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"content": "\u003cp> \u003c/p>\n\u003cp>If your job hunt has you down, is too overwhelming and just feels fruitless, don’t fret buddy, I'm here for you. You see, I believe in music therapy. Just as the perfect score takes a film from good to exceptional, the soundtrack of your life can pump you up and get you on the right track. And when you're on the prowl for a new gig, you need all the support you can get because let’s face it: there are few things in the modern world as agonizing, frustrating and eventually satisfying as searching for a job. So let’s get you hired.\u003c/p>\n\u003cp>In my experience, the emotional roller coaster of the job hunt always tends to follow a similar bumpy road:\u003c/p>\n\u003cp>1. You realize you need a job (either because you are completely out of work or your current employment is less than satisfying). You’re frustrated and annoyed because this is the last thing you want to do. You \u003ca href=\"//www.geekologie.com/2013/02/guy-makes-an-amazoncom-themed-online-res.php%E2%80%9D\">dust off your resume\u003c/a>, start aimlessly searching around the Internet, tell a few friends you’re looking, and sleep in a few days.\u003c/p>\n\u003cp>\u003cstrong>The Silhouettes -- \"Get A Job\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=SzWkqfQ17Eo]\u003c/div>\n\u003cp>\u003cstrong>Wayne Hancock -- \"Working At Working\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=aKMYMM6Hxtg]\u003c/div>\n\u003cp>\u003cstrong> Cibo Matto -- \"Working For Vacation\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=WlYlBDbb0VQ]\u003c/div>\n\u003cp>2. The feeling starts to gnaw at you. You need a job, but the task of actually finding one seems so overwhelming you don’t know where to start. The news says the situation is dire. No one around you is having luck. Commence freak out.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Ceremony -- \"Hysteria\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=yIrEcxvOzYI]\u003c/div>\n\u003cp>\u003cstrong> Graham Coxon -- \"Freakin’ Out\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=tBG2_MYdTS4]\u003c/div>\n\u003cp>\u003cstrong>The Ramones -- \"Not My Place (In The 9 to 5 World)\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=Y2bD-fgUaw0]\u003c/div>\n\u003cp>3. Snap out of it! It’s time to buckle down and seriously start your search. Finding a job is not an option, it’s a necessity and you will not be stopped. You pump yourself up and start putting your best self out there, \u003ca href=\"//www.moneyunder30.com/how-not-to-suck-at-applying-for-a-job%E2%80%9D\">applying everywhere\u003c/a> like a madman (or woman).\u003c/p>\n\u003cp>\u003cstrong>Muddy Waters -- \"Got My Mojo Working\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=V25iA2XPzuA]\u003c/div>\n\u003cp>\u003cstrong>Bachman-Turner Overdrive -- \"Takin’ Care of Business\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=1dSzaScsWh4]\u003c/div>\n\u003cp>\u003cstrong>Gladys Knight & The Pips -- \"I’m Gonna Make You Love Me\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=wlgmss58NvI]\u003c/div>\n\u003cp>4. And now it’s time for that agonizing wait to get a response from someone, anyone. You cross your fingers and your toes. \u003ca href=\"//www.exploringpsychics.com/articles/psychics/how-send-psychic-message%E2%80%9D\">Send telepathic messages\u003c/a> to the hiring manager. Make a voodoo doll. Maybe even say a prayer. Whatever it takes.\u003c/p>\n\u003cp>\u003cstrong>The Riverdales -- \"Wait It Out\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=Tl66R66vnrU]\u003c/div>\n\u003cp>\u003cstrong>Pavement (Stockton, CA’s own) -- \"Harness Your Hopes\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=IU7V8ETzrHo]\u003c/div>\n\u003cp>\u003cstrong>Flying Lizards -- \"Money (That’s What I Want)\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=E-P2qL3qkzk]\u003c/div>\n\u003cp>5. At last you land a phone interview! But not so fast, muchacho, they won’t be making this easy on you. After answering a grueling barrage of questions, they want more. You’re asked to submit a writing sample or do a project or pitch an idea or create a new product or write some complex code, and then, maybe, they’ll call you for an on-site interview.\u003c/p>\n\u003cp>\u003cstrong>The Zeros -- \"Don’t Push Me Around\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=a_1rS6pr3w4]\u003c/div>\n\u003cp>\u003cstrong>The Supremes -- \"You Keep Me Hangin’ On\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=etObzeLEjDM]\u003c/div>\n\u003cp>\u003cstrong>The Human League -- \"Don’t You Want Me\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=uPudE8nDog0]\u003c/div>\n\u003cp>6. After submitting your superlative work again, you must wait. Your confidence wanes, your palms sweat, but all you can do is wait. We can all agree that \u003ca href=\"%E2%80%9D\"> waiting is the absolute worst. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Built to Spill -- \"The Wait\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=iJP5cYMsjY0]\u003c/div>\n\u003cp>\u003cstrong>Matthew Sweet (sadly, we are not related) -- \"I’ve Been Waiting\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=7gQqR8x8dR4]\u003c/div>\n\u003cp>\u003cstrong>Buddy Holly -- \"Crying, Waiting, Hoping\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=hsjI7ekciZs]\u003c/div>\n\u003cp>7. Finally you score an on-site in-person interview! This is your time to shine, friend-o. Put on your Sunday best, shine up those shoes, make your face real pretty-like and go get ‘em. Remember, they chose you out of tons of applicants \u003ca href=\"%E2%80%9D\">because you’re awesome;\u003c/a> this is no time to waver on self-confidence, you can do it!\u003c/p>\n\u003cp>\u003cstrong>Sammy Davis, Jr. -- \"Yes I Can\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=ywfGpztYOmg]\u003c/div>\n\u003cp>\u003cstrong>Desmond Dekker -- \"You Can Get It If You Really Want\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=fTHlGm7ERWk]\u003c/div>\n\u003cp>\u003cstrong>Wanda Jackson -- \"You’re The One For Me\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=A1wTqvWj5k0]\u003c/div>\n\u003cp>8. And now, the most agonizing waiting period of all. You know this is the job for you, you know you can do it, you know you will thrive at this place. You’ve already mentally decorated your workspace, planned your first day of work outfit and, most importantly, reached the end of this grueling process. If only someone would call you back and tell you those magical, life changing words: you’re hired.\u003c/p>\n\u003cp>\u003cstrong>Tom Petty and the Heartbreakers -- \"The Waiting\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=uMyCa35_mOg]\u003c/div>\n\u003cp>\u003cstrong>The Smiths -- \"Please, Please, Please, Let Me Get What I Want\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=GiqOsKngc-c]\u003c/div>\n\u003cp>\u003cstrong>Frankie Valli and the Four Seasons -- \"Beggin'\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=hQgmyQFFQjo]\u003c/div>\n\u003cp>9. You get hired! You did it; boom goes the dynamite! All of your diligence and tenacity has paid off. Now it’s time to slip into a celebration of complete self-satisfaction. After all, you’re the best around and nothing’s ever going to get you down, at least not today.\u003c/p>\n\u003cp>\u003cstrong>Iggy Pop -- \"Success\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=QpqD7-yv4iM]\u003c/div>\n\u003cp>\u003cstrong>Styx -- \"Winner Take All\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=RXaAGNc3XlY]\u003c/div>\n\u003cp>\u003cstrong>Joe Esposito -- \"You’re The Best\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=sTUj6bD1m6A]\u003c/div>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Of course some steps may need to be elongated or repeated but inevitably, if you really go after it, you will get that job. And just in case you need some musical support, I’ve complied this whole soundtrack in a nifty Spotify playlist, just for you.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp>If your job hunt has you down, is too overwhelming and just feels fruitless, don’t fret buddy, I'm here for you. You see, I believe in music therapy. Just as the perfect score takes a film from good to exceptional, the soundtrack of your life can pump you up and get you on the right track. And when you're on the prowl for a new gig, you need all the support you can get because let’s face it: there are few things in the modern world as agonizing, frustrating and eventually satisfying as searching for a job. So let’s get you hired.\u003c/p>\n\u003cp>In my experience, the emotional roller coaster of the job hunt always tends to follow a similar bumpy road:\u003c/p>\n\u003cp>1. You realize you need a job (either because you are completely out of work or your current employment is less than satisfying). You’re frustrated and annoyed because this is the last thing you want to do. You \u003ca href=\"//www.geekologie.com/2013/02/guy-makes-an-amazoncom-themed-online-res.php%E2%80%9D\">dust off your resume\u003c/a>, start aimlessly searching around the Internet, tell a few friends you’re looking, and sleep in a few days.\u003c/p>\n\u003cp>\u003cstrong>The Silhouettes -- \"Get A Job\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SzWkqfQ17Eo'\n title='//www.youtube.com/embed/SzWkqfQ17Eo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Wayne Hancock -- \"Working At Working\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aKMYMM6Hxtg'\n title='//www.youtube.com/embed/aKMYMM6Hxtg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong> Cibo Matto -- \"Working For Vacation\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WlYlBDbb0VQ'\n title='//www.youtube.com/embed/WlYlBDbb0VQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>2. The feeling starts to gnaw at you. You need a job, but the task of actually finding one seems so overwhelming you don’t know where to start. The news says the situation is dire. No one around you is having luck. Commence freak out.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Ceremony -- \"Hysteria\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yIrEcxvOzYI'\n title='//www.youtube.com/embed/yIrEcxvOzYI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong> Graham Coxon -- \"Freakin’ Out\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tBG2_MYdTS4'\n title='//www.youtube.com/embed/tBG2_MYdTS4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>The Ramones -- \"Not My Place (In The 9 to 5 World)\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Y2bD-fgUaw0'\n title='//www.youtube.com/embed/Y2bD-fgUaw0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>3. Snap out of it! It’s time to buckle down and seriously start your search. Finding a job is not an option, it’s a necessity and you will not be stopped. You pump yourself up and start putting your best self out there, \u003ca href=\"//www.moneyunder30.com/how-not-to-suck-at-applying-for-a-job%E2%80%9D\">applying everywhere\u003c/a> like a madman (or woman).\u003c/p>\n\u003cp>\u003cstrong>Muddy Waters -- \"Got My Mojo Working\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/V25iA2XPzuA'\n title='//www.youtube.com/embed/V25iA2XPzuA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Bachman-Turner Overdrive -- \"Takin’ Care of Business\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1dSzaScsWh4'\n title='//www.youtube.com/embed/1dSzaScsWh4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Gladys Knight & The Pips -- \"I’m Gonna Make You Love Me\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wlgmss58NvI'\n title='//www.youtube.com/embed/wlgmss58NvI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>4. And now it’s time for that agonizing wait to get a response from someone, anyone. You cross your fingers and your toes. \u003ca href=\"//www.exploringpsychics.com/articles/psychics/how-send-psychic-message%E2%80%9D\">Send telepathic messages\u003c/a> to the hiring manager. Make a voodoo doll. Maybe even say a prayer. Whatever it takes.\u003c/p>\n\u003cp>\u003cstrong>The Riverdales -- \"Wait It Out\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Tl66R66vnrU'\n title='//www.youtube.com/embed/Tl66R66vnrU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Pavement (Stockton, CA’s own) -- \"Harness Your Hopes\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IU7V8ETzrHo'\n title='//www.youtube.com/embed/IU7V8ETzrHo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Flying Lizards -- \"Money (That’s What I Want)\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/E-P2qL3qkzk'\n title='//www.youtube.com/embed/E-P2qL3qkzk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>5. At last you land a phone interview! But not so fast, muchacho, they won’t be making this easy on you. After answering a grueling barrage of questions, they want more. You’re asked to submit a writing sample or do a project or pitch an idea or create a new product or write some complex code, and then, maybe, they’ll call you for an on-site interview.\u003c/p>\n\u003cp>\u003cstrong>The Zeros -- \"Don’t Push Me Around\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/a_1rS6pr3w4'\n title='//www.youtube.com/embed/a_1rS6pr3w4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>The Supremes -- \"You Keep Me Hangin’ On\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/etObzeLEjDM'\n title='//www.youtube.com/embed/etObzeLEjDM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>The Human League -- \"Don’t You Want Me\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/uPudE8nDog0'\n title='//www.youtube.com/embed/uPudE8nDog0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>6. After submitting your superlative work again, you must wait. Your confidence wanes, your palms sweat, but all you can do is wait. We can all agree that \u003ca href=\"%E2%80%9D\"> waiting is the absolute worst. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Built to Spill -- \"The Wait\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iJP5cYMsjY0'\n title='//www.youtube.com/embed/iJP5cYMsjY0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Matthew Sweet (sadly, we are not related) -- \"I’ve Been Waiting\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7gQqR8x8dR4'\n title='//www.youtube.com/embed/7gQqR8x8dR4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Buddy Holly -- \"Crying, Waiting, Hoping\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hsjI7ekciZs'\n title='//www.youtube.com/embed/hsjI7ekciZs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>7. Finally you score an on-site in-person interview! This is your time to shine, friend-o. Put on your Sunday best, shine up those shoes, make your face real pretty-like and go get ‘em. Remember, they chose you out of tons of applicants \u003ca href=\"%E2%80%9D\">because you’re awesome;\u003c/a> this is no time to waver on self-confidence, you can do it!\u003c/p>\n\u003cp>\u003cstrong>Sammy Davis, Jr. -- \"Yes I Can\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ywfGpztYOmg'\n title='//www.youtube.com/embed/ywfGpztYOmg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Desmond Dekker -- \"You Can Get It If You Really Want\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fTHlGm7ERWk'\n title='//www.youtube.com/embed/fTHlGm7ERWk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Wanda Jackson -- \"You’re The One For Me\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/A1wTqvWj5k0'\n title='//www.youtube.com/embed/A1wTqvWj5k0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>8. And now, the most agonizing waiting period of all. You know this is the job for you, you know you can do it, you know you will thrive at this place. You’ve already mentally decorated your workspace, planned your first day of work outfit and, most importantly, reached the end of this grueling process. If only someone would call you back and tell you those magical, life changing words: you’re hired.\u003c/p>\n\u003cp>\u003cstrong>Tom Petty and the Heartbreakers -- \"The Waiting\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/uMyCa35_mOg'\n title='//www.youtube.com/embed/uMyCa35_mOg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>The Smiths -- \"Please, Please, Please, Let Me Get What I Want\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GiqOsKngc-c'\n title='//www.youtube.com/embed/GiqOsKngc-c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Frankie Valli and the Four Seasons -- \"Beggin'\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hQgmyQFFQjo'\n title='//www.youtube.com/embed/hQgmyQFFQjo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>9. You get hired! You did it; boom goes the dynamite! All of your diligence and tenacity has paid off. Now it’s time to slip into a celebration of complete self-satisfaction. After all, you’re the best around and nothing’s ever going to get you down, at least not today.\u003c/p>\n\u003cp>\u003cstrong>Iggy Pop -- \"Success\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QpqD7-yv4iM'\n title='//www.youtube.com/embed/QpqD7-yv4iM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Styx -- \"Winner Take All\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RXaAGNc3XlY'\n title='//www.youtube.com/embed/RXaAGNc3XlY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Joe Esposito -- \"You’re The Best\"\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sTUj6bD1m6A'\n title='//www.youtube.com/embed/sTUj6bD1m6A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/15/6-ways-to-get-in-touch-with-your-magical-teenage-self/teens/\" rel=\"attachment wp-att-2636\">\u003cimg class=\"aligncenter size-full wp-image-2636\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/teens.jpg\" alt=\"teens\" width=\"640\" height=\"365\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/teens.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/teens-400x228.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>This week the KQED Pop team has gone on a deep exploration of those magical years between 13 and 20 which sear us into the people we become. Want to get all in touch with the angst, the haircuts and the passion? Here's how:\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/11/from-the-beatles-to-one-direction-how-to-identify-a-boy-band/\" target=\"_blank\">1. Remember your boy band crush.\u003c/a> \u003c/strong>Lizzy Acker tries to identify what it really takes to make a boy band.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/12/songs-to-your-19-year-old-self/\" target=\"_blank\">2. Listen to music like a 19-year-old.\u003c/a> \u003c/strong>David Aloi finds songs he would have loved at 19.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/\" target=\"_blank\">3. Brush up on the history of girl culture.\u003c/a> \u003c/strong>Serena Cole explores the history of what it means to be a girl.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/\" target=\"_blank\">4. Reread your old letters\u003c/a>. \u003c/strong>Laura Schadler finds the connection between the stuff she loved at 14 and who she is now.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/15/ask-a-teenager/\" target=\"_blank\">5. Ask a teenager what the whole thing is like now.\u003c/a> \u003c/strong>Carrie Leilam Love goes on the ground and asks a real live teenager what is happening now.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/15/watch-this-now-dirty-girls/\" target=\"_blank\">6. Start calling yourself a Dirty Girl.\u003c/a> \u003c/strong>Lizzy Acker finds the best video on the internet to help you relive the pain of high school in the '90s.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/15/6-ways-to-get-in-touch-with-your-magical-teenage-self/teens/\" rel=\"attachment wp-att-2636\">\u003cimg class=\"aligncenter size-full wp-image-2636\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/teens.jpg\" alt=\"teens\" width=\"640\" height=\"365\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/teens.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/teens-400x228.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>This week the KQED Pop team has gone on a deep exploration of those magical years between 13 and 20 which sear us into the people we become. Want to get all in touch with the angst, the haircuts and the passion? Here's how:\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/11/from-the-beatles-to-one-direction-how-to-identify-a-boy-band/\" target=\"_blank\">1. Remember your boy band crush.\u003c/a> \u003c/strong>Lizzy Acker tries to identify what it really takes to make a boy band.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/12/songs-to-your-19-year-old-self/\" target=\"_blank\">2. Listen to music like a 19-year-old.\u003c/a> \u003c/strong>David Aloi finds songs he would have loved at 19.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Beginning at age 11, I wrote to my older self and this continued all through high school, letters from me age 14 to me age 30 and so on. It’s always sweet and strange to open these mysterious missives to see who I was. Dreams, psychic attempts, gossip and lists of what was currently cool fill the pages. Though she was a tad melodramatic, I've always felt a kinship with my teenage self. In fact I’m convinced a significant part of me still is 14 (maybe 17 when I’m feeling sophisticated). I’m curious about how our tastes develop over time, how they’re born and how they form us. It turns out that many of the interests and discoveries that illuminated my 14-year-old life still illuminate my 34-year-old life.\u003c/p>\n\u003cfigure id=\"attachment_2470\" class=\"wp-caption aligncenter\" style=\"max-width: 583px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/meee/\" rel=\"attachment wp-att-2470\">\u003cimg class=\" wp-image-2470 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/meee.jpg\" alt=\"Me at 14 v. Me at 34. Believe it or not there was a decade where my hair was other colors and lengths and I never wore flannel.\" width=\"583\" height=\"583\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee.jpg 1800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-1440x1440.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-75x75.jpg 75w\" sizes=\"(max-width: 583px) 100vw, 583px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Me at 14 vs. Me at 34. I promise there was more than decade where my hair was different and I never wore flannel.