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"content": "\u003cp>\u003cstrong>KQED’s Cy Musiker and Rachael Myrow share their picks for great events around the Bay Area this week.\u003c/strong>\u003c/p>\n\u003cp>First things first: thanks to Suzie Racho and Gabe Meline for filling in these past few weeks while my wife and I were on the road in Eastern California and Southern Utah. Meanwhile, our arts and entertainment cup runneth over with the opening of \u003ca href=\"http://deyoung.famsf.org/exhibitions/revelations-art-african-american-south\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Revelations: Art from the African American South\u003c/em>\u003c/a> at the de Young Museum. The show features 62 new acquisitions by mostly self-taught artists born in the segregation era of Jim Crow. Also, \u003ca href=\"https://www.justintownesearle.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Justin Townes Earle\u003c/a> is in San Francisco with a kick-ass new album called \u003cem>Kids in the Street\u003c/em>, ranging from country pedal-steel to New Orleans funk. He’s at Slim’s June 2 — \u003ca href=\"http://www.slimspresents.com/event/justin-townes-earle-slims-w-the-sadies/\" target=\"_blank\" rel=\"noopener noreferrer\">details here\u003c/a>. I’ll be there. Now the rest of the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=asVhafDASjo\u003c/p>\n\u003cp>\u003cstrong>June 2 and 8\u003c/strong>: Chicago’s \u003ca href=\"http://www.jamila-woods.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Jamila Woods\u003c/a> puts a political spin on R&B — she’s a poet, teacher, singer-songwriter, and black feminist who’s worked with Chance the Rapper. She delivers even the toughest lines with a smile, but the lyrics are very edgy. (“They want us in kitchen; Kill our sons with lynchings.”) Woods, who grew up singing in the Chicago Children’s Choir, uses schoolyard chants to deliver some of her most potent songs. Woods plays the intimate Bing Concert Hall Studio June 2 on the Stanford Campus. Details \u003ca href=\"https://live.stanford.edu/calendar/june-2017/jamila-woods\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. And then Woods opens for Corinne Bailey Rae at the Fillmore in San Francisco on June 8. Details \u003ca href=\"http://thefillmore.com/event/corinne-bailey-rae-with-jamila-woods/\" target=\"_blank\" rel=\"noopener noreferrer\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13343163\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13343163\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-800x512.jpg\" alt=\"Mom and child reading at last years Bay Area Book Festival\" width=\"800\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-1020x653.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-960x614.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-240x154.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-375x240.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-520x333.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163.jpg 1030w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mother and child reading at last years Bay Area Book Festival. \u003ccite>(Photo: Courtesy Bay Area Book Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 3–4\u003c/strong>: The \u003ca href=\"https://www.baybookfest.org\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Area Book Festival \u003c/a>is back in Berkeley with an all-star lineup of Bay Area and national writers, focused on a common theme — literature and activism. Author Roxanne Gay talks about her new memoir on food and self-image; Micah White explains how he co-created Occupy Wall Street; Quilt maker and pioneer LGBT activist Cleve Jones talks about his memoir; and Ayelet Waldman joins her husband Michael Chabon for a panel on their new collection of essays on Israel’s occupation of the West Bank. Bonuses include writing and performing workshops for teens, and programs for little kids — and their parents. As Rachael noted, reading is such a solitary experience, it’s great to be in a crowd of people who love books. Details \u003ca href=\"https://www.baybookfest.org/2017-schedule/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=rg_JcWgiu3o\u003c/p>\n\u003cp>\u003cstrong>June 2–11\u003c/strong>: Jimmy Heath is a 90-year-old bebopper who sounds as good as ever. Jimmy and his brother, drummer Albert “Tootie” Heath — who is a mere 82 — are two of the best reasons to make it up to Sonoma County for the Healdsburg Jazz Festival, opening tonight. A lot of jazz festivals feature smooth jazz these days, but not at the long-running festival in Healdsburg — evidenced by this year’s tribute to the late Bay Area jazz master Bobby Hutcherson, who died last year. Renee Rosnes leads that event, with the great Steve Nelson standing in for Hutcherson on vibes. Bay Area percussion god John Santos and his band are also there, with spoken-word poet Rico Pabón, plus the terrific New Orleans piano legend Henry Butler, who cast a spell at SFJAZZ a few months ago. Oh — and some of the shows are free. Details for the Healdsburg Jazz Festival are\u003ca href=\"http://www.healdsburgjazzfestival.org/\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13343367\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13343367\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-800x482.jpg\" alt=\"First Friday in San Jose\" width=\"800\" height=\"482\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-800x482.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-768x462.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-1020x614.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-1920x1156.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-1180x711.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-960x578.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-240x145.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-375x226.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-520x313.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">First Friday in San Jose. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 2 and 3:\u003c/strong> I’ve been to a few South First Fridays in San Jose, and they turn what’s often a dead downtown into a party along on South First Street, with food, art and music. Rachael also notes that it’s a good time to hit three galleries with special programs. This Friday, the \u003ca href=\"http://www.sjquiltmuseum.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose Museum of Quilts and Textiles \u003c/a>(celebrating its 40th anniversary) has a show of quilts about the environment and racism, including one with a Trayvon Martin yellow hoodie. \u003ca href=\"http://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">MACLA\u003c/a> features music by the collective Sonido Clash, and the \u003ca href=\"http://sanjoseica.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">ICA\u003c/a> shows off new work by Shawn HimbaCronan, a rebuilt 1963 Ford Falcon Deluxe Club Wagon transformed into a street-legal, mobile sculpture. Plus, it’s the 10th annual Subzero Festival, so local bands play the evenings of June 2 and 3. Details on South First Fridays are\u003ca href=\"http://www.southfirstfridays.com\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZqMbPX_GLZo\u003c/p>\n\u003cp>\u003cstrong>June 3\u003c/strong>: \u003ca href=\"http://www.charlieworsham.com/polaroid?ref=https://www.google.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Charlie Worsham\u003c/a> is a young Nashville singer and songwriter with a new album called \u003cem>The Beginning of Things\u003c/em>, which is a mild joke on himself, because it’s his second album. (The first didn’t sell so well.) Worsham writes terrific pop hooks and smart lyrics that poke fun at country music conventions, and his music just \u003cem>feels\u003c/em> good. Also \u003ca href=\"http://www.brandyclarkmusic.com/#\" target=\"_blank\" rel=\"noopener noreferrer\">Brandy Clark\u003c/a>, who I love, opens for Worsham. We’ve talked before about her and her funny, feminist songs; they make a great pair. Details for their show at the Social Hall in San Francisco are \u003ca href=\"http://www.socialhallsf.com/events/detail/332219\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"title": "Cy and Rachael's Picks: Nashville Soul, Timeless Jazz, San Jose's First Friday and More | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>KQED’s Cy Musiker and Rachael Myrow share their picks for great events around the Bay Area this week.\u003c/strong>\u003c/p>\n\u003cp>First things first: thanks to Suzie Racho and Gabe Meline for filling in these past few weeks while my wife and I were on the road in Eastern California and Southern Utah. Meanwhile, our arts and entertainment cup runneth over with the opening of \u003ca href=\"http://deyoung.famsf.org/exhibitions/revelations-art-african-american-south\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Revelations: Art from the African American South\u003c/em>\u003c/a> at the de Young Museum. The show features 62 new acquisitions by mostly self-taught artists born in the segregation era of Jim Crow. Also, \u003ca href=\"https://www.justintownesearle.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Justin Townes Earle\u003c/a> is in San Francisco with a kick-ass new album called \u003cem>Kids in the Street\u003c/em>, ranging from country pedal-steel to New Orleans funk. He’s at Slim’s June 2 — \u003ca href=\"http://www.slimspresents.com/event/justin-townes-earle-slims-w-the-sadies/\" target=\"_blank\" rel=\"noopener noreferrer\">details here\u003c/a>. I’ll be there. Now the rest of the show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/asVhafDASjo'\n title='//www.youtube.com/embed/asVhafDASjo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 2 and 8\u003c/strong>: Chicago’s \u003ca href=\"http://www.jamila-woods.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Jamila Woods\u003c/a> puts a political spin on R&B — she’s a poet, teacher, singer-songwriter, and black feminist who’s worked with Chance the Rapper. She delivers even the toughest lines with a smile, but the lyrics are very edgy. (“They want us in kitchen; Kill our sons with lynchings.”) Woods, who grew up singing in the Chicago Children’s Choir, uses schoolyard chants to deliver some of her most potent songs. Woods plays the intimate Bing Concert Hall Studio June 2 on the Stanford Campus. Details \u003ca href=\"https://live.stanford.edu/calendar/june-2017/jamila-woods\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. And then Woods opens for Corinne Bailey Rae at the Fillmore in San Francisco on June 8. Details \u003ca href=\"http://thefillmore.com/event/corinne-bailey-rae-with-jamila-woods/\" target=\"_blank\" rel=\"noopener noreferrer\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_13343163\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13343163\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-800x512.jpg\" alt=\"Mom and child reading at last years Bay Area Book Festival\" width=\"800\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-800x512.