'We Are Here and Present': New Native American Mural in Golden Gate Park, Despite Recent Vandalism, Continues Efforts to Uplift Bay Area Native History
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"title": "'We Are Here and Present': New Native American Mural in Golden Gate Park, Despite Recent Vandalism, Continues Efforts to Uplift Bay Area Native History",
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"content": "\u003cp>A turquoise, black and red street mural covering a section of the JFK Promenade with the words “We Are on Native Land” was vandalized on Thursday night.\u003c/p>\n\u003cp>Passersby and employees of the San Francisco Recreation and Parks Department first noticed the changes early Friday morning. The lead muralist on the project, Rachel Znerold, found out via text message. The mural had been finished just a few days before, in time for Indigenous Peoples Day. Now, she learned, someone had poured black paint over the word “Native” and written “no such thing” in yellow spray paint above the blacked-out word. [pullquote size=\"medium\" align=\"right\" citation=\"Aiko Little, vice chair, WGAW's Native American and Indigenous Writers Committee\"]‘We are not an imaginary people or people of the past. This is Native land.’[/pullquote]In response, members of Bay Area Native American communities called the vandalism an attempt at cultural erasure.\u003c/p>\n\u003cp>“The recognition of our community has been met repeatedly with resistance and violent behavior,” said Mary Travis-Allen, advisory board president of San Francisco’s \u003ca href=\"https://americanindianculturaldistrict.org/\">American Indian Cultural District\u003c/a>. “Scraping paint off the ground does not erase us. We are here and present.”\u003c/p>\n\u003cp>Janine Laiwa — member of the Pomo Nation, mural painter, volunteer and community ambassador for AICD — said the mural was done in good faith and with time, love and thought.\u003c/p>\n\u003cp>“For someone to paint over the word ‘Native’ shows that racism against Native Americans is still a big issue in San Francisco,” she said.[aside tag=\"indigenous, native\" label=\"More Related Stories\"]This sentiment was echoed by Aiko Little, vice chair of the Native American and Indigenous Writers Committee of the Writers Guild of America West, or WGAW, and member of the Oglala subtribe of the Lakota people.\u003c/p>\n\u003cp>“This is not simply an act of vandalism, but an act of erasure that continues to linger behind the Native/Indigenous peoples since 1492. We are not an imaginary people or people of the past. This is Native land,” Little said. “I can only hope that the people who did this one day unlearn all the ignorance and prejudice instilled in their current actions.”\u003c/p>\n\u003cp>San Francisco Recreation and Parks Department General Manager Phil Ginsburg said he was sickened by the hateful vandalism of the mural.\u003c/p>\n\u003cp>“This ugly act cannot erase the beautiful message behind this installation,” he said. “It was specifically placed at the entrance of JFK Promenade to welcome people from around the world and (to) honor our shared connection to the land.”\u003c/p>\n\u003cp>Jonathan Cordero, chair of the Ramaytush Ohlone peoples, the original inhabitants of the San Francisco peninsula, said he thought the act was more of an anomaly.\u003c/p>\n\u003cp>“The San Francisco Bay Area is actually one of the areas in the United States where Native peoples have higher visibility than they do in other places, especially in major cities,” said Cordero. “I really see this (vandalism) as an aberration.”\u003c/p>\n\u003cp>But, he added, “when things like this happen, it becomes an opportunity for us to talk about who we are and, unfortunately, continue to have to say that we’re still here … still living in our land, still trying to make our way in the world, despite the adverse consequences of colonization, which are still ongoing.”\u003c/p>\n\u003cp>Sharaya Souza (Taos Pueblo, Ute, Kiowa), co-founder and executive director of the American Indian Cultural District, organized the mural after being asked by the SFRPD, the arts organization \u003ca href=\"https://illuminate.org/\">Illuminate\u003c/a>, and nonprofit \u003ca href=\"https://www.paintthevoid.org/\">Paint the Void\u003c/a> to participate in their Golden Mile Project along the JFK Promenade. The mural is also part of the AICD’s \u003ca href=\"https://americanindianculturaldistrict.org/indigenizesf\">Indigenize Project\u003c/a>, celebrating the long history of Native American life in San Francisco through public art.\u003c/p>\n\u003cp>“We still need to have conversations about being on Native land in San Francisco and how that makes some people feel uncomfortable,” Souza said, adding that she would like to see the mural become a talking point and a permanent installation within Golden Gate Park.\u003c/p>\n\u003cp>Znerold, the muralist, spent Friday repairing the mural alongside other muralists and around a dozen volunteers. She said she plans to continue making murals honoring Native life in San Francisco.\u003c/p>\n\u003cp>“We stand strong with our Native communities, and this has been a project that so many have poured their hearts into,” she said, describing families and passersby who stopped to help with the painting while the mural was in progress. “We’re gonna fix it up and we’re gonna keep coming back and fixing it up.”\u003c/p>\n\u003cp>She added that, as a white woman working in collaboration with Native people, she can go home and choose to not engage with racists, but for people of color and Native people, “this is what they’re facing every day.”