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"content": "\u003cp>The ’60s are the gift that keeps on giving, at least as far as documentary filmmakers (of all generations, so don’t go blaming aging boomers) are concerned. In just the last few years, we’ve had nonfiction films about the Weather Underground, Woodstock, the Chicago 10 trial, Hunter Thompson (he came to fame in ’66, with the publication of \u003cb>Hells Angels\u003c/b>), the Doors, the Vietnam War and William Kunstler. It’s pretty obvious that they represent a collective roar against the public apathy and powerlessness of the Bush years, but also something more: Diligent, well-researched pushback against the revisionist history promulgated by the conservative and mainstream media, namely that the ’60s’ lasting legacy is drugs and sex.\u003c/p>\n\u003cp>Berkeley filmmakers Judith Ehrlich and Rick Goldsmith’s \u003cb>The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers\u003c/b> centers on a man who was the antithesis of a weed-happy hippie or free-love opportunist. His incredibly principled and gutsy action against the Vietnam War, consequently, is impossible to dismiss or refute. An Ivy League-educated Marine with on-the-ground service in Vietnam, Ellsberg was a pro-war analyst in the State Dept. and then the Rand Corporation as the war heated up. But gradually, with his girlfriend (and future wife) Patricia arguing relentlessly against the war, Ellsberg came to see its immorality.\u003c/p>\n\u003cp>More than anything, what he was forced to confront were his government’s lies. They were evident from the Pentagon’s massive secret history of Vietnam, which delineated the gap between what bureaucrats and politicians knew and what they told the American people. Ellsberg made copies of the voluminous documents and slipped them to numerous newspapers and Congressmen. And that’s when \u003cb>Most Dangerous Man\u003c/b> gets really interesting.\u003c/p>\n\u003cp>The film is structured, paced and scored like a thriller, and it works beautifully. It helps that Ellsberg (who’s made the East Bay his home for many years) narrates — mostly passages taken from his own writings — giving us an insider’s tense, profoundly thoughtful point of view. As we’re drawn in so intimately, we can’t help but ask ourselves what we would have done in the same situation. (I’m reminded, completely inappropriately, of the classic question Moe, Larry or Curly would ask each other: “Are we men or are we mice?” The answer was always, “Mice!” Then again, maybe it wasn’t the Stooges.)\u003c/p>\n\u003cp>The other factor that puts \u003cb>Most Dangerous Man\u003c/b> over is its timeliness. The major challenge that historical documentaries face — as even Ken Burns will admit — is getting contemporary viewers to see their relevance. That’s not remotely a problem with the Ellsberg doc. The bloody and costly pursuit of an unattainable victory in Vietnam has its current parallels in Iraq and potentially Afghanistan. Why isn’t there the same outcry? If the draft was still in effect, I daresay tens of thousands of Americans would be in the streets. That there isn’t and they’re not does not negate the similarities in the wars.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Meanwhile, the film devotes considerable time to the internal debates and ultimate decisions of the \u003ci>New York Times\u003c/i> and other newspapers that published excerpts of the Pentagon Papers in the face of threats from Richard Nixon’s Justice Dept. Listening to these witnesses discuss the responsibilities of a free press in a democracy with the utmost seriousness is inspiring, frankly. Of course, it also throws into sharp relief those same papers’ abdication of their responsibility in the run-up to the invasion of Iraq.\u003c/p>\n\u003cp>As gripping as any political whodunit that Hollywood has made in the last 20 years, starring a patriot and hero who puts Jack Bauer and Jason Bourne to shame, \u003cb>The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers\u003c/b> is a splendid contribution to the burgeoning history of the ’60s on film. It’s also, unfortunately, a movie for our times.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers\u003c/b> opens Friday, February 19, 2010 at Landmark Theatres in San Francisco and Berkeley.\u003c/p>\n\n",
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"headline": "The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The ’60s are the gift that keeps on giving, at least as far as documentary filmmakers (of all generations, so don’t go blaming aging boomers) are concerned. In just the last few years, we’ve had nonfiction films about the Weather Underground, Woodstock, the Chicago 10 trial, Hunter Thompson (he came to fame in ’66, with the publication of \u003cb>Hells Angels\u003c/b>), the Doors, the Vietnam War and William Kunstler. It’s pretty obvious that they represent a collective roar against the public apathy and powerlessness of the Bush years, but also something more: Diligent, well-researched pushback against the revisionist history promulgated by the conservative and mainstream media, namely that the ’60s’ lasting legacy is drugs and sex.\u003c/p>\n\u003cp>Berkeley filmmakers Judith Ehrlich and Rick Goldsmith’s \u003cb>The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers\u003c/b> centers on a man who was the antithesis of a weed-happy hippie or free-love opportunist. His incredibly principled and gutsy action against the Vietnam War, consequently, is impossible to dismiss or refute. An Ivy League-educated Marine with on-the-ground service in Vietnam, Ellsberg was a pro-war analyst in the State Dept. and then the Rand Corporation as the war heated up. But gradually, with his girlfriend (and future wife) Patricia arguing relentlessly against the war, Ellsberg came to see its immorality.\u003c/p>\n\u003cp>More than anything, what he was forced to confront were his government’s lies. They were evident from the Pentagon’s massive secret history of Vietnam, which delineated the gap between what bureaucrats and politicians knew and what they told the American people. Ellsberg made copies of the voluminous documents and slipped them to numerous newspapers and Congressmen. And that’s when \u003cb>Most Dangerous Man\u003c/b> gets really interesting.\u003c/p>\n\u003cp>The film is structured, paced and scored like a thriller, and it works beautifully. It helps that Ellsberg (who’s made the East Bay his home for many years) narrates — mostly passages taken from his own writings — giving us an insider’s tense, profoundly thoughtful point of view. As we’re drawn in so intimately, we can’t help but ask ourselves what we would have done in the same situation. (I’m reminded, completely inappropriately, of the classic question Moe, Larry or Curly would ask each other: “Are we men or are we mice?” The answer was always, “Mice!” Then again, maybe it wasn’t the Stooges.)\u003c/p>\n\u003cp>The other factor that puts \u003cb>Most Dangerous Man\u003c/b> over is its timeliness. The major challenge that historical documentaries face — as even Ken Burns will admit — is getting contemporary viewers to see their relevance. That’s not remotely a problem with the Ellsberg doc. The bloody and costly pursuit of an unattainable victory in Vietnam has its current parallels in Iraq and potentially Afghanistan. Why isn’t there the same outcry? If the draft was still in effect, I daresay tens of thousands of Americans would be in the streets. That there isn’t and they’re not does not negate the similarities in the wars.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Meanwhile, the film devotes considerable time to the internal debates and ultimate decisions of the \u003ci>New York Times\u003c/i> and other newspapers that published excerpts of the Pentagon Papers in the face of threats from Richard Nixon’s Justice Dept. Listening to these witnesses discuss the responsibilities of a free press in a democracy with the utmost seriousness is inspiring, frankly. Of course, it also throws into sharp relief those same papers’ abdication of their responsibility in the run-up to the invasion of Iraq.\u003c/p>\n\u003cp>As gripping as any political whodunit that Hollywood has made in the last 20 years, starring a patriot and hero who puts Jack Bauer and Jason Bourne to shame, \u003cb>The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers\u003c/b> is a splendid contribution to the burgeoning history of the ’60s on film. It’s also, unfortunately, a movie for our times.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>The Most Dangerous Man In America: Daniel Ellsberg and the Pentagon Papers\u003c/b> opens Friday, February 19, 2010 at Landmark Theatres in San Francisco and Berkeley.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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