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"disqusTitle": "Old San Francisco: Eating Through the Ages",
"title": "Old San Francisco: Eating Through the Ages",
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"content": "\u003cp>This week I scored big. In addition to finishing off a pint of \u003ca href=\"http://biritecreamery.com/\">\u003cstrong>burnt caramel ice cream\u003c/strong>\u003c/a> I found a dusty but still strongly bound first edition of \u003ci>Laughter on the Hill\u003c/i>, a book about a young woman who moved to San Francisco alone in the winter of 1940. \u003c/p>\n\u003cp>\u003ci>(Grandmothers, 1955. Courtesy of \u003ca href=\"http://sfpl.org/news/onlineexhibits/shades/\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003c/i>.\u003c/p>\n\u003cp>For others who have adopted this city as their home, who have looked over the Bay and its bridges with awe, lived in a drafty dump of a flat that's very well stocked with wine, or danced in the streets with strangers, this memoir will also strike a chord. It reminded me of other books that capture a special, specific time in the City's history.\u003c/p>\n\u003cp>For a taste of San Francisco in years past...\u003c/p>\n\u003cp>\u003ca href=\"http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A2000.02.0085&layout=&loc=34\">\u003cstrong>Recollections of California: 1846-1881\u003c/strong>\u003c/a>\u003cbr>by General William T. Sherman\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ci>During the spring of 1848, as reports of gold began transforming the City, young William Tecumseh Sherman was still stationed under General Kearny in California. Later in his life, he remembered accompanying Governor Mason from San Francisco to Santa Cruz on one particularly difficult journey.\u003c/i>\u003c/p>\n\u003cp>The house was of adobe, with a long range of adobe-huts occupied by semi-civilized Indians, who at that time did all the labor of a ranch, the herding and marking of cattle, breaking of horses, and cultivating the little patches of wheat and vegetables which constituted all the farming of that day. Every thing about the house looked deserted, and, seeing a small Indian boy leaning up against a post, I approached him and asked in Spanish, \"Where is the master?\" \"Gone to the Presidio\" (Monterey). \"Is anybody in the house?\" \"No.\" \"Is it locked up?\" \"Yes.\" \"Is no one about who can get in?\" \"No.\" \"Do you have any meat?\" \"No.\" \"Any flour or grain?\" \"No.\" \"Any chickens?\" \"No.\" \"Any eggs?\" \"No.\" \"What do you live on?\" \"\u003ci>Nada\u003c/i>\" (nothing). The utter indifference of this boy and the tone of his \u003ci>\"Nada\"\u003c/i> attracted the attention of Colonel Mason, who had been listening to our conversation, and who knew enough of Spanish to catch the meaning, and he exclaimed with some feeling, \"So we get \u003ci>nada\u003c/i> for breakfast.\" I felt mortified, for I had held out the prospect of a splendid breakfast of meat and \u003ci>tortillas\u003c/i> with rice, chicken, eggs, etc., at the ranch of my friend Jose Antonio, as a justification for taking the Governor, a man of sixty years of age, more than twenty miles at a full canter for his breakfast. But there was no help for it, and we accordingly went a short distance to a pond, where we unpacked our mules and made a slim breakfast on scraps of hard bread and a bone of pork that remained in our \u003ci>alforjas\u003c/i>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/1419127640/kqedorg-20%22\">\u003cstrong>Joe Tilden's Recipes for Epicures\u003c/strong>\u003c/a>\u003cbr>by Major Joseph Tilden (Sequoia Press, 1907)\u003c/p>\n\u003cp>\u003ci>Back when celery was a rare and refined delicacy, displaying its long green stalks in a crystal \u003ca href=\"http://historywired.si.edu/object.cfm?ID=372\">\u003cstrong>celery vase\u003c/strong>\u003c/a> was a mark of high society. The tenderest, palest stalks would appear in a creamy soup. This version comes from the kitchen of San Francisco's self-proclaimed Bohemian and epicurean, Joe Tilden.\u003c/i>\u003c/p>\n\u003cp>\u003cstrong>Celery Soup\u003c/strong>\u003c/p>\n\u003cp>Boil one small cupful of rice in three pints of milk, or two pints of milk and one of cream, until it is tender. Then rub it through a sieve and add one quart of veal stock, salt, cayenne, and three heads of celery (the white stalks only) which have been previously grated. Boil until the celery is tender.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/B000KRV3JK/kqedorg-20\">\u003cstrong>Laughter on the Hill: A San Francisco Interlude\u003c/strong>\u003c/a>\u003cbr>by Margaret Parton (McGraw-Hill, 1945)\u003c/p>\n\u003cp>\u003ci>This slim volume recounts the quintessential San Francisco experience: the ripeness of youth, rebellion amidst soul-searching, parties with poets and much, much red wine. Before she became a reporter and correspondent for the \u003c/i>New York Herald Tribune\u003ci>, Parton lived for a year in a tiny, walk-up on Telegraph Hill.