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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Chevalier\u003c/em> begins with a mentor and his protégé rowing in perfect sync on the boat’s exercise machines. It ends with the same two men rowing in perfect opposition. Whether that doubles as a political allegory of the recent internecine squabbling among Greece’s political and business elites while the economy tanked, Tsangari’s not saying. From start to finish, there’s not a single true chevalier in this crew, and that includes the servants below, who, far from seeing the light, become infected with the same disease that afflicts their masters. For all the serenity of the ending as the men’s fancy cars pull out of their spots among a fleet of expensive yachts, I wouldn’t bet the house on a better tomorrow for their country.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio//2016/06/TDL20160610.mp3\u003c/p>\n\u003c/aside>\n\u003cp>https://www.youtube.com/watch?v=8bMHr6eGR3c\u003c/p>\n\u003cp>\u003cstrong>June 10:\u003c/strong>\u003ca href=\"http://www.elipaperboyreed.com/\" target=\"_blank\" rel=\"noopener\"> Eli “Paperboy” Reed\u003c/a> is from Brookline, Massachusetts, but his music was shaped more by his time in Chicago, playing organ at a South Side Church for \u003ca href=\"https://www.youtube.com/watch?v=HPcKJSw92a0\" target=\"_blank\" rel=\"noopener\">Chess Records hit-maker Mitty Collier\u003c/a>. He’s one of the most talented among a group of young performers helping to keep old-fashioned soul (with a hint of Roy Orbison) and the swinging, brass-heavy bands of that genre alive. Details on his DNA Lounge show are \u003ca href=\"https://www.dnalounge.com/calendar/2016/06-10d.html\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yGOvqJ3G8gA\u003c/p>\n\u003cp>Frameline is the self-declared “king of queer film festivals,” and it’s earned that title as it celebrates its 40th anniversary. It’s not so rare now to find LGBTQ characters featured on film and TV, but Frameline is still breaking new ground, with LGBTQ filmmakers behind the camera, and characters who aren’t just the sidekick. Frameline opens with \u003ca href=\"https://www.facebook.com/kikithefilm/\" target=\"_blank\" rel=\"noopener\">\u003cem>Kiki\u003c/em>,\u003c/a> from directors Sara Jordeno and Twiggy Pucci Garçon, about dance and politics among LGBTQ youth of color in New York; and the festival closes with a film wrapping up the plot lines from the HBO series \u003cem>Looking, \u003c/em>set in San Francisco.\u003cem> \u003c/em>Gay marriage is a theme, but don’t look here for spoilers. Co-writer and co-creator Michael Lannan wouldn’t spill in our talk with him. Details for Frameline’s run at theaters in San Francisco, Berkeley, and Oakland are \u003ca href=\"https://ticketing.frameline.org/festival/index.aspx\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZB8Va0tDgIQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>June 12\u003c/strong>: The singers of the \u003ca href=\"http://sfgirlschorus.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Girls Chorus \u003c/a>have more active careers than many adults. Credit for that goes to the adventurous music programmed by Artistic Director Lisa Bielawa and the fine conducting from music director Valérie Sainte-Agathe. The chorus is wrapping up its season with \u003cem>Luminous Premieres\u003c/em>, a concert featuring new work by Aaron Jay Kernis, Gabriel Kahane, Theo Bleckmann, and Bielawa‘s “My Outstretched Hand.” Details\u003ca href=\"http://sfgirlschorus.org/events/luminous-premieres/\" target=\"_blank\" rel=\"noopener\"> here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lYd6-3pqs68\u003c/p>\n\u003cp>\u003cstrong>June 10-18\u003c/strong>: \u003ca href=\"https://www.facebook.com/missionctrlcomedy/\" target=\"_blank\" rel=\"noopener\">Mission CTRL \u003c/a>is a very funny “startup” sketch comedy troupe, that specializes in mocking life in the Bay Area and Silicon Valley. They’re staging their most ambitious production yet with \u003cem>Duck Lake\u003c/em>, billed as “the world’s first ballet-horror-comedy” (think \u003cem>Black Swan \u003c/em>meets Hitchcock’s\u003cem> The Birds \u003c/em>meets \u003cem>Wet Hot American Summer). \u003c/em>Details for their shows at \u003ca href=\"http://www.pianofight.com/\" target=\"_blank\" rel=\"noopener\">PianoFight\u003c/a> in SF’s Tenderloin are \u003ca href=\"https://www.facebook.com/missionctrlcomedy/posts/996187767143486\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11638675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11638675\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-800x532.jpg\" alt=\"New Punctuation (2013) by Jann Nunn. Hand-cut archival microprint paper, nylon, cast plastic, dimensions variable.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">New Punctuation (2013) by Jann Nunn. Hand-cut archival microprint paper, nylon, cast plastic, dimensions variable. \u003ccite>(Photo: Courtesy of Jann Nunn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Through Sept. 18\u003c/strong>: The \u003ca href=\"http://sjica.org/\" target=\"_blank\" rel=\"noopener\">San Jose Institute for Contemporary Art\u003c/a> always has something amazing going on. This tiny gallery run by Executive Director Cathy Kimball is opening three new shows featuring works on, with and about paper. They’re full of surprises. And did mention admission is free, so it’s a Do List \u003cstrong>Cheap Thrill.\u003c/strong> Our colleague Rachael Myrow has a nice preview \u003ca href=\"http://ww2.kqed.org/arts/2016/06/02/paper-stars-at-san-joses-institute-of-contemporary-art/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And more details for the shows are\u003ca href=\"http://sjica.org/exhibitions_and_programs.html\" target=\"_blank\" rel=\"noopener\"> here. \u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_MwbDLXSAjg\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>June 11 – 12\u003c/strong>: Huichica is like the Goldilocks and the Three Bears of Bay Area music festivals, not too big, not too small, just the right size. Since 2010 it’s perfected its indie band mix, with Bay Area greats like Kelly Stoltz and Sun Hop Fat (Ethiopian funk and jazz), plus national stars like Fruit Bats (above), Dengue Fever, Vetiver, Radio Fliers and more. Plus expect lots of food and wine from Gundlach Bundschu; that’s the winery that co-sponsors the event and a summer concert series. Details of the weekend fest just outside the town of Sonoma are \u003ca href=\"http://huichica.com/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8bMHr6eGR3c'\n title='//www.youtube.com/embed/8bMHr6eGR3c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 