\u003c/figcaption>\u003c/figure>\n\u003cp>Growing up out in the woods pre-Internet there was nothing quite like the discovery of music, books, art, or fashion that I loved, hence my proclivity toward the cool lists. With non-traditional, artistic parents there wasn't much to rebel against. I was encouraged to express myself however I wanted and sometimes made to watch \u003ca href=\"https://www.youtube.com/watch?v=aGx4IlppSgU\">Joseph Campbell videos\u003c/a>. I vividly remember ripping holes in my stockings the summer between 8th and 9th grade but I’m not entirely sure where the inspiration came from. I was happily sent home from school once for an outfit deemed too “distracting” (violet slip, green vintage t-shirt, platform sandals) and it was early on that my love for scouring thrift stores, wearing giant jewelry and creating outfits with flourishes such as my dad’s blue coveralls was born. Each new find I made was a message in a bottle from the outside world. They were hints at the place I was one day going to get to and proof that I was compatible with it. \u003ca href=\"http://tropicsofmeta.files.wordpress.com/2012/05/bikinikillkathleenhannaslut.gif\">Riot Grrrls\u003c/a>, \u003ca href=\"http://www.examiner.com/images/blog/wysiwyg/image/heathers4.jpg\">\u003cem>Heathers\u003c/em>\u003c/a>, \u003ca href=\"http://upload.wikimedia.org/wikipedia/commons/9/99/Wat_is_Dada_%3F_cover.jpg\">Dadaism\u003c/a>! The clues were everywhere, in episodes of \u003cem>\u003ca href=\"http://www.badlands-blog.com/2010/09/clare-danes-as-angela-chase-in-my-so.html\">My So-Called Life\u003c/a>, \u003c/em>in the pages of \u003cem>\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/f/f4/SassymagCover.jpg\">Sassy\u003c/a>, \u003c/em>in\u003cem> \u003c/em>drives to D.C. for band t-shirts, baby doll dresses, artsy movies, museums and the \u003ca href=\"http://www.flickr.com/photos/arlib/7024954027/in/photostream/\">Indie Rock Flea Market\u003c/a>. Something thrilling was occurring in my gathering of these interests, no less than the formation of an identity being built consciously and unconsciously. My current self is beholden to these influences in inextricable, enigmatic ways.\u003c/p>\n\u003cfigure id=\"attachment_2496\" class=\"wp-caption aligncenter\" style=\"max-width: 450px\">\u003ca href=\"http://www.teenbeatrecords.com/items/159.html\" rel=\"attachment wp-att-2496\">\u003cimg class=\" wp-image-2496 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/tuscadero.jpg\" alt=\"Tuscadero was one of many awesome things about the Indie Rock Flea Market. Others included red vintage shoes (not pictured) that I took with me to college.\" width=\"450\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-75x75.jpg 75w\" sizes=\"(max-width: 450px) 100vw, 450px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://www.youtube.com/watch?v=nOeEv9JzVOY\">Tuscadero\u003c/a> was one of many awesome things about the Indie Rock Flea Market. Others included red vintage shoes (not pictured) that I took with me to college.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>\"A while back, if I remember right, my life was one long party where all hearts were open wide, where all wines kept flowing,\"\u003c/em> Arthur Rimbaud writes in \u003ca href=\"http://www.poets.org/viewmedia.php/prmMID/19836\">\u003cem>A Season In Hell\u003c/em>\u003c/a>. In high school this slim golden volume that I only half understood was suggested to me by a cute older boy who not only was in college but went to \u003cem>art school\u003c/em>. Rimbaud was a 19-year-old French free-verse poet whose bio includes adjectives like\u003ca href=\"http://www.poets.org/poet.php/prmPID/1268\"> volatile and peripatetic\u003c/a>. The whole experience blew my mind on several levels. A boy suggesting a book meant the thoughts therein were ones we’d both looked at and read and therefore shared somehow and I realized for the first time how intimacy could be created through ideas\u003cem>.\u003c/em> It was a revelation in the sexiness of words that I've never forgotten and it influences everything from my text messages to my short stories to how my thoughts even work. The idea that this type of poetic expression was a life or death thing, a way to live and consider life all at once, meant everything to me.\u003c/p>\n\u003cfigure id=\"attachment_2476\" class=\"wp-caption aligncenter\" style=\"max-width: 627px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/rimbaud-and-sylvia/\" rel=\"attachment wp-att-2476\">\u003cimg class=\" wp-image-2476 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/rimbaud-and-sylvia.jpg\" alt=\"Arthur & Sylvia\" width=\"627\" height=\"627\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia.jpg 1936w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-1440x1440.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-75x75.jpg 75w\" sizes=\"(max-width: 627px) 100vw, 627px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Arthur & Sylvia\u003c/figcaption>\u003c/figure>\n\u003cp>Then there was \u003ca href=\"http://flavorwire.com/363092/sylvia-plaths-the-bell-jar-a-visual-history\">\u003cem>The Bell Jar\u003c/em>\u003c/a> by \u003ca href=\"http://www.americanpoems.com/poets/sylviaplath/1416\">Sylvia Plath\u003c/a>, discovered by way of my 9\u003csup>th\u003c/sup> grade fascination with women writers who’d killed themselves. \u003cem>The Bell Jar\u003c/em> contains sentiments that both my 14 and 34-year-old self deeply appreciate, such as, \u003cem>“If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”\u003c/em> Though the book is clearly full of despair, lines like that feel freeing too because of the power in Plath's language that wrestles with despair. \u003cem>The Bell Jar \u003c/em>was a reading experience beyond simply relating to the voice and more like having something directly injected into my psyche. In Maggie Nelson’s incredible, paradigm-shifting collection of essays \u003ca href=\"http://www.nytimes.com/2011/07/17/books/review/book-review-the-art-of-cruelty-by-maggie-nelson.html?pagewanted=all\">\u003cem>The Art of Cruelty\u003c/em>\u003c/a>, Plath is addressed in-depth. Nelson says she can’t help but wish we could all read the writing of an older Plath and I agree. It’s profound to consider how our concerns, understandings and preoccupations shift as we age, and it would have been fascinating to see them shift in her. Among many reasons why, she might have given our own shifts more clarity and because the only thing as fascinating as what remains the same in us is what changes.\u003c/p>\n\u003cp>One significant activity that filled my days as a teenager was zine making. For years I dutifully created \u003cem>Confessions of a Doorknob Queen\u003c/em> (I forget the title's origin, I think I was fascinated by locks) and sold it at local music stores. It contained lyrics from \u003ca href=\"https://www.youtube.com/watch?v=yXzxYVeI0wc\">The Cure\u003c/a>, poetry obviously, \u003ca href=\"http://www.poets.org/viewmedia.php/prmMID/15297\">Anne Sexton\u003c/a> lines, concert tickets and sketches of boys I had crushes on. Zine-making is still going strong, somewhat undeterred by the ubiquitous power of the screen (or perhaps invigorated by it). There’s also, of course, the overall trend toward the handmade, including \u003ca href=\"http://sfcb.org/\">book art and bookmaking\u003c/a>. My sometimes panicked deleting of Instagram off my phone must be the result of my old school affinity for scotch tape, staples, my manual camera and ripping up all my books and magazines. Nothing makes me feel better than ripping images out of a magazine and taping them on a piece of paper. The tangible and analogue are therapeutic because they remind me of my days spent collaging my bedroom walls and making music videos in the fields. I do appreciate things like \u003ca href=\"http://rookiemag.com/\">\u003cem>Rookie\u003c/em>\u003c/a> and \u003cem>\u003ca href=\"http://www.sadiemagazine.com/\">Sadie\u003c/a>, \u003c/em>zine-like in spirit even though they’re online, and which my teenage self would've totally devoured had the Internet been around. Locally there’s \u003ca href=\"http://www.needles-pens.com/\">Needles & Pens\u003c/a> (my high school and current self’s dream store) who carry zines and other ephemera, and the \u003ca href=\"http://www.sfzinefest.org/\">SF Zine Festival\u003c/a>, where if I ever get my act together, I plan to one day unveil my collaborative zine project \u003cem>Future Circa\u003c/em> (you know who you are, collaborator) which will make my 14-year-old-self proud.\u003c/p>\n\u003cfigure id=\"attachment_2473\" class=\"wp-caption aligncenter\" style=\"max-width: 486px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/zine/\" rel=\"attachment wp-att-2473\">\u003cimg class=\" wp-image-2473 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/zine.png\" alt=\"Title Page of Confessions of a Doorknob Queen-1996\" width=\"486\" height=\"745\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/zine.png 900w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/zine-400x613.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/zine-800x1226.png 800w\" sizes=\"(max-width: 486px) 100vw, 486px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Title Page of \u003cem>Confessions of a Doorknob\u003c/em> Queen- circa 1996\u003c/figcaption>\u003c/figure>\n\u003cp>More than any one band (well, maybe \u003ca href=\"https://www.youtube.com/watch?v=ZqhHPl_oCmU\">The Pixies\u003c/a>) it’s the love of \u003cem>finding\u003c/em> music that I share with my young self (though she had a higher tendency to write lyrics on her t-shirts in marker); the act of reading, going to shows, sharing new discoveries and of course, listening. Listening when I’m working, when I’m writing, when I’m walking; music informs and punctuates every activity and always has. I remember sitting in the film center my freshman year of college when \u003ca href=\"https://www.youtube.com/watch?v=SGJFWirQ3ks\">Fugazi’s \u003cem>Waiting Room\u003c/em>\u003c/a> started playing. In my unsettled, homesick state it felt like my familiarity and attachment to that song was a mirror, a vital part of me, a wild perfect remedy of some sort. \u003ca href=\"http://www.sciencedaily.com/releases/2009/02/090223221230.htm\">Science confirms\u003c/a> how literally music is tied into our memories and life stories and I'm not surprised. More than one of my early romances hinged on a shared love of certain bands (my knowledge of \u003ca href=\"https://www.youtube.com/watch?v=ap3L_NCZk4s\">Jawbox \u003c/a>is totally responsible for my first college kiss). With the advent of music blogs and Spotify this musical search has become easier and different of course, but it still contains the spirit of the scavenger hunt and I still love it. I have Spotify to thank for \u003ca href=\"https://www.youtube.com/watch?v=KxyZXglIPQ8\">Lust For Youth\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=t01dYTecfS8\">Gazelle Twin\u003c/a>, and \u003ca href=\"http://www.youtube.com/watch?v=sng_CdAAw8M\">Rhye\u003c/a> among a zillion others. My 14-year-old self would have lost her mind over Spotify (for inspiration I’ve been listening to \u003ca href=\"https://www.youtube.com/watch?v=zug8C4KcGfQ\">Bratmobile \u003c/a>while writing this article). When I was in high school I made mixed tapes and titled the two sides things like \u003cstrong>Slut Side\u003c/strong> and \u003cstrong>Virgin Side\u003c/strong>. In the spirit of those days, I now title my Spotify playlists as if they have two sides (\u003cstrong>Doomed\u003c/strong> and \u003cstrong>Saved\u003c/strong>!).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/mixed-tape/\" rel=\"attachment wp-att-2477\">\u003cimg class=\"aligncenter size-full wp-image-2477\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/mixed-tape.jpg\" alt=\"mixed tape\" width=\"500\" height=\"334\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/mixed-tape.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/mixed-tape-400x267.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The searching, openness, magic and attention it takes to find what you love is so fun, serendipitous and rewarding. The word of mouth, the overheard song, the opening band, how one thing you love is\u003ca href=\"http://www.othervoices.org/1.2/cornell/cornellduchamp.php\"> connected\u003c/a> to another, how \u003ca href=\"http://therumpus.net/2012/09/the-sunday-rumpus-interview-junot-diaz/\">one author you like\u003c/a> talks about \u003ca href=\"http://artsbeat.blogs.nytimes.com/2009/04/24/stray-questions-for-paul-yoon/\">an author he likes\u003c/a>, how through these things we continually decide, \u003cem>I am \u003ca href=\"http://www.deitch.com/projects/slide_pop.php?imageId=2157&name=Clare%20Rojas\">this\u003c/a> and \u003ca href=\"http://ocbarrios.files.wordpress.com/2011/11/marcel_dzama_untitled_2003_318_42-820x1024.jpg\">this\u003c/a> and \u003ca href=\"http://formenteragirl.files.wordpress.com/2010/01/jenny-holzer.jpg\">this\u003c/a>\u003c/em>. Though I no longer need the lifeline in exactly the same way I did when I was younger, I still feel the richness and delight of each discovery and how they make the world seem like an astonishing place brimming with expression, excitement and a ton of stuff worth adding to my cool list. I found that thrilling and inspiring at age 14 and I still do. I sat down recently to write my 40-year- old self a letter and I have a feeling she’ll agree.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Beginning at age 11, I wrote to my older self and this continued all through high school, letters from me age 14 to me age 30 and so on. It’s always sweet and strange to open these mysterious missives to see who I was. Dreams, psychic attempts, gossip and lists of what was currently cool fill the pages. Though she was a tad melodramatic, I've always felt a kinship with my teenage self. In fact I’m convinced a significant part of me still is 14 (maybe 17 when I’m feeling sophisticated). I’m curious about how our tastes develop over time, how they’re born and how they form us. It turns out that many of the interests and discoveries that illuminated my 14-year-old life still illuminate my 34-year-old life.\u003c/p>\n\u003cfigure id=\"attachment_2470\" class=\"wp-caption aligncenter\" style=\"max-width: 583px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/meee/\" rel=\"attachment wp-att-2470\">\u003cimg class=\" wp-image-2470 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/meee.jpg\" alt=\"Me at 14 v. Me at 34. Believe it or not there was a decade where my hair was other colors and lengths and I never wore flannel.\" width=\"583\" height=\"583\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee.jpg 1800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-1440x1440.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/meee-75x75.jpg 75w\" sizes=\"(max-width: 583px) 100vw, 583px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Me at 14 vs. Me at 34. I promise there was more than decade where my hair was different and I never wore flannel.\u003c/figcaption>\u003c/figure>\n\u003cp>Growing up out in the woods pre-Internet there was nothing quite like the discovery of music, books, art, or fashion that I loved, hence my proclivity toward the cool lists. With non-traditional, artistic parents there wasn't much to rebel against. I was encouraged to express myself however I wanted and sometimes made to watch \u003ca href=\"https://www.youtube.com/watch?v=aGx4IlppSgU\">Joseph Campbell videos\u003c/a>. I vividly remember ripping holes in my stockings the summer between 8th and 9th grade but I’m not entirely sure where the inspiration came from. I was happily sent home from school once for an outfit deemed too “distracting” (violet slip, green vintage t-shirt, platform sandals) and it was early on that my love for scouring thrift stores, wearing giant jewelry and creating outfits with flourishes such as my dad’s blue coveralls was born. Each new find I made was a message in a bottle from the outside world. They were hints at the place I was one day going to get to and proof that I was compatible with it. \u003ca href=\"http://tropicsofmeta.files.wordpress.com/2012/05/bikinikillkathleenhannaslut.gif\">Riot Grrrls\u003c/a>, \u003ca href=\"http://www.examiner.com/images/blog/wysiwyg/image/heathers4.jpg\">\u003cem>Heathers\u003c/em>\u003c/a>, \u003ca href=\"http://upload.wikimedia.org/wikipedia/commons/9/99/Wat_is_Dada_%3F_cover.jpg\">Dadaism\u003c/a>! The clues were everywhere, in episodes of \u003cem>\u003ca href=\"http://www.badlands-blog.com/2010/09/clare-danes-as-angela-chase-in-my-so.html\">My So-Called Life\u003c/a>, \u003c/em>in the pages of \u003cem>\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/f/f4/SassymagCover.jpg\">Sassy\u003c/a>, \u003c/em>in\u003cem> \u003c/em>drives to D.C. for band t-shirts, baby doll dresses, artsy movies, museums and the \u003ca href=\"http://www.flickr.com/photos/arlib/7024954027/in/photostream/\">Indie Rock Flea Market\u003c/a>. Something thrilling was occurring in my gathering of these interests, no less than the formation of an identity being built consciously and unconsciously. My current self is beholden to these influences in inextricable, enigmatic ways.\u003c/p>\n\u003cfigure id=\"attachment_2496\" class=\"wp-caption aligncenter\" style=\"max-width: 450px\">\u003ca href=\"http://www.teenbeatrecords.com/items/159.html\" rel=\"attachment wp-att-2496\">\u003cimg class=\" wp-image-2496 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/tuscadero.jpg\" alt=\"Tuscadero was one of many awesome things about the Indie Rock Flea Market. Others included red vintage shoes (not pictured) that I took with me to college.\" width=\"450\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tuscadero-75x75.jpg 75w\" sizes=\"(max-width: 450px) 100vw, 450px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://www.youtube.com/watch?v=nOeEv9JzVOY\">Tuscadero\u003c/a> was one of many awesome things about the Indie Rock Flea Market. Others included red vintage shoes (not pictured) that I took with me to college.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>\"A while back, if I remember right, my life was one long party where all hearts were open wide, where all wines kept flowing,\"\u003c/em> Arthur Rimbaud writes in \u003ca href=\"http://www.poets.org/viewmedia.php/prmMID/19836\">\u003cem>A Season In Hell\u003c/em>\u003c/a>. In high school this slim golden volume that I only half understood was suggested to me by a cute older boy who not only was in college but went to \u003cem>art school\u003c/em>. Rimbaud was a 19-year-old French free-verse poet whose bio includes adjectives like\u003ca href=\"http://www.poets.org/poet.php/prmPID/1268\"> volatile and peripatetic\u003c/a>. The whole experience blew my mind on several levels. A boy suggesting a book meant the thoughts therein were ones we’d both looked at and read and therefore shared somehow and I realized for the first time how intimacy could be created through ideas\u003cem>.\u003c/em> It was a revelation in the sexiness of words that I've never forgotten and it influences everything from my text messages to my short stories to how my thoughts even work. The idea that this type of poetic expression was a life or death thing, a way to live and consider life all at once, meant everything to me.\u003c/p>\n\u003cfigure id=\"attachment_2476\" class=\"wp-caption aligncenter\" style=\"max-width: 627px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/rimbaud-and-sylvia/\" rel=\"attachment wp-att-2476\">\u003cimg class=\" wp-image-2476 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/rimbaud-and-sylvia.jpg\" alt=\"Arthur & Sylvia\" width=\"627\" height=\"627\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia.jpg 1936w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-1440x1440.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/rimbaud-and-sylvia-75x75.jpg 75w\" sizes=\"(max-width: 627px) 100vw, 627px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Arthur & Sylvia\u003c/figcaption>\u003c/figure>\n\u003cp>Then there was \u003ca href=\"http://flavorwire.com/363092/sylvia-plaths-the-bell-jar-a-visual-history\">\u003cem>The Bell Jar\u003c/em>\u003c/a> by \u003ca href=\"http://www.americanpoems.com/poets/sylviaplath/1416\">Sylvia Plath\u003c/a>, discovered by way of my 9\u003csup>th\u003c/sup> grade fascination with women writers who’d killed themselves. \u003cem>The Bell Jar\u003c/em> contains sentiments that both my 14 and 34-year-old self deeply appreciate, such as, \u003cem>“If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”\u003c/em> Though the book is clearly full of despair, lines like that feel freeing too because of the power in Plath's language that wrestles with despair. \u003cem>The Bell Jar \u003c/em>was a reading experience beyond simply relating to the voice and more like having something directly injected into my psyche. In Maggie Nelson’s incredible, paradigm-shifting collection of essays \u003ca href=\"http://www.nytimes.com/2011/07/17/books/review/book-review-the-art-of-cruelty-by-maggie-nelson.html?pagewanted=all\">\u003cem>The Art of Cruelty\u003c/em>\u003c/a>, Plath is addressed in-depth. Nelson says she can’t help but wish we could all read the writing of an older Plath and I agree. It’s profound to consider how our concerns, understandings and preoccupations shift as we age, and it would have been fascinating to see them shift in her. Among many reasons why, she might have given our own shifts more clarity and because the only thing as fascinating as what remains the same in us is what changes.\u003c/p>\n\u003cp>One significant activity that filled my days as a teenager was zine making. For years I dutifully created \u003cem>Confessions of a Doorknob Queen\u003c/em> (I forget the title's origin, I think I was fascinated by locks) and sold it at local music stores. It contained lyrics from \u003ca href=\"https://www.youtube.com/watch?v=yXzxYVeI0wc\">The Cure\u003c/a>, poetry obviously, \u003ca href=\"http://www.poets.org/viewmedia.php/prmMID/15297\">Anne Sexton\u003c/a> lines, concert tickets and sketches of boys I had crushes on. Zine-making is still going strong, somewhat undeterred by the ubiquitous power of the screen (or perhaps invigorated by it). There’s also, of course, the overall trend toward the handmade, including \u003ca href=\"http://sfcb.org/\">book art and bookmaking\u003c/a>. My sometimes panicked deleting of Instagram off my phone must be the result of my old school affinity for scotch tape, staples, my manual camera and ripping up all my books and magazines. Nothing makes me feel better than ripping images out of a magazine and taping them on a piece of paper. The tangible and analogue are therapeutic because they remind me of my days spent collaging my bedroom walls and making music videos in the fields. I do appreciate things like \u003ca href=\"http://rookiemag.com/\">\u003cem>Rookie\u003c/em>\u003c/a> and \u003cem>\u003ca href=\"http://www.sadiemagazine.com/\">Sadie\u003c/a>, \u003c/em>zine-like in spirit even though they’re online, and which my teenage self would've totally devoured had the Internet been around. Locally there’s \u003ca href=\"http://www.needles-pens.com/\">Needles & Pens\u003c/a> (my high school and current self’s dream store) who carry zines and other ephemera, and the \u003ca href=\"http://www.sfzinefest.org/\">SF Zine Festival\u003c/a>, where if I ever get my act together, I plan to one day unveil my collaborative zine project \u003cem>Future Circa\u003c/em> (you know who you are, collaborator) which will make my 14-year-old-self proud.\u003c/p>\n\u003cfigure id=\"attachment_2473\" class=\"wp-caption aligncenter\" style=\"max-width: 486px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/zine/\" rel=\"attachment wp-att-2473\">\u003cimg class=\" wp-image-2473 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/zine.png\" alt=\"Title Page of Confessions of a Doorknob Queen-1996\" width=\"486\" height=\"745\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/zine.png 900w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/zine-400x613.