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"content": "\u003cp>It’s been six long years since \u003ca href=\"https://www.kqed.org/pop/tag/ariana-grande\">Ariana Grande\u003c/a> went on tour. So it’s big news that her just-announced Eternal Sunshine tour crisscrosses North America next summer, and it’s an added bonus for the Bay Area that the entire tour kicks off right here with \u003ca href=\"https://www.ticketmaster.com/ariana-grande-the-eternal-sunshine-tour-oakland-california-06-06-2026/event/1C00631913D14AD8\">two nights in Oakland\u003c/a>. \u003c/p>\n\u003cp>Ariana Grande will play the \u003ca href=\"https://www.kqed.org/arts/tag/oakland-arena\">Oakland Arena\u003c/a> on Saturday, June 6, and Tuesday, June 9. The shows are sure to sell out quickly — and we’ve got details on how you can buy tickets before the general public.\u003c/p>\n\u003cp>Presale tickets for Ariana Grande’s shows go on sale Tuesday, Sept. 9, at 10 a.m. local time. In order to be eligible for the presale, you must sign up at \u003ca href=\"https://signup.ticketmaster.com/arianagrande\">this presale link right here\u003c/a>. There is no presale code; access to the presale is tied directly to your Ticketmaster account. Presale signups close at 11 a.m. Pacific Time on Sunday, Sept. 7.\u003c/p>\n\u003cp>[aside postID='arts_13962051']After signing up, you will receive a presale link via email the day before, on Sept. 8. Then, on Sept. 9, you can join the ticket waiting room at 9:30 a.m., 30 minutes before the presale starts. \u003c/p>\n\u003cp>As of this time, no other presales have been announced for the Ariana Grande tour, such as credit card presales, Spotify presales or Live Nation presales. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The general onsale for the Oakland shows starts Wednesday, Sept. 10, at 10 a.m. Pacific Time.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s been six long years since \u003ca href=\"https://www.kqed.org/pop/tag/ariana-grande\">Ariana Grande\u003c/a> went on tour. So it’s big news that her just-announced Eternal Sunshine tour crisscrosses North America next summer, and it’s an added bonus for the Bay Area that the entire tour kicks off right here with \u003ca href=\"https://www.ticketmaster.com/ariana-grande-the-eternal-sunshine-tour-oakland-california-06-06-2026/event/1C00631913D14AD8\">two nights in Oakland\u003c/a>. \u003c/p>\n\u003cp>Ariana Grande will play the \u003ca href=\"https://www.kqed.org/arts/tag/oakland-arena\">Oakland Arena\u003c/a> on Saturday, June 6, and Tuesday, June 9. The shows are sure to sell out quickly — and we’ve got details on how you can buy tickets before the general public.\u003c/p>\n\u003cp>Presale tickets for Ariana Grande’s shows go on sale Tuesday, Sept. 9, at 10 a.m. local time. In order to be eligible for the presale, you must sign up at \u003ca href=\"https://signup.ticketmaster.com/arianagrande\">this presale link right here\u003c/a>. There is no presale code; access to the presale is tied directly to your Ticketmaster account. Presale signups close at 11 a.m. Pacific Time on Sunday, Sept. 7.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>After signing up, you will receive a presale link via email the day before, on Sept. 8. Then, on Sept. 9, you can join the ticket waiting room at 9:30 a.m., 30 minutes before the presale starts. \u003c/p>\n\u003cp>As of this time, no other presales have been announced for the Ariana Grande tour, such as credit card presales, Spotify presales or Live Nation presales. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Doechii has announced a show at \u003ca href=\"https://www.kqed.org/arts/tag/san-francisco\">San Francisco\u003c/a>’s Bill Graham Civic Auditorium on Nov. 7, and we’ve got the scoop on how to buy presale \u003ca href=\"https://www.kqed.org/arts/tag/tickets\">tickets\u003c/a>. \u003c/p>\n\u003cp>Doechii’s \u003ca href=\"https://www.livefromtheswamp.com/\">Live From the Swamp\u003c/a> tour follows a fast-flowing river of Ws for the rap phenomenon, including a show-stealing set at the Grammy Awards, a Top 10 hit with “Anxiety” and a buzzed-about Lollapalooza performance this past weekend. (She’s also raking it in with commercials for Samsung, Nike and CashApp.)\u003c/p>\n\u003cp>For Doechii’s show on Friday, Nov. 7 in San Francisco — a return visit after this weekend’s upcoming \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> set — expect tickets for the 8,500-capacity Bill Graham Civic to sell out quickly. Presales are your best bet here, and there are two to take advantage of. \u003c/p>\n\u003cp>An artist presale starts on Friday, Aug. 8, at 10 a.m. To access it, you’ll have to \u003ca href=\"https://signup.ticketmaster.com/doechii\">sign up here for the artist presale\u003c/a> by a deadline of 10 p.m. on Wednesday, Aug. 6. No presale code will be sent to you via text or email — registration is tied to ticket buyers’ Ticketmaster accounts. \u003c/p>\n\u003cp>A presale for Verizon customers starts on Thursday, August 7, at 10:00 a.m. To access that presale, you’ll have to be an existing Verizon customer. More details can be found by logging in at \u003ca href=\"https://www.verizon.com/my-access-rewards/\">Verizon’s presale site\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A \u003ca href=\"https://www.ticketmaster.com/doechii-live-from-the-swamp-tour-san-francisco-california-11-07-2025/event/1C0062FDC1AA5367\">general onsale\u003c/a>, accessible to the public, starts on Monday, Aug. 11, at 10 a.m. