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"content": "\u003cp>If you’re in the habit of \u003ca href=\"http://www.facebook.com/group.php?gid=2204904236\">kissing the clock at 11:11\u003c/a>, you should know that \u003cem>Eleven Eleven\u003c/em>, the literary journal produced by the graduate program of the California College of the Arts, is releasing its eleventh issue this Friday, 11/11/11. To celebrate, Faculty Editor Hugh Behm-Steinberg, who has had the helm since late 2007, has invited one contributor from each issue to read at the release, and one staff member from each respective issue to introduce them.\u003c/p>\n\u003cp>Started in 2004, \u003cem>Eleven Eleven\u003c/em> is a class where the students are the staff. They produce two issues per year: an online issue in the winter and a print issue in the summer. The print edition is notorious for its square dimensions and is a pleasure to hold; it is produced in runs of about 1,000, and then distributed internationally by Small Press Distribution. 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Is it very specifically defined?\u003c/b>\u003c/p>\n\u003cp>Sure, absolutely. \u003cem>Eleven Eleven\u003c/em> has a kind of sweet spot, in that roughly 50% of the writers that we publish are emerging writers — the writers have between chapbooks and one to two books published, about 25% less-published writers, and 25% more-published writers. So that’s one boundary of sort of an editorial focus. Then there’s diversity issues that help shape the magazine. For example, one of the rules that we set down was at least half of the writers have to be women. And, at least 20% have to be writers of color. We do a lot of solicitation, so roughly 75% of the magazine was solicited; 25% comes through the slush pile.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Has that increased over the years?\u003c/b>\u003c/p>\n\u003cp>It’s pretty much been that way since I took over, and part of it is just simply a sense of wanting to be the best magazine that we can be, and also a sense of how to shape a magazine. The slush pile is like a junk shop: it’s like you wander in there, and there’s gonna be some really amazing things you’re gonna find, but if you build your entire magazine out of stuff you find in the junk shop, it’s going to be a very random-looking magazine, and it’s not necessarily going to have people that you’ve heard of that are going to draw you to the magazine. So, that’s one of the reasons why solicitation is important.\u003c/p>\n\u003cp>Another reason we do solicitation a lot is it’s important for the students to meet other writers, especially more established writers. And so having them go out there and approach people that they might be intimidated by and ask them for work allows them to form relationships, connections — networking that enables them to do more when they graduate.\u003c/p>\n\u003cp>\u003cb>So you have students blitzkrieg authors at readings?\u003c/b>\u003c/p>\n\u003cp>We encourage them to go to readings, yes, at the beginning of each semester they bring a list of writers they are interested in to class… My ambition with the class is that I hope my students become publishers… So I kind of wear two hats; one hat is of a teacher, and I’m teaching students about the culture of literary publishing, the culture of journals, the ethics of producing a journal, what’s out there in terms of marketplace and what are the different choices and modalities of publishing.\u003c/p>\n\u003cp>\u003cb>Do all of the students/staff members share similar capacities?\u003c/b>\u003c/p>\n\u003cp>Everyone reads. Everyone votes. Everyone works. 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And it continues beyond publishing the writers’ work.\u003c/p>\n\u003cp>So, for example, one of the things we’re very active about is promoting the work of the people we publish. So, we have a Facebook fan page that has almost 5,300 people, and we use that as a platform for marketing people’s books. So if a writer has work that’s been featured in \u003cem>Eleven Eleven\u003c/em>, whenever they have a book out we’ll post links toward purchasing their books. We do the same for visual artists in terms of when they have gallery shows. We do the same for presses that we collaborate with. And when writers are doing tours we’ll promote their readings when they’re in the Bay Area and help them and assist them with setting them up. So if you get published by \u003cem>Eleven Eleven\u003c/em> you’re part of our family, and we want to stick around with you not just past when you have your first piece published with us. A lot of journals… it’s really nice when you’ve been published, but then they pretty much just forget about you. And it’s like, I want \u003cem>Eleven Eleven\u003c/em> to be deeper than that, to have a deeper connection than that.