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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Cy Musiker and David Wiegand share their picks for great events around the Bay Area this Labor Day weekend and beyond.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2015/09/20150904tdl.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>Friday, Sept. 4 – Sunday, Sept. 6: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/150-years-of-sf-bay-area-highland-games/\" target=\"_blank\" rel=\"noopener\">Highland Games. \u003c/a>\u003c/strong>Traditional music, with an opening night concert Friday evening in San Ramon, plus a falconry exhibit, a run in kilts, Highland dancing, and whiskey tasting (of course). \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/150-years-of-sf-bay-area-highland-games/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Saturday, Sept. 5: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/wanda-jackson/\" target=\"_blank\" rel=\"noopener\">Wanda Jackson.\u003c/a> \u003c/strong>The Queen of Rockabilly and recent Rock N Roll Hall of Fame inductee brings an intimate live show to SF. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/wanda-jackson/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Monday, Sept. 7: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/hiero-day/\" target=\"_blank\" rel=\"noopener\">Hiero Day.\u003c/a>\u003c/strong> The annual celebration of homegrown hip-hop — and all things Oakland — takes over the streets downtown. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/hiero-day/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Tuesday, Sept. 8: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/andy-dalys-unbuttoned-mind/\" target=\"_blank\" rel=\"noopener\">Andy Daly.\u003c/a>\u003c/strong> In his glasses, khakis, and button-down oxfords, this comedian channels Bob Newhart — with more slapstick and R-rated stand-up material. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/andy-dalys-unbuttoned-mind/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Tuesday, Sept. 8: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/the-seshen/\" target=\"_blank\" rel=\"noopener\">The Seshen.\u003c/a> \u003c/strong>The chilled-out electro-soul six-piece takes over Leo’s in Oakland every Tuesday in September. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/the-seshen/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Opening Wednesday, Sept. 9:\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rarely-seen-sketchbooks-artists-at-work-and-a-new-york-corner/\" target=\"_blank\" rel=\"noopener\"> Rarely Seen Sketchbooks, Artists at Work and a New York Corner.\u003c/a> \u003c/strong>The Cantor Arts Center at Stanford is kicking off the fall season with three unique shows. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rarely-seen-sketchbooks-artists-at-work-and-a-new-york-corner/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Opening Thursday, Sept. 10: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/totally-spontaneous-san-francisco-improv-fest/\" target=\"_blank\" rel=\"noopener\">San Francisco Improv Fest.\u003c/a> \u003c/strong>This year’s fest features some very fast on their feet comedians, including Matt Besser from the justly celebrated Upright Citizen’s Brigade, Susan Messing, and Stephanie Weir and Bob Dassie of Weirdass.\u003cstrong> \u003c/strong>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/totally-spontaneous-san-francisco-improv-fest/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cp>\u003cstrong>Friday, Sept. 4 – Sunday, Sept. 6: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/150-years-of-sf-bay-area-highland-games/\" target=\"_blank\" rel=\"noopener\">Highland Games. \u003c/a>\u003c/strong>Traditional music, with an opening night concert Friday evening in San Ramon, plus a falconry exhibit, a run in kilts, Highland dancing, and whiskey tasting (of course). \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/150-years-of-sf-bay-area-highland-games/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Saturday, Sept. 5: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/wanda-jackson/\" target=\"_blank\" rel=\"noopener\">Wanda Jackson.\u003c/a> \u003c/strong>The Queen of Rockabilly and recent Rock N Roll Hall of Fame inductee brings an intimate live show to SF. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/wanda-jackson/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Monday, Sept. 7: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/hiero-day/\" target=\"_blank\" rel=\"noopener\">Hiero Day.\u003c/a>\u003c/strong> The annual celebration of homegrown hip-hop — and all things Oakland — takes over the streets downtown. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/hiero-day/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Tuesday, Sept. 8: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/andy-dalys-unbuttoned-mind/\" target=\"_blank\" rel=\"noopener\">Andy Daly.