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"content": "\u003cp>Narrowly beating a statute of limitations deadline to file charges, prosecutors in Pennsylvania announced a felony sexual assault charge against comedian Bill Cosby on Wednesday. A former Temple University employee says Cosby drugged and assaulted her in January of 2004.\u003c/p>\n\u003cp>Montgomery County, Pa., prosecutors have charged Cosby with aggravated indecent assault, a first-degree felony.\u003c/p>\n\u003cp>“These charges stem from a sexual assault,” according to prosecutor Kevin Steele, who said the assault occurred at Cosby’s house in Cheltenham, a Montgomery County township that’s just outside Philadelphia.\u003c/p>\n\u003cp>Steele said Cosby is expected to appear in court to be arraigned Wednesday afternoon; he also urged any other victims to contact his office.\u003c/p>\n\u003cp>Over the past year, Cosby has been accused of sexually abusing dozens of women. Cosby has denied those charges, and earlier this month, he filed lawsuits \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/12/14/459750910/bill-cosby-sues-women-who-accused-him-of-sexual-misconduct\" target=\"_blank\" rel=\"noopener\">against seven of his accusers\u003c/a>, saying they had made up the claims to extract money from him.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When NPR’s Scott Simon \u003ca href=\"http://www.npr.org/sections/thetwo-way/2014/11/15/364297097/in-npr-interview-bill-cosby-declines-to-discuss-assault-allegations\" target=\"_blank\" rel=\"noopener\">asked Cosby about the allegations\u003c/a> against him during a November 2014 interview, the comedian refused to respond, shaking his head in silence.\u003c/p>\n\u003cp>Pennsylvania has a 12-year statute of limitations on felony sex crimes, meaning prosecutors had until January to bring charges against Cosby, 78.\u003c/p>\n\u003cp>\u003ca href=\"http://www.legis.state.pa.us/cfdocs/legis/LI/consCheck.cfm?txtType=HTM&ttl=18&div=0&chpt=31\" target=\"_blank\" rel=\"noopener\">Under state law\u003c/a>, aggravated indecent assault has a range of definitions, from having sexual contact with a person without their consent to doing so after an attacker has “substantially impaired the complainant’s power to appraise or control his or her conduct by administering or employing, without the knowledge of the complainant, drugs, intoxicants or other means for the purpose of preventing resistance.”\u003c/p>\n\u003cp>After the Temple employee, Andrea Constand, accused Cosby of sexually assaulting her in 2004, a Montgomery County prosecutor decided in 2005 that charges weren’t warranted in the case. But that prosecutor lost his re-election bid last month to Steele, who made pursuing charges against Cosby an issue in his campaign.\u003c/p>\n\u003cp>On Wednesday, Steele outlined a timeline of events in 2004, saying Cosby established a friendship with the victim and then made sexual advances that were rejected. After that, Cosby urged her to take pills and drink wine, Steele said.\u003c/p>\n\u003cp>According to \u003ca href=\"https://www.documentcloud.org/documents/2661361-Criminal-Complaint-William-Cosby.html\" target=\"_blank\" rel=\"noopener\">the criminal complaint filed Wednesday\u003c/a>, Constand “considered Cosby, thirty-seven years her senior, to be a mentor, and described instances in which he invited her to his home for dinner, invited her to restaurants, invited her to events, introduced her to people, and provided her with guidance and career advice.”\u003c/p>\n\u003cp>The 2005 investigation into Cosby led to a deposition in which \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/07/06/420652103/report-cosby-admitted-giving-woman-sedative-quaaludes\" target=\"_blank\" rel=\"noopener\">Cosby admitted that he\u003c/a> had, as the Two-Way reported, “obtained the sedative Quaalude with the intent of giving the drug to women with whom he wanted to have sex, and he acknowledged giving it to at least one woman.”\u003c/p>\n\u003cdiv id=\"res461483149\" class=\"bucketwrap statichtml\" align=\"left\" style=\"padding-left:100px\">\u003c/div>\n\u003cp>That testimony became public this past summer, prompting new calls for charges against Cosby. Announcing the charges Wednesday, Steele said the decision was made after “new information” came to light in July.\u003c/p>\n\u003cp>Cosby gave his deposition in the course of a civil trial, before he and Constand reached a settlement over her lawsuit against him.\u003c/p>\n\u003cp>As part of their deal, the two sides signed a confidentiality agreement — but the records were unsealed at the request of the Associated Press, in part because the judge in the case said he regarded Cosby as something of a public servant who can be expected to forfeit some privacy protections, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/07/07/420830305/the-cosby-revelation-how-a-decade-old-deposition-came-to-light\" target=\"_blank\" rel=\"noopener\">as Eyder reported for the Two-Way\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We’ll note that while NPR \u003ca href=\"http://ethics.npr.org/category/i-respect/#423\" target=\"_blank\" rel=\"noopener\">doesn’t usually identify\u003c/a> people who say they’re the victims of sexual assault, we’ve done so in this case, because Constand has taken a public stand on the case. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Bill+Cosby+Is+Charged+With+Felony+Sex+Crime+Over+2004+Case&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Narrowly beating a statute of limitations deadline to file charges, prosecutors in Pennsylvania announced a felony sexual assault charge against comedian Bill Cosby on Wednesday. A former Temple University employee says Cosby drugged and assaulted her in January of 2004.\u003c/p>\n\u003cp>Montgomery County, Pa., prosecutors have charged Cosby with aggravated indecent assault, a first-degree felony.\u003c/p>\n\u003cp>“These charges stem from a sexual assault,” according to prosecutor Kevin Steele, who said the assault occurred at Cosby’s house in Cheltenham, a Montgomery County township that’s just outside Philadelphia.\u003c/p>\n\u003cp>Steele said Cosby is expected to appear in court to be arraigned Wednesday afternoon; he also urged any other victims to contact his office.\u003c/p>\n\u003cp>Over the past year, Cosby has been accused of sexually abusing dozens of women. Cosby has denied those charges, and earlier this month, he filed lawsuits \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/12/14/459750910/bill-cosby-sues-women-who-accused-him-of-sexual-misconduct\" target=\"_blank\" rel=\"noopener\">against seven of his accusers\u003c/a>, saying they had made up the claims to extract money from him.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When NPR’s Scott Simon \u003ca href=\"http://www.npr.org/sections/thetwo-way/2014/11/15/364297097/in-npr-interview-bill-cosby-declines-to-discuss-assault-allegations\" target=\"_blank\" rel=\"noopener\">asked Cosby about the allegations\u003c/a> against him during a November 2014 interview, the comedian refused to respond, shaking his head in silence.\u003c/p>\n\u003cp>Pennsylvania has a 12-year statute of limitations on felony sex crimes, meaning prosecutors had until January to bring charges against Cosby, 78.\u003c/p>\n\u003cp>\u003ca href=\"http://www.legis.state.pa.us/cfdocs/legis/LI/consCheck.cfm?txtType=HTM&ttl=18&div=0&chpt=31\" target=\"_blank\" rel=\"noopener\">Under state law\u003c/a>, aggravated indecent assault has a range of definitions, from having sexual contact with a person without their consent to doing so after an attacker has “substantially impaired the complainant’s power to appraise or control his or her conduct by administering or employing, without the knowledge of the complainant, drugs, intoxicants or other means for the purpose of preventing resistance.”\u003c/p>\n\u003cp>After the Temple employee, Andrea Constand, accused Cosby of sexually assaulting her in 2004, a Montgomery County prosecutor decided in 2005 that charges weren’t warranted in the case. But that prosecutor lost his re-election bid last month to Steele, who made pursuing charges against Cosby an issue in his campaign.\u003c/p>\n\u003cp>On Wednesday, Steele outlined a timeline of events in 2004, saying Cosby established a friendship with the victim and then made sexual advances that were rejected. After that, Cosby urged her to take pills and drink wine, Steele said.\u003c/p>\n\u003cp>According to \u003ca href=\"https://www.documentcloud.org/documents/2661361-Criminal-Complaint-William-Cosby.html\" target=\"_blank\" rel=\"noopener\">the criminal complaint filed Wednesday\u003c/a>, Constand “considered Cosby, thirty-seven years her senior, to be a mentor, and described instances in which he invited her to his home for dinner, invited her to restaurants, invited her to events, introduced her to people, and provided her with guidance and career advice.”\u003c/p>\n\u003cp>The 2005 investigation into Cosby led to a deposition in which \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/07/06/420652103/report-cosby-admitted-giving-woman-sedative-quaaludes\" target=\"_blank\" rel=\"noopener\">Cosby admitted that he\u003c/a> had, as the Two-Way reported, “obtained the sedative Quaalude with the intent of giving the drug to women with whom he wanted to have sex, and he acknowledged giving it to at least one woman.”\u003c/p>\n\u003cdiv id=\"res461483149\" class=\"bucketwrap statichtml\" align=\"left\" style=\"padding-left:100px\">\u003c/div>\n\u003cp>That testimony became public this past summer, prompting new calls for charges against Cosby. Announcing the charges Wednesday, Steele said the decision was made after “new information” came to light in July.\u003c/p>\n\u003cp>Cosby gave his deposition in the course of a civil trial, before he and Constand reached a settlement over her lawsuit against him.\u003c/p>\n\u003cp>As part of their deal, the two sides signed a confidentiality agreement — but the records were unsealed at the request of the Associated Press, in part because the judge in the case said he regarded Cosby as something of a public servant who can be expected to forfeit some privacy protections, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/07/07/420830305/the-cosby-revelation-how-a-decade-old-deposition-came-to-light\" target=\"_blank\" rel=\"noopener\">as Eyder reported for the Two-Way\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We’ll note that while NPR \u003ca href=\"http://ethics.npr.org/category/i-respect/#423\" target=\"_blank\" rel=\"noopener\">doesn’t usually identify\u003c/a> people who say they’re the victims of sexual assault, we’ve done so in this case, because Constand has taken a public stand on the case. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Bill+Cosby+Is+Charged+With+Felony+Sex+Crime+Over+2004+Case&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Spotify, the groundbreaking streaming music service, is facing a class-action lawsuit alleging that it violates the copyrights of thousands of independent musicians.\u003c/p>\n\u003cp>If the songwriters prevail it could cost Spotify tens of millions of dollars in unpaid royalties. And according to experts in the music industry, this may be only the beginning, because other streaming services reportedly commit the same violations.\u003c/p>\n\u003cp>The named plaintiff in the lawsuit, filed on Monday in the U.S. District Court for the Central District of California, is David Lowery, an outspoken musicians’ rights advocate and frontman of rock bands Camper Van Beethoven (Santa Cruz) and Cracker (Redlands). He says his songs have been streamed hundreds of thousands of times without his permission.\u003c/p>\n\u003cp>Lowery, who also teaches music business at the University of Georgia, alleges that Spotify streams his songs without getting licenses from him to do it or paying him accordingly.\u003c/p>\n\u003cp>In a statement, Spotify says it has tried to find rights holders, but “the data necessary to confirm the appropriate rights holders is often missing, wrong or incomplete.” Spotify says it has set aside a fund to pay songwriters when they are identified. Earlier this month, it \u003ca href=\"http://www.spotifyartists.com/spotify-songwriters-and-publishers-administration-system/\" target=\"_blank\" rel=\"noopener\">announced that it would invest\u003c/a> in “a comprehensive publishing administration system” to better track royalty information.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The point is not that they didn’t set aside royalties; the point is that they never got the licenses in the first place,” Lowery tells NPR. “There appears to be no licenses on my songs and a great number of songwriters’ songs. Setting aside the royalty, what is that royalty based on? There’s no license.”\u003c/p>\n\u003cp>Lowery’s lawyer, Sanford Michelman, says Spotify may owe tens of millions of dollars not just in unpaid royalties but also for copyright infringement, which can run as high as $150,000 per violation.\u003c/p>\n\u003cp>Music streaming services have been a growing and popular business, but they have faced opposition from artists including Prince, Thom Yorke, Beyonce, \u003ca href=\"http://www.npr.org/2015/06/22/416538103/taylor-swift-wins-battle-with-apple-over-free-music-streaming\" target=\"_blank\" rel=\"noopener\">Taylor Swift\u003c/a> and most recently \u003ca href=\"http://www.nytimes.com/2015/11/20/business/media/adele-music-album-25.html?_r=0\" target=\"_blank\" rel=\"noopener\">Adele\u003c/a>.\u003c/p>\n\u003cp>A major sticking point has been how these services pay the musicians for distributing their music. One study of the music business by the Berklee College of Music’s Institute for Creative Entrepreneurship \u003ca href=\"http://www.npr.org/sections/therecord/2015/07/14/422707429/is-transparency-the-music-industrys-next-battle\" target=\"_blank\" rel=\"noopener\">suggested earlier this year\u003c/a> that anywhere from 20 percent to 50 percent of music payments don’t make it to their rightful owners.\u003c/p>\n\u003cp>And as NPR’s Joel Rose has reported, the songwriters often get a far smaller share of those payments:\u003c/p>\n\u003cblockquote>\n\u003cp>“The way those royalties are split is far from equal, in part because there are two different types of copyright holders for every song a streaming service plays. One is the owner of the sound recording — that’s usually the artist or the record label. The other is the person (or persons) who wrote the song, or someone else to whom rights have been granted, like a music publisher.”\u003c/p>\n\u003c/blockquote>\n\u003cp>(Rose explained in detail the legal framework that guides the music industry \u003ca href=\"http://www.npr.org/sections/therecord/2015/05/07/404700847/songwriters-and-streaming-services-battle-over-decades-old-decree\" target=\"_blank\" rel=\"noopener\">in a story earlier this year\u003c/a>.)\u003c/p>\n\u003cp>Here’s a \u003ca href=\"https://www.thewrap.com/spotify-sued-by-camper-van-beethoven-singer-for-150-million/\" target=\"_blank\" rel=\"noopener\">bit of background\u003c/a> on Lowery’s case from \u003cem>The Wrap:\u003c/em>\u003c/p>\n\u003cblockquote>\n\u003cp>“The class-action suit identifies members of the class to be anyone who owns reproduction and distribution rights of copyrighted songs that have been played by Spotify.\u003c/p>\n\u003cp>“Lowery has long been an advocate for artists’ interests as the music business shifts its business models. In a \u003ca href=\"http://thetrichordist.com/2013/06/24/my-song-got-played-on-pandora-1-million-times-and-all-i-got-was-16-89-less-than-what-i-make-from-a-single-t-shirt-sale/\" target=\"_blank\" rel=\"noopener\">2013 blog post\u003c/a>, he recounted how online radio service Pandora paid him just $16.89 in songwriter royalties for more than 1 million spins of Cracker’s hit song ‘Low.’ ”\u003c/p>\n\u003c/blockquote>\n\u003cp>Lowery’s lawsuit only names Spotify and doesn’t include the major song publishers (Sony, for example, has an agreement with Spotify). But Jeff Price, CEO of publishing rights tracking company Audiam, says he has seen a similar problem at all the services, including Apple, Google and Tidal.\u003c/p>\n\u003cp>“This suit brings to the foreground an endemic problem that has existed since the launch of the interactive streaming music services,” Price says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can read the full court filing from Lowery below. \u003c/p>\n\u003cdiv id=\"res461385498\" class=\"bucketwrap statichtml\">\u003c/div>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Spotify+Faces+Class+Action+For+Copyright+Infringement&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"title": "Cracker Frontman Suing Spotify for Copyright Infringement | KQED",