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/zine-800x1226.png 800w\" sizes=\"(max-width: 486px) 100vw, 486px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Title Page of \u003cem>Confessions of a Doorknob\u003c/em> Queen- circa 1996\u003c/figcaption>\u003c/figure>\n\u003cp>More than any one band (well, maybe \u003ca href=\"https://www.youtube.com/watch?v=ZqhHPl_oCmU\">The Pixies\u003c/a>) it’s the love of \u003cem>finding\u003c/em> music that I share with my young self (though she had a higher tendency to write lyrics on her t-shirts in marker); the act of reading, going to shows, sharing new discoveries and of course, listening. Listening when I’m working, when I’m writing, when I’m walking; music informs and punctuates every activity and always has. I remember sitting in the film center my freshman year of college when \u003ca href=\"https://www.youtube.com/watch?v=SGJFWirQ3ks\">Fugazi’s \u003cem>Waiting Room\u003c/em>\u003c/a> started playing. In my unsettled, homesick state it felt like my familiarity and attachment to that song was a mirror, a vital part of me, a wild perfect remedy of some sort. \u003ca href=\"http://www.sciencedaily.com/releases/2009/02/090223221230.htm\">Science confirms\u003c/a> how literally music is tied into our memories and life stories and I'm not surprised. More than one of my early romances hinged on a shared love of certain bands (my knowledge of \u003ca href=\"https://www.youtube.com/watch?v=ap3L_NCZk4s\">Jawbox \u003c/a>is totally responsible for my first college kiss). With the advent of music blogs and Spotify this musical search has become easier and different of course, but it still contains the spirit of the scavenger hunt and I still love it. I have Spotify to thank for \u003ca href=\"https://www.youtube.com/watch?v=KxyZXglIPQ8\">Lust For Youth\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=t01dYTecfS8\">Gazelle Twin\u003c/a>, and \u003ca href=\"http://www.youtube.com/watch?v=sng_CdAAw8M\">Rhye\u003c/a> among a zillion others. My 14-year-old self would have lost her mind over Spotify (for inspiration I’ve been listening to \u003ca href=\"https://www.youtube.com/watch?v=zug8C4KcGfQ\">Bratmobile \u003c/a>while writing this article). When I was in high school I made mixed tapes and titled the two sides things like \u003cstrong>Slut Side\u003c/strong> and \u003cstrong>Virgin Side\u003c/strong>. In the spirit of those days, I now title my Spotify playlists as if they have two sides (\u003cstrong>Doomed\u003c/strong> and \u003cstrong>Saved\u003c/strong>!).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/03/14/letters-from-my-teenage-self/mixed-tape/\" rel=\"attachment wp-att-2477\">\u003cimg class=\"aligncenter size-full wp-image-2477\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/mixed-tape.jpg\" alt=\"mixed tape\" width=\"500\" height=\"334\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/mixed-tape.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/mixed-tape-400x267.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The searching, openness, magic and attention it takes to find what you love is so fun, serendipitous and rewarding. The word of mouth, the overheard song, the opening band, how one thing you love is\u003ca href=\"http://www.othervoices.org/1.2/cornell/cornellduchamp.php\"> connected\u003c/a> to another, how \u003ca href=\"http://therumpus.net/2012/09/the-sunday-rumpus-interview-junot-diaz/\">one author you like\u003c/a> talks about \u003ca href=\"http://artsbeat.blogs.nytimes.com/2009/04/24/stray-questions-for-paul-yoon/\">an author he likes\u003c/a>, how through these things we continually decide, \u003cem>I am \u003ca href=\"http://www.deitch.com/projects/slide_pop.php?imageId=2157&name=Clare%20Rojas\">this\u003c/a> and \u003ca href=\"http://ocbarrios.files.wordpress.com/2011/11/marcel_dzama_untitled_2003_318_42-820x1024.jpg\">this\u003c/a> and \u003ca href=\"http://formenteragirl.files.wordpress.com/2010/01/jenny-holzer.jpg\">this\u003c/a>\u003c/em>. Though I no longer need the lifeline in exactly the same way I did when I was younger, I still feel the richness and delight of each discovery and how they make the world seem like an astonishing place brimming with expression, excitement and a ton of stuff worth adding to my cool list. I found that thrilling and inspiring at age 14 and I still do. I sat down recently to write my 40-year- old self a letter and I have a feeling she’ll agree.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "A Completely Subjective History of Girl Culture",
"title": "A Completely Subjective History of Girl Culture",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cfigure id=\"attachment_2374\" class=\"wp-caption alignleft\" style=\"max-width: 271px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/girls-lena-dunham-1_-_copy1/\" rel=\"attachment wp-att-2374\">\u003cimg class=\" wp-image-2374\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/girls-lena-dunham-1_-_copy1.jpg\" alt=\"Lena Dunham of 'Girls'\" width=\"271\" height=\"195\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/girls-lena-dunham-1_-_copy1.jpg 584w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/girls-lena-dunham-1_-_copy1-400x286.jpg 400w\" sizes=\"(max-width: 271px) 100vw, 271px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lena Dunham of 'Girls'\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>A Girl Renaissance\u003c/strong>\u003c/p>\n\u003cp>Girls are having a moment. A Girl Renaissance, filled with frumpy young girl directors singing their autobiographical swan songs like Lena Dunham and Miranda July,\u003c/p>\n\u003cfigure id=\"attachment_110112\" class=\"wp-caption alignright\" style=\"max-width: 185px\">\u003cimg class=\"size-full wp-image-110112\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/Screen-Shot-2019-03-08-at-3.13.12-PM.png\" alt=\"Tavi Gevinson: Grey hair looks great, but only if you're 15\" width=\"185\" height=\"261\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/Screen-Shot-2019-03-08-at-3.13.12-PM.png 185w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/Screen-Shot-2019-03-08-at-3.13.12-PM-160x226.png 160w\" sizes=\"(max-width: 185px) 100vw, 185px\">\u003cfigcaption class=\"wp-caption-text\">Tavi Gevinson: Grey hair looks great, but only if you're 15 \u003ccite>(Instagram/@tavitulle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>doe-eyed, gray-haired ingenue Tavi Gevinson taking street style blogging and turning it into an \u003ca title=\"Empire\" href=\"http://rookiemag.com\" target=\"_blank\" rel=\"noopener\">empire\u003c/a>, those girl-women of SNL fame writing pee-your-pants movies and TV shows like Kristen Wiig's \u003cem>Bridesmaids\u003c/em> and Tina Fey's \u003cem>30 Rock\u003c/em>, and of course, Zooey Deschanel's media siege with her lame old-timey vocals in the band, \u003cem>She & Him\u003c/em>, and \u003ca href=\"http://blogs.kqed.org/pop/2013/03/08/new-girl-the-sitcom-as-the-new-reality-tv/\">her pretty good show, \u003cem>New Girl\u003c/em>\u003c/a>. But wait, how could we forget the other girls dominating our airwaves? The CW TV network is a girl party on crack including \u003ca href=\"http://blogs.kqed.org/pop/2013/01/29/rip-gossip-girl-attempts-at-reconciling-guilt-pleasure/\">the sensationally guilt-pleasurable \u003cem>Gossip Girl\u003c/em>\u003c/a>. Then we have Lady Gaga, and those other weirdos, Nicki Minaj, Grimes, and Lana Del Rey. Talk about a take-over. I don't even know where the men are anymore. Oh wait. They're combing their beards and wearing flannels, curing meat at home and occasionally resurfacing from their woodland-decorated apartments to eat at restaurants they read about in the NY Times. Girls, the airwaves and internet are yours to command.\u003c/p>\n\u003cfigure id=\"attachment_2484\" class=\"wp-caption aligncenter\" style=\"max-width: 497px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/gossip-girl-on-steps/\" rel=\"attachment wp-att-2484\">\u003cimg class=\"wp-image-2484 size-full\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/gossip-girl-on-steps.jpg\" alt=\"'Gossip Girl'\" width=\"497\" height=\"323\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/gossip-girl-on-steps.jpg 497w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gossip-girl-on-steps-400x259.jpg 400w\" sizes=\"(max-width: 497px) 100vw, 497px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">'Gossip Girl'\u003c/figcaption>\u003c/figure>\n\u003cp>So what is a 'girl' anymore? Something between a little girl and a lady? As a post-teen non-woman, I feel the need to keep the title of girl probably well past its original expiration date because I'd rather be a girl than a woman. Between my anxiety and my jealousy at being only a fringe element of the Girl Renaissance, I have been looking back into the girl culture of my past. I am by no means an authority, but I have put together an incredibly subjective History of Girl Culture (the last 33 years) for your amusement and nostalgia.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Last 33 Years of Girl Culture\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Since I was born one year shy of the 1980s, I have no idea what the late '70s were like. I can imagine it sucked as the fight for women's rights continued from the '60s, (well, really the '20s), and you wanted that whole \u003cem>Murphy Brown\u003c/em> thing that you didn't know about yet, but you also just wanted to burn your bra and drop acid and tell your uptight housewife mom to leave you alone. I can only include what I learned about in retrospect about cool girl culture since I was hanging out in utero. Let's leave out disco and roller skating and \u003cem>Three's Company\u003c/em> and focus on the amazing punk subculture of the '70s.\u003c/p>\n\u003cfigure id=\"attachment_110111\" class=\"wp-caption alignnone\" style=\"max-width: 500px\">\u003cimg class=\"size-full wp-image-110111\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2.jpg\" alt=\"The only thing that was a bummer about Joan Jett's all-girl band, The Runaways, was that they needed to dress slutty to get attention\" width=\"500\" height=\"497\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-160x159.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-128x128.jpg 128w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">The only thing that was a bummer about Joan Jett's all-girl band, The Runaways, was that they needed to dress slutty to get attention\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Punks and Vixens\u003c/strong>\u003c/p>\n\u003cp>Vivienne Westwood, Patti Smith, Bow Wow Wow, The Slits, Exene Cervenka, The Runaways, and Siouxsie and the Banshees should all make you embarrassed to be so unoriginal and passive. Between the English punks and the American ones, they had it covered. This documentary, \u003cem>The Decline of Western Civilization\u003c/em>, was directed by punk girl Penelope Spheeris, and captures the gritty, sneering, yet slightly self-conscious and heavily made-up Exene of the band X. As the odd sex out most of the time, girls like her and Siouxsie Sioux were both iconic feminists and potent sex bombs, paving the way as disheveled girl originals of the Courtney Loves who would follow.\u003cbr>\n[youtube http://www.youtube.com/watch?v=gQLe9FdXXXw&w=560&h=315]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Funsters Who Live at Home\u003c/strong>\u003c/p>\n\u003cp>As we enter the early '80s, I still can't tell you much from my perspective as a girl unless you want to know about \u003cem>The Smurfs\u003c/em>. But who didn't know about Cyndi Lauper, Madonna, or Pat Benatar, (though \"Hell is For Children\" was particularly alarming)? I mostly remember the \"Girls Just Wanna Have Fun\" video from \u003cem>Goonies\u003c/em>, but the message had broad appeal, even to a six-year-old.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=PIb6AZdTr-A&w=560&h=315]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>We also had other iconic all-girl bands like The Go-Gos and The Bangles, and a overriding sense of fun and pop. The songs from Lauper and Madonna still reference their fathers, i.e. \"Papa Don't Preach,\" as if the hardened girls of the punk movement had lent their over-the-top style but not their tough girl message of staking out territory with the boys. It was girls on one side of the dance floor and boys on the other, and then there were the geeks.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Geeks and Bimbos\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_2481\" class=\"wp-caption alignleft\" style=\"max-width: 200px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/martha-plimpton/\" rel=\"attachment wp-att-2481\">\u003cimg class=\"size-full wp-image-2481\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/Martha-Plimpton.jpg\" alt=\"Martha Plimpton\" width=\"200\" height=\"179\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Martha Plimpton\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_2482\" class=\"wp-caption alignright\" style=\"max-width: 240px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/the_breakfast_club_142_thumb/\" rel=\"attachment wp-att-2482\">\u003cimg class=\"size-full wp-image-2482 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/The_Breakfast_Club_142_thumb.jpg\" alt=\"The_Breakfast_Club_142_thumb\" width=\"240\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ally Sheedy\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Somewhat strangely, a geek story plays out in almost all '80s teen culture. Nerdy girls like Martha Plimpton in \u003cem>Goonies\u003c/em> or Ally Sheedy in the \u003cem>Breakfast Club\u003c/em> serve as comparison shots to the hot girls and never get the guy, or get him \u003cem>only\u003c/em> after a hot girl takes her under her wing. They are often seen literally comparing their boobs to the other girls in \u003ca title=\"Shower Scenes\" href=\"http://www.anyclip.com/movies/sixteen-candles/caroline-showers/\" target=\"_blank\" rel=\"noopener\">shower scenes\u003c/a>, as men were probably the only ones writing the scripts. All girls in this era, it seems, want to be blond, busty, and heavily shouldered, like the girls in \u003cem>Valley Girl\u003c/em>, Seventeen Magazine, and Blair on the \u003cem>Facts of Life\u003c/em>. Enter heavy metal and the hope we had for self-respect went out the window with Kelly Bundy and groupies everywhere.\u003c/p>\n\u003cfigure id=\"attachment_2485\" class=\"wp-caption aligncenter\" style=\"max-width: 475px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/christina-applegate-kelly-bundy-married-with-children6/\" rel=\"attachment wp-att-2485\">\u003cimg class=\"wp-image-2485 size-full\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/Christina-Applegate-Kelly-Bundy-Married-with-children6.jpg\" alt=\"Kelly Bundy on 'Married with Children'\" width=\"475\" height=\"324\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/Christina-Applegate-Kelly-Bundy-Married-with-children6.jpg 475w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/Christina-Applegate-Kelly-Bundy-Married-with-children6-400x272.jpg 400w\" sizes=\"(max-width: 475px) 100vw, 475px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kelly Bundy on 'Married with Children'\u003c/figcaption>\u003c/figure>\n\u003cp>As we approach the later end of the '80s, i'ts more and more apparent that girls are trying to be \u003cem>women\u003c/em>. The big hair, the big boobs, the way everyone talks about themselves as if they were really serious about everything. It all just made me feel extremely self-conscious. I don't know what happened to the feminists of the '70s. They were probably building communes to get away from all we had done to our own girlhoods, but everyone else was rocking out to dudes who looked like girls and checking out models we had actually learned the names of on the covers of magazines. There \u003cem>were\u003c/em> a few anti-heroes like Winona Ryder in the movie \u003cem>Heathers\u003c/em>, and for that I am eternally grateful.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=yQik7L8Av6w&w=560&h=315]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Sarcastic yet Politically Correct \u003c/strong>\u003c/p>\n\u003cp>Enter the '90s now, and boy is it a girl's paradise. We all know how grunge killed metal, at least if you find yourself watching VH1 documentaries on Saturdays, and grunge also killed chauvinism, it would seem. Suddenly we forgot about Axl Rose and Stephanie Seymour and even Janet Jackson and Lita Ford. We did tolerate \u003cem>90210\u003c/em> (Ok, I was 11 and I loved it), and the cooler cult classic \u003cem>Twin Peaks\u003c/em>, but there was a storm brewing and it's name was Girl Power.\u003c/p>\n\u003cfigure id=\"attachment_110114\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-110114\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/R-663729-1358073482-1488.jpeg.jpg\" alt=\"The other British invasion\" width=\"600\" height=\"524\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/R-663729-1358073482-1488.jpeg.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/R-663729-1358073482-1488.jpeg-160x140.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">The other British invasion\u003c/figcaption>\u003c/figure>\n\u003cp>Do you remember \"Girl Power\" when it was screamed from the stage of this British Goody-barretted monstrosity? Despite how ridiculous they were, especially in all those flared polyester pants, their message was delivered in good faith. \"Girl Power\" was a mantra echoed from these cheeky British mouths to all young girls across the world. As cheesy as that was, in the face of the metal years we had just gone through, we needed it.\u003c/p>\n\u003cfigure id=\"attachment_2489\" class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/bkbk/\" rel=\"attachment wp-att-2489\">\u003cimg class=\"size-medium wp-image-2489\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/bkbk-300x167.jpeg\" alt=\"Bikini Kill\" width=\"300\" height=\"167\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bikini Kill\u003c/figcaption>\u003c/figure>\n\u003cp>Of course, while this was going on, we had another form of \"Girl Power\" known as Riot Grrl, like Bikini Kill screaming \"Suck my left one!\", among other things. Riot Grrls were mutli-tasker extremists, staying up late to make zines, create record distros, and bake cakes. We also had Riot Grrl Lite like No Doubt's \"Just a Girl.\" One thing was certain: absolutely everyone was in thrift store clothes.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=PHzOOQfhPFg&w=560&h=315]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>I could go on about the '90s for a million years. It was the decade I lived through as an adolescent, so each moment was recorded in my developing brain as important and mind-blowing. All I know is that I can remember grunge and Courtney Love, the 4 Non-Blondes, L7, a new general sarcasm with shows like \u003cem>My So-Called Life\u003c/em> and \u003cem>Daria\u003c/em> and movies like \u003cem>Reality Bites,\u003c/em> nerd-heroine Jeanane Garafalo, angry songstress PJ Harvey, weirdo Bjork, Drew Barrymore flashing David Letterman, and Fiona Apple losing it and yelling at everyone at the MTV awards show. Correct me if I'm wrong, but looking back it seems like it was a good time for girls, but an angry time. And everyone was skinny and on drugs, highlighted by \u003cem>Pulp Fiction\u003c/em>, \u003cem>Trainspotting\u003c/em>, heroin chic and Kate Moss. On the other hand, we had Lilith Fair and the woman warrior weapon of choice: the acoustic guitar. Suddenly everyone was 'PC', and it seemed like everyone had also recently become bi-sexual. Weirdest of all, dreadlocks enjoyed a rise in popularity, with Ani Di Franco as a poster child for basically all of the above.\u003c/p>\n\u003cfigure id=\"attachment_110110\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110110\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-800x798.jpg\" alt=\"Ani DiFranco\" width=\"800\" height=\"798\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-800x798.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-768x766.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-1020x1017.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_.jpg 1050w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Soft-Spoken Harpists and Fame-Chasers\u003c/strong>\u003c/p>\n\u003cp>I can hardly remember anything about the 2000s. I guess once your personal preferences are formed, and your personality cemented, you are free to go about looking back into history to find your tribe. This is when I discovered the Runaways, X, Siouxsie and the Banshees, \u003cem>Twin Peaks\u003c/em> and old horror films. Since I became a punk in this time period, my memory doesn't recall much of the current traditional girl 'pop' culture of the time. I remember that rockabilly had a resurgence, with amazing sculpted girl pompadour beehive things that I wished I could do. Also, there was the band, The Distillers, who took the angry feminism of the '90s and made it more explicit, referencing Susan B. Anthony in their lyrics.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=ODGp9g9nJKk&w=560&h=315]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Mostly what I remember, however, was the bipolar culture of a new way of keeping up with all kinds of the coolest things, amplified by the fact that basically everyone now had the internet and MySpace and a way to broadcast themselves. There was also a very quiet indie culture of soft girliness, like \u003ca href=\"http://lulamag.com/\" target=\"_blank\" rel=\"noopener\">Lula Magazine\u003c/a>, which I think was a reaction from the more sensitive turtles of girl culture. We had the \u003ca title=\"Cobrasnake\" href=\"http://www.thecobrasnake.com\">Cobrasnake\u003c/a> and New York disco pop trumping everything like the Yeah Yeah Yeahs and Glass Candy, but we also had the \u003cem>Virgin Suicides\u003c/em> and Cat Power and Joanna Newsom, (which was weird because she is from my hometown). There was \u003cem>Sex and the City\u003c/em>, lest we forget, and a constant push to spend money and keep up, with reality shows like \u003cem>The Hills\u003c/em> and a strange cultural obsession with Paris Hilton. In the end, I think as girls we lost our way again, just like we did last time we had too much money, in the '80s. Girl culture became about labels, the possibility of fame, and the weird alternative reality of Facebook.\u003c/p>\n\u003cfigure id=\"attachment_110109\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110109\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-800x450.jpg\" alt=\"Paris and Nicole\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-1920x1081.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paris and Nicole\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>The New Girls\u003c/strong>\u003c/p>\n\u003cp>Enter the economic bottom dropping out. Suddenly we're depressed and we want fantasy. We want crazy outfits and supernatural creatures crawling into our beds at night so we don't think about our chances of finding employment. But we also have taken matters into our own hands and created what we were looking for and hadn't found in the fast-fashion reality mega-plex of the 2000s. Sisters are doing it for themselves, from the cheesy-as-they-might be \u003cem>Twilight\u003c/em> and \u003cem>Hunger Games\u003c/em> writers to the genius comic relief we really needed in the form of Poehler and Fey, the self-made videos of Lana Del Rey to the self-produced albums from Gaga.\u003c/p>\n\u003cp>So here is to our smart girl writers, directors, bloggers, singers, and everyone in between. Please keep making awesome things, even if not everyone likes you. We need you so that one day when we look back we'll remember our 2010s as the Girl Renaissance, and not think of the Kardashians and Ke$ha.\u003c/p>\n\u003cfigure id=\"attachment_110108\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110108\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-800x445.jpg\" alt=\"Weirdo South African band, Die Antwoord\" width=\"800\" height=\"445\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-800x445.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-160x89.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-768x428.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-1020x568.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-1200x668.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-1038x576.jpg 1038w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video.jpg 1277w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Weirdo South African band, Die Antwoord\u003c/figcaption>\u003c/figure>\n\u003cp>[youtube http://www.youtube.com/watch?v=00ZHah-c0hQ&w=560&h=315]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=1FH-q0I1fJY&w=560&h=315]\u003c/p>\n\n",
