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"content": "\u003ch3>\u003cem>The KQED Arts & Culture and Science teams receive Emmy Awards for the second consecutive year.\u003c/em>\u003c/h3>\n\u003cp>\u003cem>San Francisco, CA\u003c/em> -- KQED has been honored with two Northern California Emmy® awards by the National Academy of Television Arts & Sciences (NATAS). The 49th Emmy® ceremony, held Saturday, June 6, for the first time virtually via livestream, honored excellence in all fields of television and online production.\u003c/p>\n\u003cp>KQED Arts & Culture received an Emmy for \u003ca href=\"https://www.youtube.com/watch?v=OAVdRvF0Nq4&t=238s\">“Portraits of Napa Workers: Arlene Correa Valencia” \u003c/a>in the Public/Current/Community Affairs-Feature/Segment category\u003cstrong>.\u003c/strong> The video features Mexican artist Arleene Correa Valencia, who strives to show the resilience and tireless work ethic of her Latinx community. The episode is part of \u003ca href=\"https://www.kqed.org/represent\">KQED Arts’ \u003cem>Represent \u003c/em>series\u003c/a>, which profiles artists who celebrate and uplift the experiences of their communities.\u003c/p>\n\u003cp>“I’m thrilled that KQED Arts & Culture has once again been recognized by the Northern California Emmys for our work and commitment to the Bay Area’s diverse artistic communities,” said David Markus, Executive in Charge for KQED Arts & Culture.\u003c/p>\n\u003cp>KQED Science’s \u003cem>Deep Look\u003c/em> won an Emmy award for \u003ca href=\"https://www.youtube.com/watch?v=l_JP3RbJ8zk\">“The Curious Webspinner Insect Knits a Cozy Home”\u003c/a> in the Health/Science/Environment-Feature/Segment category\u003cstrong>.\u003c/strong> The video showed how female webspinners build their own shelter with super-fine silk from their front feet. A collaboration between KQED Science and PBS, the \u003cem>\u003ca href=\"https://www.kqed.org/deeplook\">Deep Look\u003c/a> \u003c/em>series explores some of nature’s biggest mysteries by going incredibly small.\u003c/p>\n\u003cp>“I’m so proud of our \u003cem>Deep Look \u003c/em>team for their fourth Emmy win and their dedication to producing quality educational programming,” said Sue Ellen McCann, Executive in Charge of KQED Science.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other KQED nominations included \u003ca href=\"https://www.kqed.org/arts/13867857/jonathan-calm\">“Jonathan Calm Revisits ‘Green Book’ Locations in Search of America’s Past and Present,”\u003c/a> which is also part of KQED Arts & Culture’s \u003cem>Represent\u003c/em> series. The video features photographer Jonathan Calm revisiting sites mentioned in \u003cem>The Negro Motorist Green Book\u003c/em>, a guidebook published between 1936 and 1966 that alerted African Americans to sites that were safe to visit during the Jim Crow era. \u003cem>Deep Look \u003c/em>was also nominated for \u003ca href=\"https://www.kqed.org/science/1947369/kidnapper-ants-steal-other-ants-babies-and-brainwash-them\">“Kidnapper Ants Steal Other Ants' Babies - and Brainwash Them,”\u003c/a> which features a type of ant that raids the nests of other ants, kidnapping their babies and claiming them as their own.\u003c/p>\n\u003cp>\u003cstrong>Award Winners\u003c/strong>\u003cbr>\n\u003ca href=\"https://www.youtube.com/watch?v=OAVdRvF0Nq4&t=238s\">\u003cstrong>“Portraits of Napa Workers: Arleene Correa Valencia”\u003c/strong>\u003c/a> Kelly Whalen, producer; Armando Aparicio, director/director of photography; Elie Khadra, editor\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=l_JP3RbJ8zk\">\u003cstrong>“This Curious Webspinner Insect Knits a Cozy Home”\u003c/strong>\u003c/a> Gabriela V. Quiros, coordinating producer; Craig Rosa, series producer; Jenny Oh, producer/writer/editor; Joshua Cassidy, cinematographer; Kia Simon, editor/motion graphics; Seth Samuel, composer; Shirley Gutierrez, sound mix/video mastering\u003c/p>\n\u003cp>\u003cstrong>Nominated\u003c/strong>\u003cbr>\n\u003ca href=\"https://www.kqed.org/arts/13867857/jonathan-calm\">\u003cstrong>“Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present\u003c/strong>\u003c/a>\u003cstrong>” \u003c/strong>\u003cbr>\nKelly Whalen, producer; Serginho Roosblad, director/director of photography; Elie Khadra, editor\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/science/1947369/kidnapper-ants-steal-other-ants-babies-and-brainwash-them\">\u003cstrong>“Deep Look: Kidnapper Ants Steal Other Ants' Babies - And Brainwash Them\u003c/strong>\u003c/a>\u003cstrong>”\u003c/strong>\u003cbr>\nJoshua Cassidy, producer/writer/cinematographer; Gabriela V. Quiros, coordinating producer; Craig Rosa, series producer; Kia Simon, editor/motion graphics; Seth Samuel, composer; Shirley Gutierrez, sound mix/video mastering\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS member station based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"https://www.kqed.org/news/program/kqed-newsroom\">\u003cstrong>kqed.org\u003c/strong>\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch3>\u003cem>The KQED Arts & Culture and Science teams receive Emmy Awards for the second consecutive year.\u003c/em>\u003c/h3>\n\u003cp>\u003cem>San Francisco, CA\u003c/em> -- KQED has been honored with two Northern California Emmy® awards by the National Academy of Television Arts & Sciences (NATAS). The 49th Emmy® ceremony, held Saturday, June 6, for the first time virtually via livestream, honored excellence in all fields of television and online production.\u003c/p>\n\u003cp>KQED Arts & Culture received an Emmy for \u003ca href=\"https://www.youtube.com/watch?v=OAVdRvF0Nq4&t=238s\">“Portraits of Napa Workers: Arlene Correa Valencia” \u003c/a>in the Public/Current/Community Affairs-Feature/Segment category\u003cstrong>.\u003c/strong> The video features Mexican artist Arleene Correa Valencia, who strives to show the resilience and tireless work ethic of her Latinx community. The episode is part of \u003ca href=\"https://www.kqed.org/represent\">KQED Arts’ \u003cem>Represent \u003c/em>series\u003c/a>, which profiles artists who celebrate and uplift the experiences of their communities.\u003c/p>\n\u003cp>“I’m thrilled that KQED Arts & Culture has once again been recognized by the Northern California Emmys for our work and commitment to the Bay Area’s diverse artistic communities,” said David Markus, Executive in Charge for KQED Arts & Culture.\u003c/p>\n\u003cp>KQED Science’s \u003cem>Deep Look\u003c/em> won an Emmy award for \u003ca href=\"https://www.youtube.com/watch?v=l_JP3RbJ8zk\">“The Curious Webspinner Insect Knits a Cozy Home”\u003c/a> in the Health/Science/Environment-Feature/Segment category\u003cstrong>.\u003c/strong> The video showed how female webspinners build their own shelter with super-fine silk from their front feet. A collaboration between KQED Science and PBS, the \u003cem>\u003ca href=\"https://www.kqed.org/deeplook\">Deep Look\u003c/a> \u003c/em>series explores some of nature’s biggest mysteries by going incredibly small.\u003c/p>\n\u003cp>“I’m so proud of our \u003cem>Deep Look \u003c/em>team for their fourth Emmy win and their dedication to producing quality educational programming,” said Sue Ellen McCann, Executive in Charge of KQED Science.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other KQED nominations included \u003ca href=\"https://www.kqed.org/arts/13867857/jonathan-calm\">“Jonathan Calm Revisits ‘Green Book’ Locations in Search of America’s Past and Present,”\u003c/a> which is also part of KQED Arts & Culture’s \u003cem>Represent\u003c/em> series. The video features photographer Jonathan Calm revisiting sites mentioned in \u003cem>The Negro Motorist Green Book\u003c/em>, a guidebook published between 1936 and 1966 that alerted African Americans to sites that were safe to visit during the Jim Crow era. \u003cem>Deep Look \u003c/em>was also nominated for \u003ca href=\"https://www.kqed.org/science/1947369/kidnapper-ants-steal-other-ants-babies-and-brainwash-them\">“Kidnapper Ants Steal Other Ants' Babies - and Brainwash Them,”\u003c/a> which features a type of ant that raids the nests of other ants, kidnapping their babies and claiming them as their own.