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"content": "\u003cp>\u003ca href=\"http://obscuradigital.com/\" target=\"_blank\" rel=\"noopener\">Obscura Digital\u003c/a>, a creative studio based in San Francisco, helped the Vatican kick off the year-long Jubilee of Mercy last week by projecting high-definition images onto St. Peter’s Basilica.\u003c/p>\n\u003cp>The studio was chosen by the Vatican to provide a visual interpretation of Pope Francis’ 2015 encyclical (AKA a letter sent to all Roman Catholic Bishops) entitled “Laudato Si: On Care for Our Common Home,” which focused on the global environmental issues, according to \u003ci>\u003ca href=\"http://www.catholic-sf.org/ns.php?newsid=22&id=64056\" target=\"_blank\" rel=\"noopener\">Catholic San Francisco.\u003c/a>\u003c/i> The resulting hour-long light show from Digital Obscura, entitled “Fiat Lux: Illuminating Our Common Home” was publicly shown on Dec. 8, coinciding with the United Nations Framework Convention on Climate Change in Paris. (Fiat Lux is Latin for “Let there be light.”)\u003c/p>\n\u003cp>Described as a gift to the Pope by representatives of the studio, the light show featured pictures of animals facing extinction, examples of societies from all over the world and other breathtaking sights by award-winning photographers, including National Geographic’s Steve McCurry.\u003c/p>\n\u003cp>“Pope Francis is trying to create a dialogue and we were honored to support his endeavor,” Digital Obscura co-founder Travis Threlkel told Catholic San Francisco. “We’re showing the diversity and glory of God’s creation on the planet, and we’re hoping to inspire the world to have reverence for all things.” \u003c/p>\n\u003cp>https://www.facebook.com/ObscuraDigital/posts/10153761353077192\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>To see the show in its entirety, visit \u003ca href=\"http://ourcommonhome.world/\" target=\"_blank\" rel=\"noopener\">ourcommonhome.world.\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://obscuradigital.com/\" target=\"_blank\" rel=\"noopener\">Obscura Digital\u003c/a>, a creative studio based in San Francisco, helped the Vatican kick off the year-long Jubilee of Mercy last week by projecting high-definition images onto St. Peter’s Basilica.\u003c/p>\n\u003cp>The studio was chosen by the Vatican to provide a visual interpretation of Pope Francis’ 2015 encyclical (AKA a letter sent to all Roman Catholic Bishops) entitled “Laudato Si: On Care for Our Common Home,” which focused on the global environmental issues, according to \u003ci>\u003ca href=\"http://www.catholic-sf.org/ns.php?newsid=22&id=64056\" target=\"_blank\" rel=\"noopener\">Catholic San Francisco.\u003c/a>\u003c/i> The resulting hour-long light show from Digital Obscura, entitled “Fiat Lux: Illuminating Our Common Home” was publicly shown on Dec. 8, coinciding with the United Nations Framework Convention on Climate Change in Paris. (Fiat Lux is Latin for “Let there be light.”)\u003c/p>\n\u003cp>Described as a gift to the Pope by representatives of the studio, the light show featured pictures of animals facing extinction, examples of societies from all over the world and other breathtaking sights by award-winning photographers, including National Geographic’s Steve McCurry.\u003c/p>\n\u003cp>“Pope Francis is trying to create a dialogue and we were honored to support his endeavor,” Digital Obscura co-founder Travis Threlkel told Catholic San Francisco. “We’re showing the diversity and glory of God’s creation on the planet, and we’re hoping to inspire the world to have reverence for all things.” \u003c/p>\n\u003cp>https://www.facebook.com/ObscuraDigital/posts/10153761353077192\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Bay Area bands, start your engines. Er, clear your desks? NPR’s second annual Tiny Desk Contest is upon us.\u003c/p>\n\u003cp>The contest, which invites artists to compete for the chance to shoot their own Tiny Desk Concert at NPR’s studios in Washington, D.C., kicks off Jan. 12, 2016 and will accept entries through Feb. 2. \u003ca href=\"http:/tinydeskcontest.npr.org\" target=\"_blank\" rel=\"noopener\">See details here\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/tdc_logo.png\" alt=\"tdc_logo\" width=\"630\" height=\"273\" class=\"aligncenter size-full wp-image-11163610\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/tdc_logo.png 630w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/tdc_logo-400x173.png 400w\" sizes=\"(max-width: 630px) 100vw, 630px\">\u003c/p>\n\u003cp>The inaugural contest saw some 7,000 submissions from all 50 states during the seven-week submission period — but in the end, the winner was Oakland native Fantastic Negrito, a bluesman who puts on an incredible live show, with an \u003ca href=\"http://ww2.kqed.org/arts/2015/02/12/fantastic-negrito-xavier-dphrepaulezz-second-act/\" target=\"_blank\" rel=\"noopener\">incredible back story to boot. \u003c/a>The \u003ca href=\"https://www.youtube.com/watch?v=7kWEhIXVPJA\" target=\"_blank\" rel=\"noopener\">winning video\u003c/a> was shot in an impressively cramped freight elevator in Oakland.\u003c/p>\n\u003cp>In the nearly 10 months since his win, the artist (real name: Xavier Dphrepaulezz) has ridden an \u003ca href=\"http://artsbeat.blogs.nytimes.com/2015/03/19/sxsw-music-2015-an-empire-writer-finale-tries-to-make-his-way-as-a-music-producer-in-austin/?_r=0\" target=\"_blank\" rel=\"noopener\">impressive wave \u003c/a>of \u003ca href=\"http://www.wired.com/2015/09/7-stories-about-fantastic-negrito/\" target=\"_blank\" rel=\"noopener\">national buzz\u003c/a>, including a blowout performance at South By Southwest and a high-profile spot at San Francisco’s own Outside Lands — though that latter scheduled performance was replaced with an even higher-profile, \u003ca href=\"http://ww2.kqed.org/arts/2015/08/09/outside-lands-review-saturdays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">arguably unjustified arrest\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Like Fantastic Negrito, the 2016 winner will appear at a taping of NPR’s Ask Me Another and at other events hosted by NPR Music and sponsor Lagunitas across the U.S.\u003c/p>\n\u003cp>To enter, artists must be at least 21 years old and live in the United States; video submissions are to be no longer than 10 minutes. See the full rules and regulations \u003ca href=\"http:/tinydeskcontest.npr.org\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>And for a shot of local pride, check out Fantastic Negrito’s Tiny Desk Concert below.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ymYjwsFz8iM\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bay Area bands, start your engines. Er, clear your desks? NPR’s second annual Tiny Desk Contest is upon us.\u003c/p>\n\u003cp>The contest, which invites artists to compete for the chance to shoot their own Tiny Desk Concert at NPR’s studios in Washington, D.C., kicks off Jan. 12, 2016 and will accept entries through Feb. 2. \u003ca href=\"http:/tinydeskcontest.npr.org\" target=\"_blank\" rel=\"noopener\">See details here\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/tdc_logo.png\" alt=\"tdc_logo\" width=\"630\" height=\"273\" class=\"aligncenter size-full wp-image-11163610\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/tdc_logo.png 630w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/tdc_logo-400x173.png 400w\" sizes=\"(max-width: 630px) 100vw, 630px\">\u003c/p>\n\u003cp>The inaugural contest saw some 7,000 submissions from all 50 states during the seven-week submission period — but in the end, the winner was Oakland native Fantastic Negrito, a bluesman who puts on an incredible live show, with an \u003ca href=\"http://ww2.kqed.org/arts/2015/02/12/fantastic-negrito-xavier-dphrepaulezz-second-act/\" target=\"_blank\" rel=\"noopener\">incredible back story to boot. \u003c/a>The \u003ca href=\"https://www.youtube.com/watch?v=7kWEhIXVPJA\" target=\"_blank\" rel=\"noopener\">winning video\u003c/a> was shot in an impressively cramped freight elevator in Oakland.