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He died Tuesday night of liver failure.\u003c/p>\n\u003cp>David Cassidy was born in 1950 in New York City to two performers, singer and actor Jack Cassidy and actress Evelyn Ward; his parents later divorced, and in 1956 his father wed another actress, Shirley Jones. Cassidy spent a large chunk of his childhood in suburban West Orange, N.J., being raised by his maternal grandparents, but eventually decided to follow in his parents’ professional footsteps.\u003c/p>\n\u003cp>Still a teenager, he ping-ponged between Los Angeles and New York before signing a contract with his father and Jones’ manager. 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By the time he was 20, Cassidy was one of the world’s most recognizable television and music stars, even though he had never sung publicly until he became Keith Partridge.\u003c/p>\n\u003cp>(The original idea was that all of the child actors would lip-sync the Partridge Family’s musical numbers; shortly after the show went into production, the dusky-voiced Cassidy convinced the show’s producers that he could hold his own vocally alongside Jones, who had already starred in film versions of musicals, including \u003cem>Oklahoma\u003c/em>, \u003cem>Carousel \u003c/em>and \u003cem>The Music Man\u003c/em>.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wJYSu2OVCGM\u003c/p>\n\u003cp>Within two months of the debut of \u003cem>The Partridge Family\u003c/em> on ABC in September 1970, Cassidy had a \u003ca href=\"http://www.billboard.com/music/the-partridge-family\" target=\"_blank\" rel=\"noopener\">No. 1\u003c/a> hit on the Billboard Hot 100 chart — “I Think I Love You” — billed as “The Partridge Family Starring Shirley Jones Featuring David Cassidy.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NvgzNEPhYQA\u003c/p>\n\u003cp>During an era when the Big Three broadcast networks still had a monolithic hold on pop culture, Cassidy’s picture was suddenly everywhere — not just on the fronts of magazines and record albums, but on lunch boxes, posters, cereal boxes and toys. He sold out concert venues across the globe, from New York’s Madison Square Garden to stadiums in London and Melbourne.\u003c/p>\n\u003cp>By 1972, Cassidy already was aching to shed his bubble-gum persona. Like legions of teenage stars before and after him, he played up his sex appeal to underscore his adulthood; in a \u003ca href=\"http://www.rollingstone.com/music/features/naked-lunch-box-19720511\" target=\"_blank\" rel=\"noopener\">cover story\u003c/a> for \u003cem>Rolling Stone — \u003c/em>with a portrait shot by Annie Leibowitz cropped \u003ca href=\"http://sunsetgun.tumblr.com/post/91670184665/david-cassidy-by-annie-leibovitz-i-think-this-is\" target=\"_blank\" rel=\"noopener\">just below\u003c/a> the top of his pubic hair — he talked about his drug use: “Not smack,” he explained, “but grass and speed and psychedelics.”\u003c/p>\n\u003cp>\u003cem>The Partridge Family\u003c/em> was cancelled in 1974; Cassidy had some success as a solo musical act after that, but he felt as if he couldn’t escape being Keith Partridge.\u003c/p>\n\u003cp>“They’re merchandising your name and your face and your likeness,” he told NPR in 1981. “And I felt kind of robbed of my identity.”\u003c/p>\n\u003cp>Cassidy left acting for about three years while he tried to figure out what to do next. By the 1980s, he had started to appear in musical theater, both on Broadway and in London’s West End.\u003c/p>\n\u003cp>But in his personal life, he eventually seemed to spin out entirely. In the 2010s, he had a string of arrests on drunk-driving charges in \u003ca href=\"https://www.cbsnews.com/news/david-cassidy-arrested-partridge-family-star-accused-of-drunk-driving-in-fla/\" target=\"_blank\" rel=\"noopener\">Florida\u003c/a>, \u003ca href=\"http://www.syracuse.com/entertainment/index.ssf/2015/05/david_cassidy_sentenced_upstate_new_york_dwi_case.html\" target=\"_blank\" rel=\"noopener\">New York\u003c/a> and \u003ca href=\"http://losangeles.cbslocal.com/2014/01/11/chp-david-cassidy-arrested-for-drunk-driving-near-lax/\" target=\"_blank\" rel=\"noopener\">California\u003c/a>. In 2014 he told CNN, “I am \u003ca href=\"http://www.cnn.com/2014/03/26/showbiz/celebrity-news-gossip/david-cassidy-piers-morgan-interview/index.html\" target=\"_blank\" rel=\"noopener\">most definitely\u003c/a> an alcoholic.” The following year, he declared bankruptcy and was charged with a \u003ca href=\"http://www.latimes.com/entertainment/gossip/la-et-mg-david-cassidy-charged-hit-and-run-foreclosure-auction-20151002-story.html\" target=\"_blank\" rel=\"noopener\">hit-and-run\u003c/a> in Fort Lauderdale.\u003c/p>\n\u003cp>David Cassidy is survived by two children, Beau and Katie Cassidy; his ex-wife, Sue Shifrin-Cassidy; his half-brothers Shaun, Patrick and Ryan Cassidy; his stepmother, Shirley Jones; and several nieces and nephews. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zIy1rOb8EYU\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=David+Cassidy%2C+Singer+And+1970s+TV+Heartthrob%2C+Dies+At+67&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>One of the biggest music and television stars of the 1970s has died: David Cassidy, who played the adolescent, aspiring musician on the TV show “The Patridge Family” and who became a teen-dream pop idol in his own right, was 67 years old.\u003c/p>\n\u003cp>Cassidy revealed to \u003ca href=\"http://people.com/celebrity/david-cassidy-dementia\" target=\"_blank\" rel=\"noopener\">\u003cem>People\u003c/em> Magazine\u003c/a> in February 2017 that he had been diagnosed with dementia and would stop performing. He also shared that both his grandfather and mother had suffered from dementia before him.\u003c/p>\n\u003cp>Cassidy was \u003ca href=\"http://www.cnn.com/2017/02/21/health/david-cassidy-dementia/index.html\" target=\"_blank\" rel=\"noopener\">reported\u003c/a> to be in critical condition on Nov. 19 with organ failure, and was hospitalized in the Fort Lauderdale, Fla. area. He died Tuesday night of liver failure.\u003c/p>\n\u003cp>David Cassidy was born in 1950 in New York City to two performers, singer and actor Jack Cassidy and actress Evelyn Ward; his parents later divorced, and in 1956 his father wed another actress, Shirley Jones. Cassidy spent a large chunk of his childhood in suburban West Orange, N.J., being raised by his maternal grandparents, but eventually decided to follow in his parents’ professional footsteps.\u003c/p>\n\u003cp>Still a teenager, he ping-ponged between Los Angeles and New York before signing a contract with his father and Jones’ manager. He went to California for a screen test in 1969; the camera loved Cassidy’s glowing, preternaturally boyish good looks, and in short order he had booked episodes of several high-profile TV series, including \u003cem>Bonanza \u003c/em>and \u003cem>Marcus Welby, M.D.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Within a year of his screen test, he had been signed to his life-changing role as the oldest child in a family of five aspiring pop singers and their musically gifted mother — played by Shirley Jones, Cassidy’s real-life stepmother. By the time he was 20, Cassidy was one of the world’s most recognizable television and music stars, even though he had never sung publicly until he became Keith Partridge.\u003c/p>\n\u003cp>(The original idea was that all of the child actors would lip-sync the Partridge Family’s musical numbers; shortly after the show went into production, the dusky-voiced Cassidy convinced the show’s producers that he could hold his own vocally alongside Jones, who had already starred in film versions of musicals, including \u003cem>Oklahoma\u003c/em>, \u003cem>Carousel \u003c/em>and \u003cem>The Music Man\u003c/em>.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wJYSu2OVCGM'\n title='//www.youtube.com/embed/wJYSu2OVCGM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Within two months of the debut of \u003cem>The Partridge Family\u003c/em> on ABC in September 1970, Cassidy had a \u003ca href=\"http://www.billboard.com/music/the-partridge-family\" target=\"_blank\" rel=\"noopener\">No. 1\u003c/a> hit on the Billboard Hot 100 chart — “I Think I Love You” — billed as “The Partridge Family Starring Shirley Jones Featuring David Cassidy.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/NvgzNEPhYQA'\n title='//www.youtube.com/embed/NvgzNEPhYQA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>During an era when the Big Three broadcast networks still had a monolithic hold on pop culture, Cassidy’s picture was suddenly everywhere — not just on the fronts of magazines and record albums, but on lunch boxes, posters, cereal boxes and toys. He sold out concert venues across the globe, from New York’s Madison Square Garden to stadiums in London and Melbourne.\u003c/p>\n\u003cp>By 1972, Cassidy already was aching to shed his bubble-gum persona. Like legions of teenage stars before and after him, he played up his sex appeal to underscore his adulthood; in a \u003ca href=\"http://www.rollingstone.com/music/features/naked-lunch-box-19720511\" target=\"_blank\" rel=\"noopener\">cover story\u003c/a> for \u003cem>Rolling Stone — \u003c/em>with a portrait shot by Annie Leibowitz cropped \u003ca href=\"http://sunsetgun.tumblr.com/post/91670184665/david-cassidy-by-annie-leibovitz-i-think-this-is\" target=\"_blank\" rel=\"noopener\">just below\u003c/a> the top of his pubic hair — he talked about his drug use: “Not smack,” he explained, “but grass and speed and psychedelics.”\u003c/p>\n\u003cp>\u003cem>The Partridge Family\u003c/em> was cancelled in 1974; Cassidy had some success as a solo musical act after that, but he felt as if he couldn’t escape being Keith Partridge.\u003c/p>\n\u003cp>“They’re merchandising your name and your face and your likeness,” he told NPR in 1981. “And I felt kind of robbed of my identity.”\u003c/p>\n\u003cp>Cassidy left acting for about three years while he tried to figure out what to do next. By the 1980s, he had started to appear in musical theater, both on Broadway and in London’s West End.\u003c/p>\n\u003cp>But in his personal life, he eventually seemed to spin out entirely. In the 2010s, he had a string of arrests on drunk-driving charges in \u003ca href=\"https://www.cbsnews.com/news/david-cassidy-arrested-partridge-family-star-accused-of-drunk-driving-in-fla/\" target=\"_blank\" rel=\"noopener\">Florida\u003c/a>, \u003ca href=\"http://www.syracuse.com/entertainment/index.ssf/2015/05/david_cassidy_sentenced_upstate_new_york_dwi_case.html\" target=\"_blank\" rel=\"noopener\">New York\u003c/a> and \u003ca href=\"http://losangeles.cbslocal.com/2014/01/11/chp-david-cassidy-arrested-for-drunk-driving-near-lax/\" target=\"_blank\" rel=\"noopener\">California\u003c/a>. In 2014 he told CNN, “I am \u003ca href=\"http://www.cnn.com/2014/03/26/showbiz/celebrity-news-gossip/david-cassidy-piers-morgan-interview/index.html\" target=\"_blank\" rel=\"noopener\">most definitely\u003c/a> an alcoholic.” The following year, he declared bankruptcy and was charged with a \u003ca href=\"http://www.latimes.com/entertainment/gossip/la-et-mg-david-cassidy-charged-hit-and-run-foreclosure-auction-20151002-story.html\" target=\"_blank\" rel=\"noopener\">hit-and-run\u003c/a> in Fort Lauderdale.\u003c/p>\n\u003cp>David Cassidy is survived by two children, Beau and Katie Cassidy; his ex-wife, Sue Shifrin-Cassidy; his half-brothers Shaun, Patrick and Ryan Cassidy; his stepmother, Shirley Jones; and several nieces and nephews. \u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zIy1rOb8EYU'\n title='//www.youtube.com/embed/zIy1rOb8EYU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=David+Cassidy%2C+Singer+And+1970s+TV+Heartthrob%2C+Dies+At+67&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Hundreds of Victims of Las Vegas Shooting File Lawsuits",
"headTitle": "Hundreds of Victims of Las Vegas Shooting File Lawsuits | KQED",