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-768x491.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-1020x653.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-960x614.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-240x154.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-375x240.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163-520x333.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/Mom-and-kid-reading-e1496256340163.jpg 1030w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mother and child reading at last years Bay Area Book Festival. \u003ccite>(Photo: Courtesy Bay Area Book Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 3–4\u003c/strong>: The \u003ca href=\"https://www.baybookfest.org\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Area Book Festival \u003c/a>is back in Berkeley with an all-star lineup of Bay Area and national writers, focused on a common theme — literature and activism. Author Roxanne Gay talks about her new memoir on food and self-image; Micah White explains how he co-created Occupy Wall Street; Quilt maker and pioneer LGBT activist Cleve Jones talks about his memoir; and Ayelet Waldman joins her husband Michael Chabon for a panel on their new collection of essays on Israel’s occupation of the West Bank. Bonuses include writing and performing workshops for teens, and programs for little kids — and their parents. As Rachael noted, reading is such a solitary experience, it’s great to be in a crowd of people who love books. Details \u003ca href=\"https://www.baybookfest.org/2017-schedule/\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rg_JcWgiu3o'\n title='//www.youtube.com/embed/rg_JcWgiu3o'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 2–11\u003c/strong>: Jimmy Heath is a 90-year-old bebopper who sounds as good as ever. Jimmy and his brother, drummer Albert “Tootie” Heath — who is a mere 82 — are two of the best reasons to make it up to Sonoma County for the Healdsburg Jazz Festival, opening tonight. A lot of jazz festivals feature smooth jazz these days, but not at the long-running festival in Healdsburg — evidenced by this year’s tribute to the late Bay Area jazz master Bobby Hutcherson, who died last year. Renee Rosnes leads that event, with the great Steve Nelson standing in for Hutcherson on vibes. Bay Area percussion god John Santos and his band are also there, with spoken-word poet Rico Pabón, plus the terrific New Orleans piano legend Henry Butler, who cast a spell at SFJAZZ a few months ago. Oh — and some of the shows are free. Details for the Healdsburg Jazz Festival are\u003ca href=\"http://www.healdsburgjazzfestival.org/\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13343367\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13343367\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-800x482.jpg\" alt=\"First Friday in San Jose\" width=\"800\" height=\"482\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-800x482.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-768x462.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-1020x614.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-1920x1156.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-1180x711.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-960x578.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-240x145.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-375x226.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/05/First-Friday-in-San-Jose-520x313.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">First Friday in San Jose. \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>June 2 and 3:\u003c/strong> I’ve been to a few South First Fridays in San Jose, and they turn what’s often a dead downtown into a party along on South First Street, with food, art and music. Rachael also notes that it’s a good time to hit three galleries with special programs. This Friday, the \u003ca href=\"http://www.sjquiltmuseum.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Jose Museum of Quilts and Textiles \u003c/a>(celebrating its 40th anniversary) has a show of quilts about the environment and racism, including one with a Trayvon Martin yellow hoodie. \u003ca href=\"http://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">MACLA\u003c/a> features music by the collective Sonido Clash, and the \u003ca href=\"http://sanjoseica.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">ICA\u003c/a> shows off new work by Shawn HimbaCronan, a rebuilt 1963 Ford Falcon Deluxe Club Wagon transformed into a street-legal, mobile sculpture. Plus, it’s the 10th annual Subzero Festival, so local bands play the evenings of June 2 and 3. Details on South First Fridays are\u003ca href=\"http://www.southfirstfridays.com\" target=\"_blank\" rel=\"noopener noreferrer\"> here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZqMbPX_GLZo'\n title='//www.youtube.com/embed/ZqMbPX_GLZo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>June 3\u003c/strong>: \u003ca href=\"http://www.charlieworsham.com/polaroid?ref=https://www.google.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Charlie Worsham\u003c/a> is a young Nashville singer and songwriter with a new album called \u003cem>The Beginning of Things\u003c/em>, which is a mild joke on himself, because it’s his second album. (The first didn’t sell so well.) Worsham writes terrific pop hooks and smart lyrics that poke fun at country music conventions, and his music just \u003cem>feels\u003c/em> good. Also \u003ca href=\"http://www.brandyclarkmusic.com/#\" target=\"_blank\" rel=\"noopener noreferrer\">Brandy Clark\u003c/a>, who I love, opens for Worsham. We’ve talked before about her and her funny, feminist songs; they make a great pair. Details for their show at the Social Hall in San Francisco are \u003ca href=\"http://www.socialhallsf.com/events/detail/332219\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Actress Chloe Grace Moretz and the creators of her upcoming animated film apologized Wednesday after promotional materials were criticized of body shaming women.\u003c/p>\n\u003cp>Moretz, 20, wrote on Twitter that she had talked to producers for the film “Red Shoes & the 7 Dwarfs” about the marketing choices, including a billboard appearing at the Cannes Film Festival last week. The ad depicted a tall, thin woman in red heels next to a shorter, heavier version of herself holding her heels. The tagline promoted a Snow White who was no longer beautiful.\u003c/p>\n\u003cp>A trailer posted by South Korea-based Locus Creative Studios showed two dwarfs hiding in Snow White’s bedroom watching her undress after a night out. After kicking off her red heels, the Snow White character is shown as a heavier woman lounging in her underwear.\u003c/p>\n\u003cp>The company removed the trailer from its YouTube channel after social media users criticized the film’s ads.\u003c/p>\n\u003cp>Locus apologized for the billboard and trailer in an email. The company will terminate the current promos, saying they had the opposite effect of what was intended.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Our film, a family comedy, carries a message designed to challenge social prejudices related to standards of physical beauty in society by emphasizing the importance of inner beauty,” the studio said.\u003c/p>\n\u003cp>Moretz wrote that she stands behind the film’s script, which she says tells a powerful message to young women.\u003c/p>\n\u003cp>“The actual story is powerful for young women and resonated with me,” Moretz wrote. “I am sorry for the offense that was beyond my creative control.”\u003c/p>\n\u003cp>The film has no release date.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Moretz has starred in films including \u003cem>Neighbors 2: Sorority Rising,\u003c/em> and \u003cem>Kick-Ass\u003c/em> and its sequel.\u003c/p>\n\n",
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"excerpt": " Moretz and the creators of her upcoming film apologized Wednesday after promotional materials were criticized",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Actress Chloe Grace Moretz and the creators of her upcoming animated film apologized Wednesday after promotional materials were criticized of body shaming women.\u003c/p>\n\u003cp>Moretz, 20, wrote on Twitter that she had talked to producers for the film “Red Shoes & the 7 Dwarfs” about the marketing choices, including a billboard appearing at the Cannes Film Festival last week. The ad depicted a tall, thin woman in red heels next to a shorter, heavier version of herself holding her heels. The tagline promoted a Snow White who was no longer beautiful.\u003c/p>\n\u003cp>A trailer posted by South Korea-based Locus Creative Studios showed two dwarfs hiding in Snow White’s bedroom watching her undress after a night out. After kicking off her red heels, the Snow White character is shown as a heavier woman lounging in her underwear.\u003c/p>\n\u003cp>The company removed the trailer from its YouTube channel after social media users criticized the film’s ads.\u003c/p>\n\u003cp>Locus apologized for the billboard and trailer in an email. The company will terminate the current promos, saying they had the opposite effect of what was intended.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Our film, a family comedy, carries a message designed to challenge social prejudices related to standards of physical beauty in society by emphasizing the importance of inner beauty,” the studio said.\u003c/p>\n\u003cp>Moretz wrote that she stands behind the film’s script, which she says tells a powerful message to young women.\u003c/p>\n\u003cp>“The actual story is powerful for young women and resonated with me,” Moretz wrote. “I am sorry for the offense that was beyond my creative control.”\u003c/p>\n\u003cp>The film has no release date.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Moretz has starred in films including \u003cem>Neighbors 2: Sorority Rising,\u003c/em> and \u003cem>Kick-Ass\u003c/em> and its sequel.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A guitar that Jerry Garcia played everywhere from San Francisco’s Winterland Ballroom to Egypt’s Great Pyramids fetched over $1.9 million at an auction Wednesday night.