He’s right: We saw so much talent this year. But in the midst of all those entries we watched, it was his song the judges and I couldn’t stop playing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lucy Dacus, another of this year’s judges, agrees. She praised “Erase Me” for the way it concisely shares such a complex and personal message. “The song is so captivating, and his performance seemed so earnest,” she tells NPR’s Noel King and me on \u003cem>Morning Edition\u003c/em>. “I kept coming back to the video.” (Hear that interview at the audio link above.)\u003c/p>\n\u003cp>Soon, Quinn will be coming to Washington D.C. to play his very own Tiny Desk concert. After that, he’ll \u003ca href=\"https://www.nprpresents.org/\">come on tour \u003c/a>with NPR Music to play alongside other artists who entered the Contest this year. We’re excited to hit the road again to celebrate artists we love.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Thank you to everyone who shared a song with us this year; we saw so many amazing entries and were introduced to many new artists to love. Thank you to Blue Microphones for its support of the Contest. And again, congratulations to Quinn, our newest Contest winner. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Announcing+The+2019+Tiny+Desk+Contest+Winner&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857414/announcing-the-2019-tiny-desk-contest-winner",
"authors": [
"byline_arts_13857414"
],
"categories": [
"arts_69"
],
"tags": [
"arts_4591",
"arts_596",
"arts_6554"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13857415",
"label": "arts_137"
},
"arts_13857405": {
"type": "posts",
"id": "arts_13857405",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857405",
"score": null,
"sort": [
1558023988000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1558023988,
"format": "standard",
"title": "Holly Herndon's Remarkable, AI-Assisted New Music",
"headTitle": "Holly Herndon’s Remarkable, AI-Assisted New Music | KQED",
"content": "\u003cp>By now, we’re used to certain artificial intelligence applications in our music-listening routine. We can hold up our phones when an unknown song is playing to learn its name, and we receive algorithm-based recommendations from streaming services for new songs based on our listening habits. \u003c/p>\n\u003cp>Letting the machines take over our music \u003cem>composition\u003c/em> has always been dicier. There is a distinct human element to music that most people cherish; ceding the moment of creation to a computer would render it cold and hollow, according to conventional thought. That’s part of what’s exhilarating about Holly Herndon’s new AI-assisted album, \u003cem>PROTO\u003c/em>: once again, Herndon has proved conventional thinking wrong.\u003c/p>\n\u003cp>For the past two years, Herndon has \u003ca href=\"https://www.newyorker.com/magazine/2019/05/20/electronic-pop-for-the-surveillance-era\" rel=\"noopener\" target=\"_blank\">built, taught, and refined\u003c/a> an artificial neural network housed inside a gaming PC nicknamed “Spawn.” The AI has learned enough from Herndon’s own voice and music to recreate a version of it by itself, and on \u003cem>PROTO\u003c/em>, its generative sounds and Herndon’s input are combined with a large folk vocal ensemble. The result is a thrilling, very human album, combining new strange mutations with choir pieces that sound centuries old. \u003c/p>\n\u003cp>Having recently completed her Ph.D. at Stanford’s Center For Computer Research In Music And Acoustics, Herndon is now taking \u003cem>PROTO\u003c/em>, and Spawn, on the road. How the AI will \u003ca href=\"https://themuse.jezebel.com/a-chat-with-holly-herndon-about-making-music-with-ai-a-1834562691\" rel=\"noopener\" target=\"_blank\">perform in real time\u003c/a> remains to be seen. But make no mistake: this isn’t music strictly for the shifty, awkward, coding art-gallery crowd. For a rare upcoming show in San Francisco, when the beat to “\u003ca href=\"https://www.youtube.com/watch?v=r4sROgbaeOs\" rel=\"noopener\" target=\"_blank\">Eternal\u003c/a>” drops, expect to see a wave of dancing as the humans claim their space.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Holly Herndon performs Monday, May 20, at August Hall in San Francisco. Foozool and 8uentina from Club Chai open the show. \u003ca href=\"https://www.augusthallsf.com/event/9263065/holly-herndon-foozool-8ulentina/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 314,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705026202,
"excerpt": "For her upcoming show in San Francisco, Herndon brings an artificial neural network she's trained for the past two years.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "For her upcoming show in San Francisco, Herndon brings an artificial neural network she's trained for the past two years.",
"title": "Holly Herndon's Remarkable, AI-Assisted New Music | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Holly Herndon's Remarkable, AI-Assisted New Music",
"datePublished": "2019-05-16T09:26:28-07:00",
"dateModified": "2024-01-11T18:23:22-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "holly-herndons-remarkable-ai-assisted-new-music",
"status": "publish",
"sticky": false,
"path": "/arts/13857405/holly-herndons-remarkable-ai-assisted-new-music",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>By now, we’re used to certain artificial intelligence applications in our music-listening routine. We can hold up our phones when an unknown song is playing to learn its name, and we receive algorithm-based recommendations from streaming services for new songs based on our listening habits. \u003c/p>\n\u003cp>Letting the machines take over our music \u003cem>composition\u003c/em> has always been dicier. There is a distinct human element to music that most people cherish; ceding the moment of creation to a computer would render it cold and hollow, according to conventional thought. That’s part of what’s exhilarating about Holly Herndon’s new AI-assisted album, \u003cem>PROTO\u003c/em>: once again, Herndon has proved conventional thinking wrong.\u003c/p>\n\u003cp>For the past two years, Herndon has \u003ca href=\"https://www.newyorker.com/magazine/2019/05/20/electronic-pop-for-the-surveillance-era\" rel=\"noopener\" target=\"_blank\">built, taught, and refined\u003c/a> an artificial neural network housed inside a gaming PC nicknamed “Spawn.” The AI has learned enough from Herndon’s own voice and music to recreate a version of it by itself, and on \u003cem>PROTO\u003c/em>, its generative sounds and Herndon’s input are combined with a large folk vocal ensemble. The result is a thrilling, very human album, combining new strange mutations with choir pieces that sound centuries old. \u003c/p>\n\u003cp>Having recently completed her Ph.D. at Stanford’s Center For Computer Research In Music And Acoustics, Herndon is now taking \u003cem>PROTO\u003c/em>, and Spawn, on the road. How the AI will \u003ca href=\"https://themuse.jezebel.com/a-chat-with-holly-herndon-about-making-music-with-ai-a-1834562691\" rel=\"noopener\" target=\"_blank\">perform in real time\u003c/a> remains to be seen. But make no mistake: this isn’t music strictly for the shifty, awkward, coding art-gallery crowd. For a rare upcoming show in San Francisco, when the beat to “\u003ca href=\"https://www.youtube.com/watch?v=r4sROgbaeOs\" rel=\"noopener\" target=\"_blank\">Eternal\u003c/a>” drops, expect to see a wave of dancing as the humans claim their space.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Holly Herndon performs Monday, May 20, at August Hall in San Francisco. Foozool and 8uentina from Club Chai open the show. \u003ca href=\"https://www.augusthallsf.com/event/9263065/holly-herndon-foozool-8ulentina/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857405/holly-herndons-remarkable-ai-assisted-new-music",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69"
],
"tags": [
"arts_3634",
"arts_1118",
"arts_596",
"arts_2309",
"arts_1935"
],
"featImg": "arts_13857408",
"label": "arts_140"
},
"arts_13853824": {
"type": "posts",
"id": "arts_13853824",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13853824",
"score": null,
"sort": [
1557948474000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1557948474,
"format": "standard",
"title": "A Playlist For a Rainy Day, As Chosen by You",
"headTitle": "A Playlist For a Rainy Day, As Chosen by You | KQED",
"content": "\u003cp>Maybe you’re the type who just “\u003ca href=\"https://www.youtube.com/watch?v=g5Rjo_imHDE\" target=\"_blank\" rel=\"noopener noreferrer\">can’t stand the rain\u003c/a>” like Ann Peebles. Or perhaps you don’t mind letting yourself “\u003ca href=\"https://www.youtube.com/watch?v=l5aZJBLAu1E\" target=\"_blank\" rel=\"noopener noreferrer\">get absolutely soaking wet\u003c/a>” like the Weather Girls. But one thing’s for sure: the best antidote for the wet-weather melancholy of a gray-skied day is to bundle up and stream some beloved storm-inspired songs.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/KQEDarts/status/1110969308878823425\" target=\"_blank\" rel=\"noopener noreferrer\">On Twitter\u003c/a>, we asked readers to help us make a rainy day playlist, and you did not disappoint. You sent us electrifying instrumentals like “This Rainy Decade,” a supercharged synth track from the Cleaners From Venus, and the thunderous “Riders on the Storm,” infused with Jim Morrison’s raspy, whispered vocals.\u003c/p>\n\u003cp>Whether you prefer the cunning cacophony of local \u003ca href=\"https://www.kqed.org/arts/tag/kronos-quartet\" target=\"_blank\" rel=\"noopener noreferrer\">Kronos Quartet\u003c/a>‘s “\u003ca href=\"https://www.youtube.com/watch?v=88_vG4mnOoQ\" target=\"_blank\" rel=\"noopener noreferrer\">The Water Rises\u003c/a>,” or the sumptuous Motown sway of the Dramatics’ “\u003ca href=\"https://www.youtube.com/watch?v=ux8gZuvTVR8\" target=\"_blank\" rel=\"noopener noreferrer\">In The Rain\u003c/a>,” there’s a track in there that’s bound to keep your seasonal blues at bay.\u003c/p>\n\u003cp>So let it pour, let it flood and let’s get totally carried away by this crowdsourced playlist for a rainy day.\u003c/p>\n\u003chr>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/ga2ldjo713dvtkdfxiik0wai6/playlist/1AiKOVXg0INHMRBl5sjl3q\" width=\"800\" height=\"500\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 200,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705026205,
"excerpt": " Let it pour, let it flood and let’s get totally carried away by this crowdsourced playlist for a rainy day.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": " Let it pour, let it flood and let’s get totally carried away by this crowdsourced playlist for a rainy day.",
"title": "A Playlist For a Rainy Day, As Chosen by You | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Playlist For a Rainy Day, As Chosen by You",
"datePublished": "2019-05-15T12:27:54-07:00",
"dateModified": "2024-01-11T18:23:25-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "a-playlist-for-a-rainy-day-as-chosen-by-you",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"articleAge": "0",
"path": "/arts/13853824/a-playlist-for-a-rainy-day-as-chosen-by-you",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Maybe you’re the type who just “\u003ca href=\"https://www.youtube.com/watch?v=g5Rjo_imHDE\" target=\"_blank\" rel=\"noopener noreferrer\">can’t stand the rain\u003c/a>” like Ann Peebles. Or perhaps you don’t mind letting yourself “\u003ca href=\"https://www.youtube.com/watch?v=l5aZJBLAu1E\" target=\"_blank\" rel=\"noopener noreferrer\">get absolutely soaking wet\u003c/a>” like the Weather Girls. But one thing’s for sure: the best antidote for the wet-weather melancholy of a gray-skied day is to bundle up and stream some beloved storm-inspired songs.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/KQEDarts/status/1110969308878823425\" target=\"_blank\" rel=\"noopener noreferrer\">On Twitter\u003c/a>, we asked readers to help us make a rainy day playlist, and you did not disappoint. You sent us electrifying instrumentals like “This Rainy Decade,” a supercharged synth track from the Cleaners From Venus, and the thunderous “Riders on the Storm,” infused with Jim Morrison’s raspy, whispered vocals.\u003c/p>\n\u003cp>Whether you prefer the cunning cacophony of local \u003ca href=\"https://www.kqed.org/arts/tag/kronos-quartet\" target=\"_blank\" rel=\"noopener noreferrer\">Kronos Quartet\u003c/a>‘s “\u003ca href=\"https://www.youtube.com/watch?v=88_vG4mnOoQ\" target=\"_blank\" rel=\"noopener noreferrer\">The Water Rises\u003c/a>,” or the sumptuous Motown sway of the Dramatics’ “\u003ca href=\"https://www.youtube.com/watch?v=ux8gZuvTVR8\" target=\"_blank\" rel=\"noopener noreferrer\">In The Rain\u003c/a>,” there’s a track in there that’s bound to keep your seasonal blues at bay.\u003c/p>\n\u003cp>So let it pour, let it flood and let’s get totally carried away by this crowdsourced playlist for a rainy day.\u003c/p>\n\u003chr>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/ga2ldjo713dvtkdfxiik0wai6/playlist/1AiKOVXg0INHMRBl5sjl3q\" width=\"800\" height=\"500\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13853824/a-playlist-for-a-rainy-day-as-chosen-by-you",
