Oakland Filmmaker Boots Riley on Hollywood Strikes ‘Radicalizing’ Creative Class
Striking Actors Take to the Internet to Show Off Their Paltry Residual Checks
Abbi Jacobson Is Auctioning Off Her Blue ‘Broad City’ Dress to Benefit Striking Writers
Not Coming to a Screen Near You – Viewers Will Soon Feel Effects of the Writers Strike
Hollywood Writers Begin Strike, Late-Night Shows Go Dark
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"content": "\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>\u003cspan style=\"font-weight: 400\">View the full episode transcript.\u003c/span>\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Filmmaker Boots Riley has a knack for being in the middle of major events– local, national or worldwide. Hell, he’s even tapped into the future. As we begin a new year, who better to talk to?\u003c/p>\n\u003cp>In 2023\u003ca href=\"https://www.instagram.com/bootsriley/?hl=en\" target=\"_blank\" rel=\"noopener\"> Boots Riley\u003c/a> released \u003ca href=\"https://www.imdb.com/title/tt13649510/\" target=\"_blank\" rel=\"noopener\">\u003cem>I’m a Virgo\u003c/em>\u003c/a>, a seven-part television miniseries centered on the tale of a 13-foot tall Black man from Oakland. The main character, Cootie, is rudely awakened to the ways of the world, and its perception of him.\u003c/p>\n\u003cp>Behind the scenes in Hollywood,\u003ca href=\"https://www.kqed.org/arts/13933709/boots-riley-hollywood-strikes\" target=\"_blank\" rel=\"noopener\"> Boots stood alongside Writers Guild of America union members\u003c/a> as they took to the picket lines protesting for better wages and job security, amongst other things.\u003c/p>\n\u003cp>Back home in Oakland, Boots has been working with local filmmakers to develop a hub for people interested in learning more about the industry, it’s called \u003ca href=\"https://cinemamafilm.com/\" target=\"_blank\" rel=\"noopener\">Cinemama\u003c/a>. But his community work didn’t stop there, as \u003ca href=\"https://twitter.com/BootsRiley/status/1706484617757565138?s=20\" target=\"_blank\" rel=\"noopener\">Boots also pounded the pavement\u003c/a> in an effort to separate the truth from the falsehoods around the supposed connections between crime and the closure of local businesses. And then he got online to provide \u003ca href=\"https://www.instagram.com/p/Cxdu9v8vb6e/?img_index=5\" target=\"_blank\" rel=\"noopener\">some clarity on the Town’s “crime wave.”\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13939981\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13939981\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-800x535.jpg\" alt=\"Boots Riley wears a signature hat and holds a mic as he stands on stage at the Oakland Museum of California during an event honoring the 50th anniversary of hip-hop.\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-1536x1027.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy.jpg 1616w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Boots Riley wears a signature hat and holds a mic as he stands on stage at the Oakland Museum of California during an event honoring the 50th anniversary of hip-hop. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On August 11th of last year, Boots was honored for his work as the lead MC for the hip-hop collective \u003ca href=\"https://thisisthecoup.com/\">The Coup\u003c/a> during a celebration for hip-hop’s 50th birthday. And a few weeks later, Boots and a number of people who identify as Jewish took to Oakland’s federal building \u003ca href=\"https://oaklandside.org/2023/11/14/jewish-protest-oakland-ceasefire-gaza/\" target=\"_blank\" rel=\"noopener\">in protest of the Israel Defense Forces indiscriminate bombing of civilians in Gaza.\u003c/a>\u003c/p>\n\u003cp>From global issues to community conflicts, Boots has had a foot in a number of the major current events of the past year, and he says he’s not done yet. So we’re kicking off 2024 by talking to someone who has their finger on the pulse of the culture, and a hand in directing the future.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC3657928300&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, host:\u003c/b>\u003cspan style=\"font-weight: 400\"> Open the door 2024, let’s get it started, man! Happy new year, ya’ll! Hope you all are well, and warm. Many blessings on this new campaign. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Welcome to Rightnowish, I’m your host Pendarvis Harshaw. We’re getting this year started by talking to someone who had a wild 2023.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Last year, Oakland filmmaker, organizer and MC, Boots Riley got active! He created a sci-fi show called \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">I’m A Virgo\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. It’s about a 13-foot tall Black man from East Oakland. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And behind the scenes, Boots stood alongside members of the Writers Guild of America as they protested for major changes that’ll benefit the work that they do. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Boots \u003c/span>\u003cspan style=\"font-weight: 400\">also\u003c/span>\u003cspan style=\"font-weight: 400\"> talked to business owners in Oakland about commerce, violence and how it’s all being portrayed in the media. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">This week, we discuss community, the art of storytelling, and some of the more oppressive elements in our society– in the unique way that only Boots can:\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Boots Riley,\u003c/strong> in clip: uh, what do you call a bass player without a girlfriend?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Pendarvis Harshaw:\u003c/strong> uhh…I don’t\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Boots:\u003c/strong> Homeless!\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Pendarvis Harshaw:\u003c/strong> [Laughs]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Boots Riley:\u003c/strong> And that’s because there’s some truth in that!\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Pendarvis Harshaw:\u003c/strong> Comin’ in hot, right after this. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">So in 2023, you dropped this magnificent series, \u003cem>I’m A Virgo,\u003c/em> a show about a 13 foot Black man from Oakland and how society responded to him. It’s been a few months… The first thing that jumped out at me from watching the series is symbolism. And I’m wondering, did your symbolism ever go over people’s heads?\u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Boots Riley, guest: \u003c/b>\u003cspan style=\"font-weight: 400\">The symbolism that I use is pretty overt. It’s pretty like, you know, hits you in the head. Critiques I see is like, “that was too much or this was…” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You know I, I try to make art that’s a little unsettling at times, right? That can even be repulsive a little bit so that, you know, I want to bring you into a world and then push you back a little to where you like, “whoa, what’s going on?” Hopefully, I’m not- I don’t push you back too far to where you don’t re-engage. But to me, um, that is part of like, the art being more honest where you know it’s a piece of art and it is not just the world as it is.\u003c/span>\u003cb>\u003c/b>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That makes sense that’s the purpose of art, of education, of entertainment, is to take people out of their world, expose them to something that would then drop them back off, but, new enlightened with a new kind of mind frame. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I experienced that in watching \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">I’m a Virgo\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, you know, where I’m familiar with stories of giants from ancient times but I had never conceived of a giant in the neighborhood where I spent time growing up, the Dubs. And being like “oh wait, hold on, mind blown!” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so that was that was an example of the symbolism that I saw. I guess in some ways we were kind of giants because of how society treated us… like we were weird. You know, like, we stood out in the crowds, if you will. Did you have any personal experiences that inform the show or the characters in it?\u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">I think that’s the only way to be an artist is if your personal life influences it. So, when I write like every character is me, but me with certain parameters, like I’d been through these experiences, you know, it’s a way that that I can make the characters more human, right? So… or every character is a piece of me.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That makes perfect sense, it’s all coming from your mind, so yeah, it has to be you that pours into it\u003c/span>\u003cb>.\u003c/b>\u003cspan style=\"font-weight: 400\"> And you pour heavily into the Oakland bucket in this series. And there’s references both to the Dubs as I mentioned as well as the Lower Bottoms, there’s sideshows, there’s music. There’s people who even remind me of folks from the Town. How has the community received this series?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">Having something so specifically about Oakland, not only, you know, is something that [stutter] people from Oakland feel excited about, but even if someone’s not from Oakland or has never been, it makes it feel more fantastical, actually, because you have some real things to ground it and so everything else feels more special.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Audio from I’m A Virgo Clip\u003c/b>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[door creaking open]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dad: What the hell is wrong with you coming in…? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mom: Shh– What are you thinking? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: What? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mom: What do you mean, what?! \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: It’s a word attempting to specifically locate the object of one’s inquiry. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dad: Boy, I wish I was eight foot taller. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mom: Have you been listening to me? Have I been wasting my breath? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: You can’t waste or save it because it comes out either way. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dad: Man, this dude is crazy.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mom: You do not appreciate what we put aside to keep you safe, to keep you fed, to become the man that you are! I gave up- \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: What, Bing Bang burgers? hmm? Ya’ll used to eat bing bang burgers! \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dad: Yes, I did. I did eat Bing Bang burgers. But I stopped. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: Okay. How about subwoofers then, huh? You guys always play music from these tiny little speakers so you basically kept one of the greatest inventions from me! It moves through your body like, like waves, okay and it sings to your bones! And you can feel the ground and the sky at the same time! As if, as if, as if you’re the thing that’s keeping it together, you know? I’m 19! And I heard bass for the first time? That’s abuse! \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The surrealism definitely makes you feel detached from the experience of being in Oakland. You know like, I could say that, ‘That would never really happen.’ And also the things that really are reference points are like, okay, I know what he’s going for. I know what this is a reference to. And so that’s the balance. Is that intentional?\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">I always say, I think the more specific you are, the more universal you are… Often the way film is made these days, because it’s kind of done on a production line sort of thing, everything is any-place-USA. Okay, they’re supposed to be in Ohio, but they’re filming in Vancouver… And everything becomes devoid of the specificity.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Beyond the work that you’ve done that’s flourished on the screen you’ve been heavily involved with work happening behind the scenes. 2023 saw a number of major labor movements. One of them, more notable ones, was in Hollywood, the writers strike. I wanted to know your perspective on what the agreement from the writers strike. What do you think came out of the writers strike in the agreement?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Boots Riley:\u003c/b>\u003cspan style=\"font-weight: 400\"> There were significant gains made around AI and things that they didn’t think we could get, that people said we couldn’t get. There were gains made around residuals, around streaming, significant gains that we wouldn’t have gotten at all without a strike.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">One of the wins was, uh, what we talk about as “transparency.“\u003c/span> \u003cspan style=\"font-weight: 400\">At first it was with reruns. We keep playing your thing, more people see it. and they’re making more money with it. So you get more, you get more back end. With streaming they’re making more money than they did the other way and they’re also having to pay out much less. