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"content": "\u003cp>“I duck into the parking garage, hoping to escape. But my boots echo on the slick cement, broadcasting my location to anyone listening. And I know they are listening.” So run the opening sentences of Lisa Lutz’s wry novel, \u003cb>The Spellman Files\u003c/b>, and the people listening and forcing the main character into a dangerous car chase are HER PARENTS.\u003c/p>\n\u003cp>We recognize Isabel Spellman’s voice immediately. With her staccato rhythms and deliberate vernacularisms, her street-wise pose and her penchant for grungy “denim and leather,” Isabel’s persona lies somewhere between “Dirty Harry and Nancy Drew.” But Isabel’s true antecedents lie deeper in the past, in that genre known as “hardboiled” or “noir.” Like her precursors, Isabel is a private investigator. And like the characters who populate \u003cb>The Maltese Falcon\u003c/b> and \u003cb>The Big Sleep\u003c/b>, Isabel lives on the margins, unable (or perhaps unwilling) to assimilate into the mainstream. Readers will recognize elements of their favorite gumshoes (from Lew Archer to Sam Spade) in Isabel.\u003c/p>\n\u003cp>Although readers can draw ready parallels between Lutz and Raymond Chandler, or Lutz and Dashiell Hammett (especially since Lutz and Hammett both engage San Francisco’s social and physical geography), \u003cb>The Spellman Files\u003c/b> lies closer, in spirit and intent, to Ross McDonald’s psycho-thrillers. The book bears a strong resemblance to McDonald’s \u003cb>Black Money\u003c/b>, one of the first to feature the detective Lew Archer. McDonald, writing in the 1960s, was more interested in writing sociology. He remains exterior to his characters, weaving a dense socio-economic tapestry around a handful of archetypes. Lutz, however, turns towards the interior, and she gives us action and emotion in equal measure. In contrast to her hard-edge forebears, one might call Lutz’s particular approach to the thriller “soft-boiled.”\u003c/p>\n\u003cp>\u003cb>The Spellman Files\u003c/b> borrows its structure from the hard-boiled thriller, but family constitutes Lutz’s greatest, most insistent theme. Isabel works for the family business, Spellman Investigations. The Spellman family has 5 members (Albert, Olivia, David, Isabel, and Rae), plus one (Uncle Ray). The Spellmans are a lovable but dysfunctional family, working out their family issues with old fashioned tools of the gumshoe trade. One family member’s sugar habit might trigger an all night stake out, a teenage infraction could turn into an interrogation session in the basement of the Spellman family home. Then there is Isabel, whose problematic notions of femininity are a constant source of humor (and humiliation) for the narrator.\u003c/p>\n\u003cp>As a twenty-first century thriller, taking place in twenty-first century San Francisco, \u003cb>The Spellman Files\u003c/b> addresses both gender and family issues with directness and empathy. Gender (and trouble with conventional gender models) figures from the very beginning of \u003cb>The Spellman Files\u003c/b>, the moment we first encounter Isabel Spellman. Her gender confusion, illustrated by her commitment to clunky boots and her aversion to commitments of a more romantic nature, prefigures the book’s larger themes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The thriller genre, with its set archetypes and devices, sets the stage for Lutz’s investigation of the nuclear family and its uncertain loyalties. Why do we love? And more importantly, in an age of “urban tribes” and shifting personal allegiances, why do we continue to love our families? While earlier writers like Chandler and McDonald may have favored Freudian plotlines, Lutz gives her readers a warmer, fuzzier picture of humanity. Family, for Lutz, is a source of pain, but never an agent. Though the book grapples with serious issues, and delivers the occasional dark moment, Lutz never loses her light touch. Like little sister Rae’s beloved sugary confections, \u003cb>The Spellman Files\u003c/b> goes down easy. (And, say other members of the KQED Arts & Culture blogger collective, it’s a great book to take to the beach!)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Lisa Lutz will be reading at Stacey’s Books in San Francisco at 12:30pm on March 26, 2007 and at the Capitola Book & Cafe in Capitola that same evening at 7:30pm.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The thriller genre, with its set archetypes and devices, sets the stage for Lutz’s investigation of the nuclear family and its uncertain loyalties. Why do we love? And more importantly, in an age of “urban tribes” and shifting personal allegiances, why do we continue to love our families? While earlier writers like Chandler and McDonald may have favored Freudian plotlines, Lutz gives her readers a warmer, fuzzier picture of humanity. Family, for Lutz, is a source of pain, but never an agent. Though the book grapples with serious issues, and delivers the occasional dark moment, Lutz never loses her light touch. Like little sister Rae’s beloved sugary confections, \u003cb>The Spellman Files\u003c/b> goes down easy. (And, say other members of the KQED Arts & Culture blogger collective, it’s a great book to take to the beach!)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Lisa Lutz will be reading at Stacey’s Books in San Francisco at 12:30pm on March 26, 2007 and at the Capitola Book & Cafe in Capitola that same evening at 7:30pm.