"content": "\u003cp>Hundreds of victims of the Oct. 1 shooting in Las Vegas filed five lawsuits in Los Angeles Superior Court on Monday.\u003c/p>\n\u003cp>The largest of the suits names 450 plaintiffs. Among those being sued are MGM Resorts International, owner of the Mandalay Bay resort; Live Nation, organizer of the country music festival at which 58 people were killed; and the estate of Stephen Paddock, the shooter.\u003c/p>\n\u003cp>The victims claim negligence by both MGM and Live Nation. They accuse MGM of not having adequate security policies, not properly training staff, not properly surveilling the premises, and failing to respond quickly when security guard Jesus Campos was shot. The suit alleges that Paddock’s VIP status as a high-stakes gambler gave him access to a service elevator at the Mandalay Bay, which he used to stockpile weapons and ammunition in the days before the shooting.\u003c/p>\n\u003cp>In Live Nation’s case, the plaintiffs say the company failed to provide enough exits or properly train employees “in case of a foreseeable event, such as a terrorist attack or other emergency.”\u003c/p>\n\u003cp>The shooter’s estate is being sued for assault, battery and intentional infliction of emotional distress.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The attorney heading the lawsuits, Muhammad Aziz, \u003ca href=\"https://www.reuters.com/article/us-lasvegas-shooting-lawsuit/hundreds-of-las-vegas-shooting-victims-file-lawsuits-in-california-court-idUSKBN1DK2OX\">told\u003c/a> Reuters that the cases were filed in California because most of the plaintiffs are from that state and received treatment there. He also noted that Live Nation is based in the state.\u003c/p>\n\u003cp>Last week, a different law firm filed 14 suits in Nevada court. In addition to MGM, Live Nation, and Paddock’s estate, these suits also name the manufacturers of the bump stock devices found in Paddock’s hotel suite. Attorneys for the plaintiffs argue that the shooting could have been stopped, and that the lawsuits are intended to prompt policy changes so it can’t happen again.\u003c/p>\n\u003cp>Similar to the California lawsuits, the suits filed in Nevada argue that MGM assisted Paddock in transporting his arsenal by giving him access to a service elevator not open to the public, and that the Mandalay Bay failed to adequately monitor the hotel premises, discover his weapons, have gunshot detection devices in hotel rooms, or have adequate procedures to handle an active shooter situation. The suit alleges that Live Nation failed to provide adequate exits or properly train staff to handle emergencies.\u003c/p>\n\u003cp>“The evidence we’ve seen thus far clearly indicates that the defendants were culpable in contributing to the 58 victims who lost their lives and the thousands more still suffering from severe injuries that will take years to overcome, if ever,” said attorney Antonio Romanucci in a press release. He is also lead counsel in lawsuits related to the 2016 shooting at Orlando’s Pulse nightclub.\u003c/p>\n\u003cp>Live Nation told NPR that it does not typically comment on ongoing litigation.\u003c/p>\n\u003cp>MGM wrote in a statement to NPR: “The incident that took place on October 1st was a terrible tragedy perpetrated by an evil man. These kinds of lawsuits are not unexpected and we intend to defend ourselves against them. That said, out of respect for the victims, we will give our response through the appropriate legal channels.”\u003c/p>\n\u003cp>It won’t be easy to prove the venues were negligent.\u003c/p>\n\u003cp>“One can’t blame the hotel for not predicting that this gunman would go up to their 32nd floor with an arsenal and break out the windows and start firing at people,” Tom Russell, a personal injury lawyer and law professor at the University of Denver \u003ca href=\"https://www.npr.org/2017/10/13/557520555/lawsuits-begin-after-las-vegas-massacre\">told\u003c/a> NPR’s Kirk Siegler. He said venues can also be victims, in the form of lost business or other harms.\u003c/p>\n\u003cp>As Kirk reported last month, victims sued the theater chain Cinemark after the 2012 Aurora, Colo., movie theater shooting. But the victims lost their suit, and were ordered to pay Cinemark’s legal fees. A legal expert also said that lawsuits against the gun industry tend to be unsuccessful.\u003c/p>\n\u003cp>“Laws like the Protection of Lawful Commerce in Arms Act passed as recently as 2005 broadly exempt the gun industry from any tort lawsuits when criminals use their products,” Kirk reported. “Meanwhile some victims, as in one motion already filed in Las Vegas, go after the gunman’s assets. But even if they win, there’s rarely enough money to go around.”\u003c/p>\n\u003cp>C. Chad Pinkerton, an attorney in the California suits, told the Associated Press that the shooting could have been avoided if officials had implemented safety recommendations and followed the weapons policies they had.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We know in this day and age that evil does happen, and we have to protect against that,” he told the AP. “This was the largest venue security failure in U.S. history.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Hundreds+Of+Victims+Of+Las+Vegas+Shooting+File+Lawsuits&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hundreds of victims of the Oct. 1 shooting in Las Vegas filed five lawsuits in Los Angeles Superior Court on Monday.\u003c/p>\n\u003cp>The largest of the suits names 450 plaintiffs. Among those being sued are MGM Resorts International, owner of the Mandalay Bay resort; Live Nation, organizer of the country music festival at which 58 people were killed; and the estate of Stephen Paddock, the shooter.\u003c/p>\n\u003cp>The victims claim negligence by both MGM and Live Nation. They accuse MGM of not having adequate security policies, not properly training staff, not properly surveilling the premises, and failing to respond quickly when security guard Jesus Campos was shot. The suit alleges that Paddock’s VIP status as a high-stakes gambler gave him access to a service elevator at the Mandalay Bay, which he used to stockpile weapons and ammunition in the days before the shooting.\u003c/p>\n\u003cp>In Live Nation’s case, the plaintiffs say the company failed to provide enough exits or properly train employees “in case of a foreseeable event, such as a terrorist attack or other emergency.”\u003c/p>\n\u003cp>The shooter’s estate is being sued for assault, battery and intentional infliction of emotional distress.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The attorney heading the lawsuits, Muhammad Aziz, \u003ca href=\"https://www.reuters.com/article/us-lasvegas-shooting-lawsuit/hundreds-of-las-vegas-shooting-victims-file-lawsuits-in-california-court-idUSKBN1DK2OX\">told\u003c/a> Reuters that the cases were filed in California because most of the plaintiffs are from that state and received treatment there. He also noted that Live Nation is based in the state.\u003c/p>\n\u003cp>Last week, a different law firm filed 14 suits in Nevada court. In addition to MGM, Live Nation, and Paddock’s estate, these suits also name the manufacturers of the bump stock devices found in Paddock’s hotel suite. Attorneys for the plaintiffs argue that the shooting could have been stopped, and that the lawsuits are intended to prompt policy changes so it can’t happen again.\u003c/p>\n\u003cp>Similar to the California lawsuits, the suits filed in Nevada argue that MGM assisted Paddock in transporting his arsenal by giving him access to a service elevator not open to the public, and that the Mandalay Bay failed to adequately monitor the hotel premises, discover his weapons, have gunshot detection devices in hotel rooms, or have adequate procedures to handle an active shooter situation. The suit alleges that Live Nation failed to provide adequate exits or properly train staff to handle emergencies.\u003c/p>\n\u003cp>“The evidence we’ve seen thus far clearly indicates that the defendants were culpable in contributing to the 58 victims who lost their lives and the thousands more still suffering from severe injuries that will take years to overcome, if ever,” said attorney Antonio Romanucci in a press release. He is also lead counsel in lawsuits related to the 2016 shooting at Orlando’s Pulse nightclub.\u003c/p>\n\u003cp>Live Nation told NPR that it does not typically comment on ongoing litigation.\u003c/p>\n\u003cp>MGM wrote in a statement to NPR: “The incident that took place on October 1st was a terrible tragedy perpetrated by an evil man. These kinds of lawsuits are not unexpected and we intend to defend ourselves against them. That said, out of respect for the victims, we will give our response through the appropriate legal channels.”\u003c/p>\n\u003cp>It won’t be easy to prove the venues were negligent.\u003c/p>\n\u003cp>“One can’t blame the hotel for not predicting that this gunman would go up to their 32nd floor with an arsenal and break out the windows and start firing at people,” Tom Russell, a personal injury lawyer and law professor at the University of Denver \u003ca href=\"https://www.npr.org/2017/10/13/557520555/lawsuits-begin-after-las-vegas-massacre\">told\u003c/a> NPR’s Kirk Siegler. He said venues can also be victims, in the form of lost business or other harms.\u003c/p>\n\u003cp>As Kirk reported last month, victims sued the theater chain Cinemark after the 2012 Aurora, Colo., movie theater shooting. But the victims lost their suit, and were ordered to pay Cinemark’s legal fees. A legal expert also said that lawsuits against the gun industry tend to be unsuccessful.\u003c/p>\n\u003cp>“Laws like the Protection of Lawful Commerce in Arms Act passed as recently as 2005 broadly exempt the gun industry from any tort lawsuits when criminals use their products,” Kirk reported. “Meanwhile some victims, as in one motion already filed in Las Vegas, go after the gunman’s assets. But even if they win, there’s rarely enough money to go around.”\u003c/p>\n\u003cp>C. Chad Pinkerton, an attorney in the California suits, told the Associated Press that the shooting could have been avoided if officials had implemented safety recommendations and followed the weapons policies they had.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We know in this day and age that evil does happen, and we have to protect against that,” he told the AP. “This was the largest venue security failure in U.S. history.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Hundreds+Of+Victims+Of+Las+Vegas+Shooting+File+Lawsuits&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "2,000 Women from Swedish Music Industry Sign #MeToo Letter",
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"content": "\u003cp>“We know who you are.”\u003c/p>\n\u003cp>So concludes a letter, part of the #MeToo campaign addressing and confronting sexual harassment and assault in the workplace and beyond, signed by more than 2,000 women within the Swedish music industry. They work for companies big and small, including major and independent labels, promoters like Live Nation, the streaming service Spotify (which was founded in the country) and high-profile artists like Robyn and The Cardigans’ Nina Persson. The \u003ca href=\"https://www.dn.se/kultur-noje/1993-women-in-the-swedish-music-industry-behind-appeal-against-sexism/\" target=\"_blank\" rel=\"noopener\">letter\u003c/a> and the \u003ca href=\"https://www.dn.se/kultur-noje/de-har-skrivit-under-uppropet-narmusikentystnar/\" target=\"_blank\" rel=\"noopener\">list of signatories\u003c/a> was published over the weekend by the \u003cem>Dagens Nyheter\u003c/em> newspaper.\u003c/p>\n\u003cp>It includes nine stories, submitted anonymously and without naming the perpetrators involved, describing experiences of deeply disrespectful and demeaning treatment and of harrowing sexual violence, including rape. It claims to have gathered hundreds more while collecting signatures. The stories “describe things that happen every day,” it reads.\u003c/p>\n\u003cp>“The people who reproduce the culture of silence,” it continues, “and make sure it is kept in place, are the same men who sit on TV programmes, in t-shirts with feminist aphorisms written on them, or who set quotas for how many female artists should be booked to play at big festivals.\u003c/p>\n\u003cp>“The discrepancy between words and actions is enormous, and the values and policies, which are decided in the industry concerning sexism and equality, are all nice words on blank papers.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The letter was the result of a closed Facebook group with around 3,000 women members and initiated by women in the Swedish music business.\u003c/p>\n\u003cp>First Aid Kit, the Swedish duo of sisters Klara and Johanna Söderberg who added their names to the letter, say the letter is directed at global power structures, regardless of industry. ” This problem isn’t unique for Sweden or the music industry,” they write in an email to NPR Music. “This is a global structural problem that needs to change. We hope we can inspire women in all industries to speak out against sexual harassment. We already know of other countries who are working on their own letters.”