\u003c/p>\n\u003cp>\u003cstrong>Award Winners\u003c/strong>\u003cbr>\n\u003ca href=\"https://www.youtube.com/watch?v=OAVdRvF0Nq4&t=238s\">\u003cstrong>“Portraits of Napa Workers: Arleene Correa Valencia”\u003c/strong>\u003c/a> Kelly Whalen, producer; Armando Aparicio, director/director of photography; Elie Khadra, editor\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=l_JP3RbJ8zk\">\u003cstrong>“This Curious Webspinner Insect Knits a Cozy Home”\u003c/strong>\u003c/a> Gabriela V. Quiros, coordinating producer; Craig Rosa, series producer; Jenny Oh, producer/writer/editor; Joshua Cassidy, cinematographer; Kia Simon, editor/motion graphics; Seth Samuel, composer; Shirley Gutierrez, sound mix/video mastering\u003c/p>\n\u003cp>\u003cstrong>Nominated\u003c/strong>\u003cbr>\n\u003ca href=\"https://www.kqed.org/arts/13867857/jonathan-calm\">\u003cstrong>“Jonathan Calm Revisits 'Green Book' Locations in Search of America's Past and Present\u003c/strong>\u003c/a>\u003cstrong>” \u003c/strong>\u003cbr>\nKelly Whalen, producer; Serginho Roosblad, director/director of photography; Elie Khadra, editor\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/science/1947369/kidnapper-ants-steal-other-ants-babies-and-brainwash-them\">\u003cstrong>“Deep Look: Kidnapper Ants Steal Other Ants' Babies - And Brainwash Them\u003c/strong>\u003c/a>\u003cstrong>”\u003c/strong>\u003cbr>\nJoshua Cassidy, producer/writer/cinematographer; Gabriela V. Quiros, coordinating producer; Craig Rosa, series producer; Kia Simon, editor/motion graphics; Seth Samuel, composer; Shirley Gutierrez, sound mix/video mastering\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS member station based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"https://www.kqed.org/news/program/kqed-newsroom\">\u003cstrong>kqed.org\u003c/strong>\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>The interactive storytelling series The Voicebot Chronicles and the digital video series If Cities Could Dance were honored with prestigious 2020 Webby Awards at this year’s virtual ceremony\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>KQED is the proud recipient of two 2020 Webby Awards for \u003ca href=\"https://www.kqed.org/news/11791693/the-voicebot-chronicles-kqed-interactive-series-comes-to-alexa-and-google-assistant\">\u003cem>The Voicebot Chronicles\u003c/em>\u003c/a>, an interactive storytelling series produced exclusively for smart speakers, and for \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">\u003cem>If Cities Could Dance\u003c/em>,\u003c/a> the digital video series that invites dancers nationwide to interpret and evoke the spirit and cultural legacies of their cities through their art form. KQED also received a nomination for \u003ca href=\"https://www.youtube.com/channel/UC-3SbfTPJsL8fJAPKiVqBLg?sub_confirmation=1\">\u003cem>Deep Look\u003c/em>\u003c/a>, the video series that gets up close to some of nature’s smallest creatures. Over 24 years, the \u003ca href=\"https://www.webbyawards.com/\">Webby Awards\u003c/a> have become the leading international award honoring excellence online, with prizes chosen by a group of over 2,000 judges through the \u003ca href=\"https://www.iadas.net/\">International Academy of Digital Arts and Sciences\u003c/a>, and a second winner designated by popular vote.\u003c/p>\n\u003cp>“We couldn’t be more excited for the KQED productions honored at the year’s Webby Awards,” says Holly Kernan, KQED Chief Content Officer. “It’s not only recognition for the hard work of these talented teams, but we also hope these awards will bring new attention and audiences to this work.”\u003c/p>\n\u003cp>KQED News won in the Apps, Mobile and Voice category for Best Writing for \u003cem>The Voicebot Chronicles,\u003c/em> an interactive series produced exclusively for smart speakers. Hosted by Chloe Veltman and produced by Lowell Robinson, Bianca Taylor, Erika Kelly and Rob Speight, the first-of-its-kind series explores how to navigate a world where humans are becoming increasingly more reliant on voice technology. The story is responsive to users, who are given prompts and asked a host of questions as part of the story. At the “Webbys from Home” ceremony, Cathy Pearl from Google awarded the prize, which was accepted by Amazon’s Alexa with \u003ca href=\"https://webbysfromhome.com/speech/BaFCtZaKJ83CDLBNM5e6\">this 5 word speech\u003c/a> on behalf of the KQED News team.\u003c/p>\n\u003cp>“KQED has long been at the forefront in public media for producing innovative content for a variety of platforms and mediums, adds Kernan. “We want to meet audiences where they are migrating to, but also we want to harness these new technologies to unlock new possibilities for the very nature of our storytelling and reporting, and \u003cem>If Cities Could Dance\u003c/em> is a great example of that as well.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The KQED Arts digital video series \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a> won a Webby in the Video category for Travel & Lifestyle. The \u003cem>If Cities Could Dance \u003c/em>production team, which includes Kelly Whalen, Claudia Escobar, Charlotte Buchen Khadra and Masha Pershay, has collaborated with local filmmakers in Detroit; Minneapolis; Washington, D.C.; Memphis; New Orleans; San Juan, Puerto Rico; and other cities. This is the series’ second Webby Award in two years. The third season premiered on May 5, 2020. All episodes are available for free at \u003ca href=\"https://www.kqed.org/arts/\">kqed.org/arts\u003c/a> and the KQED Arts \u003ca href=\"https://www.youtube.com/user/KQEDart/videos\">YouTube channel\u003c/a>.\u003c/p>\n\u003cp>KQED also received a nomination in the Video category for Science & Education for its digital video series, \u003ca href=\"https://www.youtube.com/channel/UC-3SbfTPJsL8fJAPKiVqBLg?sub_confirmation=1\">\u003cem>Deep Look\u003c/em>\u003c/a>. Presented in collaboration with \u003ca href=\"https://www.youtube.com/user/pbsdigitalstudios\">PBS Digital Studies\u003c/a>, \u003cem>Deep Look\u003c/em> reveals the small and often hidden worlds in nature. The production team behind \u003cem>Deep Look \u003c/em>includes host Laura Klivans, series producer Craig Rosa, lead producer and cinematographer Josh Cassidy, coordinating producer Gabriela Quirós and producers Jenny Oh and Mike Seely.\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>The interactive storytelling series The Voicebot Chronicles and the digital video series If Cities Could Dance were honored with prestigious 2020 Webby Awards at this year’s virtual ceremony\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>KQED is the proud recipient of two 2020 Webby Awards for \u003ca href=\"https://www.kqed.org/news/11791693/the-voicebot-chronicles-kqed-interactive-series-comes-to-alexa-and-google-assistant\">\u003cem>The Voicebot Chronicles\u003c/em>\u003c/a>, an interactive storytelling series produced exclusively for smart speakers, and for \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">\u003cem>If Cities Could Dance\u003c/em>,\u003c/a> the digital video series that invites dancers nationwide to interpret and evoke the spirit and cultural legacies of their cities through their art form. KQED also received a nomination for \u003ca href=\"https://www.youtube.com/channel/UC-3SbfTPJsL8fJAPKiVqBLg?sub_confirmation=1\">\u003cem>Deep Look\u003c/em>\u003c/a>, the video series that gets up close to some of nature’s smallest creatures. Over 24 years, the \u003ca href=\"https://www.webbyawards.com/\">Webby Awards\u003c/a> have become the leading international award honoring excellence online, with prizes chosen by a group of over 2,000 judges through the \u003ca href=\"https://www.iadas.net/\">International Academy of Digital Arts and Sciences\u003c/a>, and a second winner designated by popular vote.\u003c/p>\n\u003cp>“We couldn’t be more excited for the KQED productions honored at the year’s Webby Awards,” says Holly Kernan, KQED Chief Content Officer. “It’s not only recognition for the hard work of these talented teams, but we also hope these awards will bring new attention and audiences to this work.”