\u003c/i>\u003c/p>\n\u003cp>It was autumn now in San Francisco, and wine-making time on the Hill. As I walked down Union Street toward the streetcar I could smell the purple grapes hanging rich and heavy in the hidden arbors behind the bare white fronts of the Italian flats. Great wooden barrels, scoured for the wine to come, began to appear in front of every doorstep, and one day there was the stained old wine press starting its yearly journey from the houses at the top of the Hill down to the late harvesters at the bottom. Each day as I passed it would be moved a little farther down, its heady smell mingling with the warm air from the basement bakeries, the odors of Provolone, salami, and black olives from the dim Italian groceries, the acid reek of the dark, male-frequented alleys, the salt wind from the Pacific.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/B000OKQFFA/kqedorg-20%22\">\u003cstrong>This is San Francisco: A Classic Portrait of the City\u003c/strong>\u003c/a>\u003cbr>by Robert O'Brien (Whittlesey House, 1948)\u003c/p>\n\u003cp>\u003ci>For catching the City in its many moods, there's no better than Robert O'Brien's street-by-street study. He trained his eyes and ears onto the quirky characters who flocked to the \"City of Second Chances,\" and his book, recently reprinted, remains one of the best portraits we have of the City.\u003c/i>\u003c/p>\n\u003cp>Cross Broadway, and you leave behind the kingdom of \u003ci>chow mein\u003c/i> and \u003ci>jow won ton\u003c/i> and jasmine tea, and enter the realm of ravioli. The vowels you hear now are soft and liquid, and the music is something from \u003ci> La Tosca\u003c/i>.\u003c/p>\n\u003cp>In fact, a step from the corner of Grant Avenue and Broadway is a cafe called \"La Tosca.\" Scenes from the opera are painted on the walls; Caruso sings from the juke box, and you drink a \u003ci>cappuccino\u003c/i>, gray, like the robe of a capuchin monk, and made of chocolate that is laced with brandy or rum, and heated by steam forced through coffee.\u003c/p>\n\u003cp>This is a world of round \u003ci>brovolette\u003c/i> cheeses hanging in store windows, and garlic sausage, and \u003ci>capretti\u003c/i> at Easter time. Of the lovely smells of baking bread coming from ovens beneath the sidewalk, of picturesque and brightly colored family washings on clotheslines strung high over narrow alleys, of flowers in window boxes and canaries singing. Of Tony's Shaving Parlor, and the Panama Canal Tagliarini and Noodle Factory and the Roma Macaroni Factory. Of steep lanes on the side of Telegraph Hill, and fat Italian housewives leaning on the their window sills and laughing in the sunshine, and wiry Italian boys playing ball in the street.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/1558217541/kqedorg-20%22\">\u003cstrong>The Alice B. Toklas Cookbook\u003c/strong>\u003c/a>\u003cbr>by Alice B. Toklas (Harper & Row, 1954)\u003c/p>\n\u003cp>\u003ci>After settling comfortably for years in France, Gertrude Stein and Alice B. Toklas returned to the U.S. for a lecture tour that stretched from New York to California. They weren't impressed with what they ate during much of their journey across the nation but were delighted at last to reach the West Coast. (I've been searching for the \u003c/i>tarte Chambord\u003ci> recipe for years, so if anyone knows how to make it, drop me a line!)\u003c/i>\u003c/p>\n\u003cp>In San Francisco, we indulged in gastronomic orgies--sand dabs \u003ci>meuniere\u003c/i>, rainbow trout in aspic, grilled soft-shell crabs, \u003ci>paupieres\u003c/i> of roast fillets of pork, \u003ca href=\"http://www.vintagerecipes.net/books/manywaysforcookingeggs/eggs_rossini.php\">\u003cstrong>eggs Rossini\u003c/strong>\u003c/a> and \u003ci>tarte Chambord\u003c/i>. The \u003ci>tarte Chambord\u003c/i> had been a specialty of one of the three great French bakers before the San Francisco fire. To my surprise in Paris no one had ever heard of it.\u003c/p>\n\u003cp>At Fisherman's Wharf we waited for two enormous crabs to be cooked in a cauldron on the side-walk, and they were still quite warm when we ate them at lunch in Napa Country. \u003ca href=\"http://www.online-literature.com/gertrude-atherton/\">\u003cstrong>Gertrude Atherton\u003c/strong>\u003c/a> took us to lunch at a restaurant were the menu consisted entirely of the most perfectly cooked shell-fish, to her club where the cooking was incredibly good, and to dinner at a club of writers where conversation excelled.