\u003c/a>\u003c/strong> In his glasses, khakis, and button-down oxfords, this comedian channels Bob Newhart — with more slapstick and R-rated stand-up material. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/andy-dalys-unbuttoned-mind/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Tuesday, Sept. 8: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/the-seshen/\" target=\"_blank\" rel=\"noopener\">The Seshen.\u003c/a> \u003c/strong>The chilled-out electro-soul six-piece takes over Leo’s in Oakland every Tuesday in September. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/the-seshen/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Opening Wednesday, Sept. 9:\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rarely-seen-sketchbooks-artists-at-work-and-a-new-york-corner/\" target=\"_blank\" rel=\"noopener\"> Rarely Seen Sketchbooks, Artists at Work and a New York Corner.\u003c/a> \u003c/strong>The Cantor Arts Center at Stanford is kicking off the fall season with three unique shows. \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/rarely-seen-sketchbooks-artists-at-work-and-a-new-york-corner/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Opening Thursday, Sept. 10: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/totally-spontaneous-san-francisco-improv-fest/\" target=\"_blank\" rel=\"noopener\">San Francisco Improv Fest.\u003c/a> \u003c/strong>This year’s fest features some very fast on their feet comedians, including Matt Besser from the justly celebrated Upright Citizen’s Brigade, Susan Messing, and Stephanie Weir and Bob Dassie of Weirdass.\u003cstrong> \u003c/strong>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/totally-spontaneous-san-francisco-improv-fest/\" target=\"_blank\" rel=\"noopener\">Details here. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "head-east-why-across-the-bay-is-the-place-to-be-this-fall",
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"content": "\u003cp>\u003ca href=\"http://kqed.org/fallarts\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-400x400.png\" alt=\"FallArtsPreview-2015-400x400-2\" width=\"300\" height=\"300\" class=\"alignright size-thumbnail wp-image-10915302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-75x75.png 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>East Bay dwellers: If you’re wary of those tired “Oakland is Brooklyn” comparisons, you’re not alone. The past few years of city folk landing in the East Bay after getting priced out of San Francisco has naturally led to more than a few breathless stories in the media about \u003cem>Oakland is hip now — check out all these new great bars and restaurants and happenings!\u003c/em>\u003c/p>\n\u003cp>In reality, as we East Bay natives know, our side of the Bay has always been cool. And, as September and October are the Bay Area’s real summer, it’s also hot — at least, about 10 degrees warmer than the city on a given day. Whether you’re on the lookout for thought-provoking theater, literary fetes, or live music that will keep you grooving into the wee hours, there’s something for you in the East Bay. Just keep it on the DL — we don’t need any more people to find out how good it is on this side.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917155\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10917155\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web-400x267.jpg\" alt=\"Hiero Day 2012. (Photo courtesy Hieroglyphics)\" width=\"400\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web.jpg 1000w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Hiero Day 2012. (Photo courtesy Hieroglyphics)\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cb>Hiero Day\u003c/b>\u003c/h3>\n\u003ch5>Sept. 7\u003cbr>\n3rd and Chestnut, Oakland, CA\u003cbr>\n\u003ca href=\"http://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>What began as a humble, hip-hop-centric street party four years ago has grown into a behemoth — in the best possible way. Thrown by the guys from homegrown Oakland hip-hop label Hieroglyphics (home to Del the Funkee Homosapien and Souls of Mischief, among others), Hiero Day is one part daylong music festival, two parts celebration of all things Oakland. Family-friendly, with a lineup of independent artists espousing some very Bay Area values (The Coup, Zion I) in addition to national artists pushing the limits of what hip-hop can be (Chicago rapper Psalm One should be as big as Lauryn Hill), it all goes down around 3rd and Chestnut, with sponsor Linden Street Brewery as non-musical epicenter. Last year’s party drew more than 22,000 people — plus an unannounced Deltron set — so come armed with sunblock and ready for anything. (Emma Silvers)\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917322\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/BurtynskyCover-400x225.jpg\" alt=\"Edward Burtynsky.