"authors": [
"11357"
],
"categories": [
"arts_69"
],
"tags": [
"arts_6475",
"arts_681",
"arts_596",
"arts_1549"
],
"featImg": "arts_13853845",
"label": "arts"
},
"arts_13857317": {
"type": "posts",
"id": "arts_13857317",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857317",
"score": null,
"sort": [
1557947703000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1557947703,
"format": "standard",
"title": "BottleRock's Eclectic Lineup Features Too Short, Santana and Pharrell Williams",
"headTitle": "BottleRock’s Eclectic Lineup Features Too Short, Santana and Pharrell Williams | KQED",
"content": "\u003cp>A wine-country summer staple, \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">BottleRock\u003c/a> returns to the Napa Valley Expo May 24–26 with an eclectic lineup featuring some all-time greats of soul, rock, folk, indie and hip-hop. This year’s headliners are indie folk band Mumford and Sons, two-time Rock’n’Roll-Hall-of-Famer Neil Young and Grammy-winning electro-pop band Imagine Dragons.\u003c/p>\n\u003cp>If those aren’t your cup of tea, the rest of the lineup includes some notable highlights, including May 25’s performance from super-producer Pharrell Williams, who, in addition to being a star in his own right, helped create some of Ariana Grande, Missy Elliott and Gwen Stefani’s most memorable tracks. Oakland rap icon Too Short performs on May 26, as well as guitar god Carlos Santana, Bay Area soul band Con Brio, Big Boi of Outkast and actor-turned-musician Jeff Goldblum.\u003c/p>\n\u003cp>Chart-topping rapper Logic performs May 24, plus Irish punk band Flogging Molly and Oakland retro rock’n’roller Shannon Shaw (who performs again on May 25 with her band, Shannon and the Clams). May 25’s lineup also includes ’90s stoner rappers Cypress Hill, Colombian pop star Juanes and punk band Against Me.\u003c/p>\n\u003cp>Three-day passes for BottleRock are sold-out, but single-day tickets are still available. The full schedule and more information about the festival can be found \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 241,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705026207,
"excerpt": "The wine-country summer staple returns to Napa Valley May 24–26.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The wine-country summer staple returns to Napa Valley May 24–26.",
"title": "BottleRock's Eclectic Lineup Features Too Short, Santana and Pharrell Williams | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "BottleRock's Eclectic Lineup Features Too Short, Santana and Pharrell Williams",
"datePublished": "2019-05-15T12:15:03-07:00",
"dateModified": "2024-01-11T18:23:27-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bottle-rocks-eclectic-lineup-features-too-short-santana-and-pharrell-williams",
"status": "publish",
"sticky": false,
"path": "/arts/13857317/bottle-rocks-eclectic-lineup-features-too-short-santana-and-pharrell-williams",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A wine-country summer staple, \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">BottleRock\u003c/a> returns to the Napa Valley Expo May 24–26 with an eclectic lineup featuring some all-time greats of soul, rock, folk, indie and hip-hop. This year’s headliners are indie folk band Mumford and Sons, two-time Rock’n’Roll-Hall-of-Famer Neil Young and Grammy-winning electro-pop band Imagine Dragons.\u003c/p>\n\u003cp>If those aren’t your cup of tea, the rest of the lineup includes some notable highlights, including May 25’s performance from super-producer Pharrell Williams, who, in addition to being a star in his own right, helped create some of Ariana Grande, Missy Elliott and Gwen Stefani’s most memorable tracks. Oakland rap icon Too Short performs on May 26, as well as guitar god Carlos Santana, Bay Area soul band Con Brio, Big Boi of Outkast and actor-turned-musician Jeff Goldblum.\u003c/p>\n\u003cp>Chart-topping rapper Logic performs May 24, plus Irish punk band Flogging Molly and Oakland retro rock’n’roller Shannon Shaw (who performs again on May 25 with her band, Shannon and the Clams). May 25’s lineup also includes ’90s stoner rappers Cypress Hill, Colombian pop star Juanes and punk band Against Me.\u003c/p>\n\u003cp>Three-day passes for BottleRock are sold-out, but single-day tickets are still available. The full schedule and more information about the festival can be found \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857317/bottle-rocks-eclectic-lineup-features-too-short-santana-and-pharrell-williams",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1853",
"arts_831",
"arts_2519",
"arts_3478"
],
"featImg": "arts_13857335",
"label": "arts_140"
},
"arts_13857179": {
"type": "posts",
"id": "arts_13857179",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857179",
"score": null,
"sort": [
1557946920000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1557946920,
"format": "standard",
"title": "An Insider's Guide to San Francisco's Most Adventurous Classical Music Fest",
"headTitle": "An Insider’s Guide to San Francisco’s Most Adventurous Classical Music Fest | KQED",
"content": "\u003cp>\u003cem>\u003cstrong>Update, May 30:\u003c/strong> Kronos Performing Arts Association (KPAA) announced that Hawa Kassé Mady Diabaté canceled her appearance at Kronos Festival due to visa delays. According to KPAA, the United States embassy in Mali subjected her to the Trump administration’s “extreme vetting” procedure that will delay her visa indefinitely. San Francisco Girls Chorus and Valerie Sainte-Agathe will still perform her piece, Tegere Tulon, on June 1.\u003c/em>\u003c/p>\n\u003cp>\u003cem>“It is deeply upsetting that such an amazing vocalist would be prevented from sharing her unique artistry here,” said KPAA Managing Director Janet Cowperthwaite. “What a missed opportunity for Kronos, the San Francisco Girls Chorus, and our audiences.”\u003c/em>\u003c/p>\n\u003cp>When it comes to collaboration, the members of Kronos Quartet don’t seem too concerned with a musician’s genre—or age, or language or musical instrument, for that matter. Instead, the contemporary-classical powerhouse tends to tap people whose work is emotionally moving, intellectually stimulating and technically impressive as hell.\u003c/p>\n\u003cp>To give one example: last year, at the quartet’s annual festival at SFJAZZ, Kronos’ delicate string playing accompanied a surrealist, sorrowful sailor song by freak-folk duo \u003ca href=\"https://www.cocorosiemusic.com/\" target=\"_blank\" rel=\"noopener\">CocoRosie\u003c/a>. As CocoRosie’s operatic vocals swelled, the quartet’s bows went flying as they shredded on their violins, cello and viola. Soon, tabla master \u003ca href=\"http://www.zakirhussain.com/\" target=\"_blank\" rel=\"noopener\">Zakir Hussain\u003c/a> joined in, beating a pitter-patter rhythm on his drums with the intuitive touch of a reiki healer. The musicians locked in step with the agility of the Warriors’ starting squad, and the whole performance vibrated toward an epic crescendo, leaving the audience with their jaws on the floor.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[pullquote size='medium' align='right'] The music may be all over the map, but Kronos Quartet’s enduring belief that folk, experimental and classical music belong in conversation, on the same stage, unites the event’s disparate programming. [/pullquote]\u003c/span>\u003c/p>\n\u003cp>That musical sorcery returns to SFJAZZ on May 30–June 1, when this year’s \u003ca href=\"https://www.kronosquartet.org/kronos-festival-2019\" target=\"_blank\" rel=\"noopener\">Kronos Festival\u003c/a> brings a program of four genre-agnostic concerts designed to inspire, challenge and delight—plus several artist talks and a film screening.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s kind of like a fresco: a lot of it is getting put \u003c/span>\u003cspan style=\"font-weight: 400\">together even as we speak,” Kronos Quartet’s \u003c/span>\u003cspan style=\"font-weight: 400\">founding violinist and creative director David Harrington says over the phone. \u003c/span>\u003c/p>\n\u003ch2>Premiering New, Experimental Works\u003c/h2>\n\u003cp>The centerpiece of the festival is the premiere of three new works from Kronos’ \u003ca href=\"https://kronosquartet.org/fifty-for-the-future\" target=\"_blank\" rel=\"noopener\">Fifty for the Future\u003c/a> project, an ongoing initiative that commissions pieces from diverse, international composers. Kronos Quartet performs the resulting works at prestigious institutions such as Carnegie Hall, introducing the emerging composers to the upper echelons of the classical world, and deposits the Fifty for the Future scores and multimedia resources into an online archive that’s free for all to use.\u003c/p>\n\u003cp>At SFJAZZ on June 1, singer-composer Hawa Kassé Mady Diabaté of Malian group \u003ca href=\"http://triodakali-kronosquartet.com/\" target=\"_blank\" rel=\"noopener\">Trio Da Kali\u003c/a> performs her new Fifty for the Future piece inspired by \u003ca href=\"https://vimeo.com/73866734\" target=\"_blank\" rel=\"noopener\">\u003cem>tegere tulon\u003c/em>\u003c/a>, the impromptu hand-clapping songs and dances Malian girls create in the countryside. Ethnomusicologist \u003ca href=\"https://en.wikipedia.org/wiki/Lucy_Dur%C3%A1n\" target=\"_blank\" rel=\"noopener\">Lucy Duran\u003c/a>, who specializes in African music, will give a pre-show talk contextualizing Diabaté’s performance.\u003c/p>\n\u003cp>https://youtu.be/9ttsz6j6bjM\u003c/p>\n\u003cp>On May 30, the quartet will also premiere a Fifty for the Future piece by Stanford professor \u003ca href=\"https://music.stanford.edu/people/mark-applebaum\" target=\"_blank\" rel=\"noopener\">Mark Applebaum\u003c/a>, whose playful compositions have been known to include junk-as-instruments, non-musical players such as florists and even a piece for three conductors and no musicians. Plus, there’s a new work Fifty for the Future work by \u003ca href=\"http://www.missymazzoli.com/\" target=\"_blank\" rel=\"noopener\">Missy Mazzoli\u003c/a>, a boundary-pushing rising star of the classical world and the Chicago Symphony’s current composer-in-residence.\u003c/p>\n\u003cp>Also on May 30, Kronos Quartet pays homage to the work of left-wing historian Howard Zinn. Ethio-jazz singer-songwriter \u003ca href=\"https://www.meklitmusic.com/\" target=\"_blank\" rel=\"noopener\">Meklit\u003c/a>, cultural critic \u003ca href=\"http://rebeccasolnit.net/\" target=\"_blank\" rel=\"noopener\">Rebecca Solnit\u003c/a>, folk musician \u003ca href=\"http://www.leeknightmusic.com/\" target=\"_blank\" rel=\"noopener\">Lee Knight\u003c/a> and poet/actor \u003ca href=\"https://michaelthe3rd.weebly.com/\" target=\"_blank\" rel=\"noopener\">Michael Wayne Turner III\u003c/a> will accompany the musicians with readings from works by Zinn and Martin Luther King, Jr. (Zinn’s \u003cem>A People’s History of the United States \u003c/em>highlights how abolitionists, labor organizers, feminists, civil rights leaders and other dissenters shaped American history.) Meklit performs with Kronos once again on June 1. [aside postid='pop_111696']\u003c/p>\n\u003ch2>Paying Homage to a Folk Music Great\u003c/h2>\n\u003cp>This year’s Kronos Festival also features tributes to \u003ca href=\"https://www.peteseegermusic.com/\" target=\"_blank\" rel=\"noopener\">Pete Seeger\u003c/a>, the folk musician and activist who would have turned 100 this year. Harrington considers him one of the all-time greatest American composers.