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Winning tickets are $10 and limited to two per winner.\u003c/p>\n\u003cp>“Worth a try,” I thought.\u003c/p>\n\u003cp>I entered the \u003cem>Hamilton\u003c/em> lottery every day for two weeks. It became part of my routine, like brushing my teeth.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Last Tuesday morning, when I was sitting in a meeting at work, I received a text message. “You won 2x tickets!” it simply said.\u003c/p>\n\u003cp>I’m not normally given to outbursts in meetings. But I couldn’t prevent a quiet shriek escaping from my lips. My concentration was gone. What? Me? Won? Really? How? Why? Did I just exhaust my whole portion of luck for the rest of my life?\u003c/p>\n\u003cp>I wasted no time in paying the $20 via Paypal for the seats, and then I was done. The two tickets were mine to collect at will call the next day for the afternoon performance.\u003c/p>\n\u003cp>I couldn’t wait to share the news with my husband. He loves musicals. I don’t know many other grown men who’ve seen \u003cem>The Lion King\u003c/em> three times. So you can imagine his surprise when I told him we were off to see \u003cem>Hamilton\u003c/em>. He almost fell over.\u003c/p>\n\u003cfigure id=\"attachment_13660485\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13660485\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-800x451.jpg\" alt=\"A selfie at the Orpheum Theatre.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199.jpg 1084w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A selfie at the Orpheum Theatre. \u003ccite>(Photo: Johanna Reis/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our excitement went into overdrive when we arrived at the Orpheum Theatre and discovered where our seats were located.\u003c/p>\n\u003cp>“Wait a second,” I said to my husband, while squinting at our tickets. “Row A…\u003cem>that\u003c/em> Row A…the \u003cem>front\u003c/em> row A…Oh. My God.” We just couldn’t believe our luck.\u003c/p>\n\u003cp>From then on, we soaked up every single second of the artistically electrifying, socially charged musical. The composition, sense of ensemble and choreography blew our minds and left us emotionally shattered.\u003c/p>\n\u003cp>It’s been two days since we saw the show. But the wonder of the experience is still fresh in our minds, hearts and ears. I’ve been humming “Alexander Hamilton, my name is Alexander Hamilton …”, “I am not throwing away my shot!” and “Rise up! Whoa! Whoa!” around the office. My colleagues are alternately puzzled and impressed. I hope this feeling will never let us go.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To enter the lottery to win a ticket to see ‘Hamilton’ for $10, click \u003ca href=\"http://www.luckyseat.com/hamilton/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\n",
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"excerpt": "KQED Arts' production & finance operations manager explains how she scored $10 tickets for the hit musical. All it took was a little determination and a lot of luck.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I’m not generally the sort of person who wins stuff. The only time I remember getting lucky in a prize draw was the day I scored a box of fresh vegetables with my parents at a harvest festival in Saxony, Germany, when I was 7 years old.\u003c/p>\n\u003cp>So when I learned about \u003cem>Hamilton\u003c/em>, and digested all the hype surrounding the long waiting lists for tickets, and the nosebleed sums of money people were paying for seats to see the musical on tour in San Francisco, I knew I wouldn’t be able to get any closer to the experience than perhaps watching some clips of it on TV or online.\u003c/p>\n\u003cp>And this is probably very much where my efforts would have ended, were it not for a friend who told me about the ticket lottery for the San Francisco production. The terms offer a limited number of tickets to daily performances of the musical via a random drawing. Winning tickets are $10 and limited to two per winner.\u003c/p>\n\u003cp>“Worth a try,” I thought.\u003c/p>\n\u003cp>I entered the \u003cem>Hamilton\u003c/em> lottery every day for two weeks. It became part of my routine, like brushing my teeth.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last Tuesday morning, when I was sitting in a meeting at work, I received a text message. “You won 2x tickets!” it simply said.\u003c/p>\n\u003cp>I’m not normally given to outbursts in meetings. But I couldn’t prevent a quiet shriek escaping from my lips. My concentration was gone. What? Me? Won? Really? How? Why? Did I just exhaust my whole portion of luck for the rest of my life?\u003c/p>\n\u003cp>I wasted no time in paying the $20 via Paypal for the seats, and then I was done. The two tickets were mine to collect at will call the next day for the afternoon performance.\u003c/p>\n\u003cp>I couldn’t wait to share the news with my husband. He loves musicals. I don’t know many other grown men who’ve seen \u003cem>The Lion King\u003c/em> three times. So you can imagine his surprise when I told him we were off to see \u003cem>Hamilton\u003c/em>. He almost fell over.\u003c/p>\n\u003cfigure id=\"attachment_13660485\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13660485\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-800x451.jpg\" alt=\"A selfie at the Orpheum Theatre.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/IMG_2862-e1500067827199.jpg 1084w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A selfie at the Orpheum Theatre. \u003ccite>(Photo: Johanna Reis/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our excitement went into overdrive when we arrived at the Orpheum Theatre and discovered where our seats were located.\u003c/p>\n\u003cp>“Wait a second,” I said to my husband, while squinting at our tickets. “Row A…\u003cem>that\u003c/em> Row A…the \u003cem>front\u003c/em> row A…Oh. My God.” We just couldn’t believe our luck.