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"content": "\u003cp>Prince’s sister on Tuesday said the superstar musician had no known will and asked a Minnesota court to appoint a special administrator to oversee his estate, though the size of his fortune is unclear.\u003c/p>\n\u003cp>Tyka Nelson, Prince’s only surviving full sibling, said in a court filing that immediate action was necessary to manage Prince’s business interests following his death last week. The documents don’t estimate how much his estate may be worth, but Prince made hundreds of millions of dollars for record companies, concert venues and others, and he owned about $27 million in property in Minnesota.\u003c/p>\n\u003cp>Nelson asked that Bremer Trust, a corporate trust company, be named administrator of the estate. The court documents say Bremer Bank provided financial services to Prince for many years.\u003c/p>\n\u003cp>The filing comes less than a week after the pop star died Thursday at his home in suburban Minneapolis. The outpouring of grief and nostalgia prompted fans to buy 2.3 million of his songs in three days.\u003c/p>\n\u003cp>Prince owned a dozen properties in and around his famous Paisley Park complex in suburban Minneapolis: mostly rural pieces of land and some houses for family members. Public records show those properties were worth about $27 million in 2016.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Estimates of how much licensing his personal brand will bring in after death reach to the purple clouds.\u003c/p>\n\u003cp>“He was as big as they get,” said Mark Roesler, chief executive of CMG Worldwide, which handles licensing for the estates of Marilyn Monroe, James Dean and other late stars.\u003c/p>\n\u003cp>Roesler estimates Prince’s post-mortem earnings will match top-earning dead celebrities like Elvis Presley, whose estate made $55 million in 2015, according to Forbes magazine.\u003c/p>\n\u003cp>“Will there be a business built up around Prince 60 years from now like James Dean? The answer is unequivocally yes,” Roesler said Friday.\u003c/p>\n\u003cp>Nelson’s filing said she had “no reason to believe” that Prince executed a will or any other documents saying what should happen to his estate. Nelson’s filing said she doesn’t know Prince’s assets or debts, but said he had “substantial assets” that require protection.\u003c/p>\n\u003cp>Nelson’s attorneys, Matthew Shea and Brian Dillon of the Minneapolis law firm Gray Plant Mooty, did not immediately return phone calls seeking comment.\u003c/p>\n\u003cp>Irwin Feinberg, a Los Angeles trust and probate lawyer who spoke to The Associated Press before Nelson’s filing, said wealthy people usually create trusts to avoid the public spectacle of probate court. He said it would be unusual for Prince not to have done so.\u003c/p>\n\u003cp>Under Minnesota law, if a person dies without a will — and with no surviving parents, children, or grandchildren — the next people in line to share in the estate are the surviving siblings, including half-siblings.\u003c/p>\n\u003cp>Prince wasn’t married and had no known living children. Nelson is his only full sibling, though he has five half-siblings (two other half-siblings have died).\u003c/p>\n\u003cp>The AP did not find liens or mortgages on any of his properties, which range from a sprawling 160-acre piece of grassland between Lake Lucy and Lake Ann, to a three-bedroom bungalow in Minneapolis that is home to his half brother, Omarr Baker.\u003c/p>\n\u003cp>Prince sold over 100 million albums on his lifetime, according to Warner Music Group. And Pollstar, a concert industry magazine, said that in the years that his tours topped the charts — 10 years over four decades performing — the tours raked in $225 million in ticket sales.\u003c/p>\n\u003cp>His best-earning touring year, when he took in $87.4 million, was 2004, the year he was inducted into the Rock and Roll Hall of Fame and two decades after the soundtrack to \u003cem>Purple Rain\u003c/em> went multi-platinum.\u003c/p>\n\u003cp>But what remained in Prince’s hands is, by any estimate, less than the sum of ticket and album sales. In every record deal, a cut goes to the label, background performers and music publishers, though Prince published and wrote his own songs. Concert ticket revenue is split among the venue, the promoter, staff and the cost of travelling around. And Prince was known to throw expensive parties.\u003c/p>\n\u003cp>Court battles in recent years suggest money wasn’t free flowing.\u003c/p>\n\u003cp>In April 2013, Prince lost a suit filed in New York State’s Supreme Court brought by perfume maker Revelations Perfume and Cosmetics Inc. for failing to promote the “3121” perfume line named after his album from 2006 and which he touted, but only once, in a massive concert that started July 7, 2007 near Macy’s in downtown Minneapolis and ended at 5 a.m. at the First Avenue club, a famous venue from \u003cem>Purple Rain\u003c/em>.\u003c/p>\n\u003cp>He was ordered to pay $4.4 million; he never did. Instead, plaintiff lawyers went searching for assets, found about $3 million in various Minnesota bank accounts, and used court orders to freeze them, according to Brian Slipakoff, a New York lawyer who represented the perfume maker. Prince settled for a lower amount shortly after.\u003c/p>\n\u003cp>“It doesn’t suggest there was oodles of cash lying around,” Slipakoff said last week.\u003c/p>\n\u003cp>Prince encountered tax difficulties several times over the years, including owing back taxes to France in 2012, which he paid up, and overdue property taxes around $450,000 in 2010. In 2013, the IRS filed a federal tax lien against him in Carver County Court in Minnesota for $1.6 million. What happened with that case is unclear.\u003c/p>\n\u003cp>Records on file with Carver County, where Paisley Park is located, show that he was up to date on his property taxes when he died.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>Nakashima, an AP Business writer, reported from Los Angeles. AP Entertainment Writer Nekesa Mumbi Moody in New York, and Associated Press writers Doug Glass in Minneapolis and Kevin Burbach in Chanhassen, Minnesota, contributed to this report.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Prince’s sister on Tuesday said the superstar musician had no known will and asked a Minnesota court to appoint a special administrator to oversee his estate, though the size of his fortune is unclear.\u003c/p>\n\u003cp>Tyka Nelson, Prince’s only surviving full sibling, said in a court filing that immediate action was necessary to manage Prince’s business interests following his death last week. The documents don’t estimate how much his estate may be worth, but Prince made hundreds of millions of dollars for record companies, concert venues and others, and he owned about $27 million in property in Minnesota.\u003c/p>\n\u003cp>Nelson asked that Bremer Trust, a corporate trust company, be named administrator of the estate. The court documents say Bremer Bank provided financial services to Prince for many years.\u003c/p>\n\u003cp>The filing comes less than a week after the pop star died Thursday at his home in suburban Minneapolis. The outpouring of grief and nostalgia prompted fans to buy 2.3 million of his songs in three days.\u003c/p>\n\u003cp>Prince owned a dozen properties in and around his famous Paisley Park complex in suburban Minneapolis: mostly rural pieces of land and some houses for family members. Public records show those properties were worth about $27 million in 2016.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Estimates of how much licensing his personal brand will bring in after death reach to the purple clouds.\u003c/p>\n\u003cp>“He was as big as they get,” said Mark Roesler, chief executive of CMG Worldwide, which handles licensing for the estates of Marilyn Monroe, James Dean and other late stars.\u003c/p>\n\u003cp>Roesler estimates Prince’s post-mortem earnings will match top-earning dead celebrities like Elvis Presley, whose estate made $55 million in 2015, according to Forbes magazine.\u003c/p>\n\u003cp>“Will there be a business built up around Prince 60 years from now like James Dean? The answer is unequivocally yes,” Roesler said Friday.\u003c/p>\n\u003cp>Nelson’s filing said she had “no reason to believe” that Prince executed a will or any other documents saying what should happen to his estate. Nelson’s filing said she doesn’t know Prince’s assets or debts, but said he had “substantial assets” that require protection.\u003c/p>\n\u003cp>Nelson’s attorneys, Matthew Shea and Brian Dillon of the Minneapolis law firm Gray Plant Mooty, did not immediately return phone calls seeking comment.\u003c/p>\n\u003cp>Irwin Feinberg, a Los Angeles trust and probate lawyer who spoke to The Associated Press before Nelson’s filing, said wealthy people usually create trusts to avoid the public spectacle of probate court. He said it would be unusual for Prince not to have done so.\u003c/p>\n\u003cp>Under Minnesota law, if a person dies without a will — and with no surviving parents, children, or grandchildren — the next people in line to share in the estate are the surviving siblings, including half-siblings.\u003c/p>\n\u003cp>Prince wasn’t married and had no known living children. Nelson is his only full sibling, though he has five half-siblings (two other half-siblings have died).\u003c/p>\n\u003cp>The AP did not find liens or mortgages on any of his properties, which range from a sprawling 160-acre piece of grassland between Lake Lucy and Lake Ann, to a three-bedroom bungalow in Minneapolis that is home to his half brother, Omarr Baker.\u003c/p>\n\u003cp>Prince sold over 100 million albums on his lifetime, according to Warner Music Group. And Pollstar, a concert industry magazine, said that in the years that his tours topped the charts — 10 years over four decades performing — the tours raked in $225 million in ticket sales.\u003c/p>\n\u003cp>His best-earning touring year, when he took in $87.4 million, was 2004, the year he was inducted into the Rock and Roll Hall of Fame and two decades after the soundtrack to \u003cem>Purple Rain\u003c/em> went multi-platinum.\u003c/p>\n\u003cp>But what remained in Prince’s hands is, by any estimate, less than the sum of ticket and album sales. In every record deal, a cut goes to the label, background performers and music publishers, though Prince published and wrote his own songs. Concert ticket revenue is split among the venue, the promoter, staff and the cost of travelling around. And Prince was known to throw expensive parties.\u003c/p>\n\u003cp>Court battles in recent years suggest money wasn’t free flowing.\u003c/p>\n\u003cp>In April 2013, Prince lost a suit filed in New York State’s Supreme Court brought by perfume maker Revelations Perfume and Cosmetics Inc. for failing to promote the “3121” perfume line named after his album from 2006 and which he touted, but only once, in a massive concert that started July 7, 2007 near Macy’s in downtown Minneapolis and ended at 5 a.m. at the First Avenue club, a famous venue from \u003cem>Purple Rain\u003c/em>.\u003c/p>\n\u003cp>He was ordered to pay $4.4 million; he never did. Instead, plaintiff lawyers went searching for assets, found about $3 million in various Minnesota bank accounts, and used court orders to freeze them, according to Brian Slipakoff, a New York lawyer who represented the perfume maker. Prince settled for a lower amount shortly after.\u003c/p>\n\u003cp>“It doesn’t suggest there was oodles of cash lying around,” Slipakoff said last week.\u003c/p>\n\u003cp>Prince encountered tax difficulties several times over the years, including owing back taxes to France in 2012, which he paid up, and overdue property taxes around $450,000 in 2010. In 2013, the IRS filed a federal tax lien against him in Carver County Court in Minnesota for $1.6 million. What happened with that case is unclear.\u003c/p>\n\u003cp>Records on file with Carver County, where Paisley Park is located, show that he was up to date on his property taxes when he died.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>Nakashima, an AP Business writer, reported from Los Angeles. AP Entertainment Writer Nekesa Mumbi Moody in New York, and Associated Press writers Doug Glass in Minneapolis and Kevin Burbach in Chanhassen, Minnesota, contributed to this report.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>“Don’t shoot! I’m not just another Latino kid who is about to cause some trouble.” Those are just of the few of the resounding lines in the youth theater production \u003cem>On the Hill,\u003c/em> which aims to spark a conversation about racial profiling, police shootings and the rapid displacement of Latinos from San Francisco. Presented by the Mission District-based arts organization \u003ca href=\"http://www.locobloco.org\" target=\"_blank\" rel=\"noopener\">Loco Bloco\u003c/a> and directed by playwright \u003ca href=\"http://www.paulsflores.com\" target=\"_blank\" rel=\"noopener\">Paul S. Flores\u003c/a>, the play features 25 youth actors from Bay Area high schools and universities.\u003c/p>\n\u003cp>“As a Latino man in this community, you learn the problem is not only how people are looking at you, but how people are taught to look at you … your clothing, the color of your skin,” says 20-year-old David Calderon, who played the role of San Francisco native Alejandro “Alex” Nieto, who was shot and killed by San Francisco Police Department officers in 2014.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/2015/02/13/sf-district-attorney-police-acted-lawfully-in-nieto-shooting\" target=\"_blank\" rel=\"noopener\">San Francisco’s District Attorney’s Office \u003c/a>determined the four police officers who fired 59 shots at 28-year-old Nieto acted lawfully, and \u003ca href=\"http://ww2.kqed.org/news/2016/03/10/jury-clears-s-f-police-officers-of-wrongdoing-in-nieto-shooting\" target=\"_blank\" rel=\"noopener\">the jury in a federal civil rights trial \u003c/a>also cleared the officers of any wrongdoing. But for some, the case is \u003ca href=\"http://ww2.kqed.org/news/2014/03/30/130922/nieto-police-shooting-bernal-heights\" target=\"_blank\" rel=\"noopener\">an enduring symbol of troubling police violence and rising tensions\u003c/a> in gentrifying neighborhoods like the Mission, where the Latino population has decreased 27 percent between 2000 and 2013, according to the Census 2000 and American Community Survey 2013.\u003c/p>\n\u003cp>“How do you fight back? How do you claim your identity?” says playwright Flores, a respected youth educator. “That’s what these kids are doing in this play.