\u003c/p>\n\u003cp>“I grew up listening to his music, we played it for our kids and we played it for our grandkids,” says Harrington. “Now, Kronos is playing it for our audience.”\u003c/p>\n\u003cp>At a pre-festival event at the Exploratorium on May 29, there’s a screening of rare footage from Seeger’s travels. And on June 1 at SFJAZZ, folk music historian Todd Harvey of the \u003ca href=\"https://www.loc.gov/folklife/index.html\" target=\"_blank\" rel=\"noopener\">American Folklife Center\u003c/a> gives a talk about Seeger’s impact and environmental and civil rights activism. Composer Jacob Garchik, of the Balkan brass band Slavic Soul Party, composed an homage to Seeger that Kronos will perform.\u003c/p>\n\u003cp>Contemporary folk artists following in Seeger’s footsteps also perform with Kronos throughout the festival, including \u003ca href=\"http://www.samamidon.com/\" target=\"_blank\" rel=\"noopener\">Sam Amidon\u003c/a>, a multi-instrumentalist who grew up playing in a family band and has since been featured on albums by Tune-Yards and the National, as well as Lee Knight, a keeper of traditional Appalachian folk music.\u003c/p>\n\u003cp>https://youtu.be/eYCEzdOOrjE\u003c/p>\n\u003cp>CocoRosie joins Kronos once again on May 30, as does \u003ca href=\"https://www.jherekbischoff.com/#home\" target=\"_blank\" rel=\"noopener\">Jherek Bischoff\u003c/a>, a horn and string player whose solo career emerged from a successful one as a side man in the influential experimental band Xiu Xiu. Bischoff performs his original compositions for Kronos and bass guitar.\u003c/p>\n\u003cp>“I’m energized by what I hear CocoRosie doing,” says Harrington of the lineup. “And every time we’re around Jherek Bischoff—he’s one of the most ‘up’ persons that I know of. He brings everyone to a higher realm.”\u003c/p>\n\u003ch2>Giving Students a Chance to Shine\u003c/h2>\n\u003cp>This year’s artist-in-residence, opera singer and San Francisco Girls Chorus artistic director \u003ca href=\"https://www.sfgirlschorus.org/valerie-sainte-agathe\" target=\"_blank\" rel=\"noopener\">Valérie Sainte-Agathe\u003c/a>, joins Kronos for all three evenings along with singers from the \u003ca href=\"https://www.sfgirlschorus.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Girls Chorus\u003c/a>. Student musicians from the Ruth Asawa San Francisco School of the Arts also perform works from Fifty for the Future on May 30 and 31. [aside postid='arts_13855947']\u003c/p>\n\u003cp>“W\u003cspan style=\"font-weight: 400\">e think it’s a good idea that our audience knows that music is happening in the public schools in San Francisco,” says Harrington. “We’re able to give young performers a chance to perform and to have an audience and to learn what it’s like to get out there.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Kronos Festival is more than eclectic, with multiple trains of thought that may not have obvious connections until one arrives and hears the master musicians in their element. The music may be all over the map—literally, as it comes from all over the globe—but Kronos Quartet’s enduring belief that folk, experimental and classical music belong in conversation, on the same stage, unites the event’s disparate programming. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Harrington sums it up best: “I look at the Kronos Festival 2019 is opportunity for all of us to be reinvigorated, to learn more about what surrounds us and maybe to find things we didn’t know are happening.”\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>The full schedule of events and more information on the Kronos Festival can be found \u003ca href=\"https://www.kronosquartet.org/kronos-festival-2019\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1300,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 25
},
"modified": 1705026210,
"excerpt": "Now in its fifth year, Kronos Festival unites classical, folk and experimental music at SFJAZZ May 30-June 1. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Now in its fifth year, Kronos Festival unites classical, folk and experimental music at SFJAZZ May 30-June 1. ",
"title": "An Insider's Guide to San Francisco's Most Adventurous Classical Music Fest | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "An Insider's Guide to San Francisco's Most Adventurous Classical Music Fest",
"datePublished": "2019-05-15T12:02:00-07:00",
"dateModified": "2024-01-11T18:23:30-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "an-insiders-guide-to-san-franciscos-most-adventurous-classical-music-fest",
"status": "publish",
"sticky": false,
"path": "/arts/13857179/an-insiders-guide-to-san-franciscos-most-adventurous-classical-music-fest",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Update, May 30:\u003c/strong> Kronos Performing Arts Association (KPAA) announced that Hawa Kassé Mady Diabaté canceled her appearance at Kronos Festival due to visa delays. According to KPAA, the United States embassy in Mali subjected her to the Trump administration’s “extreme vetting” procedure that will delay her visa indefinitely. San Francisco Girls Chorus and Valerie Sainte-Agathe will still perform her piece, Tegere Tulon, on June 1.\u003c/em>\u003c/p>\n\u003cp>\u003cem>“It is deeply upsetting that such an amazing vocalist would be prevented from sharing her unique artistry here,” said KPAA Managing Director Janet Cowperthwaite. “What a missed opportunity for Kronos, the San Francisco Girls Chorus, and our audiences.”\u003c/em>\u003c/p>\n\u003cp>When it comes to collaboration, the members of Kronos Quartet don’t seem too concerned with a musician’s genre—or age, or language or musical instrument, for that matter. Instead, the contemporary-classical powerhouse tends to tap people whose work is emotionally moving, intellectually stimulating and technically impressive as hell.\u003c/p>\n\u003cp>To give one example: last year, at the quartet’s annual festival at SFJAZZ, Kronos’ delicate string playing accompanied a surrealist, sorrowful sailor song by freak-folk duo \u003ca href=\"https://www.cocorosiemusic.com/\" target=\"_blank\" rel=\"noopener\">CocoRosie\u003c/a>. As CocoRosie’s operatic vocals swelled, the quartet’s bows went flying as they shredded on their violins, cello and viola. Soon, tabla master \u003ca href=\"http://www.zakirhussain.com/\" target=\"_blank\" rel=\"noopener\">Zakir Hussain\u003c/a> joined in, beating a pitter-patter rhythm on his drums with the intuitive touch of a reiki healer. The musicians locked in step with the agility of the Warriors’ starting squad, and the whole performance vibrated toward an epic crescendo, leaving the audience with their jaws on the floor.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": " The music may be all over the map, but Kronos Quartet’s enduring belief that folk, experimental and classical music belong in conversation, on the same stage, unites the event’s disparate programming. ",
"name": "pullquote",
"attributes": {
"named": {
"size": "medium",
"align": "right",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>That musical sorcery returns to SFJAZZ on May 30–June 1, when this year’s \u003ca href=\"https://www.kronosquartet.org/kronos-festival-2019\" target=\"_blank\" rel=\"noopener\">Kronos Festival\u003c/a> brings a program of four genre-agnostic concerts designed to inspire, challenge and delight—plus several artist talks and a film screening.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“It’s kind of like a fresco: a lot of it is getting put \u003c/span>\u003cspan style=\"font-weight: 400\">together even as we speak,” Kronos Quartet’s \u003c/span>\u003cspan style=\"font-weight: 400\">founding violinist and creative director David Harrington says over the phone. \u003c/span>\u003c/p>\n\u003ch2>Premiering New, Experimental Works\u003c/h2>\n\u003cp>The centerpiece of the festival is the premiere of three new works from Kronos’ \u003ca href=\"https://kronosquartet.org/fifty-for-the-future\" target=\"_blank\" rel=\"noopener\">Fifty for the Future\u003c/a> project, an ongoing initiative that commissions pieces from diverse, international composers. Kronos Quartet performs the resulting works at prestigious institutions such as Carnegie Hall, introducing the emerging composers to the upper echelons of the classical world, and deposits the Fifty for the Future scores and multimedia resources into an online archive that’s free for all to use.\u003c/p>\n\u003cp>At SFJAZZ on June 1, singer-composer Hawa Kassé Mady Diabaté of Malian group \u003ca href=\"http://triodakali-kronosquartet.com/\" target=\"_blank\" rel=\"noopener\">Trio Da Kali\u003c/a> performs her new Fifty for the Future piece inspired by \u003ca href=\"https://vimeo.com/73866734\" target=\"_blank\" rel=\"noopener\">\u003cem>tegere tulon\u003c/em>\u003c/a>, the impromptu hand-clapping songs and dances Malian girls create in the countryside. Ethnomusicologist \u003ca href=\"https://en.wikipedia.org/wiki/Lucy_Dur%C3%A1n\" target=\"_blank\" rel=\"noopener\">Lucy Duran\u003c/a>, who specializes in African music, will give a pre-show talk contextualizing Diabaté’s performance.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9ttsz6j6bjM'\n title='//www.youtube.com/embed/9ttsz6j6bjM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>On May 30, the quartet will also premiere a Fifty for the Future piece by Stanford professor \u003ca href=\"https://music.stanford.edu/people/mark-applebaum\" target=\"_blank\" rel=\"noopener\">Mark Applebaum\u003c/a>, whose playful compositions have been known to include junk-as-instruments, non-musical players such as florists and even a piece for three conductors and no musicians. Plus, there’s a new work Fifty for the Future work by \u003ca href=\"http://www.missymazzoli.com/\" target=\"_blank\" rel=\"noopener\">Missy Mazzoli\u003c/a>, a boundary-pushing rising star of the classical world and the Chicago Symphony’s current composer-in-residence.\u003c/p>\n\u003cp>Also on May 30, Kronos Quartet pays homage to the work of left-wing historian Howard Zinn. Ethio-jazz singer-songwriter \u003ca href=\"https://www.meklitmusic.com/\" target=\"_blank\" rel=\"noopener\">Meklit\u003c/a>, cultural critic \u003ca href=\"http://rebeccasolnit.net/\" target=\"_blank\" rel=\"noopener\">Rebecca Solnit\u003c/a>, folk musician \u003ca href=\"http://www.leeknightmusic.com/\" target=\"_blank\" rel=\"noopener\">Lee Knight\u003c/a> and poet/actor \u003ca href=\"https://michaelthe3rd.weebly.com/\" target=\"_blank\" rel=\"noopener\">Michael Wayne Turner III\u003c/a> will accompany the musicians with readings from works by Zinn and Martin Luther King, Jr. (Zinn’s \u003cem>A People’s History of the United States \u003c/em>highlights how abolitionists, labor organizers, feminists, civil rights leaders and other dissenters shaped American history.) Meklit performs with Kronos once again on June 1. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_111696",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>Paying Homage to a Folk Music Great\u003c/h2>\n\u003cp>This year’s Kronos Festival also features tributes to \u003ca href=\"https://www.peteseegermusic.com/\" target=\"_blank\" rel=\"noopener\">Pete Seeger\u003c/a>, the folk musician and activist who would have turned 100 this year. Harrington considers him one of the all-time greatest American composers.\u003c/p>\n\u003cp>“I grew up listening to his music, we played it for our kids and we played it for our grandkids,” says Harrington. “Now, Kronos is playing it for our audience.”\u003c/p>\n\u003cp>At a pre-festival event at the Exploratorium on May 29, there’s a screening of rare footage from Seeger’s travels. And on June 1 at SFJAZZ, folk music historian Todd Harvey of the \u003ca href=\"https://www.loc.gov/folklife/index.html\" target=\"_blank\" rel=\"noopener\">American Folklife Center\u003c/a> gives a talk about Seeger’s impact and environmental and civil rights activism. Composer Jacob Garchik, of the Balkan brass band Slavic Soul Party, composed an homage to Seeger that Kronos will perform.