\u003c/p>\n\u003cp>In the nearly 10 months since his win, the artist (real name: Xavier Dphrepaulezz) has ridden an \u003ca href=\"http://artsbeat.blogs.nytimes.com/2015/03/19/sxsw-music-2015-an-empire-writer-finale-tries-to-make-his-way-as-a-music-producer-in-austin/?_r=0\" target=\"_blank\" rel=\"noopener\">impressive wave \u003c/a>of \u003ca href=\"http://www.wired.com/2015/09/7-stories-about-fantastic-negrito/\" target=\"_blank\" rel=\"noopener\">national buzz\u003c/a>, including a blowout performance at South By Southwest and a high-profile spot at San Francisco’s own Outside Lands — though that latter scheduled performance was replaced with an even higher-profile, \u003ca href=\"http://ww2.kqed.org/arts/2015/08/09/outside-lands-review-saturdays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">arguably unjustified arrest\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Organizers of the Burning Man counter-culture celebration are challenging the enforcement of a Nevada state tax that they say could cost them nearly $3 million.\u003c/p>\n\u003cp>Burning Man officials said in a letter to the state Department of Taxation on Friday that the festival should be exempt from the recently amended tax on live entertainment, the \u003ca href=\"http://tinyurl.com/nrfm3hq\" target=\"_blank\" rel=\"noopener\">Reno Gazette-Journal reported Saturday\u003c/a>.\u003c/p>\n\u003cp>The 25-year-old annual arts festival attracted about 80,000 participants this year to the Black Rock Desert 100 miles north of Reno.\u003c/p>\n\u003cp>Burning Man attorney Ray Allen said the nine percent tax would translate into a tax bill of about $2.8 million. He said the tax is known by some as the “Burning Man tax.”\u003c/p>\n\u003cp>“From our perspective, this is the latest attempt by an outside entity to unfairly tap the resources of Burning Man and its participants,” event organizers said in a statement posted on their web site. “Some seem to view Burning Man as the ‘golden goose’ they can turn to when they want money for other projects.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Burning Man officials said they will not set 2016 ticket prices until they hear back from the taxation department because they could be forced to bump up the cost of entry to the temporary village dubbed “Black Rock City.” They urged the department to respond by Jan. 15.\u003c/p>\n\u003cp>In June, the Legislature approved a revised version of the live entertainment tax, which originally came into law in 2004 as a way for the state to gain revenue from Las Vegas’s robust live entertainment industry. The revised version became effective Oct. 1.\u003c/p>\n\u003cp>Certain events — including school, sporting, racing and nonprofit events attended by fewer than 7,500 people — remain exempt from the tax. Burning Man and the Electric Daisy Carnival, a music festival held in Las Vegas, were the two largest events newly affected by the change.\u003c/p>\n\u003cp>Burning Man maintains it should be treated as it has historically during the weeklong celebration that culminates with the burning of a towering, wooden effigy the day before Labor Day.\u003c/p>\n\u003cp>“Black Rock City is not an arena concert, a sporting event or a Las Vegas show; it’s a thriving metropolis with all the trappings of a functioning temporary city, with people camping, cooking meals, visiting neighbors, and exploring the offerings of its citizens,” the organization said in its online statement.\u003c/p>\n\u003cp>“While the Burning Man organization provides the space and basic infrastructure for Black Rock City, we simply don’t provide live entertainment as defined by the statute.”\u003c/p>\n\u003cp>Burning Man previously was exempt because it was an outdoor event, said ex-House Speaker Marilyn Kirkpatrick, D-Las Vegas, who co-sponsored the bill in March. No other newly affected organization, including the Electric Daisy Carnival, had qualms with paying the tax, she said.\u003c/p>\n\u003cp>As is, the tax brings in about $137 million annually, most of which goes toward the state’s general fund. About $150,000 will go toward the Nevada Arts Council in the future.\u003c/p>\n\u003cp>“It’s just a sign of the times. Entertainment has changed,” Kirkpatrick said. “There’s no way we could have predicted in 2003 that there would be an event like Burning Man. It’s disappointing that they take it so personal.”\u003c/p>\n\u003cp>Burning Man previously stated that an increase in ticket prices may be necessary to cover the tax. General admission tickets in 2015 were $390, a $10 increase from 2014.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>Information from: Reno Gazette-Journal, http://www.rgj.com\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2015 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"description": "Organizers of the Burning Man counter-culture celebration are challenging the enforcement of a Nevada state tax that they say could cost them nearly $3 million. Burning Man officials said in a letter to the state Department of Taxation on Friday that the festival should be exempt from the recently amended tax on live entertainment, the Reno Gazette-Journal reported Saturday. The 25-year-old annual arts festival attracted about 80,000 participants this year to the Black Rock Desert 100 miles north of Reno. Burning Man attorney Ray Allen said the nine percent tax would translate into a tax bill of about $2.8 million.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Organizers of the Burning Man counter-culture celebration are challenging the enforcement of a Nevada state tax that they say could cost them nearly $3 million.\u003c/p>\n\u003cp>Burning Man officials said in a letter to the state Department of Taxation on Friday that the festival should be exempt from the recently amended tax on live entertainment, the \u003ca href=\"http://tinyurl.com/nrfm3hq\" target=\"_blank\" rel=\"noopener\">Reno Gazette-Journal reported Saturday\u003c/a>.\u003c/p>\n\u003cp>The 25-year-old annual arts festival attracted about 80,000 participants this year to the Black Rock Desert 100 miles north of Reno.\u003c/p>\n\u003cp>Burning Man attorney Ray Allen said the nine percent tax would translate into a tax bill of about $2.8 million. He said the tax is known by some as the “Burning Man tax.”\u003c/p>\n\u003cp>“From our perspective, this is the latest attempt by an outside entity to unfairly tap the resources of Burning Man and its participants,” event organizers said in a statement posted on their web site. “Some seem to view Burning Man as the ‘golden goose’ they can turn to when they want money for other projects.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Burning Man officials said they will not set 2016 ticket prices until they hear back from the taxation department because they could be forced to bump up the cost of entry to the temporary village dubbed “Black Rock City.” They urged the department to respond by Jan. 15.\u003c/p>\n\u003cp>In June, the Legislature approved a revised version of the live entertainment tax, which originally came into law in 2004 as a way for the state to gain revenue from Las Vegas’s robust live entertainment industry. The revised version became effective Oct. 1.\u003c/p>\n\u003cp>Certain events — including school, sporting, racing and nonprofit events attended by fewer than 7,500 people — remain exempt from the tax. Burning Man and the Electric Daisy Carnival, a music festival held in Las Vegas, were the two largest events newly affected by the change.\u003c/p>\n\u003cp>Burning Man maintains it should be treated as it has historically during the weeklong celebration that culminates with the burning of a towering, wooden effigy the day before Labor Day.