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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://video.kqed.org/video/betty-white-first-lady-television-14roxn/\">Betty White\u003c/a> is making her mark on the nation’s \u003ca href=\"https://www.kqed.org/arts/tag/stamps\">snail mail\u003c/a>.\u003c/p>\n\u003cp>The beloved actor of \u003cem>The Golden Girls\u003c/em> fame was celebrated with a \u003ca href=\"https://www.kqed.org/arts/13968221/betty-white-forever-stamp-2025-usps-golden-girls\">new U.S. Postal Service stamp\u003c/a> at a first-day-of-issue ceremony at the Los Angeles Zoo on Thursday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Fans that were crowded behind barricades cheered as a blue curtain dropped to reveal the stamp featuring a portrait of White against a violet-colored background with lighter shades of bubbly spots in a nod to her sparkling personality. She wears a blue polka-dot blouse and peeking out of her blond curls is an earring shaped like a pawprint.\u003c/p>\n\u003cp>“When I was working on the stamp surrounding myself with Betty White videos and pictures, I felt like I was working on a portrait of a family member,” Boston-based artist Dale Stephanos said. “I wanted Betty’s huge personality to take center stage.”\u003c/p>\n\u003cp>The illustration is based on a photo taken by Kwaku Alston in 2010.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the celebration, singer-songwriter Ellis Hall performed a snippet of “Thank You for Being a Friend,” the theme song to \u003cem>The Golden Girls\u003c/em>.\u003c/p>\n\u003cp>A laughing kookaburra and other squawking birds occasionally interrupted the speakers, which surely would have delighted the animal-loving White.\u003c/p>\n\u003cp>“Animals were her kids and she loved them all — any shape, size and kind,” said Richard Lichtenstein, a board member of the Greater Los Angeles Zoo Association.\u003c/p>\n\u003cp>White had worked with the zoo since its opening in 1966 until \u003ca href=\"https://www.kqed.org/arts/13907623/betty-white-a-beloved-icon-and-actress-since-the-beginning-of-tv-has-died-at-age-99\">her death in December 2021\u003c/a>, a couple weeks shy of her 100th birthday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Who didn’t love Betty White?” Lichtenstein said. “Her smile, her sense of humor, her basic decency. Our country, our city and yes, even our Los Angeles Zoo, would be much better if more people followed her example. Betty White put her stamp on everyone and anyone she came in contact with.”\u003c/p>\n\u003cp>He said White’s financial support and advocacy helped make possible exhibits featuring chimps, gorillas and elephants, among others.\u003c/p>\n\u003cp>Lichtenstein said White set up a private foundation before her death that funds various zoo programs.\u003c/p>\n\u003cp>“This zoo, its inhabitants and this community meant so much to Betty White just as she meant so much to all of us,” said Amber McReynolds, chair of the USPS board of governors. “Betty White was an American treasure.”\u003c/p>\n\u003cp>People lined up to purchase panes of 20 forever stamps, pins and notecards before getting first-day cancellations near a churro snack stand while schoolchildren walked by.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This stamp is special because let’s face it, everybody loves Betty White,” Stephanos said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The United States Postal Service might have found a way to unite a nation bitterly divided after \u003ca href=\"https://www.kqed.org/elections/results\">this month’s election\u003c/a>: It’s releasing a \u003ca href=\"https://www.kqed.org/arts/13907623/betty-white-a-beloved-icon-and-actress-since-the-beginning-of-tv-has-died-at-age-99\">Betty White\u003c/a> stamp.\u003c/p>\n\u003cp>The beloved actor known for roles in \u003ca href=\"https://www.kqed.org/arts/13866589/why-we-need-jane-lynch-and-cyndi-laupers-golden-girls-reboot\">\u003cem>The Golden Girls\u003c/em>\u003c/a>, \u003cem>The Mary Tyler Moore Show\u003c/em>, \u003cem>Boston Legal\u003c/em> and others will be on a 2025 Forever stamp, \u003ca href=\"https://about.usps.com/newsroom/local-releases/ct/2024/1115-usps-provides-sneak-peek-at-2025-stamps.htm\">USPS announced Friday\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13907623']White died in late December 2021, less than three weeks before her 100th birthday. The Postal Service hasn’t announced a release date for the stamp.\u003c/p>\n\u003cp>“An icon of American television, Betty White (1922–2021) shared her wit and warmth with viewers for seven decades,” the Postal Service said in announcing the stamp, which depicts a smiling White based on a 2010 photograph by celebrity photographer Kwaku Alston. “The comedic actor, who gained younger generations of fans as she entered her 90s, was also revered as a compassionate advocate for animals.”