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"content": "\u003cp>Artist Scott Hove, a Bay Area native who has made a name for himself in the art world with his striking, cake-themed sculptures, is packing up his frosting and moving to Los Angeles. Last week Hove shut down \u003ca href=\"http://www.mshove.com/cakeland/index.htm\" target=\"_blank\" rel=\"noopener\">Cakeland,\u003c/a> the Oakland storefront he has both lived and exhibited in since 2009. Word of the closure prompted a mad dash by local art fans to see the beautiful and weird world Hove had built in the days before he shuttered the doors and started packing to move.\u003c/p>\n\u003cp>Like many other local artists and creative types, Hove is being priced out of the Bay Area, somewhat. With his star on the rise, Hove is moving into a warehouse in L.A. (something unaffordable in the Bay Area), where he will expand his Cakeland vision further. The cheap space will allow him to do more \u003ca href=\"http://www.mshove.com/cakeland/index-installations.htm\" target=\"_blank\" rel=\"noopener\">massive installations\u003c/a> and he’ll be in closer proximity to more movers and shakers in the art world.\u003c/p>\n\u003cp>We had a few questions for Hove as he packed up for his big move and his honest, insightful answers are below.\u003c/p>\n\u003cfigure id=\"attachment_10138631\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/07/vaultshot-copy1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/07/vaultshot-copy1.jpg\" alt=\"Cake Vault, 2008\" width=\"640\" height=\"677\" class=\"size-full wp-image-10138631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/vaultshot-copy1.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/vaultshot-copy1-400x423.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/vaultshot-copy1-283x300.jpg 283w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Scott Hove, \u003ci>Cake Vault\u003c/i>, 2008\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What is the story behind the Cakeland space? Did the owners know what you planned to do with the store front? Did they know you’d be living in it?\u003c/strong>\u003c/p>\n\u003cp>I had been looking for a suitable place to live and work for several months, and this 1929 former French laundry building opened up. I didn’t expect to find a place with such a lovely storefront, and quickly went about making window displays that I thought would be fun. The building owner is a very cool guy and trusted me to do something that wouldn’t upset the neighbors!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>How many separate pieces make up the space — or is it one large installation? How long have you been working on it? How long did it take to make?\u003c/strong>\u003c/p>\n\u003cp>In the storefront gallery, I have two individual mirror chambers, plus a large mirror maze. There is also a blackened hell pit, which is a favorite aspect for viewers. I have one large wall that features my more conventionally-sized wall hanging sculptures. I have done several versions of Cakeland in the space, and the current configuration has been in place for about a year and a half. I keep working on my installations as long as there is space to keep adding on.\u003c/p>\n\u003cp>\u003cstrong>What is the inspiration for your cake-themed work? Where did the idea for adding the teeth come from? (Is it really about the cakes needing to defend themselves?)\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/07/Hove-Work1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/07/Hove-Work1.jpg\" alt=\"Hove-Work\" width=\"640\" height=\"401\" class=\"alignright size-full wp-image-10138630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/Hove-Work1.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/Hove-Work1-400x250.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/Hove-Work1-300x187.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp>I love captivating the emotions of my viewers, and using the image of cake as a language opens people up to be receptive to the messages in the work, whether that message is mine or the viewer’s. The fangs, horns and switchblades are there to add psychological depth to the viewing experience and force the viewer to choose how to integrate the dark elements into the lightness of the cake. This process of integrating dualistic forces is unique to each person, and the art becomes part of them. I strive to make the experience as satisfying as possible.\u003c/p>\n\u003cp>\u003cstrong>What are the materials that go into the realistic cake pieces? How long does it take to complete a piece?\u003c/strong>\u003c/p>\n\u003cp>I use whatever materials are on hand to create a suitable form, and carve specific elements from a wood-like poly foam. I do the decorative frosting with a variety or acrylic media. A piece can take from three days to three months depending on complexity and scale.