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"content": "\u003cp>In honor of Black History Month, we’re taking you on an audio journey with the artists, activists, educators, culture-keepers and creatives who are making black history every day. You’ll find stories on the historic Black Power salute at the 1968 Olympics, a freshly painted Nipsey Hussle mural, a guide for living with joy and the origins of the word “hella.”\u003c/p>\n\u003cp>So grab your headphones, hit that subscribe button and dive into these stories from the Bay Area and beyond.\u003c/p>\n\u003cp>Have an episode you’d like to add? Let us know by tweeting us \u003ca href=\"http://www.twitter.com/kqedarts\" target=\"_blank\" rel=\"noopener noreferrer\">@KQEDArts\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13851525\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13851525\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/02/RefaOne.fist_-1020x682.jpg\" alt=\"Artist Refa One with his mural honoring Huey Newton at 14th and Peralta in West Oakland.\" width=\"640\" height=\"428\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-1200x802.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Artist Refa One with his mural honoring Huey Newton at 14th and Peralta in West Oakland. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/rightnowish\" target=\"_blank\" rel=\"noopener noreferrer\">Rightnowish\u003c/a>\u003c/h2>\n\u003cp>Every week, host Pendarvis Harshaw talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13851520/rightnowish-refa-one-spraypaint-in-hand-honors-west-oaklands-history\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Claiming Community Walls for the Black Panther Party\u003c/strong>\u003c/a>\u003cbr>\n“We are standing at ground zero, where the Black Panther Party started,” says Refa One, the artist behind the mural \u003cem>Serve The People\u003c/em> as well as the mural in memory of Oscar Grant at Fruitvale BART.\u003c/p>\n\u003cp>“There’s nothing more beautiful than black people loving each other. African people taking care of each other and expressing ourselves in our most creative ways.”\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13868502/from-d-boys-to-dope-art\" target=\"_blank\" rel=\"noopener noreferrer\">From D-Boys to Dope Art\u003c/a>\u003cbr>\n\u003c/strong>Oakland-born Timothy B. has been putting paint where it ain’t for some time now—and the center of his work is family. B’s family talks about the changes in Oakland from the ’90s to now and how they made sure to keep family strong.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13865889/rightnowish-antique-naked-soul-offers-a-balm-for-the-anxieties-of-black-parenthood\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Antique Naked Soul Turns Anxiety and Love Into Music\u003c/strong>\u003c/a>\u003cbr>\n“Give me an apocalypse / And I would dance / ’Cause I gave democracy its last chance.”\u003c/p>\n\u003cp>Candice Antique talks about black motherhood, as she thinks about what lies ahead in raising her son. The best way to deal with these anxieties, she says, is to first shower her child with love and make art to create change.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13871495/uplifting-culture-in-east-oaklands-brookfield-village\" target=\"_blank\" rel=\"noopener noreferrer\">Brookfield Duece, a Son of East Oakland\u003c/a>\u003c/strong>\u003cbr>\nBrookfield Village in deep East Oakland has been a cultural hub for the city’s black and brown communities. The neighborhood has raised artists like rapper Brookfield Duece and his cousin, star player Damian Lillard, who are using their platform to change the narrative of their neighborhood.\u003c/p>\n\u003cfigure id=\"attachment_13874657\" class=\"wp-caption aligncenter\" style=\"max-width: 799px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13874657\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/tbt-full-image.jpg\" alt=\"Tonya Mosley, left, talks to her grandmother Ernestine Mosley in the ‘Truth Be Told’ podcast.\" width=\"799\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/tbt-full-image.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/tbt-full-image-160x90.jpg 160w\" sizes=\"(max-width: 799px) 100vw, 799px\">\u003cfigcaption class=\"wp-caption-text\">Tonya Mosley, left, talks to her grandmother Ernestine Mosley in the ‘Truth Be Told’ podcast.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/truthbetold\" target=\"_blank\" rel=\"noopener noreferrer\">Truth Be Told\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Truth Be Told\u003c/em> is the friend you call after a long day, to laugh, cry, bitch and moan. The one who gets it.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/truth-be-told/id1462216572\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/719210818/truth-be-told\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Joy\u003c/strong>\u003c/a>\u003cbr>\nHow can you feel joy when the world is burning? It feels like the end of days—and yet we still want to laugh, dance and love.\u003c/p>\n\u003cp>In this inaugural episode of \u003cem>Truth Be Told\u003c/em>, host Tonya Mosley travels to her hometown of Detroit to talk with her grandmother, Ernestine Mosley, and \u003cem>New York Times\u003c/em> best-selling author Adrienne Maree Brown. The three share captivating conversations and life lessons on how we all can and should cultivate joy.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/80/well-meaning-white-folks-episode-4-coming-june-6th\" target=\"_blank\" rel=\"noopener noreferrer\">Well-Meaning White Folks\u003c/a>\u003cbr>\n\u003c/strong>Allies are necessary to our collective pursuit of racial equity and antiracism, but sometimes talking across and through differences can be messy, hurtful and downright exhausting. As people of color, we have \u003ci>all\u003c/i> had our fair share of those “unintentionally” painful encounters.\u003c/p>\n\u003cp>Tonya Mosely and \u003cem>Code Switch\u003c/em> host Gene Demby tackle two questions from people struggling with how to deal with well-meaning white folks, at home and at work.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/85/family-ties-episode-6-coming-june-20th\" target=\"_blank\" rel=\"noopener noreferrer\">Family Ties\u003c/a>\u003cbr>\n\u003c/strong>We’ve all had that one big question in our lives that looms over us and keeps us up at night.\u003c/p>\n\u003cp>Maybe you are making a life-altering decision about a relationship; whether to get into one, get out of one or stay in one. Or maybe, like Tonya Mosley, you are trying to figure out if you should start a relationship with your estranged father’s family.\u003c/p>\n\u003cp>What should you do when faced with a big “what do I do” moment?\u003c/p>\n\u003cfigure id=\"attachment_13874658\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/kqedmxcityoly-thebay.jpg\" alt=\"John Carlos (L) and Tommie Smith (R) stand in front of a statue on the San Jose State University campus memorializing their iconic act of protest at the 1968 Olympic Games in Mexico City. (Courtesy of Josie Lepe/San Jose State University)\" width=\"800\" height=\"533\" class=\"size-full wp-image-13874658\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Carlos (L) and Tommie Smith (R) stand in front of a statue on the San Jose State University campus memorializing their iconic act of protest at the 1968 Olympic Games in Mexico City. \u003ccite>(Courtesy of Josie Lepe/San Jose State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/thebay\" target=\"_blank\" rel=\"noopener noreferrer\">The Bay\u003c/a>\u003c/h2>\n\u003cp>There are a lot of ways to get the news. Ours is to tell you a story. And we believe every good story starts local.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-bay/id1350043452\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/586725995/the-bay\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11784307/olympic-legends-for-black-power-salute-now-hall-of-famers\" target=\"_blank\" rel=\"noopener noreferrer\">Olympic Legends for Black Power Salute, Now Hall of Famers\u003c/a>\u003cbr>\n\u003c/strong>John Carlos and Tommie Smith were shunned after making the Black Power salute on the podium at the 1968 Mexico City Olympics. They were kicked out of the Olympics and lost their track and field careers. Fifty years later, they’ve been inducted into the U.S. Olympic and Paralympic Hall of Fame, where their athletic feats are being honored as much as their courage.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11775705/the-voice-behind-ive-got-five-on-it\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Voice Behind ‘I Got 5 On It’\u003c/strong>\u003c/a>\u003cbr>\nMike Marshall has a voice you’ve probably heard before. He was the vocal on the ’90s anthem “I Got Five On It.” More recently, Marshall covered “San Francisco (Be Sure to Wear Flowers in Your Hair)” in the movie \u003cem>The Last Black Man in San Francisco\u003c/em>.\u003c/p>\n\u003cp>Marshall waited for decades to feel recognized for his voice. And it took two movies set around the Bay Area to make that happen.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11793704/west-oakland-housing-human-right-moms4housing\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Moral Case Behind ‘Housing Is a Human Right’\u003c/strong>\u003c/a>\u003cbr>\nTwo black mothers who occupied a vacant West Oakland property had their day in court. Southern California-based Wedgewood Properties, which owns the home, argued this is a clear case of theft. But the moms are making another, more philosophical argument: that housing is a human right. But what does that mean, and will it help them stay in the house?