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"excerpt": "Here is an incredibly subjective History of Girl Culture (the last 33 years) for your amusement and nostalgia.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_2374\" class=\"wp-caption alignleft\" style=\"max-width: 271px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/girls-lena-dunham-1_-_copy1/\" rel=\"attachment wp-att-2374\">\u003cimg class=\" wp-image-2374\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/girls-lena-dunham-1_-_copy1.jpg\" alt=\"Lena Dunham of 'Girls'\" width=\"271\" height=\"195\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/girls-lena-dunham-1_-_copy1.jpg 584w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/girls-lena-dunham-1_-_copy1-400x286.jpg 400w\" sizes=\"(max-width: 271px) 100vw, 271px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Lena Dunham of 'Girls'\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>A Girl Renaissance\u003c/strong>\u003c/p>\n\u003cp>Girls are having a moment. A Girl Renaissance, filled with frumpy young girl directors singing their autobiographical swan songs like Lena Dunham and Miranda July,\u003c/p>\n\u003cfigure id=\"attachment_110112\" class=\"wp-caption alignright\" style=\"max-width: 185px\">\u003cimg class=\"size-full wp-image-110112\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/Screen-Shot-2019-03-08-at-3.13.12-PM.png\" alt=\"Tavi Gevinson: Grey hair looks great, but only if you're 15\" width=\"185\" height=\"261\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/Screen-Shot-2019-03-08-at-3.13.12-PM.png 185w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/Screen-Shot-2019-03-08-at-3.13.12-PM-160x226.png 160w\" sizes=\"(max-width: 185px) 100vw, 185px\">\u003cfigcaption class=\"wp-caption-text\">Tavi Gevinson: Grey hair looks great, but only if you're 15 \u003ccite>(Instagram/@tavitulle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>doe-eyed, gray-haired ingenue Tavi Gevinson taking street style blogging and turning it into an \u003ca title=\"Empire\" href=\"http://rookiemag.com\" target=\"_blank\" rel=\"noopener\">empire\u003c/a>, those girl-women of SNL fame writing pee-your-pants movies and TV shows like Kristen Wiig's \u003cem>Bridesmaids\u003c/em> and Tina Fey's \u003cem>30 Rock\u003c/em>, and of course, Zooey Deschanel's media siege with her lame old-timey vocals in the band, \u003cem>She & Him\u003c/em>, and \u003ca href=\"http://blogs.kqed.org/pop/2013/03/08/new-girl-the-sitcom-as-the-new-reality-tv/\">her pretty good show, \u003cem>New Girl\u003c/em>\u003c/a>. But wait, how could we forget the other girls dominating our airwaves? The CW TV network is a girl party on crack including \u003ca href=\"http://blogs.kqed.org/pop/2013/01/29/rip-gossip-girl-attempts-at-reconciling-guilt-pleasure/\">the sensationally guilt-pleasurable \u003cem>Gossip Girl\u003c/em>\u003c/a>. Then we have Lady Gaga, and those other weirdos, Nicki Minaj, Grimes, and Lana Del Rey. Talk about a take-over. I don't even know where the men are anymore. Oh wait. They're combing their beards and wearing flannels, curing meat at home and occasionally resurfacing from their woodland-decorated apartments to eat at restaurants they read about in the NY Times. Girls, the airwaves and internet are yours to command.\u003c/p>\n\u003cfigure id=\"attachment_2484\" class=\"wp-caption aligncenter\" style=\"max-width: 497px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/gossip-girl-on-steps/\" rel=\"attachment wp-att-2484\">\u003cimg class=\"wp-image-2484 size-full\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/gossip-girl-on-steps.jpg\" alt=\"'Gossip Girl'\" width=\"497\" height=\"323\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/gossip-girl-on-steps.jpg 497w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gossip-girl-on-steps-400x259.jpg 400w\" sizes=\"(max-width: 497px) 100vw, 497px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">'Gossip Girl'\u003c/figcaption>\u003c/figure>\n\u003cp>So what is a 'girl' anymore? Something between a little girl and a lady? As a post-teen non-woman, I feel the need to keep the title of girl probably well past its original expiration date because I'd rather be a girl than a woman. Between my anxiety and my jealousy at being only a fringe element of the Girl Renaissance, I have been looking back into the girl culture of my past. I am by no means an authority, but I have put together an incredibly subjective History of Girl Culture (the last 33 years) for your amusement and nostalgia.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Last 33 Years of Girl Culture\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Since I was born one year shy of the 1980s, I have no idea what the late '70s were like. I can imagine it sucked as the fight for women's rights continued from the '60s, (well, really the '20s), and you wanted that whole \u003cem>Murphy Brown\u003c/em> thing that you didn't know about yet, but you also just wanted to burn your bra and drop acid and tell your uptight housewife mom to leave you alone. I can only include what I learned about in retrospect about cool girl culture since I was hanging out in utero. Let's leave out disco and roller skating and \u003cem>Three's Company\u003c/em> and focus on the amazing punk subculture of the '70s.\u003c/p>\n\u003cfigure id=\"attachment_110111\" class=\"wp-caption alignnone\" style=\"max-width: 500px\">\u003cimg class=\"size-full wp-image-110111\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2.jpg\" alt=\"The only thing that was a bummer about Joan Jett's all-girl band, The Runaways, was that they needed to dress slutty to get attention\" width=\"500\" height=\"497\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-160x159.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/62bb73a51285cecbaedd7f078f35ecd2-128x128.jpg 128w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">The only thing that was a bummer about Joan Jett's all-girl band, The Runaways, was that they needed to dress slutty to get attention\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Punks and Vixens\u003c/strong>\u003c/p>\n\u003cp>Vivienne Westwood, Patti Smith, Bow Wow Wow, The Slits, Exene Cervenka, The Runaways, and Siouxsie and the Banshees should all make you embarrassed to be so unoriginal and passive. Between the English punks and the American ones, they had it covered. This documentary, \u003cem>The Decline of Western Civilization\u003c/em>, was directed by punk girl Penelope Spheeris, and captures the gritty, sneering, yet slightly self-conscious and heavily made-up Exene of the band X. As the odd sex out most of the time, girls like her and Siouxsie Sioux were both iconic feminists and potent sex bombs, paving the way as disheveled girl originals of the Courtney Loves who would follow.\u003cbr>\n\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gQLe9FdXXXw'\n title='//www.youtube.com/embed/gQLe9FdXXXw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Funsters Who Live at Home\u003c/strong>\u003c/p>\n\u003cp>As we enter the early '80s, I still can't tell you much from my perspective as a girl unless you want to know about \u003cem>The Smurfs\u003c/em>. But who didn't know about Cyndi Lauper, Madonna, or Pat Benatar, (though \"Hell is For Children\" was particularly alarming)? I mostly remember the \"Girls Just Wanna Have Fun\" video from \u003cem>Goonies\u003c/em>, but the message had broad appeal, even to a six-year-old.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PIb6AZdTr-A'\n title='//www.youtube.com/embed/PIb6AZdTr-A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>We also had other iconic all-girl bands like The Go-Gos and The Bangles, and a overriding sense of fun and pop. The songs from Lauper and Madonna still reference their fathers, i.e. \"Papa Don't Preach,\" as if the hardened girls of the punk movement had lent their over-the-top style but not their tough girl message of staking out territory with the boys. It was girls on one side of the dance floor and boys on the other, and then there were the geeks.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Geeks and Bimbos\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_2481\" class=\"wp-caption alignleft\" style=\"max-width: 200px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/martha-plimpton/\" rel=\"attachment wp-att-2481\">\u003cimg class=\"size-full wp-image-2481\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/Martha-Plimpton.jpg\" alt=\"Martha Plimpton\" width=\"200\" height=\"179\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Martha Plimpton\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_2482\" class=\"wp-caption alignright\" style=\"max-width: 240px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/the_breakfast_club_142_thumb/\" rel=\"attachment wp-att-2482\">\u003cimg class=\"size-full wp-image-2482 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/The_Breakfast_Club_142_thumb.jpg\" alt=\"The_Breakfast_Club_142_thumb\" width=\"240\" height=\"200\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ally Sheedy\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Somewhat strangely, a geek story plays out in almost all '80s teen culture. Nerdy girls like Martha Plimpton in \u003cem>Goonies\u003c/em> or Ally Sheedy in the \u003cem>Breakfast Club\u003c/em> serve as comparison shots to the hot girls and never get the guy, or get him \u003cem>only\u003c/em> after a hot girl takes her under her wing. They are often seen literally comparing their boobs to the other girls in \u003ca title=\"Shower Scenes\" href=\"http://www.anyclip.com/movies/sixteen-candles/caroline-showers/\" target=\"_blank\" rel=\"noopener\">shower scenes\u003c/a>, as men were probably the only ones writing the scripts. All girls in this era, it seems, want to be blond, busty, and heavily shouldered, like the girls in \u003cem>Valley Girl\u003c/em>, Seventeen Magazine, and Blair on the \u003cem>Facts of Life\u003c/em>. Enter heavy metal and the hope we had for self-respect went out the window with Kelly Bundy and groupies everywhere.\u003c/p>\n\u003cfigure id=\"attachment_2485\" class=\"wp-caption aligncenter\" style=\"max-width: 475px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/christina-applegate-kelly-bundy-married-with-children6/\" rel=\"attachment wp-att-2485\">\u003cimg class=\"wp-image-2485 size-full\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/Christina-Applegate-Kelly-Bundy-Married-with-children6.jpg\" alt=\"Kelly Bundy on 'Married with Children'\" width=\"475\" height=\"324\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/Christina-Applegate-Kelly-Bundy-Married-with-children6.jpg 475w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/Christina-Applegate-Kelly-Bundy-Married-with-children6-400x272.jpg 400w\" sizes=\"(max-width: 475px) 100vw, 475px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kelly Bundy on 'Married with Children'\u003c/figcaption>\u003c/figure>\n\u003cp>As we approach the later end of the '80s, i'ts more and more apparent that girls are trying to be \u003cem>women\u003c/em>. The big hair, the big boobs, the way everyone talks about themselves as if they were really serious about everything. It all just made me feel extremely self-conscious. I don't know what happened to the feminists of the '70s. They were probably building communes to get away from all we had done to our own girlhoods, but everyone else was rocking out to dudes who looked like girls and checking out models we had actually learned the names of on the covers of magazines. There \u003cem>were\u003c/em> a few anti-heroes like Winona Ryder in the movie \u003cem>Heathers\u003c/em>, and for that I am eternally grateful.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yQik7L8Av6w'\n title='//www.youtube.com/embed/yQik7L8Av6w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Sarcastic yet Politically Correct \u003c/strong>\u003c/p>\n\u003cp>Enter the '90s now, and boy is it a girl's paradise. We all know how grunge killed metal, at least if you find yourself watching VH1 documentaries on Saturdays, and grunge also killed chauvinism, it would seem. Suddenly we forgot about Axl Rose and Stephanie Seymour and even Janet Jackson and Lita Ford. We did tolerate \u003cem>90210\u003c/em> (Ok, I was 11 and I loved it), and the cooler cult classic \u003cem>Twin Peaks\u003c/em>, but there was a storm brewing and it's name was Girl Power.\u003c/p>\n\u003cfigure id=\"attachment_110114\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-110114\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/R-663729-1358073482-1488.jpeg.jpg\" alt=\"The other British invasion\" width=\"600\" height=\"524\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/R-663729-1358073482-1488.jpeg.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/R-663729-1358073482-1488.jpeg-160x140.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">The other British invasion\u003c/figcaption>\u003c/figure>\n\u003cp>Do you remember \"Girl Power\" when it was screamed from the stage of this British Goody-barretted monstrosity? Despite how ridiculous they were, especially in all those flared polyester pants, their message was delivered in good faith. \"Girl Power\" was a mantra echoed from these cheeky British mouths to all young girls across the world. As cheesy as that was, in the face of the metal years we had just gone through, we needed it.\u003c/p>\n\u003cfigure id=\"attachment_2489\" class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/13/a-completely-subjective-history-of-girl-culture/bkbk/\" rel=\"attachment wp-att-2489\">\u003cimg class=\"size-medium wp-image-2489\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/bkbk-300x167.jpeg\" alt=\"Bikini Kill\" width=\"300\" height=\"167\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bikini Kill\u003c/figcaption>\u003c/figure>\n\u003cp>Of course, while this was going on, we had another form of \"Girl Power\" known as Riot Grrl, like Bikini Kill screaming \"Suck my left one!\", among other things. Riot Grrls were mutli-tasker extremists, staying up late to make zines, create record distros, and bake cakes. We also had Riot Grrl Lite like No Doubt's \"Just a Girl.\" One thing was certain: absolutely everyone was in thrift store clothes.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PHzOOQfhPFg'\n title='//www.youtube.com/embed/PHzOOQfhPFg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>I could go on about the '90s for a million years. It was the decade I lived through as an adolescent, so each moment was recorded in my developing brain as important and mind-blowing. All I know is that I can remember grunge and Courtney Love, the 4 Non-Blondes, L7, a new general sarcasm with shows like \u003cem>My So-Called Life\u003c/em> and \u003cem>Daria\u003c/em> and movies like \u003cem>Reality Bites,\u003c/em> nerd-heroine Jeanane Garafalo, angry songstress PJ Harvey, weirdo Bjork, Drew Barrymore flashing David Letterman, and Fiona Apple losing it and yelling at everyone at the MTV awards show. Correct me if I'm wrong, but looking back it seems like it was a good time for girls, but an angry time. And everyone was skinny and on drugs, highlighted by \u003cem>Pulp Fiction\u003c/em>, \u003cem>Trainspotting\u003c/em>, heroin chic and Kate Moss. On the other hand, we had Lilith Fair and the woman warrior weapon of choice: the acoustic guitar. Suddenly everyone was 'PC', and it seemed like everyone had also recently become bi-sexual. Weirdest of all, dreadlocks enjoyed a rise in popularity, with Ani Di Franco as a poster child for basically all of the above.\u003c/p>\n\u003cfigure id=\"attachment_110110\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110110\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-800x798.jpg\" alt=\"Ani DiFranco\" width=\"800\" height=\"798\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-800x798.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-160x160.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-768x766.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-1020x1017.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-50x50.jpg 50w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/71eWD5lcgTL._SL1050_.jpg 1050w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ani DiFranco\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>Soft-Spoken Harpists and Fame-Chasers\u003c/strong>\u003c/p>\n\u003cp>I can hardly remember anything about the 2000s. I guess once your personal preferences are formed, and your personality cemented, you are free to go about looking back into history to find your tribe. This is when I discovered the Runaways, X, Siouxsie and the Banshees, \u003cem>Twin Peaks\u003c/em> and old horror films. Since I became a punk in this time period, my memory doesn't recall much of the current traditional girl 'pop' culture of the time. I remember that rockabilly had a resurgence, with amazing sculpted girl pompadour beehive things that I wished I could do. Also, there was the band, The Distillers, who took the angry feminism of the '90s and made it more explicit, referencing Susan B. Anthony in their lyrics.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ODGp9g9nJKk'\n title='//www.youtube.com/embed/ODGp9g9nJKk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Mostly what I remember, however, was the bipolar culture of a new way of keeping up with all kinds of the coolest things, amplified by the fact that basically everyone now had the internet and MySpace and a way to broadcast themselves. There was also a very quiet indie culture of soft girliness, like \u003ca href=\"http://lulamag.com/\" target=\"_blank\" rel=\"noopener\">Lula Magazine\u003c/a>, which I think was a reaction from the more sensitive turtles of girl culture. We had the \u003ca title=\"Cobrasnake\" href=\"http://www.thecobrasnake.com\">Cobrasnake\u003c/a> and New York disco pop trumping everything like the Yeah Yeah Yeahs and Glass Candy, but we also had the \u003cem>Virgin Suicides\u003c/em> and Cat Power and Joanna Newsom, (which was weird because she is from my hometown). There was \u003cem>Sex and the City\u003c/em>, lest we forget, and a constant push to spend money and keep up, with reality shows like \u003cem>The Hills\u003c/em> and a strange cultural obsession with Paris Hilton. In the end, I think as girls we lost our way again, just like we did last time we had too much money, in the '80s. Girl culture became about labels, the possibility of fame, and the weird alternative reality of Facebook.\u003c/p>\n\u003cfigure id=\"attachment_110109\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110109\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-800x450.jpg\" alt=\"Paris and Nicole\" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-160x90.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-1020x574.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-1200x675.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff-1920x1081.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/nicole-richie-paris-hilton-today-180409-tease_f91409b0be9af0697087605a9f8582ff.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paris and Nicole\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>The New Girls\u003c/strong>\u003c/p>\n\u003cp>Enter the economic bottom dropping out. Suddenly we're depressed and we want fantasy. We want crazy outfits and supernatural creatures crawling into our beds at night so we don't think about our chances of finding employment. But we also have taken matters into our own hands and created what we were looking for and hadn't found in the fast-fashion reality mega-plex of the 2000s. Sisters are doing it for themselves, from the cheesy-as-they-might be \u003cem>Twilight\u003c/em> and \u003cem>Hunger Games\u003c/em> writers to the genius comic relief we really needed in the form of Poehler and Fey, the self-made videos of Lana Del Rey to the self-produced albums from Gaga.\u003c/p>\n\u003cp>So here is to our smart girl writers, directors, bloggers, singers, and everyone in between. Please keep making awesome things, even if not everyone likes you. We need you so that one day when we look back we'll remember our 2010s as the Girl Renaissance, and not think of the Kardashians and Ke$ha.\u003c/p>\n\u003cfigure id=\"attachment_110108\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110108\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-800x445.jpg\" alt=\"Weirdo South African band, Die Antwoord\" width=\"800\" height=\"445\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-800x445.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-160x89.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-768x428.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-1020x568.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-1200x668.