\u003c/p>\n\u003cp>From then on, we soaked up every single second of the artistically electrifying, socially charged musical. The composition, sense of ensemble and choreography blew our minds and left us emotionally shattered.\u003c/p>\n\u003cp>It’s been two days since we saw the show. But the wonder of the experience is still fresh in our minds, hearts and ears. I’ve been humming “Alexander Hamilton, my name is Alexander Hamilton …”, “I am not throwing away my shot!” and “Rise up! Whoa! Whoa!” around the office. My colleagues are alternately puzzled and impressed. I hope this feeling will never let us go.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To enter the lottery to win a ticket to see ‘Hamilton’ for $10, click \u003ca href=\"http://www.luckyseat.com/hamilton/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Mariah Rankine-Landers wasn’t excited to see the play her friend dragged her to. She had flown to New York for one reason, and one reason, only: Taye Diggs.\u003c/p>\n\u003cp>At the time, Diggs was starring in a Broadway production of \u003cem>Hedwig and the Angry Inch\u003c/em>, and Rankine-Landers and her friend Jessa Brie Moreno flew across the country to see it. During the trip, however, Moreno bought tickets to another play, one Rankine-Landers hadn’t heard of: \u003cem>Hamilton\u003c/em>.\u003c/p>\n\u003cp>When the curtains went up, Rankine-Landers noticed that the cast looked like her — a rarity in the theater world. \u003cem>Great\u003c/em>, she thought, \u003cem>another musical starting with a slave song\u003c/em>. Soon, though, she realized that the black actors in this play weren’t relegated to typical disenfranchised roles: they were the protagonists. She felt tears in her eyes, remembering all the times she had been told that she couldn’t play dress-up in historical costumes. “In that moment, she said, “I realized, ‘The world is changing.’”\u003c/p>\n\u003cfigure id=\"attachment_13531208\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-800x450.jpg\" alt=\"Participants in the Rise Up! workshop at the Museum of the African Diaspora run an exercise on June 24, 2017. \" width=\"800\" height=\"450\" class=\"size-medium wp-image-13531208\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Participants in the Rise Up! workshop at the Museum of the African Diaspora run an exercise on June 24, 2017. \u003ccite>(Shelby Pope)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On Saturday morning, Rankine-Landers told this story to a group of about 25 teachers at the Museum of the African Diaspora. Rankine-Landers is part of Rise Up!, a group developing curriculum for educators using \u003cem>Hamilton\u003c/em> as a teaching tool. Weeks before the group’s website with public resources goes live, the teachers, armed with notebooks and coffee, were there to learn how to take advantage of the cultural zeitgeist.\u003c/p>\n\u003cp>For students, the play’s themes of revolution and power have taken on a particular significance since the election. “What’s changed is young people have a new and vital response to civic action,” said Marc Bamuthi Joseph, who developed the day’s curriculum with Rakine-Landers. Joseph is the Chief of Program and Pedagogy at Yerba Buena Center for the Arts (his title, he joked, is “what happens when poets name themselves”), whose introduction to the play came from Daveed Diggs. One of the musical’s breakout stars, Diggs’ last pre-\u003cem>Hamilton\u003c/em> role was in Joesph’s own choreopoem \u003cem>Word Becomes Flesh\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13516258\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13516258\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/edited2-800x420.jpg\" alt=\"Marc Bamuthi Joseph takes notes during one of the event's discussions.\" width=\"800\" height=\"420\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-800x420.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-768x403.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-1020x535.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-1180x619.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-960x504.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-240x126.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-375x197.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-520x273.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marc Bamuthi Joseph takes notes during one of the event’s discussions. \u003ccite>(Shelby Pope)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m so nervous,” Rankine-Landers said before the event, tapping at a laptop. “I hope that they’re piqued.” The Rise Up! Curriculum encourages educators to have their students tie their personal experiences, their own revolutions, to the American Revolution. To model that, Rankine-Landers and Joesph had to ask the teachers deep, uncomfortable questions about their lived experiences. One of Rankine-Landers’ goals for the day was encourage educators to become comfortable with the uncomfortable.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After an opening prayer wherein the group agreed to acknowledge their past and move toward a future of more inclusive narratives, Rankine-Landers introduced handshake shapes, which she demonstrated with Jessa Brie Moreno (the friend who originally introduced Rankine-Landers to \u003cem>Hamilton\u003c/em>, and one of the leaders of Rise Up!). Partners started with a handshake or fist bump. Then, one partner broke away to establish a new point of contact, while the other partner remained in the original position. The process repeated until partners were tangled around each other, any awkwardness forgotten. For some, the result was a floundering waltz, or a choppy yoga routine. “That’s too much, I’m not trying to fall right now,” one woman warned her partner. Others ended up on the floor. “So good to get into the body,” Joseph enthused.\u003c/p>\n\u003cfigure id=\"attachment_13531206\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-800x450.jpg\" alt=\"Participants in the Rise Up! workshop at the Museum of the African Diaspora run an exercise on June 24, 2017.