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"content": "\u003cp>After forty-three years in the Palace of Fine Arts near the Golden Gate Bridge, the \u003ca href=\"http://www.exploratorium.edu/\">Exploratorium\u003c/a> is moving to a restored pier on the Embarcadero. The move is a big experiment for the museum: how to grow into its new location, without losing the feel of its old self.\u003c/p>\n\u003cp>\u003cstrong>Leaving the Roman Ruin\u003c/strong>\u003c/p>\n\u003cp>The Palace of Fine Arts is a rosy-colored faux-Roman ruin, sitting next to a pond popular with swans and brides. Stepping inside was always a funny juxtaposition: going from the Fantasia on the outside, in, to the din of the Exploratorium. In its old space, the museum was a buzzing, windowless warehouse, centered around a shop where museum staff figured out how to hack together its hundreds of quirky contraptions that help teach kids scientific concepts and where everything had a familiar, “do it yourself” feel.\u003c/p>\n\u003cp>\"When I first took this job, a designer friend of mine said, 'So you gonna clean this place up?' And I said, 'No, please.'\" laughs Tom Rockwell, the director of exhibits at the Exploratorium. He took the job knowing it would eventually involve a move. But he says, it’s not about “cleaning the place up.”\u003c/p>\n\u003caside class=\"alignright\">\n\u003cstrong>See more\u003c/strong>\u003ca href=\"http://wp.me/p1NykW-dkX\"> photos and images of the new building\u003c/a>\n\u003c/aside>\n\u003cp>\"To me, one of the key jobs has been not to lose the funkiness,\" he says. \"Not to lose the sense of it being like an inventor’s garage, where people are constantly making things and discovering things. And you know, inventors don’t worry so much about whether the cabinetry all looks perfect.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One day a few weeks before the facility closed in January for the big move, project manager Owen Lawrence was dressed in white coveralls, vacuuming a piece of the listening cloud exhibit before it got packed up.\u003c/p>\n\u003cp>\"I don’t think anybody realized how much dirt was here,\" he says. \"Normally I’m doing budgets and timelines. So it’s kind of an all-hands on deck thing right now. So I've got my Tyvek suit on. I've got my gas mask.\"\u003c/p>\n\u003cp>\u003cstrong>The Upgrade on the Embarcadero\u003c/strong>\u003c/p>\n\u003cp>The new Exploratorium is a stunning, $300 million facility on the San Francisco waterfront at Pier 15, triple the size of the old museum.\u003c/p>\n\u003cfigure id=\"attachment_51332\" class=\"wp-caption aligncenter\" style=\"max-width: 626px\">\u003ca href=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/Exploratorium1-Zum.jpg\">\u003cimg class=\"size-large wp-image-51332\" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/Exploratorium1-Zum-626x360.jpg\" alt=\"The new site includes a restored pier and new construction (Courtesy of Zum)\" width=\"626\" height=\"360\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The new site includes a restored pier and new construction (Courtesy of Zum)\u003c/figcaption>\u003c/figure>\n\u003cp>One reason for the move was to be more accessible: the new location is easier to get to on public transportation, and close to downtown. Planners are hoping that will improve attendance. The Exploratorium has about 600,000 visitors a year now, half the annual total of the Ontario Science Centre in Canada, which is a similar museum. And there’s the California Academy of Sciences' new building in Golden Gate Park, which has overshadowed just about everything else in San Francisco.\u003c/p>\n\u003cp>Then, there are other things that could just work better.\u003c/p>\n\u003cp>\"When you needed air conditioning in the old building, we would buy an air conditioning unit for, like a house, and bolt it to the wall with plywood,\" says Chuck Mignacco, building operations manager. We're standing in front of the new building. There are still active piers nearby, but this one is now a state-of-the-art green building. And he is excited about it.\u003c/p>\n\u003cp>\"Think of the building like a living thing,\" Mignacco explains. \"This one, unlike the old one, has a brain and a computer in it.\"\u003c/p>\n\u003cp>The goal is for this new building, which will have 600 exhibits, to be net-zero energy -- to produce as much electricity as it consumes. There are 85,000 square feet of solar panels on the roof, and on the inside there's the Bay Water Room, part of the mechanical system for the building. The colorful pipes in the room suck water in from San Francisco Bay, which -- since we’re out on a pier -- is directly below our feet. The cold water helps regulate the temperature of the building – it cools off the warm spots and then distributes the heat to cooler places.