\u003c/p>\n\u003cp>Boston-based artist Dale Stephanos created the digital illustration from Alston’s photo.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’d love to send a letter back to my 18-year-old self with this stamp on it and tell him that everything is going to be OK,” Stephanos posted on Facebook.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13968222\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s.png\" alt=\"\" width=\"1375\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s.png 1375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-800x1164.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-1020x1484.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-768x1117.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-1056x1536.png 1056w\" sizes=\"(max-width: 1375px) 100vw, 1375px\">\u003c/p>\n\u003cp>Regardless of personal politics, self-proclaimed supporters of President-elect Donald Trump and Vice President Kamala Harris reacted with delight on social media.\u003c/p>\n\u003cp>“Betty White was my hero, all of my life! I actually had a doll when I was a little girl I named Betty White,” \u003ca href=\"https://x.com/JoChandler45859/status/1857550478634000731\">one Trump supporter posted\u003c/a> on X, formerly Twitter.\u003c/p>\n\u003cp>[aside postid='news_11943906']“Something to make this awful week a little better: We’re getting a Betty White stamp,” \u003ca href=\"https://x.com/DisavowTrump20/status/1857576064937066745\">posted a pro-Harris X account\u003c/a>.\u003c/p>\n\u003cp>White combined a wholesome image with a flare for bawdy jokes. Her television career began in the early 1950s and exploded as she aged.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The only \u003cem>SNL\u003c/em> host I ever saw get a standing ovation at the after party,” Seth Meyers posted on Twitter after her death. “A party at which she ordered a vodka and a hotdog and stayed til the bitter end.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The United States Postal Service might have found a way to unite a nation bitterly divided after \u003ca href=\"https://www.kqed.org/elections/results\">this month’s election\u003c/a>: It’s releasing a \u003ca href=\"https://www.kqed.org/arts/13907623/betty-white-a-beloved-icon-and-actress-since-the-beginning-of-tv-has-died-at-age-99\">Betty White\u003c/a> stamp.\u003c/p>\n\u003cp>The beloved actor known for roles in \u003ca href=\"https://www.kqed.org/arts/13866589/why-we-need-jane-lynch-and-cyndi-laupers-golden-girls-reboot\">\u003cem>The Golden Girls\u003c/em>\u003c/a>, \u003cem>The Mary Tyler Moore Show\u003c/em>, \u003cem>Boston Legal\u003c/em> and others will be on a 2025 Forever stamp, \u003ca href=\"https://about.usps.com/newsroom/local-releases/ct/2024/1115-usps-provides-sneak-peek-at-2025-stamps.htm\">USPS announced Friday\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>White died in late December 2021, less than three weeks before her 100th birthday. The Postal Service hasn’t announced a release date for the stamp.\u003c/p>\n\u003cp>“An icon of American television, Betty White (1922–2021) shared her wit and warmth with viewers for seven decades,” the Postal Service said in announcing the stamp, which depicts a smiling White based on a 2010 photograph by celebrity photographer Kwaku Alston. “The comedic actor, who gained younger generations of fans as she entered her 90s, was also revered as a compassionate advocate for animals.”\u003c/p>\n\u003cp>Boston-based artist Dale Stephanos created the digital illustration from Alston’s photo.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’d love to send a letter back to my 18-year-old self with this stamp on it and tell him that everything is going to be OK,” Stephanos posted on Facebook.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13968222\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s.png\" alt=\"\" width=\"1375\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s.png 1375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-800x1164.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-1020x1484.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-768x1117.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/dale-s-1056x1536.png 1056w\" sizes=\"(max-width: 1375px) 100vw, 1375px\">\u003c/p>\n\u003cp>Regardless of personal politics, self-proclaimed supporters of President-elect Donald Trump and Vice President Kamala Harris reacted with delight on social media.