\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10917322\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BurtynskyCover-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BurtynskyCover-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BurtynskyCover.jpg 850w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Edward Burtynsky. \u003ccite>((Courtesy Nicholas Metivier Gallery, Toronto / Rena Bransten Gallery, San Francisco))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘Art/Act’: Edward Burtynsky\u003c/h3>\n\u003ch5>Opening Sept. 18\u003cbr>\nDavid Brower Center\u003cbr>\n\u003ca href=\"http://www.browercenter.org/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Photographer Edward Burtynsky, known for his arresting images of altered landscapes, is the recipient of the David Brower Center’s Art/Act Award, an honor bestowed upon established artists devoting their practice to activism through art. In this exhibition, Burtynsky presents aerial photos from his series \u003ci>Water\u003c/i>, images of once-wet areas rendered desolate and visually entrancing by drought. Included are photographs of the Colorado River Delta in Mexico, Shasta Lake Reservoir and the Salt River Pima-Maricopa Indian Reservation. Additional images from the series \u003ci>Shipbreaking\u003c/i>, \u003ci>Tailings and Oil\u003c/i> and \u003ci>Quarries\u003c/i> document the devastating effects of humankind’s activities on the natural world. (Sarah Hotchkiss) \n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917323\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/grace-jones-665x4001.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10917323\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/grace-jones-665x4001-400x241.png\" alt=\"Grace Jones performs at the Fox Theater Sept. 26.\" width=\"400\" height=\"241\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/grace-jones-665x4001-400x241.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/grace-jones-665x4001.png 665w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Grace Jones performs at the Fox Theater Sept. 26.\u003c/figcaption>\u003c/figure>\n\u003ch3>Grace Jones\u003c/h3>\n\u003ch5>Sept. 26\u003cbr>\nFox Theater\u003cbr>\n\u003ca href=\"http://www.thefoxoakland.com/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Grace Jones burns in full androgynous Amazonian glory in \u003ca href=\"https://youtu.be/Wp5eCxlDWHo\">\u003cspan style=\"font-weight: 400\">this \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">1982 live neo- futuristic funk jam take on The Normal’s deadpan new wave classic “Warm Leatherette.” There’s the trademark glossy dark lipstick, the geometric flat-top, and those \u003c/span>\u003ca href=\"http://www.interviewmagazine.com/music/new-again-grace-jones/\">\u003cspan style=\"font-weight: 400\">eyes\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, hidden behind sunglasses. Whether as a model, new wave synth-head, \u003c/span>\u003ca href=\"https://youtu.be/GqJrhgX5ZtE\">\u003cspan style=\"font-weight: 400\">disco queen, \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">or lissome \u003c/span>\u003ca href=\"https://youtu.be/WPkhh5JytYE\">\u003cspan style=\"font-weight: 400\">foe\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> to Conan the Barbarian and James Bond, there’s no denying Miss Jones power. She’s written about her wildly stylish, iconoclastic, and influential life in a new memoir, out on September 29. Just before the book’s release, on Sept. 26, Jones brings her forceful presence to the Fox Theater. Latex, cigarettey monotone, and lasers shall ensue. (Kimberly Chun) \u003c/span>\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917153\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/ProductionStill5-1-e1440531332401.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10917153\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/ProductionStill5-1-e1440531332401-400x221.jpg\" alt=\"A still from 'Three to Infinity: Beyond Two Genders'\" width=\"400\" height=\"221\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/ProductionStill5-1-e1440531332401-400x221.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/ProductionStill5-1-e1440531332401.jpg 560w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A still from ‘Three to Infinity: Beyond Two Genders’\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cem>Three to Infinity: Beyond Two Genders\u003c/em>\u003c/h3>\n\u003ch5>Oct. 3\u003cbr>\nThe New Parkway\u003cbr>\n\u003ca href=\"http://thenewparkway.com/wp/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>With gay marriage finally legal in every state, it might seem that things are finally evening out for the LGBT community — until, of course, you consider the discrimination and dangers faced by trans people on a daily basis. Lonny Shavelson’s documentary explores the world of people who “identify as neither male nor female: agender, gender neutral, gender queer, and more.” At this screening, part of the New Parkway’s ongoing “Appreciating Diversity” film series, you might be surprised: viewers of all ages — and, naturally, all genders — will likely find someone in this film whose struggles feel all too familiar. (Emma Silvers)\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917426\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Gang-of-four3.