\u003c/p>\n\u003cp>So the building is kind of a science experiment in itself. Marc L’Italien, from the San Francisco-based architecture firm \u003ca href=\"http://www.ehdd.com/\">EHDD\u003c/a> is the lead designer on the Exploratorium, and he says, that's part of how net-zero energy buildings work.\u003c/p>\n\u003cfigure id=\"attachment_51339\" class=\"wp-caption alignright\" style=\"max-width: 407px\">\u003ca href=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/centralgallery.jpg\">\u003cimg class=\" wp-image-51339 \" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/centralgallery-617x360.jpg\" alt=\"An artist's rendering of the Central Gallery in the new building, where exhibits will focus on sight and sound. (Mark Pechenick/Exploratorium)\" width=\"407\" height=\"238\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An artist's rendering of the Central Gallery in the new building, where exhibits will focus on sight and sound. (Mark Pechenick/Exploratorium)\u003c/figcaption>\u003c/figure>\n\u003cp>\"You have to tinker with them and Exploratorium staff are born tinkerers,\" he says.\u003c/p>\n\u003cp>The museum in this new building still has a warehouse-y feel: concrete floors, big open spaces.\u003c/p>\n\u003cp>\"We see the architecture as the straight man,\" says L'Italien. \"They steal the show with the punchline, with the exhibits.\"\u003c/p>\n\u003cp>L’Italien and his team spruced up the exterior and restored signs from previous businesses on the old pier.\u003c/p>\n\u003cp>\"I think Pier 15 in its day wouldn’t have been a building that people would have taken much notice of,\" he says. \"And now the fact that you have a world-renowned institution like the Exploratorium here, it’s going to get a lot of people visiting, and we’re celebrating the history of this site, of San Francisco with this building.\"\u003c/p>\n\u003cp>\u003cstrong>New Site, New Science\u003c/strong>\u003c/p>\n\u003cp>New exhibits take advantage of the site, too. The Bay Observatory is part of a newly-constructed wing of the museum, a transparent-feeling room with floor-to-ceiling windows giving big views of the Bay on one side, and downtown San Francisco on the other. Sebastian Martin, an exhibit developer working on the Bay Observatory, fiddles with an iPhone mounted on a spotting scope.\u003c/p>\n\u003cp>\"We call this the landscape scope,\" he says. \"Right now I’m looking at a spot over at Treasure Island. I’m actually looking at the water.\"\u003c/p>\n\u003cp>He's been using the scope to watch water currents change. Other exhibits here examine the sun, weather, wind direction and tides, and there's a computer that identifies ships as they go by.\u003c/p>\n\u003cp>\"I think when we first visited the piers we all realized what an opportunity this was for us to explore the world around us, rather than the kind of world in a kind of test tube,\" says Susan Schwartzenberg, who works with Martin on the Bay Observatory.\u003c/p>\n\u003cfigure id=\"attachment_51349\" class=\"wp-caption alignright\" style=\"max-width: 167px\">\u003ca href=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/oppenheimer.jpg\">\u003cimg class=\"wp-image-51349 \" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/oppenheimer-239x360.jpg\" alt=\"Physicist and teacher Frank Oppenheimer founded the Exploratorium in 1969. (Courtesy of the Exploratorium) \" width=\"167\" height=\"252\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Physicist and teacher Frank Oppenheimer founded the Exploratorium in 1969. (Courtesy of the Exploratorium)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sticking With a Tradition of Staying in Flux\u003c/strong>\u003c/p>\n\u003cp>Some things won’t change. The shop is still in the middle, and familiar exhibits like the tornado are here, too. The old tactile dome didn’t make the move, but they're building a new one.\u003c/p>\n\u003cp>The Exploratorium has been a pioneer in the world of interactive, hands-on science education for over four decades. And when it's ready to unveil its new home, Rockwell says, it will still be a work in progress.\u003c/p>\n\u003cp>\"We keep on reminding ourselves we don’t want to open too finished,\" he says. \"We have a lot of projects that we will open with prototypes, with things that we’re going to start learning from and then keep on changing and evolving as we go.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The Exploratorium is scheduled to reopen to the public -- prototypes and all -- on April 17.