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"title": "OBSESSED: Everything We Can't Stop Talking About This Week",
"headTitle": "OBSESSED: Everything We Can’t Stop Talking About This Week | KQED",
"content": "\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over a skateboarding Iranian vampire, neon art of Tupac, this one part in the \u003cem>Friends\u003c/em> theme song, and more!\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Emmanuel Hapsis\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">A Girl Walks Home Alone at Night\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=_YGmTdo3vuY\u003c/p>\n\u003cp>Every now and then, a movie comes along that sticks in your head long after you’ve left the theater, like a pesky high-school crush. You can’t stop thinking about it. Your friends get sick of hearing about it. \u003cem>A Girl Walks Home Alone at Night\u003c/em> is like that for me.\u003c/p>\n\u003cp>Director Ana Lily Amirpour transforms Taft, Calif. into an Iranian ghost town called Bad City, where a feminist vampire lurks around town punishing misbehaving men. When she’s not sinking her teeth into necks, she spends her time skateboarding, her chador floating behind her, or dancing in her room to Iranian New Wave (be prepared to fall in love with the soundtrack and have a mini-meltdown when you realize it’s not available to buy yet). In a culture inundated with sequels and prequels and remakes, it’s refreshing to come across such an original, stylish, weird, progressive film. Go see it tonight \u003ca href=\"http://www.roxie.com/ai1ec_event/girl-walks-home-alone-night/?instance_id=\" target=\"_blank\" rel=\"noopener\">at the Roxie\u003c/a> in SF or \u003ca href=\"http://thenewparkway.com/wp/?page_id=14\" target=\"_blank\" rel=\"noopener\">the New Parkway\u003c/a> in Oakland!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gabe Meline\u003c/i>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">That One Part in the \u003cem>Friends\u003c/em> Theme Song\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=Xs-HbHCcK58\u003c/p>\n\u003cp>There’s some serious binge-watching of \u003cem>Friends\u003c/em> going on in my house right now, and my current obsession is the theme song by the Rembrandts. Specifically, the awkward high harmony on the “A” of the line “Your job’s a joke, you’re broke / Your love life’s D.O.A.” You know how some songs have one little part that you anticipate every time you hear it? As soon as I see Jennifer Aniston romping in that fountain, my brain goes, “Oooh, it’s coming, it’s coming.” I love it and hate it at the same time, like any effective jingle. Interestingly, the Rembrandts didn’t even write the \u003cem>Friends\u003c/em> theme song, but were made famous by it, and \u003ca href=\"http://www.independent.co.uk/arts-entertainment/music/features/the-rembrandts-so-no-one-told-me-it-was-going-to-be-this-way-6170741.html\" target=\"_blank\" rel=\"noopener\">this interview\u003c/a> outlines their mixed feelings about it. Every time the song comes on, I can’t imagine what life must be like now for the guy who sang that harmony.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Kristin Farr\u003c/i> \u003cbr> Producer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Michelle Guintu’s Nostalgia Art\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10362349\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500.jpeg\" alt=\"tumblr_n8wz3iLC2x1r2ftu7o1_500\" width=\"500\" height=\"365\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500.jpeg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500-400x292.jpeg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/p>\n\u003cp class=\"p1\">One look at SF-based artist \u003ca href=\"http://michelleguintu.tumblr.com/\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">Michelle Guintu’s paintings\u003c/span>\u003c/a> and I said to myself, “Where has she been all my life?” Combining two of my favorite things, neon colors and ’90s celebrities, her paintings are like a hug from your old bestie from middle school, the one who wore the other half of your heart-shaped BFF necklace. And who doesn’t love artwork that makes you feel like a kid again?\u003c/p>\n\u003cp class=\"p1\">From the \u003ci>Wonder Years\u003c/i> rosy-cheeked cast, to Tupac and Biggie relaxing on a picnic blanket, to angsty Angela from \u003ci>My So-Called Life\u003c/i>, no one is safe from Guintu’s paint brush. People of a certain generation will be drawn in by her subjects, and others will appreciate the use of color and her deceptively simple portraiture techniques. You can currently see her work at a brand-new gallery, \u003ca href=\"http://goodmothergallery.com/\" target=\"_blank\" rel=\"noopener\">Good Mother\u003c/a>, in Oakland, and find affordable prints from the artist at \u003ca href=\"http://michelleguintu.bigcartel.com/\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">BigCartel\u003c/span>\u003c/a> and \u003ca href=\"http://society6.com/product/wonder-years-mwz_print#1=45\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">Society6\u003c/span>\u003c/a>. Michelle just had a solo show at New Image Art in L.A., a sure sign that her star is on the rise.