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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/hkernan-headshot-1920x1680.jpg\">\u003cimg class=\"alignleft wp-image-595 size-thumbnail\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-400x350.jpg\" alt=\"Holly Kernan\" width=\"400\" height=\"350\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-400x350.jpg 400w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-686x600.jpg 686w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-1180x1033.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-768x672.jpg 768w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-320x280.jpg 320w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680.jpg 1920w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>In fall 2014, Holly Kernan returned to KQED — after more than a decade as KALW's news and public affairs director — to take the position of executive editor for news. As head of the \u003ca href=\"http://ww2.kqed.org/news/\" target=\"_blank\">KQED's news\u003c/a> division, she's responsible for managing the newsroom (on radio, television and online) and presiding over its growth.\u003c/p>\n\u003cp>\u003cstrong>What's something you particularly like about your job?\u003c/strong>\u003cbr>\nI love almost everything about my job. I love the people, both in the building and those I get to connect with in the community. I also love it when we do stories that have an impact. This is a time when KQED is really embracing change, and I am thrilled to be on board with this next phase of growth at a venerable institution. I've come back to my broadcast home.\u003c/p>\n\u003cp>\u003cstrong>Challenges?\u003c/strong>\u003cbr>\nThe business model of newspapers has failed, and we've lost so many watchdog journalists. Knowing that public broadcasting should be stepping into that space in a big way and knowing that KQED has the expertise to do it but doesn't have as many resources as we'd like at this point is a challenge. That said, KQED\u003cem> is\u003c/em> growing. But, can our growth keep up with the increasing demand for civic engagement, depth news and connection — the very things KQED excels at providing?\u003c/p>\n\u003cp>\u003cstrong>What are some of your goals for the next six to 12 months?\u003c/strong>\u003cbr>\nOne project is integrating our news operations. KQED is working toward being a multimedia organization that doesn't silo radio, TV, digital and social media, but integrates them and becomes \"platform agnostic\" in the way we look at a story. We also want to increase our capacity to do enterprise reporting — more in-depth projects where we are driving the news agenda.\u003c/p>\n\u003cp>\u003cstrong>Can you give some examples? \u003c/strong>\u003cbr>\nFollowing some of the refugees and immigrants who flooded across the border last summer and finding out how are they settling in. Or perhaps shadowing one of them through the judicial system to see what the experience is like for them. Another example is Price Check, where we are crowd-sourcing the costs of medical procedures and reporting back. We're looking to really engage with our audiences in a deeper way.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Any guilty pleasures?\u003c/strong>\u003cbr>\nOn Netflix there's a BBC show \u003cem>The Game, \u003c/em>which I love. \u003cem>The Game \u003c/em>and potato chips!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/hkernan-headshot-1920x1680.jpg\">\u003cimg class=\"alignleft wp-image-595 size-thumbnail\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-400x350.jpg\" alt=\"Holly Kernan\" width=\"400\" height=\"350\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-400x350.jpg 400w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-686x600.jpg 686w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-1180x1033.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-768x672.jpg 768w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680-320x280.jpg 320w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/hkernan-headshot-1920x1680.jpg 1920w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>In fall 2014, Holly Kernan returned to KQED — after more than a decade as KALW's news and public affairs director — to take the position of executive editor for news. As head of the \u003ca href=\"http://ww2.kqed.org/news/\" target=\"_blank\">KQED's news\u003c/a> division, she's responsible for managing the newsroom (on radio, television and online) and presiding over its growth.\u003c/p>\n\u003cp>\u003cstrong>What's something you particularly like about your job?\u003c/strong>\u003cbr>\nI love almost everything about my job. I love the people, both in the building and those I get to connect with in the community. I also love it when we do stories that have an impact. This is a time when KQED is really embracing change, and I am thrilled to be on board with this next phase of growth at a venerable institution. I've come back to my broadcast home.\u003c/p>\n\u003cp>\u003cstrong>Challenges?\u003c/strong>\u003cbr>\nThe business model of newspapers has failed, and we've lost so many watchdog journalists. Knowing that public broadcasting should be stepping into that space in a big way and knowing that KQED has the expertise to do it but doesn't have as many resources as we'd like at this point is a challenge. That said, KQED\u003cem> is\u003c/em> growing. But, can our growth keep up with the increasing demand for civic engagement, depth news and connection — the very things KQED excels at providing?\u003c/p>\n\u003cp>\u003cstrong>What are some of your goals for the next six to 12 months?\u003c/strong>\u003cbr>\nOne project is integrating our news operations. KQED is working toward being a multimedia organization that doesn't silo radio, TV, digital and social media, but integrates them and becomes \"platform agnostic\" in the way we look at a story. We also want to increase our capacity to do enterprise reporting — more in-depth projects where we are driving the news agenda.\u003c/p>\n\u003cp>\u003cstrong>Can you give some examples? \u003c/strong>\u003cbr>\nFollowing some of the refugees and immigrants who flooded across the border last summer and finding out how are they settling in. Or perhaps shadowing one of them through the judicial system to see what the experience is like for them. Another example is Price Check, where we are crowd-sourcing the costs of medical procedures and reporting back. We're looking to really engage with our audiences in a deeper way.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Any guilty pleasures?\u003c/strong>\u003cbr>\nOn Netflix there's a BBC show \u003cem>The Game, \u003c/em>which I love. \u003cem>The Game \u003c/em>and potato chips!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Stephanie Martin Taylor began her broadcasting career on television in Pittsburgh, PA, where she worked from 2am until noon — with no break. Since coming to \u003ca href=\"http://www.kqed.org/radio/\" target=\"_blank\">KQED Radio \u003c/a>almost nine years ago, she's been \"all over the clock,\" starting as the evening radio news anchor and moving next to morning anchor. Around the time of the recession, she was part of a KQED show called \u003cem>California Money\u003c/em> before becoming midday anchor, then evening again and midday again. \"I now have the most normal schedule I've had in my broadcasting career,\" she notes.\u003c/p>\n\u003cp>\u003cstrong>What is a typical day for you?\u003c/strong>\u003cbr>\nI have two jobs — anchor and report. When I come in at 10am I have on my anchor hat, and I'm thinking about the midday newscasts. I'm looking at what Josh has done that morning and what's been on \u003cem>\u003ca href=\"http://ww2.kqed.org/news/programs/the-california-report\" target=\"_blank\">The California Report\u003c/a>\u003c/em>. I'm talking to our editor about anything new coming in. It's a lot calmer for me than the morning and evening anchor slots — it's not so much a race.\u003c/p>\n\u003cp>After the 1:04pm broadcast, I move into reporter mode. I'm either filing stories from my desk or I'm doing what I really like to do — feature reporting, going out in the field and working on stories that take a bit more shoe leather. I like talking to people who are going through real, everyday struggles. I've been doing a lot on housing recently, which is the big Bay Area story right now, and something I can relate to.\u003c/p>\n\u003cfigure id=\"attachment_579\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/smt-zuck.jpg\">\u003cimg class=\"wp-image-579 size-large\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/smt-zuck-1180x885.jpg\" alt=\"smt zuck\" width=\"640\" height=\"480\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-320x240.jpg 320w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck.jpg 1448w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Stephanie interviewing \"Mark Zuckerberg\" in April 2014 (read the story \u003ca href=\"http://ww2.kqed.org/news/2014/04/24/lifelike-mark-zuckerberg-joins-dozens-of-wax-figures-at-new-madame-tussauds-in-san-francisco/\" target=\"_blank\">here\u003c/a>.)