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video-1038x576.jpg 1038w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/die-antwoord-pitbull-terrier-music-video.jpg 1277w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Weirdo South African band, Die Antwoord\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/00ZHah-c0hQ'\n title='//www.youtube.com/embed/00ZHah-c0hQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>\u003cimg class=\"aligncenter size-full wp-image-2437\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/empire_records-600x450.jpeg\" alt=\"empire_records-600x450\" width=\"600\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/empire_records-600x450.jpeg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/empire_records-600x450-400x300.jpeg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/em>\u003c/p>\n\u003cp>\u003cem>Ryan Adams wrote each of the nine songs on his album \u003c/em>\u003ca href=\"http://pitchfork.com/reviews/albums/44-29/\">29\u003c/a>\u003cem> to represent a different year of his 20s. It was his great exit album and tribute to a tousled and uncertain decade, one that is at the very least, self-defining. I am 29-years-old at this very moment, turning the big 3-0 in May. Lately, I’ve been hearing new songs that have been speaking to me, but not the mature me with a restaurant job and a student loan payment plan, but rather, the 19-year-old me. They are songs I see my weird, boot-cut jean, \u003ca href=\"http://youtu.be/EgRyV8z9ydE\">Kerouac\u003c/a>-obsessed self truly identifying with. Be it their bubbly sound or angsty lyrics, I am taken back to the past me, a similar me, one on the cusp of something. Perhaps this is a perfect case of nostalgia or perhaps it is regression in pure form, but either way, in the following tunes you might recognize something of an old you, someone okay with it not figured out:\u003c/em>\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=7g1PQB8MXUo&w=420&h=315]\u003cbr>\n\u003cstrong>HAIM – “Falling”\u003cbr>\n\u003c/strong>The Haim sisters take anachronism very seriously. With small touches of '90s dance and major touches of '80s pop, HAIM evokes the likes of \u003ca href=\"http://youtu.be/LvdLovAaYzM\">Martika\u003c/a>, \u003ca href=\"http://www.youtube.com/watch?v=t57sSJfpRM8\">Belinda Carlisle\u003c/a> and T’Pau’s \u003ca href=\"http://youtu.be/SwrYMWoqg5w\">“Heart and Soul.”\u003c/a> It’s difficult not to picture your teenage self upset at the 21 & over limitation of the HAIM show, but it’s quite easy getting your older sibling’s ID, excited at the fact that you have the address down and now only need to know their zodiac sign.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=15DLNV1Fs4k&w=420&h=315]\u003cbr>\n\u003cstrong>Javelin – “Light Out”\u003c/strong>\u003cbr>\nAdd a cello to any song and I’m there. Add a synthesized cello to any song and I’m totally still there. There’s a \u003ca href=\"http://youtu.be/wU1CHPo9s8I\">poignant moment\u003c/a> in the cult classic film \u003cem>But I’m A Cheerleader\u003c/em>, when Tattle Tale’s quiet “Glass Vase Cello Case” plays over a particularly intimate scene, the deep string sound creating the perfect tone. While “Light Out” is more Passion Pit than bedroom acoustic, it’s that simple addition of a \u003ca href=\"http://youtu.be/PCicM6i59_I\">cello\u003c/a> that can turn any romantic moment from awkward to electric.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=SGrmE8se8-w&w=420&h=315]\u003cbr>\n\u003cstrong>The Men – “Half Angel Half Light”\u003c/strong>\u003cbr>\nFor a semester in college, my friend Brian and I were DJs on our campus radio station, \u003ca href=\"http://wgsu.geneseo.edu/\">WGSU The Revolution\u003c/a>. Our time slot was Tuesdays from 2PM-4PM, which we thought was awesome. We mainly stuck to the rules, playing what was required and popular, making sure to state the name of the radio station every four songs, playing PSAs for pet adoption. But there were times we could sneak \u003ca href=\"http://en.wikipedia.org/wiki/The_Lowest_of_the_Low\">our own CDs\u003c/a> and songs onto the air, rebellious in our own way, hoping the whole world was listening at those moments. “Half Angel Half Light” is the sound of college radio and potentially, college radio DJs: a lo-fi sensibility with punches of defiant energy.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=Tq19haZ0w7s&w=420&h=315]\u003cbr>\n\u003cstrong>Foxygen – “San Francisco”\u003c/strong>\u003cbr>\nUnsure of the origin (except that it’s a Paul Frank \u003ca href=\"http://2.bp.blogspot.com/_kFjS2krrPrE/S880wBAcdEI/AAAAAAAAAv8/ZdU9CxulqsQ/s1600/Cohen.png\">tee-shirt\u003c/a>), the punk ethos of \u003cem>here are three chords, now start a band\u003c/em> could work well with any genre and there’s definitely something wide-eyed about it. Cut to: Foxygen’s “San Francisco.” The chord changes are ostensibly simple-sounding and novice, the lyrics almost like that of a torch song. Just some kids, probably in their parent’s \u003ca href=\"http://youtu.be/ISoWy_VY13Y\">garage\u003c/a> or basement, starting something.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=roBn7Tg2iPY&w=420&h=315]\u003cbr>\n\u003cstrong>Youth Lagoon – “Dropla”\u003c/strong>\u003cbr>\nBesides the overly-appropriate (and somewhat bad) name of the band, Youth Lagoon makes some pretty commercial-ready music, his syrupy beats and flying vocals perfect for Bing or \u003ca href=\"http://youtu.be/BIOW9fLT9eY\">Volkswagen\u003c/a>. But with “Dropla,” it’s the looping lyric of the chorus: \u003cem>you will never die\u003c/em> / \u003cem>you will never die \u003c/em>that sells the song for me. What better a mantra for the young?\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=cOXQvUv_u_U&w=420&h=315]\u003cbr>\n\u003cstrong>Devendra Banhart – “Your Fine Petting Duck”\u003c/strong>\u003cbr>\nBoy/girl vocals are undeniably cute. When The Postal Service’s \u003cem>Give Up \u003c/em>album was released in 2003, \u003ca href=\"http://blogs.kqed.org/pop/2013/03/05/5-postal-service-covers-even-better-than-the-funny-or-die-covers/\">“Nothing Better”\u003c/a> was for sure a standout track. The call and response of Ben Gibbard and Jen Wood (super coincidentally of Tattle Tale) is easy on the ears but heavy on the heart, almost as if it was written for the stage. In “Your Fine Petting Duck,” there is the same call and response, similar warm beats -- note the transition from shoe-shuffler to pop Krautdance -- and although it is somewhat lyrically somber, the cute factor here will have you blushing in no time.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe src=\"http://player.vimeo.com/video/60669539?byline=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv style=\"text-align: center\">\u003c/div>\n\u003cdiv style=\"text-align: left\">\u003c/div>\n\u003cp>\u003c/p>\n\u003cdiv style=\"text-align: left\">\u003cstrong>Waxahatchee – “You’re Damaged”\u003c/strong>\u003c/div>\n\u003cdiv style=\"text-align: left\">When you leave the pyrotechnics at the door, this is wonderfully what you’re left with. Here Katie Crutchfield of Waxahatchee strums an acoustic guitar and belts out a dirge reminiscent of \u003ca href=\"http://youtu.be/XqS0mY9rYb0\">Jeff Mangum\u003c/a>, Low, and Bruce Springsteen’s \u003cem>Nebraska. \u003c/em>It’s very: I’m in the kitchen recording this song with a tape recorder I took out from the library and the lyrics are from multiple LiveJournal entries. Crutchfield is fearless. \u003ca href=\"http://www.youtube.com/watch?v=kbw_rmn3GJc\">Young\u003c/a> Cat Power would be proud.\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=o9OaT3_skWw&w=420&h=315]\u003cbr>\n\u003cstrong>Frightened Rabbit – “The Woodpile”\u003c/strong>\u003cbr>\nWhen you just need to get in the car and drive. Or, if you’re in a city, take a walk to a train or to a bus and to a body of water and find a bench and sit on it and check out the seagulls or whatever is contemplative. And you’ll probably be by yourself, which is perfect. “The Woodpile” is a great tune to lay over the rolling end credits of a television show, but like Netflix, there’s always something ready to begin in ten seconds. Nine. Eight. Seven.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cimg class=\"aligncenter size-full wp-image-2437\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/empire_records-600x450.jpeg\" alt=\"empire_records-600x450\" width=\"600\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/empire_records-600x450.jpeg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/empire_records-600x450-400x300.jpeg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/em>\u003c/p>\n\u003cp>\u003cem>Ryan Adams wrote each of the nine songs on his album \u003c/em>\u003ca href=\"http://pitchfork.com/reviews/albums/44-29/\">29\u003c/a>\u003cem> to represent a different year of his 20s. It was his great exit album and tribute to a tousled and uncertain decade, one that is at the very least, self-defining. I am 29-years-old at this very moment, turning the big 3-0 in May. Lately, I’ve been hearing new songs that have been speaking to me, but not the mature me with a restaurant job and a student loan payment plan, but rather, the 19-year-old me. They are songs I see my weird, boot-cut jean, \u003ca href=\"http://youtu.be/EgRyV8z9ydE\">Kerouac\u003c/a>-obsessed self truly identifying with. Be it their bubbly sound or angsty lyrics, I am taken back to the past me, a similar me, one on the cusp of something. Perhaps this is a perfect case of nostalgia or perhaps it is regression in pure form, but either way, in the following tunes you might recognize something of an old you, someone okay with it not figured out:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7g1PQB8MXUo'\n title='//www.youtube.com/embed/7g1PQB8MXUo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cbr>\n\u003cstrong>HAIM – “Falling”\u003cbr>\n\u003c/strong>The Haim sisters take anachronism very seriously. With small touches of '90s dance and major touches of '80s pop, HAIM evokes the likes of \u003ca href=\"http://youtu.be/LvdLovAaYzM\">Martika\u003c/a>, \u003ca href=\"http://www.youtube.com/watch?v=t57sSJfpRM8\">Belinda Carlisle\u003c/a> and T’Pau’s \u003ca href=\"http://youtu.be/SwrYMWoqg5w\">“Heart and Soul.”\u003c/a> It’s difficult not to picture your teenage self upset at the 21 & over limitation of the HAIM show, but it’s quite easy getting your older sibling’s ID, excited at the fact that you have the address down and now only need to know their zodiac sign.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/15DLNV1Fs4k'\n title='//www.youtube.com/embed/15DLNV1Fs4k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cbr>\n\u003cstrong>Javelin – “Light Out”\u003c/strong>\u003cbr>\nAdd a cello to any song and I’m there. Add a synthesized cello to any song and I’m totally still there. There’s a \u003ca href=\"http://youtu.be/wU1CHPo9s8I\">poignant moment\u003c/a> in the cult classic film \u003cem>But I’m A Cheerleader\u003c/em>, when Tattle Tale’s quiet “Glass Vase Cello Case” plays over a particularly intimate scene, the deep string sound creating the perfect tone. While “Light Out” is more Passion Pit than bedroom acoustic, it’s that simple addition of a \u003ca href=\"http://youtu.be/PCicM6i59_I\">cello\u003c/a> that can turn any romantic moment from awkward to electric.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SGrmE8se8-w'\n title='//www.youtube.com/embed/SGrmE8se8-w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cbr>\n\u003cstrong>The Men – “Half Angel Half Light”\u003c/strong>\u003cbr>\nFor a semester in college, my friend Brian and I were DJs on our campus radio station, \u003ca href=\"http://wgsu.geneseo.edu/\">WGSU The Revolution\u003c/a>. Our time slot was Tuesdays from 2PM-4PM, which we thought was awesome. We mainly stuck to the rules, playing what was required and popular, making sure to state the name of the radio station every four songs, playing PSAs for pet adoption. But there were times we could sneak \u003ca href=\"http://en.wikipedia.org/wiki/The_Lowest_of_the_Low\">our own CDs\u003c/a> and songs onto the air, rebellious in our own way, hoping the whole world was listening at those moments. “Half Angel Half Light” is the sound of college radio and potentially, college radio DJs: a lo-fi sensibility with punches of defiant energy.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Tq19haZ0w7s'\n title='//www.youtube.com/embed/Tq19haZ0w7s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cbr>\n\u003cstrong>Foxygen – “San Francisco”\u003c/strong>\u003cbr>\nUnsure of the origin (except that it’s a Paul Frank \u003ca href=\"http://2.bp.blogspot.com/_kFjS2krrPrE/S880wBAcdEI/AAAAAAAAAv8/ZdU9CxulqsQ/s1600/Cohen.png\">tee-shirt\u003c/a>), the punk ethos of \u003cem>here are three chords, now start a band\u003c/em> could work well with any genre and there’s definitely something wide-eyed about it. Cut to: Foxygen’s “San Francisco.” The chord changes are ostensibly simple-sounding and novice, the lyrics almost like that of a torch song. Just some kids, probably in their parent’s \u003ca href=\"http://youtu.be/ISoWy_VY13Y\">garage\u003c/a> or basement, starting something.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/roBn7Tg2iPY'\n title='//www.youtube.com/embed/roBn7Tg2iPY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cbr>\n\u003cstrong>Youth Lagoon – “Dropla”\u003c/strong>\u003cbr>\nBesides the overly-appropriate (and somewhat bad) name of the band, Youth Lagoon makes some pretty commercial-ready music, his syrupy beats and flying vocals perfect for Bing or \u003ca href=\"http://youtu.be/BIOW9fLT9eY\">Volkswagen\u003c/a>. But with “Dropla,” it’s the looping lyric of the chorus: \u003cem>you will never die\u003c/em> / \u003cem>you will never die \u003c/em>that sells the song for me. What better a mantra for the young?\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cOXQvUv_u_U'\n title='//www.youtube.com/embed/cOXQvUv_u_U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cbr>\n\u003cstrong>Devendra Banhart – “Your Fine Petting Duck”\u003c/strong>\u003cbr>\nBoy/girl vocals are undeniably cute. When The Postal Service’s \u003cem>Give Up \u003c/em>album was released in 2003, \u003ca href=\"http://blogs.kqed.org/pop/2013/03/05/5-postal-service-covers-even-better-than-the-funny-or-die-covers/\">“Nothing Better”\u003c/a> was for sure a standout track. The call and response of Ben Gibbard and Jen Wood (super coincidentally of Tattle Tale) is easy on the ears but heavy on the heart, almost as if it was written for the stage. In “Your Fine Petting Duck,” there is the same call and response, similar warm beats -- note the transition from shoe-shuffler to pop Krautdance -- and although it is somewhat lyrically somber, the cute factor here will have you blushing in no time.\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe src=\"http://player.vimeo.com/video/60669539?byline=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cdiv style=\"text-align: center\">\u003c/div>\n\u003cdiv style=\"text-align: left\">\u003c/div>\n\u003cp>\u003c/p>\n\u003cdiv style=\"text-align: left\">\u003cstrong>Waxahatchee – “You’re Damaged”\u003c/strong>\u003c/div>\n\u003cdiv style=\"text-align: left\">When you leave the pyrotechnics at the door, this is wonderfully what you’re left with. Here Katie Crutchfield of Waxahatchee strums an acoustic guitar and belts out a dirge reminiscent of \u003ca href=\"http://youtu.be/XqS0mY9rYb0\">Jeff Mangum\u003c/a>, Low, and Bruce Springsteen’s \u003cem>Nebraska. \u003c/em>It’s very: I’m in the kitchen recording this song with a tape recorder I took out from the library and the lyrics are from multiple LiveJournal entries. Crutchfield is fearless. \u003ca href=\"http://www.youtube.com/watch?v=kbw_rmn3GJc\">Young\u003c/a> Cat Power would be proud.\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/o9OaT3_skWw'\n title='//www.youtube.com/embed/o9OaT3_skWw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cbr>\n\u003cstrong>Frightened Rabbit – “The Woodpile”\u003c/strong>\u003cbr>\nWhen you just need to get in the car and drive. Or, if you’re in a city, take a walk to a train or to a bus and to a body of water and find a bench and sit on it and check out the seagulls or whatever is contemplative. And you’ll probably be by yourself, which is perfect. “The Woodpile” is a great tune to lay over the rolling end credits of a television show, but like Netflix, there’s always something ready to begin in ten seconds. Nine. Eight. Seven.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp style=\"text-align: left\">I have a 13-year-old cousin who I carefully monitor on Facebook, both for her safety and my edification. Not long ago, she began posting pictures of members of One Direction, a band I had specifically avoided even knowing about because, as far as I could tell, they were a boy band totally made up by some producer somewhere to sell records (downloads?) and get little girls whipped up into a frenzy. I'd seen that before and made a point of hating it (see: middle school). But then I happened to watch their adorable video for \"Kiss You\" and something snapped in my brain. Suddenly, I was the 13-year-old I absolutely wasn't at 13 (Counting Crows was my favorite band back then, obviously). I started going back into the annals of boy band-hood and wondering: What makes a boy band a BOY BAND and not just a group of dudes playing music together? Why are 'N Sync and One Direction boy bands but Counting Crows and Mumford and Sons just bands? Here, my friends, is what I discovered:\u003c/p>\n\u003cp>\u003cstrong>To be a boy band, you have to sing catchy tunes about girls.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=OMNPPwq8I2Y]\u003c/div>\n\u003cp>Most people will tell you that The Beatles were the first boy band. I wasn't always convinced of this because they are MUSICIANS and wrote their own stuff and went on to each have pretty amazing individual careers. However, on closer inspection, I realized that they STARTED as a boy band and then morphed into just a band. Back in the \"I Want To Hold Your Hand\" British Invasion days, when they all dressed the same and had those cute haircuts, they were definitely a boy band. And the first clue is the peppy and sweet songs about girls. Songs that say: \"Hey, we're just a bunch of nice, approachable dudes, hanging out together, talking about you, the girl we love, in a really respectful way.\" As a person who knows a lot of dudes well enough to know that generally when they are alone talking about girls the subject of holding hands RARELY comes up, I think this must be part of the appeal of boy bands. A horde of teenage boys can be quite a terrifying thing to a young girl in real life. And individually too, boys are scary. They hurt your feelings, don't ask you to dances, break-up with you on Valentine's Day because you won't have sex with them, etc. But not boy bands. They are always a group of cute dudes who just want to hold your hand.\u003c/p>\n\u003cp>\u003cstrong>There can't be a real front man.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=4fndeDfaWCg]\u003c/div>\n\u003cp>I use Backstreet Boys as an example here because clearly, IN MY OPINION, this is the Nick Carter show. BUT, the band isn't \"Nick Carter and the Backstreet Boys,\" just as The Monkees isn't \"Davy Jones and the Monkees.\" Someone is always going to be \"the cute one\" and \"the goofy one,\" but the lack of a front man is crucial because it shows that you are all on the same level, there are no divas (even if there are) and, in support of the subject matter of your songs and the non-threatening vibe you are going for, none of you are the silver back gorilla or the alpha male. You're just a group of good-time-loving beta bros, hanging out, not hurting anyone.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>You can be a group of brothers, but only if you are still somehow sexualized.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=ho7796-au8U]\u003c/div>\n\u003cp>One of the great debates I had with myself and others while coming up with this list is: Can a group of brothers be a boy band? My main question was Hanson. They seem in some respects like a boy band. They are cute and have matching haircuts and sing happy music. But they also were missing something. I originally thought it was that they were brothers, but then I thought of The Jackson 5 and The Jonas Brothers, both CLEARLY boy bands. Why one and not the other? As my friend Kevin Hobson put it: \"Jackson 5 and Jonas Brother count because they were sexualized by their handlers. Hanson never really was.\"\u003c/p>\n\u003cp>\u003cstrong>Your music has to be dance-able, especially at high school dances. It helps if you have dance moves that can be emulated.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=tbIEwIwYz-c]\u003c/div>\n\u003cp>The boy bands that stand the test of time all have this in common: Their music makes you want to dance. I missed out completely on the New Kids on the Block craze because I had no TV and my parents at that point were playing a lot of Paul Simon, Emmylou Harris, Bob Dylan and Willie Nelson records around the house. However, there was a girl down the street who knew ever single move to the \"The Right Stuff\" dance and she would do it on her front stoop every day. She also wore a side ponytail, which I couldn't do since I had a bowl cut. I was, of course, consumed with jealousy.\u003c/p>\n\u003cp>\u003cstrong>You have to be a little sexy. Not TOO sexy, but definitely sexy.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=fV8vB1BB2qc]\u003c/div>\n\u003cp>Boyz II Men is by far the sexiest of all the boy bands, but they are also an example of how to do boy band sexiness right. Since, as you know, the goal is to be as un-intimidating and approachable as possible, while remaining masculine and heterosexual (ish, see the next requirement), boy bands must strike the right balance of sweetness and romance with straight-up sex. Spoiler: they always err on the side of romance. Can you imagine Lil Wayne singing: \"I'll make love to you, like you want me to, and I'll hold you tight, baby all through the night?\" Answer: no. Because his music is for straight men and Boyz II Men is for everyone else.\u003c/p>\n\u003cp>\u003cstrong>You've got to have a little (or a lot) homoerotic tension.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=T4cdfRohhcg]\u003c/div>\n\u003cp>Teenage girls have always loved to see boys showing each other a little love. And by \"always\" I mean since at least 1998 when wrestling inexplicably became my favorite spectator sport. Somehow boy on boy hugging (\"wrestling\") and butt patting makes the participants seem a little more benign and maybe, a little more likely to hug/\"wrestle\" us or pat us on the butts IN A FRIENDLY WAY. Basically, boys who can show they love each other can show they love us too! They can talk about feelings! When they are angry, they'll probably cry instead of punch a wall. And we like that! Granted, One Direction takes it pretty far with \u003ca href=\"http://www.buzzfeed.com/mattbellassai/ranking-which-two-members-of-one-direction-are-most-likely-i\" target=\"_blank\" rel=\"noopener\">their genital-touching and kissing\u003c/a> but somehow, doesn't this make them even cuter? Even if they are all in love with each other and have no interest in having actual relationships with girls, who cares? Some of the sweetest, most girl-positive boys I know are gay. Would a straight man have made me \u003ca href=\"http://youtu.be/BPT_gwUpVxg\" target=\"_blank\" rel=\"noopener\">this video expressing his love for me\u003c/a>? Probably not. And I think we can all agree that it would be safer for teenage girls if all their boyfriends were actually interested in being friends and loving them for them and not actually having sex with them at all.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So which boy band is your imaginary boyfriend? Spend the day watching this whole playlist, including not-really-a-boy-band Hanson and a special boy band moment from \u003cem>Top Gun\u003c/em>, and get back to me. I'll just be here in my cubicle, trying to learn New Kids on the Block dance moves.