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment wp-att-11316580 noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>After recognizing the fear and anger many neighborhood youth felt in response to Nieto’s death, Annie Jupiter-Jones, executive director of Loco Bloco, approached Flores to help create and direct \u003cem>On the Hill. \u003c/em>“We wanted to help create a space for healing,” she says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For the making of\u003cem> On the Hill,\u003c/em> Flores and the student actors interviewed Nieto’s friend, Mission activist and writer Ben Bac Sierra, and other community leaders, including Juana Tello with Youth in Power and Causa Justa. Their words inspired many of the emotionally-charged monologues by youth in the play, staged at Brava Theater for the first time last month. The two sold-out performances ended with lively “talk back” sessions, in which audience members were invited to participate in a broader conversation about race, identity and perception.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Flores and Loco Bloco plan to continue to work with local youth to develop the play into a full-length production to premiere this fall, and have hopes of also touring it to other cities effected by police shootings. \u003cem>— Kelly Whalen\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Don’t shoot! I’m not just another Latino kid who is about to cause some trouble.” Those are just of the few of the resounding lines in the youth theater production \u003cem>On the Hill,\u003c/em> which aims to spark a conversation about racial profiling, police shootings and the rapid displacement of Latinos from San Francisco. Presented by the Mission District-based arts organization \u003ca href=\"http://www.locobloco.org\" target=\"_blank\" rel=\"noopener\">Loco Bloco\u003c/a> and directed by playwright \u003ca href=\"http://www.paulsflores.com\" target=\"_blank\" rel=\"noopener\">Paul S. Flores\u003c/a>, the play features 25 youth actors from Bay Area high schools and universities.\u003c/p>\n\u003cp>“As a Latino man in this community, you learn the problem is not only how people are looking at you, but how people are taught to look at you … your clothing, the color of your skin,” says 20-year-old David Calderon, who played the role of San Francisco native Alejandro “Alex” Nieto, who was shot and killed by San Francisco Police Department officers in 2014.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/2015/02/13/sf-district-attorney-police-acted-lawfully-in-nieto-shooting\" target=\"_blank\" rel=\"noopener\">San Francisco’s District Attorney’s Office \u003c/a>determined the four police officers who fired 59 shots at 28-year-old Nieto acted lawfully, and \u003ca href=\"http://ww2.kqed.org/news/2016/03/10/jury-clears-s-f-police-officers-of-wrongdoing-in-nieto-shooting\" target=\"_blank\" rel=\"noopener\">the jury in a federal civil rights trial \u003c/a>also cleared the officers of any wrongdoing. But for some, the case is \u003ca href=\"http://ww2.kqed.org/news/2014/03/30/130922/nieto-police-shooting-bernal-heights\" target=\"_blank\" rel=\"noopener\">an enduring symbol of troubling police violence and rising tensions\u003c/a> in gentrifying neighborhoods like the Mission, where the Latino population has decreased 27 percent between 2000 and 2013, according to the Census 2000 and American Community Survey 2013.\u003c/p>\n\u003cp>“How do you fight back? How do you claim your identity?” says playwright Flores, a respected youth educator. “That’s what these kids are doing in this play.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment wp-att-11316580 noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>After recognizing the fear and anger many neighborhood youth felt in response to Nieto’s death, Annie Jupiter-Jones, executive director of Loco Bloco, approached Flores to help create and direct \u003cem>On the Hill. \u003c/em>“We wanted to help create a space for healing,” she says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For the making of\u003cem> On the Hill,\u003c/em> Flores and the student actors interviewed Nieto’s friend, Mission activist and writer Ben Bac Sierra, and other community leaders, including Juana Tello with Youth in Power and Causa Justa. Their words inspired many of the emotionally-charged monologues by youth in the play, staged at Brava Theater for the first time last month. The two sold-out performances ended with lively “talk back” sessions, in which audience members were invited to participate in a broader conversation about race, identity and perception.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Flores and Loco Bloco plan to continue to work with local youth to develop the play into a full-length production to premiere this fall, and have hopes of also touring it to other cities effected by police shootings. \u003cem>— Kelly Whalen\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Usually, when journalists try to get into a prison to talk to inmates, we’re lucky if we’re able to get a few minutes for an interview with a “model prisoner.” But \u003ca href=\"https://backbonemediaorg.wordpress.com/about/noel-schwerin-bio/\">Noel Schwerin\u003c/a> talked her way into spending seven years filming inside Soledad prison, with unprecedented access to both inmates and prison staff.\u003c/p>\n\u003cp>Schwerin’s documentary, “\u003ca href=\"http://www.idealworldfilm.org/#new-page-3\">In An Ideal World\u003c/a>,\" brings us an intimate portrait from inside inmates’ cells, meetings between the warden and prisoners, and the halls of the prison, even during lockdowns. Its first national broadcast debuts Tuesday, April 26, on the public television show \u003ca href=\"http://worldchannel.org/programs/america-reframed/\">\"America Reframed.\"\u003c/a>\u003c/p>\n\u003cp>Schwerin says getting access was all about building trust with both inmates and prison staff.\u003c/p>\n\u003cp>“Soledad is an old-school prison. It’s not used to the kind of coverage and attention that a place like San Quentin gets. Nobody goes inside, nobody listens to these people,” Schwerin says. “I think people on both sides of the prison bars are pretty marginalized, so having their voice really carefully listened to, they really appreciated that.”\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/260434809\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>The \u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=21234\">film focuses\u003c/a> on three main characters: \u003cstrong>John Piccirillo\u003c/strong>, a leader for the white prisoners, who ends up participating in a mixed-race workshop on violence prevention; \u003cstrong>Sam Lewis\u003c/strong>, an African-American inmate who forges an unexpected friendship with Piccirillo; and \u003cstrong>Ben Curry\u003c/strong>, the warden, who’s surprisingly candid in his reflections on working in the prison system for decades.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"It’s impossible to spend time at a prison without getting an incredible sense of the enormous humanity behind bars,” says Schwerin. “That was a big part of what I was interested in. What does it take to maintain that balance of human beings on both sides of the bars? It was a way of bringing people past the fear and the stereotypes.”\u003c/p>\n\u003cfigure id=\"attachment_10937573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10937573 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/PrisonersWorkshop-800x600.jpg\" alt=\"Inmates including Sam Lewis (second from left) participate in an alternatives to violence workshop at Soledad Prison.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Inmates, including Sam Lewis, (second from left) participate in an alternatives to violence workshop at Soledad Prison. \u003ccite>(Photo: Alison Raaum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schwerin says she didn't encounter many obstacles as a white woman filming in the prison, despite the fact that the setting was so male-dominated and racially charged.\u003c/p>\n\u003cp>“Particularly with the lifers, there’s a deep respect for women, maybe older women like me,” says Schwerin. “Women tend to be the last ones to leave them, their mothers, sisters, daughters, when everybody else falls away over the years.\u003c/p>\n\u003cp>\"I think they were impressed that I could get in and keep coming in. I wasn’t just disappearing, I really wanted to know what they had to say, and what was not being said. There’s a deep respect for women who want to listen.”\u003c/p>\n\u003cp>The challenges of filming inside, says Schwerin, were more mundane: not being able to schedule interviews in advance or control the lighting for them.\u003c/p>\n\u003cp>Schwerin began filming soon after a U.S. \u003ca href=\"http://www.scotusblog.com/2005/02/racial-segregation-in-prison-may-be-curbed/\">Supreme Court settlement\u003c/a> in 2005 ordered California to stop housing prisoners in \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=93336656\">racially segregated cells.\u003c/a> The film shows how resistant both prison staff and inmates were to housing inmates of different races together.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://player.vimeo.com/video/162981039\" width=\"800\" height=\"360\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>“As soon as you walk into prison, you’re struck by the unapologetic display of power,” says Schwerin. \"So how do you maintain power like that? In prison, it’s done along racial lines. We can all agree that separate is not equal, but when it’s been part of an institutional culture for 40 years, it’s become a tool of survival. It’s more complicated than ‘these are the good guys, these are the bad guys.’ ”\u003c/p>\n\u003cp>Tuesday’s broadcast marks the film’s national debut, but Schwerin has shown the film at festivals and community screenings attended by both former prisoners and prison staff.\u003c/p>\n\u003cp>“It has allowed for some remarkable conversations. One of the lieutenants in the film brought his family to a screening. They wanted to see what it looked like inside, because he’d been working there for 40 years. Within 10 minutes of watching the film, the entire family was crying,” recalls Schwerin.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I had family members who said, ‘I wish I’d seen your film before my husband came home. I would have so much better understood the challenges he was facing when he got out.’ The film seems to allow for a conversation which otherwise could be extremely polarized.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Usually, when journalists try to get into a prison to talk to inmates, we’re lucky if we’re able to get a few minutes for an interview with a “model prisoner.” But \u003ca href=\"https://backbonemediaorg.wordpress.com/about/noel-schwerin-bio/\">Noel Schwerin\u003c/a> talked her way into spending seven years filming inside Soledad prison, with unprecedented access to both inmates and prison staff.\u003c/p>\n\u003cp>Schwerin’s documentary, “\u003ca href=\"http://www.idealworldfilm.org/#new-page-3\">In An Ideal World\u003c/a>,\" brings us an intimate portrait from inside inmates’ cells, meetings between the warden and prisoners, and the halls of the prison, even during lockdowns. Its first national broadcast debuts Tuesday, April 26, on the public television show \u003ca href=\"http://worldchannel.org/programs/america-reframed/\">\"America Reframed.\"\u003c/a>\u003c/p>\n\u003cp>Schwerin says getting access was all about building trust with both inmates and prison staff.\u003c/p>\n\u003cp>“Soledad is an old-school prison. It’s not used to the kind of coverage and attention that a place like San Quentin gets. Nobody goes inside, nobody listens to these people,” Schwerin says. “I think people on both sides of the prison bars are pretty marginalized, so having their voice really carefully listened to, they really appreciated that.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/260434809&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/260434809'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The \u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=21234\">film focuses\u003c/a> on three main characters: \u003cstrong>John Piccirillo\u003c/strong>, a leader for the white prisoners, who ends up participating in a mixed-race workshop on violence prevention; \u003cstrong>Sam Lewis\u003c/strong>, an African-American inmate who forges an unexpected friendship with Piccirillo; and \u003cstrong>Ben Curry\u003c/strong>, the warden, who’s surprisingly candid in his reflections on working in the prison system for decades.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"It’s impossible to spend time at a prison without getting an incredible sense of the enormous humanity behind bars,” says Schwerin. “That was a big part of what I was interested in. What does it take to maintain that balance of human beings on both sides of the bars? It was a way of bringing people past the fear and the stereotypes.”\u003c/p>\n\u003cfigure id=\"attachment_10937573\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10937573 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/PrisonersWorkshop-800x600.jpg\" alt=\"Inmates including Sam Lewis (second from left) participate in an alternatives to violence workshop at Soledad Prison.\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/PrisonersWorkshop-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Inmates, including Sam Lewis, (second from left) participate in an alternatives to violence workshop at Soledad Prison. \u003ccite>(Photo: Alison Raaum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Schwerin says she didn't encounter many obstacles as a white woman filming in the prison, despite the fact that the setting was so male-dominated and racially charged.\u003c/p>\n\u003cp>“Particularly with the lifers, there’s a deep respect for women, maybe older women like me,” says Schwerin. “Women tend to be the last ones to leave them, their mothers, sisters, daughters, when everybody else falls away over the years.\u003c/p>\n\u003cp>\"I think they were impressed that I could get in and keep coming in. I wasn’t just disappearing, I really wanted to know what they had to say, and what was not being said. There’s a deep respect for women who want to listen.”\u003c/p>\n\u003cp>The challenges of filming inside, says Schwerin, were more mundane: not being able to schedule interviews in advance or control the lighting for them.\u003c/p>\n\u003cp>Schwerin began filming soon after a U.S. \u003ca href=\"http://www.scotusblog.com/2005/02/racial-segregation-in-prison-may-be-curbed/\">Supreme Court settlement\u003c/a> in 2005 ordered California to stop housing prisoners in \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=93336656\">racially segregated cells.\u003c/a> The film shows how resistant both prison staff and inmates were to housing inmates of different races together.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://player.vimeo.com/video/162981039\" width=\"800\" height=\"360\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>“As soon as you walk into prison, you’re struck by the unapologetic display of power,” says Schwerin. \"So how do you maintain power like that? In prison, it’s done along racial lines. We can all agree that separate is not equal, but when it’s been part of an institutional culture for 40 years, it’s become a tool of survival. It’s more complicated than ‘these are the good guys, these are the bad guys.’ ”\u003c/p>\n\u003cp>Tuesday’s broadcast marks the film’s national debut, but Schwerin has shown the film at festivals and community screenings attended by both former prisoners and prison staff.\u003c/p>\n\u003cp>“It has allowed for some remarkable conversations. One of the lieutenants in the film brought his family to a screening. They wanted to see what it looked like inside, because he’d been working there for 40 years. Within 10 minutes of watching the film, the entire family was crying,” recalls Schwerin.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“I had family members who said, ‘I wish I’d seen your film before my husband came home. I would have so much better understood the challenges he was facing when he got out.’ The film seems to allow for a conversation which otherwise could be extremely polarized.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "My Spot: Even in Ruins, San Francisco's Sutro Baths Provide Healing",