\u003c/p>\n\u003cp>“Betty White was my hero, all of my life! I actually had a doll when I was a little girl I named Betty White,” \u003ca href=\"https://x.com/JoChandler45859/status/1857550478634000731\">one Trump supporter posted\u003c/a> on X, formerly Twitter.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Something to make this awful week a little better: We’re getting a Betty White stamp,” \u003ca href=\"https://x.com/DisavowTrump20/status/1857576064937066745\">posted a pro-Harris X account\u003c/a>.\u003c/p>\n\u003cp>White combined a wholesome image with a flare for bawdy jokes. Her television career began in the early 1950s and exploded as she aged.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The only \u003cem>SNL\u003c/em> host I ever saw get a standing ovation at the after party,” Seth Meyers posted on Twitter after her death. “A party at which she ordered a vodka and a hotdog and stayed til the bitter end.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "The Death of the Post Office? There’s a Movie About That.",
"headTitle": "The Death of the Post Office? There’s a Movie About That. | KQED",
"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">B\u003c/span>y now, you’ve read all about the sanctioned murder of the post office.\u003c/p>\n\u003cp>You know all about the \u003ca href=\"https://www.bohemian.com/northbay/a-first-class-institution/Content?oid=2409801&showFullText=true\" target=\"_blank\" rel=\"noopener noreferrer\">debilitating requirement\u003c/a> approved by a Republican-led Congress in 2006 that the post office pre-fund its benefits 75 years into the future. You’ve studied up on Louis DeJoy, Donald Trump’s recently appointed Postmaster General, who’s \u003ca href=\"https://federalsoup.com/articles/2020/07/16/usps-solvency-plan.aspx#:~:text=First%20off%2C%20Postmaster%20General%20Louis,is%20not%20delivered%20on%20time.&text=%E2%80%9CIf%20the%20plants%20run%20late,remain%20for%20the%20next%20day.%E2%80%9D\" target=\"_blank\" rel=\"noopener noreferrer\">slashed overtime pay\u003c/a> and \u003ca href=\"https://www.vice.com/en_us/article/n7wk9z/the-post-office-is-deactivating-mail-sorting-machines-ahead-of-the-election\" target=\"_blank\" rel=\"noopener noreferrer\">removed sorting machines\u003c/a>, weakening the post office’s ability to deliver mail on the cusp of an election that, due to a global pandemic, is projected to see a record number of mail-in ballots.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13881659\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_.jpg\" alt=\"\" width=\"180\" height=\"204\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_-160x181.jpg 160w\" sizes=\"(max-width: 180px) 100vw, 180px\">\u003c/p>\n\u003cp>In May, you heard Trump say that nationwide voting by mail would mean “you’d never have a Republican elected in this country again.” And on Thursday, you heard him \u003ca href=\"https://www.washingtonpost.com/politics/2020/08/13/trump-blurts-out-his-true-motive-blocking-post-office-funding-mail-in-voting/\" target=\"_blank\" rel=\"noopener noreferrer\">publicly admit\u003c/a> that he won’t provide additional funding to the post office because it would increase the ability to process mail-in ballots.\u003c/p>\n\u003cp>It’s a \u003ca href=\"https://www.washingtonpost.com/opinions/2020/08/13/trumps-attack-postal-service-is-now-national-emergency/\" target=\"_blank\" rel=\"noopener noreferrer\">national emergency\u003c/a>, no doubt. It’s a personal crisis, as well, for the millions of people who rely on the post office for prescriptions, paychecks, bills and consumer goods.\u003c/p>\n\u003cp>\u003cem>Colewell\u003c/em>, released last year, is a film about none of those things. What it \u003cem>is\u003c/em> about is the hole that’s left when a post office closes in a small rural community. For hundreds of towns across America, these tiny, one-room post office branches serve as community hubs, gathering places, and salves against loneliness.\u003c/p>\n\u003cp>It’s been this way since the first post office was opened in 1775. It’s an essential part of small-town life that’s dying quickly, as this administration closes \u003ca href=\"https://www.apwu.org/news/249-post-offices-stations-branches-suspension-discontinuance-list-2019\" target=\"_blank\" rel=\"noopener noreferrer\">more and more\u003c/a> post offices nationwide. No other film has captured the loss of it quite as well.\u003c/p>\n\u003cfigure id=\"attachment_13884831\" class=\"wp-caption aligncenter\" style=\"max-width: 582px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13884831\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/08/Colewell.Sweater.jpg\" alt=\"Karen Allen stars in 'Colewell' as Nora, a postmaster who faces solitude and her own past.