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"content": "\u003cp>Amid all our turbulent politics, racial division, our president declaring an emergency that he \u003ca href=\"https://www.youtube.com/watch?v=_NzqiWXrfL4\" rel=\"noopener\" target=\"_blank\">openly admits he doesn’t need to declare\u003c/a>, general widespread discontent and malaise, I keep asking myself: where is the Charles Mingus revival?\u003c/p>\n\u003cp>Mingus, the outspoken, fiercely political jazz composer and bassist, seems tailor-made for 2019. Look at his lifelong fights against racial discrimination and corrupt greed among the wealthy. Look at his hard-driving compositional canon, a whirlwind of music by turns uplifting and angry or sad. Or, just look at his song titles: “Free Cell Block F, ‘Tis Nazi U.S.A.,” “Meditations on Integration,” “Remember Rockefeller at Attica,” “Prayer for Passive Resistance.” \u003c/p>\n\u003cp>Until it spreads nationwide, the answer to the question “where is the Mingus revival” is, for two nights at least, in San Jose. As part of the two-week San Jose Jazz Winterfest, running through Feb. 27, the SJZ Collective pays tribute to the larger-then-life bassist with a \u003ca href=\"https://sanjosejazz.org/artist/sjz-collective-plays-mingus/\" rel=\"noopener\" target=\"_blank\">sextet concert of Mingus compositions\u003c/a> at Cafe Stritch (Feb. 23; $15–$18).\u003c/p>\n\u003cp>Then, on Feb. 27, a living bridge to Mingus’ music hits the Stritch stage as Charles McPherson performs with his quartet. McPherson, a key element of classic Mingus albums such as \u003cem>Mingus at Monterey\u003c/em> and \u003cem>Let My Children Hear Music\u003c/em>. As a leader in his own right, his expression and tone straddle early traditions of bebop and the turbulent avant-garde. In the intimate confines of Cafe Stritch, it should be a rewarding set for a jazz master.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Charles McPherson plays Wednesday, Feb. 27, at Cafe Stritch in San Jose. \u003ca href=\"https://sanjosejazz.org/artist/charles-mcpherson/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. For the full San Jose Jazz Winterfest 2019 lineup, including the Bad Plus, Marcus Shelby, and Catherine Russell, \u003ca href=\"https://sanjosejazz.org/winter-fest/\" rel=\"noopener\" target=\"_blank\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Amid all our turbulent politics, racial division, our president declaring an emergency that he \u003ca href=\"https://www.youtube.com/watch?v=_NzqiWXrfL4\" rel=\"noopener\" target=\"_blank\">openly admits he doesn’t need to declare\u003c/a>, general widespread discontent and malaise, I keep asking myself: where is the Charles Mingus revival?\u003c/p>\n\u003cp>Mingus, the outspoken, fiercely political jazz composer and bassist, seems tailor-made for 2019. Look at his lifelong fights against racial discrimination and corrupt greed among the wealthy. Look at his hard-driving compositional canon, a whirlwind of music by turns uplifting and angry or sad. Or, just look at his song titles: “Free Cell Block F, ‘Tis Nazi U.S.A.,” “Meditations on Integration,” “Remember Rockefeller at Attica,” “Prayer for Passive Resistance.” \u003c/p>\n\u003cp>Until it spreads nationwide, the answer to the question “where is the Mingus revival” is, for two nights at least, in San Jose. As part of the two-week San Jose Jazz Winterfest, running through Feb. 27, the SJZ Collective pays tribute to the larger-then-life bassist with a \u003ca href=\"https://sanjosejazz.org/artist/sjz-collective-plays-mingus/\" rel=\"noopener\" target=\"_blank\">sextet concert of Mingus compositions\u003c/a> at Cafe Stritch (Feb. 23; $15–$18).\u003c/p>\n\u003cp>Then, on Feb. 27, a living bridge to Mingus’ music hits the Stritch stage as Charles McPherson performs with his quartet. McPherson, a key element of classic Mingus albums such as \u003cem>Mingus at Monterey\u003c/em> and \u003cem>Let My Children Hear Music\u003c/em>. As a leader in his own right, his expression and tone straddle early traditions of bebop and the turbulent avant-garde. In the intimate confines of Cafe Stritch, it should be a rewarding set for a jazz master.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Charles McPherson plays Wednesday, Feb. 27, at Cafe Stritch in San Jose. \u003ca href=\"https://sanjosejazz.org/artist/charles-mcpherson/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>. For the full San Jose Jazz Winterfest 2019 lineup, including the Bad Plus, Marcus Shelby, and Catherine Russell, \u003ca href=\"https://sanjosejazz.org/winter-fest/\" rel=\"noopener\" target=\"_blank\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "A Jazz Cat Saunters Back Home: Art Hirahara at San Jose Summer Fest",