"title": "My Spot: Even in Ruins, San Francisco's Sutro Baths Provide Healing",
"headTitle": "My Spot | The California Report | KQED News",
"content": "\u003cp>\u003cem>Our “\u003ca href=\"http://ww2.kqed.org/news/series/my-spot\" target=\"_blank\">My Spot\u003c/a>” series shares personal experiences with special places in California.\u003c/em>\u003c/p>\n\u003cp>For Josh Elmore, San Francisco's Sutro Baths holds a special place in his heart. \u003c/p>\n\u003cp>“I took my now, long-term girlfriend on our first date to the Sutro Baths,” he says. \"It was after a long day. We had gone to a Giants game, to a karaoke bar for a friend’s birthday and then, I thought the perfect place to top off the night would be the Sutro Baths.”\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/260435472\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>Built in 1896 by former San Francisco Mayor Adolph Sutro, the baths once held seven swimming pools, five of them heated. It also housed a museum containing Egyptian mummies, as well as an ice skating rink, multiple swings, trampolines and slides.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[contextly_sidebar id=\"owx5sLunjBttLpwNwCUb85kWOclnAiJs\"]\u003c/p>\n\u003cp>Yet, what was once the largest indoor pool house in the world is a relic, and its remains continue to attract tourists and locals alike.\u003c/p>\n\u003cp>\"Sutro Baths are at the very west end of San Francisco,\" the 29 year-old Ph.D. student says. “You can walk out on the remains of the buildings, so the footings from the original buildings are still standing. There’s some skeletons of concrete where you can see where the buildings once stood.”\u003c/p>\n\u003cp>Financial troubles caused the baths to be closed down and sold to developers in 1964. High-rise apartments were set to be constructed in their place, but during demolition a fire destroyed what remained. Plans for the apartments were soon scraped, and in 1973 the National Park Service purchased the site.\u003c/p>\n\u003cp>The Sutro Baths are now a part of the Golden Gate National Recreation Area, where visitors like Elmore can walk among the ruins. He says the wonders of the site keep him coming back to explore.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ScJBD6bbYzQ\u003c/p>\n\u003cp>“It’s one of the places, one of the many places that when you first come to it, you feel like you’ve stumbled upon some hidden treasure that nobody else has been or seen before ” Elmore says.\u003c/p>\n\u003cp>No experience at the baths is the same, he says, it can vary day by day. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"It depends on the weather, because you could be going there and the weather will put you a little on edge you know. If the waves are crashing really hard then it’s more of a feeling that a tsunami might hit. You know it really puts you in the throes of nature.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Yet, what was once the largest indoor pool house in the world is a relic, and its remains continue to attract tourists and locals alike.\u003c/p>\n\u003cp>\"Sutro Baths are at the very west end of San Francisco,\" the 29 year-old Ph.D. student says. “You can walk out on the remains of the buildings, so the footings from the original buildings are still standing. There’s some skeletons of concrete where you can see where the buildings once stood.”\u003c/p>\n\u003cp>Financial troubles caused the baths to be closed down and sold to developers in 1964. High-rise apartments were set to be constructed in their place, but during demolition a fire destroyed what remained. Plans for the apartments were soon scraped, and in 1973 the National Park Service purchased the site.\u003c/p>\n\u003cp>The Sutro Baths are now a part of the Golden Gate National Recreation Area, where visitors like Elmore can walk among the ruins. He says the wonders of the site keep him coming back to explore.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ScJBD6bbYzQ'\n title='//www.youtube.com/embed/ScJBD6bbYzQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“It’s one of the places, one of the many places that when you first come to it, you feel like you’ve stumbled upon some hidden treasure that nobody else has been or seen before ” Elmore says.\u003c/p>\n\u003cp>No experience at the baths is the same, he says, it can vary day by day. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"It depends on the weather, because you could be going there and the weather will put you a little on edge you know. If the waves are crashing really hard then it’s more of a feeling that a tsunami might hit. You know it really puts you in the throes of nature.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "L.A. Exhibit Makes Disposable Plastic Trash Impossible to Ignore",
"title": "L.A. Exhibit Makes Disposable Plastic Trash Impossible to Ignore",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>Discarded plastic cups and bottles are so prevalent, they’re almost invisible. Whether it’s an iced coffee cup from Starbucks or a red Solo cup at a party, or a water bottle bought from a gas station, they are made to be used and thrown away minutes later.\u003c/p>\n\u003cp>Two artists are trying to raise awareness of the harmful impact of these plastic objects. Using post-consumer recycled plastic, they created two large inflatable sculptures, each about the size of a school bus. One is shaped like a simple plastic bottle. They other is a plastic cup with a lid and a green straw.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/260435732\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>On a recent weekend, the artists -- \u003ca href=\"http://janacruderfineart.com/\">Jana Cruder\u003c/a> and \u003ca href=\"http://www.matthewlapenta.com/\">Matthew LaPenta\u003c/a> -- set up their sculptures in Pershing Square, a park surrounded by glittering skyscrapers in downtown Los Angeles. Passersby snapped selfies in front of the bulbous shapes and approached the artists to ask questions about their intention.\u003c/p>\n\u003cp>Cruder and LaPenta call this work “Natural Plasticity,” a phrase that both draws attention to just how unnatural plastic actually is, and is also a reference to “neural plasticity,” the brain's ability to reorganize itself by forming new neural connections. Their goal is to change how people think about plastic, and influence consumer behavior.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Created from the byproduct of oil and natural gas production, the neurotoxins and chemicals found in plastic have been linked to a host of public health concerns, including diabetes, obesity, various forms of cancer and reproductive problems.\u003c/p>\n\u003cfigure id=\"attachment_10937346\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-10937346\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/RS19244_IMG_1425-qut.jpg\" alt=\"The goal of artists Matthew LaPenta and Jana Cruder is to change how people think about plastic, and influence consumer behavior.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut-960x720.jpg 960w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The goal of artists Matthew LaPenta and Jana Cruder is to change how people think about plastic, and influence consumer behavior. \u003ccite>(Avishay Artsy/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The artists plan to bring their sculptures to other locations around Los Angeles. LaPenta said the goal is to head west along the L.A. River, mimicking the journey of plastic trash toward the ocean.\u003c/p>\n\u003cp>“Because that's a huge problem, that everything's being flushed out to the ocean. And we're not really being responsible,” LaPenta said.\u003c/p>\n\u003cp>The artists cite Claes Oldenburg, the sculptor who turns ink stamps, shuttlecocks and ice cream cones into public art, as a major influence on their work. They also credit Chinese dissident artist and activist Ai Weiwei as a political influence.\u003c/p>\n\u003cp>Cruder said her awareness of disposable plastic began after the couple watched a documentary called \u003ca href=\"https://www.youtube.com/watch?v=a7X-J1DhfjE\">\u003cem>Plastic Planet\u003c/em>\u003c/a>, a 14-country tour of plastic manufacturing and health dangers associated with products made of synthetic polymers. Later, during hikes through national parks, the couple would see plastic trash thrown everywhere.\u003c/p>\n\u003cp>But it was her personal health that really moved Cruder to act.\u003c/p>\n\u003cp>[contextly_sidebar id=\"eHFv77HSVvhO7klVm7GaalxH3nvIzLLG\"]\u003c/p>\n\u003cp>“My mother had breast cancer most of my life and when she passed away, I did a ton of research to make sure that I don't get breast cancer,” Cruder says. “And one of the things that I learned was about plastic and how it affects women specifically, our endocrine systems. And from that awareness, this choice in eradication of plastic out of my life happened.”\u003c/p>\n\u003cp>Policy activists say the amount of plastic that ends up in our oceans has created a public health crisis. Visual artist Dianna Cohen runs Plastic Pollution Coalition, a global alliance of NGOs and businesses. She came out to the park to see the artwork herself.\u003c/p>\n\u003cp>“Some people have heard of the \u003ca href=\"http://education.nationalgeographic.org/encyclopedia/great-pacific-garbage-patch/\">Great Pacific Garbage Patch\u003c/a>. Well, we’ve got multiple garbage patches in all five major oceans in the world,” Cohen said. “We’re not saying that they’re islands of plastic, we’re saying the entire ocean has become a plastic soup.”\u003c/p>\n\u003cp>Cohen says public art like this can actually change people’s behavior. “To me, what this does is, it’s in your face,” Cohen said. “And the thing about it is, we become immune to seeing this stuff. If you drive home tonight, you’ll see it along the side of the road. You know, you’ll see it everywhere. And people don’t even pick it up anymore because there’s so much of it.”\u003c/p>\n\u003cfigure id=\"attachment_10937347\" class=\"wp-caption aligncenter\" style=\"max-width: 1280px\">\u003cimg class=\"size-full wp-image-10937347\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut.jpg\" alt=\"The artists built the sculptures out of post-consumer recycled plastic.\" width=\"1280\" height=\"721\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut.jpg 1280w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut-800x451.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut-1180x665.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut-960x541.jpg 960w\" sizes=\"(max-width: 1280px) 100vw, 1280px\">\u003cfigcaption class=\"wp-caption-text\">The artists built the sculptures out of post-consumer recycled plastic. \u003ccite>(Guina Elvis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The artwork also resonated with Eric Gharakhanian, who happened upon it while walking through downtown. He thinks projects like “Natural Plasticity” may lead people to rethink their use of disposable plastic.\u003c/p>\n\u003cp>“I think it'll make people more conscious of it, because it seems all too common to just see like a bottle on the ground. And to sort of have that like in such a magnified and large form, I think it might make people consider that,” Gharakhanian said.\u003c/p>\n\u003cp>Gharakhanian said he didn’t realize at first that the objects are meant to draw attention to how much of this plastic ends up in the oceans. That’s why the artists say they need to be present with the art, to help make that connection and suggest ways to reduce the use of disposable plastic.\u003c/p>\n\u003caside class=\"pullquote alignright\">'We’re not saying that they’re islands of plastic, we’re saying the entire ocean has become a plastic soup.'\u003c/aside>\n\u003cp>“I’m sorry guys, recycling doesn’t work, because we're producing way more than we can ever recycle, and we're exporting our recyclables,” Cruder said. “Other countries don't really know what to do with it. So, it’s refusing, it's getting to the point of saying no, I'm not going to use disposable plastic in my life and if we as consumers shift that, then I think those who make things that we buy will shift as well. So, it’s about shifting perspective.”\u003c/p>\n\u003cp>The use of inflatable plastic sculptures comes with its own headaches. Strong winds require the use of sandbags to hold the bottle and cup in place. Visitors tend to poke and prod the sculptures, requiring the artists to politely ask them to back away. And on a sunny afternoon, the heat demands the artists re-inflate the works using a rather loud air pump.\u003c/p>\n\u003cp>The appearance of “Natural Plasticity” in Pershing Square was made possible through funding from \u003ca href=\"http://doartfoundation.org/\">Do Art Foundation\u003c/a>, RVCC, \u003ca href=\"http://www.sharkallies.com/\">Shark Allies\u003c/a> and support by the City of LA Department of Recreation and Parks. After the sculptures reach the Pacific Ocean, the artists want to keep it moving. Their next stops could include Yosemite, Sequoia & Kings Canyon and other national parks fighting the onslaught of plastic.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>You can see “Natural Plasticity” on display in Los Angeles at Griffith Park on Saturday, April 30, and Elysian Park on Sunday, May 1st.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Discarded plastic cups and bottles are so prevalent, they’re almost invisible. Whether it’s an iced coffee cup from Starbucks or a red Solo cup at a party, or a water bottle bought from a gas station, they are made to be used and thrown away minutes later.\u003c/p>\n\u003cp>Two artists are trying to raise awareness of the harmful impact of these plastic objects. Using post-consumer recycled plastic, they created two large inflatable sculptures, each about the size of a school bus. One is shaped like a simple plastic bottle. They other is a plastic cup with a lid and a green straw.