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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13123\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/sanfranland.jpg\" alt=\"sanfranland\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/sanfranland.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/sanfranland-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>There were several moments during the premiere screening of the \u003ca href=\"http://sanfranlandseries.com/\">new web series \u003cem>SanFranLand\u003c/em>\u003c/a> in the cellar of Monarch Bar on Wednesday night when the show's localized humor was so specific it was a near lesson in anthropology. The walk-in costume closet organized with options for every SF dress-up occasion from Burning Man to Bay to Breakers, the desensitization to the sight of the naked body at the Folsom Street Fair, the medical marijuana card procurement appointment and the constant battle with parking enforcement in San Francisco all get their moments in the spotlight in the 12 episode series (the first seven episodes are \u003ca href=\"http://sanfranlandseries.com\">available\u003c/a> right now).\u003c/p>\n\u003cp>The show, created by Ryan Lynch, is centered on the exploits of three roommates. Bobbi (Ashely Chaney) is fresh from Georgia and a broken engagement (we won't spoil how the engagement ends here). Seeking a change, she moves to San Francisco to live with elementary school teacher-by-day, DJ-by-night Tara (Chrissy Mazzeo) and start-up founder and scene-queen Coco Rocco (Liz Anderson). Bobbi, the outsider eyes through which we see the wonderland/Never-Neverland/adult Disneyland of the city, is presented with a challenge: say yes to everything that San Francisco affords as a way of breaking with the past. From there, the series becomes a celebration, both of a certain kind of party lifestyle that once thrived here and of a series of postcard-perfect locations around the city.\u003c/p>\n\u003cp>http://youtu.be/BiBIc-wYMws\u003c/p>\n\u003cp>\"I wrote this over three years ago,\" Lynch said of the journey to bring her tales of this city to the web. \"A lot has definitely changed in San Francisco in that time.\" She cites the obvious Google buses and housing shortage to name a few, but thinks the central spirit of a city where \"saying yes brings incredible opportunities\" is still present.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The sense that the series had captured a slightly vanished moment was one of the qualities that received the most reaction from the audience. Lynch says that, in the planned season 2, which she is beginning to script partially based on fan interaction, many of these shifts will be addressed, but that she's glad she was able to tell the story of the city as she experienced it.\u003c/p>\n\u003cp>Another reason Lynch was compelled to create \u003cem>SanFranLand\u003c/em> was to offer a uniquely female point of view on life here. The premise of San Francisco as a playground has been presented more than once, but a female ensemble view has been lacking in depictions of San Francisco.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Just about any era in San Francisco is interesting, but the past decade has been wrought with change and many cultural moments that have opened and snapped back shut like clam shells. So far, \u003cem>SanFranLand\u003c/em> has offered glimpses into one set of experiences the city can afford and it'll be interesting to see just what \"saying yes\" can bring.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13123\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/sanfranland.jpg\" alt=\"sanfranland\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/sanfranland.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/sanfranland-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>There were several moments during the premiere screening of the \u003ca href=\"http://sanfranlandseries.com/\">new web series \u003cem>SanFranLand\u003c/em>\u003c/a> in the cellar of Monarch Bar on Wednesday night when the show's localized humor was so specific it was a near lesson in anthropology. The walk-in costume closet organized with options for every SF dress-up occasion from Burning Man to Bay to Breakers, the desensitization to the sight of the naked body at the Folsom Street Fair, the medical marijuana card procurement appointment and the constant battle with parking enforcement in San Francisco all get their moments in the spotlight in the 12 episode series (the first seven episodes are \u003ca href=\"http://sanfranlandseries.com\">available\u003c/a> right now).