\u003c/p>\n\u003cp>I like to think we have a quirky sensibility. We look for work that’s playful; we look for work that’s powerful, that’s emotional; we look for work that’s heterogeneous, in the sense that we don’t want to just publish one school of writing… One thing that I stress to my students is you can do more than just admire someone’s writing; you can publish it. So it enables you to have a deeper connection to the things that you love.\u003c/p>\n\u003cp>\u003cb>What’s your favorite part of the job?\u003c/b>\u003c/p>\n\u003cp>I feel like the most fun thing about doing \u003cem>Eleven Eleven\u003c/em> as part of the class are those teaching moments of being able to have those really good discussions about writing and where writing’s going and where you want writing to go, and the way in which a journal is a kind of advocacy for the sort of writing that you’re passionate about, and by connecting writers that wouldn’t normally be connected you’re creating your own micro-canon; you’re saying ‘this is the way I think writing should be.’\u003c/p>\n\u003cp>\u003cb>It’s strange to think about a class putting together their own textbook, in a way.\u003c/b>\u003c/p>\n\u003cp>In a way, but that’s exactly what it is.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Eleven Eleven\u003c/em> celebrates the release of Issue 11 on Friday, November 11, 2011 at 8pm at California College of the Arts, 1111 Eighth Street in San Francisco. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Has that increased over the years?\u003c/b>\u003c/p>\n\u003cp>It’s pretty much been that way since I took over, and part of it is just simply a sense of wanting to be the best magazine that we can be, and also a sense of how to shape a magazine. The slush pile is like a junk shop: it’s like you wander in there, and there’s gonna be some really amazing things you’re gonna find, but if you build your entire magazine out of stuff you find in the junk shop, it’s going to be a very random-looking magazine, and it’s not necessarily going to have people that you’ve heard of that are going to draw you to the magazine. So, that’s one of the reasons why solicitation is important.\u003c/p>\n\u003cp>Another reason we do solicitation a lot is it’s important for the students to meet other writers, especially more established writers. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This Saturday, 7:15pm, October 15, 2011, join KQED’s The Writers’ Block at Bruno’s, 2389 Mission St. in San Francisco for “Some Girls from the Block,” a live reading by five of the podcast’s most popular female writers.\u003c/p>\n\u003cp>The event is part of the annual Litcrawl, a marathon series of readings in San Francisco’s Mission district that’s put on by Litquake, the Bay Area’s annual literary festival. If you are in town — and over 21 — come join KQED for this special event. Get details at \u003ca href=\"http://litcrawl.org/sf/events/event/the-writers%E2%80%99-block-presents/\">litquake.org\u003c/a>\u003c/p>\n\u003cp>In the meantime, we pulled this reading by Lisa Brown from the archives to whet your appetite. Brown’s “Baby Be of Use” was recorded in November of 2005, just as The Writers’ Block was getting started. It became one of the series’ most downloaded episodes of all time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>When the bells clang on a typical morning, most of the passengers aboard San Francisco’s historic cable cars are sightseeing. Beginning this Saturday, the city’s first mode of public transportation will also be the setting of Jim Nelson’s first book, \u003ci>Everywhere Man\u003c/i>. As the third installation of \u003ca href=\"http://invisiblecityaudiotours.org/\">Invisible City Audio Tours\u003c/a> — a non-profit that invites local authors to create fictional accounts of urban landscapes and their histories — \u003ci>Everywhere Man\u003c/i> is a story about the world around us and the different ways we perceive it.\u003c/p>\n\u003cp>Responsible for creating a digital tour of San Francisco, a group of computer programmers discovers a stranger who appears in millions of tourist photographs taken around San Francisco and posted onto the Internet. “Everywhere Man,” as he comes to be known, is visible in the background of photos taken over years and across the city’s landscape. But he has never been identified.