10:\u003c/strong>\u003ca href=\"http://www.elipaperboyreed.com/\" target=\"_blank\" rel=\"noopener\"> Eli “Paperboy” Reed\u003c/a> is from Brookline, Massachusetts, but his music was shaped more by his time in Chicago, playing organ at a South Side Church for \u003ca href=\"https://www.youtube.com/watch?v=HPcKJSw92a0\" target=\"_blank\" rel=\"noopener\">Chess Records hit-maker Mitty Collier\u003c/a>. He’s one of the most talented among a group of young performers helping to keep old-fashioned soul (with a hint of Roy Orbison) and the swinging, brass-heavy bands of that genre alive. Details on his DNA Lounge show are \u003ca href=\"https://www.dnalounge.com/calendar/2016/06-10d.html\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yGOvqJ3G8gA'\n title='//www.youtube.com/embed/yGOvqJ3G8gA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Frameline is the self-declared “king of queer film festivals,” and it’s earned that title as it celebrates its 40th anniversary. It’s not so rare now to find LGBTQ characters featured on film and TV, but Frameline is still breaking new ground, with LGBTQ filmmakers behind the camera, and characters who aren’t just the sidekick. Frameline opens with \u003ca href=\"https://www.facebook.com/kikithefilm/\" target=\"_blank\" rel=\"noopener\">\u003cem>Kiki\u003c/em>,\u003c/a> from directors Sara Jordeno and Twiggy Pucci Garçon, about dance and politics among LGBTQ youth of color in New York; and the festival closes with a film wrapping up the plot lines from the HBO series \u003cem>Looking, \u003c/em>set in San Francisco.\u003cem> \u003c/em>Gay marriage is a theme, but don’t look here for spoilers. Co-writer and co-creator Michael Lannan wouldn’t spill in our talk with him. Details for Frameline’s run at theaters in San Francisco, Berkeley, and Oakland are \u003ca href=\"https://ticketing.frameline.org/festival/index.aspx\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZB8Va0tDgIQ'\n title='//www.youtube.com/embed/ZB8Va0tDgIQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>June 12\u003c/strong>: The singers of the \u003ca href=\"http://sfgirlschorus.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Girls Chorus \u003c/a>have more active careers than many adults. Credit for that goes to the adventurous music programmed by Artistic Director Lisa Bielawa and the fine conducting from music director Valérie Sainte-Agathe. The chorus is wrapping up its season with \u003cem>Luminous Premieres\u003c/em>, a concert featuring new work by Aaron Jay Kernis, Gabriel Kahane, Theo Bleckmann, and Bielawa‘s “My Outstretched Hand.” Details\u003ca href=\"http://sfgirlschorus.org/events/luminous-premieres/\" target=\"_blank\" rel=\"noopener\"> here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lYd6-3pqs68'\n title='//www.youtube.com/embed/lYd6-3pqs68'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 10-18\u003c/strong>: \u003ca href=\"https://www.facebook.com/missionctrlcomedy/\" target=\"_blank\" rel=\"noopener\">Mission CTRL \u003c/a>is a very funny “startup” sketch comedy troupe, that specializes in mocking life in the Bay Area and Silicon Valley. They’re staging their most ambitious production yet with \u003cem>Duck Lake\u003c/em>, billed as “the world’s first ballet-horror-comedy” (think \u003cem>Black Swan \u003c/em>meets Hitchcock’s\u003cem> The Birds \u003c/em>meets \u003cem>Wet Hot American Summer). \u003c/em>Details for their shows at \u003ca href=\"http://www.pianofight.com/\" target=\"_blank\" rel=\"noopener\">PianoFight\u003c/a> in SF’s Tenderloin are \u003ca href=\"https://www.facebook.com/missionctrlcomedy/posts/996187767143486\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11638675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11638675\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-800x532.jpg\" alt=\"New Punctuation (2013) by Jann Nunn. Hand-cut archival microprint paper, nylon, cast plastic, dimensions variable.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/RS19640_NextNewPaper-Jann-Nunn-qut-960x639.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">New Punctuation (2013) by Jann Nunn. Hand-cut archival microprint paper, nylon, cast plastic, dimensions variable. \u003ccite>(Photo: Courtesy of Jann Nunn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Through Sept. 18\u003c/strong>: The \u003ca href=\"http://sjica.org/\" target=\"_blank\" rel=\"noopener\">San Jose Institute for Contemporary Art\u003c/a> always has something amazing going on. This tiny gallery run by Executive Director Cathy Kimball is opening three new shows featuring works on, with and about paper. They’re full of surprises. And did mention admission is free, so it’s a Do List \u003cstrong>Cheap Thrill.\u003c/strong> Our colleague Rachael Myrow has a nice preview \u003ca href=\"http://ww2.kqed.org/arts/2016/06/02/paper-stars-at-san-joses-institute-of-contemporary-art/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> And more details for the shows are\u003ca href=\"http://sjica.org/exhibitions_and_programs.html\" target=\"_blank\" rel=\"noopener\"> here. \u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_MwbDLXSAjg'\n title='//www.youtube.com/embed/_MwbDLXSAjg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>June 11 – 12\u003c/strong>: Huichica is like the Goldilocks and the Three Bears of Bay Area music festivals, not too big, not too small, just the right size. Since 2010 it’s perfected its indie band mix, with Bay Area greats like Kelly Stoltz and Sun Hop Fat (Ethiopian funk and jazz), plus national stars like Fruit Bats (above), Dengue Fever, Vetiver, Radio Fliers and more. Plus expect lots of food and wine from Gundlach Bundschu; that’s the winery that co-sponsors the event and a summer concert series. Details of the weekend fest just outside the town of Sonoma are \u003ca href=\"http://huichica.com/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Filmmaker Claims Beyoncé Stole His Ideas to Make 'Lemonade'",
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"headTitle": "Filmmaker Claims Beyoncé Stole His Ideas to Make ‘Lemonade’ | KQED",