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Doechii has announced a show at \u003ca href=\"https://www.kqed.org/arts/tag/san-francisco\">San Francisco\u003c/a>’s Bill Graham Civic Auditorium on Nov. 7, and we’ve got the scoop on how to buy presale \u003ca href=\"https://www.kqed.org/arts/tag/tickets\">tickets\u003c/a>. \u003c/p>\n\u003cp>Doechii’s \u003ca href=\"https://www.livefromtheswamp.com/\">Live From the Swamp\u003c/a> tour follows a fast-flowing river of Ws for the rap phenomenon, including a show-stealing set at the Grammy Awards, a Top 10 hit with “Anxiety” and a buzzed-about Lollapalooza performance this past weekend. (She’s also raking it in with commercials for Samsung, Nike and CashApp.)\u003c/p>\n\u003cp>For Doechii’s show on Friday, Nov. 7 in San Francisco — a return visit after this weekend’s upcoming \u003ca href=\"https://www.kqed.org/arts/tag/outside-lands\">Outside Lands\u003c/a> set — expect tickets for the 8,500-capacity Bill Graham Civic to sell out quickly. Presales are your best bet here, and there are two to take advantage of. \u003c/p>\n\u003cp>An artist presale starts on Friday, Aug. 8, at 10 a.m. To access it, you’ll have to \u003ca href=\"https://signup.ticketmaster.com/doechii\">sign up here for the artist presale\u003c/a> by a deadline of 10 p.m. on Wednesday, Aug. 6. No presale code will be sent to you via text or email — registration is tied to ticket buyers’ Ticketmaster accounts. \u003c/p>\n\u003cp>A presale for Verizon customers starts on Thursday, August 7, at 10:00 a.m. To access that presale, you’ll have to be an existing Verizon customer. More details can be found by logging in at \u003ca href=\"https://www.verizon.com/my-access-rewards/\">Verizon’s presale site\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>At long last, \u003ca href=\"https://www.kqed.org/arts/tag/lady-gaga\">Lady Gaga\u003c/a> has announced San Francisco dates for her MAYHEM Ball tour. Tickets for the three shows, on July 22, 24 and 26 at the \u003ca href=\"https://www.kqed.org/arts/tag/chase-center\">Chase Center\u003c/a>, go on sale this week — and we have presale details.\u003c/p>\n\u003cp>Presale tickets for Lady Gaga’s San Francisco shows go on sale \u003cstrong>Thursday, April 24\u003c/strong> at noon Pacific Daylight Time (PDT) to Citi cardmembers. The first six digits of an eligible Citi credit or debit card are your presale code, and you’ve got to buy the tickets using a Citi card. If you don’t have a Citi credit card, you can \u003ca href=\"https://www.citi.com/usc/LPACA/Citi/Cards/CustomCash/ps/index.html?ProspectID=PxmWzcNsIt22lmf2jceyC6sAq4jDG973\">apply for something called a Citi custom cash card\u003c/a> and, if approved, “may be eligible to receive temporary card details if Citi is able to instantly verify your identity” — in other words, you’d get a credit card number to type in to access and purchase tickets on Ticketmaster \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>[aside postID='forum_2010101892062']Presale tickets go on sale to Verizon customers on \u003cstrong>Friday, April 25\u003c/strong> at noon PDT, “just for being a Verizon customer.” More details from Verizon \u003ca href=\"https://www.verizon.com/my-access-rewards/\">here\u003c/a>; Ticketmaster link is \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>An artist presale starts \u003cstrong>Monday, April 28\u003c/strong> at noon PDT. You can \u003ca href=\"https://signup.ticketmaster.com/ladygaga\">sign up here\u003c/a> to access the artist presale (the deadline to sign up is 7 a.m. PDT on Thursday, April 24).\u003c/p>\n\u003cp>Expensive \u003cstrong>VIP packages\u003c/strong> will be available for the San Francisco shows, although currently there’s no details on Live Nation’s site about them. If you’re a superfan interested in VIP, \u003ca href=\"https://www.vipnation.com/tour/2025-26\">keep checking back here\u003c/a> to see if the San Francisco shows get added. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='arts_13972793']And finally, tickets go on sale to the general public on \u003cstrong>Tuesday, April 29\u003c/strong> at noon PDT \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>As always, be sure to sign in to your Ticketmaster account early, have your credit card ready or already stored in your account, have patience in any virtual waiting rooms or queues, and try to fight off the anxiety that’s strategically engineered by Ticketmaster to make you panic in the moment and overspend. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Good luck!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At long last, \u003ca href=\"https://www.kqed.org/arts/tag/lady-gaga\">Lady Gaga\u003c/a> has announced San Francisco dates for her MAYHEM Ball tour. Tickets for the three shows, on July 22, 24 and 26 at the \u003ca href=\"https://www.kqed.org/arts/tag/chase-center\">Chase Center\u003c/a>, go on sale this week — and we have presale details.\u003c/p>\n\u003cp>Presale tickets for Lady Gaga’s San Francisco shows go on sale \u003cstrong>Thursday, April 24\u003c/strong> at noon Pacific Daylight Time (PDT) to Citi cardmembers. The first six digits of an eligible Citi credit or debit card are your presale code, and you’ve got to buy the tickets using a Citi card. If you don’t have a Citi credit card, you can \u003ca href=\"https://www.citi.com/usc/LPACA/Citi/Cards/CustomCash/ps/index.html?ProspectID=PxmWzcNsIt22lmf2jceyC6sAq4jDG973\">apply for something called a Citi custom cash card\u003c/a> and, if approved, “may be eligible to receive temporary card details if Citi is able to instantly verify your identity” — in other words, you’d get a credit card number to type in to access and purchase tickets on Ticketmaster \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Presale tickets go on sale to Verizon customers on \u003cstrong>Friday, April 25\u003c/strong> at noon PDT, “just for being a Verizon customer.” More details from Verizon \u003ca href=\"https://www.verizon.com/my-access-rewards/\">here\u003c/a>; Ticketmaster link is \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>An artist presale starts \u003cstrong>Monday, April 28\u003c/strong> at noon PDT. You can \u003ca href=\"https://signup.ticketmaster.com/ladygaga\">sign up here\u003c/a> to access the artist presale (the deadline to sign up is 7 a.m. PDT on Thursday, April 24).