"description": "The lawsuit alleges that the streaming music service fails to properly compensate artists for the right to reproduce or distribute recordings. It's the latest in the ongoing debate over streaming.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Spotify, the groundbreaking streaming music service, is facing a class-action lawsuit alleging that it violates the copyrights of thousands of independent musicians.\u003c/p>\n\u003cp>If the songwriters prevail it could cost Spotify tens of millions of dollars in unpaid royalties. And according to experts in the music industry, this may be only the beginning, because other streaming services reportedly commit the same violations.\u003c/p>\n\u003cp>The named plaintiff in the lawsuit, filed on Monday in the U.S. District Court for the Central District of California, is David Lowery, an outspoken musicians’ rights advocate and frontman of rock bands Camper Van Beethoven (Santa Cruz) and Cracker (Redlands). He says his songs have been streamed hundreds of thousands of times without his permission.\u003c/p>\n\u003cp>Lowery, who also teaches music business at the University of Georgia, alleges that Spotify streams his songs without getting licenses from him to do it or paying him accordingly.\u003c/p>\n\u003cp>In a statement, Spotify says it has tried to find rights holders, but “the data necessary to confirm the appropriate rights holders is often missing, wrong or incomplete.” Spotify says it has set aside a fund to pay songwriters when they are identified. Earlier this month, it \u003ca href=\"http://www.spotifyartists.com/spotify-songwriters-and-publishers-administration-system/\" target=\"_blank\" rel=\"noopener\">announced that it would invest\u003c/a> in “a comprehensive publishing administration system” to better track royalty information.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The point is not that they didn’t set aside royalties; the point is that they never got the licenses in the first place,” Lowery tells NPR. “There appears to be no licenses on my songs and a great number of songwriters’ songs. Setting aside the royalty, what is that royalty based on? There’s no license.”\u003c/p>\n\u003cp>Lowery’s lawyer, Sanford Michelman, says Spotify may owe tens of millions of dollars not just in unpaid royalties but also for copyright infringement, which can run as high as $150,000 per violation.\u003c/p>\n\u003cp>Music streaming services have been a growing and popular business, but they have faced opposition from artists including Prince, Thom Yorke, Beyonce, \u003ca href=\"http://www.npr.org/2015/06/22/416538103/taylor-swift-wins-battle-with-apple-over-free-music-streaming\" target=\"_blank\" rel=\"noopener\">Taylor Swift\u003c/a> and most recently \u003ca href=\"http://www.nytimes.com/2015/11/20/business/media/adele-music-album-25.html?_r=0\" target=\"_blank\" rel=\"noopener\">Adele\u003c/a>.\u003c/p>\n\u003cp>A major sticking point has been how these services pay the musicians for distributing their music. One study of the music business by the Berklee College of Music’s Institute for Creative Entrepreneurship \u003ca href=\"http://www.npr.org/sections/therecord/2015/07/14/422707429/is-transparency-the-music-industrys-next-battle\" target=\"_blank\" rel=\"noopener\">suggested earlier this year\u003c/a> that anywhere from 20 percent to 50 percent of music payments don’t make it to their rightful owners.\u003c/p>\n\u003cp>And as NPR’s Joel Rose has reported, the songwriters often get a far smaller share of those payments:\u003c/p>\n\u003cblockquote>\n\u003cp>“The way those royalties are split is far from equal, in part because there are two different types of copyright holders for every song a streaming service plays. One is the owner of the sound recording — that’s usually the artist or the record label. The other is the person (or persons) who wrote the song, or someone else to whom rights have been granted, like a music publisher.”\u003c/p>\n\u003c/blockquote>\n\u003cp>(Rose explained in detail the legal framework that guides the music industry \u003ca href=\"http://www.npr.org/sections/therecord/2015/05/07/404700847/songwriters-and-streaming-services-battle-over-decades-old-decree\" target=\"_blank\" rel=\"noopener\">in a story earlier this year\u003c/a>.)\u003c/p>\n\u003cp>Here’s a \u003ca href=\"https://www.thewrap.com/spotify-sued-by-camper-van-beethoven-singer-for-150-million/\" target=\"_blank\" rel=\"noopener\">bit of background\u003c/a> on Lowery’s case from \u003cem>The Wrap:\u003c/em>\u003c/p>\n\u003cblockquote>\n\u003cp>“The class-action suit identifies members of the class to be anyone who owns reproduction and distribution rights of copyrighted songs that have been played by Spotify.\u003c/p>\n\u003cp>“Lowery has long been an advocate for artists’ interests as the music business shifts its business models. In a \u003ca href=\"http://thetrichordist.com/2013/06/24/my-song-got-played-on-pandora-1-million-times-and-all-i-got-was-16-89-less-than-what-i-make-from-a-single-t-shirt-sale/\" target=\"_blank\" rel=\"noopener\">2013 blog post\u003c/a>, he recounted how online radio service Pandora paid him just $16.89 in songwriter royalties for more than 1 million spins of Cracker’s hit song ‘Low.’ ”\u003c/p>\n\u003c/blockquote>\n\u003cp>Lowery’s lawsuit only names Spotify and doesn’t include the major song publishers (Sony, for example, has an agreement with Spotify). But Jeff Price, CEO of publishing rights tracking company Audiam, says he has seen a similar problem at all the services, including Apple, Google and Tidal.\u003c/p>\n\u003cp>“This suit brings to the foreground an endemic problem that has existed since the launch of the interactive streaming music services,” Price says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can read the full court filing from Lowery below. \u003c/p>\n\u003cdiv id=\"res461385498\" class=\"bucketwrap statichtml\">\u003c/div>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Spotify+Faces+Class+Action+For+Copyright+Infringement&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>José Anzaldo is a bright, cheerful third-grader in Salinas, Calif. He loves school, he’s a whiz at math, and, like lots of little boys his age, he wants to be a firefighter when he grows up. He also entered the country illegally, and his parents are migrant farmworkers who harvest lettuce.\u003c/p>\n\u003cp>What will become of this promising young boy? That question drives \u003ca href=\"http://www.pbs.org/independentlens/films/east-of-salinas/\" target=\"_blank\" rel=\"noopener\">East of Salinas\u003c/a>\u003cem>,\u003c/em> a documentary premiering Monday on PBS’s \u003cem>Independent Lens\u003c/em>. It’s a story we rarely hear about the families who are helping to put vegetables on our dinner plates.\u003c/p>\n\u003cp>“Farmworkers are also parents, and they’re also struggling with all the issues all parents are struggling with, on top of backbreaking labor: worrying about the grades their kids are getting, and are they doing their homework, and unpacking backpacks and all of those things,” says Laura Pacheco, who co-directed and produced the film with another filmmaker, \u003ca href=\"http://www.imdb.com/name/nm1848208/\" target=\"_blank\" rel=\"noopener\">Jackie Mow\u003c/a>.\u003c/p>\n\u003cp>Pacheco and Mow spent three years following José and his family — through seven schools and several moves from one cramped living space to another (sometimes in neighborhoods plagued by gang violence).\u003c/p>\n\u003cp>For half the year, José’s stepfather heads off to toil in the fields of Yuma, Ariz., while José and his mother and two siblings stay in Salinas. The family struggles to maintain these two households — in Salinas and in Yuma — on a single income; José sometimes goes to bed hungry.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But \u003cem>East of Salinas\u003c/em> is also a story of hope. There’s José’s teacher, Oscar Ramos, who also grew up working in the lettuce fields, then went on to attend college at the University of California, Berkeley. He and his fellow teachers at Salinas’ Sherwood Elementary School go to extraordinary lengths to give their students a support network: They hold clothing drives, deliver Christmas gifts and conduct seminars for parents on how to help their kids with homework. When José’s family moves outside the school’s area, Ramos volunteers to pick the child up every morning, so he can finish up the year in the same school.\u003c/p>\n\u003cfigure id=\"attachment_11201307\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-1180x786.jpg\" alt=\"José Anzaldo starts fifth grade at a new school. He went to seven schools during the three years of filming East Of Salinas.</em\" width=\"640\" height=\"426\" class=\"size-large wp-image-11201307\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-960x639.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">José Anzaldo starts fifth grade at a new school. He went to seven schools during the three years of filming ‘East Of Salinas.’ \u003ccite>(Photo: Jackie Mow/Courtesy of ITVS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And the kids give back, too, says Ramos. “These kids don’t have much, but they want to give us something [at Christmastime]. So we get lettuce, we get strawberries, we get fruits, and vegetables — fresh from the fields. And I love it. That’s our gift, and I wouldn’t trade that for a Starbucks gift card.”\u003c/p>\n\u003cp>I recently spoke with Mow, Pacheco and Ramos. Highlights from our conversation follow, edited for clarity and brevity.\u003c/p>\n\u003cp>\u003cstrong>José is clearly a bright kid. And despite incredibly hard circumstances — often moving house, exposure to gang violence, food insecurity, predawn drop-offs at the baby sitter so his mother can go work in the lettuce fields — he does very well in school. That’s a lot for a little guy to overcome. Does that make him an exception among the migrant kids you teach, Oscar?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Oscar Ramos:\u003c/strong> It should. But he’s like a lot of our kids. They see what’s going on. They’re very aware of everything, and they don’t want that life. So a lot of them, just like José, they persevere. The do need a lot of help at home, though, because most of our parents have a third-, fourth-, fifth-grade education. So they have to rely on what they get at our school, with a lot of caring teachers. I’m one of many who do the same thing. That’s the school we chose to be at for that particular reason — because we know we can influence these students in a positive way. We can be role models for them because of who we are and where we came from. A lot of the teachers went to Sherwood school as children. Our current principal went to Sherwood school, then came back as a teacher, and now he’s our principal.\u003c/p>\n\u003cp>\u003cstrong>Oscar, most of your students’ parents are migrant farm laborers of Mexican origin who follow the agricultural harvest and take their families with them. How many students do you keep up with after they leave your classroom?\u003c/strong>\u003c/p>\n\u003cp>I keep up with a lot of them. These kids come back after Christmas vacation. They come back for summer school. … They want to come visit their teachers; they want to say hello. Now with Twitter and Facebook and other social media, it’s a lot easier to keep up with students and see what they’re doing. They find us. Just two days ago, I got a friend request on Facebook. The name sounded familiar — he was one of my students in third grade. He’s currently at [the University of California] Berkeley.\u003c/p>\n\u003cp>\u003cstrong>What becomes of most of these students? You mention a student that ended up at Berkeley — that’s impressive. Do you think that’s a result of the efforts that you and your fellow teachers are making, Oscar? \u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11201308\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-1180x786.jpg\" alt=\"Oscar Ramos (right) took fifth- and sixth-graders, including José Anzaldo (left), to visit the University of California, Berkeley\" width=\"640\" height=\"426\" class=\"size-large wp-image-11201308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-960x639.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Oscar Ramos (right) took fifth- and sixth-graders, including José Anzaldo (left), to visit the University of California, Berkeley \u003ccite>(Photo: Jackie Mow/Courtesy of ITVS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oh, I definitely believe that. Every teacher has a dedicated space in the classroom where they put up banners and photos and postcards of the college they attended. So mine is a UC Berkeley college wall. And we talk about the experience of college and what it’s like. Every teacher has that, and every teacher emphasizes higher education.\u003c/p>\n\u003cp>\u003cstrong>What do you hope viewers take away from this film?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jackie Mow:\u003c/strong> For me, making the [film] about one child brings the issue of migrant families and undocumented kids in focus. You hear a lot of political rhetoric. But when you walk into that class of third-graders, they’re so full of hope. What we want people to see is who those people … really are.\u003c/p>\n\u003cp>\u003cstrong>Laura Pacheco:\u003c/strong> We really wanted to break down the stereotypes of undocumented kids, of migrant kids and migrant families. We’ve done a lot of [documentaries] around the world, and I don’t think we’ve ever met anyone who tries as hard, who works as hard as José’s family. The only thing they want is for José and his siblings to have a better life than they had. And you see that in José — he wants to give back — he wants to be part of that school, part of that community. He wants to belong.\u003c/p>\n\u003cp>\u003cstrong>Mow:\u003c/strong> You know, he’s not unique in that class. There are a lot of kids like José.\u003c/p>\n\u003cp>\u003cstrong>Ramos:\u003c/strong> I wasn’t going to do this [film] but my wife convinced me. I told Jackie and Laura I’ll do it but I’m kind of tired — everything [in the media] that has to do with migrant families is so negative. You know, how many end up dropping out, that sort of thing. That’s not who we are, but that’s what they show the public. But there’s something bigger and better and amazing going on [with these kids]. … These kids want to be in school. They want to learn. They want to contribute to society and the community.\u003c/p>\n\u003cp>\u003cstrong>How old is José today?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Ramos:\u003c/strong> He’s a seventh-grader; he’s in middle school. So he’s 12.\u003c/p>\n\u003cp>\u003cstrong>Mow:\u003c/strong> We just went back to shoot him — just a little snippet. I think our plan is to [continue to] go back and shoot him until he goes to college. … It’s going to be the \u003cem>Boyhood \u003c/em>of Salinas.\u003c/p>\n\u003cp>\u003cstrong>Does he still want to be a police officer or firefighter?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Mow:\u003c/strong> No, an engineer.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Ramos:\u003c/strong> You know, when we went on that field trip to UC Berkeley, José did meet other people from Salinas, from the same area … that were attending college at the time. To see his eyes go — whoa, more people from Salinas here [at Berkeley]. I think that was very inspirational for him. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Bright%2C+Young%2C+In+Limbo%3A+Film+Sees+Migrant+Farm+Life+Through+A+Child%27s+Eyes&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>José Anzaldo is a bright, cheerful third-grader in Salinas, Calif. He loves school, he’s a whiz at math, and, like lots of little boys his age, he wants to be a firefighter when he grows up. He also entered the country illegally, and his parents are migrant farmworkers who harvest lettuce.\u003c/p>\n\u003cp>What will become of this promising young boy? That question drives \u003ca href=\"http://www.pbs.org/independentlens/films/east-of-salinas/\" target=\"_blank\" rel=\"noopener\">East of Salinas\u003c/a>\u003cem>,\u003c/em> a documentary premiering Monday on PBS’s \u003cem>Independent Lens\u003c/em>. It’s a story we rarely hear about the families who are helping to put vegetables on our dinner plates.\u003c/p>\n\u003cp>“Farmworkers are also parents, and they’re also struggling with all the issues all parents are struggling with, on top of backbreaking labor: worrying about the grades their kids are getting, and are they doing their homework, and unpacking backpacks and all of those things,” says Laura Pacheco, who co-directed and produced the film with another filmmaker, \u003ca href=\"http://www.imdb.com/name/nm1848208/\" target=\"_blank\" rel=\"noopener\">Jackie Mow\u003c/a>.\u003c/p>\n\u003cp>Pacheco and Mow spent three years following José and his family — through seven schools and several moves from one cramped living space to another (sometimes in neighborhoods plagued by gang violence).\u003c/p>\n\u003cp>For half the year, José’s stepfather heads off to toil in the fields of Yuma, Ariz., while José and his mother and two siblings stay in Salinas. The family struggles to maintain these two households — in Salinas and in Yuma — on a single income; José sometimes goes to bed hungry.