\u003c/p>\n\u003cp>Contemporary folk artists following in Seeger’s footsteps also perform with Kronos throughout the festival, including \u003ca href=\"http://www.samamidon.com/\" target=\"_blank\" rel=\"noopener\">Sam Amidon\u003c/a>, a multi-instrumentalist who grew up playing in a family band and has since been featured on albums by Tune-Yards and the National, as well as Lee Knight, a keeper of traditional Appalachian folk music.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eYCEzdOOrjE'\n title='//www.youtube.com/embed/eYCEzdOOrjE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>CocoRosie joins Kronos once again on May 30, as does \u003ca href=\"https://www.jherekbischoff.com/#home\" target=\"_blank\" rel=\"noopener\">Jherek Bischoff\u003c/a>, a horn and string player whose solo career emerged from a successful one as a side man in the influential experimental band Xiu Xiu. Bischoff performs his original compositions for Kronos and bass guitar.\u003c/p>\n\u003cp>“I’m energized by what I hear CocoRosie doing,” says Harrington of the lineup. “And every time we’re around Jherek Bischoff—he’s one of the most ‘up’ persons that I know of. He brings everyone to a higher realm.”\u003c/p>\n\u003ch2>Giving Students a Chance to Shine\u003c/h2>\n\u003cp>This year’s artist-in-residence, opera singer and San Francisco Girls Chorus artistic director \u003ca href=\"https://www.sfgirlschorus.org/valerie-sainte-agathe\" target=\"_blank\" rel=\"noopener\">Valérie Sainte-Agathe\u003c/a>, joins Kronos for all three evenings along with singers from the \u003ca href=\"https://www.sfgirlschorus.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Girls Chorus\u003c/a>. Student musicians from the Ruth Asawa San Francisco School of the Arts also perform works from Fifty for the Future on May 30 and 31. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13855947",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“W\u003cspan style=\"font-weight: 400\">e think it’s a good idea that our audience knows that music is happening in the public schools in San Francisco,” says Harrington. “We’re able to give young performers a chance to perform and to have an audience and to learn what it’s like to get out there.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Kronos Festival is more than eclectic, with multiple trains of thought that may not have obvious connections until one arrives and hears the master musicians in their element. The music may be all over the map—literally, as it comes from all over the globe—but Kronos Quartet’s enduring belief that folk, experimental and classical music belong in conversation, on the same stage, unites the event’s disparate programming. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Harrington sums it up best: “I look at the Kronos Festival 2019 is opportunity for all of us to be reinvigorated, to learn more about what surrounds us and maybe to find things we didn’t know are happening.”\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>The full schedule of events and more information on the Kronos Festival can be found \u003ca href=\"https://www.kronosquartet.org/kronos-festival-2019\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857179/an-insiders-guide-to-san-franciscos-most-adventurous-classical-music-fest",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_15393",
"arts_1118",
"arts_7455",
"arts_2244",
"arts_2048"
],
"featImg": "arts_13848854",
"label": "arts_140"
},
"arts_13857192": {
"type": "posts",
"id": "arts_13857192",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13857192",
"score": null,
"sort": [
1557785771000
]
},
"guestAuthors": [],
"slug": "celebrating-a-tribe-called-quests-midnight-marauders",
"title": "Celebrating A Tribe Called Quest's 'Midnight Marauders'",
"publishDate": 1557785771,
"format": "standard",
"headTitle": "Celebrating A Tribe Called Quest’s ‘Midnight Marauders’ | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>Somewhere along the way, A Tribe Called Quest became the patron saints of ’90s hip-hop—a decade during which hundreds of rappers pushed boundaries, developed new sounds and honed the art form. Since Tribe first broke up in 1999, there’s been a documentary, dozens of magazine profiles, a new album, multiple reunion tours, late-night TV performances and T-shirts in stores like Urban Outfitters.\u003c/p>\n\u003cp>This ubiquity is a little concerning—and I say that as someone who loves A Tribe Called Quest. I think about how Johnny Cash came to represent classic country, or Ray Charles classic soul, or Bob Marley reggae, and I think about the way icons can become dangerously adjacent to caricature. I think about the overlooked artists in this process, and how the notion of “greatness” spreads in our culture unquestioned: best-ever lists get essentially copy-and-pasted, playlists fall back on the same hits and exaltation begets more exaltation.\u003c/p>\n\u003cp>Luckily, both a recent book and an upcoming tribute show for A Tribe Called Quest reclaim the group from canonization, instead highlighting what made their work so deeply personal for generations of listeners.\u003c/p>\n\u003cfigure id=\"attachment_13857238\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857238\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Hanif.Tribe_.Dip_-800x467.jpg\" alt=\"Hanif Abdurraqib and his latest book, 'Go Ahead in the Rain: Notes to A Tribe Called Quest.'\" width=\"800\" height=\"467\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Hanif.Tribe_.Dip_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Hanif.Tribe_.Dip_-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Hanif.Tribe_.Dip_-768x448.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hanif Abdurraqib and his latest book, ‘Go Ahead in the Rain: Notes to A Tribe Called Quest.’ \u003ccite>(University of Texas Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The book is \u003cem>\u003ca href=\"https://www.npr.org/2019/02/05/691293961/in-go-ahead-in-the-rain-the-love-for-a-tribe-called-quest-is-infectious\" target=\"_blank\" rel=\"noopener\">Go Ahead in the Rain: Notes to a Tribe Called Quest\u003c/a>\u003c/em> by Hanif Abdurraqib. Reading it is like listening to \u003cem>The Low End Theory\u003c/em> with a good friend, and confiding in each other all the feelings and thoughts the music brings up. In a series of chapters moving chronologically through the group’s history, Abdurraqib doesn’t try to be all-encompassing or scholarly; with a love as personal as his, he writes from the heart, exemplified by open letters to each member of the group.\u003c/p>\n\u003cp>Abdurraqib’s passion for Tribe comes from a particular time and place, when fans obsessively studied liner notes and interviews. He takes the reader through a deep knowledge of other artists from the era, of specific samples, of exact turning points in the group’s career. He understands that Tribe was great, but so was Mobb Deep. For anyone who’s listened to Tribe so many times that their music feels commonplace, part of the air, invisible, Abdurraqib brings it back to vivid presence through context and beautiful, poetic description.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Another way to bring a group’s music back to life is to simply play it. This weekend, May 16–18, A Tribe Called Quest’s 1993 album \u003cem>Midnight Marauders\u003c/em> gets a lively reworking in an Undercover Presents concert. If you haven’t been to an Undercover show before, don’t expect note-for-note covers. A diverse lineup of musicians will reinterpret the album’s 14 songs in wildly different styles: “Award Tour” with horns and a cumbia beat, “Oh My God” as a fuzzed-out guitar jam, “We Can Get Down” as a piano ballad and more.\u003c/p>\n\u003cfigure id=\"attachment_13857239\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857239\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Starita-800x534.jpg\" alt=\"Starita, guest producer for Undercover Presents' 'A Tribute to A tribe Called Quest's Midnight Marauders.'\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Starita.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Starita-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Starita-768x513.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Starita, guest producer for Undercover Presents’ ‘A Tribute to A tribe Called Quest’s Midnight Marauders.’ \u003ccite>(Undercover Presents)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The lineup at YBCA includes a who’s-who of Bay Area live music: the Awesöme Orchestra, MJ’s Brass Boppers, Gift of Gab, La Gente, Royal Jelly Jive, Lagos Roots and many others who are headliners in their own right. They’re brought together by producer Starita, who served as engineer on Tribe’s final album, \u003cem>We Got It From Here… Thank You 4 Your Service\u003c/em>, before Phife Dawg’s death at age 45. (The city of Oakland is declaring May 17 “Phife Dawg Day” as a nod to his \u003ca href=\"https://www.kqed.org/arts/11430497/why-phife-mattered-remembering-hip-hops-relatable-mc\" target=\"_blank\" rel=\"noopener\">final years living in the Bay Area\u003c/a>.) And DJ Platurn, who’s made a series of Tribe mixtapes that turn songs you’ve heard 100 times into new diamonds, will hold it down on the turntables.\u003c/p>\n\u003cp>If you can’t make any the shows, there’s a record of the songs being pressed through Second Line Vinyl, a new vinyl pressing company in Oakland started by Undercover’s tireless founder and ringleader, Lyz Luke. But if \u003ca href=\"https://www.youtube.com/watch?v=g0S8Cu58fCM\" target=\"_blank\" rel=\"noopener\">the past is any indication\u003c/a> with Undercover tributes, or with YBCA’s \u003ca href=\"https://www.kqed.org/arts/10230592/93-til-infinity-watch-bay-area-musicians-remix-classic-90s-hip-hop\" target=\"_blank\" rel=\"noopener\">hip-hop celebrations\u003c/a>, I’d shoot for being in the building.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘A Tribute to A Tribe Called Quest’s Midnight Marauders’ runs three nights, May 16–18, at YBCA in San Francisco. \u003ca href=\"http://www.undercoverpresents.com/shows\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "A diverse, all-star tribute to the hip-hop group's 1993 album features deeply individual interpretations.",
"status": "publish",
"parent": 0,
"modified": 1726766992,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 12,
"wordCount": 775
},
"headData": {
"title": "Celebrating A Tribe Called Quest's 'Midnight Marauders' | KQED",
"description": "A diverse, all-star tribute to the hip-hop group's 1993 album features deeply individual interpretations.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Celebrating A Tribe Called Quest's 'Midnight Marauders'",
"datePublished": "2019-05-13T15:16:11-07:00",
