window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13812021": {
"type": "attachments",
"id": "arts_13812021",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13812021",
"found": true
},
"parent": 13812015,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683.jpg",
"width": 719,
"height": 404
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Axis-Dance-Company-members-rehearse-their-new-piece-Radical-Impact-e1508371054683-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508370982,
"modified": 1508371074,
"caption": "Axis Dance Company members rehearse their new piece 'Radical Impact'",
"description": "Axis Dance Company members rehearse their new piece 'Radical Impact'",
"title": "Axis Dance Company members rehearse their new piece 'Radical Impact'",
"credit": "Photo: Cy Musiker/KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13812006": {
"type": "attachments",
"id": "arts_13812006",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13812006",
"found": true
},
"parent": 13811992,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-620x372.jpg",
"width": 620,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-375x210.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 210
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601.jpg",
"width": 620,
"height": 348
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Mariza-e1508366013601-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508365890,
"modified": 1508365984,
"caption": "Fado singer Mariza ",
"description": "Fado singer Mariza ",
"title": "Fado singer Mariza",
"credit": "Photo: Courtesy of Mariza",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13812034": {
"type": "attachments",
"id": "arts_13812034",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13812034",
"found": true
},
"parent": 13812030,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-621x576.jpg",
"width": 621,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-621x372.jpg",
"width": 621,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338.jpg",
"width": 614,
"height": 345
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Open-Mike-Eagle-e1508373147338-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508373046,
"modified": 1508373078,
"caption": "Open Mike Eagle",
"description": "Open Mike Eagle ",
"title": "Open Mike Eagle",
"credit": "Photo: Courtesy of the artist",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13812012": {
"type": "attachments",
"id": "arts_13812012",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13812012",
"found": true
},
"parent": 13812008,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-960x542.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 542
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-375x212.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 212
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112.jpg",
"width": 1317,
"height": 743
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-1020x575.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 575
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-1180x666.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 666
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-800x451.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 451
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-1180x666.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 666
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-768x433.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 433
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/The-Green-Sisters-are-at-the-YBCA-100-Summit-Oct.-28-e1508368606112-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508368537,
"modified": 1508368574,
"caption": "The Green Sisters are at the YBCA 100 Summit Oct. 28",
"description": "The Green Sisters are at the YBCA 100 Summit Oct. 28",
"title": "The Green Sisters are at the YBCA 100 Summit Oct. 28",
"credit": "Photo: AlunBe ",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13811977": {
"type": "attachments",
"id": "arts_13811977",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13811977",
"found": true
},
"parent": 13811976,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274.jpg",
"width": 3000,
"height": 1687
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-579859354_custom-0bd40d57bdb961cc04084671565f0a07870e58c0-e1508362853274-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508358544,
"modified": 1508362829,
"caption": "Gord Downie (left) performs with The Tragically Hip in Vancouver during the band's final tour in 2016.",
"description": "Gord Downie (left) performs with The Tragically Hip in Vancouver during the band's final tour in 2016.",
"title": "Gord Downie (left) performs with The Tragically Hip in Vancouver during the band's final tour in 2016.",
"credit": "Andrew Chin/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13811963": {
"type": "attachments",
"id": "arts_13811963",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13811963",
"found": true
},
"parent": 13811962,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96.jpg",
"width": 700,
"height": 393
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/photofunia-1508262349_wide-4058f2480abad4945de99050c0f560ddf91b7a96-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508354927,
"modified": 1508355629,
"caption": "\"How is [Keith] Olbermann on my side of the fence (politics) but not on my side (hip hop)?\" The Roots' Questlove pondered before creating his 'Keith O Challenge' crash course.",
"description": "\"How is [Keith] Olbermann on my side of the fence (politics) but not on my side (hip hop)?\" The Roots' Questlove pondered before creating his \u003cem>Keith O Challenge \u003c/em>crash cour",
"title": "\"How is [Keith] Olbermann on my side of the fence (politics) but not on my side (hip hop)?\" The Roots' Questlove pondered before creating his Keith O Challenge crash course.",
"credit": "Bryan Bedder/Getty Images for MTV/Getty Images for Paley Center for Media",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13811622": {
"type": "attachments",
"id": "arts_13811622",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13811622",
"found": true
},
"parent": 13811620,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/Roy-Price-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1507923245,
"modified": 1507923289,
"caption": "Roy Price attends Museum of the Moving Image Award for Achievement in Media and Entertainment at Park Hyatt Hotel New York on June 6, 2017 in New York City. ",
"description": "Roy Price attends Museum of the Moving Image Award for Achievement in Media and Entertainment at Park Hyatt Hotel New York on June 6, 2017 in New York City",
"title": "Museum of the Moving Image Award for Achievement in Media and Entertainment",
"credit": " Slaven Vlasic/Getty Images for Museum of the Moving Image ",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13811929": {
"type": "attachments",
"id": "arts_13811929",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13811929",
"found": true
},
"parent": 13811928,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563.jpg",
"width": 3000,
"height": 1687
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-848536694_custom-294b1b8fa6550112d40de5431dd8fd89423fefe0-e1508349152563-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508305023,
"modified": 1508349127,
"caption": "The Oakland Athletics have led efforts to help replace a nine-year-old's collection of baseball memorabilia destroyed in a wildfire.",
"description": "The Oakland Athletics have led efforts to help replace a nine-year-old's collection of baseball memorabilia destroyed in a wildfire.",
"title": "The Oakland Athletics have led efforts to help replace a nine-year-old's collection of baseball memorabilia destroyed in a wildfire.",
"credit": "Rich Schultz/Getty Images)",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13811925": {
"type": "attachments",
"id": "arts_13811925",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13811925",
"found": true
},
"parent": 13810193,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER.jpg",
"width": 1152,
"height": 648
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/03_JFR_DinaGoldstein_Golem_COVER-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508285996,
"modified": 1508286036,
"caption": "Dina Goldstein, 'Golem,' from the series 'Snapshots from the Garden of Eden,' 2017.",
"description": "Dina Goldstein, 'Golem,' from the series 'Snapshots from the Garden of Eden,' 2017.",
"title": "03_JFR_DinaGoldstein_Golem_COVER",
"credit": "Courtesy of the CJM",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13811892": {
"type": "attachments",
"id": "arts_13811892",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13811892",
"found": true
},
"parent": 13811891,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d.jpg",
"width": 5568,
"height": 3132
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-862040048_wide-f33f4eff663da24831816151477d1d14da61951d-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508278378,
"modified": 1508278740,
"caption": "Author George Saunders poses with his book 'Lincoln in the Bardo' at the Royal Festival Hall in London on Monday. On Tuesday, he was announced as the winner of the 2017 Man Booker Prize for Fiction.",
"description": "Author George Saunders poses with his book \u003cem>Lincoln in the Bardo\u003c/em> at the Royal Festival Hall in London on Monday. On Tuesday, he was announced as the winner of the 2017 Man Booker Prize for Fiction.",
"title": "Author George Saunders poses with his book Lincoln in the Bardo at the Royal Festival Hall in London on Monday. On Tuesday, he was announced as the winner of the 2017 Man Booker Prize for Fiction.",
"credit": "Chris J. Ratcliffe/AFP/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13811857": {
"type": "attachments",
"id": "arts_13811857",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13811857",
"found": true
},
"parent": 13811856,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-520x292.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 292
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0.jpg",
"width": 4670,
"height": 2626
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/gettyimages-512943430_wide-4f86e940e96fe84c1a5b1a54bc9fc10646c080f0-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1508262705,
"modified": 1508262820,
"caption": "Lady Gaga performs \"Til It Happens To You\" on stage at the 88th Oscars on Feb. 28, 2016.",
"description": "Lady Gaga performs \"Til It Happens To You\" on stage at the 88th Oscars on Feb. 28, 2016.",
"title": "Lady Gaga performs \"Til It Happens To You\" on stage at the 88th Oscars on Feb. 28, 2016.",
"credit": "Mark Ralston/AFP/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13811037": {
"type": "attachments",
"id": "arts_13811037",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13811037",
"found": true
},
"parent": 13810967,
"imgSizes": {
"small": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-520x293.jpg",
"width": 520,
"mimeType": "image/jpeg",
"height": 293
},
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"xsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-375x211.jpg",
"width": 375,
"mimeType": "image/jpeg",
"height": 211
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"xlarge": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-150x150.jpg",
"width": 150,
"mimeType": "image/jpeg",
"height": 150
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
},
"xxsmall": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2017/10/SMoking-Luther-240x135.jpg",
"width": 240,
"mimeType": "image/jpeg",
"height": 135
}
},
"publishDate": 1507590526,
"modified": 1508178349,
"caption": "The remains of the east end of the Luther Burbank Center for Arts",
"description": "The remains of the east end of the Luther Burbank Center for Arts",
"title": "SMoking Luther",
"credit": "Adam Grossberg/KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13811976": {
"type": "authors",
"id": "byline_arts_13811976",
"meta": {
"override": true
},
"slug": "byline_arts_13811976",
"name": "Andrew Flanagan",
"isLoading": false
},
"byline_arts_13811962": {
"type": "authors",
"id": "byline_arts_13811962",
"meta": {
"override": true
},
"slug": "byline_arts_13811962",
"name": "Rodney Carmichael",
"isLoading": false
},
"byline_arts_13811948": {
"type": "authors",
"id": "byline_arts_13811948",
"meta": {
"override": true
},
"slug": "byline_arts_13811948",
"name": "Scott Neuman",
"isLoading": false
},
"byline_arts_13811928": {
"type": "authors",
"id": "byline_arts_13811928",
"meta": {
"override": true
},
"slug": "byline_arts_13811928",
"name": "Merrit Kennedy",
"isLoading": false
},
"byline_arts_13811891": {
"type": "authors",
"id": "byline_arts_13811891",
"meta": {
"override": true
},
"slug": "byline_arts_13811891",
"name": "Camila Domonoske",
"isLoading": false
},
"byline_arts_13811856": {
"type": "authors",
"id": "byline_arts_13811856",
"meta": {
"override": true
},
"slug": "byline_arts_13811856",
"name": "Ann Powers",
"isLoading": false
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"kjones": {
"type": "authors",
"id": "93",
"meta": {
"index": "authors_1716337520",
"id": "93",
"found": true
},
"name": "Kevin L. Jones",
"firstName": "Kevin",
"lastName": "Jones",
"slug": "kjones",
"email": "kjones@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "styleguide",
"roles": [
"contributor"
]
},
{
"site": "artschool",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Kevin L. Jones | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kjones"
},
"dburlison": {
"type": "authors",
"id": "3216",
"meta": {
"index": "authors_1716337520",
"id": "3216",
"found": true
},
"name": "Dani Burlison",
"firstName": "Dani",
"lastName": "Burlison",
"slug": "dburlison",
"email": "danisavestheworld@yahoo.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "\u003cb id=\"yui_3_16_0_1_1416414652499_5365\" class=\"yiv3033141065\">Dani Burlison\u003c/b> is an award-winning writer, teacher and North Bay resident with a special interest in California's fascinating subcultures. You can find her commentary on writing, feminism, social justice and life with two teen daughters on Twitter at @DaniBurlison.",
"avatar": "https://secure.gravatar.com/avatar/c0b371463a220978c947a5c4ce2da294?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Dani Burlison | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/c0b371463a220978c947a5c4ce2da294?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/c0b371463a220978c947a5c4ce2da294?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/dburlison"
}
},
"pagesReducer": {
"arts_category_news": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"score": 10.815586
},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"title": "News",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 166
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=news",
"seeMore": false,
"paginated": true,
"page": 166
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13812015": {
"type": "posts",
"id": "arts_13812015",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13812015",
"score": null,
"sort": [
1508374522000
]
},
"guestAuthors": [],
"slug": "a-new-artistic-director-feels-right-at-home",
"title": "A New Artistic Director Feels Right at Home",
"publishDate": 1508374522,
"format": "standard",
"headTitle": "A New Artistic Director Feels Right at Home | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>Axis Dance is celebrating its 30th anniversary, with a new artistic director in charge. He’s Marc Brew, a dancer and choreographer from Glasgow, who says he feels right at home at Axis, based at Oakland’s Malonga Casquelourd Center for the Arts, because he’s worked with the company so often in the past. Axis is an integrated dance company, meaning some of its dancers have disabilities. Founding director Judith Smith uses a wheelchair, as does Brew; one of the dancers has one arm; and none of that matters when they’re moving to the music with grace and agility.\u003c/p>\n\u003cp>Brew’s calls his new dance \u003cem>Radical Impact, \u003c/em>with original music by Oakland’s Joowan Kim, the leader of the \u003ca href=\"http://www.ensemblemiknawooj.com/\" target=\"_blank\" rel=\"noopener\">Ensemble Mik Nawooj\u003c/a>. Brew says it offers a showcase for the company’s dancers to explain who they really are. “One of the tasks I gave the dancers, (when I first arrived) was a writing task, and the question I gave them was how has your identity changed or shifted during your lifetime,” Brew told me after a rehearsal in Oakland. “And they haven’t shared that response with anyone, and the second movement begins in silence with their solos when they begin to reveal who they are as people.” Also on the program a dance by the great Amy Seiwert. For the Axis Home Season, \u003ca href=\"http://www.axisdance.org/performances/\" target=\"_blank\" rel=\"noopener\">details here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cwKEt8Q3_tQ\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Axis Dance welcomes a new artistic director and celebrates a 30th anniversary",
"status": "publish",
"parent": 0,
"modified": 1726782008,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 4,
"wordCount": 254
},
"headData": {
"title": "A New Artistic Director Feels Right at Home | KQED",
"description": "Axis Dance welcomes a new artistic director and celebrates a 30th anniversary",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A New Artistic Director Feels Right at Home",
"datePublished": "2017-10-18T17:55:22-07:00",
"dateModified": "2024-09-19T14:40:08-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13812015/a-new-artistic-director-feels-right-at-home",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Axis Dance is celebrating its 30th anniversary, with a new artistic director in charge. He’s Marc Brew, a dancer and choreographer from Glasgow, who says he feels right at home at Axis, based at Oakland’s Malonga Casquelourd Center for the Arts, because he’s worked with the company so often in the past. Axis is an integrated dance company, meaning some of its dancers have disabilities. Founding director Judith Smith uses a wheelchair, as does Brew; one of the dancers has one arm; and none of that matters when they’re moving to the music with grace and agility.\u003c/p>\n\u003cp>Brew’s calls his new dance \u003cem>Radical Impact, \u003c/em>with original music by Oakland’s Joowan Kim, the leader of the \u003ca href=\"http://www.ensemblemiknawooj.com/\" target=\"_blank\" rel=\"noopener\">Ensemble Mik Nawooj\u003c/a>. Brew says it offers a showcase for the company’s dancers to explain who they really are. “One of the tasks I gave the dancers, (when I first arrived) was a writing task, and the question I gave them was how has your identity changed or shifted during your lifetime,” Brew told me after a rehearsal in Oakland. “And they haven’t shared that response with anyone, and the second movement begins in silence with their solos when they begin to reveal who they are as people.” Also on the program a dance by the great Amy Seiwert. For the Axis Home Season, \u003ca href=\"http://www.axisdance.org/performances/\" target=\"_blank\" rel=\"noopener\">details here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cwKEt8Q3_tQ'\n title='//www.youtube.com/embed/cwKEt8Q3_tQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13812015/a-new-artistic-director-feels-right-at-home",
"authors": [
"32"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_966",
"arts_69",
"arts_235"
],
"tags": [
"arts_879",
"arts_1420",
"arts_2819"
],
"featImg": "arts_13812021",
"label": "arts_140"
},
"arts_13811992": {
"type": "posts",
"id": "arts_13811992",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13811992",
"score": null,
"sort": [
1508374483000
]
},
"guestAuthors": [],
"slug": "songs-of-longing-and-fate-from-mariza",
"title": "Songs of Longing and Fate from Mariza",
"publishDate": 1508374483,
"format": "standard",
"headTitle": "Songs of Longing and Fate from Mariza | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>Mariza is a huge star in Portugal singing fado, a kind of Portuguese blues. Fado means fate, and the songs are full of longing and melancholy but are never heavy. When Mariza sings in her luscious voice, we can acknowledge our mortality and insignificance yet still find happiness in the beauty of the song. Details for her show at Stanford’s Bing Hall can be found \u003ca href=\"https://live.stanford.edu/calendar/october-2017/mariza\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. For her shows at SFJAZZ, \u003ca href=\"https://sfjazz.org/tickets/productions/mariza/\" target=\"_blank\" rel=\"noopener\">details here. \u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9kmwY1Z3YNY\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Mariza sings songs of longing that somehow lift us from despair. ",
"status": "publish",
"parent": 0,
"modified": 1726782010,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 86