\u003c/p>\n\u003cp>The work is part of ongoing efforts to fight racism.\u003c/p>\n\u003cp>“If anti-racist work was done, then we wouldn’t need to be out here. But it is the kind of work you have to keep showing up for every single day. So it’s a reminder, a humbling reminder, that our work is continuous,” said Znerold.\u003c/p>\n\u003cp>“It’s not actually taking anything away from you by just acknowledging the history and acknowledging the contributions and the gifts of the first people of this land.”\u003c/p>\n\u003cp>By Friday evening, the mural had been fully restored.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In response, members of Bay Area Native American communities called the vandalism an attempt at cultural erasure.\u003c/p>\n\u003cp>“The recognition of our community has been met repeatedly with resistance and violent behavior,” said Mary Travis-Allen, advisory board president of San Francisco’s \u003ca href=\"https://americanindianculturaldistrict.org/\">American Indian Cultural District\u003c/a>. “Scraping paint off the ground does not erase us. We are here and present.”\u003c/p>\n\u003cp>Janine Laiwa — member of the Pomo Nation, mural painter, volunteer and community ambassador for AICD — said the mural was done in good faith and with time, love and thought.\u003c/p>\n\u003cp>“For someone to paint over the word ‘Native’ shows that racism against Native Americans is still a big issue in San Francisco,” she said.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>This sentiment was echoed by Aiko Little, vice chair of the Native American and Indigenous Writers Committee of the Writers Guild of America West, or WGAW, and member of the Oglala subtribe of the Lakota people.\u003c/p>\n\u003cp>“This is not simply an act of vandalism, but an act of erasure that continues to linger behind the Native/Indigenous peoples since 1492. We are not an imaginary people or people of the past. This is Native land,” Little said. “I can only hope that the people who did this one day unlearn all the ignorance and prejudice instilled in their current actions.”\u003c/p>\n\u003cp>San Francisco Recreation and Parks Department General Manager Phil Ginsburg said he was sickened by the hateful vandalism of the mural.\u003c/p>\n\u003cp>“This ugly act cannot erase the beautiful message behind this installation,” he said. “It was specifically placed at the entrance of JFK Promenade to welcome people from around the world and (to) honor our shared connection to the land.”\u003c/p>\n\u003cp>Jonathan Cordero, chair of the Ramaytush Ohlone peoples, the original inhabitants of the San Francisco peninsula, said he thought the act was more of an anomaly.\u003c/p>\n\u003cp>“The San Francisco Bay Area is actually one of the areas in the United States where Native peoples have higher visibility than they do in other places, especially in major cities,” said Cordero. “I really see this (vandalism) as an aberration.”\u003c/p>\n\u003cp>But, he added, “when things like this happen, it becomes an opportunity for us to talk about who we are and, unfortunately, continue to have to say that we’re still here … still living in our land, still trying to make our way in the world, despite the adverse consequences of colonization, which are still ongoing.”\u003c/p>\n\u003cp>Sharaya Souza (Taos Pueblo, Ute, Kiowa), co-founder and executive director of the American Indian Cultural District, organized the mural after being asked by the SFRPD, the arts organization \u003ca href=\"https://illuminate.org/\">Illuminate\u003c/a>, and nonprofit \u003ca href=\"https://www.paintthevoid.org/\">Paint the Void\u003c/a> to participate in their Golden Mile Project along the JFK Promenade. The mural is also part of the AICD’s \u003ca href=\"https://americanindianculturaldistrict.org/indigenizesf\">Indigenize Project\u003c/a>, celebrating the long history of Native American life in San Francisco through public art.\u003c/p>\n\u003cp>“We still need to have conversations about being on Native land in San Francisco and how that makes some people feel uncomfortable,” Souza said, adding that she would like to see the mural become a talking point and a permanent installation within Golden Gate Park.\u003c/p>\n\u003cp>Znerold, the muralist, spent Friday repairing the mural alongside other muralists and around a dozen volunteers. She said she plans to continue making murals honoring Native life in San Francisco.\u003c/p>\n\u003cp>“We stand strong with our Native communities, and this has been a project that so many have poured their hearts into,” she said, describing families and passersby who stopped to help with the painting while the mural was in progress. “We’re gonna fix it up and we’re gonna keep coming back and fixing it up.”\u003c/p>\n\u003cp>She added that, as a white woman working in collaboration with Native people, she can go home and choose to not engage with racists, but for people of color and Native people, “this is what they’re facing every day.”\u003c/p>\n\u003cp>The work is part of ongoing efforts to fight racism.\u003c/p>\n\u003cp>“If anti-racist work was done, then we wouldn’t need to be out here. But it is the kind of work you have to keep showing up for every single day. So it’s a reminder, a humbling reminder, that our work is continuous,” said Znerold.\u003c/p>\n\u003cp>“It’s not actually taking anything away from you by just acknowledging the history and acknowledging the contributions and the gifts of the first people of this land.”\u003c/p>\n\u003cp>By Friday evening, the mural had been fully restored.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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