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"content": "\u003cp>Imagine a high-fashion circus inside a galactic wormhole and you have a sense of \u003ca href=\"https://www.instagram.com/0b.w0rld/?hl=en\">Obsidienne Obsurd\u003c/a>’s drag style. The artist is otherworldly, meticulous and unafraid to go \u003cem>all\u003c/em> the way, even when it comes to exposing their most tender vulnerabilities or risking making a fool of themself.\u003c/p>\n\u003cp>On Dec. 5, Obsidienne will bring their most ambitious work yet to the 110-year-old Calvin Simmons Theatre inside Oakland’s Henry J. Kaiser Center for the Arts, \u003cem>\u003ca href=\"https://www.gofevo.com/event/Oaklash2\">The Last 7 Days of Obsidienne Obsurd\u003c/a>\u003c/em>. Produced by Oaklash, it’s a one-night-only production that combines lip syncing, theater and chamber music, including a newly commissioned piece by Paul Wiancko of \u003ca href=\"https://www.kqed.org/arts/tag/kronos-quartet\">Kronos Quartet\u003c/a>, which Obsidienne will perform on viola alongside their classical musician parents, Debra Fong and Christopher Constanza.\u003c/p>\n\u003cp>Elaborate costuming and surrealist stagecraft come together to tell Obsidienne’s story of accepting their trans identity, their struggles with mental illness and family secrets that have been kept in silence for generations.\u003c/p>\n\u003cp>“It’s a story of meandering, being lost, being found,” Obsidienne tells KQED during a recent interview. “Part of finding the self is reckoning with the ugly parts and turning that into something beautiful. Because you can’t take it away, you just have to accept it.”\u003c/p>\n\u003cfigure id=\"attachment_13984107\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13984107\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-scaled.jpg\" alt='A drag artist plays a viola inside a bar with neon text behind them that says \"Hella Fine.\"' width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-2000x1333.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Obsidienne Obsurd performs at Oaklash 2025. \u003ccite>(Ian Castro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Raised in the South Bay by a Chinese American violinist mother and Italian American cellist father, Obsidienne is a classically trained violist who performs with orchestras and ensembles across California. They first tried drag during the pandemic, when the art form went digital. Collectives like Media Meltdown were producing livestreamed shows that challenged performers to become video editors and special effects experts. Obsidienne was hooked after Media Meltdown invited them to perform in a Keanu Reeves-themed show, and soon they were driving to obscure locations with their COVID pod to film elaborate numbers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Everyone who was watching me was like, ‘Oh you’re weird. You’re a weirdo. We like it,’” Obsidienne says. “And that was really cool.”\u003c/p>\n\u003cp>Before long, Obsidienne honed their signature style of warped, black-and-white makeup; hand-sewn costumes that turned their body into horned and tentacled shapes; performance art-y choreo that sometimes includes hyperventilation and intense eye contact; and song selections that go far outside of the pop-diva canon. [aside postid='arts_13983871']\u003c/p>\n\u003cp>It flies in the face of long-held stereotypes about what drag can be. A lot of audiences “think that if you are not a cis boy, you should not be doing drag,” Obsidienne says.\u003c/p>\n\u003cp>Obsidienne gives themself permission to embrace being different, and invites audiences to do the same. Recently in West Hollywood’s Abbey, the gay bar that inspired Chappell Roan’s smash hit “Pink Pony Club,” instead of picking something by, say, Sabrina Carpenter or Lady Gaga, Obsidienne lip synced a song by 78-year-old avant-garde musician Laurie Anderson.\u003c/p>\n\u003cp>“I’m going to make you see me, so there’s this sort of delusion that turns into sincerity,” Obsidienne says. “The suspension of disbelief. I try to project a very confident persona that is a projection of all the things in me that scare me about myself, basically.”\u003c/p>\n\u003cfigure id=\"attachment_13984109\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13984109\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Mama-Celeste-and-OBSIDIENNE-OBSURD-by-Dominic-Saveedra.png\" alt=\"A drag artist in an orange and red feathery outfit poses with another drag artist wearing black-and-white abstract designs. \" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Mama-Celeste-and-OBSIDIENNE-OBSURD-by-Dominic-Saveedra.