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"disqusTitle": "Fleetwood Mac's Tusk Is Everything That's Missing from Music Today",
"title": "Fleetwood Mac's Tusk Is Everything That's Missing from Music Today",
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"content": "\u003cfigure id=\"attachment_8418\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/18/fleetwood-macs-tusk-is-everything-thats-missing-from-music-today/oaaa_fleetwoodmac4/\" rel=\"attachment wp-att-8418\">\u003cimg class=\" wp-image-8418\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/oaaa_fleetwoodmac4.jpg\" alt=\"oaaa_fleetwoodmac4\" width=\"640\" height=\"775\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/09/oaaa_fleetwoodmac4.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/oaaa_fleetwoodmac4-400x484.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Via superseventies.com\u003c/figcaption>\u003c/figure>\n\u003cp>There's no denying Fleetwood Mac is having a resurgence. I'm not really sure what started my friends and I talking about Fleetwood Mac so frequently -- the karaoke addiction (see \u003ca href=\"http://blogs.kqed.org/pop/2013/07/16/wake-up-call-we-are-not-as-post-racial-as-we-think-george-zimmerman-trayvon-martin/\">here\u003c/a> and \u003ca href=\"http://blogs.kqed.org/pop/2013/02/08/a-haters-guide-to-loving-life-in-the-bay-area/\">here\u003c/a>) probably had something to do with it -- but their recent \u003ca href=\"http://www.huffingtonpost.com/2012/12/04/fleetwood-mac-tour-band-34-city-april_n_2238053.html\">tour\u003c/a> solidified my theory that they were reemerging in the public consciousness. A \u003ca href=\"http://open.spotify.com/album/5SvR8CpXqz7afDba17EgN1\">tribute album\u003c/a> came out recently, with newer indie bands like Tame Impala, The Kills and MGMT covering their music. If the mid 2000s were all about The Boss, with The Arcade Fire and The Killers channeling Springsteen to varying degrees of success, the Mac is clearly in the early 2010s ether for some reason.\u003c/p>\n\u003cp>This resurgence is especially odd considering I grew up, as did many other indie rock fans, in a time when Fleetwood Mac was generally disregarded as lame dad, presidential campaign rock. But the band’s music has a wealth of emotion to it that wasn't acceptable in the irony-rich '90s, and their sonic experimentation is being appreciated more, which shows in the music of bands like Fleet Foxes. It would be interesting to see if I have kids one day and they feel the same way about, say, Nirvana, if they long for that kind of grittiness and earnest authenticity I mostly roll my eyes at now.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/A3JA1nWPFqM\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>In a recent interview, rocker Kurt Vile described his new album \u003ca href=\"http://open.spotify.com/album/2imxOfDIDk2voAYCZP88u2\">\u003cem>Wakin on a Pretty Daze\u003c/em>\u003c/a> as \"totally our \u003ca href=\"http://open.spotify.com/album/6b6FYoisWvkLKxF2JDjm1j\">\u003cem>Tusk\u003c/em>\u003c/a>\" because it was recorded in California after hours of sessions. Strangely, I found that quote not looking up Fleetwood Mac's 1979 album \u003cem>Tusk\u003c/em>, which I've been listening to constantly lately and which I wanted to write about, but looking up Kurt Vile, because I was thinking about how \u003cem>Wakin on a Pretty Daze\u003c/em>, one of my favorite albums this year, is \u003cem>not \u003c/em>like \u003cem>Tusk\u003c/em>. Like \u003cem>Tusk\u003c/em>, it is long, but unlike \u003cem>Tusk\u003c/em>, it is coherent and cohesive. It is the work of a single songwriter and represents one specific time in only his life and evolution as a songwriter.\u003c/p>\n\u003cp>\u003cem>Tusk\u003c/em> deserves to be categorized with just a few other albums in rock history: The Beatles’ \u003cem>White Album\u003c/em>, \u003ca href=\"http://open.spotify.com/album/2UxN3UKyS3Z5r0Sra8A5RF\">\u003cem>Sandinista\u003c/em>\u003c/a> by The Clash, and maybe also Outkast’s \u003cem>\u003ca href=\"http://open.spotify.com/album/1UsmQ3bpJTyK6ygoOOjG1r\">Speakerboxxx/The Love Below.\u003c/a> \u003c/em>These are\u003cem> \u003c/em>huge, sprawling\u003cem> \u003c/em>albums that show bands simultaneously at the peak of their talent but also at the point in their careers where they clearly can't be a band for very much longer.