\u003c/p>\n\u003cp>“Black Rock City is not an arena concert, a sporting event or a Las Vegas show; it’s a thriving metropolis with all the trappings of a functioning temporary city, with people camping, cooking meals, visiting neighbors, and exploring the offerings of its citizens,” the organization said in its online statement.\u003c/p>\n\u003cp>“While the Burning Man organization provides the space and basic infrastructure for Black Rock City, we simply don’t provide live entertainment as defined by the statute.”\u003c/p>\n\u003cp>Burning Man previously was exempt because it was an outdoor event, said ex-House Speaker Marilyn Kirkpatrick, D-Las Vegas, who co-sponsored the bill in March. No other newly affected organization, including the Electric Daisy Carnival, had qualms with paying the tax, she said.\u003c/p>\n\u003cp>As is, the tax brings in about $137 million annually, most of which goes toward the state’s general fund. About $150,000 will go toward the Nevada Arts Council in the future.\u003c/p>\n\u003cp>“It’s just a sign of the times. Entertainment has changed,” Kirkpatrick said. “There’s no way we could have predicted in 2003 that there would be an event like Burning Man. It’s disappointing that they take it so personal.”\u003c/p>\n\u003cp>Burning Man previously stated that an increase in ticket prices may be necessary to cover the tax. General admission tickets in 2015 were $390, a $10 increase from 2014.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>Information from: Reno Gazette-Journal, http://www.rgj.com\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2015 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Ex-Neighbor on Probation after Harassing Comedian Jim Breuer",
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"content": "\u003cp>A New Jersey man who admitted posting disparaging remarks online about comedian Jim Breuer and his family was sentenced Friday to five years’ probation.\u003c/p>\n\u003cp>Giuseppe Ionfrida, 47, was also ordered to attend psychiatric counseling, forfeit any weapons and have no contact with Breuer.\u003c/p>\n\u003cp>Ionfrida, of Mine Hill, pleaded guilty last month to harassment and contempt of court. The former pizzeria owner and the former \u003cem>Saturday Night Live\u003c/em> cast member were once friendly neighbors.\u003c/p>\n\u003cp>He admitted to writing the remarks about Breuer and his juvenile daughters between November and December 2013. He also admitted to using an alias and posting additional comments on YouTube the following year after he had been ordered to have no direct or indirect contact with Breuer or his family.\u003c/p>\n\u003cp>Breuer called the harassment “relentless” in a victim impact statement before the sentencing, \u003ca href=\"http://dailyre.co/1NMPBlc\" target=\"_blank\" rel=\"noopener\">The Daily Record reported\u003c/a>. He said Ionfrida followed his wife and daughter and bragged about owning guns.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“My biggest fault is I lived across the street from this man,” Breuer said.\u003c/p>\n\u003cp>Prosecutors said that when police spoke to Ionfrida after the Internet postings, he stated: “He shamed me and it will never be over.”\u003c/p>\n\u003cp>Defense attorney Joseph Scura said that his client was provoked because Breuer ridiculed him on a national radio show. But Superior Court Judge James DeMarzo called Ionfrida’s conduct “frightening.”\u003c/p>\n\u003cp>“There’s something really askew with the defendant’s reactions,” DeMarzo said. “I do know Mr. Ionfrida in this case became unhinged.”\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>Information from: \u003ca href=\"http://www.dailyrecord.com/\" target=\"_blank\" rel=\"noopener\">Daily Record\u003c/a> (Parsippany, N.J.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2015 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"description": "A New Jersey man who admitted posting disparaging remarks online about comedian Jim Breuer and his family was sentenced Friday to five years' probation. Giuseppe Ionfrida, 47, was also ordered to attend psychiatric counseling, forfeit any weapons and have no contact with Breuer. Ionfrida, of Mine Hill, pleaded guilty last month to harassment and contempt of court. The former pizzeria owner and the former Saturday Night Live cast member were once friendly neighbors. He admitted to writing the remarks about Breuer and his juvenile daughters between November and December 2013. He also admitted to using an alias and posting additional",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A New Jersey man who admitted posting disparaging remarks online about comedian Jim Breuer and his family was sentenced Friday to five years’ probation.\u003c/p>\n\u003cp>Giuseppe Ionfrida, 47, was also ordered to attend psychiatric counseling, forfeit any weapons and have no contact with Breuer.\u003c/p>\n\u003cp>Ionfrida, of Mine Hill, pleaded guilty last month to harassment and contempt of court. The former pizzeria owner and the former \u003cem>Saturday Night Live\u003c/em> cast member were once friendly neighbors.\u003c/p>\n\u003cp>He admitted to writing the remarks about Breuer and his juvenile daughters between November and December 2013. He also admitted to using an alias and posting additional comments on YouTube the following year after he had been ordered to have no direct or indirect contact with Breuer or his family.\u003c/p>\n\u003cp>Breuer called the harassment “relentless” in a victim impact statement before the sentencing, \u003ca href=\"http://dailyre.co/1NMPBlc\" target=\"_blank\" rel=\"noopener\">The Daily Record reported\u003c/a>. He said Ionfrida followed his wife and daughter and bragged about owning guns.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“My biggest fault is I lived across the street from this man,” Breuer said.\u003c/p>\n\u003cp>Prosecutors said that when police spoke to Ionfrida after the Internet postings, he stated: “He shamed me and it will never be over.”\u003c/p>\n\u003cp>Defense attorney Joseph Scura said that his client was provoked because Breuer ridiculed him on a national radio show. But Superior Court Judge James DeMarzo called Ionfrida’s conduct “frightening.”\u003c/p>\n\u003cp>“There’s something really askew with the defendant’s reactions,” DeMarzo said. “I do know Mr. Ionfrida in this case became unhinged.”\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>Information from: \u003ca href=\"http://www.dailyrecord.com/\" target=\"_blank\" rel=\"noopener\">Daily Record\u003c/a> (Parsippany, N.J.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2015 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "L.A. Exhibition Showcases Art From Inside Death Row",
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"headTitle": "L.A. Exhibition Showcases Art From Inside Death Row | KQED",
