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At once quirky and colorful, heartbreaking and redemptive, \u003cb>Gumby Dharma\u003c/b> takes us on a journey through the life and career of a spiritual seeker whose famous characters, Gumby and Pokey, and Davy and Goliath, echoed the spiritual path of their creator. 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Also included is new stop motion animation of Gumby and Pokey, who narrate this playful and touching homage to the grandfather of clay animation, Art Clokey.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"At once quirky and colorful, heartbreaking and redemptive, \u003cstrong> Gumby Dharma\u003c/strong> takes us on a journey through the life and career of spiritual seeker Art Clokey, whose famous characters, Gumby and Pokey, and Davy and Goliath, echoed the spiritual path of their creator.","status":"publish","parent":0,"modified":1537982384,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":195},"headData":{"title":"Gumby Dharma | KQED","description":"At once quirky and colorful, heartbreaking and redemptive, Gumby Dharma takes us on a journey through the life and career of spiritual seeker Art Clokey, whose famous characters, Gumby and Pokey, and Davy and Goliath, echoed the spiritual path of their creator.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Gumby Dharma","datePublished":"2016-04-02T00:00:00.000Z","dateModified":"2018-09-26T17:19:44.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"56 http://kqed2.wsmtechs.net/trulyca/gumby-dharma/","disqusUrl":"https://ww2.kqed.org/trulyca/gumby-dharma/","disqusTitle":"Gumby Dharma","originalAirdate":"March 27, 2007","path":"/trulyca/56/gumby-dharma","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iQVpRxUwi8U'\n title='//www.youtube.com/embed/iQVpRxUwi8U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This is the story of Art Clokey, who in 1954 took a humble slab of clay and molded it into the cartoon legend \u003cb>Gumby\u003c/b>. At once quirky and colorful, heartbreaking and redemptive, \u003cb>Gumby Dharma\u003c/b> takes us on a journey through the life and career of a spiritual seeker whose famous characters, Gumby and Pokey, and Davy and Goliath, echoed the spiritual path of their creator. It's a journey that leads us from an orphanage to adored adopted father, from the Seminary to Hollywood, from nuclear family to hippie counterculture, and from the traditional Episcopalian church to Buddhism and Indian guru Sai Baba.\u003c/p>\n\u003cp>\u003cb>Gumby Dharma\u003c/b> features candid and revealing interviews with an 85-year-old Clokey, vivid scenes from \u003cb>Gumby\u003c/b> episodes, home movies shot by Art when he was a kid, and interviews with contemporary leaders in animation, including Director Henry Selick (\u003cb>Nightmare Before Christmas\u003c/b>, \u003cb>James and the Giant Peach\u003c/b>) and special effects legend Ray Harryhausen (\u003cb>Jason and the Argonauts\u003c/b>, \u003cb>Adventures of Sinbad\u003c/b>). Also included is new stop motion animation of Gumby and Pokey, who narrate this playful and touching homage to the grandfather of clay animation, Art Clokey.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/56/gumby-dharma","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_33","trulyca_21","trulyca_29"],"tags":["trulyca_113","trulyca_86","trulyca_110","trulyca_64","trulyca_90","trulyca_111","trulyca_118","trulyca_112","trulyca_108","trulyca_109","trulyca_116","trulyca_60","trulyca_505","trulyca_114","trulyca_117","trulyca_761","trulyca_115","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2545","label":"trulyca_771"},"trulyca_63":{"type":"posts","id":"trulyca_63","meta":{"index":"posts_1591205157","site":"trulyca","id":"63","score":null,"sort":[1226858400000]},"guestAuthors":[],"slug":"paperback-dreams","title":"Paperback Dreams","publishDate":1226858400,"format":"video","headTitle":"Season 3 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem class=\"video_caption\">See a preview of this \u003cstrong>Truly CA\u003c/strong> episode.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Paperback Dreams\u003c/strong> chronicles the rise and fall of the independent bookstore. Born in the heady times of the paperback revolution, Cody's and Kepler's became literary landmarks and helped shape the counterculture of the 1960s. In their efforts to protect free speech and celebrate intellectual inquiry, the owners of these stores were harassed, vandalized, and threatened, for simply selling books. Cody's was the first store in America to be bombed for selling Salman Rushdie's \u003cem>The Satanic Verses\u003c/em>. Unbowed, the staff refused to pull the book from the shelves.\u003c/p>\n\u003cp>Now the ground beneath their feet is shifting. Economic pressures have booksellers in a vice, but poor bookstore finances don't reflect the importance of these stores in their communities. Independent stores function as literary laboratories, and publishers rely on them to champion new and controversial work. At a time when the internet allows anyone to publish whatever idea they have as almost fast as they have it, the act of selling a book -- the portable, physical, low-tech product that has defined intellectual rigor for over 500 years -- remains a revolutionary. \u003cstrong>Paperback Dreams\u003c/strong> documents the struggle of these stores to survive, and demonstrates that their role in bringing new ideas to readers remains as essential as ever.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"\u003cstrong>Paperback Dreams\u003c/strong> chronicles the rise and fall of Cody's and Kepler's Books -- two landmark independent bookstores struggling to survive in the internet age.","status":"publish","parent":0,"modified":1538418107,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":219},"headData":{"title":"Paperback Dreams | KQED","description":"Paperback Dreams chronicles the rise and fall of Cody's and Kepler's Books -- two landmark independent bookstores struggling to survive in the internet age.