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And\u003c/span> \u003cspan style=\"font-weight: 400\">so the idea was like, hey, if you have a TV show or a movie that a lot of people are watching, you should get something extra on top of that. But there was never a way because they never told anybody those numbers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">What was won on the WGA side was the idea that they will share the numbers with WGA representatives who will then collect fees for the writers based on that and distribute it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The other unprecedented things: demanding the amount of people employed on a show. So they, we have these “writers room minimums” you know, is like saying you’ve got to hire at least this many people at this level. That sort of thinking is one where it’s saying like, ‘You’re making all this money. Share it more with us. Make this a safer job to have,’ you know, financially safer job to have by employing more people.\u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cspan style=\"font-weight: 400\">The strikes happening in Hollywood have been part of this movement of the working class, moving to the left and becoming more militant and more radical in many areas.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> The folks that are making more and don’t really need the strike, in case of the writers and showrunners and the big stars with SAG, some of the big directors. They’re striking on behalf of the folks that are at the bottom rungs. Right? And there’s a radical solidarity that’s happening in those cases.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Similarly, we see those things happening with stuff like the UPS strike where they were all willing to go on strike: the full timers were going on… they were going to go on strike on behalf of the part timers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I think, those are the things that people are gleaning that people sticking together, you know, even when they feel like, ‘okay, this is not necessarily benefiting me as much directly right now.’ They understand that that strength grows and benefits them in more significant ways… later.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">At the intersection of entertainment and economic justice in Oakland, you’re doing work with an org called “\u003c/span>\u003ca href=\"https://cinemamafilm.com/\">\u003cspan style=\"font-weight: 400\">Cinemama\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.” Can you tell us about the organization and what the big goal is?\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">There are there are some filmmakers from around the Bay Area. And we started talking about how a lot of filmmakers will be in the Bay Area working in their cubbyholes and not knowing each other are around and end up moving to L.A. because they think that there’s more opportunities for them there.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Another reason that people move from here that are artists or are filmmakers is because the rent is so damn high. So there’s a couple of things. One, we want to create \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">actual\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> spaces for filmmakers in the East Bay, specifically in Oakland, to be able to work together if they need if they want to meet each other, show their work, and also develop themselves.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’re working to get a screening room and connect it with a social space of some kind, whether that’s a cafe or bar or something like that, and have these spaces, but to also advocate for things that will make there be able to be more space for people to be artists.\u003c/span> \u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">All those actions are stimulating the artistic community, like clear across the board, and as well as like, stimulating the economy…I know that Oakland as a whole has been on your radar. The work that you do, we both work in the community. There’s been- long been an issue of violence, I put “violence” in air quotes. And I make like a horizontal sign because in my mind, violence is horizontal. It’s not just the violent act. It’s also the things that put people in position to take acts. And I was following some work that you were doing, where you were looking at this rise of “violence” in Oakland and how it’s been communicated in the media. And I’m wondering from your perspective, how can you combat both the misinformation and the violence?\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">When you look at \u003c/span>\u003ca href=\"https://stacks.cdc.gov/view/cdc/12871\">\u003cspan style=\"font-weight: 400\">CDC statistics of homicides, 1950,\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> “Black on Black murder” was 50% more than it was around these ages at times. It went up steadily till the year 1970 where it was 75% more than it is in these days. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Since then, there’s been this bumpy road down. It’s gone up and down, but it’s been the more- the curve of it has been down. Times when violence has gone down, it’s been because pay has gone up. It’s been because of of all these things that you might call “social justice,” quality of life, where people don’t have to hustle as much.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When the quarantine happened, many people, including myself, called out that if you have a quarantine, you have people not being able to work and not getting paid. People are going to have to get money from somewhere.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So if you wanted to reduce the violence, you have a bigger shot at reducing violence by supporting, uh, supporting labor movements that are striking to raise wages, and striking, as WGA did, to expand hiring.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Fed to other financial gurus recommended recently that there be a \u003c/span>\u003cspan style=\"font-weight: 400\">5% lay off to raise unemployment \u003c/span>\u003cspan style=\"font-weight: 400\">because the raise in unemployment causes a desperation in which people will accept lower pay. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They say this out in the open. It sounds crazy. They say this and they did it, they did it: 5% across a whole bunch of industries after these recommendations came down.\u003c/span> \u003cspan style=\"font-weight: 400\">Now, that desperation that causes people to accept lower pay is a desperation that will also cause them to be like, ‘I can steal a laptop.’ \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Also, there’s an organization called \u003c/span>\u003ca href=\"https://www.neighborstogetheroakland.org/\">\u003cspan style=\"font-weight: 400\">Neighbors Together Oakland\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, putting out this idea that the crime rate has risen. \u003c/span>\u003ca href=\"https://www.cbsnews.com/sanfrancisco/news/despite-neighborhood-spikes-violent-crime-oakland-decline/\">\u003cspan style=\"font-weight: 400\"> It’s gone down for two years since 2021\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, apparently, and it only went up for a couple of years before that.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It is funded by a woman who is heir to the Bay Alarm Company who’s also a major real estate developer. \u003c/span>\u003cb> \u003c/b>\u003cspan style=\"font-weight: 400\">So the same group that is calling, that is saying we need more police because there’s higher crime are also the ones who lobby to end the eviction moratorium, kicking families out onto the street. They’re also the same ones who are complaining that homeless people are in Oakland and trying to get them swept off of Wood Street!\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So, you have a real estate developer and an alarm company heiress who funds a neighborhood organization to kick people out onto the street, say there shouldn’t be homeless here, say that there’s too much crime and everybody should be locked up because all of these things benefit further gentrifying Oakland. And they benefit a narrative that says poverty is only coming from these choices people are making. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You went on a bit of investigative reporting spree, in the summer of 2023. The connections that you just pointed out, is that some of which stumbled across when you were looking at businesses that were saying that they were going on strike because of the ‘rise in crime?’\u003c/span>\u003c/p>\n\u003cp>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s a whole even separate thing but yes, when a group, I forget the name of the group, said that… \u003c/span>\u003ca href=\"https://www.ktvu.com/news/more-than-200-oakland-businesses-plan-to-strike-on-tuesday-demand-public-safety-resources?taid=650e6930a284870001102f81&utm_campaign=trueanthem&utm_medium=trueanthem&utm_source=twitter\">\u003cspan style=\"font-weight: 400\">that businesses in Oakland were going on strike.\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">First they started claiming that Oakland businesses were shutting down because of crime. There’s been no proof that more businesses have shut down at a faster rate than they have ever been shutting down. Restaurants open and they shut down. That’s just how things happen.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You have folks like Target who opened up these experimental things to compete with CVS, and they were small things, they didn’t work and they didn’t work across the country and they shut them down. But here’s the thing is, they’ve been used as political fodder.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Somebody, you know, shutting down will be like, ‘Oh, my business didn’t work because people didn’t come to it. And I think it’s ‘cause of crime in Oakland.’ That’s not a fact. That’s just them saying that.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Anyway, so they started saying, okay, these businesses are going on a 1 day strike against the crime, the rising in “crime” in Oakland. They kept saying 200 businesses, 200 businesses, and they wouldn’t say which businesses. And the couple of businesses, they said, at first, weren’t going on strike. And then one of them said they were going to open up two hours later in response to that. Another one that said that they were going on strike, they never were open on that day of the week anyway.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So then there was a… I don’t remember what publication but they, they showed a list of, uh, of businesses that were provided by this group saying they were all going on strike and I just called them up. And, you know, uh, all except for one had said either they didn’t- had never heard of it or they had never heard of it, they weren’t going on strike and they were mad that their name was being used for that.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://oaklandside.org/2023/09/27/strike-oakland-business-closure-protest/\">\u003cspan style=\"font-weight: 400\">It was fake!\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> But so it goes along with this this narrative and there’s very \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">little\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> journalism being done against the narrative. So, so much of the narrative about crime is ‘whatever the police say’ is said as fact, like as if they have no motivations that are political. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Journalists should qualify that this is what the police are saying and put that in context of everything else that’s going on. We know… way more than enough about the history of police and specifically the history of the Oakland Police Department, themselves. So much so, that I actually… people think of me as fearless but I’m afraid of saying some of this stuff because some people get killed!\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003cbr>\n\u003c/b> \u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">We’ve touched on a number of things, like everything from economic disparities to entertainment, mass organizing, misinformation. I’m thinking about 2024 and what’s to come everything from: it’s an election year to multiple wars going on overseas. I’ll ask you this: Is there anything that you’re specifically looking forward to in 2024, as it relates to your work?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Boots Riley:\u003c/b>\u003cspan style=\"font-weight: 400\"> I’m really hopeful about this strike wave that’s happening. A lot of the strike wave has been from places that were otherwise unorganized. They didn’t have a union. And often people organizing without the help of any traditional union and sometimes joining the traditional unions, sometimes joining less traditional unions. But that is also making the larger traditional unions more militant. And radicals that are inside of those places kind of coming to the fore. And so there’s a lot of possibility.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You know\u003c/span>\u003cb>, \u003c/b>\u003cspan style=\"font-weight: 400\">average everyday people saying, ‘well, can you really do something? You know, like, is that possible?’ And the truth is that if you can organize and shut an industry down, you can demand all sorts of things and get get it because you’re making them choose between no profit and less profit. \u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003ch2>\u003cb style=\"font-size: 16px\">\u003cspan style=\"font-weight: 400\">\u003cstrong>Pendarvis Harshaw:\u003c/strong> Boots! Thank you, you clearly are a busy guy, thank you for taking time to talk. Good luck in the new year, and we are looking forward to the next production!\u003c/span>\u003c/b>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Boots Riley:\u003c/strong> I’ll be shooting another movie in March. I’ll just say this: it’s about a group of professional shoplifters who find a device called the “situational accelerator.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">For all of you listening out there, do yourself a favor and follow Boots on social media, you can find him on any platform under his name Boots Riley, and Riley is spelled R-I-L-E-Y. And check out his films and his music too!