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10917426\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Gang-of-four3-400x225.png\" alt=\"Gang of Four plays the New Parish in Oakland Oct. 17.\" width=\"400\" height=\"225\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Gang-of-four3-400x225.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Gang-of-four3.png 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gang of Four plays the New Parish in Oakland Oct. 17.\u003c/figcaption>\u003c/figure>\n\u003ch3>Gang of Four\u003c/h3>\n\u003ch5>Oct. 17\u003cbr>\nThe New Parish\u003cbr>\n\u003ca href=\"http://thenewparish.com/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>It’s amazing to think that at one time in our history, a band like Gang Of Four would sell enough records to be a hit today. Tagged with the purposefully non-descriptive genre of “post-punk,” Gang Of Four led the charge of bringing punk out of the rock world and made it more intellectual. Keeping the Do-It-Yourself mindset at the forefront, they incorporated funky bass lines, jagged guitar riffs and aggressively political lyrics into punk, paving the way for other noteworthy bands such as the Pop Group, Delta 5, and The Birthday Party. As angular and in your face as the Gang of Four was, they influenced musicians varying from Flea of the Red Hot Chili Peppers to R.E.M.’s Michael Stipe. They reunited back in 2004, though nowadays guitarist Andy Gill is the only original member still playing with them. But a quick look at \u003ca href=\"https://www.youtube.com/watch?v=-vtFxiGrlLc\" target=\"_blank\" rel=\"noopener\">recent performances on YouTube,\u003c/a> and it’s obvious that they can still tap into the anger and confidence of their youth. (Kevin L. Jones) \n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10923025\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10923025\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-400x199.jpg\" alt=\"Ayad Akhtar's Pulitzer Prize-winning 'Disgraced' is the highlight of the Fall season at the Berkeley Rep.\" width=\"400\" height=\"199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-400x199.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-800x399.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-1180x588.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-960x479.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ayad Akhtar’s Pulitzer Prize-winning ‘Disgraced’ is the highlight of the Fall season at the Berkeley Rep.\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cem>Disgraced\u003c/em>\u003c/h3>\n\u003ch5>Opens Nov. 6\u003cbr>\nBerkeley Repertory Theatre\u003cbr>\n\u003ca href=\"http://www.berkeleyrep.org/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>At a time when Republican presidential candidates like Sen. Ted Cruz seem intent on wielding the phrase “radical Islamic terrorism” like a cudgel, Ayad Akhtar’s Pulitzer Prize-winning one-act drama about identity, assimilation, and the Islamophobia hiding behind the comforts of the American Dream seems more relevant than ever. Amir Kapoor is a successful American-born Muslim mergers and acquisitions lawyer, his white wife Emily an artist whose art is touched by Islamic images and ideas. Distanced by his work from the religion he was raised in, Amir makes an unofficial court appearance in support of a local NYC imam who seems to be unjustly imprisoned for financing terrorist-supporting groups. It’s not exactly the stuff of silkily smooth dinner conversation when Amir invites an African American colleague home to dinner, along with her Jewish art dealer husband and the talk turns to racial profiling, faith, and trust in post-9/11 America. The hope, no doubt, is that the conversation continues beyond the confines of the stage when \u003ci>\u003cspan style=\"font-weight: 400\">Disgraced\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> makes its West Coast premiere at Berkeley Rep. (Kimberly Chun) \u003c/span>\n\u003c/p>\u003c/div>\n\u003cp>\u003cb>Other fairs, fests, and events worth a look:\u003c/b>\u003c/p>\n\u003cp>Every Tuesday in September: The Seshen residency at Leo’s Music Club, Oakland\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Opening Sept. 16: \u003c/span>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/public-works-artists-interventions-1970s-now/\">\u003cspan style=\"font-weight: 400\">Public Works: Artists’ Interventions 1970s–Now\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, Mills College, Oakland\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Through Sept. 20: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/eurydice/\" target=\"_blank\" rel=\"noopener\">Shotgun Players present ‘Eurydice,’ \u003c/a>Berkeley\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sept. 18 – 20: \u003ca href=\"http://eatrealfest.com/\" target=\"_blank\" rel=\"noopener\">Eat Real Festival\u003c/a>, Oakland\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sept. 26: \u003ca href=\"http://www.bayareabluesfestival.com/\" target=\"_blank\" rel=\"noopener\">Bay Area Blues Festival\u003c/a>, Martinez\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Oct. 14: \u003ca href=\"http://thenewparish.com/event.cfm?id=216805\" target=\"_blank\" rel=\"noopener\">Todd Barry\u003c/a> performs at the New Parish, Oakland\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Oct. 17: \u003ca href=\"http://www.apeconcerts.com/event/938997-neil-young-promise-real-berkeley/\" target=\"_blank\" rel=\"noopener\">Neil Young \u003c/a>performs at the Greek Theatre, Berkeley\u003c/span>\u003c/p>\n\n",