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"content": "\u003cp>Right now, 746 inmates await execution in California. We don’t often hear from those inmates, let alone see artwork they make in prison. But organizers of a \u003ca href=\"http://www.windowsondeathrow.com/\" target=\"_blank\">Los Angeles exhibition\u003c/a> of art made by death row inmates from across the country say they hope to reveal the humanity of those people whose lives hang in the balance.\u003c/p>\n\u003cp>On July 16, 2014, U.S. District Judge Cormac J. Carney ruled that California’s death penalty violates the U.S. Constitution’s ban on cruel and unusual punishment because it is arbitrary and plagued with delays. But that decision was overturned on Nov. 12, 2015, on technical grounds, which means executions could potentially move forward. The last execution in the state was in 2006.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/237170725″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>\u003ca href=\"http://www.windowsondeathrow.com/incarceratedart/#/kevin-cooper/\" target=\"_blank\">Kevin Cooper\u003c/a> has been on death row in San Quentin State Prison for 30 years. He’s on a short list of at least 17 death row inmates who have exhausted their appeals and would be the first to be put to death if executions resume in California. He spends much of his day in his cell.\u003c/p>\n\u003cp>“I live in a cage that is 4½ feet wide by 11 feet long,” Cooper says. “And everything that I do within this cage I do mostly to stay sane. But I have a TV, a typewriter, my art supplies and my books.”\u003c/p>\n\u003cfigure id=\"attachment_10790891\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10790891 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers.jpg\" alt=\"\" width=\"1920\" height=\"1206\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-400x251.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-800x503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-1440x905.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-1180x741.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-960x603.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">San Quentin death row inmate Kevin Cooper (C), with ‘Windows on Death Row’ organizers Patrick Chappatte (L) and Anne Widmann. \u003ccite>(Courtesy Patrick Chappatte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s a tray slot in the door where guards pass him his meals or a cellphone. In 1985, Cooper was convicted of murdering four people in the Chino Hills area of Southern California. \u003ca href=\"http://articles.latimes.com/2010/jan/03/local/la-me-kevincooper3-2010jan03\" target=\"_blank\">His case is controversial\u003c/a>. People have marched to have him executed, while others have protested to demand his release. He has always maintained his innocence.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 2004, Cooper was scheduled to be executed. Less than four hours before he was set to receive a lethal injection, it was postponed to allow for more DNA testing, which still failed to exonerate him. Still, he’s become a figurehead in the movement to abolish the death penalty.\u003c/p>\n\u003cp>[contextly_sidebar id=”kvfLbDPqPmuNxu24neZbunnXMlc6wn65″]\u003c/p>\n\u003cp>“I knew after I survived that stuff that my life wasn’t my own no more, that it belonged to this movement. And I’ve been involved in this movement for a very long time. And that is where I get my strength,” Cooper says.\u003c/p>\n\u003cp>Cooper is one of a couple dozen inmate artists represented in “\u003ca href=\"http://www.windowsondeathrow.com/\">Windows on Death Row\u003c/a>,” an exhibition at the University of Southern California. His acrylic paintings draw connections between slavery and prison labor. One, called “It’s a Generation Thing in America,” shows three black men — a grandfather, father and son — all wearing prison uniforms. Another piece, “Free Me,” shows a man cupping his hand to his mouth and shouting.\u003c/p>\n\u003cfigure id=\"attachment_10790938\" class=\"wp-caption alignright\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10790938\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/CooperFreeMe.jpg\" alt=\"Kevin Cooper's "Free Me," part of the "Windows on Death Row" exhibition.\" width=\"1920\" height=\"2425\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-400x505.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-800x1010.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-768x970.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-1440x1819.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-1180x1490.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-960x1213.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Cooper’s “Free Me,” part of the “Windows on Death Row” exhibition. \u003ccite>(Courtesy Kevin Cooper/Windows on Death Row)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Sometimes when you’re in a place like this and you tell people certain things, it’s just like they don’t hear. You have to scream it,” Cooper says. “And sometimes when you scream, they still don’t hear you.”\u003c/p>\n\u003cp>“Windows on Death Row” was organized by a Swiss couple: Patrick Chappatte, a political cartoonist for the International New York Times, and TV journalist and documentary filmmaker Anne Widmann. Chappatte says they wanted to reveal the humanity of the inmates.\u003c/p>\n\u003cp>“And that’s what is a bit unsettling, might be unsettling for some viewers, because death row is a place, is a forgotten place where we put, as a society we put people that are seen as monsters, and we don’t pay attention to what’s going on there. And what you see through the art is actually, you see beauty, you see human emotions,” Chappatte said.\u003c/p>\n\u003cp>Over 70 framed drawings and paintings line the walls. Some of those include political cartoons submitted by Chappatte’s fellow cartoonists. All the pieces in the show are critical of capital punishment. Chappatte said he reached out to conservative cartoonists but they, too, were against capital punishment.\u003c/p>\n\u003cp>“One of the cartoonists says that he’s describing in one of his cartoons that he was for death penalty, then changed his mind. Another of the conservative cartoonists told me, ‘You know what, I’m pro-life all the way, so I’m anti-abortion and anti-death penalty,’ ” Chappatte recalls.\u003c/p>\n\u003cp>[gallery type=\"rectangular\" size=\"large\" ids=\"10790941,10790943\"]\u003c/p>\n\u003cp>The cartoonist who changed his mind about the death penalty is Jack Ohman, editorial cartoonist for the Sacramento Bee and president of the Association of American Editorial Cartoonists.\u003c/p>\n\u003cp>“I don’t want to be executing somebody who — even if they had committed the crime — I don’t think that sends the right signal. As a society, if you’re saying killing is wrong, killing is wrong. We shouldn’t be killing,” Ohman says.\u003c/p>\n\u003cp>Widmann says “Windows on Death Row” is not about taking sides between criminals and victims. She points out that the group “Murder Victims’ Families for Human Rights” is one of the show’s sponsors. But she does want visitors to think about how race and class factor into how likely defendants are to be sentenced to death.\u003c/p>\n\u003cp>“I mean, look at this system. It’s broken. I mean, how come terrible murderers are not on death row, and how come some are? How come some people have money to hire great lawyers, and how come others don’t?” Widmann says. “It has nothing to do with empathy with criminals, you see what I mean?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Windows on Death Row” will travel to North Carolina and Ohio after it closes in Los Angeles on Dec. 18.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Right now, 746 inmates await execution in California. We don’t often hear from those inmates, let alone see artwork they make in prison. But organizers of a \u003ca href=\"http://www.windowsondeathrow.com/\" target=\"_blank\">Los Angeles exhibition\u003c/a> of art made by death row inmates from across the country say they hope to reveal the humanity of those people whose lives hang in the balance.\u003c/p>\n\u003cp>On July 16, 2014, U.S. District Judge Cormac J. Carney ruled that California’s death penalty violates the U.S. Constitution’s ban on cruel and unusual punishment because it is arbitrary and plagued with delays. But that decision was overturned on Nov. 12, 2015, on technical grounds, which means executions could potentially move forward. The last execution in the state was in 2006.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/237170725″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/237170725″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.windowsondeathrow.com/incarceratedart/#/kevin-cooper/\" target=\"_blank\">Kevin Cooper\u003c/a> has been on death row in San Quentin State Prison for 30 years. He’s on a short list of at least 17 death row inmates who have exhausted their appeals and would be the first to be put to death if executions resume in California. He spends much of his day in his cell.