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"content": "\u003cp>\u003cem>KQED’s \u003ca href=\"https://www.kqed.org/siliconvalleyunseen/\">Silicon Valley Unseen\u003c/a> is a series of photo essays, original reporting and underreported histories that survey the tech capital’s overlooked communities and subcultures from a local perspective.\u003c/em>\u003c/p>\n\u003cp>[dropcap]M[/dropcap]y pride in hailing from a sprawling suburb has always left people puzzled.\u003c/p>\n\u003cp>Fremont isn’t exactly a Bay Area centerpiece. Still, I eagerly defend it by mentioning that it’s the fourth-most populous city in the Bay Area, and that yes, indeed it \u003ci>is \u003c/i>the Bay (it’s Alameda County! We’ve always had a BART station! We have our own stinky marsh bridge!). Our food is multicultural and peerless, and our dusty hills can be transcendent when their summer brown molts to green after a few healthy rainstorms.\u003c/p>\n\u003cp>My exuberance has been matched only by a 52-year-old man I once met at a West Berkeley homeless shelter. I noted his “Flying A’s Niles” T-shirt while I interviewed residents prior to the shelter’s closing, and he shared stories about the car club in \u003ca href=\"https://www.kqed.org/news/11789138/how-charlie-chaplin-and-silent-films-flourished-in-the-east-bay\">Fremont’s historic Niles district, made famous a century ago as a studio town for dozens of Charlie Chaplin films\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13965201\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965201\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Author Supriya Yelimeli (right) plays with her sister and cousin in a creek at Fremont’s Central Park. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though the man grew up in a very different Fremont than I did, we giddily swapped tales about shared haunts, and he told me — with only a hint of pride — that Lake Elizabeth is about the same size as Lake Merritt. This trivia is most interesting to someone who has enjoyed innumerable sunset walks while dodging geese droppings at both parks.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We regarded the city of his youth — and of mine — as something of a sanctuary. A safe and comfortable place, frozen in time, with ducks and vintage cars and bountiful food and quality family moments.\u003c/p>\n\u003cp>[aside postID='arts_13964538']Fremont’s reputation seems to be manufactured this way, under the generous umbrella of “boring.” It benefits both immigrant families who hope to create bubbles of safety by raising children in familiar environments, and the many forces that reap the rewards of inflated real estate prices — pinned to shiny signifiers like top schools, safe neighborhoods and the entirely inexplicable (repeat!) ranking of “Happiest City in America” as \u003ca href=\"https://www.sfgate.com/local/article/fremont-happiest-city-2024-18693776.php\">dubiously graded by WalletHub, a personal finance company\u003c/a>.\u003c/p>\n\u003cp>But this notion of Fremont’s exceptionalism is insidious. It harms all of us to silo suburbs away from the greater context of the Bay Area, especially when sweetness and safety should be easy to come by for everyone. It’s a microcosm of how Silicon Valley — of which Fremont is a part, culturally, industrially and economically — often isolates itself from the Bay, as if impervious to any ills or faults of its own.\u003c/p>\n\u003cfigure id=\"attachment_13965199\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965199\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A quintessential Bay Area immigrant family photo in front of the San Francisco skyline. The author (center) is flanked by her sister and mom. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I remember my childhood as cozy and simple. My main preoccupation was what my older sister was doing at any given moment, then my parents, then our cat, in that order. I liked going to school, watching Bollywood films at Naz 8 (a famed local theater \u003ca href=\"https://eastbayexpress.com/bollywood-goes-hollywood-1/\">formerly run by a Pakistani immigrant who cameoed in Bollywood B-films\u003c/a>, since replaced by another Desi-centric moviehouse) and taking weekend BART trips to San Francisco to ogle sea lions with visiting cousins. I practiced riding a Ripstik around the park with my dad, who followed patiently on foot and didn’t think to tell me that skateboarding would make me a cooler teen.\u003c/p>\n\u003cp>My parents moved to Fremont in the late ’90s because the homes were still cheaper than South Bay cities like Sunnyvale and Cupertino, which had already established themselves in Silicon Valley’s tech empire extending just beyond San Jose’s outskirts.\u003c/p>\n\u003cp>In contrast, Fremont was on the east side of the Bay’s marshy waters, reachable only by crossing the Dumbarton Bridge or curving around the Bay’s southern shoreline past the stretches of garbage landfill in Milpitas. Geographically, it rested in slightly undefined territory — neither claimed by the East Bay nor Silicon Valley.\u003c/p>\n\u003cfigure id=\"attachment_13965216\" class=\"wp-caption alignnone\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965216\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000.jpg\" alt=\"\" width=\"1600\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-1536x1151.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">The author plays with her late father, who immigrated to the U.S. from India in 1993, eventually making his way to Silicon Valley via Illinois, Kansas, Ohio and New Jersey. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s hard to imagine Fremont in this up-and-coming era, when my parents bought a three-bedroom home for $275,000. Sadly, they lost that home in the recession, struggling to pay the mortgage, and thereafter remained renters in the city. Being a studious Zillow-scroller (I blame the housing beat, but it’s really just nosiness), I’m never thrilled to see that it last sold in 2018 for $1.3 million.\u003c/p>\n\u003cp>I credit journalism with helping me understand Fremont and its relationship to the fractured region I grew up in. In 2011, during a high school newspaper trip, I interviewed protesters at the Occupy San Francisco camp and passersby in the Financial District.\u003c/p>\n\u003cp>[aside postID='forum_2010101906515']I stopped a platinum-haired, older woman on the street, who was wearing what my 15-year-old mind imagined to be a Chanel suit. I asked what she thought of the movement, and she told me frankly, “Well, I am the 1%.”\u003c/p>\n\u003cp>Years later, as I covered anti-homeless actions by neighbors in San Jose, San Francisco and Berkeley, I took note of Fremont neighbors in the midst of their own attempts to block a homeless navigation center in that neighborhood made so famous by silent films, where subsidized housing (as in the rest of the city) constitutes a tiny fraction of available homes.\u003c/p>\n\u003cp>Occupying the same county as Berkeley and Oakland, where the highest percentage of our homeless neighbors live, Fremont was doing its best to replicate the behaviors of so many Silicon Valley cities that have made it clear that their doors are closed to those who are not affluent, not tech-aligned, not worthy of sharing space.\u003c/p>\n\u003cfigure id=\"attachment_13965198\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965198\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The author sitting at her dad’s desk, surrounded by 90s and 2000s paraphernalia, along with issues of Silicon India and the San Francisco Chronicle. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They didn’t have the brash self-awareness of my interviewee in San Francisco, whose generationally wealthy peers have historically driven efforts of exclusion in the Bay. But it seemed Fremont residents had adopted this playbook for their own efforts to distance themselves from anything uncomfortable, or unfamiliar, while allowing the immigrant narrative of struggle to obscure the way we wield power in very similar ways after obtaining a home, income and stability.\u003c/p>\n\u003cp>During a 10-hour Fremont Unified School District Board meeting in 2018, I listened as parent after parent, almost exclusively immigrants, insisted that education on sexual assault, affirmative consent, gender, puberty, abortion and intercourse would irreparably corrupt fourth-, fifth- and sixth-graders. One Asian American alum of Fremont schools countered at that meeting: without education, how was a young girl supposed to cope if she got her period before middle school? The district would go without a sexual education curriculum for all elementary schoolers that year.\u003c/p>\n\u003cp>[aside postID='arts_13964383']It comes at a cost to cling to comfort and familiarity for only \u003ci>our\u003c/i> communities, pretending that everything that exists outside of them — a housing crisis, a drug crisis, overlapping homelessness and mental health crises, all exacerbated by a pandemic — are not part of our lives too. That the comforts we have are due to perseverance alone, and not a system of privilege that is tenuous at best, and could easily turn on us like it has in the past.\u003c/p>\n\u003cp>This particular form of clinging in Fremont, and many of our most affluent suburbs sprinkled throughout Silicon Valley’s zip codes, makes the Bay Area worse for everyone. It keeps the Bay from functioning as a cohesive unit, where people can move and live in different types of neighborhoods as their lives change and families grow. Where people can access resources away from the city, and easily find a nice big patch of green space to dodge geese droppings with a kid still finding their feet on a pair of quad skates (amid the Great Ripstik Abandonment of 2009).