\u003c/p>\n\u003cp>Is he real? What looms in the corners of even our most-captured vistas? The story unfolds aboard the cable cars, as tour participants listen to \u003ca href=\"http://invisiblecityaudiotours.org/Everywhere_Man.html\">a downloadable audio album\u003c/a> mixed with original musical compositions and follow a map that blurs the real with the fictional. The search continues along Fisherman’s Wharf and Ghirardelli Square and ends at the Cable Car Museum, where the machinery of the cars and cables are revealed along with the identity of Everywhere Man.\u003c/p>\n\u003cp>A full-time computer programmer with both a BA and an MFA in Creative Writing, Nelson manages to merge two seemingly disparate worlds: the hard science of code and the creativity of fiction. The result is a fantastic story rendered unusually real. Watch a sneak preview:\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=Y8A81Mn4Qa4&w=480&h=274]\u003c/p>\n\u003cp>Here’s how it works: \u003ca href=\"http://invisiblecityaudiotours.org/Everywhere_Man.html\">Pre-order the book\u003c/a>, which includes the map, for $15 (or purchase during or after the launch for $19.95). \u003ca href=\"http://invisiblecityaudiotours.org/Everywhere_Man.html\">Download\u003c/a> the audio tour. Meet at the Powell Street cable car turntable (at Market Street). The tour can be taken at any time, but the launch begins at 10am on Saturday, Oct 15. Take the tour. Depending on wait-time, the 55-minute tour will take approximately 1.5 to 2 hours. Attend the \u003ca href=\"http://litcrawl.org/sf/events/event/invisible-city-audio-tours/\">Tour of Tours\u003c/a> (Saturday, October 15, 7:15pm, Clarion Alley, San Francisco) — a Litquake reading by contributors to each of the Invisible City Audio Tours, including Jim Nelson reading from \u003cem>Everywhere Man\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://litseen.com/?p=4531\">Read a full interview\u003c/a> with Jim about his fascination with the cable cars, his relationship with Invisible City, and the origins of \u003cem>Everywhere Man\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Everywhere Man\u003c/b> launches Saturday, October 15, 2011, 10am at the intersection of Powell and Market Streets in San Francisco. For \u003ca href=\"http://invisiblecityaudiotours.org/Everywhere_Man.html\">more information\u003c/a> on both the tour and the reading, visit invisiblecityaudiotours.org.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When the bells clang on a typical morning, most of the passengers aboard San Francisco’s historic cable cars are sightseeing. Beginning this Saturday, the city’s first mode of public transportation will also be the setting of Jim Nelson’s first book, \u003ci>Everywhere Man\u003c/i>. As the third installation of \u003ca href=\"http://invisiblecityaudiotours.org/\">Invisible City Audio Tours\u003c/a> — a non-profit that invites local authors to create fictional accounts of urban landscapes and their histories — \u003ci>Everywhere Man\u003c/i> is a story about the world around us and the different ways we perceive it.\u003c/p>\n\u003cp>Responsible for creating a digital tour of San Francisco, a group of computer programmers discovers a stranger who appears in millions of tourist photographs taken around San Francisco and posted onto the Internet. “Everywhere Man,” as he comes to be known, is visible in the background of photos taken over years and across the city’s landscape. But he has never been identified.\u003c/p>\n\u003cp>Is he real? What looms in the corners of even our most-captured vistas? The story unfolds aboard the cable cars, as tour participants listen to \u003ca href=\"http://invisiblecityaudiotours.org/Everywhere_Man.html\">a downloadable audio album\u003c/a> mixed with original musical compositions and follow a map that blurs the real with the fictional. The search continues along Fisherman’s Wharf and Ghirardelli Square and ends at the Cable Car Museum, where the machinery of the cars and cables are revealed along with the identity of Everywhere Man.