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/0393084221/kqedorg-20\">\u003cstrong>The Silent Traveler in San Francisco\u003c/strong>\u003c/a>\u003cbr>by Chiang Yee (W.W. Norton, 1964)\u003c/p>\n\u003cp>\u003ci>This is one in a long series of books written and illustrated by Yee as he explored cities throughout Europe and the U.S.\u003c/i>\u003c/p>\n\u003cp>The crab-sellers of San Francisco's Fishermen's Wharf offer a sharp contrast to my mind from the lobster-seller in Bar Harbor and all the coastal towns of the State of Maine. There every lobster is kept alive as long as possible and there is no sign of any being cooked on the spot. It is the general belief that a lobster should be eaten straight after being cooked, for it tastes best then. Does not this belief extend to crabs? Or perhaps crabs cannot live out of the sea for long? The most puzzling point for me is that \u003ci>Crabdom\u003c/i> seems to lie in the bottom of the Pacific around the west coast covering San Francisco while \u003ci>Lobsterdom\u003c/i> (if any) is in that part of the Atlantic covering the New England States. The Chinese proverb \"Pai wen pu yu yi chien\" or \"Hearing (about a thing) a hundred times is not better than seeing it once\" proves true. Had I not been in both places I should not have realised the existence of these separate kingdoms. Crabdom and Lobsterdom!\u003c/p>\n\u003cp>...\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Eating a whole freshly-cooked lobster or crab, though some small forks are usually provided, involves some action with the fingers from time to time, which in turns involves \"table manners.\" This brings to my mind many little problems concerning Chinese eating manners....We Chinese have two definite styles of eating: formal eating and eating for pleasure. At a banquet it is all formality and good manners; at other times we just enjoy ourselves, and then there is no question of etiquette. That is why some of the typically Chinese restaurants in San Francisco have a number of partitioned rooms, unlike the modern fashionable restaurant with many tables neatly arranged all together. Within these partitions, one can enjoy a meal with one's friends, and eat as unconventionally as one likes without being criticized. Unfortunately this kind of typical Chinese restaurant with partitioned rooms is beginning to disappear even in San Francisco.\u003c/p>\n\n",
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"description": "This week I scored big. In addition to finishing off a pint of burnt caramel ice cream I found a dusty but still strongly bound first edition of Laughter on the Hill, a book about a young woman who moved to San Francisco alone in the winter of 1940. (Grandmothers, 1955. Courtesy of San Francisco",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This week I scored big. In addition to finishing off a pint of \u003ca href=\"http://biritecreamery.com/\">\u003cstrong>burnt caramel ice cream\u003c/strong>\u003c/a> I found a dusty but still strongly bound first edition of \u003ci>Laughter on the Hill\u003c/i>, a book about a young woman who moved to San Francisco alone in the winter of 1940. \u003c/p>\n\u003cp>\u003ci>(Grandmothers, 1955. Courtesy of \u003ca href=\"http://sfpl.org/news/onlineexhibits/shades/\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003c/i>.\u003c/p>\n\u003cp>For others who have adopted this city as their home, who have looked over the Bay and its bridges with awe, lived in a drafty dump of a flat that's very well stocked with wine, or danced in the streets with strangers, this memoir will also strike a chord. It reminded me of other books that capture a special, specific time in the City's history.\u003c/p>\n\u003cp>For a taste of San Francisco in years past...\u003c/p>\n\u003cp>\u003ca href=\"http://www.perseus.tufts.edu/cgi-bin/ptext?doc=Perseus%3Atext%3A2000.02.0085&layout=&loc=34\">\u003cstrong>Recollections of California: 1846-1881\u003c/strong>\u003c/a>\u003cbr>by General William T. Sherman\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>During the spring of 1848, as reports of gold began transforming the City, young William Tecumseh Sherman was still stationed under General Kearny in California. Later in his life, he remembered accompanying Governor Mason from San Francisco to Santa Cruz on one particularly difficult journey.\u003c/i>\u003c/p>\n\u003cp>The house was of adobe, with a long range of adobe-huts occupied by semi-civilized Indians, who at that time did all the labor of a ranch, the herding and marking of cattle, breaking of horses, and cultivating the little patches of wheat and vegetables which constituted all the farming of that day. Every thing about the house looked deserted, and, seeing a small Indian boy leaning up against a post, I approached him and asked in Spanish, \"Where is the master?\" \"Gone to the Presidio\" (Monterey). \"Is anybody in the house?\" \"No.\" \"Is it locked up?\" \"Yes.