\u003c/p>\n\u003cp>“I live in a cage that is 4½ feet wide by 11 feet long,” Cooper says. “And everything that I do within this cage I do mostly to stay sane. But I have a TV, a typewriter, my art supplies and my books.”\u003c/p>\n\u003cfigure id=\"attachment_10790891\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10790891 size-full\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers.jpg\" alt=\"\" width=\"1920\" height=\"1206\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-400x251.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-800x503.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-768x482.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-1440x905.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-1180x741.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/KevinCooperWOrganizers-960x603.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">San Quentin death row inmate Kevin Cooper (C), with ‘Windows on Death Row’ organizers Patrick Chappatte (L) and Anne Widmann. \u003ccite>(Courtesy Patrick Chappatte)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s a tray slot in the door where guards pass him his meals or a cellphone. In 1985, Cooper was convicted of murdering four people in the Chino Hills area of Southern California. \u003ca href=\"http://articles.latimes.com/2010/jan/03/local/la-me-kevincooper3-2010jan03\" target=\"_blank\">His case is controversial\u003c/a>. People have marched to have him executed, while others have protested to demand his release. He has always maintained his innocence.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 2004, Cooper was scheduled to be executed. Less than four hours before he was set to receive a lethal injection, it was postponed to allow for more DNA testing, which still failed to exonerate him. Still, he’s become a figurehead in the movement to abolish the death penalty.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“I knew after I survived that stuff that my life wasn’t my own no more, that it belonged to this movement. And I’ve been involved in this movement for a very long time. And that is where I get my strength,” Cooper says.\u003c/p>\n\u003cp>Cooper is one of a couple dozen inmate artists represented in “\u003ca href=\"http://www.windowsondeathrow.com/\">Windows on Death Row\u003c/a>,” an exhibition at the University of Southern California. His acrylic paintings draw connections between slavery and prison labor. One, called “It’s a Generation Thing in America,” shows three black men — a grandfather, father and son — all wearing prison uniforms. Another piece, “Free Me,” shows a man cupping his hand to his mouth and shouting.\u003c/p>\n\u003cfigure id=\"attachment_10790938\" class=\"wp-caption alignright\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10790938\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/CooperFreeMe.jpg\" alt=\"Kevin Cooper's "Free Me," part of the "Windows on Death Row" exhibition.\" width=\"1920\" height=\"2425\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-400x505.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-800x1010.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-768x970.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-1440x1819.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-1180x1490.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/12/CooperFreeMe-960x1213.jpg 960w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kevin Cooper’s “Free Me,” part of the “Windows on Death Row” exhibition. \u003ccite>(Courtesy Kevin Cooper/Windows on Death Row)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Sometimes when you’re in a place like this and you tell people certain things, it’s just like they don’t hear. You have to scream it,” Cooper says. “And sometimes when you scream, they still don’t hear you.”\u003c/p>\n\u003cp>“Windows on Death Row” was organized by a Swiss couple: Patrick Chappatte, a political cartoonist for the International New York Times, and TV journalist and documentary filmmaker Anne Widmann. Chappatte says they wanted to reveal the humanity of the inmates.\u003c/p>\n\u003cp>“And that’s what is a bit unsettling, might be unsettling for some viewers, because death row is a place, is a forgotten place where we put, as a society we put people that are seen as monsters, and we don’t pay attention to what’s going on there. And what you see through the art is actually, you see beauty, you see human emotions,” Chappatte said.\u003c/p>\n\u003cp>Over 70 framed drawings and paintings line the walls. Some of those include political cartoons submitted by Chappatte’s fellow cartoonists. All the pieces in the show are critical of capital punishment. Chappatte said he reached out to conservative cartoonists but they, too, were against capital punishment.\u003c/p>\n\u003cp>“One of the cartoonists says that he’s describing in one of his cartoons that he was for death penalty, then changed his mind. Another of the conservative cartoonists told me, ‘You know what, I’m pro-life all the way, so I’m anti-abortion and anti-death penalty,’ ” Chappatte recalls.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The cartoonist who changed his mind about the death penalty is Jack Ohman, editorial cartoonist for the Sacramento Bee and president of the Association of American Editorial Cartoonists.\u003c/p>\n\u003cp>“I don’t want to be executing somebody who — even if they had committed the crime — I don’t think that sends the right signal. As a society, if you’re saying killing is wrong, killing is wrong. We shouldn’t be killing,” Ohman says.\u003c/p>\n\u003cp>Widmann says “Windows on Death Row” is not about taking sides between criminals and victims. She points out that the group “Murder Victims’ Families for Human Rights” is one of the show’s sponsors. But she does want visitors to think about how race and class factor into how likely defendants are to be sentenced to death.\u003c/p>\n\u003cp>“I mean, look at this system. It’s broken. I mean, how come terrible murderers are not on death row, and how come some are? How come some people have money to hire great lawyers, and how come others don’t?” Widmann says. “It has nothing to do with empathy with criminals, you see what I mean?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Windows on Death Row” will travel to North Carolina and Ohio after it closes in Los Angeles on Dec. 18.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/237161579″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>Bemoaning the 4:50 p.m. sunset these days? Then head to San Jose, where a series of new interactive, illuminated public artworks will brighten the dark winter nights. The city unveiled the pieces Friday at the light-level appropriate time of 5 p.m.\u003c/p>\n\u003cp>A veteran of the public art world, Seattle-based \u003ca href=\"http://dancorson.com/\" target=\"_blank\" rel=\"noopener\">Dan Corson\u003c/a> has two new projected installations \u003ci>Sensing YOU\u003c/i> and \u003ci>Sensing WATER\u003c/i> under Highway 87 at Santa Clara and San Fernando Streets. The dynamic — some say, \u003ca href=\"http://blog.sfgate.com/matierandross/2015/12/09/san-jose-seeks-respect-with-psychedelic-underpasses/\" target=\"_blank\" rel=\"noopener\">psychedelic\u003c/a> — projections change in response to pedestrian traffic and the water level of the Guadalupe River, respectively.\u003c/p>\n\u003cfigure id=\"attachment_11152051\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11152051\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/exploded-model-e1449779021185.png\" alt=\"Steve Durie and Bruce Gardner, 'San Carlos Lantern Relay' design rendering.