\u003c/p>\n\u003cfigure id=\"attachment_13965093\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965093\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The author (middle) rides a Fremont-line BART train. Here she is pictured with older sister (left) and older cousin. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My mom lives in Milpitas now, and I only stop by Fremont to get treats at India Cash & Carry; make a biannual, masochistic trudge up Mission Peak; or ride the train to the (still new-to-me) Warm Springs BART station to grimly observe the rash of new condos and apartments just barely blocking my precious dusty hill view (as is my right).\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>A promise of “luxury right to your doorstep” glares back at me from the myriad advertisements wrapped around scaffolding. It’s a sign that — without intervention — the sweet comforts of my childhood in Fremont will become even more distant for those who want to live and flourish in my hometown.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>KQED’s \u003ca href=\"https://www.kqed.org/siliconvalleyunseen/\">Silicon Valley Unseen\u003c/a> is a series of photo essays, original reporting and underreported histories that survey the tech capital’s overlooked communities and subcultures from a local perspective.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">M\u003c/span>\u003c/p>\u003cp>y pride in hailing from a sprawling suburb has always left people puzzled.\u003c/p>\n\u003cp>Fremont isn’t exactly a Bay Area centerpiece. Still, I eagerly defend it by mentioning that it’s the fourth-most populous city in the Bay Area, and that yes, indeed it \u003ci>is \u003c/i>the Bay (it’s Alameda County! We’ve always had a BART station! We have our own stinky marsh bridge!). Our food is multicultural and peerless, and our dusty hills can be transcendent when their summer brown molts to green after a few healthy rainstorms.\u003c/p>\n\u003cp>My exuberance has been matched only by a 52-year-old man I once met at a West Berkeley homeless shelter. I noted his “Flying A’s Niles” T-shirt while I interviewed residents prior to the shelter’s closing, and he shared stories about the car club in \u003ca href=\"https://www.kqed.org/news/11789138/how-charlie-chaplin-and-silent-films-flourished-in-the-east-bay\">Fremont’s historic Niles district, made famous a century ago as a studio town for dozens of Charlie Chaplin films\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13965201\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965201\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12320544-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Author Supriya Yelimeli (right) plays with her sister and cousin in a creek at Fremont’s Central Park. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though the man grew up in a very different Fremont than I did, we giddily swapped tales about shared haunts, and he told me — with only a hint of pride — that Lake Elizabeth is about the same size as Lake Merritt. This trivia is most interesting to someone who has enjoyed innumerable sunset walks while dodging geese droppings at both parks.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We regarded the city of his youth — and of mine — as something of a sanctuary. A safe and comfortable place, frozen in time, with ducks and vintage cars and bountiful food and quality family moments.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Fremont’s reputation seems to be manufactured this way, under the generous umbrella of “boring.” It benefits both immigrant families who hope to create bubbles of safety by raising children in familiar environments, and the many forces that reap the rewards of inflated real estate prices — pinned to shiny signifiers like top schools, safe neighborhoods and the entirely inexplicable (repeat!) ranking of “Happiest City in America” as \u003ca href=\"https://www.sfgate.com/local/article/fremont-happiest-city-2024-18693776.php\">dubiously graded by WalletHub, a personal finance company\u003c/a>.\u003c/p>\n\u003cp>But this notion of Fremont’s exceptionalism is insidious. It harms all of us to silo suburbs away from the greater context of the Bay Area, especially when sweetness and safety should be easy to come by for everyone. It’s a microcosm of how Silicon Valley — of which Fremont is a part, culturally, industrially and economically — often isolates itself from the Bay, as if impervious to any ills or faults of its own.\u003c/p>\n\u003cfigure id=\"attachment_13965199\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965199\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12163155-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A quintessential Bay Area immigrant family photo in front of the San Francisco skyline. The author (center) is flanked by her sister and mom. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I remember my childhood as cozy and simple. My main preoccupation was what my older sister was doing at any given moment, then my parents, then our cat, in that order. I liked going to school, watching Bollywood films at Naz 8 (a famed local theater \u003ca href=\"https://eastbayexpress.com/bollywood-goes-hollywood-1/\">formerly run by a Pakistani immigrant who cameoed in Bollywood B-films\u003c/a>, since replaced by another Desi-centric moviehouse) and taking weekend BART trips to San Francisco to ogle sea lions with visiting cousins. I practiced riding a Ripstik around the park with my dad, who followed patiently on foot and didn’t think to tell me that skateboarding would make me a cooler teen.\u003c/p>\n\u003cp>My parents moved to Fremont in the late ’90s because the homes were still cheaper than South Bay cities like Sunnyvale and Cupertino, which had already established themselves in Silicon Valley’s tech empire extending just beyond San Jose’s outskirts.\u003c/p>\n\u003cp>In contrast, Fremont was on the east side of the Bay’s marshy waters, reachable only by crossing the Dumbarton Bridge or curving around the Bay’s southern shoreline past the stretches of garbage landfill in Milpitas. Geographically, it rested in slightly undefined territory — neither claimed by the East Bay nor Silicon Valley.\u003c/p>\n\u003cfigure id=\"attachment_13965216\" class=\"wp-caption alignnone\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965216\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000.jpg\" alt=\"\" width=\"1600\" height=\"1199\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/image000000-1536x1151.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">The author plays with her late father, who immigrated to the U.S. from India in 1993, eventually making his way to Silicon Valley via Illinois, Kansas, Ohio and New Jersey. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s hard to imagine Fremont in this up-and-coming era, when my parents bought a three-bedroom home for $275,000. Sadly, they lost that home in the recession, struggling to pay the mortgage, and thereafter remained renters in the city. Being a studious Zillow-scroller (I blame the housing beat, but it’s really just nosiness), I’m never thrilled to see that it last sold in 2018 for $1.3 million.\u003c/p>\n\u003cp>I credit journalism with helping me understand Fremont and its relationship to the fractured region I grew up in. In 2011, during a high school newspaper trip, I interviewed protesters at the Occupy San Francisco camp and passersby in the Financial District.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>I stopped a platinum-haired, older woman on the street, who was wearing what my 15-year-old mind imagined to be a Chanel suit. I asked what she thought of the movement, and she told me frankly, “Well, I am the 1%.”\u003c/p>\n\u003cp>Years later, as I covered anti-homeless actions by neighbors in San Jose, San Francisco and Berkeley, I took note of Fremont neighbors in the midst of their own attempts to block a homeless navigation center in that neighborhood made so famous by silent films, where subsidized housing (as in the rest of the city) constitutes a tiny fraction of available homes.\u003c/p>\n\u003cp>Occupying the same county as Berkeley and Oakland, where the highest percentage of our homeless neighbors live, Fremont was doing its best to replicate the behaviors of so many Silicon Valley cities that have made it clear that their doors are closed to those who are not affluent, not tech-aligned, not worthy of sharing space.\u003c/p>\n\u003cfigure id=\"attachment_13965198\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965198\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12024470-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The author sitting at her dad’s desk, surrounded by 90s and 2000s paraphernalia, along with issues of Silicon India and the San Francisco Chronicle. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>They didn’t have the brash self-awareness of my interviewee in San Francisco, whose generationally wealthy peers have historically driven efforts of exclusion in the Bay. But it seemed Fremont residents had adopted this playbook for their own efforts to distance themselves from anything uncomfortable, or unfamiliar, while allowing the immigrant narrative of struggle to obscure the way we wield power in very similar ways after obtaining a home, income and stability.