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Mama-Celeste-and-OBSIDIENNE-OBSURD-by-Dominic-Saveedra-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Mama-Celeste-and-OBSIDIENNE-OBSURD-by-Dominic-Saveedra-768x511.png 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Oaklash co-founder Mama Celeste with Obsidienne Obsurd. \u003ccite>(Dominic Saavedra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Obsidienne has found a supportive home at \u003ca href=\"https://www.kqed.org/arts/tag/oaklash\">Oaklash\u003c/a>, a drag platform that loudly and proudly champions gender diversity, accessibility and racial justice. Each May, Oaklash produces a festival with multiple stages and over 60 local and touring performers. And even after all that, co-founder Mama Celeste says \u003cem>The Last 7 Days of Obsidienne Obsurd\u003c/em> is their most challenging project yet.\u003c/p>\n\u003cp>“It’s going to be silly and macabre and loud and colorful and bigger than you can even imagine,” she wrote in a recent email blast, inviting Oaklash fans to dress to the nines for the red carpet outside the show. [aside postid='arts_13983135']\u003c/p>\n\u003cp>\u003cem>The Last 7 Days of Obsidienne Obsurd\u003c/em> features local drag luminaries like Lisa Frankenstein, co-host of the popular party Princess at Oasis; Sassi Fran, a dancer, choreographer and member of the all-Filipino drag group FiliPINX; and Obsidienne’s drag children Lola Ren and Cult Baby. Music in the show pulls from a huge variety of references, including David Bowie, contemporary composers Chen Yi and Kaija Saariaho and even the 12th-century composer, mystic and proto-feminist \u003ca href=\"https://www.bpl.org/blogs/post/hildegard-von-bingen/\">Hildegard Von Bingen\u003c/a>.\u003c/p>\n\u003cp>“You can make noise during this performance. You can clap between movements, you don’t have to sit still like a statue,” says Obsidienne. “I think it’s really cool to be able to highlight through this project that classical music is not one thing, it is actually this whole kaleidoscope of things.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘\u003ca href=\"https://www.oaklash.com/7days\">The Last 7 Days of Obsidienne Obsurd\u003c/a>’ takes place at Henry J. Kaiser Center for the Arts (10 10th Street, Oakland) on Dec. 5 at 7 p.m.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Imagine a high-fashion circus inside a galactic wormhole and you have a sense of \u003ca href=\"https://www.instagram.com/0b.w0rld/?hl=en\">Obsidienne Obsurd\u003c/a>’s drag style. The artist is otherworldly, meticulous and unafraid to go \u003cem>all\u003c/em> the way, even when it comes to exposing their most tender vulnerabilities or risking making a fool of themself.\u003c/p>\n\u003cp>On Dec. 5, Obsidienne will bring their most ambitious work yet to the 110-year-old Calvin Simmons Theatre inside Oakland’s Henry J. Kaiser Center for the Arts, \u003cem>\u003ca href=\"https://www.gofevo.com/event/Oaklash2\">The Last 7 Days of Obsidienne Obsurd\u003c/a>\u003c/em>. Produced by Oaklash, it’s a one-night-only production that combines lip syncing, theater and chamber music, including a newly commissioned piece by Paul Wiancko of \u003ca href=\"https://www.kqed.org/arts/tag/kronos-quartet\">Kronos Quartet\u003c/a>, which Obsidienne will perform on viola alongside their classical musician parents, Debra Fong and Christopher Constanza.\u003c/p>\n\u003cp>Elaborate costuming and surrealist stagecraft come together to tell Obsidienne’s story of accepting their trans identity, their struggles with mental illness and family secrets that have been kept in silence for generations.\u003c/p>\n\u003cp>“It’s a story of meandering, being lost, being found,” Obsidienne tells KQED during a recent interview. “Part of finding the self is reckoning with the ugly parts and turning that into something beautiful. Because you can’t take it away, you just have to accept it.”\u003c/p>\n\u003cfigure id=\"attachment_13984107\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13984107\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-scaled.jpg\" alt='A drag artist plays a viola inside a bar with neon text behind them that says \"Hella Fine.\"' width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-2000x1333.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/OBSIDIENNE-OBSURD-at-The-2025-Oaklash-Festival-by-Ian-Castro-Viola-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Obsidienne Obsurd performs at Oaklash 2025. \u003ccite>(Ian Castro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Raised in the South Bay by a Chinese American violinist mother and Italian American cellist father, Obsidienne is a classically trained violist who performs with orchestras and ensembles across California. They first tried drag during the pandemic, when the art form went digital. Collectives like Media Meltdown were producing livestreamed shows that challenged performers to become video editors and special effects experts. Obsidienne was hooked after Media Meltdown invited them to perform in a Keanu Reeves-themed show, and soon they were driving to obscure locations with their COVID pod to film elaborate numbers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Everyone who was watching me was like, ‘Oh you’re weird. You’re a weirdo. We like it,’” Obsidienne says. “And that was really cool.”