\u003c/p>\n\u003cp>A full-time computer programmer with both a BA and an MFA in Creative Writing, Nelson manages to merge two seemingly disparate worlds: the hard science of code and the creativity of fiction. The result is a fantastic story rendered unusually real. Watch a sneak preview:\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Y8A81Mn4Qa4'\n title='//www.youtube.com/embed/Y8A81Mn4Qa4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Here’s how it works: \u003ca href=\"http://invisiblecityaudiotours.org/Everywhere_Man.html\">Pre-order the book\u003c/a>, which includes the map, for $15 (or purchase during or after the launch for $19.95). \u003ca href=\"http://invisiblecityaudiotours.org/Everywhere_Man.html\">Download\u003c/a> the audio tour. Meet at the Powell Street cable car turntable (at Market Street). The tour can be taken at any time, but the launch begins at 10am on Saturday, Oct 15. Take the tour. Depending on wait-time, the 55-minute tour will take approximately 1.5 to 2 hours. Attend the \u003ca href=\"http://litcrawl.org/sf/events/event/invisible-city-audio-tours/\">Tour of Tours\u003c/a> (Saturday, October 15, 7:15pm, Clarion Alley, San Francisco) — a Litquake reading by contributors to each of the Invisible City Audio Tours, including Jim Nelson reading from \u003cem>Everywhere Man\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://litseen.com/?p=4531\">Read a full interview\u003c/a> with Jim about his fascination with the cable cars, his relationship with Invisible City, and the origins of \u003cem>Everywhere Man\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Everywhere Man\u003c/b> launches Saturday, October 15, 2011, 10am at the intersection of Powell and Market Streets in San Francisco. For \u003ca href=\"http://invisiblecityaudiotours.org/Everywhere_Man.html\">more information\u003c/a> on both the tour and the reading, visit invisiblecityaudiotours.org.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It is Litquake season once again. Nine days of parties, readings, conversations and book signings. Oh, did I mention parties? From its humble and somewhat improvisational beginnings in a 1999 conversation at a bar — Edinburgh Castle (the Bay Area writers’ version of the Silicon Valley garage) to the nationally renowned festival it is today, Litquake has become the prime event to see and experience writing at its best. The festival has always represented the diverse cultures and histories of the Bay Area writing community, but this year features many events specifically showcasing women writers reading their work and in conversation with other women writers.\u003c/p>\n\u003cp>A few highlights follow:\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/stories-of-women-inside/\">\u003cb>Inside This Place, Not of It: Narratives from Women’s Prisons\u003c/b>\u003c/a>\u003cbr>October 9, 2:30pm\u003cbr>San Francisco Contemporary Jewish Museum, 736 Mission St., San Francisco\u003cbr>Free with museum admission.\u003c/p>\n\u003cp>Co-presented by the Contemporary Jewish Museum’s StoryCorps StoryBooth, \u003cb>Inside This Place, Not of It\u003c/b> features bestselling author Ayelet Waldman and Justice Now’s Human Rights director Robin Levi. They will read from and discuss their book, \u003ci>Women Inside: Narratives from America’s Incarcerated Women\u003c/i>. This is the newest book from McSweeney’s \u003ca href=\"http://www.voiceofwitness.com/index.php\">Voice of Witness\u003c/a>, a nonprofit oral history book series. (Sidebar: While not a women-centric event, the festival presents another reading featuring the work of incarcerated writers that might be worth a visit. \u003cb>Writing in California Prisons\u003c/b>, October 8, noon at Variety Preview Room in San Francisco. For \u003ca href=\"http://www.litquake.org/calendar-of-events/event/off-the-richter-scale-day-one/\">more information\u003c/a> visit litquake.org.)\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/litquake-presents-jane-smiley-in-conversation-with-karen-joy-fowler\">\u003cb>Jane Smiley in Conversation with Karen Joy Fowler\u003c/b>\u003c/a>\u003cbr>October 9, 7pm\u003cbr>Variety Preview Room, 582 Market St., San Francisco\u003cbr>Free\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Hear two powerhouse novelists in conversation; the Pulitzer Prize-winning author Jane Smiley and Karen Joy Fowler(\u003ci>The Jane Austen Book Club\u003c/i>) will talk about the responsibility to be accurate in historical fiction and the accuracy required for fictional worlds.