\u003c/p>\n\u003cp>During a 10-hour Fremont Unified School District Board meeting in 2018, I listened as parent after parent, almost exclusively immigrants, insisted that education on sexual assault, affirmative consent, gender, puberty, abortion and intercourse would irreparably corrupt fourth-, fifth- and sixth-graders. One Asian American alum of Fremont schools countered at that meeting: without education, how was a young girl supposed to cope if she got her period before middle school? The district would go without a sexual education curriculum for all elementary schoolers that year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It comes at a cost to cling to comfort and familiarity for only \u003ci>our\u003c/i> communities, pretending that everything that exists outside of them — a housing crisis, a drug crisis, overlapping homelessness and mental health crises, all exacerbated by a pandemic — are not part of our lives too. That the comforts we have are due to perseverance alone, and not a system of privilege that is tenuous at best, and could easily turn on us like it has in the past.\u003c/p>\n\u003cp>This particular form of clinging in Fremont, and many of our most affluent suburbs sprinkled throughout Silicon Valley’s zip codes, makes the Bay Area worse for everyone. It keeps the Bay from functioning as a cohesive unit, where people can move and live in different types of neighborhoods as their lives change and families grow. Where people can access resources away from the city, and easily find a nice big patch of green space to dodge geese droppings with a kid still finding their feet on a pair of quad skates (amid the Great Ripstik Abandonment of 2009).\u003c/p>\n\u003cfigure id=\"attachment_13965093\" class=\"wp-caption alignnone\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13965093\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/img20240917_12071490-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The author (middle) rides a Fremont-line BART train. Here she is pictured with older sister (left) and older cousin. \u003ccite>(Courtesy Supriya Yelimeli)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>My mom lives in Milpitas now, and I only stop by Fremont to get treats at India Cash & Carry; make a biannual, masochistic trudge up Mission Peak; or ride the train to the (still new-to-me) Warm Springs BART station to grimly observe the rash of new condos and apartments just barely blocking my precious dusty hill view (as is my right).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A promise of “luxury right to your doorstep” glares back at me from the myriad advertisements wrapped around scaffolding. It’s a sign that — without intervention — the sweet comforts of my childhood in Fremont will become even more distant for those who want to live and flourish in my hometown.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "princess-kates-new-video-end-of-chemo-william-kiss-royal-pr",
"title": "Kate’s Soft-Focus Insta-Ready Video Marks a Shift in How Royals Tell Their Story",
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"content": "\u003cp>Public displays of affection on a royal video? My, how times have changed!\u003c/p>\n\u003cp>When the Princess of Wales announced that she had completed chemotherapy treatment in \u003ca href=\"https://www.youtube.com/watch?v=yKNa97QcyKo\">a soft-focus, Insta-ready video\u003c/a>, she ventured into realms not previously inhabited by Britain’s royal family, traditionally known for the stiff-upper-lip, “never complain, never explain” ethos of the late Queen Elizabeth II.\u003c/p>\n\u003cp>[aside postid='arts_13953998']Here was the most popular royal, a public figure usually known simply as Kate, using the tools of social media to share the fact that for all her wealth and privilege, her life had been upended by cancer, just like millions of other people.\u003c/p>\n\u003cp>But it wasn’t just what she said, it was how she said it. Unlike earlier updates on Kate’s health, which sounded like factual news reports, this had an entirely different tone. The slickly produced mini-movie released on Monday showed the princess hugging Prince William and their three young children and sharing intimate moments at home with her parents.\u003c/p>\n\u003cp>There’s even a chaste kiss on her cheek.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It is a real break,’’ said George Gross, a royal historian at King’s College London. “But I think people will look at it and won’t necessarily realize that. I think they will think: This is just right, this is normal. That’s what a family does.”\u003c/p>\n\u003ch2>A tradition of secrecy\u003c/h2>\n\u003cp>Kate’s video marks the royal family’s latest experiment with greater openness since King Charles III assumed the throne in 2022. That has been tested repeatedly this year as both Charles and Kate were treated for serious health problems, then later announced they were undergoing cancer treatment.\u003c/p>\n\u003cp>For centuries, Britain’s royal family withheld news of illness for fear it might weaken their authority. That reticence and secrecy lingered even after they became constitutional figureheads.\u003c/p>\n\u003cp>[aside postid='arts_13939414']The British public wasn’t told that King George VI, Charles’ grandfather, had lung cancer before his death at the age of 56 in February 1952. The public death announcement said only that the king had “passed peacefully away in his sleep.”\u003c/p>\n\u003cp>King George V died in 1936, after suffering from heart and lung disease. Far from being open about the king’s health, palace officials manipulated the timing of his death to gain more favorable coverage. Diary extracts published 50 years later revealed that the king’s physician injected the terminally ill monarch with morphine and cocaine to speed his death — partly so it could be announced in the morning newspapers “rather than the less appropriate evening journals.”\u003c/p>\n\u003cp>Charles has made a point of being more open than his mother, Elizabeth, whom Buckingham Palace described as suffering from “mobility issues” in the months before her death.\u003c/p>\n\u003cp>In January, the palace said Charles would enter a London hospital for treatment for an enlarged prostate. A few weeks later, the king said he would step away from public duties while he received treatment for an undisclosed type of cancer. Those announcements, however, were made in factual releases issued by the palace press office.\u003c/p>\n\u003ch2>A new generation of royals\u003c/h2>\n\u003cp>But Kate and William, both 42, are of a new generation that is more comfortable sharing personal issues on social media.\u003c/p>\n\u003cp>[aside postid='arts_13919284']Kate’s video was shot by William Warr, creative director of Detail Films, which says it combines film production techniques and strategic marketing to create “beautiful branded films.”\u003c/p>\n\u003cp>“We exist to help brands tell stories that speak to their audience,” the firm says on its website.\u003c/p>\n\u003cp>In the video, Kate described how difficult the past nine months had been for her family and expressed “relief” at completing her course of treatment.\u003c/p>\n\u003cp>“Life as you know it can change in an instant, and we have had to find a way to navigate the stormy waters and road unknown,’’ she said in the video, which was shot in a woodland near the family’s summer home in Norfolk.\u003c/p>\n\u003cp>Some see the film as a reflection of a family bonded in a crisis, as many do when facing illness — sharing their thoughts with others.\u003c/p>\n\u003cp>“It is a love story,″ former BBC royal correspondent Michael Cole told TalkTV. “You’re seeing it there. You’re seeing what it means to a family.’’\u003c/p>\n\u003cp>[aside postid='arts_13866072']Mark Borkowski, a public relations and crisis consultant, described the film as “a tectonic shift in how the royal family controls its image.’’\u003c/p>\n\u003cp>“Kate’s journey is profound and deeply personal, but they’ve learned that emotion can be controlled — and weaponized — in small, potent doses,’’ he said. “By doing this through a polished film, they maintain dignity and control while still appearing relatable.”\u003c/p>\n\u003ch2>It’s the age of social media\u003c/h2>\n\u003cp>The fact that the royal family needed new techniques for controlling its story in the age of TikTok and Instagram was underscored after palace officials announced in January that Kate would be hospitalized for abdominal surgery. While the palace released few details about her condition, \u003ca href=\"https://www.kqed.org/arts/13953998/kate-middleton-conspiracy-theory-prince-william-royal-family-pr-disaster\">social media sites were filled with speculation\u003c/a> about what was really going on as Kate retreated from public view to focus on her recovery.\u003c/p>\n\u003cp>When the princess announced that she had cancer two months later, she spoke directly to the public in a somber video in which she asked for “time, space and privacy” while she underwent treatment.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JoWTuctHyyc\u003c/p>\n\u003cp>In June, Kate released a video update, saying she had good days and bad days.\u003c/p>\n\u003cp>While the princess stepped away from most public duties during her treatment, Kate has made two appearances this year. First, during the king’s birthday parade in June, known as Trooping the Colour, and most recently during the men’s final at Wimbledon in July, where she received a standing ovation.\u003c/p>\n\u003cp>Now that she has completed chemotherapy, Kate plans to slowly return to public duties, “undertaking a few more public appearances” in the coming months.\u003c/p>\n\u003cp>[aside postid='arts_13872986']But Kate said in her video that the path to full recovery would be long and she would “take each day as it comes.”