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"title": "Head East: Six Reasons Why Across the Bay is the Place to Be This Fall | KQED",
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"headline": "Head East: Six Reasons Why Across the Bay is the Place to Be This Fall",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://kqed.org/fallarts\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-400x400.png\" alt=\"FallArtsPreview-2015-400x400-2\" width=\"300\" height=\"300\" class=\"alignright size-thumbnail wp-image-10915302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-75x75.png 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>East Bay dwellers: If you’re wary of those tired “Oakland is Brooklyn” comparisons, you’re not alone. The past few years of city folk landing in the East Bay after getting priced out of San Francisco has naturally led to more than a few breathless stories in the media about \u003cem>Oakland is hip now — check out all these new great bars and restaurants and happenings!\u003c/em>\u003c/p>\n\u003cp>In reality, as we East Bay natives know, our side of the Bay has always been cool. And, as September and October are the Bay Area’s real summer, it’s also hot — at least, about 10 degrees warmer than the city on a given day. Whether you’re on the lookout for thought-provoking theater, literary fetes, or live music that will keep you grooving into the wee hours, there’s something for you in the East Bay. Just keep it on the DL — we don’t need any more people to find out how good it is on this side.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917155\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10917155\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web-400x267.jpg\" alt=\"Hiero Day 2012. (Photo courtesy Hieroglyphics)\" width=\"400\" height=\"267\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/2_2869378617_hiero_day_9.3.12-423_web.jpg 1000w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Hiero Day 2012. (Photo courtesy Hieroglyphics)\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cb>Hiero Day\u003c/b>\u003c/h3>\n\u003ch5>Sept. 7\u003cbr>\n3rd and Chestnut, Oakland, CA\u003cbr>\n\u003ca href=\"http://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>What began as a humble, hip-hop-centric street party four years ago has grown into a behemoth — in the best possible way. Thrown by the guys from homegrown Oakland hip-hop label Hieroglyphics (home to Del the Funkee Homosapien and Souls of Mischief, among others), Hiero Day is one part daylong music festival, two parts celebration of all things Oakland. Family-friendly, with a lineup of independent artists espousing some very Bay Area values (The Coup, Zion I) in addition to national artists pushing the limits of what hip-hop can be (Chicago rapper Psalm One should be as big as Lauryn Hill), it all goes down around 3rd and Chestnut, with sponsor Linden Street Brewery as non-musical epicenter. Last year’s party drew more than 22,000 people — plus an unannounced Deltron set — so come armed with sunblock and ready for anything. (Emma Silvers)\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917322\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/BurtynskyCover-400x225.jpg\" alt=\"Edward Burtynsky.\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10917322\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BurtynskyCover-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BurtynskyCover-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BurtynskyCover.jpg 850w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Edward Burtynsky. \u003ccite>((Courtesy Nicholas Metivier Gallery, Toronto / Rena Bransten Gallery, San Francisco))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘Art/Act’: Edward Burtynsky\u003c/h3>\n\u003ch5>Opening Sept. 18\u003cbr>\nDavid Brower Center\u003cbr>\n\u003ca href=\"http://www.browercenter.org/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Photographer Edward Burtynsky, known for his arresting images of altered landscapes, is the recipient of the David Brower Center’s Art/Act Award, an honor bestowed upon established artists devoting their practice to activism through art. In this exhibition, Burtynsky presents aerial photos from his series \u003ci>Water\u003c/i>, images of once-wet areas rendered desolate and visually entrancing by drought. Included are photographs of the Colorado River Delta in Mexico, Shasta Lake Reservoir and the Salt River Pima-Maricopa Indian Reservation. Additional images from the series \u003ci>Shipbreaking\u003c/i>, \u003ci>Tailings and Oil\u003c/i> and \u003ci>Quarries\u003c/i> document the devastating effects of humankind’s activities on the natural world. (Sarah Hotchkiss) \n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917323\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/grace-jones-665x4001.