\" \"Is no one about who can get in?\" \"No.\" \"Do you have any meat?\" \"No.\" \"Any flour or grain?\" \"No.\" \"Any chickens?\" \"No.\" \"Any eggs?\" \"No.\" \"What do you live on?\" \"\u003ci>Nada\u003c/i>\" (nothing). The utter indifference of this boy and the tone of his \u003ci>\"Nada\"\u003c/i> attracted the attention of Colonel Mason, who had been listening to our conversation, and who knew enough of Spanish to catch the meaning, and he exclaimed with some feeling, \"So we get \u003ci>nada\u003c/i> for breakfast.\" I felt mortified, for I had held out the prospect of a splendid breakfast of meat and \u003ci>tortillas\u003c/i> with rice, chicken, eggs, etc., at the ranch of my friend Jose Antonio, as a justification for taking the Governor, a man of sixty years of age, more than twenty miles at a full canter for his breakfast. But there was no help for it, and we accordingly went a short distance to a pond, where we unpacked our mules and made a slim breakfast on scraps of hard bread and a bone of pork that remained in our \u003ci>alforjas\u003c/i>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/1419127640/kqedorg-20%22\">\u003cstrong>Joe Tilden's Recipes for Epicures\u003c/strong>\u003c/a>\u003cbr>by Major Joseph Tilden (Sequoia Press, 1907)\u003c/p>\n\u003cp>\u003ci>Back when celery was a rare and refined delicacy, displaying its long green stalks in a crystal \u003ca href=\"http://historywired.si.edu/object.cfm?ID=372\">\u003cstrong>celery vase\u003c/strong>\u003c/a> was a mark of high society. The tenderest, palest stalks would appear in a creamy soup. This version comes from the kitchen of San Francisco's self-proclaimed Bohemian and epicurean, Joe Tilden.\u003c/i>\u003c/p>\n\u003cp>\u003cstrong>Celery Soup\u003c/strong>\u003c/p>\n\u003cp>Boil one small cupful of rice in three pints of milk, or two pints of milk and one of cream, until it is tender. Then rub it through a sieve and add one quart of veal stock, salt, cayenne, and three heads of celery (the white stalks only) which have been previously grated. Boil until the celery is tender.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/B000KRV3JK/kqedorg-20\">\u003cstrong>Laughter on the Hill: A San Francisco Interlude\u003c/strong>\u003c/a>\u003cbr>by Margaret Parton (McGraw-Hill, 1945)\u003c/p>\n\u003cp>\u003ci>This slim volume recounts the quintessential San Francisco experience: the ripeness of youth, rebellion amidst soul-searching, parties with poets and much, much red wine. Before she became a reporter and correspondent for the \u003c/i>New York Herald Tribune\u003ci>, Parton lived for a year in a tiny, walk-up on Telegraph Hill.\u003c/i>\u003c/p>\n\u003cp>It was autumn now in San Francisco, and wine-making time on the Hill. As I walked down Union Street toward the streetcar I could smell the purple grapes hanging rich and heavy in the hidden arbors behind the bare white fronts of the Italian flats. Great wooden barrels, scoured for the wine to come, began to appear in front of every doorstep, and one day there was the stained old wine press starting its yearly journey from the houses at the top of the Hill down to the late harvesters at the bottom. Each day as I passed it would be moved a little farther down, its heady smell mingling with the warm air from the basement bakeries, the odors of Provolone, salami, and black olives from the dim Italian groceries, the acid reek of the dark, male-frequented alleys, the salt wind from the Pacific.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/B000OKQFFA/kqedorg-20%22\">\u003cstrong>This is San Francisco: A Classic Portrait of the City\u003c/strong>\u003c/a>\u003cbr>by Robert O'Brien (Whittlesey House, 1948)\u003c/p>\n\u003cp>\u003ci>For catching the City in its many moods, there's no better than Robert O'Brien's street-by-street study. He trained his eyes and ears onto the quirky characters who flocked to the \"City of Second Chances,\" and his book, recently reprinted, remains one of the best portraits we have of the City.\u003c/i>\u003c/p>\n\u003cp>Cross Broadway, and you leave behind the kingdom of \u003ci>chow mein\u003c/i> and \u003ci>jow won ton\u003c/i> and jasmine tea, and enter the realm of ravioli. The vowels you hear now are soft and liquid, and the music is something from \u003ci> La Tosca\u003c/i>.\u003c/p>\n\u003cp>In fact, a step from the corner of Grant Avenue and Broadway is a cafe called \"La Tosca.\" Scenes from the opera are painted on the walls; Caruso sings from the juke box, and you drink a \u003ci>cappuccino\u003c/i>, gray, like the robe of a capuchin monk, and made of chocolate that is laced with brandy or rum, and heated by steam forced through coffee.