\u003c/p>\n\u003cp>“William and I are so grateful for the support we have received and have drawn great strength from all those who are helping us at this time,” she said. “Everyone’s kindness, empathy and compassion has been truly humbling.”\u003c/p>\n\u003cp>The video should be seen as part of the king’s effort to increase the openness of the royal family as he seeks to build support for the monarchy, Gross said.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“It’s an operation. It’s the whole firm together,’’ he said. “And, I think, it really matches that sense of we’re being as open as we can, whilst retaining a natural sense of privacy that you need over these things.’’\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Public displays of affection on a royal video? My, how times have changed!\u003c/p>\n\u003cp>When the Princess of Wales announced that she had completed chemotherapy treatment in \u003ca href=\"https://www.youtube.com/watch?v=yKNa97QcyKo\">a soft-focus, Insta-ready video\u003c/a>, she ventured into realms not previously inhabited by Britain’s royal family, traditionally known for the stiff-upper-lip, “never complain, never explain” ethos of the late Queen Elizabeth II.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Here was the most popular royal, a public figure usually known simply as Kate, using the tools of social media to share the fact that for all her wealth and privilege, her life had been upended by cancer, just like millions of other people.\u003c/p>\n\u003cp>But it wasn’t just what she said, it was how she said it. Unlike earlier updates on Kate’s health, which sounded like factual news reports, this had an entirely different tone. The slickly produced mini-movie released on Monday showed the princess hugging Prince William and their three young children and sharing intimate moments at home with her parents.\u003c/p>\n\u003cp>There’s even a chaste kiss on her cheek.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It is a real break,’’ said George Gross, a royal historian at King’s College London. “But I think people will look at it and won’t necessarily realize that. I think they will think: This is just right, this is normal. That’s what a family does.”\u003c/p>\n\u003ch2>A tradition of secrecy\u003c/h2>\n\u003cp>Kate’s video marks the royal family’s latest experiment with greater openness since King Charles III assumed the throne in 2022. That has been tested repeatedly this year as both Charles and Kate were treated for serious health problems, then later announced they were undergoing cancer treatment.\u003c/p>\n\u003cp>For centuries, Britain’s royal family withheld news of illness for fear it might weaken their authority. That reticence and secrecy lingered even after they became constitutional figureheads.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The British public wasn’t told that King George VI, Charles’ grandfather, had lung cancer before his death at the age of 56 in February 1952. The public death announcement said only that the king had “passed peacefully away in his sleep.”\u003c/p>\n\u003cp>King George V died in 1936, after suffering from heart and lung disease. Far from being open about the king’s health, palace officials manipulated the timing of his death to gain more favorable coverage. Diary extracts published 50 years later revealed that the king’s physician injected the terminally ill monarch with morphine and cocaine to speed his death — partly so it could be announced in the morning newspapers “rather than the less appropriate evening journals.”\u003c/p>\n\u003cp>Charles has made a point of being more open than his mother, Elizabeth, whom Buckingham Palace described as suffering from “mobility issues” in the months before her death.\u003c/p>\n\u003cp>In January, the palace said Charles would enter a London hospital for treatment for an enlarged prostate. A few weeks later, the king said he would step away from public duties while he received treatment for an undisclosed type of cancer. Those announcements, however, were made in factual releases issued by the palace press office.\u003c/p>\n\u003ch2>A new generation of royals\u003c/h2>\n\u003cp>But Kate and William, both 42, are of a new generation that is more comfortable sharing personal issues on social media.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Kate’s video was shot by William Warr, creative director of Detail Films, which says it combines film production techniques and strategic marketing to create “beautiful branded films.”\u003c/p>\n\u003cp>“We exist to help brands tell stories that speak to their audience,” the firm says on its website.\u003c/p>\n\u003cp>In the video, Kate described how difficult the past nine months had been for her family and expressed “relief” at completing her course of treatment.\u003c/p>\n\u003cp>“Life as you know it can change in an instant, and we have had to find a way to navigate the stormy waters and road unknown,’’ she said in the video, which was shot in a woodland near the family’s summer home in Norfolk.\u003c/p>\n\u003cp>Some see the film as a reflection of a family bonded in a crisis, as many do when facing illness — sharing their thoughts with others.\u003c/p>\n\u003cp>“It is a love story,″ former BBC royal correspondent Michael Cole told TalkTV. “You’re seeing it there. You’re seeing what it means to a family.’’\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Mark Borkowski, a public relations and crisis consultant, described the film as “a tectonic shift in how the royal family controls its image.’’\u003c/p>\n\u003cp>“Kate’s journey is profound and deeply personal, but they’ve learned that emotion can be controlled — and weaponized — in small, potent doses,’’ he said. “By doing this through a polished film, they maintain dignity and control while still appearing relatable.”\u003c/p>\n\u003ch2>It’s the age of social media\u003c/h2>\n\u003cp>The fact that the royal family needed new techniques for controlling its story in the age of TikTok and Instagram was underscored after palace officials announced in January that Kate would be hospitalized for abdominal surgery. While the palace released few details about her condition, \u003ca href=\"https://www.kqed.org/arts/13953998/kate-middleton-conspiracy-theory-prince-william-royal-family-pr-disaster\">social media sites were filled with speculation\u003c/a> about what was really going on as Kate retreated from public view to focus on her recovery.\u003c/p>\n\u003cp>When the princess announced that she had cancer two months later, she spoke directly to the public in a somber video in which she asked for “time, space and privacy” while she underwent treatment.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JoWTuctHyyc'\n title='//www.youtube.com/embed/JoWTuctHyyc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In June, Kate released a video update, saying she had good days and bad days.\u003c/p>\n\u003cp>While the princess stepped away from most public duties during her treatment, Kate has made two appearances this year. First, during the king’s birthday parade in June, known as Trooping the Colour, and most recently during the men’s final at Wimbledon in July, where she received a standing ovation.\u003c/p>\n\u003cp>Now that she has completed chemotherapy, Kate plans to slowly return to public duties, “undertaking a few more public appearances” in the coming months.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But Kate said in her video that the path to full recovery would be long and she would “take each day as it comes.”\u003c/p>\n\u003cp>“William and I are so grateful for the support we have received and have drawn great strength from all those who are helping us at this time,” she said. “Everyone’s kindness, empathy and compassion has been truly humbling.”\u003c/p>\n\u003cp>The video should be seen as part of the king’s effort to increase the openness of the royal family as he seeks to build support for the monarchy, Gross said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Colleen Hoover’s bestselling novel \u003cem>It Ends With Us\u003c/em> has been adapted into a star-studded film, starring Blake Lively and Justin Baldoni. But the much-talked-about film is facing criticism for appearing to glamorize its depiction of domestic abuse.\u003c/p>\n\u003cp>The film, which draws from Hoover’s own parents’ relationship, tells the story of florist Lily Bloom, who falls in love with a neurosurgeon named Ryle Kincaid.\u003c/p>\n\u003cp>[aside postid='arts_13962898']During their courtship, Kincaid goes from charming and charismatic to physically and emotionally abusive. Bloom eventually ends the relationship, telling her daughter that the cycle of violence “ends with us,” reflecting the film’s title.\u003c/p>\n\u003cp>Based on promotional materials for the film, however, some critics say the message about abuse might not come across to viewers.\u003c/p>\n\u003cp>“The trailer does a disservice to the fact that this could really raise awareness,” said activist and domestic violence survivor Ashley Bendiksen. “But it seems to just be glossing over what the movie’s actually about.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In one trailer — set to the song “Strangers” by Ethel Cain, which includes the lyrics “don’t talk to strangers or you might fall in love” — the movie seems to hit all the right notes of a typical romance movie.\u003c/p>\n\u003cp>Viewers see the two main characters — played by Lively and Baldoni — launch into a romantic relationship. You’re teased with the potential of a love triangle, down to a fistfight between the two male suitors. And there’s a brief bout of rage from Kincaid as he breaks a piece of furniture in his apartment.