\u003c/p>\n\u003cp>KQED News won in the Apps, Mobile and Voice category for Best Writing for \u003cem>The Voicebot Chronicles,\u003c/em> an interactive series produced exclusively for smart speakers. Hosted by Chloe Veltman and produced by Lowell Robinson, Bianca Taylor, Erika Kelly and Rob Speight, the first-of-its-kind series explores how to navigate a world where humans are becoming increasingly more reliant on voice technology. The story is responsive to users, who are given prompts and asked a host of questions as part of the story. At the “Webbys from Home” ceremony, Cathy Pearl from Google awarded the prize, which was accepted by Amazon’s Alexa with \u003ca href=\"https://webbysfromhome.com/speech/BaFCtZaKJ83CDLBNM5e6\">this 5 word speech\u003c/a> on behalf of the KQED News team.\u003c/p>\n\u003cp>“KQED has long been at the forefront in public media for producing innovative content for a variety of platforms and mediums, adds Kernan. “We want to meet audiences where they are migrating to, but also we want to harness these new technologies to unlock new possibilities for the very nature of our storytelling and reporting, and \u003cem>If Cities Could Dance\u003c/em> is a great example of that as well.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The KQED Arts digital video series \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a> won a Webby in the Video category for Travel & Lifestyle. The \u003cem>If Cities Could Dance \u003c/em>production team, which includes Kelly Whalen, Claudia Escobar, Charlotte Buchen Khadra and Masha Pershay, has collaborated with local filmmakers in Detroit; Minneapolis; Washington, D.C.; Memphis; New Orleans; San Juan, Puerto Rico; and other cities. This is the series’ second Webby Award in two years. The third season premiered on May 5, 2020. All episodes are available for free at \u003ca href=\"https://www.kqed.org/arts/\">kqed.org/arts\u003c/a> and the KQED Arts \u003ca href=\"https://www.youtube.com/user/KQEDart/videos\">YouTube channel\u003c/a>.\u003c/p>\n\u003cp>KQED also received a nomination in the Video category for Science & Education for its digital video series, \u003ca href=\"https://www.youtube.com/channel/UC-3SbfTPJsL8fJAPKiVqBLg?sub_confirmation=1\">\u003cem>Deep Look\u003c/em>\u003c/a>. Presented in collaboration with \u003ca href=\"https://www.youtube.com/user/pbsdigitalstudios\">PBS Digital Studies\u003c/a>, \u003cem>Deep Look\u003c/em> reveals the small and often hidden worlds in nature. The production team behind \u003cem>Deep Look \u003c/em>includes host Laura Klivans, series producer Craig Rosa, lead producer and cinematographer Josh Cassidy, coordinating producer Gabriela Quirós and producers Jenny Oh and Mike Seely.\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>KQED is the proud recipient of six regional Edward R. Murrow Awards from the Radio Television Digital News Association (RTDNA). The awards recognize the best journalism produced by radio, television and digital news organizations around the world.\u003c/p>\n\u003cp>KQED received an award for \u003cstrong>Breaking News Coverage\u003c/strong> for its field reporting on the \u003ca href=\"https://od1.kqed.org/anon.kqed/radio/2020/02/October242019DillonVenton2way.mp3\">\u003cu>Kincade Fire\u003c/u>\u003c/a>. The reporting done for this involved the work of Michelle Wiley, Danielle Venton, Raquel Maria Dillon, Dan Brekke, Tiffany Camhi, Jeremy Siegel, Vanessa Rancaño, Kevin Stark, Lily Jamali, Alex Emslie and the entire KQED newsroom.\u003c/p>\n\u003cp>KQED’s podcast \u003ca href=\"https://www.kqed.org/podcasts/thebay\">\u003cem>\u003cu>The Bay\u003c/u>\u003c/em>\u003c/a> took home an \u003cstrong>Excellence in Innovation \u003c/strong>honor. Over the past year, the daily news podcast has covered everything from the politicized nature of space on BART to how race shaped the media’s coverage of the Orinda party house shooting. \u003cem>The Bay\u003c/em> podcast includes the work and contributions of host Devin Katayama, Marisol Medina-Cadena, Erika Aguilar, producer Ericka Cruz Guevarra and editor Alan Montecillo.\u003c/p>\n\u003cp>KQED’s reporting on the \u003ca href=\"https://www.kqed.org/news/11721015/the-big-fight-over-a-small-school-in-oakland-what-you-need-to-know\">\u003cu>Oakland Unified School District Closures\u003c/u> \u003c/a>also earned a Murrow distinction in the \u003cstrong>Continuing Coverage\u003c/strong> category. Key collaborators on this coverage include reporters Vanessa Rancaño, Julia McEvoy and Matthew Green.\u003c/p>\n\u003cp>KQED received an award in \u003cstrong>Excellence in Social Media\u003c/strong> for \u003ca href=\"https://www.reddit.com/r/bayarea/comments/dg6iao/are_you_getting_outage_anxiety/\">\u003cu>When the Lights Go Out: Preparing the Bay Area for Power Shutoffs\u003c/u>\u003c/a>. This project helped spread crucial reporting on the PG&E shutoffs and offered audiences a space to engage with KQED’s reporters. This initiative was made possible by the work of Bianca Hernandez, Carly Severn, David Marks, Julia B. Chan and KQED digital and audience teams.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11749650/blind-since-birth-this-petaluma-man-now-designs-how-products-sound\">\u003cu>Hoby Wedler Thinks About How Your Water Bottle Sounds\u003c/u>\u003c/a>, a story by Sam Harnett and Chris Hoff about a man who helps brands ‘design’ the sound of their products, received a distinction in the \u003cstrong>Excellence in Sound\u003c/strong> category.\u003c/p>\n\u003cp>In the \u003cstrong>Investigative Reporting \u003c/strong>category, KQED was acknowledged for \u003ca href=\"https://www.kqed.org/news/11749447/who-do-you-call-for-help-when-your-abuser-is-a-cop\">\u003cu>Who Do You Call for Help When Your Abuser Is a Cop?\u003c/u>\u003c/a> The reporting is part of the California Reporting Project, a collaboration between news organizations to collect and analyze internal police misconduct records that have been released under state law. KQED’s Sukey Lewis, Alex Emslie and David Marks played a key role in this collaboration.\u003c/p>\n\u003cp>KQED also shared an award for a statewide collaboration with KPCC and California Dream Project in the \u003cstrong>Excellence in Multimedia\u003c/strong> category for \u003ca href=\"https://grayingcalifornia.org/\">\u003cu>Graying California\u003c/u>\u003c/a>, a project chronicling California’s fastest-growing age group in the state.\u003c/p>\n\u003cp>“It’s great to see KQED journalists and our journalism recognized for their accountability reporting and powerful storytelling. The range and breadth of this coverage is impressive and our audiences are responding and need our services more than ever, particularly during our current crisis,” says Holly Kernan, KQED’s Chief Content Officer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>All the winners now move on to be considered for national awards. A complete list of the 2020 Regional Edward R. Murrow Awards winners can be found at \u003cu>rtdna.org\u003c/u>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>KQED is the proud recipient of six regional Edward R. Murrow Awards from the Radio Television Digital News Association (RTDNA). The awards recognize the best journalism produced by radio, television and digital news organizations around the world.\u003c/p>\n\u003cp>KQED received an award for \u003cstrong>Breaking News Coverage\u003c/strong> for its field reporting on the \u003ca href=\"https://od1.kqed.org/anon.kqed/radio/2020/02/October242019DillonVenton2way.mp3\">\u003cu>Kincade Fire\u003c/u>\u003c/a>. The reporting done for this involved the work of Michelle Wiley, Danielle Venton, Raquel Maria Dillon, Dan Brekke, Tiffany Camhi, Jeremy Siegel, Vanessa Rancaño, Kevin Stark, Lily Jamali, Alex Emslie and the entire KQED newsroom.\u003c/p>\n\u003cp>KQED’s podcast \u003ca href=\"https://www.kqed.org/podcasts/thebay\">\u003cem>\u003cu>The Bay\u003c/u>\u003c/em>\u003c/a> took home an \u003cstrong>Excellence in Innovation \u003c/strong>honor. Over the past year, the daily news podcast has covered everything from the politicized nature of space on BART to how race shaped the media’s coverage of the Orinda party house shooting. \u003cem>The Bay\u003c/em> podcast includes the work and contributions of host Devin Katayama, Marisol Medina-Cadena, Erika Aguilar, producer Ericka Cruz Guevarra and editor Alan Montecillo.