},
"headData": {
"title": "Songs of Longing and Fate from Mariza | KQED",
"description": "Mariza sings songs of longing that somehow lift us from despair. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Songs of Longing and Fate from Mariza",
"datePublished": "2017-10-18T17:54:43-07:00",
"dateModified": "2024-09-19T14:40:10-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13811992/songs-of-longing-and-fate-from-mariza",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mariza is a huge star in Portugal singing fado, a kind of Portuguese blues. Fado means fate, and the songs are full of longing and melancholy but are never heavy. When Mariza sings in her luscious voice, we can acknowledge our mortality and insignificance yet still find happiness in the beauty of the song. Details for her show at Stanford’s Bing Hall can be found \u003ca href=\"https://live.stanford.edu/calendar/october-2017/mariza\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. For her shows at SFJAZZ, \u003ca href=\"https://sfjazz.org/tickets/productions/mariza/\" target=\"_blank\" rel=\"noopener\">details here. \u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9kmwY1Z3YNY'\n title='//www.youtube.com/embed/9kmwY1Z3YNY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13811992/songs-of-longing-and-fate-from-mariza",
"authors": [
"32"
],
"programs": [
"arts_140"
],
"categories": [
"arts_69",
"arts_235",
"arts_75"
],
"tags": [
"arts_1118",
"arts_1006",
"arts_6387",
"arts_596",
"arts_2048",
"arts_626"
],
"featImg": "arts_13812006",
"label": "arts_140"
},
"arts_13812030": {
"type": "posts",
"id": "arts_13812030",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13812030",
"score": null,
"sort": [
1508374438000
]
},
"guestAuthors": [],
"slug": "insights-from-an-art-rapper",
"title": "Insights from an Art Rapper",
"publishDate": 1508374438,
"format": "standard",
"headTitle": "Insights from an Art Rapper | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>I love \u003ca href=\"http://mikeeagle.net/\" target=\"_blank\" rel=\"noopener\">Open Mike Eagle\u003c/a>. He’s kind of a geek, wearing glasses and rapping about everything from iPads to the Robert Taylor Homes, a Chicago housing project that was home to members of his family for years before it was demolished. He’s also a film and TV writer and Comedy Central has picked up a series based on his live show with Baron Vaughn, ‘The New Negroes.’ You won’t see a more thoughtful show this year. For his gig at the Independent in San Francisco, \u003ca href=\"http://www.theindependentsf.com/event/1521338-open-mike-eagle-san-francisco/\" target=\"_blank\" rel=\"noopener\">details here. \u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BnSVqxYSPPY\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Open Mike Eagle raps about a housing project and how woke he is",
"status": "publish",
"parent": 0,
"modified": 1726782012,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 105
},
"headData": {
"title": "Insights from an Art Rapper | KQED",
"description": "Open Mike Eagle raps about a housing project and how woke he is",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Insights from an Art Rapper",
"datePublished": "2017-10-18T17:53:58-07:00",
"dateModified": "2024-09-19T14:40:12-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13812030/insights-from-an-art-rapper",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I love \u003ca href=\"http://mikeeagle.net/\" target=\"_blank\" rel=\"noopener\">Open Mike Eagle\u003c/a>. He’s kind of a geek, wearing glasses and rapping about everything from iPads to the Robert Taylor Homes, a Chicago housing project that was home to members of his family for years before it was demolished. He’s also a film and TV writer and Comedy Central has picked up a series based on his live show with Baron Vaughn, ‘The New Negroes.’ You won’t see a more thoughtful show this year. For his gig at the Independent in San Francisco, \u003ca href=\"http://www.theindependentsf.com/event/1521338-open-mike-eagle-san-francisco/\" target=\"_blank\" rel=\"noopener\">details here. \u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BnSVqxYSPPY'\n title='//www.youtube.com/embed/BnSVqxYSPPY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13812030/insights-from-an-art-rapper",
"authors": [
"32"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_69",
"arts_235",
"arts_75"
],
"tags": [
"arts_549",
"arts_1118",
"arts_1006",
"arts_831",
"arts_596",
"arts_974",
"arts_1111",
"arts_626"
],
"featImg": "arts_13812034",
"label": "arts_140"
},
"arts_13812008": {
"type": "posts",
"id": "arts_13812008",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13812008",
"score": null,
"sort": [
1508374385000
]
},
"guestAuthors": [],
"slug": "artists-and-activists-at-the-ybca-100-summit",
"title": "Artists and Activists at the YBCA 100 Summit",
"publishDate": 1508374385,
"format": "standard",
"headTitle": "Artists and Activists at the YBCA 100 Summit | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>\u003cspan style=\"font-weight: 400\">Jill Soloway created the show \u003cem>Transparent\u003c/em> on Amazon, Abdi Soltani \u003c/span>\u003cspan style=\"font-weight: 400\">directs the ACLU of Northern California, Boots Riley is a filmmaker and lead singer for the Coup, Saul Williams is a rapper and poet. And here’s what they have in common: they’re speaking and performing at the Yerba Buena Center for the Arts 100 Summit. The Fillmore activists the Green sisters (pictured above) are also there. My guest co-host Ariana Proehl notes that o\u003c/span>ne of her former mentors, Lateefah Simon, now president of the Bay Area’s Akonadi Foundation, is at the summit, and is one of the most spirited, lyrical speakers she’s ever heard. I’m also singing the praises of pianist Samora Pinderhughes, born and raised in Berkeley, and comedian Zahra Noorbaksh a KQED Women to Watch and Do List co-host. She’s very funny. And if you go, don’t miss Lil Buck, a master of Jook dancer out of Memphis. He’s a poet with his feet. \u003ca href=\"https://www.ybca.org/whats-on/2017-ybca-100-summit\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=eXfVIPqcF9I\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Activists and Artists gather at the YBCA 100 Summit to talk about culture, politics, truth, and equity.",
"status": "publish",
"parent": 0,
"modified": 1777324370,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 3,
"wordCount": 185
},
"headData": {
"title": "Artists and Activists at the YBCA 100 Summit | KQED",
"description": "Activists and Artists gather at the YBCA 100 Summit to talk about culture, politics, truth, and equity.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Artists and Activists at the YBCA 100 Summit",
"datePublished": "2017-10-18T17:53:05-07:00",
"dateModified": "2026-04-27T14:12:50-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"sticky": false,
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13812008/artists-and-activists-at-the-ybca-100-summit",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">Jill Soloway created the show \u003cem>Transparent\u003c/em> on Amazon, Abdi Soltani \u003c/span>\u003cspan style=\"font-weight: 400\">directs the ACLU of Northern California, Boots Riley is a filmmaker and lead singer for the Coup, Saul Williams is a rapper and poet. And here’s what they have in common: they’re speaking and performing at the Yerba Buena Center for the Arts 100 Summit. The Fillmore activists the Green sisters (pictured above) are also there. My guest co-host Ariana Proehl notes that o\u003c/span>ne of her former mentors, Lateefah Simon, now president of the Bay Area’s Akonadi Foundation, is at the summit, and is one of the most spirited, lyrical speakers she’s ever heard. I’m also singing the praises of pianist Samora Pinderhughes, born and raised in Berkeley, and comedian Zahra Noorbaksh a KQED Women to Watch and Do List co-host. She’s very funny. And if you go, don’t miss Lil Buck, a master of Jook dancer out of Memphis. He’s a poet with his feet. \u003ca href=\"https://www.ybca.org/whats-on/2017-ybca-100-summit\" target=\"_blank\" rel=\"noopener noreferrer\">Details here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eXfVIPqcF9I'\n title='//www.youtube.com/embed/eXfVIPqcF9I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13812008/artists-and-activists-at-the-ybca-100-summit",
"authors": [
"32"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_73",
"arts_968",
"arts_2303",
"arts_966",
"arts_69",
"arts_235",
"arts_75",
"arts_990"
],
"tags": [
"arts_2210",
"arts_2767",
"arts_879",
"arts_1118",
"arts_1006",
"arts_1420",
"arts_596",
"arts_5422",
"arts_626",
"arts_1040",
"arts_1955"
],
"featImg": "arts_13812012",
"label": "arts_140"
},
"arts_13811976": {
"type": "posts",
"id": "arts_13811976",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13811976",
"score": null,
"sort": [
1508363154000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1508363154,
"format": "standard",
"title": "Gord Downie, Singer of The Tragically Hip, Dies at 53",
"headTitle": "Gord Downie, Singer of The Tragically Hip, Dies at 53 | KQED",
"content": "\u003cp>\u003cstrong>Updated at 11:10 a.m. ET\u003c/strong>\u003c/p>\n\u003cp>Gord Downie, singer of The Tragically Hip, died of complications from brain cancer Tuesday night at the age of 53. His death was announced in \u003ca href=\"https://twitter.com/thehipdotcom/status/920628509369950208\" target=\"_blank\" rel=\"noopener\">a statement\u003c/a> from his family.\u003c/p>\n\u003cp>“Gordie said he had lived many lives,” his family writes. “As a musician, he lived ‘the life’ for over 30 years, lucky to do most of it with his high school buddies. At home, he worked just as tirelessly at being a good father, son, brother, husband and friend. No one worked harder on every part of life than Gord. No one.”\u003c/p>\n\u003cp>The Tragically Hip — Downie, bassist Gord Sinclair, guitarist Rob Baker and drummer Johnny Fay — was formed in a high school in the Canadian province of Ontario in 1984. Guitarist Paul Langlois joined in 1986 while the group was performing in small venues across Ontario. The Tragically Hip would go on to be one of Canada’s best-known bands, becoming indelible within the country’s pop landscape during its ascent in the 1990s.\u003c/p>\n\u003cp>In a statement on the news of Downie’s passing, Canadian Prime Minister Justin Trudeau \u003ca href=\"http://pm.gc.ca/eng/news/2017/10/18/statement-prime-minister-canada-death-gord-downie\" target=\"_blank\" rel=\"noopener\">writes\u003c/a> that the singer “painted landscapes with his words, elevating Canadian geography, historical figures, and myths. When he spoke, he gave us goosebumps and made us proud to be Canadian. Our identity and culture are richer because of his music, which was always raw and honest — like Gord himself.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>While the band never broke into the upper 50 of the \u003cem>Billboard\u003c/em> 200 stateside, it placed seven No. 1 albums on \u003cem>Billboard\u003c/em>‘s Canadian Albums chart. Of its 13 studio albums, three have been certified diamond (more than 1 million copies sold) and eight certified platinum (more than 100,000 copies sold) in Canada.\u003c/p>\n\u003cp>While The Hip’s music was inescapable in its home country, Downie seemed to have a knack for recruiting fans from the most unlikely sources.\u003c/p>\n\u003cp>Damian Abraham, singer of the Canadian hardcore band F***** Up, \u003ca href=\"https://www.vice.com/en_us/article/gqkqnb/how-i-learned-its-ok-to-be-punk-and-still-love-the-tragically-hip\">wrote for \u003c/a>\u003cem>\u003ca href=\"https://www.vice.com/en_us/article/gqkqnb/how-i-learned-its-ok-to-be-punk-and-still-love-the-tragically-hip\">Vice\u003c/a> \u003c/em>that The Tragically Hip’s “songs are stitched into the collective subconscious of this country in a way that can only come from being played constantly on radio, television, and during breaks of play at sports events,” and that after deeper listening, “I was blown away by Gord’s ability to tell stories and convey emotion within the constraints of the song.”\u003c/p>\n\u003cp>Downie announced his illness \u003ca href=\"http://www.thehip.com/news/an-important-message-from-the-band/\">in May 2016\u003c/a>, after being diagnosed in December 2015. “It is my difficult duty today to tell you that Gord Downie’s brain tumour is incurable,” neuro-oncologist James Perry \u003ca href=\"http://www.cbc.ca/news/canada/toronto/gord-downie-cancer-doctor-1.3597361\">told a news conference\u003c/a> at the time of its announcement. In response to the news, Prime Minister Trudeau \u003ca href=\"https://twitter.com/justintrudeau/status/735119677542785025?lang=en\">tweeted\u003c/a>: “Downie is a true original who has been writing Canada’s soundtrack for more than 30 years.”\u003c/p>\n\u003cp>Shortly afterward, Downie also announced he would be joining The Tragically Hip for what would be its final tour, culminating in a performance in the band’s birthplace of Kingston, Ontario. The concert was streamed across Canada and watched by 11.7 million people, \u003ca href=\"http://www.hollywoodreporter.com/news/netflix-acquires-tragically-hip-doc-long-time-running-tiff-2017-1038124\">according\u003c/a> to \u003cem>The Hollywood Reporter\u003c/em>. The tour, and that final show, were documented for the documentary film \u003cem>Long Time Running\u003c/em>, which is scheduled to premiere on Netflix on Nov. 26.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Downie \u003ca href=\"http://www.cbcmusic.ca/posts/14490/gord-downie-peter-mansbridge-things-we-learned\">told the CBC\u003c/a> that the tour “was just heaven on Earth. And all these sorts of provisions were made for me. Just every fantasy I’ve ever had for a show was coming true.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Gord+Downie%2C+Singer+Of+The+Tragically+Hip%2C+Dies+At+53&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 614,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705029306,
"excerpt": "The man who helmed one of Canada's most-beloved bands for more than 30 years died Tuesday night of complications from brain cancer, according to his family.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The man who helmed one of Canada's most-beloved bands for more than 30 years died Tuesday night of complications from brain cancer, according to his family.",
"title": "Gord Downie, Singer of The Tragically Hip, Dies at 53 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Gord Downie, Singer of The Tragically Hip, Dies at 53",
"datePublished": "2017-10-18T14:45:54-07:00",
"dateModified": "2024-01-11T19:15:06-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "gord-downie-singer-of-the-tragically-hip-dies-at-53",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=558525152&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Andrew Flanagan",
"nprStoryDate": "Wed, 18 Oct 2017 10:46:00 -0400",
"nprLastModifiedDate": "Wed, 18 Oct 2017 13:33:12 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2017/10/18/558525152/gord-downie-singer-of-the-tragically-hip-dies-at-53?ft=nprml&f=558525152",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Andrew Chin",
"nprStoryId": "558525152",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 18 Oct 2017 13:33:00 -0400",
"path": "/arts/13811976/gord-downie-singer-of-the-tragically-hip-dies-at-53",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 11:10 a.m. ET\u003c/strong>\u003c/p>\n\u003cp>Gord Downie, singer of The Tragically Hip, died of complications from brain cancer Tuesday night at the age of 53. His death was announced in \u003ca href=\"https://twitter.com/thehipdotcom/status/920628509369950208\" target=\"_blank\" rel=\"noopener\">a statement\u003c/a> from his family.\u003c/p>\n\u003cp>“Gordie said he had lived many lives,” his family writes. “As a musician, he lived ‘the life’ for over 30 years, lucky to do most of it with his high school buddies. At home, he worked just as tirelessly at being a good father, son, brother, husband and friend. No one worked harder on every part of life than Gord. No one.”\u003c/p>\n\u003cp>The Tragically Hip — Downie, bassist Gord Sinclair, guitarist Rob Baker and drummer Johnny Fay — was formed in a high school in the Canadian province of Ontario in 1984. Guitarist Paul Langlois joined in 1986 while the group was performing in small venues across Ontario. The Tragically Hip would go on to be one of Canada’s best-known bands, becoming indelible within the country’s pop landscape during its ascent in the 1990s.\u003c/p>\n\u003cp>In a statement on the news of Downie’s passing, Canadian Prime Minister Justin Trudeau \u003ca href=\"http://pm.gc.ca/eng/news/2017/10/18/statement-prime-minister-canada-death-gord-downie\" target=\"_blank\" rel=\"noopener\">writes\u003c/a> that the singer “painted landscapes with his words, elevating Canadian geography, historical figures, and myths. When he spoke, he gave us goosebumps and made us proud to be Canadian. Our identity and culture are richer because of his music, which was always raw and honest — like Gord himself.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While the band never broke into the upper 50 of the \u003cem>Billboard\u003c/em> 200 stateside, it placed seven No. 1 albums on \u003cem>Billboard\u003c/em>‘s Canadian Albums chart. Of its 13 studio albums, three have been certified diamond (more than 1 million copies sold) and eight certified platinum (more than 100,000 copies sold) in Canada.\u003c/p>\n\u003cp>While The Hip’s music was inescapable in its home country, Downie seemed to have a knack for recruiting fans from the most unlikely sources.\u003c/p>\n\u003cp>Damian Abraham, singer of the Canadian hardcore band F***** Up, \u003ca href=\"https://www.vice.com/en_us/article/gqkqnb/how-i-learned-its-ok-to-be-punk-and-still-love-the-tragically-hip\">wrote for \u003c/a>\u003cem>\u003ca href=\"https://www.vice.com/en_us/article/gqkqnb/how-i-learned-its-ok-to-be-punk-and-still-love-the-tragically-hip\">Vice\u003c/a> \u003c/em>that The Tragically Hip’s “songs are stitched into the collective subconscious of this country in a way that can only come from being played constantly on radio, television, and during breaks of play at sports events,” and that after deeper listening, “I was blown away by Gord’s ability to tell stories and convey emotion within the constraints of the song.”\u003c/p>\n\u003cp>Downie announced his illness \u003ca href=\"http://www.thehip.com/news/an-important-message-from-the-band/\">in May 2016\u003c/a>, after being diagnosed in December 2015. “It is my difficult duty today to tell you that Gord Downie’s brain tumour is incurable,” neuro-oncologist James Perry \u003ca href=\"http://www.cbc.ca/news/canada/toronto/gord-downie-cancer-doctor-1.3597361\">told a news conference\u003c/a> at the time of its announcement. In response to the news, Prime Minister Trudeau \u003ca href=\"https://twitter.com/justintrudeau/status/735119677542785025?lang=en\">tweeted\u003c/a>: “Downie is a true original who has been writing Canada’s soundtrack for more than 30 years.”\u003c/p>\n\u003cp>Shortly afterward, Downie also announced he would be joining The Tragically Hip for what would be its final tour, culminating in a performance in the band’s birthplace of Kingston, Ontario. The concert was streamed across Canada and watched by 11.7 million people, \u003ca href=\"http://www.hollywoodreporter.com/news/netflix-acquires-tragically-hip-doc-long-time-running-tiff-2017-1038124\">according\u003c/a> to \u003cem>The Hollywood Reporter\u003c/em>. The tour, and that final show, were documented for the documentary film \u003cem>Long Time Running\u003c/em>, which is scheduled to premiere on Netflix on Nov. 26.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Downie \u003ca href=\"http://www.cbcmusic.ca/posts/14490/gord-downie-peter-mansbridge-things-we-learned\">told the CBC\u003c/a> that the tour “was just heaven on Earth. And all these sorts of provisions were made for me. Just every fantasy I’ve ever had for a show was coming true.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Gord+Downie%2C+Singer+Of+The+Tragically+Hip%2C+Dies+At+53&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13811976/gord-downie-singer-of-the-tragically-hip-dies-at-53",
"authors": [
"byline_arts_13811976"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596",
"arts_1091"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13811977",
"label": "arts_137"
},
"arts_13811962": {
"type": "posts",
"id": "arts_13811962",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13811962",
"score": null,
"sort": [
1508355800000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1508355800,
"format": "standard",
"title": "Why Questlove's 201-Song Playlist for Keith Olbermann is Bigger Than Hip-Hop",
"headTitle": "Why Questlove’s 201-Song Playlist for Keith Olbermann is Bigger Than Hip-Hop | KQED",