\u003c/p>\n\u003cp>\u003cem>Tusk\u003c/em> is great if you, like me, are going through a big Fleetwood Mac phase but get tired every now and then of the series of big hits that is the album previous to \u003cem>Tusk\u003c/em>, \u003cem>\u003ca href=\"http://open.spotify.com/album/1bt6q2SruMsBtcerNVtpZB\">Rumours\u003c/a>\u003c/em>. But where \u003cem>Rumours \u003c/em>is a beautiful opera about different band members breaking up with one another, \u003cem>Tusk\u003c/em> is an insane, genre-spanning collection of songs that showcase the band members doing whatever they want.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Vile described his album as “our \u003cem>Tusk\u003c/em>, but no cheese.” Yet the cheese is essential to \u003cem>Tusk\u003c/em>, just as “Don’t Pass Me By” is necessary to the \u003cem>White Album\u003c/em>, “Hitsville U.K.” had to go on \u003cem>Sandinista,\u003c/em> and the \u003cem>Speakerboxxx/Love Below \u003c/em>experience is not complete unless you sit through “Where Are My Panties.”\u003c/p>\n\u003cp>The album begins slowly, with “Over & Over” trudging along, and that song is followed by a complete change of pace, literally. I have never had cocaine, a drug that supposedly influenced Fleetwood Mac considerably, but \u003cem>Tusk\u003c/em>’s second track, “The Ledge” sounds exactly like having way too much coffee on an empty stomach feels. Even though punk already existed when \u003cem>Tusk \u003c/em>came out, \"The Ledge\" reminds me of the scene in the biopic satire \"Walk Hard: The Dewey Cox Story,\" in which country star John C. Reilly \u003ca href=\"http://www.youtube.com/watch?v=0MdJcjl42D0\">does a bunch of cocaine and accidentally invents punk rock.\u003c/a> (Dialogue NSFW)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/XUWKZadq6lc\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/DuQFnVKrHuY\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The climax of the album, “Tusk,” is the craziest part, though: lyrically, it is a pretty typical Fleetwood Mac song, with lyrics about paranoia and jealousy like “Why don’t you tell me who was on the phone?” Only those lyrics are sort of whispered in a conspiratorial tone, and most of the chorus is, inexplicably, just a tribal-sounding, repeated shout of the word “tusk.” \u003ca href=\"http://www.youtube.com/watch?v=MT7W8xJFl_g\">Here is a YouTube video of it, for which the embedding has been disabled.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Tusk\u003c/em> is nuts, but it is also generous. Why don’t we have albums like this, or the \u003cem>White Album\u003c/em> - -these huge messes -- anymore? (I also thought of The Magnetic Fields’ \u003ca href=\"http://open.spotify.com/album/2js3lkzAjWpD656NK7ZaJX\">\u003cem>69 Love Songs\u003c/em>\u003c/a>, but it is also the work of one songwriter, despite that it is extremely genre-bendy and long and experimental). Hugely popular musicians don’t take risks like that these days. Justin Timberlake’s new album is long, but can you imagine if it also had a country hoedown in the middle of it, or a song called “Sisters of the Moon?” It would never happen, but how great would that be? And although we’re in an exciting new era for the music industry, where independent labels are doing a lot of great things, artists like Tame Impala just don’t have the hubris of a band that had just made \u003cem>Rumours\u003c/em> and \u003ca href=\"http://www.theguardian.com/music/2013/jan/12/stevie-nicks-return-of-fleetwood-mac\">demanded only pink hotel rooms with pianos in them.\u003c/a> Let’s hope that gap is bridged soon, because I think we could all use more of this:\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/yQgiznVzh2Q\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\n",
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"excerpt": "Tusk is the kind of work musicians today hardly ever produce: a huge, sprawling album that shows a band simultaneously at the peak of their talent but also at the point when they clearly can't be a band for very much longer.",
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"title": "Fleetwood Mac's Tusk Is Everything That's Missing from Music Today | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_8418\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/09/18/fleetwood-macs-tusk-is-everything-thats-missing-from-music-today/oaaa_fleetwoodmac4/\" rel=\"attachment wp-att-8418\">\u003cimg class=\" wp-image-8418\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/09/oaaa_fleetwoodmac4.jpg\" alt=\"oaaa_fleetwoodmac4\" width=\"640\" height=\"775\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/09/oaaa_fleetwoodmac4.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/09/oaaa_fleetwoodmac4-400x484.