\u003c/p>\n\u003cp>This is a world of round \u003ci>brovolette\u003c/i> cheeses hanging in store windows, and garlic sausage, and \u003ci>capretti\u003c/i> at Easter time. Of the lovely smells of baking bread coming from ovens beneath the sidewalk, of picturesque and brightly colored family washings on clotheslines strung high over narrow alleys, of flowers in window boxes and canaries singing. Of Tony's Shaving Parlor, and the Panama Canal Tagliarini and Noodle Factory and the Roma Macaroni Factory. Of steep lanes on the side of Telegraph Hill, and fat Italian housewives leaning on the their window sills and laughing in the sunshine, and wiry Italian boys playing ball in the street.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/1558217541/kqedorg-20%22\">\u003cstrong>The Alice B. Toklas Cookbook\u003c/strong>\u003c/a>\u003cbr>by Alice B. Toklas (Harper & Row, 1954)\u003c/p>\n\u003cp>\u003ci>After settling comfortably for years in France, Gertrude Stein and Alice B. Toklas returned to the U.S. for a lecture tour that stretched from New York to California. They weren't impressed with what they ate during much of their journey across the nation but were delighted at last to reach the West Coast. (I've been searching for the \u003c/i>tarte Chambord\u003ci> recipe for years, so if anyone knows how to make it, drop me a line!)\u003c/i>\u003c/p>\n\u003cp>In San Francisco, we indulged in gastronomic orgies--sand dabs \u003ci>meuniere\u003c/i>, rainbow trout in aspic, grilled soft-shell crabs, \u003ci>paupieres\u003c/i> of roast fillets of pork, \u003ca href=\"http://www.vintagerecipes.net/books/manywaysforcookingeggs/eggs_rossini.php\">\u003cstrong>eggs Rossini\u003c/strong>\u003c/a> and \u003ci>tarte Chambord\u003c/i>. The \u003ci>tarte Chambord\u003c/i> had been a specialty of one of the three great French bakers before the San Francisco fire. To my surprise in Paris no one had ever heard of it.\u003c/p>\n\u003cp>At Fisherman's Wharf we waited for two enormous crabs to be cooked in a cauldron on the side-walk, and they were still quite warm when we ate them at lunch in Napa Country. \u003ca href=\"http://www.online-literature.com/gertrude-atherton/\">\u003cstrong>Gertrude Atherton\u003c/strong>\u003c/a> took us to lunch at a restaurant were the menu consisted entirely of the most perfectly cooked shell-fish, to her club where the cooking was incredibly good, and to dinner at a club of writers where conversation excelled.\u003c/p>\n\u003cp>\u003ca href=\"http://www.amazon.com/exec/obidos/ASIN/0393084221/kqedorg-20\">\u003cstrong>The Silent Traveler in San Francisco\u003c/strong>\u003c/a>\u003cbr>by Chiang Yee (W.W. Norton, 1964)\u003c/p>\n\u003cp>\u003ci>This is one in a long series of books written and illustrated by Yee as he explored cities throughout Europe and the U.S.\u003c/i>\u003c/p>\n\u003cp>The crab-sellers of San Francisco's Fishermen's Wharf offer a sharp contrast to my mind from the lobster-seller in Bar Harbor and all the coastal towns of the State of Maine. There every lobster is kept alive as long as possible and there is no sign of any being cooked on the spot. It is the general belief that a lobster should be eaten straight after being cooked, for it tastes best then. Does not this belief extend to crabs? Or perhaps crabs cannot live out of the sea for long? The most puzzling point for me is that \u003ci>Crabdom\u003c/i> seems to lie in the bottom of the Pacific around the west coast covering San Francisco while \u003ci>Lobsterdom\u003c/i> (if any) is in that part of the Atlantic covering the New England States. The Chinese proverb \"Pai wen pu yu yi chien\" or \"Hearing (about a thing) a hundred times is not better than seeing it once\" proves true. Had I not been in both places I should not have realised the existence of these separate kingdoms. Crabdom and Lobsterdom!\u003c/p>\n\u003cp>...\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Eating a whole freshly-cooked lobster or crab, though some small forks are usually provided, involves some action with the fingers from time to time, which in turns involves \"table manners.\" This brings to my mind many little problems concerning Chinese eating manners....We Chinese have two definite styles of eating: formal eating and eating for pleasure. At a banquet it is all formality and good manners; at other times we just enjoy ourselves, and then there is no question of etiquette. That is why some of the typically Chinese restaurants in San Francisco have a number of partitioned rooms, unlike the modern fashionable restaurant with many tables neatly arranged all together. Within these partitions, one can enjoy a meal with one's friends, and eat as unconventionally as one likes without being criticized. Unfortunately this kind of typical Chinese restaurant with partitioned rooms is beginning to disappear even in San Francisco.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "My Nua Favorite Restaurant",