\u003c/p>\n\u003cp>Expensive \u003cstrong>VIP packages\u003c/strong> will be available for the San Francisco shows, although currently there’s no details on Live Nation’s site about them. If you’re a superfan interested in VIP, \u003ca href=\"https://www.vipnation.com/tour/2025-26\">keep checking back here\u003c/a> to see if the San Francisco shows get added. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>And finally, tickets go on sale to the general public on \u003cstrong>Tuesday, April 29\u003c/strong> at noon PDT \u003ca href=\"https://www.ticketmaster.com/lady-gaga-tickets/artist/1249444\">here\u003c/a>. \u003c/p>\n\u003cp>As always, be sure to sign in to your Ticketmaster account early, have your credit card ready or already stored in your account, have patience in any virtual waiting rooms or queues, and try to fight off the anxiety that’s strategically engineered by Ticketmaster to make you panic in the moment and overspend. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Good luck!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>President Donald Trump invited Kid Rock into the Oval Office on Monday and signed an executive order that he says will help curb \u003ca href=\"https://www.kqed.org/arts/tag/tickets\">ticket scalping\u003c/a> and bring “commonsense” changes to the way live events are priced.\u003c/p>\n\u003cp>“Anyone who’s bought a concert ticket in the last decade, maybe 20 years — no matter what your politics are — knows that it’s a conundrum,” said Kid Rock, who wore a red bedazzled suit featuring an American flag motif and a straw fedora.\u003c/p>\n\u003cp>Designed to stop “price-gouging by middlemen,” \u003ca href=\"https://www.whitehouse.gov/presidential-actions/2025/03/combating-unfair-practices-in-the-live-entertainment-market/\">the order\u003c/a> directs Attorney General Pam Bondi and Treasury Secretary Scott Bessent to ensure that scalpers offering tickets at higher prices than their face value comply with all Internal Revenue Service rules.\u003c/p>\n\u003cp>[aside postID='arts_13841293']It also orders the Federal Trade Commission to ensure “price transparency at all stages of the ticket-purchase process” and to “take enforcement action to prevent unfair, deceptive, and anti-competitive conduct in the secondary ticketing market,” which the Trump administration argues can restore sensibility and order to the ticket market.\u003c/p>\n\u003cp>Trump said he knows Kid Rock, a longtime supporter whose real name is Robert James Ritchie, as simply “Bob.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“He’s been a good friend for a long time,” Trump said.\u003c/p>\n\u003cp>The president said rising fees for concerts and other events have “gotten worse and worse with time.” Kid Rock agreed.\u003c/p>\n\u003cp>“You can buy a ticket for $100. By the time you check out, it’s $170. You don’t know what you’ve been charged for,” Kid Rock said. “But, more importantly, the bots, you know, they come in, they get all the good tickets to your favorite shows you want to go to, and then they’re relisted immediately for sometimes 400-500% markup.”\u003c/p>\n\u003cp>[aside postID='arts_13958396']The order mostly directs federal agencies to enforce existing laws. Still, it marks a rare instance of policy crossover with the administration of Democratic President Joe Biden, which used the FTC to target “junk fees,” or levies tacked on at the end of the purchase process that can mask the full price of things like concert tickets, hotel rooms and utility bills.\u003c/p>\n\u003cp>Under Biden, the Justice Department also \u003ca href=\"https://https://www.kqed.org/arts/13958396/ticketmaster-lawsuit-justice-department-fees-scalping-monopoly\">sued Ticketmaster\u003c/a> and its parent company, Live Nation Entertainment, last year. It accused them of running an illegal monopoly over live events and asked a court to break up the system that squelches competition and drives up prices for fans.\u003c/p>\n\u003cp>Live Nation said Monday evening that “scalpers and bots prevent fans from getting tickets at the prices artists set, and we thank President Trump for taking them head-on.”\u003c/p>\n\u003cp>“We support any meaningful resale reforms,” the company said in a statement, adding that it included backing caps on resale prices. Live Nation CEO Michael Rapino also thanked Trump and Kid Rock in a post on X.\u003c/p>\n\u003cp>Those companies have a history of clashing with major artists, including Bruce Springsteen and \u003ca href=\"https://www.kqed.org/arts/tag/taylor-swift\">Taylor Swift\u003c/a>, whose summer 2022 stadium tour was plagued by difficulty getting tickets. Country music star Zach Bryan even released a 2022 album titled \u003ca href=\"https://www.kqed.org/arts/13923059/all-my-homies-hate-ticketmaster-zach-bryan\">\u003cem>All My Homies Hate Ticketmaster\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[aside postID='arts_13923059']A representative for Bryan said he had “nothing to add” when asked to comment on the executive order.\u003c/p>\n\u003cp>The Biden administration used such initiatives as a way to protect consumers from rising prices that were already inflated. Trump, meanwhile, campaigned on combating high ticket prices, calling them “very unfortunate.”\u003c/p>\n\u003cp>Kid Rock, known for hits like “Cowboy” and “Bawitdaba,” called Trump’s order a “great first step” and said he’d eventually like to see a cap on resale prices on tickets — while quickly adding, “I’m a capitalist.” He also said he’d spoken to Ticketmaster, which he described as “on board” with the change.