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>I got a few odd sidelong glances from my fellow coffee shop patrons the other morning. But I couldn’t blame them. I was, after all, hunched over a book and alternately biting my lip, putting a hand over my mouth, and even, in the final few pages, wiping stray tears from the corners of my eyes. I am not usually such an emotionally demonstrative reader, but then again, not every novel is Daniel Alarcón’s \u003cb>Lost City Radio\u003c/b>, a book so insanely good that I’ve been forcing it on everyone I know.\u003c/p>\n\u003cp>This debut novel takes place somewhere in Latin America, in a nation of battle-scarred and soul-bruised people, living in the uneasy aftermath of a decade-long civil war. It could be Alarcón’s native Peru, but it could also be Chile, Argentina, El Salvador, or any other place that has suffered through a “Dirty War” — we find out only that it has mountains, it has jungle, and it has an ever-expanding ring of slums around its capital city. The slums are swelling daily, as the country’s remote villages are abandoned in droves by people seeking work. In order to reunite with loved ones and friends who have already made the trip, they rely on their favorite radio program: \u003cb>Lost City Radio\u003c/b>, hosted by the honey-voiced Miss Norma.\u003c/p>\n\u003cp>Each week on her show, Norma reads out the names of the lost and the missing, many of whom eventually find each other in heartwarming, carefully orchestrated reunions. Norma, legendary for her smooth-as-silk delivery, is a comforting and constant presence to those who have misplaced their loved ones in the great scrum of the global economy. No unpleasantness makes it to the air, the regulations make sure of that. Alarcón writes, “She relied on the station’s policy, which was also the government’s policy: to read good news with indifference and to make bad news sound hopeful…in her vocal caresses, unemployment figures read like bittersweet laments, declarations of war like love letters. News of mudslides became awestruck meditations on the mysteries of nature…” One topic is strictly off-limits: the long war between the government and a rebel faction from the jungles known as the IL, which eventually ended in a suppression of the rebellionand a return to something like the status quo. Although her show ostensibly exists to reunite the lost, there are names that cannot be spoken over the air. One of them is the name of Norma’s own husband Rey, an IL sympathizer who disappeared without a trace in the final days of the war.\u003c/p>\n\u003cp>One day, a little boy named Victor is dropped off at Norma’s studio — a kid from one of those remote and quickly emptying villages, 1797 (all the villages in the country have had their names replaced with numbers by the government). Victor has been entrusted with a list of all the names of 1797’s missing, and has been sent to get help from the seemingly all-powerful Miss Norma. At first, she is none too pleased to be saddled with this haunted boy and his carefully written sheet of names. He’s simply another pleading and lonely voice. But when she sees that he comes from 1797, a village that played a role in Rey’s disappearance, she agrees to look at his list. When she sees her husband’s name on the list — not “Rey” but his other, secret name, the one he was known by during his clandestine IL missions — she realizes Victor holds information that could tell her what finally happened to her husband, and whether he might still be out there, listening to her on the radio.\u003c/p>\n\u003cp>Names, namelessness, the speaking out loud of names and keeping silent about them: this is the thread that runs from one end of Alarcón’s novel to the other. The country and its capital city have no name. The villages have had their names taken away and replaced with numbers. Rey’s other name, the one under which he wrote incendiary articles on behalf of the IL in the early days of the war, is never spoken aloud in the book. Alarcón is a master at withholding information; the emotional resonance of \u003cb>Lost City Radio\u003c/b> comes from all the things that we aren’t told. We never find out what the ideological differencesare between the IL and the sitting government. The term “IL” stands for “Illegitimate Legion” — a name that tells us nothing of their alleged cause. “The war had become, if it wasn’t from the very beginning, an indecipherable text,” Rey muses to himself in the ninth year of the conflict. “Had it begun with a voided election? Or the murder of a popular senator? Who could remember now? They had all been student protesters, had felt the startling power of a mob, shouting as one chorus of voices -— but that was years ago, and times had changed. No one still believed all that, did they?” The loyalist soldiers commit hideous atrocities against the suspected IL members they arrest. The IL insurgents commit atrocities against anyone suspected of being a government collaborator -— all for what end? We are never told. Alarcón withholds any detail which would have allowed an easy out. He never lets us hang the labels “good guy” and “bad guy” around the necks of the parties involved. He gives the reader space to make the realization: how could there possibly be a “winner”? How could a war like this ever actually “end”?