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Via superseventies.com\u003c/figcaption>\u003c/figure>\n\u003cp>There's no denying Fleetwood Mac is having a resurgence. I'm not really sure what started my friends and I talking about Fleetwood Mac so frequently -- the karaoke addiction (see \u003ca href=\"http://blogs.kqed.org/pop/2013/07/16/wake-up-call-we-are-not-as-post-racial-as-we-think-george-zimmerman-trayvon-martin/\">here\u003c/a> and \u003ca href=\"http://blogs.kqed.org/pop/2013/02/08/a-haters-guide-to-loving-life-in-the-bay-area/\">here\u003c/a>) probably had something to do with it -- but their recent \u003ca href=\"http://www.huffingtonpost.com/2012/12/04/fleetwood-mac-tour-band-34-city-april_n_2238053.html\">tour\u003c/a> solidified my theory that they were reemerging in the public consciousness. A \u003ca href=\"http://open.spotify.com/album/5SvR8CpXqz7afDba17EgN1\">tribute album\u003c/a> came out recently, with newer indie bands like Tame Impala, The Kills and MGMT covering their music. If the mid 2000s were all about The Boss, with The Arcade Fire and The Killers channeling Springsteen to varying degrees of success, the Mac is clearly in the early 2010s ether for some reason.\u003c/p>\n\u003cp>This resurgence is especially odd considering I grew up, as did many other indie rock fans, in a time when Fleetwood Mac was generally disregarded as lame dad, presidential campaign rock. But the band’s music has a wealth of emotion to it that wasn't acceptable in the irony-rich '90s, and their sonic experimentation is being appreciated more, which shows in the music of bands like Fleet Foxes. It would be interesting to see if I have kids one day and they feel the same way about, say, Nirvana, if they long for that kind of grittiness and earnest authenticity I mostly roll my eyes at now.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/A3JA1nWPFqM\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>In a recent interview, rocker Kurt Vile described his new album \u003ca href=\"http://open.spotify.com/album/2imxOfDIDk2voAYCZP88u2\">\u003cem>Wakin on a Pretty Daze\u003c/em>\u003c/a> as \"totally our \u003ca href=\"http://open.spotify.com/album/6b6FYoisWvkLKxF2JDjm1j\">\u003cem>Tusk\u003c/em>\u003c/a>\" because it was recorded in California after hours of sessions. Strangely, I found that quote not looking up Fleetwood Mac's 1979 album \u003cem>Tusk\u003c/em>, which I've been listening to constantly lately and which I wanted to write about, but looking up Kurt Vile, because I was thinking about how \u003cem>Wakin on a Pretty Daze\u003c/em>, one of my favorite albums this year, is \u003cem>not \u003c/em>like \u003cem>Tusk\u003c/em>. Like \u003cem>Tusk\u003c/em>, it is long, but unlike \u003cem>Tusk\u003c/em>, it is coherent and cohesive. It is the work of a single songwriter and represents one specific time in only his life and evolution as a songwriter.\u003c/p>\n\u003cp>\u003cem>Tusk\u003c/em> deserves to be categorized with just a few other albums in rock history: The Beatles’ \u003cem>White Album\u003c/em>, \u003ca href=\"http://open.spotify.com/album/2UxN3UKyS3Z5r0Sra8A5RF\">\u003cem>Sandinista\u003c/em>\u003c/a> by The Clash, and maybe also Outkast’s \u003cem>\u003ca href=\"http://open.spotify.com/album/1UsmQ3bpJTyK6ygoOOjG1r\">Speakerboxxx/The Love Below.\u003c/a> \u003c/em>These are\u003cem> \u003c/em>huge, sprawling\u003cem> \u003c/em>albums that show bands simultaneously at the peak of their talent but also at the point in their careers where they clearly can't be a band for very much longer.\u003c/p>\n\u003cp>\u003cem>Tusk\u003c/em> is great if you, like me, are going through a big Fleetwood Mac phase but get tired every now and then of the series of big hits that is the album previous to \u003cem>Tusk\u003c/em>, \u003cem>\u003ca href=\"http://open.spotify.com/album/1bt6q2SruMsBtcerNVtpZB\">Rumours\u003c/a>\u003c/em>. But where \u003cem>Rumours \u003c/em>is a beautiful opera about different band members breaking up with one another, \u003cem>Tusk\u003c/em> is an insane, genre-spanning collection of songs that showcase the band members doing whatever they want.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Vile described his album as “our \u003cem>Tusk\u003c/em>, but no cheese.” Yet the cheese is essential to \u003cem>Tusk\u003c/em>, just as “Don’t Pass Me By” is necessary to the \u003cem>White Album\u003c/em>, “Hitsville U.K.” had to go on \u003cem>Sandinista,\u003c/em> and the \u003cem>Speakerboxxx/Love Below \u003c/em>experience is not complete unless you sit through “Where Are My Panties.”