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10917323\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/grace-jones-665x4001-400x241.png\" alt=\"Grace Jones performs at the Fox Theater Sept. 26.\" width=\"400\" height=\"241\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/grace-jones-665x4001-400x241.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/grace-jones-665x4001.png 665w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Grace Jones performs at the Fox Theater Sept. 26.\u003c/figcaption>\u003c/figure>\n\u003ch3>Grace Jones\u003c/h3>\n\u003ch5>Sept. 26\u003cbr>\nFox Theater\u003cbr>\n\u003ca href=\"http://www.thefoxoakland.com/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>Grace Jones burns in full androgynous Amazonian glory in \u003ca href=\"https://youtu.be/Wp5eCxlDWHo\">\u003cspan style=\"font-weight: 400\">this \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">1982 live neo- futuristic funk jam take on The Normal’s deadpan new wave classic “Warm Leatherette.” There’s the trademark glossy dark lipstick, the geometric flat-top, and those \u003c/span>\u003ca href=\"http://www.interviewmagazine.com/music/new-again-grace-jones/\">\u003cspan style=\"font-weight: 400\">eyes\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, hidden behind sunglasses. Whether as a model, new wave synth-head, \u003c/span>\u003ca href=\"https://youtu.be/GqJrhgX5ZtE\">\u003cspan style=\"font-weight: 400\">disco queen, \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">or lissome \u003c/span>\u003ca href=\"https://youtu.be/WPkhh5JytYE\">\u003cspan style=\"font-weight: 400\">foe\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> to Conan the Barbarian and James Bond, there’s no denying Miss Jones power. She’s written about her wildly stylish, iconoclastic, and influential life in a new memoir, out on September 29. Just before the book’s release, on Sept. 26, Jones brings her forceful presence to the Fox Theater. Latex, cigarettey monotone, and lasers shall ensue. (Kimberly Chun) \u003c/span>\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917153\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/ProductionStill5-1-e1440531332401.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10917153\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/ProductionStill5-1-e1440531332401-400x221.jpg\" alt=\"A still from 'Three to Infinity: Beyond Two Genders'\" width=\"400\" height=\"221\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/ProductionStill5-1-e1440531332401-400x221.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/ProductionStill5-1-e1440531332401.jpg 560w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A still from ‘Three to Infinity: Beyond Two Genders’\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cem>Three to Infinity: Beyond Two Genders\u003c/em>\u003c/h3>\n\u003ch5>Oct. 3\u003cbr>\nThe New Parkway\u003cbr>\n\u003ca href=\"http://thenewparkway.com/wp/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>With gay marriage finally legal in every state, it might seem that things are finally evening out for the LGBT community — until, of course, you consider the discrimination and dangers faced by trans people on a daily basis. Lonny Shavelson’s documentary explores the world of people who “identify as neither male nor female: agender, gender neutral, gender queer, and more.” At this screening, part of the New Parkway’s ongoing “Appreciating Diversity” film series, you might be surprised: viewers of all ages — and, naturally, all genders — will likely find someone in this film whose struggles feel all too familiar. (Emma Silvers)\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10917426\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Gang-of-four3.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10917426\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Gang-of-four3-400x225.png\" alt=\"Gang of Four plays the New Parish in Oakland Oct. 17.\" width=\"400\" height=\"225\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Gang-of-four3-400x225.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Gang-of-four3.png 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gang of Four plays the New Parish in Oakland Oct. 17.