\u003c/p>\n\u003cp>The Grateful Dead frontman’s guitar — named Wolf — was sold at the Brooklyn Bowl, a bowling alley, restaurant and music venue. The sale price includes the buyer’s premium. The proceeds are earmarked for the Montgomery, Alabama-based Southern Poverty Law Center.\u003c/p>\n\u003cp>The guitar was owned by devoted Deadhead Daniel Pritzker, a philanthropist, musician and film director who bought the instrument in 2002 for $790,000.\u003c/p>\n\u003cp>“I’ve been a fan of The Dead since I was a kid, and playing this iconic guitar over the past 15 years has been a privilege,” said Pritzker. “But the time is right for Wolf to do some good.”\u003c/p>\n\u003cp>SPLC President Richard Cohen said the organization is grateful Pritzker “is willing to part with this piece of music history to support the SPLC’s mission fighting hate and bigotry.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The auctioneer says Wolf first appeared in a 1973 New York performance the Grateful Dead gave for the Hells Angels.\u003c/p>\n\u003cp>The instrument bears a devilish looking, cartoon-like image of a wolf’s face — eyes menacingly narrowed, ears pricked up, red tongue hanging out, fangs at the ready.\u003c/p>\n\u003cp>The 1977 film “The Grateful Dead Movie” was directed by Garcia and features extensive footage of the instrument.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Garcia died in 1995.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A guitar that Jerry Garcia played everywhere from San Francisco’s Winterland Ballroom to Egypt’s Great Pyramids fetched over $1.9 million at an auction Wednesday night.\u003c/p>\n\u003cp>The Grateful Dead frontman’s guitar — named Wolf — was sold at the Brooklyn Bowl, a bowling alley, restaurant and music venue. The sale price includes the buyer’s premium. The proceeds are earmarked for the Montgomery, Alabama-based Southern Poverty Law Center.\u003c/p>\n\u003cp>The guitar was owned by devoted Deadhead Daniel Pritzker, a philanthropist, musician and film director who bought the instrument in 2002 for $790,000.\u003c/p>\n\u003cp>“I’ve been a fan of The Dead since I was a kid, and playing this iconic guitar over the past 15 years has been a privilege,” said Pritzker. “But the time is right for Wolf to do some good.”\u003c/p>\n\u003cp>SPLC President Richard Cohen said the organization is grateful Pritzker “is willing to part with this piece of music history to support the SPLC’s mission fighting hate and bigotry.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Remember That Time When Wonder Woman Was a U.N. Ambassador?",
"headTitle": "Remember That Time When Wonder Woman Was a U.N. Ambassador? | KQED",
"content": "\u003cp>Wonder Woman is certainly basking in accolades these days.\u003c/p>\n\u003cp>The new movie starring Gal Gadot is being widely praised for finally giving the world a big-screen female superhero who — to quote just a few of the glowing reviews — is both “awesomely fierce” and “surprisingly funny,” “sexually aware without being sexualized” and a refreshing throwback to the days of “uncomplicated role models … fighting for peace and justice.”\u003c/p>\n\u003cp>All of which got us thinking about our coverage last fall of Wonder Woman’s short-lived tenure as the United Nation’s honorary ambassador for the empowerment of women of girls.\u003c/p>\n\u003cp>Remember that episode? Back then her reviews were decidedly more mixed.\u003c/p>\n\u003cp>The idea was to make the character of Wonder Woman the face of a U.N. social media campaign to promote women’s rights via tweets and Facebook callouts. Women’s rights advocates exploded in outrage, and nearly 45,000 people signed a petition against the decision.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s an insult, frankly,” said \u003ca href=\"http://www.sps.nyu.edu/content/scps/faculty/faculty-profile.html?id=15655&name=Anne%20Marie-Goetz\" target=\"_blank\" rel=\"noopener\">Anne Marie Goetz\u003c/a> at the time. Goetz, a professor of global affairs at New York University and a former adviser on peace and security issues to the United Nations agency, U.N. Women, said a big issue was the timing.\u003c/p>\n\u003cfigure id=\"attachment_13350614\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-800x600.jpg\" alt=\"Wonder Woman on the cover of Sensation Comics\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13350614\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d.jpg 949w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wonder Woman on the cover of Sensation Comics\u003c/figcaption>\u003c/figure>\n\u003cp>The Wonder Woman campaign rollout — a collaboration with Warner Bros. and DC Comics, which owns the rights to the character — was intended to celebrate both the character’s 75th birthday and the upcoming movie featuring Gadot. The actress even attended the appointment ceremony at the U.N.’s New York headquarters, along with Lynda Carter, who portrayed the superhero in the 1970s television show. But the announcement also came on the heels of a disappointing, yearlong grass-roots effort to get the U.N. to choose its first female secretary-general.\u003c/p>\n\u003cp>“This was months and months of campaigning by feminist organizations around the world for a woman to be selected,” said Goetz.\u003c/p>\n\u003cp>Seven women — including a prime minister and other highly qualified individuals — were in the running, an unprecedented number. Ultimately the Security Council went with a man — Antonio Guterres. So at the time, the selection of Wonder Woman to represent women’s issues for the U.N. came off to Goetz and others as a sort of demeaning consolation prize.\u003c/p>\n\u003cp>“It’s frivolous, it’s fatuous and it reduces an extremely serious human rights problem experienced by half of the world to a cartoon,” she said.\u003c/p>\n\u003cp>And not just any cartoon, added Goetz. Wonder Woman in her view was tantamount to a Barbie/Playboy pinup. Like most female comic action figures, she has big breasts bursting out of a skimpy outfit and an impossibly tiny waist.\u003c/p>\n\u003cp>“The message to girls is that you are expected to meet a male standard in which your significance is reduced to your role as a sexual object,” said Goetz.\u003c/p>\n\u003cp>Maher Nasser, the U.N. official who essentially brokered Wonder Woman’s appointment, responded at the time that he and other U.N. colleagues had considered those concerns.\u003c/p>\n\u003cp>“I mean we have had these discussions, of course, with our partners,” said Nasser, who directs the Outreach Division of the U.N.’s Department of Public Information, which handles partnerships with celebrities and entertainment figures.\u003c/p>\n\u003cp>And Nasser noted that his team worked closely with artists at DC Comics to tone down the image that was used in the U.N. campaign.\u003c/p>\n\u003cp>“The campaign art that we are working with … doesn’t have that caricature image of the wrong stereotype of what a woman should look like,” he said.\u003c/p>\n\u003cp>For instance they only showed Wonder Woman from the waist up. And they gave her a cape draped round her neck and shoulders, making her bust less prominent.\u003c/p>\n\u003cp>Nasser also said the social media campaign was all about emphasizing Wonder Woman’s girl power credentials, what he called “the essence of the character.”\u003c/p>\n\u003cp>“The focus [of the U.N.] was on her feminist background, being the first female superhero in a world of male superheroes and that basically she always fought for fairness, justice and peace,” he said.\u003c/p>\n\u003cfigure id=\"attachment_13350615\" class=\"wp-caption alignright\" style=\"max-width: 434px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20.jpg\" alt=\"Many feminists of the 1970s, including Gloria Steinem, grew up reading Wonder Woman and considered her an inspiration. In 1972, 'Ms.' magazine put her on the cover\" width=\"434\" height=\"325\" class=\"size-full wp-image-13350615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20.jpg 434w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-375x281.jpg 375w\" sizes=\"(max-width: 434px) 100vw, 434px\">\u003cfigcaption class=\"wp-caption-text\">Many feminists of the 1970s, including Gloria Steinem, grew up reading Wonder Woman and considered her an inspiration. In 1972, ‘Ms.’ magazine put her on the cover\u003c/figcaption>\u003c/figure>\n\u003cp>Nasser said he expected the campaign to last well into 2017. But less than two months later, with little fanfare, U.N. officials announced that Wonder Woman’s U.N. career was coming to a close, adding that, actually, they had always intended it to be brief.\u003c/p>\n\u003cp>Jill Lepore, a professor at Harvard University who wrote a book, \u003ca href=\"https://www.amazon.com/Secret-History-Wonder-Woman/dp/0804173400\" target=\"_blank\" rel=\"noopener\">The Secret History of Wonder Woman\u003c/a>\u003cem>,\u003c/em>\u003cem> \u003c/em>about the comic book character’s creation, said disputes like this have long dogged Wonder Woman.\u003c/p>\n\u003cp>On one hand, said Lepore, the character has solid feminist roots. She was invented in 1941 by William Moulton Marston, a Harvard-trained Ph.D. psychologist-cum-advice columnist for \u003cem>Family Circle\u003c/em> magazine. Marston had been brought on board by the company that eventually became DC Comics to help deal with a public relations problem.\u003c/p>\n\u003cp>The company’s first two superheroes, created in the late 1930s, had become controversial. “Superman looked a bit like a fascist — he’s an ubermensch. Batman carried a gun and was quite violent,” explained Lepore.\u003c/p>\n\u003cp>It had gotten to the point where various religious and parental groups had banned the comics.\u003c/p>\n\u003cp>According to Lapore, “Marston said, ‘You know, you need a female superhero because she will embody the nurturing values of womanhood. She will be about peace not war.'”\u003c/p>\n\u003cp>The character he set about creating drew largely on a real-life woman Marston knew personally and greatly admired: Margaret Sanger, the co-founder of Planned Parenthood.\u003c/p>\n\u003cp>In the comic book — and now in the new movie — Wonder Woman is a princess of the Amazons of Greek mythology, living on an island where there are no men. That story, said Lepore, “comes not from science fiction but from feminist utopian fiction” popular with Sanger and other early feminists of the progressive era. (The cartoon then introduced the character of a U.S. Army officer, Capt. Steve Trevor, who crash lands on the island. Wonder Woman rescues him and then resolves to go with him to America to fight for democracy and equal rights.)