\u003c/p>\n\u003cp>To that end, the sisters write that a response from the International Federation of the Phonographic Industry, a global recording industry trade body, is “creating a plan of action. They want to support the victims, making it easier to file police reports and get legal advice. Hopefully this will lead to a major change in the industry.”\u003c/p>\n\u003cp>Immediately following the letter’s publication, though seemingly with no direct connection to it, an executive from the Swedish division of major label Warner Music Group was placed on leave following allegations of sexual misconduct by ten women, as \u003ca href=\"https://www.aftonbladet.se/nojesbladet/a/gXbo5/skivbolagschefen-anklagas-for-sexuella-trakasserier\" target=\"_blank\" rel=\"noopener\">reported by \u003cem>Aftonbladet\u003c/em>\u003c/a>. Warner Music Group provided this statement when reached for comment: “We have a code of conduct regarding harassment of any kind and these allegations are being treated very seriously. We have suspended the individual concerned while a thorough independent investigation is conducted. We’ve also held an internal meeting in Stockholm to reiterate to our team the avenues available to make any complaints and how carefully and swiftly we will respond.”\u003c/p>\n\u003cp>While unnamed for now, the executive is the first from a major music company to be placed on leave since the \u003ca href=\"https://www.npr.org/tags/555982871/harvey-weinstein\" target=\"_blank\" rel=\"noopener\">Harvey Weinstein revelations\u003c/a>, which many see as a turning point in how sexual harassment and assault allegations are received and dealt with.\u003c/p>\n\u003cp>The accounts now arrive daily. As this story was being written and edited, Evan Stephen of the band \u003ca href=\"https://www.npr.org/artists/484364070/pinegrove\" target=\"_blank\" rel=\"noopener\">Pinegrove\u003c/a> posted \u003ca href=\"https://www.facebook.com/Pinegroveband/posts/10155748505559774\" target=\"_blank\" rel=\"noopener\">a lengthy missive\u003c/a> to Facebook in which he admits to “sexual coercion,” also announcing his band was canceling its upcoming tour.\u003c/p>\n\u003cp>Just yesterday, veteran television presenter \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/20/565542031/charlie-rose-is-accused-of-sexual-harassment-by-eight-women\" target=\"_blank\" rel=\"noopener\">Charlie Rose\u003c/a> was \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/20/565542031/charlie-rose-is-accused-of-sexual-harassment-by-eight-women\" target=\"_blank\" rel=\"noopener\">fired by CBS\u003c/a> and \u003cem>New York Times\u003c/em> White House correspondent Glenn Thrush was suspended from his job in the wake of accusations of sexual misconduct. One senior news executive for NPR, Mike Oreskes, was \u003ca href=\"https://www.npr.org/2017/11/01/561427869/top-npr-new-executive-mike-oreskes-resigns-amid-allegations-of-sexual-harassment\" target=\"_blank\" rel=\"noopener\">fired\u003c/a> following accusations of inappropriate behavior towards colleagues, while another, chief news editor David Sweeney, was \u003ca href=\"https://www.npr.org/2017/11/16/564629232/chairman-steps-down-as-npr-grapples-with-harassment-crisis\" target=\"_blank\" rel=\"noopener\">placed on leave\u003c/a> pending an investigation.\u003c/p>\n\u003cp>“Victims of sexual harassment and assault have many times been made to feel shameful for what has been done to them,” the Söderbergs write. “We need to put the shame back where it belongs, which is with the perpetrators and the people protecting them. We will no longer be silent. We will listen to and support each other fully. Together, we are strong.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Updated\u003c/strong> 2:06 p.m., Nov. 21 with additional information about the letter’s organization and quotes from First Aid Kit.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=2%2C000+Women+From+Swedish+Music+Industry+Sign+%23MeToo+Letter&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“We know who you are.”\u003c/p>\n\u003cp>So concludes a letter, part of the #MeToo campaign addressing and confronting sexual harassment and assault in the workplace and beyond, signed by more than 2,000 women within the Swedish music industry. They work for companies big and small, including major and independent labels, promoters like Live Nation, the streaming service Spotify (which was founded in the country) and high-profile artists like Robyn and The Cardigans’ Nina Persson. The \u003ca href=\"https://www.dn.se/kultur-noje/1993-women-in-the-swedish-music-industry-behind-appeal-against-sexism/\" target=\"_blank\" rel=\"noopener\">letter\u003c/a> and the \u003ca href=\"https://www.dn.se/kultur-noje/de-har-skrivit-under-uppropet-narmusikentystnar/\" target=\"_blank\" rel=\"noopener\">list of signatories\u003c/a> was published over the weekend by the \u003cem>Dagens Nyheter\u003c/em> newspaper.\u003c/p>\n\u003cp>It includes nine stories, submitted anonymously and without naming the perpetrators involved, describing experiences of deeply disrespectful and demeaning treatment and of harrowing sexual violence, including rape. It claims to have gathered hundreds more while collecting signatures. The stories “describe things that happen every day,” it reads.\u003c/p>\n\u003cp>“The people who reproduce the culture of silence,” it continues, “and make sure it is kept in place, are the same men who sit on TV programmes, in t-shirts with feminist aphorisms written on them, or who set quotas for how many female artists should be booked to play at big festivals.\u003c/p>\n\u003cp>“The discrepancy between words and actions is enormous, and the values and policies, which are decided in the industry concerning sexism and equality, are all nice words on blank papers.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The letter was the result of a closed Facebook group with around 3,000 women members and initiated by women in the Swedish music business.\u003c/p>\n\u003cp>First Aid Kit, the Swedish duo of sisters Klara and Johanna Söderberg who added their names to the letter, say the letter is directed at global power structures, regardless of industry. ” This problem isn’t unique for Sweden or the music industry,” they write in an email to NPR Music. “This is a global structural problem that needs to change. We hope we can inspire women in all industries to speak out against sexual harassment. We already know of other countries who are working on their own letters.”\u003c/p>\n\u003cp>To that end, the sisters write that a response from the International Federation of the Phonographic Industry, a global recording industry trade body, is “creating a plan of action. They want to support the victims, making it easier to file police reports and get legal advice. Hopefully this will lead to a major change in the industry.”\u003c/p>\n\u003cp>Immediately following the letter’s publication, though seemingly with no direct connection to it, an executive from the Swedish division of major label Warner Music Group was placed on leave following allegations of sexual misconduct by ten women, as \u003ca href=\"https://www.aftonbladet.se/nojesbladet/a/gXbo5/skivbolagschefen-anklagas-for-sexuella-trakasserier\" target=\"_blank\" rel=\"noopener\">reported by \u003cem>Aftonbladet\u003c/em>\u003c/a>. Warner Music Group provided this statement when reached for comment: “We have a code of conduct regarding harassment of any kind and these allegations are being treated very seriously. We have suspended the individual concerned while a thorough independent investigation is conducted. We’ve also held an internal meeting in Stockholm to reiterate to our team the avenues available to make any complaints and how carefully and swiftly we will respond.”\u003c/p>\n\u003cp>While unnamed for now, the executive is the first from a major music company to be placed on leave since the \u003ca href=\"https://www.npr.org/tags/555982871/harvey-weinstein\" target=\"_blank\" rel=\"noopener\">Harvey Weinstein revelations\u003c/a>, which many see as a turning point in how sexual harassment and assault allegations are received and dealt with.\u003c/p>\n\u003cp>The accounts now arrive daily. As this story was being written and edited, Evan Stephen of the band \u003ca href=\"https://www.npr.org/artists/484364070/pinegrove\" target=\"_blank\" rel=\"noopener\">Pinegrove\u003c/a> posted \u003ca href=\"https://www.facebook.com/Pinegroveband/posts/10155748505559774\" target=\"_blank\" rel=\"noopener\">a lengthy missive\u003c/a> to Facebook in which he admits to “sexual coercion,” also announcing his band was canceling its upcoming tour.\u003c/p>\n\u003cp>Just yesterday, veteran television presenter \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/20/565542031/charlie-rose-is-accused-of-sexual-harassment-by-eight-women\" target=\"_blank\" rel=\"noopener\">Charlie Rose\u003c/a> was \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/20/565542031/charlie-rose-is-accused-of-sexual-harassment-by-eight-women\" target=\"_blank\" rel=\"noopener\">fired by CBS\u003c/a> and \u003cem>New York Times\u003c/em> White House correspondent Glenn Thrush was suspended from his job in the wake of accusations of sexual misconduct. One senior news executive for NPR, Mike Oreskes, was \u003ca href=\"https://www.npr.org/2017/11/01/561427869/top-npr-new-executive-mike-oreskes-resigns-amid-allegations-of-sexual-harassment\" target=\"_blank\" rel=\"noopener\">fired\u003c/a> following accusations of inappropriate behavior towards colleagues, while another, chief news editor David Sweeney, was \u003ca href=\"https://www.npr.org/2017/11/16/564629232/chairman-steps-down-as-npr-grapples-with-harassment-crisis\" target=\"_blank\" rel=\"noopener\">placed on leave\u003c/a> pending an investigation.\u003c/p>\n\u003cp>“Victims of sexual harassment and assault have many times been made to feel shameful for what has been done to them,” the Söderbergs write. “We need to put the shame back where it belongs, which is with the perpetrators and the people protecting them. We will no longer be silent. We will listen to and support each other fully. Together, we are strong.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Updated\u003c/strong> 2:06 p.m., Nov. 21 with additional information about the letter’s organization and quotes from First Aid Kit.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=2%2C000+Women+From+Swedish+Music+Industry+Sign+%23MeToo+Letter&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Della Reese, a performer and pastor best known for her starring role on the CBS spiritual drama \u003cem>Touched by an Angel\u003c/em>, has died at 86.\u003c/p>\n\u003cp>“Her signature television role came late in life,” NPR’s Eric Deggans reported. “Reese already had been famous for decades as a gospel-influenced R&B performer, TV guest star and talk show fixture.”\u003c/p>\n\u003cp>Her husband Franklin Lett \u003ca href=\"https://www.instagram.com/p/BbufhPnDUDz/\">released a statement\u003c/a> through her \u003cem>Touched by an Angel\u003c/em> costar Roma Downey, saying that Reese “has passed away peacefully at her California home surrounded by love.”\u003c/p>\n\u003cp>Downey added, “I know heaven has a brand new angel this day.”\u003c/p>\n\u003cp>Reese, who was born Delloreese Patricia Early in Detroit, started singing in church when she was six. She \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=1525893\">told NPR in 2003\u003c/a> that she was recruited by gospel legend Mahalia Jackson to tour with her at the age of 12.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“My mother took Mahalia aside and looked into her eyes and said, `I’ve got a good child here. I wouldn’t let her go off with everybody, but I trust you. I know you’re a woman of God and I’m expecting you to bring me back a better child than I’m sending away with you,'” Reese told the \u003cem>Tavis Smiley Show\u003c/em>.\u003c/p>\n\u003cp>From there, her songs climbed pop charts, such as “Don’t You Know,” which is adapted from an aria from the opera \u003cem>La Boheme\u003c/em>. As Eric reports:\u003c/p>\n\u003cblockquote>\n\u003cp>“Her dignified image led to mainstream stardom. She was on \u003cem>The Ed Sullivan Show\u003c/em> 18 times in one year. She also became the first black woman to host her own syndicated variety series and the first black woman to guest host Johnny Carson’s \u003cem>Tonight Show\u003c/em>.\u003c/p>\n\u003cp>“It was on the set of that show in 1979 that she suffered a brain aneurysm; a near-death experience that inspired her to become an ordained minister.