\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Is there a recent story that stands out?\u003c/strong>\u003cbr>\n\u003ca href=\"http://ww2.kqed.org/news/2014/09/16/sonoma-county-trend-tiny-houses-on-wheels\" target=\"_blank\">One I did on tiny houses.\u003c/a> The people who live in them tend to be quirky and fun and innovative and fun to talk to, but I was surprised by how \u003cem>crazy\u003c/em> other people are about tiny houses. Readers and listeners responded and shared the story, and it went viral. I grew upin Texas, where having plenty of space is taken for granted. It makes you realize how little we really need to live.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>What do you like about your job?\u003c/strong>\u003cbr>\nI consider myself to be a lifelong learner and inquisitive person, so I love that it's an education every day. I get to talk to people that I would probably never come in contact with — from Maya Angelou and Dianne Feinstein to the firefighters who were on scene at the World Trade Center bombing. What other kind of job would give you that kind of access?\u003c/p>\n\u003cp>\u003cstrong>Challenges of the job?\u003c/strong>\u003cbr>\nHaving enough hours in the day. I really love doing feature reporting, but that takes time. And because I'm physically tied to the station for several hours a day, I'm limited in where I can go and how much time I can spend on it. That is, unless I'm lucky and can find someone to fill in for me.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>I've been asking your colleagues if they have any guilty pleasures.\u003c/strong>\u003cbr>\nWhere do I even start? [laughs] I'll admit that occasionally I get McDonald's milkshakes. I love their fries too. And in this building, I hide my McDonald's bag. I don't know if there's any other place I'd have to do that!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Stephanie Martin Taylor began her broadcasting career on television in Pittsburgh, PA, where she worked from 2am until noon — with no break. Since coming to \u003ca href=\"http://www.kqed.org/radio/\" target=\"_blank\">KQED Radio \u003c/a>almost nine years ago, she's been \"all over the clock,\" starting as the evening radio news anchor and moving next to morning anchor. Around the time of the recession, she was part of a KQED show called \u003cem>California Money\u003c/em> before becoming midday anchor, then evening again and midday again. \"I now have the most normal schedule I've had in my broadcasting career,\" she notes.\u003c/p>\n\u003cp>\u003cstrong>What is a typical day for you?\u003c/strong>\u003cbr>\nI have two jobs — anchor and report. When I come in at 10am I have on my anchor hat, and I'm thinking about the midday newscasts. I'm looking at what Josh has done that morning and what's been on \u003cem>\u003ca href=\"http://ww2.kqed.org/news/programs/the-california-report\" target=\"_blank\">The California Report\u003c/a>\u003c/em>. I'm talking to our editor about anything new coming in. It's a lot calmer for me than the morning and evening anchor slots — it's not so much a race.\u003c/p>\n\u003cp>After the 1:04pm broadcast, I move into reporter mode. I'm either filing stories from my desk or I'm doing what I really like to do — feature reporting, going out in the field and working on stories that take a bit more shoe leather. I like talking to people who are going through real, everyday struggles. I've been doing a lot on housing recently, which is the big Bay Area story right now, and something I can relate to.\u003c/p>\n\u003cfigure id=\"attachment_579\" class=\"wp-caption alignnone\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/smt-zuck.jpg\">\u003cimg class=\"wp-image-579 size-large\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/smt-zuck-1180x885.jpg\" alt=\"smt zuck\" width=\"640\" height=\"480\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck-320x240.jpg 320w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/smt-zuck.jpg 1448w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Stephanie interviewing \"Mark Zuckerberg\" in April 2014 (read the story \u003ca href=\"http://ww2.kqed.org/news/2014/04/24/lifelike-mark-zuckerberg-joins-dozens-of-wax-figures-at-new-madame-tussauds-in-san-francisco/\" target=\"_blank\">here\u003c/a>.)\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Is there a recent story that stands out?\u003c/strong>\u003cbr>\n\u003ca href=\"http://ww2.kqed.org/news/2014/09/16/sonoma-county-trend-tiny-houses-on-wheels\" target=\"_blank\">One I did on tiny houses.\u003c/a> The people who live in them tend to be quirky and fun and innovative and fun to talk to, but I was surprised by how \u003cem>crazy\u003c/em> other people are about tiny houses. Readers and listeners responded and shared the story, and it went viral. I grew upin Texas, where having plenty of space is taken for granted. It makes you realize how little we really need to live.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>Describe a typical workday.\u003cbr>\n\u003c/strong>I get here at 5am and prep for the first newscast, which is at 6:04. I do eight newscasts a day between 6:04 and 10:04 before handing off to Stephanie Martin Taylor, our midday anchor. Then I'll jump in if an extra set of hands is needed to cover the news of the day. There's a lot going on in the newsroom right now and I'm trying to have a hand in a variety of things.\u003c/p>\n\u003cp>\u003cstrong>How are you deciding what goes in the newscasts?\u003cbr>\n\u003c/strong>I go through the local papers, various newswires, Twitter, Facebook, and even \u003cem>Variety\u003c/em> magazine, to get a sense of both the news and what people are talking about.\u003c/p>\n\u003cp>\u003cstrong>What's something you like about your job?\u003cbr>\n\u003c/strong>The people. They're very bright and easy to work with. We have a clear sense of our mission, and we laugh every single day.\u003c/p>\n\u003cp>\u003cstrong>Challenges?\u003cbr>\n\u003c/strong>Being as ambitious as we want to be given our resources. It's a good challenge to have, though. Some news organizations are treading water or waiting for the next round of layoffs. Some are pitted in competition with each other for crumbs, for one-hundredth of a ratings point. Because we don't have the commercial imperatives of other organizations, it frees us up to think about the notes we're not hitting.\u003c/p>\n\u003cp>We're on the cusp of leaping in to a lot of new projects. For that reason, it's good when people are in touch with us. Telling us what we should and shouldn't cover. If you want to be heard, now is the time. If you're someone we can talk to for a specific story or with a certain expertise or life experience, we want to hear from you. We are very serious about growing the way we cover the Bay Area.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>You don't have to know somebody who knows somebody; we really are listening. We look at our social media presence very assiduously. If you Tweet us, or post to our Facebook pages or post something on Instagram and tag KQED, we pay attention.\u003c/p>\n\u003cp>\u003cstrong>What new projects are on the horizon?\u003cbr>\n\u003c/strong>We just had a meeting about how to cover the changing face of this, for lack of a better term, boomtown. What are some of the questions we want to answer? How do we do it with the resources we have? It's a big story that we can't ignore, but we don't want to just present a string of pieces that never links together. We want to be more authoritative than that.\u003c/p>\n\u003cp>We're also working on new podcasting projects as well as expanding our core coverage with more reporters, producers, and editors.\u003c/p>\n\u003cp>\u003cstrong>Any recent stories you've particularly enjoyed?\u003cbr>\n\u003c/strong>I moderated the \u003ca href=\"http://ww2.kqed.org/news/2014/09/30/san-jose-mayoral-candidates-liccardo-cortese-go-head-to-head-on-city-issues\">San Jose's mayor's debate\u003c/a>. That was fun.\u003c/p>\n\u003cp>\u003cstrong>Had you ever moderated one before?\u003cbr>\n\u003c/strong>I moderated a mayoral debate in Miami when I was at WLRN. But this was a larger event, broadcast on air. We got the candidates to stay to time, which was amazing. According to one candidate, we put the fear of God in them early on!\u003c/p>\n\u003cp>\u003cstrong>On a lighter note, any guilty pleasures?\u003cbr>\n\u003c/strong>I'm in San Francisco; there are only pleasures, no guilt! Honestly, there are so many people here, from far-flung parts of the world, with such vastly different experiences. There's room for all kinds of interests and hobbies and obsessions. For a journalist, it makes it easy to cover a lot of topics; you just need to find people who are passionate about one thing or another. If you approach them honestly, they'll talk to you honestly.\u003c/p>\n\u003cp>\u003cstrong>OK, with no guilt, is there a podcast or TV show you enjoy?\u003cbr>\n\u003c/strong>I've been digging the PBS Arts Fall Festival. \"The Nance\" was awesome. \"Sweeney Todd\" was amazing. I've got \"Porgy and Bess\" on my TiVo.