\u003c/p>\n\u003cfigure id=\"attachment_13874659\" class=\"wp-caption aligncenter\" style=\"max-width: 1007px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/Chron-3.png\" alt=\"Mary Ellen Pleasant pictured in the San Francisco Chronicle in 1899. (Courtesy of the San Francisco Chronicle)\" width=\"1007\" height=\"565\" class=\"size-full wp-image-13874659\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3.png 1007w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-800x449.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-768x431.png 768w\" sizes=\"(max-width: 1007px) 100vw, 1007px\">\u003cfigcaption class=\"wp-caption-text\">Mary Ellen Pleasant pictured in the San Francisco Chronicle in 1899. \u003ccite>(Courtesy of the San Francisco Chronicle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Curious\u003c/a>\u003c/h2>\n\u003cp>Whether you lived here your whole life, or just arrived, \u003cem>Bay Curious\u003c/em> will deepen your understanding of this place you call home.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-bay/id1350043452\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11700225/the-ghost-of-a-legend-how-a-san-francisco-civil-rights-icon-was-made-a-monster\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Ghost of a Legend: How a San Francisco Civil Rights Icon Was Made a Monster\u003c/strong>\u003c/a>\u003cbr>\nWe talk about how one of the most haunted places in San Francisco leads us to the ghost of Mary Ellen Pleasant, a 19th-century entrepreneur who defied white society’s constraints to amass great wealth and advance the cause of civil rights in the city.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/10649552/the-origins-of-hella\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Origins of ‘Hella’\u003c/strong>\u003c/a>\u003cbr>\nHow has “hella” become synonymous to the Bay? Adizah Eghan gets down to exploring the root of “hella” and how slang spreads from black English into mainstream culture.\u003c/p>\n\u003cp>“Very rarely in the African-American or black community do we pick up other people’s language and use them,” says Oakland-based multimedia producer Sean Kennedy. “It’s usually the language we create and other people use them.”\u003c/p>\n\u003cfigure id=\"attachment_13874671\" class=\"wp-caption aligncenter\" style=\"max-width: 695px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/afrofuturism.jpg\" alt=\"The cover of Ytasha L. Womack's "Afrofuturism: The World of Black Sci-Fi and Fantasy Culture." (John Jennings)\" width=\"695\" height=\"391\" class=\"size-full wp-image-13874671\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/afrofuturism.jpg 695w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/afrofuturism-160x90.jpg 160w\" sizes=\"(max-width: 695px) 100vw, 695px\">\u003cfigcaption class=\"wp-caption-text\">The cover of Ytasha L. Womack’s ‘Afrofuturism: The World of Black Sci-Fi and Fantasy Culture.’ \u003ccite>(John Jennings)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/thecooler\" target=\"_blank\" rel=\"noopener noreferrer\">The Cooler\u003c/a>\u003c/h2>\n\u003cp>Join hosts Emmanuel, Jamedra and Carly as they find deeper meaning in what’s going on in the world, share quirky history your high school teacher never taught you and explore LGBTQ issues, race, feminism and social justice through a pop culture lens.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-cooler/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/448115865/the-cooler\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/112123/black-to-the-future\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Black to the Future\u003c/strong>\u003c/a>\u003cbr>\nCartoonist Tanna Tucker breaks down Afrofuturism, the power black artists and cultural workers have to dream and reclaim the future for themselves.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/105587/deray-mckesson-on-black-lives-matter-the-x-men-and-that-blue-vest\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>DeRay Mckesson on Black Lives Matter, the X-Men and That Blue Vest\u003c/strong>\u003c/a>\u003cbr>\nThis episode of the \u003cem>Cooler\u003c/em> features civil rights activist and \u003cem>Pod Save The People\u003c/em> host DeRay Mckesson talking about his commitment to black youth and the movement for black lives. What does it mean to live in one of the longest domestic racial justice protests in U.S. history?\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/81194/jessamyn-stanley-on-why-yoga-isnt-all-peace-love-and-rainbows\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Jessamyn Stanley on Why Yoga Isn’t All Peace, Love, and Rainbows\u003c/strong>\u003c/a>\u003cbr>\n\u003cem>The Cooler\u003c/em> is joined by Jessamyn Stanley, who became a yoga star by posting snapshots of her practice on Instagram. She recently released her first book, \u003cem>Every Body Yoga\u003c/em>, which melds lessons of how to better your life through yoga with personal essays about her journey to self-love and a bunch of other good stuff.\u003c/p>\n\u003cp>We talk about what she thinks the media has all wrong about modern yoga.\u003c/p>\n\u003chr>\n\u003cp>Listen to all the episodes on the playlist below.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/5prADKfeykA2k9ZRU69kgt\" width=\"800\" height=\"600\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"title": "A Podcast Playlist for Making Black History Every Day | KQED",
"description": "In honor of Black History Month, we’re taking you on an audio journey with the artists, activists, educators, culture-keepers and creatives who are making black history every day. You’ll find stories on the historic Black Power salute at the 1968 Olympics, a freshly painted Nipsey Hussle mural, a guide for living with joy and the origins of the word “hella.” So grab your headphones, hit that subscribe button and dive into these stories from the Bay Area and beyond. Have an episode you’d like to add? Let us know by tweeting us @KQEDArts. Rightnowish Every week, host Pendarvis Harshaw talks",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In honor of Black History Month, we’re taking you on an audio journey with the artists, activists, educators, culture-keepers and creatives who are making black history every day. You’ll find stories on the historic Black Power salute at the 1968 Olympics, a freshly painted Nipsey Hussle mural, a guide for living with joy and the origins of the word “hella.”\u003c/p>\n\u003cp>So grab your headphones, hit that subscribe button and dive into these stories from the Bay Area and beyond.\u003c/p>\n\u003cp>Have an episode you’d like to add? Let us know by tweeting us \u003ca href=\"http://www.twitter.com/kqedarts\" target=\"_blank\" rel=\"noopener noreferrer\">@KQEDArts\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13851525\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13851525\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/02/RefaOne.fist_-1020x682.jpg\" alt=\"Artist Refa One with his mural honoring Huey Newton at 14th and Peralta in West Oakland.\" width=\"640\" height=\"428\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_-1200x802.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/02/RefaOne.fist_.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Artist Refa One with his mural honoring Huey Newton at 14th and Peralta in West Oakland. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/rightnowish\" target=\"_blank\" rel=\"noopener noreferrer\">Rightnowish\u003c/a>\u003c/h2>\n\u003cp>Every week, host Pendarvis Harshaw talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13851520/rightnowish-refa-one-spraypaint-in-hand-honors-west-oaklands-history\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Claiming Community Walls for the Black Panther Party\u003c/strong>\u003c/a>\u003cbr>\n“We are standing at ground zero, where the Black Panther Party started,” says Refa One, the artist behind the mural \u003cem>Serve The People\u003c/em> as well as the mural in memory of Oscar Grant at Fruitvale BART.\u003c/p>\n\u003cp>“There’s nothing more beautiful than black people loving each other. African people taking care of each other and expressing ourselves in our most creative ways.”\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13868502/from-d-boys-to-dope-art\" target=\"_blank\" rel=\"noopener noreferrer\">From D-Boys to Dope Art\u003c/a>\u003cbr>\n\u003c/strong>Oakland-born Timothy B. has been putting paint where it ain’t for some time now—and the center of his work is family. B’s family talks about the changes in Oakland from the ’90s to now and how they made sure to keep family strong.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13865889/rightnowish-antique-naked-soul-offers-a-balm-for-the-anxieties-of-black-parenthood\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Antique Naked Soul Turns Anxiety and Love Into Music\u003c/strong>\u003c/a>\u003cbr>\n“Give me an apocalypse / And I would dance / ’Cause I gave democracy its last chance.”\u003c/p>\n\u003cp>Candice Antique talks about black motherhood, as she thinks about what lies ahead in raising her son. The best way to deal with these anxieties, she says, is to first shower her child with love and make art to create change.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/arts/13871495/uplifting-culture-in-east-oaklands-brookfield-village\" target=\"_blank\" rel=\"noopener noreferrer\">Brookfield Duece, a Son of East Oakland\u003c/a>\u003c/strong>\u003cbr>\nBrookfield Village in deep East Oakland has been a cultural hub for the city’s black and brown communities. The neighborhood has raised artists like rapper Brookfield Duece and his cousin, star player Damian Lillard, who are using their platform to change the narrative of their neighborhood.\u003c/p>\n\u003cfigure id=\"attachment_13874657\" class=\"wp-caption aligncenter\" style=\"max-width: 799px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13874657\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/tbt-full-image.jpg\" alt=\"Tonya Mosley, left, talks to her grandmother Ernestine Mosley in the ‘Truth Be Told’ podcast.