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I’ve read other fictional works that dealt with South and Central American conflicts: \u003cb>The Inhabited Woman\u003c/b> by former Sandinista government official Gioconda Belli, for example, mixes magic and fantasy in with tale of a young Salvadoran upper-class woman’s radicalization. Argentinian author Marta Traba wrote a novel in the mid-1980’s that is little known in the English-speaking world, \u003cb>Conversacion Del Sur\u003c/b> (published in English as \u003cb>Mothers and Shadows\u003c/b>), which is written as one long, harrowing conversation between two women huddled in a house in Montevideo, Uruguay, waiting to be killed. Better known to American audiences is Argentine-Chilean writer Ariel Dorfman’s play \u003cb>Death and the Maiden\u003c/b>, in which a woman kidnaps the doctor who tortured her in prison. But I was always able to preserve some sort of intellectual distance from the story. Alarcón collapses that distance to nothing.\u003c/p>\n\u003cp>Perhaps partly this is because \u003cb>Lost City Radio\u003c/b> is an English-language novel, with no deadening layer of translation between us and the devastating material. But mostly it’s because history has caught up to us, and the strange government doublespeak and obvious, transparent lies don’t seem like an exotic fiction. The first time Rey is captured, he is sent to a prison called “The Moon,” where he undergoes a hideous torture that Alarcón describes in brief, devastating glimpses. The Moon is a place that does not officially exist, according to the government. But even if it does, no one is sent there who wasn’t a terrorist that deserved it. The acknowledgement that our own government holds “ghost detainees” at “black sites” comes readily to mind.\u003c/p>\n\u003cp>With any book that attempts to cover a long span of years and detail the lives of multiple characters, I usually reserve my judgment about the book’s success until after I’ve gotten all the way to the end. This is because most authors, especially the young and show-offy, tend to fumble right where it matters: the conclusion. This is the point where, usually, all the big messy subplots and minor characters are supposed to come together in one big crescendo of transcendent catharsis, or something. Alarcón deftly avoids this trap by acknowledging, at all stages, the messy unknowableness of this nameless country and its tangle of history. To tie everything up into a neat little package would have been a grave disservice to the characters. Some of \u003cb>Lost City Radio\u003c/b>‘s characters find what they are looking for, some don’t. All of them have to find a way to continue moving forward, and in their way, they do.\u003c/p>\n\u003cp>Daniel Alarcón’s impressive list of credentials (of which Iowa Writer’s Workshop grad and Fulbright Scholar are only two) is richly deserved. These days, every debut novelist is met with manufactured hype and hubbub -— it’s easy to forget that sometimes a new young writer is capable of generating a buzz simply because of his enormous talent. Alarcón is the real deal, and if we as readers are lucky, \u003cb>Lost City Radio\u003c/b> is just the very beginning of a long career. I hope to be moved to tears in front of strangers in coffee shops for years to come.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"http://www.kqed.org/arts/writersblock/episode.jsp?id=13747\">The Writers’ Block\u003c/a> — Listen to Daniel Alarcón read an excerpt from \u003cb>Lost City Radio\u003c/b>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I got a few odd sidelong glances from my fellow coffee shop patrons the other morning. But I couldn’t blame them. I was, after all, hunched over a book and alternately biting my lip, putting a hand over my mouth, and even, in the final few pages, wiping stray tears from the corners of my eyes. I am not usually such an emotionally demonstrative reader, but then again, not every novel is Daniel Alarcón’s \u003cb>Lost City Radio\u003c/b>, a book so insanely good that I’ve been forcing it on everyone I know.\u003c/p>\n\u003cp>This debut novel takes place somewhere in Latin America, in a nation of battle-scarred and soul-bruised people, living in the uneasy aftermath of a decade-long civil war. 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One of them is the name of Norma’s own husband Rey, an IL sympathizer who disappeared without a trace in the final days of the war.\u003c/p>\n\u003cp>One day, a little boy named Victor is dropped off at Norma’s studio — a kid from one of those remote and quickly emptying villages, 1797 (all the villages in the country have had their names replaced with numbers by the government). Victor has been entrusted with a list of all the names of 1797’s missing, and has been sent to get help from the seemingly all-powerful Miss Norma. At first, she is none too pleased to be saddled with this haunted boy and his carefully written sheet of names. He’s simply another pleading and lonely voice. But when she sees that he comes from 1797, a village that played a role in Rey’s disappearance, she agrees to look at his list. When she sees her husband’s name on the list — not “Rey” but his other, secret name, the one he was known by during his clandestine IL missions — she realizes Victor holds information that could tell her what finally happened to her husband, and whether he might still be out there, listening to her on the radio.