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/260435732&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/260435732'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>On a recent weekend, the artists -- \u003ca href=\"http://janacruderfineart.com/\">Jana Cruder\u003c/a> and \u003ca href=\"http://www.matthewlapenta.com/\">Matthew LaPenta\u003c/a> -- set up their sculptures in Pershing Square, a park surrounded by glittering skyscrapers in downtown Los Angeles. Passersby snapped selfies in front of the bulbous shapes and approached the artists to ask questions about their intention.\u003c/p>\n\u003cp>Cruder and LaPenta call this work “Natural Plasticity,” a phrase that both draws attention to just how unnatural plastic actually is, and is also a reference to “neural plasticity,” the brain's ability to reorganize itself by forming new neural connections. Their goal is to change how people think about plastic, and influence consumer behavior.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Created from the byproduct of oil and natural gas production, the neurotoxins and chemicals found in plastic have been linked to a host of public health concerns, including diabetes, obesity, various forms of cancer and reproductive problems.\u003c/p>\n\u003cfigure id=\"attachment_10937346\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-10937346\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/RS19244_IMG_1425-qut.jpg\" alt=\"The goal of artists Matthew LaPenta and Jana Cruder is to change how people think about plastic, and influence consumer behavior.\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19244_IMG_1425-qut-960x720.jpg 960w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The goal of artists Matthew LaPenta and Jana Cruder is to change how people think about plastic, and influence consumer behavior. \u003ccite>(Avishay Artsy/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The artists plan to bring their sculptures to other locations around Los Angeles. LaPenta said the goal is to head west along the L.A. River, mimicking the journey of plastic trash toward the ocean.\u003c/p>\n\u003cp>“Because that's a huge problem, that everything's being flushed out to the ocean. And we're not really being responsible,” LaPenta said.\u003c/p>\n\u003cp>The artists cite Claes Oldenburg, the sculptor who turns ink stamps, shuttlecocks and ice cream cones into public art, as a major influence on their work. They also credit Chinese dissident artist and activist Ai Weiwei as a political influence.\u003c/p>\n\u003cp>Cruder said her awareness of disposable plastic began after the couple watched a documentary called \u003ca href=\"https://www.youtube.com/watch?v=a7X-J1DhfjE\">\u003cem>Plastic Planet\u003c/em>\u003c/a>, a 14-country tour of plastic manufacturing and health dangers associated with products made of synthetic polymers. Later, during hikes through national parks, the couple would see plastic trash thrown everywhere.\u003c/p>\n\u003cp>But it was her personal health that really moved Cruder to act.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“My mother had breast cancer most of my life and when she passed away, I did a ton of research to make sure that I don't get breast cancer,” Cruder says. “And one of the things that I learned was about plastic and how it affects women specifically, our endocrine systems. And from that awareness, this choice in eradication of plastic out of my life happened.”\u003c/p>\n\u003cp>Policy activists say the amount of plastic that ends up in our oceans has created a public health crisis. Visual artist Dianna Cohen runs Plastic Pollution Coalition, a global alliance of NGOs and businesses. She came out to the park to see the artwork herself.\u003c/p>\n\u003cp>“Some people have heard of the \u003ca href=\"http://education.nationalgeographic.org/encyclopedia/great-pacific-garbage-patch/\">Great Pacific Garbage Patch\u003c/a>. Well, we’ve got multiple garbage patches in all five major oceans in the world,” Cohen said. “We’re not saying that they’re islands of plastic, we’re saying the entire ocean has become a plastic soup.”\u003c/p>\n\u003cp>Cohen says public art like this can actually change people’s behavior. “To me, what this does is, it’s in your face,” Cohen said. “And the thing about it is, we become immune to seeing this stuff. If you drive home tonight, you’ll see it along the side of the road. You know, you’ll see it everywhere. And people don’t even pick it up anymore because there’s so much of it.”\u003c/p>\n\u003cfigure id=\"attachment_10937347\" class=\"wp-caption aligncenter\" style=\"max-width: 1280px\">\u003cimg class=\"size-full wp-image-10937347\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut.jpg\" alt=\"The artists built the sculptures out of post-consumer recycled plastic.\" width=\"1280\" height=\"721\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut.jpg 1280w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut-800x451.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut-1180x665.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2016/04/RS19249_Guina_Elvis_Image_1-qut-960x541.jpg 960w\" sizes=\"(max-width: 1280px) 100vw, 1280px\">\u003cfigcaption class=\"wp-caption-text\">The artists built the sculptures out of post-consumer recycled plastic. \u003ccite>(Guina Elvis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The artwork also resonated with Eric Gharakhanian, who happened upon it while walking through downtown. He thinks projects like “Natural Plasticity” may lead people to rethink their use of disposable plastic.\u003c/p>\n\u003cp>“I think it'll make people more conscious of it, because it seems all too common to just see like a bottle on the ground. And to sort of have that like in such a magnified and large form, I think it might make people consider that,” Gharakhanian said.\u003c/p>\n\u003cp>Gharakhanian said he didn’t realize at first that the objects are meant to draw attention to how much of this plastic ends up in the oceans. That’s why the artists say they need to be present with the art, to help make that connection and suggest ways to reduce the use of disposable plastic.\u003c/p>\n\u003caside class=\"pullquote alignright\">'We’re not saying that they’re islands of plastic, we’re saying the entire ocean has become a plastic soup.'\u003c/aside>\n\u003cp>“I’m sorry guys, recycling doesn’t work, because we're producing way more than we can ever recycle, and we're exporting our recyclables,” Cruder said. “Other countries don't really know what to do with it. So, it’s refusing, it's getting to the point of saying no, I'm not going to use disposable plastic in my life and if we as consumers shift that, then I think those who make things that we buy will shift as well. So, it’s about shifting perspective.”\u003c/p>\n\u003cp>The use of inflatable plastic sculptures comes with its own headaches. Strong winds require the use of sandbags to hold the bottle and cup in place. Visitors tend to poke and prod the sculptures, requiring the artists to politely ask them to back away. And on a sunny afternoon, the heat demands the artists re-inflate the works using a rather loud air pump.\u003c/p>\n\u003cp>The appearance of “Natural Plasticity” in Pershing Square was made possible through funding from \u003ca href=\"http://doartfoundation.org/\">Do Art Foundation\u003c/a>, RVCC, \u003ca href=\"http://www.sharkallies.com/\">Shark Allies\u003c/a> and support by the City of LA Department of Recreation and Parks. After the sculptures reach the Pacific Ocean, the artists want to keep it moving. Their next stops could include Yosemite, Sequoia & Kings Canyon and other national parks fighting the onslaught of plastic.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/04/TDL20160422.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>April 28: \u003c/strong> People have been comparing Page Burkum and Jack Torrey’s of the\u003ca href=\"http://www.thecactusblossoms.com/index.html\" target=\"_blank\" rel=\"noopener\"> Cactus Blossoms\u003c/a> to the \u003ca href=\"https://en.wikipedia.org/wiki/The_Everly_Brothers\" target=\"_blank\" rel=\"noopener\">Everly Brothers\u003c/a>, because despite the different last names, they really are two brothers singing in close harmony. But there’s also a little Bob Wills and Buddy Holly in their look and inspiration. (Though not sure where you find cactus blossoms in Minnesota, Burkum and Torrey’s home state.)\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"The Cactus Blossoms - Stoplight Kisses (Official Music Video)\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/0kWEfeRjS7E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003cbr>\nAnyway, the lyrics are weird and smart. On “Clown Collector” they sing “History repeats all the time. It’s going to make you laugh when the clown starts crying.” It’s a great double bill. They opening for the throwback sound Pokey LaFarge at \u003ca href=\"http://thefillmore.com/\" target=\"_blank\" rel=\"noopener\">The Fillmore\u003c/a>. Details \u003ca href=\"http://thefillmore.com/event/34717699110/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=enLUXU4N7pE\u003c/p>\n\u003cp>\u003cstrong>Continuing through Sept. 25:\u003c/strong> The \u003ca href=\"http://museumca.org/\" target=\"_blank\" rel=\"noopener\">Oakland Museum of California\u003c/a> is doing something better than any other Bay Area museum, looking at cultural and historical aspects of marijuana use in American society. This is a timely exhibit as Californians get ready to vote this fall on a \u003ca href=\"http://ww2.kqed.org/news/2016/03/28/what-could-change-if-recreational-pot-is-legalized-in-california\" target=\"_blank\" rel=\"noopener\">measure to legalize pot for adult use in the state\u003c/a>. At this exhibit, you can sample the scent of different strains of cannabis, tell the truth about your own pot use in the Cannabis Confessional, and\u003cbr>\nwatch 30 years worth of PSAs about marijuana (scary). Details \u003ca href=\"http://museumca.org/exhibit/altered-state-marijuana-california\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ekabpUoNLew\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>April 22 & 23:\u003c/strong> The \u003ca href=\"http://www.calbach.org/\" target=\"_blank\" rel=\"noopener\">California Bach Society \u003c/a>is performing some gorgeous choral music this weekend. Artistic Director Paul Flight is leading the society’s 30 singers in three pieces: the double-choir motet \u003cem>Singet dem Herrn\u003c/em> (\u003cem>Sing a new song to the Lord\u003c/em>), \u003cem>Der Geist hilft unser Schwachheit auf \u003c/em>(\u003cem>The Spirit Gives Aid to our Weakness\u003c/em>), and \u003cem>Jesu meine Freude\u003c/em> (\u003cem>Jesus my Joy\u003c/em>). And you don’t have to be Lutheran to love these beautiful songs of praise. Details \u003ca href=\"http://www.calbach.org/season.html#fourthConcert\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, about the performances in San Francisco, Palo Alto, and Berkeley. \u003ca href=\"http://www.calbach.org/season.html#fourthConcert\" target=\"_blank\" rel=\"noopener\"> \u003c/a>\u003c/p>\n\u003cp>https://vimeo.com/159298737\u003c/p>\n\u003cp>\u003cstrong>April 22 – May 1:\u003c/strong> You’ll have lots of chances to kick up your heels in the next eight days during \u003ca href=\"http://bayareandw.org/\" target=\"_blank\" rel=\"noopener\">Bay Area Dance week.\u003c/a> The festival starts Friday at 12noon at Union Square, where anyone can join the flash mob dancing to the Beatles “Twist and Shout.” (But you’ll fit in better if you follow the training video from \u003ca href=\"http://www.rhythmandmotion.com/\" target=\"_blank\" rel=\"noopener\">Rhythm and Motion\u003cb> \u003c/b>\u003c/a> dance instructor Dudley Flores\u003cstrong> \u003c/strong>above.) Then there are about 400 other dance events, many of them free, listed \u003ca href=\"http://bayareandw.org/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003cstrong>. \u003c/strong>And we’re highlighting just a few:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZdvOesczMzU\u003c/p>\n\u003cp>\u003cstrong>Through April 30:\u003c/strong> The great modern dance maestro \u003ca href=\"https://linesballet.org/performances/spring-season/\" target=\"_blank\" rel=\"noopener\">Alonzo King collaborates with jazz greats Charles Lloyd and Jason Moran on a world premiere at YBCA\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6Co08dOKovM\u003c/p>\n\u003cp>\u003cstrong>April 24\u003c/strong>: sjDANCEco presents its \u003ca href=\"http://www.sjdanceco.org/\" target=\"_blank\" rel=\"noopener\">14th annual festival at Santana Row Park, \u003c/a>with nearly 70 dance groups slated to perform-10-5pm and it’s free.\u003c/p>\n\u003cp>\u003cstrong>April 22\u003c/strong>: \u003ca href=\"https://calperformances.org/?gclid=CILQqJTUoMwCFc-Ffgodl2EDaA&gclsrc=aw.ds\" target=\"_blank\" rel=\"noopener\">Cal Performances \u003c/a>presents \u003ca href=\"https://calperformances.org/performances/2015-16/citizen-dance/citizen-dance.php\" target=\"_blank\" rel=\"noopener\">Citizen Dance,\u003c/a> with members of UC Berkeley’s dance community in free outdoor performances near Zellerbach hall Friday evening at 5pm.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=OlSGg9KT5Bs\u003c/p>\n\u003cp>\u003cstrong>April 23\u003c/strong>: And AXIS Dance, the amazing Oakland ensemble with a mission to change the face of dance and disability offers the Bay Area premiere of \u003cem>To Go Again\u003c/em>, a new work by choreographer Joe Goode. AXIS does amazing things with wheelchairs. \u003ca href=\"http://live.stanford.edu/calendar/april-2016/axis-dance-company\" target=\"_blank\" rel=\"noopener\">That’s Saturday at Bing Hall at Stanford.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qffy6uHkcTU\u003c/p>\n\u003cp>\u003cstrong>April 26\u003c/strong>: The Canadian band Sloan is celebrating 25 years of crisp, smart power-pop. On this tour, they’re playing every song from their 1996 classic \u003cem>One Chord to Another\u003c/em>, then another set of newer material. Sloan is kind of the socialist commune of rockers, with each band member sharing songwriting and management duties. And yet they’re still together. Details for their\u003ca href=\"http://www.rickshawstop.com/event/1103181-evening-sloan-one-chord-san-francisco/\" target=\"_blank\" rel=\"noopener\"> Rickshaw Stop performance are\u003c/a>\u003ca href=\"http://www.rickshawstop.com/event/1103181-evening-sloan-one-chord-san-francisco/\" target=\"_blank\" rel=\"noopener\"> here\u003c/a>\u003ca href=\"http://www.rickshawstop.com/event/1103181-evening-sloan-one-chord-san-francisco/\" target=\"_blank\" rel=\"noopener\">.