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I also like a podcast called \"Welcome to Night Vale.\" It's a very dark, surrealistic comedy. It's set in a community radio station in a little town called Night Vale out in the desert that's run by an evil corporation. Everyone is trying to smile through gritted teeth to not let on how evil the place is. It's very sharp. Someone is going to pick that show up and turn into a movie or a TV show!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You don't have to know somebody who knows somebody; we really are listening. We look at our social media presence very assiduously. If you Tweet us, or post to our Facebook pages or post something on Instagram and tag KQED, we pay attention.\u003c/p>\n\u003cp>\u003cstrong>What new projects are on the horizon?\u003cbr>\n\u003c/strong>We just had a meeting about how to cover the changing face of this, for lack of a better term, boomtown. What are some of the questions we want to answer? How do we do it with the resources we have? It's a big story that we can't ignore, but we don't want to just present a string of pieces that never links together. We want to be more authoritative than that.\u003c/p>\n\u003cp>We're also working on new podcasting projects as well as expanding our core coverage with more reporters, producers, and editors.\u003c/p>\n\u003cp>\u003cstrong>Any recent stories you've particularly enjoyed?\u003cbr>\n\u003c/strong>I moderated the \u003ca href=\"http://ww2.kqed.org/news/2014/09/30/san-jose-mayoral-candidates-liccardo-cortese-go-head-to-head-on-city-issues\">San Jose's mayor's debate\u003c/a>. That was fun.\u003c/p>\n\u003cp>\u003cstrong>Had you ever moderated one before?\u003cbr>\n\u003c/strong>I moderated a mayoral debate in Miami when I was at WLRN. But this was a larger event, broadcast on air. We got the candidates to stay to time, which was amazing. According to one candidate, we put the fear of God in them early on!\u003c/p>\n\u003cp>\u003cstrong>On a lighter note, any guilty pleasures?\u003cbr>\n\u003c/strong>I'm in San Francisco; there are only pleasures, no guilt! Honestly, there are so many people here, from far-flung parts of the world, with such vastly different experiences. There's room for all kinds of interests and hobbies and obsessions. For a journalist, it makes it easy to cover a lot of topics; you just need to find people who are passionate about one thing or another. If you approach them honestly, they'll talk to you honestly.\u003c/p>\n\u003cp>\u003cstrong>OK, with no guilt, is there a podcast or TV show you enjoy?\u003cbr>\n\u003c/strong>I've been digging the PBS Arts Fall Festival. \"The Nance\" was awesome. \"Sweeney Todd\" was amazing. I've got \"Porgy and Bess\" on my TiVo.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I also like a podcast called \"Welcome to Night Vale.\" It's a very dark, surrealistic comedy. It's set in a community radio station in a little town called Night Vale out in the desert that's run by an evil corporation. Everyone is trying to smile through gritted teeth to not let on how evil the place is. It's very sharp. Someone is going to pick that show up and turn into a movie or a TV show!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Talking to \u003ca href=\"http://ww2.kqed.org/news/author/minakim\">Mina Kim\u003c/a> about her job as KQED Public Radio's evening new anchor/reporter, it quickly becomes clear that she is passionate about it and appreciates the opportunities she gets to try new things. Just days after her conversation with On Q, she was given a new opportunity — to be the host of Friday \u003cem>\u003ca href=\"http://www.kqed.org/radio/programs/forum/\" target=\"_blank\">Forum\u003c/a>\u003c/em>. \"I am so honored to join the Forum team. It's a show with great people and content. And, best of all, it lets KQED engage directly with listeners on the air in real time.\"\u003c/p>\n\u003cp>Although she's been full time at KQED for five years, Mina's history with the station goes back to 2004 when she did a brief fellowship with the program Pacific Time, which is no longer in production. The experience hooked her on public radio. \"I also learned then that I love being among other journalists and how they challenge each other and offer different perspectives on a story.\"\u003c/p>\n\u003cp>\u003cstrong>Describe a typical workday as evening news anchor.\u003c/strong>\u003cbr>\nIt's a very structured day because it's so deadline driven. I have no choice but to go live on the air at 3:57pm.\u003c/p>\n\u003cp>Usually I'm on the phone with the assignments editor by 9:30am, talking about potential two-way topics — the long-form interview we do at 5:30pm that tries to add context to a big news story of the day. My commute from Napa takes about an hour. I get to San Francisco at around 11:30am.\u003c/p>\n\u003cp>\u003cstrong>From noon until 7pm, practically every minute of your time is accounted for — meetings with editors, researching and writing scripts, pre-recording two-way interviews, and prepping for the first newscast at 3:57pm. Then you're doing live newscasts every half hour until 6:04pm, and one more at 7:04. What a schedule!\u003cbr>\n\u003c/strong>In some ways, the anchor job is harder than reporting because you are constantly on deadline, but in other ways it is easier because I always know that unless there's crazy late-breaking news, I will be home by the same time every evening. I have a three-year-old daughter. Having this routine has helped my family have a normal life.\u003c/p>\n\u003cfigure id=\"attachment_810\" class=\"wp-caption alignnone\" style=\"max-width: 646px\">\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/kim3.png\">\u003cimg class=\"size-full wp-image-810\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/kim3.png\" alt=\"Mina in the Forum studio\" width=\"646\" height=\"219\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2015/03/kim3.png 646w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/kim3-400x136.png 400w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/kim3-320x108.png 320w\" sizes=\"(max-width: 646px) 100vw, 646px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mina in the Forum studio\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What do you especially like about your job?\u003c/strong>\u003cbr>\nI love the variety of story topics. Being a general assignment reporter/host can be a slog. You have to be up on so many topics and issues, but I am enlivened by the variety. Also, I've had the chance to take on a variety of roles, like filling in to host Forum, hosting election coverage and other things I'd never done before.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Is there a recent story that was particularly memorable?\u003c/strong>\u003cbr>\nOne of the stories that I really enjoyed was a collaboration with the \u003ca title=\"CIR\" href=\"http://cironline.org/\" target=\"_blank\">Center for Investigative Reporting \u003c/a>on abuse of elders by caregivers. It was an incredible experience to help investigate and report on such an important issue.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In September you \u003ca title=\"Art Behind Bars: On Alcatraz, Ai Weiwei Celebrates the Silenced\" href=\"http://ww2.kqed.org/arts/2014/09/27/art-behind-bars-on-alcatraz-ai-weiwei-celebrates-the-silenced/\" target=\"_blank\">got the chance to report on the Ai Weiwei exhibit on Alcatraz\u003c/a>.\u003c/strong>\u003cbr>\nI'm producing features for \u003ca title=\"KQED News\" href=\"http://www.kqed.org/news/\" target=\"_blank\">KQED News,\u003c/a> \u003cem>\u003ca href=\"http://ww2.kqed.org/news/programs/the-california-report\" target=\"_blank\">The California Report\u003c/a> \u003c/em>and \u003ca title=\"NPR\" href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>. I'll be doing three radio features and a television piece for \u003cem>\u003ca title=\"KQED Newsroom\" href=\"http://www.kqed.org/tv/programs/newsroom/\" target=\"_blank\">KQED Newsroom\u003c/a>\u003c/em>. It's been a lot of fun.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Talking to \u003ca href=\"http://ww2.kqed.org/news/author/minakim\">Mina Kim\u003c/a> about her job as KQED Public Radio's evening new anchor/reporter, it quickly becomes clear that she is passionate about it and appreciates the opportunities she gets to try new things. Just days after her conversation with On Q, she was given a new opportunity — to be the host of Friday \u003cem>\u003ca href=\"http://www.kqed.org/radio/programs/forum/\" target=\"_blank\">Forum\u003c/a>\u003c/em>. \"I am so honored to join the Forum team. It's a show with great people and content. And, best of all, it lets KQED engage directly with listeners on the air in real time.\"\u003c/p>\n\u003cp>Although she's been full time at KQED for five years, Mina's history with the station goes back to 2004 when she did a brief fellowship with the program Pacific Time, which is no longer in production. The experience hooked her on public radio. \"I also learned then that I love being among other journalists and how they challenge each other and offer different perspectives on a story.