"content": "\u003cp>When it comes to music history, \u003ca href=\"http://www.npr.org/2016/04/27/475721555/questlove-on-prince-doo-wop-and-the-food-equivalent-of-the-mona-lisa\" target=\"_blank\" rel=\"noopener\">Questlove\u003c/a> is an Afro-pick rocking compendium of knowledge. So when the co-founder of The Roots got wind that Keith Olbermann’s come-lately compliment of Eminem’s Trump smackdown was couched within a tweet that seemed to dismiss the entire genre of rap, he vowed to take the progressive pundit to school.\u003c/p>\n\u003cp>Olbermann, whose new book \u003cem>Trump Is F****** Crazy (this is not a joke)\u003c/em> came out this week, was likely just tipping his hat to a fellow anti-Trumpite when he tweeted: “After 27 years of doubts about rap I am now an Eminem fan. Best political writing of the year, period.” But the host of \u003cem>GQ\u003c/em>‘s \u003cem>The Resistance\u003c/em> unwittingly revealed his willful ignorance of the genre in the process.\u003c/p>\n\u003cp>https://twitter.com/questlove/status/919104904161103872\u003c/p>\n\u003cp>https://twitter.com/questlove/status/919105936949641216\u003c/p>\n\u003cp>“You have to have your mind SET to shut out hip hop,” Questlove wrote Saturday in a series of \u003ca href=\"https://twitter.com/questlove\" target=\"_blank\" rel=\"noopener\">23 (unthreaded) tweets\u003c/a> that questioned how the political commentator — with whom the five-time Grammy Award-winner often agrees — could be so culturally un-hip. “Saying you ignored rap for 27 years is basically saying you’re indifferent to the very black lives you champion on your platform.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Then he proceeded to do the most Questlovian thing ever. \u003cstrong>He made Olbermann a mixtape.\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/1214851524/playlist/22NWZn7SYa64Z4bl6j92il\" width=\"600\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Titled \u003cem>The Keith O Challeng\u003c/em>e, the resulting \u003ca href=\"https://open.spotify.com/user/1214851524/playlist/22NWZn7SYa64Z4bl6j92il\" target=\"_blank\" rel=\"noopener\">201-song playlist\u003c/a> is now streaming on Spotify. (And before you ask whether this is just some promo deal on the low, you should know that Questlove is also a “strategic ambassador and advisor” at the competing platform Pandora, which airs his weekly \u003ca href=\"https://www.pandora.com/station/play/3707576888858264319\" target=\"_blank\" rel=\"noopener\">\u003cem>Questlove Supreme\u003c/em>\u003c/a> podcast. In other words, he did this one for — you guessed it — the culture.)\u003c/p>\n\u003cp>But here’s the twist: Questlove’s playlist contains \u003cem>not one single rap song\u003c/em>. We’ll get back to that in a minute.\u003c/p>\n\u003cp>Turns out he wasn’t Olbermann’s only vocal critic over the weekend, or the first. After appearing on \u003cem>All Things Considered \u003c/em>last Friday to parse the fallout surrounding \u003ca href=\"http://www.npr.org/sections/therecord/2017/10/11/557071559/eminems-presidential-diss-wasnt-the-only-political-statement-at-bet-hip-hop-awar\" target=\"_blank\" rel=\"noopener\">Eminem’s BET Hip Hop Awards freestyle\u003c/a>, I continued my commentary, originally intended for my on-air conversation with \u003ca href=\"http://www.npr.org/people/131876588/kelly-mcevers\" target=\"_blank\" rel=\"noopener\">Kelly McEvers\u003c/a>, on social media.\u003c/p>\n\u003cp>https://twitter.com/Rodneyology/status/918987125005213697\u003c/p>\n\u003cp>“[H]ow much rap have you listened [to] — or ignored — over the past 27 years?” I tweeted at Olbermann in a \u003ca href=\"https://twitter.com/Rodneyology/status/918987125005213697\">thread\u003c/a> that somehow went viral. “[F]rom Chuck D to Joey Bad*ss, hip-hop has been the most politically outspoken genre of the last three decades.”\u003c/p>\n\u003cp>The question posed to Olbermann was an attempt to grapple with all the misconceptions flourishing in the wake of Eminem’s dis. With the hype reaching a mainstream pitch, Eminem’s attack of the president’s policies and personal character was being framed as some kind of first — as if hip-hop, and the bulk of African-American MCs who make up the genre, have been biting their tongues for the past year, and even the past 27, as Olbermann’s tweet implied.\u003c/p>\n\u003cp>It revealed a deeper truth, in a sense. “By and large, white America \u003cem>still \u003c/em>doesn’t hear black people,” I tweeted. And that in no way contradicts Nielsen’s mid-year report for 2017, which ranked hip-hop/R&B as the most consumed music genre. Rather, it suggests that despite being entertained by our rhythm and modern-day blues, Middle America often fails to comprehend the black experience, even when painstakingly articulated. Hip-hop’s righteous rage and political outspokenness still falls on deaf ears outside the culture. Eminem just echoed what his black and brown peers have been saying, spitting, screaming and streaming in record numbers for the past year and a half.\u003c/p>\n\u003cp>“So we don’t get no credit for dissing Trump a year ago,” West Coast rapper \u003ca href=\"http://www.xxlmag.com/news/2017/10/yg-credit-dissing-president-trump/\">YG tweeted\u003c/a> in the midst of last week’s media frenzy. His song “F*** Donald Trump,” featuring Nipsey Hussle, was released back in March 2016. It’s one of numerous presidential critiques, ranging from profane to profound, released by artists including A Tribe Called Quest, Common, Kendrick Lamar, will.i.am, T.I. Amine, and a lot more.\u003c/p>\n\u003cp>The main thing that made Eminem’s rehearsed freestyle different is his intended listener. He knows as well as anyone how much overlap there is on a Venn diagram of his fanbase and Trump’s constituency. And that’s no attempt to discredit Em because of his whiteness; he’s an undeniable giant of the genre. But when his contemporaries of color take part in similar political discourse without receiving the same elevated platform or heightened fanfare, it highlights the insidious role race has played in the appropriation of black music since the industry’s beginning.\u003c/p>\n\u003cp>By applauding Eminem’s critique without full consideration of that context, Olbermann contributed to that historical downplaying. He shouldn’t be expected to have an exhaustive knowledge of the genre; taste in music is totally subjective. But implying hip-hop lacks political heft is beyond laughable; it’s legacy denial, whether intended or not.\u003c/p>\n\u003cp>Which brings us back to Questlove’s monster playlist: More than 10 hours long and not one solitary rap song.\u003c/p>\n\u003cp>What it does contain, however, is a deep dive on the genre’s genetic forebear: the funk. Questlove mines hip-hop’s sonic DNA with heavily-sampled ’60s/’70s classics from \u003ca href=\"http://www.npr.org/2014/09/19/349621429/the-song-that-never-ends-why-earth-wind-fires-september-sustains\" target=\"_blank\" rel=\"noopener\">Earth, Wind & Fire\u003c/a>, The Ohio Players, \u003ca href=\"http://www.npr.org/artists/15180612/sly-the-family-stone\" target=\"_blank\" rel=\"noopener\">Sly and the Family Stone\u003c/a>, \u003ca href=\"http://www.npr.org/artists/15595533/the-meters\" target=\"_blank\" rel=\"noopener\">The Meters\u003c/a>, \u003ca href=\"http://www.npr.org/artists/15127458/booker-t-the-mg-s\" target=\"_blank\" rel=\"noopener\">Booker T. and The MGs\u003c/a>, \u003ca href=\"http://www.npr.org/artists/15166353/betty-davis\" target=\"_blank\" rel=\"noopener\">Betty Davis\u003c/a>, \u003ca href=\"http://www.npr.org/artists/539035525/diana-ross\" target=\"_blank\" rel=\"noopener\">Diana Ross\u003c/a> and, of course, a heap of \u003ca href=\"http://www.npr.org/artists/15316566/james-brown\" target=\"_blank\" rel=\"noopener\">James Brown\u003c/a>.\u003c/p>\n\u003cp>It’s a crate-diggers dream, full of familiar-sounding obscurities such as Dyke & The Blazers “Let A Woman Be A Woman – Let A Man Be A Man,” notably sampled by artists ranging from Stetsasonic (“Sally”) to Public Enemy (“Welcome To The Terrordome”) to Tyler, the Creator (“Rusty”). There’s Blackbyrds’ “Mysterious Vibes” (Paris’ “The Days Of Old,” Big K.R.I.T.’s “Highs And Lows,” et al.) and Faze-O’s “Riding High” (EPMD’s “Please Listen To My Demo” and more). The opening saxophone riff from \u003ca href=\"http://www.npr.org/artists/16318474/jay-z\" target=\"_blank\" rel=\"noopener\">Jay-Z\u003c/a>‘s “Show Me What You Got”? It’s in there, all languid and mellow, on Lafayette Afro Rock Band’s “Darkest Light.” And if you’re looking for some of those uncleared gems buried in De La Soul’s classic discography, still in digital limbo, you’ll recognize the piano licks from Erma Franklin’s 1969 cover of “Light My Fire” as the end transition of \u003cem>De La Soul Is Dead\u003c/em>‘s “A Roller Skating Jam Named Saturdays.”\u003c/p>\n\u003cp>Point being, this is deeper than rap. There’s an entire cultural continuum that undergirds even the most commercial rubble of any genre. To doubt hip-hop is to dismiss its rich heritage and to shrug off the contemporary trials and triumphs of its progeny.\u003c/p>\n\u003cp>Though I seriously doubt Questlove ever saw the \u003ca href=\"https://twitter.com/Rodneyology/status/918993673840406529\">#KeithOlbermannMixtape\u003c/a> hashtag I tweeted out the night before, hip-hop heads — whether afros or baldies like me — tend to think alike. The artist-scholar and occasional DJ probably already had the syllabus I’d merely alluded to cued up and ready to go. The best part is his 201-song playlist is just the jump-off. He’s already promised to return next month with another installment.\u003c/p>\n\u003cp>More power to Questlove. It takes a special kind of emotional labor to play cultural ambassador to an indifferent audience. But to Olbermann’s credit — and my surprise — he replied to my tweets the following day. “Hate to hit your narrative but I’ve been a fan of political protest music, rap and otherwise, for 50 years. My ‘doubts’ were about my personal tastes,” he explained, before name-dropping a couple references meant to highlight his hip-hop bona fides. “I had Coolio and LL Cool J cassettes before I owned a CD player.”\u003c/p>\n\u003cp>With that admission, he may have earned more pity than cool points. But point taken, nonetheless.\u003c/p>\n\u003cp>https://twitter.com/KeithOlbermann/status/919079555310243840\u003c/p>\n\u003cp>“Eminem’s bodying Trump was the first time I got the thrill,” Olbermann continued. “No disrespect intended, more a public questioning of my own tastes.”\u003c/p>\n\u003cp>And every man should indeed be entitled to his own taste. But if Keith O ever feels the urge to challenge himself with a deep dive into hip-hop’s historical and sociopolitical significance, Questlove’s curated the perfect playlist for that.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I’ll be bumping it on repeat in the meantime. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Why+Questlove%27s+201-Song+Playlist+For+Keith+Olbermann+Is+Bigger+Than+Hip-Hop&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1546,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 26
},
"modified": 1705029307,
"excerpt": "Or, how I became the third wheel in a weekend Twitter beef over rap, culture and politics following Eminem's Trump tirade.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Or, how I became the third wheel in a weekend Twitter beef over rap, culture and politics following Eminem's Trump tirade.",
"title": "Why Questlove's 201-Song Playlist for Keith Olbermann is Bigger Than Hip-Hop | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Why Questlove's 201-Song Playlist for Keith Olbermann is Bigger Than Hip-Hop",
"datePublished": "2017-10-18T12:43:20-07:00",
"dateModified": "2024-01-11T19:15:07-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "why-questloves-201-song-playlist-for-keith-olbermann-is-bigger-than-hip-hop",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=558115295&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Rodney Carmichael",
"nprStoryDate": "Wed, 18 Oct 2017 10:13:00 -0400",
"nprLastModifiedDate": "Wed, 18 Oct 2017 10:34:24 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/therecord/2017/10/18/558115295/why-questloves-201-song-playlist-for-keith-olbermann-is-bigger-than-hip-hop?ft=nprml&f=558115295",
"nprImageAgency": "Getty Images for MTV/Getty Images for Paley Center for Media",
"nprImageCredit": "Bryan Bedder",
"nprStoryId": "558115295",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 18 Oct 2017 10:34:00 -0400",
"path": "/arts/13811962/why-questloves-201-song-playlist-for-keith-olbermann-is-bigger-than-hip-hop",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When it comes to music history, \u003ca href=\"http://www.npr.org/2016/04/27/475721555/questlove-on-prince-doo-wop-and-the-food-equivalent-of-the-mona-lisa\" target=\"_blank\" rel=\"noopener\">Questlove\u003c/a> is an Afro-pick rocking compendium of knowledge. So when the co-founder of The Roots got wind that Keith Olbermann’s come-lately compliment of Eminem’s Trump smackdown was couched within a tweet that seemed to dismiss the entire genre of rap, he vowed to take the progressive pundit to school.\u003c/p>\n\u003cp>Olbermann, whose new book \u003cem>Trump Is F****** Crazy (this is not a joke)\u003c/em> came out this week, was likely just tipping his hat to a fellow anti-Trumpite when he tweeted: “After 27 years of doubts about rap I am now an Eminem fan. Best political writing of the year, period.” But the host of \u003cem>GQ\u003c/em>‘s \u003cem>The Resistance\u003c/em> unwittingly revealed his willful ignorance of the genre in the process.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "919104904161103872"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "919105936949641216"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“You have to have your mind SET to shut out hip hop,” Questlove wrote Saturday in a series of \u003ca href=\"https://twitter.com/questlove\" target=\"_blank\" rel=\"noopener\">23 (unthreaded) tweets\u003c/a> that questioned how the political commentator — with whom the five-time Grammy Award-winner often agrees — could be so culturally un-hip. “Saying you ignored rap for 27 years is basically saying you’re indifferent to the very black lives you champion on your platform.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Then he proceeded to do the most Questlovian thing ever. \u003cstrong>He made Olbermann a mixtape.\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/1214851524/playlist/22NWZn7SYa64Z4bl6j92il\" width=\"600\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Titled \u003cem>The Keith O Challeng\u003c/em>e, the resulting \u003ca href=\"https://open.spotify.com/user/1214851524/playlist/22NWZn7SYa64Z4bl6j92il\" target=\"_blank\" rel=\"noopener\">201-song playlist\u003c/a> is now streaming on Spotify. (And before you ask whether this is just some promo deal on the low, you should know that Questlove is also a “strategic ambassador and advisor” at the competing platform Pandora, which airs his weekly \u003ca href=\"https://www.pandora.com/station/play/3707576888858264319\" target=\"_blank\" rel=\"noopener\">\u003cem>Questlove Supreme\u003c/em>\u003c/a> podcast. In other words, he did this one for — you guessed it — the culture.)\u003c/p>\n\u003cp>But here’s the twist: Questlove’s playlist contains \u003cem>not one single rap song\u003c/em>. We’ll get back to that in a minute.\u003c/p>\n\u003cp>Turns out he wasn’t Olbermann’s only vocal critic over the weekend, or the first. After appearing on \u003cem>All Things Considered \u003c/em>last Friday to parse the fallout surrounding \u003ca href=\"http://www.npr.org/sections/therecord/2017/10/11/557071559/eminems-presidential-diss-wasnt-the-only-political-statement-at-bet-hip-hop-awar\" target=\"_blank\" rel=\"noopener\">Eminem’s BET Hip Hop Awards freestyle\u003c/a>, I continued my commentary, originally intended for my on-air conversation with \u003ca href=\"http://www.npr.org/people/131876588/kelly-mcevers\" target=\"_blank\" rel=\"noopener\">Kelly McEvers\u003c/a>, on social media.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "918987125005213697"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“[H]ow much rap have you listened [to] — or ignored — over the past 27 years?” I tweeted at Olbermann in a \u003ca href=\"https://twitter.com/Rodneyology/status/918987125005213697\">thread\u003c/a> that somehow went viral. “[F]rom Chuck D to Joey Bad*ss, hip-hop has been the most politically outspoken genre of the last three decades.”\u003c/p>\n\u003cp>The question posed to Olbermann was an attempt to grapple with all the misconceptions flourishing in the wake of Eminem’s dis. With the hype reaching a mainstream pitch, Eminem’s attack of the president’s policies and personal character was being framed as some kind of first — as if hip-hop, and the bulk of African-American MCs who make up the genre, have been biting their tongues for the past year, and even the past 27, as Olbermann’s tweet implied.\u003c/p>\n\u003cp>It revealed a deeper truth, in a sense. “By and large, white America \u003cem>still \u003c/em>doesn’t hear black people,” I tweeted. And that in no way contradicts Nielsen’s mid-year report for 2017, which ranked hip-hop/R&B as the most consumed music genre. Rather, it suggests that despite being entertained by our rhythm and modern-day blues, Middle America often fails to comprehend the black experience, even when painstakingly articulated. Hip-hop’s righteous rage and political outspokenness still falls on deaf ears outside the culture. Eminem just echoed what his black and brown peers have been saying, spitting, screaming and streaming in record numbers for the past year and a half.\u003c/p>\n\u003cp>“So we don’t get no credit for dissing Trump a year ago,” West Coast rapper \u003ca href=\"http://www.xxlmag.com/news/2017/10/yg-credit-dissing-president-trump/\">YG tweeted\u003c/a> in the midst of last week’s media frenzy. His song “F*** Donald Trump,” featuring Nipsey Hussle, was released back in March 2016. It’s one of numerous presidential critiques, ranging from profane to profound, released by artists including A Tribe Called Quest, Common, Kendrick Lamar, will.i.am, T.I. Amine, and a lot more.\u003c/p>\n\u003cp>The main thing that made Eminem’s rehearsed freestyle different is his intended listener. He knows as well as anyone how much overlap there is on a Venn diagram of his fanbase and Trump’s constituency. And that’s no attempt to discredit Em because of his whiteness; he’s an undeniable giant of the genre. But when his contemporaries of color take part in similar political discourse without receiving the same elevated platform or heightened fanfare, it highlights the insidious role race has played in the appropriation of black music since the industry’s beginning.\u003c/p>\n\u003cp>By applauding Eminem’s critique without full consideration of that context, Olbermann contributed to that historical downplaying. He shouldn’t be expected to have an exhaustive knowledge of the genre; taste in music is totally subjective. But implying hip-hop lacks political heft is beyond laughable; it’s legacy denial, whether intended or not.\u003c/p>\n\u003cp>Which brings us back to Questlove’s monster playlist: More than 10 hours long and not one solitary rap song.\u003c/p>\n\u003cp>What it does contain, however, is a deep dive on the genre’s genetic forebear: the funk. Questlove mines hip-hop’s sonic DNA with heavily-sampled ’60s/’70s classics from \u003ca href=\"http://www.npr.org/2014/09/19/349621429/the-song-that-never-ends-why-earth-wind-fires-september-sustains\" target=\"_blank\" rel=\"noopener\">Earth, Wind & Fire\u003c/a>, The Ohio Players, \u003ca href=\"http://www.npr.org/artists/15180612/sly-the-family-stone\" target=\"_blank\" rel=\"noopener\">Sly and the Family Stone\u003c/a>, \u003ca href=\"http://www.npr.org/artists/15595533/the-meters\" target=\"_blank\" rel=\"noopener\">The Meters\u003c/a>, \u003ca href=\"http://www.npr.org/artists/15127458/booker-t-the-mg-s\" target=\"_blank\" rel=\"noopener\">Booker T. and The MGs\u003c/a>, \u003ca href=\"http://www.npr.org/artists/15166353/betty-davis\" target=\"_blank\" rel=\"noopener\">Betty Davis\u003c/a>, \u003ca href=\"http://www.npr.org/artists/539035525/diana-ross\" target=\"_blank\" rel=\"noopener\">Diana Ross\u003c/a> and, of course, a heap of \u003ca href=\"http://www.npr.org/artists/15316566/james-brown\" target=\"_blank\" rel=\"noopener\">James Brown\u003c/a>.\u003c/p>\n\u003cp>It’s a crate-diggers dream, full of familiar-sounding obscurities such as Dyke & The Blazers “Let A Woman Be A Woman – Let A Man Be A Man,” notably sampled by artists ranging from Stetsasonic (“Sally”) to Public Enemy (“Welcome To The Terrordome”) to Tyler, the Creator (“Rusty”). There’s Blackbyrds’ “Mysterious Vibes” (Paris’ “The Days Of Old,” Big K.R.I.T.’s “Highs And Lows,” et al.) and Faze-O’s “Riding High” (EPMD’s “Please Listen To My Demo” and more). The opening saxophone riff from \u003ca href=\"http://www.npr.org/artists/16318474/jay-z\" target=\"_blank\" rel=\"noopener\">Jay-Z\u003c/a>‘s “Show Me What You Got”? It’s in there, all languid and mellow, on Lafayette Afro Rock Band’s “Darkest Light.” And if you’re looking for some of those uncleared gems buried in De La Soul’s classic discography, still in digital limbo, you’ll recognize the piano licks from Erma Franklin’s 1969 cover of “Light My Fire” as the end transition of \u003cem>De La Soul Is Dead\u003c/em>‘s “A Roller Skating Jam Named Saturdays.”\u003c/p>\n\u003cp>Point being, this is deeper than rap. There’s an entire cultural continuum that undergirds even the most commercial rubble of any genre. To doubt hip-hop is to dismiss its rich heritage and to shrug off the contemporary trials and triumphs of its progeny.\u003c/p>\n\u003cp>Though I seriously doubt Questlove ever saw the \u003ca href=\"https://twitter.com/Rodneyology/status/918993673840406529\">#KeithOlbermannMixtape\u003c/a> hashtag I tweeted out the night before, hip-hop heads — whether afros or baldies like me — tend to think alike. The artist-scholar and occasional DJ probably already had the syllabus I’d merely alluded to cued up and ready to go. The best part is his 201-song playlist is just the jump-off. He’s already promised to return next month with another installment.\u003c/p>\n\u003cp>More power to Questlove. It takes a special kind of emotional labor to play cultural ambassador to an indifferent audience. But to Olbermann’s credit — and my surprise — he replied to my tweets the following day. “Hate to hit your narrative but I’ve been a fan of political protest music, rap and otherwise, for 50 years. My ‘doubts’ were about my personal tastes,” he explained, before name-dropping a couple references meant to highlight his hip-hop bona fides. “I had Coolio and LL Cool J cassettes before I owned a CD player.”\u003c/p>\n\u003cp>With that admission, he may have earned more pity than cool points. But point taken, nonetheless.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "919079555310243840"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“Eminem’s bodying Trump was the first time I got the thrill,” Olbermann continued. “No disrespect intended, more a public questioning of my own tastes.”\u003c/p>\n\u003cp>And every man should indeed be entitled to his own taste. But if Keith O ever feels the urge to challenge himself with a deep dive into hip-hop’s historical and sociopolitical significance, Questlove’s curated the perfect playlist for that.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I’ll be bumping it on repeat in the meantime. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Why+Questlove%27s+201-Song+Playlist+For+Keith+Olbermann+Is+Bigger+Than+Hip-Hop&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13811962/why-questloves-201-song-playlist-for-keith-olbermann-is-bigger-than-hip-hop",