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=DLET_u31M4M\u003c/p>\n\u003cp>But the full story is much darker. The abuse Bloom suffers at the hands of Kincaid in the film includes being pushed down a flight of stairs and attempted rape.\u003c/p>\n\u003cp>“When we use trauma as entertainment, it can feel really exploitative, and just irresponsible, and, in many ways, tone-deaf to the actual issue,” Bendiksen said.\u003c/p>\n\u003ch3>Fan blowback\u003c/h3>\n\u003cp>The film, which was released on Aug. 9, has \u003ca href=\"https://people.com/it-ends-with-us-blake-lively-highest-grossing-movie-8701237\">earned\u003c/a> a respectable $242 million worldwide. But despite its success at the box office, criticisms have been scathing.\u003c/p>\n\u003cp>[aside postid='arts_13963339']In one promotional video \u003ca href=\"https://www.instagram.com/itendswithusmovie/reel/C-dIFmsPeWH/\">posted on Instagram\u003c/a>, a smiling Lively sits alongside the novel’s author, Hoover, and encourages the audience to “grab your friends, wear your florals and head out to see it.” Florals in this context are a reference to her character, Bloom, owning a flower shop in the film.\u003c/p>\n\u003cp>Comments on the video criticized Lively’s upbeat tone and attempts to promote the movie as a lighthearted love story.\u003c/p>\n\u003cp>“As someone who lived through DV as a child, ‘grab your friends, wear your florals’ is a terrible phrase to use about a film of this nature,” one commenter wrote.\u003c/p>\n\u003cp>“You had an opportunity to turn this into a beautiful thing for women who suffer every day. Shame on you and your PR team for turning a blind eye,” another said.\u003c/p>\n\u003cp>Many of the comments praised Baldoni, however, for his style in promoting the story.\u003c/p>\n\u003cp>In one interview posted to the star’s \u003ca href=\"https://www.instagram.com/p/C-dnb8gPWSH/\">Instagram page\u003c/a>, Baldoni says his message for viewers is to always have hope.\u003c/p>\n\u003cp>“Everybody has the ability to end a cycle that they didn’t ask for. We can all say, ‘It ends with us’ in our life,” Baldoni said.\u003c/p>\n\u003cp>Baldoni directed the film, and Lively is one of its producers.\u003c/p>\n\u003cp>“Thank you so much for being the ONLY person on this cast promoting the actual point of this film,” one commenter wrote in response.\u003c/p>\n\u003cp>“It’s funny to me how the person that is portraying the offender is the only one making the point of the actual story.”\u003c/p>\n\u003cp>[aside postid='arts_13937951']Brandon Sklenar, who plays Baldoni’s romantic rival in the film, said that he and his fellow cast-mates understood the gravity of telling a story about domestic abuse.\u003c/p>\n\u003cp>“Trust me when I tell you, there isn’t a single person involved in the making of this film that was not aware of the responsibility we had in making this. A responsibility to all the women who have experienced generational trauma — domestic abuse — or struggle with looking in the mirror and loving who they see,” Sklenar wrote in a \u003ca href=\"https://www.instagram.com/p/C-5nF_IJr73/\">lengthy statement\u003c/a> posted to his Instagram account.\u003c/p>\n\u003cp>“This movie is a harsh reality check for the men who need to get their sh-t together and take responsibility for themselves and their actions.”\u003c/p>\n\u003cp>Comments on the statement were turned off, but comments on unrelated posts took the cast to task over the way the film was being promoted.\u003c/p>\n\u003cp>“Your most recent post is just perpetuating how TONE DEAF this whole cast is (besides Justin). We don’t want to hear you all defend each other. How about apologize and change the way you’re all promoting the movie and talk about the issue — [domestic violence],” wrote one frustrated commenter.\u003c/p>\n\u003cp>Hoover, in a separate interview with Lively, said she felt that the film had been “faithful” to the story she wrote.\u003c/p>\n\u003ch3>“Trigger warning”\u003c/h3>\n\u003cp>Obbie West, a spoken-word artist and advocate for victims of domestic abuse, said that the framing of the film could wind up being triggering for abuse victims.\u003c/p>\n\u003cp>[aside postid='arts_13962885']“Prior to presentations or prior to trainings, I give trigger warnings, and the trigger warning lets anyone in the room know that this content is going to be very sensitive in nature. That way, if any of it aligns with something they’ve been through and they feel triggered, we identify who are the people in the room that’s qualified to help you,” West said.\u003c/p>\n\u003cp>Trailers for the film do not include any sort of trigger warnings for content.\u003c/p>\n\u003cp>“So when you present this movie as a love movie without that precursor, then you have a theater full of people who aren’t aware that they may potentially be triggered.”\u003c/p>\n\u003cp>West said that in framing the movie as a love story, it could be damaging, particularly to young people who don’t have a healthy frame of reference for love and aren’t as easily able to recognize signs of abuse.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“If this is common practice and we’re constantly presenting love in this way, then for those children who are still developing, it normalizes it and desensitizes them to abuse,” West said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In one trailer — set to the song “Strangers” by Ethel Cain, which includes the lyrics “don’t talk to strangers or you might fall in love” — the movie seems to hit all the right notes of a typical romance movie.\u003c/p>\n\u003cp>Viewers see the two main characters — played by Lively and Baldoni — launch into a romantic relationship. You’re teased with the potential of a love triangle, down to a fistfight between the two male suitors. And there’s a brief bout of rage from Kincaid as he breaks a piece of furniture in his apartment.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DLET_u31M4M'\n title='//www.youtube.com/embed/DLET_u31M4M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But the full story is much darker. The abuse Bloom suffers at the hands of Kincaid in the film includes being pushed down a flight of stairs and attempted rape.\u003c/p>\n\u003cp>“When we use trauma as entertainment, it can feel really exploitative, and just irresponsible, and, in many ways, tone-deaf to the actual issue,” Bendiksen said.\u003c/p>\n\u003ch3>Fan blowback\u003c/h3>\n\u003cp>The film, which was released on Aug. 9, has \u003ca href=\"https://people.com/it-ends-with-us-blake-lively-highest-grossing-movie-8701237\">earned\u003c/a> a respectable $242 million worldwide. But despite its success at the box office, criticisms have been scathing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In one promotional video \u003ca href=\"https://www.instagram.com/itendswithusmovie/reel/C-dIFmsPeWH/\">posted on Instagram\u003c/a>, a smiling Lively sits alongside the novel’s author, Hoover, and encourages the audience to “grab your friends, wear your florals and head out to see it.” Florals in this context are a reference to her character, Bloom, owning a flower shop in the film.\u003c/p>\n\u003cp>Comments on the video criticized Lively’s upbeat tone and attempts to promote the movie as a lighthearted love story.\u003c/p>\n\u003cp>“As someone who lived through DV as a child, ‘grab your friends, wear your florals’ is a terrible phrase to use about a film of this nature,” one commenter wrote.\u003c/p>\n\u003cp>“You had an opportunity to turn this into a beautiful thing for women who suffer every day. Shame on you and your PR team for turning a blind eye,” another said.\u003c/p>\n\u003cp>Many of the comments praised Baldoni, however, for his style in promoting the story.\u003c/p>\n\u003cp>In one interview posted to the star’s \u003ca href=\"https://www.instagram.com/p/C-dnb8gPWSH/\">Instagram page\u003c/a>, Baldoni says his message for viewers is to always have hope.\u003c/p>\n\u003cp>“Everybody has the ability to end a cycle that they didn’t ask for. We can all say, ‘It ends with us’ in our life,” Baldoni said.\u003c/p>\n\u003cp>Baldoni directed the film, and Lively is one of its producers.\u003c/p>\n\u003cp>“Thank you so much for being the ONLY person on this cast promoting the actual point of this film,” one commenter wrote in response.\u003c/p>\n\u003cp>“It’s funny to me how the person that is portraying the offender is the only one making the point of the actual story.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Brandon Sklenar, who plays Baldoni’s romantic rival in the film, said that he and his fellow cast-mates understood the gravity of telling a story about domestic abuse.\u003c/p>\n\u003cp>“Trust me when I tell you, there isn’t a single person involved in the making of this film that was not aware of the responsibility we had in making this. A responsibility to all the women who have experienced generational trauma — domestic abuse — or struggle with looking in the mirror and loving who they see,” Sklenar wrote in a \u003ca href=\"https://www.instagram.com/p/C-5nF_IJr73/\">lengthy statement\u003c/a> posted to his Instagram account.\u003c/p>\n\u003cp>“This movie is a harsh reality check for the men who need to get their sh-t together and take responsibility for themselves and their actions.”\u003c/p>\n\u003cp>Comments on the statement were turned off, but comments on unrelated posts took the cast to task over the way the film was being promoted.\u003c/p>\n\u003cp>“Your most recent post is just perpetuating how TONE DEAF this whole cast is (besides Justin). We don’t want to hear you all defend each other. How about apologize and change the way you’re all promoting the movie and talk about the issue — [domestic violence],” wrote one frustrated commenter.\u003c/p>\n\u003cp>Hoover, in a separate interview with Lively, said she felt that the film had been “faithful” to the story she wrote.