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Paperback Dreams","datePublished":"2008-11-16T18:00:00.000Z","dateModified":"2018-10-01T18:21:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"63 http://kqed2.wsmtechs.net/trulyca/paperback-dreams/","disqusUrl":"https://ww2.kqed.org/trulyca/paperback-dreams/","disqusTitle":"Paperback Dreams","videoEmbed":"https://www.youtube.com/watch?v=9JPrGNnKNlQ&feature=youtu.be","originalAirdate":"November 16, 2008","path":"/trulyca/63/paperback-dreams","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">See a preview of this \u003cstrong>Truly CA\u003c/strong> episode.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Paperback Dreams\u003c/strong> chronicles the rise and fall of the independent bookstore. Born in the heady times of the paperback revolution, Cody's and Kepler's became literary landmarks and helped shape the counterculture of the 1960s. In their efforts to protect free speech and celebrate intellectual inquiry, the owners of these stores were harassed, vandalized, and threatened, for simply selling books. Cody's was the first store in America to be bombed for selling Salman Rushdie's \u003cem>The Satanic Verses\u003c/em>. Unbowed, the staff refused to pull the book from the shelves.\u003c/p>\n\u003cp>Now the ground beneath their feet is shifting. Economic pressures have booksellers in a vice, but poor bookstore finances don't reflect the importance of these stores in their communities. Independent stores function as literary laboratories, and publishers rely on them to champion new and controversial work. At a time when the internet allows anyone to publish whatever idea they have as almost fast as they have it, the act of selling a book -- the portable, physical, low-tech product that has defined intellectual rigor for over 500 years -- remains a revolutionary. \u003cstrong>Paperback Dreams\u003c/strong> documents the struggle of these stores to survive, and demonstrates that their role in bringing new ideas to readers remains as essential as ever.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/63/paperback-dreams","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_41","trulyca_21"],"tags":["trulyca_123","trulyca_124","trulyca_516","trulyca_508","trulyca_509","trulyca_511","trulyca_513","trulyca_514","trulyca_510","trulyca_512","trulyca_60","trulyca_507","trulyca_506","trulyca_515","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2770","label":"trulyca_771"},"trulyca_61":{"type":"posts","id":"trulyca_61","meta":{"index":"posts_1591205157","site":"trulyca","id":"61","score":null,"sort":[1202666400000]},"guestAuthors":[],"slug":"piece-by-piece","title":"Piece by Piece","publishDate":1202666400,"format":"video","headTitle":"Season 3 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cb>Piece by Piece\u003c/b> documents the history of San Francisco's controversial graffiti art movement, with a fast-paced journey into the world of San Francisco street art, as seen through the eye of the artists. Chronicling more than 20 years of creation and destruction -- honestly, accurately, and critically, the film takes you alongside those who lived in what is arguably one of the most influential youth cultures of our time.\u003c/p>\n\u003cp>San Francisco's graffiti style arose in the period from 1983 to 1993. \u003cb>Piece by Piece\u003c/b> starts by documenting what laid the groundwork for today's Bay Area graffiti: \"Cholo\" writing and the impact of PBS's 1983 documentary, \u003cb>Style Wars\u003c/b>. The film includes not only San Francisco's graffiti originals, but also commentary from noted New York \"writers\" such as Seen, Cope 2, and Case 2. It also covers the tragedy of Dream One, a San Francisco graffiti pioneer and a vocal figurehead in Bay Area urban welfare activism.\u003c/p>\n\u003cp>From 1993 to 2000, San Francisco became an international magnet for ground-breaking graffiti styles yet to be seen in other parts of the world. The film elaborates on what it takes to establish credibility among the graffiti community, featuring classic works from KR and the horses of Reminisce; and documenting the creative expression of these and other \"writers.\" The film also features well-known graffiti artists such as Grey, Buter, Joro, Norm, and Barry McGee (Twist).\u003c/p>\n\u003cp>While graffiti is largely considered an underground movement, it's no secret that this art form has provoked a huge response from everyday citizens. The final segment of \u003cb>Piece by Piece\u003c/b> explores the wide range of public opinion towards graffiti by giving a voice to the citizens of San Francisco and the law enforcement officers who claim to represent their interests. The film also captures the artists' heartfelt confessions of their love of and addiction to graffiti art and typographic lettering, as well as their social activism, and the short life span of their works.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"\u003cstrong> Piece by Piece\u003c/strong> documents the history of San Francisco's controversial graffiti art movement, with a fast-paced journey into the world of San Francisco street art, as seen through the eye of the artists.","status":"publish","parent":0,"modified":1538421455,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":334},"headData":{"title":"Piece by Piece | KQED","description":" Piece by Piece documents the history of San Francisco's controversial graffiti art movement, with a fast-paced journey into the world of San Francisco street art, as seen through the eye of the artists.