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But \u003cem>East of Salinas\u003c/em> is also a story of hope. There’s José’s teacher, Oscar Ramos, who also grew up working in the lettuce fields, then went on to attend college at the University of California, Berkeley. He and his fellow teachers at Salinas’ Sherwood Elementary School go to extraordinary lengths to give their students a support network: They hold clothing drives, deliver Christmas gifts and conduct seminars for parents on how to help their kids with homework. When José’s family moves outside the school’s area, Ramos volunteers to pick the child up every morning, so he can finish up the year in the same school.\u003c/p>\n\u003cfigure id=\"attachment_11201307\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-1180x786.jpg\" alt=\"José Anzaldo starts fifth grade at a new school. He went to seven schools during the three years of filming East Of Salinas.</em\" width=\"640\" height=\"426\" class=\"size-large wp-image-11201307\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-02_custom-148586b3bd90dadaa06137147c3fc584028a5c82-960x639.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">José Anzaldo starts fifth grade at a new school. He went to seven schools during the three years of filming ‘East Of Salinas.’ \u003ccite>(Photo: Jackie Mow/Courtesy of ITVS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And the kids give back, too, says Ramos. “These kids don’t have much, but they want to give us something [at Christmastime]. So we get lettuce, we get strawberries, we get fruits, and vegetables — fresh from the fields. And I love it. That’s our gift, and I wouldn’t trade that for a Starbucks gift card.”\u003c/p>\n\u003cp>I recently spoke with Mow, Pacheco and Ramos. Highlights from our conversation follow, edited for clarity and brevity.\u003c/p>\n\u003cp>\u003cstrong>José is clearly a bright kid. And despite incredibly hard circumstances — often moving house, exposure to gang violence, food insecurity, predawn drop-offs at the baby sitter so his mother can go work in the lettuce fields — he does very well in school. That’s a lot for a little guy to overcome. Does that make him an exception among the migrant kids you teach, Oscar?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Oscar Ramos:\u003c/strong> It should. But he’s like a lot of our kids. They see what’s going on. They’re very aware of everything, and they don’t want that life. So a lot of them, just like José, they persevere. The do need a lot of help at home, though, because most of our parents have a third-, fourth-, fifth-grade education. So they have to rely on what they get at our school, with a lot of caring teachers. I’m one of many who do the same thing. That’s the school we chose to be at for that particular reason — because we know we can influence these students in a positive way. We can be role models for them because of who we are and where we came from. A lot of the teachers went to Sherwood school as children. Our current principal went to Sherwood school, then came back as a teacher, and now he’s our principal.\u003c/p>\n\u003cp>\u003cstrong>Oscar, most of your students’ parents are migrant farm laborers of Mexican origin who follow the agricultural harvest and take their families with them. How many students do you keep up with after they leave your classroom?\u003c/strong>\u003c/p>\n\u003cp>I keep up with a lot of them. These kids come back after Christmas vacation. They come back for summer school. … They want to come visit their teachers; they want to say hello. Now with Twitter and Facebook and other social media, it’s a lot easier to keep up with students and see what they’re doing. They find us. Just two days ago, I got a friend request on Facebook. The name sounded familiar — he was one of my students in third grade. He’s currently at [the University of California] Berkeley.\u003c/p>\n\u003cp>\u003cstrong>What becomes of most of these students? You mention a student that ended up at Berkeley — that’s impressive. Do you think that’s a result of the efforts that you and your fellow teachers are making, Oscar? \u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11201308\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-1180x786.jpg\" alt=\"Oscar Ramos (right) took fifth- and sixth-graders, including José Anzaldo (left), to visit the University of California, Berkeley\" width=\"640\" height=\"426\" class=\"size-large wp-image-11201308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/east_of_salinas-press-04_custom-ec27719af2a2bc59c3250c8b6b46088f738d27e1-960x639.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Oscar Ramos (right) took fifth- and sixth-graders, including José Anzaldo (left), to visit the University of California, Berkeley \u003ccite>(Photo: Jackie Mow/Courtesy of ITVS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oh, I definitely believe that. Every teacher has a dedicated space in the classroom where they put up banners and photos and postcards of the college they attended. So mine is a UC Berkeley college wall. And we talk about the experience of college and what it’s like. Every teacher has that, and every teacher emphasizes higher education.\u003c/p>\n\u003cp>\u003cstrong>What do you hope viewers take away from this film?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jackie Mow:\u003c/strong> For me, making the [film] about one child brings the issue of migrant families and undocumented kids in focus. You hear a lot of political rhetoric. But when you walk into that class of third-graders, they’re so full of hope. What we want people to see is who those people … really are.\u003c/p>\n\u003cp>\u003cstrong>Laura Pacheco:\u003c/strong> We really wanted to break down the stereotypes of undocumented kids, of migrant kids and migrant families. We’ve done a lot of [documentaries] around the world, and I don’t think we’ve ever met anyone who tries as hard, who works as hard as José’s family. The only thing they want is for José and his siblings to have a better life than they had. And you see that in José — he wants to give back — he wants to be part of that school, part of that community. He wants to belong.\u003c/p>\n\u003cp>\u003cstrong>Mow:\u003c/strong> You know, he’s not unique in that class. There are a lot of kids like José.\u003c/p>\n\u003cp>\u003cstrong>Ramos:\u003c/strong> I wasn’t going to do this [film] but my wife convinced me. I told Jackie and Laura I’ll do it but I’m kind of tired — everything [in the media] that has to do with migrant families is so negative. You know, how many end up dropping out, that sort of thing. That’s not who we are, but that’s what they show the public. But there’s something bigger and better and amazing going on [with these kids]. … These kids want to be in school. They want to learn. They want to contribute to society and the community.\u003c/p>\n\u003cp>\u003cstrong>How old is José today?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Ramos:\u003c/strong> He’s a seventh-grader; he’s in middle school. So he’s 12.\u003c/p>\n\u003cp>\u003cstrong>Mow:\u003c/strong> We just went back to shoot him — just a little snippet. I think our plan is to [continue to] go back and shoot him until he goes to college. … It’s going to be the \u003cem>Boyhood \u003c/em>of Salinas.\u003c/p>\n\u003cp>\u003cstrong>Does he still want to be a police officer or firefighter?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Mow:\u003c/strong> No, an engineer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Ramos:\u003c/strong> You know, when we went on that field trip to UC Berkeley, José did meet other people from Salinas, from the same area … that were attending college at the time. To see his eyes go — whoa, more people from Salinas here [at Berkeley]. I think that was very inspirational for him. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Bright%2C+Young%2C+In+Limbo%3A+Film+Sees+Migrant+Farm+Life+Through+A+Child%27s+Eyes&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "New S.F. Chinatown Restaurants Bring Big Changes, Revive Traditions",
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"content": "\u003cp>Like any good chef, 36-year-old Brandon Jew is really picky about where he gets his ingredients. So, when \u003ca href=\"http://www.heathceramics.com/\">Heath Ceramics\u003c/a> invited him to do a cooking demonstration two days after Thanksgiving, he got his food from a local source: his mother's refrigerator.\u003c/p>\n\u003cp>\"I had to tell my mom I was doing \u003ca href=\"http://www.tastingtable.com/cook/recipes/how-to-make-jook-congee-recipe-thanksgiving-leftover-jook-recipe-brandon-jew-mister-jius-sf\">this recipe\u003c/a>, so she couldn't do it,\" Jew laughed. \"But I was like, 'Yeah, I'm taking all the turkey bones and the ham hocks.' \"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/240903788\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>Jew used the leftovers to make jook, a savory rice porridge that many Chinese familes eat for breakfast -- or anytime they crave comfort food. Jew garnished the dish with simple ingredients -- pork, ginger, scallions, cabbage -- and the turkey stock gave it an American twist. It's the kind of cooking Jew wants to do at \u003ca href=\"http://www.misterjius.com/\">Mister Jiu's,\u003c/a> the two-story restaurant he's opening next year in Chinatown.\u003c/p>\n\u003cp>\"You know I really want to concentrate on the classics, and do my versions of them,\" Jew said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Jew is fresh-faced and easygoing, but don't let that fool you. He's earned his stripes in several of San Francisco's top restaurants, most recently \u003ca href=\"http://www.baragricole.com/\">Bar Agricole\u003c/a>, where he was head chef. And he's about to face an even brighter spotlight. He's opening his own restaurant at the Grant Avenue site of the now-shuttered\u003ca href=\"http://www.yelp.com/biz_photos/four-seas-restaurant-san-francisco?select=ty6ltj_2v68B6UShjIQ1Ug\"> Four Seas\u003c/a>. People have dined and held banquets at that spot since the late 19th century.\u003c/p>\n\u003cp>\"He's going to bring a whole new generation back to Chinatown. He's going to bring some life,\" said Betty Louie.\u003c/p>\n\u003cp>Louie is the building's landlord, and she is well-known in Chinatown for her efforts to revitalize the neighborhood with new attractions. For example, she recently placed life-size replicas of China's famous terracotta warriors on one of her other Grant Avenue properties. Now she's turning to the food scene.\u003c/p>\n\u003cp>\"Food is important anywhere you go, but more so for Chinatown at this point in time,\" Louie said. \"There are no really first-class restaurants here. We are the largest Chinatown in America, the most well-known. Why shouldn't we have a good restaurant?\"\u003c/p>\n\u003cp>Make no mistake: Chinatown is still a major food destination. Even \u003ca href=\"http://sanfrancisco.cbslocal.com/2012/02/16/president-obama-surprises-sf-chinatown-restaurant-patrons-orders-takeout/\">President Obama \u003c/a>went out of his way once to drop in for dim sum. But as San Francisco real estate prices continue to soar, a lot of people here are nervous about anything that looks like gentrification. Specifically, they worry that if this neighborhood gets trendy with the tech crowd, it could go the way of the Mission District, where gourmet groceries and organic juice bars are rapidly replacing taquerias and bodegas.\u003c/p>\n\u003cp>Mabel Teng directs the\u003ca href=\"http://www.c-c-c.org/\"> Chinese Culture Center, \u003c/a>a nonprofit that works to preserve and promote Chinatown's rich artistic heritage. She says they welcome new restaurants, including Mr. Jiu's and a much larger food enterprise opening next year called \u003ca href=\"http://www.chinalivesf.com/\">China Live\u003c/a>. But it's not clear to her whether they will do much for the residents and businesses that are already here.\u003c/p>\n\u003cp>Teng especially wonders whether their clientele will support all of Chinatown, or merely see it as \"an entertaining ground ... to just pop in for a dinner.\"\u003c/p>\n\u003cp>\"We want them to walk on the street. We want them to buy fresh produce and special artist-made products,\" Teng said. \"We just want them to respect the integrity and the vibrancy of the people who live here.\"\u003c/p>\n\u003cp>Well-known Bay Area chef George Chen says he plans to do just that with the China Live project.\u003c/p>\n\u003cp>\"I think it will open a lot of eyes,\" he explained during a tour of the massive complex under construction on Broadway.\u003c/p>\n\u003cp>Chen says China Live's mission is to demystify Chinese food and culture and make it more accessible. It will include two restaurants, a cafe and an emporium selling organic ingredients and authentic Chinese cookware. At practically every turn, Chen says visitors will learn about where the food comes from and how it's prepared.\u003c/p>\n\u003cp>\"The more you know, the better they'll understand the products and the fear will go away,\" Chen said. \"And I think the larger community will be happy about what we're doing.\"\u003c/p>\n\u003cp>Meantime, Brandon Jew is hoping Mr. Jiu's will bring the ABCs back to Chinatown -- ABC being shorthand for American-born Chinese. He's one, and when he was growing up in the Marina District, he often went to Chinatown to attend weddings and a special birthday celebration called a \"red egg\" party.\u003c/p>\n\u003cp>\"You eat suckling pig and a bunch of eggs that are dyed red,\" Jew said. \"I haven't been to one since I was a kid.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Jew says he's restoring his restaurant's upstairs banquet hall to once again make a space for those traditions. He says it's his way of ensuring Chinatown remains the place he has always known and loved.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Like any good chef, 36-year-old Brandon Jew is really picky about where he gets his ingredients. So, when \u003ca href=\"http://www.heathceramics.com/\">Heath Ceramics\u003c/a> invited him to do a cooking demonstration two days after Thanksgiving, he got his food from a local source: his mother's refrigerator.\u003c/p>\n\u003cp>\"I had to tell my mom I was doing \u003ca href=\"http://www.tastingtable.com/cook/recipes/how-to-make-jook-congee-recipe-thanksgiving-leftover-jook-recipe-brandon-jew-mister-jius-sf\">this recipe\u003c/a>, so she couldn't do it,\" Jew laughed. \"But I was like, 'Yeah, I'm taking all the turkey bones and the ham hocks.' \"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/240903788&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/240903788'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Jew used the leftovers to make jook, a savory rice porridge that many Chinese familes eat for breakfast -- or anytime they crave comfort food. Jew garnished the dish with simple ingredients -- pork, ginger, scallions, cabbage -- and the turkey stock gave it an American twist. It's the kind of cooking Jew wants to do at \u003ca href=\"http://www.misterjius.com/\">Mister Jiu's,\u003c/a> the two-story restaurant he's opening next year in Chinatown.\u003c/p>\n\u003cp>\"You know I really want to concentrate on the classics, and do my versions of them,\" Jew said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Jew is fresh-faced and easygoing, but don't let that fool you. He's earned his stripes in several of San Francisco's top restaurants, most recently \u003ca href=\"http://www.baragricole.com/\">Bar Agricole\u003c/a>, where he was head chef. And he's about to face an even brighter spotlight. He's opening his own restaurant at the Grant Avenue site of the now-shuttered\u003ca href=\"http://www.yelp.com/biz_photos/four-seas-restaurant-san-francisco?select=ty6ltj_2v68B6UShjIQ1Ug\"> Four Seas\u003c/a>. People have dined and held banquets at that spot since the late 19th century.\u003c/p>\n\u003cp>\"He's going to bring a whole new generation back to Chinatown. He's going to bring some life,\" said Betty Louie.\u003c/p>\n\u003cp>Louie is the building's landlord, and she is well-known in Chinatown for her efforts to revitalize the neighborhood with new attractions. For example, she recently placed life-size replicas of China's famous terracotta warriors on one of her other Grant Avenue properties. Now she's turning to the food scene.\u003c/p>\n\u003cp>\"Food is important anywhere you go, but more so for Chinatown at this point in time,\" Louie said. \"There are no really first-class restaurants here. We are the largest Chinatown in America, the most well-known. Why shouldn't we have a good restaurant?\"\u003c/p>\n\u003cp>Make no mistake: Chinatown is still a major food destination. Even \u003ca href=\"http://sanfrancisco.cbslocal.com/2012/02/16/president-obama-surprises-sf-chinatown-restaurant-patrons-orders-takeout/\">President Obama \u003c/a>went out of his way once to drop in for dim sum. But as San Francisco real estate prices continue to soar, a lot of people here are nervous about anything that looks like gentrification. Specifically, they worry that if this neighborhood gets trendy with the tech crowd, it could go the way of the Mission District, where gourmet groceries and organic juice bars are rapidly replacing taquerias and bodegas.