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It’s called \u003ca href=\"http://www.saqa.com/memberArt-full.php?ID=3617\" target=\"_blank\" rel=\"noopener\">\u003cem>Guns: Loaded Conversations\u003c/em>\u003c/a>, and if you think quilts are just a collage of pretty patches for beds, museum director Nancy Bavor says think again.\u003c/p>\n\u003cp>“They are not your grandmother’s quilts,” Bavor says. “But what I like to remind people, is that quilt makers for 200 years created political quilts with a wide range of opinions on many different topics.”\u003c/p>\n\u003cp>Quilts were sold in the early 19th century to raise funds for the abolitionist movement, and of course gay rights \u003ca href=\"https://www.kqed.org/arts/12827647/cleve-jones-on-when-we-rise-and-the-power-of-activism\" target=\"_blank\" rel=\"noopener\">activist Cleve Jones\u003c/a> conceived of the Names Project and AIDS Memorial Quilt in San Francisco in the mid-1980s.\u003c/p>\n\u003cp>Bavor told me this gun violence show, organized by \u003ca id=\"yui_3_17_2_1_1524682718412_299\" href=\"http://www.saqa.com/memberArt.php?cat=8&ec=2&ex=82\" target=\"_blank\" rel=\"noopener\">Studio Art Quilt Associates\u003c/a>, has been in the planning for two years. It’s their way of marking the 19th anniversary of the Columbine shooting. But the horrors of Las Vegas and Parkland High School have made the exhibition even more relevant.\u003c/p>\n\u003cfigure id=\"attachment_13830501\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830501\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-800x480.jpg\" alt=\"Michele Mackinen's quilt is part of the exhibition 'Guns: Loaded Conversations' at the San Jose Museum of Quilts and Textiles\" width=\"800\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-800x480.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-768x461.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-1020x612.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-1200x720.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-1920x1152.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-1180x708.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-960x576.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-240x144.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-375x225.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-520x312.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Michele Mackinen’s quilt is part of the exhibition ‘Guns: Loaded Conversations’ at the San Jose Museum of Quilts and Textiles \u003ccite>(Monika Wulfers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My co-host Nick Abraham, a junior at Sequoia High School in Redwood City, notes he joined a walk-out from his school on the one-month anniversary of the Parkland shooting. He was also glad to see the work by Oakland quiltmaker Alice Beasley called \u003cem>\u003ca href=\"http://www.saqa.com/memberArt-full.php?ID=3617\" target=\"_blank\" rel=\"noopener\">Remembering Trayvon\u003c/a>,\u003c/em> honoring the Florida teenager killed by a vigilante — an acknowledgment of the issues surrounding racially-motivated shootings.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The museum is also featuring a parallel exhibition by the Bay Area’s Social Justice Sewing Academy, featuring cross-stitch and quilting by young people around the Bay Area whose work focuses on social justice issues. It’s also sponsoring discussions on the second amendment and a gun buyback in which each person handing over a gun will get some money and a handmade quilt. Much cozier than the gun.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The exhibition \u003cem>Guns: Loaded Conversations\u003c/em> continues at the San Jose Museum of Quilts and Textiles through July 15.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The timing is, sadly, just right for a new show at the San Jose Museum of Quilts and Textiles. It’s called \u003ca href=\"http://www.saqa.com/memberArt-full.php?ID=3617\" target=\"_blank\" rel=\"noopener\">\u003cem>Guns: Loaded Conversations\u003c/em>\u003c/a>, and if you think quilts are just a collage of pretty patches for beds, museum director Nancy Bavor says think again.\u003c/p>\n\u003cp>“They are not your grandmother’s quilts,” Bavor says. “But what I like to remind people, is that quilt makers for 200 years created political quilts with a wide range of opinions on many different topics.”\u003c/p>\n\u003cp>Quilts were sold in the early 19th century to raise funds for the abolitionist movement, and of course gay rights \u003ca href=\"https://www.kqed.org/arts/12827647/cleve-jones-on-when-we-rise-and-the-power-of-activism\" target=\"_blank\" rel=\"noopener\">activist Cleve Jones\u003c/a> conceived of the Names Project and AIDS Memorial Quilt in San Francisco in the mid-1980s.\u003c/p>\n\u003cp>Bavor told me this gun violence show, organized by \u003ca id=\"yui_3_17_2_1_1524682718412_299\" href=\"http://www.saqa.com/memberArt.php?cat=8&ec=2&ex=82\" target=\"_blank\" rel=\"noopener\">Studio Art Quilt Associates\u003c/a>, has been in the planning for two years. It’s their way of marking the 19th anniversary of the Columbine shooting. But the horrors of Las Vegas and Parkland High School have made the exhibition even more relevant.\u003c/p>\n\u003cfigure id=\"attachment_13830501\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830501\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-800x480.jpg\" alt=\"Michele Mackinen's quilt is part of the exhibition 'Guns: Loaded Conversations' at the San Jose Museum of Quilts and Textiles\" width=\"800\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-800x480.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-768x461.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-1020x612.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-1200x720.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-1920x1152.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-1180x708.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-960x576.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-240x144.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-375x225.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles-520x312.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Michele-Mackinens-quilt-is-part-of-the-exhibition-Guns-A-Loaded-Conversation-at-the-San-Jose-Museum-of-Quilts-adn-Textiles.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Michele Mackinen’s quilt is part of the exhibition ‘Guns: Loaded Conversations’ at the San Jose Museum of Quilts and Textiles \u003ccite>(Monika Wulfers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My co-host Nick Abraham, a junior at Sequoia High School in Redwood City, notes he joined a walk-out from his school on the one-month anniversary of the Parkland shooting. He was also glad to see the work by Oakland quiltmaker Alice Beasley called \u003cem>\u003ca href=\"http://www.saqa.com/memberArt-full.php?ID=3617\" target=\"_blank\" rel=\"noopener\">Remembering Trayvon\u003c/a>,\u003c/em> honoring the Florida teenager killed by a vigilante — an acknowledgment of the issues surrounding racially-motivated shootings.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The museum is also featuring a parallel exhibition by the Bay Area’s Social Justice Sewing Academy, featuring cross-stitch and quilting by young people around the Bay Area whose work focuses on social justice issues. It’s also sponsoring discussions on the second amendment and a gun buyback in which each person handing over a gun will get some money and a handmade quilt. Much cozier than the gun.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The exhibition \u003cem>Guns: Loaded Conversations\u003c/em> continues at the San Jose Museum of Quilts and Textiles through July 15.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "San Francisco Conservatory Announces Major Expansion in Civic Center",
"headTitle": "San Francisco Conservatory Announces Major Expansion in Civic Center | KQED",
"content": "\u003cp>The \u003ca href=\"https://sfcm.edu/\" target=\"_blank\" rel=\"noopener\">San Francisco Conservatory of Music\u003c/a> (SFCM), the region’s premiere advanced-training institution for classical and jazz musicians, unveiled plans for a major expansion on Wednesday after years of careful negotiations with the city and neighborhood residents.\u003c/p>\n\u003cp>SFCM purchased two adjacent buildings on Van Ness Avenue at Hayes Street in 2013 with the help of a wealthy donor, venture capitalist William K. Bowes. (The new building will be called the Ute and William K. Bowes, Jr. Center for Performing Arts.)\u003c/p>\n\u003cp>This summer, the school plans to demolish the two buildings to make way for a new $185 million, 12-story facility designed by San Francisco architecture firm \u003ca href=\"https://www.cavagnero.com/\" target=\"_blank\" rel=\"noopener\">Mark Cavagnero Associates\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13830303\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830303\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/raoul-800x600.jpg\" alt=\"Longtime200 Van Ness resident Raoul Tuz\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Longtime 200 Van Ness resident Raoul Tuz. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Raoul Tuz, who has lived in one of the buildings’ 27 rent-stabilized apartments for years, embraces the impending upheaval because SFCM’s plans won’t lead to longtime residents’ displacement from their neighborhood.\u003c/p>\n\u003cp>“We’re going to move into a new building, a nicer place to live,” Tuz says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to concert halls, classrooms, a recording studio, conference facilities, a garden, a restaurant and housing for around 400 students, two floors of the new building will be reserved for tenants like Tuz — under the terms of their old lease.\u003c/p>\n\u003cp>“The rent control really helps,” Tuz says.\u003c/p>\n\u003cfigure id=\"attachment_13830304\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830304\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/SFCM-Hero-800x518.jpg\" alt=\"An exterior view of what the new complex will look like\" width=\"800\" height=\"518\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-1200x776.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-1920x1242.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-1180x763.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-960x621.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-240x155.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-375x243.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-520x336.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An exterior view of what the new complex will look like \u003ccite>(Photo: Courtesy San Francisco Conservatory of Music)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>SFCM is paying to relocate the residents to a building across the street during the renovations, as well as paying for them to move into the new digs when they’re ready.\u003c/p>\n\u003cp>SFCM president David Stull says it was hard to earn the trust of the residents at first. “The primary objection was, will the conservatory honor what it’s saying?” Stull says.\u003c/p>\n\u003cp>But Tuz says SFCM showed its commitment by organizing community meetings and overseeing the upkeep of his current building at 200 Van Ness, which is in a dilapidated state. Now, he says, he’s looking forward to living around young musicians.\u003c/p>\n\u003cfigure id=\"attachment_13830300\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830300\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/jayden-800x600.jpg\" alt=\"Freshman jazz student Jayden Clark\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Freshman jazz student Jayden Clark \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of Tuz’s future neighbors could be Jayden Clark. The 19-year-old Australian is a freshman jazz student at SFCM on a full scholarship. Clark currently has a spot in a building the school leased temporarily at Mission and 9th Street.\u003c/p>\n\u003cp>He says studying in San Francisco would be out of the question without help with housing. “It just would be unfathomable,” Clark says. “Being an international student, it’s hard enough to get over here without any financial aid.”\u003c/p>\n\u003cp>Clark will be a senior when the new building opens in 2020. He’ll be paying around $1,500 a month to share a two bedroom apartment there.