\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=OMNPPwq8I2Y?list=PLDoXdE-USJklmzZshJowTab74xWLTs4AR]\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"text-align: left\">I have a 13-year-old cousin who I carefully monitor on Facebook, both for her safety and my edification. Not long ago, she began posting pictures of members of One Direction, a band I had specifically avoided even knowing about because, as far as I could tell, they were a boy band totally made up by some producer somewhere to sell records (downloads?) and get little girls whipped up into a frenzy. I'd seen that before and made a point of hating it (see: middle school). But then I happened to watch their adorable video for \"Kiss You\" and something snapped in my brain. Suddenly, I was the 13-year-old I absolutely wasn't at 13 (Counting Crows was my favorite band back then, obviously). I started going back into the annals of boy band-hood and wondering: What makes a boy band a BOY BAND and not just a group of dudes playing music together? Why are 'N Sync and One Direction boy bands but Counting Crows and Mumford and Sons just bands? Here, my friends, is what I discovered:\u003c/p>\n\u003cp>\u003cstrong>To be a boy band, you have to sing catchy tunes about girls.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OMNPPwq8I2Y'\n title='//www.youtube.com/embed/OMNPPwq8I2Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>Most people will tell you that The Beatles were the first boy band. I wasn't always convinced of this because they are MUSICIANS and wrote their own stuff and went on to each have pretty amazing individual careers. However, on closer inspection, I realized that they STARTED as a boy band and then morphed into just a band. Back in the \"I Want To Hold Your Hand\" British Invasion days, when they all dressed the same and had those cute haircuts, they were definitely a boy band. And the first clue is the peppy and sweet songs about girls. Songs that say: \"Hey, we're just a bunch of nice, approachable dudes, hanging out together, talking about you, the girl we love, in a really respectful way.\" As a person who knows a lot of dudes well enough to know that generally when they are alone talking about girls the subject of holding hands RARELY comes up, I think this must be part of the appeal of boy bands. A horde of teenage boys can be quite a terrifying thing to a young girl in real life. And individually too, boys are scary. They hurt your feelings, don't ask you to dances, break-up with you on Valentine's Day because you won't have sex with them, etc. But not boy bands. They are always a group of cute dudes who just want to hold your hand.\u003c/p>\n\u003cp>\u003cstrong>There can't be a real front man.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4fndeDfaWCg'\n title='//www.youtube.com/embed/4fndeDfaWCg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>I use Backstreet Boys as an example here because clearly, IN MY OPINION, this is the Nick Carter show. BUT, the band isn't \"Nick Carter and the Backstreet Boys,\" just as The Monkees isn't \"Davy Jones and the Monkees.\" Someone is always going to be \"the cute one\" and \"the goofy one,\" but the lack of a front man is crucial because it shows that you are all on the same level, there are no divas (even if there are) and, in support of the subject matter of your songs and the non-threatening vibe you are going for, none of you are the silver back gorilla or the alpha male. You're just a group of good-time-loving beta bros, hanging out, not hurting anyone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>You can be a group of brothers, but only if you are still somehow sexualized.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ho7796-au8U'\n title='//www.youtube.com/embed/ho7796-au8U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>One of the great debates I had with myself and others while coming up with this list is: Can a group of brothers be a boy band? My main question was Hanson. They seem in some respects like a boy band. They are cute and have matching haircuts and sing happy music. But they also were missing something. I originally thought it was that they were brothers, but then I thought of The Jackson 5 and The Jonas Brothers, both CLEARLY boy bands. Why one and not the other? As my friend Kevin Hobson put it: \"Jackson 5 and Jonas Brother count because they were sexualized by their handlers. Hanson never really was.\"\u003c/p>\n\u003cp>\u003cstrong>Your music has to be dance-able, especially at high school dances. It helps if you have dance moves that can be emulated.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tbIEwIwYz-c'\n title='//www.youtube.com/embed/tbIEwIwYz-c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>The boy bands that stand the test of time all have this in common: Their music makes you want to dance. I missed out completely on the New Kids on the Block craze because I had no TV and my parents at that point were playing a lot of Paul Simon, Emmylou Harris, Bob Dylan and Willie Nelson records around the house. However, there was a girl down the street who knew ever single move to the \"The Right Stuff\" dance and she would do it on her front stoop every day. She also wore a side ponytail, which I couldn't do since I had a bowl cut. I was, of course, consumed with jealousy.\u003c/p>\n\u003cp>\u003cstrong>You have to be a little sexy. Not TOO sexy, but definitely sexy.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/fV8vB1BB2qc'\n title='//www.youtube.com/embed/fV8vB1BB2qc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>Boyz II Men is by far the sexiest of all the boy bands, but they are also an example of how to do boy band sexiness right. Since, as you know, the goal is to be as un-intimidating and approachable as possible, while remaining masculine and heterosexual (ish, see the next requirement), boy bands must strike the right balance of sweetness and romance with straight-up sex. Spoiler: they always err on the side of romance. Can you imagine Lil Wayne singing: \"I'll make love to you, like you want me to, and I'll hold you tight, baby all through the night?\" Answer: no. Because his music is for straight men and Boyz II Men is for everyone else.\u003c/p>\n\u003cp>\u003cstrong>You've got to have a little (or a lot) homoerotic tension.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/T4cdfRohhcg'\n title='//www.youtube.com/embed/T4cdfRohhcg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>Teenage girls have always loved to see boys showing each other a little love. And by \"always\" I mean since at least 1998 when wrestling inexplicably became my favorite spectator sport. Somehow boy on boy hugging (\"wrestling\") and butt patting makes the participants seem a little more benign and maybe, a little more likely to hug/\"wrestle\" us or pat us on the butts IN A FRIENDLY WAY. Basically, boys who can show they love each other can show they love us too! They can talk about feelings! When they are angry, they'll probably cry instead of punch a wall. And we like that! Granted, One Direction takes it pretty far with \u003ca href=\"http://www.buzzfeed.com/mattbellassai/ranking-which-two-members-of-one-direction-are-most-likely-i\" target=\"_blank\" rel=\"noopener\">their genital-touching and kissing\u003c/a> but somehow, doesn't this make them even cuter? Even if they are all in love with each other and have no interest in having actual relationships with girls, who cares? Some of the sweetest, most girl-positive boys I know are gay. Would a straight man have made me \u003ca href=\"http://youtu.be/BPT_gwUpVxg\" target=\"_blank\" rel=\"noopener\">this video expressing his love for me\u003c/a>? Probably not. And I think we can all agree that it would be safer for teenage girls if all their boyfriends were actually interested in being friends and loving them for them and not actually having sex with them at all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Music Videos You Should Watch Right This Second: Beach House \"Wishes\" and The Knife \"A Tooth for an Eye\"",
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"content": "\u003cp>MTV created a space for music videos before evicting them to make room for pregnant teens and tan alcoholics. But two music videos released this week prove that the music video is doing just fine without a channel thank you very much.\u003c/p>\n\u003ch3>Beach House: Wishes\u003c/h3>\n\u003cp>http://youtu.be/OS6duOoxctw&w=560&h=315\u003c/p>\n\u003cp>Ever wonder what Eric Wareheim of \u003ca href=\"http://www.timanderic.com\">Tim and Eric Awesome Show, Great Job!\u003c/a> has been up to in the last few years? Well, the answer is directing a mind-blowing, surreal music video for Beach House. His interpretation of their song \"Wishes\" comes in the form of a freaky halftime show involving horses, fireworks, shiny capes, and the coup de grace Ray Wise (the DILF from \u003cem>Twin Peaks\u003c/em>). There is nothing not to like about this.\u003c/p>\n\u003ch3>The Knife: A Tooth for an Eye\u003c/h3>\n\u003cp>http://youtu.be/W10F0ezCTIQ&w=560&h=315\u003c/p>\n\u003cp>There's something in the water over in Sweden that breeds musical geniuses (Ace of Base, anyone?). After a seven year hiatus, the brother-sister duo the Knife are back with a new record called \u003cem>Shaking the Habitual\u003c/em> and this clip for \"A Tooth for an Eye,\" directed by Roxy Farhat and Kakan Hermansson, proves that they've still got it and then some. Along with the video that depicts a young girl leading men out of their machismo and into some passionate choreography, the band released a patriarchy-dissing statement. The very best part of it reads: \"The child is powerful, tough and sweet all at once, roaring \"I'm telling you stories, trust me.\" There is no shame in her girliness, rather she possesses knowledge that the men lost a long time ago.\" A great sentiment on International Women's Day!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>MTV created a space for music videos before evicting them to make room for pregnant teens and tan alcoholics. But two music videos released this week prove that the music video is doing just fine without a channel thank you very much.\u003c/p>\n\u003ch3>Beach House: Wishes\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OS6duOoxctw'\n title='//www.youtube.com/embed/OS6duOoxctw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Ever wonder what Eric Wareheim of \u003ca href=\"http://www.timanderic.com\">Tim and Eric Awesome Show, Great Job!\u003c/a> has been up to in the last few years? Well, the answer is directing a mind-blowing, surreal music video for Beach House. His interpretation of their song \"Wishes\" comes in the form of a freaky halftime show involving horses, fireworks, shiny capes, and the coup de grace Ray Wise (the DILF from \u003cem>Twin Peaks\u003c/em>). There is nothing not to like about this.\u003c/p>\n\u003ch3>The Knife: A Tooth for an Eye\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/W10F0ezCTIQ'\n title='//www.youtube.com/embed/W10F0ezCTIQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There's something in the water over in Sweden that breeds musical geniuses (Ace of Base, anyone?). After a seven year hiatus, the brother-sister duo the Knife are back with a new record called \u003cem>Shaking the Habitual\u003c/em> and this clip for \"A Tooth for an Eye,\" directed by Roxy Farhat and Kakan Hermansson, proves that they've still got it and then some. Along with the video that depicts a young girl leading men out of their machismo and into some passionate choreography, the band released a patriarchy-dissing statement. The very best part of it reads: \"The child is powerful, tough and sweet all at once, roaring \"I'm telling you stories, trust me.\" There is no shame in her girliness, rather she possesses knowledge that the men lost a long time ago.\" A great sentiment on International Women's Day!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "David Bowie: The Next Day and The Last Forty Years",
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"content": "\u003cp>\u003cstrong>\u003cstrong>\u003cem>By guest contributor \u003ca href=\"http://www.thebolditalic.com/contributors/tonybravo\">Tony Bravo\u003c/a>\u003c/em>\u003c/strong>\u003c/strong>\u003c/p>\n\u003cp>Ten years have elapsed since David Bowie’s last album \u003cem>Reality\u003c/em> was released, but fear not fans: Bowie’s new release \u003cem>The Next Day\u003c/em> is currently streaming on iTunes and will be available for download March 12, 2013! (\u003ca href=\"http://www.youtube.com/watch?v=gH7dMBcg-gE\">Watch Bowie’s first music video from the album “The Stars (Are Out Tonight)” with his doppleganger Tilda Swinton\u003c/a>). Since emerging on the music scene in 1969 with his commercial breakthrough “Space Oddity,” Bowie has experimented aesthetically and musically more than any other major commercial artist of the last half of the 20th and early 21st century. Before there was Madonna or Gaga’s constantly morphing melodies, costume concepts and hair colors, Bowie was transitioning from Alien Acoustic to Glam Rock to Berliner Cabaret Gigolo to whatever he was doing with Mick Jagger \u003ca href=\"http://www.youtube.com/watch?v=9G4jnaznUoQ\">in this video\u003c/a>. Here’s a look back at some of our favorite moments in Bowie’s constantly evolving artistry (Tina Turner hair from his \u003cem>Labyrinth\u003c/em> period included).\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Ziggy Stardust and Extraterrestrial Glam\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110120\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg class=\"size-full wp-image-110120\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/hqdefault.jpg\" alt=\"Ziggy Stardust, live, 1972.\" width=\"480\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/hqdefault.jpg 480w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/hqdefault-160x120.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Ziggy Stardust, live, 1972. \u003ccite>(YouTube / @MisterSussex)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Space has been a reoccurring theme for Bowie in both his music and persona. Major Tom, the fictional astronaut of 1969’s “Space Oddity” begat Bowie’s first fully realized character creation, rock ‘n’ roll alien messiah Ziggy Stardust, the star of 1972’s concept album \u003cem>The Rise and Fall of Ziggy Stardust\u003c/em>. Ziggy was flame-mulleted, platform booted, sexually liberated (bisexually liberated, actually) and every inch the personification of glam rock in everything from his over-the-top glitter stage wear to his decadent, transgressive lyrics (“making love with his ego” anyone?). With Ziggy, Bowie moved away from his earlier forays into acoustic and committed to electric hard rock in the vein of peers (and future collaborators) Lou Reed and Iggy Pop. The album not only produced \u003ca href=\"http://www.youtube.com/watch?v=G8sdsW93ThQ\">the instant classic title track\u003c/a>, but also the oft-covered “Suffragette City,” “Starman,\" “Moonage Daydream,” and the accompanying concert film showing Bowie at the height of his Ziggy excess.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>A Lad Insane\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/6/6e/DavisBowieAladdinSane.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/6/6e/DavisBowieAladdinSane.jpg\" alt=\"\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Aladdin Sane Cover, 1973\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">\n\u003cem>Aladdin Sane\u003c/em> (a pun on the phrase “a lad insane”) has been described as an Americanized \u003cem>Ziggy Stardust\u003c/em>: the glam look of the Ziggy years is still very present and the majority of the songs on the album were composed during Bowie’s 1972 tour of the States. The album, in addition to giving us “The Jean Jeanie,” “Cracked Actor,” and the forward looking doo-wop “Drive-In Saturday” also gave Bowie one of his most signature and lasting pieces of iconography with the lightning-bolt face paint featured on the album cover. The bolt dividing Bowie’s face was allegedly a commentary on Bowie’s feelings of duality as he struggled to come to terms with his fame. The album is also the first to deal with another reoccurring theme in Bowie’s career: the Brit’s mixed feelings on the American way of life. Christopher Sandford, in his Bowie biography \u003cem>Loving the Alien\u003c/em> stated the album reflects that the Bowie of this period \"was simultaneously appalled and fixated by America.”\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Young Americans\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 460px\">\u003ca href=\"http://static.guim.co.uk/sys-images/Music/Pix/pictures/2011/4/5/1301999623660/David-Bowie-in-1976-006.jpg\">\u003cimg src=\"http://static.guim.co.uk/sys-images/Music/Pix/pictures/2011/4/5/1301999623660/David-Bowie-in-1976-006.jpg\" alt=\"\" width=\"460\" height=\"276\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Credit: Steve Shapiro/Corbis\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>http://www.youtube.com/watch?v=xFudBQcplj4&w=560&h=315\u003cbr>\n\u003cem> Bowie Performing “Young Americans” on The Dick Cavett Show, 1975\u003c/em>\u003cbr>\nBowie ditched the glam look and sound for good in 1975 with his Philadelphia soul infused \u003cem>Young Americans\u003c/em>, featuring not only the upbeat (but darkly worded) title track but also a cover of “Across the Universe” and the eternal “Fame” (co-written by John Lennon). Bowie described the sound of the album as \"the squashed remains of ethnic music as it survives in the age of Muzak rock, written and sung by a white limey,\" which is also an apt description of the Bowie look of the period. In television appearances for the album, Bowie is gaunt with scarlet hair brushed back in a pompadour sweep with stage wear consisting of retro dancehall zoot getups. After the sequined Ziggy Stardust, the sight of Bowie riding an early wave of bobbysocks nostalgia took some getting used to. The horn infused, funk-light album remains a favorite of fans.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Mein Liebling Duke\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110122\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110122\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/GettyImages-115096052-800x533.jpg\" alt=\"David Bowie at the 31th Cannes Film Festival on May 30, 1978. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie at the 31th Cannes Film Festival on May 30, 1978. \u003ccite>(RALPH GATTI/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After his tenth studio album \u003cem>Station to Station\u003c/em> at the end of 1976, Bowie, fighting the demons of his fame and cocaine dependency, moved to West Berlin in an attempt to revive his career and to explore his fascination with German Krautrock. Bowie’s Berlin years (chronicled by Thomas Jerome Seabrook in \u003cem>Bowie in Berlin\u003c/em>) produced collaborations with Brian Eno and Iggy Pop and his acclaimed “Berlin Trilogy” of minimalist, experimental albums: \u003cem>Low\u003c/em>, \u003cem>\"Heroes,\"\u003c/em> and \u003cem>Lodger\u003c/em>. The Bowie persona of this period was “The Thin White Duke,” a dapper performer recalling the glory days of the Weimar circuit and slightly reminiscent of Joel Grey’s Master of Ceremonies in Cabaret. Bowie played the persona to great effect in the 1976 film \u003cem>The Man Who Fell to Earth\u003c/em>.\u003cbr>\nhttp://www.youtube.com/watch?v=oKF5lHcJY9k&w=560&h=315\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Ashes to Ashes Phoenix Rising\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110121\" class=\"wp-caption aligncenter\" style=\"max-width: 236px\">\u003cimg class=\"size-full wp-image-110121\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/bowie-1.jpg\" alt=\"Bowie in the "Let's Dance" video.\" width=\"236\" height=\"352\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/bowie-1.jpg 236w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/bowie-1-160x239.jpg 160w\" sizes=\"(max-width: 236px) 100vw, 236px\">\u003cfigcaption class=\"wp-caption-text\">Bowie in the \"Let's Dance\" video.\u003c/figcaption>\u003c/figure>\n\u003cp>Bowie’s first megahit of the Reagan decade was \"Ashes to Ashes\" from 1980’s \u003cem>Scary Monsters (and Super Creeps),\u003c/em> which let us in on the fate of an earlier Bowie persona with the line “you know Major Tom is a junkie.” As Bowie’s stardom reached greater heights and his sound further embraced the electronic influences of his Berlin years and the New Wave phenomena, his look reflected both his personas of past years (the tailored lines of the Thin White Duke, the “Boys Keep Swinging” color palette and the fashion trends of the era). While still embracing new sounds and looks, the Bowie of the 1980s had a firmly established mythology he referenced and reinvented at will.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>Goblin King\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 386px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Labyrinth_ver2.jpg/386px-Labyrinth_ver2.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Labyrinth_ver2.jpg/386px-Labyrinth_ver2.jpg\" alt=\"\" width=\"386\" height=\"599\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Poster, Labyrinth, 1986\u003c/figcaption>\u003c/figure>\n\u003cp>As promised, David Bowie as Generation Y first encountered him: as the hairtastic, swashbuckling attired and codpieced villain of Jim Henson’s 1986 children’s film \u003cem>Labyrinth\u003c/em>. Bowie’s performance as Jareth the Goblin King made little girls want to switch places with heroine Jennifer Connolly in the baroque “As The World Falls Down” ballroom scene and made little boys… curious. Although a box office disappointment at the time, the film has gone on to earn a cult following and is still acclaimed for its soundtrack which included “Underground,” “Within You,” and the fan favorite “Magic Dance.”\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Heathen\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/b/b6/Heathen.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/b/b6/Heathen.jpg\" alt=\"\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">2002’s Heathen\u003c/figcaption>\u003c/figure>\n\u003cp>2002’s \u003cem>Heathen\u003c/em> brought Bowie some of the strongest reviews of his career and brought back the sartorial, suited Bowie reminiscent of \u003cem>Young American\u003c/em> and Thin White Duke years, but without the underlying hardness. Using images as fantastical as his early glam lyrics and electronic sounds from the best of his Berlin trilogy, Bowie proved that even in his fifth decade he was still an artist producing innovative and creative work. “Cactus,” “Slow Burn,” and “Slip Away” remain among the best songs in the later Bowie canon.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>The Next Day\u003c/strong>\u003c/h3>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>http://youtu.be/gH7dMBcg-gE&w=560&h=315\u003cbr>\nIn terms of the more conservative (for Bowie) aesthetic and self-referential quality of leitmotifs and lyrical themes, 2013’s \u003cem>The Next Day\u003c/em> already seems to have much in common with \u003cem>Heathen\u003c/em>. The casting device of Tilda Swinton in “The Stars (Are Out Tonight)” video is a cheeky move: the oft commented on resemblance between the two artists has already been chronicled in the Tumblr blog \u003ca href=\"http://tildastardust.tumblr.com/\">Tilda Stardust\u003c/a>. It’s nice to see that as Bowie comes back yet again, he’s doing so with a sense of humor.