\u003c/p>\n\u003cp>The album begins slowly, with “Over & Over” trudging along, and that song is followed by a complete change of pace, literally. I have never had cocaine, a drug that supposedly influenced Fleetwood Mac considerably, but \u003cem>Tusk\u003c/em>’s second track, “The Ledge” sounds exactly like having way too much coffee on an empty stomach feels. Even though punk already existed when \u003cem>Tusk \u003c/em>came out, \"The Ledge\" reminds me of the scene in the biopic satire \"Walk Hard: The Dewey Cox Story,\" in which country star John C. Reilly \u003ca href=\"http://www.youtube.com/watch?v=0MdJcjl42D0\">does a bunch of cocaine and accidentally invents punk rock.\u003c/a> (Dialogue NSFW)\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/XUWKZadq6lc\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/DuQFnVKrHuY\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The climax of the album, “Tusk,” is the craziest part, though: lyrically, it is a pretty typical Fleetwood Mac song, with lyrics about paranoia and jealousy like “Why don’t you tell me who was on the phone?” Only those lyrics are sort of whispered in a conspiratorial tone, and most of the chorus is, inexplicably, just a tribal-sounding, repeated shout of the word “tusk.” \u003ca href=\"http://www.youtube.com/watch?v=MT7W8xJFl_g\">Here is a YouTube video of it, for which the embedding has been disabled.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Tusk\u003c/em> is nuts, but it is also generous. Why don’t we have albums like this, or the \u003cem>White Album\u003c/em> - -these huge messes -- anymore? (I also thought of The Magnetic Fields’ \u003ca href=\"http://open.spotify.com/album/2js3lkzAjWpD656NK7ZaJX\">\u003cem>69 Love Songs\u003c/em>\u003c/a>, but it is also the work of one songwriter, despite that it is extremely genre-bendy and long and experimental). Hugely popular musicians don’t take risks like that these days. Justin Timberlake’s new album is long, but can you imagine if it also had a country hoedown in the middle of it, or a song called “Sisters of the Moon?” It would never happen, but how great would that be? And although we’re in an exciting new era for the music industry, where independent labels are doing a lot of great things, artists like Tame Impala just don’t have the hubris of a band that had just made \u003cem>Rumours\u003c/em> and \u003ca href=\"http://www.theguardian.com/music/2013/jan/12/stevie-nicks-return-of-fleetwood-mac\">demanded only pink hotel rooms with pianos in them.\u003c/a> Let’s hope that gap is bridged soon, because I think we could all use more of this:\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/yQgiznVzh2Q\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "From the Beatles to One Direction: How to Identify a Boy Band",
"title": "From the Beatles to One Direction: How to Identify a Boy Band",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp style=\"text-align: left\">I have a 13-year-old cousin who I carefully monitor on Facebook, both for her safety and my edification. Not long ago, she began posting pictures of members of One Direction, a band I had specifically avoided even knowing about because, as far as I could tell, they were a boy band totally made up by some producer somewhere to sell records (downloads?) and get little girls whipped up into a frenzy. I'd seen that before and made a point of hating it (see: middle school). But then I happened to watch their adorable video for \"Kiss You\" and something snapped in my brain. Suddenly, I was the 13-year-old I absolutely wasn't at 13 (Counting Crows was my favorite band back then, obviously). I started going back into the annals of boy band-hood and wondering: What makes a boy band a BOY BAND and not just a group of dudes playing music together? Why are 'N Sync and One Direction boy bands but Counting Crows and Mumford and Sons just bands? Here, my friends, is what I discovered:\u003c/p>\n\u003cp>\u003cstrong>To be a boy band, you have to sing catchy tunes about girls.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=OMNPPwq8I2Y]\u003c/div>\n\u003cp>Most people will tell you that The Beatles were the first boy band. I wasn't always convinced of this because they are MUSICIANS and wrote their own stuff and went on to each have pretty amazing individual careers. However, on closer inspection, I realized that they STARTED as a boy band and then morphed into just a band. Back in the \"I Want To Hold Your Hand\" British Invasion days, when they all dressed the same and had those cute haircuts, they were definitely a boy band. And the first clue is the peppy and sweet songs about girls. Songs that say: \"Hey, we're just a bunch of nice, approachable dudes, hanging out together, talking about you, the girl we love, in a really respectful way.