\u003c/p>\n\u003cp>KQED’s reporting on the \u003ca href=\"https://www.kqed.org/news/11721015/the-big-fight-over-a-small-school-in-oakland-what-you-need-to-know\">\u003cu>Oakland Unified School District Closures\u003c/u> \u003c/a>also earned a Murrow distinction in the \u003cstrong>Continuing Coverage\u003c/strong> category. Key collaborators on this coverage include reporters Vanessa Rancaño, Julia McEvoy and Matthew Green.\u003c/p>\n\u003cp>KQED received an award in \u003cstrong>Excellence in Social Media\u003c/strong> for \u003ca href=\"https://www.reddit.com/r/bayarea/comments/dg6iao/are_you_getting_outage_anxiety/\">\u003cu>When the Lights Go Out: Preparing the Bay Area for Power Shutoffs\u003c/u>\u003c/a>. This project helped spread crucial reporting on the PG&E shutoffs and offered audiences a space to engage with KQED’s reporters. This initiative was made possible by the work of Bianca Hernandez, Carly Severn, David Marks, Julia B. Chan and KQED digital and audience teams.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11749650/blind-since-birth-this-petaluma-man-now-designs-how-products-sound\">\u003cu>Hoby Wedler Thinks About How Your Water Bottle Sounds\u003c/u>\u003c/a>, a story by Sam Harnett and Chris Hoff about a man who helps brands ‘design’ the sound of their products, received a distinction in the \u003cstrong>Excellence in Sound\u003c/strong> category.\u003c/p>\n\u003cp>In the \u003cstrong>Investigative Reporting \u003c/strong>category, KQED was acknowledged for \u003ca href=\"https://www.kqed.org/news/11749447/who-do-you-call-for-help-when-your-abuser-is-a-cop\">\u003cu>Who Do You Call for Help When Your Abuser Is a Cop?\u003c/u>\u003c/a> The reporting is part of the California Reporting Project, a collaboration between news organizations to collect and analyze internal police misconduct records that have been released under state law. KQED’s Sukey Lewis, Alex Emslie and David Marks played a key role in this collaboration.\u003c/p>\n\u003cp>KQED also shared an award for a statewide collaboration with KPCC and California Dream Project in the \u003cstrong>Excellence in Multimedia\u003c/strong> category for \u003ca href=\"https://grayingcalifornia.org/\">\u003cu>Graying California\u003c/u>\u003c/a>, a project chronicling California’s fastest-growing age group in the state.\u003c/p>\n\u003cp>“It’s great to see KQED journalists and our journalism recognized for their accountability reporting and powerful storytelling. The range and breadth of this coverage is impressive and our audiences are responding and need our services more than ever, particularly during our current crisis,” says Holly Kernan, KQED’s Chief Content Officer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>All the winners now move on to be considered for national awards. A complete list of the 2020 Regional Edward R. Murrow Awards winners can be found at \u003cu>rtdna.org\u003c/u>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Webby Award-Winning 'If Cities Could Dance' Docuseries Is Back!",
"title": "Webby Award-Winning 'If Cities Could Dance' Docuseries Is Back!",
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"content": "\u003cp>\u003cem>Each video in the series profiles dancers who represent their city through movement. The third season begins May 5.\u003c/em>\u003c/p>\n\u003cp>KQED’s Webby Award\u003csub>-\u003c/sub>winning video series \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a> is back for a third season premiering Tuesday, May 5. The series travels to cities across the United States, where series staff collaborate with local filmmakers to introduce dancers who are continuing their city’s cultural traditions through dance.\u003c/p>\n\u003cp>In each episode, dancers use historical landmarks, favorite murals and everyday city blocks as their stage, moving to the rhythm of their city’s past, present and future. This season, meet movement artists in Washington, DC.; San Francisco; Albuquerque; Houston; and San Juan, Puerto Rico, who are passing on their city’s dance traditions to a new generation.\u003c/p>\n\u003cp>For the season premiere, we travel to Washington, DC, to visit John “Crazy Legz” Pearson of Who Got Moves Battle League, who is breathing life back into a street dance scene many believed to be dying off. At the heart of this episode is the story of cultural resilience in the face of displacement of DC’s black communities and the rise of a people-powered movement against gentrification: #DontMuteDC. The episode features the dance style, Go-Go, a call-and-response genre of funk and Afro-Latin rhythms, ubiquitous in DC's black neighborhoods. Since filming, political leaders and organizers moved to make go-go music the official sound of DC.\u003c/p>\n\u003cp>Subsequent episodes will post every other Tuesday through June 30, 2020, and are available to watch for free at \u003ca href=\"https://www.kqed.org/arts\">kqed.org/arts\u003c/a> and also our YouTube channel at \u003ca href=\"https://www.youtube.com/user/KQEDart\">youtube.com/kqedart\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Watch the third season trailer \u003ca href=\"https://www.youtube.com/watch?v=uzE3PsaqOa0\">here.\u003c/a>\u003c/p>\n\u003ch1>\u003cu>New Season Schedule\u003c/u>\u003c/h1>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Washington DC: Beat Ya Feet \u003c/strong>\u003cbr>\nMay 5, 2020\u003cbr>\nJohn “Crazy Legz” Pearson, founder of battle league Who Got Moves Battle League, is breathing life back into a street dance scene many believed to be dying off. At the heart of Beat Ya Feet dance style is the music: Go-Go, a call-and-response genre of funk and Afro-Latin rhythms, ubiquitous in DC's black neighborhoods. When #DontMuteDC went viral last year, Legz and his crew helped build the momentum to make sure black culture doesn’t get erased. The activism led to new legislation, making Go-Go the official sound of the city.\u003c/p>\n\u003cp>\u003cstrong>San Francisco: Chicanx/Latinx Tap Dancing (Zapatap)\u003c/strong>\u003cbr>\nMay 19, 2020\u003cbr>\nIn this episode, all-female rhythm ensemble La Mezcla performs dynamic tap choreography in front of iconic San Francisco Mission murals and landmarks, then bring us back to the 1940s West Coast Zoot Suit era, a moment when young Mexican American women proudly repped their Chicana identities. Rocking big hair and flashy zoot suits, the women of La Mezcla reclaim this early history, combining tap with \u003cem>Son Jarocho\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>San Juan, Puerto Rico: Bomba\u003c/strong>\u003cbr>\nJune 2, 2020\u003cbr>\nThe origins of Bomba lie in the African diaspora and evolved to include indigenous Taîno and Spanish influences. Despite being marginalized for years, the dance, which celebrates resistance and survival, was never lost. In this episode, meet Mar and Maria Cruz of Se Baila Bomba, who continue the vital tradition of Bomba dance and Afropuertorriqueño culture in San Juan and Loiza\u003c/p>\n\u003cp>\u003cstrong>Albuquerque: Native American Contemporary\u003c/strong>\u003cbr>\nJune 16, 2020\u003cbr>\nIn Albuquerque, see how an intertribal generation creates sacred spaces through dance. Meet Raven Bright and Anne Pesata, two dancers who weave hip-hop and indigenous traditions into a new dance form rooted in their community. Then meet Randy B, an elder of the Native hip-hop dance community who uses dance to bring urban indigenous youth together.\u003c/p>\n\u003cp>\u003cstrong>Houston: Zydeco\u003c/strong>\u003cbr>\nJune 30, 2020\u003cbr>\nTravel to Houston, Texas, home to a thriving Zydeco dance scene. Follow dancer Alexis Chavis, granddaughter of legendary zydeco musician, Wilford Chavis, into Houston’s popular culture of trail-riding and outdoor dances. Then learn how Afro-Caribbean, French Acadian and Indigenous rhythms evolved to create the unique accordion-based and washboard-driven sound, and see how this joyful partner dance has evolved with the infusion of R&B and hip-hop energy.