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A Transcendent Saoirse Ronan Illuminates True-Life Addiction Drama ‘The Outrun’

‘John Lewis: A Life’ Further Humanizes a Civil Rights Giant

Portola Fest’s Best Sets, Plus One Perplexing ‘Huh?!’

‘Intermezzo’ Is Sally Rooney’s Most Moving Novel Yet

Coppola’s ‘Megalopolis’ Is a Monument to the Impermanent Edifice of Ego

Asian Art Museum Opens a Korean Pop-Culture Bonanza for Fans and Newbies Alike

‘Saturday Night’ Is a Thinly Sketched But Satisfying Movie

Wave to Earth’s Show at the Masonic Was a Love Letter from Seoul to SF

‘Super/Man’ Is a Portrait of Perseverance in the Face of Unfathomable Tragedy

A Light-Hearted Murder Mystery Weekend Turns Deadly in Kate Atkinson’s Cozy Thriller

Review: Love Is an Argentinian Tango in ACT’s ‘Private Lives’

Provocative, Genre-Bending ‘A Different Man’ Gets Under Our Skin in Unexpected Ways

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