"dateModified": "2024-09-19T10:29:52-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13857192/celebrating-a-tribe-called-quests-midnight-marauders",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Somewhere along the way, A Tribe Called Quest became the patron saints of ’90s hip-hop—a decade during which hundreds of rappers pushed boundaries, developed new sounds and honed the art form. Since Tribe first broke up in 1999, there’s been a documentary, dozens of magazine profiles, a new album, multiple reunion tours, late-night TV performances and T-shirts in stores like Urban Outfitters.\u003c/p>\n\u003cp>This ubiquity is a little concerning—and I say that as someone who loves A Tribe Called Quest. I think about how Johnny Cash came to represent classic country, or Ray Charles classic soul, or Bob Marley reggae, and I think about the way icons can become dangerously adjacent to caricature. I think about the overlooked artists in this process, and how the notion of “greatness” spreads in our culture unquestioned: best-ever lists get essentially copy-and-pasted, playlists fall back on the same hits and exaltation begets more exaltation.\u003c/p>\n\u003cp>Luckily, both a recent book and an upcoming tribute show for A Tribe Called Quest reclaim the group from canonization, instead highlighting what made their work so deeply personal for generations of listeners.\u003c/p>\n\u003cfigure id=\"attachment_13857238\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857238\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Hanif.Tribe_.Dip_-800x467.jpg\" alt=\"Hanif Abdurraqib and his latest book, 'Go Ahead in the Rain: Notes to A Tribe Called Quest.'\" width=\"800\" height=\"467\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Hanif.Tribe_.Dip_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Hanif.Tribe_.Dip_-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Hanif.Tribe_.Dip_-768x448.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hanif Abdurraqib and his latest book, ‘Go Ahead in the Rain: Notes to A Tribe Called Quest.’ \u003ccite>(University of Texas Press)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The book is \u003cem>\u003ca href=\"https://www.npr.org/2019/02/05/691293961/in-go-ahead-in-the-rain-the-love-for-a-tribe-called-quest-is-infectious\" target=\"_blank\" rel=\"noopener\">Go Ahead in the Rain: Notes to a Tribe Called Quest\u003c/a>\u003c/em> by Hanif Abdurraqib. Reading it is like listening to \u003cem>The Low End Theory\u003c/em> with a good friend, and confiding in each other all the feelings and thoughts the music brings up. In a series of chapters moving chronologically through the group’s history, Abdurraqib doesn’t try to be all-encompassing or scholarly; with a love as personal as his, he writes from the heart, exemplified by open letters to each member of the group.\u003c/p>\n\u003cp>Abdurraqib’s passion for Tribe comes from a particular time and place, when fans obsessively studied liner notes and interviews. He takes the reader through a deep knowledge of other artists from the era, of specific samples, of exact turning points in the group’s career. He understands that Tribe was great, but so was Mobb Deep. For anyone who’s listened to Tribe so many times that their music feels commonplace, part of the air, invisible, Abdurraqib brings it back to vivid presence through context and beautiful, poetic description.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Another way to bring a group’s music back to life is to simply play it. This weekend, May 16–18, A Tribe Called Quest’s 1993 album \u003cem>Midnight Marauders\u003c/em> gets a lively reworking in an Undercover Presents concert. If you haven’t been to an Undercover show before, don’t expect note-for-note covers. A diverse lineup of musicians will reinterpret the album’s 14 songs in wildly different styles: “Award Tour” with horns and a cumbia beat, “Oh My God” as a fuzzed-out guitar jam, “We Can Get Down” as a piano ballad and more.\u003c/p>\n\u003cfigure id=\"attachment_13857239\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857239\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Starita-800x534.jpg\" alt=\"Starita, guest producer for Undercover Presents' 'A Tribute to A tribe Called Quest's Midnight Marauders.'\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Starita.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Starita-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Starita-768x513.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Starita, guest producer for Undercover Presents’ ‘A Tribute to A tribe Called Quest’s Midnight Marauders.’ \u003ccite>(Undercover Presents)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The lineup at YBCA includes a who’s-who of Bay Area live music: the Awesöme Orchestra, MJ’s Brass Boppers, Gift of Gab, La Gente, Royal Jelly Jive, Lagos Roots and many others who are headliners in their own right. They’re brought together by producer Starita, who served as engineer on Tribe’s final album, \u003cem>We Got It From Here… Thank You 4 Your Service\u003c/em>, before Phife Dawg’s death at age 45. (The city of Oakland is declaring May 17 “Phife Dawg Day” as a nod to his \u003ca href=\"https://www.kqed.org/arts/11430497/why-phife-mattered-remembering-hip-hops-relatable-mc\" target=\"_blank\" rel=\"noopener\">final years living in the Bay Area\u003c/a>.) And DJ Platurn, who’s made a series of Tribe mixtapes that turn songs you’ve heard 100 times into new diamonds, will hold it down on the turntables.\u003c/p>\n\u003cp>If you can’t make any the shows, there’s a record of the songs being pressed through Second Line Vinyl, a new vinyl pressing company in Oakland started by Undercover’s tireless founder and ringleader, Lyz Luke. But if \u003ca href=\"https://www.youtube.com/watch?v=g0S8Cu58fCM\" target=\"_blank\" rel=\"noopener\">the past is any indication\u003c/a> with Undercover tributes, or with YBCA’s \u003ca href=\"https://www.kqed.org/arts/10230592/93-til-infinity-watch-bay-area-musicians-remix-classic-90s-hip-hop\" target=\"_blank\" rel=\"noopener\">hip-hop celebrations\u003c/a>, I’d shoot for being in the building.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘A Tribute to A Tribe Called Quest’s Midnight Marauders’ runs three nights, May 16–18, at YBCA in San Francisco. \u003ca href=\"http://www.undercoverpresents.com/shows\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13857192/celebrating-a-tribe-called-quests-midnight-marauders",
"authors": [
"185"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69"
],
"tags": [
"arts_596",
"arts_6605"
],
"featImg": "arts_13857220",
"label": "arts_140"
},
"arts_13856737": {
"type": "posts",
"id": "arts_13856737",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13856737",
"score": null,
"sort": [
1557446445000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1557446445,
"format": "standard",
"title": "Wizard Apprentice Gets Real About Emotional Abuse on Their New Album",
"headTitle": "Wizard Apprentice Gets Real About Emotional Abuse on Their New Album | KQED",
"content": "\u003cp>Emotional abuse manifests in subtle ways, and experimental singer-producer \u003ca href=\"http://wizard-apprentice.com/\" target=\"_blank\" rel=\"noopener\">Wizard Apprentice\u003c/a> remembers the moment they realized their ex used belittling, humiliation, \u003ca href=\"https://www.psychologytoday.com/us/blog/communication-success/201704/7-stages-gaslighting-in-relationship\" target=\"_blank\" rel=\"noopener\">gaslighting\u003c/a> and other tactics of control and manipulation. The artist left the relationship questioning their own sense of reality, with their self-esteem severely depleted.\u003c/p>\n\u003cp>“It was almost like a psychological thriller,” reflects Wizard Apprentice (who uses they/them pronouns). “At the beginning, you might think one character is one way, and then by the reveal of the movie, you realize everything you knew about [it] is completely altered.”\u003c/p>\n\u003cp>Once Wizard Apprentice, whose real name is Tieraney Carter, broke things off with that person, they poured themselves into research, reading \u003ca href=\"https://thoughtcatalog.com/shahida-arabi/2016/06/20-diversion-tactics-highly-manipulative-narcissists-sociopaths-and-psychopaths-use-to-silence-you/\" target=\"_blank\" rel=\"noopener\">articles\u003c/a> and watching YouTube videos from spiritual healers, mental health advocates and licensed psychologists. They learned that emotional abuse can manifest through seemingly small violations—of trust, of boundaries, of respect—that are difficult to identify until they culminate in a toxic environment for the person on the receiving end. [aside postid='arts_13850633']\u003c/p>\n\u003cp>“It took me a full year of getting to know this person, and a year of research, to have more of a clear sense of what had happened,” says Carter. “There’s this really scary feeling of like, ‘Damn, I’ve had this experience, it’s really traumatic. I don’t know how I’m going to explain that to people.'”\u003c/p>\n\u003cp>As Carter worked toward recovery, they documented their findings on their YouTube channel, \u003ca href=\"https://www.youtube.com/channel/UC73O_7DN3eklVoq8gFov2EA\" target=\"_blank\" rel=\"noopener\">U.R.L. G.U.R.L\u003c/a>, and in their music—two therapeutic outlets that allowed them to build community with other survivors at shows and online. With their new album, \u003ca href=\"https://ratskinrecords.bandcamp.com/album/dig-a-pit\" target=\"_blank\" rel=\"noopener\">\u003cem>Dig a Pit\u003c/em>\u003c/a>, which comes out May 10 on Oakland’s \u003ca href=\"https://ratskinrecords.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Ratskin Records\u003c/a> (with a vinyl release through \u003ca href=\"https://cruisinrecords.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Cruisin Records\u003c/a>), they attempt to make sense of what happened, and to foster an open dialogue about the seldom-discussed ways emotional abuse can manifest. (In their new video series on \u003ca href=\"https://www.instagram.com/p/Bw-2CJUBGUW/\" target=\"_blank\" rel=\"noopener\">IGTV\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=G-CTnOTAFoQ\" target=\"_blank\" rel=\"noopener\">YouTube\u003c/a>, “Survivor Catchphrases,” they explore these topics every Thursday through June 27.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://youtu.be/pAqDpfpFJB0\u003c/p>\n\u003cp>The tracks on \u003cem>Dig a Pit\u003c/em> take listeners through the arc of an emotionally abusive relationship and its painful aftermath. The industrial, techno-inspired opening song, “Desire to Learn,” narrates how abusers can use the get-to-know-you phase of the relationship to learn how to manipulate someone’s weaknesses (“You were studying me too / But you were looking for openings, open wounds”). “Gloves are Off,” with a funky bass line and elemental drum roll, starts with the rage-inducing realization of having been manipulated and ends with the affirmation that one can only heal oneself.\u003c/p>\n\u003cp>Later, on “Exorcism,” Carter’s songwriting gets surreal. Singing in a pitch-shifted voice so deep it’s practically subterranean, they take on the perspective of someone who takes advantage of others. “I found someone who likes me / How long do I have before I hurt her?” Wizard Apprentice growls demonically. “I think she really likes me. I find her willingness useful.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1700567050/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Carter’s stripped-down bedroom pop—music for sensitive introverts and self-help enthusiasts—is sometimes uncomfortably transparent in its introspection, like a therapy session set to synth loops. In their music and on U.R.L. G.U.R.L., Carter probes the intricacies of their relationships and self-image, always with the goal of becoming more emotionally intelligent and self-aware.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While the artist has long bared their soul in their work, it took them over a year to figure out how to talk about what happened to them. They say sharing has been healing. “I need to do that for my own sense of recovery from it, and even feeling more safe in the world,” Carter says. “How are we supposed to build communities if people don’t know this is a thing or how to engage with it?”\u003c/span>\u003c/p>\n\u003cp>https://youtu.be/G-CTnOTAFoQ\u003c/p>\n\u003cp>Performing the new tracks from \u003cem>Dig a Pit\u003c/em> has been affirming for Carter. The artist says that audience members have come up to them and told them about similar experiences. They want to have open conversations about what healthy relationships look like, and how to spot the signs of emotional abuse, to help other survivors see the signs before they get too deep into a toxic relationship.\u003c/p>\n\u003cp>“What’s missing is ways of understanding the complexities of these types of relationships,” Carter says, “and how anybody could discern what’s happening.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Wizard Apprentice performs at Elbo Room Oakland on May 16. Details \u003ca href=\"https://www.facebook.com/events/2178599665510682/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": true,
"hasAudio": false,
"hasPolis": false,
"wordCount": 799,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [
"https://bandcamp.com/EmbeddedPlayer/album=1700567050/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/"
],
"paragraphCount": 16
},
"modified": 1705026223,