\u003c/p>\n\u003cp>\u003cstrong>Interactive Features\u003c/strong>\u003cbr>\nAdditionally, KQED will also offer special interactive features including how-to dance videos, curated music playlists and interactive maps of each city visited. Audiences can find interactive features online at kqed.org/arts in our individual episode write-ups and all of our video content on \u003ca href=\"https://www.youtube.com/user/KQEDart\">YouTube\u003c/a> and \u003ca href=\"https://www.instagram.com/kqed_arts/\">IGTV\u003c/a>.\u003c/p>\n\u003cp>KQED is also collaborating with roughly a dozen dancers (including Atlanta-based Jalaiah Harmon, creator of the viral TikTok dance Renegade) across the country to create a dance “chain letter” of movement artists who are using this time to “shelter in dance”; that will appear in the next week on \u003ca href=\"https://www.youtube.com/user/KQEDart\">YouTube\u003c/a>, \u003ca href=\"https://www.facebook.com/kqedarts/\">Facebook\u003c/a> and \u003ca href=\"https://www.instagram.com/kqed_arts/\">Instagram\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. www.kqed.org\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Watch the third season trailer \u003ca href=\"https://www.youtube.com/watch?v=uzE3PsaqOa0\">here.\u003c/a>\u003c/p>\n\u003ch1>\u003cu>New Season Schedule\u003c/u>\u003c/h1>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>Washington DC: Beat Ya Feet \u003c/strong>\u003cbr>\nMay 5, 2020\u003cbr>\nJohn “Crazy Legz” Pearson, founder of battle league Who Got Moves Battle League, is breathing life back into a street dance scene many believed to be dying off. At the heart of Beat Ya Feet dance style is the music: Go-Go, a call-and-response genre of funk and Afro-Latin rhythms, ubiquitous in DC's black neighborhoods. When #DontMuteDC went viral last year, Legz and his crew helped build the momentum to make sure black culture doesn’t get erased. The activism led to new legislation, making Go-Go the official sound of the city.\u003c/p>\n\u003cp>\u003cstrong>San Francisco: Chicanx/Latinx Tap Dancing (Zapatap)\u003c/strong>\u003cbr>\nMay 19, 2020\u003cbr>\nIn this episode, all-female rhythm ensemble La Mezcla performs dynamic tap choreography in front of iconic San Francisco Mission murals and landmarks, then bring us back to the 1940s West Coast Zoot Suit era, a moment when young Mexican American women proudly repped their Chicana identities. Rocking big hair and flashy zoot suits, the women of La Mezcla reclaim this early history, combining tap with \u003cem>Son Jarocho\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>San Juan, Puerto Rico: Bomba\u003c/strong>\u003cbr>\nJune 2, 2020\u003cbr>\nThe origins of Bomba lie in the African diaspora and evolved to include indigenous Taîno and Spanish influences. Despite being marginalized for years, the dance, which celebrates resistance and survival, was never lost. In this episode, meet Mar and Maria Cruz of Se Baila Bomba, who continue the vital tradition of Bomba dance and Afropuertorriqueño culture in San Juan and Loiza\u003c/p>\n\u003cp>\u003cstrong>Albuquerque: Native American Contemporary\u003c/strong>\u003cbr>\nJune 16, 2020\u003cbr>\nIn Albuquerque, see how an intertribal generation creates sacred spaces through dance. Meet Raven Bright and Anne Pesata, two dancers who weave hip-hop and indigenous traditions into a new dance form rooted in their community. Then meet Randy B, an elder of the Native hip-hop dance community who uses dance to bring urban indigenous youth together.\u003c/p>\n\u003cp>\u003cstrong>Houston: Zydeco\u003c/strong>\u003cbr>\nJune 30, 2020\u003cbr>\nTravel to Houston, Texas, home to a thriving Zydeco dance scene. Follow dancer Alexis Chavis, granddaughter of legendary zydeco musician, Wilford Chavis, into Houston’s popular culture of trail-riding and outdoor dances. Then learn how Afro-Caribbean, French Acadian and Indigenous rhythms evolved to create the unique accordion-based and washboard-driven sound, and see how this joyful partner dance has evolved with the infusion of R&B and hip-hop energy.\u003c/p>\n\u003cp>\u003cstrong>Interactive Features\u003c/strong>\u003cbr>\nAdditionally, KQED will also offer special interactive features including how-to dance videos, curated music playlists and interactive maps of each city visited. Audiences can find interactive features online at kqed.org/arts in our individual episode write-ups and all of our video content on \u003ca href=\"https://www.youtube.com/user/KQEDart\">YouTube\u003c/a> and \u003ca href=\"https://www.instagram.com/kqed_arts/\">IGTV\u003c/a>.\u003c/p>\n\u003cp>KQED is also collaborating with roughly a dozen dancers (including Atlanta-based Jalaiah Harmon, creator of the viral TikTok dance Renegade) across the country to create a dance “chain letter” of movement artists who are using this time to “shelter in dance”; that will appear in the next week on \u003ca href=\"https://www.youtube.com/user/KQEDart\">YouTube\u003c/a>, \u003ca href=\"https://www.facebook.com/kqedarts/\">Facebook\u003c/a> and \u003ca href=\"https://www.instagram.com/kqed_arts/\">Instagram\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. www.kqed.org\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>The most ambitious television chronicle of the Asian American story in the United States premieres as part of Asian Pacific American Heritage Month\u003c/em>\u003c/p>\n\u003cp>\u003cem>San Francisco, CA\u003c/em>\u003cem>; May 1, 2020\u003c/em> – \u003ca href=\"https://www.pbs.org/show/asian-americans/\">\u003cem>Asian Americans\u003c/em>\u003c/a>, a new five-part documentary series from PBS, will premiere on May 11 and May 12 on KQED 9 in the Bay Area. The series examines the roles of Asian Americans, one of the fastest-growing racial and ethnic groups in the United States, in shaping America’s past, present and future.\u003c/p>\n\u003cp>The series explores the initial wave of Asian immigrants in the 1850s, identity politics during the social and cultural turmoil of the 20\u003csup>th\u003c/sup> century and the current refugee crisis. It illuminates how a group of people — who were long excluded, faced racist policies and were considered outsiders – continue to persevere and remain resilient while pursuing the American Dream of opportunity and a better life.\u003c/p>\n\u003cp>Led by a team of Asian American filmmakers, including Academy Award-nominated series producer Renee Tajima-Peña (\u003cem>Who Killed Vincent Chin?, \u003c/em>\u003cem>No Más Bebés\u003c/em>), the series features powerful first-person stories and vivid historical accounts. And it raises an important question for all Americans: As the United States becomes more diverse yet more divided, how do we move forward together?\u003c/p>\n\u003cp>All five episodes of \u003cem>Asian Americans\u003c/em> will premiere over two nights — \u003cstrong>Monday, May 11 and Tuesday, May 12, at 8pm on KQED 9 \u003c/strong>— with streaming available online at \u003ca href=\"https://video.kqed.org/\">video.kqed.org\u003c/a> and on the free \u003ca href=\"https://www.pbs.org/pbs-video-app/\">PBS Video App\u003c/a>.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Virtual Live Event\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem>Asian Americans: Evolution of the Asian American Voice\u003cbr>\n\u003c/em>\u003c/strong>Tuesday, May 5 at 6pm\u003cbr>\nFree; RSVP \u003ca href=\"https://www.kqed.org/events/103013147096\">link\u003c/a>\u003c/p>\n\u003cp>Presented in partnership with \u003ca href=\"https://www.pbssocal.org/\">PBS SoCal\u003c/a>, this virtual event will offer a preview of \u003cem>Asian Americans\u003c/em> and a discussion about the evolution of the Asian American voice.\u003c/p>\n\u003cp>Representations of Asian Americans in pop culture have a history of racist stereotypes and one-dimensional depictions that continues today. Join KQED and PBS SoCal to watch clips from \u003ca href=\"https://www.pbs.org/show/asian-americans/\">\u003cem>Asian Americans\u003c/em>\u003c/a>\u003cem>, \u003c/em>followed by a discussion moderated by \u003ca href=\"https://www.kcet.org/shows/socal-wanderer\">SoCal Wanderer\u003c/a> host Rosey Alvero and featuring series producer \u003ca href=\"http://sleochiang.com/\">S. Leo Chiang\u003c/a> and sociologist/pop culture expert\u003ca href=\"http://www.nancywyuen.com\"> Nancy Wang Yuen\u003c/a>. This conversation will look at the history of Asian American representation in pop culture and media, and how Asian Americans have fought against these depictions to craft their own narratives and define a complex Asian American identity.