"authors": [
"byline_arts_13811962"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13811963",
"label": "arts_137"
},
"arts_13811948": {
"type": "posts",
"id": "arts_13811948",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13811948",
"score": null,
"sort": [
1508353371000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1508353371,
"format": "standard",
"title": "Amazon Studios Exec Roy Price Resigns Following Harassment Allegations",
"headTitle": "Amazon Studios Exec Roy Price Resigns Following Harassment Allegations | KQED",
"content": "\u003cp>Amazon Studios confirms that it has accepted the resignation of top executive Roy Price after he was suspended following \u003ca href=\"https://ww2.kqed.org/arts/2017/10/13/top-exec-at-amazon-studios-put-on-leave-after-harassment-allegations/\" target=\"_blank\" rel=\"noopener\">allegations of sexual harassment.\u003c/a>\u003c/p>\n\u003cp>In a story that appeared last week in \u003cem>The Hollywood Reporter\u003c/em>, Isa Hackett, a producer on the Amazon series \u003cem>The Man in the High Castle\u003c/em>, said she was “repeatedly and insistently propositioned” by Price in 2015 at a Comic-Con in San Diego, where Hackett was promoting the show.\u003c/p>\n\u003cp>Hackett called the incident “shocking and surreal” and said she was inspired to tell her story by women who came forward to publicly detail allegations of sexual harassment against film and TV mogul Harvey Weinstein.\u003c/p>\n\u003cp>The firing of Price comes less than two weeks after the Weinstein Co., which Weinstein co-founded, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/10/08/556559288/harvey-weinstein-out-at-the-weinstein-company\">fired him\u003c/a> following accusations of sexual misconduct and assault by dozens of women, including actors Angelina Jolie and Gwyneth Paltrow.\u003c/p>\n\u003cp>Price was the top entertainment executive at Amazon Studios, which has developed movies such as the Oscar-winning film \u003cem>Manchester\u003c/em> \u003cem>by the Sea\u003c/em> and original TV shows for its Amazon Prime streaming service, such as \u003cem>Transparent.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Amazon+Studios+Exec+Roy+Price+Resigns+Following+Harassment+Allegations&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 197,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705029308,
"excerpt": "Price was suspended last week after producer Isa Hackett, who works on the Amazon series \u003cem>The Man in the High Castle\u003c/em>, said he had \"repeatedly and persistently\" propositioned her.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Price was suspended last week after producer Isa Hackett, who works on the Amazon series The Man in the High Castle, said he had "repeatedly and persistently" propositioned her.",
"title": "Amazon Studios Exec Roy Price Resigns Following Harassment Allegations | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Amazon Studios Exec Roy Price Resigns Following Harassment Allegations",
"datePublished": "2017-10-18T12:02:51-07:00",
"dateModified": "2024-01-11T19:15:08-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "amazon-studios-exec-roy-price-resigns-following-harassment-allegations",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=558464648&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Scott Neuman",
"nprStoryDate": "Wed, 18 Oct 2017 01:44:00 -0400",
"nprLastModifiedDate": "Wed, 18 Oct 2017 12:38:53 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2017/10/18/558464648/amazon-studios-fires-top-exec-roy-price-following-harassment-allegations?ft=nprml&f=558464648",
"nprStoryId": "558464648",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 18 Oct 2017 12:38:00 -0400",
"path": "/arts/13811948/amazon-studios-exec-roy-price-resigns-following-harassment-allegations",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Amazon Studios confirms that it has accepted the resignation of top executive Roy Price after he was suspended following \u003ca href=\"https://ww2.kqed.org/arts/2017/10/13/top-exec-at-amazon-studios-put-on-leave-after-harassment-allegations/\" target=\"_blank\" rel=\"noopener\">allegations of sexual harassment.\u003c/a>\u003c/p>\n\u003cp>In a story that appeared last week in \u003cem>The Hollywood Reporter\u003c/em>, Isa Hackett, a producer on the Amazon series \u003cem>The Man in the High Castle\u003c/em>, said she was “repeatedly and insistently propositioned” by Price in 2015 at a Comic-Con in San Diego, where Hackett was promoting the show.\u003c/p>\n\u003cp>Hackett called the incident “shocking and surreal” and said she was inspired to tell her story by women who came forward to publicly detail allegations of sexual harassment against film and TV mogul Harvey Weinstein.\u003c/p>\n\u003cp>The firing of Price comes less than two weeks after the Weinstein Co., which Weinstein co-founded, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/10/08/556559288/harvey-weinstein-out-at-the-weinstein-company\">fired him\u003c/a> following accusations of sexual misconduct and assault by dozens of women, including actors Angelina Jolie and Gwyneth Paltrow.\u003c/p>\n\u003cp>Price was the top entertainment executive at Amazon Studios, which has developed movies such as the Oscar-winning film \u003cem>Manchester\u003c/em> \u003cem>by the Sea\u003c/em> and original TV shows for its Amazon Prime streaming service, such as \u003cem>Transparent.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Amazon+Studios+Exec+Roy+Price+Resigns+Following+Harassment+Allegations&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13811948/amazon-studios-exec-roy-price-resigns-following-harassment-allegations",
"authors": [
"byline_arts_13811948"
],
"categories": [
"arts_235",
"arts_990"
],
"tags": [
"arts_1448",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13811622",
"label": "arts_137"
},
"arts_13811928": {
"type": "posts",
"id": "arts_13811928",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13811928",
"score": null,
"sort": [
1508338808000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1508338808,
"format": "standard",
"title": "MLB Rallies to Help Boy Whose Baseball Collection was Destroyed by Fire",
"headTitle": "MLB Rallies to Help Boy Whose Baseball Collection was Destroyed by Fire | KQED",
"content": "\u003cp>As thousands of Californians take stock of the damage caused by wildfires, one boy’s story has at least half of the teams in Major League Baseball rallying behind him.\u003c/p>\n\u003cp>In a letter to the Oakland Athletics, posted on Twitter by Katie Utehs, an ABC 7 News Bay Area journalist, 9-year-old Loren Jade Smith writes about his love of the team and the loss of his beloved baseball collection in the fire.\u003c/p>\n\u003cp>https://twitter.com/KatieUtehs/status/919352145668739072\u003c/p>\n\u003cp>“[M]y house burned down in Santa Rosa and my saddest things was my baseball collection cards, my 17 jerseys and 10 hats and my baseball from the game and also a ball signed by the whole team and Ricky [Henderson] and Bob Melvin,” Smith wrote. “I had a major league baseball and it all burned up. So sad. I know you are not all together but hope they get this.”\u003c/p>\n\u003cp>https://twitter.com/MelanieWoodrow/status/919736522215063552\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/DaveKaval/status/919486278852210690?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fm.mlb.com%2Fnews%2Farticle%2F258746000%2Fas-gather-memorabilia-for-loren-jade-smith%2F\">A’s President Dave Kaval\u003c/a> quickly posted on Twitter: “This is so touching. So sad to hear about their loss. We would be happy to completely outfit the family in new @Athletics gear.”\u003c/p>\n\u003cp>The responses snowballed. The A’s tweeted out an address that people could use to send baseball memorabilia to the young fan.\u003c/p>\n\u003cp>https://twitter.com/Athletics/status/919990036862349312\u003c/p>\n\u003cp>And one after another, major league teams responded, along with minor league teams and other individuals who wanted to help.\u003c/p>\n\u003cp>“Hey Loren, we got a package with your name on it on the way!” wrote the Tampa Bay Rays. “We’ve got a Padres pack on its way for Loren — including an autographed Mark McGwire baseball,” the San Diego Padres said.\u003c/p>\n\u003cp>The collective responses appear to have the makings of a world-class memorabilia collection for the fire survivor.\u003c/p>\n\u003cp>Prior to the outpouring of support, Loren’s dad, Tait Smith, \u003ca href=\"http://abc7news.com/9-year-old-writes-heartbreaking-letter-to-as-after-house-burns-down/2534781/\">told ABC 7\u003c/a> that it “breaks my heart just that he is not going to be back here screaming and yelling home runs that he hit over the fence with the whiffle ball to the neighbors.” The news piece shows the father and son throwing and batting in the backyard of their burned home.\u003c/p>\n\u003cp>The A’s \u003ca href=\"http://m.athletics.mlb.com/news/article/258746000/as-gather-memorabilia-for-loren-jade-smith/\">say they are working\u003c/a> with other Bay Area teams on disaster relief efforts, committing a total of $450,000.\u003c/p>\n\u003cp>Here are the MLB responses to the A’s callout: \u003c/p>\n\u003cp>https://twitter.com/RaysBaseball/status/920013500935757825\u003c/p>\n\u003cp>https://twitter.com/Rockies/status/920299015354318856\u003c/p>\n\u003cp>https://twitter.com/Padres/status/920049499095126016\u003c/p>\n\u003cp>https://twitter.com/Mets/status/920037119762096128\u003c/p>\n\u003cp>https://twitter.com/RedSox/status/920037754821636096\u003c/p>\n\u003cp>https://twitter.com/SFGiants/status/920129196487090176\u003c/p>\n\u003cp>https://twitter.com/Royals/status/920069357551550464\u003c/p>\n\u003cp>https://twitter.com/astros/status/920036542571335682\u003c/p>\n\u003cp>https://twitter.com/Mariners/status/920046499286761474\u003c/p>\n\u003cp>https://twitter.com/Dbacks/status/920040862310055936\u003c/p>\n\u003cp>https://twitter.com/Reds/status/920079389299216384\u003c/p>\n\u003cp>https://twitter.com/tigers/status/920036785752768515\u003c/p>\n\u003cp>https://twitter.com/Indians/status/920304261174583297\u003c/p>\n\u003cp>https://twitter.com/Orioles/status/920321957433888770\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://twitter.com/Rangers/status/920328956057931776\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=MLB+Rallies+To+Help+Boy+Whose+Baseball+Collection+Was+Destroyed+By+Fire&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 517,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705029312,
"excerpt": "As thousands of Californians take stock of the damage caused by wildfires, one 9-year-old boy's story has at least half of the teams in Major League Baseball chipping in.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "As thousands of Californians take stock of the damage caused by wildfires, one 9-year-old boy's story has at least half of the teams in Major League Baseball chipping in.",
"title": "MLB Rallies to Help Boy Whose Baseball Collection was Destroyed by Fire | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "MLB Rallies to Help Boy Whose Baseball Collection was Destroyed by Fire",
"datePublished": "2017-10-18T08:00:08-07:00",
"dateModified": "2024-01-11T19:15:12-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mlb-rallies-to-help-boy-whose-baseball-collection-was-destroyed-by-fire",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=558321419&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Merrit Kennedy",
"nprStoryDate": "Tue, 17 Oct 2017 17:38:40 -0400",
"nprLastModifiedDate": "Tue, 17 Oct 2017 17:47:15 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2017/10/17/558321419/mlb-rallies-to-help-boy-whose-baseball-collection-was-destroyed-by-fire?ft=nprml&f=558321419",
"nprImageAgency": "Getty Images",
"nprImageCredit": "Rich Schultz",
"nprStoryId": "558321419",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 17 Oct 2017 17:43:00 -0400",
"path": "/arts/13811928/mlb-rallies-to-help-boy-whose-baseball-collection-was-destroyed-by-fire",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As thousands of Californians take stock of the damage caused by wildfires, one boy’s story has at least half of the teams in Major League Baseball rallying behind him.\u003c/p>\n\u003cp>In a letter to the Oakland Athletics, posted on Twitter by Katie Utehs, an ABC 7 News Bay Area journalist, 9-year-old Loren Jade Smith writes about his love of the team and the loss of his beloved baseball collection in the fire.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "919352145668739072"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“[M]y house burned down in Santa Rosa and my saddest things was my baseball collection cards, my 17 jerseys and 10 hats and my baseball from the game and also a ball signed by the whole team and Ricky [Henderson] and Bob Melvin,” Smith wrote. “I had a major league baseball and it all burned up. So sad. I know you are not all together but hope they get this.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "919736522215063552"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/DaveKaval/status/919486278852210690?ref_src=twsrc%5Etfw&ref_url=http%3A%2F%2Fm.mlb.com%2Fnews%2Farticle%2F258746000%2Fas-gather-memorabilia-for-loren-jade-smith%2F\">A’s President Dave Kaval\u003c/a> quickly posted on Twitter: “This is so touching. So sad to hear about their loss. We would be happy to completely outfit the family in new @Athletics gear.”\u003c/p>\n\u003cp>The responses snowballed. The A’s tweeted out an address that people could use to send baseball memorabilia to the young fan.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "919990036862349312"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And one after another, major league teams responded, along with minor league teams and other individuals who wanted to help.\u003c/p>\n\u003cp>“Hey Loren, we got a package with your name on it on the way!” wrote the Tampa Bay Rays. “We’ve got a Padres pack on its way for Loren — including an autographed Mark McGwire baseball,” the San Diego Padres said.\u003c/p>\n\u003cp>The collective responses appear to have the makings of a world-class memorabilia collection for the fire survivor.\u003c/p>\n\u003cp>Prior to the outpouring of support, Loren’s dad, Tait Smith, \u003ca href=\"http://abc7news.com/9-year-old-writes-heartbreaking-letter-to-as-after-house-burns-down/2534781/\">told ABC 7\u003c/a> that it “breaks my heart just that he is not going to be back here screaming and yelling home runs that he hit over the fence with the whiffle ball to the neighbors.” The news piece shows the father and son throwing and batting in the backyard of their burned home.\u003c/p>\n\u003cp>The A’s \u003ca href=\"http://m.athletics.mlb.com/news/article/258746000/as-gather-memorabilia-for-loren-jade-smith/\">say they are working\u003c/a> with other Bay Area teams on disaster relief efforts, committing a total of $450,000.\u003c/p>\n\u003cp>Here are the MLB responses to the A’s callout: \u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920013500935757825"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920299015354318856"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920049499095126016"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920037119762096128"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920037754821636096"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920129196487090176"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920069357551550464"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920036542571335682"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920046499286761474"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920040862310055936"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920079389299216384"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920036785752768515"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920304261174583297"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920321957433888770"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "920328956057931776"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=MLB+Rallies+To+Help+Boy+Whose+Baseball+Collection+Was+Destroyed+By+Fire&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13811928/mlb-rallies-to-help-boy-whose-baseball-collection-was-destroyed-by-fire",
"authors": [
"byline_arts_13811928"
],
"categories": [
"arts_235",
"arts_75"
],
"tags": [
"arts_1448",
"arts_1118",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13811929",
"label": "arts_137"
},
"arts_13810193": {
"type": "posts",
"id": "arts_13810193",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13810193",
"score": null,
"sort": [
1508286843000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1508286843,
"format": "standard",
"title": "'Artist as Maggid' Offers a Modern-Day Twist on Classic Jewish Tales",
"headTitle": "‘Artist as Maggid’ Offers a Modern-Day Twist on Classic Jewish Tales | KQED",