\u003c/p>\n\u003cp>With the average rent on a two bedroom apartment in San Francisco standing at around $4,500, SFCM’s development may make the school a more appealing prospect for many students who would otherwise consider studying in the city too expensive.\u003c/p>\n\u003cp>“If this is the school for you and you want this education, housing is not going to be the reason you can’t attend,” Stull says.\u003c/p>\n\u003cp>Clark adds: “I think it will just encourage a broader range of students.”\u003c/p>\n\u003cfigure id=\"attachment_13830305\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830305\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/200-van-ness-800x600.jpg\" alt=\"The exterior of 200 Van Ness Ave. -- one of two buildings SCFM purchased in 2013.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The exterior of 200 Van Ness Ave. — one of two buildings SCFM purchased in 2013. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>SFCM’s plan may inspire other institutions to follow suit.\u003c/p>\n\u003cp>Melissa Smith, director of the MFA program at the \u003ca href=\"http://www.act-sf.org/home/conservatory/mfa_program.highResolutionDisplay.html?gclid=CjwKCAjwq_vWBRACEiwAEReprIUrP6_6lj5W1vxsPDgwxxaYK7vgAhgReTDgcxBXMnZ-meA-Z_R_ghoCNgQQAvD_BwE&gclsrc=aw.ds\" target=\"_blank\" rel=\"noopener\">American Conservatory Theater\u003c/a>, says she’s seen an increasing trend of students commuting from the East Bay rather than living in San Francisco.\u003c/p>\n\u003cp>ACT currently does not provide housing for its 37 graduate-level acting students. But Smith says her organization is starting to evaluate the possibility of buying a building for that purpose. “We’d love to be able to provide housing,” Smith says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So far, SFCM has raised $96 million towards its overall fundraising goal of $110 million for the project. The organization’s existing building at nearby 50 Oak Street will continue to be in use.\u003c/p>\n\n",
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"excerpt": "The Bay Area's leading professional music school wants to ensure the housing crisis won't prevent students from attending.",
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"title": "San Francisco Conservatory Announces Major Expansion in Civic Center | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://sfcm.edu/\" target=\"_blank\" rel=\"noopener\">San Francisco Conservatory of Music\u003c/a> (SFCM), the region’s premiere advanced-training institution for classical and jazz musicians, unveiled plans for a major expansion on Wednesday after years of careful negotiations with the city and neighborhood residents.\u003c/p>\n\u003cp>SFCM purchased two adjacent buildings on Van Ness Avenue at Hayes Street in 2013 with the help of a wealthy donor, venture capitalist William K. Bowes. (The new building will be called the Ute and William K. Bowes, Jr. Center for Performing Arts.)\u003c/p>\n\u003cp>This summer, the school plans to demolish the two buildings to make way for a new $185 million, 12-story facility designed by San Francisco architecture firm \u003ca href=\"https://www.cavagnero.com/\" target=\"_blank\" rel=\"noopener\">Mark Cavagnero Associates\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13830303\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830303\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/raoul-800x600.jpg\" alt=\"Longtime200 Van Ness resident Raoul Tuz\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/raoul.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Longtime 200 Van Ness resident Raoul Tuz. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Raoul Tuz, who has lived in one of the buildings’ 27 rent-stabilized apartments for years, embraces the impending upheaval because SFCM’s plans won’t lead to longtime residents’ displacement from their neighborhood.\u003c/p>\n\u003cp>“We’re going to move into a new building, a nicer place to live,” Tuz says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to concert halls, classrooms, a recording studio, conference facilities, a garden, a restaurant and housing for around 400 students, two floors of the new building will be reserved for tenants like Tuz — under the terms of their old lease.\u003c/p>\n\u003cp>“The rent control really helps,” Tuz says.\u003c/p>\n\u003cfigure id=\"attachment_13830304\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830304\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/SFCM-Hero-800x518.jpg\" alt=\"An exterior view of what the new complex will look like\" width=\"800\" height=\"518\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-1200x776.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-1920x1242.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-1180x763.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-960x621.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-240x155.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-375x243.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero-520x336.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/SFCM-Hero.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">An exterior view of what the new complex will look like \u003ccite>(Photo: Courtesy San Francisco Conservatory of Music)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>SFCM is paying to relocate the residents to a building across the street during the renovations, as well as paying for them to move into the new digs when they’re ready.\u003c/p>\n\u003cp>SFCM president David Stull says it was hard to earn the trust of the residents at first. “The primary objection was, will the conservatory honor what it’s saying?” Stull says.\u003c/p>\n\u003cp>But Tuz says SFCM showed its commitment by organizing community meetings and overseeing the upkeep of his current building at 200 Van Ness, which is in a dilapidated state. Now, he says, he’s looking forward to living around young musicians.\u003c/p>\n\u003cfigure id=\"attachment_13830300\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830300\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/jayden-800x600.jpg\" alt=\"Freshman jazz student Jayden Clark\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/jayden.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Freshman jazz student Jayden Clark \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One of Tuz’s future neighbors could be Jayden Clark. The 19-year-old Australian is a freshman jazz student at SFCM on a full scholarship. Clark currently has a spot in a building the school leased temporarily at Mission and 9th Street.\u003c/p>\n\u003cp>He says studying in San Francisco would be out of the question without help with housing. “It just would be unfathomable,” Clark says. “Being an international student, it’s hard enough to get over here without any financial aid.”\u003c/p>\n\u003cp>Clark will be a senior when the new building opens in 2020. He’ll be paying around $1,500 a month to share a two bedroom apartment there.\u003c/p>\n\u003cp>With the average rent on a two bedroom apartment in San Francisco standing at around $4,500, SFCM’s development may make the school a more appealing prospect for many students who would otherwise consider studying in the city too expensive.\u003c/p>\n\u003cp>“If this is the school for you and you want this education, housing is not going to be the reason you can’t attend,” Stull says.\u003c/p>\n\u003cp>Clark adds: “I think it will just encourage a broader range of students.”\u003c/p>\n\u003cfigure id=\"attachment_13830305\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13830305\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/200-van-ness-800x600.jpg\" alt=\"The exterior of 200 Van Ness Ave. -- one of two buildings SCFM purchased in 2013.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/200-van-ness.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The exterior of 200 Van Ness Ave. — one of two buildings SCFM purchased in 2013. \u003ccite>(Photo: Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>SFCM’s plan may inspire other institutions to follow suit.\u003c/p>\n\u003cp>Melissa Smith, director of the MFA program at the \u003ca href=\"http://www.act-sf.org/home/conservatory/mfa_program.highResolutionDisplay.html?gclid=CjwKCAjwq_vWBRACEiwAEReprIUrP6_6lj5W1vxsPDgwxxaYK7vgAhgReTDgcxBXMnZ-meA-Z_R_ghoCNgQQAvD_BwE&gclsrc=aw.ds\" target=\"_blank\" rel=\"noopener\">American Conservatory Theater\u003c/a>, says she’s seen an increasing trend of students commuting from the East Bay rather than living in San Francisco.\u003c/p>\n\u003cp>ACT currently does not provide housing for its 37 graduate-level acting students. But Smith says her organization is starting to evaluate the possibility of buying a building for that purpose. “We’d love to be able to provide housing,” Smith says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So far, SFCM has raised $96 million towards its overall fundraising goal of $110 million for the project. The organization’s existing building at nearby 50 Oak Street will continue to be in use.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"headTitle": "Rapper Meek Mill Freed After High Court Order | KQED",
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"content": "\u003cp>Rapper Meek Mill walked out of prison Tuesday after Pennsylvania’s highest court ordered him freed while he appeals decade-old gun and drug convictions.\u003c/p>\n\u003cp>Following a five-month campaign by his supporters to get him out, the state Supreme Court directed a Philadelphia judge who had jailed him to immediately issue an order releasing him on unsecured bail.\u003c/p>\n\u003cp>Mill was sentenced in Nov. to 2-4 years in prison for probation violations.\u003c/p>\n\u003cp>Television coverage showed him being taken from the prison by helicopter. Earlier, scores of people gathered outside the prison near Philadelphia in hopes of seeing him walk free.\u003c/p>\n\u003cp>A team of lawyers and public relations consultants had waged an all-out battle to get him freed, leveling fierce criticism at the judge as a stream of high-powered figures and celebrities visited him in jail outside Philadelphia, including actor Kevin Hart just hours before the Supreme Court ruling.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Mill issued a statement saying the past months had been “a nightmare,” and thanked his many supporters and visitors, who included Philadelphia Mayor Jim Kenney and New England Patriots owner Robert Kraft.\u003c/p>\n\u003cp>“Although I’m blessed to have the resources to fight this unjust situation, I understand that many people of color across the country don’t have that luxury and I plan to use my platform to shine a light on those issues,” Mill said.\u003c/p>\n\u003cp>He said he would now focus his attention on getting his convictions overturned, and that he looks forward to resuming his music career.\u003c/p>\n\u003cp>Earlier this month, in a major victory for Mill, prosecutors said they agreed with his lawyers that he should get a new trial because of questions raised about the arresting officer. The now-retired officer was among a list of police officers the prosecutor’s office has sought to keep off the witness stand in cases across the city because of credibility questions.\u003c/p>\n\u003cp>A spokesman for District Attorney Larry Krasner said late Tuesday that the Supreme Court’s decision on Meek Mill’s release was consistent with the position taken by their office.\u003c/p>\n\u003cp>Mill’s attorney, Joe Tacopina, thanked the high court.\u003c/p>\n\u003cp>“Meek was unjustly convicted and should not have spent a single day in jail,” Tacopina said.\u003c/p>\n\u003cp>In an opinion earlier this month, Judge Genece Brinkley, who sent Mill to prison for the probation violations, strongly defended herself against accusations by the defense she was waging a vendetta against the rapper. She said the court “has impartially and without prejudice presided over numerous proceedings in this matter since 2008.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Supreme Court denied a defense request to move the case to another judge, but said the presiding judge could opt to remove herself.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rapper Meek Mill walked out of prison Tuesday after Pennsylvania’s highest court ordered him freed while he appeals decade-old gun and drug convictions.\u003c/p>\n\u003cp>Following a five-month campaign by his supporters to get him out, the state Supreme Court directed a Philadelphia judge who had jailed him to immediately issue an order releasing him on unsecured bail.