"excerpt": "The experimental singer-producer's new album and video series gets into the intricacies of unhealthy relationships. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The experimental singer-producer's new album and video series gets into the intricacies of unhealthy relationships. ",
"title": "Wizard Apprentice Gets Real About Emotional Abuse on Their New Album | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Wizard Apprentice Gets Real About Emotional Abuse on Their New Album",
"datePublished": "2019-05-09T17:00:45-07:00",
"dateModified": "2024-01-11T18:23:43-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "wizard-apprentice-gets-real-about-emotional-abuse-on-their-new-album",
"status": "publish",
"sticky": false,
"path": "/arts/13856737/wizard-apprentice-gets-real-about-emotional-abuse-on-their-new-album",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Emotional abuse manifests in subtle ways, and experimental singer-producer \u003ca href=\"http://wizard-apprentice.com/\" target=\"_blank\" rel=\"noopener\">Wizard Apprentice\u003c/a> remembers the moment they realized their ex used belittling, humiliation, \u003ca href=\"https://www.psychologytoday.com/us/blog/communication-success/201704/7-stages-gaslighting-in-relationship\" target=\"_blank\" rel=\"noopener\">gaslighting\u003c/a> and other tactics of control and manipulation. The artist left the relationship questioning their own sense of reality, with their self-esteem severely depleted.\u003c/p>\n\u003cp>“It was almost like a psychological thriller,” reflects Wizard Apprentice (who uses they/them pronouns). “At the beginning, you might think one character is one way, and then by the reveal of the movie, you realize everything you knew about [it] is completely altered.”\u003c/p>\n\u003cp>Once Wizard Apprentice, whose real name is Tieraney Carter, broke things off with that person, they poured themselves into research, reading \u003ca href=\"https://thoughtcatalog.com/shahida-arabi/2016/06/20-diversion-tactics-highly-manipulative-narcissists-sociopaths-and-psychopaths-use-to-silence-you/\" target=\"_blank\" rel=\"noopener\">articles\u003c/a> and watching YouTube videos from spiritual healers, mental health advocates and licensed psychologists. They learned that emotional abuse can manifest through seemingly small violations—of trust, of boundaries, of respect—that are difficult to identify until they culminate in a toxic environment for the person on the receiving end. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13850633",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It took me a full year of getting to know this person, and a year of research, to have more of a clear sense of what had happened,” says Carter. “There’s this really scary feeling of like, ‘Damn, I’ve had this experience, it’s really traumatic. I don’t know how I’m going to explain that to people.'”\u003c/p>\n\u003cp>As Carter worked toward recovery, they documented their findings on their YouTube channel, \u003ca href=\"https://www.youtube.com/channel/UC73O_7DN3eklVoq8gFov2EA\" target=\"_blank\" rel=\"noopener\">U.R.L. G.U.R.L\u003c/a>, and in their music—two therapeutic outlets that allowed them to build community with other survivors at shows and online. With their new album, \u003ca href=\"https://ratskinrecords.bandcamp.com/album/dig-a-pit\" target=\"_blank\" rel=\"noopener\">\u003cem>Dig a Pit\u003c/em>\u003c/a>, which comes out May 10 on Oakland’s \u003ca href=\"https://ratskinrecords.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Ratskin Records\u003c/a> (with a vinyl release through \u003ca href=\"https://cruisinrecords.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Cruisin Records\u003c/a>), they attempt to make sense of what happened, and to foster an open dialogue about the seldom-discussed ways emotional abuse can manifest. (In their new video series on \u003ca href=\"https://www.instagram.com/p/Bw-2CJUBGUW/\" target=\"_blank\" rel=\"noopener\">IGTV\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=G-CTnOTAFoQ\" target=\"_blank\" rel=\"noopener\">YouTube\u003c/a>, “Survivor Catchphrases,” they explore these topics every Thursday through June 27.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pAqDpfpFJB0'\n title='//www.youtube.com/embed/pAqDpfpFJB0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The tracks on \u003cem>Dig a Pit\u003c/em> take listeners through the arc of an emotionally abusive relationship and its painful aftermath. The industrial, techno-inspired opening song, “Desire to Learn,” narrates how abusers can use the get-to-know-you phase of the relationship to learn how to manipulate someone’s weaknesses (“You were studying me too / But you were looking for openings, open wounds”). “Gloves are Off,” with a funky bass line and elemental drum roll, starts with the rage-inducing realization of having been manipulated and ends with the affirmation that one can only heal oneself.\u003c/p>\n\u003cp>Later, on “Exorcism,” Carter’s songwriting gets surreal. Singing in a pitch-shifted voice so deep it’s practically subterranean, they take on the perspective of someone who takes advantage of others. “I found someone who likes me / How long do I have before I hurt her?” Wizard Apprentice growls demonically. “I think she really likes me. I find her willingness useful.”\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1700567050/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Carter’s stripped-down bedroom pop—music for sensitive introverts and self-help enthusiasts—is sometimes uncomfortably transparent in its introspection, like a therapy session set to synth loops. In their music and on U.R.L. G.U.R.L., Carter probes the intricacies of their relationships and self-image, always with the goal of becoming more emotionally intelligent and self-aware.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">While the artist has long bared their soul in their work, it took them over a year to figure out how to talk about what happened to them. They say sharing has been healing. “I need to do that for my own sense of recovery from it, and even feeling more safe in the world,” Carter says. “How are we supposed to build communities if people don’t know this is a thing or how to engage with it?”\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G-CTnOTAFoQ'\n title='//www.youtube.com/embed/G-CTnOTAFoQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Performing the new tracks from \u003cem>Dig a Pit\u003c/em> has been affirming for Carter. The artist says that audience members have come up to them and told them about similar experiences. They want to have open conversations about what healthy relationships look like, and how to spot the signs of emotional abuse, to help other survivors see the signs before they get too deep into a toxic relationship.\u003c/p>\n\u003cp>“What’s missing is ways of understanding the complexities of these types of relationships,” Carter says, “and how anybody could discern what’s happening.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Wizard Apprentice performs at Elbo Room Oakland on May 16. Details \u003ca href=\"https://www.facebook.com/events/2178599665510682/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13856737/wizard-apprentice-gets-real-about-emotional-abuse-on-their-new-album",
"authors": [
"11387"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1118",
"arts_3140"
],
"featImg": "arts_13856952",
"label": "arts"
},
"arts_13856915": {
"type": "posts",
"id": "arts_13856915",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13856915",
"score": null,
"sort": [
1557424935000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1557424935,
"format": "aside",
"title": "'Revenge Of The She-Punks' Sets Out To Rectify A Gender Imbalance",
"headTitle": "‘Revenge Of The She-Punks’ Sets Out To Rectify A Gender Imbalance | KQED",
"content": "\u003cfigure id=\"attachment_13856924\" class=\"wp-caption alignright\" style=\"max-width: 708px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13856924 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Revenge-of-She-Punks.jpg\" alt=\"Cover of 'Revenge of the She Punks: A Feminist Music History from Poly Styrene to Pussy Riot' by Vivien Goldman.\" width=\"708\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Revenge-of-She-Punks.jpg 708w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Revenge-of-She-Punks-160x203.jpg 160w\" sizes=\"(max-width: 708px) 100vw, 708px\">\u003cfigcaption class=\"wp-caption-text\">Cover of ‘Revenge of the She Punks: A Feminist Music History from Poly Styrene to Pussy Riot’ by Vivien Goldman.\u003c/figcaption>\u003c/figure>\n\u003cp>Punk rock might be a relatively young genre, but the legend of its history has already become more or less solidified.\u003c/p>\n\u003cp>Ask what makes punk \u003cem>punk\u003c/em> and you’ll probably get a story that starts in 1970s London, or maybe New York; you’ll get The Sex Pistols, The Ramones or The Clash; counterculture, anti-establishment and leather jackets.\u003c/p>\n\u003cp>Would you hear about bashing the wage gap? Shutting down slut-shaming? Or even Patti Smith? If not, veteran punk (and punk scholar) Vivien Goldman has news for you. In \u003cem>Revenge Of The She-Punks,\u003c/em> Goldman sets out to rectify this gendered imbalance, tracing the formation, rise and global reach of punk rock and demonstrating women’s central place within it. A self-proclaimed “feminist music history from Poly Styrene to Pussy Riot,” the book doesn’t just retell the story of punk with an added woman or two; it centers the relationships between gender and the genre, showing how, through the right lens, the story of punk is a story about women’s ingenuity and power.\u003c/p>\n\u003cp>In the manifesto that opens \u003cem>She-Punks\u003c/em> — sorry, that’s the “Womanifesto” — Goldman places the book’s origins in 1976. She was fresh out of college and working as a journalist at the British rock publication \u003cem>Sounds\u003c/em> when she saw, for the first time in her life, a woman onstage playing rock music. It led her to publish her first article about women in rock. By the ’90s, Goldman says, this type of article had become “a predictable annual staple of rock magazines,” fueled by lifeless cliches — but at the time, it was an exhilarating angle and, as this book attests, fertile ground for her lifelong dedication to the topic.\u003c/p>\n\u003cp>Since writing that 1976 article, Goldman has built a reputation as a punk lifer in every conceivable role: She’s worked as a publicist, author, editor and biographer; she’s recorded and performed her own music; she’s been a producer and a back-up singer. She’s taught at NYU’s Clive Davis Institute of Recorded Music long enough to earn the title “the punk professor.” And throughout her five decades as a punk, she has paid careful attention to female musicians and fans — “she-punks,” as she affectionately calls them — from the groundbreaking work of X-Ray Spex and The Slits through contemporary artists like Fea and Big Joanie. Goldman is driven by a true passion for the music’s transformative potential: “For this writer,” she writes in \u003cem>She-Punks\u003c/em>, “punk’s most enduring and significant achievement will always be its liberating impact on the less-privileged sex.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='pop_111468' hero='https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/04/GettyImages-579380108-1020x708.jpg' target='_blank']\u003c/p>\n\u003cp>\u003cem>She-Punks\u003c/em>‘ chapters are divided not chronologically but by themes, and each section opens with a playlist of the songs Goldman cites throughout the chapter. In “Girly Identity,” she explores self-knowledge and self-image within punk, including the impact of ’60s and ’70s feminist movements and the riot grrrl movement. “Money” focuses on the way she-punks have contended with the pressures of global capitalism. “Love/Unlove” combines songs about love and lust with those about sexual violence, positing the latter category as the former’s opposite; it’s a vexing choice and might perhaps serve the subject matter better to analyze them separately. Finally, “Protest” considers how she-punks have pushed back against repressive political regimes, gendered expectations, class privilege and more.