\"\u003c/p>\n\u003cp>\u003cstrong>Describe a typical workday as evening news anchor.\u003c/strong>\u003cbr>\nIt's a very structured day because it's so deadline driven. I have no choice but to go live on the air at 3:57pm.\u003c/p>\n\u003cp>Usually I'm on the phone with the assignments editor by 9:30am, talking about potential two-way topics — the long-form interview we do at 5:30pm that tries to add context to a big news story of the day. My commute from Napa takes about an hour. I get to San Francisco at around 11:30am.\u003c/p>\n\u003cp>\u003cstrong>From noon until 7pm, practically every minute of your time is accounted for — meetings with editors, researching and writing scripts, pre-recording two-way interviews, and prepping for the first newscast at 3:57pm. Then you're doing live newscasts every half hour until 6:04pm, and one more at 7:04. What a schedule!\u003cbr>\n\u003c/strong>In some ways, the anchor job is harder than reporting because you are constantly on deadline, but in other ways it is easier because I always know that unless there's crazy late-breaking news, I will be home by the same time every evening. I have a three-year-old daughter. Having this routine has helped my family have a normal life.\u003c/p>\n\u003cfigure id=\"attachment_810\" class=\"wp-caption alignnone\" style=\"max-width: 646px\">\u003ca href=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/kim3.png\">\u003cimg class=\"size-full wp-image-810\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2015/03/kim3.png\" alt=\"Mina in the Forum studio\" width=\"646\" height=\"219\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2015/03/kim3.png 646w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/kim3-400x136.png 400w, https://ww2.kqed.org/app/uploads/sites/19/2015/03/kim3-320x108.png 320w\" sizes=\"(max-width: 646px) 100vw, 646px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mina in the Forum studio\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What do you especially like about your job?\u003c/strong>\u003cbr>\nI love the variety of story topics. Being a general assignment reporter/host can be a slog. You have to be up on so many topics and issues, but I am enlivened by the variety. Also, I've had the chance to take on a variety of roles, like filling in to host Forum, hosting election coverage and other things I'd never done before.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Is there a recent story that was particularly memorable?\u003c/strong>\u003cbr>\nOne of the stories that I really enjoyed was a collaboration with the \u003ca title=\"CIR\" href=\"http://cironline.org/\" target=\"_blank\">Center for Investigative Reporting \u003c/a>on abuse of elders by caregivers. It was an incredible experience to help investigate and report on such an important issue.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>In September you \u003ca title=\"Art Behind Bars: On Alcatraz, Ai Weiwei Celebrates the Silenced\" href=\"http://ww2.kqed.org/arts/2014/09/27/art-behind-bars-on-alcatraz-ai-weiwei-celebrates-the-silenced/\" target=\"_blank\">got the chance to report on the Ai Weiwei exhibit on Alcatraz\u003c/a>.\u003c/strong>\u003cbr>\nI'm producing features for \u003ca title=\"KQED News\" href=\"http://www.kqed.org/news/\" target=\"_blank\">KQED News,\u003c/a> \u003cem>\u003ca href=\"http://ww2.kqed.org/news/programs/the-california-report\" target=\"_blank\">The California Report\u003c/a> \u003c/em>and \u003ca title=\"NPR\" href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>. I'll be doing three radio features and a television piece for \u003cem>\u003ca title=\"KQED Newsroom\" href=\"http://www.kqed.org/tv/programs/newsroom/\" target=\"_blank\">KQED Newsroom\u003c/a>\u003c/em>. It's been a lot of fun.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>After seven years as a host and reporter for the weekday morning broadcast of \u003cem>The California Report \u003c/em>on KQED Public Radio, Rachael Myrow is taking a new position in October 2014 as reporter for KQED's Silicon Valley News Desk in San Jose, covering a wide range of topics in the South Bay region, including government, the economy, diverse communities, technology and culture. Before Rachael left San Francisco, she answered a few questions about her time so far at KQED.\u003c/p>\n\u003cp>\u003cstrong>How you would describe a typical workday?\u003c/strong>\u003cbr>\nIt starts with coffee. I make a three-cup thermos full of motor oil-strength coffee, with two sugar cubes and half and half. Then I take a hot shower. I wake up at 3:15am so I can be in the car at 4 o'clock to listen to NPR's newscast, which is 7am their time — prime time. I'm curious to see where California is popping up in the newscast. What's interesting to a national audience often leaves out a lot of what's interesting to a regional audience. By 4:15, I'm booting up the computer and scanning the newspapers, about 10 papers from around the state. I also subscribe to a lot of email news alerts.\u003c/p>\n\u003cp>I tell people who ask how I get all this work done that I'm really just a hostess at a potluck. Most of the dishes are being prepared by other people. I'm putting them on the table and adding a few finishing flourishes, and sometimes preparing a dish myself, but it's a team effort. By the time I walk in the door, most of the newscast is already produced unless there's been some breaking news. To use another cooking analogy, there's some slow-cook stuff that takes weeks to prepare, and there are the news spots — a poll that just came out, for example. It's a mix on any given day.\u003c/p>\n\u003cp>\u003cstrong>I assume the biggest challenge is getting up at 3:15am. What's something that you really enjoy about your job?\u003c/strong>\u003cbr>\nI love the audience. The reason I'm in public radio is the people I'm talking to. They are earnest and care about the direction of the state and their community, and they're intelligent enough to follow along. They don't need to be spoon-fed the basics. We don't have to play the Kabuki theater that you often see in Washington, DC. I think a lot of Californians are very honest and forthright about their political opinions. That's not to say we all agree with each other, but there's a sense that we're having a frank, honest conversation about it.\u003c/p>\n\u003cp>\u003cstrong>Do you get a lot of feedback on your work?\u003c/strong>\u003cbr>\nNot too much. One of the nice things about social media is that we are trying to elicit more conversation. We had a story about water meters being installed very slowly in Sacramento, and I put a call out on Facebook asking, \"What are your local officials doing?\" There were some very colorful responses, which we put on the air the next day. The quality of the responses you get from people is impressive. It's a satisfying thing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Is there a recent story that was particularly memorable?\u003c/strong>\u003cbr>\nProbably some of the most satisfying reporting I've done has been \u003ca href=\"http://blogs.kqed.org/bayareabites/author/rachael-myrow/\">a series of reports about food\u003c/a>. The idea is not to just revel in our local foodie culture, which is fabulous, but to use food stories as a way to get to know different ethnic communities. We're surrounded by amazing diversity, which we tend to experience only through restaurants. But what if we had the opportunity to get a little closer and talk to people growing heirloom produce in their gardens, cooking feasts in their home kitchens or serving food in their churches and temples?\u003c/p>\n\u003cp>\u003cstrong>What's one of your guilty pleasures?\u003c/strong>\u003cbr>\nI binge-watch a lot of television. \u003cem>House of Cards\u003c/em> was fabulous. Also \u003cem>Orange Is the New Black.\u003c/em> I'm on to \u003cem>The Good Wife\u003c/em> now. I don't subscribe to cable TV, so I watch a lot of television 18 months behind everyone else.\u003c/p>\n\u003cp>\u003cstrong>Binge-watching \u003cem>is\u003c/em> hard to resist.\u003c/strong>\u003cbr>\nSometimes I'll be at home watching on my laptop, and I'll look outside at the beautiful day and think, \"What am I doing?\" [laughs]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>It can be a source of conversation though. \u003c/strong>\u003cbr>\nYes. Definitely. And people in the KQED newsroom are passionate about their TV.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After seven years as a host and reporter for the weekday morning broadcast of \u003cem>The California Report \u003c/em>on KQED Public Radio, Rachael Myrow is taking a new position in October 2014 as reporter for KQED's Silicon Valley News Desk in San Jose, covering a wide range of topics in the South Bay region, including government, the economy, diverse communities, technology and culture. Before Rachael left San Francisco, she answered a few questions about her time so far at KQED.\u003c/p>\n\u003cp>\u003cstrong>How you would describe a typical workday?