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cstrong>\u003cem>By guest contributor \u003ca href=\"http://www.thebolditalic.com/contributors/tonybravo\">Tony Bravo\u003c/a>\u003c/em>\u003c/strong>\u003c/strong>\u003c/p>\n\u003cp>Ten years have elapsed since David Bowie’s last album \u003cem>Reality\u003c/em> was released, but fear not fans: Bowie’s new release \u003cem>The Next Day\u003c/em> is currently streaming on iTunes and will be available for download March 12, 2013! (\u003ca href=\"http://www.youtube.com/watch?v=gH7dMBcg-gE\">Watch Bowie’s first music video from the album “The Stars (Are Out Tonight)” with his doppleganger Tilda Swinton\u003c/a>). Since emerging on the music scene in 1969 with his commercial breakthrough “Space Oddity,” Bowie has experimented aesthetically and musically more than any other major commercial artist of the last half of the 20th and early 21st century. Before there was Madonna or Gaga’s constantly morphing melodies, costume concepts and hair colors, Bowie was transitioning from Alien Acoustic to Glam Rock to Berliner Cabaret Gigolo to whatever he was doing with Mick Jagger \u003ca href=\"http://www.youtube.com/watch?v=9G4jnaznUoQ\">in this video\u003c/a>. Here’s a look back at some of our favorite moments in Bowie’s constantly evolving artistry (Tina Turner hair from his \u003cem>Labyrinth\u003c/em> period included).\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Ziggy Stardust and Extraterrestrial Glam\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110120\" class=\"wp-caption aligncenter\" style=\"max-width: 480px\">\u003cimg class=\"size-full wp-image-110120\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/hqdefault.jpg\" alt=\"Ziggy Stardust, live, 1972.\" width=\"480\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/hqdefault.jpg 480w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/hqdefault-160x120.jpg 160w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">Ziggy Stardust, live, 1972. \u003ccite>(YouTube / @MisterSussex)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Space has been a reoccurring theme for Bowie in both his music and persona. Major Tom, the fictional astronaut of 1969’s “Space Oddity” begat Bowie’s first fully realized character creation, rock ‘n’ roll alien messiah Ziggy Stardust, the star of 1972’s concept album \u003cem>The Rise and Fall of Ziggy Stardust\u003c/em>. Ziggy was flame-mulleted, platform booted, sexually liberated (bisexually liberated, actually) and every inch the personification of glam rock in everything from his over-the-top glitter stage wear to his decadent, transgressive lyrics (“making love with his ego” anyone?). With Ziggy, Bowie moved away from his earlier forays into acoustic and committed to electric hard rock in the vein of peers (and future collaborators) Lou Reed and Iggy Pop. The album not only produced \u003ca href=\"http://www.youtube.com/watch?v=G8sdsW93ThQ\">the instant classic title track\u003c/a>, but also the oft-covered “Suffragette City,” “Starman,\" “Moonage Daydream,” and the accompanying concert film showing Bowie at the height of his Ziggy excess.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>A Lad Insane\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/6/6e/DavisBowieAladdinSane.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/6/6e/DavisBowieAladdinSane.jpg\" alt=\"\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Aladdin Sane Cover, 1973\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: left\">\n\u003cem>Aladdin Sane\u003c/em> (a pun on the phrase “a lad insane”) has been described as an Americanized \u003cem>Ziggy Stardust\u003c/em>: the glam look of the Ziggy years is still very present and the majority of the songs on the album were composed during Bowie’s 1972 tour of the States. The album, in addition to giving us “The Jean Jeanie,” “Cracked Actor,” and the forward looking doo-wop “Drive-In Saturday” also gave Bowie one of his most signature and lasting pieces of iconography with the lightning-bolt face paint featured on the album cover. The bolt dividing Bowie’s face was allegedly a commentary on Bowie’s feelings of duality as he struggled to come to terms with his fame. The album is also the first to deal with another reoccurring theme in Bowie’s career: the Brit’s mixed feelings on the American way of life. Christopher Sandford, in his Bowie biography \u003cem>Loving the Alien\u003c/em> stated the album reflects that the Bowie of this period \"was simultaneously appalled and fixated by America.”\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Young Americans\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 460px\">\u003ca href=\"http://static.guim.co.uk/sys-images/Music/Pix/pictures/2011/4/5/1301999623660/David-Bowie-in-1976-006.jpg\">\u003cimg src=\"http://static.guim.co.uk/sys-images/Music/Pix/pictures/2011/4/5/1301999623660/David-Bowie-in-1976-006.jpg\" alt=\"\" width=\"460\" height=\"276\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Credit: Steve Shapiro/Corbis\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>http://www.youtube.com/watch?v=xFudBQcplj4&w=560&h=315\u003cbr>\n\u003cem> Bowie Performing “Young Americans” on The Dick Cavett Show, 1975\u003c/em>\u003cbr>\nBowie ditched the glam look and sound for good in 1975 with his Philadelphia soul infused \u003cem>Young Americans\u003c/em>, featuring not only the upbeat (but darkly worded) title track but also a cover of “Across the Universe” and the eternal “Fame” (co-written by John Lennon). Bowie described the sound of the album as \"the squashed remains of ethnic music as it survives in the age of Muzak rock, written and sung by a white limey,\" which is also an apt description of the Bowie look of the period. In television appearances for the album, Bowie is gaunt with scarlet hair brushed back in a pompadour sweep with stage wear consisting of retro dancehall zoot getups. After the sequined Ziggy Stardust, the sight of Bowie riding an early wave of bobbysocks nostalgia took some getting used to. The horn infused, funk-light album remains a favorite of fans.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Mein Liebling Duke\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110122\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-110122\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/GettyImages-115096052-800x533.jpg\" alt=\"David Bowie at the 31th Cannes Film Festival on May 30, 1978. \" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-160x107.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1020x680.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1200x800.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/GettyImages-115096052.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie at the 31th Cannes Film Festival on May 30, 1978. \u003ccite>(RALPH GATTI/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After his tenth studio album \u003cem>Station to Station\u003c/em> at the end of 1976, Bowie, fighting the demons of his fame and cocaine dependency, moved to West Berlin in an attempt to revive his career and to explore his fascination with German Krautrock. Bowie’s Berlin years (chronicled by Thomas Jerome Seabrook in \u003cem>Bowie in Berlin\u003c/em>) produced collaborations with Brian Eno and Iggy Pop and his acclaimed “Berlin Trilogy” of minimalist, experimental albums: \u003cem>Low\u003c/em>, \u003cem>\"Heroes,\"\u003c/em> and \u003cem>Lodger\u003c/em>. The Bowie persona of this period was “The Thin White Duke,” a dapper performer recalling the glory days of the Weimar circuit and slightly reminiscent of Joel Grey’s Master of Ceremonies in Cabaret. Bowie played the persona to great effect in the 1976 film \u003cem>The Man Who Fell to Earth\u003c/em>.\u003cbr>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oKF5lHcJY9k'\n title='//www.youtube.com/embed/oKF5lHcJY9k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Ashes to Ashes Phoenix Rising\u003c/strong>\u003c/h3>\n\u003cfigure id=\"attachment_110121\" class=\"wp-caption aligncenter\" style=\"max-width: 236px\">\u003cimg class=\"size-full wp-image-110121\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/bowie-1.jpg\" alt=\"Bowie in the "Let's Dance" video.\" width=\"236\" height=\"352\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/bowie-1.jpg 236w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/bowie-1-160x239.jpg 160w\" sizes=\"(max-width: 236px) 100vw, 236px\">\u003cfigcaption class=\"wp-caption-text\">Bowie in the \"Let's Dance\" video.\u003c/figcaption>\u003c/figure>\n\u003cp>Bowie’s first megahit of the Reagan decade was \"Ashes to Ashes\" from 1980’s \u003cem>Scary Monsters (and Super Creeps),\u003c/em> which let us in on the fate of an earlier Bowie persona with the line “you know Major Tom is a junkie.” As Bowie’s stardom reached greater heights and his sound further embraced the electronic influences of his Berlin years and the New Wave phenomena, his look reflected both his personas of past years (the tailored lines of the Thin White Duke, the “Boys Keep Swinging” color palette and the fashion trends of the era). While still embracing new sounds and looks, the Bowie of the 1980s had a firmly established mythology he referenced and reinvented at will.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>Goblin King\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 386px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Labyrinth_ver2.jpg/386px-Labyrinth_ver2.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Labyrinth_ver2.jpg/386px-Labyrinth_ver2.jpg\" alt=\"\" width=\"386\" height=\"599\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Poster, Labyrinth, 1986\u003c/figcaption>\u003c/figure>\n\u003cp>As promised, David Bowie as Generation Y first encountered him: as the hairtastic, swashbuckling attired and codpieced villain of Jim Henson’s 1986 children’s film \u003cem>Labyrinth\u003c/em>. Bowie’s performance as Jareth the Goblin King made little girls want to switch places with heroine Jennifer Connolly in the baroque “As The World Falls Down” ballroom scene and made little boys… curious. Although a box office disappointment at the time, the film has gone on to earn a cult following and is still acclaimed for its soundtrack which included “Underground,” “Within You,” and the fan favorite “Magic Dance.”\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong> Heathen\u003c/strong>\u003c/h3>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://upload.wikimedia.org/wikipedia/en/b/b6/Heathen.jpg\">\u003cimg src=\"http://upload.wikimedia.org/wikipedia/en/b/b6/Heathen.jpg\" alt=\"\" width=\"300\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">2002’s Heathen\u003c/figcaption>\u003c/figure>\n\u003cp>2002’s \u003cem>Heathen\u003c/em> brought Bowie some of the strongest reviews of his career and brought back the sartorial, suited Bowie reminiscent of \u003cem>Young American\u003c/em> and Thin White Duke years, but without the underlying hardness. Using images as fantastical as his early glam lyrics and electronic sounds from the best of his Berlin trilogy, Bowie proved that even in his fifth decade he was still an artist producing innovative and creative work. “Cactus,” “Slow Burn,” and “Slip Away” remain among the best songs in the later Bowie canon.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>The Next Day\u003c/strong>\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>http://youtu.be/gH7dMBcg-gE&w=560&h=315\u003cbr>\nIn terms of the more conservative (for Bowie) aesthetic and self-referential quality of leitmotifs and lyrical themes, 2013’s \u003cem>The Next Day\u003c/em> already seems to have much in common with \u003cem>Heathen\u003c/em>. The casting device of Tilda Swinton in “The Stars (Are Out Tonight)” video is a cheeky move: the oft commented on resemblance between the two artists has already been chronicled in the Tumblr blog \u003ca href=\"http://tildastardust.tumblr.com/\">Tilda Stardust\u003c/a>. It’s nice to see that as Bowie comes back yet again, he’s doing so with a sense of humor.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The Debate of Our Times: Taylor Swift",
"title": "The Debate of Our Times: Taylor Swift",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp style=\"text-align: left\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/05/the-debate-of-our-times-taylor-swift/tay-demon-angel/\" rel=\"attachment wp-att-2239\">\u003cimg class=\"size-full wp-image-2239 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/tay-demon-angel.jpg\" alt=\"tay-demon-angel\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/tay-demon-angel.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tay-demon-angel-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: left\">Certain things get people really riled up. Bad grammar, toilet rolls that face in, \u003ca href=\"http://jezebel.com/5971671/do-make-be-barf-the-year-in-goop\">Goop.com\u003c/a>. But nothing is as divisive as Taylor Swift, the love-obsessed songbird that inspires strong opinions on either end of the spectrum. The debate over whether Swift is a feminist or the worst person ever born has been quieter than usual as of late...until news broke that she took a shot at Tina Fey and Amy Poehler this morning (somewhere everyone's-favorite-punching-bag Anne Hathaway is breathing a little easier). So let's take a stroll down memory lane and remember all the times Tay Tay has won and lost the culture's favor.\u003c/p>\n\u003ch2 style=\"text-align: center\">\u003cstrong>IN DEFENSE OF TAYLOR SWIFT:\u003c/strong>\u003c/h2>\n\u003ch3>KanyeGate!\u003c/h3>\n\u003cp>http://youtu.be/ydswJSAfmZM&w=560&h=315\u003c/p>\n\u003cp>Taylor Swift has been making a name for herself since her country music days in 2006, but it wasn't until Kanye West decided she wasn't worthy of an MTV Music Video Award that most of us became familiar with her. Whether Kanye was right about Beyonce having the better video or not (she totally did), the public consensus was that Kanye was \u003ca href=\"http://www.huffingtonpost.com/2009/09/14/obama-kanye-is-a-jackass_n_286623.html\">in President Obama's words\u003c/a> \"a jackass.\" Taylor instantly became our bullied little sister and America's sweetheart and all those other roles that are impossible to live up to and will eventually lead people to tear you off the pedestal they put you on (\u003ca href=\"http://youknowyoucare.com/wp-content/gallery/brit2/britney-spears-shaves-her-head.jpg\">just ask Britney\u003c/a>).\u003c/p>\n\u003ch3>Pop Music Prodigy!\u003c/h3>\n\u003cp>In these modern times, it has become increasingly difficult to separate an artist from their output due to the constant influx of paparrazi pictures and personal tweets and Oprah sit-downs. But when you peel away her public persona, it's pretty remarkable that someone as young as Swift can craft such catchy earworms that have even the snobbiest audiophiles proclaiming \"never ever ever!\" when they think no one is listening. She writes her own lyrics and plays the guitar, when most pop starlets rely on teams of writers and producers. That deserves some credit, even if you think her eyes look \"squinty\" or whatever.\u003c/p>\n\u003ch3>Sexist Double Standards!\u003c/h3>\n\u003cp>A lot of the discourse over Taylor Swift revolves around the revolving door of her lovers. Granted, by writing popular songs about each and every one (Jake Gyllenhall was an indie music elitist! John Mayer was mean! Taylor Lautner was just too nice! etc.), Swift is putting a spotlight on the subject, but the intense scrutiny over her speed dating rings of sexism. Why is George Clooney a playboy while Taylor is a desperate floozy? She's in the prime of her life and should be allowed to casually date whomever she wants. She can have her freedom fries and eat them too, y'all.\u003c/p>\n\u003ch2 style=\"text-align: center\">\u003cstrong>INDEFENSIBLE TAYLOR SWIFT ACTS:\u003c/strong>\u003c/h2>\n\u003ch3>I'm Not a Feminist!\u003c/h3>\n\u003cp>In \u003ca href=\"http://www.thedailybeast.com/articles/2012/10/22/taylor-swift-dishes-on-her-new-album-red-dating-heartbreak-and-grey-s-anatomy.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+thedailybeast%2Farticles+%28The+Daily+Beast+-+Latest+Articles%29\">a recent interview with the Daily Beast\u003c/a>, when asked about whether she identified as a feminist, Taylor Swift joined the ranks of great philosophers like Katy Perry and Lady Gaga in proclaiming that she does not consider herself one. \"I don't really think about things as guys versus girls. I never have. I was raised by parents who brought me up to think if you work as hard as guys, you can go far in life.\" Ugh. Ok, since everyone in the entire world will read this blog post, I will use this space to once and for all clarify the meaning of a feminist. It's not a boys vs. girls thing. Boys can be feminists too! Because all that being a feminist entails is the belief that women are equal to their male counterparts and deserve the same political, social, and economic equality that has been bestowed on men since some Disney villain came up with patriarchy. Damn, girl, read a book!\u003c/p>\n\u003ch3>Slut Shaming!\u003c/h3>\n\u003cfigure class=\"wp-caption alignnone\" style=\"max-width: 500px\">\u003ca href=\"http://tumboy.tumblr.com/\">\u003cimg src=\"http://s3-ec.buzzfed.com/static/enhanced/webdr01/2013/1/14/11/anigif_enhanced-buzz-8273-1358180368-4.gif\" alt=\"\" width=\"500\" height=\"237\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Source: tumboy.tumblr.com\u003c/figcaption>\u003c/figure>\n\u003cp>Boys don't get off easy in Swift songs, but Taylor saves the most lethal venom for \"the other woman.\" Even when Taylor is trying to steal some girl's man on their wedding day (seriously), she derides the woman who stands in her way solely for having something Swift wants too. That's not very neighborly. While lyrics like \"She wears short skirts/I wear t-shirts\" and \"Was she worth this mess after everything and that little black dress\" are bad, the most egregious instance of Taylor promoting the tiresome Madonna/Whore paradigm can be found in a song called \"Better than Revenge:\"\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>She's not a saint\u003c/em>\u003cbr>\n\u003cem> And she's not what you think\u003c/em>\u003cbr>\n\u003cem> She's an actress\u003c/em>\u003cbr>\n\u003cem> She's better known\u003c/em>\u003cbr>\n\u003cem> For the things that she does\u003c/em>\u003cbr>\n\u003cem> On the mattress\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>When I think about Taylor's confusion about what feminism means or falling into girls vs. girls tropes, I try to remember all the stupid things I said when I was in my teens and early twenties. The difference is no one was putting them on record (although certain AOL chat transcripts and one very unfortunate I'm-drunk-for-the-first-time-and-doing-a-Real-World-confessional recording do exist somewhere out there). Despite some poorly worded answers and snarky lyrics, Taylor Swift probably is a feminist and, surprise surprise, a person just like you or me who does as best as she can, but still makes mistakes and then learns from them and grows to be a better version of herself every day. So let's cut her some slack, okay?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the slack-cutting ceremony will have to wait until tomorrow because today Taylor Swift has turned me from this rabid fan:\u003c/p>\n\u003cp>http://youtu.be/5TL7ksX_iSM&w=560&h=315\u003c/p>\n\u003cp style=\"text-align: left\">To this:\u003c/p>\n\u003cp>\u003ca href=\"http://www.tumblr.com/tagged/we%20were%20all%20rooting%20for%20you!\">\u003cimg class=\"alignnone\" src=\"http://media.tumblr.com/tumblr_m0lgz7UgaY1qfi02h.gif\" alt=\"\" width=\"500\" height=\"303\">\u003c/a>\u003c/p>\n\u003ch3 style=\"text-align: left\">Tina Fey and Amy Poehler Have a One-Way Ticket to Hades!\u003c/h3>\n\u003cp>In an interview with \u003cem>Vanity Fair\u003c/em>, Taylor was asked her opinion on a joke Tina Fey and Amy Poehler told while hosting the Golden Globes about her staying away from Michael J. Fox's underage son and instead taking some \"me time.\" What Taylor should have said:\u003c/p>\n\u003cp>\"I was honored to even be mentioned by them! Tina through her writing and Amy through her Smart Girls at the Party web series have done so much for women and young girls and I hope I can enact positive change like they have someday.\"\u003c/p>\n\u003cp>What Taylor actually said (brace yourself, it's the worst):\u003c/p>\n\u003cp>\"You know, Katie Couric is one of my favorite people, because she said to me she had heard a quote that she loved, that said, 'There's a special place in hell for women who don't help other women.'\"\u003c/p>\n\u003cp>I'm not sure how you're feeling, but I'm somewhere in the neighborhood of feeling like the man I've been married to for years is actually an ax-murderer who eats puppies alive and was the reason \u003cem>Arrested Development\u003c/em> was cancelled. I recently received a Taylor Swift pin for my jacket as a gift and I have worn it with pride and echoed Lena Dunham when people question Taylor's artistic value: \"Anyone who tries to debate Taylor Swift with me, I’m like, “You are an uninformed consumer, and you will be shut down. You’re not doing this.”\u003c/p>\n\u003cp>But this gives me great pause. A harmless joke lands you in hell?! I can't defend going after two of the most brilliant women on the pop culture circuit (who's next? Sasha Obama?) and all I can do is send a message to Taylor in animated gif form:\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://www.tumblr.com/tagged/you+in+danger+girl\">\u003cimg class=\"alignnone\" src=\"http://25.media.tumblr.com/a9d51d0b66fec369ced0dcda366b92ab/tumblr_mj405geKmU1rdeykbo1_400.gif\" alt=\"\" width=\"350\" height=\"197\">\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So there you have it: Taylor Swift is not a demon or a saint. She's somewhere in between like the rest of us and the real problem isn't that she lets us down occasionally, but that we expect public figures not to.\u003c/p>\n\n",
"disqusIdentifier": "2230 http://blogs.kqed.org/pop/?p=2230",