\" As a person who knows a lot of dudes well enough to know that generally when they are alone talking about girls the subject of holding hands RARELY comes up, I think this must be part of the appeal of boy bands. A horde of teenage boys can be quite a terrifying thing to a young girl in real life. And individually too, boys are scary. They hurt your feelings, don't ask you to dances, break-up with you on Valentine's Day because you won't have sex with them, etc. But not boy bands. They are always a group of cute dudes who just want to hold your hand.\u003c/p>\n\u003cp>\u003cstrong>There can't be a real front man.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=4fndeDfaWCg]\u003c/div>\n\u003cp>I use Backstreet Boys as an example here because clearly, IN MY OPINION, this is the Nick Carter show. BUT, the band isn't \"Nick Carter and the Backstreet Boys,\" just as The Monkees isn't \"Davy Jones and the Monkees.\" Someone is always going to be \"the cute one\" and \"the goofy one,\" but the lack of a front man is crucial because it shows that you are all on the same level, there are no divas (even if there are) and, in support of the subject matter of your songs and the non-threatening vibe you are going for, none of you are the silver back gorilla or the alpha male. You're just a group of good-time-loving beta bros, hanging out, not hurting anyone.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>You can be a group of brothers, but only if you are still somehow sexualized.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=ho7796-au8U]\u003c/div>\n\u003cp>One of the great debates I had with myself and others while coming up with this list is: Can a group of brothers be a boy band? My main question was Hanson. They seem in some respects like a boy band. They are cute and have matching haircuts and sing happy music. But they also were missing something. I originally thought it was that they were brothers, but then I thought of The Jackson 5 and The Jonas Brothers, both CLEARLY boy bands. Why one and not the other? As my friend Kevin Hobson put it: \"Jackson 5 and Jonas Brother count because they were sexualized by their handlers. Hanson never really was.\"\u003c/p>\n\u003cp>\u003cstrong>Your music has to be dance-able, especially at high school dances. It helps if you have dance moves that can be emulated.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=tbIEwIwYz-c]\u003c/div>\n\u003cp>The boy bands that stand the test of time all have this in common: Their music makes you want to dance. I missed out completely on the New Kids on the Block craze because I had no TV and my parents at that point were playing a lot of Paul Simon, Emmylou Harris, Bob Dylan and Willie Nelson records around the house. However, there was a girl down the street who knew ever single move to the \"The Right Stuff\" dance and she would do it on her front stoop every day. She also wore a side ponytail, which I couldn't do since I had a bowl cut. I was, of course, consumed with jealousy.\u003c/p>\n\u003cp>\u003cstrong>You have to be a little sexy. Not TOO sexy, but definitely sexy.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=fV8vB1BB2qc]\u003c/div>\n\u003cp>Boyz II Men is by far the sexiest of all the boy bands, but they are also an example of how to do boy band sexiness right. Since, as you know, the goal is to be as un-intimidating and approachable as possible, while remaining masculine and heterosexual (ish, see the next requirement), boy bands must strike the right balance of sweetness and romance with straight-up sex. Spoiler: they always err on the side of romance. Can you imagine Lil Wayne singing: \"I'll make love to you, like you want me to, and I'll hold you tight, baby all through the night?\" Answer: no. Because his music is for straight men and Boyz II Men is for everyone else.\u003c/p>\n\u003cp>\u003cstrong>You've got to have a little (or a lot) homoerotic tension.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=T4cdfRohhcg]\u003c/div>\n\u003cp>Teenage girls have always loved to see boys showing each other a little love. And by \"always\" I mean since at least 1998 when wrestling inexplicably became my favorite spectator sport. Somehow boy on boy hugging (\"wrestling\") and butt patting makes the participants seem a little more benign and maybe, a little more likely to hug/\"wrestle\" us or pat us on the butts IN A FRIENDLY WAY. Basically, boys who can show they love each other can show they love us too! They can talk about feelings! When they are angry, they'll probably cry instead of punch a wall. And we like that! Granted, One Direction takes it pretty far with \u003ca href=\"http://www.buzzfeed.com/mattbellassai/ranking-which-two-members-of-one-direction-are-most-likely-i\" target=\"_blank\" rel=\"noopener\">their