\" width=\"582\" height=\"374\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.Sweater.jpg 582w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.Sweater-160x103.jpg 160w\" sizes=\"(max-width: 582px) 100vw, 582px\">\u003cfigcaption class=\"wp-caption-text\">Karen Allen stars in ‘Colewell’ as Nora, a postmaster who faces solitude and her own past. \u003ccite>(Gravitas Ventures)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">“I\u003c/span>n my own life, where I live in the country, going to the post office is how I connect with the people in the little town I live in,” Karen Allen, the star of \u003cem>Colewell\u003c/em>, told me in a visit to KQED upon the film’s 2019 \u003ca href=\"https://sffilm.org/event/colewell/\" target=\"_blank\" rel=\"noopener noreferrer\">premiere\u003c/a> in San Francisco. “It’s where I see people that otherwise I probably wouldn’t see, because we’re sort of spread out in the countryside, and there’s that kind of wonderful conversation that happens.”\u003c/p>\n\u003cp>Allen, best known to moviegoers as Indiana Jones’ \u003ca href=\"https://www.youtube.com/watch?v=Q4PlXSw0BQo\" target=\"_blank\" rel=\"noopener noreferrer\">fierce, action-chasing ex-girlfriend Marion\u003c/a> in \u003cem>Raiders of the Lost Ark\u003c/em>, might seem like an unusual choice to play the film’s lead, Nora. The sixtysomething Nora doesn’t drink anyone under the table, or pull knives on attacking Nazis. Instead, she sips her morning coffee, pulls the rubber band off the morning paper, raises chickens and lives a quiet life of solitude.\u003c/p>\n\u003cp>That is, until the time comes each morning to open the tiny post office that abuts her house. There, people bring their knitting, their dogs, and their endless stories to Nora, and to each other, daily, among the wood-paneled walls and old combination-dial P.O. boxes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Allen said the tableau was instantly familiar. “I have a house in a small town in western Massachusetts that has a post office not dissimilar to this post office,” she told me. “A lot of small-town post offices are linked to little stores, or little houses, and the communities are very interwoven with them.”\u003c/p>\n\u003cp>\u003cem>Colewell\u003c/em> is slow-moving, which befits its rural setting, but it’s carried beautifully by Allen’s emotionally touching portrayal. (The \u003cem>Los Angeles Times\u003c/em> called it “\u003ca href=\"https://www.latimes.com/entertainment-arts/movies/story/2019-12-05/colewell-review-karen-allen\" target=\"_blank\" rel=\"noopener noreferrer\">the performance of a lifetime\u003c/a>.”) Fifteen minutes into the short, 79-minute film, Nora gets a notice that her branch is slated to be closed, setting in motion a series of severance packages, transfer offers, and personal reflection.\u003c/p>\n\u003cp>It’s then we start to clearly see the pride of purpose in Nora’s countenance when she dons her blue USPS cardigan in the morning, and the plain fact that Nora needs the customers of the post office just as much as they need her.\u003c/p>\n\u003cp>The impending closure also sets up a classic you-can’t-fight-city-hall battle between the residents of Colewell and the district manager in charge of closing its post office. At a town hall meeting, speakers bring up President Nixon making the postal service semi-privatized in the 1970s, and the agency’s challenges in turning a profit in the years since the 2006 bill hobbled its ability to diversify services.\u003c/p>\n\u003cp>It sounds a lot like the national discourse about the post office today. Except now, instead of arguing to keep a rural branch open, people are fighting to keep a president and Republican-controlled Senate from openly destroying the postal service in order to rig an election.\u003c/p>\n\u003cfigure id=\"attachment_13884829\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13884829\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/08/Colewell.counter-800x430.jpg\" alt=\"Karen Allen stars in 'Colewell' as Nora.\" width=\"800\" height=\"430\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter-800x430.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter-1020x548.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter-160x86.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter-768x413.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Karen Allen stars in ‘Colewell’ as Nora. \u003ccite>(Gravitas Ventures)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he thing about killing the post office, though, is that it kills civic life, too. Not only does Nora lose her sense of identity in \u003cem>Colewell\u003c/em>, the town itself loses its identity. It’s happened in real life, across the country, over and over—particularly after the current administration moved into the White House, where, just blocks away, Washington, D.C.’s former \u003ca href=\"https://upload.wikimedia.org/wikipedia/commons/thumb/7/74/Old_Post_Office_Building%2C_Washington%2C_D.C.jpg/1088px-Old_Post_Office_Building%2C_Washington%2C_D.C.