\u003c/p>\n\u003cp>Marston had an ambitious vision for his new character, laid out in a remarkable press release, distributed soon after her debut. He stated: “The only hope for civilization is the greater freedom, development and equality of women in all fields of human activity. He added, “Frankly, Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world.”\u003c/p>\n\u003cp>Yet even in those earliest years Wonder Woman embodied contradictions. It wasn’t just the risqué outfits. Marston insisted that in every episode Wonder Woman had to be tied up or otherwise bound by the villain.\u003c/p>\n\u003cp>In part, said Lepore, this was a nod to the iconography of the suffragettes of the early 1900s, who often wore chains on marches seeking the right to vote. But it also became clear from letters to DC Comics that Wonder Woman’s largely male audience found this aspect of her story titillating.\u003c/p>\n\u003cp>And last fall, that bondage theme — at a time when women are under threat from extremist violence around the world — was just one more reason activists like Goetz were uncomfortable with the idea of Wonder Woman as a U.N. ambassador.\u003c/p>\n\u003cp>Wonder Woman nonetheless remained a darling of feminists through the 1970s — she was on the first cover of \u003cem>Ms.\u003c/em> magazine. But by the end of that decade she had started to symbolize a split within the feminist movement.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“A lot of people started to say, ‘Why is she the symbol of women’s power? She’s just so obviously made for men to look at and ogle,'” said Lepore. So it’s no surprise that she continues to raise conflicting feelings to this day. “Part of the richness of this character is that there are many layers to understanding her. Wonder Woman is always going to have a mixed legacy.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Remember+That+Time+When+Wonder+Woman+Was+A+U.N.+Ambassador%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Wonder Woman is certainly basking in accolades these days.\u003c/p>\n\u003cp>The new movie starring Gal Gadot is being widely praised for finally giving the world a big-screen female superhero who — to quote just a few of the glowing reviews — is both “awesomely fierce” and “surprisingly funny,” “sexually aware without being sexualized” and a refreshing throwback to the days of “uncomplicated role models … fighting for peace and justice.”\u003c/p>\n\u003cp>All of which got us thinking about our coverage last fall of Wonder Woman’s short-lived tenure as the United Nation’s honorary ambassador for the empowerment of women of girls.\u003c/p>\n\u003cp>Remember that episode? Back then her reviews were decidedly more mixed.\u003c/p>\n\u003cp>The idea was to make the character of Wonder Woman the face of a U.N. social media campaign to promote women’s rights via tweets and Facebook callouts. Women’s rights advocates exploded in outrage, and nearly 45,000 people signed a petition against the decision.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s an insult, frankly,” said \u003ca href=\"http://www.sps.nyu.edu/content/scps/faculty/faculty-profile.html?id=15655&name=Anne%20Marie-Goetz\" target=\"_blank\" rel=\"noopener\">Anne Marie Goetz\u003c/a> at the time. Goetz, a professor of global affairs at New York University and a former adviser on peace and security issues to the United Nations agency, U.N. Women, said a big issue was the timing.\u003c/p>\n\u003cfigure id=\"attachment_13350614\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-800x600.jpg\" alt=\"Wonder Woman on the cover of Sensation Comics\" width=\"800\" height=\"600\" class=\"size-medium wp-image-13350614\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1942-sensational-comics-099eadbc17b0da03dcb14a5f1d468b41c53f967d.jpg 949w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wonder Woman on the cover of Sensation Comics\u003c/figcaption>\u003c/figure>\n\u003cp>The Wonder Woman campaign rollout — a collaboration with Warner Bros. and DC Comics, which owns the rights to the character — was intended to celebrate both the character’s 75th birthday and the upcoming movie featuring Gadot. The actress even attended the appointment ceremony at the U.N.’s New York headquarters, along with Lynda Carter, who portrayed the superhero in the 1970s television show. But the announcement also came on the heels of a disappointing, yearlong grass-roots effort to get the U.N. to choose its first female secretary-general.\u003c/p>\n\u003cp>“This was months and months of campaigning by feminist organizations around the world for a woman to be selected,” said Goetz.\u003c/p>\n\u003cp>Seven women — including a prime minister and other highly qualified individuals — were in the running, an unprecedented number. Ultimately the Security Council went with a man — Antonio Guterres. So at the time, the selection of Wonder Woman to represent women’s issues for the U.N. came off to Goetz and others as a sort of demeaning consolation prize.\u003c/p>\n\u003cp>“It’s frivolous, it’s fatuous and it reduces an extremely serious human rights problem experienced by half of the world to a cartoon,” she said.\u003c/p>\n\u003cp>And not just any cartoon, added Goetz. Wonder Woman in her view was tantamount to a Barbie/Playboy pinup. Like most female comic action figures, she has big breasts bursting out of a skimpy outfit and an impossibly tiny waist.\u003c/p>\n\u003cp>“The message to girls is that you are expected to meet a male standard in which your significance is reduced to your role as a sexual object,” said Goetz.\u003c/p>\n\u003cp>Maher Nasser, the U.N. official who essentially brokered Wonder Woman’s appointment, responded at the time that he and other U.N. colleagues had considered those concerns.\u003c/p>\n\u003cp>“I mean we have had these discussions, of course, with our partners,” said Nasser, who directs the Outreach Division of the U.N.’s Department of Public Information, which handles partnerships with celebrities and entertainment figures.\u003c/p>\n\u003cp>And Nasser noted that his team worked closely with artists at DC Comics to tone down the image that was used in the U.N. campaign.\u003c/p>\n\u003cp>“The campaign art that we are working with … doesn’t have that caricature image of the wrong stereotype of what a woman should look like,” he said.\u003c/p>\n\u003cp>For instance they only showed Wonder Woman from the waist up. And they gave her a cape draped round her neck and shoulders, making her bust less prominent.\u003c/p>\n\u003cp>Nasser also said the social media campaign was all about emphasizing Wonder Woman’s girl power credentials, what he called “the essence of the character.”\u003c/p>\n\u003cp>“The focus [of the U.N.] was on her feminist background, being the first female superhero in a world of male superheroes and that basically she always fought for fairness, justice and peace,” he said.\u003c/p>\n\u003cfigure id=\"attachment_13350615\" class=\"wp-caption alignright\" style=\"max-width: 434px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20.jpg\" alt=\"Many feminists of the 1970s, including Gloria Steinem, grew up reading Wonder Woman and considered her an inspiration. In 1972, 'Ms.' magazine put her on the cover\" width=\"434\" height=\"325\" class=\"size-full wp-image-13350615\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20.jpg 434w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/06/1972-ms-magazine-f90223dc9bdf3eb3b64c537c6bf6f16bbc2ebb20-375x281.jpg 375w\" sizes=\"(max-width: 434px) 100vw, 434px\">\u003cfigcaption class=\"wp-caption-text\">Many feminists of the 1970s, including Gloria Steinem, grew up reading Wonder Woman and considered her an inspiration. In 1972, ‘Ms.’ magazine put her on the cover\u003c/figcaption>\u003c/figure>\n\u003cp>Nasser said he expected the campaign to last well into 2017. But less than two months later, with little fanfare, U.N. officials announced that Wonder Woman’s U.N. career was coming to a close, adding that, actually, they had always intended it to be brief.\u003c/p>\n\u003cp>Jill Lepore, a professor at Harvard University who wrote a book, \u003ca href=\"https://www.amazon.com/Secret-History-Wonder-Woman/dp/0804173400\" target=\"_blank\" rel=\"noopener\">The Secret History of Wonder Woman\u003c/a>\u003cem>,\u003c/em>\u003cem> \u003c/em>about the comic book character’s creation, said disputes like this have long dogged Wonder Woman.\u003c/p>\n\u003cp>On one hand, said Lepore, the character has solid feminist roots. She was invented in 1941 by William Moulton Marston, a Harvard-trained Ph.D. psychologist-cum-advice columnist for \u003cem>Family Circle\u003c/em> magazine. Marston had been brought on board by the company that eventually became DC Comics to help deal with a public relations problem.\u003c/p>\n\u003cp>The company’s first two superheroes, created in the late 1930s, had become controversial. “Superman looked a bit like a fascist — he’s an ubermensch. Batman carried a gun and was quite violent,” explained Lepore.\u003c/p>\n\u003cp>It had gotten to the point where various religious and parental groups had banned the comics.\u003c/p>\n\u003cp>According to Lapore, “Marston said, ‘You know, you need a female superhero because she will embody the nurturing values of womanhood. She will be about peace not war.'”\u003c/p>\n\u003cp>The character he set about creating drew largely on a real-life woman Marston knew personally and greatly admired: Margaret Sanger, the co-founder of Planned Parenthood.\u003c/p>\n\u003cp>In the comic book — and now in the new movie — Wonder Woman is a princess of the Amazons of Greek mythology, living on an island where there are no men. That story, said Lepore, “comes not from science fiction but from feminist utopian fiction” popular with Sanger and other early feminists of the progressive era. (The cartoon then introduced the character of a U.S. Army officer, Capt. Steve Trevor, who crash lands on the island. Wonder Woman rescues him and then resolves to go with him to America to fight for democracy and equal rights.)\u003c/p>\n\u003cp>Marston had an ambitious vision for his new character, laid out in a remarkable press release, distributed soon after her debut. He stated: “The only hope for civilization is the greater freedom, development and equality of women in all fields of human activity. He added, “Frankly, Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world.”\u003c/p>\n\u003cp>Yet even in those earliest years Wonder Woman embodied contradictions. It wasn’t just the risqué outfits. Marston insisted that in every episode Wonder Woman had to be tied up or otherwise bound by the villain.\u003c/p>\n\u003cp>In part, said Lepore, this was a nod to the iconography of the suffragettes of the early 1900s, who often wore chains on marches seeking the right to vote. But it also became clear from letters to DC Comics that Wonder Woman’s largely male audience found this aspect of her story titillating.\u003c/p>\n\u003cp>And last fall, that bondage theme — at a time when women are under threat from extremist violence around the world — was just one more reason activists like Goetz were uncomfortable with the idea of Wonder Woman as a U.N. ambassador.\u003c/p>\n\u003cp>Wonder Woman nonetheless remained a darling of feminists through the 1970s — she was on the first cover of \u003cem>Ms.\u003c/em> magazine. But by the end of that decade she had started to symbolize a split within the feminist movement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“A lot of people started to say, ‘Why is she the symbol of women’s power? She’s just so obviously made for men to look at and ogle,'” said Lepore. So it’s no surprise that she continues to raise conflicting feelings to this day. “Part of the richness of this character is that there are many layers to understanding her. Wonder Woman is always going to have a mixed legacy.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Remember+That+Time+When+Wonder+Woman+Was+A+U.N.+Ambassador%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "2nd Noose Found in D.C., This Time at African-American History Museum",