\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was produced by Marisol Medina-Cadena \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Chris Hambrick is our editor.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sheree Bishop is our production intern. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Christopher Beale is our engineer.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Additional support provided by Jen Chien, Katie Sprenger, Cesar Saldaña, Ugur Dursun, and Holly Kernan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We, at the Rightnowish team, are looking forward to bringing you some dope stories this year. And all that we ask in return is that you drop a comment, rate the show, tell a friend or share an episode with a colleague! Thank you in advance. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish is a KQED Production.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Until next time, peace.\u003c/span>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]=\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>\u003cspan style=\"font-weight: 400\">View the full episode transcript.\u003c/span>\u003c/i>\u003c/a>\u003c/p>\n\u003cp>Filmmaker Boots Riley has a knack for being in the middle of major events– local, national or worldwide. Hell, he’s even tapped into the future. As we begin a new year, who better to talk to?\u003c/p>\n\u003cp>In 2023\u003ca href=\"https://www.instagram.com/bootsriley/?hl=en\" target=\"_blank\" rel=\"noopener\"> Boots Riley\u003c/a> released \u003ca href=\"https://www.imdb.com/title/tt13649510/\" target=\"_blank\" rel=\"noopener\">\u003cem>I’m a Virgo\u003c/em>\u003c/a>, a seven-part television miniseries centered on the tale of a 13-foot tall Black man from Oakland. The main character, Cootie, is rudely awakened to the ways of the world, and its perception of him.\u003c/p>\n\u003cp>Behind the scenes in Hollywood,\u003ca href=\"https://www.kqed.org/arts/13933709/boots-riley-hollywood-strikes\" target=\"_blank\" rel=\"noopener\"> Boots stood alongside Writers Guild of America union members\u003c/a> as they took to the picket lines protesting for better wages and job security, amongst other things.\u003c/p>\n\u003cp>Back home in Oakland, Boots has been working with local filmmakers to develop a hub for people interested in learning more about the industry, it’s called \u003ca href=\"https://cinemamafilm.com/\" target=\"_blank\" rel=\"noopener\">Cinemama\u003c/a>. But his community work didn’t stop there, as \u003ca href=\"https://twitter.com/BootsRiley/status/1706484617757565138?s=20\" target=\"_blank\" rel=\"noopener\">Boots also pounded the pavement\u003c/a> in an effort to separate the truth from the falsehoods around the supposed connections between crime and the closure of local businesses. And then he got online to provide \u003ca href=\"https://www.instagram.com/p/Cxdu9v8vb6e/?img_index=5\" target=\"_blank\" rel=\"noopener\">some clarity on the Town’s “crime wave.”\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13939981\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13939981\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-800x535.jpg\" alt=\"Boots Riley wears a signature hat and holds a mic as he stands on stage at the Oakland Museum of California during an event honoring the 50th anniversary of hip-hop.\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy-1536x1027.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/dsc06742-copy.jpg 1616w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Boots Riley wears a signature hat and holds a mic as he stands on stage at the Oakland Museum of California during an event honoring the 50th anniversary of hip-hop. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On August 11th of last year, Boots was honored for his work as the lead MC for the hip-hop collective \u003ca href=\"https://thisisthecoup.com/\">The Coup\u003c/a> during a celebration for hip-hop’s 50th birthday. And a few weeks later, Boots and a number of people who identify as Jewish took to Oakland’s federal building \u003ca href=\"https://oaklandside.org/2023/11/14/jewish-protest-oakland-ceasefire-gaza/\" target=\"_blank\" rel=\"noopener\">in protest of the Israel Defense Forces indiscriminate bombing of civilians in Gaza.\u003c/a>\u003c/p>\n\u003cp>From global issues to community conflicts, Boots has had a foot in a number of the major current events of the past year, and he says he’s not done yet. So we’re kicking off 2024 by talking to someone who has their finger on the pulse of the culture, and a hand in directing the future.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC3657928300&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/div>",
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"content": "\u003cdiv class=\"post-content post-body\">\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw, host:\u003c/b>\u003cspan style=\"font-weight: 400\"> Open the door 2024, let’s get it started, man! Happy new year, ya’ll! Hope you all are well, and warm. Many blessings on this new campaign. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Welcome to Rightnowish, I’m your host Pendarvis Harshaw. We’re getting this year started by talking to someone who had a wild 2023.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Last year, Oakland filmmaker, organizer and MC, Boots Riley got active! He created a sci-fi show called \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">I’m A Virgo\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. It’s about a 13-foot tall Black man from East Oakland. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And behind the scenes, Boots stood alongside members of the Writers Guild of America as they protested for major changes that’ll benefit the work that they do. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Boots \u003c/span>\u003cspan style=\"font-weight: 400\">also\u003c/span>\u003cspan style=\"font-weight: 400\"> talked to business owners in Oakland about commerce, violence and how it’s all being portrayed in the media. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">This week, we discuss community, the art of storytelling, and some of the more oppressive elements in our society– in the unique way that only Boots can:\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Boots Riley,\u003c/strong> in clip: uh, what do you call a bass player without a girlfriend?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Pendarvis Harshaw:\u003c/strong> uhh…I don’t\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Boots:\u003c/strong> Homeless!\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Pendarvis Harshaw:\u003c/strong> [Laughs]\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Boots Riley:\u003c/strong> And that’s because there’s some truth in that!\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Pendarvis Harshaw:\u003c/strong> Comin’ in hot, right after this. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">So in 2023, you dropped this magnificent series, \u003cem>I’m A Virgo,\u003c/em> a show about a 13 foot Black man from Oakland and how society responded to him. It’s been a few months… The first thing that jumped out at me from watching the series is symbolism. And I’m wondering, did your symbolism ever go over people’s heads?\u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Boots Riley, guest: \u003c/b>\u003cspan style=\"font-weight: 400\">The symbolism that I use is pretty overt. It’s pretty like, you know, hits you in the head. Critiques I see is like, “that was too much or this was…” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You know I, I try to make art that’s a little unsettling at times, right? That can even be repulsive a little bit so that, you know, I want to bring you into a world and then push you back a little to where you like, “whoa, what’s going on?” Hopefully, I’m not- I don’t push you back too far to where you don’t re-engage. But to me, um, that is part of like, the art being more honest where you know it’s a piece of art and it is not just the world as it is.\u003c/span>\u003cb>\u003c/b>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That makes sense that’s the purpose of art, of education, of entertainment, is to take people out of their world, expose them to something that would then drop them back off, but, new enlightened with a new kind of mind frame. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I experienced that in watching \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">I’m a Virgo\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, you know, where I’m familiar with stories of giants from ancient times but I had never conceived of a giant in the neighborhood where I spent time growing up, the Dubs. And being like “oh wait, hold on, mind blown!” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And so that was that was an example of the symbolism that I saw. I guess in some ways we were kind of giants because of how society treated us… like we were weird. You know, like, we stood out in the crowds, if you will. Did you have any personal experiences that inform the show or the characters in it?\u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">I think that’s the only way to be an artist is if your personal life influences it. So, when I write like every character is me, but me with certain parameters, like I’d been through these experiences, you know, it’s a way that that I can make the characters more human, right? So… or every character is a piece of me.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">That makes perfect sense, it’s all coming from your mind, so yeah, it has to be you that pours into it\u003c/span>\u003cb>.\u003c/b>\u003cspan style=\"font-weight: 400\"> And you pour heavily into the Oakland bucket in this series. And there’s references both to the Dubs as I mentioned as well as the Lower Bottoms, there’s sideshows, there’s music. There’s people who even remind me of folks from the Town. How has the community received this series?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">Having something so specifically about Oakland, not only, you know, is something that [stutter] people from Oakland feel excited about, but even if someone’s not from Oakland or has never been, it makes it feel more fantastical, actually, because you have some real things to ground it and so everything else feels more special.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Audio from I’m A Virgo Clip\u003c/b>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[door creaking open]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dad: What the hell is wrong with you coming in…? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mom: Shh– What are you thinking? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: What? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mom: What do you mean, what?! \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: It’s a word attempting to specifically locate the object of one’s inquiry. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dad: Boy, I wish I was eight foot taller. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mom: Have you been listening to me? Have I been wasting my breath? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: You can’t waste or save it because it comes out either way. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dad: Man, this dude is crazy.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mom: You do not appreciate what we put aside to keep you safe, to keep you fed, to become the man that you are! I gave up- \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: What, Bing Bang burgers? hmm? Ya’ll used to eat bing bang burgers! \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Dad: Yes, I did. I did eat Bing Bang burgers. But I stopped. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Cootie: Okay. How about subwoofers then, huh? You guys always play music from these tiny little speakers so you basically kept one of the greatest inventions from me! It moves through your body like, like waves, okay and it sings to your bones! And you can feel the ground and the sky at the same time! As if, as if, as if you’re the thing that’s keeping it together, you know? I’m 19! And I heard bass for the first time? That’s abuse! \u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">The surrealism definitely makes you feel detached from the experience of being in Oakland. You know like, I could say that, ‘That would never really happen.’ And also the things that really are reference points are like, okay, I know what he’s going for. I know what this is a reference to. And so that’s the balance. Is that intentional?\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">I always say, I think the more specific you are, the more universal you are… Often the way film is made these days, because it’s kind of done on a production line sort of thing, everything is any-place-USA. Okay, they’re supposed to be in Ohio, but they’re filming in Vancouver… And everything becomes devoid of the specificity.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003cb>\u003cbr>\n\u003c/b>\u003cb>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw:\u003c/b>\u003cspan style=\"font-weight: 400\"> Beyond the work that you’ve done that’s flourished on the screen you’ve been heavily involved with work happening behind the scenes. 2023 saw a number of major labor movements. One of them, more notable ones, was in Hollywood, the writers strike. I wanted to know your perspective on what the agreement from the writers strike. What do you think came out of the writers strike in the agreement?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Boots Riley:\u003c/b>\u003cspan style=\"font-weight: 400\"> There were significant gains made around AI and things that they didn’t think we could get, that people said we couldn’t get. There were gains made around residuals, around streaming, significant gains that we wouldn’t have gotten at all without a strike.