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"content": "\u003cp>\u003cb>The True Artist…\u003c/b> is a limited glimpse of the di Rosa collection (there are over 2,000 pieces in Napa) — about 50 works by the 20 or so artists who most shaped the Bay Area art scene from the 1950’s on. A lot of these pieces have been classified as “Funk Art” — works characterized by a certain nose-thumbing attitude toward subject matter, materials, and accepted notions of what-makes-something-art-in-the-first-place. This is not my favorite term (or genre, really), but I was taken by how refreshingly good-natured and genuinely funny this show is, something you don’t see a lot of in art museums.\u003c/p>\n\u003cp>Another refreshing thing is that the works are unaccompanied by interpretive text. I mean none whatsoever. No titles, no artist names, no year they were made. Rene di Rosa’s opinion is that nothing should get in the way of the viewer’s relationship to the work — all the rest of it is, in his words, “crap.” (For people who need such things, there is a printed list available). Being an audio tour devotee and a reference book fanatic, I found this to be extraordinarily disconcerting, but in a good way. The works in these galleries aren’t segregated by little panels telling you how to take them in individually, and so they have a curious way of relating to one another, and of encouraging you to do the same. It felt eccentric and confrontational and highly participatory — a valuable lesson for me about my own assumptions and the way that I normally look at art.\u003c/p>\n\u003cp>My taste runs toward the conceptual end of things, and I particularly loved a couple of impossible-to-classify works — one by David Best (of Burning Man fame), a crazily ornate paper construction that was as gorgeous and awe-inspiring as any of his playa temples. The other was a piece by an artist I haven’t encountered before, Paul Kos. “Equilibre III” is his Dada-like sculpture made out of ordinary objects — a cornhusk broom standing balanced on its whisk end with a long, curved iron bar perched atop its handle, two bells hanging from either end. It is delicate and mysterious and wonderfully expectant — full of tension and surprise and \u003cem>wit\u003c/em>. It looked as though at any moment it would either break into a performance of some ancient tribal bellybroomdance, or else collapse in a heap on the floor, elements akimbo, should even the slightest breeze pass its way.\u003c/p>\n\u003cp>\u003cb>The True Artist is an Amazing Luminous Fountain: Selected Works from the di Rosa Preserve\u003c/b> is on view at the \u003ca href=\"http://www.santacruzmah.org\" target=\"offsite\" rel=\"noopener\">Santa Cruz Museum of Art and History\u003c/a> (at santacruzmah.org) through November 27th. The \u003ca href=\"http://www.dirosapreserve.org\" target=\"offsite\" rel=\"noopener\">di Rosa Preserve\u003c/a> (at dirosapreserve.org) is open to the public year-round.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Another refreshing thing is that the works are unaccompanied by interpretive text. I mean none whatsoever. No titles, no artist names, no year they were made. Rene di Rosa's opinion is that nothing should get in the way of the viewer's relationship to the work -- all the rest of it is, in his words, \"crap.\" (For people who need such things, there is a printed list available). Being an audio tour devotee and a reference book fanatic, I found this to be extraordinarily disconcerting, but in a good way. The works in these galleries aren't segregated by little panels telling you how to take them in individually, and so they have a curious way of relating to one another, and of encouraging you to do the same. It felt eccentric and confrontational and highly participatory -- a valuable lesson for me about my own assumptions and the way that I normally look at art.",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
},
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