\u003c/p>\n\u003cp>Mill was sentenced in Nov. to 2-4 years in prison for probation violations.\u003c/p>\n\u003cp>Television coverage showed him being taken from the prison by helicopter. Earlier, scores of people gathered outside the prison near Philadelphia in hopes of seeing him walk free.\u003c/p>\n\u003cp>A team of lawyers and public relations consultants had waged an all-out battle to get him freed, leveling fierce criticism at the judge as a stream of high-powered figures and celebrities visited him in jail outside Philadelphia, including actor Kevin Hart just hours before the Supreme Court ruling.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Mill issued a statement saying the past months had been “a nightmare,” and thanked his many supporters and visitors, who included Philadelphia Mayor Jim Kenney and New England Patriots owner Robert Kraft.\u003c/p>\n\u003cp>“Although I’m blessed to have the resources to fight this unjust situation, I understand that many people of color across the country don’t have that luxury and I plan to use my platform to shine a light on those issues,” Mill said.\u003c/p>\n\u003cp>He said he would now focus his attention on getting his convictions overturned, and that he looks forward to resuming his music career.\u003c/p>\n\u003cp>Earlier this month, in a major victory for Mill, prosecutors said they agreed with his lawyers that he should get a new trial because of questions raised about the arresting officer. The now-retired officer was among a list of police officers the prosecutor’s office has sought to keep off the witness stand in cases across the city because of credibility questions.\u003c/p>\n\u003cp>A spokesman for District Attorney Larry Krasner said late Tuesday that the Supreme Court’s decision on Meek Mill’s release was consistent with the position taken by their office.\u003c/p>\n\u003cp>Mill’s attorney, Joe Tacopina, thanked the high court.\u003c/p>\n\u003cp>“Meek was unjustly convicted and should not have spent a single day in jail,” Tacopina said.\u003c/p>\n\u003cp>In an opinion earlier this month, Judge Genece Brinkley, who sent Mill to prison for the probation violations, strongly defended herself against accusations by the defense she was waging a vendetta against the rapper. She said the court “has impartially and without prejudice presided over numerous proceedings in this matter since 2008.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Supreme Court denied a defense request to move the case to another judge, but said the presiding judge could opt to remove herself.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Bob Dorough, Jazz Musician Best Known for 'Schoolhouse Rock!,' Dead at 94",
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"content": "\u003cp>\u003cem>\u003cstrong>Updated at 12:33 p.m. ET\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>Bob Dorough, whose career began as a composer, arranger and singer in the booming New York jazz scene of the ’50s and ’60s before he became the musical keystone of \u003cem>Schoolhouse Rock!\u003c/em>, died Monday afternoon in Mt. Bethel, Penn., his wife, Sally Shanley Dorough, confirmed to NPR. He was 94.\u003c/p>\n\u003cp>The Arkansas-born, Texas-raised Dorough began working in music in the army, serving as a composer, arranger and player in the Special Services Army Band between 1943 and ’45, before getting a Bachelor of Music degree from the University of North Texas. In the late ’40s, Dorough made his way to New York, working there as a pianist and singer.\u003c/p>\n\u003cp>He released his debut album, \u003cem>Devil May Care\u003c/em>, in 1956 on Gus Wildi’s Bethlehem label, also home to Nina Simone’s first album. \u003cem>Devil May Care\u003c/em> was a document of loungey bebop, with Dorough’s windy, charming and idiosyncratically accented singing of buoyant lyrics that hinted at his success to come. “In a dream / the strangest and oddest things / appear / and what insane insane and silly things / we do,” he sang on “I Had the Craziest Dream.”\u003c/p>\n\u003cp>Not long after the release of \u003cem>Devil May Care\u003c/em>, the legendary Miles Davis recorded \u003ca href=\"https://open.spotify.com/track/31YlcTTs1XGGz2VCjD4JQ6?si=tvSQgQwpTvaOGPM5HkbOyw\" target=\"_blank\" rel=\"noopener\">his own interpretation\u003c/a> of its title track, which would go on to become a jazz standard.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=LdZTKvNXxPA\u003c/p>\n\u003cp>Dorough collaborated with Davis on the serrated holiday song “Blue Xmas (To Whom It May Concern)” and later sang on “Nothing Like You,” the closing track of Davis’ 1967 album \u003cem>Sorcerer. \u003c/em>As critic Ben Ratliff \u003ca href=\"http://www.vinylmeplease.com/magazine/sorcerer-liner-notes/\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a> in notes accompanying a vinyl reissue of \u003cem>Sorcerer\u003c/em> last fall: “The trumpeter Leron Thomas recently told me that he thinks of it as Miles’s version of a Looney Tunes move: ‘That’s All, Folks.’ ”\u003c/p>\n\u003cp>Then, in 1971, with the jazz money running thin, Dorough was asked by his boss at the advertising company where he had a day job to set the multiplication tables to music; his boss cited his children’s ability to remember Hendrix and Rolling Stones lyrics, but not their school lessons.\u003c/p>\n\u003cp>“I got the idea that three is a magic number,” Dorough told NPR’s Rachel Martin \u003ca href=\"https://www.npr.org/2013/01/06/168699556/the-voice-of-schoolhouse-rock-on-the-series-at-40\" target=\"_blank\" rel=\"noopener\">in 2013\u003c/a>. “Then I looked in the magic book and sure enough, three \u003cem>is\u003c/em> one of the magic numbers.” That concept became the song “Three Is a Magic Number” and the project would become the Grammy-nominated \u003cem>Multiplication Rock\u003c/em>. Originally intended as a school workbook, the concept was pitched and sold to ABC executive Michael Eisner, becoming the first of the long-running \u003cem>Schoolhouse Rock! \u003c/em>series of educational cartoons that became an all-but inseparable part of of ’70s and ’80s childhood.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=n2cjiP1mh48\u003c/p>\n\u003cp>After the fully Dorough-penned \u003cem>Multiplication Rock\u003c/em>, the series’ contributors expanded to include Lynn Ahrens, Dave Frishberg (writer of “I’m Just a Bill”) and George Newall, with Dorough staying on as musical director. Expanding to cover grammar — Dorough’s least-favorite subject to pen music on — American politics and history and science, the initial series ran for 12 years and was revived in the ’90s.\u003c/p>\n\u003cp>The tribute album \u003cem>Schoolhouse Rock! Rocks\u003c/em>, recorded by indie artists that had no doubt grown up watching the series, was released in 1996. It featured reinterpretations of the now-famous tunes, including Dorough compositions “Conjunction Junction” (Better Than Ezra), “Three Is a Magic Number” (Blind Melon), “Electricity, Electricity” (Goodness) and “Lolly, Lolly, Lolly, Get Your Adverbs Here” (Buffalo Tom).\u003c/p>\n\u003cp>Later in life, Dorough became a mentor to the British-American singer, actress and comedian Nellie McKay, whom he first met in 1997, McKay tells NPR. “He was leaving Professor Pat Dorian’s office at East Stroudsburg University — even in an academic setting, he glowed with health and good cheer, spreading sunshine wherever he went,” McKay says. “Lou Reed’s idea of hell would be to sit in heaven with Bob Dorough,” McKay says, referencing the famously cantankerous New York rocker.\u003c/p>\n\u003cp>Dorough himself continued to play live for the rest of his life — at 92, Dorough performed “Devil May Care” for member station WBGO — and as recently as three weeks ago in upstate New York. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=n7kKSSjGJZ8\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Bob+Dorough%2C+Jazz+Musician+Best+Known+For+%27Schoolhouse+Rock%21%2C%27+Dead+At+94&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Updated at 12:33 p.m. ET\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>Bob Dorough, whose career began as a composer, arranger and singer in the booming New York jazz scene of the ’50s and ’60s before he became the musical keystone of \u003cem>Schoolhouse Rock!\u003c/em>, died Monday afternoon in Mt. Bethel, Penn., his wife, Sally Shanley Dorough, confirmed to NPR. He was 94.\u003c/p>\n\u003cp>The Arkansas-born, Texas-raised Dorough began working in music in the army, serving as a composer, arranger and player in the Special Services Army Band between 1943 and ’45, before getting a Bachelor of Music degree from the University of North Texas. In the late ’40s, Dorough made his way to New York, working there as a pianist and singer.\u003c/p>\n\u003cp>He released his debut album, \u003cem>Devil May Care\u003c/em>, in 1956 on Gus Wildi’s Bethlehem label, also home to Nina Simone’s first album. \u003cem>Devil May Care\u003c/em> was a document of loungey bebop, with Dorough’s windy, charming and idiosyncratically accented singing of buoyant lyrics that hinted at his success to come. “In a dream / the strangest and oddest things / appear / and what insane insane and silly things / we do,” he sang on “I Had the Craziest Dream.”\u003c/p>\n\u003cp>Not long after the release of \u003cem>Devil May Care\u003c/em>, the legendary Miles Davis recorded \u003ca href=\"https://open.spotify.com/track/31YlcTTs1XGGz2VCjD4JQ6?si=tvSQgQwpTvaOGPM5HkbOyw\" target=\"_blank\" rel=\"noopener\">his own interpretation\u003c/a> of its title track, which would go on to become a jazz standard.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/LdZTKvNXxPA'\n title='//www.youtube.com/embed/LdZTKvNXxPA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Dorough collaborated with Davis on the serrated holiday song “Blue Xmas (To Whom It May Concern)” and later sang on “Nothing Like You,” the closing track of Davis’ 1967 album \u003cem>Sorcerer. \u003c/em>As critic Ben Ratliff \u003ca href=\"http://www.vinylmeplease.com/magazine/sorcerer-liner-notes/\" target=\"_blank\" rel=\"noopener\">wrote\u003c/a> in notes accompanying a vinyl reissue of \u003cem>Sorcerer\u003c/em> last fall: “The trumpeter Leron Thomas recently told me that he thinks of it as Miles’s version of a Looney Tunes move: ‘That’s All, Folks.’ ”\u003c/p>\n\u003cp>Then, in 1971, with the jazz money running thin, Dorough was asked by his boss at the advertising company where he had a day job to set the multiplication tables to music; his boss cited his children’s ability to remember Hendrix and Rolling Stones lyrics, but not their school lessons.\u003c/p>\n\u003cp>“I got the idea that three is a magic number,” Dorough told NPR’s Rachel Martin \u003ca href=\"https://www.npr.org/2013/01/06/168699556/the-voice-of-schoolhouse-rock-on-the-series-at-40\" target=\"_blank\" rel=\"noopener\">in 2013\u003c/a>. “Then I looked in the magic book and sure enough, three \u003cem>is\u003c/em> one of the magic numbers.” That concept became the song “Three Is a Magic Number” and the project would become the Grammy-nominated \u003cem>Multiplication Rock\u003c/em>. Originally intended as a school workbook, the concept was pitched and sold to ABC executive Michael Eisner, becoming the first of the long-running \u003cem>Schoolhouse Rock! \u003c/em>series of educational cartoons that became an all-but inseparable part of of ’70s and ’80s childhood.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/n2cjiP1mh48'\n title='//www.youtube.com/embed/n2cjiP1mh48'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>After the fully Dorough-penned \u003cem>Multiplication Rock\u003c/em>, the series’ contributors expanded to include Lynn Ahrens, Dave Frishberg (writer of “I’m Just a Bill”) and George Newall, with Dorough staying on as musical director. Expanding to cover grammar — Dorough’s least-favorite subject to pen music on — American politics and history and science, the initial series ran for 12 years and was revived in the ’90s.\u003c/p>\n\u003cp>The tribute album \u003cem>Schoolhouse Rock! Rocks\u003c/em>, recorded by indie artists that had no doubt grown up watching the series, was released in 1996. It featured reinterpretations of the now-famous tunes, including Dorough compositions “Conjunction Junction” (Better Than Ezra), “Three Is a Magic Number” (Blind Melon), “Electricity, Electricity” (Goodness) and “Lolly, Lolly, Lolly, Get Your Adverbs Here” (Buffalo Tom).\u003c/p>\n\u003cp>Later in life, Dorough became a mentor to the British-American singer, actress and comedian Nellie McKay, whom he first met in 1997, McKay tells NPR. “He was leaving Professor Pat Dorian’s office at East Stroudsburg University — even in an academic setting, he glowed with health and good cheer, spreading sunshine wherever he went,” McKay says. “Lou Reed’s idea of hell would be to sit in heaven with Bob Dorough,” McKay says, referencing the famously cantankerous New York rocker.\u003c/p>\n\u003cp>Dorough himself continued to play live for the rest of his life — at 92, Dorough performed “Devil May Care” for member station WBGO — and as recently as three weeks ago in upstate New York. \u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/n7kKSSjGJZ8'\n title='//www.youtube.com/embed/n7kKSSjGJZ8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Bob+Dorough%2C+Jazz+Musician+Best+Known+For+%27Schoolhouse+Rock%21%2C%27+Dead+At+94&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "'Fearless Girl' Statue Will Face Down Stock Exchange, Not 'Charging Bull'",