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Stalking Book Requests at The British Library\u003c/h2>\n\u003cdiv id=\"watch7-user-header\" class=\" spf-link \">\u003c/div>\n\u003cp>http://youtu.be/3b5J9-lW8kg\u003c/p>\n\u003cp class=\"p1\">\u003cspan style=\"line-height: 1.5\">Thrill-seeker that I am, I’m currently obsessed with this video showing “10 hypnotic minutes of real-time book requests from the British Library’s book delivery system.” Yes, this really *is* just 10 minutes of scrolling book titles, and it’s mesmerizing. Marvel as you bounce from Hebrew poetry and a 1963 \u003cem>New York Review of Books\u003c/em> to \u003cem>The Life and Lore of the Bird\u003c/em>. Like whenever my dad insists on showing me his (admittedly fascinating) historical coin collection, I love wondering about the hands that these objects are being passed back and forth between; all the novels being researched, the PhDs and night classes being labored over. And in case that all sounds a bit insufferable, you’ve also got bizarro titles like \u003cem>London is a Man’s Town, But Women Go There\u003c/em> (1930) to chuckle at.\u003c/span>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Kevin Jones\u003c/i>\u003cbr> Producer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Dollop\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=mlw3vIa66tI\u003c/p>\n\u003cp class=\"p1\">I love podcasts, especially ones that capture a group of friends having fun with each other—it’s sad to admit this, but sometimes they feel like the only social interaction I get outside of work (oh boy, that \u003cem>is\u003c/em> REALLY sad). My most recent discovery, \u003ca href=\"https://www.facebook.com/thedollop?fref=nf\" target=\"_blank\" rel=\"noopener\">The Dollop\u003c/a> with Dave Anthony and Gareth Reynolds, has had me wearing headphones at all times of the day. Each episode consists of Anthony, a standup comedian and writer/actor for IFC’s \u003cem>Maron\u003c/em>, reading an article about a messed up time in history to Reynolds, an up-and-coming standup and actor. Each story has been hand-picked to be ripped apart by the two, and they have a blast doing it. I highly suggest starting with the episode about \u003ca href=\"http://thedollop.libsyn.com/51-smollop-michael-malloy\" target=\"_blank\" rel=\"noopener\">Iron Michael Molloy\u003c/a> or \u003ca href=\"http://thedollop.libsyn.com/54-cassius-clay\" target=\"_blank\" rel=\"noopener\">the one on Cassius Clay\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">8tracks\u003c/h2>\n\u003cp>http://youtu.be/kuX2JYUKQeY?list=PLONMdg0KOyuOcQD_oV_t-uZYFd4CuICDL\u003c/p>\n\u003cp>I’ve recently been spending a lot of time on the \u003ca href=\"http://8tracks.com/\" target=\"_blank\" rel=\"noopener\">8tracks\u003c/a> app. Their main shtick is “internet radio created by people, not algorithms.” Music lovers create mixtapes of their own, to share with friends. It’s been a sweet way for me to discover new artists, and some of the mixes are 3-5 hours long and equally as good at the start as the end. I’ve been playing through their IDM, glitch-hop, minimal techno and ambient mixes and have been surprised by their selection. I’ll still use SoundCloud and Spotify, but 8tracks is my jam right now.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "This week, the KQED Arts gang is freaking out over a skateboarding Iranian vampire, neon art of Tupac, this one part in the Friends theme song, and more!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to \u003cstrong>Obsessed\u003c/strong>, a weekly series featuring everything the KQED Arts gang can’t stop talking about. We’re bringing the conversation from the watercooler to cyber space! This week, we’re freaking out over a skateboarding Iranian vampire, neon art of Tupac, this one part in the \u003cem>Friends\u003c/em> theme song, and more!\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10348539\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10348539 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg\" alt=\"Emmanuel Head\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/01/Emmanuel-Head-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Emmanuel Hapsis\u003c/i>\u003cbr> Editor, \u003ca href=\"http://ww2.kqed.org/pop/\" target=\"_blank\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">A Girl Walks Home Alone at Night\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_YGmTdo3vuY'\n title='//www.youtube.com/embed/_YGmTdo3vuY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Every now and then, a movie comes along that sticks in your head long after you’ve left the theater, like a pesky high-school crush. You can’t stop thinking about it. Your friends get sick of hearing about it. \u003cem>A Girl Walks Home Alone at Night\u003c/em> is like that for me.