\u003c/figcaption>\u003c/figure>\n\u003ch3>Gang of Four\u003c/h3>\n\u003ch5>Oct. 17\u003cbr>\nThe New Parish\u003cbr>\n\u003ca href=\"http://thenewparish.com/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>It’s amazing to think that at one time in our history, a band like Gang Of Four would sell enough records to be a hit today. Tagged with the purposefully non-descriptive genre of “post-punk,” Gang Of Four led the charge of bringing punk out of the rock world and made it more intellectual. Keeping the Do-It-Yourself mindset at the forefront, they incorporated funky bass lines, jagged guitar riffs and aggressively political lyrics into punk, paving the way for other noteworthy bands such as the Pop Group, Delta 5, and The Birthday Party. As angular and in your face as the Gang of Four was, they influenced musicians varying from Flea of the Red Hot Chili Peppers to R.E.M.’s Michael Stipe. They reunited back in 2004, though nowadays guitarist Andy Gill is the only original member still playing with them. But a quick look at \u003ca href=\"https://www.youtube.com/watch?v=-vtFxiGrlLc\" target=\"_blank\" rel=\"noopener\">recent performances on YouTube,\u003c/a> and it’s obvious that they can still tap into the anger and confidence of their youth. (Kevin L. Jones) \n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10923025\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-10923025\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-400x199.jpg\" alt=\"Ayad Akhtar's Pulitzer Prize-winning 'Disgraced' is the highlight of the Fall season at the Berkeley Rep.\" width=\"400\" height=\"199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-400x199.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-800x399.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-1180x588.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Berkeley_Rep_Akhtar-e1440805470734-1920x9571-960x479.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Ayad Akhtar’s Pulitzer Prize-winning ‘Disgraced’ is the highlight of the Fall season at the Berkeley Rep.\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cem>Disgraced\u003c/em>\u003c/h3>\n\u003ch5>Opens Nov. 6\u003cbr>\nBerkeley Repertory Theatre\u003cbr>\n\u003ca href=\"http://www.berkeleyrep.org/\" target=\"_blank\" rel=\"noopener\">Tickets and Information\u003c/a>\u003c/h5>\n\u003cp>At a time when Republican presidential candidates like Sen. Ted Cruz seem intent on wielding the phrase “radical Islamic terrorism” like a cudgel, Ayad Akhtar’s Pulitzer Prize-winning one-act drama about identity, assimilation, and the Islamophobia hiding behind the comforts of the American Dream seems more relevant than ever. Amir Kapoor is a successful American-born Muslim mergers and acquisitions lawyer, his white wife Emily an artist whose art is touched by Islamic images and ideas. Distanced by his work from the religion he was raised in, Amir makes an unofficial court appearance in support of a local NYC imam who seems to be unjustly imprisoned for financing terrorist-supporting groups. It’s not exactly the stuff of silkily smooth dinner conversation when Amir invites an African American colleague home to dinner, along with her Jewish art dealer husband and the talk turns to racial profiling, faith, and trust in post-9/11 America. The hope, no doubt, is that the conversation continues beyond the confines of the stage when \u003ci>\u003cspan style=\"font-weight: 400\">Disgraced\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> makes its West Coast premiere at Berkeley Rep. (Kimberly Chun) \u003c/span>\n\u003c/p>\u003c/div>\n\u003cp>\u003cb>Other fairs, fests, and events worth a look:\u003c/b>\u003c/p>\n\u003cp>Every Tuesday in September: The Seshen residency at Leo’s Music Club, Oakland\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Opening Sept. 16: \u003c/span>\u003ca href=\"http://ww2.kqed.org/arts/the-do-list/public-works-artists-interventions-1970s-now/\">\u003cspan style=\"font-weight: 400\">Public Works: Artists’ Interventions 1970s–Now\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, Mills College, Oakland\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Through Sept. 20: \u003ca href=\"http://ww2.kqed.org/arts/the-do-list/eurydice/\" target=\"_blank\" rel=\"noopener\">Shotgun Players present ‘Eurydice,’ \u003c/a>Berkeley\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sept. 18 – 20: \u003ca href=\"http://eatrealfest.com/\" target=\"_blank\" rel=\"noopener\">Eat Real Festival\u003c/a>, Oakland\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sept. 26: \u003ca href=\"http://www.bayareabluesfestival.com/\" target=\"_blank\" rel=\"noopener\">Bay Area Blues Festival\u003c/a>, Martinez\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Oct. 14: \u003ca href=\"http://thenewparish.com/event.cfm?id=216805\" target=\"_blank\" rel=\"noopener\">Todd Barry\u003c/a> performs at the New Parish, Oakland\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
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},
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"link": "/radio/program/reveal",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
},
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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