\u003c/strong>\u003cbr>\nIt starts with coffee. I make a three-cup thermos full of motor oil-strength coffee, with two sugar cubes and half and half. Then I take a hot shower. I wake up at 3:15am so I can be in the car at 4 o'clock to listen to NPR's newscast, which is 7am their time — prime time. I'm curious to see where California is popping up in the newscast. What's interesting to a national audience often leaves out a lot of what's interesting to a regional audience. By 4:15, I'm booting up the computer and scanning the newspapers, about 10 papers from around the state. I also subscribe to a lot of email news alerts.\u003c/p>\n\u003cp>I tell people who ask how I get all this work done that I'm really just a hostess at a potluck. Most of the dishes are being prepared by other people. I'm putting them on the table and adding a few finishing flourishes, and sometimes preparing a dish myself, but it's a team effort. By the time I walk in the door, most of the newscast is already produced unless there's been some breaking news. To use another cooking analogy, there's some slow-cook stuff that takes weeks to prepare, and there are the news spots — a poll that just came out, for example. It's a mix on any given day.\u003c/p>\n\u003cp>\u003cstrong>I assume the biggest challenge is getting up at 3:15am. What's something that you really enjoy about your job?\u003c/strong>\u003cbr>\nI love the audience. The reason I'm in public radio is the people I'm talking to. They are earnest and care about the direction of the state and their community, and they're intelligent enough to follow along. They don't need to be spoon-fed the basics. We don't have to play the Kabuki theater that you often see in Washington, DC. I think a lot of Californians are very honest and forthright about their political opinions. That's not to say we all agree with each other, but there's a sense that we're having a frank, honest conversation about it.\u003c/p>\n\u003cp>\u003cstrong>Do you get a lot of feedback on your work?\u003c/strong>\u003cbr>\nNot too much. One of the nice things about social media is that we are trying to elicit more conversation. We had a story about water meters being installed very slowly in Sacramento, and I put a call out on Facebook asking, \"What are your local officials doing?\" There were some very colorful responses, which we put on the air the next day. The quality of the responses you get from people is impressive. It's a satisfying thing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Is there a recent story that was particularly memorable?\u003c/strong>\u003cbr>\nProbably some of the most satisfying reporting I've done has been \u003ca href=\"http://blogs.kqed.org/bayareabites/author/rachael-myrow/\">a series of reports about food\u003c/a>. The idea is not to just revel in our local foodie culture, which is fabulous, but to use food stories as a way to get to know different ethnic communities. We're surrounded by amazing diversity, which we tend to experience only through restaurants. But what if we had the opportunity to get a little closer and talk to people growing heirloom produce in their gardens, cooking feasts in their home kitchens or serving food in their churches and temples?\u003c/p>\n\u003cp>\u003cstrong>What's one of your guilty pleasures?\u003c/strong>\u003cbr>\nI binge-watch a lot of television. \u003cem>House of Cards\u003c/em> was fabulous. Also \u003cem>Orange Is the New Black.\u003c/em> I'm on to \u003cem>The Good Wife\u003c/em> now. I don't subscribe to cable TV, so I watch a lot of television 18 months behind everyone else.\u003c/p>\n\u003cp>\u003cstrong>Binge-watching \u003cem>is\u003c/em> hard to resist.\u003c/strong>\u003cbr>\nSometimes I'll be at home watching on my laptop, and I'll look outside at the beautiful day and think, \"What am I doing?\" [laughs]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>It can be a source of conversation though. \u003c/strong>\u003cbr>\nYes. Definitely. And people in the KQED newsroom are passionate about their TV.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>When he was told that tickets for the three \u003cem>Wait Wait...Don't Tell Me\u003c/em> shows at San Francisco's Nourse Theater in July sold out in six hours, host Peter Sagal wasn't particularly surprised. \"As you can imagine, the Bay Area is a pretty good place for us. It's fertile ground for public radio listeners,\" he noted, adding, \"I love San Francisco. It's hard for me to think of a place I'd rather spend three weeks in the summer.\"\u003c/p>\n\u003cp>\u003cstrong>What might surprise longtime listeners about coming to see a live show?\u003c/strong>\u003cbr>\nI'm even better looking in person. No, seriously, and I need to be upfront about this, we don't offer much in terms of visual appeal. It's a radio show. There are no dance numbers. No elaborate set changes — or sets, for that matter. We pretty much stand still because our sound quality demands that we mostly use wired equipment. Yet people really enjoy the show. In addition to the thrill of seeing us in person, I think the appeal is seeing that a lot of our best stuff happens in the moment. There's also a lot of awesome stuff that can't be broadcast, so there's always the \"come hear the dirty stuff\" appeal.\u003c/p>\n\u003cp>\u003cstrong>Do you know yet who the \u003ca href=\"http://blogs.kqed.org/pop/2014/07/23/everything-you-missed-at-the-wait-wait-dont-tell-me-premiere-in-san-francisco/\">panelists for the San Francisco shows\u003c/a> will be? \u003c/strong>\u003cbr>\nWe haven't scheduled the panelists yet. We will certainly get some folks up from L.A. And Bill Kurtis will be there as scorekeeper.\u003c/p>\n\u003cp>\u003cstrong>How involved are you with scriptwriting for the show?\u003c/strong>\u003cbr>\nI am very involved with the writing. Thankfully, I don't do it all, because I work with people who are much funnier than I am. By letting them contribute, I sound a lot funnier.\u003c/p>\n\u003cp>One of the great glories and tragedies of my job is that we'll spend all week on a joke — writing and rewriting, arguing about which word is funnier. Then I'll try it in front of the audience, and it's immediately topped by something the panelists say off the top of their head. We can work on material all week, but if a panelist says something off the cuff that people go nuts over, our joke might not even air. But it's a small price to pay to broadcast a radio show that's actually funny.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>When do you start working on a show?\u003c/strong>\u003cbr>\nWith very rare exceptions we tape on Thursdays for air on Saturdays. Monday mornings we'll talk about the previous week's show: what we did right, what went wrong, lessons learned. As the week goes on and the week's news starts to take shape, everything sort of speeds up and gets more intense. We're often writing the script up to the very moment we walk onstage.\u003c/p>\n\u003cp>\u003cstrong>Do you have a favorite segment on the show?\u003c/strong>\u003cbr>\nI love the \"Not My Job\" interview, partly because it's a chance for me to talk to someone I really admire or whose work I'm interested in, but also because, more often than not, the guests enjoy it too. They're often people who do a lot of interviews, but rarely interviews so goofy.\u003c/p>\n\u003cp>I also love the top of the show, with \"Who's Bill This Time?\" which used to be \"Who's Carl This Time?\" It's where we get a chance to take a whack at the big story of the week.\u003c/p>\n\u003cp>\u003cstrong>Do many people ask to be on the show?\u003c/strong>\u003cbr>\nA lot of times not only do we get people who want to be on the show, but we get people whose staff wants them to be on. \u003ca href=\"http://www.npr.org/2012/07/28/157487495/economist-paul-krugman-plays-not-my-job\">Paul Krugman, for example\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Is there anything else about the shows in San Francisco that you'd like people to know?\u003c/strong>\u003cbr>\nThis is the first time that we've done a residency in another city. Usually the longest we spend in a city is two nights. Who knows? We may change and do a very different show. Maybe we'll get more mellow and self-satisfied, and stop trying so hard. Although, really, I'm invoking old stereotypes, aren't I? Those are like 1980s \u003cem>Tales of the City\u003c/em> stereotypes. San Francisco is all about tech-fund billionaires now. The hard part for us is going to be learning a whole new set of buzzwords.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When he was told that tickets for the three \u003cem>Wait Wait...Don't Tell Me\u003c/em> shows at San Francisco's Nourse Theater in July sold out in six hours, host Peter Sagal wasn't particularly surprised. \"As you can imagine, the Bay Area is a pretty good place for us. It's fertile ground for public radio listeners,\" he noted, adding, \"I love San Francisco. It's hard for me to think of a place I'd rather spend three weeks in the summer.\"\u003c/p>\n\u003cp>\u003cstrong>What might surprise longtime listeners about coming to see a live show?