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"title": "After #OscarsSoWhite and #MeToo, the Academy Finally Listens",
"headTitle": "After #OscarsSoWhite and #MeToo, the Academy Finally Listens | KQED",
"content": "\u003cp>Each year’s \u003ca href=\"http://oscar.go.com/nominees\" target=\"_blank\" rel=\"noopener\">Oscar nominations\u003c/a> provoke both cheers and eye rolls, and 2018 is no exception. Directing and Original Screenplay nods to Jordan Peele for \u003cem>Get Out\u003c/em>, \u003cem>and\u003c/em> Best Picture plus Best Actor nominations for Daniel Kaluuya? Cool. A Best Picture slot for \u003cem>The Post\u003c/em> despite zero recognition in the technical categories, or anywhere other than Meryl Streep’s expected nomination? Weird. Best Director nods for two first-timers (Peele and Greta Gerwig)? A terrific boost for their careers. A Best Actor nomination for Denzel Washington? Clearly, given \u003cem>Roman J. Israel, Esq.’s\u003c/em> low box office numbers, more Academy members saw his performance than did paying customers.\u003c/p>\n\u003cp>[contextly_sidebar id=”q6YX94zNcMmSuj84pLo2IFtDSguMtsRz”]\u003c/p>\n\u003cp>The most encouraging news to be gleaned from this year’s nominations is that the industry appears to have turned a corner after the \u003ca href=\"https://ww2.kqed.org/arts/2016/02/26/the-bay-area-talks-back-to-hollywood/\" target=\"_blank\" rel=\"noopener\">#OscarsSoWhite\u003c/a> debacle. With Mary J. Blige (\u003cem>Mudbound\u003c/em>) and Octavia Spencer (\u003cem>The Shape of Water\u003c/em>) in the Supporting Actress category (along with Kaluuya and Washington in Best Actor), a fifth of the 20 nominated actors are black. Nominations don’t tell the whole story, of course, but you can’t get nominated if you don’t get cast. If the visibility and heat brought to bear by #OscarsSoWhite is resulting in more roles for actors of color, well, keep the pressure on.\u003c/p>\n\u003cp>From a gender-equality perspective, the nomination of Rachel Morrison (\u003cem>Mudbound\u003c/em>) in the Cinematography category — the first woman to be so recognized — is a huge development. Director Dee Rees (along with co-writer and producer Virgil Williams) was recognized for the adapted screenplay for \u003cem>Mudbound\u003c/em>, while Greta Gerwig (\u003cem>Lady Bird\u003c/em>) and Emily V. Gordon (\u003cem>The Big Sick\u003c/em>, co-written with Kumail Najiani) were, as expected, nominated for Original Screenplay.\u003c/p>\n\u003cfigure id=\"attachment_13819821\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819821\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/GretaGerwig-800x563.jpg\" alt=\"Director Greta Gerwig attends the 24th Annual Screen Actors Guild Awards at The Shrine Auditorium on Jan. 21, 2018 in Los Angeles.\" width=\"800\" height=\"563\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-800x563.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-768x540.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-1020x718.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-1180x830.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-960x676.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-240x169.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-375x264.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-520x366.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Director Greta Gerwig attends the 24th Annual Screen Actors Guild Awards at The Shrine Auditorium on Jan. 21, 2018 in Los Angeles. \u003ccite>(Christopher Polk/Getty Images for Turner Image)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last year’s movies were made in 2016 and don’t address the Trump effect, but the voting took place amid the ongoing #MeToo revelations. It’s conceivable that some Academy members didn’t watch perennial fave Kate Winslet’s performance in \u003cem>Wonder Wheel\u003c/em> because there was no way they were going to endorse a Woody Allen movie. (To be clear, the charges leveled against him remain allegations.) But the nominations include an implicit acknowledgement of Hollywood’s sexual abuse scandals.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Christopher Plummer, who received a surprise nomination in the Supporting Actor category, was hired to replace the disgraced Kevin Spacey after \u003cem>All the Money in the World\u003c/em> was finished, and to reshoot numerous scenes. Even if not a single presenter or winner mentions sexual harassment on Oscar Night — an unlikely scenario — we’ll be reminded of Spacey’s (and Weinstein’s) transgressions every time the camera focuses on Plummer.