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Her own show, \u003cem>Della\u003c/em>, was on air for one season in 1969-70 with nearly 200 episodes, \u003ca href=\"https://www.nytimes.com/2017/11/20/obituaries/della-reese-singer-and-touched-by-an-angel-star-dies-at-86.html\">The New York Times reported\u003c/a>, with guests including “George Burns, Ike and Tina Turner, Little Richard, Steve Allen, Tony Bennett, Ethel Waters and Gypsy Rose Lee.”\u003c/p>\n\u003cp>In \u003cem>Touched by an Angel\u003c/em>, Reese plays Tess, a sarcastic angel boss who is a maternal figure to Downey’s apprentice guardian angel. “No one played the down to earth, worldly mother figure like Della Reese,” Eric adds.\u003c/p>\n\u003cp>The show was a hit, and ran for nine years “telling stories of God’s impact in everyday life,” Eric says. “People need something to help them with their lives. In the show, we didn’t tell you what to do, we said, ‘did you ever think about it like this?'” Reese said, as Eric reports.\u003c/p>\n\u003cp>Reese also sang the show’s theme song, “Walk with You.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As an ordained minister, Reese founded a church called the Understanding Principles for Better Living Church out of her living room. \u003ca href=\"http://upchurch.org/about-our-founder-rev-della-reese-lett/\">The church’s website recounts that\u003c/a> from an original eight members, the church soon outgrew her living room. As the \u003cem>Times\u003c/em> reported, “she delivered Sunday services there for many years.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Della+Reese%2C+%27Touched+By+An+Angel%27+Star+And+Singer%2C+Dies+At+86&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Transparent \u003c/em>star Jeffrey Tambor has announced he may be leaving the hit Amazon series after two women accused him of sexual harassment.\u003c/p>\n\u003cp>Tambor continues to deny the allegations leveled this month by one of his co-stars on the show and by his former assistant. But the actor intimated his departure from the show, in a statement provided to NPR, due to a recent “politicized atmosphere” on the set.\u003c/p>\n\u003cblockquote>\n\u003cp>“Playing Maura Pfefferman on ‘Transparent’ has been one of the greatest privileges and creative experiences of my life,” Tambor said. “What has become clear over the past weeks, however, is that this is no longer the job I signed up for four years ago. I’ve already made clear my deep regret if any action of mine was ever misinterpreted by anyone as being aggressive, but the idea that I would deliberately harass anyone is simply and utterly untrue. Given the politicized atmosphere that seems to have afflicted our set, I don’t see how I can return to ‘Transparent.’ ”\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca href=\"http://deadline.com/2017/11/jeffrey-tambor-sexual-harassment-claims-amazon-1202204220/\" target=\"_blank\" rel=\"noopener\">According to Deadline\u003c/a>, which first broke the news on Sunday, the first allegation against Tambor was made by his former assistant and transgender actress Van Barnes. In a private Facebook post earlier this month, Barnes claimed her former boss, without naming Tambor, had sexually harassed and groped her, prompting Amazon Studios officials to open an investigation into the matter.\u003c/p>\n\u003cp>Just more than a week later, his transgender co-star Trace Lysette \u003ca href=\"https://twitter.com/tracelysette/status/931366076209799168\" target=\"_blank\" rel=\"noopener\">released a statement\u003c/a> that Tambor “made many sexual advances and comments at me, but one time it got physical.” She proceeds to describe an instance in which he pressed up against the actress and “began quick, discreet thrusts back and forth” against her, in between filming.\u003c/p>\n\u003cp>In response to the allegations, Tambor admitted he “can be volatile and ill-tempered … But I have never been a predator – ever.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When news dropped of the network’s investigation, \u003ca href=\"http://deadline.com/2017/11/house-of-cards-transparent-wisdom-of-the-crowd-harassment-scandals-future-limbo-1202205041/\" target=\"_blank\" rel=\"noopener\">Deadline reports\u003c/a> that \u003cem>Transparent \u003c/em>writers considered writing Tambor’s central character Maura out of the upcoming fifth season.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Still, Tambor has yet to officially quit the show. A source close to the show says no final decision about next season has been made by Tambor or Amazon. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jeffrey+Tambor+May+Be+Leaving+%27Transparent%27+Amid+Sexual+Harassment+Allegations&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Transparent \u003c/em>star Jeffrey Tambor has announced he may be leaving the hit Amazon series after two women accused him of sexual harassment.\u003c/p>\n\u003cp>Tambor continues to deny the allegations leveled this month by one of his co-stars on the show and by his former assistant. But the actor intimated his departure from the show, in a statement provided to NPR, due to a recent “politicized atmosphere” on the set.\u003c/p>\n\u003cblockquote>\n\u003cp>“Playing Maura Pfefferman on ‘Transparent’ has been one of the greatest privileges and creative experiences of my life,” Tambor said. “What has become clear over the past weeks, however, is that this is no longer the job I signed up for four years ago. I’ve already made clear my deep regret if any action of mine was ever misinterpreted by anyone as being aggressive, but the idea that I would deliberately harass anyone is simply and utterly untrue. Given the politicized atmosphere that seems to have afflicted our set, I don’t see how I can return to ‘Transparent.’ ”\u003c/p>\n\u003c/blockquote>\n\u003cp>\u003ca href=\"http://deadline.com/2017/11/jeffrey-tambor-sexual-harassment-claims-amazon-1202204220/\" target=\"_blank\" rel=\"noopener\">According to Deadline\u003c/a>, which first broke the news on Sunday, the first allegation against Tambor was made by his former assistant and transgender actress Van Barnes. In a private Facebook post earlier this month, Barnes claimed her former boss, without naming Tambor, had sexually harassed and groped her, prompting Amazon Studios officials to open an investigation into the matter.\u003c/p>\n\u003cp>Just more than a week later, his transgender co-star Trace Lysette \u003ca href=\"https://twitter.com/tracelysette/status/931366076209799168\" target=\"_blank\" rel=\"noopener\">released a statement\u003c/a> that Tambor “made many sexual advances and comments at me, but one time it got physical.” She proceeds to describe an instance in which he pressed up against the actress and “began quick, discreet thrusts back and forth” against her, in between filming.\u003c/p>\n\u003cp>In response to the allegations, Tambor admitted he “can be volatile and ill-tempered … But I have never been a predator – ever.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Comedian Sarah Silverman confronted one aspect of the wave of sexual abuse and misconduct revelations that have come out in recent weeks: the anguish when the perpetrator is a friend.\u003c/p>\n\u003cp>“I wish I could sit this one out,” she says in a monologue for her Hulu show \u003cem>I Love You, America\u003c/em>. “But then I remembered something I said on this very show: that if it’s mentionable, it’s manageable. So I’m going to address the elephant masturbating in the room.”\u003c/p>\n\u003cp>She means, of course, the comedian Louis C.K., one of Silverman’s best friends for more than 25 years.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_WKFDqxiL80\u003c/p>\n\u003cp>“This recent calling out of sexual assault has been a long time coming,” she says in the episode that aired Thursday night. “It’s good. It’s like cutting out tumors — it’s messy and it’s complicated and it is gonna hurt, but it’s necessary and we’ll all be healthier for it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It sucks, and some of our heroes will be taken down and we will discover bad things about people we like, or in some cases, people we love.”\u003c/p>\n\u003cp>Multiple female comics have accused C.K. of sexual misconduct, including masturbating in front of them. Last week, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/10/563316860/louis-c-k-admits-to-sexual-harassment-of-multiple-female-comedians\">C.K. admitted\u003c/a> that “the stories are true” after previously declining to comment on the rumors about him. One of the women \u003ca href=\"https://www.nytimes.com/2017/11/09/arts/television/louis-ck-sexual-misconduct.html\">told\u003c/a> \u003cem>The New York Times\u003c/em> that for years afterward, she felt angry and betrayed and that the interaction was a factor in her deciding not pursue comedy.\u003c/p>\n\u003cp>“He wielded his power with women in messed-up ways,” Silverman continues. “I could couch this with heartwarming stories of our friendship and what a great dad he is, but that’s totally irrelevant, isn’t it? Yes, it is.”\u003c/p>\n\u003cp>After the \u003cem>Times \u003c/em>story broke, HBO cut ties with C.K., the distributor of his upcoming film canceled its release, and FX canceled its deal with his production company.\u003c/p>\n\u003cp>“I love Louie. But Louie did these things,” Silverman says. “Both of those statements are true. So, I just keep asking myself, can you love someone who did bad things? Can you still love them? I can mull that over later, certainly, because the only people that matter right now are the victims. They are victims, and they’re victims because of something he did.”\u003c/p>\n\u003cp>Silverman says she is at once very angry — “for the women he wronged and the culture that enabled it” — and also sad.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I believe with all my heart that this moment in time is essential,” she says. “It’s vital that people are held accountable for their actions, no matter who they are. We need to be better. We will better. I can’t [expletive] wait to be better.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Sarah+Silverman+Asks%3A+%27Can+You+Love+Someone+Who+Did+Bad+Things%3F%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Comedian Sarah Silverman confronted one aspect of the wave of sexual abuse and misconduct revelations that have come out in recent weeks: the anguish when the perpetrator is a friend.\u003c/p>\n\u003cp>“I wish I could sit this one out,” she says in a monologue for her Hulu show \u003cem>I Love You, America\u003c/em>. “But then I remembered something I said on this very show: that if it’s mentionable, it’s manageable. So I’m going to address the elephant masturbating in the room.”\u003c/p>\n\u003cp>She means, of course, the comedian Louis C.K., one of Silverman’s best friends for more than 25 years.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_WKFDqxiL80'\n title='//www.youtube.com/embed/_WKFDqxiL80'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“This recent calling out of sexual assault has been a long time coming,” she says in the episode that aired Thursday night. “It’s good. It’s like cutting out tumors — it’s messy and it’s complicated and it is gonna hurt, but it’s necessary and we’ll all be healthier for it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It sucks, and some of our heroes will be taken down and we will discover bad things about people we like, or in some cases, people we love.”\u003c/p>\n\u003cp>Multiple female comics have accused C.K. of sexual misconduct, including masturbating in front of them. Last week, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/10/563316860/louis-c-k-admits-to-sexual-harassment-of-multiple-female-comedians\">C.K. admitted\u003c/a> that “the stories are true” after previously declining to comment on the rumors about him. One of the women \u003ca href=\"https://www.nytimes.com/2017/11/09/arts/television/louis-ck-sexual-misconduct.html\">told\u003c/a> \u003cem>The New York Times\u003c/em> that for years afterward, she felt angry and betrayed and that the interaction was a factor in her deciding not pursue comedy.\u003c/p>\n\u003cp>“He wielded his power with women in messed-up ways,” Silverman continues. “I could couch this with heartwarming stories of our friendship and what a great dad he is, but that’s totally irrelevant, isn’t it? Yes, it is.”\u003c/p>\n\u003cp>After the \u003cem>Times \u003c/em>story broke, HBO cut ties with C.K., the distributor of his upcoming film canceled its release, and FX canceled its deal with his production company.\u003c/p>\n\u003cp>“I love Louie. But Louie did these things,” Silverman says. “Both of those statements are true. So, I just keep asking myself, can you love someone who did bad things? Can you still love them? I can mull that over later, certainly, because the only people that matter right now are the victims. They are victims, and they’re victims because of something he did.”\u003c/p>\n\u003cp>Silverman says she is at once very angry — “for the women he wronged and the culture that enabled it” — and also sad.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I believe with all my heart that this moment in time is essential,” she says. “It’s vital that people are held accountable for their actions, no matter who they are. We need to be better. We will better. I can’t [expletive] wait to be better.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Sarah+Silverman+Asks%3A+%27Can+You+Love+Someone+Who+Did+Bad+Things%3F%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Mourning Becomes Electrifying In 'Three Billboards Outside Ebbing, Missouri'",