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">One of the wins was, uh, what we talk about as “transparency.“\u003c/span> \u003cspan style=\"font-weight: 400\">At first it was with reruns. We keep playing your thing, more people see it. and they’re making more money with it. So you get more, you get more back end. With streaming they’re making more money than they did the other way and they’re also having to pay out much less. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And\u003c/span> \u003cspan style=\"font-weight: 400\">so the idea was like, hey, if you have a TV show or a movie that a lot of people are watching, you should get something extra on top of that. But there was never a way because they never told anybody those numbers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">What was won on the WGA side was the idea that they will share the numbers with WGA representatives who will then collect fees for the writers based on that and distribute it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The other unprecedented things: demanding the amount of people employed on a show. So they, we have these “writers room minimums” you know, is like saying you’ve got to hire at least this many people at this level. That sort of thinking is one where it’s saying like, ‘You’re making all this money. Share it more with us. Make this a safer job to have,’ you know, financially safer job to have by employing more people.\u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cspan style=\"font-weight: 400\">The strikes happening in Hollywood have been part of this movement of the working class, moving to the left and becoming more militant and more radical in many areas.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> The folks that are making more and don’t really need the strike, in case of the writers and showrunners and the big stars with SAG, some of the big directors. They’re striking on behalf of the folks that are at the bottom rungs. Right? And there’s a radical solidarity that’s happening in those cases.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Similarly, we see those things happening with stuff like the UPS strike where they were all willing to go on strike: the full timers were going on… they were going to go on strike on behalf of the part timers.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I think, those are the things that people are gleaning that people sticking together, you know, even when they feel like, ‘okay, this is not necessarily benefiting me as much directly right now.’ They understand that that strength grows and benefits them in more significant ways… later.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">At the intersection of entertainment and economic justice in Oakland, you’re doing work with an org called “\u003c/span>\u003ca href=\"https://cinemamafilm.com/\">\u003cspan style=\"font-weight: 400\">Cinemama\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.” Can you tell us about the organization and what the big goal is?\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/i>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">There are there are some filmmakers from around the Bay Area. And we started talking about how a lot of filmmakers will be in the Bay Area working in their cubbyholes and not knowing each other are around and end up moving to L.A. because they think that there’s more opportunities for them there.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Another reason that people move from here that are artists or are filmmakers is because the rent is so damn high. So there’s a couple of things. One, we want to create \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">actual\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> spaces for filmmakers in the East Bay, specifically in Oakland, to be able to work together if they need if they want to meet each other, show their work, and also develop themselves.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We’re working to get a screening room and connect it with a social space of some kind, whether that’s a cafe or bar or something like that, and have these spaces, but to also advocate for things that will make there be able to be more space for people to be artists.\u003c/span> \u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">All those actions are stimulating the artistic community, like clear across the board, and as well as like, stimulating the economy…I know that Oakland as a whole has been on your radar. The work that you do, we both work in the community. There’s been- long been an issue of violence, I put “violence” in air quotes. And I make like a horizontal sign because in my mind, violence is horizontal. It’s not just the violent act. It’s also the things that put people in position to take acts. And I was following some work that you were doing, where you were looking at this rise of “violence” in Oakland and how it’s been communicated in the media. And I’m wondering from your perspective, how can you combat both the misinformation and the violence?\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">When you look at \u003c/span>\u003ca href=\"https://stacks.cdc.gov/view/cdc/12871\">\u003cspan style=\"font-weight: 400\">CDC statistics of homicides, 1950,\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> “Black on Black murder” was 50% more than it was around these ages at times. It went up steadily till the year 1970 where it was 75% more than it is in these days. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Since then, there’s been this bumpy road down. It’s gone up and down, but it’s been the more- the curve of it has been down. Times when violence has gone down, it’s been because pay has gone up. It’s been because of of all these things that you might call “social justice,” quality of life, where people don’t have to hustle as much.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When the quarantine happened, many people, including myself, called out that if you have a quarantine, you have people not being able to work and not getting paid. People are going to have to get money from somewhere.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So if you wanted to reduce the violence, you have a bigger shot at reducing violence by supporting, uh, supporting labor movements that are striking to raise wages, and striking, as WGA did, to expand hiring.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Fed to other financial gurus recommended recently that there be a \u003c/span>\u003cspan style=\"font-weight: 400\">5% lay off to raise unemployment \u003c/span>\u003cspan style=\"font-weight: 400\">because the raise in unemployment causes a desperation in which people will accept lower pay. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">They say this out in the open. It sounds crazy. They say this and they did it, they did it: 5% across a whole bunch of industries after these recommendations came down.\u003c/span> \u003cspan style=\"font-weight: 400\">Now, that desperation that causes people to accept lower pay is a desperation that will also cause them to be like, ‘I can steal a laptop.’ \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Also, there’s an organization called \u003c/span>\u003ca href=\"https://www.neighborstogetheroakland.org/\">\u003cspan style=\"font-weight: 400\">Neighbors Together Oakland\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, putting out this idea that the crime rate has risen. \u003c/span>\u003ca href=\"https://www.cbsnews.com/sanfrancisco/news/despite-neighborhood-spikes-violent-crime-oakland-decline/\">\u003cspan style=\"font-weight: 400\"> It’s gone down for two years since 2021\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, apparently, and it only went up for a couple of years before that.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It is funded by a woman who is heir to the Bay Alarm Company who’s also a major real estate developer. \u003c/span>\u003cb> \u003c/b>\u003cspan style=\"font-weight: 400\">So the same group that is calling, that is saying we need more police because there’s higher crime are also the ones who lobby to end the eviction moratorium, kicking families out onto the street. They’re also the same ones who are complaining that homeless people are in Oakland and trying to get them swept off of Wood Street!\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So, you have a real estate developer and an alarm company heiress who funds a neighborhood organization to kick people out onto the street, say there shouldn’t be homeless here, say that there’s too much crime and everybody should be locked up because all of these things benefit further gentrifying Oakland. And they benefit a narrative that says poverty is only coming from these choices people are making. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">You went on a bit of investigative reporting spree, in the summer of 2023. The connections that you just pointed out, is that some of which stumbled across when you were looking at businesses that were saying that they were going on strike because of the ‘rise in crime?’\u003c/span>\u003c/p>\n\u003cp>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">That’s a whole even separate thing but yes, when a group, I forget the name of the group, said that… \u003c/span>\u003ca href=\"https://www.ktvu.com/news/more-than-200-oakland-businesses-plan-to-strike-on-tuesday-demand-public-safety-resources?taid=650e6930a284870001102f81&utm_campaign=trueanthem&utm_medium=trueanthem&utm_source=twitter\">\u003cspan style=\"font-weight: 400\">that businesses in Oakland were going on strike.\u003c/span>\u003c/a>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Boots Riley: \u003c/b>\u003cspan style=\"font-weight: 400\">First they started claiming that Oakland businesses were shutting down because of crime. There’s been no proof that more businesses have shut down at a faster rate than they have ever been shutting down. Restaurants open and they shut down. That’s just how things happen.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You have folks like Target who opened up these experimental things to compete with CVS, and they were small things, they didn’t work and they didn’t work across the country and they shut them down. But here’s the thing is, they’ve been used as political fodder.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Somebody, you know, shutting down will be like, ‘Oh, my business didn’t work because people didn’t come to it. And I think it’s ‘cause of crime in Oakland.’ That’s not a fact. That’s just them saying that.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Anyway, so they started saying, okay, these businesses are going on a 1 day strike against the crime, the rising in “crime” in Oakland. They kept saying 200 businesses, 200 businesses, and they wouldn’t say which businesses. And the couple of businesses, they said, at first, weren’t going on strike. And then one of them said they were going to open up two hours later in response to that. Another one that said that they were going on strike, they never were open on that day of the week anyway.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">So then there was a… I don’t remember what publication but they, they showed a list of, uh, of businesses that were provided by this group saying they were all going on strike and I just called them up. And, you know, uh, all except for one had said either they didn’t- had never heard of it or they had never heard of it, they weren’t going on strike and they were mad that their name was being used for that.\u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://oaklandside.org/2023/09/27/strike-oakland-business-closure-protest/\">\u003cspan style=\"font-weight: 400\">It was fake!\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> But so it goes along with this this narrative and there’s very \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">little\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> journalism being done against the narrative. So, so much of the narrative about crime is ‘whatever the police say’ is said as fact, like as if they have no motivations that are political. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Journalists should qualify that this is what the police are saying and put that in context of everything else that’s going on. We know… way more than enough about the history of police and specifically the history of the Oakland Police Department, themselves. So much so, that I actually… people think of me as fearless but I’m afraid of saying some of this stuff because some people get killed!\u003c/span>\u003c/p>\n\u003cp>\u003cb>\u003cbr>\n\u003c/b> \u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003cb>\u003cbr>\n\u003c/b>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">We’ve touched on a number of things, like everything from economic disparities to entertainment, mass organizing, misinformation. I’m thinking about 2024 and what’s to come everything from: it’s an election year to multiple wars going on overseas. I’ll ask you this: Is there anything that you’re specifically looking forward to in 2024, as it relates to your work?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cb>Boots Riley:\u003c/b>\u003cspan style=\"font-weight: 400\"> I’m really hopeful about this strike wave that’s happening. A lot of the strike wave has been from places that were otherwise unorganized. They didn’t have a union. And often people organizing without the help of any traditional union and sometimes joining the traditional unions, sometimes joining less traditional unions. But that is also making the larger traditional unions more militant. And radicals that are inside of those places kind of coming to the fore. And so there’s a lot of possibility.