\u003c/p>\n\u003cp>Mabel Teng directs the\u003ca href=\"http://www.c-c-c.org/\"> Chinese Culture Center, \u003c/a>a nonprofit that works to preserve and promote Chinatown's rich artistic heritage. She says they welcome new restaurants, including Mr. Jiu's and a much larger food enterprise opening next year called \u003ca href=\"http://www.chinalivesf.com/\">China Live\u003c/a>. But it's not clear to her whether they will do much for the residents and businesses that are already here.\u003c/p>\n\u003cp>Teng especially wonders whether their clientele will support all of Chinatown, or merely see it as \"an entertaining ground ... to just pop in for a dinner.\"\u003c/p>\n\u003cp>\"We want them to walk on the street. We want them to buy fresh produce and special artist-made products,\" Teng said. \"We just want them to respect the integrity and the vibrancy of the people who live here.\"\u003c/p>\n\u003cp>Well-known Bay Area chef George Chen says he plans to do just that with the China Live project.\u003c/p>\n\u003cp>\"I think it will open a lot of eyes,\" he explained during a tour of the massive complex under construction on Broadway.\u003c/p>\n\u003cp>Chen says China Live's mission is to demystify Chinese food and culture and make it more accessible. It will include two restaurants, a cafe and an emporium selling organic ingredients and authentic Chinese cookware. At practically every turn, Chen says visitors will learn about where the food comes from and how it's prepared.\u003c/p>\n\u003cp>\"The more you know, the better they'll understand the products and the fear will go away,\" Chen said. \"And I think the larger community will be happy about what we're doing.\"\u003c/p>\n\u003cp>Meantime, Brandon Jew is hoping Mr. Jiu's will bring the ABCs back to Chinatown -- ABC being shorthand for American-born Chinese. He's one, and when he was growing up in the Marina District, he often went to Chinatown to attend weddings and a special birthday celebration called a \"red egg\" party.\u003c/p>\n\u003cp>\"You eat suckling pig and a bunch of eggs that are dyed red,\" Jew said. \"I haven't been to one since I was a kid.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Jew says he's restoring his restaurant's upstairs banquet hall to once again make a space for those traditions. He says it's his way of ensuring Chinatown remains the place he has always known and loved.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Ian Fraser Kilmister, a.k.a. Lemmy, known for leading the metal band Motörhead for 40 years, died Monday, just four days after turning 70.\u003c/p>\n\u003cp>Rock radio DJ and host of \u003ci>That Metal Show\u003c/i> Eddie Trunk confirmed Kilmister’s death from an aggressive cancer Monday afternoon on Twitter:\u003c/p>\n\u003cp>https://twitter.com/EddieTrunk/status/681630612919312384? \u003c/p>\n\u003cp>After several decades of hard living, Kilmister had been dealing with health issues throughout 2015, culminating in a September show in Austin, Texas where he had to \u003ca href=\"http://www.independent.co.uk/news/people/motorhead-fans-health-fears-grow-over-lemmy-after-frontman-walks-off-stage-mid-concert-10484232.html\" target=\"_blank\" rel=\"noopener\">walk off stage after playing only three songs\u003c/a>.\u003c/p>\n\u003cp>Born on Christmas Eve in a small English town, Kilmister would go on to live a legendary rock ‘n’ roll life, starting with his time as a roadie for electric guitar pioneer Jimi Hendrix. Of those days, Kilmister would comment that one of his jobs was to buy Hendrix LSD, which he always shared.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After a stint as a guitarist in groups such as the Rockin’ Vicars and Sam Gopal, Kilmister would find his calling as a bassist, picking up the instrument for the first time as a member of space-rock kings Hawkwind. Kilmister would stay with Hawkwind for three years, playing on notable albums as \u003cem>Doremi Fasol Latido\u003c/em> and \u003ci>Space Ritual.\u003c/i> He also sang on the band’s biggest hit single, “Silver Machine.”\u003c/p>\n\u003cp>Legal troubles and internal conflict would lead to Kilmister’s exit/firing from Hawkwind, but it didn’t take long before he founded Motörhead, named after a song he originally wrote for his former band. \u003c/p>\n\u003cp>Formed just as rock bands began to play faster and heavier, Motörhead would become one of the flagship bands in the quickly growing genre of “Heavy Metal.” The band would cement its legacy as one of the genre’s best with the release of the album \u003ci>Ace of Spades,\u003c/i> its title track cited by many as one of metal’s greatest songs.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1iwC2QljLn4 \u003c/p>\n\u003cp>The band, which turned 40 this year, would go through numerous lineups and play thousands of shows. The band’s Facebook page confirmed its founder’s death with this statement:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.facebook.com/OfficialMotorhead/posts/1107561019276205\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp> \u003c/p>\n\u003cp>After several decades of hard living, Kilmister had been dealing with health issues throughout 2015, culminating in a September show in Austin, Texas where he had to \u003ca href=\"http://www.independent.co.uk/news/people/motorhead-fans-health-fears-grow-over-lemmy-after-frontman-walks-off-stage-mid-concert-10484232.html\" target=\"_blank\" rel=\"noopener\">walk off stage after playing only three songs\u003c/a>.\u003c/p>\n\u003cp>Born on Christmas Eve in a small English town, Kilmister would go on to live a legendary rock ‘n’ roll life, starting with his time as a roadie for electric guitar pioneer Jimi Hendrix. Of those days, Kilmister would comment that one of his jobs was to buy Hendrix LSD, which he always shared.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After a stint as a guitarist in groups such as the Rockin’ Vicars and Sam Gopal, Kilmister would find his calling as a bassist, picking up the instrument for the first time as a member of space-rock kings Hawkwind. Kilmister would stay with Hawkwind for three years, playing on notable albums as \u003cem>Doremi Fasol Latido\u003c/em> and \u003ci>Space Ritual.\u003c/i> He also sang on the band’s biggest hit single, “Silver Machine.”\u003c/p>\n\u003cp>Legal troubles and internal conflict would lead to Kilmister’s exit/firing from Hawkwind, but it didn’t take long before he founded Motörhead, named after a song he originally wrote for his former band. \u003c/p>\n\u003cp>Formed just as rock bands began to play faster and heavier, Motörhead would become one of the flagship bands in the quickly growing genre of “Heavy Metal.” The band would cement its legacy as one of the genre’s best with the release of the album \u003ci>Ace of Spades,\u003c/i> its title track cited by many as one of metal’s greatest songs.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1iwC2QljLn4 \u003c/p>\n\u003cp>The band, which turned 40 this year, would go through numerous lineups and play thousands of shows. The band’s Facebook page confirmed its founder’s death with this statement:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.facebook.com/OfficialMotorhead/posts/1107561019276205\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The SF City Attorney is Threatening to Sue Over Bieber Graffiti",
"title": "The SF City Attorney is Threatening to Sue Over Bieber Graffiti",
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"content": "\u003cp>Justin Bieber -- a puppy you sort of thought was cute once a long time ago but then he followed you home and wouldn't stop whining, chewing on the furniture, getting DUIs, sleeping with supermodels and making millions upon millions of dollars, all before he was old enough to drink -- has had a really good year.\u003c/p>\n\u003cp>That's an understatement, actually. The Great Bieber Rebrand of 2015 will likely be studied by breathless PR apprentices for years to come, as well it should be. How a guy went from \u003ca href=\"http://www.cnn.com/2014/01/23/showbiz/justin-bieber-arrest/\" target=\"_blank\">professional punchline\u003c/a> to topping professional critics' end\u003ca href=\"http://www.nytimes.com/2015/12/15/arts/music/the-best-songs-of-2015.html\" target=\"_blank\">-of-the-year lists\u003c/a> is a public image redemption arc for the ages.\u003c/p>\n\u003cp>Except that not everyone is won over so easily. SF City Attorney Dennis Herrera's office, for example, was probably not bumping \u003cem>Purpose (\u003c/em>which \u003ca href=\"http://www.billboard.com/articles/news/6814157/justin-bieber-purpose-million-seller\" target=\"_blank\">just went platinum\u003c/a>) when it issued a letter on Dec. 28, addressed to heads of Def Jam and Universal Music Group, blasting the \"illegal guerilla marketing stunt\" that accompanied the album -- a.k.a. the Bieber graffiti that began showing up on San Francisco sidewalks in the weeks before the album dropped in November.\u003c/p>\n\u003cfigure id=\"attachment_19641\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg class=\"size-thumbnail wp-image-19641\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/bieber-graffiti-2-400x225.png\" alt=\"#BURN\" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/12/bieber-graffiti-2-400x225.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/bieber-graffiti-2-800x450.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/bieber-graffiti-2-768x432.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/bieber-graffiti-2.png 876w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">#BURN\u003c/figcaption>\u003c/figure>\n\u003cp>From a\u003ca href=\"http://www.sfcityattorney.org/wp-content/uploads/2015/12/SF-V-BIEBER-PRESSKIT.pdf\" target=\"_blank\"> press release posted by Herrera's office\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>Herrera, who called the graffiti vandalism “illegal and actionable” in a letter today to executives from Def Jam Records and Universal Music Group, vowed to “aggressively pursue all available penalties and costs from those responsible for lawless marketing tactics that intend to financially benefit your respective companies.”\u003c/p>\n\u003cp>San Francisco Public Works has for weeks responded to neighborhood complaints about the stenciled ads, which have otherwise persisted undiminished through several rainstorms. Unlike other recent instances of illegal sidewalk advertising that was chalk-based, according to Herrera’s letter, the Bieber-related graffiti appears to have been applied with permanent spray paint. Such defiant guerrilla marketing tactics have become an increasingly unwelcome sight to many San Francisco residents, according to their reactions on social media, in published news accounts, and in complaints to City officials.\u003c/p>\n\u003cp>“....This prohibited marketing practice illegally exploits our City’s walkable neighborhoods and robust tourism; intentionally creates visual distractions that pose risks to pedestrians on busy rights of way; and irresponsibly tells our youth that likeminded lawlessness and contempt for public property are condoned and encouraged by its beneficiaries—including Mr. Bieber and the record labels that produce and promote him.”\u003c/p>\u003c/blockquote>\n\u003cp>The letter does not, unfortunately, address how criminally sad it is for a major corporate media conglomerate to attempt to ply consumers into associating a mainstream-in-every-sense-of-the-term pop star with subversive \"street\" values, but perhaps that goes unspoken? Herrera does add that he has successfully fought back against \"virtually identical\" infractions from \"IBM, NBC Universal, Turner Broadcasting and Zynga\" over the past 15 years. Those actions did not, you will note, make for such fun headlines.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We'll keep you posted on SF Taxpayers vs. The Biebs as the situation develops. Feel free to insert your own \"Is it too late for him to say sorry?\" joke here. In the meantime, our young Odysseus appears to be spending the holidays somewhere tropical, doing this:\u003c/p>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\">\n\u003cdiv style=\"padding:8px;\">\n\u003cdiv style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:59.8239110287% 0; text-align:center; width:100%;\">\n\u003cdiv style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\">\u003c/div>\n\u003c/div>\n\u003cp style=\" margin:8px 0 0 0; padding:0 4px;\"> \u003ca href=\"https://www.instagram.com/p/_2JVEJgvie/\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Follow me on snapchat my username is rickthesizzler\u003c/a>\u003c/p>\n\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A photo posted by Justin Bieber (@justinbieber) on \u003ctime style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2015-12-28T18:45:21+00:00\">Dec 28, 2015 at 10:45am PST\u003c/time>\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>\u003cscript async defer src=\"//platform.instagram.com/en_US/embeds.js\">\u003c/script>\u003c/p>\n\n",
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"excerpt": "The 'Purpose' marketing campaign 'irresponsibly tells our youth that likeminded lawlessness and contempt for public property are condoned and encouraged by its beneficiaries,' said Herrera. No word on if he thinks the album is overrated too",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Justin Bieber -- a puppy you sort of thought was cute once a long time ago but then he followed you home and wouldn't stop whining, chewing on the furniture, getting DUIs, sleeping with supermodels and making millions upon millions of dollars, all before he was old enough to drink -- has had a really good year.\u003c/p>\n\u003cp>That's an understatement, actually. The Great Bieber Rebrand of 2015 will likely be studied by breathless PR apprentices for years to come, as well it should be. How a guy went from \u003ca href=\"http://www.cnn.com/2014/01/23/showbiz/justin-bieber-arrest/\" target=\"_blank\">professional punchline\u003c/a> to topping professional critics' end\u003ca href=\"http://www.nytimes.com/2015/12/15/arts/music/the-best-songs-of-2015.html\" target=\"_blank\">-of-the-year lists\u003c/a> is a public image redemption arc for the ages.\u003c/p>\n\u003cp>Except that not everyone is won over so easily. SF City Attorney Dennis Herrera's office, for example, was probably not bumping \u003cem>Purpose (\u003c/em>which \u003ca href=\"http://www.billboard.com/articles/news/6814157/justin-bieber-purpose-million-seller\" target=\"_blank\">just went platinum\u003c/a>) when it issued a letter on Dec. 28, addressed to heads of Def Jam and Universal Music Group, blasting the \"illegal guerilla marketing stunt\" that accompanied the album -- a.k.a. the Bieber graffiti that began showing up on San Francisco sidewalks in the weeks before the album dropped in November.\u003c/p>\n\u003cfigure id=\"attachment_19641\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg class=\"size-thumbnail wp-image-19641\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/bieber-graffiti-2-400x225.png\" alt=\"#BURN\" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/12/bieber-graffiti-2-400x225.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/bieber-graffiti-2-800x450.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/bieber-graffiti-2-768x432.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/bieber-graffiti-2.png 876w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">#BURN\u003c/figcaption>\u003c/figure>\n\u003cp>From a\u003ca href=\"http://www.sfcityattorney.org/wp-content/uploads/2015/12/SF-V-BIEBER-PRESSKIT.pdf\" target=\"_blank\"> press release posted by Herrera's office\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>Herrera, who called the graffiti vandalism “illegal and actionable” in a letter today to executives from Def Jam Records and Universal Music Group, vowed to “aggressively pursue all available penalties and costs from those responsible for lawless marketing tactics that intend to financially benefit your respective companies.”\u003c/p>\n\u003cp>San Francisco Public Works has for weeks responded to neighborhood complaints about the stenciled ads, which have otherwise persisted undiminished through several rainstorms. Unlike other recent instances of illegal sidewalk advertising that was chalk-based, according to Herrera’s letter, the Bieber-related graffiti appears to have been applied with permanent spray paint. Such defiant guerrilla marketing tactics have become an increasingly unwelcome sight to many San Francisco residents, according to their reactions on social media, in published news accounts, and in complaints to City officials.\u003c/p>\n\u003cp>“....This prohibited marketing practice illegally exploits our City’s walkable neighborhoods and robust tourism; intentionally creates visual distractions that pose risks to pedestrians on busy rights of way; and irresponsibly tells our youth that likeminded lawlessness and contempt for public property are condoned and encouraged by its beneficiaries—including Mr. Bieber and the record labels that produce and promote him.”