"headTitle": "‘Fearless Girl’ Statue Will Face Down Stock Exchange, Not ‘Charging Bull’ | KQED",
"content": "\u003cp>The \u003cem>Fearless Girl\u003c/em> statue, which has stared down the Manhattan financial district’s famous \u003cem>Charging Bull \u003c/em>for more than a year, will be relocating to a spot in front of the New York Stock Exchange.\u003c/p>\n\u003cp>The statue was installed near Wall Street in 2017 in honor of International Women’s Day, and only had a temporary permit. But now it will remain in New York City permanently, at the new location just around the corner.\u003c/p>\n\u003cp>The move is expected to be completed by the end of 2018, according to a \u003ca href=\"https://www.businesswire.com/news/home/20180419005784/en/New-York-City-Mayor-State-Street-Global\" target=\"_blank\" rel=\"noopener\">statement\u003c/a> from New York Mayor Bill de Blasio and State Street Global Advisors, the financial services company that commissioned the statue.\u003c/p>\n\u003cp>“We are proud to be home to the Fearless Girl. She is a potent symbol of the need for change at the highest levels of corporate America—and she will become a durable part of our city’s civic life,” de Blasio said in the statement.\u003c/p>\n\u003cp>The statue by Kristen Visbal was originally installed to draw attention to the need for more female representation on the boards of publicly traded companies. But State Street, the firm that installed the statue, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/10/06/556058808/firm-behind-fearless-girl-statue-underpaid-female-black-execs-u-s-says\" target=\"_blank\" rel=\"noopener\">made headlines\u003c/a> later in 2017 after an investigation found that the firm had underpaid women and black executives.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>State Street paid $5 million in a settlement with the Department of Labor, while saying it “disagreed with” the investigation’s findings.\u003c/p>\n\u003cp>That’s not the only controversy \u003cem>Fearless Girl \u003c/em>has weathered. (And we’re not just talking about the \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/05/30/530749867/for-a-few-hours-a-sculpted-dog-was-urinating-on-the-fearless-girl\" target=\"_blank\" rel=\"noopener\">cheeky dog statue\u003c/a> that was briefly placed as though it were urinating on the girl.)\u003c/p>\n\u003cp>Some critics, \u003ca href=\"https://www.npr.org/2017/03/31/522232646/fearless-girl-will-keep-facing-down-wall-streets-bull\" target=\"_blank\" rel=\"noopener\">as NPR’s Rose Friedman has reported\u003c/a>, objected to the idea of depicting American womanhood in the form of a young girl — seeing it as patronizing, rather than progressive.\u003c/p>\n\u003cp>And the sculptor of \u003cem>Charging Bull \u003c/em>was affronted by the addition of the new statue, saying it changed the meaning of his original — making the bull not a symbol of strength, but an ominous villain. He also called the statue an “advertising trick.”\u003c/p>\n\u003cp>Arturo Di Modica installed his \u003cem>Charging Bull \u003c/em>sculpture in the financial district in the late 1980s, putting the large statue in place overnight, without a permit.\u003c/p>\n\u003cp>The bull is now located in Bowling Green Park on Broadway, where the \u003cem>Fearless Girl \u003c/em>is currently facing him down.\u003c/p>\n\u003cp>But that wasn’t the bull’s first stomping ground. It was first placed on Broad Street, in front of the New York Stock Exchange, which promptly had the statue removed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As it happens, that’s the spot where the \u003cem>Fearless Girl \u003c/em>is headed next. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Fearless+Girl%27+Statue+Will+Face+Down+Stock+Exchange%2C+Not+%27Charging+Bull%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"headline": "'Fearless Girl' Statue Will Face Down Stock Exchange, Not 'Charging Bull'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003cem>Fearless Girl\u003c/em> statue, which has stared down the Manhattan financial district’s famous \u003cem>Charging Bull \u003c/em>for more than a year, will be relocating to a spot in front of the New York Stock Exchange.\u003c/p>\n\u003cp>The statue was installed near Wall Street in 2017 in honor of International Women’s Day, and only had a temporary permit. But now it will remain in New York City permanently, at the new location just around the corner.\u003c/p>\n\u003cp>The move is expected to be completed by the end of 2018, according to a \u003ca href=\"https://www.businesswire.com/news/home/20180419005784/en/New-York-City-Mayor-State-Street-Global\" target=\"_blank\" rel=\"noopener\">statement\u003c/a> from New York Mayor Bill de Blasio and State Street Global Advisors, the financial services company that commissioned the statue.\u003c/p>\n\u003cp>“We are proud to be home to the Fearless Girl. She is a potent symbol of the need for change at the highest levels of corporate America—and she will become a durable part of our city’s civic life,” de Blasio said in the statement.\u003c/p>\n\u003cp>The statue by Kristen Visbal was originally installed to draw attention to the need for more female representation on the boards of publicly traded companies. But State Street, the firm that installed the statue, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/10/06/556058808/firm-behind-fearless-girl-statue-underpaid-female-black-execs-u-s-says\" target=\"_blank\" rel=\"noopener\">made headlines\u003c/a> later in 2017 after an investigation found that the firm had underpaid women and black executives.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>State Street paid $5 million in a settlement with the Department of Labor, while saying it “disagreed with” the investigation’s findings.\u003c/p>\n\u003cp>That’s not the only controversy \u003cem>Fearless Girl \u003c/em>has weathered. (And we’re not just talking about the \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/05/30/530749867/for-a-few-hours-a-sculpted-dog-was-urinating-on-the-fearless-girl\" target=\"_blank\" rel=\"noopener\">cheeky dog statue\u003c/a> that was briefly placed as though it were urinating on the girl.)\u003c/p>\n\u003cp>Some critics, \u003ca href=\"https://www.npr.org/2017/03/31/522232646/fearless-girl-will-keep-facing-down-wall-streets-bull\" target=\"_blank\" rel=\"noopener\">as NPR’s Rose Friedman has reported\u003c/a>, objected to the idea of depicting American womanhood in the form of a young girl — seeing it as patronizing, rather than progressive.\u003c/p>\n\u003cp>And the sculptor of \u003cem>Charging Bull \u003c/em>was affronted by the addition of the new statue, saying it changed the meaning of his original — making the bull not a symbol of strength, but an ominous villain. He also called the statue an “advertising trick.”\u003c/p>\n\u003cp>Arturo Di Modica installed his \u003cem>Charging Bull \u003c/em>sculpture in the financial district in the late 1980s, putting the large statue in place overnight, without a permit.\u003c/p>\n\u003cp>The bull is now located in Bowling Green Park on Broadway, where the \u003cem>Fearless Girl \u003c/em>is currently facing him down.\u003c/p>\n\u003cp>But that wasn’t the bull’s first stomping ground. It was first placed on Broad Street, in front of the New York Stock Exchange, which promptly had the statue removed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As it happens, that’s the spot where the \u003cem>Fearless Girl \u003c/em>is headed next. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Fearless+Girl%27+Statue+Will+Face+Down+Stock+Exchange%2C+Not+%27Charging+Bull%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>After dominating the basketball court for years, Steph Curry just made a 3-pointer in the world of entertainment. \u003c/p>\n\u003cp>The 30-year-old point guard who led the Golden State Warriors to two NBA championships recently started a production company called Unanimous Media — a reference to the unanimous decision to make him NBA Most Valuable Player in 2016. On Monday, \u003ca href=\"https://www.hollywoodreporter.com/news/nba-star-stephen-curry-scores-film-tv-pact-sony-1104927\" rel=\"noopener\" target=\"_blank\">\u003ci>The Hollywood Reporter\u003c/i> reported\u003c/a> that Unanimous signed a multi-year development deal with Sony Entertainment.\u003c/p>\n\u003cp>Unanimous plans to produce a range of family-friendly and faith-based content for film and television, as well as some sports-focused media. Per the agreement, Sony will get first look at any potential projects, including those in electronics, gaming and virtual reality. \u003c/p>\n\u003cp>“I’ve been blessed to have this platform and I want to use it to affect the world positively,” Curry told \u003cem>The Hollywood Reporter\u003c/em>. \u003c/p>\n\u003cp>It’s unclear how much the deal is worth, but it comes not long after Curry signed his newest contract with the Warriors that pays $201 million over five years — the NBA’s richest deal and the biggest sports contract outside of baseball. That’s on top of the $35 million he receives \u003ca href=\"https://www.forbes.com/sites/kurtbadenhausen/2017/07/01/stephen-curry-to-sign-richest-contract-in-nba-history-worth-201-million/#518562a2357e\" rel=\"noopener\" target=\"_blank\">annually from endorsement deals\u003c/a>. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For more details on Curry’s deal, visit \u003ca href=\"https://www.hollywoodreporter.com/news/nba-star-stephen-curry-scores-film-tv-pact-sony-1104927\" rel=\"noopener\" target=\"_blank\">\u003cem>The Hollywood Reporter\u003c/em>.\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After dominating the basketball court for years, Steph Curry just made a 3-pointer in the world of entertainment. \u003c/p>\n\u003cp>The 30-year-old point guard who led the Golden State Warriors to two NBA championships recently started a production company called Unanimous Media — a reference to the unanimous decision to make him NBA Most Valuable Player in 2016. On Monday, \u003ca href=\"https://www.hollywoodreporter.com/news/nba-star-stephen-curry-scores-film-tv-pact-sony-1104927\" rel=\"noopener\" target=\"_blank\">\u003ci>The Hollywood Reporter\u003c/i> reported\u003c/a> that Unanimous signed a multi-year development deal with Sony Entertainment.\u003c/p>\n\u003cp>Unanimous plans to produce a range of family-friendly and faith-based content for film and television, as well as some sports-focused media. Per the agreement, Sony will get first look at any potential projects, including those in electronics, gaming and virtual reality. \u003c/p>\n\u003cp>“I’ve been blessed to have this platform and I want to use it to affect the world positively,” Curry told \u003cem>The Hollywood Reporter\u003c/em>. \u003c/p>\n\u003cp>It’s unclear how much the deal is worth, but it comes not long after Curry signed his newest contract with the Warriors that pays $201 million over five years — the NBA’s richest deal and the biggest sports contract outside of baseball. That’s on top of the $35 million he receives \u003ca href=\"https://www.forbes.com/sites/kurtbadenhausen/2017/07/01/stephen-curry-to-sign-richest-contract-in-nba-history-worth-201-million/#518562a2357e\" rel=\"noopener\" target=\"_blank\">annually from endorsement deals\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For more details on Curry’s deal, visit \u003ca href=\"https://www.hollywoodreporter.com/news/nba-star-stephen-curry-scores-film-tv-pact-sony-1104927\" rel=\"noopener\" target=\"_blank\">\u003cem>The Hollywood Reporter\u003c/em>.