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"content": "\u003cp>Visitors found a noose Wednesday at an exhibition on segregation at the National Museum of African American History and Culture in Washington, D.C. — the second time in less than a week that a noose was found on Smithsonian grounds.\u003c/p>\n\u003cp>The incident “is a painful reminder of the challenges that African-Americans continue to face,” the museum’s founding director, Lonnie Bunch, said in a \u003ca href=\"https://twitter.com/NMAAHC/status/870044676967084033\">statement\u003c/a>. “The noose has long represented a deplorable act of cowardice and depravity — a symbol of extreme violence for African-Americans.”\u003c/p>\n\u003cp>David Skorton, secretary of the Smithsonian Institution, condemned what he called an “act of hatred and intolerance, especially repugnant in a museum that affirms and celebrates the American values of inclusion and diversity.” In the institutionwide email reported by \u003cem>Smithsonian\u003c/em> magazine, Skorton \u003ca href=\"http://www.smithsonianmag.com/smithsonian-institution/noose-found-national-museum-african-american-history-and-culture-180963519/\" target=\"_blank\" rel=\"noopener\">added\u003c/a>, “We will not be intimidated.”\u003c/p>\n\u003cp>After U.S. Park Police came to investigate the incident, they removed the noose and the exhibition reopened within a few hours, the\u003cem> \u003c/em>magazine reports.\u003c/p>\n\u003cp>The police did not respond to NPR’s request for comment about the ongoing investigation.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Five days earlier, police found a noose hanging from a tree near the Hirshhorn Museum, less than a mile away.\u003c/p>\n\u003cp>The Southern Poverty Law Center tracks hate incidents and says they’re on the rise.\u003c/p>\n\u003cp>In mid-May, two 19-year-old men were arrested and charged in connection with a noose found hanging in front of a middle school in Crofton, Md., \u003ca href=\"https://www.washingtonpost.com/local/public-safety/two-md-men-charged-charges-after-noose-found-at-md-middle-school/2017/05/12/d501888e-3765-11e7-b4ee-434b6d506b37_story.html?utm_term=.bcd04660f6b8\" target=\"_blank\" rel=\"noopener\">reports The Washington Post\u003c/a>.\u003c/p>\n\u003cp>And \u003ca href=\"http://sanfrancisco.cbslocal.com/2017/05/25/port-oakland-longshoremen-walkout-over-nooses/\" target=\"_blank\" rel=\"noopener\">KPIX News\u003c/a> says longshoremen walked off the job for a few hours on May 25 at the Port of Oakland in California, after nooses were found there a few weeks earlier.\u003c/p>\n\u003cp>“We’ve never had reports like this ever,” says Southern Poverty Law Center Spokesman Ryan Lenz. He tells NPR that hate incidents — including bomb threats to religious institutions, racist graffiti and white nationalist flyers — have spiked in the aftermath of the 2016 presidential election.\u003c/p>\n\u003cp>“We never counted them before because they were so staggered,” says Lenz.\u003c/p>\n\u003cp>In the three months between Election Day and first week of February, the center has \u003ca href=\"https://www.splcenter.org/hatewatch/2017/02/10/post-election-bias-incidents-1372-new-collaboration-propublica\">tracked\u003c/a> more than 1,300 reports of bias incidents.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are in a moment where hate and extremism have been legitimized in the public sphere,” says Lenz. “During times like this, it is more important than ever for individual citizens across the country to voice their opposition to the acceptance of this behavior as standard operating procedure.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=2nd+Noose+Found+In+D.C.%2C+This+Time+At+African-American+History+Museum+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "Museum visitors discovered the noose Wednesday, less than a week after police found another one hanging from a tree near the Hirshhorn Museum, which is also on the National Mall.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Visitors found a noose Wednesday at an exhibition on segregation at the National Museum of African American History and Culture in Washington, D.C. — the second time in less than a week that a noose was found on Smithsonian grounds.\u003c/p>\n\u003cp>The incident “is a painful reminder of the challenges that African-Americans continue to face,” the museum’s founding director, Lonnie Bunch, said in a \u003ca href=\"https://twitter.com/NMAAHC/status/870044676967084033\">statement\u003c/a>. “The noose has long represented a deplorable act of cowardice and depravity — a symbol of extreme violence for African-Americans.”\u003c/p>\n\u003cp>David Skorton, secretary of the Smithsonian Institution, condemned what he called an “act of hatred and intolerance, especially repugnant in a museum that affirms and celebrates the American values of inclusion and diversity.” In the institutionwide email reported by \u003cem>Smithsonian\u003c/em> magazine, Skorton \u003ca href=\"http://www.smithsonianmag.com/smithsonian-institution/noose-found-national-museum-african-american-history-and-culture-180963519/\" target=\"_blank\" rel=\"noopener\">added\u003c/a>, “We will not be intimidated.”\u003c/p>\n\u003cp>After U.S. Park Police came to investigate the incident, they removed the noose and the exhibition reopened within a few hours, the\u003cem> \u003c/em>magazine reports.\u003c/p>\n\u003cp>The police did not respond to NPR’s request for comment about the ongoing investigation.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Five days earlier, police found a noose hanging from a tree near the Hirshhorn Museum, less than a mile away.\u003c/p>\n\u003cp>The Southern Poverty Law Center tracks hate incidents and says they’re on the rise.\u003c/p>\n\u003cp>In mid-May, two 19-year-old men were arrested and charged in connection with a noose found hanging in front of a middle school in Crofton, Md., \u003ca href=\"https://www.washingtonpost.com/local/public-safety/two-md-men-charged-charges-after-noose-found-at-md-middle-school/2017/05/12/d501888e-3765-11e7-b4ee-434b6d506b37_story.html?utm_term=.bcd04660f6b8\" target=\"_blank\" rel=\"noopener\">reports The Washington Post\u003c/a>.\u003c/p>\n\u003cp>And \u003ca href=\"http://sanfrancisco.cbslocal.com/2017/05/25/port-oakland-longshoremen-walkout-over-nooses/\" target=\"_blank\" rel=\"noopener\">KPIX News\u003c/a> says longshoremen walked off the job for a few hours on May 25 at the Port of Oakland in California, after nooses were found there a few weeks earlier.\u003c/p>\n\u003cp>“We’ve never had reports like this ever,” says Southern Poverty Law Center Spokesman Ryan Lenz. He tells NPR that hate incidents — including bomb threats to religious institutions, racist graffiti and white nationalist flyers — have spiked in the aftermath of the 2016 presidential election.\u003c/p>\n\u003cp>“We never counted them before because they were so staggered,” says Lenz.\u003c/p>\n\u003cp>In the three months between Election Day and first week of February, the center has \u003ca href=\"https://www.splcenter.org/hatewatch/2017/02/10/post-election-bias-incidents-1372-new-collaboration-propublica\">tracked\u003c/a> more than 1,300 reports of bias incidents.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“We are in a moment where hate and extremism have been legitimized in the public sphere,” says Lenz. “During times like this, it is more important than ever for individual citizens across the country to voice their opposition to the acceptance of this behavior as standard operating procedure.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=2nd+Noose+Found+In+D.C.%2C+This+Time+At+African-American+History+Museum+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Jerry Garcia's Guitar Heads to Auction, Could Fetch $1M",
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"content": "\u003cp>A guitar that Jerry Garcia played everywhere from San Francisco’s Winterland Ballroom to Egypt’s Great Pyramids is headed to auction.\u003c/p>\n\u003cp>The Grateful Dead frontman’s guitar — named Wolf — will be offered Wednesday night in Brooklyn. The proceeds are earmarked for the Montgomery, Alabama-based Southern Poverty Law Center.\u003c/p>\n\u003cp>The guitar is being sold by devoted Deadhead Daniel Pritzker. The philanthropist, musician and film director bought it in 2002 at Guernsey’s for $790,000.\u003c/p>\n\u003cp>It’s predicted that the guitar could fetch over $1 million this time around.\u003c/p>\n\u003cp>The auctioneer says Wolf first appeared in a 1973 New York performance the Grateful Dead gave for the Hells Angels.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The 1977 film “The Grateful Dead Movie” was directed by Garcia and features extensive footage of the instrument.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Garcia died in 1995.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A guitar that Jerry Garcia played everywhere from San Francisco’s Winterland Ballroom to Egypt’s Great Pyramids is headed to auction.\u003c/p>\n\u003cp>The Grateful Dead frontman’s guitar — named Wolf — will be offered Wednesday night in Brooklyn. The proceeds are earmarked for the Montgomery, Alabama-based Southern Poverty Law Center.\u003c/p>\n\u003cp>The guitar is being sold by devoted Deadhead Daniel Pritzker. The philanthropist, musician and film director bought it in 2002 at Guernsey’s for $790,000.\u003c/p>\n\u003cp>It’s predicted that the guitar could fetch over $1 million this time around.\u003c/p>\n\u003cp>The auctioneer says Wolf first appeared in a 1973 New York performance the Grateful Dead gave for the Hells Angels.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Kathy Griffin says she went way too far when she appeared in a brief video Tuesday holding what looked like President Donald Trump’s bloody, severed head.\u003c/p>\n\u003cp>The comic posted a video later Tuesday apologizing for the video image, saying it was “too disturbing” and wasn’t funny.\u003c/p>\n\u003cp>“I sincerely apologize,” she said. “I went way too far. The image is too disturbing. I understand how it offends people.”\u003c/p>\n\u003cp>The first video showed a straight-faced Griffin slowly lifting the bloody head. She originally described the project with photographer Tyler Shields as an “artsy fartsy statement” mocking the commander in chief.\u003c/p>\n\u003cp>Many online called for Griffin to be jailed.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In her apology video, Griffin begs her fans for forgiveness and says she has asked the photographer to remove the images.\u003c/p>\n\u003cp>“I made a mistake and I was wrong,” she says.\u003c/p>\n\u003cp>Publicists for Griffin and Shields did not respond to requests for comment Tuesday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The images remained on Shields’ blog Tuesday evening.\u003c/p>\n\n",