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cp>\u003cstrong>April 28: \u003c/strong> People have been comparing Page Burkum and Jack Torrey’s of the\u003ca href=\"http://www.thecactusblossoms.com/index.html\" target=\"_blank\" rel=\"noopener\"> Cactus Blossoms\u003c/a> to the \u003ca href=\"https://en.wikipedia.org/wiki/The_Everly_Brothers\" target=\"_blank\" rel=\"noopener\">Everly Brothers\u003c/a>, because despite the different last names, they really are two brothers singing in close harmony. But there’s also a little Bob Wills and Buddy Holly in their look and inspiration. (Though not sure where you find cactus blossoms in Minnesota, Burkum and Torrey’s home state.)\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"The Cactus Blossoms - Stoplight Kisses (Official Music Video)\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/0kWEfeRjS7E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003cbr>\nAnyway, the lyrics are weird and smart. On “Clown Collector” they sing “History repeats all the time. It’s going to make you laugh when the clown starts crying.” It’s a great double bill. They opening for the throwback sound Pokey LaFarge at \u003ca href=\"http://thefillmore.com/\" target=\"_blank\" rel=\"noopener\">The Fillmore\u003c/a>. Details \u003ca href=\"http://thefillmore.com/event/34717699110/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/enLUXU4N7pE'\n title='//www.youtube.com/embed/enLUXU4N7pE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Continuing through Sept. 25:\u003c/strong> The \u003ca href=\"http://museumca.org/\" target=\"_blank\" rel=\"noopener\">Oakland Museum of California\u003c/a> is doing something better than any other Bay Area museum, looking at cultural and historical aspects of marijuana use in American society. This is a timely exhibit as Californians get ready to vote this fall on a \u003ca href=\"http://ww2.kqed.org/news/2016/03/28/what-could-change-if-recreational-pot-is-legalized-in-california\" target=\"_blank\" rel=\"noopener\">measure to legalize pot for adult use in the state\u003c/a>. At this exhibit, you can sample the scent of different strains of cannabis, tell the truth about your own pot use in the Cannabis Confessional, and\u003cbr>\nwatch 30 years worth of PSAs about marijuana (scary). Details \u003ca href=\"http://museumca.org/exhibit/altered-state-marijuana-california\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ekabpUoNLew'\n title='//www.youtube.com/embed/ekabpUoNLew'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 22 & 23:\u003c/strong> The \u003ca href=\"http://www.calbach.org/\" target=\"_blank\" rel=\"noopener\">California Bach Society \u003c/a>is performing some gorgeous choral music this weekend. Artistic Director Paul Flight is leading the society’s 30 singers in three pieces: the double-choir motet \u003cem>Singet dem Herrn\u003c/em> (\u003cem>Sing a new song to the Lord\u003c/em>), \u003cem>Der Geist hilft unser Schwachheit auf \u003c/em>(\u003cem>The Spirit Gives Aid to our Weakness\u003c/em>), and \u003cem>Jesu meine Freude\u003c/em> (\u003cem>Jesus my Joy\u003c/em>). And you don’t have to be Lutheran to love these beautiful songs of praise. Details \u003ca href=\"http://www.calbach.org/season.html#fourthConcert\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, about the performances in San Francisco, Palo Alto, and Berkeley. \u003ca href=\"http://www.calbach.org/season.html#fourthConcert\" target=\"_blank\" rel=\"noopener\"> \u003c/a>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>April 22 – May 1:\u003c/strong> You’ll have lots of chances to kick up your heels in the next eight days during \u003ca href=\"http://bayareandw.org/\" target=\"_blank\" rel=\"noopener\">Bay Area Dance week.\u003c/a> The festival starts Friday at 12noon at Union Square, where anyone can join the flash mob dancing to the Beatles “Twist and Shout.” (But you’ll fit in better if you follow the training video from \u003ca href=\"http://www.rhythmandmotion.com/\" target=\"_blank\" rel=\"noopener\">Rhythm and Motion\u003cb> \u003c/b>\u003c/a> dance instructor Dudley Flores\u003cstrong> \u003c/strong>above.) Then there are about 400 other dance events, many of them free, listed \u003ca href=\"http://bayareandw.org/events/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>\u003cstrong>. \u003c/strong>And we’re highlighting just a few:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZdvOesczMzU'\n title='//www.youtube.com/embed/ZdvOesczMzU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Through April 30:\u003c/strong> The great modern dance maestro \u003ca href=\"https://linesballet.org/performances/spring-season/\" target=\"_blank\" rel=\"noopener\">Alonzo King collaborates with jazz greats Charles Lloyd and Jason Moran on a world premiere at YBCA\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6Co08dOKovM'\n title='//www.youtube.com/embed/6Co08dOKovM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 24\u003c/strong>: sjDANCEco presents its \u003ca href=\"http://www.sjdanceco.org/\" target=\"_blank\" rel=\"noopener\">14th annual festival at Santana Row Park, \u003c/a>with nearly 70 dance groups slated to perform-10-5pm and it’s free.\u003c/p>\n\u003cp>\u003cstrong>April 22\u003c/strong>: \u003ca href=\"https://calperformances.org/?gclid=CILQqJTUoMwCFc-Ffgodl2EDaA&gclsrc=aw.ds\" target=\"_blank\" rel=\"noopener\">Cal Performances \u003c/a>presents \u003ca href=\"https://calperformances.org/performances/2015-16/citizen-dance/citizen-dance.php\" target=\"_blank\" rel=\"noopener\">Citizen Dance,\u003c/a> with members of UC Berkeley’s dance community in free outdoor performances near Zellerbach hall Friday evening at 5pm.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OlSGg9KT5Bs'\n title='//www.youtube.com/embed/OlSGg9KT5Bs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 23\u003c/strong>: And AXIS Dance, the amazing Oakland ensemble with a mission to change the face of dance and disability offers the Bay Area premiere of \u003cem>To Go Again\u003c/em>, a new work by choreographer Joe Goode. AXIS does amazing things with wheelchairs. \u003ca href=\"http://live.stanford.edu/calendar/april-2016/axis-dance-company\" target=\"_blank\" rel=\"noopener\">That’s Saturday at Bing Hall at Stanford.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qffy6uHkcTU'\n title='//www.youtube.com/embed/Qffy6uHkcTU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 26\u003c/strong>: The Canadian band Sloan is celebrating 25 years of crisp, smart power-pop. On this tour, they’re playing every song from their 1996 classic \u003cem>One Chord to Another\u003c/em>, then another set of newer material. Sloan is kind of the socialist commune of rockers, with each band member sharing songwriting and management duties. And yet they’re still together. Details for their\u003ca href=\"http://www.rickshawstop.com/event/1103181-evening-sloan-one-chord-san-francisco/\" target=\"_blank\" rel=\"noopener\"> Rickshaw Stop performance are\u003c/a>\u003ca href=\"http://www.rickshawstop.com/event/1103181-evening-sloan-one-chord-san-francisco/\" target=\"_blank\" rel=\"noopener\"> here\u003c/a>\u003ca href=\"http://www.rickshawstop.com/event/1103181-evening-sloan-one-chord-san-francisco/\" target=\"_blank\" rel=\"noopener\">.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In case you've been off the internet and haven't turned on the TV or radio for a solid eight hours, we have some bad news for you: Prince has died.\u003c/p>\n\u003cp>If your immediate reaction to this is to burrow under the covers moaning \"This is what it sounds like when doves cry,\" well, we can't blame you. But, to be honest, that is probably not what our close personal friend Prince would have wanted us to do. He would have wanted to us to dance. He would have wanted us to \u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/every-animated-gif-of-prince-youll-ever-need/\" target=\"_blank\">get animated\u003c/a>. He would have wanted us to \u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/lets-go-crazy-prince-and-the-subversive-power-of-party-music/\" target=\"_blank\">go crazy\u003c/a>.\u003c/p>\n\u003cp>Here are some opportunities to do just that. We'll update this list as we hear about more.\u003c/p>\n\u003ch4>Thursday, April 21:\u003c/h4>\n\u003cp>\u003cstrong>San Francisco City Hall\u003c/strong> will be \u003ca href=\"https://www.facebook.com/events/244554419266138/\" target=\"_blank\">going purple at 8 pm\u003c/a>, thanks to a lightning-quick social media campaign apparently kicked off by FunCheapSF.\u003c/p>\n\u003cp>\u003cstrong>Also at 8 pm: \u003ca href=\"http://hoodline.com/events/prince-memorial-flashdance-free-outdoor-dance-party\" target=\"_blank\">Prince memorial flash mob\u003c/a>\u003c/strong> at the Ferry Building.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Sweater Funk\u003c/strong> and other DJs will be \u003ca href=\"https://www.facebook.com/events/248024905547554/\" target=\"_blank\">spinning Prince favorites at the Make-Out Room. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>BFF.fm DJs\u003c/strong> will be holding their own with an \u003ca href=\"https://www.facebook.com/events/745189385584326/\" target=\"_blank\">Emergency Prince Tribute tonight at Pops. \u003c/a>\u003c/p>\n\u003ch4>Friday, April 22:\u003c/h4>\n\u003cp>\u003cstrong>\u003cem>Purple Rain\u003c/em>\u003c/strong>, in all its majesty, shall be screened at the \u003ca href=\"https://www.facebook.com/events/137330066669225/\" target=\"_blank\">Roxie Theater at 11:55 pm. \u003c/a>\u003c/p>\n\u003cp>Art space\u003cstrong> Southern Exposure\u003c/strong> will kick off its \u003ca href=\"https://www.soex.org/projects-exhibitions/over-wall\" target=\"_blank\">new exhibition\u003c/a> with a \u003ca href=\"https://www.facebook.com/events/972130089530796/\" target=\"_blank\">Prince dance party\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>The Church of 8 Wheels\u003c/strong> will host two nights (Friday and Saturday) of \u003ca href=\"https://www.facebook.com/events/1585366411774342/\" target=\"_blank\">Prince-themed roller disco\u003c/a>.\u003c/p>\n\u003ch4>Saturday, April 23:\u003c/h4>\n\u003cp>Oakland's \u003cstrong>Heart and Dagger Saloon\u003c/strong> will be showing \u003cem>Purple Rain\u003c/em> on repeat and \u003ca href=\"https://www.facebook.com/events/509317125920472/\" target=\"_blank\">spinning Prince tunes all night long\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Club BNB\u003c/strong> will be hosting a \u003ca href=\"https://www.facebook.com/events/474053742793568/\" target=\"_blank\">Prince Farewell Dance Party\u003c/a>.\u003c/p>\n\u003cp>R&B station \u003cstrong>KLBX 102.9 FM\u003c/strong> is throwing a \u003ca href=\"http://www.kblx.com/blogs/kblxs-prince-tribute-day-party\" target=\"_blank\">Prince Tribute Day Party\u003c/a> at Liege Spirits Lounge in Oakland. (The first 102 people who show up in purple get a free Prince mix CD.)\u003c/p>\n\u003ch4>Sunday, April 24:\u003c/h4>\n\u003cp>\u003cstrong>Disco Cabana\u003c/strong>'s \u003ca href=\"https://www.facebook.com/events/218598768514659/\" target=\"_blank\">daytime Prince tribute party\u003c/a> was apparently planned weeks ago?!\u003c/p>\n\u003ch4>Wednesday, April 27:\u003c/h4>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/1072684689459060/\" target=\"_blank\">Prince: A Celebration\u003c/a> \u003c/strong>at the \u003cstrong>Elbo Room,\u003c/strong> with DJs Chaki, Cory Sklar, Jeremy Wheat, and more. Proceeds from the $5 door charge will go to benefit the San Francisco AIDS Foundation.\u003c/p>\n\u003ch4>Thursday, April 28:\u003c/h4>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>1015 Folsom\u003c/strong> hosts a \u003ca href=\"https://www.facebook.com/events/1091102237628009/\" target=\"_blank\">dance night tribute party\u003c/a>.\u003c/p>\n\n",
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"excerpt": "Get out there, and get funky. It's what the Purple One would have wanted. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In case you've been off the internet and haven't turned on the TV or radio for a solid eight hours, we have some bad news for you: Prince has died.\u003c/p>\n\u003cp>If your immediate reaction to this is to burrow under the covers moaning \"This is what it sounds like when doves cry,\" well, we can't blame you. But, to be honest, that is probably not what our close personal friend Prince would have wanted us to do. He would have wanted to us to dance. He would have wanted us to \u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/every-animated-gif-of-prince-youll-ever-need/\" target=\"_blank\">get animated\u003c/a>. He would have wanted us to \u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/lets-go-crazy-prince-and-the-subversive-power-of-party-music/\" target=\"_blank\">go crazy\u003c/a>.\u003c/p>\n\u003cp>Here are some opportunities to do just that. We'll update this list as we hear about more.\u003c/p>\n\u003ch4>Thursday, April 21:\u003c/h4>\n\u003cp>\u003cstrong>San Francisco City Hall\u003c/strong> will be \u003ca href=\"https://www.facebook.com/events/244554419266138/\" target=\"_blank\">going purple at 8 pm\u003c/a>, thanks to a lightning-quick social media campaign apparently kicked off by FunCheapSF.\u003c/p>\n\u003cp>\u003cstrong>Also at 8 pm: \u003ca href=\"http://hoodline.com/events/prince-memorial-flashdance-free-outdoor-dance-party\" target=\"_blank\">Prince memorial flash mob\u003c/a>\u003c/strong> at the Ferry Building.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Sweater Funk\u003c/strong> and other DJs will be \u003ca href=\"https://www.facebook.com/events/248024905547554/\" target=\"_blank\">spinning Prince favorites at the Make-Out Room. \u003c/a>\u003c/p>\n\u003cp>\u003cstrong>BFF.fm DJs\u003c/strong> will be holding their own with an \u003ca href=\"https://www.facebook.com/events/745189385584326/\" target=\"_blank\">Emergency Prince Tribute tonight at Pops. \u003c/a>\u003c/p>\n\u003ch4>Friday, April 22:\u003c/h4>\n\u003cp>\u003cstrong>\u003cem>Purple Rain\u003c/em>\u003c/strong>, in all its majesty, shall be screened at the \u003ca href=\"https://www.facebook.com/events/137330066669225/\" target=\"_blank\">Roxie Theater at 11:55 pm. \u003c/a>\u003c/p>\n\u003cp>Art space\u003cstrong> Southern Exposure\u003c/strong> will kick off its \u003ca href=\"https://www.soex.org/projects-exhibitions/over-wall\" target=\"_blank\">new exhibition\u003c/a> with a \u003ca href=\"https://www.facebook.com/events/972130089530796/\" target=\"_blank\">Prince dance party\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>The Church of 8 Wheels\u003c/strong> will host two nights (Friday and Saturday) of \u003ca href=\"https://www.facebook.com/events/1585366411774342/\" target=\"_blank\">Prince-themed roller disco\u003c/a>.\u003c/p>\n\u003ch4>Saturday, April 23:\u003c/h4>\n\u003cp>Oakland's \u003cstrong>Heart and Dagger Saloon\u003c/strong> will be showing \u003cem>Purple Rain\u003c/em> on repeat and \u003ca href=\"https://www.facebook.com/events/509317125920472/\" target=\"_blank\">spinning Prince tunes all night long\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Club BNB\u003c/strong> will be hosting a \u003ca href=\"https://www.facebook.com/events/474053742793568/\" target=\"_blank\">Prince Farewell Dance Party\u003c/a>.