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"content": "\u003cp>It was the Year of Our Lord Nineteen Hundred and Ninety-Seven when Frances McDormand collected her Academy Award for playing Marge Gunderson, the lovable pregnant cop heroine of \u003cem>Fargo.\u003c/em> At that same time, Martin McDonagh was fast establishing himself as the \u003cem>savant terrible\u003c/em> of the Irish and English stage, a brash and brilliant playwright who was more Noel Gallagher than Noel Coward — and more like a long-lost Coen Brother than either. Four of McDonagh caustic tragicomedies, all set in rural Ireland, premiered in 1996-7. At the age of 27, he became the first dramatist since Shakespeare to have four shows running simultaneously in London. When McDonagh started dabbling in film a few years later, his debut short \u003cem>Six Shooter \u003c/em>won an Oscar right out of the gate.\u003c/p>\n\u003cp>Only once McDonagh started telling stories set in America — the 2010 play \u003cem>A Behanding in Spokane,\u003c/em> the 2012 film\u003cem> Seven Psychopaths \u003c/em>— did his rocket-like ascent seem to level off. But with the new \u003cem>Three Billboards Outside Ebbing, Missouri,\u003c/em> his third and best feature, he’s finally begun to grapple with the violence of American life in a way that doesn’t feel like the work of a tourist. More than that, \u003cem>Three Billboards\u003c/em> reflects a greater sympathy for its broken characters than does \u003cem>Fargo\u003c/em> or a number of other well-loved Coen Brothers crime capers. That sympathy is what keeps McDonagh’s film consistently surprising — and what may keep some viewers from embracing it. The greatest trick a showman can pull in 2017 is to try to make you pity a violent, racist cop.\u003c/p>\n\u003cp>https://youtu.be/nefD7UOhLCo\u003c/p>\n\u003cp>The \u003cem>Billboards\u003c/em>‘ cast, a murderer’s row of great character actors who’ve played murderers, reunites several whom McDonagh has used before: Woody Harrelson, Abbie Cornish, Peter Dinklage. McDonagh has a particular yen for casting Sam Rockwell — whom I saw in the Broadway production of \u003cem>A Behanding in Spokane\u003c/em>, opposite Christopher Walken, Anthony Mackie, and Zoe Kazan — as loquacious idiots. In \u003cem>Billboards\u003c/em>, Rockwell plays a bigoted patrolman who has managed to hold onto his badge only through the mercy (and frankly, negligence) of Harrelson’s relatively even-tempered police chief. Of the many imperfect-to-straight-up-evil lawmen Harrelson has embodied in recent years, Chief Willoughby is the most compelling.\u003c/p>\n\u003cp>But this is McDormand’s movie all the way, and a fascinating bookend to \u003cem>Fargo\u003c/em>. In that film she was a dogged but reasonable investigator on the trail of two killers; her \u003cem>Billboards\u003c/em> character, Mildred, is herself the grieving victim of a horrific crime, the rape and murder of her adolescent daughter. (The assault is discussed in detail but never depicted onscreen.) Frustrated by the lack of progress in the case and enraged by reports of racially motivated police brutality (also discussed but never shown, though no one seriously disputes that these crimes-by-police occurred), Mildred publicly shames the department into redoubling its efforts. Those red billboards on a little-used country road make it plain to all passersby that something awful happened here, and justice has not been served. (The fictional town of Ebbing, Missouri is played in the film by the Smoky Mountain hideaway of Sylva, North Carolina, pop. 2,644.) Everyone feels sorry for Mildred — as a parish priest played by the great Nick Searcy conveys to her — but their empathy finds its operational limit when her demands for justice begin to reflect badly on the town.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That’s the movie. Mildred v. her neighbors, Mildred v. the cops, Mildred v. the menacing strangers who come out of the woodwork when one criticizes law enforcement, Mildred v. her abusive ex-husband (John Hawkes, another great character actor), Mildred v. her high-school-age son (20-year-old Lucas Hedges from \u003cem>Manchester by the Sea\u003c/em>, ditto), who just wants to work through the grieving process and try to salvage his life. Though it runs just under two hours and abandons the single-location milieu of most of McDonagh’s work for the stage, \u003cem>Three Billboards\u003c/em> still moves more like a play than a film, given its five or maybe even seven-act structure. It’s the first of McDonagh’s movies to match the maturity of his plays, and the first time he’s pushed past writing about hitmen and screenwriters to make something that feels like it could be about your neighbors. The most surprising development is that he’s at last exploring how to survive and escape the cycle of vengeance rather than simply working up to one. It’s not easy to write a glib movie about forgiveness. But if I were forced to summarize this one in a billboard, that’s how it would read.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It was the Year of Our Lord Nineteen Hundred and Ninety-Seven when Frances McDormand collected her Academy Award for playing Marge Gunderson, the lovable pregnant cop heroine of \u003cem>Fargo.\u003c/em> At that same time, Martin McDonagh was fast establishing himself as the \u003cem>savant terrible\u003c/em> of the Irish and English stage, a brash and brilliant playwright who was more Noel Gallagher than Noel Coward — and more like a long-lost Coen Brother than either. Four of McDonagh caustic tragicomedies, all set in rural Ireland, premiered in 1996-7. At the age of 27, he became the first dramatist since Shakespeare to have four shows running simultaneously in London. When McDonagh started dabbling in film a few years later, his debut short \u003cem>Six Shooter \u003c/em>won an Oscar right out of the gate.\u003c/p>\n\u003cp>Only once McDonagh started telling stories set in America — the 2010 play \u003cem>A Behanding in Spokane,\u003c/em> the 2012 film\u003cem> Seven Psychopaths \u003c/em>— did his rocket-like ascent seem to level off. But with the new \u003cem>Three Billboards Outside Ebbing, Missouri,\u003c/em> his third and best feature, he’s finally begun to grapple with the violence of American life in a way that doesn’t feel like the work of a tourist. More than that, \u003cem>Three Billboards\u003c/em> reflects a greater sympathy for its broken characters than does \u003cem>Fargo\u003c/em> or a number of other well-loved Coen Brothers crime capers. That sympathy is what keeps McDonagh’s film consistently surprising — and what may keep some viewers from embracing it. The greatest trick a showman can pull in 2017 is to try to make you pity a violent, racist cop.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nefD7UOhLCo'\n title='//www.youtube.com/embed/nefD7UOhLCo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The \u003cem>Billboards\u003c/em>‘ cast, a murderer’s row of great character actors who’ve played murderers, reunites several whom McDonagh has used before: Woody Harrelson, Abbie Cornish, Peter Dinklage. McDonagh has a particular yen for casting Sam Rockwell — whom I saw in the Broadway production of \u003cem>A Behanding in Spokane\u003c/em>, opposite Christopher Walken, Anthony Mackie, and Zoe Kazan — as loquacious idiots. In \u003cem>Billboards\u003c/em>, Rockwell plays a bigoted patrolman who has managed to hold onto his badge only through the mercy (and frankly, negligence) of Harrelson’s relatively even-tempered police chief. Of the many imperfect-to-straight-up-evil lawmen Harrelson has embodied in recent years, Chief Willoughby is the most compelling.\u003c/p>\n\u003cp>But this is McDormand’s movie all the way, and a fascinating bookend to \u003cem>Fargo\u003c/em>. In that film she was a dogged but reasonable investigator on the trail of two killers; her \u003cem>Billboards\u003c/em> character, Mildred, is herself the grieving victim of a horrific crime, the rape and murder of her adolescent daughter. (The assault is discussed in detail but never depicted onscreen.) Frustrated by the lack of progress in the case and enraged by reports of racially motivated police brutality (also discussed but never shown, though no one seriously disputes that these crimes-by-police occurred), Mildred publicly shames the department into redoubling its efforts. Those red billboards on a little-used country road make it plain to all passersby that something awful happened here, and justice has not been served. (The fictional town of Ebbing, Missouri is played in the film by the Smoky Mountain hideaway of Sylva, North Carolina, pop. 2,644.) Everyone feels sorry for Mildred — as a parish priest played by the great Nick Searcy conveys to her — but their empathy finds its operational limit when her demands for justice begin to reflect badly on the town.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That’s the movie. Mildred v. her neighbors, Mildred v. the cops, Mildred v. the menacing strangers who come out of the woodwork when one criticizes law enforcement, Mildred v. her abusive ex-husband (John Hawkes, another great character actor), Mildred v. her high-school-age son (20-year-old Lucas Hedges from \u003cem>Manchester by the Sea\u003c/em>, ditto), who just wants to work through the grieving process and try to salvage his life. Though it runs just under two hours and abandons the single-location milieu of most of McDonagh’s work for the stage, \u003cem>Three Billboards\u003c/em> still moves more like a play than a film, given its five or maybe even seven-act structure. It’s the first of McDonagh’s movies to match the maturity of his plays, and the first time he’s pushed past writing about hitmen and screenwriters to make something that feels like it could be about your neighbors. The most surprising development is that he’s at last exploring how to survive and escape the cycle of vengeance rather than simply working up to one. It’s not easy to write a glib movie about forgiveness. But if I were forced to summarize this one in a billboard, that’s how it would read.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A portrait of Christ by Renaissance artist Leonardo da Vinci has shattered all previous records for artworks sold at auction or privately, fetching a whopping $450.3 million on Wednesday at Christie’s in New York.\u003c/p>\n\u003cp>\u003cem>Salvator Mundi\u003c/em> (\u003cem>Savior of the World\u003c/em>), is one of only a score of da Vinci’s still in existence and the only one held privately.\u003c/p>\n\u003cp>[contextly_sidebar id=”fNi0Bgcu0nVaXgRmz0qKZFGZ57y4dhr8″]\u003c/p>\n\u003cp>The bidding opened at $75 million and ran for 19 minutes.\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/2017/11/15/arts/design/leonardo-da-vinci-salvator-mundi-christies-auction.html?_r=0\" target=\"_blank\" rel=\"noopener\">The New York Times reports\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“There were gasps throughout the sale, as the bids climbed by tens of millions up to $225 million, by fives up to $260 million, and then by twos. As the bidding slowed, and a buyer pondered the next multi-million-dollar increment, Jussi Pylkkanen, the auctioneer, said, ‘It’s an historic moment; we’ll wait.’\u003c/p>\n\u003cp>Toward the end, Alex Rotter, Christie’s co-chairman of postwar and contemporary art, who represented a buyer on the phone, made two big jumps to shake off one last rival bid from Francis de Poortere, Christie’s head of old master paintings.”\u003c/p>\n\u003c/blockquote>\n\u003cp>The name of the buyer was not immediately released. The final bid was $400 million, but the sale price includes a premium paid to Christie’s.