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"title": "For a Few Hours, a Sculpted Dog was Urinating on the 'Fearless Girl'",
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"content": "\u003cp>For a few hours Monday, the bitter face-off between a bull and a girl in New York City got a curious, four-legged interloper: a tiny pug, with one of those legs suggestively raised beside the girl’s leg. There was no urine, no caustic caption, but it was clear where the dog’s disdain was directed.\u003c/p>\n\u003cp>The statue’s placement by sculptor Alex Gardega marks an odd, if brief, digression in a contentious chapter that’s been unfolding off Wall Street for months. It was there that the financial district’s nearly three-decade-old \u003cem>Charging Bull\u003c/em> confronted a new arrival earlier this year: the statue of a defiant girl, hands placed firmly on hips and chin thrust forward against the bull’s implied threat.\u003c/p>\n\u003cp>The artist behind the bull, Arturo Di Modico, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/04/12/523592057/sculptor-of-wall-street-bull-says-fearless-girl-horns-in-on-his-work\" target=\"_blank\" rel=\"noopener\">has not appreciated\u003c/a> the installation of \u003cem>Fearless Girl\u003c/em>, a work designed by Kristen Visbal and commissioned by an international investment firm State Street Global Advisors.\u003c/p>\n\u003cp>The firm says it intended the girl as a means to “to \u003ca href=\"https://www.ssga.com/global/en/our-insights/viewpoints/enhancing-gender-diversity-on-boards-emea.html\" target=\"_blank\" rel=\"noopener\">raise awareness and drive a conversation\u003c/a> around the need to improve gender diversity in corporate leadership roles.” Di Modico, however, feels the new statue mutates his long-celebrated bull into a villain for the sake of \u003ca href=\"http://www.marketwatch.com/story/wall-street-bull-artist-calls-bs-on-fearless-girl-statue-2017-03-20\" target=\"_blank\" rel=\"noopener\">“an advertising trick.”\u003c/a>\u003c/p>\n\u003cp>If his disdainful pug wasn’t indication enough, Gardega made clear to \u003ca href=\"http://www.nbcnewyork.com/news/local/Peeing-Dog-Statue-Takes-Aim-at-Fearless-Girl-Report-425226224.html\" target=\"_blank\" rel=\"noopener\">NBC News’ affiliate in New York\u003c/a> which side of the dispute he is on.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I have a lot of empathy for the creator of the bull, Arturo,” Gardega told NBC on Tuesday. “I’m a pretty happy person, not seething or angry and certainly not anti-feminist. My piece is not without a sense of humor. There is plenty of room for \u003cem>Fearless Girl\u003c/em>; it just interferes with another artists work/vision.”\u003c/p>\n\u003cp>In an \u003ca href=\"http://nypost.com/2017/05/29/pissed-off-artist-adds-statue-of-urinating-dog-next-to-fearless-girl/\" target=\"_blank\" rel=\"noopener\">interview with the New York Post\u003c/a>, he called \u003cem>Fearless Girl\u003c/em> — which recently had its temporary permit renewed by the city through 2018 — “corporate nonsense.”\u003c/p>\n\u003cp>“It has nothing to do with feminism, and it is disrespect to the artist that made the bull,” he said.\u003c/p>\n\u003cp>Visbal did not immediately make a public comment about the dog’s placement.\u003c/p>\n\u003cp>If nothing else, Gardena’s pug joins a tradition of imposition established by the two statues it briefly came between: \u003cem>Fearless Girl\u003c/em> was set up overnight opposite the \u003cem>Charging Bull\u003c/em> against the wishes of Di Modico — who, in turn, initially set up his own bull overnight outside the New York Stock Exchange in the late 1980s, also against that institution’s wishes.\u003c/p>\n\u003cp>As one might imagine, though, the dog did little to ease the dispute. A quick glance at Twitter confirms the inflamed frustrations on either side.\u003c/p>\n\u003cp>At any rate, the little dog is gone now, picked up after several hours by Gardega since, as he tells NBC, he “certainly had no rights to bolt it to the ground.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The bitter face-off between Di Modica and the \u003cem>Fearless Girl\u003c/em>‘s many defenders, though — that remains standing as firmly as the two statues themselves. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=For+A+Few+Hours%2C+A+Sculpted+Dog+Was+Urinating+On+The+%27Fearless+Girl%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For a few hours Monday, the bitter face-off between a bull and a girl in New York City got a curious, four-legged interloper: a tiny pug, with one of those legs suggestively raised beside the girl’s leg. There was no urine, no caustic caption, but it was clear where the dog’s disdain was directed.\u003c/p>\n\u003cp>The statue’s placement by sculptor Alex Gardega marks an odd, if brief, digression in a contentious chapter that’s been unfolding off Wall Street for months. It was there that the financial district’s nearly three-decade-old \u003cem>Charging Bull\u003c/em> confronted a new arrival earlier this year: the statue of a defiant girl, hands placed firmly on hips and chin thrust forward against the bull’s implied threat.\u003c/p>\n\u003cp>The artist behind the bull, Arturo Di Modico, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/04/12/523592057/sculptor-of-wall-street-bull-says-fearless-girl-horns-in-on-his-work\" target=\"_blank\" rel=\"noopener\">has not appreciated\u003c/a> the installation of \u003cem>Fearless Girl\u003c/em>, a work designed by Kristen Visbal and commissioned by an international investment firm State Street Global Advisors.\u003c/p>\n\u003cp>The firm says it intended the girl as a means to “to \u003ca href=\"https://www.ssga.com/global/en/our-insights/viewpoints/enhancing-gender-diversity-on-boards-emea.html\" target=\"_blank\" rel=\"noopener\">raise awareness and drive a conversation\u003c/a> around the need to improve gender diversity in corporate leadership roles.” Di Modico, however, feels the new statue mutates his long-celebrated bull into a villain for the sake of \u003ca href=\"http://www.marketwatch.com/story/wall-street-bull-artist-calls-bs-on-fearless-girl-statue-2017-03-20\" target=\"_blank\" rel=\"noopener\">“an advertising trick.”\u003c/a>\u003c/p>\n\u003cp>If his disdainful pug wasn’t indication enough, Gardega made clear to \u003ca href=\"http://www.nbcnewyork.com/news/local/Peeing-Dog-Statue-Takes-Aim-at-Fearless-Girl-Report-425226224.html\" target=\"_blank\" rel=\"noopener\">NBC News’ affiliate in New York\u003c/a> which side of the dispute he is on.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I have a lot of empathy for the creator of the bull, Arturo,” Gardega told NBC on Tuesday. “I’m a pretty happy person, not seething or angry and certainly not anti-feminist. My piece is not without a sense of humor. There is plenty of room for \u003cem>Fearless Girl\u003c/em>; it just interferes with another artists work/vision.”\u003c/p>\n\u003cp>In an \u003ca href=\"http://nypost.com/2017/05/29/pissed-off-artist-adds-statue-of-urinating-dog-next-to-fearless-girl/\" target=\"_blank\" rel=\"noopener\">interview with the New York Post\u003c/a>, he called \u003cem>Fearless Girl\u003c/em> — which recently had its temporary permit renewed by the city through 2018 — “corporate nonsense.”\u003c/p>\n\u003cp>“It has nothing to do with feminism, and it is disrespect to the artist that made the bull,” he said.\u003c/p>\n\u003cp>Visbal did not immediately make a public comment about the dog’s placement.\u003c/p>\n\u003cp>If nothing else, Gardena’s pug joins a tradition of imposition established by the two statues it briefly came between: \u003cem>Fearless Girl\u003c/em> was set up overnight opposite the \u003cem>Charging Bull\u003c/em> against the wishes of Di Modico — who, in turn, initially set up his own bull overnight outside the New York Stock Exchange in the late 1980s, also against that institution’s wishes.\u003c/p>\n\u003cp>As one might imagine, though, the dog did little to ease the dispute. A quick glance at Twitter confirms the inflamed frustrations on either side.\u003c/p>\n\u003cp>At any rate, the little dog is gone now, picked up after several hours by Gardega since, as he tells NBC, he “certainly had no rights to bolt it to the ground.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The bitter face-off between Di Modica and the \u003cem>Fearless Girl\u003c/em>‘s many defenders, though — that remains standing as firmly as the two statues themselves. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=For+A+Few+Hours%2C+A+Sculpted+Dog+Was+Urinating+On+The+%27Fearless+Girl%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "How the U.S. Military Used Guns N' Roses to Make a Dictator Give Up",
"headTitle": "How the U.S. Military Used Guns N’ Roses to Make a Dictator Give Up | KQED",