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Piece by Piece","datePublished":"2008-02-10T18:00:00.000Z","dateModified":"2018-10-01T19:17:35.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"61 http://kqed2.wsmtechs.net/trulyca/piece-by-piece/","disqusUrl":"https://ww2.kqed.org/trulyca/piece-by-piece/","disqusTitle":"Piece by Piece","originalAirdate":"February 10, 2008","path":"/trulyca/61/piece-by-piece","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Piece by Piece\u003c/b> documents the history of San Francisco's controversial graffiti art movement, with a fast-paced journey into the world of San Francisco street art, as seen through the eye of the artists. Chronicling more than 20 years of creation and destruction -- honestly, accurately, and critically, the film takes you alongside those who lived in what is arguably one of the most influential youth cultures of our time.\u003c/p>\n\u003cp>San Francisco's graffiti style arose in the period from 1983 to 1993. \u003cb>Piece by Piece\u003c/b> starts by documenting what laid the groundwork for today's Bay Area graffiti: \"Cholo\" writing and the impact of PBS's 1983 documentary, \u003cb>Style Wars\u003c/b>. The film includes not only San Francisco's graffiti originals, but also commentary from noted New York \"writers\" such as Seen, Cope 2, and Case 2. It also covers the tragedy of Dream One, a San Francisco graffiti pioneer and a vocal figurehead in Bay Area urban welfare activism.\u003c/p>\n\u003cp>From 1993 to 2000, San Francisco became an international magnet for ground-breaking graffiti styles yet to be seen in other parts of the world. The film elaborates on what it takes to establish credibility among the graffiti community, featuring classic works from KR and the horses of Reminisce; and documenting the creative expression of these and other \"writers.\" The film also features well-known graffiti artists such as Grey, Buter, Joro, Norm, and Barry McGee (Twist).\u003c/p>\n\u003cp>While graffiti is largely considered an underground movement, it's no secret that this art form has provoked a huge response from everyday citizens. The final segment of \u003cb>Piece by Piece\u003c/b> explores the wide range of public opinion towards graffiti by giving a voice to the citizens of San Francisco and the law enforcement officers who claim to represent their interests. The film also captures the artists' heartfelt confessions of their love of and addiction to graffiti art and typographic lettering, as well as their social activism, and the short life span of their works.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/61/piece-by-piece","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_21","trulyca_29","trulyca_46"],"tags":["trulyca_86","trulyca_64","trulyca_220","trulyca_518","trulyca_525","trulyca_532","trulyca_524","trulyca_83","trulyca_526","trulyca_529","trulyca_517","trulyca_520","trulyca_60","trulyca_527","trulyca_521","trulyca_530","trulyca_522","trulyca_82","trulyca_523","trulyca_352","trulyca_528","trulyca_531","trulyca_99","trulyca_519","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2815","label":"trulyca_771"},"trulyca_60":{"type":"posts","id":"trulyca_60","meta":{"index":"posts_1591205157","site":"trulyca","id":"60","score":null,"sort":[1201456800000]},"guestAuthors":[],"slug":"freeway-philharmonic","title":"Freeway Philharmonic","publishDate":1201456800,"format":"video","headTitle":"Season 3 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode \u003cstrong>Freeway Philharmonic\u003c/strong> by Tal Skloot and Steven Baigel. (Running Time: 58:15)\u003c/em>\u003c/p>\n\u003cp>\"Music is my spirituality, my personality, my ecstasy. When it's good, there's nothing better, and if you can do this for a living, [a] good gig.\"\u003cbr>\n-- Robin Bonell, cello\u003c/p>\n\u003cp>\u003cb>Freeway Philharmonic\u003c/b> follows seven San Francisco Bay Area freelance classical musicians as they perform with regional orchestras across Northern California. Unlike musicians who have a permanent position with a major symphony, these musicians live from one season to the next. The film depicts their efforts to balance a love of music with a road-warrior lifestyle that often requires traveling hundreds of miles a day to rehearse, teach and perform. These individuals have an unrelenting desire to perform for a living, sometimes at the expense of their families and well-being. The film shows the dedication, perseverance and rigorous life of the musicians, while they grapple with their desire to succeed on a difficult career path and come to terms with their limitations in their quest for artistic accomplishment.\u003c/p>\n\u003cp>\"It's really hard for small to medium sized orchestras to stay afloat. It's a tough industry.\"\u003cbr>\nKale Cumings, trumpet\u003c/p>\n\u003cp>In addition to profiling the individual and often interconnected stories of the seven musicians, the documentary illustrates the state of music and the arts in local communities across the country. In common with many small arts organizations, regional orchestras struggle with funding. They rarely have enough to hire permanent artists; instead they fill their chairs with freelance musicians contracted to perform from season to season. Each year thousands of conservatory-trained musicians end up in these arrangements, serving the cultural needs of small communities across America. Without these individuals, regional orchestras in cities like Marin, Santa Rosa, Napa, Berkeley, and Stockton, simply would not exist.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Many of the freelance Freeway Philharmonic musicians came up through public school music programs. Now they are ambassadors for music back to those same schools. With music programs disappearing from schools everywhere due to insufficient funding and a shift in educational priorities, players often contribute by teaching and performing for students. They are trying to fill the gap left by limited public music programs and to be role models for the next generation of musicians.