\" width=\"799\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/tbt-full-image.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/tbt-full-image-160x90.jpg 160w\" sizes=\"(max-width: 799px) 100vw, 799px\">\u003cfigcaption class=\"wp-caption-text\">Tonya Mosley, left, talks to her grandmother Ernestine Mosley in the ‘Truth Be Told’ podcast.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/truthbetold\" target=\"_blank\" rel=\"noopener noreferrer\">Truth Be Told\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Truth Be Told\u003c/em> is the friend you call after a long day, to laugh, cry, bitch and moan. The one who gets it.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/truth-be-told/id1462216572\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/719210818/truth-be-told\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Joy\u003c/strong>\u003c/a>\u003cbr>\nHow can you feel joy when the world is burning? It feels like the end of days—and yet we still want to laugh, dance and love.\u003c/p>\n\u003cp>In this inaugural episode of \u003cem>Truth Be Told\u003c/em>, host Tonya Mosley travels to her hometown of Detroit to talk with her grandmother, Ernestine Mosley, and \u003cem>New York Times\u003c/em> best-selling author Adrienne Maree Brown. The three share captivating conversations and life lessons on how we all can and should cultivate joy.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/80/well-meaning-white-folks-episode-4-coming-june-6th\" target=\"_blank\" rel=\"noopener noreferrer\">Well-Meaning White Folks\u003c/a>\u003cbr>\n\u003c/strong>Allies are necessary to our collective pursuit of racial equity and antiracism, but sometimes talking across and through differences can be messy, hurtful and downright exhausting. As people of color, we have \u003ci>all\u003c/i> had our fair share of those “unintentionally” painful encounters.\u003c/p>\n\u003cp>Tonya Mosely and \u003cem>Code Switch\u003c/em> host Gene Demby tackle two questions from people struggling with how to deal with well-meaning white folks, at home and at work.\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/85/family-ties-episode-6-coming-june-20th\" target=\"_blank\" rel=\"noopener noreferrer\">Family Ties\u003c/a>\u003cbr>\n\u003c/strong>We’ve all had that one big question in our lives that looms over us and keeps us up at night.\u003c/p>\n\u003cp>Maybe you are making a life-altering decision about a relationship; whether to get into one, get out of one or stay in one. Or maybe, like Tonya Mosley, you are trying to figure out if you should start a relationship with your estranged father’s family.\u003c/p>\n\u003cp>What should you do when faced with a big “what do I do” moment?\u003c/p>\n\u003cfigure id=\"attachment_13874658\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/kqedmxcityoly-thebay.jpg\" alt=\"John Carlos (L) and Tommie Smith (R) stand in front of a statue on the San Jose State University campus memorializing their iconic act of protest at the 1968 Olympic Games in Mexico City. (Courtesy of Josie Lepe/San Jose State University)\" width=\"800\" height=\"533\" class=\"size-full wp-image-13874658\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/kqedmxcityoly-thebay-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Carlos (L) and Tommie Smith (R) stand in front of a statue on the San Jose State University campus memorializing their iconic act of protest at the 1968 Olympic Games in Mexico City. \u003ccite>(Courtesy of Josie Lepe/San Jose State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/thebay\" target=\"_blank\" rel=\"noopener noreferrer\">The Bay\u003c/a>\u003c/h2>\n\u003cp>There are a lot of ways to get the news. Ours is to tell you a story. And we believe every good story starts local.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-bay/id1350043452\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/586725995/the-bay\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/news/11784307/olympic-legends-for-black-power-salute-now-hall-of-famers\" target=\"_blank\" rel=\"noopener noreferrer\">Olympic Legends for Black Power Salute, Now Hall of Famers\u003c/a>\u003cbr>\n\u003c/strong>John Carlos and Tommie Smith were shunned after making the Black Power salute on the podium at the 1968 Mexico City Olympics. They were kicked out of the Olympics and lost their track and field careers. Fifty years later, they’ve been inducted into the U.S. Olympic and Paralympic Hall of Fame, where their athletic feats are being honored as much as their courage.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11775705/the-voice-behind-ive-got-five-on-it\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Voice Behind ‘I Got 5 On It’\u003c/strong>\u003c/a>\u003cbr>\nMike Marshall has a voice you’ve probably heard before. He was the vocal on the ’90s anthem “I Got Five On It.” More recently, Marshall covered “San Francisco (Be Sure to Wear Flowers in Your Hair)” in the movie \u003cem>The Last Black Man in San Francisco\u003c/em>.\u003c/p>\n\u003cp>Marshall waited for decades to feel recognized for his voice. And it took two movies set around the Bay Area to make that happen.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11793704/west-oakland-housing-human-right-moms4housing\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Moral Case Behind ‘Housing Is a Human Right’\u003c/strong>\u003c/a>\u003cbr>\nTwo black mothers who occupied a vacant West Oakland property had their day in court. Southern California-based Wedgewood Properties, which owns the home, argued this is a clear case of theft. But the moms are making another, more philosophical argument: that housing is a human right. But what does that mean, and will it help them stay in the house?\u003c/p>\n\u003cfigure id=\"attachment_13874659\" class=\"wp-caption aligncenter\" style=\"max-width: 1007px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/Chron-3.png\" alt=\"Mary Ellen Pleasant pictured in the San Francisco Chronicle in 1899. (Courtesy of the San Francisco Chronicle)\" width=\"1007\" height=\"565\" class=\"size-full wp-image-13874659\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3.png 1007w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-800x449.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/Chron-3-768x431.png 768w\" sizes=\"(max-width: 1007px) 100vw, 1007px\">\u003cfigcaption class=\"wp-caption-text\">Mary Ellen Pleasant pictured in the San Francisco Chronicle in 1899. \u003ccite>(Courtesy of the San Francisco Chronicle)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Curious\u003c/a>\u003c/h2>\n\u003cp>Whether you lived here your whole life, or just arrived, \u003cem>Bay Curious\u003c/em> will deepen your understanding of this place you call home.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-bay/id1350043452\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/500557090/bay-curious\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11700225/the-ghost-of-a-legend-how-a-san-francisco-civil-rights-icon-was-made-a-monster\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Ghost of a Legend: How a San Francisco Civil Rights Icon Was Made a Monster\u003c/strong>\u003c/a>\u003cbr>\nWe talk about how one of the most haunted places in San Francisco leads us to the ghost of Mary Ellen Pleasant, a 19th-century entrepreneur who defied white society’s constraints to amass great wealth and advance the cause of civil rights in the city.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/10649552/the-origins-of-hella\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>The Origins of ‘Hella’\u003c/strong>\u003c/a>\u003cbr>\nHow has “hella” become synonymous to the Bay? Adizah Eghan gets down to exploring the root of “hella” and how slang spreads from black English into mainstream culture.\u003c/p>\n\u003cp>“Very rarely in the African-American or black community do we pick up other people’s language and use them,” says Oakland-based multimedia producer Sean Kennedy. “It’s usually the language we create and other people use them.”\u003c/p>\n\u003cfigure id=\"attachment_13874671\" class=\"wp-caption aligncenter\" style=\"max-width: 695px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/afrofuturism.jpg\" alt=\"The cover of Ytasha L. Womack's "Afrofuturism: The World of Black Sci-Fi and Fantasy Culture." (John Jennings)\" width=\"695\" height=\"391\" class=\"size-full wp-image-13874671\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/afrofuturism.jpg 695w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/afrofuturism-160x90.jpg 160w\" sizes=\"(max-width: 695px) 100vw, 695px\">\u003cfigcaption class=\"wp-caption-text\">The cover of Ytasha L. Womack’s ‘Afrofuturism: The World of Black Sci-Fi and Fantasy Culture.’ \u003ccite>(John Jennings)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.kqed.org/podcasts/thecooler\" target=\"_blank\" rel=\"noopener noreferrer\">The Cooler\u003c/a>\u003c/h2>\n\u003cp>Join hosts Emmanuel, Jamedra and Carly as they find deeper meaning in what’s going on in the world, share quirky history your high school teacher never taught you and explore LGBTQ issues, race, feminism and social justice through a pop culture lens.\u003c/p>\n\u003cp>\u003cstrong>Subscribe on \u003ca href=\"https://podcasts.apple.com/us/podcast/the-cooler/id1041117499\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcasts\u003c/a>\u003c/strong>\u003cbr>\n\u003cstrong>Subscribe on \u003ca href=\"https://www.npr.org/podcasts/448115865/the-cooler\" target=\"_blank\" rel=\"noopener noreferrer\">NPR One\u003c/a>\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/112123/black-to-the-future\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Black to the Future\u003c/strong>\u003c/a>\u003cbr>\nCartoonist Tanna Tucker breaks down Afrofuturism, the power black artists and cultural workers have to dream and reclaim the future for themselves.