\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Flickr, the image- and video-hosting site that created an online community long before apps like Instagram and Snapchat, has been acquired by rival service SmugMug. The new owners informed users Monday that all of Flickr’s user data will move to SmugMug’s servers on May 25, but that Flickr will remain a “standalone community.”\u003c/p>\n\u003cp>SmugMug announced the purchase last week, with CEO Don MacAskill telling \u003ca href=\"https://www.usatoday.com/story/tech/2018/04/20/smugmug-buys-flickr-verizon-oath/537377002/\" rel=\"noopener\" target=\"_blank\">\u003ci>USA Today\u003c/i>\u003c/a> that his company is focused on reviving the site after years of neglect.\u003c/p>\n\u003cp>“Flickr has survived through thick and thin and is core to the entire fabric of the internet,” MacAskill told \u003ci>USA Today.\u003c/i>\u003c/p>\n\u003cp>Launched in 2004 by the Vancouver-based company Ludicorp and acquired by Yahoo the following year, Flickr was a pioneer in social media and photo-sharing. By 2013, it boasted an \u003ca href=\"https://www.theverge.com/2013/3/20/4121574/flickr-chief-markus-spiering-talks-photos-and-marissa-mayer\" rel=\"noopener\" target=\"_blank\">estimated 87 million Flickr users\u003c/a>. \u003c/p>\n\u003cp>But recent years saw the site languish, as Yahoo struggled to stay afloat amidst \u003ca href=\"https://www.nytimes.com/interactive/2016/technology/yahoo-sale.html\" rel=\"noopener\" target=\"_blank\">declining revenues\u003c/a>. Last year, Verizon bought Yahoo for $4.5 billion and placed it under its subsidiary Oath, which has been selling properties like Flickr and Polyvore, an e-commerce company bought by Yahoo while under the leadership of CEO Marissa Mayer. \u003c/p>\n\u003cfigure id=\"attachment_13830213\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/flickr-awesome-800x450.jpg\" alt=\"Yahoo CEO Marissa Mayer speaks during an announcement that Yahoo acquired the Tumblr blogging site in order to upgrade its Flickr site, in New York, May 20, 2013. Yahoo announced a $1.1 billion deal for blogging site Tumblr aiming to help Yahoo to tap into the younger, active online user base at Tumblr. \" width=\"800\" height=\"450\" class=\"size-medium wp-image-13830213\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former Yahoo CEO Marissa Mayer speaks during an announcement that Yahoo acquired the Tumblr blogging site in order to upgrade its Flickr site, in New York, May 20, 2013. Yahoo announced a $1.1 billion deal for blogging site Tumblr aiming to help Yahoo to tap into the younger, active online user base at Tumblr. \u003ccite>(Emmanuel Dunand/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Flickr sent an email announcing the move of its users’ data Monday morning, and assuring that nothing will change for Flickr’s users, which number at around 75 million currently.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We think you are going to love Flickr under SmugMug ownership, but you can choose to not have your Flickr account and data transferred to SmugMug,” the email read. “If you want to keep your Flickr account and data from being transferred, you must go to your Flickr account to download the photos and videos you want to keep, then delete your account from your Account Settings by May 25, 2018.”\u003c/p>\n\u003cp>MacAskill founded SmugMug with his father Chris in their Mountain View home in 2002. In the years since, without outside investors, they’ve grown their photo-sharing and printing business into a service with hundreds of thousands of users in five different countries. MacAskill says he’s also been a longtime fan of Flickr, and that any proposed ideas for the service will first be put before the Flickr community.\u003c/p>\n\u003cp>“It sounds silly for the CEO not to totally know what he’s going to do, but we haven’t built SmugMug on a master plan either. We try to listen to our customers, and when enough of them ask for something that’s important to them or to the community, we go and build it,” MacAskill \u003ca href=\"https://www.usatoday.com/story/tech/2018/04/20/smugmug-buys-flickr-verizon-oath/537377002/\" rel=\"noopener\" target=\"_blank\">told \u003ci>USA Today\u003c/i>\u003c/a>. \u003c/p>\n\u003cp>For more details on SmugMug’s acquisition of Flickr and what it means to users, visit \u003ca href=\"https://blog.flickr.net/en/2018/04/20/together-smugmug-flickr-faq/\" rel=\"noopener\" target=\"_blank\">Flickr’s FAQ\u003c/a> and watch the video below.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=T4B_qlaN8C4\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Flickr, the image- and video-hosting site that created an online community long before apps like Instagram and Snapchat, has been acquired by rival service SmugMug. The new owners informed users Monday that all of Flickr’s user data will move to SmugMug’s servers on May 25, but that Flickr will remain a “standalone community.”\u003c/p>\n\u003cp>SmugMug announced the purchase last week, with CEO Don MacAskill telling \u003ca href=\"https://www.usatoday.com/story/tech/2018/04/20/smugmug-buys-flickr-verizon-oath/537377002/\" rel=\"noopener\" target=\"_blank\">\u003ci>USA Today\u003c/i>\u003c/a> that his company is focused on reviving the site after years of neglect.\u003c/p>\n\u003cp>“Flickr has survived through thick and thin and is core to the entire fabric of the internet,” MacAskill told \u003ci>USA Today.\u003c/i>\u003c/p>\n\u003cp>Launched in 2004 by the Vancouver-based company Ludicorp and acquired by Yahoo the following year, Flickr was a pioneer in social media and photo-sharing. By 2013, it boasted an \u003ca href=\"https://www.theverge.com/2013/3/20/4121574/flickr-chief-markus-spiering-talks-photos-and-marissa-mayer\" rel=\"noopener\" target=\"_blank\">estimated 87 million Flickr users\u003c/a>. \u003c/p>\n\u003cp>But recent years saw the site languish, as Yahoo struggled to stay afloat amidst \u003ca href=\"https://www.nytimes.com/interactive/2016/technology/yahoo-sale.html\" rel=\"noopener\" target=\"_blank\">declining revenues\u003c/a>. Last year, Verizon bought Yahoo for $4.5 billion and placed it under its subsidiary Oath, which has been selling properties like Flickr and Polyvore, an e-commerce company bought by Yahoo while under the leadership of CEO Marissa Mayer. \u003c/p>\n\u003cfigure id=\"attachment_13830213\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/flickr-awesome-800x450.jpg\" alt=\"Yahoo CEO Marissa Mayer speaks during an announcement that Yahoo acquired the Tumblr blogging site in order to upgrade its Flickr site, in New York, May 20, 2013. Yahoo announced a $1.1 billion deal for blogging site Tumblr aiming to help Yahoo to tap into the younger, active online user base at Tumblr. \" width=\"800\" height=\"450\" class=\"size-medium wp-image-13830213\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/flickr-awesome-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Former Yahoo CEO Marissa Mayer speaks during an announcement that Yahoo acquired the Tumblr blogging site in order to upgrade its Flickr site, in New York, May 20, 2013. Yahoo announced a $1.1 billion deal for blogging site Tumblr aiming to help Yahoo to tap into the younger, active online user base at Tumblr. \u003ccite>(Emmanuel Dunand/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Flickr sent an email announcing the move of its users’ data Monday morning, and assuring that nothing will change for Flickr’s users, which number at around 75 million currently.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We think you are going to love Flickr under SmugMug ownership, but you can choose to not have your Flickr account and data transferred to SmugMug,” the email read. “If you want to keep your Flickr account and data from being transferred, you must go to your Flickr account to download the photos and videos you want to keep, then delete your account from your Account Settings by May 25, 2018.”\u003c/p>\n\u003cp>MacAskill founded SmugMug with his father Chris in their Mountain View home in 2002. In the years since, without outside investors, they’ve grown their photo-sharing and printing business into a service with hundreds of thousands of users in five different countries. MacAskill says he’s also been a longtime fan of Flickr, and that any proposed ideas for the service will first be put before the Flickr community.\u003c/p>\n\u003cp>“It sounds silly for the CEO not to totally know what he’s going to do, but we haven’t built SmugMug on a master plan either. We try to listen to our customers, and when enough of them ask for something that’s important to them or to the community, we go and build it,” MacAskill \u003ca href=\"https://www.usatoday.com/story/tech/2018/04/20/smugmug-buys-flickr-verizon-oath/537377002/\" rel=\"noopener\" target=\"_blank\">told \u003ci>USA Today\u003c/i>\u003c/a>. \u003c/p>\n\u003cp>For more details on SmugMug’s acquisition of Flickr and what it means to users, visit \u003ca href=\"https://blog.flickr.net/en/2018/04/20/together-smugmug-flickr-faq/\" rel=\"noopener\" target=\"_blank\">Flickr’s FAQ\u003c/a> and watch the video below.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/T4B_qlaN8C4'\n title='//www.youtube.com/embed/T4B_qlaN8C4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-full wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>San Francisco authorities reversed a decision to remove a 19th century statue near City Hall that some say is degrading to Native Americans.\u003c/p>\n\u003cp>San Francisco’s Board of Appeals late Wednesday unanimously voted to overturn the city’s \u003ca href=\"https://www.kqed.org/arts/13826344/san-francisco-will-remove-pioneer-statue-that-some-call-racist\" rel=\"noopener\" target=\"_blank\">Arts Commission earlier decision to remove the “Early Days” sculpture\u003c/a>, which depicts a Native American at the feet of a Spanish cowboy and Catholic missionary. It is part of the Pioneer Monument cluster that depicts the founding of California.\u003c/p>\n\u003cp>The board agreed to keep it standing after lawyer Steve Schmid appealed the Arts Commission decision to place the statue in storage. Schmid argued that the sculpture is an art piece regardless of one’s opinion of the sculpture. He said the U.S. Constitution’s First Amendment mandates its protection.\u003c/p>\n\u003cp>“Yes, it’s despicable. Yes, it’s horrible,” said appeals board member Rick Swig, who voted with the other four members to keep the statue on public display. “But taking it away suppresses thought.”\u003c/p>\n\u003cp>The Arts Commission started the removal process in October after demonstrators clashed over the removal of a Confederate statue in Charlottesville, Virginia, last summer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“When I go by that statue, I just see genocide,” San Francisco resident Martin Huerta told the board.\u003c/p>\n\u003cp>On Thursday, the Arts Commission said it would ask the appeals board to reconsider its decision and explore other legal options.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“As a city, we had an opportunity to correct a gross misrepresentation of history and to honor the wishes of the first people of this land who have advocated for the sculpture’s removal for decades,” said commission spokeswoman Kate Patterson.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco authorities reversed a decision to remove a 19th century statue near City Hall that some say is degrading to Native Americans.\u003c/p>\n\u003cp>San Francisco’s Board of Appeals late Wednesday unanimously voted to overturn the city’s \u003ca href=\"https://www.kqed.org/arts/13826344/san-francisco-will-remove-pioneer-statue-that-some-call-racist\" rel=\"noopener\" target=\"_blank\">Arts Commission earlier decision to remove the “Early Days” sculpture\u003c/a>, which depicts a Native American at the feet of a Spanish cowboy and Catholic missionary. It is part of the Pioneer Monument cluster that depicts the founding of California.\u003c/p>\n\u003cp>The board agreed to keep it standing after lawyer Steve Schmid appealed the Arts Commission decision to place the statue in storage. Schmid argued that the sculpture is an art piece regardless of one’s opinion of the sculpture. He said the U.S. Constitution’s First Amendment mandates its protection.