\u003c/p>\n\n","blocks":[],"excerpt":"\u003cstrong> Freeway Philharmonic\u003c/strong> captures the dedication, perseverance, and rigorous life of seven San Francisco Bay Area freelance classical musicians as they perform with regional orchestras across Northern California.","status":"publish","parent":0,"modified":1538421746,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":381},"headData":{"title":"Freeway Philharmonic | KQED","description":" Freeway Philharmonic captures the dedication, perseverance, and rigorous life of seven San Francisco Bay Area freelance classical musicians as they perform with regional orchestras across Northern California.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Freeway Philharmonic","datePublished":"2008-01-27T18:00:00.000Z","dateModified":"2018-10-01T19:22:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"60 http://kqed2.wsmtechs.net/trulyca/freeway-philharmonic/","disqusUrl":"https://ww2.kqed.org/trulyca/freeway-philharmonic/","disqusTitle":"Freeway Philharmonic","videoEmbed":"http://youtu.be/h2J0R-Ax1Yc","originalAirdate":"January 27, 2008","path":"/trulyca/60/freeway-philharmonic","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem class=\"video_caption\">Watch this entire \u003cstrong>Truly CA\u003c/strong> episode \u003cstrong>Freeway Philharmonic\u003c/strong> by Tal Skloot and Steven Baigel. (Running Time: 58:15)\u003c/em>\u003c/p>\n\u003cp>\"Music is my spirituality, my personality, my ecstasy. When it's good, there's nothing better, and if you can do this for a living, [a] good gig.\"\u003cbr>\n-- Robin Bonell, cello\u003c/p>\n\u003cp>\u003cb>Freeway Philharmonic\u003c/b> follows seven San Francisco Bay Area freelance classical musicians as they perform with regional orchestras across Northern California. Unlike musicians who have a permanent position with a major symphony, these musicians live from one season to the next. The film depicts their efforts to balance a love of music with a road-warrior lifestyle that often requires traveling hundreds of miles a day to rehearse, teach and perform. These individuals have an unrelenting desire to perform for a living, sometimes at the expense of their families and well-being. The film shows the dedication, perseverance and rigorous life of the musicians, while they grapple with their desire to succeed on a difficult career path and come to terms with their limitations in their quest for artistic accomplishment.\u003c/p>\n\u003cp>\"It's really hard for small to medium sized orchestras to stay afloat. It's a tough industry.\"\u003cbr>\nKale Cumings, trumpet\u003c/p>\n\u003cp>In addition to profiling the individual and often interconnected stories of the seven musicians, the documentary illustrates the state of music and the arts in local communities across the country. In common with many small arts organizations, regional orchestras struggle with funding. They rarely have enough to hire permanent artists; instead they fill their chairs with freelance musicians contracted to perform from season to season. Each year thousands of conservatory-trained musicians end up in these arrangements, serving the cultural needs of small communities across America. Without these individuals, regional orchestras in cities like Marin, Santa Rosa, Napa, Berkeley, and Stockton, simply would not exist.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Many of the freelance Freeway Philharmonic musicians came up through public school music programs. Now they are ambassadors for music back to those same schools. With music programs disappearing from schools everywhere due to insufficient funding and a shift in educational priorities, players often contribute by teaching and performing for students. They are trying to fill the gap left by limited public music programs and to be role models for the next generation of musicians.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/60/freeway-philharmonic","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_21"],"tags":["trulyca_86","trulyca_64","trulyca_90","trulyca_562","trulyca_563","trulyca_83","trulyca_561","trulyca_558","trulyca_60","trulyca_137","trulyca_138","trulyca_564","trulyca_82","trulyca_560","trulyca_559","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2818","label":"trulyca_771"},"trulyca_58":{"type":"posts","id":"trulyca_58","meta":{"index":"posts_1591205157","site":"trulyca","id":"58","score":null,"sort":[1195408800000]},"guestAuthors":[],"slug":"pikyv-to-fix-it","title":"Pikyáv (to fix it)","publishDate":1195408800,"format":"video","headTitle":"Season 3 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>For centuries the Karuk fished, gathered food, and made medicine in the fertile watershed of the Klamath River. Contact with European Americans and their zeal for resource extraction nearly eliminated California native peoples, leaving only a handful of Karuk families on their land. Despite efforts to suppress them, Karuk traditions were carefully passed from one generation to the next. Today these traditions are hampered by governmental policies that rarely take into consideration the native view, or their historical role as land managers. As the Karuk people slowly return, the struggle to reclaim the physical and cultural landscape becomes their greatest challenge -- to heal the landscape as well as the people who call it their home.