\u003c/p>\n\u003cp>R&B station \u003cstrong>KLBX 102.9 FM\u003c/strong> is throwing a \u003ca href=\"http://www.kblx.com/blogs/kblxs-prince-tribute-day-party\" target=\"_blank\">Prince Tribute Day Party\u003c/a> at Liege Spirits Lounge in Oakland. (The first 102 people who show up in purple get a free Prince mix CD.)\u003c/p>\n\u003ch4>Sunday, April 24:\u003c/h4>\n\u003cp>\u003cstrong>Disco Cabana\u003c/strong>'s \u003ca href=\"https://www.facebook.com/events/218598768514659/\" target=\"_blank\">daytime Prince tribute party\u003c/a> was apparently planned weeks ago?!\u003c/p>\n\u003ch4>Wednesday, April 27:\u003c/h4>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/1072684689459060/\" target=\"_blank\">Prince: A Celebration\u003c/a> \u003c/strong>at the \u003cstrong>Elbo Room,\u003c/strong> with DJs Chaki, Cory Sklar, Jeremy Wheat, and more. Proceeds from the $5 door charge will go to benefit the San Francisco AIDS Foundation.\u003c/p>\n\u003ch4>Thursday, April 28:\u003c/h4>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>1015 Folsom\u003c/strong> hosts a \u003ca href=\"https://www.facebook.com/events/1091102237628009/\" target=\"_blank\">dance night tribute party\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>CHANHASSEN, Minn. (AP) — Pop superstar Prince, widely acclaimed as one of the most inventive and influential musicians of his era with hits including “Little Red Corvette,” ”Let’s Go Crazy” and “When Doves Cry,” was found dead at his home on Thursday in suburban Minneapolis, according to his publicist. He was 57.\u003c/p>\n\u003cp>His publicist, Yvette Noel-Schure, told The Associated Press that the music icon died at his home in Chanhassen. No details were immediately released.\u003c/p>\n\u003cp>The singer, songwriter, arranger and instrumentalist broke through in the late 1970s with the hits “Why You Wanna Treat Me So Bad?” and “I Wanna Be Your Lover,” and soared over the following decade with such albums as “1999” and “Purple Rain.” The title song from “1999” includes one of the most widely quoted refrains of popular culture: “Tonight I’m gonna party like it’s 1999.”\u003c/p>\n\u003cfigure id=\"attachment_11371761\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/Prince.MAIN1_..jpg\" alt=\"Prince recently toured solo on his 'Piano and a Microphone' tour.\" width=\"800\" height=\"450\" class=\"size-full wp-image-11371761\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/Prince.MAIN1_..jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/Prince.MAIN1_.-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/Prince.MAIN1_.-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prince recently toured solo on his ‘Piano and a Microphone’ tour. \u003ccite>(Photo courtesy Prince management)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Minneapolis native, born Prince Rogers Nelson, stood just 5 feet, 2 inches tall, and seemed to summon the most original and compelling sounds at will, whether playing guitar in a flamboyant style that openly drew upon Jimi Hendrix, switching his vocals from a nasally scream to an erotic falsetto or turning out album after album of stunningly original material. Among his other notable releases: “Sign O’ the Times,” ”Graffiti Bridge” and “The Black Album.”\u003c/p>\n\u003cp>He was also fiercely protective of his independence, battling his record company over control of his material and even his name. Prince once wrote “slave” on his face in protest of not owning his work and famously battled and then departed his label, Warner Bros., before returning a few years ago.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“What’s happening now is the position that I’ve always wanted to be in,” Prince told the AP in 2014. “I was just trying to get here.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6SFNW5F8K9Y\u003c/p>\n\u003cp>In 2004, Prince was inducted into the Rock and Roll Hall of Fame, which hailed him as a musical and social trailblazer.\u003c/p>\n\u003cp>“He rewrote the rulebook, forging a synthesis of black funk and white rock that served as a blueprint for cutting-edge music in the Eighties,” reads the Hall’s dedication. “Prince made dance music that rocked and rock music that had a bristling, funky backbone. From the beginning, Prince and his music were androgynous, sly, sexy and provocative.”\u003c/p>\n\u003cp>Rarely lacking in confidence, Price effortlessly absorbed the music of others and made it sound like Prince, whether the James Brown guitar riff on “Kiss” or the Beatle-esque, psychedelic pop of “Raspberry Beret.”\u003c/p>\n\u003cp>He also proved a source of hits for others, from Sinead O’Connor’s “Nothing Compares 2 U” to Cyndi Lauper’s “When You Were Mine.” He also wrote “Manic Monday” for the Bangles\u003c/p>\n\u003cp>Prince had been touring and recording right up until his death, releasing four albums in the last 18 months, including two on the Tidal streaming service last year. He performed in Atlanta last week as part of his “Piano and a Microphone” tour, a stripped down show that has featured a mix of his hits like “Purple Rain” or “Little Red Corvette” and some B-sides from his extensive library.\u003c/p>\n\u003cp>Prince debuted the intimate format at his Paisley Park studios in January, treating fans to a performance that was personal and was both playful and emotional at times.\u003c/p>\n\u003cfigure id=\"attachment_10959927\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/09/Prince.jpg\" alt=\"The cover of Prince's "Let's Go Crazy" single, which was played in the background of the video under dispute. (Photo: Paisley Park)\" width=\"800\" height=\"450\" class=\"size-full wp-image-10959927\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Prince.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Prince-400x225.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The cover of Prince’s “Let’s Go Crazy” single.\u003c/figcaption>\u003c/figure>\n\u003cp>The musician had seemed to be shedding his reclusive reputation. He hosted several late-night jam sessions where he serenaded Madonna, celebrated the Minnesota Lynx’s WNBA championship and showcased his latest protege, singer Judith Hill.\u003c/p>\n\u003cp>Ever surprising, he announced on stage in New York City last month that he was writing his memoir. “The Beautiful Ones” was expected to be released in the fall of 2017 by publishing house Spiegel & Grau. The publishing house has not yet commented on status of book, but a press release about the memoir says: “Prince will take readers on an unconventional and poetic journey through his life and creative work.” It says the book will include stories about Prince’s music and “the family that shaped him and the people, places, and ideas that fired his creative imagination.”\u003c/p>\n\u003cp>A small group of fans quickly gathered in the rain Thursday outside his music studio, Paisley Park, where Prince’s gold records are on the walls and the purple motorcycle he rode in his 1984 breakout movie, “Purple Rain,” is on display. The white building surrounded by a fence is in Chanhassen, about 20 miles southwest of Minneapolis.\u003c/p>\n\u003cp>Steven Scott, 32, of Eden Prairie, said he was at Paisley Park last Saturday for Prince’s dance party. He called Prince “a beautiful person” whose message was that people should love one another.\u003c/p>\n\u003cp>“He brought people together for the right reasons,” Scott said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Note: This story is being updated. Check back as details unfold.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>CHANHASSEN, Minn. (AP) — Pop superstar Prince, widely acclaimed as one of the most inventive and influential musicians of his era with hits including “Little Red Corvette,” ”Let’s Go Crazy” and “When Doves Cry,” was found dead at his home on Thursday in suburban Minneapolis, according to his publicist. He was 57.\u003c/p>\n\u003cp>His publicist, Yvette Noel-Schure, told The Associated Press that the music icon died at his home in Chanhassen. No details were immediately released.\u003c/p>\n\u003cp>The singer, songwriter, arranger and instrumentalist broke through in the late 1970s with the hits “Why You Wanna Treat Me So Bad?” and “I Wanna Be Your Lover,” and soared over the following decade with such albums as “1999” and “Purple Rain.” The title song from “1999” includes one of the most widely quoted refrains of popular culture: “Tonight I’m gonna party like it’s 1999.”\u003c/p>\n\u003cfigure id=\"attachment_11371761\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/Prince.MAIN1_..jpg\" alt=\"Prince recently toured solo on his 'Piano and a Microphone' tour.\" width=\"800\" height=\"450\" class=\"size-full wp-image-11371761\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/Prince.MAIN1_..jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/Prince.MAIN1_.-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/Prince.MAIN1_.-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prince recently toured solo on his ‘Piano and a Microphone’ tour. \u003ccite>(Photo courtesy Prince management)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Minneapolis native, born Prince Rogers Nelson, stood just 5 feet, 2 inches tall, and seemed to summon the most original and compelling sounds at will, whether playing guitar in a flamboyant style that openly drew upon Jimi Hendrix, switching his vocals from a nasally scream to an erotic falsetto or turning out album after album of stunningly original material. Among his other notable releases: “Sign O’ the Times,” ”Graffiti Bridge” and “The Black Album.”\u003c/p>\n\u003cp>He was also fiercely protective of his independence, battling his record company over control of his material and even his name. Prince once wrote “slave” on his face in protest of not owning his work and famously battled and then departed his label, Warner Bros., before returning a few years ago.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“What’s happening now is the position that I’ve always wanted to be in,” Prince told the AP in 2014. “I was just trying to get here.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6SFNW5F8K9Y'\n title='//www.youtube.com/embed/6SFNW5F8K9Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 2004, Prince was inducted into the Rock and Roll Hall of Fame, which hailed him as a musical and social trailblazer.\u003c/p>\n\u003cp>“He rewrote the rulebook, forging a synthesis of black funk and white rock that served as a blueprint for cutting-edge music in the Eighties,” reads the Hall’s dedication. “Prince made dance music that rocked and rock music that had a bristling, funky backbone. From the beginning, Prince and his music were androgynous, sly, sexy and provocative.”\u003c/p>\n\u003cp>Rarely lacking in confidence, Price effortlessly absorbed the music of others and made it sound like Prince, whether the James Brown guitar riff on “Kiss” or the Beatle-esque, psychedelic pop of “Raspberry Beret.”\u003c/p>\n\u003cp>He also proved a source of hits for others, from Sinead O’Connor’s “Nothing Compares 2 U” to Cyndi Lauper’s “When You Were Mine.” He also wrote “Manic Monday” for the Bangles\u003c/p>\n\u003cp>Prince had been touring and recording right up until his death, releasing four albums in the last 18 months, including two on the Tidal streaming service last year. He performed in Atlanta last week as part of his “Piano and a Microphone” tour, a stripped down show that has featured a mix of his hits like “Purple Rain” or “Little Red Corvette” and some B-sides from his extensive library.\u003c/p>\n\u003cp>Prince debuted the intimate format at his Paisley Park studios in January, treating fans to a performance that was personal and was both playful and emotional at times.\u003c/p>\n\u003cfigure id=\"attachment_10959927\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/09/Prince.jpg\" alt=\"The cover of Prince's "Let's Go Crazy" single, which was played in the background of the video under dispute. (Photo: Paisley Park)\" width=\"800\" height=\"450\" class=\"size-full wp-image-10959927\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Prince.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Prince-400x225.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The cover of Prince’s “Let’s Go Crazy” single.\u003c/figcaption>\u003c/figure>\n\u003cp>The musician had seemed to be shedding his reclusive reputation. He hosted several late-night jam sessions where he serenaded Madonna, celebrated the Minnesota Lynx’s WNBA championship and showcased his latest protege, singer Judith Hill.\u003c/p>\n\u003cp>Ever surprising, he announced on stage in New York City last month that he was writing his memoir. “The Beautiful Ones” was expected to be released in the fall of 2017 by publishing house Spiegel & Grau. The publishing house has not yet commented on status of book, but a press release about the memoir says: “Prince will take readers on an unconventional and poetic journey through his life and creative work.” It says the book will include stories about Prince’s music and “the family that shaped him and the people, places, and ideas that fired his creative imagination.”\u003c/p>\n\u003cp>A small group of fans quickly gathered in the rain Thursday outside his music studio, Paisley Park, where Prince’s gold records are on the walls and the purple motorcycle he rode in his 1984 breakout movie, “Purple Rain,” is on display. The white building surrounded by a fence is in Chanhassen, about 20 miles southwest of Minneapolis.\u003c/p>\n\u003cp>Steven Scott, 32, of Eden Prairie, said he was at Paisley Park last Saturday for Prince’s dance party. He called Prince “a beautiful person” whose message was that people should love one another.\u003c/p>\n\u003cp>“He brought people together for the right reasons,” Scott said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Note: This story is being updated. Check back as details unfold.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment noopener wp-att-11316580\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>Silicon Valley has drawn hundreds of thousands of South Asians to the Bay Area in recent years. This influx has led to a massive boom in Indian arts offerings locally, especially music and dance — and most especially South Indian music and dance.\u003c/p>\n\u003cp>“If you look through the pages of our magazine, you will see pages and pages of events that are happening,” says Vandana Kumar, publisher of San Jose-based \u003cem>\u003ca href=\"https://www.indiacurrents.com/\" target=\"_blank\" rel=\"noopener\">India Currents\u003c/a>\u003c/em>, an online and print publication which puts out a comprehensive calendar of All Things Indian. “This is just for the month of April, and I don’t, in fact, have everything listed.”\u003c/p>\n\u003cp>The listings include music, dance, book readings, lectures and other cultural happenings — even non-Indian productions that include Indian talent, like Cirque du Soleil shows. “As long as they can make an Indian connection, they can get featured in our magazine,” Kumar says.