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After forty-three years in the Palace of Fine Arts near the Golden Gate Bridge, the \u003ca href=\"http://www.exploratorium.edu/\">Exploratorium\u003c/a> is moving to a restored pier on the Embarcadero. The move is a big experiment for the museum: how to grow into its new location, without losing the feel of its old self.\u003c/p>\n\u003cp>\u003cstrong>Leaving the Roman Ruin\u003c/strong>\u003c/p>\n\u003cp>The Palace of Fine Arts is a rosy-colored faux-Roman ruin, sitting next to a pond popular with swans and brides. Stepping inside was always a funny juxtaposition: going from the Fantasia on the outside, in, to the din of the Exploratorium. In its old space, the museum was a buzzing, windowless warehouse, centered around a shop where museum staff figured out how to hack together its hundreds of quirky contraptions that help teach kids scientific concepts and where everything had a familiar, “do it yourself” feel.\u003c/p>\n\u003cp>\"When I first took this job, a designer friend of mine said, 'So you gonna clean this place up?' And I said, 'No, please.'\" laughs Tom Rockwell, the director of exhibits at the Exploratorium. He took the job knowing it would eventually involve a move. But he says, it’s not about “cleaning the place up.”\u003c/p>\n\u003caside class=\"alignright\">\n\u003cstrong>See more\u003c/strong>\u003ca href=\"http://wp.me/p1NykW-dkX\"> photos and images of the new building\u003c/a>\n\u003c/aside>\n\u003cp>\"To me, one of the key jobs has been not to lose the funkiness,\" he says. \"Not to lose the sense of it being like an inventor’s garage, where people are constantly making things and discovering things. And you know, inventors don’t worry so much about whether the cabinetry all looks perfect.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One day a few weeks before the facility closed in January for the big move, project manager Owen Lawrence was dressed in white coveralls, vacuuming a piece of the listening cloud exhibit before it got packed up.\u003c/p>\n\u003cp>\"I don’t think anybody realized how much dirt was here,\" he says. \"Normally I’m doing budgets and timelines. So it’s kind of an all-hands on deck thing right now. So I've got my Tyvek suit on. I've got my gas mask.\"\u003c/p>\n\u003cp>\u003cstrong>The Upgrade on the Embarcadero\u003c/strong>\u003c/p>\n\u003cp>The new Exploratorium is a stunning, $300 million facility on the San Francisco waterfront at Pier 15, triple the size of the old museum.\u003c/p>\n\u003cfigure id=\"attachment_51332\" class=\"wp-caption aligncenter\" style=\"max-width: 626px\">\u003ca href=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/Exploratorium1-Zum.jpg\">\u003cimg class=\"size-large wp-image-51332\" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/Exploratorium1-Zum-626x360.jpg\" alt=\"The new site includes a restored pier and new construction (Courtesy of Zum)\" width=\"626\" height=\"360\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The new site includes a restored pier and new construction (Courtesy of Zum)\u003c/figcaption>\u003c/figure>\n\u003cp>One reason for the move was to be more accessible: the new location is easier to get to on public transportation, and close to downtown. Planners are hoping that will improve attendance. The Exploratorium has about 600,000 visitors a year now, half the annual total of the Ontario Science Centre in Canada, which is a similar museum. And there’s the California Academy of Sciences' new building in Golden Gate Park, which has overshadowed just about everything else in San Francisco.\u003c/p>\n\u003cp>Then, there are other things that could just work better.\u003c/p>\n\u003cp>\"When you needed air conditioning in the old building, we would buy an air conditioning unit for, like a house, and bolt it to the wall with plywood,\" says Chuck Mignacco, building operations manager. We're standing in front of the new building. There are still active piers nearby, but this one is now a state-of-the-art green building. And he is excited about it.\u003c/p>\n\u003cp>\"Think of the building like a living thing,\" Mignacco explains. \"This one, unlike the old one, has a brain and a computer in it.\"\u003c/p>\n\u003cp>The goal is for this new building, which will have 600 exhibits, to be net-zero energy -- to produce as much electricity as it consumes. There are 85,000 square feet of solar panels on the roof, and on the inside there's the Bay Water Room, part of the mechanical system for the building. The colorful pipes in the room suck water in from San Francisco Bay, which -- since we’re out on a pier -- is directly below our feet. The cold water helps regulate the temperature of the building – it cools off the warm spots and then distributes the heat to cooler places.