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"content": "\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_ext-791427.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>I have a love/hate relationship with wine bars.\u003c/p>\n\u003cp>On the one hand, I love a good one. Give me a glass of something silky and bold, a plate of nibbles, and a comfy seat where I don't have to read lips to hold a conversation, and I'm as happy as a paparazzo outside the LA courthouse.\u003c/p>\n\u003cp>But these days, the term \"wine bar\" is bandied about so frequently, it's lost its meaning. Too often it's just a marketing ploy to encourage folks to frequent the bar of a restaurant that doesn't have a liquor license.\u003c/p>\n\u003cp>So when \u003ca href=\"http://www.nuasf.com\">\u003cstrong>Nua\u003c/strong>\u003c/a> opened as a restaurant and wine bar, I was suspicious. And rightfully so: though the wine list is long and esoteric, it's more restaurant than wine bar (and they've since dropped the term from their website). But I've forgiven them for hopping on the bandwagon because the food is utterly superb.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Chef Anna Bautista takes her cues from the Mediterranean, hopscotching from Provence to Andalucia to Italy, and the laidback charm those places are famous for has rubbed off on the four-month-old restaurant. On two of our visits, we made a reservation at the last minute -- I'm talking 4:30 pm on Saturday for a 7:30 table that night -- and on the third we changed the time. (Twice. What can I say? I'm indecisive.) Every time they were accommodating, and even sat us early.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_int-707506.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>Nua is clearly cultivating a neighborhood vibe, and when the weather permits, they fling open the front windows accordion-style to better channel the energy of their North Beach surroundings. The comfortable interior is what I'd call retro-modern, with color-blocked orange and cream leather banquettes, and shades of cool blue, orange, and honey-brown throughout. The staff is friendly, they split plates and glasses of wine without being asked if they know you plan to share, and they're knowledgeable about the wine list. On each visit, we enjoyed unfamiliar wines, like a Spanish Crianza from Bierzo to a white wine from Greece. My only quibble with the wine service is that the pours were on the small side our first two visits, but by the third they'd normalized. \u003c/p>\n\u003cp>The food, however, is outstanding, and it's why Nua has become my new favorite restaurant. Each meal began with a small plate of foccacia bread and a pool of golden-green olive oil. The menu is loosely divided into small and large plates so you can go the appetizer-entree route, or graze on a series of small plates (though the waitstaff doesn't explicitly advertise that option). \u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_sardines-737526.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>We ordered the sardines escabeche ($10) twice. Two meaty slabs of fish were arranged on a landscape of crisp Blue Lake green beans, miniature cauliflower florets, sweet pickled shallots, and currants. The sardines tasted light and fresh, and the dish teetered pleasantly between crisp and soft, tart and sweet, surf and earth. \u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_cauli-758730.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>We also ordered the side of roasted cauliflower with capers, pine nuts, and parsley ($5) each time. If you aren't a cauliflower fan, a bowl of this will change your mind. Roasting caramelizes and crisps up the tiny white florets, and the zesty dressing of olive oil, capers, and parsley makes them positively addictive.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_salad-717581.jpg\" border=\"0\" alt=\"\"> \u003c/p>\n\u003cp>Initially I balked at ordering the endive salad with white peaches, blue cheese, and hazelnuts ($9); it just sounded humdrum. But one bite changed my mind. The peaches were Platonic examples of their species -- sweet, juicy, floral, and full-flavored. There was just enough champagne-tarragon vinaigrette to match the bracing blue cheese and bitter endive.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_piquillo-782377.