\u003c/p>\n\u003cp>The show, created by Ryan Lynch, is centered on the exploits of three roommates. Bobbi (Ashely Chaney) is fresh from Georgia and a broken engagement (we won't spoil how the engagement ends here). Seeking a change, she moves to San Francisco to live with elementary school teacher-by-day, DJ-by-night Tara (Chrissy Mazzeo) and start-up founder and scene-queen Coco Rocco (Liz Anderson). Bobbi, the outsider eyes through which we see the wonderland/Never-Neverland/adult Disneyland of the city, is presented with a challenge: say yes to everything that San Francisco affords as a way of breaking with the past. From there, the series becomes a celebration, both of a certain kind of party lifestyle that once thrived here and of a series of postcard-perfect locations around the city.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BiBIc-wYMws'\n title='//www.youtube.com/embed/BiBIc-wYMws'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\"I wrote this over three years ago,\" Lynch said of the journey to bring her tales of this city to the web. \"A lot has definitely changed in San Francisco in that time.\" She cites the obvious Google buses and housing shortage to name a few, but thinks the central spirit of a city where \"saying yes brings incredible opportunities\" is still present.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The sense that the series had captured a slightly vanished moment was one of the qualities that received the most reaction from the audience. Lynch says that, in the planned season 2, which she is beginning to script partially based on fan interaction, many of these shifts will be addressed, but that she's glad she was able to tell the story of the city as she experienced it.\u003c/p>\n\u003cp>Another reason Lynch was compelled to create \u003cem>SanFranLand\u003c/em> was to offer a uniquely female point of view on life here. The premise of San Francisco as a playground has been presented more than once, but a female ensemble view has been lacking in depictions of San Francisco.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Just about any era in San Francisco is interesting, but the past decade has been wrought with change and many cultural moments that have opened and snapped back shut like clam shells. So far, \u003cem>SanFranLand\u003c/em> has offered glimpses into one set of experiences the city can afford and it'll be interesting to see just what \"saying yes\" can bring.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>By guest contributor Neha Talreja\u003c/strong>\u003c/p>\n\u003cp>Is it too soon to ask who watches TV on TV anymore? I can’t remember the last time I wasn’t getting real snuggly with my toasty MacBook while catching up on an entire season of \u003cem>How I Met Your Mother\u003c/em>. We’re a pocket tripod and boom mic away from making “TV” on our smart phones, so you’re already late if you haven’t been watching any shows made specifically for the web platform. A number of actors and comedians have been making digital shorts since the mid-2000s, but, in the last few years, serialized web series have exploded, appearing not only on YouTube but a number of web series-oriented websites like Blip.tv and TubeFilter.com. What my ultra-modern (miniscule) attention span likes about these is that, even as they increase production value and draw bigger talent, many have stayed 5-10 minutes an episode and still retain impressive narrative arcs and character development. Most of them are a product of a new kind of underground film scene which allows aspiring actors, writers, and filmmakers to work on something with substance instead of delving into the hopeless cattle call for small roles in New York City and Los Angeles, additionally giving wider exposure to talent in other cities like Philly, Austin, Chicago, Seattle, and yours truly, San Francisco. Here are some of my favorites from the last few years.\u003c/p>\n\u003ch3>Married on MySpace\u003c/h3>\n\u003cdiv>[youtube http://www.youtube.com/watch?v=5S3f9x2hmTs?rel=0&w=560&h=315]\u003c/div>\n\u003cp>MySpace, in one of its many efforts to reinvent itself, got in on the web series game relatively early. Their 2009 interactive reality series \u003cem>Married on MySpace\u003c/em>, with contestants reminiscent of the '90s Real World era, feels like a throwback even now as this decade’s savvy “reality television actors” studied up enough to find their fifteen minutes of infamy. Viewers vote on every detail of one lucky couple’s impending wedding, from location to invitations to attire. The best part is how earnest the contestants are, genuinely excited in their quest to attain the wedding of a lifetime! -- paid for by MySpace. It’s that enthusiasm and subsequent shock that comes out of letting a demented viewership have control that makes this worth indulging in. These voters are people who still use MySpace! Who else will vote to transport the couple in a vintage Rolls Royce one episode and make them say their vows in (spoiler alert!) kilts the next?