\u003c/p>\u003c/blockquote>\n\u003cp>The letter does not, unfortunately, address how criminally sad it is for a major corporate media conglomerate to attempt to ply consumers into associating a mainstream-in-every-sense-of-the-term pop star with subversive \"street\" values, but perhaps that goes unspoken? Herrera does add that he has successfully fought back against \"virtually identical\" infractions from \"IBM, NBC Universal, Turner Broadcasting and Zynga\" over the past 15 years. Those actions did not, you will note, make for such fun headlines.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We'll keep you posted on SF Taxpayers vs. The Biebs as the situation develops. Feel free to insert your own \"Is it too late for him to say sorry?\" joke here. In the meantime, our young Odysseus appears to be spending the holidays somewhere tropical, doing this:\u003c/p>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\">\n\u003cdiv style=\"padding:8px;\">\n\u003cdiv style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:59.8239110287% 0; text-align:center; width:100%;\">\n\u003cdiv style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\">\u003c/div>\n\u003c/div>\n\u003cp style=\" margin:8px 0 0 0; padding:0 4px;\"> \u003ca href=\"https://www.instagram.com/p/_2JVEJgvie/\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Follow me on snapchat my username is rickthesizzler\u003c/a>\u003c/p>\n\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A photo posted by Justin Bieber (@justinbieber) on \u003ctime style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2015-12-28T18:45:21+00:00\">Dec 28, 2015 at 10:45am PST\u003c/time>\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>\u003cscript async defer src=\"//platform.instagram.com/en_US/embeds.js\">\u003c/script>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Finally! A news story featuring both San Francisco City Attorney Dennis Herrera \u003cem>and\u003c/em> Justin Bieber.\u003c/p>\n\u003cp>The Bieb and his record label have drawn the ire of Herrera over a guerrilla marketing campaign that plastered ads for his new album on sidewalks around the city. Residents have been complaining on social media and filing complaints with city officials for weeks.\u003c/p>\n\u003cp>Unlike other recent sidewalk marketing campaigns that used chalk, these ads were applied with permanent spraypaint and have already survived several rainstorms. The city spends $20 million in taxpayer dollars each year to remove graffiti.\u003c/p>\n\u003cp>https://twitter.com/suldrew/status/667801042420043776\u003c/p>\n\u003cp>San Francisco is now demanding cooperation from Bieber’s record label and distribution company, Def Jam Records and Universal Music Group, to punish those responsible.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Herrera has vowed to “aggressively pursue all available penalties and costs from those responsible for lawless marketing tactics,” he said in a written statement.\u003c/p>\n\u003cp>San Francisco Public Works Director Mohammed Nuru was also critical. “Our sidewalks in San Francisco are not canvases for corporate advertising, and we have made that clear,” he said in the news release. “Yet these guerrilla marketers believe they are above the law when it comes to blighting our city and we will take a strong stand against them.”\u003c/p>\n\u003cp>A photo of the graffiti\u003ca href=\"https://www.reddit.com/r/sanfrancisco/comments/3wewxd/worst_haight_graffiti_ever/\" target=\"_blank\" rel=\"noopener\"> posted on Reddit\u003c/a> two weeks ago is accompanied by the headline: “Worst. Haight graffiti. Ever.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Herrera’s office has successfully resolved similar violations over the years with corporations like IBM, NBC Universal, Turner Broadcasting and Zynga. In previous cases, those responsible for sidewalk graffiti ads have been fined and made to compensate taxpayers for removal.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Finally! A news story featuring both San Francisco City Attorney Dennis Herrera \u003cem>and\u003c/em> Justin Bieber.\u003c/p>\n\u003cp>The Bieb and his record label have drawn the ire of Herrera over a guerrilla marketing campaign that plastered ads for his new album on sidewalks around the city. Residents have been complaining on social media and filing complaints with city officials for weeks.\u003c/p>\n\u003cp>Unlike other recent sidewalk marketing campaigns that used chalk, these ads were applied with permanent spraypaint and have already survived several rainstorms. The city spends $20 million in taxpayer dollars each year to remove graffiti.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Herrera has vowed to “aggressively pursue all available penalties and costs from those responsible for lawless marketing tactics,” he said in a written statement.\u003c/p>\n\u003cp>San Francisco Public Works Director Mohammed Nuru was also critical. “Our sidewalks in San Francisco are not canvases for corporate advertising, and we have made that clear,” he said in the news release. “Yet these guerrilla marketers believe they are above the law when it comes to blighting our city and we will take a strong stand against them.”\u003c/p>\n\u003cp>A photo of the graffiti\u003ca href=\"https://www.reddit.com/r/sanfrancisco/comments/3wewxd/worst_haight_graffiti_ever/\" target=\"_blank\" rel=\"noopener\"> posted on Reddit\u003c/a> two weeks ago is accompanied by the headline: “Worst. Haight graffiti. Ever.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Herrera’s office has successfully resolved similar violations over the years with corporations like IBM, NBC Universal, Turner Broadcasting and Zynga. In previous cases, those responsible for sidewalk graffiti ads have been fined and made to compensate taxpayers for removal.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>For 68-year-old Deena Yagi, singing is cheaper than therapy. That's why you can find her on most slow school nights singing old song standards or current pop jazz artists like \u003ca href=\"http://www.iamduffy.com/\">Duffy\u003c/a> at \u003ca href=\"http://nickslounge.com/\">Nick's Lounge\u003c/a>, a bar on Adeline Street in South Berkeley.\u003c/p>\n\u003cp>The lounge advertises itself as as a \"relaxed, unpretentious bar\" for local brews, nightly karaoke, live music and open-mic events. \"It's a very welcoming atmosphere,\" said Yagi, an unimposing woman with a sultry voice reminiscent of \u003ca href=\"http://marilynmonroe.com/\">Marilyn Monroe\u003c/a>, one Thursday evening before she took the stage.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/238870924\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>\"I try to come four nights a week,\" she said. \"Beyond that it's too much, less than that it's not enough. It's like practice for me.\"\u003c/p>\n\u003cp>Yagi started singing regularly at Nick's Lounge about 10 years ago as she was going through a divorce. \"I went through a bad time during that period,\" she said. As her 30-year marriage was falling apart, she found that singing made her feel good. \"It's like eating dark chocolate,\" she said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[contextly_sidebar id=\"lRp5Pb5CZiQZ69RPEQeQIQWe7nNIz63u\"]\u003c/p>\n\u003cp>Although Yagi sometimes chooses songs to fit the mood of the crowd, most of the time she chooses songs that reflect what's going on in her life.\u003c/p>\n\u003cp>\"I don't have a great voice. I don't have a strong powerful voice like \u003ca href=\"http://adele.com/\">Adele\u003c/a> or something like that,\" Yagi said. \"It's more about singing the song and interpreting the lyrics for me. That's why I say I'm singing to myself a lot, because I'm working things out for myself in the song.\"\u003c/p>\n\u003cp>Yagi encourages others to try out new songs and take risks. A lot of times people don't sing because they're nervous about getting onstage in front of people, Yagi said. But if you just focus on having a good time, you'll realize it's not as scary as it seems, she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"You don't have to be a great singer,\" she said. \"Just do it because it makes you feel good.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For 68-year-old Deena Yagi, singing is cheaper than therapy. That's why you can find her on most slow school nights singing old song standards or current pop jazz artists like \u003ca href=\"http://www.iamduffy.com/\">Duffy\u003c/a> at \u003ca href=\"http://nickslounge.com/\">Nick's Lounge\u003c/a>, a bar on Adeline Street in South Berkeley.\u003c/p>\n\u003cp>The lounge advertises itself as as a \"relaxed, unpretentious bar\" for local brews, nightly karaoke, live music and open-mic events. \"It's a very welcoming atmosphere,\" said Yagi, an unimposing woman with a sultry voice reminiscent of \u003ca href=\"http://marilynmonroe.com/\">Marilyn Monroe\u003c/a>, one Thursday evening before she took the stage.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/238870924&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/238870924'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\"I try to come four nights a week,\" she said. \"Beyond that it's too much, less than that it's not enough. It's like practice for me.\"\u003c/p>\n\u003cp>Yagi started singing regularly at Nick's Lounge about 10 years ago as she was going through a divorce. \"I went through a bad time during that period,\" she said. As her 30-year marriage was falling apart, she found that singing made her feel good. \"It's like eating dark chocolate,\" she said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The day before Thanksgiving in 2009, college student Drew Sperling collapsed in his San Luis Obispo apartment. He was 21 years old and having a stroke.\u003c/p>\n\u003cp>Instead of meeting their son that day for golf, Drew’s parents met him at the hospital, where he was in a medically induced coma to allow his brain to heal.\u003c/p>\n\u003cp>\"We brought his computer into the room and we started to play music that he had recorded on his computer,\" his father, Frank, remembers. \"And at one point as Drew started to come out of his coma you could see his lips move in time to the music. And that was our first indication that he was going to be okay.\"\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/238870705\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>Six years later Drew’s made remarkable progress. Like many stroke survivors, however, he has a condition called aphasia, which makes communication complicated.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the hospital and in the months that followed, Drew slowly regained his speech. At first, though, he was only able to say three words: no, go, and a swear word. Thoughts would form clearly in his mind but come out as some other variation of language. For the second time in his life, Drew had to learn to speak.\u003c/p>\n\u003cp>Today Drew's communicating with near-fluency. One thing that has helped him do that is song.\u003c/p>\n\u003cp>Drew is a member of a choir called the Aphasia Tones, based at California State University, East Bay, in Hayward.\u003c/p>\n\u003cp>Aphasia is a language impairment caused by brain injury, not an intellectual disability. The majority of people who have aphasia acquire it through stroke, but it can also be caused by other serious brain injuries, like car accidents or military combat. The disorder interrupts all aspects of communication, not just speaking, but reading, writing and listening.\u003c/p>\n\u003cp>About 2 million people in the U.S. have it, making it more common than Parkinson's Disease, but less well-known.\u003c/p>\n\u003cp>All 25 members of the Aphasia Tones have the disorder. The choir began in 2011 and is part of a larger aphasia treatment program at the university. Program director Ellen Bernstein-Ellis says choirs for people with aphasia are catching on globally, too. She regularly collaborates with an aphasia choir director in Australia.\u003c/p>\n\u003cfigure id=\"attachment_10797997\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10797997\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-800x600.jpg\" alt=\"Because aphasia affects all aspects of communication, the Aphasia Tones use easy-to-read music guides like this one at a recent rehearsal in Hayward.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Because aphasia affects all aspects of communication, the Aphasia Tones use easy-to-read music guides like this one at a recent rehearsal in Hayward. \u003ccite>(Laura Klivans/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carmen Preston is another member of the Aphasia Tones. She’s in her mid-60s and had a stroke six years ago.\u003c/p>\n\u003cp>\"Aphasia can lock you up in your body,\" she says. \"When I practice for myself, singing is much better. Then I can hear it in my ears how to say it -- the words.\"\u003c/p>\n\u003cp>She demonstrates by saying the word \"participate.\" It's challenging to get out, and she stutters a bit. She then sings the word three times. It flows.\u003c/p>\n\u003cp>Nidhi Mahendra is an associate professor of speech pathology at CSU, East Bay and works with program participants. She says there are several factors at play that make singing easier than speaking for people with aphasia.\u003c/p>\n\u003cp>\"You’re thinking about the music rather than the specific words and that actually allows the words to flow better,\" Mahendra says.\u003c/p>\n\u003cp>There's also the help of the rhythm and repetition involved in singing, she says. \"If that’s not enough, there’s the other part about emotions. We sing in the shower or we hum to ourselves. It usually does put us in a good mood.\"\u003c/p>\n\u003cp>Today, the Aphasia Tones sit in a campus classroom, facing an audience of mostly friends and family at this end-of-semester performance. They wear matching black polo shirts, the choir’s name embroidered in gold. The choir sings songs with messages of survival or aphasia-awareness, like Katy Perry's \"Roar\" or \"This Land is Your Land,\" with lyrics rewritten to educate audiences about aphasia.\u003c/p>\n\u003cp>In the audience, Frank Sperling watches his son Drew.\u003c/p>\n\u003cp>\"They continue to get better and better,\" Frank Sperling says, welling up with emotion. \"It touches on your heart to hear these people and to hear Drew in particular perform.\"\u003c/p>\n\u003cp>Being in the choir offers a meaningful way to step back into a life when everything you’ve identified with disappears. It gives members a purpose, and a community.\u003c/p>\n\u003cp>\"I like the interaction,\" Drew says. \"I really like having a choir. I really like to sing. Honestly it’s fantastic.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After years with the Aphasia Tones, Drew recently joined another choir -- a community one -- where he’s the only one with aphasia.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The day before Thanksgiving in 2009, college student Drew Sperling collapsed in his San Luis Obispo apartment. He was 21 years old and having a stroke.\u003c/p>\n\u003cp>Instead of meeting their son that day for golf, Drew’s parents met him at the hospital, where he was in a medically induced coma to allow his brain to heal.\u003c/p>\n\u003cp>\"We brought his computer into the room and we started to play music that he had recorded on his computer,\" his father, Frank, remembers. \"And at one point as Drew started to come out of his coma you could see his lips move in time to the music. And that was our first indication that he was going to be okay.\"\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/238870705&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/238870705'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Six years later Drew’s made remarkable progress. Like many stroke survivors, however, he has a condition called aphasia, which makes communication complicated.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the hospital and in the months that followed, Drew slowly regained his speech. At first, though, he was only able to say three words: no, go, and a swear word. Thoughts would form clearly in his mind but come out as some other variation of language. For the second time in his life, Drew had to learn to speak.\u003c/p>\n\u003cp>Today Drew's communicating with near-fluency. One thing that has helped him do that is song.\u003c/p>\n\u003cp>Drew is a member of a choir called the Aphasia Tones, based at California State University, East Bay, in Hayward.\u003c/p>\n\u003cp>Aphasia is a language impairment caused by brain injury, not an intellectual disability. The majority of people who have aphasia acquire it through stroke, but it can also be caused by other serious brain injuries, like car accidents or military combat. The disorder interrupts all aspects of communication, not just speaking, but reading, writing and listening.\u003c/p>\n\u003cp>About 2 million people in the U.S. have it, making it more common than Parkinson's Disease, but less well-known.\u003c/p>\n\u003cp>All 25 members of the Aphasia Tones have the disorder. The choir began in 2011 and is part of a larger aphasia treatment program at the university. Program director Ellen Bernstein-Ellis says choirs for people with aphasia are catching on globally, too. She regularly collaborates with an aphasia choir director in Australia.