\u003c/p>\n\u003cp>Director Ana Lily Amirpour transforms Taft, Calif. into an Iranian ghost town called Bad City, where a feminist vampire lurks around town punishing misbehaving men. When she’s not sinking her teeth into necks, she spends her time skateboarding, her chador floating behind her, or dancing in her room to Iranian New Wave (be prepared to fall in love with the soundtrack and have a mini-meltdown when you realize it’s not available to buy yet). In a culture inundated with sequels and prequels and remakes, it’s refreshing to come across such an original, stylish, weird, progressive film. Go see it tonight \u003ca href=\"http://www.roxie.com/ai1ec_event/girl-walks-home-alone-night/?instance_id=\" target=\"_blank\" rel=\"noopener\">at the Roxie\u003c/a> in SF or \u003ca href=\"http://thenewparkway.com/wp/?page_id=14\" target=\"_blank\" rel=\"noopener\">the New Parkway\u003c/a> in Oakland!\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362354\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362354 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg\" alt=\"gabe meline\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/gabe-meline-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gabe Meline\u003c/i>\u003cbr> Music Editor, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">That One Part in the \u003cem>Friends\u003c/em> Theme Song\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Xs-HbHCcK58'\n title='//www.youtube.com/embed/Xs-HbHCcK58'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There’s some serious binge-watching of \u003cem>Friends\u003c/em> going on in my house right now, and my current obsession is the theme song by the Rembrandts. Specifically, the awkward high harmony on the “A” of the line “Your job’s a joke, you’re broke / Your love life’s D.O.A.” You know how some songs have one little part that you anticipate every time you hear it? As soon as I see Jennifer Aniston romping in that fountain, my brain goes, “Oooh, it’s coming, it’s coming.” I love it and hate it at the same time, like any effective jingle. Interestingly, the Rembrandts didn’t even write the \u003cem>Friends\u003c/em> theme song, but were made famous by it, and \u003ca href=\"http://www.independent.co.uk/arts-entertainment/music/features/the-rembrandts-so-no-one-told-me-it-was-going-to-be-this-way-6170741.html\" target=\"_blank\" rel=\"noopener\">this interview\u003c/a> outlines their mixed feelings about it. Every time the song comes on, I can’t imagine what life must be like now for the guy who sang that harmony.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362345\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362345 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kfar.jpg\" alt=\"kfar\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kfar-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Kristin Farr\u003c/i> \u003cbr> Producer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/artschool/\" target=\"_blank\" rel=\"noopener\">Art School\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Michelle Guintu’s Nostalgia Art\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-10362349\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500.jpeg\" alt=\"tumblr_n8wz3iLC2x1r2ftu7o1_500\" width=\"500\" height=\"365\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500.jpeg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/tumblr_n8wz3iLC2x1r2ftu7o1_500-400x292.jpeg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/p>\n\u003cp class=\"p1\">One look at SF-based artist \u003ca href=\"http://michelleguintu.tumblr.com/\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">Michelle Guintu’s paintings\u003c/span>\u003c/a> and I said to myself, “Where has she been all my life?” Combining two of my favorite things, neon colors and ’90s celebrities, her paintings are like a hug from your old bestie from middle school, the one who wore the other half of your heart-shaped BFF necklace. And who doesn’t love artwork that makes you feel like a kid again?\u003c/p>\n\u003cp class=\"p1\">From the \u003ci>Wonder Years\u003c/i> rosy-cheeked cast, to Tupac and Biggie relaxing on a picnic blanket, to angsty Angela from \u003ci>My So-Called Life\u003c/i>, no one is safe from Guintu’s paint brush. People of a certain generation will be drawn in by her subjects, and others will appreciate the use of color and her deceptively simple portraiture techniques. You can currently see her work at a brand-new gallery, \u003ca href=\"http://goodmothergallery.com/\" target=\"_blank\" rel=\"noopener\">Good Mother\u003c/a>, in Oakland, and find affordable prints from the artist at \u003ca href=\"http://michelleguintu.bigcartel.com/\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">BigCartel\u003c/span>\u003c/a> and \u003ca href=\"http://society6.com/product/wonder-years-mwz_print#1=45\" target=\"_blank\" rel=\"noopener\">\u003cspan class=\"s1\">Society6\u003c/span>\u003c/a>. Michelle just had a solo show at New Image Art in L.A., a sure sign that her star is on the rise.