"headTitle": "A Jazz Cat Saunters Back Home: Art Hirahara at San Jose Summer Fest | KQED",
"content": "\u003cp>It’s easy to be dazzled by the big-name acts at \u003ca href=\"https://sanjosejazz.org\">San Jose Jazz\u003c/a>’s \u003ca href=\"https://summerfest.sanjosejazz.org\">Summer Fest\u003c/a>, an annual event that transforms the environs around the downtown Plaza de Cesar Chavez into a three-day street party. Running Aug. 11–13, the festival features \u003ca href=\"http://maceoparker.com\">Maceo Parker\u003c/a>, \u003ca href=\"http://www.robertglasper.com\">Robert Glasper Experiment\u003c/a>, \u003ca href=\"https://www.chrisbotti.com/\" target=\"_blank\" rel=\"noopener\">Chris Botti\u003c/a>, \u003ca href=\"http://www.kidjo.com\">Angélique Kidjo\u003c/a>, and a quintet of post-bop patriarchs including Miles Davis drum legend \u003ca href=\"http://www.jimmycobb.com\">Jimmy Cobb\u003c/a>, Bill Evans Trio bass virtuoso \u003ca href=\"http://eddiegomez.com\">Eddie Gomez\u003c/a>, piano master \u003ca href=\"http://georgecables.com\">George Cables\u003c/a>, and powerhouse trumpeter \u003ca href=\"http://randybrecker.com\">Randy Brecker.\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13804046\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13804046\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-800x519.jpg\" alt=\"\" width=\"800\" height=\"519\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-800x519.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-768x498.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-1020x661.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-1920x1245.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-1180x765.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-960x623.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-240x156.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-375x243.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-520x337.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Grammy Award-winning Robert Glasper Experiment, featuring Justin Tyson, Burniss Travis II, Glasper, Mike Severson, and Casey Benjamin, perform two shows Saturday at San Jose Jazz’s Summer Fest.\u003c/figcaption>\u003c/figure>\n\u003cp>Look past the big names, though, and you’ll find locally sourced treasures like San Jose-reared \u003ca href=\"http://arthirahara.com\">pianist/composer Art Hirahara\u003c/a>, a \u003ca href=\"https://www.youtube.com/watch?v=zyO1UlOf6ok\">melodically inventive improviser\u003c/a> who on Friday plays his first Bay Area set as a leader since moving to New York City in the fall of 2002. Part of a \u003ca href=\"http://www.posi-tone.com\">Posi-Tone Records\u003c/a> series at \u003ca href=\"https://summerfest.sanjosejazz.org/artists/posi-tone-records-showcase-art-hirahara\">Café Stritch\u003c/a>, Hirahara plays with a trio featuring Berkeley High alum Noah Garabedian on bass and rising Richmond-raised drummer Malachi Whitson.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=PeNjRHwD9zE\u003c/p>\n\u003cp>It’s the same format that Hirahara employed on his past two albums, though his recent release \u003cem>Central Line\u003c/em> adds Santa Cruz-raised tenor sax star \u003ca href=\"http://donnymccaslin.com\">Donny McCaslin\u003c/a> into the mix. Hirahara connected with McCaslin “before Bowie released \u003cem>Blackstar\u003c/em> [with McCaslin’s collaboration], before Donny blew up into this big star,” Hirahara says. “I’d loved his playing for years but we only had a chance to play together once before \u003cem>Central Line\u003c/em>. We had a gig at this tiny Thai restaurant in the East Village, and his playing was so strong. I was psyched he was into recording together when I called him.”\u003c/p>\n\u003cp>Hirahara knows all about the importance of making a powerful first impression. As an electronic and computer music major at Oberlin, he convinced a skeptical jazz and composition professor, Cleveland keyboard great \u003ca href=\"https://en.wikipedia.org/wiki/Neal_Creque\">Neal Creque\u003c/a>, to take him on as a student by bringing in an impressive original tune. His interest in composition brought him to the California Institute of the Arts in Valencia, where bass giant \u003ca href=\"http://www.charliehadenmusic.com\">Charlie Haden\u003c/a> became a mentor.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Selected by the U.S. Information Agency to serve as a “Jazz Ambassador” in 1996, Hirahara toured throughout the Middle East and Asia, teaching and performing with local musicians. When he returned to the Bay Area, he broke into the local scene at San Jose’s defunct Garden City Casino, a longtime jazz spot where the \u003ca href=\"http://www.sfgate.com/bayarea/article/Smith-Dobson-could-do-it-all-Pianist-s-death-a-2923124.php\">late pianist Smith Dobson\u003c/a> gave him his first gig as a leader.