\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/radar-at-the-luggage-store\">\u003cb>RADAR at The Luggage Store\u003c/b>\u003c/a>\u003cbr>October 12, 7pm\u003cbr>The Luggage Store, 1007 Market St., San Francisco\u003cbr>Free\u003c/p>\n\u003cp>Michelle Tea’s \u003ca href=\"http://www.radarproductions.org/\">RADAR Reading Series\u003c/a> is a monthly event with a dedicated following, but this month’s meeting at the \u003ca href=\"http://www.luggagestoregallery.org/\">Luggage Store Gallery\u003c/a> is sure to be a do-not-miss event. According to the website, viewers are in “for an evening of apocalyptic treats, romantic advice and literature.” The writers include: Yasmin Golan, Myriam Gurba, Genny Lim, Shannon O’Malley, K.M. Soehnlein, Masha Tupitsyn and Laurie Weeks.\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/murders-mayhem-and-moxie-litquake%E2%80%99s-women%E2%80%99s-night-2011\">\u003cb>Murders, Mayhem and Moxie: Litquake’s Women’s Night 2011\u003c/b>\u003c/a>\u003cbr>October 14, 5:30pm\u003cbr>Bubble Lounge Champagne Bar, 714 Montgomery St., San Francisco\u003cbr>$5-$10 suggested donation; 21 and over\u003c/p>\n\u003cp>Every year, Jane Ganahl, one of Litquake’s co-founders, hosts a women’s night to celebrate women writers as well as women readers. Over email, I asked her if these women-centric events were a part of the original mission of Litquake and why they are still important today. She responded, “We all know that publishing is a very male-heavy industry. When we started Litquake 12 years ago, we just invited the authors to read that we knew [and] quickly realized that A) most of them were male, and B) male authors tended to get the lion’s share of attention and invitations. So we promised ourselves back then that even if women authors sometimes get short shrift from the media at times, Litquake would make sure they were equally represented.” And thus Women’s Night was born.\u003c/p>\n\u003cp>Past year’s Women’s Night events have featured books with strong women heroines, among other topics, but this year’s Women’s Night is an amalgam of mysteries, crime dramas, and even some mayhem-laced comedies. Hosted by Jane Ganahl, who chose the topic after noticing this year brought a lot of great mysteries and dark novels from women. Writers include: Cara Black, Meg Waite Clayton, Jodi Compton, Zoe Ferraris, Heather Haven, Beth McMullen, Brandi Lynn Ryder and Jacqueline Winspear. Come early; these nights fill up fast. Be in the mood for comfortable couches, a champagne bar, esoteric discussions on how to create a fictional woman in real life. Women’s Night is aiming to be a girls’ night out, but with literature.\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/numina-femenina-the-voice-of-the-feminine-in-mexican-literature\">\u003cb>Numina Femenina: The Voice of the Feminine in Mexican Literature\u003c/b>\u003c/a>\u003cbr>October 14, 6pm\u003cbr>Tres, 130 Townsend St., San Francisco\u003cbr>Free\u003c/p>\n\u003cp>Co-presented by the \u003ca href=\"http://www.catranslation.org/\">Center for the Art of Translation\u003c/a> and the \u003ca href=\"http://www.sre.gob.mx/sanfrancisco/\">Consulate General of Mexico in San Francisco\u003c/a>, this event features Carmen Boullosa and Pura López Colomé, both known for their groundbreaking literature and their ability to spotlight the power of the feminine voice. Most of the readings for this event will be in Spanish, although translations will be made available.\u003c/p>\n\u003cp>\u003ca href=\"http://litcrawl.org/sf/events/event/the-writers%E2%80%99-block-presents/\">\u003cb>Some Girls from the Block\u003c/b>\u003c/a>\u003cbr>October 15, 7:15pm\u003cbr>Bruno’s, 2389 Mission St., San Francisco\u003cbr>Free; 21 and over\u003c/p>\n\u003cp>Not one to be left behind during an event supporting fantastic writing, KQED’s \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/\">\u003cb>The Writers’ Block\u003c/b>\u003c/a> will present \u003cb>Some Girls from the Block\u003c/b> as part of Litquake’s 2011 Litcrawl. The most popular women from this weekly reading series will be reading some of their greatest hits. The writers, poets, novelists and all around incredible women include: Lisa Brown, Donna de la Perriere, Anissa Gross, Amy Reed and Laura Schadler.\u003c/p>\n\u003cp>With hundreds of events to choose from, it really will be tough to choose poorly when making Litquake plans. From the most established to the never heard of, this is your chance to celebrate reading, writing, listening and of course, drinking. Happy Litquaking.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Litquake runs from October 7-15, 2011 at various San Francisco locations. For \u003ca href=\"http://www.litquake.org/\">more information\u003c/a> visit litquake.org.