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You know\u003c/span>\u003cb>, \u003c/b>\u003cspan style=\"font-weight: 400\">average everyday people saying, ‘well, can you really do something? You know, like, is that possible?’ And the truth is that if you can organize and shut an industry down, you can demand all sorts of things and get get it because you’re making them choose between no profit and less profit. \u003c/span>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003ch2>\u003cb style=\"font-size: 16px\">\u003cspan style=\"font-weight: 400\">\u003cstrong>Pendarvis Harshaw:\u003c/strong> Boots! Thank you, you clearly are a busy guy, thank you for taking time to talk. Good luck in the new year, and we are looking forward to the next production!\u003c/span>\u003c/b>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Boots Riley:\u003c/strong> I’ll be shooting another movie in March. I’ll just say this: it’s about a group of professional shoplifters who find a device called the “situational accelerator.”\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pendarvis Harshaw: \u003c/b>\u003cspan style=\"font-weight: 400\">For all of you listening out there, do yourself a favor and follow Boots on social media, you can find him on any platform under his name Boots Riley, and Riley is spelled R-I-L-E-Y. And check out his films and his music too!\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This episode was hosted by me, Pendarvis Harshaw.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was produced by Marisol Medina-Cadena \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Chris Hambrick is our editor.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sheree Bishop is our production intern. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Christopher Beale is our engineer.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Additional support provided by Jen Chien, Katie Sprenger, Cesar Saldaña, Ugur Dursun, and Holly Kernan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We, at the Rightnowish team, are looking forward to bringing you some dope stories this year. And all that we ask in return is that you drop a comment, rate the show, tell a friend or share an episode with a colleague! Thank you in advance. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Rightnowish is a KQED Production.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Until next time, peace.\u003c/span>\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>=\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>"
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"title": "Oakland Filmmaker Boots Riley on Hollywood Strikes ‘Radicalizing’ Creative Class",
"headTitle": "Oakland Filmmaker Boots Riley on Hollywood Strikes ‘Radicalizing’ Creative Class | KQED",
"content": "\u003cp>We’re nearing the four-month mark for the \u003ca href=\"https://www.kqed.org/arts/tag/writers-strike\">writer’s strike\u003c/a>, and it’s been more than a month since the \u003ca href=\"https://deadline.com/story-arc/sag-aftra-strike/\">actors joined them\u003c/a>. Oakland filmmaker \u003ca href=\"https://www.kqed.org/arts/tag/boots-riley\">Boots Riley\u003c/a> has been a labor advocate and activist since his teen years, and he shared his perspective with KQED’s Rachael Myrow. \u003c/p>\n\u003cp>\u003cem>This conversation has been edited for clarity.\u003c/em>\u003c/p>\n\u003cp>[aside postID='news_11956178']\u003cstrong>What would you say is the mood now on the picket lines, all these months out?\u003c/strong>\u003c/p>\n\u003cp>Striking — although there’s a downside to it, [because] you are risking something, you are sacrificing something — there’s community that is built, and that can be fun.\u003c/p>\n\u003cp>\u003cstrong>You know, I was a baby reporter the last time that the writers went out on strike (2007-2008). I remember there being a lot more dissension within the ranks, people questioning union leadership. It really strikes me this time around that you don’t see that. You see people really in lock step with leadership. It’s like everyone sort of agrees that this is existential.\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Yeah. Well, there are two things. One, [in] 2011, we had a movement that swept across the US called the \u003ca href=\"https://www.kqed.org/forum/2010101886461/the-legacy-of-the-occupy-movement-10-years-later\">Occupy movement\u003c/a>, and it was in every single town and city — 99% against the 1%. So you had that.\u003c/p>\n\u003cp>Then, by the time this strike came out, there had been 3,000 \u003ca href=\"https://paydayreport.com/payday-interactive-strike-tracker/\">strikes and work stoppages\u003c/a> in the United States since 2020 [according to the crowdfunded labor publication \u003ca href=\"https://paydayreport.com/payday-interactive-strike-tracker/\">Payday Report\u003c/a>]. Basically, that makes us in the middle of the biggest strike wave that the US has seen since the 1970s.\u003c/p>\n\u003cp>\u003cstrong>But this is not your grandma’s \u003ca href=\"https://amptp.org/aboutus.html\">AMPTP\u003c/a> [Association of Motion Picture and Television Producers]. [The biggest companies the organization represents are] half, at this point, if not more, \u003ca href=\"https://www.kqed.org/news/11956178/its-now-or-never-writers-and-actors-see-conflict-with-big-tech-as-existential\">Big Tech\u003c/a>…\u003c/strong>\u003c/p>\n\u003cp>They’re carrying that same ethos over to the entertainment business.\u003c/p>\n\u003cp>[aside postID='forum_2010101893314']\u003cstrong>Any one of these companies has more money at its fingertips than many nation states. They’ve got deep pockets, and they also have binders full of lawyers. You’re a musician. You’ve probably watched what’s happened with Spotify. \u003ca href=\"https://www.kqed.org/forum/2010101893314/how-musicians-are-navigating-streaming-algorithms-ai-and-automation\">They just ate the musicians’ lunch\u003c/a>. You get these royalty checks for 0.00036 cents, for a year.\u003c/strong>\u003c/p>\n\u003cp>It is terrible what streaming is doing. It’s also not that far off from how people were getting paid in the 1990s and before. Think about how many times somebody played your album, and the radio played it, and that you were only getting maybe 50 cents to a dollar for every album, if you got anything from that. It’s all capitalism. There wasn’t this shining time when everything was great.\u003c/p>\n\u003cp>That being said, the way that it could be handled is the same way Charlie Chaplin and them created the first Screen Actors Guild [\u003ca href=\"https://www.history.com/this-day-in-history/united-artists-created#\">United Artists Corporation\u003c/a>]. If all the big artists that had stuff about to come out this year withheld all that stuff, and worked together, they could make it better for everybody.\u003c/p>\n\u003cp>\u003cstrong>So I know it’s always dangerous to read a crystal ball. What does your gut tell you about where especially the WGA’s fight is going?\u003c/strong>\u003c/p>\n\u003cp>I think the Writers Guild knows that, if they come away from — I’m saying “they.” I’m in the Writers Guild, I’m in the DGA and I’m actually also in SAG — but I think the writer leadership knows that if they go on a strike this long and come back with very minimal gains, that it discourages people from striking.\u003c/p>\n\u003cp>[pullquote size='large' align='right' citation='Boots Riley']As someone who has spent a lifetime making culture trying to put out a class analysis, I see now some of what I’m doing is redundant, because everybody is already there. [/pullquote] On the other hand, AMPTP, they’ll easily still make billions of dollars and still have all their stuff if they gave into everything that the WGA wanted. Their reason for not wanting to do it and, and is ideological, an overarching view of how capitalism should and shouldn’t work who controls our world.\u003c/p>\n\u003cp>This strike is diffusing all of the smoke screen that they had, right? What it’s doing is radicalizing all of their workers. So they [the AMPTP] really need to settle the strikes as quickly as possible.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As someone who has spent a lifetime making culture trying to put out a class analysis, I see now some of what I’m doing is redundant, because everybody is already there. Folks [who] had this idea that we’re in a different kind of capitalism once you’re in the tech world? AMPTP and what they’re doing with this strike is destroying all of that.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’re nearing the four-month mark for the \u003ca href=\"https://www.kqed.org/arts/tag/writers-strike\">writer’s strike\u003c/a>, and it’s been more than a month since the \u003ca href=\"https://deadline.com/story-arc/sag-aftra-strike/\">actors joined them\u003c/a>. Oakland filmmaker \u003ca href=\"https://www.kqed.org/arts/tag/boots-riley\">Boots Riley\u003c/a> has been a labor advocate and activist since his teen years, and he shared his perspective with KQED’s Rachael Myrow. \u003c/p>\n\u003cp>\u003cem>This conversation has been edited for clarity.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cstrong>What would you say is the mood now on the picket lines, all these months out?\u003c/strong>\u003c/p>\n\u003cp>Striking — although there’s a downside to it, [because] you are risking something, you are sacrificing something — there’s community that is built, and that can be fun.\u003c/p>\n\u003cp>\u003cstrong>You know, I was a baby reporter the last time that the writers went out on strike (2007-2008). I remember there being a lot more dissension within the ranks, people questioning union leadership. It really strikes me this time around that you don’t see that. You see people really in lock step with leadership. It’s like everyone sort of agrees that this is existential.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yeah. Well, there are two things. One, [in] 2011, we had a movement that swept across the US called the \u003ca href=\"https://www.kqed.org/forum/2010101886461/the-legacy-of-the-occupy-movement-10-years-later\">Occupy movement\u003c/a>, and it was in every single town and city — 99% against the 1%. So you had that.\u003c/p>\n\u003cp>Then, by the time this strike came out, there had been 3,000 \u003ca href=\"https://paydayreport.com/payday-interactive-strike-tracker/\">strikes and work stoppages\u003c/a> in the United States since 2020 [according to the crowdfunded labor publication \u003ca href=\"https://paydayreport.com/payday-interactive-strike-tracker/\">Payday Report\u003c/a>]. Basically, that makes us in the middle of the biggest strike wave that the US has seen since the 1970s.\u003c/p>\n\u003cp>\u003cstrong>But this is not your grandma’s \u003ca href=\"https://amptp.org/aboutus.html\">AMPTP\u003c/a> [Association of Motion Picture and Television Producers]. [The biggest companies the organization represents are] half, at this point, if not more, \u003ca href=\"https://www.kqed.org/news/11956178/its-now-or-never-writers-and-actors-see-conflict-with-big-tech-as-existential\">Big Tech\u003c/a>…\u003c/strong>\u003c/p>\n\u003cp>They’re carrying that same ethos over to the entertainment business.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cstrong>Any one of these companies has more money at its fingertips than many nation states. They’ve got deep pockets, and they also have binders full of lawyers. You’re a musician. You’ve probably watched what’s happened with Spotify. \u003ca href=\"https://www.kqed.org/forum/2010101893314/how-musicians-are-navigating-streaming-algorithms-ai-and-automation\">They just ate the musicians’ lunch\u003c/a>. You get these royalty checks for 0.00036 cents, for a year.\u003c/strong>\u003c/p>\n\u003cp>It is terrible what streaming is doing. It’s also not that far off from how people were getting paid in the 1990s and before. Think about how many times somebody played your album, and the radio played it, and that you were only getting maybe 50 cents to a dollar for every album, if you got anything from that. It’s all capitalism. There wasn’t this shining time when everything was great.\u003c/p>\n\u003cp>That being said, the way that it could be handled is the same way Charlie Chaplin and them created the first Screen Actors Guild [\u003ca href=\"https://www.history.com/this-day-in-history/united-artists-created#\">United Artists Corporation\u003c/a>]. If all the big artists that had stuff about to come out this year withheld all that stuff, and worked together, they could make it better for everybody.\u003c/p>\n\u003cp>\u003cstrong>So I know it’s always dangerous to read a crystal ball. What does your gut tell you about where especially the WGA’s fight is going?\u003c/strong>\u003c/p>\n\u003cp>I think the Writers Guild knows that, if they come away from — I’m saying “they.” I’m in the Writers Guild, I’m in the DGA and I’m actually also in SAG — but I think the writer leadership knows that if they go on a strike this long and come back with very minimal gains, that it discourages people from striking.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>One of the demands that actors and screenwriters are making in trying to renegotiate their contracts with Hollywood studios is greater residual payments, and several people in the entertainment industry have come forward to share what those residual checks look like.\u003c/p>\n\u003cp>Mandy Moore, who starred as matriarch Rebecca Pearson in NBC’s \u003cem>This Is Us\u003c/em>, said she received streaming residual checks for a penny once and 81 cents another time.\u003c/p>\n\u003cp>“So you have to, like, let them add up for a while before you go deposit them at the bank,” she said in an interview while on the picket line.\u003c/p>\n\u003cp>Residuals are payments made over the long term to actors and other theatrical workers when a TV show or movie is rerun or aired after its original release.\u003c/p>\n\u003cp>Kamil McFadden, who starred on three seasons of Disney’s \u003cem>K.C. Undercover\u003c/em>, tweeted a screen recording of his residuals, several of which had negative dollar amounts. He said his net income from the list was $2.77.