\u003c/p>\n\u003cp>To RSVP for this free event and find more KQED events, visit \u003ca href=\"https://www.kqed.org/events\">kqed.org/events\u003c/a>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Asian Pacific American Heritage Month\u003cbr>\n\u003c/strong>\u003cem>Asian Americans \u003c/em>is presented as part of Asian Pacific American Heritage Month. To celebrate, KQED is delivering fascinating food for thought — as well as food for foodies —throughout May. On Saturday, May 9, explore the origins, history and impact of a dark time in our history in \u003cem>The Chinese Exclusion Act: American Experience\u003c/em>. Visit Vietnam with San Francisco-based indie singer-songwriter Thao Nguyen and her mother in \u003cem>Nobody Dies: A Film About a Musician, Her Mom and Vietnam. \u003c/em>And take notes as chef Ming Tsai dishes deliciousness on his cooking show on Sundays and Wednesdays, and\u003cem> Yan Can Cook \u003c/em>does just that on Saturday mornings. For more information about these and other special Asian Pacific American Heritage Month programming, visit: \u003ca href=\"http://kqed.org/about/program/heritage-months\">kqed.org/heritage\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>S\u003c/strong>\u003cstrong>upport\u003cbr>\n\u003c/strong>\u003cem>Local support for KQED’s presentation Asian Americans generously provided by the \u003c/em>\u003ca href=\"https://asianart.org/\">\u003cem>Asian Art Museum\u003c/em>\u003c/a>\u003cem>. Engage with art at a distance through digital experiences that will keep your spirits up and the inspiration flowing. Bring the Asian Art Museum into your home by visiting \u003c/em>\u003ca href=\"https://protect-us.mimecast.com/s/l6cSC829m0ujkEDAFnbQJ5?domain=asianart.org\">\u003cem>asianart.org/museumfromhome\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Major funding for Asian Americans is provided by the Corporation for Public Broadcasting (CPB); the Wallace H. Coulter Foundation; the Public Broadcasting Service (PBS); the Ford Foundation/Just Films; the National Endowment for the Humanities; The Freeman Foundation; The Arthur Vining Davis Foundations; the Carnegie Corporation of New York; the Kay Family Foundation; the Long Family Foundation; Spring Wang and California Humanities.\u003c/em>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Virtual Live Event\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem>Asian Americans: Evolution of the Asian American Voice\u003cbr>\n\u003c/em>\u003c/strong>Tuesday, May 5 at 6pm\u003cbr>\nFree; RSVP \u003ca href=\"https://www.kqed.org/events/103013147096\">link\u003c/a>\u003c/p>\n\u003cp>Presented in partnership with \u003ca href=\"https://www.pbssocal.org/\">PBS SoCal\u003c/a>, this virtual event will offer a preview of \u003cem>Asian Americans\u003c/em> and a discussion about the evolution of the Asian American voice.\u003c/p>\n\u003cp>Representations of Asian Americans in pop culture have a history of racist stereotypes and one-dimensional depictions that continues today. Join KQED and PBS SoCal to watch clips from \u003ca href=\"https://www.pbs.org/show/asian-americans/\">\u003cem>Asian Americans\u003c/em>\u003c/a>\u003cem>, \u003c/em>followed by a discussion moderated by \u003ca href=\"https://www.kcet.org/shows/socal-wanderer\">SoCal Wanderer\u003c/a> host Rosey Alvero and featuring series producer \u003ca href=\"http://sleochiang.com/\">S. Leo Chiang\u003c/a> and sociologist/pop culture expert\u003ca href=\"http://www.nancywyuen.com\"> Nancy Wang Yuen\u003c/a>. This conversation will look at the history of Asian American representation in pop culture and media, and how Asian Americans have fought against these depictions to craft their own narratives and define a complex Asian American identity.\u003c/p>\n\u003cp>To RSVP for this free event and find more KQED events, visit \u003ca href=\"https://www.kqed.org/events\">kqed.org/events\u003c/a>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Asian Pacific American Heritage Month\u003cbr>\n\u003c/strong>\u003cem>Asian Americans \u003c/em>is presented as part of Asian Pacific American Heritage Month. To celebrate, KQED is delivering fascinating food for thought — as well as food for foodies —throughout May. On Saturday, May 9, explore the origins, history and impact of a dark time in our history in \u003cem>The Chinese Exclusion Act: American Experience\u003c/em>. Visit Vietnam with San Francisco-based indie singer-songwriter Thao Nguyen and her mother in \u003cem>Nobody Dies: A Film About a Musician, Her Mom and Vietnam. \u003c/em>And take notes as chef Ming Tsai dishes deliciousness on his cooking show on Sundays and Wednesdays, and\u003cem> Yan Can Cook \u003c/em>does just that on Saturday mornings. For more information about these and other special Asian Pacific American Heritage Month programming, visit: \u003ca href=\"http://kqed.org/about/program/heritage-months\">kqed.org/heritage\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>S\u003c/strong>\u003cstrong>upport\u003cbr>\n\u003c/strong>\u003cem>Local support for KQED’s presentation Asian Americans generously provided by the \u003c/em>\u003ca href=\"https://asianart.org/\">\u003cem>Asian Art Museum\u003c/em>\u003c/a>\u003cem>. Engage with art at a distance through digital experiences that will keep your spirits up and the inspiration flowing. Bring the Asian Art Museum into your home by visiting \u003c/em>\u003ca href=\"https://protect-us.mimecast.com/s/l6cSC829m0ujkEDAFnbQJ5?domain=asianart.org\">\u003cem>asianart.org/museumfromhome\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Major funding for Asian Americans is provided by the Corporation for Public Broadcasting (CPB); the Wallace H. Coulter Foundation; the Public Broadcasting Service (PBS); the Ford Foundation/Just Films; the National Endowment for the Humanities; The Freeman Foundation; The Arthur Vining Davis Foundations; the Carnegie Corporation of New York; the Kay Family Foundation; the Long Family Foundation; Spring Wang and California Humanities.\u003c/em>\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003cbr>\n\u003c/strong>KQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas. \u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>\u003ci>New online service provides timely news and information for the Bay Area’s Spanish-speaking communities\u003c/i>\u003c/strong>\u003c/p>\n\u003cp>As part of its ongoing rapid response to the COVID-19 crisis, KQED announced that it has launched \u003ci>KQED en Español\u003c/i>, a new service for delivering vital reporting and resources with the Bay Area’s local Spanish-speaking communities. The initiative is part of a collaboration with Univision, in which KQED is providing Spanish-language translations of critical information to share with these audiences. All of the \u003ci>KQED en Español\u003c/i> ongoing reporting and coverage is being hosted at \u003ca href=\"https://www.kqed.org/elcoronavirus\">kqed.org/elcoronavirus\u003c/a> and an e-newsletter will deliver all of this coverage weekly.\u003c/p>\n\u003cp>“The COVID-19 crisis has affected everyone here in the Bay Area, and our journalists have responded to the challenges of reporting at this time by delivering some of the most critical news and resources about the crisis as it relates to our communities here in the Bay Area,” says Holly Kernan, KQED’s Chief Content Officer. “As part of our public service, it became imperative that we make a special effort to provide these crucial resources to our Spanish-speaking communities, many of whom have particular needs and who deserve the same quality of information and news about the crisis.”