\u003c/p>\n\u003cp>Throughout \u003cem>She-Punks\u003c/em>, Goldman maintains a global view; while the majority of the book focuses on British and American music, it also includes punk bands from Japan, India, Colombia, Indonesia and the Czech Republic (among others). Goldman has worked extensively on reggae — she was, after all, Bob Marley’s first U.K. publicist — and is especially attuned to the impact of Jamaican music on the development of punk. And in keeping with her ethos that our traditional notions of punk can cut important voices out of the story, Goldman’s book takes a wide view of what the genre comprises and who deserves to fall under its umbrella, featuring stories about the Afropunk scene, supermodel and new wave queen Grace Jones and poet and activist Jayne Cortez.\u003c/p>\n\u003cp>[aside postID='arts_13808185' hero='https://ww2.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-960x373.jpg' target='_blank']\u003c/p>\n\u003cp>Goldman’s tone throughout \u003cem>She-Punks\u003c/em> mixes her years of research with larger cultural observations and her own personal history (she’s thrift shopping with Patti Smith in one chapter; attending Ornette Coleman’s birthday party in another). The approach is both disarming and purposeful — supporting the feminist notion that women’s lived experiences constitute a valid form of knowledge — yet there are moments when her more casual word choice can be distracting (her claim that punk singer Poly Styrene’s biracial identity makes her representative of a “future breed,” for example, or her passing reference to homosexuality as a “subculture,” are disappointing).\u003c/p>\n\u003cp>There’s a thread of messiness that runs throughout \u003cem>She-Punks\u003c/em>: songs that could easily slip from one of the book’s chapter-defining themes to another; thoughts on race and LGBTQ identity that deserve to be more thoroughly developed. But attempting to encompass the entirety of this broad view of punk — and the diversity of women’s lives — in one volume is an ambitious mission. And for it to succeed, that messiness is inevitable; it only further underscores Goldman’s central argument that women’s contributions to punk are too important and varied to fit neatly into a clichéd article or two about “women who rock”; that womanhood is too complex and rich to be so easily categorized.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The reality of women’s lives, Goldman and her playlists argue, can be brutal, rule-breaking and paradigm-redefining — and, after all, what’s more punk than that?\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1083,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 14
},
"modified": 1705026227,
"excerpt": "In a new book, punk scholar Vivien Goldman traces the formation, rise and global reach of punk rock — demonstrating women's central place within it.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "In a new book, punk scholar Vivien Goldman traces the formation, rise and global reach of punk rock — demonstrating women's central place within it.",
"title": "'Revenge Of The She-Punks' Sets Out To Rectify A Gender Imbalance | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Revenge Of The She-Punks' Sets Out To Rectify A Gender Imbalance",
"datePublished": "2019-05-09T11:02:15-07:00",
"dateModified": "2024-01-11T18:23:47-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "revenge-of-the-she-punks-sets-out-to-rectify-a-gender-imbalance",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=720682536&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Marissa Lorusso",
"nprStoryDate": "Tue, 07 May 2019 06:01:14 -0400",
"nprLastModifiedDate": "Tue, 07 May 2019 11:26:50 -0400",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2019/05/07/720682536/revenge-of-the-she-punks-sets-out-to-rectify-a-gender-imbalance?ft=nprml&f=720682536",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Medios y Media",
"nprStoryId": "720682536",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 07 May 2019 11:26:00 -0400",
"path": "/arts/13856915/revenge-of-the-she-punks-sets-out-to-rectify-a-gender-imbalance",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13856924\" class=\"wp-caption alignright\" style=\"max-width: 708px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13856924 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/Revenge-of-She-Punks.jpg\" alt=\"Cover of 'Revenge of the She Punks: A Feminist Music History from Poly Styrene to Pussy Riot' by Vivien Goldman.\" width=\"708\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Revenge-of-She-Punks.jpg 708w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/Revenge-of-She-Punks-160x203.jpg 160w\" sizes=\"(max-width: 708px) 100vw, 708px\">\u003cfigcaption class=\"wp-caption-text\">Cover of ‘Revenge of the She Punks: A Feminist Music History from Poly Styrene to Pussy Riot’ by Vivien Goldman.\u003c/figcaption>\u003c/figure>\n\u003cp>Punk rock might be a relatively young genre, but the legend of its history has already become more or less solidified.\u003c/p>\n\u003cp>Ask what makes punk \u003cem>punk\u003c/em> and you’ll probably get a story that starts in 1970s London, or maybe New York; you’ll get The Sex Pistols, The Ramones or The Clash; counterculture, anti-establishment and leather jackets.\u003c/p>\n\u003cp>Would you hear about bashing the wage gap? Shutting down slut-shaming? Or even Patti Smith? If not, veteran punk (and punk scholar) Vivien Goldman has news for you. In \u003cem>Revenge Of The She-Punks,\u003c/em> Goldman sets out to rectify this gendered imbalance, tracing the formation, rise and global reach of punk rock and demonstrating women’s central place within it. A self-proclaimed “feminist music history from Poly Styrene to Pussy Riot,” the book doesn’t just retell the story of punk with an added woman or two; it centers the relationships between gender and the genre, showing how, through the right lens, the story of punk is a story about women’s ingenuity and power.\u003c/p>\n\u003cp>In the manifesto that opens \u003cem>She-Punks\u003c/em> — sorry, that’s the “Womanifesto” — Goldman places the book’s origins in 1976. She was fresh out of college and working as a journalist at the British rock publication \u003cem>Sounds\u003c/em> when she saw, for the first time in her life, a woman onstage playing rock music. It led her to publish her first article about women in rock. By the ’90s, Goldman says, this type of article had become “a predictable annual staple of rock magazines,” fueled by lifeless cliches — but at the time, it was an exhilarating angle and, as this book attests, fertile ground for her lifelong dedication to the topic.\u003c/p>\n\u003cp>Since writing that 1976 article, Goldman has built a reputation as a punk lifer in every conceivable role: She’s worked as a publicist, author, editor and biographer; she’s recorded and performed her own music; she’s been a producer and a back-up singer. She’s taught at NYU’s Clive Davis Institute of Recorded Music long enough to earn the title “the punk professor.” And throughout her five decades as a punk, she has paid careful attention to female musicians and fans — “she-punks,” as she affectionately calls them — from the groundbreaking work of X-Ray Spex and The Slits through contemporary artists like Fea and Big Joanie. Goldman is driven by a true passion for the music’s transformative potential: “For this writer,” she writes in \u003cem>She-Punks\u003c/em>, “punk’s most enduring and significant achievement will always be its liberating impact on the less-privileged sex.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_111468",
"hero": "https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/04/GettyImages-579380108-1020x708.jpg",
"target": "_blank",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>She-Punks\u003c/em>‘ chapters are divided not chronologically but by themes, and each section opens with a playlist of the songs Goldman cites throughout the chapter. In “Girly Identity,” she explores self-knowledge and self-image within punk, including the impact of ’60s and ’70s feminist movements and the riot grrrl movement. “Money” focuses on the way she-punks have contended with the pressures of global capitalism. “Love/Unlove” combines songs about love and lust with those about sexual violence, positing the latter category as the former’s opposite; it’s a vexing choice and might perhaps serve the subject matter better to analyze them separately. Finally, “Protest” considers how she-punks have pushed back against repressive political regimes, gendered expectations, class privilege and more.\u003c/p>\n\u003cp>Throughout \u003cem>She-Punks\u003c/em>, Goldman maintains a global view; while the majority of the book focuses on British and American music, it also includes punk bands from Japan, India, Colombia, Indonesia and the Czech Republic (among others). Goldman has worked extensively on reggae — she was, after all, Bob Marley’s first U.K. publicist — and is especially attuned to the impact of Jamaican music on the development of punk. And in keeping with her ethos that our traditional notions of punk can cut important voices out of the story, Goldman’s book takes a wide view of what the genre comprises and who deserves to fall under its umbrella, featuring stories about the Afropunk scene, supermodel and new wave queen Grace Jones and poet and activist Jayne Cortez.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13808185",
"hero": "https://ww2.kqed.org/wp-content/uploads/sites/2/2017/09/BikiniKill.SR_-960x373.jpg",
"target": "_blank",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Goldman’s tone throughout \u003cem>She-Punks\u003c/em> mixes her years of research with larger cultural observations and her own personal history (she’s thrift shopping with Patti Smith in one chapter; attending Ornette Coleman’s birthday party in another). The approach is both disarming and purposeful — supporting the feminist notion that women’s lived experiences constitute a valid form of knowledge — yet there are moments when her more casual word choice can be distracting (her claim that punk singer Poly Styrene’s biracial identity makes her representative of a “future breed,” for example, or her passing reference to homosexuality as a “subculture,” are disappointing).\u003c/p>\n\u003cp>There’s a thread of messiness that runs throughout \u003cem>She-Punks\u003c/em>: songs that could easily slip from one of the book’s chapter-defining themes to another; thoughts on race and LGBTQ identity that deserve to be more thoroughly developed. But attempting to encompass the entirety of this broad view of punk — and the diversity of women’s lives — in one volume is an ambitious mission. And for it to succeed, that messiness is inevitable; it only further underscores Goldman’s central argument that women’s contributions to punk are too important and varied to fit neatly into a clichéd article or two about “women who rock”; that womanhood is too complex and rich to be so easily categorized.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The reality of women’s lives, Goldman and her playlists argue, can be brutal, rule-breaking and paradigm-redefining — and, after all, what’s more punk than that?\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13856915/revenge-of-the-she-punks-sets-out-to-rectify-a-gender-imbalance",
"authors": [
"byline_arts_13856915"
],
"categories": [
"arts_73",
"arts_69",
"arts_75"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13856922",
"label": "arts_137"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=music": {
"isFetching": false,
"latestQuery": {
"from": 1788,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 4933,
"relation": "eq"
},
"items": [
"arts_13857895",
"arts_13857064",
"arts_13857503",
"arts_13857534",
"arts_13857414",
"arts_13857405",
"arts_13853824",
"arts_13857317",
"arts_13857179",
"arts_13857192",
"arts_13856737",
"arts_13856915"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_music": {
"isLoading": true
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_1420": {
"type": "terms",
"id": "arts_1420",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1420",
"found": true
},
"relationships": {},