\u003c/p>\n\u003cp>The White House says America’s live concert and entertainment industry has a total nationwide economic impact of $132.6 billion and supports 913,000 jobs, “But it has become blighted by unscrupulous middle-men who impose egregious fees on fans with no benefit to artists,” according to a fact sheet it released Monday.\u003c/p>\n\u003cp>[aside postID='arts_13926475']Trump’s order further directs federal officials and the FTC to deliver a report in six months “summarizing actions taken to address the issue of unfair practices in the live concert and entertainment industry and recommend additional regulations or legislation needed to protect consumers in this industry.”\u003c/p>\n\u003cp>“Ticket scalpers use bots and other unfair means to acquire large quantities of face-value tickets, then re-sell them at an enormous markup on the secondary market, price-gouging consumers and depriving fans of the opportunity to see their favorite artists without incurring extraordinary expenses,” the White House fact sheet said.\u003c/p>\n\u003cp>It also noted that higher prices don’t mean additional profits for artists but instead go “solely to the scalper and the ticketing agency.”\u003c/p>\n\u003cp>Kid Rock agreed that such markups don’t benefit artists like himself, then chuckled while offering, “I’ll be the first one to say, and I know the president doesn’t like when I say this, but, I’m a little overpaid right now.”\u003c/p>\n\u003cp>“It’s kind of ridiculous. I would rather be, you know, a hero to working-class people and have them be able to come attend my shows and give them a fair ticket price,” he said. “I can’t control that right now so hopefully this is a step to make that happen.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Associated Press writer Maria Sherman contributed to this report from New York.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>President Donald Trump invited Kid Rock into the Oval Office on Monday and signed an executive order that he says will help curb \u003ca href=\"https://www.kqed.org/arts/tag/tickets\">ticket scalping\u003c/a> and bring “commonsense” changes to the way live events are priced.\u003c/p>\n\u003cp>“Anyone who’s bought a concert ticket in the last decade, maybe 20 years — no matter what your politics are — knows that it’s a conundrum,” said Kid Rock, who wore a red bedazzled suit featuring an American flag motif and a straw fedora.\u003c/p>\n\u003cp>Designed to stop “price-gouging by middlemen,” \u003ca href=\"https://www.whitehouse.gov/presidential-actions/2025/03/combating-unfair-practices-in-the-live-entertainment-market/\">the order\u003c/a> directs Attorney General Pam Bondi and Treasury Secretary Scott Bessent to ensure that scalpers offering tickets at higher prices than their face value comply with all Internal Revenue Service rules.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The order mostly directs federal agencies to enforce existing laws. Still, it marks a rare instance of policy crossover with the administration of Democratic President Joe Biden, which used the FTC to target “junk fees,” or levies tacked on at the end of the purchase process that can mask the full price of things like concert tickets, hotel rooms and utility bills.\u003c/p>\n\u003cp>Under Biden, the Justice Department also \u003ca href=\"https://https://www.kqed.org/arts/13958396/ticketmaster-lawsuit-justice-department-fees-scalping-monopoly\">sued Ticketmaster\u003c/a> and its parent company, Live Nation Entertainment, last year. It accused them of running an illegal monopoly over live events and asked a court to break up the system that squelches competition and drives up prices for fans.\u003c/p>\n\u003cp>Live Nation said Monday evening that “scalpers and bots prevent fans from getting tickets at the prices artists set, and we thank President Trump for taking them head-on.”\u003c/p>\n\u003cp>“We support any meaningful resale reforms,” the company said in a statement, adding that it included backing caps on resale prices. Live Nation CEO Michael Rapino also thanked Trump and Kid Rock in a post on X.\u003c/p>\n\u003cp>Those companies have a history of clashing with major artists, including Bruce Springsteen and \u003ca href=\"https://www.kqed.org/arts/tag/taylor-swift\">Taylor Swift\u003c/a>, whose summer 2022 stadium tour was plagued by difficulty getting tickets. Country music star Zach Bryan even released a 2022 album titled \u003ca href=\"https://www.kqed.org/arts/13923059/all-my-homies-hate-ticketmaster-zach-bryan\">\u003cem>All My Homies Hate Ticketmaster\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A representative for Bryan said he had “nothing to add” when asked to comment on the executive order.\u003c/p>\n\u003cp>The Biden administration used such initiatives as a way to protect consumers from rising prices that were already inflated. Trump, meanwhile, campaigned on combating high ticket prices, calling them “very unfortunate.”\u003c/p>\n\u003cp>Kid Rock, known for hits like “Cowboy” and “Bawitdaba,” called Trump’s order a “great first step” and said he’d eventually like to see a cap on resale prices on tickets — while quickly adding, “I’m a capitalist.” He also said he’d spoken to Ticketmaster, which he described as “on board” with the change.