\u003c/p>\n\u003cp>The \u003ca href=\"http://kqed.org/elcoronavirus\">\u003ci>KQED en Español\u003c/i> site\u003c/a> includes articles on how some Oakland teachers are pledging to donate their stimulus check funds to undocumented families; how COVID-19 relief benefits have left out undocumented immigrants; the do’s and don’ts for wearing face masks; and resources for small businesses and those seeking advice about and support on paying rent during the crisis. The \u003ca href=\"http://kqed.org/elcoronavirus\">site\u003c/a> also enables readers the ability to ask a question about the coronavirus in Spanish and get answers to pressing questions.\u003c/p>\n\u003cp>Every Thursday, KQED will deliver the \u003ci>KQED en Español\u003c/i> e-newsletter, which includes the latest articles in Spanish from KQED and affiliated journalists reporting on the evolving crisis and response. The e-newsletter will also highlight the latest Spanish-language events and services around the Bay Area. To sign up for the weekly newsletter, visit \u003ca href=\"https://www.kqed.org/elcoronavirus\">kqed.org/elcoronaviru\u003ci>s\u003c/i>\u003c/a>\u003ci>.\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>As many schools and districts in the Bay Area and across California suspend classes to mitigate the spread of COVID-19, the San Francisco-based PBS and NPR member station KQED announced an ambitious plan to support at-home learning for students by delivering a new weekday television schedule of educational programs aligned to state standards and by creating a suite of free digital learning resources accessible from home.\u003c/p>\n\u003cp>“These school closures bring unique challenges for teachers, parents and caregivers in how to keep teenagers and kids engaged and learning,” says KQED President and CEO Michael Isip. “As a community-based public media station and as a hub for digital learning resources, KQED can play a critical role in helping create a learning environment with trusted and quality resources outside of the classroom and at home.”\u003c/p>\n\u003cp>KQED will dedicate the daytime weekday schedule on KQED Plus to California state standards-aligned educational programming provided by PBS SoCal and the Los Angeles Unified School District. 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Collections include curated media and lessons, sorted by grade level and subject area.\u003c/li>\n\u003cli>\u003cstrong>Support for Teachers:\u003c/strong> KQED has begun offering live webinars for teachers on how to start using these learning platforms. PBS LearningMedia webinars are offered twice-daily and KQED Learn webinars are offered twice-weekly.\u003c/li>\n\u003cli>\u003cstrong>Curated Tips and Tools for Teachers:\u003c/strong> KQED is publishing a series of blog posts for teachers that point to articles and resources created and/or vetted by KQED, other public media organizations and other trusted education partners, including\u003ca href=\"https://www.kqed.org/education/533275/remote-in-a-hurry\"> 3 Ways to Turn Your Classroom Remote in a Hurry\u003c/a> and \u003ca href=\"https://www.kqed.org/education/533188/misinformation-data-literacy-and-the-novel-coronavirus\">Misinformation, Data Literacy and the Novel Coronavirus\u003c/a>.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>For more about KQED’s learning resources for students, parents, caregivers and teachers, please visit\u003c/strong>\u003ca href=\"https://www.kqed.org/education/athomelearning\"> \u003cstrong>kqed.org/education/athomelearning\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Educators at San Francisco Bay Area schools and districts can contact KQED’s education staff directly at \u003c/strong>\u003ca href=\"mailto:education@kqed.org\">\u003cstrong>education@kqed.org\u003c/strong>\u003c/a>\u003cstrong> with at home learning support questions and requests. \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003cbr>\n\u003c/strong>KQED is a San Francisco-based nonprofit, public media station and PBS and NPR affiliate. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As many schools and districts in the Bay Area and across California suspend classes to mitigate the spread of COVID-19, the San Francisco-based PBS and NPR member station KQED announced an ambitious plan to support at-home learning for students by delivering a new weekday television schedule of educational programs aligned to state standards and by creating a suite of free digital learning resources accessible from home.\u003c/p>\n\u003cp>“These school closures bring unique challenges for teachers, parents and caregivers in how to keep teenagers and kids engaged and learning,” says KQED President and CEO Michael Isip. “As a community-based public media station and as a hub for digital learning resources, KQED can play a critical role in helping create a learning environment with trusted and quality resources outside of the classroom and at home.”\u003c/p>\n\u003cp>KQED will dedicate the daytime weekday schedule on KQED Plus to California state standards-aligned educational programming provided by PBS SoCal and the Los Angeles Unified School District. The new 6am to 6pm schedule includes specific blocks of time for pre-K through 12th grade levels and covers subjects, including English language arts, social studies, science and math.\u003c/p>\n\u003cp>“Teachers across California are concerned for their students who will not have easy access to online learning at home,\" says Robin Mencher, KQED’s Executive Director of Education. “The new daily TV programming will help bridge the digital divide for these students and provide equitable access to learning for all students.”\u003c/p>\n\u003cp>As part of this unprecedented collaboration with PBS SoCal / KCET, KQED has developed corresponding free digital content for at-home learning and support for teachers navigating this new learning landscape. Aligned to the same California content standards and topic areas as the broadcast service, KQED is creating and sharing the following free resources for teachers here:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/education/533204/how-teachers-can-navigate-school-closures-due-to-the-coronavirus\">How Teachers Can Navigate School Closures Due to the Coronavirus\u003c/a>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Educational TV schedule\u003c/strong>: KQED Plus is broadcasting standards-aligned programs like \u003cem>Nova, SciGirls, History Detectives, American Masters, Breakthrough: The Ideas That Changed The World, \u003c/em>and \u003cem>Africa’s Great Civilizations\u003c/em> weekdays from 6am through 6pm.\u003ca href=\"https://www.kqed.org/tv/schedules/daily\"> Daily schedule here.\u003c/a>\u003c/li>\n\u003cli>\u003cstrong>Digital Media Collections:\u003c/strong> KQED is providing resource collections in PBS LearningMedia California that correspond with our TV broadcast schedule. Collections include curated media and lessons, sorted by grade level and subject area.\u003c/li>\n\u003cli>\u003cstrong>Support for Teachers:\u003c/strong> KQED has begun offering live webinars for teachers on how to start using these learning platforms. PBS LearningMedia webinars are offered twice-daily and KQED Learn webinars are offered twice-weekly.\u003c/li>\n\u003cli>\u003cstrong>Curated Tips and Tools for Teachers:\u003c/strong> KQED is publishing a series of blog posts for teachers that point to articles and resources created and/or vetted by KQED, other public media organizations and other trusted education partners, including\u003ca href=\"https://www.kqed.org/education/533275/remote-in-a-hurry\"> 3 Ways to Turn Your Classroom Remote in a Hurry\u003c/a> and \u003ca href=\"https://www.kqed.org/education/533188/misinformation-data-literacy-and-the-novel-coronavirus\">Misinformation, Data Literacy and the Novel Coronavirus\u003c/a>.