\u003c/p>\n\u003cp>\u003cem>India Currents\u003c/em> has more than 190,000 readers nationwide, 70,000 of them in the Bay Area. 30 years ago, when she started the magazine, Kumar says concerts often happened in private living rooms. That’s changed, she says, thanks to Silicon Valley. “The tech boom that happened brought a whole lot of people,” Kumar says. “These were people with jobs, with disposable income, willing to pay for tickets.”\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/260217900″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=’166′ iframe=”true” /]\u003c/p>\n\u003cp>That’s proved a demographic windfall for organizations like \u003ca href=\"http://www.southindiafinearts.org/\" target=\"_blank\" rel=\"noopener\">South India Fine Arts \u003c/a>(SIFA). For the last 37 years, the Cupertino-based non-profit has produced a steady stream of concerts celebrating local talent, as well as headliners from India. “The music is thriving at both ends of the globe,” says SIFA President Anu Suresh.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>South Indian traditions\u003c/strong>\u003c/p>\n\u003cp>South Indian music is quite distinct from the Hindustani, or Northern style of music Ravi Shankar popularized with Western audiences in the late 1950s, boosted by his superstar student, George Harrison of The Beatles. While both Indian traditions feature \u003cem>ragas\u003c/em> (scales) and \u003cem>talas\u003c/em> (rhythmic patterns), they employ different instruments and stylistic approaches.\u003c/p>\n\u003cp>\u003cem>Feel like you need a little primer on Indian music? At TEDxMumbai, Dhanashree Pandit-Rai delivered a fun demonstration of some of the elements of Indian classical music.\u003c/em>\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=ZXnV5HzS7nA]\u003c/p>\n\u003cp>Swelling audiences have forced SIFA to start booking for bigger halls for the more popular acts — as well as compete with younger groups doing the same thing. Other nearby presenters include \u003ca href=\"http://kalalayausa.com\" target=\"_blank\" rel=\"noopener\">Kalalaya \u003c/a>in Fremont, \u003ca href=\"https://sites.google.com/site/shreerangaramanujafinearts/\" target=\"_blank\" rel=\"noopener\">Sri Ranga Ramanuja Maha Desikan Fine Arts\u003c/a> (aka SR Fine Arts) in San Jose, and \u003cspan id=\"sites-page-title\" dir=\"ltr\">\u003ca href=\"http://www.sankritilaya.org/\" target=\"_blank\" rel=\"noopener\">SanKritiLaya \u003c/a>in Cupertino\u003c/span>.\u003c/p>\n\u003cp>SIFA board member Meera Chari is magnanimous about the growing number of players on the scene. “Competition is always healthy, and keeps us on our toes, Chari says. “We have no objection to that.” In the same spirit, Suresh adds, “We also try not to overlap the concerts so we can go to each others.”\u003c/p>\n\u003cp>\u003cstrong>Indian migration to Silicon Valley\u003c/strong>\u003c/p>\n\u003cp>Is Carnatic music the next big crossover hit after yoga and Bollywood dance? If so, it’s likely to happen here in the Bay Area. Take a look at the numbers:\u003c/p>\n\u003cfigure id=\"attachment_11511812\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11511812\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-800x600.jpg\" alt=\"According to the US Census, more than 350,000 Indians moved to California in the last 15 years – many of them South Indians – most of them to Santa Clara and Alameda Counties.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-960x721.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">According to the US Census, more than 350,000 Indians moved to California in the last 15 years – many of them South Indians – most of them to Santa Clara and Alameda Counties. \u003ccite>(Photo: Courtesy of AAPI Data)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://karthick.com/\" target=\"_blank\" rel=\"noopener\">Karthick Ramakrishnan\u003c/a>, Associate Dean of UC Riverside’s School of Public Policy, says the population boom began during the DotCom boom around Y2K, when many programmers from South Asia arrived in the region. “Many of those temporary immigrants ended up staying and applying for green cards,” Ramakrishnan says.\u003c/p>\n\u003cp>As Silicon Valley grew, more Indians came, and as the tech industry’s geographic footprint expanded, they began to settle all over the San Francisco Bay Area, as well as in Southern California. (See graphic.) Even so, the South Bay remains the demographic center of South Asian culture.\u003c/p>\n\u003cp>[contextly_sidebar id=”s171ftoFSpRs0FqlJ7xHJpaERp6aPEWt”]Anu Suresh says the Bay Area has established itself as a respectable satellite to Indian performing arts. It’s become a go-to stop for artists touring internationally. “Today, I think we can proudly say that Bay Area is [the #2] place [outside of India] where all the Indian artists love to come and perform,” Suresh says.\u003c/p>\n\u003cp>The love goes both ways. Packed theaters demonstrate many Indian-Americans want to hear Carnatic music, and they want to their children to learn to play it as well, to connect with their South Indian heritage.\u003c/p>\n\u003cp>\u003cstrong>Home grown talent is easy to find\u003c/strong>\u003c/p>\n\u003cp>Those with demonstrated talent have the opportunity to take their skills to the stage before an enthusiastic crowd. “Performing at SIFA is sort of a graduation of sorts for the kids who have grown up here and studied classical music and had this immersion,” says SIFA board member Meera Chari.\u003c/p>\n\u003cp>On a recent Saturday afternoon, the opening act at the \u003ca href=\"https://cetweb.org/about-us/cet-events/soto-theatre/\" target=\"_blank\" rel=\"noopener\">Soto Theatre\u003c/a> in San Jose was a trio made up of local university students. \u003ca href=\"http://violinvignesh.com/artistprofile/\" target=\"_blank\" rel=\"noopener\">Vignesh Thyagarajan\u003c/a>, on violin, is a sophomore at San Jose State. \u003ca href=\"http://www.brindavani.org/vignesh-venkataraman.html\" target=\"_blank\" rel=\"noopener\">Vignesh Venkataraman\u003c/a>, on mridangam (percussion), is a graduate student at Stanford. So is singer \u003ca href=\"http://subterraneanarthouse.org/past-events/saturday-june-29th-7pm-carnatic-violin-concert-sruti-sarathy/\" target=\"_blank\" rel=\"noopener\">Sruti Sarathy\u003c/a>.\u003c/p>\n\u003cp>“We played together since our very first concerts when we were like, 8 and 10 years old,” Sarathy says. “So we’re very comfortable with each others’ style.”\u003c/p>\n\u003cp>Like her peers, Sarathy has studied classical Indian voice and violin with local masters, as well as teachers in India, via Skype and periodic visits to see her mentors in person. “There are lots of people learning,” Sarathy says. “There are lots of people to practice with, and you just keep getting inspired from watching your peers play and sing. And then we get concerts from India which also keep us motivated.”\u003c/p>\n\u003cfigure id=\"attachment_11511935\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11511935\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-800x533.jpg\" alt=\"(L to R) Sruti Sarathy, Vignesh Venkataraman and Vignesh Thyagarajan wait in the wings at San Jose's Soto Theatre before heading on stage to perform.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(L to R) Sruti Sarathy, Vignesh Venkataraman and Vignesh Thyagarajan wait in the wings at San Jose’s Soto Theatre before heading on stage to perform. \u003ccite>(Photo: Courtesy of Prasanna Ranganathan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Vandana Kumar of \u003cem>India Currents\u003c/em> says Silicon Valley has provided the technology for a truly trans-Pacific cultural exchange. “People are getting training over Skype or Google Hangouts,” Kumar says. “It’s brought this world so close. Physically, yes, India is 10,000 miles away. But the culture of India is accessible on your phone.”\u003c/p>\n\u003cp>Can young musicians coming up locally hope to make a career of Carnatic music? “In a warm and fuzzy world, that would be a fantastic future,” says Vignesh Venkataraman, who plays mridangam.\u003c/p>\n\u003cp>Venkataraman currently lives at home with his parents in Cupertino. But he’s getting his masters degree at Stanford in computer science and mechanical engineering. “I like to say that it’ll guarantee me financial flexibility to pursue this stuff, the music, on the side,” Venkataraman says.\u003c/p>\n\u003cp>\u003cstrong>This weekend, SIFA features two days of classical music and dance More info \u003ca href=\"http://www.southindiafinearts.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment noopener wp-att-11316580\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>Silicon Valley has drawn hundreds of thousands of South Asians to the Bay Area in recent years. This influx has led to a massive boom in Indian arts offerings locally, especially music and dance — and most especially South Indian music and dance.\u003c/p>\n\u003cp>“If you look through the pages of our magazine, you will see pages and pages of events that are happening,” says Vandana Kumar, publisher of San Jose-based \u003cem>\u003ca href=\"https://www.indiacurrents.com/\" target=\"_blank\" rel=\"noopener\">India Currents\u003c/a>\u003c/em>, an online and print publication which puts out a comprehensive calendar of All Things Indian. “This is just for the month of April, and I don’t, in fact, have everything listed.”\u003c/p>\n\u003cp>The listings include music, dance, book readings, lectures and other cultural happenings — even non-Indian productions that include Indian talent, like Cirque du Soleil shows. “As long as they can make an Indian connection, they can get featured in our magazine,” Kumar says.\u003c/p>\n\u003cp>\u003cem>India Currents\u003c/em> has more than 190,000 readers nationwide, 70,000 of them in the Bay Area. 30 years ago, when she started the magazine, Kumar says concerts often happened in private living rooms. That’s changed, she says, thanks to Silicon Valley. “The tech boom that happened brought a whole lot of people,” Kumar says. “These were people with jobs, with disposable income, willing to pay for tickets.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='’166′'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/260217900″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/260217900″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>That’s proved a demographic windfall for organizations like \u003ca href=\"http://www.southindiafinearts.org/\" target=\"_blank\" rel=\"noopener\">South India Fine Arts \u003c/a>(SIFA). For the last 37 years, the Cupertino-based non-profit has produced a steady stream of concerts celebrating local talent, as well as headliners from India. “The music is thriving at both ends of the globe,” says SIFA President Anu Suresh.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>South Indian traditions\u003c/strong>\u003c/p>\n\u003cp>South Indian music is quite distinct from the Hindustani, or Northern style of music Ravi Shankar popularized with Western audiences in the late 1950s, boosted by his superstar student, George Harrison of The Beatles. While both Indian traditions feature \u003cem>ragas\u003c/em> (scales) and \u003cem>talas\u003c/em> (rhythmic patterns), they employ different instruments and stylistic approaches.\u003c/p>\n\u003cp>\u003cem>Feel like you need a little primer on Indian music? At TEDxMumbai, Dhanashree Pandit-Rai delivered a fun demonstration of some of the elements of Indian classical music.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZXnV5HzS7nA'\n title='//www.youtube.com/embed/ZXnV5HzS7nA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Swelling audiences have forced SIFA to start booking for bigger halls for the more popular acts — as well as compete with younger groups doing the same thing. Other nearby presenters include \u003ca href=\"http://kalalayausa.com\" target=\"_blank\" rel=\"noopener\">Kalalaya \u003c/a>in Fremont, \u003ca href=\"https://sites.google.com/site/shreerangaramanujafinearts/\" target=\"_blank\" rel=\"noopener\">Sri Ranga Ramanuja Maha Desikan Fine Arts\u003c/a> (aka SR Fine Arts) in San Jose, and \u003cspan id=\"sites-page-title\" dir=\"ltr\">\u003ca href=\"http://www.sankritilaya.org/\" target=\"_blank\" rel=\"noopener\">SanKritiLaya \u003c/a>in Cupertino\u003c/span>.\u003c/p>\n\u003cp>SIFA board member Meera Chari is magnanimous about the growing number of players on the scene. “Competition is always healthy, and keeps us on our toes, Chari says. “We have no objection to that.” In the same spirit, Suresh adds, “We also try not to overlap the concerts so we can go to each others.”\u003c/p>\n\u003cp>\u003cstrong>Indian migration to Silicon Valley\u003c/strong>\u003c/p>\n\u003cp>Is Carnatic music the next big crossover hit after yoga and Bollywood dance? If so, it’s likely to happen here in the Bay Area. Take a look at the numbers:\u003c/p>\n\u003cfigure id=\"attachment_11511812\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11511812\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-800x600.jpg\" alt=\"According to the US Census, more than 350,000 Indians moved to California in the last 15 years – many of them South Indians – most of them to Santa Clara and Alameda Counties.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-1180x886.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19229_aapidata-indians-ca-qut-960x721.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">According to the US Census, more than 350,000 Indians moved to California in the last 15 years – many of them South Indians – most of them to Santa Clara and Alameda Counties. \u003ccite>(Photo: Courtesy of AAPI Data)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://karthick.com/\" target=\"_blank\" rel=\"noopener\">Karthick Ramakrishnan\u003c/a>, Associate Dean of UC Riverside’s School of Public Policy, says the population boom began during the DotCom boom around Y2K, when many programmers from South Asia arrived in the region. “Many of those temporary immigrants ended up staying and applying for green cards,” Ramakrishnan says.\u003c/p>\n\u003cp>As Silicon Valley grew, more Indians came, and as the tech industry’s geographic footprint expanded, they began to settle all over the San Francisco Bay Area, as well as in Southern California. (See graphic.) Even so, the South Bay remains the demographic center of South Asian culture.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Anu Suresh says the Bay Area has established itself as a respectable satellite to Indian performing arts. It’s become a go-to stop for artists touring internationally. “Today, I think we can proudly say that Bay Area is [the #2] place [outside of India] where all the Indian artists love to come and perform,” Suresh says.\u003c/p>\n\u003cp>The love goes both ways. Packed theaters demonstrate many Indian-Americans want to hear Carnatic music, and they want to their children to learn to play it as well, to connect with their South Indian heritage.