\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>The Bloody Mary Show\u003c/h3>\n\u003cdiv>[youtube http://www.youtube.com/watch?v=Go4_mCwSN2I?rel=0&w=560&h=315]\u003c/div>\n\u003cp>For the most part, web series are made up of short five to ten minute episodes, which allows more of the zanier stuff that might feel too high strung to watch full-length. Think SNL’s digital shorts but with a season arc. \u003cem>The Bloody Mary Show\u003c/em> is a British comedy that plays out like darker dinner theater -- the urban legendary Bloody Mary and her friends live, love, and discuss it all \u003cem>Cheers\u003c/em> style at their local bar. We’ve all got that Saturday night wind-down show, and it turns out, when you’re still a little drunk with a burrito in hand at 3 A.M., little is more entertaining than a skeleton and succubus in costuming that looks like it came out of the Halloween superstore and surprisingly good production value, spewing pithy remarks about the disgustingness of sex with humans. “It curdles my girdles…all that flesh, all those organs…” \u003ca href=\"http://blip.tv/BloodyMaryShow\">Watch \u003cem>The Bloody Mary Show\u003c/em> here\u003c/a>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>Chloe and Zoë\u003c/h3>\n\u003cdiv>[youtube http://www.youtube.com/watch?v=i1XS0OwvnPg?rel=0&w=560&h=315]\u003c/div>\n\u003cp>Everything already written about \u003cem>Chloe and Zoë\u003c/em> pretty much confirms we’re at that pop cultural point where any twenty-something girls instantly remind us of those\u003cem> Girls\u003c/em>, but here’s a little secret about TV on the internet: it can get away with being mean. Real-life creators Chloe and Zoë star as fictional versions of themselves living in LA and doing a lot of nothing, except being obliviously mean in kind of an \u003cem>It’s Always Sunny\u003c/em> way, but with darkly cute, comedic girl pathos. I’ll watch this and stay in my twenty-something girl bubble for the time being 'cause, as they ask in the season finale, “Why would anyone hate us?” \u003ca href=\"http://www.youtube.com/user/chloeandzoeshow\">Watch \u003cem>Chloe and Zoë\u003c/em> here\u003c/a>!\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>Easy Abby\u003c/h3>\n\u003cdiv>[youtube http://www.youtube.com/watch?v=rbEarD47C-A?rel=0&w=560&h=315]\u003c/div>\n\u003cp>This one easily has the most depth of all the series on this list. Knowing little about the realities of urban lesbian communities (this takes place in Chicago), I started watching \u003cem>The L-Word\u003c/em> for like a minute, but then found that \u003cem>Easy Abby\u003c/em> seemed like less of a caricature of lesbian culture and anxieties. Also, the creators describe the passive aggressive protagonist Abby as a “chronic seducer with an anxiety disorder who’s just trying to get by,” which is basically what I like to think of myself as, so I’m hooked. \u003ca href=\"http://blip.tv/EasyAbby\">Watch Easy Abby here\u003c/a>!\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>The Misadventures of Awkward Black Girl\u003c/h3>\n\u003cdiv>[youtube http://www.youtube.com/watch?v=nIVa9lxkbus?rel=0&w=560&h=315]\u003c/div>\n\u003cp>If creator Issa Rae’s inspiration -- What would a black Liz Lemon be like? -- doesn’t sell you, we might not be on the same TV wavelength. This series follows a smart and cynical J through the awkward realities of her mundane office job, struggles with friends, and her love life. The first season focuses primarily on her relationships with Fred, a black co-worker, and his goofy friend Jay, referred to as “White Jay.” Although Rae has said she and the writers don’t go at each episode attempting to tackle “issues” like interracial dating or ethnic stereotypes, the series does remind me a bit of the 2008 independent film \u003cem>Medicine for Melancholy\u003c/em>, which explored what its like to be young, black, and identify with “indie” culture in a rapidly gentrifying San Francisco. In one episode, J prepares for a “white date” of sushi and froyo only to find White Jay attempted to impress her with fried chicken and spoken word. “Rap and poetry had a baby called spoken word,” she laments, “I want to abort that baby.” \u003ca href=\"http://www.awkwardblackgirl.com/episodes\">Watch \u003cem>Awkward Black Girl\u003c/em> here\u003c/a>!