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cstrong>For more about KQED’s learning resources for students, parents, caregivers and teachers, please visit\u003c/strong>\u003ca href=\"https://www.kqed.org/education/athomelearning\"> \u003cstrong>kqed.org/education/athomelearning\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Educators at San Francisco Bay Area schools and districts can contact KQED’s education staff directly at \u003c/strong>\u003ca href=\"mailto:education@kqed.org\">\u003cstrong>education@kqed.org\u003c/strong>\u003c/a>\u003cstrong> with at home learning support questions and requests. \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003cbr>\n\u003c/strong>KQED is a San Francisco-based nonprofit, public media station and PBS and NPR affiliate. KQED serves educators and students nationwide by providing free, high-quality resources that strengthen media literacy skills, empower youth voice and encourage civil discourse. As a nonprofit and a leader in media innovation, KQED provides standards-aligned classroom content and professional development courses that educators can trust. The KQED education team is comprised of educators and experienced media professionals with a passion for equity and access in education. \u003ca href=\"http://kqed.org/education\">kqed.org/education\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003cstrong>Back by Popular Demand, KQED’s Advice Show Returns Beginning March 12\u003c/strong>\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>KQED’s popular podcast \u003ca href=\"https://www.kqed.org/podcasts/truthbetold\">\u003cem>Truth Be Told\u003c/em>\u003c/a> is returning for a new season beginning Thursday, March 12. \u003cem>Truth Be Told\u003c/em> helps to correct the age-old diversity problem in the field of advice columns, which leave many people of color out of the conversation entirely. The series uses listener questions to explore how we can authentically be ourselves and thrive. For each episode, host \u003cstrong>Tonya Mosley\u003c/strong> (NPR’s \u003cem>Here & Now\u003c/em>) chats with a “Wise One” to unpack a question, dilemma or experience about race and culture in America. Mosley provides a space where hard questions meet understanding ears—where people can be candid with each other and work through tough predicaments.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/349/truth-be-told-is-back-yall\">\u003cstrong>\u003cem>Listen to the new season trailer\u003c/em>\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>Launched as a limited-run series in spring 2019, \u003cem>Truth Be Told\u003c/em> quickly picked up a fervent audience and was widely praised and featured in publications, including \u003cem>Vulture; Financial Times; and O, The Oprah Magazine\u003c/em>, among others. The podcast series returns March 12 with new episodes dropping every other Thursday.\u003c/p>\n\u003cp>The second season will be full of joy, understanding and collective thriving. Early episodes tackle audience questions, such as:\u003c/p>\n\u003cul>\n\u003cli>Why are Black Americans expected to overcome and thrive without the necessary mechanisms of healing from slavery?\u003c/li>\n\u003cli>How do you begin to heal from a family member being deported?\u003c/li>\n\u003cli>Why is therapy so often a taboo among Black men?\u003c/li>\n\u003c/ul>\n\u003cp>Like the friend you call after a long day to laugh, cry and scream with—\u003cem>Truth Be Told \u003c/em>is the one who gets it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Listen and subscribe to \u003cem>Truth Be Told\u003c/em> on \u003ca href=\"https://podcasts.apple.com/us/podcast/truth-be-told/id1462216572\">Apple\u003c/a>, \u003ca href=\"https://open.spotify.com/show/587DhwTBxke6uvfwDfaV5N\">Spotify\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Truth-Be-Told-p1221764/\">TuneIn\u003c/a>, \u003ca href=\"https://www.npr.org/podcasts/719210818/truth-be-told\"> \u003c/a>\u003ca href=\"https://www.npr.org/podcasts/719210818/truth-be-told\">NPR One\u003c/a> and other podcast platforms. If you want to submit a topic or question for consideration, email \u003ca href=\"mailto:truthbetold@kqed.org\">truthbetold@kqed.org\u003c/a> or call (415) 553-2802, or simply use the hashtag \u003cstrong>#AskTBT\u003c/strong> on Instagram or Twitter.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/349/truth-be-told-is-back-yall\">\u003cstrong>\u003cem>Listen to the new season trailer\u003c/em>\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>About the Host\u003c/strong>\u003cbr>\nTonya Mosley has always been fascinated by stories that illustrate the complexities of the human condition. When she was a kid, a friend’s father nicknamed her “Scoop.” It was the perfect name for what Mosley would one day become. As a journalist, she has used her curiosity and tenacity to find and expose truths for the greater good of society.\u003c/p>\n\u003cp>Mosley currently serves as the co-host of \u003cem>Here & Now\u003c/em>, a daily national newsmagazine show reaching 4.5 million people every week. Prior to \u003cem>Hear & Now\u003c/em>, she served as the Silicon Valley bureau chief for KQED, leading a team of journalists covering the impacts of technology companies on society, and prior to that as a television correspondent for \u003cem>Al Jazeera America\u003c/em> and reporter and anchor in several cities throughout the country. In 2015, Mosley was awarded a John S. 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A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003cbr>\n\u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Listen and subscribe to \u003cem>Truth Be Told\u003c/em> on \u003ca href=\"https://podcasts.apple.com/us/podcast/truth-be-told/id1462216572\">Apple\u003c/a>, \u003ca href=\"https://open.spotify.com/show/587DhwTBxke6uvfwDfaV5N\">Spotify\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Truth-Be-Told-p1221764/\">TuneIn\u003c/a>, \u003ca href=\"https://www.npr.org/podcasts/719210818/truth-be-told\"> \u003c/a>\u003ca href=\"https://www.npr.org/podcasts/719210818/truth-be-told\">NPR One\u003c/a> and other podcast platforms. If you want to submit a topic or question for consideration, email \u003ca href=\"mailto:truthbetold@kqed.org\">truthbetold@kqed.org\u003c/a> or call (415) 553-2802, or simply use the hashtag \u003cstrong>#AskTBT\u003c/strong> on Instagram or Twitter.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/349/truth-be-told-is-back-yall\">\u003cstrong>\u003cem>Listen to the new season trailer\u003c/em>\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>About the Host\u003c/strong>\u003cbr>\nTonya Mosley has always been fascinated by stories that illustrate the complexities of the human condition. When she was a kid, a friend’s father nicknamed her “Scoop.” It was the perfect name for what Mosley would one day become. As a journalist, she has used her curiosity and tenacity to find and expose truths for the greater good of society.\u003c/p>\n\u003cp>Mosley currently serves as the co-host of \u003cem>Here & Now\u003c/em>, a daily national newsmagazine show reaching 4.5 million people every week. Prior to \u003cem>Hear & Now\u003c/em>, she served as the Silicon Valley bureau chief for KQED, leading a team of journalists covering the impacts of technology companies on society, and prior to that as a television correspondent for \u003cem>Al Jazeera America\u003c/em> and reporter and anchor in several cities throughout the country. In 2015, Mosley was awarded a John S. Knight Journalism Fellowship at Stanford University where she co-created a workshop for journalists on the impacts of implicit bias, and co-wrote a Belgian/American experimental study on the effects of protest coverage.\u003c/p>\n\u003cp>Mosley has won several national awards for her work, including an Emmy Award in 2016 for her televised piece “Beyond Ferguson,” and a national Edward R. Murrow award for her public radio series “Black in Seattle.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>About KQED\u003c/strong>\u003cbr>\nKQED serves the people of Northern California with a public-supported alternative to commercial media. An NPR and PBS affiliate based in San Francisco, KQED is home to one of the most listened-to public radio stations in the nation, one of the highest-rated public television services and an award-winning education program helping students and educators thrive in 21st-century classrooms. A trusted news source and leader and innovator in interactive technology, KQED takes people of all ages on journeys of exploration — exposing them to new people, places and ideas.\u003cbr>\n\u003ca href=\"http://www.kqed.org\">www.kqed.org\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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