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/105587/deray-mckesson-on-black-lives-matter-the-x-men-and-that-blue-vest\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>DeRay Mckesson on Black Lives Matter, the X-Men and That Blue Vest\u003c/strong>\u003c/a>\u003cbr>\nThis episode of the \u003cem>Cooler\u003c/em> features civil rights activist and \u003cem>Pod Save The People\u003c/em> host DeRay Mckesson talking about his commitment to black youth and the movement for black lives. What does it mean to live in one of the longest domestic racial justice protests in U.S. history?\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/pop/81194/jessamyn-stanley-on-why-yoga-isnt-all-peace-love-and-rainbows\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Jessamyn Stanley on Why Yoga Isn’t All Peace, Love, and Rainbows\u003c/strong>\u003c/a>\u003cbr>\n\u003cem>The Cooler\u003c/em> is joined by Jessamyn Stanley, who became a yoga star by posting snapshots of her practice on Instagram. She recently released her first book, \u003cem>Every Body Yoga\u003c/em>, which melds lessons of how to better your life through yoga with personal essays about her journey to self-love and a bunch of other good stuff.\u003c/p>\n\u003cp>We talk about what she thinks the media has all wrong about modern yoga.\u003c/p>\n\u003chr>\n\u003cp>Listen to all the episodes on the playlist below.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Author L.L. McKinney: Barnes & Noble 'Diverse Editions' are 'Literary Blackface'",
"headTitle": "Author L.L. McKinney: Barnes & Noble ‘Diverse Editions’ are ‘Literary Blackface’ | KQED",
"content": "\u003cp>“There are so many ways to get this right, they had to look for a way to get this wrong.”\u003c/p>\n\u003cp>That’s author L.L. McKinney’s response to Barnes & Noble’s “Diverse Editions” campaign. McKinney’s most recent book, \u003cem>A Dream So Dark,\u003c/em> is a sequel to \u003cem>\u003ca href=\"https://www.npr.org/books/titles/651940128/a-blade-so-black\" target=\"_blank\" rel=\"noopener noreferrer\">A Blade So Black\u003c/a>\u003c/em>, a contemporary retelling of \u003cem>Alice in Wonderland\u003c/em> with a black female lead.\u003c/p>\n\u003cp>The bookselling chain announced this month that they were going to release classic books with new covers that reimagined protagonists as characters of color. These included \u003cem>Frankenstein\u003c/em>, \u003cem>Peter Pan\u003c/em> and \u003cem>Dr. Jekyll and Mr. Hyde\u003c/em> among others—almost all books by white authors, about characters presumed to be white.\u003c/p>\n\u003cp>Black authors took to Twitter to express their criticism of the project, many of them, including McKinney, calling it “literary blackface.”\u003c/p>\n\u003cp>Barnes & Noble \u003ca href=\"https://twitter.com/BNBuzz/status/1225120163692937218\" target=\"_blank\" rel=\"noopener noreferrer\">released a statement on Twitter\u003c/a> on Wednesday, the day the book covers were supposed to be displayed at their Fifth Avenue store in Manhattan, saying they were no longer going forward with the campaign.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the statement, the chain said “it was a project inspired by outwork with schools and was created in part to raise awareness and discussion during Black History Month, in which Barnes & Noble stores nationally will continue to highlight a wide selection of books to celebrate black history and great literature from writers of color.”\u003c/p>\n\u003cp>But what was supposed to be a celebration of diversity to kick off Black History Month turned into a moment where black writers weren’t actually part of that celebration. [aside postid='pop_109548']\u003c/p>\n\u003cp>Out of the 12 books chosen for the campaign, only one was written by a black author—\u003cem>The Count of Monte Cristo\u003c/em>, by Alexandre Dumas.\u003c/p>\n\u003cp>“It’s still a story by a white author, featuring a white character, told via the white gaze,” McKinney says. “And none of this has changed within the contents of the story itself. They’re essentially just slapping a cover on it to ‘celebrate diversity.’ But a lot of us felt that you’re just trying to cash in on the fact that it’s Black History Month, and now all of a sudden, black faces and brown faces will sell books. Just maybe one, two years ago, people were saying in meetings, ‘Yeah, you can’t put black people on covers. It’s not going to sell the book.'”\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On what Barnes & Noble could have done instead\u003c/strong>\u003c/p>\n\u003cp>Feature black people, that’s the beginning and end of it. If you’re wanting to put a spin on classics, feature classics that are by black and brown authors. Like Zora Neale Hurston. Toni Morrison. Give their covers updates and put them on your tables. Or if you want to do this thing where you connect to the ideas of the classic canon, we are out there writing reimaginings and retellings and putting ourselves in the narratives of these stories. Like \u003cem>Pride & Prejudice\u003c/em>. Like \u003cem>Alice in Wonderland\u003c/em>. Like \u003cem>Wizard of Oz\u003c/em>. We’re doing that, so feature those books if that’s the angle you want to go.\u003c/p>\n\u003cp>\u003cstrong>On diversity in book publishing\u003c/strong>\u003c/p>\n\u003cp>No one thinks they’re capable of making mistakes at this level. Especially mistakes like this. Because if you did think that that was a thing that could happen, you would have things in place and people in place to be able to prevent it from happening, right? I’ve been that person, you know, that one black voice, that one person of color in the room or maybe there are two or three of us who says, maybe this isn’t a good idea. But then we’re shouted down or talked over, so it rolls out. This definitely says that there were no people of color in the room to make those decisions. And if they were, no one listened to them.\u003c/p>\n\u003cp>\u003cstrong>On representation \u003c/strong>\u003c/p>\n\u003cp>I am of the camp of if you want good representation, you let those people speak for themselves. You set up the microphone, you check the levels, you get everything together, and then you get out of the way. Especially if you’re someone who has the resources to do that. And then we can take it from there. That’s what I think good representation is. It mostly comes from within the communities that are attempting to be represented because nobody knows it like us, right?\u003c/p>\n\u003cp>There are people who do do the work and they take the care and they show the research and they’re very sensitive to the nature, not only of the representation, but the context around the bad representation that has come before it. Cause you’re not just representing us in that moment, right? You’re fighting against this narrative that has been developed for decades and people don’t even take that into account. They’re just like, “Oh, well, you know, let me write this down and get this out there.” And maybe I don’t play into, you know, this sharp thing that people are aware of right now, but you miss the connotation of like maybe minstrelsy you know, from decades ago, that’s still very much felt in our community. So I think that good representation happens when we’re allowed to take the mic.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was produced for radio by Justine Kenin and adapted for the Web by Brianna Scott.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Author+L.L.+McKinney%3A+Barnes+%26+Noble+%27Diverse+Editions%27+Are+%27Literary+Blackface%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"excerpt": "Barnes & Noble suspended its campaign to reissue classic books with covers depicting protagonists as people of color after many authors, including McKinney, criticized the initiative.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“There are so many ways to get this right, they had to look for a way to get this wrong.”\u003c/p>\n\u003cp>That’s author L.L. McKinney’s response to Barnes & Noble’s “Diverse Editions” campaign. McKinney’s most recent book, \u003cem>A Dream So Dark,\u003c/em> is a sequel to \u003cem>\u003ca href=\"https://www.npr.org/books/titles/651940128/a-blade-so-black\" target=\"_blank\" rel=\"noopener noreferrer\">A Blade So Black\u003c/a>\u003c/em>, a contemporary retelling of \u003cem>Alice in Wonderland\u003c/em> with a black female lead.\u003c/p>\n\u003cp>The bookselling chain announced this month that they were going to release classic books with new covers that reimagined protagonists as characters of color. These included \u003cem>Frankenstein\u003c/em>, \u003cem>Peter Pan\u003c/em> and \u003cem>Dr. Jekyll and Mr. Hyde\u003c/em> among others—almost all books by white authors, about characters presumed to be white.\u003c/p>\n\u003cp>Black authors took to Twitter to express their criticism of the project, many of them, including McKinney, calling it “literary blackface.”\u003c/p>\n\u003cp>Barnes & Noble \u003ca href=\"https://twitter.com/BNBuzz/status/1225120163692937218\" target=\"_blank\" rel=\"noopener noreferrer\">released a statement on Twitter\u003c/a> on Wednesday, the day the book covers were supposed to be displayed at their Fifth Avenue store in Manhattan, saying they were no longer going forward with the campaign.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the statement, the chain said “it was a project inspired by outwork with schools and was created in part to raise awareness and discussion during Black History Month, in which Barnes & Noble stores nationally will continue to highlight a wide selection of books to celebrate black history and great literature from writers of color.”\u003c/p>\n\u003cp>But what was supposed to be a celebration of diversity to kick off Black History Month turned into a moment where black writers weren’t actually part of that celebration. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Out of the 12 books chosen for the campaign, only one was written by a black author—\u003cem>The Count of Monte Cristo\u003c/em>, by Alexandre Dumas.\u003c/p>\n\u003cp>“It’s still a story by a white author, featuring a white character, told via the white gaze,” McKinney says. “And none of this has changed within the contents of the story itself. They’re essentially just slapping a cover on it to ‘celebrate diversity.’ But a lot of us felt that you’re just trying to cash in on the fact that it’s Black History Month, and now all of a sudden, black faces and brown faces will sell books. Just maybe one, two years ago, people were saying in meetings, ‘Yeah, you can’t put black people on covers. It’s not going to sell the book.'”\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On what Barnes & Noble could have done instead\u003c/strong>\u003c/p>\n\u003cp>Feature black people, that’s the beginning and end of it. If you’re wanting to put a spin on classics, feature classics that are by black and brown authors. Like Zora Neale Hurston. Toni Morrison. Give their covers updates and put them on your tables. Or if you want to do this thing where you connect to the ideas of the classic canon, we are out there writing reimaginings and retellings and putting ourselves in the narratives of these stories. Like \u003cem>Pride & Prejudice\u003c/em>. Like \u003cem>Alice in Wonderland\u003c/em>. Like \u003cem>Wizard of Oz\u003c/em>. We’re doing that, so feature those books if that’s the angle you want to go.\u003c/p>\n\u003cp>\u003cstrong>On diversity in book publishing\u003c/strong>\u003c/p>\n\u003cp>No one thinks they’re capable of making mistakes at this level. Especially mistakes like this. Because if you did think that that was a thing that could happen, you would have things in place and people in place to be able to prevent it from happening, right? I’ve been that person, you know, that one black voice, that one person of color in the room or maybe there are two or three of us who says, maybe this isn’t a good idea. But then we’re shouted down or talked over, so it rolls out. This definitely says that there were no people of color in the room to make those decisions. And if they were, no one listened to them.\u003c/p>\n\u003cp>\u003cstrong>On representation \u003c/strong>\u003c/p>\n\u003cp>I am of the camp of if you want good representation, you let those people speak for themselves. You set up the microphone, you check the levels, you get everything together, and then you get out of the way. Especially if you’re someone who has the resources to do that. And then we can take it from there. That’s what I think good representation is. It mostly comes from within the communities that are attempting to be represented because nobody knows it like us, right?\u003c/p>\n\u003cp>There are people who do do the work and they take the care and they show the research and they’re very sensitive to the nature, not only of the representation, but the context around the bad representation that has come before it. Cause you’re not just representing us in that moment, right? You’re fighting against this narrative that has been developed for decades and people don’t even take that into account. They’re just like, “Oh, well, you know, let me write this down and get this out there.” And maybe I don’t play into, you know, this sharp thing that people are aware of right now, but you miss the connotation of like maybe minstrelsy you know, from decades ago, that’s still very much felt in our community. So I think that good representation happens when we’re allowed to take the mic.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was produced for radio by Justine Kenin and adapted for the Web by Brianna Scott.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Author+L.L.+McKinney%3A+Barnes+%26+Noble+%27Diverse+Editions%27+Are+%27Literary+Blackface%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Preserving Our Own Personal Black History",
"headTitle": "Preserving Our Own Personal Black History | KQED",
"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>n this last day of Black History Month, my spirit is channeling the stories of Tubman, Parks, and King, as well as the tales of X, Garvey and Chisholm. And beyond that, heavy on my heart are the less popular tales: the grandparents who worked until their grand babies were in college, the mother who held down two jobs, just to come home and teach her children arithmetic, the formerly incarcerated brother who got out on appeal after applying information he received by reading a law book or two.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>The lesser-known bearers of black history. The ones whose stories don’t appear in books. Their tales aren’t mammoth legends known around the world, but their individual stories combine to paint a thorough narrative of a people; my people.\u003c/p>\n\u003cp>There are microcosms of black history walking the streets of America. I see them in Oakland every day. And I’ve been lucky enough to have a vast amount of these people open up to me, and let me into their story.\u003c/p>\n\u003cp>I’ve been a published journalist for over a dozen years, and during this time, I’ve had a front-row seat to protests, celebrations, weddings, funerals, and everyday life. A front-row seat that I am privileged and honored to have, allowing me to produce stories and give the world a small taste of what I’ve seen.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s world history. American history. Oakland history. Black history… His story. Her story. My story. \u003cem>Our\u003c/em> story.\u003c/p>\n\u003cfigure id=\"attachment_13825653\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13825653\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/2-1020x680.jpg\" alt=\"Black Panther Party member Mama Charlotte O’Neal attends a Black Panther Party anniversary event at the West Oakland library.\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-520x347.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Black Panther Party member Mama Charlotte O’Neal attends a Black Panther Party anniversary event at the West Oakland library. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s Black History Month concludes, I’m inspired by the late Sarah Tramble, who passed last February. Tramble, a longtime resident of West Oakland, lived to be 100 years old. And as she made her way through life’s journey, she created her own history books. I \u003ca href=\"https://www.youtube.com/watch?v=w_ng9nhoODI\" target=\"_blank\" rel=\"noopener noreferrer\">interviewed Tramble a few years ago\u003c/a>, and got to witness her magic for myself. (My favorite line of hers was when she said that no one on Earth was like her, except for Lady Gaga and Michael Jackson.)\u003c/p>\n\u003cp>What I love most about Tramble’s take on history is that she didn’t go out seeking to tell the entire saga of human existence. She simply told the story from where she was seated. And in that, she told the story of the great migration, urban renewal, women’s rights, what it means to be African American, and so much more.\u003c/p>\n\u003cp>[contextly_sidebar id=”17097xVvjFS4ajFyqVF7sBCzhIZUO8o6″]\u003c/p>\n\u003cp>Every last piece of personal history is part of the bigger story taught in schools, shown in films and etched in our memories. Every individual tale is a piece of the fabric that quilts together to create the coat that is the story of humankind. This is true for all people.\u003c/p>\n\u003cp>But since the first ship landed here, the tales of individual African Americans have been disregarded. Over time, we’ve learned to praise “the greatest” or “the first,” and overlook the rest. Jackie Robinson is a hero for what he accomplished, no doubt. But if you think Larry Doby wasn’t just as brave, you’re missing a major piece of the story. And then, if you’re from Oakland and you’ve never heard the tale of Jimmy Claxton, you’re not just missing a story — you’re missing a whole chapter.\u003c/p>\n\u003cfigure id=\"attachment_13825669\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13825669\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/18-1020x679.jpg\" alt=\"Jesus El gets airborne at DeFremery (Lil' Bobby Hutton) Park in West Oakland.\" width=\"640\" height=\"426\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Jesus El gets airborne at DeFremery (Lil’ Bobby Hutton) Park in West Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">M\u003c/span>y point being, you can’t possibly know black history from just hearing about “the first” or “the greatest”; black history is a collection of tales combined to create a narrative that is ultimately intertwined with American history, and world history.\u003c/p>\n\u003cp>Every single black person’s story is a type of black history worth chronicling and preserving. So take photos. Record conversations with your grandmothers. Write about the people on your block. If we don’t do it, who will?\u003c/p>\n\u003cp>Inspired by Tramble, and the month in which we celebrate black history, it’s my honor to share with you 28 photos — one for each day of the month — taken from the seat I was given.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cfigure id=\"attachment_13825661\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825661\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/10-800x533.jpg\" alt=\"The boys next door.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The boys next door. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825660\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825660\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/9-800x533.jpg\" alt=\"Fatima and Dafina attend an opening at Betti Ono Art Gallery in downtown Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Fatima and Dafina attend an opening at Betti Ono Art Gallery in downtown Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825652\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825652\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/1-800x533.jpg\" alt=\"A young lady rides a horse, as a member of the Black Cowboys chaperones her, at a Juneteenth festival in East Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A young lady rides a horse, as a member of the Black Cowboys chaperones her, at a Juneteenth festival in East Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825654\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825654\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/3-800x533.jpg\" alt=\"Black Panther Party co-founder Bobby Seale and poet Chinaka Hodge share the stage at the Oakland Museum.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Black Panther Party co-founder Bobby Seale and poet Chinaka Hodge share the stage at the Oakland Museum. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825673\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825673\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/22-800x533.jpg\" alt=\"The Scraper Bike Boyz!\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Scraper Bike Boyz! \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825675\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/24-800x533.jpg\" alt=\"Director Ryan Coogler speaking at the Grand Lake Theater with members of the cast and crew of 'Fruitvale Station' (Michael B. Jordan, Melonie Diaz, Octavia Spencer, Forest Whittaker and others) on the night of the premiere.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Director Ryan Coogler speaking at the Grand Lake Theater with members of the cast and crew of ‘Fruitvale Station’ (Michael B. Jordan, Melonie Diaz, Octavia Spencer, Forest Whittaker and others) on the night of the premiere. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825655\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/4-800x533.jpg\" alt=\"The Afro-Panamanian rap duo Los Rakas on top of the old train station in West Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Afro-Panamanian rap duo Los Rakas on top of the old train station in West Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825656\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825656\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/5-800x532.jpg\" alt=\"Congresswoman Barbara Lee visits the East Oakland Youth Development Center in East Oakland.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-1180x784.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-960x638.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-375x249.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Congresswoman Barbara Lee visits the East Oakland Youth Development Center in East Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825677\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825677\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/26-800x533.jpg\" alt=\"The late Elder Freeman, former Black Panther party member, sitting on his porch in West Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The late Elder Freeman, former Black Panther party member, sitting on his porch in West Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825657\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825657\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/6-800x533.jpg\" alt=\"A streetside memorial for 16 year-old Reggina Jefferies in downtown Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A streetside memorial for 16 year-old Reggina Jefferies in downtown Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825676\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825676\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/25-800x533.jpg\" alt=\"West Oakland’s own Beejus takes a dive in the DeFremery (Lil' Bobby Hutton) Park pool.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">West Oakland’s own Beejus takes a dive in the DeFremery (Lil’ Bobby Hutton) Park pool. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825658\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825658\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/7-800x533.jpg\" alt=\"East Oakland native, rapper Richie Rich, poses for a photo outside of a store in North Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">East Oakland native, rapper Richie Rich, poses for a photo outside of a store in North Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825659\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13825659\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/8-1020x1535.jpg\" alt=\"The Bey’s union.\" width=\"640\" height=\"963\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-1020x1535.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-800x1204.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-768x1156.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-1180x1776.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-960x1445.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-240x361.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-375x564.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-520x782.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8.jpg 1276w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Bey’s union. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825662\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825662\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/11-800x533.jpg\" alt=\"Rocky takes his human, Keith Gregory, on an evening walk around Lake Merritt.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rocky takes his human, Keith Gregory, on an evening walk around Lake Merritt. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825663\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825663\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/12-800x533.jpg\" alt=\"Kev Choice, ever animated, performs at an event in West Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kev Choice, ever animated, performs at an event in West Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825664\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825664\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/13-800x533.jpg\" alt=\"Ajhana DeRamous and her daughter Aziyah Williams by Lake Merritt.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ajhana DeRamous and her daughter Aziyah Williams by Lake Merritt. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825665\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825665\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/14-800x533.jpg\" alt=\"Roger, a childhood friend, now homeless. We keep in touch. Situations have changed, but love hasn’t.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Roger, a childhood friend, now homeless. We keep in touch. Situations have changed, but love hasn’t. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825666\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825666\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/15-800x533.jpg\" alt=\"A Marcus Foster Education Institute graduation ceremony at Merritt College in the Oakland Hills.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A Marcus Foster Education Institute graduation ceremony at Merritt College in the Oakland Hills. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825667\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825667\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/16-800x533.jpg\" alt=\"Ant Petty getting active on the weights as his family watches in the background.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ant Petty getting active on the weights as his family watches in the background. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825668\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825668\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/17-800x533.jpg\" alt=\"A joyous celebration at a McClymonds graduation.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A joyous celebration at a McClymonds graduation. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825670\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825670\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/19-800x533.jpg\" alt=\"Fremont High students get amped after school.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Fremont High students get amped after school. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825671\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825671\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/20-800x533.jpg\" alt=\"Arnold Perkins shoots the camera a cold look prior to being interviewed by Cheo Tyehimba Taylor.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Arnold Perkins shoots the camera a cold look prior to being interviewed by Cheo Tyehimba Taylor. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825672\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825672\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/21-800x533.jpg\" alt=\"Rapper Ian Kelly takes a long look at one of the longest standing murals in Oakland, the image of slain East Oakland rapper Plan Bee.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rapper Ian Kelly takes a long look at one of the longest standing murals in Oakland, the image of slain East Oakland rapper Plan Bee. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825674\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825674\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/23-800x533.jpg\" alt=\"Loryan strikes a cool-kid pose in downtown Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Loryan strikes a cool-kid pose in downtown Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825678\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13825678\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/27-1020x1530.jpg\" alt=\"Dalila’s hand, on the day of her wedding. Photo taken just last week.\" width=\"640\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-520x780.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27.jpg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Dalila’s hand, on the day of her wedding. Photo taken just last week. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Pendarvis Harshaw is the author of ‘\u003ca href=\"http://www.latimes.com/local/abcarian/la-me-abcarian-og-harshaw-20170409-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">OG Told Me\u003c/a>,’ a memoir about growing up in Oakland. Find him on Twitter \u003ca href=\"https://twitter.com/ogpenn\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "On the last day of Black History Month, celebrate not just the \"firsts\" and \"greatests,\" but the lesser-known bearers of black history.",