\u003c/p>\n\u003cp>Before long, Obsidienne honed their signature style of warped, black-and-white makeup; hand-sewn costumes that turned their body into horned and tentacled shapes; performance art-y choreo that sometimes includes hyperventilation and intense eye contact; and song selections that go far outside of the pop-diva canon. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It flies in the face of long-held stereotypes about what drag can be. A lot of audiences “think that if you are not a cis boy, you should not be doing drag,” Obsidienne says.\u003c/p>\n\u003cp>Obsidienne gives themself permission to embrace being different, and invites audiences to do the same. Recently in West Hollywood’s Abbey, the gay bar that inspired Chappell Roan’s smash hit “Pink Pony Club,” instead of picking something by, say, Sabrina Carpenter or Lady Gaga, Obsidienne lip synced a song by 78-year-old avant-garde musician Laurie Anderson.\u003c/p>\n\u003cp>“I’m going to make you see me, so there’s this sort of delusion that turns into sincerity,” Obsidienne says. “The suspension of disbelief. I try to project a very confident persona that is a projection of all the things in me that scare me about myself, basically.”\u003c/p>\n\u003cfigure id=\"attachment_13984109\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13984109\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Mama-Celeste-and-OBSIDIENNE-OBSURD-by-Dominic-Saveedra.png\" alt=\"A drag artist in an orange and red feathery outfit poses with another drag artist wearing black-and-white abstract designs. \" width=\"1200\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Mama-Celeste-and-OBSIDIENNE-OBSURD-by-Dominic-Saveedra.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Mama-Celeste-and-OBSIDIENNE-OBSURD-by-Dominic-Saveedra-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/11/Mama-Celeste-and-OBSIDIENNE-OBSURD-by-Dominic-Saveedra-768x511.png 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Oaklash co-founder Mama Celeste with Obsidienne Obsurd. \u003ccite>(Dominic Saavedra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Obsidienne has found a supportive home at \u003ca href=\"https://www.kqed.org/arts/tag/oaklash\">Oaklash\u003c/a>, a drag platform that loudly and proudly champions gender diversity, accessibility and racial justice. Each May, Oaklash produces a festival with multiple stages and over 60 local and touring performers. And even after all that, co-founder Mama Celeste says \u003cem>The Last 7 Days of Obsidienne Obsurd\u003c/em> is their most challenging project yet.\u003c/p>\n\u003cp>“It’s going to be silly and macabre and loud and colorful and bigger than you can even imagine,” she wrote in a recent email blast, inviting Oaklash fans to dress to the nines for the red carpet outside the show. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The Last 7 Days of Obsidienne Obsurd\u003c/em> features local drag luminaries like Lisa Frankenstein, co-host of the popular party Princess at Oasis; Sassi Fran, a dancer, choreographer and member of the all-Filipino drag group FiliPINX; and Obsidienne’s drag children Lola Ren and Cult Baby. Music in the show pulls from a huge variety of references, including David Bowie, contemporary composers Chen Yi and Kaija Saariaho and even the 12th-century composer, mystic and proto-feminist \u003ca href=\"https://www.bpl.org/blogs/post/hildegard-von-bingen/\">Hildegard Von Bingen\u003c/a>.\u003c/p>\n\u003cp>“You can make noise during this performance. You can clap between movements, you don’t have to sit still like a statue,” says Obsidienne. “I think it’s really cool to be able to highlight through this project that classical music is not one thing, it is actually this whole kaleidoscope of things.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘\u003ca href=\"https://www.oaklash.com/7days\">The Last 7 Days of Obsidienne Obsurd\u003c/a>’ takes place at Henry J. Kaiser Center for the Arts (10 10th Street, Oakland) on Dec. 5 at 7 p.m.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "oaklash-2025-drag-block-party-oakland",
"title": "Oaklash Returns With an Epic Block Party, Drag on Skates and Wellness Workshops",