\u003c/p>\n\u003cp>The White House says America’s live concert and entertainment industry has a total nationwide economic impact of $132.6 billion and supports 913,000 jobs, “But it has become blighted by unscrupulous middle-men who impose egregious fees on fans with no benefit to artists,” according to a fact sheet it released Monday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Trump’s order further directs federal officials and the FTC to deliver a report in six months “summarizing actions taken to address the issue of unfair practices in the live concert and entertainment industry and recommend additional regulations or legislation needed to protect consumers in this industry.”\u003c/p>\n\u003cp>“Ticket scalpers use bots and other unfair means to acquire large quantities of face-value tickets, then re-sell them at an enormous markup on the secondary market, price-gouging consumers and depriving fans of the opportunity to see their favorite artists without incurring extraordinary expenses,” the White House fact sheet said.\u003c/p>\n\u003cp>It also noted that higher prices don’t mean additional profits for artists but instead go “solely to the scalper and the ticketing agency.”\u003c/p>\n\u003cp>Kid Rock agreed that such markups don’t benefit artists like himself, then chuckled while offering, “I’ll be the first one to say, and I know the president doesn’t like when I say this, but, I’m a little overpaid right now.”\u003c/p>\n\u003cp>“It’s kind of ridiculous. I would rather be, you know, a hero to working-class people and have them be able to come attend my shows and give them a fair ticket price,” he said. “I can’t control that right now so hopefully this is a step to make that happen.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Associated Press writer Maria Sherman contributed to this report from New York.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It wasn’t the night punk broke, but it was close. Nearly 50 years ago, the \u003ca href=\"https://www.kqed.org/arts/13914295/platinum-jubilee-london-queen-elizabeth-sex-pistols-god-save-the-queen\">Sex Pistols\u003c/a> — then made up of vocalist Johnny Rotten, guitarist Steve Jones, drummer Paul Cook and bassist Glen Matlock — performed at the 100 Club Punk Special in London, a 140-capacity club, alongside Subway Sect, Siouxsie and the Banshees and The Clash.\u003c/p>\n\u003cp>The event marked a shift for the subcultural movement; the bands here would soon bring their underground culture to reach mainstream heights.\u003c/p>\n\u003cp>[aside postid='arts_13961071']Now, the 2025 iteration of the Pistols — Jones, Cook and Matlock joined by frontman Frank Carter (of Gallows, Pure Love and Frank Carter and the Rattlesnakes) — sit in the same venue to discuss their forthcoming North American tour. “This is where it all kicked off, really, all the punk,” says Cook.\u003c/p>\n\u003cp>This fall, the legendary punk band will embark on their first tour of North America since 2003, when they were joined by John Lydon (formerly Rotten). The 2025 run with Carter begins Sept. 16 at the Longhorn Ballroom in Dallas, Texas — the site of a particularly hostile show for the band when it first toured the U.S. in 1978.\u003c/p>\n\u003cp>Jones recalls having “pigs’ hooves and bottles and what not slung at us by cowboys.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It is one of a few dates featured in three \u003cem>Live in the U.S.A.\u003c/em> albums, documenting the band’s ’78 run: Atlanta, Dallas and San Francisco. The latter will release April 25 and captures the show where the band originally called it quits.\u003c/p>\n\u003cp>“We were thinking of breaking up in San Francisco again,” Jones jokes.\u003c/p>\n\u003cp>The 2025 tour is currently scheduled to conclude Oct. 16 at the Hollywood Palladium in Los Angeles. The band will hit Washington; Philadelphia; Brooklyn, New York; Montreal; Toronto; Cleveland; Detroit; Minneapolis; Denver; Seattle and San Francisco. Additional tour dates will be announced later.\u003c/p>\n\u003cp>[aside postid='arts_13914295']Pre-sale opens April 2 and 3. \u003ca href=\"https://events.seated.com/sex-pistols-featuring-frank-carter\">Tickets go on sale April 4\u003c/a> at 10 a.m. local time.\u003c/p>\n\u003cp>They will perform the band’s sole album, 1977’s \u003cem>Never Mind the Bollocks, Here’s the Sex Pistols Album\u003c/em> live in its entirety as well as other material.\u003c/p>\n\u003cp>So, why tour the U.S. and Canada now?\u003c/p>\n\u003cp>“Why not?” says Jones.\u003c/p>\n\u003cp>“I think everybody needs this band right now. I think the world needs this band right now,” says Carter. “And I think definitely America is screaming out for a band like the Sex Pistols.”\u003c/p>\n\u003cp>“At the end of the day, we’re living in a really, really difficult time. So not only do people want to come and just be entertained, they want to enjoy themselves,” he continued. “Punk is an energetic music. It’s one where you can go and vent and let your hair down, hopefully in a safe manner. Fingers crossed, no bottles or pigs’ hooves.”\u003c/p>\n\u003cp>Carter fronted the Sex Pistols last year for a few U.K. dates. The band says they did not reach out to Lydon to see if he wanted to participate in this reunion tour.\u003c/p>\n\u003cp>“The last thing he wants to do is have anything to do with us right now,” says Jones, referring to a previous lawsuit between the singer and the band over music use in their TV series \u003cem>Pistol\u003c/em>. The judge ruled against Lydon’s opposition.\u003c/p>\n\u003cp>“We wish him the best,” Jones said.\u003c/p>\n\u003cp>[aside postid='arts_13967703']“Good luck to him,” adds Matlock. “I wish he thinks, maybe, ‘good luck’ to us. Probably doesn’t. But over the years, John (has had) all our phone numbers, and I can’t see many missed calls from him.”\u003c/p>\n\u003cp>As for the 2025 tour: Fans shouldn’t expect the violence of their 1978 run, but they should anticipate a tighter performance.