\u003c/p>\n\u003cp>“I did a short stint with Marcus Shelby when I first moved to town, and had a lot of interesting experiences with veteran cats like Walter Savage and Yancie Taylor, who I used to play with at the 5th Amendment in Oakland,” Hirahara says.\u003c/p>\n\u003cp>He notes that it was a years-long regular gig at swanky SOMA restaurant Bacar, playing in a collective trio with \u003ca href=\"http://www.toddsickafoose.com\">bassist Todd Sickafoose\u003c/a> and \u003ca href=\"https://www.scottamendola.com\">drummer Scott Amendola\u003c/a>, that really allowed him to “develop my own sound and concept.”\u003c/p>\n\u003cp>He credits his formative years in the Bay Area with providing the skills to land on his feet, and to stand out. “All of those experiences helped shape me and prepared me well for New York,” he says. “I got to play in a lot of different scenes with a lot of different musicians. But it’s a tough town, especially if you don’t know a lot of people. Looking back, I can trace almost every single musician I work with now back to the first jam session I went to.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"aligncenter size-medium wp-image-13804734\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Since, he’s attained a vaunted reputation for his improvisational imagination and finely wrought tunes recorded with first call musicians like \u003ca href=\"http://lindamayhanoh.com\">bassist Linda Oh\u003c/a> and \u003ca href=\"http://www.rudyroyston.com\">drummer Rudy Royston\u003c/a> (on \u003cem>Central Line\u003c/em>). He performs regularly with tenor saxophonist Don Braden, and serves as the North American accompanist for the stylish London-based, U.S.-born jazz \u003ca href=\"http://www.staceykent.com\">vocalist Stacey Kent\u003c/a>.\u003c/p>\n\u003cp>With Summer Fest, Hirahara finally gets a chance to bring his music back home.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For full details on San Jose Summer Fest, \u003ca href=\"https://summerfest.sanjosejazz.org/lineup\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s easy to be dazzled by the big-name acts at \u003ca href=\"https://sanjosejazz.org\">San Jose Jazz\u003c/a>’s \u003ca href=\"https://summerfest.sanjosejazz.org\">Summer Fest\u003c/a>, an annual event that transforms the environs around the downtown Plaza de Cesar Chavez into a three-day street party. Running Aug. 11–13, the festival features \u003ca href=\"http://maceoparker.com\">Maceo Parker\u003c/a>, \u003ca href=\"http://www.robertglasper.com\">Robert Glasper Experiment\u003c/a>, \u003ca href=\"https://www.chrisbotti.com/\" target=\"_blank\" rel=\"noopener\">Chris Botti\u003c/a>, \u003ca href=\"http://www.kidjo.com\">Angélique Kidjo\u003c/a>, and a quintet of post-bop patriarchs including Miles Davis drum legend \u003ca href=\"http://www.jimmycobb.com\">Jimmy Cobb\u003c/a>, Bill Evans Trio bass virtuoso \u003ca href=\"http://eddiegomez.com\">Eddie Gomez\u003c/a>, piano master \u003ca href=\"http://georgecables.com\">George Cables\u003c/a>, and powerhouse trumpeter \u003ca href=\"http://randybrecker.com\">Randy Brecker.\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13804046\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13804046\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-800x519.jpg\" alt=\"\" width=\"800\" height=\"519\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-800x519.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-768x498.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-1020x661.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-1920x1245.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-1180x765.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-960x623.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-240x156.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-375x243.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Robert-Glasper-Experiment-520x337.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Grammy Award-winning Robert Glasper Experiment, featuring Justin Tyson, Burniss Travis II, Glasper, Mike Severson, and Casey Benjamin, perform two shows Saturday at San Jose Jazz’s Summer Fest.\u003c/figcaption>\u003c/figure>\n\u003cp>Look past the big names, though, and you’ll find locally sourced treasures like San Jose-reared \u003ca href=\"http://arthirahara.com\">pianist/composer Art Hirahara\u003c/a>, a \u003ca href=\"https://www.youtube.com/watch?v=zyO1UlOf6ok\">melodically inventive improviser\u003c/a> who on Friday plays his first Bay Area set as a leader since moving to New York City in the fall of 2002. Part of a \u003ca href=\"http://www.posi-tone.com\">Posi-Tone Records\u003c/a> series at \u003ca href=\"https://summerfest.sanjosejazz.org/artists/posi-tone-records-showcase-art-hirahara\">Café Stritch\u003c/a>, Hirahara plays with a trio featuring Berkeley High alum Noah Garabedian on bass and rising Richmond-raised drummer Malachi Whitson.