"content": "\u003cp>In the Jewish tradition a maggid was a preacher who traveled from place to place, sharing folktales with their audiences. Most often these storytellers were human; other times, the maggid appeared as an otherworldly being — such as an angel — to share information. These storytellers often relayed knowledge, moral lessons and mystical information through their parables. The 16 artists in \u003ca href=\"https://www.thecjm.org/exhibitions/68\" target=\"_blank\" rel=\"noopener\">\u003ci>Jewish Folktales Retold: Artist as Maggid\u003c/i>\u003c/a> at San Francisco’s \u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener\">Contemporary Jewish Museum\u003c/a> step into the roles of modern-day maggids, transforming classic (and beloved) Jewish folktales from around the world into contemporary visual narratives.\u003c/p>\n\u003cfigure id=\"attachment_13810213\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/11_JFR_MLouiseStanley_SheWaits-e1508285945862.jpg\" alt=\"M. Louise Stanley, 'She Waits…,' 2017.\" width=\"640\" height=\"819\" class=\"size-full wp-image-13810213\">\u003cfigcaption class=\"wp-caption-text\">M. Louise Stanley, ‘She Waits…,’ 2017. \u003ccite>(Courtesy of the CJM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The exhibition invites visitors to shift perspectives and represent the metaphors, imagery, religious lessons and magic of the Jewish folktales in \u003ca href=\"http://www.umsl.edu/~schwartzh/\">Howard Schwartz\u003c/a>’ 2009 collection, \u003cem>Leaves from the Garden of Eden: One Hundred Classic Jewish Tales\u003c/em> through a vast array of multi-media installations. Each artist chose a specific tale to inform their work; headphones are available to listen to the stories throughout the exhibit.\u003c/p>\n\u003cp>\u003ca href=\"https://www.dinagoldstein.com/\" target=\"_blank\" rel=\"noopener\">Dina Goldstein\u003c/a>, who selected the story of “The Golem” (read by Joel ben Izzy ) and a variety of others, including “The Hair in the Milk,” “The King’s Dream,” “The Princess in the Tower,” and “The Queen of Sheba,” presents a darkly alluring and somewhat satirical collection of ten large-scale black-and-white photographs entitled \u003ci>Snapshots from the Garden of Eden\u003c/i>. Goldstein’s photographs reimagine the stories’ characters within a modern context, while drawing on the essence of the folktales, fairy, supernatural and mystical tales in which these characters traditionally reside. In Goldstein’s version, the ancient clay and mud Golem is assembled in a factory setting.\u003c/p>\n\u003cfigure id=\"attachment_13810211\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/01_JFR_DinaGoldstein_AshmodaiTheBrideofDemons-1-e1508286106549.jpg\" alt=\"Dina Goldstein, 'Ashmodai—The Bride of Demons,' from the series 'Snapshots from the Garden of Eden,' 2017.\" width=\"1200\" height=\"900\" class=\"size-full wp-image-13810211\">\u003cfigcaption class=\"wp-caption-text\">Dina Goldstein, ‘Ashmodai—The Bride of Demons,’ from the series ‘Snapshots from the Garden of Eden,’ 2017. \u003ccite>(Courtesy of the CJM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://traceysnelling.com/home.html\" target=\"_blank\" rel=\"noopener\">Tracey Snelling\u003c/a>’s sculpture and video interpretation of “Lilith’s Cave” brings the tale to life as a modern-day scene, in which Lilith’s daughter possesses a young woman, leading her to sexually promiscuous behavior with supposed demons. Snelling recreates the scene in a small model of a teenage girl’s bedroom with the gold framed mirror — which serves as a portal to Lilith’s cave — propped over a dresser. Instead of reflecting images of the young woman, the mirror projects video clips of women in powerful roles, such as scenes from a Missy Elliott music video and Angelina Jolie as \u003cem>Lara Croft: Tomb Raider\u003c/em>. Snelling’s reclamation of female empowerment is both evocative and timely.\u003c/p>\n\u003cp>“The Golden Mountain,” a Jewish folktale with origins in Morocco, serves as the inspiration of \u003ca href=\"https://folktales.thecjm.org/david-kasprzak\" target=\"_blank\" rel=\"noopener\">David Kasprzak\u003c/a>’s installation, \u003ci>The Diminishing, But Never Final, Sounds of the Dying\u003c/i>. In the story, an inquisitive young princess ventures off on an exploration only to find herself trapped inside a cave full of wondrous treasures. Among those treasures is a golden seashell, in which she can hear all of the sounds of the world (and which eventually leads her home). Kasprzak’s piece consists of a simple Australian trumpet shell (Syrinx aruanus; an extremely large sea snail), propped on a steel stand in a small corner room at the back of the exhibition. The shell emits an eerie recording of what Kasprzak describes as the ambient sound of a seashell along with a mysterious, unexplained sound recorded at several locations coming from the sky.\u003c/p>\n\u003cfigure id=\"attachment_13810210\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/the_Woulds.01-e1508286207320.jpg\" alt=\"Andy Diaz Hope and Laurel Roth Hope, 'The Woulds,' 2017.\" width=\"640\" height=\"773\" class=\"size-full wp-image-13810210\">\u003cfigcaption class=\"wp-caption-text\">Andy Diaz Hope and Laurel Roth Hope, ‘The Woulds,’ 2017. \u003ccite>(Courtesy of the CJM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For many of the works in \u003ci>Artist as Maggid\u003c/i>, the landscape becomes a portal through which folktale characters traverse. \u003ca href=\"https://mikerothfeld.com/\" target=\"_blank\" rel=\"noopener\">Mike Rothfeld\u003c/a>’s large-scale cave sculpture, \u003ci>“It is tomorrow we bury here today.”\u003c/i> manifests the metaphorical distance between one literal or figurative space and another. Drawing inspiration from “The Souls of Trees,” \u003ca href=\"https://folktales.thecjm.org/young-suh-katie-peterson/\" target=\"_blank\" rel=\"noopener\">Young Suh and Katie Peterson\u003c/a> offer a series of portraits of nontraditional families in forest settings. \u003ca href=\"http://loloro.com/home.html\" target=\"_blank\" rel=\"noopener\">Laurel Roth Hope\u003c/a> and \u003ca href=\"http://andydiazhope.com/home.html\" target=\"_blank\" rel=\"noopener\">Andy Diaz Hope\u003c/a> show \u003ci>The Woulds\u003c/i>, a dreamlike forest environment that draws visitors into what feels like the pages of a fairy tale. Carved and silver-painted trees, mirrors, ceramic birds, light and video form the backdrop for bird recordings from the Macaulay Library at the Cornell Lab of Ornithology: birds witnessing the passing of souls between worlds. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Dazzling painting, sculpture, video and more are also on display from \u003ca href=\"http://arcega.us/home.html\">Michael Arcega\u003c/a>, \u003ca href=\"http://www.jagoodman.com/\" target=\"_blank\" rel=\"noopener\">Julia Goodman\u003c/a>, \u003ca href=\"http://www.vera-iliatova.com/\" target=\"_blank\" rel=\"noopener\">Vera Iliatova\u003c/a>, \u003ca href=\"http://www.madslynnerup.com/\" target=\"_blank\" rel=\"noopener\">Mads Lynnerup\u003c/a>, \u003ca href=\"https://www.elisabethhigginsoconnor.com/\" target=\"_blank\" rel=\"noopener\">Elisabeth Higgins O’Connor\u003c/a>, \u003ca href=\"http://www.667shotwell.com/ChrisSollars.html\" target=\"_blank\" rel=\"noopener\">Chris Sollars\u003c/a>, \u003ca href=\"http://mlouisestanley.com/\" target=\"_blank\" rel=\"noopener\">M. Louise Stanley\u003c/a>, and \u003ca href=\"https://www.inezstorer.com/\" target=\"_blank\" rel=\"noopener\">Inez Storer\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13810214\" class=\"wp-caption aligncenter\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/mikerothfeldedited.jpg\" alt=\"Mike Rothfeld, '"It is tomorrow we bury here today.",' 2017.\" width=\"1080\" height=\"810\" class=\"size-full wp-image-13810214\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-520x390.jpg 520w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">Mike Rothfeld, ‘”It is tomorrow we bury here today.”,’ 2017. \u003ccite>(Courtesy of the CJM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Themes of struggle or darkness often dominate Jewish folktales, but in this exhibition, threads of discovery and the depth of human experience in relationship to time, place and the ethereal — beyond that of overcoming obstacles — are equally represented. The personal touches woven into each work provide an intriguing, accessible experience throughout. \u003ci>Artist as Maggid\u003c/i> is an expedition to another realm, and one that’s not to be missed.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Jewish Folktales Retold: Artist as Maggid’ is on view at San Francisco’s Contemporary Jewish Museum through Jan. 28, 2018. For more information, \u003ca href=\"https://www.thecjm.org/exhibitions/68\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/i>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 902,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1705029313,
"excerpt": "A not-to-be missed group exhibition at the Contemporary Jewish Museum takes viewers on an expedition to another realm.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A not-to-be missed group exhibition at the Contemporary Jewish Museum takes viewers on an expedition to another realm.",
"title": "'Artist as Maggid' Offers a Modern-Day Twist on Classic Jewish Tales | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Artist as Maggid' Offers a Modern-Day Twist on Classic Jewish Tales",
"datePublished": "2017-10-17T17:34:03-07:00",
"dateModified": "2024-01-11T19:15:13-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "artist-as-maggid-offers-a-modern-day-twist-on-classic-jewish-tales",
"status": "publish",
"sticky": false,
"path": "/arts/13810193/artist-as-maggid-offers-a-modern-day-twist-on-classic-jewish-tales",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the Jewish tradition a maggid was a preacher who traveled from place to place, sharing folktales with their audiences. Most often these storytellers were human; other times, the maggid appeared as an otherworldly being — such as an angel — to share information. These storytellers often relayed knowledge, moral lessons and mystical information through their parables. The 16 artists in \u003ca href=\"https://www.thecjm.org/exhibitions/68\" target=\"_blank\" rel=\"noopener\">\u003ci>Jewish Folktales Retold: Artist as Maggid\u003c/i>\u003c/a> at San Francisco’s \u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener\">Contemporary Jewish Museum\u003c/a> step into the roles of modern-day maggids, transforming classic (and beloved) Jewish folktales from around the world into contemporary visual narratives.\u003c/p>\n\u003cfigure id=\"attachment_13810213\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/11_JFR_MLouiseStanley_SheWaits-e1508285945862.jpg\" alt=\"M. Louise Stanley, 'She Waits…,' 2017.\" width=\"640\" height=\"819\" class=\"size-full wp-image-13810213\">\u003cfigcaption class=\"wp-caption-text\">M. Louise Stanley, ‘She Waits…,’ 2017. \u003ccite>(Courtesy of the CJM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The exhibition invites visitors to shift perspectives and represent the metaphors, imagery, religious lessons and magic of the Jewish folktales in \u003ca href=\"http://www.umsl.edu/~schwartzh/\">Howard Schwartz\u003c/a>’ 2009 collection, \u003cem>Leaves from the Garden of Eden: One Hundred Classic Jewish Tales\u003c/em> through a vast array of multi-media installations. Each artist chose a specific tale to inform their work; headphones are available to listen to the stories throughout the exhibit.\u003c/p>\n\u003cp>\u003ca href=\"https://www.dinagoldstein.com/\" target=\"_blank\" rel=\"noopener\">Dina Goldstein\u003c/a>, who selected the story of “The Golem” (read by Joel ben Izzy ) and a variety of others, including “The Hair in the Milk,” “The King’s Dream,” “The Princess in the Tower,” and “The Queen of Sheba,” presents a darkly alluring and somewhat satirical collection of ten large-scale black-and-white photographs entitled \u003ci>Snapshots from the Garden of Eden\u003c/i>. Goldstein’s photographs reimagine the stories’ characters within a modern context, while drawing on the essence of the folktales, fairy, supernatural and mystical tales in which these characters traditionally reside. In Goldstein’s version, the ancient clay and mud Golem is assembled in a factory setting.\u003c/p>\n\u003cfigure id=\"attachment_13810211\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/01_JFR_DinaGoldstein_AshmodaiTheBrideofDemons-1-e1508286106549.jpg\" alt=\"Dina Goldstein, 'Ashmodai—The Bride of Demons,' from the series 'Snapshots from the Garden of Eden,' 2017.\" width=\"1200\" height=\"900\" class=\"size-full wp-image-13810211\">\u003cfigcaption class=\"wp-caption-text\">Dina Goldstein, ‘Ashmodai—The Bride of Demons,’ from the series ‘Snapshots from the Garden of Eden,’ 2017. \u003ccite>(Courtesy of the CJM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://traceysnelling.com/home.html\" target=\"_blank\" rel=\"noopener\">Tracey Snelling\u003c/a>’s sculpture and video interpretation of “Lilith’s Cave” brings the tale to life as a modern-day scene, in which Lilith’s daughter possesses a young woman, leading her to sexually promiscuous behavior with supposed demons. Snelling recreates the scene in a small model of a teenage girl’s bedroom with the gold framed mirror — which serves as a portal to Lilith’s cave — propped over a dresser. Instead of reflecting images of the young woman, the mirror projects video clips of women in powerful roles, such as scenes from a Missy Elliott music video and Angelina Jolie as \u003cem>Lara Croft: Tomb Raider\u003c/em>. Snelling’s reclamation of female empowerment is both evocative and timely.\u003c/p>\n\u003cp>“The Golden Mountain,” a Jewish folktale with origins in Morocco, serves as the inspiration of \u003ca href=\"https://folktales.thecjm.org/david-kasprzak\" target=\"_blank\" rel=\"noopener\">David Kasprzak\u003c/a>’s installation, \u003ci>The Diminishing, But Never Final, Sounds of the Dying\u003c/i>. In the story, an inquisitive young princess ventures off on an exploration only to find herself trapped inside a cave full of wondrous treasures. Among those treasures is a golden seashell, in which she can hear all of the sounds of the world (and which eventually leads her home). Kasprzak’s piece consists of a simple Australian trumpet shell (Syrinx aruanus; an extremely large sea snail), propped on a steel stand in a small corner room at the back of the exhibition. The shell emits an eerie recording of what Kasprzak describes as the ambient sound of a seashell along with a mysterious, unexplained sound recorded at several locations coming from the sky.\u003c/p>\n\u003cfigure id=\"attachment_13810210\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/the_Woulds.01-e1508286207320.jpg\" alt=\"Andy Diaz Hope and Laurel Roth Hope, 'The Woulds,' 2017.\" width=\"640\" height=\"773\" class=\"size-full wp-image-13810210\">\u003cfigcaption class=\"wp-caption-text\">Andy Diaz Hope and Laurel Roth Hope, ‘The Woulds,’ 2017. \u003ccite>(Courtesy of the CJM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For many of the works in \u003ci>Artist as Maggid\u003c/i>, the landscape becomes a portal through which folktale characters traverse. \u003ca href=\"https://mikerothfeld.com/\" target=\"_blank\" rel=\"noopener\">Mike Rothfeld\u003c/a>’s large-scale cave sculpture, \u003ci>“It is tomorrow we bury here today.”\u003c/i> manifests the metaphorical distance between one literal or figurative space and another. Drawing inspiration from “The Souls of Trees,” \u003ca href=\"https://folktales.thecjm.org/young-suh-katie-peterson/\" target=\"_blank\" rel=\"noopener\">Young Suh and Katie Peterson\u003c/a> offer a series of portraits of nontraditional families in forest settings. \u003ca href=\"http://loloro.com/home.html\" target=\"_blank\" rel=\"noopener\">Laurel Roth Hope\u003c/a> and \u003ca href=\"http://andydiazhope.com/home.html\" target=\"_blank\" rel=\"noopener\">Andy Diaz Hope\u003c/a> show \u003ci>The Woulds\u003c/i>, a dreamlike forest environment that draws visitors into what feels like the pages of a fairy tale. Carved and silver-painted trees, mirrors, ceramic birds, light and video form the backdrop for bird recordings from the Macaulay Library at the Cornell Lab of Ornithology: birds witnessing the passing of souls between worlds. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Dazzling painting, sculpture, video and more are also on display from \u003ca href=\"http://arcega.us/home.html\">Michael Arcega\u003c/a>, \u003ca href=\"http://www.jagoodman.com/\" target=\"_blank\" rel=\"noopener\">Julia Goodman\u003c/a>, \u003ca href=\"http://www.vera-iliatova.com/\" target=\"_blank\" rel=\"noopener\">Vera Iliatova\u003c/a>, \u003ca href=\"http://www.madslynnerup.com/\" target=\"_blank\" rel=\"noopener\">Mads Lynnerup\u003c/a>, \u003ca href=\"https://www.elisabethhigginsoconnor.com/\" target=\"_blank\" rel=\"noopener\">Elisabeth Higgins O’Connor\u003c/a>, \u003ca href=\"http://www.667shotwell.com/ChrisSollars.html\" target=\"_blank\" rel=\"noopener\">Chris Sollars\u003c/a>, \u003ca href=\"http://mlouisestanley.com/\" target=\"_blank\" rel=\"noopener\">M. Louise Stanley\u003c/a>, and \u003ca href=\"https://www.inezstorer.com/\" target=\"_blank\" rel=\"noopener\">Inez Storer\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13810214\" class=\"wp-caption aligncenter\" style=\"max-width: 1080px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/mikerothfeldedited.jpg\" alt=\"Mike Rothfeld, '"It is tomorrow we bury here today.",' 2017.\" width=\"1080\" height=\"810\" class=\"size-full wp-image-13810214\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited.jpg 1080w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mikerothfeldedited-520x390.jpg 520w\" sizes=\"(max-width: 1080px) 100vw, 1080px\">\u003cfigcaption class=\"wp-caption-text\">Mike Rothfeld, ‘”It is tomorrow we bury here today.”,’ 2017. \u003ccite>(Courtesy of the CJM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Themes of struggle or darkness often dominate Jewish folktales, but in this exhibition, threads of discovery and the depth of human experience in relationship to time, place and the ethereal — beyond that of overcoming obstacles — are equally represented. The personal touches woven into each work provide an intriguing, accessible experience throughout. \u003ci>Artist as Maggid\u003c/i> is an expedition to another realm, and one that’s not to be missed.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Jewish Folktales Retold: Artist as Maggid’ is on view at San Francisco’s Contemporary Jewish Museum through Jan. 28, 2018. For more information, \u003ca href=\"https://www.thecjm.org/exhibitions/68\" rel=\"noopener\" target=\"_blank\">click here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13810193/artist-as-maggid-offers-a-modern-day-twist-on-classic-jewish-tales",
"authors": [
"3216"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_1787",
"arts_1118",
"arts_596",
"arts_769"
],
"featImg": "arts_13811925",
"label": "arts"
},
"arts_13811891": {
"type": "posts",
"id": "arts_13811891",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13811891",
"score": null,
"sort": [
1508278896000
]
},
"guestAuthors": [],
"slug": "george-saunders-wins-man-booker-prize-for-lincoln-in-the-bardo",
"title": "George Saunders Wins Man Booker Prize for 'Lincoln In The Bardo'",
"publishDate": 1508278896,
"format": "standard",
"headTitle": "George Saunders Wins Man Booker Prize for ‘Lincoln In The Bardo’ | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>American author George Saunders has won the Man Booker prize for his first novel, \u003cem>Lincoln in the Bardo, \u003c/em>a polyphonous meditation on death, grief and American history.\u003c/p>\n\u003cp>Saunders, widely lauded for his short stories, was considered the favorite to win the award. His novel centers on the death of Abraham Lincoln’s beloved son Willie, and the night that Lincoln reportedly spent in the graveyard, devastated by his grief and lingering by his son’s body.\u003c/p>\n\u003cp>In the book, Saunders weaves fragments of historical documents (both authentic and imagined) with the voices of ghosts trapped in the graveyard with young Willie, watching in wonder at the strength of his father’s love. The devastating toll of the Civil War is the backdrop for the scene of very particular loss.\u003c/p>\n\u003cp>Lola Young, the chair of the panel of judges that awarded the Booker Prize, called the novel “utterly original,” praising the narrative as “witty, intelligent, and deeply moving.”\u003c/p>\n\u003cp>In February, Saunders \u003ca href=\"http://www.npr.org/2017/02/11/514512921/lincoln-in-the-bardo-pictures-an-american-saint-of-sorrow\">told NPR\u003c/a> that he carried the idea for the novel around with him for 20 years — although he wasn’t sure it would be a novel at all.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Four years ago, I was like, jeez, this has been bothering me all these years, maybe it’s time to give it a try,” he said. “And I kind of almost had a contract with this book. Kind of like, don’t bloat up on me — be a story if you can be a story. If you can be a nice paragraph, that’s fine. So I kind of kept it on a short leash, but it just kept growing, so I finally said, ‘OK, you are what you are.’ ”\u003c/p>\n\u003cp>Saunders explained that the “bardo” of the title is a Tibetan concept for a sort of transitional zone — a space between death and whatever comes after, in the world of the novel.\u003c/p>\n\u003cp>This is the second year in a row that an American has taken home the prize — in a year when U.S. authors made up fully 50 percent of the shortlist.\u003c/p>\n\u003cp>The Man Booker, one of the most prestigious prizes in literature, has been awarded annually since 1969. It comes with a £50,000 (nearly $66,000) cash prize, and is generally associated with a substantial boost in sales for the winning book.\u003c/p>\n\u003cp>The award was originally reserved only for writers from the U.K. or the Commonwealth (countries that were once part of the British empire.), but four years ago, the prize was opened up to Americans.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Last year, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/10/25/499368241/novelist-paul-beatty-is-first-american-to-win-britains-man-booker-prize\" target=\"_blank\" rel=\"noopener\">the prize went to Paul Beatty\u003c/a> for \u003cem>The Sellout\u003c/em>. It was the first time the Man Booker had ever been awarded to an American. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=George+Saunders+Wins+Man+Booker+Prize+For+%27Lincoln+In+The+Bardo%27+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"blocks": [],