\u003c/p>\n\u003cp>To purchase a DVD contact Andrew Chambers at \u003ca href=\"mailto:panamnik@gmail.com\">panamnik@gmail.com\u003c/a> or write: P. O. Box 134, Midpines, CA 95345\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"\u003cstrong> Pikyáv\u003c/strong> is a poetic film chronicling the Northern California Karuk Tribe's efforts to regain their cultural identity and to resume their historical role as caretakers of their ancestral homelands, the fertile watershed of the Klamath River.","status":"publish","parent":0,"modified":1538421951,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":137},"headData":{"title":"Pikyáv (to fix it) | KQED","description":" Pikyáv is a poetic film chronicling the Northern California Karuk Tribe's efforts to regain their cultural identity and to resume their historical role as caretakers of their ancestral homelands, the fertile watershed of the Klamath River.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Pikyáv (to fix it)","datePublished":"2007-11-18T18:00:00.000Z","dateModified":"2018-10-01T19:25:51.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"58 http://kqed2.wsmtechs.net/trulyca/pikyv-to-fix-it/","disqusUrl":"https://ww2.kqed.org/trulyca/pikyv-to-fix-it/","disqusTitle":"Pikyáv (to fix it)","originalAirdate":"November 18, 2007","path":"/trulyca/58/pikyv-to-fix-it","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>For centuries the Karuk fished, gathered food, and made medicine in the fertile watershed of the Klamath River. Contact with European Americans and their zeal for resource extraction nearly eliminated California native peoples, leaving only a handful of Karuk families on their land. Despite efforts to suppress them, Karuk traditions were carefully passed from one generation to the next. Today these traditions are hampered by governmental policies that rarely take into consideration the native view, or their historical role as land managers. As the Karuk people slowly return, the struggle to reclaim the physical and cultural landscape becomes their greatest challenge -- to heal the landscape as well as the people who call it their home.\u003c/p>\n\u003cp>To purchase a DVD contact Andrew Chambers at \u003ca href=\"mailto:panamnik@gmail.com\">panamnik@gmail.com\u003c/a> or write: P. O. Box 134, Midpines, CA 95345\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/58/pikyv-to-fix-it","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_21"],"tags":["trulyca_557","trulyca_90","trulyca_556","trulyca_555","trulyca_60","trulyca_151","trulyca_554","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2825","label":"trulyca_771"},"trulyca_64":{"type":"posts","id":"trulyca_64","meta":{"index":"posts_1591205157","site":"trulyca","id":"64","score":null,"sort":[1192986000000]},"guestAuthors":[],"slug":"the-key-of-g","title":"The Key of G","publishDate":1192986000,"format":"video","headTitle":"Season 3 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cb>The Key of G\u003c/b> explores the community of family and caregivers that have come together around Gannet Hosa-Betonte, a developmentally disabled young man taking his first steps toward independence. Over the past three years, filmmaker Robert Arnold has documented the lives of Gannet, his family, and his companions -- from the physically demanding effort necessary to get him bathed and dressed every morning, to impromptu concerts, road trips, and medical crises. \u003cb>The Key of G\u003c/b> unfolds chronologically, beginning with Gannet still living at his mother's house while building relationships with Donal, Colter, and his other caregivers. It then follows them into totally uncharted waters as Gannet moves away from home after 22 years. The move signals a challenging new life for all of them.\u003c/p>\n\u003cp>Gannet (or \"G\" as his friends call him) is not the easiest person to get to know since he suffers from a panoply of physical and developmental disabilities with symptoms resembling autism. Because he was born with Mowat-Wilson syndrome, the two halves of Gannet's brain don't communicate well with each other, and he has a hard time integrating what he sees, hears and feels into a single coherent picture of the world. He had no language at all until age ten. Gradually he learned to communicate with others through a touch system of yes and no and by pointing at icons in a communication book. Even without speaking, though, Gannet's primary interest is clear: sound. Anything that makes a good sound is a portal into Gannet's world -- cars and motorcycles, rustling leaves, velcro, sneezes, and especially his piano, which he attacks with his whole body.\u003c/p>\n\u003cp>This first glimpse of Gannet -- his gangly body hunched over the piano, his mouth hanging open and eyes scanning the ceiling above him -- is disconcerting. But as he continues to play, discomfort gives way to fascination, and Gannet's odd charisma starts to draw us in. As we watch him interacting and communicating with the people around him, our acceptance of him as a full person with his own passionate fears and desires, begins to flower. The camera work and sound steer our senses in new directions, and we come to understand something of Gannet's unique way of experiencing the world and the dramatic effect it has on those around him.\u003c/p>\n\u003cp>Under different circumstances, someone like Gannet could easily wind up in an institution, but through his mother's force of will and Gannet's own vibrancy, Gannet is living a relatively charmed life. Eschewing the conventional care model of paid professionals working with but keeping an emotional distance from \"clients,\" Gannet's mother Amy has created a unique and somewhat controversial alternative for her son -- a tightly knit group of artists who surround and support him not just as paid caregivers, but also as friends and, eventually, roommates. Gannet has become part of their social circle, exposing a wide variety of artists and musicians to his unique way of experiencing the world. Donal, one of Gannet's caregivers/roommates, marvels at the incredible life force that pushes outward from Gannet, \"... all that energy that ripples through him, looks like it's going to break his bones sometimes.