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/Kamil_McFadden/status/1679546658219245569\u003c/p>\n\u003cp>In an \u003ca href=\"https://www.instagram.com/p/Cu90ofIALBP/\">Instagram video\u003c/a>, William Stanford Davis, who plays Mr. Johnson on the ABC sitcom \u003cem>Abbott Elementary\u003c/em>, showed a residual check for 5 cents.\u003c/p>\n\u003cp>“That’s what they think of us as actors,” he said. “This is why we’re on strike.”\u003c/p>\n\u003cp>Jana Schmieding, who played Bev on FX’s \u003cem>Reservation Dogs\u003c/em>, said she gets a 3-cent residual every quarter for the show being streamed on Hulu.\u003c/p>\n\u003cp>https://twitter.com/janaunplgd/status/1680733201726320642\u003c/p>\n\u003cp>“Listen, I’m an actor. I don’t want a yacht. But I’d love to be able to save for retirement,” she tweeted.\u003c/p>\n\u003cp>The Writers Guild of America is currently on the 13th week of its strike, while actors with the union SAG-AFTRA are on their second week. Both are striking against the Alliance of Motion Picture and Television Producers (AMPTP). (Note: Many NPR employees are members of SAG-AFTRA, though journalists work under a different contract than the Hollywood actors.)\u003c/p>\n\u003cp>[aside postid='arts_13928702']Writers and actors are demanding better wages, fair use of artificial intelligence and better contributions to health care and retirement.\u003c/p>\n\u003cp>The AMPTP did not immediately respond to a request for comment, but in a document titled “\u003ca href=\"https://press.amptp.org/sites/labor.amptp.org/files/AMPTP_SAG-AFTRA%20Chart.pdf\">What SAG-AFTRA Failed to Mention\u003c/a>,” issued last week, it said that in its negotiations with SAG-AFTRA, it offered a more than $1 billion increase in wages, residuals and pension and health care contributions over a three-year period.\u003c/p>\n\u003cp>In the document, the AMPTP says it offered a 22% increase in residuals for high-budget SVOD (subscription video on demand) programs from Hulu, Disney+, Netflix and Amazon Prime. It said it also presented a 76% increase in foreign residuals.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sagaftra.org/files/sa_documents/SAG-AFTRA_Negotiations_Status_7_13_23.pdf\">SAG-AFTRA also asked\u003c/a> for revenue sharing, which means actors would get a fixed residual and also a separate residual tied to the amount of money a show brought in once it hit streaming platforms.\u003c/p>\n\u003cp>[aside postid='arts_13931850']The AMPTP rejected that proposal and asked SAG-AFTRA to remove it from negotiations, calling it “completely illogical,” as the companies that produce a program are not entitled to any revenue from streaming and receive only a licensing fee, it said.\u003c/p>\n\u003cp>“The Union is proposing that performers share in the rewards of a successful show, without bearing any of the risk … The Union proposes to ‘share’ in success, but not in failure,” it said. “That is not sharing.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sagaftra.org/files/sa_documents/SAG-AFTRA_Negotiations_Status_7_13_23.pdf\">SAG-AFTRA said\u003c/a> it additionally asked for an 11% increase in general wages in the first year of the new contract and a 4% increase in each of the second and third years but was met with a proposal of 5% in the first year, 4% in the second year and 3.5% in the third.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Actors+take+to+the+internet+to+show+their+residual+checks%2C+with+some+in+the+negative&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Writers and actors are demanding better wages, fair use of artificial intelligence and better contributions to health care and retirement.\u003c/p>\n\u003cp>The AMPTP did not immediately respond to a request for comment, but in a document titled “\u003ca href=\"https://press.amptp.org/sites/labor.amptp.org/files/AMPTP_SAG-AFTRA%20Chart.pdf\">What SAG-AFTRA Failed to Mention\u003c/a>,” issued last week, it said that in its negotiations with SAG-AFTRA, it offered a more than $1 billion increase in wages, residuals and pension and health care contributions over a three-year period.\u003c/p>\n\u003cp>In the document, the AMPTP says it offered a 22% increase in residuals for high-budget SVOD (subscription video on demand) programs from Hulu, Disney+, Netflix and Amazon Prime. It said it also presented a 76% increase in foreign residuals.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sagaftra.org/files/sa_documents/SAG-AFTRA_Negotiations_Status_7_13_23.pdf\">SAG-AFTRA also asked\u003c/a> for revenue sharing, which means actors would get a fixed residual and also a separate residual tied to the amount of money a show brought in once it hit streaming platforms.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The AMPTP rejected that proposal and asked SAG-AFTRA to remove it from negotiations, calling it “completely illogical,” as the companies that produce a program are not entitled to any revenue from streaming and receive only a licensing fee, it said.\u003c/p>\n\u003cp>“The Union is proposing that performers share in the rewards of a successful show, without bearing any of the risk … The Union proposes to ‘share’ in success, but not in failure,” it said. “That is not sharing.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sagaftra.org/files/sa_documents/SAG-AFTRA_Negotiations_Status_7_13_23.pdf\">SAG-AFTRA said\u003c/a> it additionally asked for an 11% increase in general wages in the first year of the new contract and a 4% increase in each of the second and third years but was met with a proposal of 5% in the first year, 4% in the second year and 3.5% in the third.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Actors+take+to+the+internet+to+show+their+residual+checks%2C+with+some+in+the+negative&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Abbi Jacobson Is Auctioning Off Her Blue ‘Broad City’ Dress to Benefit Striking Writers",
"headTitle": "Abbi Jacobson Is Auctioning Off Her Blue ‘Broad City’ Dress to Benefit Striking Writers | KQED",
"content": "\u003cp>There have been many sacrifices made since the WGA and SAG-AFTRA unions began striking in Hollywood. Three months in, writers’ bank accounts are taking a major hit as creatives continue to strike for better contracts and compensation. A week ago, actors joined the strike in solidarity with the writers, grinding Hollywood to an almost complete halt. That means, in turn, that California’s economy is losing millions. (\u003ca href=\"https://www.vox.com/culture/23696617/writers-strike-wga-2023-explained-residuals-streaming-ai\">The 100-day strike in 2007-08 cost the state a whopping $2.1 billion\u003c/a>!) To say it’s an all-hands-on-deck situation would be an understatement.\u003c/p>\n\u003cp>Remarkably, on Thursday morning, yet another extraordinary sacrifice was made. Abbi Jacobson stepped forward clutching the prize of a generation — her blue bodycon dress from \u003cem>Broad City\u003c/em>. The \u003cem>League of Their Own\u003c/em> star hit Instagram to announce she would be auctioning off her character Abbi Abrams’ iconic party garment to benefit \u003ca href=\"https://www.tusctogether.com/\">The Union Solidarity Commission. \u003c/a>(TUSC has been assisting striking workers with living and healthcare expenses.)\u003c/p>\n\u003cfigure id=\"attachment_13931868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://www.instagram.com/p/Cu7N39lL3Ng/?img_index=1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-800x388.png\" alt=\"An Instagram post by Abbi Jacobson, featuring a photo of her wearing a blue dress while standing in a cluttered bedroom. She has her hands on her hips.\" width=\"800\" height=\"388\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-800x388.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1020x494.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-160x78.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-768x372.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1536x744.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1920x930.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM.png 1936w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Abbi Jacobson is parting with her legendary blue dress, all to benefit the writers and actors currently on strike. \u003ccite>(Instagram/ @abbijacobson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jacobson wrote: “Have you ever wanted to own a real piece of Hollywood history? Some would say a priceless iconic garment? Others a treasured sliver of a time gone by? … This will obviously come with a handwritten note from me as this gem is hard to part with (and the Smithsonian hasn’t returned my calls). It’s taken me 5 years just to peel it off my body. Go bid and help a great cause!”\u003c/p>\n\u003cp>Jacobson’s former \u003cem>Broad City\u003c/em> co-star Ilana Glazer was quick to leave a comment asking “how do I win this dress… pls.”\u003c/p>\n\u003cp>Abbi’s blue dress appeared repeatedly throughout \u003cem>Broad City’\u003c/em>s five seasons — an on-screen reflection of the Millennial need to use the one nice thing they own over and over again in order to justify its purchase.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the show, Abbi first bought the dress to attend a fancy rooftop party without looking too “vanilla.” It reappeared at her birthday dinner at a snooty restaurant where she — to her absolute horror — “peed out a condom.” Next up, Abbi and her blue dress went on a yacht date with Ilana, Lincoln, Jaime and way too many lawyers to celebrate Jaime becoming an American citizen. By the time Abbi’s mom showed up and wore the dress on a night out, we all understood the pain of the moment. The blue dress got one last spin around the block when Abbi first went on a date with Trey.\u003c/p>\n\u003cp>[aside postid='pop_96171']At the time of writing, Abbi’s blue dress had received 27 bids and was sitting at $5,010. Other items in the TUSC auction include \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144742\">a ceramic vase\u003c/a> made by Seth Rogen, \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/148464\">a “private hang” with Woody Harrelson\u003c/a>, \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144740\">blankets hand-knitted by Justine Bateman\u003c/a>, a bikini \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/149994\">hand-knit by Lena Dunham\u003c/a> and \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144799\">a writing workshop with Amber Tamblyn\u003c/a>. The dress has far and away the highest bid of any lot in the auction so far, but the price is bound to increase further. The auction is running until 4 p.m. on Aug. 5.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144792\">bid on the blue dress here\u003c/a> or check out \u003ca href=\"https://givebutter.com/c/TUSCauction/auction\">all of TUSC’s auction\u003c/a> items here.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There have been many sacrifices made since the WGA and SAG-AFTRA unions began striking in Hollywood. Three months in, writers’ bank accounts are taking a major hit as creatives continue to strike for better contracts and compensation. A week ago, actors joined the strike in solidarity with the writers, grinding Hollywood to an almost complete halt. That means, in turn, that California’s economy is losing millions. (\u003ca href=\"https://www.vox.com/culture/23696617/writers-strike-wga-2023-explained-residuals-streaming-ai\">The 100-day strike in 2007-08 cost the state a whopping $2.1 billion\u003c/a>!) To say it’s an all-hands-on-deck situation would be an understatement.\u003c/p>\n\u003cp>Remarkably, on Thursday morning, yet another extraordinary sacrifice was made. Abbi Jacobson stepped forward clutching the prize of a generation — her blue bodycon dress from \u003cem>Broad City\u003c/em>. The \u003cem>League of Their Own\u003c/em> star hit Instagram to announce she would be auctioning off her character Abbi Abrams’ iconic party garment to benefit \u003ca href=\"https://www.tusctogether.com/\">The Union Solidarity Commission. \u003c/a>(TUSC has been assisting striking workers with living and healthcare expenses.)\u003c/p>\n\u003cfigure id=\"attachment_13931868\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://www.instagram.com/p/Cu7N39lL3Ng/?img_index=1\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13931868\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-800x388.png\" alt=\"An Instagram post by Abbi Jacobson, featuring a photo of her wearing a blue dress while standing in a cluttered bedroom. She has her hands on her hips.\" width=\"800\" height=\"388\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-800x388.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1020x494.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-160x78.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-768x372.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1536x744.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM-1920x930.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/07/Screen-Shot-2023-07-20-at-12.13.39-PM.png 1936w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Abbi Jacobson is parting with her legendary blue dress, all to benefit the writers and actors currently on strike. \u003ccite>(Instagram/ @abbijacobson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jacobson wrote: “Have you ever wanted to own a real piece of Hollywood history? Some would say a priceless iconic garment? Others a treasured sliver of a time gone by? … This will obviously come with a handwritten note from me as this gem is hard to part with (and the Smithsonian hasn’t returned my calls). It’s taken me 5 years just to peel it off my body. Go bid and help a great cause!”\u003c/p>\n\u003cp>Jacobson’s former \u003cem>Broad City\u003c/em> co-star Ilana Glazer was quick to leave a comment asking “how do I win this dress… pls.”