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"description": "On the last day of Black History Month, celebrate not just the "firsts" and "greatests," but the lesser-known bearers of black history.",
"title": "Preserving Our Own Personal Black History | KQED",
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"headline": "Preserving Our Own Personal Black History",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>n this last day of Black History Month, my spirit is channeling the stories of Tubman, Parks, and King, as well as the tales of X, Garvey and Chisholm. And beyond that, heavy on my heart are the less popular tales: the grandparents who worked until their grand babies were in college, the mother who held down two jobs, just to come home and teach her children arithmetic, the formerly incarcerated brother who got out on appeal after applying information he received by reading a law book or two.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>The lesser-known bearers of black history. The ones whose stories don’t appear in books. Their tales aren’t mammoth legends known around the world, but their individual stories combine to paint a thorough narrative of a people; my people.\u003c/p>\n\u003cp>There are microcosms of black history walking the streets of America. I see them in Oakland every day. And I’ve been lucky enough to have a vast amount of these people open up to me, and let me into their story.\u003c/p>\n\u003cp>I’ve been a published journalist for over a dozen years, and during this time, I’ve had a front-row seat to protests, celebrations, weddings, funerals, and everyday life. A front-row seat that I am privileged and honored to have, allowing me to produce stories and give the world a small taste of what I’ve seen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s world history. American history. Oakland history. Black history… His story. Her story. My story. \u003cem>Our\u003c/em> story.\u003c/p>\n\u003cfigure id=\"attachment_13825653\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13825653\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/2-1020x680.jpg\" alt=\"Black Panther Party member Mama Charlotte O’Neal attends a Black Panther Party anniversary event at the West Oakland library.\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/2-520x347.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Black Panther Party member Mama Charlotte O’Neal attends a Black Panther Party anniversary event at the West Oakland library. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s Black History Month concludes, I’m inspired by the late Sarah Tramble, who passed last February. Tramble, a longtime resident of West Oakland, lived to be 100 years old. And as she made her way through life’s journey, she created her own history books. I \u003ca href=\"https://www.youtube.com/watch?v=w_ng9nhoODI\" target=\"_blank\" rel=\"noopener noreferrer\">interviewed Tramble a few years ago\u003c/a>, and got to witness her magic for myself. (My favorite line of hers was when she said that no one on Earth was like her, except for Lady Gaga and Michael Jackson.)\u003c/p>\n\u003cp>What I love most about Tramble’s take on history is that she didn’t go out seeking to tell the entire saga of human existence. She simply told the story from where she was seated. And in that, she told the story of the great migration, urban renewal, women’s rights, what it means to be African American, and so much more.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Every last piece of personal history is part of the bigger story taught in schools, shown in films and etched in our memories. Every individual tale is a piece of the fabric that quilts together to create the coat that is the story of humankind. This is true for all people.\u003c/p>\n\u003cp>But since the first ship landed here, the tales of individual African Americans have been disregarded. Over time, we’ve learned to praise “the greatest” or “the first,” and overlook the rest. Jackie Robinson is a hero for what he accomplished, no doubt. But if you think Larry Doby wasn’t just as brave, you’re missing a major piece of the story. And then, if you’re from Oakland and you’ve never heard the tale of Jimmy Claxton, you’re not just missing a story — you’re missing a whole chapter.\u003c/p>\n\u003cfigure id=\"attachment_13825669\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13825669\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/18-1020x679.jpg\" alt=\"Jesus El gets airborne at DeFremery (Lil' Bobby Hutton) Park in West Oakland.\" width=\"640\" height=\"426\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/18-520x346.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Jesus El gets airborne at DeFremery (Lil’ Bobby Hutton) Park in West Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">M\u003c/span>y point being, you can’t possibly know black history from just hearing about “the first” or “the greatest”; black history is a collection of tales combined to create a narrative that is ultimately intertwined with American history, and world history.\u003c/p>\n\u003cp>Every single black person’s story is a type of black history worth chronicling and preserving. So take photos. Record conversations with your grandmothers. Write about the people on your block. If we don’t do it, who will?\u003c/p>\n\u003cp>Inspired by Tramble, and the month in which we celebrate black history, it’s my honor to share with you 28 photos — one for each day of the month — taken from the seat I was given.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cfigure id=\"attachment_13825661\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825661\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/10-800x533.jpg\" alt=\"The boys next door.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/10-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The boys next door. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825660\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825660\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/9-800x533.jpg\" alt=\"Fatima and Dafina attend an opening at Betti Ono Art Gallery in downtown Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/9-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Fatima and Dafina attend an opening at Betti Ono Art Gallery in downtown Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825652\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825652\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/1-800x533.jpg\" alt=\"A young lady rides a horse, as a member of the Black Cowboys chaperones her, at a Juneteenth festival in East Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/1-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A young lady rides a horse, as a member of the Black Cowboys chaperones her, at a Juneteenth festival in East Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825654\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825654\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/3-800x533.jpg\" alt=\"Black Panther Party co-founder Bobby Seale and poet Chinaka Hodge share the stage at the Oakland Museum.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/3-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Black Panther Party co-founder Bobby Seale and poet Chinaka Hodge share the stage at the Oakland Museum. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825673\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825673\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/22-800x533.jpg\" alt=\"The Scraper Bike Boyz!\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/22-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Scraper Bike Boyz! \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825675\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825675\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/24-800x533.jpg\" alt=\"Director Ryan Coogler speaking at the Grand Lake Theater with members of the cast and crew of 'Fruitvale Station' (Michael B. Jordan, Melonie Diaz, Octavia Spencer, Forest Whittaker and others) on the night of the premiere.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/24-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Director Ryan Coogler speaking at the Grand Lake Theater with members of the cast and crew of ‘Fruitvale Station’ (Michael B. Jordan, Melonie Diaz, Octavia Spencer, Forest Whittaker and others) on the night of the premiere. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825655\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825655\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/4-800x533.jpg\" alt=\"The Afro-Panamanian rap duo Los Rakas on top of the old train station in West Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/4-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Afro-Panamanian rap duo Los Rakas on top of the old train station in West Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825656\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825656\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/5-800x532.jpg\" alt=\"Congresswoman Barbara Lee visits the East Oakland Youth Development Center in East Oakland.\" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-768x510.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-1180x784.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-960x638.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-375x249.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/5-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Congresswoman Barbara Lee visits the East Oakland Youth Development Center in East Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825677\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825677\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/26-800x533.jpg\" alt=\"The late Elder Freeman, former Black Panther party member, sitting on his porch in West Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/26-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The late Elder Freeman, former Black Panther party member, sitting on his porch in West Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825657\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825657\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/6-800x533.jpg\" alt=\"A streetside memorial for 16 year-old Reggina Jefferies in downtown Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/6-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A streetside memorial for 16 year-old Reggina Jefferies in downtown Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825676\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825676\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/25-800x533.jpg\" alt=\"West Oakland’s own Beejus takes a dive in the DeFremery (Lil' Bobby Hutton) Park pool.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/25-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">West Oakland’s own Beejus takes a dive in the DeFremery (Lil’ Bobby Hutton) Park pool. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825658\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825658\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/7-800x533.jpg\" alt=\"East Oakland native, rapper Richie Rich, poses for a photo outside of a store in North Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/7-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">East Oakland native, rapper Richie Rich, poses for a photo outside of a store in North Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825659\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13825659\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/8-1020x1535.jpg\" alt=\"The Bey’s union.\" width=\"640\" height=\"963\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-1020x1535.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-800x1204.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-768x1156.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-1180x1776.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-960x1445.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-240x361.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-375x564.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8-520x782.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/8.jpg 1276w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Bey’s union. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825662\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825662\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/11-800x533.jpg\" alt=\"Rocky takes his human, Keith Gregory, on an evening walk around Lake Merritt.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/11-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rocky takes his human, Keith Gregory, on an evening walk around Lake Merritt. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825663\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825663\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/12-800x533.jpg\" alt=\"Kev Choice, ever animated, performs at an event in West Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/12-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kev Choice, ever animated, performs at an event in West Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825664\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825664\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/13-800x533.jpg\" alt=\"Ajhana DeRamous and her daughter Aziyah Williams by Lake Merritt.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/13-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ajhana DeRamous and her daughter Aziyah Williams by Lake Merritt. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825665\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825665\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/14-800x533.jpg\" alt=\"Roger, a childhood friend, now homeless. We keep in touch. Situations have changed, but love hasn’t.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/14-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Roger, a childhood friend, now homeless. We keep in touch. Situations have changed, but love hasn’t. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825666\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825666\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/15-800x533.jpg\" alt=\"A Marcus Foster Education Institute graduation ceremony at Merritt College in the Oakland Hills.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/15-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A Marcus Foster Education Institute graduation ceremony at Merritt College in the Oakland Hills. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825667\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825667\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/16-800x533.jpg\" alt=\"Ant Petty getting active on the weights as his family watches in the background.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/16-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ant Petty getting active on the weights as his family watches in the background. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825668\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825668\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/17-800x533.jpg\" alt=\"A joyous celebration at a McClymonds graduation.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/17-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A joyous celebration at a McClymonds graduation. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825670\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825670\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/19-800x533.jpg\" alt=\"Fremont High students get amped after school.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/19-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Fremont High students get amped after school. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825671\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825671\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/20-800x533.jpg\" alt=\"Arnold Perkins shoots the camera a cold look prior to being interviewed by Cheo Tyehimba Taylor.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/20-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Arnold Perkins shoots the camera a cold look prior to being interviewed by Cheo Tyehimba Taylor. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825672\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825672\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/21-800x533.jpg\" alt=\"Rapper Ian Kelly takes a long look at one of the longest standing murals in Oakland, the image of slain East Oakland rapper Plan Bee.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-1180x785.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-960x639.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/21-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rapper Ian Kelly takes a long look at one of the longest standing murals in Oakland, the image of slain East Oakland rapper Plan Bee. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825674\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13825674\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/23-800x533.jpg\" alt=\"Loryan strikes a cool-kid pose in downtown Oakland.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/23-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Loryan strikes a cool-kid pose in downtown Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13825678\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13825678\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/02/27-1020x1530.jpg\" alt=\"Dalila’s hand, on the day of her wedding. Photo taken just last week.\" width=\"640\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-1180x1770.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-960x1440.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-240x360.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-375x563.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27-520x780.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/02/27.jpg 1280w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Dalila’s hand, on the day of her wedding. Photo taken just last week. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Pendarvis Harshaw is the author of ‘\u003ca href=\"http://www.latimes.com/local/abcarian/la-me-abcarian-og-harshaw-20170409-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">OG Told Me\u003c/a>,’ a memoir about growing up in Oakland. Find him on Twitter \u003ca href=\"https://twitter.com/ogpenn\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"planet-money": {
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
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},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
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