\u003c/p>\n\u003ch3>“Trigger warning”\u003c/h3>\n\u003cp>Obbie West, a spoken-word artist and advocate for victims of domestic abuse, said that the framing of the film could wind up being triggering for abuse victims.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“Prior to presentations or prior to trainings, I give trigger warnings, and the trigger warning lets anyone in the room know that this content is going to be very sensitive in nature. That way, if any of it aligns with something they’ve been through and they feel triggered, we identify who are the people in the room that’s qualified to help you,” West said.\u003c/p>\n\u003cp>Trailers for the film do not include any sort of trigger warnings for content.\u003c/p>\n\u003cp>“So when you present this movie as a love movie without that precursor, then you have a theater full of people who aren’t aware that they may potentially be triggered.”\u003c/p>\n\u003cp>West said that in framing the movie as a love story, it could be damaging, particularly to young people who don’t have a healthy frame of reference for love and aren’t as easily able to recognize signs of abuse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If this is common practice and we’re constantly presenting love in this way, then for those children who are still developing, it normalizes it and desensitizes them to abuse,” West said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "involuntary-servitude-california-prop-6-san-quentin",
"title": "A Future Without Involuntary Servitude? In California, It's Long Overdue",
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"content": "\u003cp>[dropcap]T[/dropcap]he idea of prison labor was on my mind as I visited San Quentin last weekend.\u003c/p>\n\u003cp>After going through security, I and two dozen other journalists walked past the lower yard, where men in boxing gloves threw combos at each other and hoopers in grey shorts shot free throws. We spent hours at the prison’s media center watching film clips and listening to podcasts made by folks behind bars, like \u003ca href=\"https://www.earhustlesq.com/?gad_source=1&gclid=Cj0KCQjw2ou2BhCCARIsANAwM2HHbkxlgrsGFB8htH1leiwIFl30CuIge-JTdVTFhvjoUgwPb1pt5bQaAnZTEALw_wcB\" target=\"_blank\" rel=\"noopener\">\u003cem>Ear Hustle\u003c/em>\u003c/a> and \u003ca href=\"https://www.weareuncuffed.org/\" target=\"_blank\" rel=\"noopener\">\u003cem>Uncuffed\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">And during the lunch break, I asked a few people who are incarcerated about jobs in the prison.\u003c/p>\n\u003cp>One man told me he works in the media center for just 11¢ an hour. Another said he makes 14¢ an hour. Some teachers who lead programs don’t get paid at all. One person said he appreciates the structure employment brings, and noted that no matter how little it pays, any type of program or job is beneficial when it’s time to ask for parole.\u003c/p>\n\u003cp>Some people were happy that\u003ca href=\"https://www.cdcr.ca.gov/regulations/wp-content/uploads/sites/171/2024/04/Inmate-Pay_Approval.pdf\" target=\"_blank\" rel=\"noopener\"> the CDCR raised pay rates for incarcerated laborers in April\u003c/a>, an increase from 32¢-37¢ an hour to 64¢-74¢ an hour. (The cover of July’s print edition of \u003cem>The San Quentin News\u003c/em> had a story about one negative impact of the pay raise: less jobs.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the past, I interviewed a woman who repaired the industrial-sized laundry dryers at the California Institution for Women in Chino while incarcerated. While teaching at Vacaville’s California Medical Facility, I met a man who did landscaping in front of the prison’s religious buildings. There’s a meat cutting facility at Mule Creek State Prison, and a poultry processing enterprise at Avenal State Prison.\u003c/p>\n\u003cp>Behind bars in California, people make everything from socks to American flags.\u003c/p>\n\u003cp>There’s plenty of potential occupations for people who are incarcerated. Some jobs are underpaid, and some don’t pay at all. But legally, every able-bodied person is supposed to work. It’s written in the state’s constitution as a form of “involuntary servitude” — or, as many see it: slavery.\u003c/p>\n\u003cp>This fall, if passed by voters, Prop. 6 would amend the state’s constitution to no longer require people who are incarcerated to work. Finally, 160 years after President Lincoln signed the Emancipation Proclamation, we have the opportunity to put an end to a direct remnant of this country’s most inhumane system.\u003c/p>\n\u003cp>How did we get here? Let’s start at the top: the federal government. As you might have learned in history class, \u003ca href=\"https://constitution.congress.gov/browse/essay/amdt13-S1-1/ALDE_00000992/#:~:text=Thirteenth%20Amendment%2C%20Section%201%3A,place%20subject%20to%20their%20jurisdiction.\">the 13th Amendment\u003c/a> ended slavery, right? Well, no.\u003c/p>\n\u003cp>It states:\u003c/p>\n\u003cblockquote>\u003cp>Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.\u003c/p>\u003c/blockquote>\n\u003cp>That exception (“except as punishment for crime”) creates a loophole for states to force people who are incarcerated to work without compensation.\u003c/p>\n\u003cp>The application of this exception varies from state to state. California is \u003ca href=\"https://ballotpedia.org/California_Proposition_6,_Remove_Involuntary_Servitude_as_Punishment_for_Crime_Amendment_(2024)#Support\">one of eight states\u003c/a> where involuntary servitude is still a legal form of punishment for a crime. (There are eight other states where it’s explicitly stated that “slavery,” verbatim, is a legal punishment for a crime.)\u003c/p>\n\u003cp>With \u003ca href=\"https://www.prisonpolicy.org/profiles/CA.html\">nearly 200,000 people behind bars\u003c/a>, California has the most populous incarceration system of all 16 states where this form of punishment is legal. That massive amount of people working for free, or in some cases \u003ca href=\"https://www.kqed.org/news/11983846/state-prisons-offset-new-inmate-wage-hikes-by-cutting-hours-for-some-workers\" target=\"_blank\" rel=\"noopener\">a few cents per hour\u003c/a>, plays a valuable part in the Golden State’s economic system — one that generates the \u003ca href=\"https://www.statista.com/statistics/187834/gdp-of-the-us-federal-state-of-california-since-1997/#:~:text=U.S.%20real%20GDP%20of%20California%202000%2D2023&text=In%202023%2C%20the%20real%20gross,at%203.23%20trillion%20U.S.%20dollars.\">third-highest GDP\u003c/a> in the United States.\u003c/p>\n\u003cp>Now consider that African Americans account for nearly one-third of all incarcerated people, but only 5% of the state’s total population. Do you start to see how slavery, far from being abolished, is actually alive and well?\u003c/p>\n\u003cfigure id=\"attachment_13962659\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13962659\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13%E2%80%AFAM-800x573.png\" alt=\"Members of Legal Services for Prisoners with Children pose for a photo outside of the California State Capitol Building in Sacramento. \" width=\"800\" height=\"573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-800x573.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-1020x730.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-160x115.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-768x550.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-1536x1100.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-2048x1466.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-1920x1374.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Members of Legal Services for Prisoners with Children pose for a photo in San Diego at the Democratic Executive Board Meeting on the day Rep. Maxine Waters officially supported the bill that is now Prop. 6. \u003ccite>(Courtesy of Dr. Tanisha Cannon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]“W[/dropcap]e’re not just simply trying to change the language,” says Paul Briley, Executive Director of Legal Services for Prisoners with Children, of involuntary servitude. “We want to change the practice.”\u003c/p>\n\u003cp>During a recent video chat, Briley gave me a bit of a history lesson on the roots of the issue in California.\u003c/p>\n\u003cp>It starts with California’s first governor, \u003ca href=\"https://www.npr.org/2020/07/15/891563719/peter-hardeman-burnett-californias-1st-governor-and-a-noted-racist\" target=\"_blank\" rel=\"noopener\">Peter Hardeman Burnett\u003c/a>, a noted racist and slave owner originally from Tennessee. Burnett got into California politics on the tail end of the Gold Rush, after leaving Oregon, where he was also politically involved. While in Oregon, he helped the state legislature establish \u003ca href=\"https://sos.oregon.gov/archives/exhibits/black-history/Pages/context/slavery.aspx#:~:text=The%20Oregon%20Lash%20Law&text=The%20next%20year%2C%20Peter%20Burnett,the%20slaves%20would%20be%20freed.\" target=\"_blank\" rel=\"noopener\">a lash law\u003c/a>, which required people of African descent to leave the state or else face punishment in the form of whippings.\u003c/p>\n\u003cp>“(Burnett) wanted to create a white-only west,” says Briley, adding that Burnett also advocated for California’s \u003ca href=\"https://www.kqed.org/news/11905371/california-celebrates-its-history-as-a-free-state-but-there-was-slavery-here\" target=\"_blank\" rel=\"noopener\">Fugitive Slave Law\u003c/a>, which put Black residents who’d escaped slavery at high risk of being sent back to Southern slave states. The underlying ambition of the law, Briley says, was to keep this new state’s Black population to a minimum.