\" width=\"640\" height=\"405\">\u003cfigcaption class=\"wp-caption-text\">Steve Durie and Bruce Gardner, ‘San Carlos Lantern Relay’ design rendering. \u003ccite>(Courtesy: the artists)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci>\u003ca href=\"http://dma.sjsu.edu/steve/lumileds/\" target=\"_blank\" rel=\"noopener\">San Carlos Street Lantern Relay\u003c/a>\u003c/i>, designed by San Jose-based team Steve Durie and Bruce Gardner, appears on San Carlos St from Market through Fourth Streets as a series of eight interactive lanterns on lampposts. Buttons at street level allow pedestrians to play with and alter the patterns of the lanterns’ LED light displays.\u003c/p>\n\u003cp>A similar bit of hands-on interaction is now possible with artist Jim Conti’s \u003ci>\u003ca href=\"https://www.sanjoseca.gov/DocumentCenter/View/45799\" target=\"_blank\" rel=\"noopener\">Show Your Stripes\u003c/a>\u003c/i> (2008), a light installation on the facade of The 88 at Second and San Fernando Streets. A new set of program codes added to the work allows the public to “dial in” a light display of their choice via their cell phones, with \u003ca href=\"http://www.sanjoseculture.org/DocumentCenter/View/45503\" target=\"_blank\" rel=\"noopener\">over 300 options\u003c/a> ranging from “Questionable Weather” to “Slow Purple Fruit.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The “Illuminating Downtown” program is part of an effort to make San Jose look, feel and act more like the “Capital of Silicon Valley,” says public arts director Jennifer Easton of San Jose’s Office of Cultural Affairs. “We can’t just define ourselves through the businesses that are here,” Easton says. “We want to reflect ourselves and art is a great way to do it.”\u003c/p>\n\u003cp>In recent years, cities have capitalized on the festive feel of illuminated artworks. 2015 marks the third year of \u003ca href=\"http://illuminatesf.com/home-page\" target=\"_blank\" rel=\"noopener\">Illuminate SF Festival of Light\u003c/a>, an initiative organized by the San Francisco’s travel association to display existing light-based public artworks. Illuminate SF features tours and other experiences, and runs Thanksgiving through New Year’s Day.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Easton encourages people to come out and explore San Jose’s increasingly illuminated downtown: “Enjoy some light,” she says. “Why not?”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/237161579″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/237161579″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Bemoaning the 4:50 p.m. sunset these days? Then head to San Jose, where a series of new interactive, illuminated public artworks will brighten the dark winter nights. The city unveiled the pieces Friday at the light-level appropriate time of 5 p.m.\u003c/p>\n\u003cp>A veteran of the public art world, Seattle-based \u003ca href=\"http://dancorson.com/\" target=\"_blank\" rel=\"noopener\">Dan Corson\u003c/a> has two new projected installations \u003ci>Sensing YOU\u003c/i> and \u003ci>Sensing WATER\u003c/i> under Highway 87 at Santa Clara and San Fernando Streets. The dynamic — some say, \u003ca href=\"http://blog.sfgate.com/matierandross/2015/12/09/san-jose-seeks-respect-with-psychedelic-underpasses/\" target=\"_blank\" rel=\"noopener\">psychedelic\u003c/a> — projections change in response to pedestrian traffic and the water level of the Guadalupe River, respectively.\u003c/p>\n\u003cfigure id=\"attachment_11152051\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11152051\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/exploded-model-e1449779021185.png\" alt=\"Steve Durie and Bruce Gardner, 'San Carlos Lantern Relay' design rendering.\" width=\"640\" height=\"405\">\u003cfigcaption class=\"wp-caption-text\">Steve Durie and Bruce Gardner, ‘San Carlos Lantern Relay’ design rendering. \u003ccite>(Courtesy: the artists)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci>\u003ca href=\"http://dma.sjsu.edu/steve/lumileds/\" target=\"_blank\" rel=\"noopener\">San Carlos Street Lantern Relay\u003c/a>\u003c/i>, designed by San Jose-based team Steve Durie and Bruce Gardner, appears on San Carlos St from Market through Fourth Streets as a series of eight interactive lanterns on lampposts. Buttons at street level allow pedestrians to play with and alter the patterns of the lanterns’ LED light displays.\u003c/p>\n\u003cp>A similar bit of hands-on interaction is now possible with artist Jim Conti’s \u003ci>\u003ca href=\"https://www.sanjoseca.gov/DocumentCenter/View/45799\" target=\"_blank\" rel=\"noopener\">Show Your Stripes\u003c/a>\u003c/i> (2008), a light installation on the facade of The 88 at Second and San Fernando Streets. A new set of program codes added to the work allows the public to “dial in” a light display of their choice via their cell phones, with \u003ca href=\"http://www.sanjoseculture.org/DocumentCenter/View/45503\" target=\"_blank\" rel=\"noopener\">over 300 options\u003c/a> ranging from “Questionable Weather” to “Slow Purple Fruit.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>In 2014, the Wu-Tang Clan turned a double album into lost treasure.\u003c/p>\n\u003cp>\u003cem>Once Upon A Time In Shaolin \u003c/em>was heard, in its 31-track entirety, only by Wu-Tang Clan leader RZA and producer Cilvaringz.\u003c/p>\n\u003cp>They vowed to sell just a single copy — with a seven-digit price tag. They destroyed all duplicates and placed the only extant version in a hand-carved silver and nickel box, along with a 174-page leather-bound book of lyrics, anecdotes and credits.\u003c/p>\n\u003cp>They threw in a $55,000 pair of speakers and a “gold-leafed certificate of authenticity,” according to \u003ca href=\"http://scluzay.com/\">the album’s Web site\u003c/a>. They teased the music world with sneak listens. And they added a provision: The buyer couldn’t release the album commercially for 88 years after purchase.\u003c/p>\n\u003cp>Then they locked the whole thing in the vault of a luxury hotel in Marrakech, Morocco, set it up on \u003ca href=\"https://paddle8.com/wu-tang/\">an online auction house\u003c/a>, and waited to see who would buy the world’s most expensive, most exclusive album.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some fans \u003ca href=\"https://www.kickstarter.com/projects/1308696559/once-upon-a-time-in-shaolin-for-wu-fans-for-wu-peo\" target=\"_blank\" rel=\"noopener\">attempted to crowdfund\u003c/a> the purchase of the album, so it could stay in the hands of non-wealthy, true believers. Instead, the album reportedly sold for millions to a secret purchaser.\u003c/p>\n\u003cp>\u003ca href=\"http://www.fuse.tv/2014/03/wu-tang-clan-secret-album\" target=\"_blank\" rel=\"noopener\">Some\u003c/a> had \u003ca href=\"http://noisey.vice.com/blog/did-quentin-tarantino-buy-the-wu-tang-clans-album\" target=\"_blank\" rel=\"noopener\">theorized\u003c/a> that Quentin Tarantino — super-wealthy Wu-Tang super-fan — was the most likely buyer.\u003c/p>\n\u003cp>Or maybe Richard Branson, who once \u003ca href=\"http://www.forbes.com/sites/zackomalleygreenburg/2014/05/06/unlocking-the-wu-tang-clans-secret-album-in-morocco/\" target=\"_blank\" rel=\"noopener\">called it\u003c/a> a “really fun idea” and could certainly afford it. RZA himself once \u003ca href=\"http://grantland.com/hollywood-prospectus/we-went-there-the-first-and-last-chance-to-hear-wu-tangs-once-upon-a-time-in-shaolin-for-88-years/\" target=\"_blank\" rel=\"noopener\">expressed the hope\u003c/a> that the Virgin mogul would buy the album and fly it into space.\u003c/p>\n\u003cp>But on Wednesday, Bloomberg Business broke the hearts (and fanned the fury) of Wu-Tang Clan fans around the world.\u003c/p>\n\u003cp>The buyer, \u003ca href=\"http://www.bloomberg.com/features/2015-martin-shkreli-wu-tang-clan-album/\" target=\"_blank\" rel=\"noopener\">they revealed\u003c/a>, was infamous, price-gouging pharmaceutical executive Martin Shkreli — and he hadn’t even bothered to listen to it.