\u003c/strong>\u003cbr>\nI'm even better looking in person. No, seriously, and I need to be upfront about this, we don't offer much in terms of visual appeal. It's a radio show. There are no dance numbers. No elaborate set changes — or sets, for that matter. We pretty much stand still because our sound quality demands that we mostly use wired equipment. Yet people really enjoy the show. In addition to the thrill of seeing us in person, I think the appeal is seeing that a lot of our best stuff happens in the moment. There's also a lot of awesome stuff that can't be broadcast, so there's always the \"come hear the dirty stuff\" appeal.\u003c/p>\n\u003cp>\u003cstrong>Do you know yet who the \u003ca href=\"http://blogs.kqed.org/pop/2014/07/23/everything-you-missed-at-the-wait-wait-dont-tell-me-premiere-in-san-francisco/\">panelists for the San Francisco shows\u003c/a> will be? \u003c/strong>\u003cbr>\nWe haven't scheduled the panelists yet. We will certainly get some folks up from L.A. And Bill Kurtis will be there as scorekeeper.\u003c/p>\n\u003cp>\u003cstrong>How involved are you with scriptwriting for the show?\u003c/strong>\u003cbr>\nI am very involved with the writing. Thankfully, I don't do it all, because I work with people who are much funnier than I am. By letting them contribute, I sound a lot funnier.\u003c/p>\n\u003cp>One of the great glories and tragedies of my job is that we'll spend all week on a joke — writing and rewriting, arguing about which word is funnier. Then I'll try it in front of the audience, and it's immediately topped by something the panelists say off the top of their head. We can work on material all week, but if a panelist says something off the cuff that people go nuts over, our joke might not even air. But it's a small price to pay to broadcast a radio show that's actually funny.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>When do you start working on a show?\u003c/strong>\u003cbr>\nWith very rare exceptions we tape on Thursdays for air on Saturdays. Monday mornings we'll talk about the previous week's show: what we did right, what went wrong, lessons learned. As the week goes on and the week's news starts to take shape, everything sort of speeds up and gets more intense. We're often writing the script up to the very moment we walk onstage.\u003c/p>\n\u003cp>\u003cstrong>Do you have a favorite segment on the show?\u003c/strong>\u003cbr>\nI love the \"Not My Job\" interview, partly because it's a chance for me to talk to someone I really admire or whose work I'm interested in, but also because, more often than not, the guests enjoy it too. They're often people who do a lot of interviews, but rarely interviews so goofy.\u003c/p>\n\u003cp>I also love the top of the show, with \"Who's Bill This Time?\" which used to be \"Who's Carl This Time?\" It's where we get a chance to take a whack at the big story of the week.\u003c/p>\n\u003cp>\u003cstrong>Do many people ask to be on the show?\u003c/strong>\u003cbr>\nA lot of times not only do we get people who want to be on the show, but we get people whose staff wants them to be on. \u003ca href=\"http://www.npr.org/2012/07/28/157487495/economist-paul-krugman-plays-not-my-job\">Paul Krugman, for example\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Is there anything else about the shows in San Francisco that you'd like people to know?\u003c/strong>\u003cbr>\nThis is the first time that we've done a residency in another city. Usually the longest we spend in a city is two nights. Who knows? We may change and do a very different show. Maybe we'll get more mellow and self-satisfied, and stop trying so hard. Although, really, I'm invoking old stereotypes, aren't I? Those are like 1980s \u003cem>Tales of the City\u003c/em> stereotypes. San Francisco is all about tech-fund billionaires now. The hard part for us is going to be learning a whole new set of buzzwords.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>If you visit KQED.org on a regular basis, chances are good that you read \u003ca href=\"http://www.kqed.org/newsfix\">News Fix\u003c/a> — one of our website's top three most-viewed pages. And while the news stories come from a variety of sources, the byline visitors see most often is that of Dan Brekke.\u003c/p>\n\u003cp>My conversation with Dan may go down as the most ambulatory and noisy interview in \u003cem>On Q\u003c/em> history. Not only did we move twice inside the KQED building, when fire alarms began to wail, we and all of our colleagues had to evacuate. We finished the interview on a street corner while waiting for the SFFD to arrive and give us the all clear.\u003c/p>\n\u003cp>Dan took over as the News Fix blogger and editor in the fall of 2013, after six years as an editor for KQED Radio news. But his career in journalism goes back a bit further than that. He's worked in media \"ever since Nixon's first term, when newspapers were still using hot type . . . . I went into a newsroom for the first time when I was 18,\" he recalls. \"I'd graduated early from high school and I had a chance to work as a copy boy at a newspaper in Chicago. It was so long ago that little was thought of the practice of the older employees calling us 'boy.' They'd say, 'Boy. Copy.' Just like in the movies.\"\u003c/p>\n\u003cp>While a student at U.C. Berkeley, Dan worked at the \u003cem>Daily Cal \u003c/em>and later \"at a little paper in the East Bay.\" He wound up at the \u003cem>Examiner\u003c/em> for about 12 years through the mid '90s, and then went to work at \u003cem>Wired \u003c/em>just as it was starting its own news service.\u003c/p>\n\u003cp>\"My introduction to online journalism happened when I was at the \u003cem>Examiner\u003c/em> with [KQED Public Radio News Director] Bruce Koon. There was a strike in November 1994, and one of the things that the union journalists did was publish a strike paper online. (If only the newspapers had seen the significance of this at the time.) I remember I was filing an election-night story about East Bay election results and someone was describing to me over the phone the HTML tags you needed to put before and after every paragraph.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"I am a breaking news kind of person. I like the adrenaline.\" A salient example — the [2011] tsunami in Japan — happened early on in the life of News Fix. \"I was watching live pictures late at night and thought, \"that could come here.\" So I went online and looked for tsunami forecasts and, sure enough. So I did a post about that sometime before midnight and kept going most of the night. We got so much traffic that night, it brought the site down. We saw the same degree of interest during the BART strike. If you can establish yourself as a go-to source for this kind of information, people will come. Lots of people told me that they were reading our updates every night to see if the trains would be running.\"\u003c/p>\n\u003cp>\u003cstrong>How would you describe the sensibility of News Fix?\u003c/strong>\u003cbr>\nIt's an evolving site — or news service. I'm not sure how to think of it, exactly. There's a short list of things — natural disasters, public disturbances — that people now instinctively go online to find out about. That's the service part of New Fix. The site part is that we have a lot of content being produced in the KQED News department that's looking for a place online. And right now, News Fix is the best way for most of that information to get in front of people.\u003c/p>\n\u003cp>I think News Fix, or any other KQED blog, has to be seen in a larger context. For instance, when we post something on News Fix, if we're lucky, we are on the right story at the right time and we show up at the top of Google search results. That's a very effective way of drawing traffic. But we don't control the Google algorithm, so we have to think of other ways of getting the news out.\u003c/p>\n\u003cp>We have to Tweet our best material out. We have to be on Facebook. And the ways we choose to use social media have implications for what News Fix will look like. For instance, right now we're in the middle of a drought. So we started a \u003ca href=\"http://stateofdrought.tumblr.com/\">Tumbler of drought pictures\u003c/a>.\u003c/p>\n\u003cp>Hopefully, over time, it will become a crowd-sourced portrait of the drought in California and I'd like to be able to guarantee that we are a go-to source for drought information.\u003c/p>\n\u003cp>Like I said, it is evolving. You have to see what the audience is responding to and try and understand how they are using the information. This is a very diverse and demanding region to cover. People here are sophisticated. They have sophisticated B.S. detectors.\u003c/p>\n\u003cp>\u003cstrong>Is there a particular direction you'd like to see News Fix go in?\u003c/strong>\u003cbr>\nI think the long-term vision for everything we are doing online is to establish ourselves as authoritative about certain issues — especially local ones. One example is the housing affordability crisis in San Francisco. We came up with the rubric \"Priced Out\" for our coverage. Also, during the very serious cold snap in December, we did a very quick-turnaround project — going out and talking to people on the streets. We didn't get into the larger context of homelessness. We just wanted to ask, \"What was your day or night like?