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362357\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362357 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/profile-pic.jpg\" alt=\"profile pic\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/profile-pic-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Carly Severn\u003c/i>\u003cbr> Social Media Specialist, \u003ca href=\"https://www.facebook.com/KQED\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">Stalking Book Requests at The British Library\u003c/h2>\n\u003cdiv id=\"watch7-user-header\" class=\" spf-link \">\u003c/div>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3b5J9-lW8kg'\n title='//www.youtube.com/embed/3b5J9-lW8kg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">\u003cspan style=\"line-height: 1.5\">Thrill-seeker that I am, I’m currently obsessed with this video showing “10 hypnotic minutes of real-time book requests from the British Library’s book delivery system.” Yes, this really *is* just 10 minutes of scrolling book titles, and it’s mesmerizing. Marvel as you bounce from Hebrew poetry and a 1963 \u003cem>New York Review of Books\u003c/em> to \u003cem>The Life and Lore of the Bird\u003c/em>. Like whenever my dad insists on showing me his (admittedly fascinating) historical coin collection, I love wondering about the hands that these objects are being passed back and forth between; all the novels being researched, the PhDs and night classes being labored over. And in case that all sounds a bit insufferable, you’ve also got bizarro titles like \u003cem>London is a Man’s Town, But Women Go There\u003c/em> (1930) to chuckle at.\u003c/span>\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362482\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362482 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg\" alt=\"Kevin Jones Producer, KQED Arts\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/kevin-jones-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Kevin Jones\u003c/i>\u003cbr> Producer, \u003cbr>\u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">The Dollop\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mlw3vIa66tI'\n title='//www.youtube.com/embed/mlw3vIa66tI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">I love podcasts, especially ones that capture a group of friends having fun with each other—it’s sad to admit this, but sometimes they feel like the only social interaction I get outside of work (oh boy, that \u003cem>is\u003c/em> REALLY sad). My most recent discovery, \u003ca href=\"https://www.facebook.com/thedollop?fref=nf\" target=\"_blank\" rel=\"noopener\">The Dollop\u003c/a> with Dave Anthony and Gareth Reynolds, has had me wearing headphones at all times of the day. Each episode consists of Anthony, a standup comedian and writer/actor for IFC’s \u003cem>Maron\u003c/em>, reading an article about a messed up time in history to Reynolds, an up-and-coming standup and actor. Each story has been hand-picked to be ripped apart by the two, and they have a blast doing it. I highly suggest starting with the episode about \u003ca href=\"http://thedollop.libsyn.com/51-smollop-michael-malloy\" target=\"_blank\" rel=\"noopener\">Iron Michael Molloy\u003c/a> or \u003ca href=\"http://thedollop.libsyn.com/54-cassius-clay\" target=\"_blank\" rel=\"noopener\">the one on Cassius Clay\u003c/a>.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cfigure id=\"attachment_10362615\" class=\"wp-caption alignleft\" style=\"max-width: 116px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10362615 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/02/siouxsie.jpg\" alt=\"siouxsie\" width=\"116\" height=\"116\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie.jpg 116w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/02/siouxsie-75x75.jpg 75w\" sizes=\"(max-width: 116px) 100vw, 116px\">\u003cfigcaption class=\"wp-caption-text\">\u003ci>Siouxsie Oki\u003c/i>\u003cbr> Manager, \u003cbr> \u003ca href=\"http://ww2.kqed.org/arts/\" target=\"_blank\" rel=\"noopener\">KQED Arts\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"callout noborder\">\n\u003cdiv class=\"inside text\" style=\"width: 700px;float: left\">\n\u003ch2 style=\"text-align: center\">8tracks\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kuX2JYUKQeY'\n title='//www.youtube.com/embed/kuX2JYUKQeY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I’ve recently been spending a lot of time on the \u003ca href=\"http://8tracks.com/\" target=\"_blank\" rel=\"noopener\">8tracks\u003c/a> app. Their main shtick is “internet radio created by people, not algorithms.” Music lovers create mixtapes of their own, to share with friends. It’s been a sweet way for me to discover new artists, and some of the mixes are 3-5 hours long and equally as good at the start as the end. I’ve been playing through their IDM, glitch-hop, minimal techno and ambient mixes and have been surprised by their selection. I’ll still use SoundCloud and Spotify, but 8tracks is my jam right now.\u003c/p>\n\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"order": 11
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"order": 5
},
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
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