\u003c/p>\n\u003cp>Shkreli is the 32-year-old CEO whose company, Turing Pharmaceuticals, recently purchased the rights to a drug used to treat a deadly parasitic infection and \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/09/22/442684570/pharmaceutical-firms-back-off-big-price-hikes-following-critical-coverage\" target=\"_blank\" rel=\"noopener\">raised the price\u003c/a> 5,000 percent, from $13 a pill to $750. The resulting backlash brought attention to pharmaceutical price hikes in general, a debate that’s now being played out in \u003ca href=\"http://www.npr.org/sections/health-shots/2015/12/09/458976680/senate-questions-egregious-price-hikes-for-specialty-medicines\" target=\"_blank\" rel=\"noopener\">Senate hearings\u003c/a>.\u003c/p>\n\u003cp>The sale of \u003cem>Shaolin\u003c/em> had already gone through when news of the price-gouging hit, Bloomberg reports. After the “business practices came to light,” RZA told Bloomberg, the group donated some of his payment to charity.\u003c/p>\n\u003cp>Now that Shkreli has achieved ignominy, though, he’s hardly a pariah in the musical world: He’s hired Fetty Wap to perform at his company’s Christmas party.\u003c/p>\n\u003cp>It wasn’t hard, he told Bloomberg: “At the right price, these guys basically will do anything.”\u003c/p>\n\u003cfigure id=\"attachment_11149507\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-1180x811.jpg\" alt=\"AIDS activists and others carry an image of Turing Pharmaceuticals CEO Martin Shkreli and signs decrying "Pharma greed" during a protest Oct. 1. Shkreli's company bought an antiparasitic drug and increased the price 5,000 percent.\" width=\"640\" height=\"440\" class=\"size-large wp-image-11149507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-1180x811.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-400x275.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-1920x1319.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-960x659.jpg 960w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">AIDS activists and others carry an image of Turing Pharmaceuticals CEO Martin Shkreli and signs decrying “Pharma greed” during a protest Oct. 1. Shkreli’s company bought an antiparasitic drug and increased the price 5,000 percent. \u003ccite>(Photo: Craig Ruttle/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But back to the Wu-Tang Clan. Bloomberg Business notes that Shkreli is a fan, of sorts:\u003c/p>\n\u003cblockquote>\n\u003cp>“Shkreli was taken by the Wu-Tang song \u003cem>C.R.E.A.M.\u003c/em>, which stands for ‘Cash Rules Everything Around Me.’ It includes the often-repeated phrase ‘Dolla dolla bill, y’all!’ ”\u003c/p>\n\u003c/blockquote>\n\u003cp>It wasn’t fandom that drove his purchase, though. Shkreli liked the idea that owning the album would give him an in with celebrities and rappers, he told Bloomberg.\u003c/p>\n\u003cp>He didn’t listen to excerpts meant to verify the purchase — he had an employee check for him. And he reportedly still hasn’t played the album. He tells Bloomberg Business he might consider putting it on … if Taylor Swift wants to come over and hear it with him.\u003c/p>\n\u003cp>Some on social media have suggested another strategy for the pharma exec:\u003c/p>\n\u003cp>https://twitter.com/dylanlscott/status/674601290727493632\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Read the whole story \u003ca href=\"http://www.bloomberg.com/features/2015-martin-shkreli-wu-tang-clan-album/\" target=\"_blank\" rel=\"noopener\">at Bloomberg\u003c/a>.\u003c/em>\u003c/strong> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Sole+Copy+Of+Latest+Wu-Tang+Album+Was+Sold+To+%27Pharma+Bro%27+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2014, the Wu-Tang Clan turned a double album into lost treasure.\u003c/p>\n\u003cp>\u003cem>Once Upon A Time In Shaolin \u003c/em>was heard, in its 31-track entirety, only by Wu-Tang Clan leader RZA and producer Cilvaringz.\u003c/p>\n\u003cp>They vowed to sell just a single copy — with a seven-digit price tag. They destroyed all duplicates and placed the only extant version in a hand-carved silver and nickel box, along with a 174-page leather-bound book of lyrics, anecdotes and credits.\u003c/p>\n\u003cp>They threw in a $55,000 pair of speakers and a “gold-leafed certificate of authenticity,” according to \u003ca href=\"http://scluzay.com/\">the album’s Web site\u003c/a>. They teased the music world with sneak listens. And they added a provision: The buyer couldn’t release the album commercially for 88 years after purchase.\u003c/p>\n\u003cp>Then they locked the whole thing in the vault of a luxury hotel in Marrakech, Morocco, set it up on \u003ca href=\"https://paddle8.com/wu-tang/\">an online auction house\u003c/a>, and waited to see who would buy the world’s most expensive, most exclusive album.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some fans \u003ca href=\"https://www.kickstarter.com/projects/1308696559/once-upon-a-time-in-shaolin-for-wu-fans-for-wu-peo\" target=\"_blank\" rel=\"noopener\">attempted to crowdfund\u003c/a> the purchase of the album, so it could stay in the hands of non-wealthy, true believers. Instead, the album reportedly sold for millions to a secret purchaser.\u003c/p>\n\u003cp>\u003ca href=\"http://www.fuse.tv/2014/03/wu-tang-clan-secret-album\" target=\"_blank\" rel=\"noopener\">Some\u003c/a> had \u003ca href=\"http://noisey.vice.com/blog/did-quentin-tarantino-buy-the-wu-tang-clans-album\" target=\"_blank\" rel=\"noopener\">theorized\u003c/a> that Quentin Tarantino — super-wealthy Wu-Tang super-fan — was the most likely buyer.\u003c/p>\n\u003cp>Or maybe Richard Branson, who once \u003ca href=\"http://www.forbes.com/sites/zackomalleygreenburg/2014/05/06/unlocking-the-wu-tang-clans-secret-album-in-morocco/\" target=\"_blank\" rel=\"noopener\">called it\u003c/a> a “really fun idea” and could certainly afford it. RZA himself once \u003ca href=\"http://grantland.com/hollywood-prospectus/we-went-there-the-first-and-last-chance-to-hear-wu-tangs-once-upon-a-time-in-shaolin-for-88-years/\" target=\"_blank\" rel=\"noopener\">expressed the hope\u003c/a> that the Virgin mogul would buy the album and fly it into space.\u003c/p>\n\u003cp>But on Wednesday, Bloomberg Business broke the hearts (and fanned the fury) of Wu-Tang Clan fans around the world.\u003c/p>\n\u003cp>The buyer, \u003ca href=\"http://www.bloomberg.com/features/2015-martin-shkreli-wu-tang-clan-album/\" target=\"_blank\" rel=\"noopener\">they revealed\u003c/a>, was infamous, price-gouging pharmaceutical executive Martin Shkreli — and he hadn’t even bothered to listen to it.\u003c/p>\n\u003cp>Shkreli is the 32-year-old CEO whose company, Turing Pharmaceuticals, recently purchased the rights to a drug used to treat a deadly parasitic infection and \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/09/22/442684570/pharmaceutical-firms-back-off-big-price-hikes-following-critical-coverage\" target=\"_blank\" rel=\"noopener\">raised the price\u003c/a> 5,000 percent, from $13 a pill to $750. The resulting backlash brought attention to pharmaceutical price hikes in general, a debate that’s now being played out in \u003ca href=\"http://www.npr.org/sections/health-shots/2015/12/09/458976680/senate-questions-egregious-price-hikes-for-specialty-medicines\" target=\"_blank\" rel=\"noopener\">Senate hearings\u003c/a>.\u003c/p>\n\u003cp>The sale of \u003cem>Shaolin\u003c/em> had already gone through when news of the price-gouging hit, Bloomberg reports. After the “business practices came to light,” RZA told Bloomberg, the group donated some of his payment to charity.\u003c/p>\n\u003cp>Now that Shkreli has achieved ignominy, though, he’s hardly a pariah in the musical world: He’s hired Fetty Wap to perform at his company’s Christmas party.\u003c/p>\n\u003cp>It wasn’t hard, he told Bloomberg: “At the right price, these guys basically will do anything.”