\u003c/p>\n\u003cp>“Yes, it’s despicable. Yes, it’s horrible,” said appeals board member Rick Swig, who voted with the other four members to keep the statue on public display. “But taking it away suppresses thought.”\u003c/p>\n\u003cp>The Arts Commission started the removal process in October after demonstrators clashed over the removal of a Confederate statue in Charlottesville, Virginia, last summer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When I go by that statue, I just see genocide,” San Francisco resident Martin Huerta told the board.\u003c/p>\n\u003cp>On Thursday, the Arts Commission said it would ask the appeals board to reconsider its decision and explore other legal options.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“As a city, we had an opportunity to correct a gross misrepresentation of history and to honor the wishes of the first people of this land who have advocated for the sculpture’s removal for decades,” said commission spokeswoman Kate Patterson.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>If you were asked to name a novel that changed your life, what would you say?\u003c/p>\n\u003cp>\u003cem>The Great American Read\u003c/em>, a new eight-part PBS series and nationwide campaign that explores the joy of books, will travel the country to find America’s best-loved novel.\u003c/p>\n\u003cp>“The power of reading is extraordinary,” says host Meredith Vieira, author and 14-time Emmy Award winner. “It allows us to escape to new worlds, introduces us to a diverse range of people, opens our minds to different ideas, and allows us to keep learning no matter our age or background.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=MRCF_qIPvnM\u003c/p>\n\u003cp>Produced by PBS in partnership with Nutopia, \u003cem>The Great American Read\u003c/em> explores the power of literature through the lens of America’s 100 best-loved novels, as chosen by viewers. An announcement of all 100 books — selected from a demographically representative national survey — will be made available to the public on Friday, April 20. \u003ca href=\"http://www.pbs.org/the-great-american-read/home/\" target=\"_blank\" rel=\"noopener\">See the list here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The launch episode of \u003cem>The Great American Read \u003c/em>airs on May 22 at 8pm on KQED 9. Voting will open in tandem with the two-hour premiere and will continue throughout the summer, leading up to the grand finale in October 2018, when America’s most beloved book will be chosen.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-13829967\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-800x1000.jpg\" alt=\"\" width=\"800\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-960x1200.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-240x300.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-375x469.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-520x650.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>To spark conversation about the books that have shaped us, both as individuals and as a society, viewers will hear from a variety of sources about what the novels on the top-100 list can tell us about our diverse nation, our shared values, our cultural identities, and the common themes that tie us together. A star-studded cast of beloved authors, celebrities, and notable figures — including Margaret Atwood, Chelsea Clinton, Junot Díaz, Morgan Freeman, George R. R. Martin, Shaquille O’Neal, Sarah Jessica Parker, and Gabrielle Union — will share their personal stories and connections with their favorite titles.\u003c/p>\n\u003cp>KQED will celebrate the love of literature with special programming this summer. Listen to \u003cem>Perspectives\u003c/em> segments dedicated to how books changed the lives of Bay Area residents and tune in to Forum for intimate chats with local authors to discover their literary inspirations and personal favorites. Also, stay tuned for special \u003cem>Great American Read\u003c/em> coverage from KQED Arts, KQED Science, KQED Food, and more.\u003c/p>\n\u003cp>Visit \u003ca href=\"http://www.pbs.org/the-great-american-read/home/\" target=\"_blank\" rel=\"noopener\">pbs.org/greatamericanread\u003c/a> to cast your vote starting Tues., May 22, and share your favorite titles from the list of top 100 books on Facebook and Instagram using the hashtag #GreatReadPBS.\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Great American Read premieres Tues., May 22, at 8pm on KQED 9.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The launch episode of \u003cem>The Great American Read \u003c/em>airs on May 22 at 8pm on KQED 9. Voting will open in tandem with the two-hour premiere and will continue throughout the summer, leading up to the grand finale in October 2018, when America’s most beloved book will be chosen.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-13829967\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-800x1000.jpg\" alt=\"\" width=\"800\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-768x960.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-1020x1275.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-960x1200.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-240x300.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-375x469.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver-520x650.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/tgar_we_can_do_it_deliver.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>To spark conversation about the books that have shaped us, both as individuals and as a society, viewers will hear from a variety of sources about what the novels on the top-100 list can tell us about our diverse nation, our shared values, our cultural identities, and the common themes that tie us together. A star-studded cast of beloved authors, celebrities, and notable figures — including Margaret Atwood, Chelsea Clinton, Junot Díaz, Morgan Freeman, George R. R. Martin, Shaquille O’Neal, Sarah Jessica Parker, and Gabrielle Union — will share their personal stories and connections with their favorite titles.\u003c/p>\n\u003cp>KQED will celebrate the love of literature with special programming this summer. Listen to \u003cem>Perspectives\u003c/em> segments dedicated to how books changed the lives of Bay Area residents and tune in to Forum for intimate chats with local authors to discover their literary inspirations and personal favorites. Also, stay tuned for special \u003cem>Great American Read\u003c/em> coverage from KQED Arts, KQED Science, KQED Food, and more.\u003c/p>\n\u003cp>Visit \u003ca href=\"http://www.pbs.org/the-great-american-read/home/\" target=\"_blank\" rel=\"noopener\">pbs.org/greatamericanread\u003c/a> to cast your vote starting Tues., May 22, and share your favorite titles from the list of top 100 books on Facebook and Instagram using the hashtag #GreatReadPBS.\u003cbr>\n\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Great American Read premieres Tues., May 22, at 8pm on KQED 9.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Silicon Valley Community Foundation’s chief business, development and brand officer \u003ca href=\"https://www.siliconvalleycf.org/mari-ellen-reynolds-loijens\" target=\"_blank\" rel=\"noopener\">Mari Ellen Loijens\u003c/a> has resigned, less than 24 hours after a lengthy exposé in the \u003ci>\u003ca href=\"https://www.philanthropy.com/article/A-Star-Performer-Created-a/243159\" target=\"_blank\" rel=\"noopener\">Chronicle of Philanthropy\u003c/a>\u003c/i> which detailed years of alleged verbal abuse levied at employees under her command.\u003c/p>\n\u003cp>The Foundation said in a statement it is still committed to completing an outside, independent investigation it launched this week:\u003c/p>\n\u003cblockquote>\u003cp>The investigation into alleged incidents of misconduct will continue, and at the conclusion of that investigation SVCF will take whatever action is necessary to preserve the integrity of our organization. SVCF remains committed to further cultivating a safe and welcoming workplace.\u003c/p>\u003c/blockquote>\n\u003cp>The \u003cem>Chronicle\u003c/em> talked to 19 former employees, half a dozen of whom went on the record, accusing Loijens of bullying them and others. A number of those people said they tried unsuccessfully to take their concerns to CEO Emmett Carson and to the Human Resources department.\u003c/p>\n\u003cfigure id=\"attachment_13829988\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-complete_open_graph wp-image-13829988\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/m_Loijens-881x1200.jpg\" alt=\"Mari Ellen Loijens.\" width=\"640\" height=\"872\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens.jpg 881w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-160x218.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-800x1090.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-768x1046.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-240x327.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-375x511.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-520x708.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Mari Ellen Loijens. \u003ccite>(SVCM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rebecca Dupras, a former VP for development who left last year, says she was warned when she was hired that Loijens would eventually turn on her, too — and that management would do nothing. “HR knew. I had conversations with the VP of HR pretty frequently, and she would say things like ‘Yeah, well, we know how she is, but we just have to, like, manage around it,'” Dupras says.\u003c/p>\n\u003cp>One reason Loijens may have been allowed to continue with impunity: her role in raising big money for the Silicon Valley Community Foundation, which boasts roughly $13.5 billion in assets and gives some of that to a wide variety of organizations across the globe, including \u003ca href=\"https://www.siliconvalleycf.org/kqed-inc\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Many community foundations have a local focus, but SVCF reflects the globally diverse backgrounds and giving interests of its donors in Silicon Valley. Carson told \u003ca href=\"https://www.insidephilanthropy.com/home/2018/4/12/why-is-this-giant-community-foundationand-its-leader-so-controversial\" target=\"_blank\" rel=\"noopener\">\u003cem>Inside Philanthropy\u003c/em>\u003c/a> recently that SVCF wanted to “build an entity that can respond to all of those individuals.”\u003c/p>\n\u003cp>But the Foundation appears to be less responsive to its own employees. The Chronicle report quoted liberally from scathing reviews on \u003ca href=\"https://www.glassdoor.com/Reviews/Silicon-Valley-Community-Foundation-Reviews-E331546.htm\" target=\"_blank\" rel=\"noopener\">Glassdoor\u003c/a>, the company review site, with comments like:\u003c/p>\n\u003cp>\u003cem>– Incompetent leadership\u003c/em>\u003cbr>\n\u003cem>– Major firings happened regularly without explanation\u003c/em>\u003cbr>\n\u003cem>– Fixed mindset…not a learning organization, making same mistakes repeatedly\u003c/em>\u003cbr>\n\u003cem>– Phony “culture of candor,” can’t speak truth to power and most ideas get dismissed out of hand\u003c/em>\u003c/p>\n\u003cp>This week, Carson has been tweeting responses to various public reactions at @emmettcarson.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">As CEO of \u003ca href=\"https://twitter.com/siliconvalleycf?ref_src=twsrc%5Etfw\">@siliconvalleycf\u003c/a> I am responsible for workplace culture. I am deeply troubled and regret that former staff felt they could not report inappropriate behavior and urge any other staff to come forward. Listening and fixing this is Priority#1.\u003c/p>\n\u003cp>— Emmett Carson (@emmettcarson) \u003ca href=\"https://twitter.com/emmettcarson/status/986964316069937152?ref_src=twsrc%5Etfw\">April 19, 2018\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>But his promises ring hollow for Dupras. Now an estate, tax and charitable planner in Rhode Island, Dupras says the investigation appears to her to be a belated reaction to a situation that management at the Foundation was well aware of, including Carson. “It’s been going on for a decade. Either he is clueless and ineffective, which I don’t believe is true. Or he’s been ignoring it,” Dupras says.\u003c/p>\n\u003cp>Erica Bleicher was a development officer for the Foundation for almost two years, from November 2015 to October 2017. She says she was shielded from the worst of Loijens’ behavior because she worked in the Foundation’s San Francisco office — and also because her direct supervisor was Dupras.