\u003c/p>\n\u003cp>Several other Academy Award-nominated films feature explorations of sexuality that would upset Mike Pence: the coming-of-age romance \u003cem>Call Me by Your Name\u003c/em> (Best Picture, Actor: Timothee Chalemet; Adapted Screenplay: James Ivory, and Original Song) and the Chilean drama about a grieving transgender woman, \u003cem>A Fantastic Woman\u003c/em> (Foreign Language).\u003c/p>\n\u003cfigure id=\"attachment_13819820\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819820\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/CallMeByYourName-800x450.jpg\" alt=\"Timothée Chalamet and Armie Hammer in 'Call Me By Your Name,' nominated for four Academy Awards.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Timothée Chalamet and Armie Hammer in ‘Call Me By Your Name,’ nominated for four Academy Awards. \u003ccite>(Sony Pictures Classics)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, the aforementioned \u003cem>Mudbound\u003c/em> (Netflix) and \u003cem>The Big Sick\u003c/em> (Amazon) represent the Oscars’ highest-profile feature films from the major streaming services, who increasingly fancy themselves as mini-studios (with mammoth budgets). Netflix also scored with \u003cem>Icarus\u003c/em> and \u003cem>Strong Island\u003c/em> (both Documentary Feature) and \u003cem>Heroin(e)\u003c/em> (Documentary Short), three prestigious nominations that should bolster the company’s longstanding embrace of quality nonfiction. (While offsetting Netflix’s bottomless inventory of lackluster true-crime series and docs.)\u003c/p>\n\u003cp>Speaking of docs, Bay Area filmmakers were shut out in categories where they frequently contend. Indeed, the only locals who will need to rent tuxedos are the sound artists and visual effects experts who worked on \u003cem>Star Wars: The Last Jedi\u003c/em>.\u003c/p>\n\u003cp>It is customary, at this point, to expertly and decisively handicap the nominees and predict the winners. Actually, that’s sport for every moviegoer. I will just say that this year feels a lot like the last few, with several films attracting devoted constituencies — with each film’s fans lukewarm toward the others. We can only count on two things for certain: a few new faces stepping into the spotlight and seizing their moment, and every star of any stature denouncing the current administration’s policies.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "This year's nominations feature the diversity audiences have demanded for the past several years.",
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"title": "After #OscarsSoWhite and #MeToo, the Academy Finally Listens | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Each year’s \u003ca href=\"http://oscar.go.com/nominees\" target=\"_blank\" rel=\"noopener\">Oscar nominations\u003c/a> provoke both cheers and eye rolls, and 2018 is no exception. Directing and Original Screenplay nods to Jordan Peele for \u003cem>Get Out\u003c/em>, \u003cem>and\u003c/em> Best Picture plus Best Actor nominations for Daniel Kaluuya? Cool. A Best Picture slot for \u003cem>The Post\u003c/em> despite zero recognition in the technical categories, or anywhere other than Meryl Streep’s expected nomination? Weird. Best Director nods for two first-timers (Peele and Greta Gerwig)? A terrific boost for their careers. A Best Actor nomination for Denzel Washington? Clearly, given \u003cem>Roman J. Israel, Esq.’s\u003c/em> low box office numbers, more Academy members saw his performance than did paying customers.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The most encouraging news to be gleaned from this year’s nominations is that the industry appears to have turned a corner after the \u003ca href=\"https://ww2.kqed.org/arts/2016/02/26/the-bay-area-talks-back-to-hollywood/\" target=\"_blank\" rel=\"noopener\">#OscarsSoWhite\u003c/a> debacle. With Mary J. Blige (\u003cem>Mudbound\u003c/em>) and Octavia Spencer (\u003cem>The Shape of Water\u003c/em>) in the Supporting Actress category (along with Kaluuya and Washington in Best Actor), a fifth of the 20 nominated actors are black. Nominations don’t tell the whole story, of course, but you can’t get nominated if you don’t get cast. If the visibility and heat brought to bear by #OscarsSoWhite is resulting in more roles for actors of color, well, keep the pressure on.\u003c/p>\n\u003cp>From a gender-equality perspective, the nomination of Rachel Morrison (\u003cem>Mudbound\u003c/em>) in the Cinematography category — the first woman to be so recognized — is a huge development. Director Dee Rees (along with co-writer and producer Virgil Williams) was recognized for the adapted screenplay for \u003cem>Mudbound\u003c/em>, while Greta Gerwig (\u003cem>Lady Bird\u003c/em>) and Emily V. Gordon (\u003cem>The Big Sick\u003c/em>, co-written with Kumail Najiani) were, as expected, nominated for Original Screenplay.