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"content": "\u003cfigure id=\"attachment_13976196\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13976196\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-scaled.jpg\" alt=\"A drag performer on roller skates. \" width=\"2560\" height=\"2129\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-800x665.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-1020x848.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-160x133.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-768x639.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-1536x1277.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-2048x1703.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2025/05/Mojo-Carter-at-Oaklash-2022-by-Rachel-Ziegler-1920x1597.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mojo Carter is one of the performers at Oaklash’s May 17 block party. \u003ccite>(Rachel Ziegler)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Amid attacks on trans rights and \u003ca href=\"https://www.kqed.org/arts/13975921/national-endowment-for-the-arts-grant-cancellations\">defunding of the arts\u003c/a>, it feels like the queer community needs to come together, blow off steam and bolster its resolve more than ever. Enter \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a>, a homegrown, grassroots drag extravaganza that takes over Oakland this weekend, May 16–18.\u003c/p>\n\u003cp>The event kicks off with ApocaLipstick Friday night at the White Horse, a queer bar going strong since 1933. Oaklash resident artist Obsidienne Obsurd — who is a classical violinist as well as an experimental, surrealist drag performer — will headline with a preview of their upcoming show, \u003cem>The Last 7 Days of Obsidienne Obsurd\u003c/em>. Performing alongside Obsidienne are Super Bloom, OMN, Miss Bea Haven & Poppa Bubbles, ViVi S Fierce and Piss E Sissy. [aside postid='arts_13975971']\u003c/p>\n\u003cp>The centerpiece of Oaklash will be an outdoor day party on May 17, with 60 performers, 40 vendors and seven DJs taking over four blocks of Old Oakland. Performers include \u003cem>RuPaul’s Drag Race\u003c/em> Season 11 winner Yvie Oddly, who’s known for gravity-defying dance moves and iridescent fashions; Nicki Jizz, host of San Francisco’s popular all-Black drag show Reparations; disco queen Bebe Sweetbriar; prolific drag king Mudd the Two Spirit; and Glamputee, a performer and disability justice advocate who recently led the twice-sold-out theater performance \u003cem>Glamputee’s LEG-acy Ball\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13929146\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929146\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\" alt=\"two colorfully dressed drag performers pose for the camera while people fill the street behind them at a drag festival\" width=\"2560\" height=\"1527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-800x477.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1020x608.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-160x95.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-768x458.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1536x916.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-2048x1221.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1920x1145.jpeg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mama Celeste and Beatrix Lahaine, founders of Oaklash, pose at 2022’s festival. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>An afterparty at nearby nightclub Fluid510, The Lash Down, follows the main event. And on Sunday, drag artists and fans can decompress at DeFremery Park at the Panther Skate Plaza Kick Back. Not only will there be drag on roller skates, but fitness studio Radically Fit will also offer two classes: Queer Calisthenics and Twerklates, plus free acupuncture and massage from \u003ca href=\"https://www.kqed.org/arts/13971043/freedom-community-clinic-fruitvale-oakland-farm-orinda\">Freedom Community Clinic\u003c/a>, an Oakland organization bringing traditional medicine to the people.\u003c/p>\n\u003cp>For diehard drag fans and those new to the scene alike, Oaklash is an ideal destination to appreciate the Bay Area’s multifaceted abundance of gender-bending expression.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Oaklash goes down May 16–18. \u003ca href=\"https://www.oaklash.com/\">Full lineup and tickets here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "Oaklash Returns with an Epic Drag Block Party | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The centerpiece of Oaklash will be an outdoor day party on May 17, with 60 performers, 40 vendors and seven DJs taking over four blocks of Old Oakland. Performers include \u003cem>RuPaul’s Drag Race\u003c/em> Season 11 winner Yvie Oddly, who’s known for gravity-defying dance moves and iridescent fashions; Nicki Jizz, host of San Francisco’s popular all-Black drag show Reparations; disco queen Bebe Sweetbriar; prolific drag king Mudd the Two Spirit; and Glamputee, a performer and disability justice advocate who recently led the twice-sold-out theater performance \u003cem>Glamputee’s LEG-acy Ball\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13929146\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929146\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\" alt=\"two colorfully dressed drag performers pose for the camera while people fill the street behind them at a drag festival\" width=\"2560\" height=\"1527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-800x477.