"excerpt": "It's the second year in a row that an American writer has taken home the prestigious literary award.",
"status": "publish",
"parent": 0,
"modified": 1726703075,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 481
},
"headData": {
"title": "George Saunders Wins Man Booker Prize for 'Lincoln In The Bardo' | KQED",
"description": "It's the second year in a row that an American writer has taken home the prestigious literary award.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "George Saunders Wins Man Booker Prize for 'Lincoln In The Bardo'",
"datePublished": "2017-10-17T15:21:36-07:00",
"dateModified": "2024-09-18T16:44:35-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprImageCredit": "Chris J. Ratcliffe",
"nprByline": "Camila Domonoske",
"nprImageAgency": "AFP/Getty Images",
"nprStoryId": "558322079",
"nprApiLink": "http://api.npr.org/query?id=558322079&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "http://www.npr.org/sections/thetwo-way/2017/10/17/558322079/george-saunders-wins-man-booker-prize-for-lincoln-in-the-bardo?ft=nprml&f=558322079",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 17 Oct 2017 17:44:00 -0400",
"nprStoryDate": "Tue, 17 Oct 2017 17:18:00 -0400",
"nprLastModifiedDate": "Tue, 17 Oct 2017 17:44:29 -0400",
"path": "/arts/13811891/george-saunders-wins-man-booker-prize-for-lincoln-in-the-bardo",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>American author George Saunders has won the Man Booker prize for his first novel, \u003cem>Lincoln in the Bardo, \u003c/em>a polyphonous meditation on death, grief and American history.\u003c/p>\n\u003cp>Saunders, widely lauded for his short stories, was considered the favorite to win the award. His novel centers on the death of Abraham Lincoln’s beloved son Willie, and the night that Lincoln reportedly spent in the graveyard, devastated by his grief and lingering by his son’s body.\u003c/p>\n\u003cp>In the book, Saunders weaves fragments of historical documents (both authentic and imagined) with the voices of ghosts trapped in the graveyard with young Willie, watching in wonder at the strength of his father’s love. The devastating toll of the Civil War is the backdrop for the scene of very particular loss.\u003c/p>\n\u003cp>Lola Young, the chair of the panel of judges that awarded the Booker Prize, called the novel “utterly original,” praising the narrative as “witty, intelligent, and deeply moving.”\u003c/p>\n\u003cp>In February, Saunders \u003ca href=\"http://www.npr.org/2017/02/11/514512921/lincoln-in-the-bardo-pictures-an-american-saint-of-sorrow\">told NPR\u003c/a> that he carried the idea for the novel around with him for 20 years — although he wasn’t sure it would be a novel at all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Four years ago, I was like, jeez, this has been bothering me all these years, maybe it’s time to give it a try,” he said. “And I kind of almost had a contract with this book. Kind of like, don’t bloat up on me — be a story if you can be a story. If you can be a nice paragraph, that’s fine. So I kind of kept it on a short leash, but it just kept growing, so I finally said, ‘OK, you are what you are.’ ”\u003c/p>\n\u003cp>Saunders explained that the “bardo” of the title is a Tibetan concept for a sort of transitional zone — a space between death and whatever comes after, in the world of the novel.\u003c/p>\n\u003cp>This is the second year in a row that an American has taken home the prize — in a year when U.S. authors made up fully 50 percent of the shortlist.\u003c/p>\n\u003cp>The Man Booker, one of the most prestigious prizes in literature, has been awarded annually since 1969. It comes with a £50,000 (nearly $66,000) cash prize, and is generally associated with a substantial boost in sales for the winning book.\u003c/p>\n\u003cp>The award was originally reserved only for writers from the U.K. or the Commonwealth (countries that were once part of the British empire.), but four years ago, the prize was opened up to Americans.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Last year, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/10/25/499368241/novelist-paul-beatty-is-first-american-to-win-britains-man-booker-prize\" target=\"_blank\" rel=\"noopener\">the prize went to Paul Beatty\u003c/a> for \u003cem>The Sellout\u003c/em>. It was the first time the Man Booker had ever been awarded to an American. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=George+Saunders+Wins+Man+Booker+Prize+For+%27Lincoln+In+The+Bardo%27+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13811891/george-saunders-wins-man-booker-prize-for-lincoln-in-the-bardo",
"authors": [
"byline_arts_13811891"
],
"categories": [
"arts_73",
"arts_235"
],
"tags": [
"arts_1448",
"arts_596",
"arts_4358"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13811892",
"label": "arts_137"
},
"arts_13811856": {
"type": "posts",
"id": "arts_13811856",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13811856",
"score": null,
"sort": [
1508277603000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1508277603,
"format": "image",
"title": "Songs That Say 'Me Too'",
"headTitle": "Songs That Say ‘Me Too’ | KQED",
"content": "\u003cp>\u003cem>\u003cstrong>Content advisory:\u003c/strong>\u003c/em>\u003cem> The videos and language below contain strong language and may be offensive to some.\u003c/em>\u003c/p>\n\u003cp>For the past two days women have overwhelmed social media with a truth often hidden in plain sight: \u003ca href=\"https://www.rainn.org/statistics/scope-problem\" target=\"_blank\" rel=\"noopener\">One out of every six\u003c/a> women has been subject to an attempted or completed rape during her lifetime. Countless more endure other forms of assault, abuse or harassment.\u003c/p>\n\u003cp>Prompted by the recent revelations that Hollywood mogul Harvey Weinstein performed such acts on dozens of women over the past four decades, the phrase “\u003ca href=\"https://www.bustle.com/p/the-woman-who-started-me-too-on-why-we-didnt-need-another-quiet-day-2920079\" target=\"_blank\" rel=\"noopener\">me too,\u003c/a>” posted as a hashtag or Facebook status, did the usual digital-activism work of intensely personalizing a social and political issue that many could otherwise dismiss as “not my problem.” As some men posted, and some women of color argued, it takes a certain amount of privilege to feel safe enough to make even a two-word disclosure like this one. Questions about race and gender arose that necessarily complicate rapid-fire political discourses. Yet “me too” has approached a certain critical mass; the hashtag had been used 200,000 times as of Monday morning.\u003c/p>\n\u003cp>As a meme, “me too” does a great job of crystallizing the rage and vulnerability women feel in the face of rape culture. This conversation, however, is hardly new. Artists, activists, writers and musicians have told the stories of violated women across time — particularly since the 1990s, when popular music and feminism powerfully intersected in the pop mainstream and the musical underground. Here’s a list of twenty songs in which women said “me too” — without shame.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>Tori Amos, “Me And A Gun” (1991)\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/4KjmFMtiywPXyr6CbLOhY3\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>This stark, semi-autobiographical monologue, which \u003ca href=\"http://www.npr.org/artists/15182176/tori-amos\" target=\"_blank\" rel=\"noopener\">Amos\u003c/a> wrote to be performed a capella, takes the listener within the mind of a woman being raped – and is based on details of the singer-songwriter’s own assault after a show when she was 21. The emotional centerpiece of her solo debut album \u003cem>Little Earthquakes\u003c/em>, it remains one of pop’s most intimate and forthright accounts of how women experience sexual violence.\u003c/p>\n\u003cp>\u003cstrong>TLC, “His Story” (1992)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/3naqVKAWQJyghdX9VzYEJA\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>“‘His Story’ was happening before we were born,” \u003ca href=\"http://www.npr.org/artists/15807876/tlc\" target=\"_blank\" rel=\"noopener\">TLC\u003c/a> member Rozonda “Chilli” Thomas said in a recent interview, addressing this song’s theme of society’s tendency to accept the male viewpoint on sexual assault, even in the most dubious circumstances. A protest song in the guise of a funk jam, TLC’s invective has been somewhat forgotten, perhaps because it was inspired by and mentioned the highly controversial \u003ca href=\"http://www.npr.org/sections/thetwo-way/2013/08/05/209194252/15-years-later-tawana-brawley-has-paid-1-percent-of-penalty\" target=\"_blank\" rel=\"noopener\">Tawana Brawley\u003c/a> case of 1987; its big-picture take still resonates.\u003c/p>\n\u003cp>\u003cstrong>Au Pairs, “Armagh” (1981)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/5OqNaCBBU7qK5TeUzREhx1\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Sexual assault is always political, and sometimes it’s actually a tool of the state. The post-punk band Au Pairs – part of a vibrant feminist scene that arose in Northern England at the turn of the ’80s – made that reality explicit in this song, about female Irish Republican prisoners who were repeatedly strip-searched and reportedly violated as part of the daily routine in the Northern Irish prison of the song’s title. The women of Armagh conducted a \u003ca href=\"http://www.theirisharchives.com/articles/view/97/The-Women-Hunger-Strikers-Of-Armagh-Prison\" target=\"_blank\" rel=\"noopener\">“dirty protest”\u003c/a> to call attention to their plight; this song captures its disgust.\u003c/p>\n\u003cp>\u003cstrong>Liz Phair, “F*** and Run” (1993)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/4MSdFtD1JPc2W3J13uJPeS\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/artists/15402643/liz-phair\" target=\"_blank\" rel=\"noopener\">Phair\u003c/a>‘s album-length rejoinder to carelessly sexist indie rockers, \u003cem>Exile in Guyville\u003c/em>, is one of the finest accounts of all the crap that women put up with within music scenes. This deceptively wry ballad about one-night-stand Johnnies contains a shocking line — “even when I was twelve,” Phair sang, recalling all the times men enjoyed her body and then left her behind — that connects everyday, callous treatment to the larger culture of abuse that women must navigate, starting when they are girls.\u003c/p>\n\u003cp>\u003cstrong>Bikini Kill, “Liar” (1991)\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=i1aycS7_P-M\u003c/p>\n\u003cp>The early ’90s Riot Grrrl movement brought the realities of rape culture into stark focus within an indie rock community that often presented itself as above “all that.” Kathleen Hanna, \u003ca href=\"http://www.npr.org/artists/106311747/bikini-kill\" target=\"_blank\" rel=\"noopener\">Bikini Kill\u003c/a>‘s vocalist and visionary, was the Cassandra who demanded that the men around her acknowledge that they, too, were part of the mass deceit that allows male perpetrators to “deny, deny, deny, deny.”\u003c/p>\n\u003cp>\u003cstrong>Fiona Apple, “Sullen Girl” (1996)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/6cVxGzo7214XabSXFGasNl\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The effects of sexual assault often, perhaps nearly always, last a lifetime. At 17, in this blunt, introspective, beautiful piano ballad, \u003ca href=\"http://www.npr.org/artists/15183593/fiona-apple\" target=\"_blank\" rel=\"noopener\">Fiona Apple\u003c/a> revealed the aftermath of her rape at age 12. “My oblivion,” she called it, resurrecting herself through sheer grit and musicality, and guiding others to do the same.\u003c/p>\n\u003cp>\u003cstrong>The Raincoats, “Off Duty Trip” (1979)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/6hsh2tGBNL5WlaQLrD61P7\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Rape culture is supported by a criminal justice system that can seem inclined towards preserving male power. (The recent case of Brock Turner, the Stanford student whose sentence was reduced by a judge concerned about its \u003ca href=\"https://www.washingtonpost.com/news/grade-point/wp/2017/07/02/the-judge-in-the-infamous-brock-turner-case-finally-explains-his-decision-a-year-later/?utm_term=.afbf2b168bee\" target=\"_blank\" rel=\"noopener\">impact on his future\u003c/a>, is illustrative.) Post-punk greats \u003ca href=\"http://www.npr.org/artists/539037321/the-raincoats\" target=\"_blank\" rel=\"noopener\">The Raincoats\u003c/a> refer in this song to a much-publicized rape trial in which a British Army officer received lenient treatment from a judge concerned about his military standing, and contextualizes that outrage within a larger view of women’s objectification.\u003c/p>\n\u003cp>\u003cstrong>Rihanna, “Man Down” (2010)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/454h9zAIuTe1eJyw9iTnj4\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The Barbadian queen of international pop has often alluded to sexualized violence in her songs, partly because of her own history, which includes surviving domestic assault by her then-boyfriend, the singer Chris Brown. This song takes on rape directly, and can be heard as a revenge fantasy aimed at the fiercely patriarchal culture of the Caribbean dancehall music it mines.\u003c/p>\n\u003cp>\u003cstrong>War On Women, “Say It” (2015)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0eta41JkL9xjzWxiPtuMEQ\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Certain environments where male bonding is prioritized — fraternities, for example, or perhaps summer rock festivals — have proven particularly conducive to men who violate women. This past summer, the Baltimore band War On Women brought this demand to disrupt such enclaves to Warped Tour, and, perhaps predictably,\u003cstrong> \u003c/strong>\u003ca href=\"https://www.popsugar.com/news/How-Women-Warped-Tour-Pushing-Back-Against-Sexual-Harassment-43727311\" target=\"_blank\" rel=\"noopener\">endured a backlash\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sarah McLachlan, “Possession” (1993)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/28SynOAuafgfxvPXWFgS7D\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Stalking – the relentless invasion of a woman’s space and privacy – is a major aspect of the culture of misogyny. In one of her most resonant and popular songs, Lilith Fair co-founder \u003ca href=\"http://www.npr.org/artists/15397450/sarah-mclachlan\" target=\"_blank\" rel=\"noopener\">Sarah McLachlan\u003c/a> claimed power over a fan who’d stalked her by imagining herself in his position, a chancy move that allowed her some sense of power. Though, she said, the experience had forced her to live with the constant fear that she \u003ca href=\"http://www.addictedtosongwriting.com/sarah-mclachlan.html\" target=\"_blank\" rel=\"noopener\">might be raped\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Rhiannon Giddens, “At the Purchaser’s Option” (2017)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/5RmAtT0VaKttU0Eybo6ZWA\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The #metoo hashtag rivets us because it feels urgent and new. But sexual assault is embedded in American culture, especially within the poison legacy of slavery. Newly minted MacArthur Foundation Genius \u003ca href=\"http://www.npr.org/artists/384980773/rhiannon-giddens\" target=\"_blank\" rel=\"noopener\">Rhiannon Giddens\u003c/a> brings listeners right into the bloodied heart of one enslaved woman impregnated by her rapist, whose resilience defied history itself.\u003c/p>\n\u003cp>\u003cstrong>Eve, “Love is Blind” (1999)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0H2jfzzREOr9MF95HB7ry6\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>“What kind of love,” Eve asked in this song dedicated to a friend who’d been killed by her boyfriend, “make you wish he would die?” The cycle of domestic violence included rape, and the rap royal included it as part of this cry for justice, which ends in a scenario of revenge. “Love is Blind” is a swaggering achievement that stands against hip-hop’s longstanding practice of \u003ca href=\"http://uproxx.com/webculture/50-absurd-rape-lyrics/\">making light\u003c/a> of sexual assault and harassment.\u003c/p>\n\u003cp>\u003cstrong>Otep, “Fillthee” (2001)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0AWMwRNXNc0bX2sPLWrxX7\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The atmospheres in which violence can be mounted against women are often aggressively male. Extreme heavy metal is, notoriously, a dude’s paradise; Otep Shamaya is one of the few women who has found stardom within it. From the start of her career, as in this song confronting the shame a rape victim feels, she has demanded that her peers acknowledge the ways in which they quash the feminine.\u003c/p>\n\u003cp>\u003cstrong>Amy Grant, “Ask Me” (1991)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/5rLGbtNvUB8nqyUNTRC5n9\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>All too often, women have been taught to blame themselves for their own victimization. Sometimes religion has enforced this self-condemnation. Amy Grant, one of contemporary Christian music’s superstars, turns this shame around by telling the story of a sexually abused child in poignant detail before celebrating the girl’s redemption as a grown woman. Grant puts mercy before patriarchal judgment in her version of being born again.\u003c/p>\n\u003cp>\u003cstrong>Gillian Welch, “Caleb Meyer” (1998)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/170BlLwmzfaW7hlKCl24sb\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The murder ballad is a Euro-American traditional song form that forms one of the foundations of folk music. Through its many tales of lone male wolves strangling women or \u003ca href=\"https://www.youtube.com/watch?v=_KvXteZkByE\" target=\"_blank\" rel=\"noopener\">pushing them into rivers\u003c/a>, it also normalizes misogyny. In this satisfying twist on the usual story, by Americana’s master storyteller \u003ca href=\"http://www.npr.org/artists/15237439/gillian-welch\" target=\"_blank\" rel=\"noopener\">Gillian Welch\u003c/a> and her partner David Rawlings, the titular character is a rapist who becomes a casualty of his own criminal act when his victim – a determined survivor – grabs a broken bottle and ends both the crime and his life.\u003c/p>\n\u003cp>\u003cstrong>Angel Haze, “Cleaning Out My Closet” (2012)\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=olBOFLqEREI\u003c/p>\n\u003cp>One way that men have erased women’s accounts of their own realities is by treating misogyny as a joke. The Detroit rapper Angel Haze battles one of the masters of that despicable art, \u003ca href=\"http://www.npr.org/artists/15404635/eminem\" target=\"_blank\" rel=\"noopener\">Eminem\u003c/a>, in this truth-baring session. The Eminem song that shares this title is uncharacteristically (and barely) tender, qualified by a final rhyme about almost shooting his ex-wife Kim. Haze’s is much deeper, detailing childhood trauma enacted by multiple abusers and ending with her listing its devastating effects on her psyche. The truth is not a punchline.\u003c/p>\n\u003cp>\u003cstrong>Big Thief, “Coma” (2017)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0cMGrVR6OQoNZwgmtQ0jWC\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The crucial task of helping women recover from violence often falls to other women. In this gently redemptive song about recovery from \u003ca href=\"http://www.npr.org/artists/467816510/big-thief\" target=\"_blank\" rel=\"noopener\">Big Thief\u003c/a> — a response to Big Thief’s “Watering,” which details an assault, possibly of the same woman — the band’s singer-guitarist and main songwriter Adrianne Lenker becomes that nurturing companion, helping a survivor understand that both her inner and outer world have forever changed with what she’s endured, but that she can still see light.\u003c/p>\n\u003cp>\u003cstrong>Kira Isabella, “Quarterback” (2014)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/5aIPwyYKzd3RyPvhwloeoZ\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Peer pressure and alcohol are two potent forces that both feed rape culture and, sometimes, protect its perpetrators. Canadian country artist Kira Isabella and her songwriting team (including Saving Jane’s \u003ca href=\"https://twitter.com/martilynndodson?lang=en\" target=\"_blank\" rel=\"noopener\">Marti Dodson\u003c/a>) capture that reality in the tale of a “no name girl from the freshman class” violated by the big man on campus and, in a tragic contemporary twist, by whatever witness chose to post images of the act on the Internet. Penn State and Steubenville are the backdrop for this all-too-familiar tale.\u003c/p>\n\u003cp>\u003cstrong>Petrol Girls, “Touch Me Again” (2016)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/21oFKSwN0SnBYC4bFtDZEI\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>“This is about the really not-very-difficult idea that you shouldn’t f*** people if they don’t want to have sex with you, and you shouldn’t touch people if they don’t want to be touched,” said Ren Aldridge, vocalist and leader of this raucously righteous London-based hardcore band, introducing this song at a recent show.\u003c/p>\n\u003cp>\u003cstrong>Lady Gaga, “Til It Happens To You” (2015)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0bCCGLHflR08UVA6oJJc8I\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>If today’s rejuvenated mainstream consciousness about sexual assault has an anthem it is this ballad, co-written by pop’s Mother Monster alongside Diane Warren, the mother of many other massive hits. Featured in \u003cem>The Hunting Ground\u003c/em>, a 2015 documentary about rape on college campuses, it’s a giant power ballad whose ultimate message is that only those who’ve survived sexual violence can understand it. Tragically, the past few days have indicated that most women are in that position; songs like this one resonate all too widely. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Songs+That+Say+%27Me+Too%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 2009,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 64