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It is Litquake season once again. Nine days of parties, readings, conversations and book signings. Oh, did I mention parties? From its humble and somewhat improvisational beginnings in a 1999 conversation at a bar — Edinburgh Castle (the Bay Area writers’ version of the Silicon Valley garage) to the nationally renowned festival it is today, Litquake has become the prime event to see and experience writing at its best. The festival has always represented the diverse cultures and histories of the Bay Area writing community, but this year features many events specifically showcasing women writers reading their work and in conversation with other women writers.\u003c/p>\n\u003cp>A few highlights follow:\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/stories-of-women-inside/\">\u003cb>Inside This Place, Not of It: Narratives from Women’s Prisons\u003c/b>\u003c/a>\u003cbr>October 9, 2:30pm\u003cbr>San Francisco Contemporary Jewish Museum, 736 Mission St., San Francisco\u003cbr>Free with museum admission.\u003c/p>\n\u003cp>Co-presented by the Contemporary Jewish Museum’s StoryCorps StoryBooth, \u003cb>Inside This Place, Not of It\u003c/b> features bestselling author Ayelet Waldman and Justice Now’s Human Rights director Robin Levi. They will read from and discuss their book, \u003ci>Women Inside: Narratives from America’s Incarcerated Women\u003c/i>. This is the newest book from McSweeney’s \u003ca href=\"http://www.voiceofwitness.com/index.php\">Voice of Witness\u003c/a>, a nonprofit oral history book series. (Sidebar: While not a women-centric event, the festival presents another reading featuring the work of incarcerated writers that might be worth a visit. \u003cb>Writing in California Prisons\u003c/b>, October 8, noon at Variety Preview Room in San Francisco. For \u003ca href=\"http://www.litquake.org/calendar-of-events/event/off-the-richter-scale-day-one/\">more information\u003c/a> visit litquake.org.)\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/litquake-presents-jane-smiley-in-conversation-with-karen-joy-fowler\">\u003cb>Jane Smiley in Conversation with Karen Joy Fowler\u003c/b>\u003c/a>\u003cbr>October 9, 7pm\u003cbr>Variety Preview Room, 582 Market St., San Francisco\u003cbr>Free\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hear two powerhouse novelists in conversation; the Pulitzer Prize-winning author Jane Smiley and Karen Joy Fowler(\u003ci>The Jane Austen Book Club\u003c/i>) will talk about the responsibility to be accurate in historical fiction and the accuracy required for fictional worlds.\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/radar-at-the-luggage-store\">\u003cb>RADAR at The Luggage Store\u003c/b>\u003c/a>\u003cbr>October 12, 7pm\u003cbr>The Luggage Store, 1007 Market St., San Francisco\u003cbr>Free\u003c/p>\n\u003cp>Michelle Tea’s \u003ca href=\"http://www.radarproductions.org/\">RADAR Reading Series\u003c/a> is a monthly event with a dedicated following, but this month’s meeting at the \u003ca href=\"http://www.luggagestoregallery.org/\">Luggage Store Gallery\u003c/a> is sure to be a do-not-miss event. According to the website, viewers are in “for an evening of apocalyptic treats, romantic advice and literature.” The writers include: Yasmin Golan, Myriam Gurba, Genny Lim, Shannon O’Malley, K.M. Soehnlein, Masha Tupitsyn and Laurie Weeks.\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/murders-mayhem-and-moxie-litquake%E2%80%99s-women%E2%80%99s-night-2011\">\u003cb>Murders, Mayhem and Moxie: Litquake’s Women’s Night 2011\u003c/b>\u003c/a>\u003cbr>October 14, 5:30pm\u003cbr>Bubble Lounge Champagne Bar, 714 Montgomery St., San Francisco\u003cbr>$5-$10 suggested donation; 21 and over\u003c/p>\n\u003cp>Every year, Jane Ganahl, one of Litquake’s co-founders, hosts a women’s night to celebrate women writers as well as women readers. Over email, I asked her if these women-centric events were a part of the original mission of Litquake and why they are still important today. She responded, “We all know that publishing is a very male-heavy industry. When we started Litquake 12 years ago, we just invited the authors to read that we knew [and] quickly realized that A) most of them were male, and B) male authors tended to get the lion’s share of attention and invitations. So we promised ourselves back then that even if women authors sometimes get short shrift from the media at times, Litquake would make sure they were equally represented.” And thus Women’s Night was born.