\u003c/p>\n\u003cfigure id=\"attachment_10797997\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10797997\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-800x600.jpg\" alt=\"Because aphasia affects all aspects of communication, the Aphasia Tones use easy-to-read music guides like this one at a recent rehearsal in Hayward.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/RS17832_IMG_4853.JPG-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Because aphasia affects all aspects of communication, the Aphasia Tones use easy-to-read music guides like this one at a recent rehearsal in Hayward. \u003ccite>(Laura Klivans/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carmen Preston is another member of the Aphasia Tones. She’s in her mid-60s and had a stroke six years ago.\u003c/p>\n\u003cp>\"Aphasia can lock you up in your body,\" she says. \"When I practice for myself, singing is much better. Then I can hear it in my ears how to say it -- the words.\"\u003c/p>\n\u003cp>She demonstrates by saying the word \"participate.\" It's challenging to get out, and she stutters a bit. She then sings the word three times. It flows.\u003c/p>\n\u003cp>Nidhi Mahendra is an associate professor of speech pathology at CSU, East Bay and works with program participants. She says there are several factors at play that make singing easier than speaking for people with aphasia.\u003c/p>\n\u003cp>\"You’re thinking about the music rather than the specific words and that actually allows the words to flow better,\" Mahendra says.\u003c/p>\n\u003cp>There's also the help of the rhythm and repetition involved in singing, she says. \"If that’s not enough, there’s the other part about emotions. We sing in the shower or we hum to ourselves. It usually does put us in a good mood.\"\u003c/p>\n\u003cp>Today, the Aphasia Tones sit in a campus classroom, facing an audience of mostly friends and family at this end-of-semester performance. They wear matching black polo shirts, the choir’s name embroidered in gold. The choir sings songs with messages of survival or aphasia-awareness, like Katy Perry's \"Roar\" or \"This Land is Your Land,\" with lyrics rewritten to educate audiences about aphasia.\u003c/p>\n\u003cp>In the audience, Frank Sperling watches his son Drew.\u003c/p>\n\u003cp>\"They continue to get better and better,\" Frank Sperling says, welling up with emotion. \"It touches on your heart to hear these people and to hear Drew in particular perform.\"\u003c/p>\n\u003cp>Being in the choir offers a meaningful way to step back into a life when everything you’ve identified with disappears. It gives members a purpose, and a community.\u003c/p>\n\u003cp>\"I like the interaction,\" Drew says. \"I really like having a choir. I really like to sing. Honestly it’s fantastic.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After years with the Aphasia Tones, Drew recently joined another choir -- a community one -- where he’s the only one with aphasia.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2015/12/TDL20151225.mp3\u003c/p>\n\u003c/aside>\n\u003cfigure id=\"attachment_11187019\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11187019\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-1180x944.jpg\" alt=\"Harvey Weinapel, Jane Lenoir, Ricardo Peixoto, and Brian Rice of Berkeley Choro Ensemble\" width=\"640\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-1180x944.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-400x320.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-750x600.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-768x614.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-960x768.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2.jpg 1500w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Harvey Weinapel, Jane Lenoir, Ricardo Peixoto, and Brian Rice of Berkeley Choro Ensemble \u003ccite>(Photo courtesy of: Berkeley Choro Ensemble)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Dec. 26: \u003c/strong>The\u003ca href=\"http://www.berkeleychoroensemble.com/\" target=\"_blank\" rel=\"noopener\"> Berkeley Choro Ensemble\u003c/a> is always so inventive in its approach to choro (pronounced: \u003cem>shoro\u003c/em>), the Brazilian style that mixes ragtime, blues, and European classical traditions. Sounds like a tuneful way to spend an evening in Pt. Richmond with Pt. Richmond Jazz. Details \u003ca href=\"http://prjazz.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11187018\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11187018\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-1180x661.jpg\" alt=\"Daniel Clarkson and Jefferson Turner of Potted Potter\" width=\"640\" height=\"359\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-1180x661.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-400x224.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-800x448.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-768x430.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-960x538.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965.jpg 1200w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Daniel Clarkson and Jefferson Turner of Potted Potter \u003ccite>(Photo Courtesy of: Potted Potter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Through Jan. 4th:\u003c/strong> So you waited up at the bookstore for all the Harry Potter books on the night of their release, and you know the plots of the books and the movies by heart. You still need to see \u003cem>\u003ca href=\"http://www.pottedpotter.com/\" target=\"_blank\" rel=\"noopener\">Potted Potter\u003c/a>, \u003c/em>in which Daniel Clarkson and Jefferson Turner, two comic nerds, cram all seven books into a frantic, funny evening. They make silly jokes, digress wildly, and still manage to tell a great story, sort of like J.K. Rowling herself. Potted Potter is at \u003ca href=\"https://palaceoffinearts.org/event/potted-potter/\" target=\"_blank\" rel=\"noopener\">the Palace of the Legion of Honor.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Zko8teqeSbA\u003c/p>\n\u003cp>\u003cstrong>Dec. 26:\u003c/strong> This next item is a no-caroling zone (and Merry Christmas by the way). \u003ca href=\"https://www.facebook.com/BulletproofStockings\" target=\"_blank\" rel=\"noopener\">Bulletproof Stockings\u003c/a> are devoutly Jewish and rocking. They’re four ultra-orthodox women from Crown Heights in NYC, and lead singer Perl Wolfe sounds like a cantorial Adele. It’s nice to hear religious music so full of passion and love, inspired by Torah and Lubavitcher prayer traditions, at a time when religion is sometimes the rationale for hate and violence. There’s no official ban on men, but Bulletproof Stockings prefers a women only audience. A good night for cross dressing? Details \u003ca href=\"http://www.slimspresents.com/event/bulletproof-stockings-gamh/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>More Far Out!\u003c/strong> Here are some events coming in 2016 that we think are a big deal and might sell out.\u003c/p>\n\u003cfigure id=\"attachment_11187129\" class=\"wp-caption aligncenter\" style=\"max-width: 595px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11187129\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/BAM-PFA.jpg\" alt=\"The new Berkeley Art Museum and Pacific Film Archive\" width=\"595\" height=\"395\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/BAM-PFA.jpg 595w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/BAM-PFA-400x266.jpg 400w\" sizes=\"(max-width: 595px) 100vw, 595px\">\u003cfigcaption class=\"wp-caption-text\">The new Berkeley Art Museum and Pacific Film Archive \u003ccite>(Photo: Iwan Baan. Courtesy of Diller Scofidio + Renfro and EHDD.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan 31:\u003c/strong> The new Berkeley Art Museum and the Pacific Film Archives reopen in a spectacular new building. The old BAM building was a brutalist horror, but with great programming and art inside. The new 25 thousand square foot home is just down the street in Cal’s former printing plant, under a striking stainless steel roof. The inaugural exhibit is\u003ca href=\"http://www.bampfa.berkeley.edu/program/architecture-life\" target=\"_blank\" rel=\"noopener\"> \u003cem>Architecture of Life, \u003c/em>\u003c/a>about how we experience and live with architecture. Plus the PFA reopens in February with expanded programming and two new theaters. The first movie on the schedule- Ingmar Bergman’s classic art house flick \u003cem>The Seventh Seal\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_11187130\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11187130\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-1180x787.jpg\" alt=\"SF Museum of Modern Art renovation\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site.jpg 1600w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">SF Museum of Modern Art renovation \u003ccite>(Photo Credit: Henrik Kam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>May 14: \u003c/strong>The reopening of the \u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Museum of Modern Art \u003c/a>is the biggest visual arts event of the year. After three years of renovation, costing upwards of $150 million, the old Mario Botta building and its giant new wing will make SFMOMA the largest modern art museum in the country. All that space will be filled with 1,100 works of art on longterm loan from the Fisher family, plus more than 4,000 new works.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Jan. 15:\u003c/strong> Conceptual artist and sculptor David Ireland’s greatest work was his home at \u003ca href=\"http://500cappstreet.org/\">500 Capp Street\u003c/a>. Now the 100 year old house will reopen after a major renovation with daily tours of Ireland’s art, and as a study center for artists. So at least one arts organization won’t be priced out of the Mission. Details of the opening celebrations \u003ca href=\"http://500cappstreet.org/event/opening-celebrations/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0WTRzqCxSx0\u003c/p>\n\u003cp>Feb. 19-28\u003ca href=\"http://www.bampfa.berkeley.edu/program/architecture-life\">: \u003c/a>\u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">SFJAZZ\u003c/a> and \u003ca href=\"https://operaparallele.org\" target=\"_blank\" rel=\"noopener\">Opera Parallele\u003c/a> are teaming up to produce a fully staged production of \u003ca href=\"https://sfjazz.org/events/2015-16/0221/champion\" target=\"_blank\" rel=\"noopener\">Champion\u003c/a>, \u003ca href=\"http://www.terenceblanchard.com/\" target=\"_blank\" rel=\"noopener\">Terence Blanchard’\u003c/a>s opera about boxer Emile Griffith, and \u003ca href=\"http://www.theguardian.com/sport/2015/sep/10/boxer-emile-griffith-gay-taunts-book-extract\" target=\"_blank\" rel=\"noopener\">w\u003c/a>\u003ca href=\"http://www.theguardian.com/sport/2015/sep/10/boxer-emile-griffith-gay-taunts-book-extract\" target=\"_blank\" rel=\"noopener\">hat happened when boxer Benny Paret outed Griffith as gay just before their bout\u003c/a>. Here’s what Griffith later said about the incident: “I kill a man and most people understand and forgive me. However, I love a man, and to so many people this is an unforgivable sin.”\u003c/p>\n\u003cfigure id=\"attachment_11187471\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11187471\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Wheeldons-Continuum-e1450921935957.jpg\" alt=\"San Francisco Ballet in Wheeldon's Continuum\" width=\"800\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Wheeldons-Continuum-e1450921935957.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Wheeldons-Continuum-e1450921935957-400x223.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Wheeldons-Continuum-e1450921935957-768x427.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Ballet in Wheeldon’s Continuum \u003ccite>(Photo Credit: Erik Tomasson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jan. 24-May 8: Among the highlights when the \u003ca href=\"https://www.sfballet.org/tickets/2016_season\" target=\"_blank\" rel=\"noopener\">San Francisco Ballet\u003c/a> returns to the Opera House, a number of works by \u003ca href=\"http://www.roh.org.uk/people/christopher-wheeldon\" target=\"_blank\" rel=\"noopener\">Christopher Wheeldon \u003c/a>(who just won a Tony for his choreography for An American in Paris on Broadway), \u003ca href=\"https://www.sfballet.org/tickets/production/overview/program-2-2016\" target=\"_blank\" rel=\"noopener\">\u003cem>Fearful Symmetries\u003c/em>, a world premiere by wunderkind Liam Scarlett\u003c/a> (Jan. 27), and \u003ca href=\"https://www.sfballet.org/tickets/production/overview/program-7-2016\" target=\"_blank\" rel=\"noopener\">\u003cem>In the Countenance of Kings\u003c/em>, a world premiere by the hot choreographer Justin Peck\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 22-May 12:\u003c/strong> Cal Performances is presenting a very full and eclectic lineup including \u003ca href=\"https://calperformances.org/performances/2015-16/recital/renee-fleming.php\" target=\"_blank\" rel=\"noopener\">Renee Fleming in recital March 5\u003c/a>, the Mark Morris Group and Philharmonia Baroque in Morris’ masterpiece \u003ca href=\"https://calperformances.org/performances/2015-16/dance/mark-morris-dance-group-philharmonia-baroque-orchestra-lallegro.php\" target=\"_blank\" rel=\"noopener\">L’allegro, Il Peneroso Ed il Moderato, March 11-13\u003c/a>; and don’t miss a chance to hear from the creators of \u003ca href=\"http://calperformances.org/performances/2015-16/theater/binge-worthy-journalism-serial-sarah-koenig-and-julie-snyder.php\" target=\"_blank\" rel=\"noopener\">SERIAL, Sarah Koenig and Julie Snyder \u003c/a>March 6. We’d bet that will sell out.\u003c/p>\n\u003cfigure id=\"attachment_10811127\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10811127\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/KronosWuMan.jpg\" alt=\"The Kronos Quartet perform with Wu Man at the Terry Riley Festival in San Francisco.\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/KronosWuMan.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/KronosWuMan-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Kronos Quartet perform with Wu Man at the Terry Riley Festival in San Francisco. (Photo: Evan Neff) \u003ccite>(Evan Neff)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Feb. 2-7: America’s most adventurous chamber group, the Kronos Quartet, holds i\u003ca href=\"http://kronosquartet.org/kronos-presents/\" target=\"_blank\" rel=\"noopener\">ts Explorer Series festival at SFJAZZ \u003c/a>with frequent guest, pipa master Wu Man, the west coast premiere of a work about Chernobyl, and a concert by multi-instrumentalists David Coulter and Van-Anh Vo (from Fremont and also a composer), plus there’s a family concert celebrating the Lunar New Year.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "Cy Musiker and David Wiegand share their Do List picks for great events around the Bay Area this week.",