},
"modified": 1705029316,
"excerpt": "Women have posted the phrase on social media to raise awareness of sexual assault, abuse, and harassment. Here is a list of songs in which artists said \"me too.\"",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Women have posted the phrase on social media to raise awareness of sexual assault, abuse, and harassment. Here is a list of songs in which artists said "me too."",
"title": "Songs That Say 'Me Too' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Songs That Say 'Me Too'",
"datePublished": "2017-10-17T15:00:03-07:00",
"dateModified": "2024-01-11T19:15:16-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "songs-that-say-me-too",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=558098166&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprByline": "Ann Powers",
"nprStoryDate": "Tue, 17 Oct 2017 12:45:18 -0400",
"nprLastModifiedDate": "Tue, 17 Oct 2017 12:45:18 -0400",
"sticky": false,
"nprHtmlLink": "http://www.npr.org/sections/allsongs/2017/10/17/558098166/songs-that-say-me-too?ft=nprml&f=558098166",
"nprImageAgency": "AFP/Getty Images",
"nprImageCredit": "Mark Ralston",
"nprStoryId": "558098166",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 17 Oct 2017 12:45:00 -0400",
"path": "/arts/13811856/songs-that-say-me-too",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Content advisory:\u003c/strong>\u003c/em>\u003cem> The videos and language below contain strong language and may be offensive to some.\u003c/em>\u003c/p>\n\u003cp>For the past two days women have overwhelmed social media with a truth often hidden in plain sight: \u003ca href=\"https://www.rainn.org/statistics/scope-problem\" target=\"_blank\" rel=\"noopener\">One out of every six\u003c/a> women has been subject to an attempted or completed rape during her lifetime. Countless more endure other forms of assault, abuse or harassment.\u003c/p>\n\u003cp>Prompted by the recent revelations that Hollywood mogul Harvey Weinstein performed such acts on dozens of women over the past four decades, the phrase “\u003ca href=\"https://www.bustle.com/p/the-woman-who-started-me-too-on-why-we-didnt-need-another-quiet-day-2920079\" target=\"_blank\" rel=\"noopener\">me too,\u003c/a>” posted as a hashtag or Facebook status, did the usual digital-activism work of intensely personalizing a social and political issue that many could otherwise dismiss as “not my problem.” As some men posted, and some women of color argued, it takes a certain amount of privilege to feel safe enough to make even a two-word disclosure like this one. Questions about race and gender arose that necessarily complicate rapid-fire political discourses. Yet “me too” has approached a certain critical mass; the hashtag had been used 200,000 times as of Monday morning.\u003c/p>\n\u003cp>As a meme, “me too” does a great job of crystallizing the rage and vulnerability women feel in the face of rape culture. This conversation, however, is hardly new. Artists, activists, writers and musicians have told the stories of violated women across time — particularly since the 1990s, when popular music and feminism powerfully intersected in the pop mainstream and the musical underground. Here’s a list of twenty songs in which women said “me too” — without shame.\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>Tori Amos, “Me And A Gun” (1991)\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/4KjmFMtiywPXyr6CbLOhY3\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>This stark, semi-autobiographical monologue, which \u003ca href=\"http://www.npr.org/artists/15182176/tori-amos\" target=\"_blank\" rel=\"noopener\">Amos\u003c/a> wrote to be performed a capella, takes the listener within the mind of a woman being raped – and is based on details of the singer-songwriter’s own assault after a show when she was 21. The emotional centerpiece of her solo debut album \u003cem>Little Earthquakes\u003c/em>, it remains one of pop’s most intimate and forthright accounts of how women experience sexual violence.\u003c/p>\n\u003cp>\u003cstrong>TLC, “His Story” (1992)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/3naqVKAWQJyghdX9VzYEJA\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>“‘His Story’ was happening before we were born,” \u003ca href=\"http://www.npr.org/artists/15807876/tlc\" target=\"_blank\" rel=\"noopener\">TLC\u003c/a> member Rozonda “Chilli” Thomas said in a recent interview, addressing this song’s theme of society’s tendency to accept the male viewpoint on sexual assault, even in the most dubious circumstances. A protest song in the guise of a funk jam, TLC’s invective has been somewhat forgotten, perhaps because it was inspired by and mentioned the highly controversial \u003ca href=\"http://www.npr.org/sections/thetwo-way/2013/08/05/209194252/15-years-later-tawana-brawley-has-paid-1-percent-of-penalty\" target=\"_blank\" rel=\"noopener\">Tawana Brawley\u003c/a> case of 1987; its big-picture take still resonates.\u003c/p>\n\u003cp>\u003cstrong>Au Pairs, “Armagh” (1981)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/5OqNaCBBU7qK5TeUzREhx1\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Sexual assault is always political, and sometimes it’s actually a tool of the state. The post-punk band Au Pairs – part of a vibrant feminist scene that arose in Northern England at the turn of the ’80s – made that reality explicit in this song, about female Irish Republican prisoners who were repeatedly strip-searched and reportedly violated as part of the daily routine in the Northern Irish prison of the song’s title. The women of Armagh conducted a \u003ca href=\"http://www.theirisharchives.com/articles/view/97/The-Women-Hunger-Strikers-Of-Armagh-Prison\" target=\"_blank\" rel=\"noopener\">“dirty protest”\u003c/a> to call attention to their plight; this song captures its disgust.\u003c/p>\n\u003cp>\u003cstrong>Liz Phair, “F*** and Run” (1993)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/4MSdFtD1JPc2W3J13uJPeS\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"http://www.npr.org/artists/15402643/liz-phair\" target=\"_blank\" rel=\"noopener\">Phair\u003c/a>‘s album-length rejoinder to carelessly sexist indie rockers, \u003cem>Exile in Guyville\u003c/em>, is one of the finest accounts of all the crap that women put up with within music scenes. This deceptively wry ballad about one-night-stand Johnnies contains a shocking line — “even when I was twelve,” Phair sang, recalling all the times men enjoyed her body and then left her behind — that connects everyday, callous treatment to the larger culture of abuse that women must navigate, starting when they are girls.\u003c/p>\n\u003cp>\u003cstrong>Bikini Kill, “Liar” (1991)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/i1aycS7_P-M'\n title='//www.youtube.com/embed/i1aycS7_P-M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The early ’90s Riot Grrrl movement brought the realities of rape culture into stark focus within an indie rock community that often presented itself as above “all that.” Kathleen Hanna, \u003ca href=\"http://www.npr.org/artists/106311747/bikini-kill\" target=\"_blank\" rel=\"noopener\">Bikini Kill\u003c/a>‘s vocalist and visionary, was the Cassandra who demanded that the men around her acknowledge that they, too, were part of the mass deceit that allows male perpetrators to “deny, deny, deny, deny.”\u003c/p>\n\u003cp>\u003cstrong>Fiona Apple, “Sullen Girl” (1996)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/6cVxGzo7214XabSXFGasNl\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The effects of sexual assault often, perhaps nearly always, last a lifetime. At 17, in this blunt, introspective, beautiful piano ballad, \u003ca href=\"http://www.npr.org/artists/15183593/fiona-apple\" target=\"_blank\" rel=\"noopener\">Fiona Apple\u003c/a> revealed the aftermath of her rape at age 12. “My oblivion,” she called it, resurrecting herself through sheer grit and musicality, and guiding others to do the same.\u003c/p>\n\u003cp>\u003cstrong>The Raincoats, “Off Duty Trip” (1979)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/6hsh2tGBNL5WlaQLrD61P7\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Rape culture is supported by a criminal justice system that can seem inclined towards preserving male power. (The recent case of Brock Turner, the Stanford student whose sentence was reduced by a judge concerned about its \u003ca href=\"https://www.washingtonpost.com/news/grade-point/wp/2017/07/02/the-judge-in-the-infamous-brock-turner-case-finally-explains-his-decision-a-year-later/?utm_term=.afbf2b168bee\" target=\"_blank\" rel=\"noopener\">impact on his future\u003c/a>, is illustrative.) Post-punk greats \u003ca href=\"http://www.npr.org/artists/539037321/the-raincoats\" target=\"_blank\" rel=\"noopener\">The Raincoats\u003c/a> refer in this song to a much-publicized rape trial in which a British Army officer received lenient treatment from a judge concerned about his military standing, and contextualizes that outrage within a larger view of women’s objectification.\u003c/p>\n\u003cp>\u003cstrong>Rihanna, “Man Down” (2010)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/454h9zAIuTe1eJyw9iTnj4\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The Barbadian queen of international pop has often alluded to sexualized violence in her songs, partly because of her own history, which includes surviving domestic assault by her then-boyfriend, the singer Chris Brown. This song takes on rape directly, and can be heard as a revenge fantasy aimed at the fiercely patriarchal culture of the Caribbean dancehall music it mines.\u003c/p>\n\u003cp>\u003cstrong>War On Women, “Say It” (2015)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0eta41JkL9xjzWxiPtuMEQ\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Certain environments where male bonding is prioritized — fraternities, for example, or perhaps summer rock festivals — have proven particularly conducive to men who violate women. This past summer, the Baltimore band War On Women brought this demand to disrupt such enclaves to Warped Tour, and, perhaps predictably,\u003cstrong> \u003c/strong>\u003ca href=\"https://www.popsugar.com/news/How-Women-Warped-Tour-Pushing-Back-Against-Sexual-Harassment-43727311\" target=\"_blank\" rel=\"noopener\">endured a backlash\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Sarah McLachlan, “Possession” (1993)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/28SynOAuafgfxvPXWFgS7D\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Stalking – the relentless invasion of a woman’s space and privacy – is a major aspect of the culture of misogyny. In one of her most resonant and popular songs, Lilith Fair co-founder \u003ca href=\"http://www.npr.org/artists/15397450/sarah-mclachlan\" target=\"_blank\" rel=\"noopener\">Sarah McLachlan\u003c/a> claimed power over a fan who’d stalked her by imagining herself in his position, a chancy move that allowed her some sense of power. Though, she said, the experience had forced her to live with the constant fear that she \u003ca href=\"http://www.addictedtosongwriting.com/sarah-mclachlan.html\" target=\"_blank\" rel=\"noopener\">might be raped\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Rhiannon Giddens, “At the Purchaser’s Option” (2017)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/5RmAtT0VaKttU0Eybo6ZWA\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The #metoo hashtag rivets us because it feels urgent and new. But sexual assault is embedded in American culture, especially within the poison legacy of slavery. Newly minted MacArthur Foundation Genius \u003ca href=\"http://www.npr.org/artists/384980773/rhiannon-giddens\" target=\"_blank\" rel=\"noopener\">Rhiannon Giddens\u003c/a> brings listeners right into the bloodied heart of one enslaved woman impregnated by her rapist, whose resilience defied history itself.\u003c/p>\n\u003cp>\u003cstrong>Eve, “Love is Blind” (1999)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0H2jfzzREOr9MF95HB7ry6\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>“What kind of love,” Eve asked in this song dedicated to a friend who’d been killed by her boyfriend, “make you wish he would die?” The cycle of domestic violence included rape, and the rap royal included it as part of this cry for justice, which ends in a scenario of revenge. “Love is Blind” is a swaggering achievement that stands against hip-hop’s longstanding practice of \u003ca href=\"http://uproxx.com/webculture/50-absurd-rape-lyrics/\">making light\u003c/a> of sexual assault and harassment.\u003c/p>\n\u003cp>\u003cstrong>Otep, “Fillthee” (2001)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0AWMwRNXNc0bX2sPLWrxX7\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The atmospheres in which violence can be mounted against women are often aggressively male. Extreme heavy metal is, notoriously, a dude’s paradise; Otep Shamaya is one of the few women who has found stardom within it. From the start of her career, as in this song confronting the shame a rape victim feels, she has demanded that her peers acknowledge the ways in which they quash the feminine.\u003c/p>\n\u003cp>\u003cstrong>Amy Grant, “Ask Me” (1991)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/5rLGbtNvUB8nqyUNTRC5n9\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>All too often, women have been taught to blame themselves for their own victimization. Sometimes religion has enforced this self-condemnation. Amy Grant, one of contemporary Christian music’s superstars, turns this shame around by telling the story of a sexually abused child in poignant detail before celebrating the girl’s redemption as a grown woman. Grant puts mercy before patriarchal judgment in her version of being born again.\u003c/p>\n\u003cp>\u003cstrong>Gillian Welch, “Caleb Meyer” (1998)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/170BlLwmzfaW7hlKCl24sb\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The murder ballad is a Euro-American traditional song form that forms one of the foundations of folk music. Through its many tales of lone male wolves strangling women or \u003ca href=\"https://www.youtube.com/watch?v=_KvXteZkByE\" target=\"_blank\" rel=\"noopener\">pushing them into rivers\u003c/a>, it also normalizes misogyny. In this satisfying twist on the usual story, by Americana’s master storyteller \u003ca href=\"http://www.npr.org/artists/15237439/gillian-welch\" target=\"_blank\" rel=\"noopener\">Gillian Welch\u003c/a> and her partner David Rawlings, the titular character is a rapist who becomes a casualty of his own criminal act when his victim – a determined survivor – grabs a broken bottle and ends both the crime and his life.\u003c/p>\n\u003cp>\u003cstrong>Angel Haze, “Cleaning Out My Closet” (2012)\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/olBOFLqEREI'\n title='//www.youtube.com/embed/olBOFLqEREI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>One way that men have erased women’s accounts of their own realities is by treating misogyny as a joke. The Detroit rapper Angel Haze battles one of the masters of that despicable art, \u003ca href=\"http://www.npr.org/artists/15404635/eminem\" target=\"_blank\" rel=\"noopener\">Eminem\u003c/a>, in this truth-baring session. The Eminem song that shares this title is uncharacteristically (and barely) tender, qualified by a final rhyme about almost shooting his ex-wife Kim. Haze’s is much deeper, detailing childhood trauma enacted by multiple abusers and ending with her listing its devastating effects on her psyche. The truth is not a punchline.\u003c/p>\n\u003cp>\u003cstrong>Big Thief, “Coma” (2017)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0cMGrVR6OQoNZwgmtQ0jWC\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>The crucial task of helping women recover from violence often falls to other women. In this gently redemptive song about recovery from \u003ca href=\"http://www.npr.org/artists/467816510/big-thief\" target=\"_blank\" rel=\"noopener\">Big Thief\u003c/a> — a response to Big Thief’s “Watering,” which details an assault, possibly of the same woman — the band’s singer-guitarist and main songwriter Adrianne Lenker becomes that nurturing companion, helping a survivor understand that both her inner and outer world have forever changed with what she’s endured, but that she can still see light.\u003c/p>\n\u003cp>\u003cstrong>Kira Isabella, “Quarterback” (2014)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/5aIPwyYKzd3RyPvhwloeoZ\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>Peer pressure and alcohol are two potent forces that both feed rape culture and, sometimes, protect its perpetrators. Canadian country artist Kira Isabella and her songwriting team (including Saving Jane’s \u003ca href=\"https://twitter.com/martilynndodson?lang=en\" target=\"_blank\" rel=\"noopener\">Marti Dodson\u003c/a>) capture that reality in the tale of a “no name girl from the freshman class” violated by the big man on campus and, in a tragic contemporary twist, by whatever witness chose to post images of the act on the Internet. Penn State and Steubenville are the backdrop for this all-too-familiar tale.\u003c/p>\n\u003cp>\u003cstrong>Petrol Girls, “Touch Me Again” (2016)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/21oFKSwN0SnBYC4bFtDZEI\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>“This is about the really not-very-difficult idea that you shouldn’t f*** people if they don’t want to have sex with you, and you shouldn’t touch people if they don’t want to be touched,” said Ren Aldridge, vocalist and leader of this raucously righteous London-based hardcore band, introducing this song at a recent show.\u003c/p>\n\u003cp>\u003cstrong>Lady Gaga, “Til It Happens To You” (2015)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/track/0bCCGLHflR08UVA6oJJc8I\" width=\"600\" height=\"80\" frameborder=\"0\" allowtransparency=\"true\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If today’s rejuvenated mainstream consciousness about sexual assault has an anthem it is this ballad, co-written by pop’s Mother Monster alongside Diane Warren, the mother of many other massive hits. Featured in \u003cem>The Hunting Ground\u003c/em>, a 2015 documentary about rape on college campuses, it’s a giant power ballad whose ultimate message is that only those who’ve survived sexual violence can understand it. Tragically, the past few days have indicated that most women are in that position; songs like this one resonate all too widely. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Songs+That+Say+%27Me+Too%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13811856/songs-that-say-me-too",
"authors": [
"byline_arts_13811856"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_2798",
"arts_991",
"arts_1118",
"arts_2797",
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13811857",
"label": "arts_137"
},
"arts_13811735": {
"type": "posts",
"id": "arts_13811735",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13811735",
"score": null,
"sort": [
1508204487000
]
},
"guestAuthors": [],
"slug": "luther-burbank-center-closes-due-to-fire-damage",
"title": "North Bay Venues Close Due to Wildfires, Others Open to Help Out",
"publishDate": 1508204487,
"format": "standard",