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"content": "\u003cp>A filmmaker has filed a federal lawsuit in New York against Beyoncé alleging ideas from his short film were used to create the trailer that accompanied her new visual album \u003cem>Lemonade\u003c/em>.\u003c/p>\n\u003cp>The suit filed Wednesday in Manhattan also names the singer’s management company, Parkwood Entertainment, along with Sony Music Entertainment and Columbia Recording Corp.\u003c/p>\n\u003cp>Matthew Fulks, of Louisville, Kentucky, alleges the producers of Beyoncé’s \u003cem>Lemonade\u003c/em> copied parts of a short film he produced in 2014.\u003c/p>\n\u003cp>Fulks says a senior vice president at Columbia had been sent a link to his film, \u003cem>Palinoia\u003c/em>.\u003c/p>\n\u003cp>He says \u003cem>Lemonade\u003c/em> was produced months later. Fulks alleges the defendants infringed on his copyright because the two films are visually similar.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Representatives for Beyoncé and the corporations didn’t immediately respond to requests for comment Thursday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"content": "\u003cp>Ballerina \u003ca href=\"https://www.sfballet.org/company/dancers/principals/Mathilde_Froustey\" target=\"_blank\" rel=\"noopener\">Mathilde Froustey\u003c/a> should be flying high. In 2013, she fled the inhospitable \u003ca href=\"https://www.operadeparis.fr/en/artists/ballet\" target=\"_blank\" rel=\"noopener\">Paris Opera Ballet\u003c/a> for the warmer, welcoming climes of the \u003ca href=\"https://www.sfballet.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Ballet\u003c/a>, which has showered her with the title of Principal Dancer and the leading roles she has worked so hard for.\u003c/p>\n\u003cp>So the Froustey who confronts us in her boyfriend Charles Redon’s new documentary – filmed over a period of five years in France and California – comes as a shock. The opening sequences of \u003cem>In California\u003c/em> promise a gritty, if not entirely novel, window on the backstage struggles of a gifted dancer, including her struggles with an eating disorder, injury, and professional disappointment. But it rapidly withers into an account of Redon’s obsession with Froustey, and the leaden spectacle of his flirtations with masochism.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=tVVzhf4xXB8\">https://www.youtube.com/watch?v=tVVzhf4xXB8\u003c/a>\u003c/p>\n\u003cp>Redon spies on Froustey via hidden webcam, films her in the shower, and as she lay ill with meningitis in a hospital bed. He films himself having sex with her — though we cannot be sure that it is Froustey in the sex scenes, since the female body is inert and face down, either passed out or otherwise uninvolved in the proceedings. Even more disturbing are the scenes in which Froustey wearily resists Redon’s filming, begging him repeatedly to stop. A few breathtaking shots of the majestic landscapes of California cannot compensate for the tedious close-ups of the filmmaker fondling the dancer’s naked, unresponsive body, her face out of the frame.\u003c/p>\n\u003cp>It seems that the restless Redon, completely out of his comfort zone in the United States, jobless and dependent on his girlfriend, has cast himself in the role of the evil sorcerer Von Rothbart in \u003cem>Swan Lake\u003c/em>, complete with leather dog mask and whips, who will not release “Odette-Mathilde” from his infernal clutches. Is Froustey cursed to be filmed (and poorly edited) by Redon forever?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to being a self-indulgent filmmaker, Redon is also the jealous type, and suspects Froustey has a new lover. She denies it, but defiantly flies off to Hawaii on vacation without him. But then the film takes a totally stupefying turn. In the surprise ending, the couple gets married in what appears to be Froustey’s hometown of Vieux-Boucau, a bucolic seaside community in southwestern France.\u003c/p>\n\u003cp>“Is this entire “documentary” a fiction?” we wonder despondently. “Where is Prince Siegfried? Did she ditch him in Hawaii?” And then we realize: San Francisco is the Prince. And maybe the curtain hasn’t yet fallen on this \u003cem>Swan Lake\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>In California\u003c/em> opens on Sunday, Jun. 5 at the \u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=216808~50c99741-ceec-4bfa-94b4-b7d919a3c410&epguid=3726e47f-2f91-48e8-84a6-f37200791d02&\" target=\"_blank\" rel=\"noopener\">San Francisco Documentary Festival\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ballerina \u003ca href=\"https://www.sfballet.org/company/dancers/principals/Mathilde_Froustey\" target=\"_blank\" rel=\"noopener\">Mathilde Froustey\u003c/a> should be flying high. In 2013, she fled the inhospitable \u003ca href=\"https://www.operadeparis.fr/en/artists/ballet\" target=\"_blank\" rel=\"noopener\">Paris Opera Ballet\u003c/a> for the warmer, welcoming climes of the \u003ca href=\"https://www.sfballet.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Ballet\u003c/a>, which has showered her with the title of Principal Dancer and the leading roles she has worked so hard for.\u003c/p>\n\u003cp>So the Froustey who confronts us in her boyfriend Charles Redon’s new documentary – filmed over a period of five years in France and California – comes as a shock. The opening sequences of \u003cem>In California\u003c/em> promise a gritty, if not entirely novel, window on the backstage struggles of a gifted dancer, including her struggles with an eating disorder, injury, and professional disappointment. But it rapidly withers into an account of Redon’s obsession with Froustey, and the leaden spectacle of his flirtations with masochism.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=tVVzhf4xXB8\">https://www.youtube.com/watch?v=tVVzhf4xXB8\u003c/a>\u003c/p>\n\u003cp>Redon spies on Froustey via hidden webcam, films her in the shower, and as she lay ill with meningitis in a hospital bed. He films himself having sex with her — though we cannot be sure that it is Froustey in the sex scenes, since the female body is inert and face down, either passed out or otherwise uninvolved in the proceedings. Even more disturbing are the scenes in which Froustey wearily resists Redon’s filming, begging him repeatedly to stop. A few breathtaking shots of the majestic landscapes of California cannot compensate for the tedious close-ups of the filmmaker fondling the dancer’s naked, unresponsive body, her face out of the frame.\u003c/p>\n\u003cp>It seems that the restless Redon, completely out of his comfort zone in the United States, jobless and dependent on his girlfriend, has cast himself in the role of the evil sorcerer Von Rothbart in \u003cem>Swan Lake\u003c/em>, complete with leather dog mask and whips, who will not release “Odette-Mathilde” from his infernal clutches. Is Froustey cursed to be filmed (and poorly edited) by Redon forever?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "'Popstar' Makes the Most of its Big, Chest-Thumping Joke",