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"excerpt": "Is Taylor Swift a feminist or the worst person ever born? Here are the facts.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"text-align: left\">\u003ca href=\"http://blogs.kqed.org/pop/2013/03/05/the-debate-of-our-times-taylor-swift/tay-demon-angel/\" rel=\"attachment wp-att-2239\">\u003cimg class=\"size-full wp-image-2239 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/tay-demon-angel.jpg\" alt=\"tay-demon-angel\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/tay-demon-angel.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/tay-demon-angel-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: left\">Certain things get people really riled up. Bad grammar, toilet rolls that face in, \u003ca href=\"http://jezebel.com/5971671/do-make-be-barf-the-year-in-goop\">Goop.com\u003c/a>. But nothing is as divisive as Taylor Swift, the love-obsessed songbird that inspires strong opinions on either end of the spectrum. The debate over whether Swift is a feminist or the worst person ever born has been quieter than usual as of late...until news broke that she took a shot at Tina Fey and Amy Poehler this morning (somewhere everyone's-favorite-punching-bag Anne Hathaway is breathing a little easier). So let's take a stroll down memory lane and remember all the times Tay Tay has won and lost the culture's favor.\u003c/p>\n\u003ch2 style=\"text-align: center\">\u003cstrong>IN DEFENSE OF TAYLOR SWIFT:\u003c/strong>\u003c/h2>\n\u003ch3>KanyeGate!\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ydswJSAfmZM'\n title='//www.youtube.com/embed/ydswJSAfmZM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Taylor Swift has been making a name for herself since her country music days in 2006, but it wasn't until Kanye West decided she wasn't worthy of an MTV Music Video Award that most of us became familiar with her. Whether Kanye was right about Beyonce having the better video or not (she totally did), the public consensus was that Kanye was \u003ca href=\"http://www.huffingtonpost.com/2009/09/14/obama-kanye-is-a-jackass_n_286623.html\">in President Obama's words\u003c/a> \"a jackass.\" Taylor instantly became our bullied little sister and America's sweetheart and all those other roles that are impossible to live up to and will eventually lead people to tear you off the pedestal they put you on (\u003ca href=\"http://youknowyoucare.com/wp-content/gallery/brit2/britney-spears-shaves-her-head.jpg\">just ask Britney\u003c/a>).\u003c/p>\n\u003ch3>Pop Music Prodigy!\u003c/h3>\n\u003cp>In these modern times, it has become increasingly difficult to separate an artist from their output due to the constant influx of paparrazi pictures and personal tweets and Oprah sit-downs. But when you peel away her public persona, it's pretty remarkable that someone as young as Swift can craft such catchy earworms that have even the snobbiest audiophiles proclaiming \"never ever ever!\" when they think no one is listening. She writes her own lyrics and plays the guitar, when most pop starlets rely on teams of writers and producers. That deserves some credit, even if you think her eyes look \"squinty\" or whatever.\u003c/p>\n\u003ch3>Sexist Double Standards!\u003c/h3>\n\u003cp>A lot of the discourse over Taylor Swift revolves around the revolving door of her lovers. Granted, by writing popular songs about each and every one (Jake Gyllenhall was an indie music elitist! John Mayer was mean! Taylor Lautner was just too nice! etc.), Swift is putting a spotlight on the subject, but the intense scrutiny over her speed dating rings of sexism. Why is George Clooney a playboy while Taylor is a desperate floozy? She's in the prime of her life and should be allowed to casually date whomever she wants. She can have her freedom fries and eat them too, y'all.\u003c/p>\n\u003ch2 style=\"text-align: center\">\u003cstrong>INDEFENSIBLE TAYLOR SWIFT ACTS:\u003c/strong>\u003c/h2>\n\u003ch3>I'm Not a Feminist!\u003c/h3>\n\u003cp>In \u003ca href=\"http://www.thedailybeast.com/articles/2012/10/22/taylor-swift-dishes-on-her-new-album-red-dating-heartbreak-and-grey-s-anatomy.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+thedailybeast%2Farticles+%28The+Daily+Beast+-+Latest+Articles%29\">a recent interview with the Daily Beast\u003c/a>, when asked about whether she identified as a feminist, Taylor Swift joined the ranks of great philosophers like Katy Perry and Lady Gaga in proclaiming that she does not consider herself one. \"I don't really think about things as guys versus girls. I never have. I was raised by parents who brought me up to think if you work as hard as guys, you can go far in life.\" Ugh. Ok, since everyone in the entire world will read this blog post, I will use this space to once and for all clarify the meaning of a feminist. It's not a boys vs. girls thing. Boys can be feminists too! Because all that being a feminist entails is the belief that women are equal to their male counterparts and deserve the same political, social, and economic equality that has been bestowed on men since some Disney villain came up with patriarchy. Damn, girl, read a book!\u003c/p>\n\u003ch3>Slut Shaming!\u003c/h3>\n\u003cfigure class=\"wp-caption alignnone\" style=\"max-width: 500px\">\u003ca href=\"http://tumboy.tumblr.com/\">\u003cimg src=\"http://s3-ec.buzzfed.com/static/enhanced/webdr01/2013/1/14/11/anigif_enhanced-buzz-8273-1358180368-4.gif\" alt=\"\" width=\"500\" height=\"237\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Source: tumboy.tumblr.com\u003c/figcaption>\u003c/figure>\n\u003cp>Boys don't get off easy in Swift songs, but Taylor saves the most lethal venom for \"the other woman.\" Even when Taylor is trying to steal some girl's man on their wedding day (seriously), she derides the woman who stands in her way solely for having something Swift wants too. That's not very neighborly. While lyrics like \"She wears short skirts/I wear t-shirts\" and \"Was she worth this mess after everything and that little black dress\" are bad, the most egregious instance of Taylor promoting the tiresome Madonna/Whore paradigm can be found in a song called \"Better than Revenge:\"\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>She's not a saint\u003c/em>\u003cbr>\n\u003cem> And she's not what you think\u003c/em>\u003cbr>\n\u003cem> She's an actress\u003c/em>\u003cbr>\n\u003cem> She's better known\u003c/em>\u003cbr>\n\u003cem> For the things that she does\u003c/em>\u003cbr>\n\u003cem> On the mattress\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>When I think about Taylor's confusion about what feminism means or falling into girls vs. girls tropes, I try to remember all the stupid things I said when I was in my teens and early twenties. The difference is no one was putting them on record (although certain AOL chat transcripts and one very unfortunate I'm-drunk-for-the-first-time-and-doing-a-Real-World-confessional recording do exist somewhere out there). Despite some poorly worded answers and snarky lyrics, Taylor Swift probably is a feminist and, surprise surprise, a person just like you or me who does as best as she can, but still makes mistakes and then learns from them and grows to be a better version of herself every day. So let's cut her some slack, okay?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the slack-cutting ceremony will have to wait until tomorrow because today Taylor Swift has turned me from this rabid fan:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5TL7ksX_iSM'\n title='//www.youtube.com/embed/5TL7ksX_iSM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: left\">To this:\u003c/p>\n\u003cp>\u003ca href=\"http://www.tumblr.com/tagged/we%20were%20all%20rooting%20for%20you!\">\u003cimg class=\"alignnone\" src=\"http://media.tumblr.com/tumblr_m0lgz7UgaY1qfi02h.gif\" alt=\"\" width=\"500\" height=\"303\">\u003c/a>\u003c/p>\n\u003ch3 style=\"text-align: left\">Tina Fey and Amy Poehler Have a One-Way Ticket to Hades!\u003c/h3>\n\u003cp>In an interview with \u003cem>Vanity Fair\u003c/em>, Taylor was asked her opinion on a joke Tina Fey and Amy Poehler told while hosting the Golden Globes about her staying away from Michael J. Fox's underage son and instead taking some \"me time.\" What Taylor should have said:\u003c/p>\n\u003cp>\"I was honored to even be mentioned by them! Tina through her writing and Amy through her Smart Girls at the Party web series have done so much for women and young girls and I hope I can enact positive change like they have someday.\"\u003c/p>\n\u003cp>What Taylor actually said (brace yourself, it's the worst):\u003c/p>\n\u003cp>\"You know, Katie Couric is one of my favorite people, because she said to me she had heard a quote that she loved, that said, 'There's a special place in hell for women who don't help other women.'\"\u003c/p>\n\u003cp>I'm not sure how you're feeling, but I'm somewhere in the neighborhood of feeling like the man I've been married to for years is actually an ax-murderer who eats puppies alive and was the reason \u003cem>Arrested Development\u003c/em> was cancelled. I recently received a Taylor Swift pin for my jacket as a gift and I have worn it with pride and echoed Lena Dunham when people question Taylor's artistic value: \"Anyone who tries to debate Taylor Swift with me, I’m like, “You are an uninformed consumer, and you will be shut down. You’re not doing this.”\u003c/p>\n\u003cp>But this gives me great pause. A harmless joke lands you in hell?! I can't defend going after two of the most brilliant women on the pop culture circuit (who's next? Sasha Obama?) and all I can do is send a message to Taylor in animated gif form:\u003c/p>\n\u003cp style=\"text-align: left\">\u003ca href=\"http://www.tumblr.com/tagged/you+in+danger+girl\">\u003cimg class=\"alignnone\" src=\"http://25.media.tumblr.com/a9d51d0b66fec369ced0dcda366b92ab/tumblr_mj405geKmU1rdeykbo1_400.gif\" alt=\"\" width=\"350\" height=\"197\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So there you have it: Taylor Swift is not a demon or a saint. She's somewhere in between like the rest of us and the real problem isn't that she lets us down occasionally, but that we expect public figures not to.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "5 Postal Service Covers Even Better Than the Funny or Die Covers",
"title": "5 Postal Service Covers Even Better Than the Funny or Die Covers",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Earlier today, \u003ca href=\"http://postalservicemusic.net/\" target=\"_blank\">The Postal Service\u003c/a> and \u003ca href=\"http://www.funnyordie.com/\" target=\"_blank\">Funny or Die\u003c/a> issued a hilarious video of auditions to get everyone pumped up for \u003ca href=\"http://www.subpop.com/channel/blog/postal_service_give_up_reissue_and_spring_tour\" target=\"_blank\">the re-release of The Postal Service's album \u003cem>Give Up \u003c/em>\u003c/a>in April. Both Aimee Mann and and Weird Al do awesome interpretations of Postal Service classics (when you only have one album, every song is a classic), though Moby really wins the day with his audition meltdown. Ah, 2002. What a hard time we all were having on Friendster and Myspace...\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"http://www.funnyordie.com/embed/0dadfc1070\" frameborder=\"0\" width=\"640\" height=\"400\">\u003c/iframe>\u003c/div>\n\u003cdiv style=\"text-align: left;font-size: x-small;margin-top: 0;width: 640px\">\u003ca title=\"from Ben Gibbard, Tom Scharpling, Al Yankovic, Rob Hatch-Miller, Aimee Mann, Moby, Duff McKagan, Nate Mendel, Page Hamilton, Tom DeLonge, Funny Or Die, Puloma Basu, Jon Daly, DC Pierson, Jon Wurster, sub pop records, FODfm, and Marc Maron\" href=\"http://www.funnyordie.com/videos/0dadfc1070/the-postal-service-auditions\">The Postal Service Auditions\u003c/a> from \u003ca href=\"http://www.funnyordie.com/ben_gibbard\">Ben Gibbard\u003c/a> \u003ciframe style=\"border: none;overflow: hidden;width: 90px;height: 21px;vertical-align: middle\" src=\"http://www.facebook.com/plugins/like.php?app_id=138711277798&href=http%3A%2F%2Fwww.funnyordie.com%2Fvideos%2F0dadfc1070%2Fthe-postal-service-auditions&send=false&layout=button_count&width=150&show_faces=false&action=like&height=21\" frameborder=\"0\" scrolling=\"no\" width=\"320\" height=\"240\">\u003c/iframe>\u003c/div>\n\u003cp>Anyway, all the nostalgia for that year when every single Postal Service song MADE SO MUCH SENSE TO MY LIFE because I was 20 and of course heart broken and lonely and living in the Pacific Northwest, reminded me that so many amazing covers of Postal Service jams already exist and there is absolutely no better way to spend a Tuesday than watching any or all of them on repeat.\u003c/p>\n\u003cp>\u003cstrong>Ben Folds: Such Great Heights (\u003cstrong>MYSPACE GIG)\u003c/strong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://www.imdb.com/character/ch0088956/quotes\" target=\"_blank\">What's the difference between like and love?\u003c/a> At 19, I liked the Postal Service, but I LOVED Ben Folds. In this classic from Myspace, the audience pulls out flip-phones and plays along with Ben. Dream life.\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=G4v8X_Zi-xY]\u003c/div>\n\u003cp>\u003cstrong>carnivalkidxx: This Place is a Prison\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>You know what's even harder than the beginning of college? The end of college. Imagine this: you are an entitled, sort of lazy, self-involved, aimless 23-year-old living with \u003ca href=\"http://www.wweek.com/portland/blog-29844-from_the_elbow_1_career_opportunities.html\" target=\"_blank\">your little brother\u003c/a> WHO WILL NOT PICK UP HIS SOCKS, your feet are always wet due to the fact that it won't stop raining and the only time you aren't hung over is when you are drunk. You know what song makes a lot of sense at that point? This one. \"You may case the grounds from the Cascades to the Puget Sound, but you aren't permitted to leave.\" Whoa. Can't someone install a high-speed train to Los Angeles? Counter girls can't afford plane tickets. Note: \u003ca href=\"http://youtu.be/5Mjj_2X1sGs\" target=\"_blank\">each cover\u003c/a> \u003ca href=\"http://www.youtube.com/watch?v=ARak20zNRzQ\" target=\"_blank\">of this song\u003c/a> on YouTube is sadder than the last. I felt this one really encapsulated the hopeless, dark sadness and inevitable missed notes and bad guitar playing of the whole thing. Even though the video is a panda for some reason, which really undercuts the HUMAN EMOTION here. You can also \u003ca href=\"http://youtu.be/iiRZ6NM0OuQ\" target=\"_blank\">watch Ben Gibbard\u003c/a> do it right.\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=xGMpdMz7pKs]\u003c/div>\n\u003cp>\u003cstrong>The Shins: We Will Become Silhouettes\u003c/strong>\u003cbr>\nThis is the classic \"who is covering whom?\" situation, but the truth of this song is The Postal Service wrote it and played it first and then their neighbors, The Shins (The Postal Service was from Seattle and The Shins from Portland), played it their way and probably made it even more popular. The 2000s were a time of neighborly sharing and desperation. How lucky we made it out alive!\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=0HECF_RHAYo]\u003c/div>\n\u003cp>\u003cstrong>Chasing Weekends: Sleeping In\u003c/strong>\u003c/p>\n\u003cp>There is only one Postal Service song you can play on the ukulele without getting punched in the face and that is \"Sleeping In,\" which is all about magical thinking and literal dreaming. In your early twenties in the Pacific Northwest in the winter, the only time happy ukulele music is even mildly appropriate is in your dreams. Otherwise, it's Elliot Smith until you pass out. This adorable little girl and her puppy have clearly never experienced Seasonal Affective Disorder but I forgive her because she is just so cute and taking this genuinely tragic song so literally!\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=jrNU3QvZw5c]\u003c/div>\n\u003cp>\u003cstrong>Ben Gibbard, Jenny Lewis and the audience: Nothing Better\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This isn't strictly a cover since The Postal Service is half Ben Gibbard and Jenny Lewis actually sang this song on the album. However, this live acoustic version of the impossible love song that basically defined my life in early college is less melancholy than the original and less heartbreaking, but still as beautiful. \"Don't you feed me lies about some idealistic future. My heart won't heal right if you keep tearing out the sutures.\" TRUE STORY.\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=ayjyV8XOuk4]\u003c/div>\n\u003cdiv class=\"single-video\">\u003c/div>\n\u003cdiv class=\"single-video\">Want to never stop watching Postal Service videos? \u003ca href=\"http://www.youtube.com/playlist?list=PL1LaW-AR98H-loJ3uE7v9ZArsRYETO7Ir\" target=\"_blank\">Check out our playlist on YouTube\u003c/a> and share your ideas about what we should add.\u003c/div>\n\n",
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"excerpt": "Earlier today The Postal Service and Funny or Die issued a hilarious video of auditions for the Postal Service. Because it whet our appetite for Postal Service covers, I whipped up this list.",
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"headline": "5 Postal Service Covers Even Better Than the Funny or Die Covers",
"datePublished": "2013-03-05T12:11:45-08:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Earlier today, \u003ca href=\"http://postalservicemusic.net/\" target=\"_blank\">The Postal Service\u003c/a> and \u003ca href=\"http://www.funnyordie.com/\" target=\"_blank\">Funny or Die\u003c/a> issued a hilarious video of auditions to get everyone pumped up for \u003ca href=\"http://www.subpop.com/channel/blog/postal_service_give_up_reissue_and_spring_tour\" target=\"_blank\">the re-release of The Postal Service's album \u003cem>Give Up \u003c/em>\u003c/a>in April. Both Aimee Mann and and Weird Al do awesome interpretations of Postal Service classics (when you only have one album, every song is a classic), though Moby really wins the day with his audition meltdown. Ah, 2002. What a hard time we all were having on Friendster and Myspace...\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"http://www.funnyordie.com/embed/0dadfc1070\" frameborder=\"0\" width=\"640\" height=\"400\">\u003c/iframe>\u003c/div>\n\u003cdiv style=\"text-align: left;font-size: x-small;margin-top: 0;width: 640px\">\u003ca title=\"from Ben Gibbard, Tom Scharpling, Al Yankovic, Rob Hatch-Miller, Aimee Mann, Moby, Duff McKagan, Nate Mendel, Page Hamilton, Tom DeLonge, Funny Or Die, Puloma Basu, Jon Daly, DC Pierson, Jon Wurster, sub pop records, FODfm, and Marc Maron\" href=\"http://www.funnyordie.com/videos/0dadfc1070/the-postal-service-auditions\">The Postal Service Auditions\u003c/a> from \u003ca href=\"http://www.funnyordie.com/ben_gibbard\">Ben Gibbard\u003c/a> \u003ciframe style=\"border: none;overflow: hidden;width: 90px;height: 21px;vertical-align: middle\" src=\"http://www.facebook.com/plugins/like.php?app_id=138711277798&href=http%3A%2F%2Fwww.funnyordie.com%2Fvideos%2F0dadfc1070%2Fthe-postal-service-auditions&send=false&layout=button_count&width=150&show_faces=false&action=like&height=21\" frameborder=\"0\" scrolling=\"no\" width=\"320\" height=\"240\">\u003c/iframe>\u003c/div>\n\u003cp>Anyway, all the nostalgia for that year when every single Postal Service song MADE SO MUCH SENSE TO MY LIFE because I was 20 and of course heart broken and lonely and living in the Pacific Northwest, reminded me that so many amazing covers of Postal Service jams already exist and there is absolutely no better way to spend a Tuesday than watching any or all of them on repeat.\u003c/p>\n\u003cp>\u003cstrong>Ben Folds: Such Great Heights (\u003cstrong>MYSPACE GIG)\u003c/strong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://www.imdb.com/character/ch0088956/quotes\" target=\"_blank\">What's the difference between like and love?\u003c/a> At 19, I liked the Postal Service, but I LOVED Ben Folds. In this classic from Myspace, the audience pulls out flip-phones and plays along with Ben. Dream life.\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G4v8X_Zi-xY'\n title='//www.youtube.com/embed/G4v8X_Zi-xY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>carnivalkidxx: This Place is a Prison\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You know what's even harder than the beginning of college? The end of college. Imagine this: you are an entitled, sort of lazy, self-involved, aimless 23-year-old living with \u003ca href=\"http://www.wweek.com/portland/blog-29844-from_the_elbow_1_career_opportunities.html\" target=\"_blank\">your little brother\u003c/a> WHO WILL NOT PICK UP HIS SOCKS, your feet are always wet due to the fact that it won't stop raining and the only time you aren't hung over is when you are drunk. You know what song makes a lot of sense at that point? This one. \"You may case the grounds from the Cascades to the Puget Sound, but you aren't permitted to leave.\" Whoa. Can't someone install a high-speed train to Los Angeles? Counter girls can't afford plane tickets. Note: \u003ca href=\"http://youtu.be/5Mjj_2X1sGs\" target=\"_blank\">each cover\u003c/a> \u003ca href=\"http://www.youtube.com/watch?v=ARak20zNRzQ\" target=\"_blank\">of this song\u003c/a> on YouTube is sadder than the last. I felt this one really encapsulated the hopeless, dark sadness and inevitable missed notes and bad guitar playing of the whole thing. Even though the video is a panda for some reason, which really undercuts the HUMAN EMOTION here. You can also \u003ca href=\"http://youtu.be/iiRZ6NM0OuQ\" target=\"_blank\">watch Ben Gibbard\u003c/a> do it right.\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xGMpdMz7pKs'\n title='//www.youtube.com/embed/xGMpdMz7pKs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>The Shins: We Will Become Silhouettes\u003c/strong>\u003cbr>\nThis is the classic \"who is covering whom?\" situation, but the truth of this song is The Postal Service wrote it and played it first and then their neighbors, The Shins (The Postal Service was from Seattle and The Shins from Portland), played it their way and probably made it even more popular. The 2000s were a time of neighborly sharing and desperation. How lucky we made it out alive!\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0HECF_RHAYo'\n title='//www.youtube.com/embed/0HECF_RHAYo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Chasing Weekends: Sleeping In\u003c/strong>\u003c/p>\n\u003cp>There is only one Postal Service song you can play on the ukulele without getting punched in the face and that is \"Sleeping In,\" which is all about magical thinking and literal dreaming. In your early twenties in the Pacific Northwest in the winter, the only time happy ukulele music is even mildly appropriate is in your dreams. Otherwise, it's Elliot Smith until you pass out. This adorable little girl and her puppy have clearly never experienced Seasonal Affective Disorder but I forgive her because she is just so cute and taking this genuinely tragic song so literally!\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jrNU3QvZw5c'\n title='//www.youtube.com/embed/jrNU3QvZw5c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003cstrong>Ben Gibbard, Jenny Lewis and the audience: Nothing Better\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This isn't strictly a cover since The Postal Service is half Ben Gibbard and Jenny Lewis actually sang this song on the album. However, this live acoustic version of the impossible love song that basically defined my life in early college is less melancholy than the original and less heartbreaking, but still as beautiful. \"Don't you feed me lies about some idealistic future. My heart won't heal right if you keep tearing out the sutures.\" TRUE STORY.\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ayjyV8XOuk4'\n title='//www.youtube.com/embed/ayjyV8XOuk4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cdiv class=\"single-video\">\u003c/div>\n\u003cdiv class=\"single-video\">Want to never stop watching Postal Service videos? \u003ca href=\"http://www.youtube.com/playlist?list=PL1LaW-AR98H-loJ3uE7v9ZArsRYETO7Ir\" target=\"_blank\">Check out our playlist on YouTube\u003c/a> and share your ideas about what we should add.\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"perspectives": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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