genital-touching and kissing\u003c/a> but somehow, doesn't this make them even cuter? Even if they are all in love with each other and have no interest in having actual relationships with girls, who cares? Some of the sweetest, most girl-positive boys I know are gay. Would a straight man have made me \u003ca href=\"http://youtu.be/BPT_gwUpVxg\" target=\"_blank\" rel=\"noopener\">this video expressing his love for me\u003c/a>? Probably not. And I think we can all agree that it would be safer for teenage girls if all their boyfriends were actually interested in being friends and loving them for them and not actually having sex with them at all.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So which boy band is your imaginary boyfriend? Spend the day watching this whole playlist, including not-really-a-boy-band Hanson and a special boy band moment from \u003cem>Top Gun\u003c/em>, and get back to me. I'll just be here in my cubicle, trying to learn New Kids on the Block dance moves.\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=OMNPPwq8I2Y?list=PLDoXdE-USJklmzZshJowTab74xWLTs4AR]\u003c/div>\n\n",
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"excerpt": "What makes a boy band a BOY BAND and not just a group of dudes playing music together? ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"text-align: left\">I have a 13-year-old cousin who I carefully monitor on Facebook, both for her safety and my edification. Not long ago, she began posting pictures of members of One Direction, a band I had specifically avoided even knowing about because, as far as I could tell, they were a boy band totally made up by some producer somewhere to sell records (downloads?) and get little girls whipped up into a frenzy. I'd seen that before and made a point of hating it (see: middle school). But then I happened to watch their adorable video for \"Kiss You\" and something snapped in my brain. Suddenly, I was the 13-year-old I absolutely wasn't at 13 (Counting Crows was my favorite band back then, obviously). I started going back into the annals of boy band-hood and wondering: What makes a boy band a BOY BAND and not just a group of dudes playing music together? Why are 'N Sync and One Direction boy bands but Counting Crows and Mumford and Sons just bands? Here, my friends, is what I discovered:\u003c/p>\n\u003cp>\u003cstrong>To be a boy band, you have to sing catchy tunes about girls.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OMNPPwq8I2Y'\n title='//www.youtube.com/embed/OMNPPwq8I2Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>Most people will tell you that The Beatles were the first boy band. I wasn't always convinced of this because they are MUSICIANS and wrote their own stuff and went on to each have pretty amazing individual careers. However, on closer inspection, I realized that they STARTED as a boy band and then morphed into just a band. Back in the \"I Want To Hold Your Hand\" British Invasion days, when they all dressed the same and had those cute haircuts, they were definitely a boy band. And the first clue is the peppy and sweet songs about girls. Songs that say: \"Hey, we're just a bunch of nice, approachable dudes, hanging out together, talking about you, the girl we love, in a really respectful way.\" As a person who knows a lot of dudes well enough to know that generally when they are alone talking about girls the subject of holding hands RARELY comes up, I think this must be part of the appeal of boy bands. A horde of teenage boys can be quite a terrifying thing to a young girl in real life. And individually too, boys are scary. They hurt your feelings, don't ask you to dances, break-up with you on Valentine's Day because you won't have sex with them, etc. But not boy bands. They are always a group of cute dudes who just want to hold your hand.\u003c/p>\n\u003cp>\u003cstrong>There can't be a real front man.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4fndeDfaWCg'\n title='//www.youtube.com/embed/4fndeDfaWCg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>I use Backstreet Boys as an example here because clearly, IN MY OPINION, this is the Nick Carter show. BUT, the band isn't \"Nick Carter and the Backstreet Boys,\" just as The Monkees isn't \"Davy Jones and the Monkees.\" Someone is always going to be \"the cute one\" and \"the goofy one,\" but the lack of a front man is crucial because it shows that you are all on the same level, there are no divas (even if there are) and, in support of the subject matter of your songs and the non-threatening vibe you are going for, none of you are the silver back gorilla or the alpha male. You're just a group of good-time-loving beta bros, hanging out, not hurting anyone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>You can be a group of brothers, but only if you are still somehow sexualized.