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"content": "\u003cp>The Lonely Island comedy trio — Akiva Schaffer, Jorma Taccone, and Andy Samberg — have been writing and performing together since 2000, but they didn’t reach national prominence until 2005, when their Saturday Night Live digital short \u003ca href=\"http://www.hulu.com/watch/1397\" target=\"_blank\" rel=\"noopener\">“Lazy Sunday”\u003c/a> went viral. “Lazy Sunday” crystallized the troupe’s winning musical formula: Ferocious, chest-thumping rap braggadocio in service of silly and self-deprecating lyrics, like eating cupcakes and seeing a matinee of \u003cem>The Chronicles of Narnia\u003c/em>. On \u003cem>SNL\u003c/em>, three albums, and a run of consistently hilarious music videos, The Lonely Island has become the hip-hop equivalent to Jack Black and Kyle Gass’ long-running heavy metal parody/homage, Tenacious D. And the lingering question for both is: How far can one joke be stretched?\u003c/p>\n\u003cp>https://youtu.be/Q9RoNzJrmDo\u003c/p>\n\u003cp>For Tenacious D, the answer was the humbling 2006 farce \u003cem>Tenacious D in The Pick of Destiny\u003c/em>, which sputtered after a \u003ca href=\"https://www.youtube.com/watch?v=kVbbtuJfgIc\" target=\"_blank\" rel=\"noopener\">brilliant standalone opening\u003c/a>. The Lonely Island fares considerably better with \u003cem>Popstar: Never Stop Never Stopping\u003c/em>, perhaps because the concept isn’t limited to rap parody, but acts as a net that trawls the entire pop universe, in all its pomposity and excess and chronic eccentricity. Taking a mock-documentary form that draws from \u003cem>This is Spinal Tap\u003c/em>, VH-1’s \u003cem>Behind the Music\u003c/em>, and promotional movies like \u003cem>Justin Bieber: Never Say Never\u003c/em> and \u003cem>Katy Perry: Part of Me\u003c/em>, \u003cem>Popstar\u003c/em> isn’t a satire so much as a warped funhouse reflection of the contemporary scene. It’s bright, affectionate, and so keyed into our particular pop moment that it all but hurls itself into a time capsule.\u003c/p>\n\u003cp>It’s also full of jokes, lots of them, pouring out from the dialogue, the soundtrack, and an onslaught of graphics, references, foreground/background jokes, and random jokes tucked into the crevasses. Schaffer, Taccone, and Samberg had tried to make a feature-length comedy before in the underrated \u003cem>Hot Rod\u003c/em>, which tanked, but this is their first true Lonely Island movie and they’re not leaving any potential laughs off the table. The manic pacing gives \u003cem>Popstar\u003c/em> the jagged rhythm of a hit-or-miss spoof in the \u003cem>Airplane!\u003c/em> tradition, but there’s enough hits to sustain every scene and a simple arc about friendship and collaboration to carry the finale across.\u003c/p>\n\u003cp>As \u003cem>Popstar\u003c/em> opens, Conner4Real (Samberg) is an ascendent phenom, having used the early success of The Style Boyz, the band he started with childhood buddies Owen (Taccone) and Lawrence (Schaffer), to catapult, Justin Timberlake-like, to solo glory. Now surrounded entirely by sycophants, including 23 personal assistants, Conner is readying the launch of his new album, \u003cem>Connquest\u003c/em>, for which he wrote all the songs and slickened with the services of 100 producers. With singles like “Equal Rights,” a marriage equality anthem laced with gay panic, and “Finest Girl (Bin Laden Song),” a sex track littered with references to the Osama Bin Laden killing, \u003cem>Connquest\u003c/em> is a critical flop and a commercial disaster. (\u003cem>Pitchfork\u003c/em> gives it -4.0 out of 10 while \u003cem>Rolling Stone\u003c/em> opts for the poop emoji on its four-star scale.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Nonetheless, Conner tours in support of the record, breaking out new gimmicks to stave off his dwindling fortune. In that, \u003cem>Popstar\u003c/em> acts as a scaled-up \u003cem>This is Spinal Tap\u003c/em>, following a washed-up outfit through half-filled arenas as its latest LP drifts into obscurity. The film has a sentimental side, too, as Conner seeks to mend fences with Owen and Lawrence, who are reduced to DJ-ing with an iPod and working on a dust-choked farm, respectively. Samberg’s breakout success as a TV and movie star likely informs this subplot, with The Style Boyz as a stand-in for The Lonely Island, but a comedy this untroubled doesn’t hint at any true discord.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Conner’s image as a runaway egotist and conspicuous spender feeds into blockbuster scope of \u003cem>Popstar\u003c/em>, which doesn’t allow for the more modest observational comedy of \u003ci>Spinal Tap\u003c/i> or a Christopher Guest comedy like \u003cem>A Mighty Wind\u003c/em>. The film is jammed with a who’s-who of celebrity cameos and bit parts, like Timberlake as a personal chef with a yen for carrot preparation, and massive setpieces, like Seal presiding over a wedding proposal disrupted by a pack of wild wolves. Some of the jokes undercut pop grotesquerie, others are merely silly for the sake of it. And as with any good Lonely Island song, all of them are delivered with infectious brio.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Lonely Island comedy trio — Akiva Schaffer, Jorma Taccone, and Andy Samberg — have been writing and performing together since 2000, but they didn’t reach national prominence until 2005, when their Saturday Night Live digital short \u003ca href=\"http://www.hulu.com/watch/1397\" target=\"_blank\" rel=\"noopener\">“Lazy Sunday”\u003c/a> went viral. “Lazy Sunday” crystallized the troupe’s winning musical formula: Ferocious, chest-thumping rap braggadocio in service of silly and self-deprecating lyrics, like eating cupcakes and seeing a matinee of \u003cem>The Chronicles of Narnia\u003c/em>. On \u003cem>SNL\u003c/em>, three albums, and a run of consistently hilarious music videos, The Lonely Island has become the hip-hop equivalent to Jack Black and Kyle Gass’ long-running heavy metal parody/homage, Tenacious D. And the lingering question for both is: How far can one joke be stretched?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Q9RoNzJrmDo'\n title='//www.youtube.com/embed/Q9RoNzJrmDo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For Tenacious D, the answer was the humbling 2006 farce \u003cem>Tenacious D in The Pick of Destiny\u003c/em>, which sputtered after a \u003ca href=\"https://www.youtube.com/watch?v=kVbbtuJfgIc\" target=\"_blank\" rel=\"noopener\">brilliant standalone opening\u003c/a>. The Lonely Island fares considerably better with \u003cem>Popstar: Never Stop Never Stopping\u003c/em>, perhaps because the concept isn’t limited to rap parody, but acts as a net that trawls the entire pop universe, in all its pomposity and excess and chronic eccentricity. Taking a mock-documentary form that draws from \u003cem>This is Spinal Tap\u003c/em>, VH-1’s \u003cem>Behind the Music\u003c/em>, and promotional movies like \u003cem>Justin Bieber: Never Say Never\u003c/em> and \u003cem>Katy Perry: Part of Me\u003c/em>, \u003cem>Popstar\u003c/em> isn’t a satire so much as a warped funhouse reflection of the contemporary scene. It’s bright, affectionate, and so keyed into our particular pop moment that it all but hurls itself into a time capsule.