"content": "\u003cp>The U.S. military invaded Panama in hot pursuit of the country’s dictator, Manuel Noriega, in December 1989. As he rapidly ran out of options, Noriega took refuge at the Vatican Embassy in Panama City.\u003c/p>\n\u003cp>In deference to diplomatic protocol, U.S. forces did not enter the embassy. But they did concoct a plan to smoke out Noriega, who \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/05/30/530666952/former-panamanian-dictator-manuel-noriega-dies-at-83\" target=\"_blank\" rel=\"noopener\">died Monday\u003c/a> at the age of 83. The plan involved music, mostly heavy metal and rock, with a few ballads thrown in. It was blasted on loud speakers, at deafening volumes, around the clock.\u003c/p>\n\u003cp>Here’s a small sampling of \u003ca href=\"http://www.rsvlts.com/2015/01/02/noriega-playlist/\" target=\"_blank\" rel=\"noopener\">the playlist\u003c/a> designed to send Noriega a musical message:\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=IeqtAB1WgEw\" target=\"_blank\" rel=\"noopener\">“Give It Up,”\u003c/a> by K.C. And The Sunshine Band, \u003ca href=\"https://www.youtube.com/watch?v=QM5_T0eNPrQ\" target=\"_blank\" rel=\"noopener\">“No More Mister Nice Guy,”\u003c/a> by Alice Cooper, and \u003ca href=\"https://www.youtube.com/watch?v=hkXHsK4AQPs\" target=\"_blank\" rel=\"noopener\">“Paranoid”\u003c/a> by Black Sabbath.\u003c/p>\n\u003cp>You get the drift.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IeqtAB1WgEw\u003c/p>\n\u003cp>The U.S. military launched the operation on Dec. 20, 1989, to seize Noriega, who had once been a U.S. ally but was by this point wanted on drug trafficking charges. The U.S. military radio for Central America, known as the Southern Command Network, initially did what it always did — play requests from the troops.\u003c/p>\n\u003cp>Many of those requests were directed at Noriega. As U.S. Southern Command later noted in an \u003ca href=\"http://nsarchive.gwu.edu/nsa/DOCUMENT/950206.htm\" target=\"_blank\" rel=\"noopener\">after-action report\u003c/a>:\u003c/p>\n\u003cp>“When the troops started coming in from the field, the requests became quite imaginative,” \u003ca href=\"http://nsarchive.gwu.edu/nsa/DOCUMENT/DOC-PIC/950206_4.gif\" target=\"_blank\" rel=\"noopener\">it said in dry, military-speak\u003c/a>.\u003c/p>\n\u003cp>The favorites included \u003ca href=\"https://www.youtube.com/watch?v=o1tj2zJ2Wvg\" target=\"_blank\" rel=\"noopener\">“Welcome to the Jungle,”\u003c/a> by Guns N’ Roses, \u003ca href=\"bon%20jovi%20wanted%20dead%20or%20alive\" target=\"_blank\" rel=\"noopener\">“Wanted Dead Or Alive,”\u003c/a> by Bon Jovi, and \u003ca href=\"https://www.youtube.com/watch?v=JSUIQgEVDM4\" target=\"_blank\" rel=\"noopener\">“The End”\u003c/a> by The Doors.\u003c/p>\n\u003cp>After several days on the run, Noriega was allowed to enter the Vatican Embassy on Christmas Eve. And on Christmas Day, the radio station broadcast only Christmas music.\u003c/p>\n\u003cp>But with requests streaming in, the U.S. effort ramped up after the holiday.\u003c/p>\n\u003cp>On Dec. 27, “someone who identified himself as a member of the PSYOPS [Psychological Operations] team from Fort Bragg [N.C.] called to tell us what they were doing with their loud speakers,” \u003ca href=\"http://nsarchive.gwu.edu/nsa/DOCUMENT/DOC-PIC/950206_4.gif\" target=\"_blank\" rel=\"noopener\">the military report said\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.theguardian.com/world/shortcuts/2017/may/30/noriega-panama-music-playlist\" target=\"_blank\" rel=\"noopener\">U.S. Gen. Maxwell “Mad Max” Thurman\u003c/a> had ordered speakers placed as a “musical barrier” around the perimeter of the Vatican Embassy and turned to full volume.\u003c/p>\n\u003cp>Noriega was reportedly partial to opera. What he got was \u003ca href=\"https://www.youtube.com/watch?v=w-NshzYK9y0\" target=\"_blank\" rel=\"noopener\">“Panama,”\u003c/a> from Van Halen, \u003ca href=\"https://www.youtube.com/watch?v=siwpn14IE7E\" target=\"_blank\" rel=\"noopener\">“Danger Zone,”\u003c/a> from Kenny Loggins, and \u003ca href=\"https://www.youtube.com/watch?v=fFnOfpIJL0M\" target=\"_blank\" rel=\"noopener\">“Refugee,”\u003c/a> courtesy of Tom Petty.\u003c/p>\n\u003cp>And remember, this was the ’80s. So the strongman also got an earful of Rick Astley’s \u003ca href=\"https://www.youtube.com/watch?v=dQw4w9WgXcQ\" target=\"_blank\" rel=\"noopener\">“Never Gonna Give You Up,”\u003c/a> though that may have been intended more for Noriega’s hosts at the embassy.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dQw4w9WgXcQ\u003c/p>\n\u003cp>As the standoff dragged on for days, the playlist became part of the story.\u003c/p>\n\u003cp>Not everyone was happy with the military’s approach, including the White House, and the \u003ca href=\"http://www.bbc.com/news/world-latin-america-40090809\" target=\"_blank\" rel=\"noopener\">music was stopped after several days.\u003c/a> President George H.W. Bush’s national security adviser, Brent Scowcroft, said afterward that he thought the use of high-volume music was “undignified.”\u003c/p>\n\u003cp>On Jan. 3, 1990, Noriega surrendered to the U.S. forces, though not until after he’d been treated to a version of “\u003ca href=\"https://www.youtube.com/watch?v=AL8chWFuM-s\" target=\"_blank\" rel=\"noopener\">I Fought The Law\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Noriega was flown to Miami, tried and convicted of drug trafficking, and spent nearly two decades in U.S. prisons. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=How+The+U.S.+Military+Used+Guns+N%27+Roses+To+Make+A+Dictator+Give+Up&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "Panama's dictator, Manuel Noriega, surrendered to the invading U.S. military in 1989. He holed up at the Vatican Embassy, and gave up after being subjected to days of deafening music.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The U.S. military invaded Panama in hot pursuit of the country’s dictator, Manuel Noriega, in December 1989. As he rapidly ran out of options, Noriega took refuge at the Vatican Embassy in Panama City.\u003c/p>\n\u003cp>In deference to diplomatic protocol, U.S. forces did not enter the embassy. But they did concoct a plan to smoke out Noriega, who \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/05/30/530666952/former-panamanian-dictator-manuel-noriega-dies-at-83\" target=\"_blank\" rel=\"noopener\">died Monday\u003c/a> at the age of 83. The plan involved music, mostly heavy metal and rock, with a few ballads thrown in. It was blasted on loud speakers, at deafening volumes, around the clock.\u003c/p>\n\u003cp>Here’s a small sampling of \u003ca href=\"http://www.rsvlts.com/2015/01/02/noriega-playlist/\" target=\"_blank\" rel=\"noopener\">the playlist\u003c/a> designed to send Noriega a musical message:\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=IeqtAB1WgEw\" target=\"_blank\" rel=\"noopener\">“Give It Up,”\u003c/a> by K.C. And The Sunshine Band, \u003ca href=\"https://www.youtube.com/watch?v=QM5_T0eNPrQ\" target=\"_blank\" rel=\"noopener\">“No More Mister Nice Guy,”\u003c/a> by Alice Cooper, and \u003ca href=\"https://www.youtube.com/watch?v=hkXHsK4AQPs\" target=\"_blank\" rel=\"noopener\">“Paranoid”\u003c/a> by Black Sabbath.\u003c/p>\n\u003cp>You get the drift.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IeqtAB1WgEw'\n title='//www.youtube.com/embed/IeqtAB1WgEw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The U.S. military launched the operation on Dec. 20, 1989, to seize Noriega, who had once been a U.S. ally but was by this point wanted on drug trafficking charges. The U.S. military radio for Central America, known as the Southern Command Network, initially did what it always did — play requests from the troops.\u003c/p>\n\u003cp>Many of those requests were directed at Noriega. As U.S. Southern Command later noted in an \u003ca href=\"http://nsarchive.gwu.edu/nsa/DOCUMENT/950206.htm\" target=\"_blank\" rel=\"noopener\">after-action report\u003c/a>:\u003c/p>\n\u003cp>“When the troops started coming in from the field, the requests became quite imaginative,” \u003ca href=\"http://nsarchive.gwu.edu/nsa/DOCUMENT/DOC-PIC/950206_4.gif\" target=\"_blank\" rel=\"noopener\">it said in dry, military-speak\u003c/a>.\u003c/p>\n\u003cp>The favorites included \u003ca href=\"https://www.youtube.com/watch?v=o1tj2zJ2Wvg\" target=\"_blank\" rel=\"noopener\">“Welcome to the Jungle,”\u003c/a> by Guns N’ Roses, \u003ca href=\"bon%20jovi%20wanted%20dead%20or%20alive\" target=\"_blank\" rel=\"noopener\">“Wanted Dead Or Alive,”\u003c/a> by Bon Jovi, and \u003ca href=\"https://www.youtube.com/watch?v=JSUIQgEVDM4\" target=\"_blank\" rel=\"noopener\">“The End”\u003c/a> by The Doors.\u003c/p>\n\u003cp>After several days on the run, Noriega was allowed to enter the Vatican Embassy on Christmas Eve. And on Christmas Day, the radio station broadcast only Christmas music.\u003c/p>\n\u003cp>But with requests streaming in, the U.S. effort ramped up after the holiday.\u003c/p>\n\u003cp>On Dec. 27, “someone who identified himself as a member of the PSYOPS [Psychological Operations] team from Fort Bragg [N.C.] called to tell us what they were doing with their loud speakers,” \u003ca href=\"http://nsarchive.gwu.edu/nsa/DOCUMENT/DOC-PIC/950206_4.gif\" target=\"_blank\" rel=\"noopener\">the military report said\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.theguardian.com/world/shortcuts/2017/may/30/noriega-panama-music-playlist\" target=\"_blank\" rel=\"noopener\">U.S. Gen. Maxwell “Mad Max” Thurman\u003c/a> had ordered speakers placed as a “musical barrier” around the perimeter of the Vatican Embassy and turned to full volume.\u003c/p>\n\u003cp>Noriega was reportedly partial to opera. What he got was \u003ca href=\"https://www.youtube.com/watch?v=w-NshzYK9y0\" target=\"_blank\" rel=\"noopener\">“Panama,”\u003c/a> from Van Halen, \u003ca href=\"https://www.youtube.com/watch?v=siwpn14IE7E\" target=\"_blank\" rel=\"noopener\">“Danger Zone,”\u003c/a> from Kenny Loggins, and \u003ca href=\"https://www.youtube.com/watch?v=fFnOfpIJL0M\" target=\"_blank\" rel=\"noopener\">“Refugee,”\u003c/a> courtesy of Tom Petty.\u003c/p>\n\u003cp>And remember, this was the ’80s. So the strongman also got an earful of Rick Astley’s \u003ca href=\"https://www.youtube.com/watch?v=dQw4w9WgXcQ\" target=\"_blank\" rel=\"noopener\">“Never Gonna Give You Up,”\u003c/a> though that may have been intended more for Noriega’s hosts at the embassy.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dQw4w9WgXcQ'\n title='//www.youtube.com/embed/dQw4w9WgXcQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As the standoff dragged on for days, the playlist became part of the story.\u003c/p>\n\u003cp>Not everyone was happy with the military’s approach, including the White House, and the \u003ca href=\"http://www.bbc.com/news/world-latin-america-40090809\" target=\"_blank\" rel=\"noopener\">music was stopped after several days.\u003c/a> President George H.W. Bush’s national security adviser, Brent Scowcroft, said afterward that he thought the use of high-volume music was “undignified.”\u003c/p>\n\u003cp>On Jan. 3, 1990, Noriega surrendered to the U.S. forces, though not until after he’d been treated to a version of “\u003ca href=\"https://www.youtube.com/watch?v=AL8chWFuM-s\" target=\"_blank\" rel=\"noopener\">I Fought The Law\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Noriega was flown to Miami, tried and convicted of drug trafficking, and spent nearly two decades in U.S. prisons. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=How+The+U.S.+Military+Used+Guns+N%27+Roses+To+Make+A+Dictator+Give+Up&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Gregg Allman of the Allman Brothers Band Dies at Age 69",