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13531206\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Participants in the Rise Up! workshop at the Museum of the African Diaspora run an exercise on June 24, 2017. \u003ccite>(Shelby Pope)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Attendees then went through a series of exercises where they were asked to interrogate themselves. Think of a memory or experience you’ve had, instructors asked, that you’d like to plant in the brain of of our 45th president (the class’ preferred way of referring to Trump). During other exercises, they were asked to examine their memories and definitions of the world, as well as those of their personal relationships: \u003cem>Who are the five people you’re most accountable to? Who are you engaged with? Who are you not close with?\u003c/em>\u003c/p>\n\u003cp>This excavation helped teachers develop a framework that would allow them to incorporate their students’ personal narratives into the study of history, to “think about personal experiences and connect them to traditional paradigms of power,” as Joseph said. “Where does accountability to one another come up in history? Who are you responsible for throughout history? How does compassion play into the American revolution?” Joseph asked, eliciting approving snaps from the crowd.\u003c/p>\n\u003cfigure id=\"attachment_13516262\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/edited1-800x342.jpg\" alt=\"Attendees at the Museum of the African Diaspora's Saturday event, Rise Up! An American Curriculum.\" width=\"800\" height=\"342\" class=\"size-medium wp-image-13516262\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-800x342.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-160x68.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-768x328.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-1020x436.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-1180x505.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-960x411.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-240x103.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-375x160.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-520x222.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees at the Museum of the African Diaspora’s Saturday event, Rise Up! An American Curriculum. \u003ccite>(Shelby Pope)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But before they could pose those questions to their students, the teachers had to ask themselves the questions first. Rankine-Landers’ goal wasn’t to provide didactic instructions about how to teach \u003cem>Hamilton\u003c/em>, but to create a space where teachers could be vulnerable, a place to address the complex emotions that Hamilton — and teaching — can provoke. \u003c/p>\n\u003cp>In that regard, the class had been a success, she said afterward, as she watched attendees mingling after three hours of sharing stories, challenges and tears. “My favorite part is creating this community,” she said. “They walked in as strangers, and now they’re hugging.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "A workshop from the group Rise Up! gives teachers skills to inspire students through the lens of the hit musical 'Hamilton.'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mariah Rankine-Landers wasn’t excited to see the play her friend dragged her to. She had flown to New York for one reason, and one reason, only: Taye Diggs.\u003c/p>\n\u003cp>At the time, Diggs was starring in a Broadway production of \u003cem>Hedwig and the Angry Inch\u003c/em>, and Rankine-Landers and her friend Jessa Brie Moreno flew across the country to see it. During the trip, however, Moreno bought tickets to another play, one Rankine-Landers hadn’t heard of: \u003cem>Hamilton\u003c/em>.\u003c/p>\n\u003cp>When the curtains went up, Rankine-Landers noticed that the cast looked like her — a rarity in the theater world. \u003cem>Great\u003c/em>, she thought, \u003cem>another musical starting with a slave song\u003c/em>. Soon, though, she realized that the black actors in this play weren’t relegated to typical disenfranchised roles: they were the protagonists. She felt tears in her eyes, remembering all the times she had been told that she couldn’t play dress-up in historical costumes. “In that moment, she said, “I realized, ‘The world is changing.’”\u003c/p>\n\u003cfigure id=\"attachment_13531208\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-800x450.jpg\" alt=\"Participants in the Rise Up! workshop at the Museum of the African Diaspora run an exercise on June 24, 2017. \" width=\"800\" height=\"450\" class=\"size-medium wp-image-13531208\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise2-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Participants in the Rise Up! workshop at the Museum of the African Diaspora run an exercise on June 24, 2017. \u003ccite>(Shelby Pope)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On Saturday morning, Rankine-Landers told this story to a group of about 25 teachers at the Museum of the African Diaspora. Rankine-Landers is part of Rise Up!, a group developing curriculum for educators using \u003cem>Hamilton\u003c/em> as a teaching tool. Weeks before the group’s website with public resources goes live, the teachers, armed with notebooks and coffee, were there to learn how to take advantage of the cultural zeitgeist.\u003c/p>\n\u003cp>For students, the play’s themes of revolution and power have taken on a particular significance since the election. “What’s changed is young people have a new and vital response to civic action,” said Marc Bamuthi Joseph, who developed the day’s curriculum with Rakine-Landers. Joseph is the Chief of Program and Pedagogy at Yerba Buena Center for the Arts (his title, he joked, is “what happens when poets name themselves”), whose introduction to the play came from Daveed Diggs. One of the musical’s breakout stars, Diggs’ last pre-\u003cem>Hamilton\u003c/em> role was in Joesph’s own choreopoem \u003cem>Word Becomes Flesh\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13516258\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13516258\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/edited2-800x420.jpg\" alt=\"Marc Bamuthi Joseph takes notes during one of the event's discussions.