\u003c/p>\n\u003cp>It’s also full of jokes, lots of them, pouring out from the dialogue, the soundtrack, and an onslaught of graphics, references, foreground/background jokes, and random jokes tucked into the crevasses. Schaffer, Taccone, and Samberg had tried to make a feature-length comedy before in the underrated \u003cem>Hot Rod\u003c/em>, which tanked, but this is their first true Lonely Island movie and they’re not leaving any potential laughs off the table. The manic pacing gives \u003cem>Popstar\u003c/em> the jagged rhythm of a hit-or-miss spoof in the \u003cem>Airplane!\u003c/em> tradition, but there’s enough hits to sustain every scene and a simple arc about friendship and collaboration to carry the finale across.\u003c/p>\n\u003cp>As \u003cem>Popstar\u003c/em> opens, Conner4Real (Samberg) is an ascendent phenom, having used the early success of The Style Boyz, the band he started with childhood buddies Owen (Taccone) and Lawrence (Schaffer), to catapult, Justin Timberlake-like, to solo glory. Now surrounded entirely by sycophants, including 23 personal assistants, Conner is readying the launch of his new album, \u003cem>Connquest\u003c/em>, for which he wrote all the songs and slickened with the services of 100 producers. With singles like “Equal Rights,” a marriage equality anthem laced with gay panic, and “Finest Girl (Bin Laden Song),” a sex track littered with references to the Osama Bin Laden killing, \u003cem>Connquest\u003c/em> is a critical flop and a commercial disaster. (\u003cem>Pitchfork\u003c/em> gives it -4.0 out of 10 while \u003cem>Rolling Stone\u003c/em> opts for the poop emoji on its four-star scale.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nonetheless, Conner tours in support of the record, breaking out new gimmicks to stave off his dwindling fortune. In that, \u003cem>Popstar\u003c/em> acts as a scaled-up \u003cem>This is Spinal Tap\u003c/em>, following a washed-up outfit through half-filled arenas as its latest LP drifts into obscurity. The film has a sentimental side, too, as Conner seeks to mend fences with Owen and Lawrence, who are reduced to DJ-ing with an iPod and working on a dust-choked farm, respectively. Samberg’s breakout success as a TV and movie star likely informs this subplot, with The Style Boyz as a stand-in for The Lonely Island, but a comedy this untroubled doesn’t hint at any true discord.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Conner’s image as a runaway egotist and conspicuous spender feeds into blockbuster scope of \u003cem>Popstar\u003c/em>, which doesn’t allow for the more modest observational comedy of \u003ci>Spinal Tap\u003c/i> or a Christopher Guest comedy like \u003cem>A Mighty Wind\u003c/em>. The film is jammed with a who’s-who of celebrity cameos and bit parts, like Timberlake as a personal chef with a yen for carrot preparation, and massive setpieces, like Seal presiding over a wedding proposal disrupted by a pack of wild wolves. Some of the jokes undercut pop grotesquerie, others are merely silly for the sake of it. And as with any good Lonely Island song, all of them are delivered with infectious brio.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003ch3>Don’t forget to subscribe to our \u003ca target=\"_blank\" href=\"http://www.bit.ly/FSSYouTube\" rel=\"noopener\">YouTube channel\u003c/a>!\u003c/h3>\n\u003cp>\u003cem>The following is a guest post from Occidental College Media Arts and Culture student Matt O’Connell.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>What happens when women in their early 20s get ready for a Friday night? Using stop-motion, animated video, and fabrication techniques, Emily Hoffman and Ariel Noltimier Strauss \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2016/06/03/humanizing-girls-conversation-with-the-emily-ariel-show-filmmakers-emily-hoffman-and-ariel-noltimier-strauss/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2016/06/03/humanizing-girls-conversation-with-the-emily-ariel-show-filmmakers-emily-hoffman-and-ariel-noltimier-strauss/\" target=\"_blank\" title=\"Humanizing Girls: Conversation with “The Emily & Ariel Show” Filmmakers Emily Hoffman and Ariel Noltimier Strauss\" rel=\"noopener\">Films School Shorts News\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch3>Don’t forget to subscribe to our \u003ca target=\"_blank\" href=\"http://www.bit.ly/FSSYouTube\" rel=\"noopener\">YouTube channel\u003c/a>!\u003c/h3>\n\u003cp>\u003cem>The following is a guest post from Occidental College Media Arts and Culture student Matt O’Connell.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>What happens when women in their early 20s get ready for a Friday night? Using stop-motion, animated video, and fabrication techniques, Emily Hoffman and Ariel Noltimier Strauss \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2016/06/03/humanizing-girls-conversation-with-the-emily-ariel-show-filmmakers-emily-hoffman-and-ariel-noltimier-strauss/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://blogs.kqed.org/filmschoolshorts/2016/06/03/humanizing-girls-conversation-with-the-emily-ariel-show-filmmakers-emily-hoffman-and-ariel-noltimier-strauss/\" target=\"_blank\" title=\"Humanizing Girls: Conversation with “The Emily & Ariel Show” Filmmakers Emily Hoffman and Ariel Noltimier Strauss\" rel=\"noopener\">Films School Shorts News\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>Welcome to \u003cstrong>Now Playing\u003c/strong>, in which our film critic \u003ca href=\"http://ww2.kqed.org/arts/author/mfox/\" target=\"_blank\" rel=\"noopener\">Michael Fox\u003c/a> gently points you to the most eminently watchable offerings on Bay Area screens this week.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11638109\" class=\"wp-caption alignright\" style=\"max-width: 632px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/OAmorNatural.jpg\" alt=\"Still from 'O Amor Natural.'\" width=\"632\" height=\"420\" class=\"size-full wp-image-11638109\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/OAmorNatural.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/OAmorNatural-400x266.jpg 400w\" sizes=\"(max-width: 632px) 100vw, 632px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘O Amor Natural.’ \u003ccite>(Courtesy of BAMPFA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ca href=\"http://www.bampfa.berkeley.edu/program/auteur-author-film-literature\" target=\"_blank\" rel=\"noopener\">Auteur, Author: Film and Literature\u003c/a>\u003c/h3>\n\u003ch5>June 1-5\u003cbr>\nBerkeley Art Museum and Pacific Film Archive, Berkeley\u003c/h5>\n\u003cp>Before you direct me to a 12-step program for alliteration addiction, consider the power of text. Yes, movies are a visual (and frequently aural) medium, but narrative filmmaking begins with a script. Inspired by and in conjunction with this week’s \u003ca href=\"http://www.baybookfest.org/\" target=\"_blank\" rel=\"noopener\">Bay Area Book Festival\u003c/a>, the Pacific Film Archive honors the many ways page and screen intersect in this brief yet jam-packed five-day series. The irresistible offerings include \u003cem>\u003ca href=\"http://www.bampfa.berkeley.edu/event/fat-city-1\" target=\"_blank\" rel=\"noopener\">Fat City\u003c/a>\u003c/em> author Leonard Gardner discussing (and showing) John Huston’s knockout 1972 adaptation of the Stockton-set novel with critic and historian David Thomson. Another highlight is a rare screening — augmented by a conversation among several local writers — of Heddy Honigmann’s disarmingly subversive 1996 documentary, \u003ca href=\"http://www.bampfa.berkeley.edu/event/o-amor-natural-2\" target=\"_blank\" rel=\"noopener\">O Amor Natural\u003c/a>, in which older Brazilians recite Carlos Drummond de Andrade’s erotic poems and recall their own love lives. Tickets to screenings are $5-12.\u003c/p>\n\u003cfigure id=\"attachment_11638419\" class=\"wp-caption alignright\" style=\"max-width: 560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Beggars.jpg\" alt=\"Still from 'Beggars of Life.'\" width=\"560\" height=\"389\" class=\"size-full wp-image-11638419\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Beggars.jpg 560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Beggars-400x278.jpg 400w\" sizes=\"(max-width: 560px) 100vw, 560px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Beggars of Life.’ \u003ccite>(Courtesy of San Francisco Silent Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Also…\u003c/h3>\n\u003cp>In San Francisco, two vastly entertaining festivals vie for your attention. The \u003ca href=\"http://www.silentfilm.org/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>San Francisco Silent Film Festival\u003c/strong>\u003c/a>, June 2-5 at the Castro Theater, opens with Louise Brooks in \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=209943~d9133282-4896-49aa-be18-b053ee8cefc3&epguid=1822aae7-3fda-46c4-8940-081224f26742&\" target=\"_blank\" rel=\"noopener\">Beggars of Life\u003c/a>\u003c/em> and maintains the momentum with key works by Oscar Micheaux, René Clair, Anthony Asquith and Robert Flaherty. Tickets to the festival screenings are $16-25.\u003c/p>\n\u003cp>Meanwhile, \u003ca href=\"http://prod3.agileticketing.net/websales/pages/list.aspx?epguid=3726e47f-2f91-48e8-84a6-f37200791d02&perpage=54&\" target=\"_blank\" rel=\"noopener\">\u003cstrong>SF DocFest\u003c/strong>\u003c/a> decamps June 2-16 at the Roxie, Great Star and Vogue with a typically weird and wide-ranging lineup that encompasses \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=216828~50c99741-ceec-4bfa-94b4-b7d919a3c410&epguid=3726e47f-2f91-48e8-84a6-f37200791d02&\" target=\"_blank\" rel=\"noopener\">Tear the Roof Off: The Untold Story of Parliament Funkadelic\u003c/a>\u003c/em> and local filmmaker Jason Cohen’s history of Compaq Computer, \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=216787~50c99741-ceec-4bfa-94b4-b7d919a3c410&epguid=3726e47f-2f91-48e8-84a6-f37200791d02&\" target=\"_blank\" rel=\"noopener\">Silicon Cowboys\u003c/a>\u003c/em>. Tickets to SF DocFest screenings are $12.\u003c/p>\n\u003cp>Fortunately, the Warriors and Sharks aren’t playing every day.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://youtu.be/VuF7lWbTZbQ\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Welcome to \u003cstrong>Now Playing\u003c/strong>, in which our film critic \u003ca href=\"http://ww2.kqed.org/arts/author/mfox/\" target=\"_blank\" rel=\"noopener\">Michael Fox\u003c/a> gently points you to the most eminently watchable offerings on Bay Area screens this week.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_11638109\" class=\"wp-caption alignright\" style=\"max-width: 632px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/OAmorNatural.jpg\" alt=\"Still from 'O Amor Natural.'\" width=\"632\" height=\"420\" class=\"size-full wp-image-11638109\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/OAmorNatural.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/OAmorNatural-400x266.jpg 400w\" sizes=\"(max-width: 632px) 100vw, 632px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘O Amor Natural.’ \u003ccite>(Courtesy of BAMPFA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003ca href=\"http://www.bampfa.berkeley.edu/program/auteur-author-film-literature\" target=\"_blank\" rel=\"noopener\">Auteur, Author: Film and Literature\u003c/a>\u003c/h3>\n\u003ch5>June 1-5\u003cbr>\nBerkeley Art Museum and Pacific Film Archive, Berkeley\u003c/h5>\n\u003cp>Before you direct me to a 12-step program for alliteration addiction, consider the power of text. Yes, movies are a visual (and frequently aural) medium, but narrative filmmaking begins with a script. Inspired by and in conjunction with this week’s \u003ca href=\"http://www.baybookfest.org/\" target=\"_blank\" rel=\"noopener\">Bay Area Book Festival\u003c/a>, the Pacific Film Archive honors the many ways page and screen intersect in this brief yet jam-packed five-day series. The irresistible offerings include \u003cem>\u003ca href=\"http://www.bampfa.berkeley.edu/event/fat-city-1\" target=\"_blank\" rel=\"noopener\">Fat City\u003c/a>\u003c/em> author Leonard Gardner discussing (and showing) John Huston’s knockout 1972 adaptation of the Stockton-set novel with critic and historian David Thomson. Another highlight is a rare screening — augmented by a conversation among several local writers — of Heddy Honigmann’s disarmingly subversive 1996 documentary, \u003ca href=\"http://www.bampfa.berkeley.edu/event/o-amor-natural-2\" target=\"_blank\" rel=\"noopener\">O Amor Natural\u003c/a>, in which older Brazilians recite Carlos Drummond de Andrade’s erotic poems and recall their own love lives. Tickets to screenings are $5-12.\u003c/p>\n\u003cfigure id=\"attachment_11638419\" class=\"wp-caption alignright\" style=\"max-width: 560px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/Beggars.jpg\" alt=\"Still from 'Beggars of Life.'