\u003c/p>\n\u003cp>Abbi’s blue dress appeared repeatedly throughout \u003cem>Broad City’\u003c/em>s five seasons — an on-screen reflection of the Millennial need to use the one nice thing they own over and over again in order to justify its purchase.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the show, Abbi first bought the dress to attend a fancy rooftop party without looking too “vanilla.” It reappeared at her birthday dinner at a snooty restaurant where she — to her absolute horror — “peed out a condom.” Next up, Abbi and her blue dress went on a yacht date with Ilana, Lincoln, Jaime and way too many lawyers to celebrate Jaime becoming an American citizen. By the time Abbi’s mom showed up and wore the dress on a night out, we all understood the pain of the moment. The blue dress got one last spin around the block when Abbi first went on a date with Trey.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>At the time of writing, Abbi’s blue dress had received 27 bids and was sitting at $5,010. Other items in the TUSC auction include \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144742\">a ceramic vase\u003c/a> made by Seth Rogen, \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/148464\">a “private hang” with Woody Harrelson\u003c/a>, \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144740\">blankets hand-knitted by Justine Bateman\u003c/a>, a bikini \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/149994\">hand-knit by Lena Dunham\u003c/a> and \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144799\">a writing workshop with Amber Tamblyn\u003c/a>. The dress has far and away the highest bid of any lot in the auction so far, but the price is bound to increase further. The auction is running until 4 p.m. on Aug. 5.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can \u003ca href=\"https://givebutter.com/c/TUSCauction/auction/items/144792\">bid on the blue dress here\u003c/a> or check out \u003ca href=\"https://givebutter.com/c/TUSCauction/auction\">all of TUSC’s auction\u003c/a> items here.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Not Coming to a Screen Near You – Viewers Will Soon Feel Effects of the Writers Strike",
"headTitle": "Not Coming to a Screen Near You – Viewers Will Soon Feel Effects of the Writers Strike | KQED",
"content": "\u003cp>A slate of big-budget summer movies from \u003cem>Indiana Jones and the Dial of Destiny\u003c/em> to a live-action \u003cem>Barbie\u003c/em> film will be released in the coming weeks as Hollywood gears up for blockbuster season. But behind the scenes, as the Hollywood writers strike enters its third month, the impact of the current conflict between screenwriters and major film studios and streamers is coming into focus. Most productions have ground to a halt as future films and TV series are being delayed, if not canceled.\u003c/p>\n\u003cp>One of the most high-profile productions canceled by the strike is a \u003ca href=\"https://www.indiewire.com/news/breaking-news/sam-esmail-metropolis-series-scrapped-1234876313/\">new TV adaptation of Fritz Lang’s classic 1927 sci-fi film \u003cem>Metropolis\u003c/em>\u003c/a>. Apple TV+ reportedly scrapped acclaimed showrunner Sam Esmail’s years-in-the-making series just as it was supposed to begin filming this summer in Australia. Max’s new Batman spin-off series, \u003cem>The Penguin,\u003c/em> starring Colin Farrell, has also been halted, even through a teaser for the show had been released.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zAPifwlWBP0\u003c/p>\n\u003cp>With many writers on the picket lines no longer participating in any scripting or revisions, many existing series are no longer filming. Shooting for the next season of the \u003cem>Yellowstone\u003c/em> prequel 1\u003cem>923\u003c/em> on Paramount+, starring Harrison Ford and Helen Mirren, has been suspended until the writers strike ends. Other popular shows that are not currently filming include future seasons of \u003cem>Severance\u003c/em>, \u003cem>Abbott Elementary\u003c/em>, \u003cem>Euphoria\u003c/em>, \u003cem>The Last of Us\u003c/em>, \u003cem>Cobra Kai\u003c/em> and the final season of Netflix’s \u003cem>Stranger Things\u003c/em>.\u003c/p>\n\u003cp>https://twitter.com/strangerwriters/status/1654955071631765506\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the delays aren’t all necessarily due to the strike. In recent months, studios and streamers have been consolidating and cutting costs through layoffs and cancelations. Some insiders speculate the studios may use the strike as an excuse to enact “force majeure,” contract clauses allowing them to cancel deals with creators and showrunners.\u003c/p>\n\u003cp>[aside postid='arts_13930931']It remains unclear how long the Writers Guild of America strike against studios and streamers in the Alliance of Motion Picture and Television Producers will continue, but many in Hollywood estimate it won’t be resolved before September.\u003c/p>\n\u003cp>This week, leaders of the other major Hollywood Union, SAG-AFTRA, which represents actors and other performers, \u003ca href=\"https://www.youtube.com/watch?v=iQv94Odx7DI&t=2s\">tried to assure members that their contract negotiations with the AMPTP were going well\u003c/a>. Almost immediately, more than 300 actors, including Meryl Streep, Jennifer Lawrence and Quinta Brunson, \u003ca href=\"https://www.rollingstone.com/tv-movies/tv-movie-news/jennifer-lawrence-meryl-streep-actors-threaten-strike-sag-aftra-letter-exclusive-1234779586/\">sent a letter to their union\u003c/a> saying they’re ready to strike for the best deal possible. Their current contract ends Friday and members have already overwhelmingly voted to authorize a strike. (Many of NPR’s employees are members of SAG-AFTRA. Broadcast members are covered by a different contract than TV/Theatrical members though, so we won’t be on strike if one is called, and our own contract is not affected by these negotiations.)\u003c/p>\n\u003cp>The writers strike and the looming possibility of an actors strike is also significantly affecting film and TV marketing plans as well as the upcoming awards season.\u003c/p>\n\u003cp>Every year at Comic-Con International: San Diego — the big annual convention for comic book and sci fi fans — Hollywood studios host filled-to-capacity presentations of their upcoming movies. Last year in the convention’s renowned Hall H, Marvel brought out the stars of its film franchises \u003cem>Ant Man \u003c/em>and \u003cem>Guardians of the Galaxy\u003c/em>. \u003ca href=\"https://www.youtube.com/watch?v=mwPTfpSTGzk\">\u003cem>Black Panther\u003c/em> director Ryan Coogler was onstage with his cast and offered the crowd the first sneak peak of \u003cem>Black Panther: Wakanda Forever\u003c/em>\u003c/a>. But this year, Marvel and Disney are not making any big presentations. Neither are Netflix, Sony or Universal.\u003c/p>\n\u003cp>[aside postid='arts_13928702']The Emmy Awards, which are set to air on FOX in September, could be delayed for months. \u003ca href=\"https://www.nytimes.com/2023/06/21/business/media/emmy-awards-writers-strike.html?partner=slack&smid=sl-share\">Reports in \u003cem>The New York Times\u003c/em>\u003c/a>, \u003cem>The Hollywood Reporter\u003c/em> and other outlets suggest the organizers are discussing various contingency plans if the writers strike isn’t resolved this summer. Nominations are still scheduled to be announced Tuesday, July 12.\u003c/p>\n\u003cp>To manage the personal financial costs of a prolonged strike, many writers on the picket lines say they are relying on their fast-dwindling savings. Industry guilds, the Entertainment Community Fund, Women in Film and others have created emergency relief funds to support members.\u003c/p>\n\u003cp>https://twitter.com/jonhurwitz/status/1657094421396201473\u003c/p>\n\u003cp>The shutdowns are also impacting many others working behind the scenes on film crews, including cinematographers, editors, grips, costumers, caterers and truck drivers. According to Film LA, which handles permits for film shoots on city streets and other locations, there were only two scripted TV series shooting in Los Angeles this week. Normally at this time of year, there would be dozens of TV projects in production.\u003c/p>\n\u003cp>[aside postid='arts_13930083']The work stoppage affects many businesses that rely on the Hollywood economy, including restaurants, hotels and transportation. According to the Milken Institute, the 2008 writers strike, which lasted 100 days, cost the LA economy more than $2 billion in lost revenue.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For audiences accustomed to a steady — and at times overflowing — stream of new films and TV series, this dramatic slowdown in productions will have a palpable impact in the year to come.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Not+coming+to+a+screen+near+you+%E2%80%93+viewers+will+soon+feel+effects+of+the+writers+strike&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A slate of big-budget summer movies from \u003cem>Indiana Jones and the Dial of Destiny\u003c/em> to a live-action \u003cem>Barbie\u003c/em> film will be released in the coming weeks as Hollywood gears up for blockbuster season. But behind the scenes, as the Hollywood writers strike enters its third month, the impact of the current conflict between screenwriters and major film studios and streamers is coming into focus. Most productions have ground to a halt as future films and TV series are being delayed, if not canceled.\u003c/p>\n\u003cp>One of the most high-profile productions canceled by the strike is a \u003ca href=\"https://www.indiewire.com/news/breaking-news/sam-esmail-metropolis-series-scrapped-1234876313/\">new TV adaptation of Fritz Lang’s classic 1927 sci-fi film \u003cem>Metropolis\u003c/em>\u003c/a>. Apple TV+ reportedly scrapped acclaimed showrunner Sam Esmail’s years-in-the-making series just as it was supposed to begin filming this summer in Australia. Max’s new Batman spin-off series, \u003cem>The Penguin,\u003c/em> starring Colin Farrell, has also been halted, even through a teaser for the show had been released.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zAPifwlWBP0'\n title='//www.youtube.com/embed/zAPifwlWBP0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>With many writers on the picket lines no longer participating in any scripting or revisions, many existing series are no longer filming. Shooting for the next season of the \u003cem>Yellowstone\u003c/em> prequel 1\u003cem>923\u003c/em> on Paramount+, starring Harrison Ford and Helen Mirren, has been suspended until the writers strike ends. Other popular shows that are not currently filming include future seasons of \u003cem>Severance\u003c/em>, \u003cem>Abbott Elementary\u003c/em>, \u003cem>Euphoria\u003c/em>, \u003cem>The Last of Us\u003c/em>, \u003cem>Cobra Kai\u003c/em> and the final season of Netflix’s \u003cem>Stranger Things\u003c/em>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the delays aren’t all necessarily due to the strike. In recent months, studios and streamers have been consolidating and cutting costs through layoffs and cancelations. Some insiders speculate the studios may use the strike as an excuse to enact “force majeure,” contract clauses allowing them to cancel deals with creators and showrunners.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It remains unclear how long the Writers Guild of America strike against studios and streamers in the Alliance of Motion Picture and Television Producers will continue, but many in Hollywood estimate it won’t be resolved before September.\u003c/p>\n\u003cp>This week, leaders of the other major Hollywood Union, SAG-AFTRA, which represents actors and other performers, \u003ca href=\"https://www.youtube.com/watch?v=iQv94Odx7DI&t=2s\">tried to assure members that their contract negotiations with the AMPTP were going well\u003c/a>. Almost immediately, more than 300 actors, including Meryl Streep, Jennifer Lawrence and Quinta Brunson, \u003ca href=\"https://www.rollingstone.com/tv-movies/tv-movie-news/jennifer-lawrence-meryl-streep-actors-threaten-strike-sag-aftra-letter-exclusive-1234779586/\">sent a letter to their union\u003c/a> saying they’re ready to strike for the best deal possible. Their current contract ends Friday and members have already overwhelmingly voted to authorize a strike. (Many of NPR’s employees are members of SAG-AFTRA. Broadcast members are covered by a different contract than TV/Theatrical members though, so we won’t be on strike if one is called, and our own contract is not affected by these negotiations.)\u003c/p>\n\u003cp>The writers strike and the looming possibility of an actors strike is also significantly affecting film and TV marketing plans as well as the upcoming awards season.\u003c/p>\n\u003cp>Every year at Comic-Con International: San Diego — the big annual convention for comic book and sci fi fans — Hollywood studios host filled-to-capacity presentations of their upcoming movies. Last year in the convention’s renowned Hall H, Marvel brought out the stars of its film franchises \u003cem>Ant Man \u003c/em>and \u003cem>Guardians of the Galaxy\u003c/em>. \u003ca href=\"https://www.youtube.com/watch?v=mwPTfpSTGzk\">\u003cem>Black Panther\u003c/em> director Ryan Coogler was onstage with his cast and offered the crowd the first sneak peak of \u003cem>Black Panther: Wakanda Forever\u003c/em>\u003c/a>. But this year, Marvel and Disney are not making any big presentations. Neither are Netflix, Sony or Universal.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The Emmy Awards, which are set to air on FOX in September, could be delayed for months. \u003ca href=\"https://www.nytimes.com/2023/06/21/business/media/emmy-awards-writers-strike.html?partner=slack&smid=sl-share\">Reports in \u003cem>The New York Times\u003c/em>\u003c/a>, \u003cem>The Hollywood Reporter\u003c/em> and other outlets suggest the organizers are discussing various contingency plans if the writers strike isn’t resolved this summer. Nominations are still scheduled to be announced Tuesday, July 12.