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>The piquillo peppers ($9) we ordered on visit two were stuffed with a whipped salt cod and potato brandade, flash-fried, and served with a sauce of garlic, shallots, and parsley as well as some frilly frisee fronds. They were good, but they didn't get my tail wagging as much as other things did. \u003c/p>\n\u003cp>The Parisian herbed gnocchi ($14) melted in my mouth, and the baby artichokes and mushrooms created an earthy stew around them. The best part about the gambas al ajillo ($11) weren't the plump shrimp, but the fiery broth they were bathed in. When the prawns were gone, I used the foccacia fingers to soak up the robust juices. \u003c/p>\n\u003cp>Housemade merquez sausage offset with a cucumber, fennel, and tomato salad ($13) tempted us on the first visit, and I loved the contrast of hot and cold layered within the dish. But the veal and pork albondigas ($8) may have edged it out as my favorite meat dish. The meatballs were soft but held their shape, and the flavor was so clean and subtle that I could almost taste the milk fed to the little calf. The almond bread sauce was a revelation -- no tomato to strongarm the delicate morsels.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_albondigas-739397.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>Like the small plates, entrees are lighter than they are heavy, and bursting with flavor. A recent seafood risotto with corn ($20) tasted of summer, while the quail\u003cbr>was accented with a plucky plum sauce and crisp green beans. Though portions were generous, neither left us feeling like we'd overeaten.\u003c/p>\n\u003cp>The blueberry fromage blanc tart ($7.50) was a light, fresh way to end the meal, but it was the butterscotch pot de creme ($7.50) we found ourselves oohing and aahing over time after time. Unlike its beloved Zuni cousin, this is a plain pot de creme, flecked with vanilla and covered in a layer of rich, supple butterscotch sauce. The creaminess of the custard is the perfect canvas for sweet butterscotch, though they ought to think carefully about the cookies served alongside. The almond cookie complimented the butterscotch beautifully, but the rich chocolate brownie battled the sweeter pot de creme all the way.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_pot-798099.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>At Nua, the food isn't flagrantly experimental, but it is flawless. The wine list is full of surprises, the staff is easy-going, and the atmosphere is pleasant. No matter what you call it, that's my favorite kind of place. \u003c/p>\n\u003cp>\u003cem>Note: This review was based on 3 anonymous visits.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nua\u003cbr>550 Green Street at Columbus\u003cbr>San Francisco\u003cbr>(415) 433-4000\u003cbr>Open 7 nights a week\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_ext-791427.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>I have a love/hate relationship with wine bars.\u003c/p>\n\u003cp>On the one hand, I love a good one. Give me a glass of something silky and bold, a plate of nibbles, and a comfy seat where I don't have to read lips to hold a conversation, and I'm as happy as a paparazzo outside the LA courthouse.\u003c/p>\n\u003cp>But these days, the term \"wine bar\" is bandied about so frequently, it's lost its meaning. Too often it's just a marketing ploy to encourage folks to frequent the bar of a restaurant that doesn't have a liquor license.\u003c/p>\n\u003cp>So when \u003ca href=\"http://www.nuasf.com\">\u003cstrong>Nua\u003c/strong>\u003c/a> opened as a restaurant and wine bar, I was suspicious. And rightfully so: though the wine list is long and esoteric, it's more restaurant than wine bar (and they've since dropped the term from their website). But I've forgiven them for hopping on the bandwagon because the food is utterly superb.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Chef Anna Bautista takes her cues from the Mediterranean, hopscotching from Provence to Andalucia to Italy, and the laidback charm those places are famous for has rubbed off on the four-month-old restaurant. On two of our visits, we made a reservation at the last minute -- I'm talking 4:30 pm on Saturday for a 7:30 table that night -- and on the third we changed the time. (Twice. What can I say? I'm indecisive.) Every time they were accommodating, and even sat us early.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_int-707506.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>Nua is clearly cultivating a neighborhood vibe, and when the weather permits, they fling open the front windows accordion-style to better channel the energy of their North Beach surroundings. The comfortable interior is what I'd call retro-modern, with color-blocked orange and cream leather banquettes, and shades of cool blue, orange, and honey-brown throughout. The staff is friendly, they split plates and glasses of wine without being asked if they know you plan to share, and they're knowledgeable about the wine list. On each visit, we enjoyed unfamiliar wines, like a Spanish Crianza from Bierzo to a white wine from Greece. My only quibble with the wine service is that the pours were on the small side our first two visits, but by the third they'd normalized. \u003c/p>\n\u003cp>The food, however, is outstanding, and it's why Nua has become my new favorite restaurant. Each meal began with a small plate of foccacia bread and a pool of golden-green olive oil. The menu is loosely divided into small and large plates so you can go the appetizer-entree route, or graze on a series of small plates (though the waitstaff doesn't explicitly advertise that option). \u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_sardines-737526.