\u003c/p>\n\u003cp>\u003cstrong>Is there one piece in particular that truly exemplifies your vision? Are you able to describe what makes it successful?\u003c/strong>\u003c/p>\n\u003cp>Every piece I work on seems like the breakthrough of the moment. There are a few pieces that have a particular staying power, or an iconic quality that makes them seem newer every day. The womb-like \u003cem>Cake Vault\u003c/em> (2008) is a favorite, with its transcendental comfort. \u003cem>Oligarch\u003c/em> (2014) has a fierceness that is like a blast of hot wind in the face.\u003c/p>\n\u003cp>\u003cstrong>How did the neighborhood take to the space? Did you get a lot of visitors?\u003c/strong>\u003c/p>\n\u003cp>Simply by turning some lights on in the storefront improved the semi-sketchy quality of the corner, which I think was appreciated. Making it an interesting viewing experience helped enrich the neighborhood, which is good for everyone. I never have regular hours, which annoys some people… I just wait for the most determined people to track me down and make an appointment.\u003c/p>\n\u003cp>\u003cstrong>Why are you moving?\u003c/strong>\u003c/p>\n\u003cp>Several reasons. First, the building is in bad need of repair and the owner needs to invest in the space. Second, I’ve run out of space to experiment and I’m not willing to do it in my living room. Third, I’ve really hit a ceiling as far as what I can accomplish here in the Bay Area. I need a bigger space and a more intense playing field. The Bay Area has always been a good place to do art, but not always the best place to leverage one’s art career to its fullest potential.\u003c/p>\n\u003cp>\u003cstrong>What plans do you have for the warehouse space in L.A.?\u003c/strong>\u003c/p>\n\u003cp>Bigger, better, stronger, faster. I’m going to L.A. to do big things.\u003c/p>\n\u003cp>\u003cstrong>Do you think you’ll miss the Bay Area?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Of course! I was born on California Street in the City and raised in the open spaces of Marin. I know and love many secret natural places where I recalibrate and recharge. It’s not like I’m making this move because I’m in love with how L.A. looks… though I’m finding out fast that L.A. people are really friendly and genuine. I hope that I’ll make enough money eventually to return and get a cool house in Mill Valley or someplace close to the mountain.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Artist Scott Hove, a Bay Area native who has made a name for himself in the art world with his striking, cake-themed sculptures, is packing up his frosting and moving to Los Angeles. Last week Hove shut down \u003ca href=\"http://www.mshove.com/cakeland/index.htm\" target=\"_blank\" rel=\"noopener\">Cakeland,\u003c/a> the Oakland storefront he has both lived and exhibited in since 2009. Word of the closure prompted a mad dash by local art fans to see the beautiful and weird world Hove had built in the days before he shuttered the doors and started packing to move.\u003c/p>\n\u003cp>Like many other local artists and creative types, Hove is being priced out of the Bay Area, somewhat. With his star on the rise, Hove is moving into a warehouse in L.A. (something unaffordable in the Bay Area), where he will expand his Cakeland vision further. The cheap space will allow him to do more \u003ca href=\"http://www.mshove.com/cakeland/index-installations.htm\" target=\"_blank\" rel=\"noopener\">massive installations\u003c/a> and he’ll be in closer proximity to more movers and shakers in the art world.\u003c/p>\n\u003cp>We had a few questions for Hove as he packed up for his big move and his honest, insightful answers are below.\u003c/p>\n\u003cfigure id=\"attachment_10138631\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/07/vaultshot-copy1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/07/vaultshot-copy1.jpg\" alt=\"Cake Vault, 2008\" width=\"640\" height=\"677\" class=\"size-full wp-image-10138631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/vaultshot-copy1.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/vaultshot-copy1-400x423.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/vaultshot-copy1-283x300.jpg 283w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Scott Hove, \u003ci>Cake Vault\u003c/i>, 2008\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>What is the story behind the Cakeland space? Did the owners know what you planned to do with the store front? Did they know you’d be living in it?\u003c/strong>\u003c/p>\n\u003cp>I had been looking for a suitable place to live and work for several months, and this 1929 former French laundry building opened up. I didn’t expect to find a place with such a lovely storefront, and quickly went about making window displays that I thought would be fun. The building owner is a very cool guy and trusted me to do something that wouldn’t upset the neighbors!