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">crown jewel of a post office\u003c/a> is now a \u003ca href=\"https://www.trumphotels.com/washington-dc\" target=\"_blank\" rel=\"noopener noreferrer\">Trump Hotel\u003c/a>.\u003c/p>\n\u003cp>“There are people who are sitting in government offices, just making a decision that this town now has no value to the post office or to the federal government,” Allen lamented. “And they literally take away its zip code, take away its post office, and erase it off the map. So the town doesn’t exist anymore.”\u003c/p>\n\u003cp>According to the agency’s annual reports, throughout \u003ca href=\"https://www.prc.gov/docs/91/91024/FY.14.ACR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2014\u003c/a>, \u003ca href=\"https://www.prc.gov/docs/94/94403/FY.15.ACR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2015\u003c/a> and \u003ca href=\"https://www.prc.gov/docs/98/98467/FY.16.ACR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2016\u003c/a>, the USPS permanently shuttered no post offices at all. In 2017, after the election of Donald Trump, the USPS suddenly closed 304 post offices in one year.\u003c/p>\n\u003cp>“And these are towns that are 200 years old and generations and generations of families have lived there,” said Allen. “You have a lot of elderly people left in these towns who depend on the post office as a way to come together, and for there to be a little center in their world.”\u003c/p>\n\u003cp>It’s not as immediately urgent as the upcoming election. But \u003cem>Colewell\u003c/em>—and especially its final scene—is a reminder that while saving the post office in 2020 means saving our democracy, in the long run, it also means saving the way the mail simply brings people together.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>‘Colewell’ is available to watch on major streaming services now.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">B\u003c/span>y now, you’ve read all about the sanctioned murder of the post office.\u003c/p>\n\u003cp>You know all about the \u003ca href=\"https://www.bohemian.com/northbay/a-first-class-institution/Content?oid=2409801&showFullText=true\" target=\"_blank\" rel=\"noopener noreferrer\">debilitating requirement\u003c/a> approved by a Republican-led Congress in 2006 that the post office pre-fund its benefits 75 years into the future. You’ve studied up on Louis DeJoy, Donald Trump’s recently appointed Postmaster General, who’s \u003ca href=\"https://federalsoup.com/articles/2020/07/16/usps-solvency-plan.aspx#:~:text=First%20off%2C%20Postmaster%20General%20Louis,is%20not%20delivered%20on%20time.&text=%E2%80%9CIf%20the%20plants%20run%20late,remain%20for%20the%20next%20day.%E2%80%9D\" target=\"_blank\" rel=\"noopener noreferrer\">slashed overtime pay\u003c/a> and \u003ca href=\"https://www.vice.com/en_us/article/n7wk9z/the-post-office-is-deactivating-mail-sorting-machines-ahead-of-the-election\" target=\"_blank\" rel=\"noopener noreferrer\">removed sorting machines\u003c/a>, weakening the post office’s ability to deliver mail on the cusp of an election that, due to a global pandemic, is projected to see a record number of mail-in ballots.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13881659\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_.jpg\" alt=\"\" width=\"180\" height=\"204\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/06/Gabe.Bio_.Cap_.small_-160x181.jpg 160w\" sizes=\"(max-width: 180px) 100vw, 180px\">\u003c/p>\n\u003cp>In May, you heard Trump say that nationwide voting by mail would mean “you’d never have a Republican elected in this country again.” And on Thursday, you heard him \u003ca href=\"https://www.washingtonpost.com/politics/2020/08/13/trump-blurts-out-his-true-motive-blocking-post-office-funding-mail-in-voting/\" target=\"_blank\" rel=\"noopener noreferrer\">publicly admit\u003c/a> that he won’t provide additional funding to the post office because it would increase the ability to process mail-in ballots.\u003c/p>\n\u003cp>It’s a \u003ca href=\"https://www.washingtonpost.com/opinions/2020/08/13/trumps-attack-postal-service-is-now-national-emergency/\" target=\"_blank\" rel=\"noopener noreferrer\">national emergency\u003c/a>, no doubt. It’s a personal crisis, as well, for the millions of people who rely on the post office for prescriptions, paychecks, bills and consumer goods.