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"content": "\u003cp>Music legend Gregg Allman, whose bluesy vocals and soulful touch on the Hammond B-3 organ helped propel the Allman Brothers Band to superstardom and spawn Southern rock, died Saturday, a publicist said. He was 69.\u003c/p>\n\u003cp>Allman died Saturday at his home in Savannah, Georgia, publicist Ken Weinstein said.\u003c/p>\n\u003cp>Allman had cancelled some 2016 tour dates, announcing on Aug. 5 that he was “under his doctor’s care at the Mayo Clinic” due to “serious health issues.” Later that year, he canceled more dates citing a throat injury. And in March 2017, he canceled performances for the rest of the year.\u003c/p>\n\u003cp>Born in Nashville, Tennessee, the rock star known for his long blond hair was raised in Florida by a single mother after his father was shot to death. Allman idolized his older brother, Duane, eventually joining a series of bands with him. Together they formed the nucleus of The Allman Brothers Band.\u003c/p>\n\u003cp>The original band featured extended jams, tight guitar harmonies by Duane Allman and Dickey Betts, rhythms from a pair of drummers and the smoky blues inflected voice of Gregg Allman. Songs such as “Whipping Post,” “Ramblin’ Man” and “Midnight Rider,” helped define what came to be known as Southern rock and opened the doors for such stars as Lynyrd Skynyrd and the Marshall Tucker Band.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FUvxRjYqjEQ\u003c/p>\n\u003cp>In his 2012 memoir, \u003cem>My Cross to Bear\u003c/em>, Allman described how Duane was a central figure in his life in the years after their father was murdered by a man he met in a bar. The two boys endured a spell in a military school before being swept up in rock music in their teens. Although Gregg was the first to pick up a guitar, it was Duane who excelled at it. \u003c/p>\n\u003cp>So Gregg later switched to the organ.\u003c/p>\n\u003cp>They failed to crack success until they formed The Allman Brothers Band in 1969. Based in Macon, Georgia, the group featured Betts, drummers Jai Johanny “Jaimoe” Johanson and Butch Trucks and bassist Berry Oakley. They partied to excess while defining a sound that still excites millions.\u003c/p>\n\u003cp>Their self-titled debut album came out in 1969, but it was their seminal live album “At Fillmore East” in 1971 that catapulted the band to stardom.\u003c/p>\n\u003cp>Duane Allman had quickly ascended to the pantheon of guitar heroes, not just from his contributions to the Allman band, but from his session work with Aretha Franklin, Wilson Pickett and with Eric Clapton on the classic \u003cem>Layla and Other Assorted Love Songs\u003c/em> album. But he was killed in a motorcycle accident in October 1971, just months after recording the Fillmore shows. Another motorcycle accident the following year claimed Oakley’s life. \u003c/p>\n\u003cp>In a 2012 interview with The Associated Press, Gregg Allman said Duane remained on his mind every day. Once in a while, he could even feel his presence.\u003c/p>\n\u003cp>“I can tell when he’s there, man,” Allman said. “I’m not going to get all cosmic on you. But listen, he’s there.”\u003c/p>\n\u003cp>The 1970s brought more highly publicized turmoil: Allman was compelled to testify in a drug case against a former road manager for the band and his marriage to the actress and singer Cher was short-lived even by show business standards.\u003c/p>\n\u003cp>In 1975, Cher and Allman married three days after she divorced her husband and singing partner, Sonny Bono. Their marriage was tumultuous from the start; Cher requested a divorce just nine days after their Las Vegas wedding, although she dismissed the suit a month later.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TZ0hUgSynFg\u003c/p>\n\u003cp>Together they released a widely panned duets album under the name \u003cem>Allman and Woman\u003c/em>. They had one child together, Elijah Blue, and Cher filed for legal separation in 1977.\u003c/p>\n\u003cp>The Allman Brothers Band likewise split up in the 1980s and then re-formed several times over the years. A changing cast of players has included Derek Trucks, nephew of original drummer Butch Trucks, as well as guitarist Warren Haynes.\u003c/p>\n\u003cp>Starting in 1990, more than 20 years after its founding, the reunited band began releasing new music and found a new audience. In 1995 the band was inducted into the Rock and Roll Hall of Fame and won a Grammy Award for best rock instrumental performance for “Jessica” the following year.\u003c/p>\n\u003cp>In 2000, Betts was ousted from the band via fax for alleged substance abuse and poor performance and he hasn’t played with the band since.\u003c/p>\n\u003cp>Butch Trucks died in January 2017. Authorities said he shot himself in front of his wife at their Florida home.\u003c/p>\n\u003cp>In his memoir, Allman said he spent years overindulging in women, drugs and alcohol before getting sober in the mid-1990s. He said that after getting sober, he felt “brand new” at the age of 50.\u003c/p>\n\u003cp>“I never believed in God until this,” he said in an interview with The Associated Press in 1998. “I asked him to bring me out of this or let me die before all the innings have been played. Now I have started taking on some spiritualism.”\u003c/p>\n\u003cp>However, after all the years of unhealthy living he ended up with hepatitis C which severely damaged his liver. He underwent a liver transplant in 2010.\u003c/p>\n\u003cp>After the surgery, he turned music to help him recover and released his first solo album in 14 years \u003cem>Low Country Blues \u003c/em>in 2011.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9CgRbQOBbl0\u003c/p>\n\u003cp>“I think it’s because you’re doing something you love,” Allman said in a 2011 interview with The Associated Press. “I think it just creates a diversion from the pain itself. You’ve been swallowed up by something you love, you know, and you’re just totally engulfed.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band was honored with a lifetime achievement Grammy in 2012.\u003c/p>\n\n",
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Their marriage was tumultuous from the start; Cher requested a divorce just nine days after their Las Vegas wedding, although she dismissed the suit a month later.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TZ0hUgSynFg'\n title='//www.youtube.com/embed/TZ0hUgSynFg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Together they released a widely panned duets album under the name \u003cem>Allman and Woman\u003c/em>. They had one child together, Elijah Blue, and Cher filed for legal separation in 1977.\u003c/p>\n\u003cp>The Allman Brothers Band likewise split up in the 1980s and then re-formed several times over the years. A changing cast of players has included Derek Trucks, nephew of original drummer Butch Trucks, as well as guitarist Warren Haynes.\u003c/p>\n\u003cp>Starting in 1990, more than 20 years after its founding, the reunited band began releasing new music and found a new audience. In 1995 the band was inducted into the Rock and Roll Hall of Fame and won a Grammy Award for best rock instrumental performance for “Jessica” the following year.\u003c/p>\n\u003cp>In 2000, Betts was ousted from the band via fax for alleged substance abuse and poor performance and he hasn’t played with the band since.\u003c/p>\n\u003cp>Butch Trucks died in January 2017. Authorities said he shot himself in front of his wife at their Florida home.\u003c/p>\n\u003cp>In his memoir, Allman said he spent years overindulging in women, drugs and alcohol before getting sober in the mid-1990s. He said that after getting sober, he felt “brand new” at the age of 50.\u003c/p>\n\u003cp>“I never believed in God until this,” he said in an interview with The Associated Press in 1998. “I asked him to bring me out of this or let me die before all the innings have been played. Now I have started taking on some spiritualism.”\u003c/p>\n\u003cp>However, after all the years of unhealthy living he ended up with hepatitis C which severely damaged his liver. He underwent a liver transplant in 2010.\u003c/p>\n\u003cp>After the surgery, he turned music to help him recover and released his first solo album in 14 years \u003cem>Low Country Blues \u003c/em>in 2011.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9CgRbQOBbl0'\n title='//www.youtube.com/embed/9CgRbQOBbl0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“I think it’s because you’re doing something you love,” Allman said in a 2011 interview with The Associated Press. “I think it just creates a diversion from the pain itself. You’ve been swallowed up by something you love, you know, and you’re just totally engulfed.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band was honored with a lifetime achievement Grammy in 2012.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"order": 9
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"id": "fresh-air",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"rss": "https://rss.art19.com/masters-of-scale"
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},
"mindshift": {
"id": "mindshift",
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"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"meta": {
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 11
},
"link": "/podcasts/onourwatch",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
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},
"link": "/radio/program/on-the-media",
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"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
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},
"perspectives": {
"id": "perspectives",
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"order": 14
},
"link": "/perspectives",
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"rss": "https://feeds.npr.org/510289/podcast.xml"
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
"link": "/podcasts/politicalbreakdown",
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
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