\" Something like that doesn't change the face of American journalism, but I think it is important to think about what other voices are out there. And that's something we can do for our community.\u003c/p>\n\u003cp>\u003cstrong>On the lighter side, what are some blogs that you follow?\u003c/strong>\u003cbr>\nThere's a law clerk in Springfield, IL., who has a blog called \u003ca href=\"http://www.disarranging.com/review/\">Disarranging Mine\u003c/a> — disarranging mine is part of a lyric from a 1960s Rolling Stone song — and she has one of the most interesting takes on the world. I also follow her daughter's blog, \u003ca href=\"http://dissuade.org/\">dissuade.org\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I feel like I probably should be able to quickly spit out a long list, but what I follow really is driven by my specific interests. And my interest is very episodic.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you visit KQED.org on a regular basis, chances are good that you read \u003ca href=\"http://www.kqed.org/newsfix\">News Fix\u003c/a> — one of our website's top three most-viewed pages. And while the news stories come from a variety of sources, the byline visitors see most often is that of Dan Brekke.\u003c/p>\n\u003cp>My conversation with Dan may go down as the most ambulatory and noisy interview in \u003cem>On Q\u003c/em> history. Not only did we move twice inside the KQED building, when fire alarms began to wail, we and all of our colleagues had to evacuate. We finished the interview on a street corner while waiting for the SFFD to arrive and give us the all clear.\u003c/p>\n\u003cp>Dan took over as the News Fix blogger and editor in the fall of 2013, after six years as an editor for KQED Radio news. But his career in journalism goes back a bit further than that. He's worked in media \"ever since Nixon's first term, when newspapers were still using hot type . . . . I went into a newsroom for the first time when I was 18,\" he recalls. \"I'd graduated early from high school and I had a chance to work as a copy boy at a newspaper in Chicago. It was so long ago that little was thought of the practice of the older employees calling us 'boy.' They'd say, 'Boy. Copy.' Just like in the movies.\"\u003c/p>\n\u003cp>While a student at U.C. Berkeley, Dan worked at the \u003cem>Daily Cal \u003c/em>and later \"at a little paper in the East Bay.\" He wound up at the \u003cem>Examiner\u003c/em> for about 12 years through the mid '90s, and then went to work at \u003cem>Wired \u003c/em>just as it was starting its own news service.\u003c/p>\n\u003cp>\"My introduction to online journalism happened when I was at the \u003cem>Examiner\u003c/em> with [KQED Public Radio News Director] Bruce Koon. There was a strike in November 1994, and one of the things that the union journalists did was publish a strike paper online. (If only the newspapers had seen the significance of this at the time.) I remember I was filing an election-night story about East Bay election results and someone was describing to me over the phone the HTML tags you needed to put before and after every paragraph.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"I am a breaking news kind of person. I like the adrenaline.\" A salient example — the [2011] tsunami in Japan — happened early on in the life of News Fix. \"I was watching live pictures late at night and thought, \"that could come here.\" So I went online and looked for tsunami forecasts and, sure enough. So I did a post about that sometime before midnight and kept going most of the night. We got so much traffic that night, it brought the site down. We saw the same degree of interest during the BART strike. If you can establish yourself as a go-to source for this kind of information, people will come. Lots of people told me that they were reading our updates every night to see if the trains would be running.\"\u003c/p>\n\u003cp>\u003cstrong>How would you describe the sensibility of News Fix?\u003c/strong>\u003cbr>\nIt's an evolving site — or news service. I'm not sure how to think of it, exactly. There's a short list of things — natural disasters, public disturbances — that people now instinctively go online to find out about. That's the service part of New Fix. The site part is that we have a lot of content being produced in the KQED News department that's looking for a place online. And right now, News Fix is the best way for most of that information to get in front of people.\u003c/p>\n\u003cp>I think News Fix, or any other KQED blog, has to be seen in a larger context. For instance, when we post something on News Fix, if we're lucky, we are on the right story at the right time and we show up at the top of Google search results. That's a very effective way of drawing traffic. But we don't control the Google algorithm, so we have to think of other ways of getting the news out.\u003c/p>\n\u003cp>We have to Tweet our best material out. We have to be on Facebook. And the ways we choose to use social media have implications for what News Fix will look like. For instance, right now we're in the middle of a drought. So we started a \u003ca href=\"http://stateofdrought.tumblr.com/\">Tumbler of drought pictures\u003c/a>.\u003c/p>\n\u003cp>Hopefully, over time, it will become a crowd-sourced portrait of the drought in California and I'd like to be able to guarantee that we are a go-to source for drought information.\u003c/p>\n\u003cp>Like I said, it is evolving. You have to see what the audience is responding to and try and understand how they are using the information. This is a very diverse and demanding region to cover. People here are sophisticated. They have sophisticated B.S. detectors.\u003c/p>\n\u003cp>\u003cstrong>Is there a particular direction you'd like to see News Fix go in?\u003c/strong>\u003cbr>\nI think the long-term vision for everything we are doing online is to establish ourselves as authoritative about certain issues — especially local ones. One example is the housing affordability crisis in San Francisco. We came up with the rubric \"Priced Out\" for our coverage. Also, during the very serious cold snap in December, we did a very quick-turnaround project — going out and talking to people on the streets. We didn't get into the larger context of homelessness. We just wanted to ask, \"What was your day or night like?\" Something like that doesn't change the face of American journalism, but I think it is important to think about what other voices are out there. And that's something we can do for our community.\u003c/p>\n\u003cp>\u003cstrong>On the lighter side, what are some blogs that you follow?\u003c/strong>\u003cbr>\nThere's a law clerk in Springfield, IL., who has a blog called \u003ca href=\"http://www.disarranging.com/review/\">Disarranging Mine\u003c/a> — disarranging mine is part of a lyric from a 1960s Rolling Stone song — and she has one of the most interesting takes on the world. I also follow her daughter's blog, \u003ca href=\"http://dissuade.org/\">dissuade.org\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Twenty years ago, Václav Havel was elected president of the Czech Republic and Ruth Bader Ginsburg was joining the U.S. Supreme Court in Washington, DC. Closer to home, 1993 was the year Professor Michael Krasny joined KQED as the host of \u003cem>Forum. \u003c/em>Since then, the award-winning live call-in program has become the nation's most-listened-to locally produced public radio talk show.\u003c/p>\n\u003cp>This summer, Michael graciously took his turn as an interview subject. Unfortunately, live call-in wasn't available.\u003c/p>\n\u003cp>\u003cstrong>When you were interviewed in 1993 for KQED's member magazine, you said, \"My work in radio started out as a hobby. I've always seen myself as an academic, not a broadcaster.\" Would you say the same thing today? \u003c/strong>\u003cbr>\nI think of myself primarily as a broadcaster and a professor now. But also as a writer. I don't know which one has hegemony. You talk to a lot of people who hate their jobs or can't find one thing that gives them pleasure or satisfaction or makes them feel they're making a difference. These all do that for me. It's a trinity.\u003c/p>\n\u003cp>\u003cstrong>And they all work so well together.\u003c/strong>\u003cbr>\nYou're right. They are sort of in synchronicity with each other.\u003c/p>\n\u003cp>\u003cstrong>How did your radio \"hobby\" get started?\u003c/strong>\u003cbr>\nIt started with television. In the 1970s, I did some interviews for public television, mainly of literary figures, and I did some commentary for Channel 2, KTVU news. But radio seemed like a better fit for me. I was lucky to just go into a little station in Marin, where I lived, and say, \"Here's an idea for a talk show. You guys are all about music. Maybe you'd like to do something about public affairs?