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1020x608.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-160x95.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-768x458.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1536x916.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-2048x1221.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1920x1145.jpeg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mama Celeste and Beatrix Lahaine, founders of Oaklash, pose at 2022’s festival. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>An afterparty at nearby nightclub Fluid510, The Lash Down, follows the main event. And on Sunday, drag artists and fans can decompress at DeFremery Park at the Panther Skate Plaza Kick Back. Not only will there be drag on roller skates, but fitness studio Radically Fit will also offer two classes: Queer Calisthenics and Twerklates, plus free acupuncture and massage from \u003ca href=\"https://www.kqed.org/arts/13971043/freedom-community-clinic-fruitvale-oakland-farm-orinda\">Freedom Community Clinic\u003c/a>, an Oakland organization bringing traditional medicine to the people.\u003c/p>\n\u003cp>For diehard drag fans and those new to the scene alike, Oaklash is an ideal destination to appreciate the Bay Area’s multifaceted abundance of gender-bending expression.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Oaklash goes down May 16–18. \u003ca href=\"https://www.oaklash.com/\">Full lineup and tickets here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "oaklash-drag-festival-oakland-lgtbq-events-2024",
"title": "Oaklash Stays True to the Rebellious, Political Heart of Drag",
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"content": "\u003cp>Seven years in, there’s something about \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a> that still feels fresh. Not only does the Oakland drag festival offer plenty of sparkly, gender-bending spectacle, it’s also a champion of disability and racial justice — and the organizers put their money where their mouth is. Thanks to their \u003ca href=\"https://www.oaklash.com/grants\">Disability Fund\u003c/a> and \u003ca href=\"https://www.oaklash.com/o-snap\">Skills for Nightlife Accelerator Program\u003c/a> (O-SNAP), Oaklash has nurtured dozens of artists who are now making politically urgent, community-minded work, and lifting up others while doing it.\u003c/p>\n\u003cp>This year’s Oaklash takes place May 17-19 in multiple Oakland locations. How to navigate the packed weekend of lip syncs, dance parties and immersive theater? And preferably do it without losing a wig or breaking a nail?\u003c/p>\n\u003cp>“Show up a blank slate. Show up ready to have your mind blown. Show up ready to meet the love of your life,” says co-organizer Mama Celeste, who founded Oaklash with Beatrix LaHaine in 2018. \u003c/p>\n\u003cp>[aside postid='arts_13953497']The festival kicks off Friday night at Nectar Social Club with an eco-sexual-themed party produced by the latest O-SNAP cohort (Piss E Sissy, Holden Wood, Jasmine Robinson, Andrea Wang and Vanessa Hernandez). The dress code encourages green, leafy and slutty (think “plant-based perversion,” as Piss E Sissy put it). The party kicks off with a mixer for new and experienced performers alike, followed by a drag show by BB Gunz, Mommy Dommest, Evangeline Laveau and Translucent; live music from Cuban hip-hop artist Krudas Cubensi and a set by Renaissance the DJ.\u003c/p>\n\u003cfigure id=\"attachment_13929146\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929146\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\" alt=\"two colorfully dressed drag performers pose for the camera while people fill the street behind them at a drag festival\" width=\"2560\" height=\"1527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-800x477.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1020x608.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-160x95.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-768x458.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1536x916.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-2048x1221.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1920x1145.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mama Celeste and Beatrix Lahaine, founders of Oaklash, pose at 2022’s festival. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The fun continues on Saturday, May 18, with an epic block party on 9th Street and Broadway in Old Oakland, headlined by \u003ci>RuPaul’s Drag Race\u003c/i> Season 15 winner Sasha Colby and award-winning drag king and television personality Landon Cider. With over 70 performers and two stages, this is an opportunity to see a huge variety of creative expression from local drag luminaries such as Nicki Jizz, founder of San Francisco’s only all-Black drag show, Reparations; drag king and activist Harddeep Singh; Oaklash co-founder LaHaine and more. Performances will continue at the \u003ca href=\"https://www.instagram.com/p/CeCK1z7vRrf/\">Afterkii\u003c/a> at nearby club ForTheCulture.\u003c/p>\n\u003cfigure id=\"attachment_13914980\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13914980\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200.jpg\" alt=\"Drag queen on all fours with crowd surrounding\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz performs at Princess at Oasis. \u003ccite>(Rachel Ziegler)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mama Celeste says Oaklash especially embraces artists whose work responds to the current political moment. While many arts organizations have remained silent on Israel’s bombardment of Gaza — some have even penalized artists for speaking out against it — Mama Celeste says won’t be the case at Oaklash. (She notes that Oaklash is a fiscal sponsor of \u003ca href=\"https://www.instagram.com/thebadfund?igsh=MzRlODBiNWFlZA%3D%3D\">the BAD Fund\u003c/a>, which provides funding for drag artists if they need to drop out of gigs from funders or promoters they find politically objectionable.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“If you provide the space for artists to do whatever they want, they’re going to get up there and they’re going to talk about what’s most important to them,” she says. “What’s important to a lot of people in the Bay, a lot of people in the world, a lot of queer people right now, is solidarity with the people in Palestine and the Congo and Sudan.”\u003c/p>\n\u003cfigure id=\"attachment_13934554\" class=\"wp-caption aligncenter\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13934554\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F.jpg\" alt=\"\" width=\"1080\" height=\"720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F-768x512.jpg 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">Drag kings Helixir, Papi Churro, King LOTUS BOY and Harddeep Singh. Helixir and Harddeep will both perform at Oaklash’s 2024 block party on May 18. \u003ccite>(Vita Hewitt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At its core, Oaklash celebrates drag’s countercultural and rebellious roots, and one of the festival’s guiding lights is the beloved, late drag mother \u003ca href=\"https://sfist.com/2021/05/19/phatima-rude-queer-punk-drag-icon-of-sf-scene-dies-at-55/\">Phatima Rude\u003c/a>, who will be honored May 19 in the festival finale, \u003ci>Rebirth: The Death of Drag\u003c/i>.\u003c/p>\n\u003cp>“It’s going to be very raw,” Mama Celeste says. “It’s going to be very intense. It’s going to be very emotional.”\u003c/p>\n\u003cp>Held at anarchist community space Omni Commons, the immersive theater piece and drag installation is led by Hollow Eve and the House of Rude — including Phatima’s drag daughter Kochina, a champion of drug safety and \u003ca href=\"https://www.kqed.org/news/11947448/there-to-save-a-life-san-francisco-bars-fight-fentanyl-overdoses-with-narcan\">harm reduction in the queer nightlife community\u003c/a>. Mama Celeste doesn’t quite know what to expect yet, but is sure the piece is going to capture Phatima Rude’s punk-rock spirit and penchant for the otherworldly, strange and surreal.\u003c/p>\n\u003cp>“I told Hollow to not tell me what they’re doing because I don’t want to know. I want to go and I want to be surprised and shocked as everybody else,” Mama Celeste says. “But it’s very, very different than what people have come to expect from the Pride Festival or anything like that.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Oaklash takes place at various Oakland venues May 17-19. \u003ca href=\"https://www.eventbrite.com/e/oaklash-2024-registration-814569989767?aff=oddtdtcreator\">Individual event tickets\u003c/a> are $20 each; $50 weekend passes are sold out. \u003ca href=\"https://www.oaklash.com/lineup\">Full schedule here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"title": "Oaklash Stays True to the Rebellious, Political Heart of Drag | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Seven years in, there’s something about \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a> that still feels fresh. Not only does the Oakland drag festival offer plenty of sparkly, gender-bending spectacle, it’s also a champion of disability and racial justice — and the organizers put their money where their mouth is. Thanks to their \u003ca href=\"https://www.oaklash.com/grants\">Disability Fund\u003c/a> and \u003ca href=\"https://www.oaklash.com/o-snap\">Skills for Nightlife Accelerator Program\u003c/a> (O-SNAP), Oaklash has nurtured dozens of artists who are now making politically urgent, community-minded work, and lifting up others while doing it.