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ho7796-au8U'\n title='//www.youtube.com/embed/ho7796-au8U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>One of the great debates I had with myself and others while coming up with this list is: Can a group of brothers be a boy band? My main question was Hanson. They seem in some respects like a boy band. They are cute and have matching haircuts and sing happy music. But they also were missing something. I originally thought it was that they were brothers, but then I thought of The Jackson 5 and The Jonas Brothers, both CLEARLY boy bands. Why one and not the other? As my friend Kevin Hobson put it: \"Jackson 5 and Jonas Brother count because they were sexualized by their handlers. Hanson never really was.\"\u003c/p>\n\u003cp>\u003cstrong>Your music has to be dance-able, especially at high school dances. It helps if you have dance moves that can be emulated.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tbIEwIwYz-c'\n title='//www.youtube.com/embed/tbIEwIwYz-c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>The boy bands that stand the test of time all have this in common: Their music makes you want to dance. I missed out completely on the New Kids on the Block craze because I had no TV and my parents at that point were playing a lot of Paul Simon, Emmylou Harris, Bob Dylan and Willie Nelson records around the house. However, there was a girl down the street who knew ever single move to the \"The Right Stuff\" dance and she would do it on her front stoop every day. She also wore a side ponytail, which I couldn't do since I had a bowl cut. I was, of course, consumed with jealousy.\u003c/p>\n\u003cp>\u003cstrong>You have to be a little sexy. Not TOO sexy, but definitely sexy.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fV8vB1BB2qc'\n title='//www.youtube.com/embed/fV8vB1BB2qc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>Boyz II Men is by far the sexiest of all the boy bands, but they are also an example of how to do boy band sexiness right. Since, as you know, the goal is to be as un-intimidating and approachable as possible, while remaining masculine and heterosexual (ish, see the next requirement), boy bands must strike the right balance of sweetness and romance with straight-up sex. Spoiler: they always err on the side of romance. Can you imagine Lil Wayne singing: \"I'll make love to you, like you want me to, and I'll hold you tight, baby all through the night?\" Answer: no. Because his music is for straight men and Boyz II Men is for everyone else.\u003c/p>\n\u003cp>\u003cstrong>You've got to have a little (or a lot) homoerotic tension.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/T4cdfRohhcg'\n title='//www.youtube.com/embed/T4cdfRohhcg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>Teenage girls have always loved to see boys showing each other a little love. And by \"always\" I mean since at least 1998 when wrestling inexplicably became my favorite spectator sport. Somehow boy on boy hugging (\"wrestling\") and butt patting makes the participants seem a little more benign and maybe, a little more likely to hug/\"wrestle\" us or pat us on the butts IN A FRIENDLY WAY. Basically, boys who can show they love each other can show they love us too! They can talk about feelings! When they are angry, they'll probably cry instead of punch a wall. And we like that! Granted, One Direction takes it pretty far with \u003ca href=\"http://www.buzzfeed.com/mattbellassai/ranking-which-two-members-of-one-direction-are-most-likely-i\" target=\"_blank\" rel=\"noopener\">their genital-touching and kissing\u003c/a> but somehow, doesn't this make them even cuter? Even if they are all in love with each other and have no interest in having actual relationships with girls, who cares? Some of the sweetest, most girl-positive boys I know are gay. Would a straight man have made me \u003ca href=\"http://youtu.be/BPT_gwUpVxg\" target=\"_blank\" rel=\"noopener\">this video expressing his love for me\u003c/a>? Probably not. And I think we can all agree that it would be safer for teenage girls if all their boyfriends were actually interested in being friends and loving them for them and not actually having sex with them at all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"science-friday": {
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