\" And they went for it. It was a very unorthodox station in its day. What we used to call alternative radio. But the show got some attention. KGO expressed interest and I was there for a number of years. It wasn't a bad fit, but it wasn't really the right place for me like KQED is.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>After 20 years on \u003cem>Forum,\u003c/em> what keeps you interested? \u003c/strong>\u003cbr>\nCuriosity. And the news, of course — trying to interpret it and make it viable. I keep enlightenment and illumination the top goals for both me and the listeners. I like the idea of someone turning on the radio and not knowing what they are going to hear us talking about, but knowing it will always be at a high level. Striving to maintain that high level is part of the drive. But really, the main driver is curiosity.\u003c/p>\n\u003cp>Learning and being an educator have always been primary to me. . . . I like to believe that I can keep the program from being stale and just recycled in terms of topics and content because things are always changing and there are so many interesting people — especially here in the Bay Area. We now have reach well beyond the Bay Area because of Sirius and iTunes, but we have an extraordinary mother lode of people here to offer different points of view and expertise.\u003c/p>\n\u003cp>When I took over the reins of \u003cem>Forum,\u003c/em> it was pretty much about local politics and policies. It was parochial. I said, \"Let's expand it to the arts and world affairs and national issues.\" And we have, but we've also come back to hitting harder on the local. Part of the reason is that newspapers have cut their staffs. People are counting on us, frankly, to do those kinds of stories. It's part of serving the public.\u003c/p>\n\u003cp>It's been astonishing over the past 20 years to see the growth that we've had and how KQED has become the most important radio station in the Bay Area. For a public radio station to have that kind of success is really very unusual. But it says a lot about the Bay Area as well as, I hope, something about us.\u003c/p>\n\u003cp>\u003cstrong>There's a temptation to ask what's been your favorite interview, but I'm not going to ask you to pick.\u003c/strong>\u003cbr>\nI'm glad. I've interviewed a lot of impressive people, Nobel Prize winners, ambassadors and heads of state. How does one decide who is the best of the most fascinating? Many of my memories from my 20 years here have to do with ordinary people.\u003c/p>\n\u003cp>We just won a Public Radio News Directors award for a program we did as part of a series called \u003cem>\u003ca href=\"http://www.kqed.org/a/forum/R201203281000\">In My Experience\u003c/a>\u003c/em>, about people who'd been incarcerated. It was poignant and moving. I am very touched by the stories of people who are putting themselves on the line, putting themselves at risk, out there in the trenches.\u003c/p>\n\u003cp>\u003cstrong>A couple of questions about your other professions. You've been a professor of English at San Francisco State since 1970. What are you teaching this fall?\u003c/strong>\u003cbr>\nI'm doing a course in 20th-century American plays and a course on two authors, Harold Pinter and Raymond Carver — a British playwright and an American fiction writer.\u003c/p>\n\u003cp>\u003cstrong>And are you working on another book? [Michael is the author of \u003cem>Spiritual Envy: An Agnostic's Quest \u003c/em>and\u003cem>Off Mike: A Memoir of Talk Radio and Literary Life\u003c/em>.]\u003c/strong>\u003cbr>\nI'm in the process of trying to finish a book on the subject of honor. It's more than honor. It's how the ideals and notions of honor have changed and transmogrified through the years. It's a combination of cultural analysis and memoir.\u003c/p>\n\u003cp>I think American honor has become conjoined and conflated with respect and recognition. I was led to this [project] thinking, \"What is important for us to honor? Is there such a thing as true or authentic honor? Can it be separated from respect and recognition in many peoples' minds? And should it be?\" It's a pretty ambitious book, but it's just about done.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Final question. What's a guilty pleasure for you? \u003c/strong>\u003cbr>\nIt's a guilty pleasure when I read \u003cem>People\u003c/em> magazine or even look at the tabloids on the newsstands. Or watch something like \u003cem>Fashion Police\u003c/em> with Joan Rivers, which is hilarious, but cutting. Certainly inducing of guilt because most of the people that she makes fun of are, I believe, not exactly substantial people, and they are the same targets every time.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>After 20 years on \u003cem>Forum,\u003c/em> what keeps you interested? \u003c/strong>\u003cbr>\nCuriosity. And the news, of course — trying to interpret it and make it viable. I keep enlightenment and illumination the top goals for both me and the listeners. I like the idea of someone turning on the radio and not knowing what they are going to hear us talking about, but knowing it will always be at a high level. Striving to maintain that high level is part of the drive. But really, the main driver is curiosity.\u003c/p>\n\u003cp>Learning and being an educator have always been primary to me. . . . I like to believe that I can keep the program from being stale and just recycled in terms of topics and content because things are always changing and there are so many interesting people — especially here in the Bay Area. We now have reach well beyond the Bay Area because of Sirius and iTunes, but we have an extraordinary mother lode of people here to offer different points of view and expertise.\u003c/p>\n\u003cp>When I took over the reins of \u003cem>Forum,\u003c/em> it was pretty much about local politics and policies. It was parochial. I said, \"Let's expand it to the arts and world affairs and national issues.\" And we have, but we've also come back to hitting harder on the local. Part of the reason is that newspapers have cut their staffs. People are counting on us, frankly, to do those kinds of stories. It's part of serving the public.\u003c/p>\n\u003cp>It's been astonishing over the past 20 years to see the growth that we've had and how KQED has become the most important radio station in the Bay Area. For a public radio station to have that kind of success is really very unusual. But it says a lot about the Bay Area as well as, I hope, something about us.\u003c/p>\n\u003cp>\u003cstrong>There's a temptation to ask what's been your favorite interview, but I'm not going to ask you to pick.\u003c/strong>\u003cbr>\nI'm glad. I've interviewed a lot of impressive people, Nobel Prize winners, ambassadors and heads of state. How does one decide who is the best of the most fascinating? Many of my memories from my 20 years here have to do with ordinary people.\u003c/p>\n\u003cp>We just won a Public Radio News Directors award for a program we did as part of a series called \u003cem>\u003ca href=\"http://www.kqed.org/a/forum/R201203281000\">In My Experience\u003c/a>\u003c/em>, about people who'd been incarcerated. It was poignant and moving. I am very touched by the stories of people who are putting themselves on the line, putting themselves at risk, out there in the trenches.\u003c/p>\n\u003cp>\u003cstrong>A couple of questions about your other professions. You've been a professor of English at San Francisco State since 1970. What are you teaching this fall?\u003c/strong>\u003cbr>\nI'm doing a course in 20th-century American plays and a course on two authors, Harold Pinter and Raymond Carver — a British playwright and an American fiction writer.\u003c/p>\n\u003cp>\u003cstrong>And are you working on another book? [Michael is the author of \u003cem>Spiritual Envy: An Agnostic's Quest \u003c/em>and\u003cem>Off Mike: A Memoir of Talk Radio and Literary Life\u003c/em>.]\u003c/strong>\u003cbr>\nI'm in the process of trying to finish a book on the subject of honor. It's more than honor. It's how the ideals and notions of honor have changed and transmogrified through the years. It's a combination of cultural analysis and memoir.\u003c/p>\n\u003cp>I think American honor has become conjoined and conflated with respect and recognition. I was led to this [project] thinking, \"What is important for us to honor? Is there such a thing as true or authentic honor? Can it be separated from respect and recognition in many peoples' minds? And should it be?\" It's a pretty ambitious book, but it's just about done.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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}
},
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"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"meta": {
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},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
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},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
"id": "hidden-brain",
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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