\" \u003cb>The Key of G\u003c/b> follows Gannet and his caregivers on an intensely personal journey as they attempt to form a household together. It is a window into an extraordinary world of interdependence that challenges our assumptions about disability and long-term care.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"\u003cstrong> The Key of G\u003c/strong> explores the community of family and caregivers that have come together around Gannet Hosa-Betonte, a developmentally disabled young man taking his first steps toward independence.","status":"publish","parent":0,"modified":1538422086,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":578},"headData":{"title":"The Key of G | KQED","description":" The Key of G explores the community of family and caregivers that have come together around Gannet Hosa-Betonte, a developmentally disabled young man taking his first steps toward independence.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Key of G","datePublished":"2007-10-21T17:00:00.000Z","dateModified":"2018-10-01T19:28:06.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"64 http://kqed2.wsmtechs.net/trulyca/the-key-of-g/","disqusUrl":"https://ww2.kqed.org/trulyca/the-key-of-g/","disqusTitle":"The Key of G","originalAirdate":"October 21, 2007","path":"/trulyca/64/the-key-of-g","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>The Key of G\u003c/b> explores the community of family and caregivers that have come together around Gannet Hosa-Betonte, a developmentally disabled young man taking his first steps toward independence. Over the past three years, filmmaker Robert Arnold has documented the lives of Gannet, his family, and his companions -- from the physically demanding effort necessary to get him bathed and dressed every morning, to impromptu concerts, road trips, and medical crises. \u003cb>The Key of G\u003c/b> unfolds chronologically, beginning with Gannet still living at his mother's house while building relationships with Donal, Colter, and his other caregivers. It then follows them into totally uncharted waters as Gannet moves away from home after 22 years. The move signals a challenging new life for all of them.\u003c/p>\n\u003cp>Gannet (or \"G\" as his friends call him) is not the easiest person to get to know since he suffers from a panoply of physical and developmental disabilities with symptoms resembling autism. Because he was born with Mowat-Wilson syndrome, the two halves of Gannet's brain don't communicate well with each other, and he has a hard time integrating what he sees, hears and feels into a single coherent picture of the world. He had no language at all until age ten. Gradually he learned to communicate with others through a touch system of yes and no and by pointing at icons in a communication book. Even without speaking, though, Gannet's primary interest is clear: sound. Anything that makes a good sound is a portal into Gannet's world -- cars and motorcycles, rustling leaves, velcro, sneezes, and especially his piano, which he attacks with his whole body.\u003c/p>\n\u003cp>This first glimpse of Gannet -- his gangly body hunched over the piano, his mouth hanging open and eyes scanning the ceiling above him -- is disconcerting. But as he continues to play, discomfort gives way to fascination, and Gannet's odd charisma starts to draw us in. As we watch him interacting and communicating with the people around him, our acceptance of him as a full person with his own passionate fears and desires, begins to flower. The camera work and sound steer our senses in new directions, and we come to understand something of Gannet's unique way of experiencing the world and the dramatic effect it has on those around him.\u003c/p>\n\u003cp>Under different circumstances, someone like Gannet could easily wind up in an institution, but through his mother's force of will and Gannet's own vibrancy, Gannet is living a relatively charmed life. Eschewing the conventional care model of paid professionals working with but keeping an emotional distance from \"clients,\" Gannet's mother Amy has created a unique and somewhat controversial alternative for her son -- a tightly knit group of artists who surround and support him not just as paid caregivers, but also as friends and, eventually, roommates. Gannet has become part of their social circle, exposing a wide variety of artists and musicians to his unique way of experiencing the world. Donal, one of Gannet's caregivers/roommates, marvels at the incredible life force that pushes outward from Gannet, \"... all that energy that ripples through him, looks like it's going to break his bones sometimes.\" \u003cb>The Key of G\u003c/b> follows Gannet and his caregivers on an intensely personal journey as they attempt to form a household together. It is a window into an extraordinary world of interdependence that challenges our assumptions about disability and long-term care.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/64/the-key-of-g","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_21"],"tags":["trulyca_552","trulyca_90","trulyca_550","trulyca_83","trulyca_256","trulyca_549","trulyca_60","trulyca_551","trulyca_137","trulyca_138","trulyca_404","trulyca_548","trulyca_553","trulyca_547","trulyca_99","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2828","label":"trulyca_771"},"trulyca_59":{"type":"posts","id":"trulyca_59","meta":{"index":"posts_1591205157","site":"trulyca","id":"59","score":null,"sort":[1192381200000]},"guestAuthors":[],"slug":"following-sean","title":"Following Sean","publishDate":1192381200,"format":"video","headTitle":"Season 3 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>Filmmaker Ralph Arlyck first met Sean while living as a graduate student in San Francisco's Haight Ashbury neighborhood at the height of the 1960s. The city was awash with the trappings of America's cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck's building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera.\u003c/p>\n\u003cp>Sean's casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence -- \"Sure, I smoke pot\" -- but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.\u003c/p>\n\u003cp>Thirty years, three generations, and a lifetime later, Arlyck has returned to San Francisco in search of who the adult Sean might have become. And what he finds, to his surprise, tells him as much about his own east-coast migration as it does about the Californian life he left behind-that the choices we're handed and the choices we make are, very often, quite odd bedfellows.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"\u003cstrong> Following Sean\u003c/strong> chronicles filmmaker Ralph Arlyck's return to San Francisco in search of Sean, a sincere 4-year-old when Arlyck first met and filmed the boy thirty years ago, and to discover what kind of adult the precocious child has grown into.","status":"publish","parent":0,"modified":1538422196,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":243},"headData":{"title":"Following Sean | KQED","description":" Following Sean chronicles filmmaker Ralph Arlyck's return to San Francisco in search of Sean, a sincere 4-year-old when Arlyck first met and filmed the boy thirty years ago, and to discover what kind of adult the precocious child has grown into.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Following Sean","datePublished":"2007-10-14T17:00:00.000Z","dateModified":"2018-10-01T19:29:56.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"59 http://kqed2.wsmtechs.net/trulyca/following-sean/","disqusUrl":"https://ww2.kqed.org/trulyca/following-sean/","disqusTitle":"Following Sean","originalAirdate":"October 14, 2007","path":"/trulyca/59/following-sean","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Filmmaker Ralph Arlyck first met Sean while living as a graduate student in San Francisco's Haight Ashbury neighborhood at the height of the 1960s. The city was awash with the trappings of America's cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck's building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera.\u003c/p>\n\u003cp>Sean's casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence -- \"Sure, I smoke pot\" -- but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.\u003c/p>\n\u003cp>Thirty years, three generations, and a lifetime later, Arlyck has returned to San Francisco in search of who the adult Sean might have become. And what he finds, to his surprise, tells him as much about his own east-coast migration as it does about the Californian life he left behind-that the choices we're handed and the choices we make are, very often, quite odd bedfellows.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/59/following-sean","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_21","trulyca_46"],"tags":["trulyca_123","trulyca_124","trulyca_544","trulyca_83","trulyca_541","trulyca_543","trulyca_542","trulyca_82","trulyca_545","trulyca_546","trulyca_99","trulyca_540"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2831","label":"trulyca_771"},"trulyca_62":{"type":"posts","id":"trulyca_62","meta":{"index":"posts_1591205157","site":"trulyca","id":"62","score":null,"sort":[1189357200000]},"guestAuthors":[],"slug":"grandma-has-a-video-camera","title":"Grandma Has a Video Camera","publishDate":1189357200,"format":"video","headTitle":"Season 3 | Truly CA | Truly CA | KQED Arts","labelTerm":{"term":771,"site":"trulyca"},"content":"\u003cp>\u003cb>Grandma Has a Video Camera\u003c/b> is a documentary about the use of home video by a family of Brazilian immigrants, chronicling their lives in the United States for over 20 years. From enchantment to disillusionment, from idealization to conformity, first-hand images and voices depict how recently arriving immigrants see their new world, and struggle to settle down in their adopted homeland.\u003c/p>\n\u003cp>The United States has been described as a \"melting pot,\" a land where immigrants from diverse lands blend into something we call Americans. But this is changing. Immigrants today tend to hold on to their past and their original homelands, they resist assimilation in order to live a life that offers the best of both worlds. Children are encouraged to become Americans, but they are also taught to remain faithful to their roots.\u003c/p>\n\u003cp>Modern technology, from jet aircraft and the telephone to the Internet and cable television, has helped to shorten the distance between one's country of origin and the new land. And for grandma Elda, the video camera does that job just as well. For her, videotape is a substitute for family albums, TV entertainment, and writing letters to those back home. She has kept family ties strong by sending videotapes to those still in Brazil.\u003c/p>\n\u003cp>\u003cb>Grandma Has a Video Camera\u003c/b> explores the parallel stories of the family's immigration, and how the video camera registers their lives. These video diaries examine issues of identity, social dynamics within immigrant families and their community, the conditions of transnationality and the conflicts of loyalty to a single country.