\u003c/p>\n\u003cp>This year’s Oaklash takes place May 17-19 in multiple Oakland locations. How to navigate the packed weekend of lip syncs, dance parties and immersive theater? And preferably do it without losing a wig or breaking a nail?\u003c/p>\n\u003cp>“Show up a blank slate. Show up ready to have your mind blown. Show up ready to meet the love of your life,” says co-organizer Mama Celeste, who founded Oaklash with Beatrix LaHaine in 2018. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The festival kicks off Friday night at Nectar Social Club with an eco-sexual-themed party produced by the latest O-SNAP cohort (Piss E Sissy, Holden Wood, Jasmine Robinson, Andrea Wang and Vanessa Hernandez). The dress code encourages green, leafy and slutty (think “plant-based perversion,” as Piss E Sissy put it). The party kicks off with a mixer for new and experienced performers alike, followed by a drag show by BB Gunz, Mommy Dommest, Evangeline Laveau and Translucent; live music from Cuban hip-hop artist Krudas Cubensi and a set by Renaissance the DJ.\u003c/p>\n\u003cfigure id=\"attachment_13929146\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929146\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\" alt=\"two colorfully dressed drag performers pose for the camera while people fill the street behind them at a drag festival\" width=\"2560\" height=\"1527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-800x477.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1020x608.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-160x95.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-768x458.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1536x916.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-2048x1221.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1920x1145.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Mama Celeste and Beatrix Lahaine, founders of Oaklash, pose at 2022’s festival. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The fun continues on Saturday, May 18, with an epic block party on 9th Street and Broadway in Old Oakland, headlined by \u003ci>RuPaul’s Drag Race\u003c/i> Season 15 winner Sasha Colby and award-winning drag king and television personality Landon Cider. With over 70 performers and two stages, this is an opportunity to see a huge variety of creative expression from local drag luminaries such as Nicki Jizz, founder of San Francisco’s only all-Black drag show, Reparations; drag king and activist Harddeep Singh; Oaklash co-founder LaHaine and more. Performances will continue at the \u003ca href=\"https://www.instagram.com/p/CeCK1z7vRrf/\">Afterkii\u003c/a> at nearby club ForTheCulture.\u003c/p>\n\u003cfigure id=\"attachment_13914980\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13914980\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200.jpg\" alt=\"Drag queen on all fours with crowd surrounding\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/rachelzphotographyllc-15_1200-768x512.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Nicki Jizz performs at Princess at Oasis. \u003ccite>(Rachel Ziegler)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mama Celeste says Oaklash especially embraces artists whose work responds to the current political moment. While many arts organizations have remained silent on Israel’s bombardment of Gaza — some have even penalized artists for speaking out against it — Mama Celeste says won’t be the case at Oaklash. (She notes that Oaklash is a fiscal sponsor of \u003ca href=\"https://www.instagram.com/thebadfund?igsh=MzRlODBiNWFlZA%3D%3D\">the BAD Fund\u003c/a>, which provides funding for drag artists if they need to drop out of gigs from funders or promoters they find politically objectionable.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If you provide the space for artists to do whatever they want, they’re going to get up there and they’re going to talk about what’s most important to them,” she says. “What’s important to a lot of people in the Bay, a lot of people in the world, a lot of queer people right now, is solidarity with the people in Palestine and the Congo and Sudan.”