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=d7omwQLuGJQ\u003c/p>\n\u003cp>“\u003cem>Salvator Mundi\u003c/em> is a painting of the most iconic figure in the world by the most important artist of all time,” said Loic Gouzer, co-chairman of post-war and contemporary art at Christie’s was quoted by \u003ca href=\"https://www.yahoo.com/news/rare-painting-leonardo-da-vinci-auctioned-york-051045114.html?soc_trk=gcm&soc_src=c841dd90-2f8b-350f-8e65-f02648ba998b&.tsrc=notification-brknews\" target=\"_blank\" rel=\"noopener\">The Associated Press\u003c/a> as saying. “The opportunity to bring this masterpiece to the market is an honor that comes around once in a lifetime.”\u003c/p>\n\u003cp>The 26-inch-tall painting has had an intriguing history. It dates to about 1500 and depicts a figure of Christ dressed in Renaissance-style attire, with the right hand raised in benediction and the left holding a crystal orb.\u003c/p>\n\u003cp>It was recorded in the collection of King Charles I of England in 1649 but was auctioned to the Duke of Buckingham in 1763. It then disappeared until 1900, over which time it was assumed to have been lost or destroyed.\u003c/p>\n\u003cp>When it finally resurfaced, it was damaged from restoration attempts and was purchased by British collector Sir Frederick Cook. At the time it wasn’t seen as an authentic da Vinci, but instead attributed to one of his disciples.\u003c/p>\n\u003cp>In 2011, \u003cem>Salvator Mundi\u003c/em> went on public display. At the time, the BBC wrote:\u003c/p>\n\u003cblockquote>\n\u003cp>“Cook’s descendants sold it at auction in 1958 for £45 and it was acquired by a US consortium of art dealers in 2005.\u003c/p>\n\u003cp>“After undergoing extensive conservation treatment [completed in 2011], it was determined to be an original Da Vinci work.”\u003c/p>\n\u003c/blockquote>\n\u003cp>It was put on the block for Wednesday’s auction by Russian billionaire Dmitry Rybolovlev, who had purchased it for $127.5 million in a private sale in 2013.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The previous record for a painting sold at auction was set in 2015 when Pablo Picasso’s \u003cem>Women of Algiers (Version O)\u003c/em> \u003ca href=\"https://www.npr.org/sections/thetwo-way/2015/05/11/406036959/photos-sculpture-sells-for-141m-picasso-painting-for-179m-both-records\" target=\"_blank\" rel=\"noopener\">went for $179 million\u003c/a> to an anonymous buyer. A private sale of Willem de Koonig’s \u003cem>Interchange\u003c/em>, also in 2015, fetched $300 million. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Da+Vinci+Portrait+Of+Christ+Sells+For+Record-Shattering+%24450+Million&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A portrait of Christ by Renaissance artist Leonardo da Vinci has shattered all previous records for artworks sold at auction or privately, fetching a whopping $450.3 million on Wednesday at Christie’s in New York.\u003c/p>\n\u003cp>\u003cem>Salvator Mundi\u003c/em> (\u003cem>Savior of the World\u003c/em>), is one of only a score of da Vinci’s still in existence and the only one held privately.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The bidding opened at $75 million and ran for 19 minutes.\u003c/p>\n\u003cp>\u003ca href=\"https://www.nytimes.com/2017/11/15/arts/design/leonardo-da-vinci-salvator-mundi-christies-auction.html?_r=0\" target=\"_blank\" rel=\"noopener\">The New York Times reports\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“There were gasps throughout the sale, as the bids climbed by tens of millions up to $225 million, by fives up to $260 million, and then by twos. As the bidding slowed, and a buyer pondered the next multi-million-dollar increment, Jussi Pylkkanen, the auctioneer, said, ‘It’s an historic moment; we’ll wait.’\u003c/p>\n\u003cp>Toward the end, Alex Rotter, Christie’s co-chairman of postwar and contemporary art, who represented a buyer on the phone, made two big jumps to shake off one last rival bid from Francis de Poortere, Christie’s head of old master paintings.”\u003c/p>\n\u003c/blockquote>\n\u003cp>The name of the buyer was not immediately released. The final bid was $400 million, but the sale price includes a premium paid to Christie’s.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/d7omwQLuGJQ'\n title='//www.youtube.com/embed/d7omwQLuGJQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“\u003cem>Salvator Mundi\u003c/em> is a painting of the most iconic figure in the world by the most important artist of all time,” said Loic Gouzer, co-chairman of post-war and contemporary art at Christie’s was quoted by \u003ca href=\"https://www.yahoo.com/news/rare-painting-leonardo-da-vinci-auctioned-york-051045114.html?soc_trk=gcm&soc_src=c841dd90-2f8b-350f-8e65-f02648ba998b&.tsrc=notification-brknews\" target=\"_blank\" rel=\"noopener\">The Associated Press\u003c/a> as saying. “The opportunity to bring this masterpiece to the market is an honor that comes around once in a lifetime.”\u003c/p>\n\u003cp>The 26-inch-tall painting has had an intriguing history. It dates to about 1500 and depicts a figure of Christ dressed in Renaissance-style attire, with the right hand raised in benediction and the left holding a crystal orb.\u003c/p>\n\u003cp>It was recorded in the collection of King Charles I of England in 1649 but was auctioned to the Duke of Buckingham in 1763. It then disappeared until 1900, over which time it was assumed to have been lost or destroyed.\u003c/p>\n\u003cp>When it finally resurfaced, it was damaged from restoration attempts and was purchased by British collector Sir Frederick Cook. At the time it wasn’t seen as an authentic da Vinci, but instead attributed to one of his disciples.\u003c/p>\n\u003cp>In 2011, \u003cem>Salvator Mundi\u003c/em> went on public display. At the time, the BBC wrote:\u003c/p>\n\u003cblockquote>\n\u003cp>“Cook’s descendants sold it at auction in 1958 for £45 and it was acquired by a US consortium of art dealers in 2005.\u003c/p>\n\u003cp>“After undergoing extensive conservation treatment [completed in 2011], it was determined to be an original Da Vinci work.”\u003c/p>\n\u003c/blockquote>\n\u003cp>It was put on the block for Wednesday’s auction by Russian billionaire Dmitry Rybolovlev, who had purchased it for $127.5 million in a private sale in 2013.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The previous record for a painting sold at auction was set in 2015 when Pablo Picasso’s \u003cem>Women of Algiers (Version O)\u003c/em> \u003ca href=\"https://www.npr.org/sections/thetwo-way/2015/05/11/406036959/photos-sculpture-sells-for-141m-picasso-painting-for-179m-both-records\" target=\"_blank\" rel=\"noopener\">went for $179 million\u003c/a> to an anonymous buyer. A private sale of Willem de Koonig’s \u003cem>Interchange\u003c/em>, also in 2015, fetched $300 million. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Da+Vinci+Portrait+Of+Christ+Sells+For+Record-Shattering+%24450+Million&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Mattel unveiled its first hijab-wearing Barbie doll on Monday, modeled after fencer Ibtihaj Muhammad, who has broken ground herself as the first U.S. Olympic athlete to compete in the head scarf.\u003c/p>\n\u003cp>“Perfect hijab moment right here, this is amazing,” Muhammad said as she beheld the doll for the first time at the Glamour Women of the Year Summit, her likeness clad in a white fencing uniform and clutching a sword and helmet.\u003c/p>\n\u003cp>Muhammad said she played with Barbies until she was a teenager, but none of the dolls looked like her, so she resorted to sewing mini hijabs onto them. Now she is hoping the new doll inspires other girls “to embrace what makes them unique.”\u003c/p>\n\u003cp>In an interview with \u003ca href=\"http://www.espn.com/espnw/culture/article/21405704/ibtihaj-muhammad-getting-own-barbie-doll-power-inclusion\" target=\"_blank\" rel=\"noopener\">ESPNW\u003c/a>, Muhammad, 31, said, “I feel like I’ve always embraced being ‘different’ in respect to breaking boundaries, being an African-American Muslim woman in the sport of fencing.”\u003c/p>\n\u003cp>It was more than figurine’s hijab that mattered to Muhammad. “Growing up I was always told that my legs were big,” the New Jersey native told ESPN. “(I)t was important to me that my doll has an athletic build and toned legs, which I have. Those legs helped me win my medal at the Olympic Games.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Muhammad won bronze at the 2016 Games in Rio de Janeiro, which also gave her the distinction of becoming the first Muslim American woman to take home an Olympic title.\u003c/p>\n\u003cp>The doll, which won’t be available for purchase until 2018, is part of Mattel’s “\u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/sheroes\">Sheroes\u003c/a>” line, modeled after real-life women who are “breaking boundaries.” In May, Olympic gold medal-winning gymnast \u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/buzz/gabby-douglas-barbie-doll-barbie-shero\" target=\"_blank\" rel=\"noopener\">Gabby Douglas was recognized\u003c/a> with her own “Shero” doll.\u003c/p>\n\u003cp>Mattel has been working to move Barbie’s image away from the blonde-haired, blue-eyed and \u003ca href=\"https://www.huffingtonpost.com/galia-slayen/the-scary-reality-of-a-re_b_845239.html\" target=\"_blank\" rel=\"noopener\">unattainably proportioned \u003c/a>clone. In 2016, it rolled out its \u003ca href=\"http://www.barbie.com/en-gb/promo/barbie-fashionistas\" target=\"_blank\" rel=\"noopener\">Barbie Fashionista’s line\u003c/a>, with dolls of four body types, seven skin tones and 24 hairstyles. The new dolls \u003ca href=\"https://news.mattel.com/news/mattel-reports-second-quarter-2017-financial-results\" target=\"_blank\" rel=\"noopener\">have been credited\u003c/a> with helping revive sales.\u003c/p>\n\u003cp>Even Barbie’s \u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/ken-fashionistas#facet:&productBeginIndex:0&orderBy:&pageView:grid&minPrice:&maxPrice:&pageSize:&contentPageSize:&\">boyfriend Ken\u003c/a> got a makeover earlier this year, with more than a dozen new dolls of varying shapes, shades and hairdos — man-bun included.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More than just toys, Muhammad tells ESPN the dolls can be tools to “show children how to embrace what makes them different and to remind them that they’re beautiful and they can be whatever they want. We can help push that narrative through role play, through dolls and through using your imagination.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Barbie+Heads+Into+New+Ground+With+Hijab-Sporting+Doll&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mattel unveiled its first hijab-wearing Barbie doll on Monday, modeled after fencer Ibtihaj Muhammad, who has broken ground herself as the first U.S. Olympic athlete to compete in the head scarf.\u003c/p>\n\u003cp>“Perfect hijab moment right here, this is amazing,” Muhammad said as she beheld the doll for the first time at the Glamour Women of the Year Summit, her likeness clad in a white fencing uniform and clutching a sword and helmet.\u003c/p>\n\u003cp>Muhammad said she played with Barbies until she was a teenager, but none of the dolls looked like her, so she resorted to sewing mini hijabs onto them. Now she is hoping the new doll inspires other girls “to embrace what makes them unique.”\u003c/p>\n\u003cp>In an interview with \u003ca href=\"http://www.espn.com/espnw/culture/article/21405704/ibtihaj-muhammad-getting-own-barbie-doll-power-inclusion\" target=\"_blank\" rel=\"noopener\">ESPNW\u003c/a>, Muhammad, 31, said, “I feel like I’ve always embraced being ‘different’ in respect to breaking boundaries, being an African-American Muslim woman in the sport of fencing.”\u003c/p>\n\u003cp>It was more than figurine’s hijab that mattered to Muhammad. “Growing up I was always told that my legs were big,” the New Jersey native told ESPN. “(I)t was important to me that my doll has an athletic build and toned legs, which I have. Those legs helped me win my medal at the Olympic Games.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Muhammad won bronze at the 2016 Games in Rio de Janeiro, which also gave her the distinction of becoming the first Muslim American woman to take home an Olympic title.\u003c/p>\n\u003cp>The doll, which won’t be available for purchase until 2018, is part of Mattel’s “\u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/sheroes\">Sheroes\u003c/a>” line, modeled after real-life women who are “breaking boundaries.” In May, Olympic gold medal-winning gymnast \u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/buzz/gabby-douglas-barbie-doll-barbie-shero\" target=\"_blank\" rel=\"noopener\">Gabby Douglas was recognized\u003c/a> with her own “Shero” doll.