\u003c/p>\n\u003cp>“We’re a bit older but we play just as well, if not better,” says Matlock. “And I think that’s something that’s got a great deal of aplomb that we’re going to bring to the public over there.”\u003c/p>\n\u003cp>Does this mean there could be new Sex Pistols music in the future? “It’s early days,” says Jones. “Let’s see what happens.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Sex Pistols perform at San Francisco’s Warfield on Oct. 15, 2025. \u003ca href=\"https://www.thewarfieldtheatre.com/events/detail/908696\">Tickets\u003c/a> go on sale at 10 a.m. on April 4, 2025.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Now, the 2025 iteration of the Pistols — Jones, Cook and Matlock joined by frontman Frank Carter (of Gallows, Pure Love and Frank Carter and the Rattlesnakes) — sit in the same venue to discuss their forthcoming North American tour. “This is where it all kicked off, really, all the punk,” says Cook.\u003c/p>\n\u003cp>This fall, the legendary punk band will embark on their first tour of North America since 2003, when they were joined by John Lydon (formerly Rotten). The 2025 run with Carter begins Sept. 16 at the Longhorn Ballroom in Dallas, Texas — the site of a particularly hostile show for the band when it first toured the U.S. in 1978.\u003c/p>\n\u003cp>Jones recalls having “pigs’ hooves and bottles and what not slung at us by cowboys.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It is one of a few dates featured in three \u003cem>Live in the U.S.A.\u003c/em> albums, documenting the band’s ’78 run: Atlanta, Dallas and San Francisco. The latter will release April 25 and captures the show where the band originally called it quits.\u003c/p>\n\u003cp>“We were thinking of breaking up in San Francisco again,” Jones jokes.\u003c/p>\n\u003cp>The 2025 tour is currently scheduled to conclude Oct. 16 at the Hollywood Palladium in Los Angeles. The band will hit Washington; Philadelphia; Brooklyn, New York; Montreal; Toronto; Cleveland; Detroit; Minneapolis; Denver; Seattle and San Francisco. Additional tour dates will be announced later.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Pre-sale opens April 2 and 3. \u003ca href=\"https://events.seated.com/sex-pistols-featuring-frank-carter\">Tickets go on sale April 4\u003c/a> at 10 a.m. local time.\u003c/p>\n\u003cp>They will perform the band’s sole album, 1977’s \u003cem>Never Mind the Bollocks, Here’s the Sex Pistols Album\u003c/em> live in its entirety as well as other material.\u003c/p>\n\u003cp>So, why tour the U.S. and Canada now?\u003c/p>\n\u003cp>“Why not?” says Jones.\u003c/p>\n\u003cp>“I think everybody needs this band right now. I think the world needs this band right now,” says Carter. “And I think definitely America is screaming out for a band like the Sex Pistols.”\u003c/p>\n\u003cp>“At the end of the day, we’re living in a really, really difficult time. So not only do people want to come and just be entertained, they want to enjoy themselves,” he continued. “Punk is an energetic music. It’s one where you can go and vent and let your hair down, hopefully in a safe manner. Fingers crossed, no bottles or pigs’ hooves.”\u003c/p>\n\u003cp>Carter fronted the Sex Pistols last year for a few U.K. dates. The band says they did not reach out to Lydon to see if he wanted to participate in this reunion tour.\u003c/p>\n\u003cp>“The last thing he wants to do is have anything to do with us right now,” says Jones, referring to a previous lawsuit between the singer and the band over music use in their TV series \u003cem>Pistol\u003c/em>. The judge ruled against Lydon’s opposition.\u003c/p>\n\u003cp>“We wish him the best,” Jones said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Good luck to him,” adds Matlock. “I wish he thinks, maybe, ‘good luck’ to us. Probably doesn’t. But over the years, John (has had) all our phone numbers, and I can’t see many missed calls from him.”\u003c/p>\n\u003cp>As for the 2025 tour: Fans shouldn’t expect the violence of their 1978 run, but they should anticipate a tighter performance.\u003c/p>\n\u003cp>“We’re a bit older but we play just as well, if not better,” says Matlock. “And I think that’s something that’s got a great deal of aplomb that we’re going to bring to the public over there.”\u003c/p>\n\u003cp>Does this mean there could be new Sex Pistols music in the future? “It’s early days,” says Jones. “Let’s see what happens.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Sex Pistols perform at San Francisco’s Warfield on Oct. 15, 2025. \u003ca href=\"https://www.thewarfieldtheatre.com/events/detail/908696\">Tickets\u003c/a> go on sale at 10 a.m. on April 4, 2025.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "A Ticket-Scalping Crew Stole and Resold Hundreds of Taylor Swift Tickets, Prosecutors Say",
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"content": "\u003cp>A cybercrime crew stole then resold more than 900 digital tickets to Taylor Swift concerts and other pricey events on StubHub, according to prosecutors in New York.\u003c/p>\n\u003cp>The international scam involved people working in Jamaica for a firm contracted by the online ticket marketplace, Queens District Attorney Melinda Katz said Monday.\u003c/p>\n\u003cp>The contractors stole the URLs of tickets purchased on StubHub and emailed them to others in New York, who then downloaded and resold them on StubHub at exorbitant prices, she said.\u003c/p>\n\u003cp>The crew raked in more than $600,000 in profits over roughly a year between June 2022 and July 2023, according to prosecutors.\u003c/p>\n\u003cp>[aside postID='forum_2010101892062']The majority of the stolen tickets were for Swift’s Eras Tour, but the thieves also scalped stolen tickets for Adele and Ed Sheeran concerts, NBA games and the U.S. Open Tennis Championships.