\u003c/p>\n\u003cp>The Lalau-Cypriano family represents the different generations and different faces of immigration: those who never learn English, living solely within their immigrant community, as well as those who try to assimilate into their new culture. Some are born on American soil and struggle to fit their parents' culture into the society in which they live. They live here with one foot in each country, or move back and forth as they can't commit to one home. Some have dual citizenship. Others have lived here for 25 years and still hold a green card.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A first trip to see snow, a tour to a supersized supermarket, or a video letter showing the latest motorcycle offers an intimate portrayal of the uncensored, the honest, and the amazed. What has emerged from 13 years of videotaping is an incredible portrait of people overcoming barriers -- their desires, their loneliness, and their fears -- to make a dream come true.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To order a copy of \u003cb>Grandma Has a Video Camera\u003c/b> write:\u003cbr>\nViva! Pictures / Backlands Cinema\u003cbr>\n37 King Street #6A\u003cbr>\nNew York, NY 10014\u003cbr>\nTel. (212) 604 9158\u003cbr>\n\u003ca href=\"mailto:backlands@earthlink.net\">backlands@earthlink.net\u003c/a>\u003c/p>\n\n","blocks":[],"excerpt":"\u003cstrong> Grandma Has a Video Camera\u003c/strong> is a personal documentary of one family's parallel journey over 13 years, showing their immigrant lives in the U.S. and how they maintain connections to their Brazilian homeland.","status":"publish","parent":0,"modified":1538422242,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":448},"headData":{"title":"Grandma Has a Video Camera | KQED","description":" Grandma Has a Video Camera is a personal documentary of one family's parallel journey over 13 years, showing their immigrant lives in the U.S. and how they maintain connections to their Brazilian homeland.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Grandma Has a Video Camera","datePublished":"2007-09-09T17:00:00.000Z","dateModified":"2018-10-01T19:30:42.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"62 http://kqed2.wsmtechs.net/trulyca/grandma-has-a-video-camera/","disqusUrl":"https://ww2.kqed.org/trulyca/grandma-has-a-video-camera/","disqusTitle":"Grandma Has a Video Camera","originalAirdate":"September 9, 2007","path":"/trulyca/62/grandma-has-a-video-camera","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Grandma Has a Video Camera\u003c/b> is a documentary about the use of home video by a family of Brazilian immigrants, chronicling their lives in the United States for over 20 years. From enchantment to disillusionment, from idealization to conformity, first-hand images and voices depict how recently arriving immigrants see their new world, and struggle to settle down in their adopted homeland.\u003c/p>\n\u003cp>The United States has been described as a \"melting pot,\" a land where immigrants from diverse lands blend into something we call Americans. But this is changing. Immigrants today tend to hold on to their past and their original homelands, they resist assimilation in order to live a life that offers the best of both worlds. Children are encouraged to become Americans, but they are also taught to remain faithful to their roots.\u003c/p>\n\u003cp>Modern technology, from jet aircraft and the telephone to the Internet and cable television, has helped to shorten the distance between one's country of origin and the new land. And for grandma Elda, the video camera does that job just as well. For her, videotape is a substitute for family albums, TV entertainment, and writing letters to those back home. She has kept family ties strong by sending videotapes to those still in Brazil.\u003c/p>\n\u003cp>\u003cb>Grandma Has a Video Camera\u003c/b> explores the parallel stories of the family's immigration, and how the video camera registers their lives. These video diaries examine issues of identity, social dynamics within immigrant families and their community, the conditions of transnationality and the conflicts of loyalty to a single country.\u003c/p>\n\u003cp>The Lalau-Cypriano family represents the different generations and different faces of immigration: those who never learn English, living solely within their immigrant community, as well as those who try to assimilate into their new culture. Some are born on American soil and struggle to fit their parents' culture into the society in which they live. They live here with one foot in each country, or move back and forth as they can't commit to one home. Some have dual citizenship. Others have lived here for 25 years and still hold a green card.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A first trip to see snow, a tour to a supersized supermarket, or a video letter showing the latest motorcycle offers an intimate portrayal of the uncensored, the honest, and the amazed. What has emerged from 13 years of videotaping is an incredible portrait of people overcoming barriers -- their desires, their loneliness, and their fears -- to make a dream come true.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To order a copy of \u003cb>Grandma Has a Video Camera\u003c/b> write:\u003cbr>\nViva! Pictures / Backlands Cinema\u003cbr>\n37 King Street #6A\u003cbr>\nNew York, NY 10014\u003cbr>\nTel. (212) 604 9158\u003cbr>\n\u003ca href=\"mailto:backlands@earthlink.net\">backlands@earthlink.net\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/trulyca/62/grandma-has-a-video-camera","authors":["8666"],"programs":["trulyca_771"],"series":["trulyca_5"],"categories":["trulyca_21"],"tags":["trulyca_538","trulyca_105","trulyca_536","trulyca_537","trulyca_418","trulyca_83","trulyca_318","trulyca_534","trulyca_533","trulyca_303","trulyca_60","trulyca_539","trulyca_99","trulyca_535","trulyca_28"],"collections":["trulyca_81","trulyca_80"],"featImg":"trulyca_2832","label":"trulyca_771"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. 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