\u003c/p>\n\u003cp>Mattel has been working to move Barbie’s image away from the blonde-haired, blue-eyed and \u003ca href=\"https://www.huffingtonpost.com/galia-slayen/the-scary-reality-of-a-re_b_845239.html\" target=\"_blank\" rel=\"noopener\">unattainably proportioned \u003c/a>clone. In 2016, it rolled out its \u003ca href=\"http://www.barbie.com/en-gb/promo/barbie-fashionistas\" target=\"_blank\" rel=\"noopener\">Barbie Fashionista’s line\u003c/a>, with dolls of four body types, seven skin tones and 24 hairstyles. The new dolls \u003ca href=\"https://news.mattel.com/news/mattel-reports-second-quarter-2017-financial-results\" target=\"_blank\" rel=\"noopener\">have been credited\u003c/a> with helping revive sales.\u003c/p>\n\u003cp>Even Barbie’s \u003ca href=\"http://barbie.mattel.com/shop/en-us/ba/ken-fashionistas#facet:&productBeginIndex:0&orderBy:&pageView:grid&minPrice:&maxPrice:&pageSize:&contentPageSize:&\">boyfriend Ken\u003c/a> got a makeover earlier this year, with more than a dozen new dolls of varying shapes, shades and hairdos — man-bun included.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More than just toys, Muhammad tells ESPN the dolls can be tools to “show children how to embrace what makes them different and to remind them that they’re beautiful and they can be whatever they want. We can help push that narrative through role play, through dolls and through using your imagination.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Barbie+Heads+Into+New+Ground+With+Hijab-Sporting+Doll&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The band Brand New is \u003ca href=\"https://www.facebook.com/BrandNew/?hc_ref=ARQmpnFNCPaZSiliAGgJ0YRkM9fqCWwOb633l8f9ZwHoSlgbDcohOmof27G7MoQXgXQ&fref=nf\" target=\"_blank\" rel=\"noopener\">postponing\u003c/a> its comeback tour of the U.K. following accusations of sexual misconduct against its singer, Jesse Lacey, made public last week on social media.\u003c/p>\n\u003cp>In a since-deleted thread on Facebook (a request for comment from that poster wasn’t immediately returned) — accurate excerpts from which were posted \u003ca href=\"http://uproxx.com/music/brand-new-jesse-lacey-sexual-misconduct-allegations/2/\" target=\"_blank\" rel=\"noopener\">by culture blog \u003cem>Uproxx\u003c/em>\u003c/a> — a woman accused Brand New singer Jesse Lacey of soliciting nude photographs from her when she was 15 years old, and of having masturbated while on a Skype video call with her (she did not clarify her age at the time of the Skype conversation).\u003c/p>\n\u003cp>Lacey responded over the weekend with a blanket apology for his behavior, without admitting to any specific allegations. “I was selfish, narcissistic, and insensitive in my past, and there are a number of people who have had to shoulder the burden of my failures. I apologize for the hurt I have caused, and hope to be able to take the correct actions to earn forgiveness and trust,” he \u003ca href=\"https://www.facebook.com/BrandNew/posts/10155923794753023\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a>. “I am sorry for how I have hurt people, mistreated them, lied, and cheated. I am sorry for ignoring the way in which my position, status, and power as a member of a band affected the way people viewed me or their approach to their interactions with me. And I am sorry for how often I have not afforded women the respect, support, or honesty that they deserved.”\u003c/p>\n\u003cp>Lacey’s statement arrives on the heels of comedian Louis C.K.’s \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/10/563316860/louis-c-k-admits-to-sexual-harassment-of-multiple-female-comedians\" target=\"_blank\" rel=\"noopener\">admission of guilt\u003c/a> and statement of contrition over his own history of sexual assaults. “There is nothing about this that I forgive myself for,” C.K. wrote in a statement. “And I have to reconcile it with who I am. Which is nothing compared to the task I left them with.” C.K.’s confirmation of \u003cem>The New York Times\u003c/em>‘ investigation was part of a broad wave of sexual misconduct allegations against many, \u003ca href=\"https://www.npr.org/sections/ombudsman/2017/11/06/561834350/npr-looks-inward-as-it-covers-its-own-sexual-harassment-allegations\" target=\"_blank\" rel=\"noopener\">including\u003c/a> former NPR news executive Mike Oreskes, in what is being commonly referred to as a “post-Weinstein” moment, in reference to the \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/10/14/557790894/weinstein-expelled-from-the-academy-of-motion-pictures-arts-and-sciences\" target=\"_blank\" rel=\"noopener\">disgraced\u003c/a> Hollywood mogul.\u003c/p>\n\u003cp>Kevin Devine, a former touring guitarist for Brand New, posted a statement of his own, writing that he had “not heard the story prior to it being made public yesterday. I’m heartbroken for her and for every person who absorbs and subsequently has to figure out how to live with this type of trauma. We all need to do a lot better, myself very much included.” Devine went on to cite his own struggles with addiction, and long-term sobriety, as offering a possible path to similar rehabilitation for Lacey.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The accusations and Lacey’s statement also prompted the group Martha to recuse itself from Brand New’s tour: “We have decided to pull out of the brand new shows. Support survivors always,” the band \u003ca href=\"https://twitter.com/MarthaDIY/status/929315515855790080\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a> on Twitter.\u003c/p>\n\u003cp>Brand New emerged from Long Island, N.Y. in 2001 with \u003cem>Your Favorite Weapon\u003c/em>, and broke an eight-year hiatus this past August with the release of \u003cem>Science Fiction\u003c/em>. That latest record propelled the group to No. 1 on the Billboard 200 album chart, one of just three guitar-reliant bands this year to do so, \u003ca href=\"http://www.billboard.com/articles/columns/chart-beat/7942129/brand-new-first-number-1-album-billboard-200-chart-science-fiction\" target=\"_blank\" rel=\"noopener\">according to \u003cem>Billboard\u003c/em>\u003c/a>, and drew glowing reviews from music critics — including \u003ca href=\"https://www.npr.org/sections/allsongs/2017/08/26/545558097/brand-new-again-science-fiction-is-a-self-revival\">one published by NPR Music\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Requests for further comment from Brand New’s publicist were not returned. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Brand+New+Frontman+Jesse+Lacey+Apologizes+For+Sexual+Misconduct%2C+Postpones+Tour&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The band Brand New is \u003ca href=\"https://www.facebook.com/BrandNew/?hc_ref=ARQmpnFNCPaZSiliAGgJ0YRkM9fqCWwOb633l8f9ZwHoSlgbDcohOmof27G7MoQXgXQ&fref=nf\" target=\"_blank\" rel=\"noopener\">postponing\u003c/a> its comeback tour of the U.K. following accusations of sexual misconduct against its singer, Jesse Lacey, made public last week on social media.\u003c/p>\n\u003cp>In a since-deleted thread on Facebook (a request for comment from that poster wasn’t immediately returned) — accurate excerpts from which were posted \u003ca href=\"http://uproxx.com/music/brand-new-jesse-lacey-sexual-misconduct-allegations/2/\" target=\"_blank\" rel=\"noopener\">by culture blog \u003cem>Uproxx\u003c/em>\u003c/a> — a woman accused Brand New singer Jesse Lacey of soliciting nude photographs from her when she was 15 years old, and of having masturbated while on a Skype video call with her (she did not clarify her age at the time of the Skype conversation).\u003c/p>\n\u003cp>Lacey responded over the weekend with a blanket apology for his behavior, without admitting to any specific allegations. “I was selfish, narcissistic, and insensitive in my past, and there are a number of people who have had to shoulder the burden of my failures. I apologize for the hurt I have caused, and hope to be able to take the correct actions to earn forgiveness and trust,” he \u003ca href=\"https://www.facebook.com/BrandNew/posts/10155923794753023\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a>. “I am sorry for how I have hurt people, mistreated them, lied, and cheated. I am sorry for ignoring the way in which my position, status, and power as a member of a band affected the way people viewed me or their approach to their interactions with me. And I am sorry for how often I have not afforded women the respect, support, or honesty that they deserved.”\u003c/p>\n\u003cp>Lacey’s statement arrives on the heels of comedian Louis C.K.’s \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/10/563316860/louis-c-k-admits-to-sexual-harassment-of-multiple-female-comedians\" target=\"_blank\" rel=\"noopener\">admission of guilt\u003c/a> and statement of contrition over his own history of sexual assaults. “There is nothing about this that I forgive myself for,” C.K. wrote in a statement. “And I have to reconcile it with who I am. Which is nothing compared to the task I left them with.” C.K.’s confirmation of \u003cem>The New York Times\u003c/em>‘ investigation was part of a broad wave of sexual misconduct allegations against many, \u003ca href=\"https://www.npr.org/sections/ombudsman/2017/11/06/561834350/npr-looks-inward-as-it-covers-its-own-sexual-harassment-allegations\" target=\"_blank\" rel=\"noopener\">including\u003c/a> former NPR news executive Mike Oreskes, in what is being commonly referred to as a “post-Weinstein” moment, in reference to the \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/10/14/557790894/weinstein-expelled-from-the-academy-of-motion-pictures-arts-and-sciences\" target=\"_blank\" rel=\"noopener\">disgraced\u003c/a> Hollywood mogul.\u003c/p>\n\u003cp>Kevin Devine, a former touring guitarist for Brand New, posted a statement of his own, writing that he had “not heard the story prior to it being made public yesterday. I’m heartbroken for her and for every person who absorbs and subsequently has to figure out how to live with this type of trauma. We all need to do a lot better, myself very much included.” Devine went on to cite his own struggles with addiction, and long-term sobriety, as offering a possible path to similar rehabilitation for Lacey.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The accusations and Lacey’s statement also prompted the group Martha to recuse itself from Brand New’s tour: “We have decided to pull out of the brand new shows. Support survivors always,” the band \u003ca href=\"https://twitter.com/MarthaDIY/status/929315515855790080\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a> on Twitter.\u003c/p>\n\u003cp>Brand New emerged from Long Island, N.Y. in 2001 with \u003cem>Your Favorite Weapon\u003c/em>, and broke an eight-year hiatus this past August with the release of \u003cem>Science Fiction\u003c/em>. That latest record propelled the group to No. 1 on the Billboard 200 album chart, one of just three guitar-reliant bands this year to do so, \u003ca href=\"http://www.billboard.com/articles/columns/chart-beat/7942129/brand-new-first-number-1-album-billboard-200-chart-science-fiction\" target=\"_blank\" rel=\"noopener\">according to \u003cem>Billboard\u003c/em>\u003c/a>, and drew glowing reviews from music critics — including \u003ca href=\"https://www.npr.org/sections/allsongs/2017/08/26/545558097/brand-new-again-science-fiction-is-a-self-revival\">one published by NPR Music\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Requests for further comment from Brand New’s publicist were not returned. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Brand+New+Frontman+Jesse+Lacey+Apologizes+For+Sexual+Misconduct%2C+Postpones+Tour&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>“Can we please stop with the remakes of \u003cem>Murder on the Orient Express\u003c/em>?” I ask upon exiting Kenneth Branagh’s fatally tepid new reading of the Agatha Christie classic.\u003c/p>\n\u003cp>For my money, David Suchet already nailed the most satisfying Hercule Poirot we’re ever likely to know. In the British television series \u003cem>Agatha Christie’s Poirot\u003c/em> (which aired on PBS in the States), if not the wholly unnecessary 2010 movie, Suchet’s Belgian detective came to us as his own complicated loner — sly, prissy, compulsive, sexually ambiguous and with a thoroughly earned tragic vision of humankind, yet full of compassion for its individual membership. When Suchet’s Poirot insisted he was happiest when alone, we believed him. But coming from Branagh’s Poirot, there is room for doubt — and not only because his lips can barely move beneath a mustache so humongous it curls around corners, possibly in an attempt at a getaway.