\u003c/p>\n\u003cp>\u003cem>Colewell\u003c/em>, released last year, is a film about none of those things. What it \u003cem>is\u003c/em> about is the hole that’s left when a post office closes in a small rural community. For hundreds of towns across America, these tiny, one-room post office branches serve as community hubs, gathering places, and salves against loneliness.\u003c/p>\n\u003cp>It’s been this way since the first post office was opened in 1775. It’s an essential part of small-town life that’s dying quickly, as this administration closes \u003ca href=\"https://www.apwu.org/news/249-post-offices-stations-branches-suspension-discontinuance-list-2019\" target=\"_blank\" rel=\"noopener noreferrer\">more and more\u003c/a> post offices nationwide. No other film has captured the loss of it quite as well.\u003c/p>\n\u003cfigure id=\"attachment_13884831\" class=\"wp-caption aligncenter\" style=\"max-width: 582px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13884831\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/08/Colewell.Sweater.jpg\" alt=\"Karen Allen stars in 'Colewell' as Nora, a postmaster who faces solitude and her own past.\" width=\"582\" height=\"374\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.Sweater.jpg 582w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.Sweater-160x103.jpg 160w\" sizes=\"(max-width: 582px) 100vw, 582px\">\u003cfigcaption class=\"wp-caption-text\">Karen Allen stars in ‘Colewell’ as Nora, a postmaster who faces solitude and her own past. \u003ccite>(Gravitas Ventures)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">“I\u003c/span>n my own life, where I live in the country, going to the post office is how I connect with the people in the little town I live in,” Karen Allen, the star of \u003cem>Colewell\u003c/em>, told me in a visit to KQED upon the film’s 2019 \u003ca href=\"https://sffilm.org/event/colewell/\" target=\"_blank\" rel=\"noopener noreferrer\">premiere\u003c/a> in San Francisco. “It’s where I see people that otherwise I probably wouldn’t see, because we’re sort of spread out in the countryside, and there’s that kind of wonderful conversation that happens.”\u003c/p>\n\u003cp>Allen, best known to moviegoers as Indiana Jones’ \u003ca href=\"https://www.youtube.com/watch?v=Q4PlXSw0BQo\" target=\"_blank\" rel=\"noopener noreferrer\">fierce, action-chasing ex-girlfriend Marion\u003c/a> in \u003cem>Raiders of the Lost Ark\u003c/em>, might seem like an unusual choice to play the film’s lead, Nora. The sixtysomething Nora doesn’t drink anyone under the table, or pull knives on attacking Nazis. Instead, she sips her morning coffee, pulls the rubber band off the morning paper, raises chickens and lives a quiet life of solitude.\u003c/p>\n\u003cp>That is, until the time comes each morning to open the tiny post office that abuts her house. There, people bring their knitting, their dogs, and their endless stories to Nora, and to each other, daily, among the wood-paneled walls and old combination-dial P.O. boxes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Allen said the tableau was instantly familiar. “I have a house in a small town in western Massachusetts that has a post office not dissimilar to this post office,” she told me. “A lot of small-town post offices are linked to little stores, or little houses, and the communities are very interwoven with them.”\u003c/p>\n\u003cp>\u003cem>Colewell\u003c/em> is slow-moving, which befits its rural setting, but it’s carried beautifully by Allen’s emotionally touching portrayal. (The \u003cem>Los Angeles Times\u003c/em> called it “\u003ca href=\"https://www.latimes.com/entertainment-arts/movies/story/2019-12-05/colewell-review-karen-allen\" target=\"_blank\" rel=\"noopener noreferrer\">the performance of a lifetime\u003c/a>.”) Fifteen minutes into the short, 79-minute film, Nora gets a notice that her branch is slated to be closed, setting in motion a series of severance packages, transfer offers, and personal reflection.\u003c/p>\n\u003cp>It’s then we start to clearly see the pride of purpose in Nora’s countenance when she dons her blue USPS cardigan in the morning, and the plain fact that Nora needs the customers of the post office just as much as they need her.\u003c/p>\n\u003cp>The impending closure also sets up a classic you-can’t-fight-city-hall battle between the residents of Colewell and the district manager in charge of closing its post office. At a town hall meeting, speakers bring up President Nixon making the postal service semi-privatized in the 1970s, and the agency’s challenges in turning a profit in the years since the 2006 bill hobbled its ability to diversify services.\u003c/p>\n\u003cp>It sounds a lot like the national discourse about the post office today. Except now, instead of arguing to keep a rural branch open, people are fighting to keep a president and Republican-controlled Senate from openly destroying the postal service in order to rig an election.