\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>K-Town\u003c/h3>\n\u003cdiv>[youtube http://www.youtube.com/watch?v=2rhDjxDLyjk?rel=0&w=560&h=315]\u003c/div>\n\u003cp>So you want your \u003cem>Jersey Shore\u003c/em> Gangnam style? This show is one Korean Snookie away from being right at their level in Koreatown, Los Angeles. The gang’s party prep catch-phrasing involves a little more party than \u003cem>Jersey Shore\u003c/em>’s “GTL” (Gym-Tanning-Laundry): Four rounds, “Il-Cha,” “E-cha,” “Sam-cha,” and “Sa-cha” are all essentially different rounds of drinking (Happy Hour, Food and Drinks, Pre-Gaming, and the Main Party). Despite its entertainment value, I have to consider the world portrayed on the show as its own planet for my own sake.\u003cem> K-Town\u003c/em> pretty much eradicates all the work \u003cem>Awkward Black Girl\u003c/em> does to provide more complex and varied portrayals of different races than we usually see.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>SanFranlandia:\u003c/h3>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ciframe style=\"border: 0px none transparent\" src=\"http://www.ustream.tv/embed/recorded/12861464?v=3&wmode=direct\" frameborder=\"0\" scrolling=\"no\" width=\"480\" height=\"392\">\u003c/iframe>\u003cbr>\nIn 2011, \u003ca href=\"http://www.7x7.com/arts/sanfranlandia-send-us-your-finds\">\u003cem>7x7\u003c/em> posted a call for videos\u003c/a> parodying our own brand of \u003cem>Portlandia\u003c/em>-esque vegan, bike riding, locally DJ culture, but all I can find is a strange first effort at trying out a vegan pizza. There’s potential here, so I’m going to propose some of our underground filmmakers bring a little more San Francisco into the web series world and go at this again!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By guest contributor Neha Talreja\u003c/strong>\u003c/p>\n\u003cp>Is it too soon to ask who watches TV on TV anymore? I can’t remember the last time I wasn’t getting real snuggly with my toasty MacBook while catching up on an entire season of \u003cem>How I Met Your Mother\u003c/em>. We’re a pocket tripod and boom mic away from making “TV” on our smart phones, so you’re already late if you haven’t been watching any shows made specifically for the web platform. A number of actors and comedians have been making digital shorts since the mid-2000s, but, in the last few years, serialized web series have exploded, appearing not only on YouTube but a number of web series-oriented websites like Blip.tv and TubeFilter.com. What my ultra-modern (miniscule) attention span likes about these is that, even as they increase production value and draw bigger talent, many have stayed 5-10 minutes an episode and still retain impressive narrative arcs and character development. Most of them are a product of a new kind of underground film scene which allows aspiring actors, writers, and filmmakers to work on something with substance instead of delving into the hopeless cattle call for small roles in New York City and Los Angeles, additionally giving wider exposure to talent in other cities like Philly, Austin, Chicago, Seattle, and yours truly, San Francisco. Here are some of my favorites from the last few years.\u003c/p>\n\u003ch3>Married on MySpace\u003c/h3>\n\u003cdiv>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5S3f9x2hmTs?rel=0'\n title='//www.youtube.com/embed/5S3f9x2hmTs?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>MySpace, in one of its many efforts to reinvent itself, got in on the web series game relatively early. Their 2009 interactive reality series \u003cem>Married on MySpace\u003c/em>, with contestants reminiscent of the '90s Real World era, feels like a throwback even now as this decade’s savvy “reality television actors” studied up enough to find their fifteen minutes of infamy. Viewers vote on every detail of one lucky couple’s impending wedding, from location to invitations to attire. The best part is how earnest the contestants are, genuinely excited in their quest to attain the wedding of a lifetime! -- paid for by MySpace. It’s that enthusiasm and subsequent shock that comes out of letting a demented viewership have control that makes this worth indulging in. These voters are people who still use MySpace! Who else will vote to transport the couple in a vintage Rolls Royce one episode and make them say their vows in (spoiler alert!) kilts the next?\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>The Bloody Mary Show\u003c/h3>\n\u003cdiv>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Go4_mCwSN2I?rel=0'\n title='//www.youtube.com/embed/Go4_mCwSN2I?