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"title": "Cy and David’s Picks: Bulletproof Stockings and Killer Shows in 2016 | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cfigure id=\"attachment_11187019\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11187019\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-1180x944.jpg\" alt=\"Harvey Weinapel, Jane Lenoir, Ricardo Peixoto, and Brian Rice of Berkeley Choro Ensemble\" width=\"640\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-1180x944.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-400x320.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-750x600.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-768x614.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2-960x768.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Berkeley-Choro-2.jpg 1500w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Harvey Weinapel, Jane Lenoir, Ricardo Peixoto, and Brian Rice of Berkeley Choro Ensemble \u003ccite>(Photo courtesy of: Berkeley Choro Ensemble)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Dec. 26: \u003c/strong>The\u003ca href=\"http://www.berkeleychoroensemble.com/\" target=\"_blank\" rel=\"noopener\"> Berkeley Choro Ensemble\u003c/a> is always so inventive in its approach to choro (pronounced: \u003cem>shoro\u003c/em>), the Brazilian style that mixes ragtime, blues, and European classical traditions. Sounds like a tuneful way to spend an evening in Pt. Richmond with Pt. Richmond Jazz. Details \u003ca href=\"http://prjazz.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11187018\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11187018\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-1180x661.jpg\" alt=\"Daniel Clarkson and Jefferson Turner of Potted Potter\" width=\"640\" height=\"359\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-1180x661.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-400x224.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-800x448.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-768x430.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965-960x538.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Potted-Potter-e1450908490965.jpg 1200w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Daniel Clarkson and Jefferson Turner of Potted Potter \u003ccite>(Photo Courtesy of: Potted Potter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Through Jan. 4th:\u003c/strong> So you waited up at the bookstore for all the Harry Potter books on the night of their release, and you know the plots of the books and the movies by heart. You still need to see \u003cem>\u003ca href=\"http://www.pottedpotter.com/\" target=\"_blank\" rel=\"noopener\">Potted Potter\u003c/a>, \u003c/em>in which Daniel Clarkson and Jefferson Turner, two comic nerds, cram all seven books into a frantic, funny evening. They make silly jokes, digress wildly, and still manage to tell a great story, sort of like J.K. Rowling herself. Potted Potter is at \u003ca href=\"https://palaceoffinearts.org/event/potted-potter/\" target=\"_blank\" rel=\"noopener\">the Palace of the Legion of Honor.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Zko8teqeSbA'\n title='//www.youtube.com/embed/Zko8teqeSbA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Dec. 26:\u003c/strong> This next item is a no-caroling zone (and Merry Christmas by the way). \u003ca href=\"https://www.facebook.com/BulletproofStockings\" target=\"_blank\" rel=\"noopener\">Bulletproof Stockings\u003c/a> are devoutly Jewish and rocking. They’re four ultra-orthodox women from Crown Heights in NYC, and lead singer Perl Wolfe sounds like a cantorial Adele. It’s nice to hear religious music so full of passion and love, inspired by Torah and Lubavitcher prayer traditions, at a time when religion is sometimes the rationale for hate and violence. There’s no official ban on men, but Bulletproof Stockings prefers a women only audience. A good night for cross dressing? Details \u003ca href=\"http://www.slimspresents.com/event/bulletproof-stockings-gamh/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>More Far Out!\u003c/strong> Here are some events coming in 2016 that we think are a big deal and might sell out.\u003c/p>\n\u003cfigure id=\"attachment_11187129\" class=\"wp-caption aligncenter\" style=\"max-width: 595px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11187129\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/BAM-PFA.jpg\" alt=\"The new Berkeley Art Museum and Pacific Film Archive\" width=\"595\" height=\"395\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/BAM-PFA.jpg 595w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/BAM-PFA-400x266.jpg 400w\" sizes=\"(max-width: 595px) 100vw, 595px\">\u003cfigcaption class=\"wp-caption-text\">The new Berkeley Art Museum and Pacific Film Archive \u003ccite>(Photo: Iwan Baan. Courtesy of Diller Scofidio + Renfro and EHDD.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan 31:\u003c/strong> The new Berkeley Art Museum and the Pacific Film Archives reopen in a spectacular new building. The old BAM building was a brutalist horror, but with great programming and art inside. The new 25 thousand square foot home is just down the street in Cal’s former printing plant, under a striking stainless steel roof. The inaugural exhibit is\u003ca href=\"http://www.bampfa.berkeley.edu/program/architecture-life\" target=\"_blank\" rel=\"noopener\"> \u003cem>Architecture of Life, \u003c/em>\u003c/a>about how we experience and live with architecture. Plus the PFA reopens in February with expanded programming and two new theaters. The first movie on the schedule- Ingmar Bergman’s classic art house flick \u003cem>The Seventh Seal\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_11187130\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-11187130\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-1180x787.jpg\" alt=\"SF Museum of Modern Art renovation\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SFMOMA-Dispatches-from-the-site.jpg 1600w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">SF Museum of Modern Art renovation \u003ccite>(Photo Credit: Henrik Kam)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>May 14: \u003c/strong>The reopening of the \u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Museum of Modern Art \u003c/a>is the biggest visual arts event of the year. After three years of renovation, costing upwards of $150 million, the old Mario Botta building and its giant new wing will make SFMOMA the largest modern art museum in the country. All that space will be filled with 1,100 works of art on longterm loan from the Fisher family, plus more than 4,000 new works.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jan. 15:\u003c/strong> Conceptual artist and sculptor David Ireland’s greatest work was his home at \u003ca href=\"http://500cappstreet.org/\">500 Capp Street\u003c/a>. Now the 100 year old house will reopen after a major renovation with daily tours of Ireland’s art, and as a study center for artists. So at least one arts organization won’t be priced out of the Mission. Details of the opening celebrations \u003ca href=\"http://500cappstreet.org/event/opening-celebrations/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0WTRzqCxSx0'\n title='//www.youtube.com/embed/0WTRzqCxSx0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Feb. 19-28\u003ca href=\"http://www.bampfa.berkeley.edu/program/architecture-life\">: \u003c/a>\u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">SFJAZZ\u003c/a> and \u003ca href=\"https://operaparallele.org\" target=\"_blank\" rel=\"noopener\">Opera Parallele\u003c/a> are teaming up to produce a fully staged production of \u003ca href=\"https://sfjazz.org/events/2015-16/0221/champion\" target=\"_blank\" rel=\"noopener\">Champion\u003c/a>, \u003ca href=\"http://www.terenceblanchard.com/\" target=\"_blank\" rel=\"noopener\">Terence Blanchard’\u003c/a>s opera about boxer Emile Griffith, and \u003ca href=\"http://www.theguardian.com/sport/2015/sep/10/boxer-emile-griffith-gay-taunts-book-extract\" target=\"_blank\" rel=\"noopener\">w\u003c/a>\u003ca href=\"http://www.theguardian.com/sport/2015/sep/10/boxer-emile-griffith-gay-taunts-book-extract\" target=\"_blank\" rel=\"noopener\">hat happened when boxer Benny Paret outed Griffith as gay just before their bout\u003c/a>. Here’s what Griffith later said about the incident: “I kill a man and most people understand and forgive me. However, I love a man, and to so many people this is an unforgivable sin.”\u003c/p>\n\u003cfigure id=\"attachment_11187471\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11187471\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Wheeldons-Continuum-e1450921935957.jpg\" alt=\"San Francisco Ballet in Wheeldon's Continuum\" width=\"800\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Wheeldons-Continuum-e1450921935957.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Wheeldons-Continuum-e1450921935957-400x223.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Wheeldons-Continuum-e1450921935957-768x427.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Ballet in Wheeldon’s Continuum \u003ccite>(Photo Credit: Erik Tomasson)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jan. 24-May 8: Among the highlights when the \u003ca href=\"https://www.sfballet.org/tickets/2016_season\" target=\"_blank\" rel=\"noopener\">San Francisco Ballet\u003c/a> returns to the Opera House, a number of works by \u003ca href=\"http://www.roh.org.uk/people/christopher-wheeldon\" target=\"_blank\" rel=\"noopener\">Christopher Wheeldon \u003c/a>(who just won a Tony for his choreography for An American in Paris on Broadway), \u003ca href=\"https://www.sfballet.org/tickets/production/overview/program-2-2016\" target=\"_blank\" rel=\"noopener\">\u003cem>Fearful Symmetries\u003c/em>, a world premiere by wunderkind Liam Scarlett\u003c/a> (Jan. 27), and \u003ca href=\"https://www.sfballet.org/tickets/production/overview/program-7-2016\" target=\"_blank\" rel=\"noopener\">\u003cem>In the Countenance of Kings\u003c/em>, a world premiere by the hot choreographer Justin Peck\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jan. 22-May 12:\u003c/strong> Cal Performances is presenting a very full and eclectic lineup including \u003ca href=\"https://calperformances.org/performances/2015-16/recital/renee-fleming.php\" target=\"_blank\" rel=\"noopener\">Renee Fleming in recital March 5\u003c/a>, the Mark Morris Group and Philharmonia Baroque in Morris’ masterpiece \u003ca href=\"https://calperformances.org/performances/2015-16/dance/mark-morris-dance-group-philharmonia-baroque-orchestra-lallegro.php\" target=\"_blank\" rel=\"noopener\">L’allegro, Il Peneroso Ed il Moderato, March 11-13\u003c/a>; and don’t miss a chance to hear from the creators of \u003ca href=\"http://calperformances.org/performances/2015-16/theater/binge-worthy-journalism-serial-sarah-koenig-and-julie-snyder.php\" target=\"_blank\" rel=\"noopener\">SERIAL, Sarah Koenig and Julie Snyder \u003c/a>March 6. We’d bet that will sell out.\u003c/p>\n\u003cfigure id=\"attachment_10811127\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10811127\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/06/KronosWuMan.jpg\" alt=\"The Kronos Quartet perform with Wu Man at the Terry Riley Festival in San Francisco.\" width=\"640\" height=\"427\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/KronosWuMan.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/06/KronosWuMan-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">The Kronos Quartet perform with Wu Man at the Terry Riley Festival in San Francisco. (Photo: Evan Neff) \u003ccite>(Evan Neff)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Feb. 2-7: America’s most adventurous chamber group, the Kronos Quartet, holds i\u003ca href=\"http://kronosquartet.org/kronos-presents/\" target=\"_blank\" rel=\"noopener\">ts Explorer Series festival at SFJAZZ \u003c/a>with frequent guest, pipa master Wu Man, the west coast premiere of a work about Chernobyl, and a concert by multi-instrumentalists David Coulter and Van-Anh Vo (from Fremont and also a composer), plus there’s a family concert celebrating the Lunar New Year.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "One Street, 16 Houses, 100,000 Christmas Lights. All Set to Music.",
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"content": "\u003cp>Deb and Terry Toews have been happily married for 26 years. They’re best friends, they say. And every year they try to envision an even brighter future -- for their front yard, that is.\u003c/p>\n\u003cp>They’ve spent many a Christmas season hanging up strands of decorative lights. They started off with 5,000 outdoor lights, then 10,000. In 2007, they synchronized the lights to music. Their suburban house became a big draw in the town of Clovis, just outside Fresno.\u003c/p>\n\u003cp>“Now we’re at 50,000 lights just in our yard,” says Terry. They could’ve added more this year, but they decided to amp it up in a different way -- by asking their neighbors to join in. They figured a few houses would participate, but they didn’t expect everyone on their street to sign up.\u003c/p>\n\u003cp>“I haven’t known my neighbors like this since I was a kid,” says Terry. He says people ask him how he got all the families to participate. “I don’t know. We just did.”\u003c/p>\n\u003cp>The result is \u003ca href=\"http://www.clovisfestivaloflights.org/santa_claus_lane.html\">Santa Claus Lane\u003c/a>: 16 houses, 100,000 lights and an hour of synchronized music. The lights flash to the music, bounce from one house to the next, and even race around the cul-de-sac.\u003c/p>\n\u003cfigure id=\"attachment_10805551\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg class=\"wp-image-10805551 size-thumbnail\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/houses-400x267.jpg\" alt=\"Sixteen houses light up Santa Claus Lane, free to visitors through New Year's Eve. \" width=\"400\" height=\"267\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-1440x960.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Sixteen houses light up Santa Claus Lane, free to visitors through New Year's Eve. \u003ccite>(Courtesy Scott Davis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“At first I wasn’t quite sure what to think of it,” says neighbor Tina Navarro. “It actually came together perfectly, though. I think it looks really nice. Everyone has their own little touch on their lawn.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Take Navarro. She dresses up like Princess Leia from \"Star Wars\" and passes out sweets. “Would you like a candy cane?” she shouts to a gaggle of kids walking by her house.\u003c/p>\n\u003cp>The Toews say they both gave up their vacation time to get the street ready for the holidays.\u003c/p>\n\u003cp>“I do the programming and Terry does all the manual building,” says Deb. It takes at least three hours to synchronize one minute of a song to the flashing colored lights. Deb spent about 200 hours synchronizing the entire spectacle, which she says is a \"creative outlet.\"\u003c/p>\n\u003cp>Meanwhile, Terry set up command central on their front lawn. It looks like a tall gingerbread house on the outside, but inside hundreds of controllers power the mass of holiday lights.\u003c/p>\n\u003cp>“I laid awake nights before I went to sleep designing all of this and I’m not an electrician,” says Terry.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/238870631\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>The Toews even set up a nonprofit called \u003ca href=\"http://www.clovisfestivaloflights.org/become_a_sponsor.html\">Clovis Festival of Lights\u003c/a> to accept donations for the free nightly event. Neighbors also raise money for the production by selling pizza, popcorn and hot chocolate at a concession stand. And there’s a donation box to help out a local food pantry, Terry says.\u003c/p>\n\u003cp>All of the houses are wirelessly linked to a computer in the command center. Music is broadcast through a low frequency FM transmitter. Terry admits it’s all a little crazy. (\"Crazy fun,\" he says.) And it makes people happy.\u003c/p>\n\u003cp>He says a woman brought her mother to see the Christmas lights just at his house a couple of years ago. Her mom had Alzheimer’s disease and was feeling down -- but the lights put a smile on her face.\u003c/p>\n\u003cp>“That year she sent us a letter,\" Terry says. \"Her mom had passed away, but she thanked us for that one night because she saw a whole different person in her mom.”\u003c/p>\n\u003cp>The next Christmas, the daughter returned alone.\u003c/p>\n\u003cp>“I’m not usually an emotional person, but that really hit me,\"Terry says. That, \"and just the smile on kids’ faces.“\u003c/p>\n\u003cp>\"It’s just wonderful. I guess I’m just a little kid at heart, too. I love the lights.”\u003c/p>\n\u003cfigure id=\"attachment_10805546\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg class=\"size-thumbnail wp-image-10805546\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/happy-couple-400x267.jpg\" alt=\"Deb Toews (left) helped Alex Michalski ask Danielle Ybarra to marry him by programming the proposal to music. \" width=\"400\" height=\"267\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-1440x960.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Deb Toews (left) helped Alex Michalski ask Danielle Ybarra to marry him by programming the proposal to music. \u003ccite>(Courtesy Scott Davis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And he’s not the only one. A young man named Alex Michalski rang the Toews' doorbell a few weeks ago and asked if they could help him out. All he wanted for Christmas was to propose to his girlfriend Danielle Ybarra. Deb told him of course they could help.\u003c/p>\n\u003cp>The showpiece on the Toews' lawn is a tall, metal Christmas tree with hundreds of lights that can be programmed to form images or words. It’s kind of like a billboard in Times Square. Deb and Alex decided to program the proposal on the tree along with a favorite song, Mariah Carey’s \"All I Want for Christmas is You.\"\u003c/p>\n\u003cp>“After he left, me and my daughter were crying because it was just the sweetest thing,” Deb says. “And he was so excited.”\u003c/p>\n\u003cp>The plan went off without a hitch. Alex brought Danielle to Santa Claus Lane one recent Friday. After the Mariah Carey song ended, he got down on his knees. The lights on the tree flashed “Danielle, will you marry me?”\u003c/p>\n\u003cp>Friends and family started to cheer, and Danielle nodded yes.\u003c/p>\n\u003cp>“I love this woman and I want to be with her the rest of my life,” says Michalski.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Christmas is magical, says Terry, and you never know what the lights might inspire.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Deb and Terry Toews have been happily married for 26 years. They’re best friends, they say. And every year they try to envision an even brighter future -- for their front yard, that is.\u003c/p>\n\u003cp>They’ve spent many a Christmas season hanging up strands of decorative lights. They started off with 5,000 outdoor lights, then 10,000. In 2007, they synchronized the lights to music. Their suburban house became a big draw in the town of Clovis, just outside Fresno.