\u003c/p>\n\u003cp>In 1852, the same year California passed its Fugitive Slave Law, the state also established its first mainland prison, San Quentin.\u003c/p>\n\u003cp>“There’s a direct correlation between slavery and mass incarceration,” notes Briley. And so — aiming to abolish not just the language but the practice — “that’s at the core of our mission: dismantling the entire prison industrial complex.”\u003c/p>\n\u003cp>[aside postID='arts_13926813']While the Fugitive Slave Law expired after three years, the state of California’s constitution still allowed for involuntary servitude, which stands to this day.\u003c/p>\n\u003cp>The mere allowance for involuntary servitude isn’t the only issue. The enforcement of involuntary servitude is problematic, too. This is outlined in California Department of Corrections and Rehabilitation’s (CDCR) \u003ca href=\"https://codes.findlaw.com/ca/penal-code/pen-sect-2700/#:~:text=The%20Department%20of%20Corrections%20shall,of%20the%20Director%20of%20Corrections.\" target=\"_blank\" rel=\"noopener\">Penal Code 2700\u003c/a>, which dictates that every able-bodied incarcerated person must work. Whether waylaid by sickness, grief or other serious issues, people behind bars in this state must work or else face \u003ca href=\"https://www.shouselaw.com/ca/blog/cdcr-form-115-discipline-report/\" target=\"_blank\" rel=\"noopener\">a Form 115 discipline report\u003c/a>, a write-up added to their record, potentially resulting in a longer prison sentence.\u003c/p>\n\u003cp>“We’re not only trying to change the constitution, we’re not focused on symbolism,” says Lawrence Cox, during the same video call. Cox is the Regional Advocacy and Organizing Associate with the social justice nonprofit \u003ca href=\"https://prisonerswithchildren.org/about-aouon/\" target=\"_blank\" rel=\"noopener\">All of Us or None\u003c/a>, an organization working “to create an airtight solution that prevents the exploitation of individuals who are incarcerated.”\u003c/p>\n\u003cp>The larger goal, Cox adds, is to separate the prison industrial complex from the rehabilitative apparatus of corrections. Which is significant to the CDCR, as \u003ca href=\"http://www.allgov.com/usa/ca/departments/independent-agencies/department_of_corrections_and_rehabilitation?agencyid=223\" target=\"_blank\" rel=\"noopener\">the organization made it a point to add “rehabilitation” to their title in 2004\u003c/a>.\u003c/p>\n\u003cp>“Rehab is about autonomy,” says Cox, adding that “healing from the traumas that may have caused individuals to commit the crimes that they’ve committed… has nothing to do with forced slavery.”\u003c/p>\n\u003cfigure id=\"attachment_13962773\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962773\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Quentin State Prison in San Quentin on July 26, 2023. In March, California Governor Gavin Newsom announced that the state would seek to transform the maximum security prison into a center focused on the rehabilitation of incarcerated individuals. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]I[/dropcap]n addition to the lack of choice, the conditions incarcerated people are forced to work under are often perilous. Electricians work with live power lines that feed electricity to prisons, and firefighters work on the dangerous frontlines of wildfires. Much of this work is done with a severe lack of support for workers’ rights.\u003c/p>\n\u003cp>In June, the California Division of Occupational Safety and Health (CAL/OSHA) agreed to \u003ca href=\"https://www.dir.ca.gov/dosh/heatillnessinfo.html\" target=\"_blank\" rel=\"noopener\">new guidelines regarding the rights of indoor workers\u003c/a> at workplaces where temperatures reach 82 degrees or above. It’s an important measure, enacted during a changing climate, when everyone is impacted by increasing temperatures. The problem is: \u003ca href=\"https://www.dir.ca.gov/oshsb/documents/Indoor-Heat-updated-txtbrdconsider.pdf\" target=\"_blank\" rel=\"noopener\">the legislation explicitly excludes people behind bars\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://prisonerswithchildren.org/staff-and-board/\" target=\"_blank\" rel=\"noopener\">Dr. Tanisha Cannon\u003c/a>, Managing Director of Legal Services for Prisoners with Children, believes that the labor done by incarcerated people, unpaid or underpaid, should technically qualify them as state workers. But they don’t receive any benefits or Social Security.\u003c/p>\n\u003cp>“Folks can work in state prison for 20 years,” says Cannon, “and then they get released and come home to $200 gate money.”\u003c/p>\n\u003cp>[aside postID='arts_13962094']Cannon notes that the $200 gate money that the state gives people who’ve been incarcerated hasn’t changed since the 1970s. In Northern California, she adds, $200 covers about a week’s worth of groceries.\u003c/p>\n\u003cp>“If these jobs didn’t exist inside of prisons, (the state would) have to hire more COs and more electricians to run the prison,” says Cannon. “Prisoners are really running the prison system.”\u003c/p>\n\u003cp>And they aren’t getting paid fairly for it.\u003c/p>\n\u003cp>It’s important for everyone to vote, Cannon emphasizes. She wants to be clear that people with felonies, as well as incarcerated people in California, can vote. (\u003ca href=\"https://www.sos.ca.gov/elections/voting-rights-restored\">Registering and obtaining a ballot\u003c/a> is another hurdle.)\u003c/p>\n\u003cp>Given the theatrics of this year’s presidential election, Cannon understands how people can grow disenfranchised with the electoral process. Nevertheless, she and other advocates are still encouraging people to vote, “because there are some things on this ballot that are going to directly impact you and your community,” says Cannon.\u003c/p>\n\u003cp>And when it comes to voting on involuntary servitude and Prop. 6, Cannon says it’s particularly important, considering that the state has extracted wealth from Black communities for hundreds of years.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“If these same folks that are producing the labor were getting paid,” says Cannon, “this would extract wealth from those larger companies, and reinvest it in our communities.”\u003c/p>\n\n",
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"description": "California has the chance to repeal a direct remnant of slavery. Who could possibly be against it?",
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"headline": "A Future Without Involuntary Servitude? In California, It's Long Overdue",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">T\u003c/span>\u003c/p>\u003cp>he idea of prison labor was on my mind as I visited San Quentin last weekend.\u003c/p>\n\u003cp>After going through security, I and two dozen other journalists walked past the lower yard, where men in boxing gloves threw combos at each other and hoopers in grey shorts shot free throws. We spent hours at the prison’s media center watching film clips and listening to podcasts made by folks behind bars, like \u003ca href=\"https://www.earhustlesq.com/?gad_source=1&gclid=Cj0KCQjw2ou2BhCCARIsANAwM2HHbkxlgrsGFB8htH1leiwIFl30CuIge-JTdVTFhvjoUgwPb1pt5bQaAnZTEALw_wcB\" target=\"_blank\" rel=\"noopener\">\u003cem>Ear Hustle\u003c/em>\u003c/a> and \u003ca href=\"https://www.weareuncuffed.org/\" target=\"_blank\" rel=\"noopener\">\u003cem>Uncuffed\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">And during the lunch break, I asked a few people who are incarcerated about jobs in the prison.\u003c/p>\n\u003cp>One man told me he works in the media center for just 11¢ an hour. Another said he makes 14¢ an hour. Some teachers who lead programs don’t get paid at all. One person said he appreciates the structure employment brings, and noted that no matter how little it pays, any type of program or job is beneficial when it’s time to ask for parole.\u003c/p>\n\u003cp>Some people were happy that\u003ca href=\"https://www.cdcr.ca.gov/regulations/wp-content/uploads/sites/171/2024/04/Inmate-Pay_Approval.pdf\" target=\"_blank\" rel=\"noopener\"> the CDCR raised pay rates for incarcerated laborers in April\u003c/a>, an increase from 32¢-37¢ an hour to 64¢-74¢ an hour. (The cover of July’s print edition of \u003cem>The San Quentin News\u003c/em> had a story about one negative impact of the pay raise: less jobs.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the past, I interviewed a woman who repaired the industrial-sized laundry dryers at the California Institution for Women in Chino while incarcerated. While teaching at Vacaville’s California Medical Facility, I met a man who did landscaping in front of the prison’s religious buildings. There’s a meat cutting facility at Mule Creek State Prison, and a poultry processing enterprise at Avenal State Prison.\u003c/p>\n\u003cp>Behind bars in California, people make everything from socks to American flags.\u003c/p>\n\u003cp>There’s plenty of potential occupations for people who are incarcerated. Some jobs are underpaid, and some don’t pay at all. But legally, every able-bodied person is supposed to work. It’s written in the state’s constitution as a form of “involuntary servitude” — or, as many see it: slavery.\u003c/p>\n\u003cp>This fall, if passed by voters, Prop. 6 would amend the state’s constitution to no longer require people who are incarcerated to work. Finally, 160 years after President Lincoln signed the Emancipation Proclamation, we have the opportunity to put an end to a direct remnant of this country’s most inhumane system.