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>How many separate pieces make up the space — or is it one large installation? How long have you been working on it? How long did it take to make?\u003c/strong>\u003c/p>\n\u003cp>In the storefront gallery, I have two individual mirror chambers, plus a large mirror maze. There is also a blackened hell pit, which is a favorite aspect for viewers. I have one large wall that features my more conventionally-sized wall hanging sculptures. I have done several versions of Cakeland in the space, and the current configuration has been in place for about a year and a half. I keep working on my installations as long as there is space to keep adding on.\u003c/p>\n\u003cp>\u003cstrong>What is the inspiration for your cake-themed work? Where did the idea for adding the teeth come from? (Is it really about the cakes needing to defend themselves?)\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/07/Hove-Work1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/07/Hove-Work1.jpg\" alt=\"Hove-Work\" width=\"640\" height=\"401\" class=\"alignright size-full wp-image-10138630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/Hove-Work1.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/Hove-Work1-400x250.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/07/Hove-Work1-300x187.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp>I love captivating the emotions of my viewers, and using the image of cake as a language opens people up to be receptive to the messages in the work, whether that message is mine or the viewer’s. The fangs, horns and switchblades are there to add psychological depth to the viewing experience and force the viewer to choose how to integrate the dark elements into the lightness of the cake. This process of integrating dualistic forces is unique to each person, and the art becomes part of them. I strive to make the experience as satisfying as possible.\u003c/p>\n\u003cp>\u003cstrong>What are the materials that go into the realistic cake pieces? How long does it take to complete a piece?\u003c/strong>\u003c/p>\n\u003cp>I use whatever materials are on hand to create a suitable form, and carve specific elements from a wood-like poly foam. I do the decorative frosting with a variety or acrylic media. A piece can take from three days to three months depending on complexity and scale.\u003c/p>\n\u003cp>\u003cstrong>Is there one piece in particular that truly exemplifies your vision? Are you able to describe what makes it successful?\u003c/strong>\u003c/p>\n\u003cp>Every piece I work on seems like the breakthrough of the moment. There are a few pieces that have a particular staying power, or an iconic quality that makes them seem newer every day. The womb-like \u003cem>Cake Vault\u003c/em> (2008) is a favorite, with its transcendental comfort. \u003cem>Oligarch\u003c/em> (2014) has a fierceness that is like a blast of hot wind in the face.\u003c/p>\n\u003cp>\u003cstrong>How did the neighborhood take to the space? Did you get a lot of visitors?\u003c/strong>\u003c/p>\n\u003cp>Simply by turning some lights on in the storefront improved the semi-sketchy quality of the corner, which I think was appreciated. Making it an interesting viewing experience helped enrich the neighborhood, which is good for everyone. I never have regular hours, which annoys some people… I just wait for the most determined people to track me down and make an appointment.\u003c/p>\n\u003cp>\u003cstrong>Why are you moving?\u003c/strong>\u003c/p>\n\u003cp>Several reasons. First, the building is in bad need of repair and the owner needs to invest in the space. Second, I’ve run out of space to experiment and I’m not willing to do it in my living room. Third, I’ve really hit a ceiling as far as what I can accomplish here in the Bay Area. I need a bigger space and a more intense playing field. The Bay Area has always been a good place to do art, but not always the best place to leverage one’s art career to its fullest potential.\u003c/p>\n\u003cp>\u003cstrong>What plans do you have for the warehouse space in L.A.?\u003c/strong>\u003c/p>\n\u003cp>Bigger, better, stronger, faster. I’m going to L.A. to do big things.\u003c/p>\n\u003cp>\u003cstrong>Do you think you’ll miss the Bay Area?\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Of course! I was born on California Street in the City and raised in the open spaces of Marin. I know and love many secret natural places where I recalibrate and recharge. It’s not like I’m making this move because I’m in love with how L.A. looks… though I’m finding out fast that L.A. people are really friendly and genuine. I hope that I’ll make enough money eventually to return and get a cool house in Mill Valley or someplace close to the mountain.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"radiolab": {
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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},
"snap-judgment": {
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