\u003c/p>\n\u003cp>Names, namelessness, the speaking out loud of names and keeping silent about them: this is the thread that runs from one end of Alarcón’s novel to the other. The country and its capital city have no name. The villages have had their names taken away and replaced with numbers. Rey’s other name, the one under which he wrote incendiary articles on behalf of the IL in the early days of the war, is never spoken aloud in the book. Alarcón is a master at withholding information; the emotional resonance of \u003cb>Lost City Radio\u003c/b> comes from all the things that we aren’t told. We never find out what the ideological differencesare between the IL and the sitting government. The term “IL” stands for “Illegitimate Legion” — a name that tells us nothing of their alleged cause. “The war had become, if it wasn’t from the very beginning, an indecipherable text,” Rey muses to himself in the ninth year of the conflict. “Had it begun with a voided election? Or the murder of a popular senator? Who could remember now? They had all been student protesters, had felt the startling power of a mob, shouting as one chorus of voices -— but that was years ago, and times had changed. No one still believed all that, did they?” The loyalist soldiers commit hideous atrocities against the suspected IL members they arrest. The IL insurgents commit atrocities against anyone suspected of being a government collaborator -— all for what end? We are never told. Alarcón withholds any detail which would have allowed an easy out. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ve read other fictional works that dealt with South and Central American conflicts: \u003cb>The Inhabited Woman\u003c/b> by former Sandinista government official Gioconda Belli, for example, mixes magic and fantasy in with tale of a young Salvadoran upper-class woman’s radicalization. Argentinian author Marta Traba wrote a novel in the mid-1980’s that is little known in the English-speaking world, \u003cb>Conversacion Del Sur\u003c/b> (published in English as \u003cb>Mothers and Shadows\u003c/b>), which is written as one long, harrowing conversation between two women huddled in a house in Montevideo, Uruguay, waiting to be killed. Better known to American audiences is Argentine-Chilean writer Ariel Dorfman’s play \u003cb>Death and the Maiden\u003c/b>, in which a woman kidnaps the doctor who tortured her in prison. But I was always able to preserve some sort of intellectual distance from the story. Alarcón collapses that distance to nothing.\u003c/p>\n\u003cp>Perhaps partly this is because \u003cb>Lost City Radio\u003c/b> is an English-language novel, with no deadening layer of translation between us and the devastating material. But mostly it’s because history has caught up to us, and the strange government doublespeak and obvious, transparent lies don’t seem like an exotic fiction. The first time Rey is captured, he is sent to a prison called “The Moon,” where he undergoes a hideous torture that Alarcón describes in brief, devastating glimpses. The Moon is a place that does not officially exist, according to the government. But even if it does, no one is sent there who wasn’t a terrorist that deserved it. The acknowledgement that our own government holds “ghost detainees” at “black sites” comes readily to mind.\u003c/p>\n\u003cp>With any book that attempts to cover a long span of years and detail the lives of multiple characters, I usually reserve my judgment about the book’s success until after I’ve gotten all the way to the end. This is because most authors, especially the young and show-offy, tend to fumble right where it matters: the conclusion. This is the point where, usually, all the big messy subplots and minor characters are supposed to come together in one big crescendo of transcendent catharsis, or something. Alarcón deftly avoids this trap by acknowledging, at all stages, the messy unknowableness of this nameless country and its tangle of history. To tie everything up into a neat little package would have been a grave disservice to the characters. Some of \u003cb>Lost City Radio\u003c/b>‘s characters find what they are looking for, some don’t. All of them have to find a way to continue moving forward, and in their way, they do.\u003c/p>\n\u003cp>Daniel Alarcón’s impressive list of credentials (of which Iowa Writer’s Workshop grad and Fulbright Scholar are only two) is richly deserved. These days, every debut novelist is met with manufactured hype and hubbub -— it’s easy to forget that sometimes a new young writer is capable of generating a buzz simply because of his enormous talent. Alarcón is the real deal, and if we as readers are lucky, \u003cb>Lost City Radio\u003c/b> is just the very beginning of a long career. I hope to be moved to tears in front of strangers in coffee shops for years to come.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
"link": "/podcasts/closealltabs",
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
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"id": "freakonomics-radio",
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"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"rss": "https://feeds.npr.org/510308/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
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