\u003c/p>\n\u003cp>So the building is kind of a science experiment in itself. Marc L’Italien, from the San Francisco-based architecture firm \u003ca href=\"http://www.ehdd.com/\">EHDD\u003c/a> is the lead designer on the Exploratorium, and he says, that's part of how net-zero energy buildings work.\u003c/p>\n\u003cfigure id=\"attachment_51339\" class=\"wp-caption alignright\" style=\"max-width: 407px\">\u003ca href=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/centralgallery.jpg\">\u003cimg class=\" wp-image-51339 \" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/centralgallery-617x360.jpg\" alt=\"An artist's rendering of the Central Gallery in the new building, where exhibits will focus on sight and sound. (Mark Pechenick/Exploratorium)\" width=\"407\" height=\"238\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An artist's rendering of the Central Gallery in the new building, where exhibits will focus on sight and sound. (Mark Pechenick/Exploratorium)\u003c/figcaption>\u003c/figure>\n\u003cp>\"You have to tinker with them and Exploratorium staff are born tinkerers,\" he says.\u003c/p>\n\u003cp>The museum in this new building still has a warehouse-y feel: concrete floors, big open spaces.\u003c/p>\n\u003cp>\"We see the architecture as the straight man,\" says L'Italien. \"They steal the show with the punchline, with the exhibits.\"\u003c/p>\n\u003cp>L’Italien and his team spruced up the exterior and restored signs from previous businesses on the old pier.\u003c/p>\n\u003cp>\"I think Pier 15 in its day wouldn’t have been a building that people would have taken much notice of,\" he says. \"And now the fact that you have a world-renowned institution like the Exploratorium here, it’s going to get a lot of people visiting, and we’re celebrating the history of this site, of San Francisco with this building.\"\u003c/p>\n\u003cp>\u003cstrong>New Site, New Science\u003c/strong>\u003c/p>\n\u003cp>New exhibits take advantage of the site, too. The Bay Observatory is part of a newly-constructed wing of the museum, a transparent-feeling room with floor-to-ceiling windows giving big views of the Bay on one side, and downtown San Francisco on the other. Sebastian Martin, an exhibit developer working on the Bay Observatory, fiddles with an iPhone mounted on a spotting scope.\u003c/p>\n\u003cp>\"We call this the landscape scope,\" he says. \"Right now I’m looking at a spot over at Treasure Island. I’m actually looking at the water.\"\u003c/p>\n\u003cp>He's been using the scope to watch water currents change. Other exhibits here examine the sun, weather, wind direction and tides, and there's a computer that identifies ships as they go by.\u003c/p>\n\u003cp>\"I think when we first visited the piers we all realized what an opportunity this was for us to explore the world around us, rather than the kind of world in a kind of test tube,\" says Susan Schwartzenberg, who works with Martin on the Bay Observatory.\u003c/p>\n\u003cfigure id=\"attachment_51349\" class=\"wp-caption alignright\" style=\"max-width: 167px\">\u003ca href=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/oppenheimer.jpg\">\u003cimg class=\"wp-image-51349 \" src=\"http://ww2.kqed.org/quest/wp-content/uploads/sites/39/2013/03/oppenheimer-239x360.jpg\" alt=\"Physicist and teacher Frank Oppenheimer founded the Exploratorium in 1969. (Courtesy of the Exploratorium) \" width=\"167\" height=\"252\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Physicist and teacher Frank Oppenheimer founded the Exploratorium in 1969. (Courtesy of the Exploratorium)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sticking With a Tradition of Staying in Flux\u003c/strong>\u003c/p>\n\u003cp>Some things won’t change. The shop is still in the middle, and familiar exhibits like the tornado are here, too. The old tactile dome didn’t make the move, but they're building a new one.\u003c/p>\n\u003cp>The Exploratorium has been a pioneer in the world of interactive, hands-on science education for over four decades. And when it's ready to unveil its new home, Rockwell says, it will still be a work in progress.\u003c/p>\n\u003cp>\"We keep on reminding ourselves we don’t want to open too finished,\" he says. \"We have a lot of projects that we will open with prototypes, with things that we’re going to start learning from and then keep on changing and evolving as we go.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Exploratorium is scheduled to reopen to the public -- prototypes and all -- on April 17.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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},
"radiolab": {
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"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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