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Katz added that investigators are still determining the extent of the operation, including other potential co-conspirators.\u003c/p>\n\u003cp>Two of those involved, Tyrone Rose and Shamara Simmons, were arrested and charged last Thursday with grand larceny, computer tampering and conspiracy charges, Katz’s office said.\u003c/p>\n\u003cp>Rose, 20, was among those in Jamaica who re-directed purchased tickets to the emails of Simmons, 31, and another accomplice based in the New York City borough of Queens, according to prosecutors.\u003c/p>\n\u003cp>Rose was apprehended while he was visiting New York and was ordered to surrender his passport, Katz’s office said Tuesday. He and Simmons pleaded not guilty and were released pending their next court date Friday.\u003c/p>\n\u003cp>The public defender’s office representing Rose declined to comment, and lawyers for Simmons didn’t immediately respond Tuesday.\u003c/p>\n\u003cp>StubHub said Tuesday that it had discovered the criminal scheme and reported it to authorities and its third-party customer service vendor.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The company said it has since terminated its relationship with the vendor and strengthened its security measures. All ticket orders so far identified as impacted by the theft have also been replaced or fully refunded, according to StubHub.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A cybercrime crew stole then resold more than 900 digital tickets to Taylor Swift concerts and other pricey events on StubHub, according to prosecutors in New York.\u003c/p>\n\u003cp>The international scam involved people working in Jamaica for a firm contracted by the online ticket marketplace, Queens District Attorney Melinda Katz said Monday.\u003c/p>\n\u003cp>The contractors stole the URLs of tickets purchased on StubHub and emailed them to others in New York, who then downloaded and resold them on StubHub at exorbitant prices, she said.\u003c/p>\n\u003cp>The crew raked in more than $600,000 in profits over roughly a year between June 2022 and July 2023, according to prosecutors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Katz added that investigators are still determining the extent of the operation, including other potential co-conspirators.\u003c/p>\n\u003cp>Two of those involved, Tyrone Rose and Shamara Simmons, were arrested and charged last Thursday with grand larceny, computer tampering and conspiracy charges, Katz’s office said.\u003c/p>\n\u003cp>Rose, 20, was among those in Jamaica who re-directed purchased tickets to the emails of Simmons, 31, and another accomplice based in the New York City borough of Queens, according to prosecutors.\u003c/p>\n\u003cp>Rose was apprehended while he was visiting New York and was ordered to surrender his passport, Katz’s office said Tuesday. He and Simmons pleaded not guilty and were released pending their next court date Friday.\u003c/p>\n\u003cp>The public defender’s office representing Rose declined to comment, and lawyers for Simmons didn’t immediately respond Tuesday.\u003c/p>\n\u003cp>StubHub said Tuesday that it had discovered the criminal scheme and reported it to authorities and its third-party customer service vendor.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The company said it has since terminated its relationship with the vendor and strengthened its security measures. All ticket orders so far identified as impacted by the theft have also been replaced or fully refunded, according to StubHub.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Billy Joel and Stevie Nicks have announced a co-headlining concert at Levi’s Stadium in Santa Clara on Oct. 4.\u003c/p>\n\u003cp>The two Rock and Roll Hall of Fame inductees are embarking on a “One Night, One Stage” tour, with the Levi’s Stadium show as the only Bay Area appearance. \u003c/p>\n\u003cp>The concert was announced in a press conference outside Levi’s Stadium on Thursday, replete with the 49ers mascot Sourdough Sam and dancers performing a medley of “Uptown Girl” and “Edge of Seventeen.”\u003c/p>\n\u003cfigure id=\"attachment_13972423\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720.jpg\" alt=\"\" width=\"2000\" height=\"1500\" class=\"size-full wp-image-13972423\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A press conference outside Levi’s Stadium on Thursday, Feb. 27, to announce Billy Joel and Stevie Nicks’ Oct. 4 concert. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Joel and Nicks, who have shared the stage in recent years, will perform for the first time at the stadium of the San Francisco 49ers. \u003c/p>\n\u003cp>Tickets will be available to the general public on Friday, March 7 at 10 a.m. A presale for Citi cardmembers starts Monday, March 3 at 10 a.m.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A representative from Live Nation on-site at Levi’s Stadium Thursday said he was unsure if \u003ca href=\"https://theticketlover.com/what-is-dynamic-pricing-ticketmaster/\">Ticketmaster’s dynamic pricing\u003c/a> would be in place for the onsale. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Billy Joel and Stevie Nicks have announced a co-headlining concert at Levi’s Stadium in Santa Clara on Oct. 4.\u003c/p>\n\u003cp>The two Rock and Roll Hall of Fame inductees are embarking on a “One Night, One Stage” tour, with the Levi’s Stadium show as the only Bay Area appearance. \u003c/p>\n\u003cp>The concert was announced in a press conference outside Levi’s Stadium on Thursday, replete with the 49ers mascot Sourdough Sam and dancers performing a medley of “Uptown Girl” and “Edge of Seventeen.”\u003c/p>\n\u003cfigure id=\"attachment_13972423\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720.jpg\" alt=\"\" width=\"2000\" height=\"1500\" class=\"size-full wp-image-13972423\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/02/img_2895_720-1920x1440.