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PeNjRHwD9zE'\n title='//www.youtube.com/embed/PeNjRHwD9zE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It’s the same format that Hirahara employed on his past two albums, though his recent release \u003cem>Central Line\u003c/em> adds Santa Cruz-raised tenor sax star \u003ca href=\"http://donnymccaslin.com\">Donny McCaslin\u003c/a> into the mix. Hirahara connected with McCaslin “before Bowie released \u003cem>Blackstar\u003c/em> [with McCaslin’s collaboration], before Donny blew up into this big star,” Hirahara says. “I’d loved his playing for years but we only had a chance to play together once before \u003cem>Central Line\u003c/em>. We had a gig at this tiny Thai restaurant in the East Village, and his playing was so strong. I was psyched he was into recording together when I called him.”\u003c/p>\n\u003cp>Hirahara knows all about the importance of making a powerful first impression. As an electronic and computer music major at Oberlin, he convinced a skeptical jazz and composition professor, Cleveland keyboard great \u003ca href=\"https://en.wikipedia.org/wiki/Neal_Creque\">Neal Creque\u003c/a>, to take him on as a student by bringing in an impressive original tune. His interest in composition brought him to the California Institute of the Arts in Valencia, where bass giant \u003ca href=\"http://www.charliehadenmusic.com\">Charlie Haden\u003c/a> became a mentor.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Selected by the U.S. Information Agency to serve as a “Jazz Ambassador” in 1996, Hirahara toured throughout the Middle East and Asia, teaching and performing with local musicians. When he returned to the Bay Area, he broke into the local scene at San Jose’s defunct Garden City Casino, a longtime jazz spot where the \u003ca href=\"http://www.sfgate.com/bayarea/article/Smith-Dobson-could-do-it-all-Pianist-s-death-a-2923124.php\">late pianist Smith Dobson\u003c/a> gave him his first gig as a leader.\u003c/p>\n\u003cp>“I did a short stint with Marcus Shelby when I first moved to town, and had a lot of interesting experiences with veteran cats like Walter Savage and Yancie Taylor, who I used to play with at the 5th Amendment in Oakland,” Hirahara says.\u003c/p>\n\u003cp>He notes that it was a years-long regular gig at swanky SOMA restaurant Bacar, playing in a collective trio with \u003ca href=\"http://www.toddsickafoose.com\">bassist Todd Sickafoose\u003c/a> and \u003ca href=\"https://www.scottamendola.com\">drummer Scott Amendola\u003c/a>, that really allowed him to “develop my own sound and concept.”\u003c/p>\n\u003cp>He credits his formative years in the Bay Area with providing the skills to land on his feet, and to stand out. “All of those experiences helped shape me and prepared me well for New York,” he says. “I got to play in a lot of different scenes with a lot of different musicians. But it’s a tough town, especially if you don’t know a lot of people. Looking back, I can trace almost every single musician I work with now back to the first jam session I went to.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"aligncenter size-medium wp-image-13804734\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1-520x346.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Art-Hirahara-Central-Line-press-1.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Since, he’s attained a vaunted reputation for his improvisational imagination and finely wrought tunes recorded with first call musicians like \u003ca href=\"http://lindamayhanoh.com\">bassist Linda Oh\u003c/a> and \u003ca href=\"http://www.rudyroyston.com\">drummer Rudy Royston\u003c/a> (on \u003cem>Central Line\u003c/em>). He performs regularly with tenor saxophonist Don Braden, and serves as the North American accompanist for the stylish London-based, U.S.-born jazz \u003ca href=\"http://www.staceykent.com\">vocalist Stacey Kent\u003c/a>.\u003c/p>\n\u003cp>With Summer Fest, Hirahara finally gets a chance to bring his music back home.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>For full details on San Jose Summer Fest, \u003ca href=\"https://summerfest.sanjosejazz.org/lineup\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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},
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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