\" width=\"560\" height=\"389\" class=\"size-full wp-image-11638419\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Beggars.jpg 560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Beggars-400x278.jpg 400w\" sizes=\"(max-width: 560px) 100vw, 560px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Beggars of Life.’ \u003ccite>(Courtesy of San Francisco Silent Film Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Also…\u003c/h3>\n\u003cp>In San Francisco, two vastly entertaining festivals vie for your attention. The \u003ca href=\"http://www.silentfilm.org/\" target=\"_blank\" rel=\"noopener\">\u003cstrong>San Francisco Silent Film Festival\u003c/strong>\u003c/a>, June 2-5 at the Castro Theater, opens with Louise Brooks in \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=209943~d9133282-4896-49aa-be18-b053ee8cefc3&epguid=1822aae7-3fda-46c4-8940-081224f26742&\" target=\"_blank\" rel=\"noopener\">Beggars of Life\u003c/a>\u003c/em> and maintains the momentum with key works by Oscar Micheaux, René Clair, Anthony Asquith and Robert Flaherty. Tickets to the festival screenings are $16-25.\u003c/p>\n\u003cp>Meanwhile, \u003ca href=\"http://prod3.agileticketing.net/websales/pages/list.aspx?epguid=3726e47f-2f91-48e8-84a6-f37200791d02&perpage=54&\" target=\"_blank\" rel=\"noopener\">\u003cstrong>SF DocFest\u003c/strong>\u003c/a> decamps June 2-16 at the Roxie, Great Star and Vogue with a typically weird and wide-ranging lineup that encompasses \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=216828~50c99741-ceec-4bfa-94b4-b7d919a3c410&epguid=3726e47f-2f91-48e8-84a6-f37200791d02&\" target=\"_blank\" rel=\"noopener\">Tear the Roof Off: The Untold Story of Parliament Funkadelic\u003c/a>\u003c/em> and local filmmaker Jason Cohen’s history of Compaq Computer, \u003cem>\u003ca href=\"http://prod3.agileticketing.net/websales/pages/info.aspx?evtinfo=216787~50c99741-ceec-4bfa-94b4-b7d919a3c410&epguid=3726e47f-2f91-48e8-84a6-f37200791d02&\" target=\"_blank\" rel=\"noopener\">Silicon Cowboys\u003c/a>\u003c/em>. Tickets to SF DocFest screenings are $12.\u003c/p>\n\u003cp>Fortunately, the Warriors and Sharks aren’t playing every day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>A suburban Philadelphia judge who refused to throw out Bill Cosby’s criminal case after his arrest will keep the case through trial.\u003c/p>\n\u003cp>Montgomery County Common Pleas Judge Steven T. O’Neill this year rejected defense efforts to toss the case over a supposed 2005 non-prosecution agreement between Cosby and a former prosecutor.\u003c/p>\n\u003cp>Cosby, 78, was charged in December with sexually assaulting a female friend in 2004. District Attorney Kevin Steele brought the charges after the case was reopened last year and the 12-year statute of limitations loomed.\u003c/p>\n\u003cp>Lawyers who know O’Neill say his early decisions don’t necessarily point to how he might rule on the evidence at trial. The defense hopes to limit testimony from other women accusers who have come forward and keep out Cosby’s deposition from a related lawsuit.\u003c/p>\n\u003cp>“If anybody thinks that because of his prior rulings in this case, and because of his prior background as a prosecutor, he is going to automatically admit all the prior bad acts (allegations), they’re mistaken,” said lawyer Jeffrey M. Lindy, who has appeared before O’Neill. “I think he’s going to split the baby, so to speak: exclude some (accusers) and let others in.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Times Herald of Norristown first reported last week on O’Neill’s appointment to the case.\u003c/p>\n\u003cp>O’Neill, 62, took the bench in 2002, and has won accolades for his work running the county’s rehabilitation-focused drug court for the past 10 years.\u003c/p>\n\u003cp>True to form, he minced few words in handling the 2007 drug and gun arrests of former Philadelphia Eagles Coach Andy Reid’s two sons, calling the coach’s home “a drug emporium” stocked with both illegal and prescription drugs. Both young men went to jail for a time, but also worked with O’Neill to seek help. One son died of an overdose five years later.\u003c/p>\n\u003cp>“He takes the plight of these young men and women … seriously,” Lindy said. “He’s very, very concerned about them breaking the cycle of addiction.”\u003c/p>\n\u003cp>In 2014, O’Neill handled the death-penalty trial of a young technology worker who, beset by gambling debts, killed an infant and grandmother in a botched kidnapping.\u003c/p>\n\u003cp>Cosby has not been given a trial date, but a lower-court judge upheld the charges after a May 24 preliminary hearing. He is accused of drugging and molesting former Temple University employee Andrea Constand. He has called the encounter consensual.\u003c/p>\n\u003cp>Cosby has waived his right to be formally arraigned on the charges this summer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A suburban Philadelphia judge who refused to throw out Bill Cosby’s criminal case after his arrest will keep the case through trial.\u003c/p>\n\u003cp>Montgomery County Common Pleas Judge Steven T. O’Neill this year rejected defense efforts to toss the case over a supposed 2005 non-prosecution agreement between Cosby and a former prosecutor.\u003c/p>\n\u003cp>Cosby, 78, was charged in December with sexually assaulting a female friend in 2004. District Attorney Kevin Steele brought the charges after the case was reopened last year and the 12-year statute of limitations loomed.\u003c/p>\n\u003cp>Lawyers who know O’Neill say his early decisions don’t necessarily point to how he might rule on the evidence at trial. The defense hopes to limit testimony from other women accusers who have come forward and keep out Cosby’s deposition from a related lawsuit.\u003c/p>\n\u003cp>“If anybody thinks that because of his prior rulings in this case, and because of his prior background as a prosecutor, he is going to automatically admit all the prior bad acts (allegations), they’re mistaken,” said lawyer Jeffrey M. Lindy, who has appeared before O’Neill. “I think he’s going to split the baby, so to speak: exclude some (accusers) and let others in.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Times Herald of Norristown first reported last week on O’Neill’s appointment to the case.\u003c/p>\n\u003cp>O’Neill, 62, took the bench in 2002, and has won accolades for his work running the county’s rehabilitation-focused drug court for the past 10 years.