"featImg": null,
"name": "jazz",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "jazz Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1432,
"slug": "jazz",
"isLoading": false,
"link": "/arts/tag/jazz"
},
"arts_1730": {
"type": "terms",
"id": "arts_1730",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1730",
"found": true
},
"relationships": {},
"featImg": null,
"name": "nea",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "nea Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1742,
"slug": "nea",
"isLoading": false,
"link": "/arts/tag/nea"
},
"arts_2297": {
"type": "terms",
"id": "arts_2297",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2297",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Roscoe Mitchell",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Roscoe Mitchell Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2309,
"slug": "roscoe-mitchell",
"isLoading": false,
"link": "/arts/tag/roscoe-mitchell"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_1853": {
"type": "terms",
"id": "arts_1853",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1853",
"found": true
},
"relationships": {},
"featImg": null,
"name": "bottlerock",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "bottlerock Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1865,
"slug": "bottlerock",
"isLoading": false,
"link": "/arts/tag/bottlerock"
},
"arts_1693": {
"type": "terms",
"id": "arts_1693",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1693",
"found": true
},
"relationships": {},
"featImg": null,
"name": "burger boogaloo",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "burger boogaloo Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1705,
"slug": "burger-boogaloo",
"isLoading": false,
"link": "/arts/tag/burger-boogaloo"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_7455": {
"type": "terms",
"id": "arts_7455",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7455",
"found": true
},
"relationships": {},
"featImg": null,
"name": "hot summer guide 2019",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "hot summer guide 2019 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7467,
"slug": "hot-summer-guide-2019",
"isLoading": false,
"link": "/arts/tag/hot-summer-guide-2019"
},
"arts_1694": {
"type": "terms",
"id": "arts_1694",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1694",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music festivals",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music festivals Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1706,
"slug": "music-festivals",
"isLoading": false,
"link": "/arts/tag/music-festivals"
},
"arts_1739": {
"type": "terms",
"id": "arts_1739",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1739",
"found": true
},
"relationships": {},
"name": "Outside Lands",
"slug": "outside-lands",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Outside Lands | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 1751,
"isLoading": false,
"link": "/arts/tag/outside-lands"
},
"arts_8720": {
"type": "terms",
"id": "arts_8720",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8720",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Rightnowish",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Rightnowish Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8732,
"slug": "rightnowish",
"isLoading": false,
"link": "/arts/program/rightnowish"
},
"arts_21759": {
"type": "terms",
"id": "arts_21759",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21759",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21771,
"slug": "podcast",
"isLoading": false,
"link": "/arts/category/podcast"
},
"arts_1696": {
"type": "terms",
"id": "arts_1696",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1696",
"found": true
},
"relationships": {},
"featImg": null,
"name": "fashion",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "fashion Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1708,
"slug": "fashion",
"isLoading": false,
"link": "/arts/tag/fashion"
},
"arts_1143": {
"type": "terms",
"id": "arts_1143",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1143",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 692,
"slug": "oakland",
"isLoading": false,
"link": "/arts/tag/oakland"
},
"arts_6764": {
"type": "terms",
"id": "arts_6764",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6764",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2019/02/Rightnowish-Link-for-Social.jpg",
"name": "Rightnowish",
"description": "Art is where you find it. Each week, follow lifelong Oaklander, Pendarvis Harshaw, on a brief but memorable trip through the Bay Area’s creative hubs. ",
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Art is where you find it. Each week, follow lifelong Oaklander, Pendarvis Harshaw, on a brief but memorable trip through the Bay Area’s creative hubs.",
"title": "Rightnowish Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6776,
"slug": "rightnowish",
"isLoading": false,
"link": "/arts/tag/rightnowish"
},
"arts_1635": {
"type": "terms",
"id": "arts_1635",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1635",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Leandro",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Leandro Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1647,
"slug": "san-leandro",
"isLoading": false,
"link": "/arts/tag/san-leandro"
},
"arts_5422": {
"type": "terms",
"id": "arts_5422",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5422",
"found": true
},
"relationships": {},
"featImg": null,
"name": "television",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "television Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5434,
"slug": "television",
"isLoading": false,
"link": "/arts/tag/television"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_7108": {
"type": "terms",
"id": "arts_7108",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7108",
"found": true
},
"relationships": {},
"featImg": null,
"name": "lil nas x",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "lil nas x Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7120,
"slug": "lil-nas-x",
"isLoading": false,
"link": "/arts/tag/lil-nas-x"
},
"arts_2624": {
"type": "terms",
"id": "arts_2624",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2624",
"found": true
},
"relationships": {},
"featImg": null,
"name": "new music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "new music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2636,
"slug": "new-music",
"isLoading": false,
"link": "/arts/tag/new-music"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_4591": {
"type": "terms",
"id": "arts_4591",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4591",
"found": true
},
"relationships": {},
"featImg": null,
"name": "npr music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "npr music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4603,
"slug": "npr-music",
"isLoading": false,
"link": "/arts/tag/npr-music"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_6554": {
"type": "terms",
"id": "arts_6554",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6554",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tiny desk",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tiny desk Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6566,
"slug": "tiny-desk",
"isLoading": false,
"link": "/arts/tag/tiny-desk"
},
"arts_3634": {
"type": "terms",
"id": "arts_3634",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3634",
"found": true
},
"relationships": {},
"featImg": null,
"name": "artificial intelligence",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "artificial intelligence Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3646,
"slug": "artificial-intelligence",
"isLoading": false,
"link": "/arts/tag/artificial-intelligence"
},
"arts_2309": {
"type": "terms",
"id": "arts_2309",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2309",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Stanford",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Stanford Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2321,
"slug": "stanford",
"isLoading": false,
"link": "/arts/tag/stanford"
},
"arts_1935": {
"type": "terms",
"id": "arts_1935",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1935",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tech",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tech Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1947,
"slug": "tech",
"isLoading": false,
"link": "/arts/tag/tech"
},
"arts_6475": {
"type": "terms",
"id": "arts_6475",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6475",
"found": true
},
"relationships": {},
"featImg": null,
"name": "artspop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "artspop Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6487,
"slug": "artspop",
"isLoading": false,
"link": "/arts/tag/artspop"
},
"arts_681": {
"type": "terms",
"id": "arts_681",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "681",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 690,
"slug": "music-2",
"isLoading": false,
"link": "/arts/tag/music-2"
},
"arts_1549": {
"type": "terms",
"id": "arts_1549",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1549",
"found": true
},
"relationships": {},
"featImg": null,
"name": "playlist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "playlist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1561,
"slug": "playlist",
"isLoading": false,
"link": "/arts/tag/playlist"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_2519": {
"type": "terms",
"id": "arts_2519",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2519",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Latin music",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Latin music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2531,
"slug": "latin-music",
"isLoading": false,
"link": "/arts/tag/latin-music"
},
"arts_3478": {
"type": "terms",
"id": "arts_3478",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3478",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Too Short",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Too Short Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3490,
"slug": "too-short",
"isLoading": false,
"link": "/arts/tag/too-short"
},
"arts_15393": {
"type": "terms",
"id": "arts_15393",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "15393",
"found": true
},
"relationships": {},
"featImg": null,
"name": "classical",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "classical Archives | KQED Arts",
"ogDescription": null
},
"ttid": 15405,
"slug": "classical",
"isLoading": false,
"link": "/arts/tag/classical"
},
"arts_2244": {
"type": "terms",
"id": "arts_2244",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2244",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Kronos Quartet",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Kronos Quartet Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2256,
"slug": "kronos-quartet",
"isLoading": false,
"link": "/arts/tag/kronos-quartet"
},
"arts_2048": {
"type": "terms",
"id": "arts_2048",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2048",
"found": true
},
"relationships": {},
"featImg": null,
"name": "SFJAZZ",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "SFJAZZ Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2060,
"slug": "sfjazz",
"isLoading": false,
"link": "/arts/tag/sfjazz"
},
"arts_6605": {
"type": "terms",
"id": "arts_6605",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6605",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Q-Tip",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Q-Tip Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6617,
"slug": "q-tip",
"isLoading": false,
"link": "/arts/tag/q-tip"
},
"arts_3140": {
"type": "terms",
"id": "arts_3140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3140",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Ratskin Records",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Ratskin Records Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3152,
"slug": "ratskin-records",
"isLoading": false,
"link": "/arts/tag/ratskin-records"
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
}
}