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>For the most part, web series are made up of short five to ten minute episodes, which allows more of the zanier stuff that might feel too high strung to watch full-length. Think SNL’s digital shorts but with a season arc. \u003cem>The Bloody Mary Show\u003c/em> is a British comedy that plays out like darker dinner theater -- the urban legendary Bloody Mary and her friends live, love, and discuss it all \u003cem>Cheers\u003c/em> style at their local bar. We’ve all got that Saturday night wind-down show, and it turns out, when you’re still a little drunk with a burrito in hand at 3 A.M., little is more entertaining than a skeleton and succubus in costuming that looks like it came out of the Halloween superstore and surprisingly good production value, spewing pithy remarks about the disgustingness of sex with humans. “It curdles my girdles…all that flesh, all those organs…” \u003ca href=\"http://blip.tv/BloodyMaryShow\">Watch \u003cem>The Bloody Mary Show\u003c/em> here\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>Chloe and Zoë\u003c/h3>\n\u003cdiv>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/i1XS0OwvnPg?rel=0'\n title='//www.youtube.com/embed/i1XS0OwvnPg?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>Everything already written about \u003cem>Chloe and Zoë\u003c/em> pretty much confirms we’re at that pop cultural point where any twenty-something girls instantly remind us of those\u003cem> Girls\u003c/em>, but here’s a little secret about TV on the internet: it can get away with being mean. Real-life creators Chloe and Zoë star as fictional versions of themselves living in LA and doing a lot of nothing, except being obliviously mean in kind of an \u003cem>It’s Always Sunny\u003c/em> way, but with darkly cute, comedic girl pathos. I’ll watch this and stay in my twenty-something girl bubble for the time being 'cause, as they ask in the season finale, “Why would anyone hate us?” \u003ca href=\"http://www.youtube.com/user/chloeandzoeshow\">Watch \u003cem>Chloe and Zoë\u003c/em> here\u003c/a>!\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>Easy Abby\u003c/h3>\n\u003cdiv>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rbEarD47C-A?rel=0'\n title='//www.youtube.com/embed/rbEarD47C-A?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>This one easily has the most depth of all the series on this list. Knowing little about the realities of urban lesbian communities (this takes place in Chicago), I started watching \u003cem>The L-Word\u003c/em> for like a minute, but then found that \u003cem>Easy Abby\u003c/em> seemed like less of a caricature of lesbian culture and anxieties. Also, the creators describe the passive aggressive protagonist Abby as a “chronic seducer with an anxiety disorder who’s just trying to get by,” which is basically what I like to think of myself as, so I’m hooked. \u003ca href=\"http://blip.tv/EasyAbby\">Watch Easy Abby here\u003c/a>!\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>The Misadventures of Awkward Black Girl\u003c/h3>\n\u003cdiv>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nIVa9lxkbus?rel=0'\n title='//www.youtube.com/embed/nIVa9lxkbus?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>If creator Issa Rae’s inspiration -- What would a black Liz Lemon be like? -- doesn’t sell you, we might not be on the same TV wavelength. This series follows a smart and cynical J through the awkward realities of her mundane office job, struggles with friends, and her love life. The first season focuses primarily on her relationships with Fred, a black co-worker, and his goofy friend Jay, referred to as “White Jay.” Although Rae has said she and the writers don’t go at each episode attempting to tackle “issues” like interracial dating or ethnic stereotypes, the series does remind me a bit of the 2008 independent film \u003cem>Medicine for Melancholy\u003c/em>, which explored what its like to be young, black, and identify with “indie” culture in a rapidly gentrifying San Francisco. In one episode, J prepares for a “white date” of sushi and froyo only to find White Jay attempted to impress her with fried chicken and spoken word. “Rap and poetry had a baby called spoken word,” she laments, “I want to abort that baby.” \u003ca href=\"http://www.awkwardblackgirl.com/episodes\">Watch \u003cem>Awkward Black Girl\u003c/em> here\u003c/a>!\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>K-Town\u003c/h3>\n\u003cdiv>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2rhDjxDLyjk?rel=0'\n title='//www.youtube.com/embed/2rhDjxDLyjk?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>So you want your \u003cem>Jersey Shore\u003c/em> Gangnam style? 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"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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},
"tech-nation": {
"id": "tech-nation",
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