\u003c/p>\n\u003cfigure id=\"attachment_13819821\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819821\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/GretaGerwig-800x563.jpg\" alt=\"Director Greta Gerwig attends the 24th Annual Screen Actors Guild Awards at The Shrine Auditorium on Jan. 21, 2018 in Los Angeles.\" width=\"800\" height=\"563\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-800x563.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-768x540.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-1020x718.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-1180x830.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-960x676.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-240x169.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-375x264.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/GretaGerwig-520x366.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Director Greta Gerwig attends the 24th Annual Screen Actors Guild Awards at The Shrine Auditorium on Jan. 21, 2018 in Los Angeles. \u003ccite>(Christopher Polk/Getty Images for Turner Image)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Last year’s movies were made in 2016 and don’t address the Trump effect, but the voting took place amid the ongoing #MeToo revelations. It’s conceivable that some Academy members didn’t watch perennial fave Kate Winslet’s performance in \u003cem>Wonder Wheel\u003c/em> because there was no way they were going to endorse a Woody Allen movie. (To be clear, the charges leveled against him remain allegations.) But the nominations include an implicit acknowledgement of Hollywood’s sexual abuse scandals.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Christopher Plummer, who received a surprise nomination in the Supporting Actor category, was hired to replace the disgraced Kevin Spacey after \u003cem>All the Money in the World\u003c/em> was finished, and to reshoot numerous scenes. Even if not a single presenter or winner mentions sexual harassment on Oscar Night — an unlikely scenario — we’ll be reminded of Spacey’s (and Weinstein’s) transgressions every time the camera focuses on Plummer.\u003c/p>\n\u003cp>Several other Academy Award-nominated films feature explorations of sexuality that would upset Mike Pence: the coming-of-age romance \u003cem>Call Me by Your Name\u003c/em> (Best Picture, Actor: Timothee Chalemet; Adapted Screenplay: James Ivory, and Original Song) and the Chilean drama about a grieving transgender woman, \u003cem>A Fantastic Woman\u003c/em> (Foreign Language).\u003c/p>\n\u003cfigure id=\"attachment_13819820\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13819820\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/01/CallMeByYourName-800x450.jpg\" alt=\"Timothée Chalamet and Armie Hammer in 'Call Me By Your Name,' nominated for four Academy Awards.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/01/CallMeByYourName-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Timothée Chalamet and Armie Hammer in ‘Call Me By Your Name,’ nominated for four Academy Awards. \u003ccite>(Sony Pictures Classics)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, the aforementioned \u003cem>Mudbound\u003c/em> (Netflix) and \u003cem>The Big Sick\u003c/em> (Amazon) represent the Oscars’ highest-profile feature films from the major streaming services, who increasingly fancy themselves as mini-studios (with mammoth budgets). Netflix also scored with \u003cem>Icarus\u003c/em> and \u003cem>Strong Island\u003c/em> (both Documentary Feature) and \u003cem>Heroin(e)\u003c/em> (Documentary Short), three prestigious nominations that should bolster the company’s longstanding embrace of quality nonfiction. (While offsetting Netflix’s bottomless inventory of lackluster true-crime series and docs.)\u003c/p>\n\u003cp>Speaking of docs, Bay Area filmmakers were shut out in categories where they frequently contend. Indeed, the only locals who will need to rent tuxedos are the sound artists and visual effects experts who worked on \u003cem>Star Wars: The Last Jedi\u003c/em>.\u003c/p>\n\u003cp>It is customary, at this point, to expertly and decisively handicap the nominees and predict the winners. Actually, that’s sport for every moviegoer. I will just say that this year feels a lot like the last few, with several films attracting devoted constituencies — with each film’s fans lukewarm toward the others. We can only count on two things for certain: a few new faces stepping into the spotlight and seizing their moment, and every star of any stature denouncing the current administration’s policies.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
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