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A press conference outside Levi’s Stadium on Thursday, Feb. 27, to announce Billy Joel and Stevie Nicks’ Oct. 4 concert. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Joel and Nicks, who have shared the stage in recent years, will perform for the first time at the stadium of the San Francisco 49ers. \u003c/p>\n\u003cp>Tickets will be available to the general public on Friday, March 7 at 10 a.m. A presale for Citi cardmembers starts Monday, March 3 at 10 a.m.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A representative from Live Nation on-site at Levi’s Stadium Thursday said he was unsure if \u003ca href=\"https://theticketlover.com/what-is-dynamic-pricing-ticketmaster/\">Ticketmaster’s dynamic pricing\u003c/a> would be in place for the onsale. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Paul Simon has announced three concerts at San Francisco’s Davies Symphony Hall on July 19, 21 and 22 as part of his “A Quiet Celebration” tour. Tickets go on sale to the general public on Friday, Feb. 21 at 10 a.m. — but fans can score \u003ca href=\"https://www.ticketmaster.com/paul-simon-san-francisco-california-07-19-2025/event/1C006237BB7F373D\">presale tickets\u003c/a> on Wednesday, Feb. 19 at 10 a.m. with the presale code: \u003cstrong>celebration\u003c/strong>.\u003c/p>\n\u003cp>As for those tickets: they’re sure to sell quickly. The 2,743-seat Davies Symphony Hall is a relatively small venue for the beloved folk-rock-world music star. The last time Paul Simon came to the Bay Area, he headlined Outside Lands on the Polo Fields stage, with a capacity of 57,000. \u003c/p>\n\u003cp>On this tour, Simon will put a special focus on his 2023 album \u003cem>Seven Psalms\u003c/em>, which is meant to be listened to as one piece, running 33 minutes. Beyond that, he’ll pull from his deep catalog of classics — “Sounds of Silence,” “America,” “Graceland” and more. \u003c/p>\n\u003cp>Simon, among the many stars in recent years to announce so-called “farewell tours,” will visit San Francisco as part of a five-month, 20-city tour. Over the weekend, he opened the SNL50 TV special with a duet of “\u003ca href=\"https://youtu.be/ScFh0zNE0aE?feature=shared\">Homeward Bound\u003c/a>” with Sabrina Carpenter. \u003c/p>\n\u003cp>As part of a frustrating trend in concert ticketing, ticket prices have not been announced ahead of time. Sound advice, then: Set a price limit for yourself ahead of time, before anxiety and panic during Ticketmaster’s timed checkout process cause you to overpay. \u003c/p>\n\u003chr>\n\u003cp>\u003ci>Tickets for Paul Simon’s A Celebration Tour go on sale to the general public on Friday, Feb. 21, at 10 a.m. Presale tickets go on sale Wednesday, Feb. 19 at 10 a.m. with the presale code: \u003cstrong>celebration\u003c/strong>. \u003ca href=\"https://www.ticketmaster.com/paul-simon-san-francisco-california-07-19-2025/event/1C006237BB7F373D\">Tickets here\u003c/a>.\u003c/i> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Paul Simon has announced three concerts at San Francisco’s Davies Symphony Hall on July 19, 21 and 22 as part of his “A Quiet Celebration” tour. Tickets go on sale to the general public on Friday, Feb. 21 at 10 a.m. — but fans can score \u003ca href=\"https://www.ticketmaster.com/paul-simon-san-francisco-california-07-19-2025/event/1C006237BB7F373D\">presale tickets\u003c/a> on Wednesday, Feb. 19 at 10 a.m. with the presale code: \u003cstrong>celebration\u003c/strong>.\u003c/p>\n\u003cp>As for those tickets: they’re sure to sell quickly. The 2,743-seat Davies Symphony Hall is a relatively small venue for the beloved folk-rock-world music star. The last time Paul Simon came to the Bay Area, he headlined Outside Lands on the Polo Fields stage, with a capacity of 57,000. \u003c/p>\n\u003cp>On this tour, Simon will put a special focus on his 2023 album \u003cem>Seven Psalms\u003c/em>, which is meant to be listened to as one piece, running 33 minutes. Beyond that, he’ll pull from his deep catalog of classics — “Sounds of Silence,” “America,” “Graceland” and more. \u003c/p>\n\u003cp>Simon, among the many stars in recent years to announce so-called “farewell tours,” will visit San Francisco as part of a five-month, 20-city tour. Over the weekend, he opened the SNL50 TV special with a duet of “\u003ca href=\"https://youtu.be/ScFh0zNE0aE?feature=shared\">Homeward Bound\u003c/a>” with Sabrina Carpenter. \u003c/p>\n\u003cp>As part of a frustrating trend in concert ticketing, ticket prices have not been announced ahead of time. Sound advice, then: Set a price limit for yourself ahead of time, before anxiety and panic during Ticketmaster’s timed checkout process cause you to overpay. \u003c/p>\n\u003chr>\n\u003cp>\u003ci>Tickets for Paul Simon’s A Celebration Tour go on sale to the general public on Friday, Feb. 21, at 10 a.m. Presale tickets go on sale Wednesday, Feb. 19 at 10 a.m. with the presale code: \u003cstrong>celebration\u003c/strong>. \u003ca href=\"https://www.ticketmaster.com/paul-simon-san-francisco-california-07-19-2025/event/1C006237BB7F373D\">Tickets here\u003c/a>.\u003c/i> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"title": "Selected Shorts",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
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"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
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"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
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"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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