\u003c/p>\n\u003cp>“Now we’re at 50,000 lights just in our yard,” says Terry. They could’ve added more this year, but they decided to amp it up in a different way -- by asking their neighbors to join in. They figured a few houses would participate, but they didn’t expect everyone on their street to sign up.\u003c/p>\n\u003cp>“I haven’t known my neighbors like this since I was a kid,” says Terry. He says people ask him how he got all the families to participate. “I don’t know. We just did.”\u003c/p>\n\u003cp>The result is \u003ca href=\"http://www.clovisfestivaloflights.org/santa_claus_lane.html\">Santa Claus Lane\u003c/a>: 16 houses, 100,000 lights and an hour of synchronized music. The lights flash to the music, bounce from one house to the next, and even race around the cul-de-sac.\u003c/p>\n\u003cfigure id=\"attachment_10805551\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg class=\"wp-image-10805551 size-thumbnail\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/houses-400x267.jpg\" alt=\"Sixteen houses light up Santa Claus Lane, free to visitors through New Year's Eve. \" width=\"400\" height=\"267\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-1440x960.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/houses-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Sixteen houses light up Santa Claus Lane, free to visitors through New Year's Eve. \u003ccite>(Courtesy Scott Davis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“At first I wasn’t quite sure what to think of it,” says neighbor Tina Navarro. “It actually came together perfectly, though. I think it looks really nice. Everyone has their own little touch on their lawn.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Take Navarro. She dresses up like Princess Leia from \"Star Wars\" and passes out sweets. “Would you like a candy cane?” she shouts to a gaggle of kids walking by her house.\u003c/p>\n\u003cp>The Toews say they both gave up their vacation time to get the street ready for the holidays.\u003c/p>\n\u003cp>“I do the programming and Terry does all the manual building,” says Deb. It takes at least three hours to synchronize one minute of a song to the flashing colored lights. Deb spent about 200 hours synchronizing the entire spectacle, which she says is a \"creative outlet.\"\u003c/p>\n\u003cp>Meanwhile, Terry set up command central on their front lawn. It looks like a tall gingerbread house on the outside, but inside hundreds of controllers power the mass of holiday lights.\u003c/p>\n\u003cp>“I laid awake nights before I went to sleep designing all of this and I’m not an electrician,” says Terry.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/238870631&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/238870631'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The Toews even set up a nonprofit called \u003ca href=\"http://www.clovisfestivaloflights.org/become_a_sponsor.html\">Clovis Festival of Lights\u003c/a> to accept donations for the free nightly event. Neighbors also raise money for the production by selling pizza, popcorn and hot chocolate at a concession stand. And there’s a donation box to help out a local food pantry, Terry says.\u003c/p>\n\u003cp>All of the houses are wirelessly linked to a computer in the command center. Music is broadcast through a low frequency FM transmitter. Terry admits it’s all a little crazy. (\"Crazy fun,\" he says.) And it makes people happy.\u003c/p>\n\u003cp>He says a woman brought her mother to see the Christmas lights just at his house a couple of years ago. Her mom had Alzheimer’s disease and was feeling down -- but the lights put a smile on her face.\u003c/p>\n\u003cp>“That year she sent us a letter,\" Terry says. \"Her mom had passed away, but she thanked us for that one night because she saw a whole different person in her mom.”\u003c/p>\n\u003cp>The next Christmas, the daughter returned alone.\u003c/p>\n\u003cp>“I’m not usually an emotional person, but that really hit me,\"Terry says. That, \"and just the smile on kids’ faces.“\u003c/p>\n\u003cp>\"It’s just wonderful. I guess I’m just a little kid at heart, too. I love the lights.”\u003c/p>\n\u003cfigure id=\"attachment_10805546\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg class=\"size-thumbnail wp-image-10805546\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/12/happy-couple-400x267.jpg\" alt=\"Deb Toews (left) helped Alex Michalski ask Danielle Ybarra to marry him by programming the proposal to music. \" width=\"400\" height=\"267\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-1440x960.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/12/happy-couple-960x640.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Deb Toews (left) helped Alex Michalski ask Danielle Ybarra to marry him by programming the proposal to music. \u003ccite>(Courtesy Scott Davis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And he’s not the only one. A young man named Alex Michalski rang the Toews' doorbell a few weeks ago and asked if they could help him out. All he wanted for Christmas was to propose to his girlfriend Danielle Ybarra. Deb told him of course they could help.\u003c/p>\n\u003cp>The showpiece on the Toews' lawn is a tall, metal Christmas tree with hundreds of lights that can be programmed to form images or words. It’s kind of like a billboard in Times Square. Deb and Alex decided to program the proposal on the tree along with a favorite song, Mariah Carey’s \"All I Want for Christmas is You.\"\u003c/p>\n\u003cp>“After he left, me and my daughter were crying because it was just the sweetest thing,” Deb says. “And he was so excited.”\u003c/p>\n\u003cp>The plan went off without a hitch. Alex brought Danielle to Santa Claus Lane one recent Friday. After the Mariah Carey song ended, he got down on his knees. The lights on the tree flashed “Danielle, will you marry me?”\u003c/p>\n\u003cp>Friends and family started to cheer, and Danielle nodded yes.\u003c/p>\n\u003cp>“I love this woman and I want to be with her the rest of my life,” says Michalski.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Christmas is magical, says Terry, and you never know what the lights might inspire.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Update Thursday, Dec. 24: \u003c/em>The \u003ca href=\"http://www.sfgate.com/books/article/San-Francisco-poet-Justin-Chin-dies-at-46-6719862.php\" target=\"_blank\" rel=\"noopener\">San Francisco Chronicle\u003c/a> is reporting that Justin Chin, an award-winning writer and poet, died today at California Pacific Medical Center, Davies Campus. He was 46.\u003c/p>\n\u003cp>Chin had been taken off life support on Tuesday after suffering a stroke the week before.\u003c/p>\n\u003cp>Chin was an award-winning, prolific writer and poet who many considered a star in San Francisco’s literary scene.\u003c/p>\n\u003cp>Friends say Chin, was found unconscious by neighbors at his San Francisco apartment on Friday, and was taken to the Davies Campus of the California Pacific Medical Center (CPMC), where he was put on life support. His family flew in from Singapore to be by his side at the hospital a few days later.\u003c/p>\n\u003cp>Born in Malaysia and raised in Singapore, Chin first made his way to the United States by attending the University of Hawaii and later ended up in San Francisco. Chin then made a name for himself in the city in the early ’90s as an up-and-comer in the local performance art scene, according to friend and fellow writer Trebor Healey.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“He had a meteoric career, where he got well-known very quickly,” Healey said. “He was someone who performed his writing very well and at that time, poetry was shifting into that spoken word, slam stuff that was heavy on the performance.”\u003c/p>\n\u003cp>“But he was really good at both. I still see him as a writer primarily,” Healey said.\u003c/p>\n\u003cfigure id=\"attachment_11187243\" class=\"wp-caption alignright\" style=\"max-width: 335px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11187243\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Gutted.jpg\" alt=\"'Gutted,' Justin Chin's award-winning collection of poetry from 2006\" width=\"335\" height=\"499\">\u003cfigcaption class=\"wp-caption-text\">‘Gutted,’ Justin Chin’s award-winning collection of poetry from 2006\u003c/figcaption>\u003c/figure>\n\u003cp>Chin would go on to write and publish seven books, starting with 1997’s \u003ci>Bite Hard,\u003c/i> which saw Chin exploring and commenting on his life as a Gay Asian artist through raw, stream-of-conscious poetry. His 2006 book of poems, \u003ci>Gutted,\u003c/i> won the Publishing Triangle’s Thom Gunn Award for Poetry and was a finalist for a Lambda Literary Award.\u003c/p>\n\u003cp>“Justin is my Kathy Acker, my John Waters, my Sandra Bernhard. A person so sharp and transgressive that he can be scary or intimidating, except the way he embraces his own sensitivity also allows him to be cuddly and sweet and so incredibly funny it’s beyond,” friend and fellow writer Beth Lisick wrote in a \u003ca href=\"https://www.facebook.com/beth.lisick.1/posts/1687396441471949\" target=\"_blank\" rel=\"noopener\">tribute to Chin on Facebook\u003c/a>. “A rare soul displaying true vulnerability, doing the most interesting thing a human can do: constantly showing us how complicated and multifaceted we are through art.”\u003c/p>\n\u003cp>Since being taken off life support, a steady stream of friends have been visiting Chin at the hospital and saying goodbye, while his mother, brother and ex-partner stand by his side.\u003c/p>\n\u003cp>“He wasn’t conscious and wouldn’t respond, but I still felt he was there,” said Healey, who visited Chin at the hospital before he was taken off the respirator.\u003c/p>\n\u003cp>There has also been a chorus of tributes and remembrances of Chin posted on Facebook and other social media sites by friends and fans, including one from Gawker editor Charlie Jane Anders:\u003c/p>\n\u003cp>https://www.facebook.com/charliejane/posts/10153252287121643\u003c/p>\n\u003cp>Many tributes have quoted \u003ca href=\"http://www.poetryfoundation.org/poem/241450\" target=\"_blank\" rel=\"noopener\">Chin’s poem “Grave,” \u003c/a>from his 2001 poetry collection \u003ci>Harmless Medicine:\u003c/i>\u003c/p>\n\u003cblockquote>\u003cp>I used to have this theory about how\u003cbr>\nmuch life a human body could hold.\u003cbr>\nIt all had to do with the number\u003cbr>\nof heartbeats. Each human is assigned a number\u003cbr>\ndetermined by an unknown power cascading\u003cbr>\nover the dark waters of the unformed Earth.\u003c/p>\n\u003cp>For some, it was a magnificently high number,\u003cbr>\nseen only in Richie Rich comics, and for others,\u003cbr>\nit was frightfully low, like twenty-six.\u003cbr>\nNo bargaining, no coupons,\u003cbr>\nno White Flower Day sale, no specials. Once\u003cbr>\nyou hit your number, you croak.\u003cbr>\nI imagined the angels in heaven\u003cbr>\nand the demons in hell gathering to watch\u003cbr>\nthe counters turn, like how I enjoyed watching\u003cbr>\nthe speedometer line up to a row of similar\u003cbr>\nnumbers, and especially when the row of\u003cbr>\nnines turned into\u003cbr>\nthe row of zeros.\u003c/p>\u003c/blockquote>\n\u003cp>Lisick and fellow author Michelle Tea plan to hold a memorial reading for Chin at the San Francisco Public Library’s Koret Auditorium on Jan. 31, which will feature several of his writer friends reading his work.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>This story will be updated with new details when they become available.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Update Thursday, Dec. 24: \u003c/em>The \u003ca href=\"http://www.sfgate.com/books/article/San-Francisco-poet-Justin-Chin-dies-at-46-6719862.php\" target=\"_blank\" rel=\"noopener\">San Francisco Chronicle\u003c/a> is reporting that Justin Chin, an award-winning writer and poet, died today at California Pacific Medical Center, Davies Campus. He was 46.\u003c/p>\n\u003cp>Chin had been taken off life support on Tuesday after suffering a stroke the week before.\u003c/p>\n\u003cp>Chin was an award-winning, prolific writer and poet who many considered a star in San Francisco’s literary scene.\u003c/p>\n\u003cp>Friends say Chin, was found unconscious by neighbors at his San Francisco apartment on Friday, and was taken to the Davies Campus of the California Pacific Medical Center (CPMC), where he was put on life support. His family flew in from Singapore to be by his side at the hospital a few days later.\u003c/p>\n\u003cp>Born in Malaysia and raised in Singapore, Chin first made his way to the United States by attending the University of Hawaii and later ended up in San Francisco. Chin then made a name for himself in the city in the early ’90s as an up-and-comer in the local performance art scene, according to friend and fellow writer Trebor Healey.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“He had a meteoric career, where he got well-known very quickly,” Healey said. “He was someone who performed his writing very well and at that time, poetry was shifting into that spoken word, slam stuff that was heavy on the performance.”\u003c/p>\n\u003cp>“But he was really good at both. I still see him as a writer primarily,” Healey said.\u003c/p>\n\u003cfigure id=\"attachment_11187243\" class=\"wp-caption alignright\" style=\"max-width: 335px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11187243\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Gutted.jpg\" alt=\"'Gutted,' Justin Chin's award-winning collection of poetry from 2006\" width=\"335\" height=\"499\">\u003cfigcaption class=\"wp-caption-text\">‘Gutted,’ Justin Chin’s award-winning collection of poetry from 2006\u003c/figcaption>\u003c/figure>\n\u003cp>Chin would go on to write and publish seven books, starting with 1997’s \u003ci>Bite Hard,\u003c/i> which saw Chin exploring and commenting on his life as a Gay Asian artist through raw, stream-of-conscious poetry. His 2006 book of poems, \u003ci>Gutted,\u003c/i> won the Publishing Triangle’s Thom Gunn Award for Poetry and was a finalist for a Lambda Literary Award.\u003c/p>\n\u003cp>“Justin is my Kathy Acker, my John Waters, my Sandra Bernhard. A person so sharp and transgressive that he can be scary or intimidating, except the way he embraces his own sensitivity also allows him to be cuddly and sweet and so incredibly funny it’s beyond,” friend and fellow writer Beth Lisick wrote in a \u003ca href=\"https://www.facebook.com/beth.lisick.1/posts/1687396441471949\" target=\"_blank\" rel=\"noopener\">tribute to Chin on Facebook\u003c/a>. “A rare soul displaying true vulnerability, doing the most interesting thing a human can do: constantly showing us how complicated and multifaceted we are through art.”\u003c/p>\n\u003cp>Since being taken off life support, a steady stream of friends have been visiting Chin at the hospital and saying goodbye, while his mother, brother and ex-partner stand by his side.\u003c/p>\n\u003cp>“He wasn’t conscious and wouldn’t respond, but I still felt he was there,” said Healey, who visited Chin at the hospital before he was taken off the respirator.\u003c/p>\n\u003cp>There has also been a chorus of tributes and remembrances of Chin posted on Facebook and other social media sites by friends and fans, including one from Gawker editor Charlie Jane Anders:\u003c/p>\n\u003cp>https://www.facebook.com/charliejane/posts/10153252287121643\u003c/p>\n\u003cp>Many tributes have quoted \u003ca href=\"http://www.poetryfoundation.org/poem/241450\" target=\"_blank\" rel=\"noopener\">Chin’s poem “Grave,” \u003c/a>from his 2001 poetry collection \u003ci>Harmless Medicine:\u003c/i>\u003c/p>\n\u003cblockquote>\u003cp>I used to have this theory about how\u003cbr>\nmuch life a human body could hold.\u003cbr>\nIt all had to do with the number\u003cbr>\nof heartbeats. Each human is assigned a number\u003cbr>\ndetermined by an unknown power cascading\u003cbr>\nover the dark waters of the unformed Earth.\u003c/p>\n\u003cp>For some, it was a magnificently high number,\u003cbr>\nseen only in Richie Rich comics, and for others,\u003cbr>\nit was frightfully low, like twenty-six.\u003cbr>\nNo bargaining, no coupons,\u003cbr>\nno White Flower Day sale, no specials. Once\u003cbr>\nyou hit your number, you croak.\u003cbr>\nI imagined the angels in heaven\u003cbr>\nand the demons in hell gathering to watch\u003cbr>\nthe counters turn, like how I enjoyed watching\u003cbr>\nthe speedometer line up to a row of similar\u003cbr>\nnumbers, and especially when the row of\u003cbr>\nnines turned into\u003cbr>\nthe row of zeros.\u003c/p>\u003c/blockquote>\n\u003cp>Lisick and fellow author Michelle Tea plan to hold a memorial reading for Chin at the San Francisco Public Library’s Koret Auditorium on Jan. 31, which will feature several of his writer friends reading his work.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>This story will be updated with new details when they become available.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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