\" width=\"800\" height=\"420\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-800x420.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-160x84.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-768x403.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-1020x535.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-1180x619.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-960x504.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-240x126.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-375x197.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited2-520x273.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marc Bamuthi Joseph takes notes during one of the event’s discussions. \u003ccite>(Shelby Pope)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m so nervous,” Rankine-Landers said before the event, tapping at a laptop. “I hope that they’re piqued.” The Rise Up! Curriculum encourages educators to have their students tie their personal experiences, their own revolutions, to the American Revolution. To model that, Rankine-Landers and Joesph had to ask the teachers deep, uncomfortable questions about their lived experiences. One of Rankine-Landers’ goals for the day was encourage educators to become comfortable with the uncomfortable.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After an opening prayer wherein the group agreed to acknowledge their past and move toward a future of more inclusive narratives, Rankine-Landers introduced handshake shapes, which she demonstrated with Jessa Brie Moreno (the friend who originally introduced Rankine-Landers to \u003cem>Hamilton\u003c/em>, and one of the leaders of Rise Up!). Partners started with a handshake or fist bump. Then, one partner broke away to establish a new point of contact, while the other partner remained in the original position. The process repeated until partners were tangled around each other, any awkwardness forgotten. For some, the result was a floundering waltz, or a choppy yoga routine. “That’s too much, I’m not trying to fall right now,” one woman warned her partner. Others ended up on the floor. “So good to get into the body,” Joseph enthused.\u003c/p>\n\u003cfigure id=\"attachment_13531206\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-800x450.jpg\" alt=\"Participants in the Rise Up! workshop at the Museum of the African Diaspora run an exercise on June 24, 2017.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13531206\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/MoAD.Exercise-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Participants in the Rise Up! workshop at the Museum of the African Diaspora run an exercise on June 24, 2017. \u003ccite>(Shelby Pope)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Attendees then went through a series of exercises where they were asked to interrogate themselves. Think of a memory or experience you’ve had, instructors asked, that you’d like to plant in the brain of of our 45th president (the class’ preferred way of referring to Trump). During other exercises, they were asked to examine their memories and definitions of the world, as well as those of their personal relationships: \u003cem>Who are the five people you’re most accountable to? Who are you engaged with? Who are you not close with?\u003c/em>\u003c/p>\n\u003cp>This excavation helped teachers develop a framework that would allow them to incorporate their students’ personal narratives into the study of history, to “think about personal experiences and connect them to traditional paradigms of power,” as Joseph said. “Where does accountability to one another come up in history? Who are you responsible for throughout history? How does compassion play into the American revolution?” Joseph asked, eliciting approving snaps from the crowd.\u003c/p>\n\u003cfigure id=\"attachment_13516262\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/edited1-800x342.jpg\" alt=\"Attendees at the Museum of the African Diaspora's Saturday event, Rise Up! An American Curriculum.\" width=\"800\" height=\"342\" class=\"size-medium wp-image-13516262\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-800x342.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-160x68.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-768x328.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-1020x436.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-1180x505.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-960x411.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-240x103.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-375x160.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/edited1-520x222.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Attendees at the Museum of the African Diaspora’s Saturday event, Rise Up! An American Curriculum. \u003ccite>(Shelby Pope)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But before they could pose those questions to their students, the teachers had to ask themselves the questions first. Rankine-Landers’ goal wasn’t to provide didactic instructions about how to teach \u003cem>Hamilton\u003c/em>, but to create a space where teachers could be vulnerable, a place to address the complex emotions that Hamilton — and teaching — can provoke. \u003c/p>\n\u003cp>In that regard, the class had been a success, she said afterward, as she watched attendees mingling after three hours of sharing stories, challenges and tears. “My favorite part is creating this community,” she said. “They walked in as strangers, and now they’re hugging.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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