\u003c/p>\n\u003cfigure id=\"attachment_13934554\" class=\"wp-caption aligncenter\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13934554\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F.jpg\" alt=\"\" width=\"1080\" height=\"720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/09/EBDA61AB-FF31-431B-A027-9C16A57C1C5F-768x512.jpg 768w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">Drag kings Helixir, Papi Churro, King LOTUS BOY and Harddeep Singh. Helixir and Harddeep will both perform at Oaklash’s 2024 block party on May 18. \u003ccite>(Vita Hewitt)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At its core, Oaklash celebrates drag’s countercultural and rebellious roots, and one of the festival’s guiding lights is the beloved, late drag mother \u003ca href=\"https://sfist.com/2021/05/19/phatima-rude-queer-punk-drag-icon-of-sf-scene-dies-at-55/\">Phatima Rude\u003c/a>, who will be honored May 19 in the festival finale, \u003ci>Rebirth: The Death of Drag\u003c/i>.\u003c/p>\n\u003cp>“It’s going to be very raw,” Mama Celeste says. “It’s going to be very intense. It’s going to be very emotional.”\u003c/p>\n\u003cp>Held at anarchist community space Omni Commons, the immersive theater piece and drag installation is led by Hollow Eve and the House of Rude — including Phatima’s drag daughter Kochina, a champion of drug safety and \u003ca href=\"https://www.kqed.org/news/11947448/there-to-save-a-life-san-francisco-bars-fight-fentanyl-overdoses-with-narcan\">harm reduction in the queer nightlife community\u003c/a>. Mama Celeste doesn’t quite know what to expect yet, but is sure the piece is going to capture Phatima Rude’s punk-rock spirit and penchant for the otherworldly, strange and surreal.\u003c/p>\n\u003cp>“I told Hollow to not tell me what they’re doing because I don’t want to know. I want to go and I want to be surprised and shocked as everybody else,” Mama Celeste says. “But it’s very, very different than what people have come to expect from the Pride Festival or anything like that.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Oaklash takes place at various Oakland venues May 17-19. \u003ca href=\"https://www.eventbrite.com/e/oaklash-2024-registration-814569989767?aff=oddtdtcreator\">Individual event tickets\u003c/a> are $20 each; $50 weekend passes are sold out. \u003ca href=\"https://www.oaklash.com/lineup\">Full schedule here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 10
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"how-i-built-this": {
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"airtime": "SUN 7:30pm-8pm",
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"info": "Inside Europe, a one-hour weekly news magazine hosted by Helen Seeney and Keith Walker, explores the topical issues shaping the continent. No other part of the globe has experienced such dynamic political and social change in recent years.",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
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"live-from-here-highlights": {
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"title": "Live from Here Highlights",
"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
"airtime": "SAT 6pm-8pm, SUN 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Live-From-Here-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.livefromhere.org/",
"meta": {
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"link": "/radio/program/live-from-here-highlights",
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"rss": "https://feeds.publicradio.org/public_feeds/a-prairie-home-companion-highlights/rss/rss"
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
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"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"officialWebsiteLink": "/mindshift/",
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"order": 13
},
"link": "/podcasts/mindshift",
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"onourwatch": {
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"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
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"order": 12
},
"link": "/podcasts/onourwatch",
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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"link": "/radio/program/on-the-media",
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},
"our-body-politic": {
"id": "our-body-politic",
"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://our-body-politic.simplecast.com/",
"meta": {
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},
"link": "/radio/program/our-body-politic",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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},
"perspectives": {
"id": "perspectives",
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"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"order": 15
},
"link": "/perspectives",
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"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
"id": "politicalbreakdown",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/politicalbreakdown",
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"order": 6
},
"link": "/podcasts/politicalbreakdown",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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