"headTitle": "North Bay Venues Close Due to Wildfires, Others Open to Help Out | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>After wildfires wiped out a large portion of the Luther Burbank Center for the Arts, the Santa Rosa concert hall canceled all performances through Nov. 5, while other North Bay venues plan to hold their scheduled events this week.\u003c/p>\n\u003cp>Along with killing 41 local residents and destroying 5,700 structures in the North Bay, the fires burned up the east wing of the Luther Burbank Center, which housed a school for autistic children. It also damaged the center’s 1,400-person concert hall.\u003c/p>\n\u003cp>In a statement released to the media Monday, the center’s representatives said that staff and local officials are assessing the damage done to the remaining structures. Until then, staff canceled all performances through Nov. 5 and promised to \u003ca href=\"https://www.broadwayworld.com/san-francisco/article/Luther-Burbank-Center-for-the-Arts-Postpones-Performances-thru-November-5-20171016\" rel=\"noopener\" target=\"_blank\">reimburse ticket-holders\u003c/a>. \u003c/p>\n\u003cp>https://www.facebook.com/lutherburbankcenter/photos/a.65750973471.72258.8655128471/10155234421498472/\u003c/p>\n\u003cp>“We want to open our doors to you as soon as we can. But we won’t do that until we are sure it is safe and clean,” \u003ca href=\"https://www.facebook.com/lutherburbankcenter/photos/a.65750973471.72258.8655128471/10155234421498472/\" rel=\"noopener\" target=\"_blank\">a statement\u003c/a> posted on the center’s Facebook page read. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The center’s canceled events include a Symphony Pops tribute to Louis Armstrong, a performance by Guerra de Chistes, and an evening with Brian Reed, the creator of the \u003ci>S-Town\u003c/i> podcast.\u003c/p>\n\u003cp>Another big event in the area that was canceled was the Lagunitas Beer Circus in Petaluma. The promoters announced the cancellation on Friday, saying it was due to public health and safety concerns.\u003c/p>\n\u003cp>“For those of you with plans to travel to this area, we apologize for the inconvenience. This event is at its core about supporting the local community and giving back, but this year we’re going to do this differently and help the families affected by the fires,” the Lagunitas statement read.\u003c/p>\n\u003cp>Many other venues in the North Bay canceled events but have also re-opened. \u003c/p>\n\u003cp>The Mystic Theatre in Petaluma \u003ca href=\"https://www.facebook.com/MysticTheatre/photos/a.10151914450477669.1073741826.52056022668/10155256845242669/\" rel=\"noopener\" target=\"_blank\">canceled its Tauk show\u003c/a> scheduled for Oct. 14, but stayed open during the week to take clothing donations, and supply hot food and temporary shelter for local residents displaced by the fire. \u003c/p>\n\u003cfigure id=\"attachment_13811808\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-800x1067.jpg\" alt=\"Displaced residents line up for food at the Mystic Theatre in Petaluma\" width=\"800\" height=\"1067\" class=\"size-medium wp-image-13811808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-520x693.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Displaced residents line up for food at the Mystic Theatre in Petaluma \u003ccite>(Courtesy of the Mystic Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Faith Moody, general manager for the Mystic, said the owners of McNear’s Restaurant reached out to her early last week, asking if they could use her club to serve hot meals and have “some place safe to go.” She agreed, setting up the venue so the restaurant could provide three meals a day to families affected by the fire. The staff at the theater also played cartoons on a giant screen and set up a play room for children. A day after the theater was set up, Moody said that hundreds of locals came in for food and shelter, and there were so many volunteers and donations that they had to stop accepting them.\u003c/p>\n\u003cp>“The city of Petaluma really stepped up,” Moody said on Friday. \u003c/p>\n\u003cp>Moody, who had to evacuate her Santa Rosa home early Monday and later relocated to Sacramento, said she was glad to provide some kind of relief for those who were displaced.\u003c/p>\n\u003cp>“The situation is so much worse than what we’re seeing on the news,” Moody said.\u003c/p>\n\u003cp>Hop Monk, the small chain of brew pubs in the North Bay, closed its Sonoma restaurant but kept its other locations open. All of the shows scheduled at the various locations were also canceled except for the John Doe concert at the Novato location Sunday night. Dean Biersch, the owner of the Hop Monk chain, said “everybody came out” to see the influential punk frontman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There was a real question whether or not we should make this thing happen,” Biersch said. “It was an indicator of what music means to people when they’re struggling.” \u003c/p>\n\n",
"blocks": [],
"excerpt": "After wildfires damaged the Luther Burbank Center for the Arts, it canceled all performances through Nov. 5",
"status": "publish",
"parent": 0,
"modified": 1726706987,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 17,
"wordCount": 655
},
"headData": {
"title": "North Bay Venues Close Due to Wildfires, Others Open to Help Out | KQED",
"description": "After wildfires damaged the Luther Burbank Center for the Arts, it canceled all performances through Nov. 5",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "North Bay Venues Close Due to Wildfires, Others Open to Help Out",
"datePublished": "2017-10-16T18:41:27-07:00",
"dateModified": "2024-09-18T17:49:47-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/13811735/luther-burbank-center-closes-due-to-fire-damage",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After wildfires wiped out a large portion of the Luther Burbank Center for the Arts, the Santa Rosa concert hall canceled all performances through Nov. 5, while other North Bay venues plan to hold their scheduled events this week.\u003c/p>\n\u003cp>Along with killing 41 local residents and destroying 5,700 structures in the North Bay, the fires burned up the east wing of the Luther Burbank Center, which housed a school for autistic children. It also damaged the center’s 1,400-person concert hall.\u003c/p>\n\u003cp>In a statement released to the media Monday, the center’s representatives said that staff and local officials are assessing the damage done to the remaining structures. Until then, staff canceled all performances through Nov. 5 and promised to \u003ca href=\"https://www.broadwayworld.com/san-francisco/article/Luther-Burbank-Center-for-the-Arts-Postpones-Performances-thru-November-5-20171016\" rel=\"noopener\" target=\"_blank\">reimburse ticket-holders\u003c/a>. \u003c/p>\n\u003cp>https://www.facebook.com/lutherburbankcenter/photos/a.65750973471.72258.8655128471/10155234421498472/\u003c/p>\n\u003cp>“We want to open our doors to you as soon as we can. But we won’t do that until we are sure it is safe and clean,” \u003ca href=\"https://www.facebook.com/lutherburbankcenter/photos/a.65750973471.72258.8655128471/10155234421498472/\" rel=\"noopener\" target=\"_blank\">a statement\u003c/a> posted on the center’s Facebook page read. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The center’s canceled events include a Symphony Pops tribute to Louis Armstrong, a performance by Guerra de Chistes, and an evening with Brian Reed, the creator of the \u003ci>S-Town\u003c/i> podcast.\u003c/p>\n\u003cp>Another big event in the area that was canceled was the Lagunitas Beer Circus in Petaluma. The promoters announced the cancellation on Friday, saying it was due to public health and safety concerns.\u003c/p>\n\u003cp>“For those of you with plans to travel to this area, we apologize for the inconvenience. This event is at its core about supporting the local community and giving back, but this year we’re going to do this differently and help the families affected by the fires,” the Lagunitas statement read.\u003c/p>\n\u003cp>Many other venues in the North Bay canceled events but have also re-opened. \u003c/p>\n\u003cp>The Mystic Theatre in Petaluma \u003ca href=\"https://www.facebook.com/MysticTheatre/photos/a.10151914450477669.1073741826.52056022668/10155256845242669/\" rel=\"noopener\" target=\"_blank\">canceled its Tauk show\u003c/a> scheduled for Oct. 14, but stayed open during the week to take clothing donations, and supply hot food and temporary shelter for local residents displaced by the fire. \u003c/p>\n\u003cfigure id=\"attachment_13811808\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-800x1067.jpg\" alt=\"Displaced residents line up for food at the Mystic Theatre in Petaluma\" width=\"800\" height=\"1067\" class=\"size-medium wp-image-13811808\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-1180x1573.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-960x1280.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/10/mystictheatrekqed5-520x693.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Displaced residents line up for food at the Mystic Theatre in Petaluma \u003ccite>(Courtesy of the Mystic Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Faith Moody, general manager for the Mystic, said the owners of McNear’s Restaurant reached out to her early last week, asking if they could use her club to serve hot meals and have “some place safe to go.” She agreed, setting up the venue so the restaurant could provide three meals a day to families affected by the fire. The staff at the theater also played cartoons on a giant screen and set up a play room for children. A day after the theater was set up, Moody said that hundreds of locals came in for food and shelter, and there were so many volunteers and donations that they had to stop accepting them.\u003c/p>\n\u003cp>“The city of Petaluma really stepped up,” Moody said on Friday. \u003c/p>\n\u003cp>Moody, who had to evacuate her Santa Rosa home early Monday and later relocated to Sacramento, said she was glad to provide some kind of relief for those who were displaced.\u003c/p>\n\u003cp>“The situation is so much worse than what we’re seeing on the news,” Moody said.\u003c/p>\n\u003cp>Hop Monk, the small chain of brew pubs in the North Bay, closed its Sonoma restaurant but kept its other locations open. All of the shows scheduled at the various locations were also canceled except for the John Doe concert at the Novato location Sunday night. Dean Biersch, the owner of the Hop Monk chain, said “everybody came out” to see the influential punk frontman.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There was a real question whether or not we should make this thing happen,” Biersch said. “It was an indicator of what music means to people when they’re struggling.” \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13811735/luther-burbank-center-closes-due-to-fire-damage",
"authors": [
"93"
],
"categories": [
"arts_1",
"arts_69",
"arts_235"
],
"tags": [
"arts_1448",
"arts_2757",
"arts_596"
],
"featImg": "arts_13811037",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=news": {
"isFetching": false,
"latestQuery": {
"from": 1980,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 3757,
"relation": "eq"
},
"items": [
"arts_13812015",
"arts_13811992",
"arts_13812030",
"arts_13812008",
"arts_13811976",
"arts_13811962",
"arts_13811948",
"arts_13811928",
"arts_13810193",
"arts_13811891",
"arts_13811856",
"arts_13811735"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_news": {
"isLoading": true
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_966": {
"type": "terms",
"id": "arts_966",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Dance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 984,
"slug": "dance",
"isLoading": false,
"link": "/arts/category/dance"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_879": {
"type": "terms",
"id": "arts_879",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "879",
"found": true
},
"relationships": {},
"featImg": null,
"name": "dance",
"description": "Covering dance events in the Bay Area and more.",
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Covering dance events in the Bay Area and more.",
"title": "dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 897,
"slug": "dance",
"isLoading": false,
"link": "/arts/tag/dance"
},
"arts_1420": {
"type": "terms",
"id": "arts_1420",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1420",
"found": true
},
"relationships": {},
"featImg": null,
"name": "jazz",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "jazz Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1432,
"slug": "jazz",
"isLoading": false,
"link": "/arts/tag/jazz"
},
"arts_2819": {
"type": "terms",
"id": "arts_2819",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2819",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Malonga Casquelourd Center for the Arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Malonga Casquelourd Center for the Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2831,
"slug": "malonga-casquelourd-center-for-the-arts",
"isLoading": false,
"link": "/arts/tag/malonga-casquelourd-center-for-the-arts"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_1006": {
"type": "terms",
"id": "arts_1006",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1006",
"found": true
},
"relationships": {},
"featImg": null,
"name": "guide",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "guide Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1023,
"slug": "guide",
"isLoading": false,
"link": "/arts/tag/guide"
},
"arts_6387": {
"type": "terms",
"id": "arts_6387",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6387",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music venues",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music venues Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6399,
"slug": "music-venues",
"isLoading": false,
"link": "/arts/tag/music-venues"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_2048": {
"type": "terms",
"id": "arts_2048",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2048",
"found": true
},
"relationships": {},
"featImg": null,
"name": "SFJAZZ",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "SFJAZZ Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2060,
"slug": "sfjazz",
"isLoading": false,
"link": "/arts/tag/sfjazz"
},
"arts_626": {
"type": "terms",
"id": "arts_626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-do-list-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-do-list-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 634,
"slug": "the-do-list-featured",
"isLoading": false,
"link": "/arts/tag/the-do-list-featured"
},
"arts_549": {
"type": "terms",
"id": "arts_549",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "549",
"found": true
},
"relationships": {},
"featImg": null,
"name": "comedy",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 550,
"slug": "comedy",
"isLoading": false,
"link": "/arts/tag/comedy"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_974": {
"type": "terms",
"id": "arts_974",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "974",
"found": true
},
"relationships": {},
"featImg": null,
"name": "rap",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "rap Archives | KQED Arts",
"ogDescription": null
},
"ttid": 992,
"slug": "rap",
"isLoading": false,
"link": "/arts/tag/rap"
},
"arts_1111": {
"type": "terms",
"id": "arts_1111",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1111",
"found": true
},
"relationships": {},
"featImg": null,
"name": "The Independent",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Independent Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1128,
"slug": "the-independent",
"isLoading": false,
"link": "/arts/tag/the-independent"
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_2303": {
"type": "terms",
"id": "arts_2303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2303",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Commentary",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2315,
"slug": "commentary",
"isLoading": false,
"link": "/arts/category/commentary"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_2210": {
"type": "terms",
"id": "arts_2210",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2210",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Amazon",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Amazon Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2222,
"slug": "amazon",
"isLoading": false,
"link": "/arts/tag/amazon"
},
"arts_2767": {
"type": "terms",
"id": "arts_2767",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2767",
"found": true
},
"relationships": {},
"featImg": null,
"name": "commentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2779,
"slug": "commentary",
"isLoading": false,
"link": "/arts/tag/commentary"
},
"arts_5422": {
"type": "terms",
"id": "arts_5422",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5422",
"found": true
},
"relationships": {},
"featImg": null,
"name": "television",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "television Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5434,
"slug": "television",
"isLoading": false,
"link": "/arts/tag/television"
},
"arts_1040": {
"type": "terms",
"id": "arts_1040",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1040",
"found": true
},
"relationships": {},
"featImg": null,
"name": "YBCA",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "YBCA Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1057,
"slug": "ybca",
"isLoading": false,
"link": "/arts/tag/ybca"
},
"arts_1955": {
"type": "terms",
"id": "arts_1955",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1955",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Yerba Buena Center for the Arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Yerba Buena Center for the Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1967,
"slug": "yerba-buena-center-for-the-arts",
"isLoading": false,
"link": "/arts/tag/yerba-buena-center-for-the-arts"
},
"arts_1448": {
"type": "terms",
"id": "arts_1448",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1448",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art wire",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art wire Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1460,
"slug": "art-wire",
"isLoading": false,
"link": "/arts/tag/art-wire"
},
"arts_1091": {
"type": "terms",
"id": "arts_1091",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1091",
"found": true
},
"relationships": {},
"featImg": null,
"name": "obit",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "obit Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1108,
"slug": "obit",
"isLoading": false,
"link": "/arts/tag/obit"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_1787": {
"type": "terms",
"id": "arts_1787",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1787",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Contemporary Jewish Museum",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Contemporary Jewish Museum Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1799,
"slug": "contemporary-jewish-museum",
"isLoading": false,
"link": "/arts/tag/contemporary-jewish-museum"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
},
"arts_4358": {
"type": "terms",
"id": "arts_4358",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4358",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TGAR news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TGAR news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4370,
"slug": "tgar-news",
"isLoading": false,
"link": "/arts/tag/tgar-news"
},
"arts_2798": {
"type": "terms",
"id": "arts_2798",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2798",
"found": true
},
"relationships": {},
"name": "#MeToo",
"slug": "metoo",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "#MeToo | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 2810,
"isLoading": false,
"link": "/arts/tag/metoo"
},
"arts_991": {
"type": "terms",
"id": "arts_991",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "991",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Essay",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Essay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1009,
"slug": "essay",
"isLoading": false,
"link": "/arts/tag/essay"
},
"arts_2797": {
"type": "terms",
"id": "arts_2797",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2797",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Lady Gaga",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Lady Gaga Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2809,
"slug": "lady-gaga",
"isLoading": false,
"link": "/arts/tag/lady-gaga"
},
"arts_2757": {
"type": "terms",
"id": "arts_2757",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2757",
"found": true
},
"relationships": {},
"featImg": null,
"name": "North Bay Fires",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "North Bay Fires Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2769,
"slug": "north-bay-fires",
"isLoading": false,
"link": "/arts/tag/north-bay-fires"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}