\u003c/p>\n\u003cp>\u003cstrong>Home grown talent is easy to find\u003c/strong>\u003c/p>\n\u003cp>Those with demonstrated talent have the opportunity to take their skills to the stage before an enthusiastic crowd. “Performing at SIFA is sort of a graduation of sorts for the kids who have grown up here and studied classical music and had this immersion,” says SIFA board member Meera Chari.\u003c/p>\n\u003cp>On a recent Saturday afternoon, the opening act at the \u003ca href=\"https://cetweb.org/about-us/cet-events/soto-theatre/\" target=\"_blank\" rel=\"noopener\">Soto Theatre\u003c/a> in San Jose was a trio made up of local university students. \u003ca href=\"http://violinvignesh.com/artistprofile/\" target=\"_blank\" rel=\"noopener\">Vignesh Thyagarajan\u003c/a>, on violin, is a sophomore at San Jose State. \u003ca href=\"http://www.brindavani.org/vignesh-venkataraman.html\" target=\"_blank\" rel=\"noopener\">Vignesh Venkataraman\u003c/a>, on mridangam (percussion), is a graduate student at Stanford. So is singer \u003ca href=\"http://subterraneanarthouse.org/past-events/saturday-june-29th-7pm-carnatic-violin-concert-sruti-sarathy/\" target=\"_blank\" rel=\"noopener\">Sruti Sarathy\u003c/a>.\u003c/p>\n\u003cp>“We played together since our very first concerts when we were like, 8 and 10 years old,” Sarathy says. “So we’re very comfortable with each others’ style.”\u003c/p>\n\u003cp>Like her peers, Sarathy has studied classical Indian voice and violin with local masters, as well as teachers in India, via Skype and periodic visits to see her mentors in person. “There are lots of people learning,” Sarathy says. “There are lots of people to practice with, and you just keep getting inspired from watching your peers play and sing. And then we get concerts from India which also keep us motivated.”\u003c/p>\n\u003cfigure id=\"attachment_11511935\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11511935\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-800x533.jpg\" alt=\"(L to R) Sruti Sarathy, Vignesh Venkataraman and Vignesh Thyagarajan wait in the wings at San Jose's Soto Theatre before heading on stage to perform.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/RS19224_IMG_4264-qut-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(L to R) Sruti Sarathy, Vignesh Venkataraman and Vignesh Thyagarajan wait in the wings at San Jose’s Soto Theatre before heading on stage to perform. \u003ccite>(Photo: Courtesy of Prasanna Ranganathan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Vandana Kumar of \u003cem>India Currents\u003c/em> says Silicon Valley has provided the technology for a truly trans-Pacific cultural exchange. “People are getting training over Skype or Google Hangouts,” Kumar says. “It’s brought this world so close. Physically, yes, India is 10,000 miles away. But the culture of India is accessible on your phone.”\u003c/p>\n\u003cp>Can young musicians coming up locally hope to make a career of Carnatic music? “In a warm and fuzzy world, that would be a fantastic future,” says Vignesh Venkataraman, who plays mridangam.\u003c/p>\n\u003cp>Venkataraman currently lives at home with his parents in Cupertino. But he’s getting his masters degree at Stanford in computer science and mechanical engineering. “I like to say that it’ll guarantee me financial flexibility to pursue this stuff, the music, on the side,” Venkataraman says.\u003c/p>\n\u003cp>\u003cstrong>This weekend, SIFA features two days of classical music and dance More info \u003ca href=\"http://www.southindiafinearts.org/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"http://www.berkeleyrep.org/\" target=\"_blank\" rel=\"noopener\">Berkeley Repertory Theater\u003c/a> (Berkeley Rep) announced Wednesday, Apr. 20 that it will present a new musical based on the hit 2001 film \u003cem>Monsoon Wedding\u003c/em>, directed by Mira Nair.\u003c/p>\n\u003cp>“I have always envisioned \u003cem>Monsoon Wedding\u003c/em> as a fully fleshed out musical,” said Nair in a statement from Berkeley Rep, one of the region’s major theater companies, based in downtown Berkeley. “And to be working with Berkeley Rep to help tell that story just adds to the excitement. I know the end result will be something terrific.”\u003c/p>\n\u003cp>There have been plans for years to bring \u003cem>Monsoon Wedding\u003c/em> to Broadway as a musical, with open \u003ca href=\"https://www.facebook.com/monsoonweddingcasting/?fref=photo\" target=\"_blank\" rel=\"noopener\">casting calls in Palo Alto, New Jersey, and Houston\u003c/a>. \u003ca href=\"http://www.broadwayworld.com/article/Broadway-Bound-MONSOON-WEDDING-Musical-Gets-Winter-Lab-in-NYC-Choreographer-Bill-T-Jones-Joins-Creative-Team-20151103\" target=\"_blank\" rel=\"noopener\">Broadway World\u003c/a> has reported that choreographer \u003ca href=\"http://www.newyorklivearts.org/company/bill-t-jones.php\" target=\"_blank\" rel=\"noopener\">Bill T. Jones \u003c/a>and music director \u003ca href=\"http://www.playbill.com/person/andy-einhorn-vault-0000005140\" target=\"_blank\" rel=\"noopener\">Andy Einhorn\u003c/a> would be involved with the New York production. But a spokesman for Berkeley Rep says the two Broadway veterans are not involved in the Berkeley production.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BIEJONYNrso\u003c/p>\n\u003cp>The movie and the stage musical track the adventures of an upper middle class Delhi family as it plans an arranged marriage between a daughter and an American man she’s never met. Sabrina Dhawan wrote the screenplay and is working on the Berkeley Rep stage adaptation, with Tony nominated lyricist Susan Birkenhead and Indian composer Vishal Bhardwaj joining the creative team.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The show’s producers say the production is scheduled to open in the spring of 2017 at Berkeley Rep.\u003c/p>\n\u003cp>Nair, coincidentally, will receive the \u003ca href=\"http://blog.sffs.org/home/2016/4/mira-nair-between-two-worlds.html\" target=\"_blank\" rel=\"noopener\">Irving M. Levin Directing Award from the San Francisco Film Society at this year’s San Francisco International Film Festival.\u003c/a> The festival is also featuring an afternoon \u003ca href=\"http://www.sffs.org/sfiff59/films/irving-m-levin-directing-award-an-afternoon-with-mira-nair-monsoon-wedding#.Vxf8vvkrLIU\" target=\"_blank\" rel=\"noopener\">conversation with Nair at the Castro Theater on Sunday, Apr. 24\u003c/a> including a screening of \u003cem>Monsoon Wedding\u003c/em>.\u003c/p>\n\u003cp>“Mira Nair is a brilliant filmmaker I have long admired,” Tony Taccone, Berkeley Rep’s artistic director, said in a statement. “\u003cem>Monsoon Wedding\u003c/em> is one of my favorite films and to have the opportunity to bring it to the stage in the form of a musical is really something to be excited about.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sjQjw-UyAX0\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.berkeleyrep.org/\" target=\"_blank\" rel=\"noopener\">Berkeley Repertory Theater\u003c/a> (Berkeley Rep) announced Wednesday, Apr. 20 that it will present a new musical based on the hit 2001 film \u003cem>Monsoon Wedding\u003c/em>, directed by Mira Nair.\u003c/p>\n\u003cp>“I have always envisioned \u003cem>Monsoon Wedding\u003c/em> as a fully fleshed out musical,” said Nair in a statement from Berkeley Rep, one of the region’s major theater companies, based in downtown Berkeley. “And to be working with Berkeley Rep to help tell that story just adds to the excitement. I know the end result will be something terrific.”\u003c/p>\n\u003cp>There have been plans for years to bring \u003cem>Monsoon Wedding\u003c/em> to Broadway as a musical, with open \u003ca href=\"https://www.facebook.com/monsoonweddingcasting/?fref=photo\" target=\"_blank\" rel=\"noopener\">casting calls in Palo Alto, New Jersey, and Houston\u003c/a>. \u003ca href=\"http://www.broadwayworld.com/article/Broadway-Bound-MONSOON-WEDDING-Musical-Gets-Winter-Lab-in-NYC-Choreographer-Bill-T-Jones-Joins-Creative-Team-20151103\" target=\"_blank\" rel=\"noopener\">Broadway World\u003c/a> has reported that choreographer \u003ca href=\"http://www.newyorklivearts.org/company/bill-t-jones.php\" target=\"_blank\" rel=\"noopener\">Bill T. Jones \u003c/a>and music director \u003ca href=\"http://www.playbill.com/person/andy-einhorn-vault-0000005140\" target=\"_blank\" rel=\"noopener\">Andy Einhorn\u003c/a> would be involved with the New York production. But a spokesman for Berkeley Rep says the two Broadway veterans are not involved in the Berkeley production.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BIEJONYNrso'\n title='//www.youtube.com/embed/BIEJONYNrso'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The movie and the stage musical track the adventures of an upper middle class Delhi family as it plans an arranged marriage between a daughter and an American man she’s never met. Sabrina Dhawan wrote the screenplay and is working on the Berkeley Rep stage adaptation, with Tony nominated lyricist Susan Birkenhead and Indian composer Vishal Bhardwaj joining the creative team.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The show’s producers say the production is scheduled to open in the spring of 2017 at Berkeley Rep.\u003c/p>\n\u003cp>Nair, coincidentally, will receive the \u003ca href=\"http://blog.sffs.org/home/2016/4/mira-nair-between-two-worlds.html\" target=\"_blank\" rel=\"noopener\">Irving M. Levin Directing Award from the San Francisco Film Society at this year’s San Francisco International Film Festival.\u003c/a> The festival is also featuring an afternoon \u003ca href=\"http://www.sffs.org/sfiff59/films/irving-m-levin-directing-award-an-afternoon-with-mira-nair-monsoon-wedding#.Vxf8vvkrLIU\" target=\"_blank\" rel=\"noopener\">conversation with Nair at the Castro Theater on Sunday, Apr. 24\u003c/a> including a screening of \u003cem>Monsoon Wedding\u003c/em>.\u003c/p>\n\u003cp>“Mira Nair is a brilliant filmmaker I have long admired,” Tony Taccone, Berkeley Rep’s artistic director, said in a statement. “\u003cem>Monsoon Wedding\u003c/em> is one of my favorite films and to have the opportunity to bring it to the stage in the form of a musical is really something to be excited about.”\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sjQjw-UyAX0'\n title='//www.youtube.com/embed/sjQjw-UyAX0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Visiting San Francisco’s de Young Museum and the Legion of Honor will cost more starting in July.\u003c/p>\n\u003cp>The board that oversees the two nationally prominent art institutions, collectively known as the \u003ca href=\"https://www.famsf.org/\" target=\"_blank\" rel=\"noopener\">Fine Arts Museums of San Francisco\u003c/a> (FAMSF), announced price hikes for adult admission from $10 to $15 on Tuesday after the board approved the increase.\u003c/p>\n\u003cp>The senior rate will rise from $7 to $10.\u003c/p>\n\u003cp>A spokeswoman for the museum says making some patrons pay more will actually get more people in for free. Teenagers under 18 pay $6 now, but won’t pay anything come July 1.\u003c/p>\n\u003cp>Admission will continue to be free on Friday nights and the first Tuesday of every month.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The news comes in the wake of the announcement of pricing increases at the soon-to-reopen \u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Museum of Modern Art\u003c/a> (SFMOMA), where the price of adult admission will increase to $25 when the museum reopens on May 14.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>SFMOMA also announced free admission to patrons under the age of 18.\u003c/p>\n\n",
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"content": "\u003cp>[contextly_sidebar id=\"YnQfB3tfV1SyRTLzFWQREsegceL8FeWh\"]Last year, \u003ca href=\"http://ww2.kqed.org/pop/2015/04/10/one-of-these-4-women-could-soon-grace-the-20-bill-with-your-help/\" target=\"_blank\">I wrote about Women On 20s\u003c/a>\u003ca href=\"http://www.womenon20s.org/\">,\u003c/a> an organization whose mission is to put a woman’s face on paper currency by 2020, the 100th anniversary of the 19th amendment, which granted women the right to vote. After a public vote that \u003ca href=\"http://ww2.kqed.org/pop/2015/05/12/harriet-tubman-could-replace-andrew-jackson-on-the-20-bill/\" target=\"_blank\">selected Harriet Tubman\u003c/a> as the ideal nominee and a year of petitioning the Treasury Department to make history by better representing history, it looks like it's all really happening!\u003c/p>\n\u003cp>This afternoon, the Treasury is set to announce that slave-freer Harriet Tubman will replace slave-holder Andrew Jackson on the $20 bill. And that's not all: civil right leaders will grace the $5 bill and multiple suffragettes will appear on the back of the $10 bill (Alexander Hamilton was spared because of his newfound popularity, thanks to Broadway and Lin-Manuel Miranda).\u003c/p>\n\u003cp>On top of all the obvious reasons why this news is wonderful, \u003ca href=\"http://www.vox.com/2016/4/20/11469736/harriet-tubman-twenty-why\" target=\"_blank\">an anecdote\u003c/a> from Tubman's life makes the symbolism even more poignant. When her father was on trial for helping slaves escape, Tubman was desperate to raise $20 to free him. She marched into the office of abolitionist Oliver Johnson, declared \"I'm not gwine till I git my twenty dollars,\" and sat and slept there until she got what she came for (before you congratulate the rich white dude, don't; the funds came from ex-slaves who raised money on Harriet's behalf). Not in her wildest dreams did she probably imagine that her face would one day end up gracing the very bill she had to beg and plead for. Go on and bend, arc of the moral universe, bend!\u003c/p>\n\u003cp>\u003cstrong>Update (5:15pm): \u003c/strong>Ugh, we should have sensed that some white nonsense was just around the corner:\u003c/p>\n\u003cp>https://twitter.com/NPR/status/722880185796849672\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/p89Jk.gif\" rel=\"attachment wp-att-22781\">\u003cimg class=\"aligncenter size-full wp-image-22781\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/p89Jk.gif\" alt=\"p89Jk\" width=\"400\" height=\"230\">\u003c/a>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/VozmhcT.gif\" rel=\"attachment wp-att-22783\">\u003cimg class=\"aligncenter size-full wp-image-22783\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/VozmhcT.gif\" alt=\"VozmhcT\" width=\"400\" height=\"229\">\u003c/a>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/anigif_enhanced-buzz-10484-1424304227-18.gif\" rel=\"attachment wp-att-22788\">\u003cimg class=\"aligncenter size-full wp-image-22788\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/anigif_enhanced-buzz-10484-1424304227-18.gif\" alt=\"anigif_enhanced-buzz-10484-1424304227-18\" width=\"400\" height=\"261\">\u003c/a>\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"masters-of-scale": {
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
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