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>We ordered the sardines escabeche ($10) twice. Two meaty slabs of fish were arranged on a landscape of crisp Blue Lake green beans, miniature cauliflower florets, sweet pickled shallots, and currants. The sardines tasted light and fresh, and the dish teetered pleasantly between crisp and soft, tart and sweet, surf and earth. \u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_cauli-758730.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>We also ordered the side of roasted cauliflower with capers, pine nuts, and parsley ($5) each time. If you aren't a cauliflower fan, a bowl of this will change your mind. Roasting caramelizes and crisps up the tiny white florets, and the zesty dressing of olive oil, capers, and parsley makes them positively addictive.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_salad-717581.jpg\" border=\"0\" alt=\"\"> \u003c/p>\n\u003cp>Initially I balked at ordering the endive salad with white peaches, blue cheese, and hazelnuts ($9); it just sounded humdrum. But one bite changed my mind. The peaches were Platonic examples of their species -- sweet, juicy, floral, and full-flavored. There was just enough champagne-tarragon vinaigrette to match the bracing blue cheese and bitter endive.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_piquillo-782377.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>The piquillo peppers ($9) we ordered on visit two were stuffed with a whipped salt cod and potato brandade, flash-fried, and served with a sauce of garlic, shallots, and parsley as well as some frilly frisee fronds. They were good, but they didn't get my tail wagging as much as other things did. \u003c/p>\n\u003cp>The Parisian herbed gnocchi ($14) melted in my mouth, and the baby artichokes and mushrooms created an earthy stew around them. The best part about the gambas al ajillo ($11) weren't the plump shrimp, but the fiery broth they were bathed in. When the prawns were gone, I used the foccacia fingers to soak up the robust juices. \u003c/p>\n\u003cp>Housemade merquez sausage offset with a cucumber, fennel, and tomato salad ($13) tempted us on the first visit, and I loved the contrast of hot and cold layered within the dish. But the veal and pork albondigas ($8) may have edged it out as my favorite meat dish. The meatballs were soft but held their shape, and the flavor was so clean and subtle that I could almost taste the milk fed to the little calf. The almond bread sauce was a revelation -- no tomato to strongarm the delicate morsels.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_albondigas-739397.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>Like the small plates, entrees are lighter than they are heavy, and bursting with flavor. A recent seafood risotto with corn ($20) tasted of summer, while the quail\u003cbr>was accented with a plucky plum sauce and crisp green beans. Though portions were generous, neither left us feeling like we'd overeaten.\u003c/p>\n\u003cp>The blueberry fromage blanc tart ($7.50) was a light, fresh way to end the meal, but it was the butterscotch pot de creme ($7.50) we found ourselves oohing and aahing over time after time. Unlike its beloved Zuni cousin, this is a plain pot de creme, flecked with vanilla and covered in a layer of rich, supple butterscotch sauce. The creaminess of the custard is the perfect canvas for sweet butterscotch, though they ought to think carefully about the cookies served alongside. The almond cookie complimented the butterscotch beautifully, but the rich chocolate brownie battled the sweeter pot de creme all the way.\u003c/p>\n\u003cp>\u003cimg src=\"http://www.kqed.org/weblog/food/uploaded_images/nua_pot-798099.jpg\" border=\"0\" alt=\"\">\u003c/p>\n\u003cp>At Nua, the food isn't flagrantly experimental, but it is flawless. The wine list is full of surprises, the staff is easy-going, and the atmosphere is pleasant. No matter what you call it, that's my favorite kind of place. \u003c/p>\n\u003cp>\u003cem>Note: This review was based on 3 anonymous visits.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Nua\u003cbr>550 Green Street at Columbus\u003cbr>San Francisco\u003cbr>(415) 433-4000\u003cbr>Open 7 nights a week\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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