\u003c/p>\n\u003cp>Past year’s Women’s Night events have featured books with strong women heroines, among other topics, but this year’s Women’s Night is an amalgam of mysteries, crime dramas, and even some mayhem-laced comedies. Hosted by Jane Ganahl, who chose the topic after noticing this year brought a lot of great mysteries and dark novels from women. Writers include: Cara Black, Meg Waite Clayton, Jodi Compton, Zoe Ferraris, Heather Haven, Beth McMullen, Brandi Lynn Ryder and Jacqueline Winspear. Come early; these nights fill up fast. Be in the mood for comfortable couches, a champagne bar, esoteric discussions on how to create a fictional woman in real life. Women’s Night is aiming to be a girls’ night out, but with literature.\u003c/p>\n\u003cp>\u003ca href=\"http://www.litquake.org/calendar-of-events/event/numina-femenina-the-voice-of-the-feminine-in-mexican-literature\">\u003cb>Numina Femenina: The Voice of the Feminine in Mexican Literature\u003c/b>\u003c/a>\u003cbr>October 14, 6pm\u003cbr>Tres, 130 Townsend St., San Francisco\u003cbr>Free\u003c/p>\n\u003cp>Co-presented by the \u003ca href=\"http://www.catranslation.org/\">Center for the Art of Translation\u003c/a> and the \u003ca href=\"http://www.sre.gob.mx/sanfrancisco/\">Consulate General of Mexico in San Francisco\u003c/a>, this event features Carmen Boullosa and Pura López Colomé, both known for their groundbreaking literature and their ability to spotlight the power of the feminine voice. Most of the readings for this event will be in Spanish, although translations will be made available.\u003c/p>\n\u003cp>\u003ca href=\"http://litcrawl.org/sf/events/event/the-writers%E2%80%99-block-presents/\">\u003cb>Some Girls from the Block\u003c/b>\u003c/a>\u003cbr>October 15, 7:15pm\u003cbr>Bruno’s, 2389 Mission St., San Francisco\u003cbr>Free; 21 and over\u003c/p>\n\u003cp>Not one to be left behind during an event supporting fantastic writing, KQED’s \u003ca href=\"http://www.kqed.org/arts/programs/writersblock/\">\u003cb>The Writers’ Block\u003c/b>\u003c/a> will present \u003cb>Some Girls from the Block\u003c/b> as part of Litquake’s 2011 Litcrawl. The most popular women from this weekly reading series will be reading some of their greatest hits. The writers, poets, novelists and all around incredible women include: Lisa Brown, Donna de la Perriere, Anissa Gross, Amy Reed and Laura Schadler.\u003c/p>\n\u003cp>With hundreds of events to choose from, it really will be tough to choose poorly when making Litquake plans. From the most established to the never heard of, this is your chance to celebrate reading, writing, listening and of course, drinking. Happy Litquaking.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Litquake runs from October 7-15, 2011 at various San Francisco locations. For \u003ca href=\"http://www.litquake.org/\">more information\u003c/a> visit litquake.org.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Where can you find a book titled \u003ci>How to Make Applehead Dolls\u003c/i> alongside \u003ci>Bomb Detection Squads\u003c/i> and \u003ci>Planets and Interplanetary Travel\u003c/i>? For the month of October, these and other equally eccentric titles will rotate through \u003cb>Scanners\u003c/b>, a temporary used bookstore developed and operated by Matt Borruso and Nick Hoff.\u003c/p>\n\u003cp>Borruso, an artist, and Hoff, a writer and translator, are long-time booksellers, both online and at local flea markets. Usually forced to follow the whims of their customers (Hoff often sells textbooks he knows little to nothing about), for the past year and a half, \u003cb>Scanners\u003c/b> became an excuse to pick up books solely for their immediate and personal attraction. The combined result, a collection of art, architecture, graphic design, film, theory, typography, fashion, science fiction, poetry, and craft books (to name just a few categories) covers a broad range of subjects while remaining tightly curated. Aesthetics play a large part: most of \u003cb>Scanners\u003c/b>‘ offerings are incredibly visually appealing. Counting on this, Borruso and Hoff utilize a decadent amount of space in displaying the shop’s wares.