\u003c/p>\n\u003cfigure id=\"attachment_11149507\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-1180x811.jpg\" alt=\"AIDS activists and others carry an image of Turing Pharmaceuticals CEO Martin Shkreli and signs decrying "Pharma greed" during a protest Oct. 1. Shkreli's company bought an antiparasitic drug and increased the price 5,000 percent.\" width=\"640\" height=\"440\" class=\"size-large wp-image-11149507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-1180x811.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-400x275.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-1920x1319.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ap_834381384508_custom-e8747c3a19e48ea1c68d296b6d4944ab6046250d-960x659.jpg 960w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">AIDS activists and others carry an image of Turing Pharmaceuticals CEO Martin Shkreli and signs decrying “Pharma greed” during a protest Oct. 1. Shkreli’s company bought an antiparasitic drug and increased the price 5,000 percent. \u003ccite>(Photo: Craig Ruttle/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But back to the Wu-Tang Clan. Bloomberg Business notes that Shkreli is a fan, of sorts:\u003c/p>\n\u003cblockquote>\n\u003cp>“Shkreli was taken by the Wu-Tang song \u003cem>C.R.E.A.M.\u003c/em>, which stands for ‘Cash Rules Everything Around Me.’ It includes the often-repeated phrase ‘Dolla dolla bill, y’all!’ ”\u003c/p>\n\u003c/blockquote>\n\u003cp>It wasn’t fandom that drove his purchase, though. Shkreli liked the idea that owning the album would give him an in with celebrities and rappers, he told Bloomberg.\u003c/p>\n\u003cp>He didn’t listen to excerpts meant to verify the purchase — he had an employee check for him. And he reportedly still hasn’t played the album. He tells Bloomberg Business he might consider putting it on … if Taylor Swift wants to come over and hear it with him.\u003c/p>\n\u003cp>Some on social media have suggested another strategy for the pharma exec:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Read the whole story \u003ca href=\"http://www.bloomberg.com/features/2015-martin-shkreli-wu-tang-clan-album/\" target=\"_blank\" rel=\"noopener\">at Bloomberg\u003c/a>.\u003c/em>\u003c/strong> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Sole+Copy+Of+Latest+Wu-Tang+Album+Was+Sold+To+%27Pharma+Bro%27+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "John Trudell, Native American Activist and Artist, Dies at 69",
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"content": "\u003cp>John Trudell, the Native American activist whose long pursuit of justice for indigenous peoples included writing, lectures, music, acting and organizing, died Tuesday night in Mountain View, Calif. He was 69.\u003c/p>\n\u003cp>In early December, it was announced that Trudell had entered the final stages of terminal cancer. According to those close to Trudell’s family, a small gathering and ceremony took place Tuesday at his home.\u003c/p>\n\u003cfigure id=\"attachment_11148713\" class=\"wp-caption alignright\" style=\"max-width: 392px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Trudellgraffittiman.jpg\" alt=\"John Trudell's 'A.K.A. Grafitti Man.'\" width=\"392\" height=\"400\" class=\"size-full wp-image-11148713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Trudellgraffittiman.jpg 392w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Trudellgraffittiman-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Trudellgraffittiman-64x64.jpg 64w\" sizes=\"(max-width: 392px) 100vw, 392px\">\u003cfigcaption class=\"wp-caption-text\">John Trudell’s ‘A.K.A. Grafitti Man.’\u003c/figcaption>\u003c/figure>\n\u003cp>Born to a Santee Sioux father and Mexican mother, Trudell grew up near the Santee reservation in Omaha, Neb. before joining the Navy in 1963 and serving in Vietnam. In 1969, Trudell joined the United Indians of All Tribes’ occupation of Alcatraz Island, serving as spokesperson. Throughout the 1970s, the FBI kept a file on Trudell that reportedly exceeded 17,000 pages.\u003c/p>\n\u003cp>Trudell’s life took a tragic turn on Feb. 11, 1979, when suspected arson burned his home on Nevada’s Duck Valley Reservation. His mother-in-law, his three young children and his wife, pregnant with their fourth child, all died in the fire. For years, Trudell maintained involvement in the fire by the U.S. government, who ruled it an electrical accident.\u003c/p>\n\u003cp>In the 1980s and 1990s, Trudell released a number of acclaimed albums, including \u003cem>A.K.A. Grafitti Man\u003c/em>, with friends and supporters Jackson Browne, Kris Kristofferson and Bonnie Raitt. Trudell also appeared in the films \u003cem>Thunderheart\u003c/em> (1992), \u003cem>On Deadly Ground\u003c/em> (1995) and \u003cem>Smoke Signals\u003c/em> (1998), and was the subject of the 2005 documentary \u003cem>Trudell\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Memorial services have not been announced as of press time.\u003c/p>\n\u003cp>\u003ci>Watch Trudell in 1970, speaking with KQED News about the occupation of Alcatraz:\u003c/i> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"630\" height=\"730\" src=\"https://diva.sfsu.edu/collections/sfbatv/bundles/187785\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>John Trudell, the Native American activist whose long pursuit of justice for indigenous peoples included writing, lectures, music, acting and organizing, died Tuesday night in Mountain View, Calif. He was 69.\u003c/p>\n\u003cp>In early December, it was announced that Trudell had entered the final stages of terminal cancer. According to those close to Trudell’s family, a small gathering and ceremony took place Tuesday at his home.\u003c/p>\n\u003cfigure id=\"attachment_11148713\" class=\"wp-caption alignright\" style=\"max-width: 392px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Trudellgraffittiman.jpg\" alt=\"John Trudell's 'A.K.A. Grafitti Man.'\" width=\"392\" height=\"400\" class=\"size-full wp-image-11148713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Trudellgraffittiman.jpg 392w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Trudellgraffittiman-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Trudellgraffittiman-64x64.jpg 64w\" sizes=\"(max-width: 392px) 100vw, 392px\">\u003cfigcaption class=\"wp-caption-text\">John Trudell’s ‘A.K.A. Grafitti Man.’\u003c/figcaption>\u003c/figure>\n\u003cp>Born to a Santee Sioux father and Mexican mother, Trudell grew up near the Santee reservation in Omaha, Neb. before joining the Navy in 1963 and serving in Vietnam. In 1969, Trudell joined the United Indians of All Tribes’ occupation of Alcatraz Island, serving as spokesperson. Throughout the 1970s, the FBI kept a file on Trudell that reportedly exceeded 17,000 pages.\u003c/p>\n\u003cp>Trudell’s life took a tragic turn on Feb. 11, 1979, when suspected arson burned his home on Nevada’s Duck Valley Reservation. His mother-in-law, his three young children and his wife, pregnant with their fourth child, all died in the fire. For years, Trudell maintained involvement in the fire by the U.S. government, who ruled it an electrical accident.\u003c/p>\n\u003cp>In the 1980s and 1990s, Trudell released a number of acclaimed albums, including \u003cem>A.K.A. Grafitti Man\u003c/em>, with friends and supporters Jackson Browne, Kris Kristofferson and Bonnie Raitt. Trudell also appeared in the films \u003cem>Thunderheart\u003c/em> (1992), \u003cem>On Deadly Ground\u003c/em> (1995) and \u003cem>Smoke Signals\u003c/em> (1998), and was the subject of the 2005 documentary \u003cem>Trudell\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Memorial services have not been announced as of press time.\u003c/p>\n\u003cp>\u003ci>Watch Trudell in 1970, speaking with KQED News about the occupation of Alcatraz:\u003c/i> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" width=\"630\" height=\"730\" src=\"https://diva.sfsu.edu/collections/sfbatv/bundles/187785\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
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