\u003c/p>\n\u003cp>True to form, he minced few words in handling the 2007 drug and gun arrests of former Philadelphia Eagles Coach Andy Reid’s two sons, calling the coach’s home “a drug emporium” stocked with both illegal and prescription drugs. Both young men went to jail for a time, but also worked with O’Neill to seek help. One son died of an overdose five years later.\u003c/p>\n\u003cp>“He takes the plight of these young men and women … seriously,” Lindy said. “He’s very, very concerned about them breaking the cycle of addiction.”\u003c/p>\n\u003cp>In 2014, O’Neill handled the death-penalty trial of a young technology worker who, beset by gambling debts, killed an infant and grandmother in a botched kidnapping.\u003c/p>\n\u003cp>Cosby has not been given a trial date, but a lower-court judge upheld the charges after a May 24 preliminary hearing. He is accused of drugging and molesting former Temple University employee Andrea Constand. He has called the encounter consensual.\u003c/p>\n\u003cp>Cosby has waived his right to be formally arraigned on the charges this summer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Johnny Depp’s estranged wife has given Los Angeles police a statement to support her account of an alleged domestic violence incident involving the actor, her lawyers said Tuesday.\u003c/p>\n\u003cp>Attorneys Samantha Spector and Joseph P. Koenig wrote in a statement that model-actress Amber Heard had spoken to Los Angeles police. The statement did not indicate when Heard gave the statement, and the Los Angeles Police Department says it has no information about Heard speaking with officers.\u003c/p>\n\u003cp>“With her statement Amber hopes to give the LAPD the opportunity to conduct an accurate and complete investigation into the events of that evening and before,” Heard’s lawyers wrote. “If that occurs, and the truth is revealed, there is no doubt that Amber’s claims will be substantiated beyond any doubt, and hopefully Johnny will get the help that he so desperately needs.”\u003c/p>\n\u003cp>Heard obtained a temporary restraining order against Depp on Friday, alleging the actor threw her cell phone at her face, striking her below the right eye during a fight on May 21.\u003c/p>\n\u003cp>Los Angeles police have said they responded to the incident but found no evidence of a crime.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Spector and Koenig wrote that Heard did not initially give a statement to police because she was trying to protect Depp’s reputation and career.\u003c/p>\n\u003cp>An email message sent to Depp’s publicist was not immediately returned Tuesday.\u003c/p>\n\u003cp>Heard submitted a photo of her bruised face when she applied for the restraining order. She also wrote that the actor pulled her hair, screamed at her and repeatedly hit her and violently grabbed her face.\u003c/p>\n\u003cp>She appeared at a Los Angeles court on Friday and had a bruise on her right cheek below the eye.\u003c/p>\n\u003cp>Heard filed for divorce on May 23, two days after the alleged abuse, citing irreconcilable differences. Depp’s lawyer has accused Heard of using the abuse allegations to try to gain an advantage on the actor in divorce proceedings. She is seeking spousal support, but Depp is asking a judge to deny that request.\u003c/p>\n\u003cp>“Amber is simply a victim of domestic violence, and none of her actions are motivated by money,” Heard’s lawyers wrote. “Amber is a brave and financially independent woman who is showing the courage of her convictions by doing the right thing against Johnny’s relentless army of lawyers and surrogates.”\u003c/p>\n\u003cp>Heard and Depp met on the set of the 2011 film “The Rum Diary” and were married for 15 months before the divorce petition was filed. Heard wrote that May 21, the day of the alleged assault, was the first time she had seen Depp in a month.\u003c/p>\n\u003cp>Depp is traveling overseas on tour with his band, Hollywood Vampires. His latest film, \u003cem>Alice Through the Looking Glass\u003c/em> bombed at the box office, earning just over $28.1 million in its opening weekend, according to figures released Sunday.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>AP Entertainment Writer Sandy Cohen contributed to this report. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Spector and Koenig wrote that Heard did not initially give a statement to police because she was trying to protect Depp’s reputation and career.\u003c/p>\n\u003cp>An email message sent to Depp’s publicist was not immediately returned Tuesday.\u003c/p>\n\u003cp>Heard submitted a photo of her bruised face when she applied for the restraining order. She also wrote that the actor pulled her hair, screamed at her and repeatedly hit her and violently grabbed her face.\u003c/p>\n\u003cp>She appeared at a Los Angeles court on Friday and had a bruise on her right cheek below the eye.\u003c/p>\n\u003cp>Heard filed for divorce on May 23, two days after the alleged abuse, citing irreconcilable differences. Depp’s lawyer has accused Heard of using the abuse allegations to try to gain an advantage on the actor in divorce proceedings. She is seeking spousal support, but Depp is asking a judge to deny that request.\u003c/p>\n\u003cp>“Amber is simply a victim of domestic violence, and none of her actions are motivated by money,” Heard’s lawyers wrote. “Amber is a brave and financially independent woman who is showing the courage of her convictions by doing the right thing against Johnny’s relentless army of lawyers and surrogates.”\u003c/p>\n\u003cp>Heard and Depp met on the set of the 2011 film “The Rum Diary” and were married for 15 months before the divorce petition was filed. Heard wrote that May 21, the day of the alleged assault, was the first time she had seen Depp in a month.\u003c/p>\n\u003cp>Depp is traveling overseas on tour with his band, Hollywood Vampires. His latest film, \u003cem>Alice Through the Looking Glass\u003c/em> bombed at the box office, earning just over $28.1 million in its opening weekend, according to figures released Sunday.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>AP Entertainment Writer Sandy Cohen contributed to this report. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
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"masters-of-scale": {
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},
"mindshift": {
"id": "mindshift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
"id": "perspectives",
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"order": 14
},
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"source": "PRI"
},
"link": "/radio/program/pri-the-world",
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"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
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