\u003c/p>\n\u003cp>To manage the personal financial costs of a prolonged strike, many writers on the picket lines say they are relying on their fast-dwindling savings. Industry guilds, the Entertainment Community Fund, Women in Film and others have created emergency relief funds to support members.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The shutdowns are also impacting many others working behind the scenes on film crews, including cinematographers, editors, grips, costumers, caterers and truck drivers. According to Film LA, which handles permits for film shoots on city streets and other locations, there were only two scripted TV series shooting in Los Angeles this week. Normally at this time of year, there would be dozens of TV projects in production.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The work stoppage affects many businesses that rely on the Hollywood economy, including restaurants, hotels and transportation. According to the Milken Institute, the 2008 writers strike, which lasted 100 days, cost the LA economy more than $2 billion in lost revenue.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For audiences accustomed to a steady — and at times overflowing — stream of new films and TV series, this dramatic slowdown in productions will have a palpable impact in the year to come.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Not+coming+to+a+screen+near+you+%E2%80%93+viewers+will+soon+feel+effects+of+the+writers+strike&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Late-night TV shows including \u003cem>The Tonight Show\u003c/em> and \u003cem>The Daily Show\u003c/em> will begin airing reruns Tuesday as unionized screenwriters soured by diminished pay in the streaming era went on strike for the first time in 15 years.\u003c/p>\n\u003cp>Some 11,500 film and television writers represented by the Writers Guild of America put down their pens and laptops after failing to reach a new contract with the trade association that represents Hollywood studios and production companies.\u003c/p>\n\u003cp>The labor dispute could have a cascading effect on TV and film productions depending on how long the strike lasts, and it comes as streaming services are under growing pressure from Wall Street to show profits.\u003c/p>\n\u003cp>Late-night television was the first to feel the fallout, just as it was during the 2007 writers strike that last for 100 days.\u003c/p>\n\u003cp>All of the top late-night shows, which are staffed by writers that pen monologues and jokes for their hosts, immediately went dark. NBC’s \u003cem>The Tonight Show\u003c/em>, Comedy Central’s \u003cem>Daily Show\u003c/em>, ABC’s \u003cem>Jimmy Kimmel Live\u003c/em>, CBS’s \u003cem>The Late Show\u003c/em> and NBC’s \u003cem>Late Night\u003c/em> all made plans for reruns through the week.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/MorePerfectUS/status/1653403030635573249\u003c/p>\n\u003cp>NBC didn’t immediately comment on plans for \u003cem>Saturday Night Live\u003c/em>. The sketch show is scheduled to air a new episode Saturday hosted by Pete Davidson.\u003c/p>\n\u003cp>“Everyone including myself hope both sides reach a deal. But I also think that the writers’ demands are not unreasonable,” host Stephen Colbert said on Monday’s \u003cem>Late Show\u003c/em>.\u003c/p>\n\u003cp>“This nation owes so much to unions,” Colbert said. “Unions are the reason we have weekends, and by extension why we have TGI Fridays.”\u003c/p>\n\u003cp>https://twitter.com/MorePerfectUS/status/1653430865974657024\u003c/p>\n\u003cp>The strike’s impact on scripted series and films will take longer to notice; those with finished scripts are permitted to continue shooting. During the 2007 strike, late-night hosts eventually returned to air and improvised their way through shows.\u003c/p>\n\u003cp>One late-night show won’t go dark. Fox News’ \u003cem>Gutfeld!\u003c/em> with Greg Gutfeld will continue airing new episodes, Fox said Tuesday.\u003c/p>\n\u003cp>[aside postid='arts_13928016']The writers’ guild is seeking higher minimum pay, less thinly staffed writing rooms, shorter exclusive contracts and a reworking of residual pay — all conditions it says have been diminished in the content boom driven by streaming.\u003c/p>\n\u003cp>“The companies’ behavior has created a gig economy inside a union workforce,” the WGA said in a statement.\u003c/p>\n\u003cp>Picket lines were planned Tuesday in Los Angeles and New York, including outside the Manhattan building where NBCUniversal is holding an event for advertisers to its streaming service, Peacock.\u003c/p>\n\u003cp>In Los Angeles, writers plan to demonstrate outside the offices of Walt Disney Co., Netflix, Amazon, Universal, Warner Bros., Paramount, CBS and Sony.\u003c/p>\n\u003cp>The Alliance of Motion Picture and Television Producers, which represents studios and productions companies, said it presented an offer with “generous increases in compensation for writers as well as improvements in streaming residuals.”\u003c/p>\n\u003cp>[aside postid='arts_13927621']The trade association said in a statement that it was prepared to improve its offer “but was unwilling to do so because of the magnitude of other proposals still on the table that the guild continues to insist upon.”\u003c/p>\n\u003cp>A shutdown has been widely forecast for months. The writers last month voted overwhelmingly to authorize a strike, with 98% of membership in support. Writers say their pay isn’t keeping pace with inflation, TV writer rooms have shrunk too much and the old calculus for how residuals are paid out needs to be redrawn.\u003c/p>\n\u003cp>Streaming has exploded the number of series and films that are annually made, meaning more jobs for writers. But writers say they’re making less than they used to while working under more strained conditions.\u003c/p>\n\u003cp>The guild is seeking more compensation for writers up front. That’s because many of the payments writers have historically profited from on the back end — like syndication and international licensing — have been largely phased out by the onset of streaming.\u003c/p>\n\u003cp>More writers — roughly half — are being paid minimum rates, an increase of 16% over the last decade.\u003c/p>\n\u003cp>[aside postid='arts_13927554']Hollywood’s trade association said Monday that the primary sticking points to a deal revolved around so-called mini-rooms — the guild is seeking a minimum number of scribes per writer room — and the duration of employment contracts.\u003c/p>\n\u003cp>The guild has said more flexibility for writers is needed when they’re contracted for series that have tended to be shorter-lived than the once-standard 20-plus episode broadcast season.\u003c/p>\n\u003cp>Many studios and production companies are slashing spending. The Walt Disney Co. is eliminating 7,000 jobs. Warner Bros. Discovery is cutting costs to lessen its debt. Netflix has pumped the breaks on spending growth.\u003c/p>\n\u003cp>Films will take longer to be affected, and if a strike persisted through the summer, fall TV schedules could be upended. Meantime, not having writers available for rewrites can have a dramatic effect on quality.\u003c/p>\n\u003cp>The James Bond film \u003cem>Quantum of Solace\u003c/em> was one of many films rushed into production during the 2007-2008 strike with what Daniel Craig called “the bare bones of a script.”\u003c/p>\n\u003cp>“There was me trying to rewrite scenes — and a writer I am not,” Craig later recounted.\u003c/p>\n\u003cp>[aside postid='arts_13927774']With a walkout long expected, writers have rushed to get scripts in and studios have sought to prepare their pipelines to keep churning out content for at least the short term.\u003c/p>\n\u003cp>“We’re assuming the worst from a business perspective,” David Zaslav, chief executive of Warner Bros. Discovery, said last month. “We’ve got ourselves ready. We’ve had a lot of content that’s been produced.”\u003c/p>\n\u003cp>Overseas series could also fill some of the void. “We have a large base of upcoming shows and films from around the world,” Ted Sarandos, Netflix co-chief executive, said on the company’s earnings call in April.\u003c/p>\n\u003cp>Yet the WGA strike may only be the beginning. Contracts for both the Directors Guild of America and SAG-AFTRA, the actors union, expire in June. Some of the same issues around the business model of streaming will factor into those bargaining sessions. The DGA is set to begin negotiations with AMPTP on May 10.\u003c/p>\n\u003cp>AP Media Writer David Bauder in New York contributed to this report.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Copyright 2023 Associated Press. To see more, \u003ca href=\"https://apnews.com/\" rel=\"noopener\">visit AP\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The strike’s impact on scripted series and films will take longer to notice; those with finished scripts are permitted to continue shooting. During the 2007 strike, late-night hosts eventually returned to air and improvised their way through shows.\u003c/p>\n\u003cp>One late-night show won’t go dark. Fox News’ \u003cem>Gutfeld!\u003c/em> with Greg Gutfeld will continue airing new episodes, Fox said Tuesday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The writers’ guild is seeking higher minimum pay, less thinly staffed writing rooms, shorter exclusive contracts and a reworking of residual pay — all conditions it says have been diminished in the content boom driven by streaming.\u003c/p>\n\u003cp>“The companies’ behavior has created a gig economy inside a union workforce,” the WGA said in a statement.\u003c/p>\n\u003cp>Picket lines were planned Tuesday in Los Angeles and New York, including outside the Manhattan building where NBCUniversal is holding an event for advertisers to its streaming service, Peacock.\u003c/p>\n\u003cp>In Los Angeles, writers plan to demonstrate outside the offices of Walt Disney Co., Netflix, Amazon, Universal, Warner Bros., Paramount, CBS and Sony.\u003c/p>\n\u003cp>The Alliance of Motion Picture and Television Producers, which represents studios and productions companies, said it presented an offer with “generous increases in compensation for writers as well as improvements in streaming residuals.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The trade association said in a statement that it was prepared to improve its offer “but was unwilling to do so because of the magnitude of other proposals still on the table that the guild continues to insist upon.”\u003c/p>\n\u003cp>A shutdown has been widely forecast for months. The writers last month voted overwhelmingly to authorize a strike, with 98% of membership in support. Writers say their pay isn’t keeping pace with inflation, TV writer rooms have shrunk too much and the old calculus for how residuals are paid out needs to be redrawn.\u003c/p>\n\u003cp>Streaming has exploded the number of series and films that are annually made, meaning more jobs for writers. But writers say they’re making less than they used to while working under more strained conditions.\u003c/p>\n\u003cp>The guild is seeking more compensation for writers up front. That’s because many of the payments writers have historically profited from on the back end — like syndication and international licensing — have been largely phased out by the onset of streaming.\u003c/p>\n\u003cp>More writers — roughly half — are being paid minimum rates, an increase of 16% over the last decade.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Hollywood’s trade association said Monday that the primary sticking points to a deal revolved around so-called mini-rooms — the guild is seeking a minimum number of scribes per writer room — and the duration of employment contracts.\u003c/p>\n\u003cp>The guild has said more flexibility for writers is needed when they’re contracted for series that have tended to be shorter-lived than the once-standard 20-plus episode broadcast season.\u003c/p>\n\u003cp>Many studios and production companies are slashing spending. The Walt Disney Co. is eliminating 7,000 jobs. Warner Bros. Discovery is cutting costs to lessen its debt. Netflix has pumped the breaks on spending growth.\u003c/p>\n\u003cp>Films will take longer to be affected, and if a strike persisted through the summer, fall TV schedules could be upended. Meantime, not having writers available for rewrites can have a dramatic effect on quality.\u003c/p>\n\u003cp>The James Bond film \u003cem>Quantum of Solace\u003c/em> was one of many films rushed into production during the 2007-2008 strike with what Daniel Craig called “the bare bones of a script.”\u003c/p>\n\u003cp>“There was me trying to rewrite scenes — and a writer I am not,” Craig later recounted.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>With a walkout long expected, writers have rushed to get scripts in and studios have sought to prepare their pipelines to keep churning out content for at least the short term.\u003c/p>\n\u003cp>“We’re assuming the worst from a business perspective,” David Zaslav, chief executive of Warner Bros. Discovery, said last month. “We’ve got ourselves ready. We’ve had a lot of content that’s been produced.”\u003c/p>\n\u003cp>Overseas series could also fill some of the void. “We have a large base of upcoming shows and films from around the world,” Ted Sarandos, Netflix co-chief executive, said on the company’s earnings call in April.\u003c/p>\n\u003cp>Yet the WGA strike may only be the beginning. Contracts for both the Directors Guild of America and SAG-AFTRA, the actors union, expire in June. Some of the same issues around the business model of streaming will factor into those bargaining sessions. The DGA is set to begin negotiations with AMPTP on May 10.\u003c/p>\n\u003cp>AP Media Writer David Bauder in New York contributed to this report.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"perspectives": {
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"source": "npr"
},
"link": "/radio/program/reveal",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
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