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/scanners1.jpg\" alt=\"\">\u003c/p>\n\u003cp>The store, rented for the month from Mina Dresden Gallery, is long and high-ceilinged. Immediately inside the door, books are arranged salon-style on the two facing walls. These are the brightest of the bunch, the weirdest and most object-like. Their appealing arrangement makes them almost untouchable, but a shopkeeper will oblige — if you are curious enough — to remove books from the wall. Moving inside, Borruso and Hoff have created further juxtapositions on three large tabletops. While some groupings suggest completist collections, other pairings (\u003ci>The Feminine Mystique\u003c/i> next to a book of homoerotic fiction) reward diligent browsing with a satisfying chuckle. Bookshelves of varying height and color, sourced from Craigslist, surround the tables. The overall organizational structure lies somewhere between flea market display and austere art installation. On the far wall, a screen hangs from the ceiling, ready to provide the backdrop to a series of talks by artists, archivists, and academics, each examining aspects of contemporary print culture.\u003c/p>\n\u003cp>The bookstore’s name is a reference to both the activity of looking — scanning a bookstore shelf — and a recent shift toward amateur book sales. Using smart phone apps, people with little to no knowledge of the book market can now scan ISBNs to determine the resale value of used books. Perhaps you have witnessed this yourself: crouched in an aisle, they doggedly scan back cover after back cover. Twenty Tom Clancy novels later, they move on down the alphabet to Michael Crichton.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Amateurism aside, now is a strange time in print culture. E-readers continue to rise in popularity; Amazon now sells more digital books than physical tomes. Bookstores have become showrooms for later online purchases rather than retail establishments in their own right. Earlier this year, we watched Borders, the bookstore turned everything-store, magnificently go under. But this collapse possibly signals a shift away from anonymous mega-establishments, and a desire for increasingly specialized venues.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/scanners2.jpg\" alt=\"\">\u003c/p>\n\u003cp>Funding from the San Francisco Arts Commission Cultural Equity Grants Program allows Borruso and Hoff to run \u003cb>Scanners\u003c/b> without worrying about the long-term feasibility of the project. But the store also serves as a proposal: Can a highly curated environment draw attention to the object-hood of books in an increasingly dematerialized world? Judging by the opening night, patrons are more than happy to rely on Borruso and Hoff’s interests and expertise to guide them in new and intriguing directions. And with prices starting at $2, bibliophiles beware: \u003cb>Scanners\u003c/b> will slim down your wallet and fill your shelves, but you won’t regret it one bit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Scanners\u003c/b> runs through October 31, 2011 at 312 Valencia Street in San Francisco. For \u003ca href=\"http://scannersproject.com\">more information\u003c/a> visit scannersproject.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Amateurism aside, now is a strange time in print culture. E-readers continue to rise in popularity; Amazon now sells more digital books than physical tomes. Bookstores have become showrooms for later online purchases rather than retail establishments in their own right. Earlier this year, we watched Borders, the bookstore turned everything-store, magnificently go under. But this collapse possibly signals a shift away from anonymous mega-establishments, and a desire for increasingly specialized venues.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" style=\"margin-bottom: 10px\" src=\"http://a.s.kqed.net/img/arts/blog/scanners2.jpg\" alt=\"\">\u003c/p>\n\u003cp>Funding from the San Francisco Arts Commission Cultural Equity Grants Program allows Borruso and Hoff to run \u003cb>Scanners\u003c/b> without worrying about the long-term feasibility of the project. But the store also serves as a proposal: Can a highly curated environment draw attention to the object-hood of books in an increasingly dematerialized world? Judging by the opening night, patrons are more than happy to rely on Borruso and Hoff’s interests and expertise to guide them in new and intriguing directions. And with prices starting at $2, bibliophiles beware: \u003cb>Scanners\u003c/b> will slim down your wallet and fill your shelves, but you won’t regret it one bit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Scanners\u003c/b> runs through October 31, 2011 at 312 Valencia Street in San Francisco. For \u003ca href=\"http://scannersproject.com\">more information\u003c/a> visit scannersproject.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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