\u003c/p>\n\u003cfigure id=\"attachment_13884829\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13884829\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/08/Colewell.counter-800x430.jpg\" alt=\"Karen Allen stars in 'Colewell' as Nora.\" width=\"800\" height=\"430\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter-800x430.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter-1020x548.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter-160x86.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter-768x413.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/08/Colewell.counter.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Karen Allen stars in ‘Colewell’ as Nora. \u003ccite>(Gravitas Ventures)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he thing about killing the post office, though, is that it kills civic life, too. Not only does Nora lose her sense of identity in \u003cem>Colewell\u003c/em>, the town itself loses its identity. It’s happened in real life, across the country, over and over—particularly after the current administration moved into the White House, where, just blocks away, Washington, D.C.’s former \u003ca href=\"https://upload.wikimedia.org/wikipedia/commons/thumb/7/74/Old_Post_Office_Building%2C_Washington%2C_D.C.jpg/1088px-Old_Post_Office_Building%2C_Washington%2C_D.C.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">crown jewel of a post office\u003c/a> is now a \u003ca href=\"https://www.trumphotels.com/washington-dc\" target=\"_blank\" rel=\"noopener noreferrer\">Trump Hotel\u003c/a>.\u003c/p>\n\u003cp>“There are people who are sitting in government offices, just making a decision that this town now has no value to the post office or to the federal government,” Allen lamented. “And they literally take away its zip code, take away its post office, and erase it off the map. So the town doesn’t exist anymore.”\u003c/p>\n\u003cp>According to the agency’s annual reports, throughout \u003ca href=\"https://www.prc.gov/docs/91/91024/FY.14.ACR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2014\u003c/a>, \u003ca href=\"https://www.prc.gov/docs/94/94403/FY.15.ACR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2015\u003c/a> and \u003ca href=\"https://www.prc.gov/docs/98/98467/FY.16.ACR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2016\u003c/a>, the USPS permanently shuttered no post offices at all. In 2017, after the election of Donald Trump, the USPS suddenly closed 304 post offices in one year.\u003c/p>\n\u003cp>“And these are towns that are 200 years old and generations and generations of families have lived there,” said Allen. “You have a lot of elderly people left in these towns who depend on the post office as a way to come together, and for there to be a little center in their world.”\u003c/p>\n\u003cp>It’s not as immediately urgent as the upcoming election. But \u003cem>Colewell\u003c/em>—and especially its final scene—is a reminder that while saving the post office in 2020 means saving our democracy, in the long run, it also means saving the way the mail simply brings people together.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>‘Colewell’ is available to watch on major streaming services now.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
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"order": 10
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"meta": {
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"source": "WNYC"
},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
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"meta": {
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"link": "/radio/program/live-from-here-highlights",
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
"id": "marketplace",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 13
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 12
},
"link": "/podcasts/onourwatch",
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"link": "/radio/program/on-the-media",
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},
"our-body-politic": {
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"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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},
"perspectives": {
"id": "perspectives",
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"tagline": "KQED's series of daily listener commentaries since 1991",
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"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
"link": "/perspectives",
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