\u003c/p>\n\u003cp>That hairy party favor — with Branagh behind it, incessantly cracking wise and foolish — leads the action. We meet Poirot at the Western Wall in Jerusalem, a scenic locale that may or may not connect to later events. For now it’s an excuse for the smirky private eye to launch into a lame gag about rabbis, imams and priests.\u003c/p>\n\u003cp>https://youtu.be/z68frP9Q7XA\u003c/p>\n\u003cp>Then it’s on to Istanbul, where the self-professed “greatest detective in the world” boards the famously deluxe locomotive for a hard-earned break among bejeweled toffs moping about in richly varnished wooden carriages with to-die-for light fixtures.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The mustache wears a coat in bed, where we dally with Poirot until Johnny Depp shows up as an iffy-looking “businessman” who, after trying in vain to hire the sleuth as his bodyguard, turns up dead on schedule.\u003c/p>\n\u003cp>In deference to the six people on this planet who don’t know that his multiple stab wounds weren’t inflicted by the butler, in the library, with a poker, I must keep heroically mum about whodunit. Truthfully it’s hard to work up a head of suspense about the killer because once the train screeches to a halt on a box girder bridge, it’s all tedious talk by name actors looking shifty or inscrutable or insisting against all odds that they’re the guilty party.\u003c/p>\n\u003cp>When Agatha Christie maneuvered a large crowd of potential perps into a confined space, she was not just plot-thickening, but finding a way to explore human character in all its rainbow of delusion, rationalization and displaced guilt. For Branagh, it’s little more than a golden opportunity to make us “ooh” and “aah” over a clutch of majorly attired big Hollywood guns from Judi Dench and Derek Jacobi to Michelle Pfeiffer, Willem Dafoe and Penelope Cruz, plus a strategic sprinkling of young ‘uns and a weak stab at diverse casting.\u003c/p>\n\u003cp>The slight twist that Branagh and screenwriter Michael Green have placed on this crew’s shared tie to the deceased doesn’t compel, because they generate no interest as characters. They’re movie stars draped in tableaux, and we are left following them through the carriages in showy aerial shots and tracking shots, or gazing at the expensive furs and the splendid snow-covered mountains.\u003c/p>\n\u003cp>After a stream of gags about how Poirot likes his \u003cem>oeufs \u003c/em>cooked, we transition to unearned poignancy as the movie lumbers home to a denouement — one that, in all fairness to the filmmakers, was never one of Christie’s finest and that has going for it only a ham-fisted democratic impulse. Violins soar amid snow-covered mountains. Poirot stops his quipping and gazes mournfully into the middle distance for a bit. A very short bit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Poirot follows this brief lunge into gravitas with a cheery wink and a nod that having sorted this lot out, he is off to try his luck on the Nile, nudge nudge. Peeps of Hollywood, I beg you, pitch that pitch straight into turnaround.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Latest+%27Murder+On+The+Orient+Express%27+Is+A+Classic+Whydoit&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The mustache wears a coat in bed, where we dally with Poirot until Johnny Depp shows up as an iffy-looking “businessman” who, after trying in vain to hire the sleuth as his bodyguard, turns up dead on schedule.\u003c/p>\n\u003cp>In deference to the six people on this planet who don’t know that his multiple stab wounds weren’t inflicted by the butler, in the library, with a poker, I must keep heroically mum about whodunit. Truthfully it’s hard to work up a head of suspense about the killer because once the train screeches to a halt on a box girder bridge, it’s all tedious talk by name actors looking shifty or inscrutable or insisting against all odds that they’re the guilty party.\u003c/p>\n\u003cp>When Agatha Christie maneuvered a large crowd of potential perps into a confined space, she was not just plot-thickening, but finding a way to explore human character in all its rainbow of delusion, rationalization and displaced guilt. For Branagh, it’s little more than a golden opportunity to make us “ooh” and “aah” over a clutch of majorly attired big Hollywood guns from Judi Dench and Derek Jacobi to Michelle Pfeiffer, Willem Dafoe and Penelope Cruz, plus a strategic sprinkling of young ‘uns and a weak stab at diverse casting.\u003c/p>\n\u003cp>The slight twist that Branagh and screenwriter Michael Green have placed on this crew’s shared tie to the deceased doesn’t compel, because they generate no interest as characters. They’re movie stars draped in tableaux, and we are left following them through the carriages in showy aerial shots and tracking shots, or gazing at the expensive furs and the splendid snow-covered mountains.\u003c/p>\n\u003cp>After a stream of gags about how Poirot likes his \u003cem>oeufs \u003c/em>cooked, we transition to unearned poignancy as the movie lumbers home to a denouement — one that, in all fairness to the filmmakers, was never one of Christie’s finest and that has going for it only a ham-fisted democratic impulse. Violins soar amid snow-covered mountains. Poirot stops his quipping and gazes mournfully into the middle distance for a bit. A very short bit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Poirot follows this brief lunge into gravitas with a cheery wink and a nod that having sorted this lot out, he is off to try his luck on the Nile, nudge nudge. Peeps of Hollywood, I beg you, pitch that pitch straight into turnaround.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Latest+%27Murder+On+The+Orient+Express%27+Is+A+Classic+Whydoit&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Actor Kevin Spacey — one of the big-name Hollywood figures caught in a recent wave of accusations of sexual abuse – is reportedly being cut from an already finished film and his scenes re-shot with another actor. The move has been described as unprecedented.\u003c/p>\n\u003cp>Spacey had completed filming in the role of oil tycoon J. Paul Getty for Ridley Scott’s \u003cem>All the Money in the World\u003c/em>, set for release on Dec. 22. Scott will re-shoot Spacey’s scenes with the older actor Christopher Plummer, and the director expects to still make the release date. \u003ca href=\"https://www.nytimes.com/2017/11/08/arts/kevin-spacey-all-the-money-in-the-world.html?_r=0\">The New York Times\u003c/a> says spokesmen for Sony and the director have confirmed the swap.\u003c/p>\n\u003cp>The Associated Press reports: “All of Spacey’s scenes will be reshot,” people close to the production told the AP. “Co-stars Mark Wahlberg and Michelle Williams are expected to participate.”\u003c/p>\n\u003cp>Initially, Scott wanted to cast Plummer in the role but was pressured by the studio to bring on a bigger name, according to the news agency.\u003c/p>\n\u003cp>Last week, the accusations against Spacey prompted Netflix to \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/04/562035100/netflix-dumps-kevin-spacey-from-house-of-cards-amid-harassment-complaints\" target=\"_blank\" rel=\"noopener\">end production\u003c/a> of its popular political drama \u003cem>House of Cards\u003c/em>, which features the actor as a ruthlessly ambitious politician. The Netflix news came just days after 46-year-old actor Anthony Rapp — who plays in the new \u003cem>Star Trek: Discovery\u003c/em> series on CBS — \u003ca href=\"https://www.buzzfeed.com/adambvary/anthony-rapp-kevin-spacey-made-sexual-advance-when-i-was-14?utm_term=.dyY8znBam#.piqAojGdJ\" target=\"_blank\" rel=\"noopener\">told Buzzfeed\u003c/a> that when he was 14 and Spacey 26, the elder actor made a sexual advance on him.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Even before Rapp’s accusation, Boston television news anchor Heather Unruh tweeted that Spacey had groped her son’s genitals at a restaurant in Nantucket last year.\u003c/p>\n\u003cp>As \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/10/30/560779174/kevin-spacey-apologizes-to-anthony-rapp-over-alleged-sexual-misconduct\" target=\"_blank\" rel=\"noopener\">NPR’s Bill Chappell reported\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“Spacey has apologized; he also says he can’t remember the incident. Spacey is also being criticized for using his statement of contrition as a platform for coming out as a gay man.\u003c/p>\n\u003cp>… In a much-debated pivot, Spacey … devoted the second (and longer) half of his statement to say that Rapp’s story ‘has encouraged me to address other things about my life.'”\u003c/p>\n\u003c/blockquote>\n\u003cp>Since then, others – both men and women — have come forward with similar accusations against Spacey.\u003c/p>\n\u003cp>The actor is one of several film and television figures to have had accusations of sexual misconduct leveled against them in the wake of the \u003ca href=\"https://www.nytimes.com/2017/10/05/us/harvey-weinstein-harassment-allegations.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=a-lede-package-region®ion=top-news&WT.nav=top-news\" target=\"_blank\" rel=\"noopener\">Harvey Weinstein scandal\u003c/a> that broke last month. Weinstein denies the charges.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>However, the accusations go wider, with NPR’s Vice President for News Michael Oreskes \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/01/561363158/nprs-head-of-news-resigns-following-harassment-allegations\" target=\"_blank\" rel=\"noopener\">being forced to resign\u003c/a> over accusations of inappropriate behavior toward subordinates, both at NPR and when he worked for previous employers. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Spacey+Cut+From+Film%3B+Scenes+To+Be+Re-Shot+With+Actor+Christopher+Plummer&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "In the wake of allegations of sexual abuse against Spacey, director Ridley Scott has decided to sub in Plummer in 'All the Money in the World,' due for release next month.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Actor Kevin Spacey — one of the big-name Hollywood figures caught in a recent wave of accusations of sexual abuse – is reportedly being cut from an already finished film and his scenes re-shot with another actor. The move has been described as unprecedented.\u003c/p>\n\u003cp>Spacey had completed filming in the role of oil tycoon J. Paul Getty for Ridley Scott’s \u003cem>All the Money in the World\u003c/em>, set for release on Dec. 22. Scott will re-shoot Spacey’s scenes with the older actor Christopher Plummer, and the director expects to still make the release date. \u003ca href=\"https://www.nytimes.com/2017/11/08/arts/kevin-spacey-all-the-money-in-the-world.html?_r=0\">The New York Times\u003c/a> says spokesmen for Sony and the director have confirmed the swap.\u003c/p>\n\u003cp>The Associated Press reports: “All of Spacey’s scenes will be reshot,” people close to the production told the AP. “Co-stars Mark Wahlberg and Michelle Williams are expected to participate.”\u003c/p>\n\u003cp>Initially, Scott wanted to cast Plummer in the role but was pressured by the studio to bring on a bigger name, according to the news agency.\u003c/p>\n\u003cp>Last week, the accusations against Spacey prompted Netflix to \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/04/562035100/netflix-dumps-kevin-spacey-from-house-of-cards-amid-harassment-complaints\" target=\"_blank\" rel=\"noopener\">end production\u003c/a> of its popular political drama \u003cem>House of Cards\u003c/em>, which features the actor as a ruthlessly ambitious politician. The Netflix news came just days after 46-year-old actor Anthony Rapp — who plays in the new \u003cem>Star Trek: Discovery\u003c/em> series on CBS — \u003ca href=\"https://www.buzzfeed.com/adambvary/anthony-rapp-kevin-spacey-made-sexual-advance-when-i-was-14?utm_term=.dyY8znBam#.piqAojGdJ\" target=\"_blank\" rel=\"noopener\">told Buzzfeed\u003c/a> that when he was 14 and Spacey 26, the elder actor made a sexual advance on him.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"id": "freakonomics-radio",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
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"source": "kqed",
"order": 5
},
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