\u003c/p>\n\u003cp>Bleicher says “Rebecca shielded our department from Loijens’ toxicity. She was kind of like tortured and put down in front of other people, in front of her own team. Everyone saw it or experienced it. It just depends on how close you were flying to the sun.”\u003c/p>\n\u003cp>Bleicher adds she’s happy about the latest developments, but argues Carson and the board of directors are culpable, too. “Emmett and the leadership and the culture he’s created has allowed Loijens to treat people the way she did. They worked together for 10 years. He had her back and she had his.”\u003c/p>\n\u003cp>“It would have been better if she had been fired,” says Daniel Hoebeke, who was the Director of Planned Giving for all of five months. He describes an incident in which he says Loijens chewed out his wife because she couldn’t get Hoebeke to answer the phone while he was driving.\u003c/p>\n\u003cp>Hoebeke adds, “I have had a 40-year career as an charitable estate planning attorney and fundraiser. No job is perfect, but the five months at SVCF were the longest of my life.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Silicon Valley Community Foundation’s chief business, development and brand officer \u003ca href=\"https://www.siliconvalleycf.org/mari-ellen-reynolds-loijens\" target=\"_blank\" rel=\"noopener\">Mari Ellen Loijens\u003c/a> has resigned, less than 24 hours after a lengthy exposé in the \u003ci>\u003ca href=\"https://www.philanthropy.com/article/A-Star-Performer-Created-a/243159\" target=\"_blank\" rel=\"noopener\">Chronicle of Philanthropy\u003c/a>\u003c/i> which detailed years of alleged verbal abuse levied at employees under her command.\u003c/p>\n\u003cp>The Foundation said in a statement it is still committed to completing an outside, independent investigation it launched this week:\u003c/p>\n\u003cblockquote>\u003cp>The investigation into alleged incidents of misconduct will continue, and at the conclusion of that investigation SVCF will take whatever action is necessary to preserve the integrity of our organization. SVCF remains committed to further cultivating a safe and welcoming workplace.\u003c/p>\u003c/blockquote>\n\u003cp>The \u003cem>Chronicle\u003c/em> talked to 19 former employees, half a dozen of whom went on the record, accusing Loijens of bullying them and others. A number of those people said they tried unsuccessfully to take their concerns to CEO Emmett Carson and to the Human Resources department.\u003c/p>\n\u003cfigure id=\"attachment_13829988\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-complete_open_graph wp-image-13829988\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/m_Loijens-881x1200.jpg\" alt=\"Mari Ellen Loijens.\" width=\"640\" height=\"872\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens.jpg 881w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-160x218.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-800x1090.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-768x1046.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-240x327.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-375x511.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/m_Loijens-520x708.jpg 520w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Mari Ellen Loijens. \u003ccite>(SVCM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rebecca Dupras, a former VP for development who left last year, says she was warned when she was hired that Loijens would eventually turn on her, too — and that management would do nothing. “HR knew. I had conversations with the VP of HR pretty frequently, and she would say things like ‘Yeah, well, we know how she is, but we just have to, like, manage around it,'” Dupras says.\u003c/p>\n\u003cp>One reason Loijens may have been allowed to continue with impunity: her role in raising big money for the Silicon Valley Community Foundation, which boasts roughly $13.5 billion in assets and gives some of that to a wide variety of organizations across the globe, including \u003ca href=\"https://www.siliconvalleycf.org/kqed-inc\" target=\"_blank\" rel=\"noopener\">KQED\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Many community foundations have a local focus, but SVCF reflects the globally diverse backgrounds and giving interests of its donors in Silicon Valley. Carson told \u003ca href=\"https://www.insidephilanthropy.com/home/2018/4/12/why-is-this-giant-community-foundationand-its-leader-so-controversial\" target=\"_blank\" rel=\"noopener\">\u003cem>Inside Philanthropy\u003c/em>\u003c/a> recently that SVCF wanted to “build an entity that can respond to all of those individuals.”\u003c/p>\n\u003cp>But the Foundation appears to be less responsive to its own employees. The Chronicle report quoted liberally from scathing reviews on \u003ca href=\"https://www.glassdoor.com/Reviews/Silicon-Valley-Community-Foundation-Reviews-E331546.htm\" target=\"_blank\" rel=\"noopener\">Glassdoor\u003c/a>, the company review site, with comments like:\u003c/p>\n\u003cp>\u003cem>– Incompetent leadership\u003c/em>\u003cbr>\n\u003cem>– Major firings happened regularly without explanation\u003c/em>\u003cbr>\n\u003cem>– Fixed mindset…not a learning organization, making same mistakes repeatedly\u003c/em>\u003cbr>\n\u003cem>– Phony “culture of candor,” can’t speak truth to power and most ideas get dismissed out of hand\u003c/em>\u003c/p>\n\u003cp>This week, Carson has been tweeting responses to various public reactions at @emmettcarson.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\n\u003cp dir=\"ltr\" lang=\"en\">As CEO of \u003ca href=\"https://twitter.com/siliconvalleycf?ref_src=twsrc%5Etfw\">@siliconvalleycf\u003c/a> I am responsible for workplace culture. I am deeply troubled and regret that former staff felt they could not report inappropriate behavior and urge any other staff to come forward. Listening and fixing this is Priority#1.\u003c/p>\n\u003cp>— Emmett Carson (@emmettcarson) \u003ca href=\"https://twitter.com/emmettcarson/status/986964316069937152?ref_src=twsrc%5Etfw\">April 19, 2018\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>But his promises ring hollow for Dupras. Now an estate, tax and charitable planner in Rhode Island, Dupras says the investigation appears to her to be a belated reaction to a situation that management at the Foundation was well aware of, including Carson. “It’s been going on for a decade. Either he is clueless and ineffective, which I don’t believe is true. Or he’s been ignoring it,” Dupras says.\u003c/p>\n\u003cp>Erica Bleicher was a development officer for the Foundation for almost two years, from November 2015 to October 2017. She says she was shielded from the worst of Loijens’ behavior because she worked in the Foundation’s San Francisco office — and also because her direct supervisor was Dupras.\u003c/p>\n\u003cp>Bleicher says “Rebecca shielded our department from Loijens’ toxicity. She was kind of like tortured and put down in front of other people, in front of her own team. Everyone saw it or experienced it. It just depends on how close you were flying to the sun.”\u003c/p>\n\u003cp>Bleicher adds she’s happy about the latest developments, but argues Carson and the board of directors are culpable, too. “Emmett and the leadership and the culture he’s created has allowed Loijens to treat people the way she did. They worked together for 10 years. He had her back and she had his.”\u003c/p>\n\u003cp>“It would have been better if she had been fired,” says Daniel Hoebeke, who was the Director of Planned Giving for all of five months. He describes an incident in which he says Loijens chewed out his wife because she couldn’t get Hoebeke to answer the phone while he was driving.\u003c/p>\n\u003cp>Hoebeke adds, “I have had a 40-year career as an charitable estate planning attorney and fundraiser. No job is perfect, but the five months at SVCF were the longest of my life.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A local drone pilot says Apple security has prevented him from filming the construction of the company’s new Apple Park headquarters.\u003c/p>\n\u003cp>Since August 2015, \u003ca href=\"https://twitter.com/DuncanSinfield\" target=\"_blank\" rel=\"noopener\">Duncan Sinfield\u003c/a> has been filming at Apple Park with his drone and posting monthly videos on YouTube. His videos have hundreds of thousands of plays and viewers have praised his work \u003ca href=\"http://www.thedrive.com/aerial/14108/duncan-sinfields-drone-footage-of-apple-park-is-gorgeous\" target=\"_blank\" rel=\"noopener\">for its high quality\u003c/a>.\u003c/p>\n\u003cp>When he posted his most recent YouTube video on Monday, he wrote in the introduction that Apple’s security has been preventing him from filming.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/2018/04/.mp3\" Image=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield.jpg\" Title=\"Apple Cracks Down on Drones Filming Construction of Apple Park\" program=\"Arts\"]\u003c/p>\n\u003cp>“Security at Apple Park generally responds in two white Priuses to my precise take-off locations in 10 minutes or less,” Sinfield wrote. “It’s only a matter of time until the campus becomes shut off to drones completely.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A 26-year-old assignment editor for KTVU, Sinfield told KQED Arts that he began filming the Apple Park construction project as practice for his drone, a DJI Inspire 2. Sinfield lives in nearby Redwood City and said that, from a filmmaking perspective, there’s nothing like the Apple Park project anywhere else in the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13829862\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829862\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-800x800.jpg\" alt=\"Duncan Sinfield\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Duncan Sinfield \u003ccite>(Courtesy pf the subject)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sinfield said he shoots the project on a monthly basis and previously filmed for up to 50 minutes at a time. But in recent weeks, he said campus security has shown up to shut down his shoots within ten minutes of launching his drone.\u003c/p>\n\u003cp>“While this is speculation, my instincts tell me that Apple is tracking all drones in the vicinity of the campus with sophisticated radio frequency technology from companies such as DeDrone (sic) (a San Francisco-based aerospace security company),” Sinfield wrote on YouTube.\u003c/p>\n\u003cp>\u003ca href=\"https://techcrunch.com/2016/05/17/dedrone-raises-10-million-to-detect-aerial-intruders/\" target=\"_blank\" rel=\"noopener\">Dedrone Inc.\u003c/a> is the creator of the DroneTracker system, which uses sensors to detect unwanted drones. Representatives for Dedrone \u003ca href=\"https://www.marketwatch.com/story/apple-cracks-down-on-drone-pilot-who-shoots-epic-apple-campus-videos-2018-04-16\" target=\"_blank\" rel=\"noopener\">told MarketWatch\u003c/a> that they were unable to say if Apple was a client, but confirmed Dedrone customers include the Golden State Warriors and the PGA Tour.\u003c/p>\n\u003cp>It’s unclear why Apple is cracking down on Sinfield, as his videos have been described as “better than most corporate-produced pieces.” But Apple may have reason to be concerned with drones over its property after one crashed into the building’s solar panels \u003ca href=\"https://www.inverse.com/article/41430-apple-park-drone-crash-spaceship\" target=\"_blank\" rel=\"noopener\">back in February\u003c/a>. KQED Arts reached out to Apple for comment and did not receive a response.\u003c/p>\n\u003cp>Sinfield said that at one of his recent shoots, Apple security told him that if he didn’t recall his drone right away, they would call the sheriff’s department, who could charge him with being a public nuisance.\u003c/p>\n\u003cfigure id=\"attachment_13829686\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-800x450.jpg\" alt=\"Apple Park from the air\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13829686\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Apple Park from the air \u003ccite>(Duncan Sinfield)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s hypocritical because Apple retail stores sell the identical model of drone I’m flying over their campus,” Sinfield said. “It’s hypocritical to be selling drones and saying, ‘Fly them wherever you want, just don’t do it over our headquarters.’”\u003c/p>\n\u003cp>Sinfield said he plans to continue filming the construction because of his viewership’s demands. By trying to stop drone pilots from filming Apple Park’s construction, he reasoned, Apple is just making people more interested in what’s going on there. But Sinfield also suspects that Apple wants to stop outsiders from taking images of the new headquarters so they can prepare for a big reveal.\u003c/p>\n\u003cp>“I think Apple could solve this issue if they released their own monthly-update photo, similar to what I’m doing,” Sinfield said. “But they’ve decided they don’t want to take that route.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A local drone pilot says Apple security has prevented him from filming the construction of the company’s new Apple Park headquarters.\u003c/p>\n\u003cp>Since August 2015, \u003ca href=\"https://twitter.com/DuncanSinfield\" target=\"_blank\" rel=\"noopener\">Duncan Sinfield\u003c/a> has been filming at Apple Park with his drone and posting monthly videos on YouTube. His videos have hundreds of thousands of plays and viewers have praised his work \u003ca href=\"http://www.thedrive.com/aerial/14108/duncan-sinfields-drone-footage-of-apple-park-is-gorgeous\" target=\"_blank\" rel=\"noopener\">for its high quality\u003c/a>.\u003c/p>\n\u003cp>When he posted his most recent YouTube video on Monday, he wrote in the introduction that Apple’s security has been preventing him from filming.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Security at Apple Park generally responds in two white Priuses to my precise take-off locations in 10 minutes or less,” Sinfield wrote. “It’s only a matter of time until the campus becomes shut off to drones completely.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A 26-year-old assignment editor for KTVU, Sinfield told KQED Arts that he began filming the Apple Park construction project as practice for his drone, a DJI Inspire 2. Sinfield lives in nearby Redwood City and said that, from a filmmaking perspective, there’s nothing like the Apple Park project anywhere else in the Bay Area.\u003c/p>\n\u003cfigure id=\"attachment_13829862\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13829862\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-800x800.jpg\" alt=\"Duncan Sinfield\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-375x375.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-520x520.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield-150x150.jpg 150w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Duncan-Sinfield.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Duncan Sinfield \u003ccite>(Courtesy pf the subject)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sinfield said he shoots the project on a monthly basis and previously filmed for up to 50 minutes at a time. But in recent weeks, he said campus security has shown up to shut down his shoots within ten minutes of launching his drone.\u003c/p>\n\u003cp>“While this is speculation, my instincts tell me that Apple is tracking all drones in the vicinity of the campus with sophisticated radio frequency technology from companies such as DeDrone (sic) (a San Francisco-based aerospace security company),” Sinfield wrote on YouTube.\u003c/p>\n\u003cp>\u003ca href=\"https://techcrunch.com/2016/05/17/dedrone-raises-10-million-to-detect-aerial-intruders/\" target=\"_blank\" rel=\"noopener\">Dedrone Inc.\u003c/a> is the creator of the DroneTracker system, which uses sensors to detect unwanted drones. Representatives for Dedrone \u003ca href=\"https://www.marketwatch.com/story/apple-cracks-down-on-drone-pilot-who-shoots-epic-apple-campus-videos-2018-04-16\" target=\"_blank\" rel=\"noopener\">told MarketWatch\u003c/a> that they were unable to say if Apple was a client, but confirmed Dedrone customers include the Golden State Warriors and the PGA Tour.\u003c/p>\n\u003cp>It’s unclear why Apple is cracking down on Sinfield, as his videos have been described as “better than most corporate-produced pieces.” But Apple may have reason to be concerned with drones over its property after one crashed into the building’s solar panels \u003ca href=\"https://www.inverse.com/article/41430-apple-park-drone-crash-spaceship\" target=\"_blank\" rel=\"noopener\">back in February\u003c/a>. KQED Arts reached out to Apple for comment and did not receive a response.\u003c/p>\n\u003cp>Sinfield said that at one of his recent shoots, Apple security told him that if he didn’t recall his drone right away, they would call the sheriff’s department, who could charge him with being a public nuisance.\u003c/p>\n\u003cfigure id=\"attachment_13829686\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-800x450.jpg\" alt=\"Apple Park from the air\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13829686\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/04/Apple-HQ-Sinfield-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Apple Park from the air \u003ccite>(Duncan Sinfield)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s hypocritical because Apple retail stores sell the identical model of drone I’m flying over their campus,” Sinfield said. “It’s hypocritical to be selling drones and saying, ‘Fly them wherever you want, just don’t do it over our headquarters.’”\u003c/p>\n\u003cp>Sinfield said he plans to continue filming the construction because of his viewership’s demands. By trying to stop drone pilots from filming Apple Park’s construction, he reasoned, Apple is just making people more interested in what’s going on there. But Sinfield also suspects that Apple wants to stop outsiders from taking images of the new headquarters so they can prepare for a big reveal.\u003c/p>\n\u003cp>“I think Apple could solve this issue if they released their own monthly-update photo, similar to what I’m doing,” Sinfield said. “But they’ve decided they don’t want to take that route.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "From the Vaults, a Showstopper: Hear Prince Perform 'Nothing Compares 2 U'",
"headTitle": "From the Vaults, a Showstopper: Hear Prince Perform ‘Nothing Compares 2 U’ | KQED",
"content": "\u003cp>It’s already been a busy day for \u003ca href=\"https://www.npr.org/artists/15394157/prince\" target=\"_blank\" rel=\"noopener\">Prince\u003c/a> news, as prosecutors announced that \u003ca href=\"https://www.npr.org/sections/therecord/2018/04/19/603934002/no-criminal-charges-to-be-brought-in-princes-death\" target=\"_blank\" rel=\"noopener\">no criminal charges would be brought\u003c/a> against Prince associates over the star’s accidental death in 2016. In a bit of curious timing, Prince’s estate has just released a long-lost 1984 studio recording of the singer performing his classic composition “Nothing Compares 2 U.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cpGA0azFdCs\u003c/p>\n\u003cp>As a find, it’s significant: Prince originally wrote the track for a band he’d assembled called the Family, but it didn’t become a hit until 1990, when it became a sensation for \u003ca href=\"https://www.npr.org/artists/15773342/sinead-o-connor\" target=\"_blank\" rel=\"noopener\">Sinéad O’Connor\u003c/a>. Prince would go on to perform his own take on the song in concert; a live version even appeared on his three-disc \u003cem>The Hits/The B-Sides\u003c/em> collection 25 years ago. But the recording released today has never been heard until now.\u003c/p>\n\u003cp>It’s remarkable how seamlessly this “Nothing Compares 2 U” fits alongside Prince’s classic mid-’80s works. It’s no bare-bones demo: Prince recorded it with engineer Susan Rogers, Eric Leeds on saxophone, and backing vocalists Susannah Melvoin and Paul “St. Paul” Peterson. Its video is a treat, too, as it pairs the song with a charming assortment of previously unseen Prince & The Revolution rehearsal footage.\u003c/p>\n\u003cp>The release of “Nothing Compares 2 U” arrives as debate continues over how to handle Prince’s estate and unreleased material. The star left behind no will, and his presumed heirs are in dispute over the handling of his archives. Last year, \u003ca href=\"https://www.npr.org/sections/therecord/2017/04/20/524886598/deliverance-denied-release-of-posthumous-prince-record-stopped-by-judge\" target=\"_blank\" rel=\"noopener\">a judge blocked the release of a Prince EP\u003c/a> called \u003cem>Deliverance, \u003c/em>which George Ian Boxill, a recording engineer who worked with Prince around 2006, had hoped to sell.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>“Nothing Compares 2 U” is out now via \u003c/em>\u003ca href=\"http://store.warnermusic.com/warner-bros-records/artists/prince.html\" target=\"_blank\" rel=\"noopener\">\u003cem>Warner Music\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Updated\u003c/em>\u003c/strong>\u003cem> 1:44 p.m., Apr. 18 with new information on criminal charges over Prince’s death.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2018 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=From+The+Vaults%2C+A+Showstopper%3A+Hear+Prince+Perform+%27Nothing+Compares+2+U%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "As news swirls about culpability for Prince's death, his estate has released a major find: a long-lost 1984 recording of his classic composition, along with rare video footage from his rehearsals.",
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"headline": "From the Vaults, a Showstopper: Hear Prince Perform 'Nothing Compares 2 U'",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s already been a busy day for \u003ca href=\"https://www.npr.org/artists/15394157/prince\" target=\"_blank\" rel=\"noopener\">Prince\u003c/a> news, as prosecutors announced that \u003ca href=\"https://www.npr.org/sections/therecord/2018/04/19/603934002/no-criminal-charges-to-be-brought-in-princes-death\" target=\"_blank\" rel=\"noopener\">no criminal charges would be brought\u003c/a> against Prince associates over the star’s accidental death in 2016. In a bit of curious timing, Prince’s estate has just released a long-lost 1984 studio recording of the singer performing his classic composition “Nothing Compares 2 U.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cpGA0azFdCs'\n title='//www.youtube.com/embed/cpGA0azFdCs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As a find, it’s significant: Prince originally wrote the track for a band he’d assembled called the Family, but it didn’t become a hit until 1990, when it became a sensation for \u003ca href=\"https://www.npr.org/artists/15773342/sinead-o-connor\" target=\"_blank\" rel=\"noopener\">Sinéad O’Connor\u003c/a>. Prince would go on to perform his own take on the song in concert; a live version even appeared on his three-disc \u003cem>The Hits/The B-Sides\u003c/em> collection 25 years ago. But the recording released today has never been heard until now.\u003c/p>\n\u003cp>It’s remarkable how seamlessly this “Nothing Compares 2 U” fits alongside Prince’s classic mid-’80s works. It’s no bare-bones demo: Prince recorded it with engineer Susan Rogers, Eric Leeds on saxophone, and backing vocalists Susannah Melvoin and Paul “St. Paul” Peterson. Its video is a treat, too, as it pairs the song with a charming assortment of previously unseen Prince & The Revolution rehearsal footage.\u003c/p>\n\u003cp>The release of “Nothing Compares 2 U” arrives as debate continues over how to handle Prince’s estate and unreleased material. The star left behind no will, and his presumed heirs are in dispute over the handling of his archives. Last year, \u003ca href=\"https://www.npr.org/sections/therecord/2017/04/20/524886598/deliverance-denied-release-of-posthumous-prince-record-stopped-by-judge\" target=\"_blank\" rel=\"noopener\">a judge blocked the release of a Prince EP\u003c/a> called \u003cem>Deliverance, \u003c/em>which George Ian Boxill, a recording engineer who worked with Prince around 2006, had hoped to sell.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>“Nothing Compares 2 U” is out now via \u003c/em>\u003ca href=\"http://store.warnermusic.com/warner-bros-records/artists/prince.html\" target=\"_blank\" rel=\"noopener\">\u003cem>Warner Music\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
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"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
"id": "science-friday",
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
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},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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