\u003c/p>\n\u003cp>How did we get here? Let’s start at the top: the federal government. As you might have learned in history class, \u003ca href=\"https://constitution.congress.gov/browse/essay/amdt13-S1-1/ALDE_00000992/#:~:text=Thirteenth%20Amendment%2C%20Section%201%3A,place%20subject%20to%20their%20jurisdiction.\">the 13th Amendment\u003c/a> ended slavery, right? Well, no.\u003c/p>\n\u003cp>It states:\u003c/p>\n\u003cblockquote>\u003cp>Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.\u003c/p>\u003c/blockquote>\n\u003cp>That exception (“except as punishment for crime”) creates a loophole for states to force people who are incarcerated to work without compensation.\u003c/p>\n\u003cp>The application of this exception varies from state to state. California is \u003ca href=\"https://ballotpedia.org/California_Proposition_6,_Remove_Involuntary_Servitude_as_Punishment_for_Crime_Amendment_(2024)#Support\">one of eight states\u003c/a> where involuntary servitude is still a legal form of punishment for a crime. (There are eight other states where it’s explicitly stated that “slavery,” verbatim, is a legal punishment for a crime.)\u003c/p>\n\u003cp>With \u003ca href=\"https://www.prisonpolicy.org/profiles/CA.html\">nearly 200,000 people behind bars\u003c/a>, California has the most populous incarceration system of all 16 states where this form of punishment is legal. That massive amount of people working for free, or in some cases \u003ca href=\"https://www.kqed.org/news/11983846/state-prisons-offset-new-inmate-wage-hikes-by-cutting-hours-for-some-workers\" target=\"_blank\" rel=\"noopener\">a few cents per hour\u003c/a>, plays a valuable part in the Golden State’s economic system — one that generates the \u003ca href=\"https://www.statista.com/statistics/187834/gdp-of-the-us-federal-state-of-california-since-1997/#:~:text=U.S.%20real%20GDP%20of%20California%202000%2D2023&text=In%202023%2C%20the%20real%20gross,at%203.23%20trillion%20U.S.%20dollars.\">third-highest GDP\u003c/a> in the United States.\u003c/p>\n\u003cp>Now consider that African Americans account for nearly one-third of all incarcerated people, but only 5% of the state’s total population. Do you start to see how slavery, far from being abolished, is actually alive and well?\u003c/p>\n\u003cfigure id=\"attachment_13962659\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13962659\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13%E2%80%AFAM-800x573.png\" alt=\"Members of Legal Services for Prisoners with Children pose for a photo outside of the California State Capitol Building in Sacramento. \" width=\"800\" height=\"573\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-800x573.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-1020x730.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-160x115.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-768x550.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-1536x1100.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-2048x1466.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-14-at-8.12.13 AM-1920x1374.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Members of Legal Services for Prisoners with Children pose for a photo in San Diego at the Democratic Executive Board Meeting on the day Rep. Maxine Waters officially supported the bill that is now Prop. 6. \u003ccite>(Courtesy of Dr. Tanisha Cannon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">“W\u003c/span>\u003c/p>\u003cp>e’re not just simply trying to change the language,” says Paul Briley, Executive Director of Legal Services for Prisoners with Children, of involuntary servitude. “We want to change the practice.”\u003c/p>\n\u003cp>During a recent video chat, Briley gave me a bit of a history lesson on the roots of the issue in California.\u003c/p>\n\u003cp>It starts with California’s first governor, \u003ca href=\"https://www.npr.org/2020/07/15/891563719/peter-hardeman-burnett-californias-1st-governor-and-a-noted-racist\" target=\"_blank\" rel=\"noopener\">Peter Hardeman Burnett\u003c/a>, a noted racist and slave owner originally from Tennessee. Burnett got into California politics on the tail end of the Gold Rush, after leaving Oregon, where he was also politically involved. While in Oregon, he helped the state legislature establish \u003ca href=\"https://sos.oregon.gov/archives/exhibits/black-history/Pages/context/slavery.aspx#:~:text=The%20Oregon%20Lash%20Law&text=The%20next%20year%2C%20Peter%20Burnett,the%20slaves%20would%20be%20freed.\" target=\"_blank\" rel=\"noopener\">a lash law\u003c/a>, which required people of African descent to leave the state or else face punishment in the form of whippings.\u003c/p>\n\u003cp>“(Burnett) wanted to create a white-only west,” says Briley, adding that Burnett also advocated for California’s \u003ca href=\"https://www.kqed.org/news/11905371/california-celebrates-its-history-as-a-free-state-but-there-was-slavery-here\" target=\"_blank\" rel=\"noopener\">Fugitive Slave Law\u003c/a>, which put Black residents who’d escaped slavery at high risk of being sent back to Southern slave states. The underlying ambition of the law, Briley says, was to keep this new state’s Black population to a minimum.\u003c/p>\n\u003cp>In 1852, the same year California passed its Fugitive Slave Law, the state also established its first mainland prison, San Quentin.\u003c/p>\n\u003cp>“There’s a direct correlation between slavery and mass incarceration,” notes Briley. And so — aiming to abolish not just the language but the practice — “that’s at the core of our mission: dismantling the entire prison industrial complex.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While the Fugitive Slave Law expired after three years, the state of California’s constitution still allowed for involuntary servitude, which stands to this day.\u003c/p>\n\u003cp>The mere allowance for involuntary servitude isn’t the only issue. The enforcement of involuntary servitude is problematic, too. This is outlined in California Department of Corrections and Rehabilitation’s (CDCR) \u003ca href=\"https://codes.findlaw.com/ca/penal-code/pen-sect-2700/#:~:text=The%20Department%20of%20Corrections%20shall,of%20the%20Director%20of%20Corrections.\" target=\"_blank\" rel=\"noopener\">Penal Code 2700\u003c/a>, which dictates that every able-bodied incarcerated person must work. Whether waylaid by sickness, grief or other serious issues, people behind bars in this state must work or else face \u003ca href=\"https://www.shouselaw.com/ca/blog/cdcr-form-115-discipline-report/\" target=\"_blank\" rel=\"noopener\">a Form 115 discipline report\u003c/a>, a write-up added to their record, potentially resulting in a longer prison sentence.\u003c/p>\n\u003cp>“We’re not only trying to change the constitution, we’re not focused on symbolism,” says Lawrence Cox, during the same video call. Cox is the Regional Advocacy and Organizing Associate with the social justice nonprofit \u003ca href=\"https://prisonerswithchildren.org/about-aouon/\" target=\"_blank\" rel=\"noopener\">All of Us or None\u003c/a>, an organization working “to create an airtight solution that prevents the exploitation of individuals who are incarcerated.”\u003c/p>\n\u003cp>The larger goal, Cox adds, is to separate the prison industrial complex from the rehabilitative apparatus of corrections. Which is significant to the CDCR, as \u003ca href=\"http://www.allgov.com/usa/ca/departments/independent-agencies/department_of_corrections_and_rehabilitation?agencyid=223\" target=\"_blank\" rel=\"noopener\">the organization made it a point to add “rehabilitation” to their title in 2004\u003c/a>.\u003c/p>\n\u003cp>“Rehab is about autonomy,” says Cox, adding that “healing from the traumas that may have caused individuals to commit the crimes that they’ve committed… has nothing to do with forced slavery.”\u003c/p>\n\u003cfigure id=\"attachment_13962773\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962773\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/230726-SAN-QUENTIN-MHN-01-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">San Quentin State Prison in San Quentin on July 26, 2023. In March, California Governor Gavin Newsom announced that the state would seek to transform the maximum security prison into a center focused on the rehabilitation of incarcerated individuals. \u003ccite>(Martin do Nascimento/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">I\u003c/span>\u003c/p>\u003cp>n addition to the lack of choice, the conditions incarcerated people are forced to work under are often perilous. Electricians work with live power lines that feed electricity to prisons, and firefighters work on the dangerous frontlines of wildfires. Much of this work is done with a severe lack of support for workers’ rights.\u003c/p>\n\u003cp>In June, the California Division of Occupational Safety and Health (CAL/OSHA) agreed to \u003ca href=\"https://www.dir.ca.gov/dosh/heatillnessinfo.html\" target=\"_blank\" rel=\"noopener\">new guidelines regarding the rights of indoor workers\u003c/a> at workplaces where temperatures reach 82 degrees or above. It’s an important measure, enacted during a changing climate, when everyone is impacted by increasing temperatures. The problem is: \u003ca href=\"https://www.dir.ca.gov/oshsb/documents/Indoor-Heat-updated-txtbrdconsider.pdf\" target=\"_blank\" rel=\"noopener\">the legislation explicitly excludes people behind bars\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://prisonerswithchildren.org/staff-and-board/\" target=\"_blank\" rel=\"noopener\">Dr. Tanisha Cannon\u003c/a>, Managing Director of Legal Services for Prisoners with Children, believes that the labor done by incarcerated people, unpaid or underpaid, should technically qualify them as state workers. But they don’t receive any benefits or Social Security.\u003c/p>\n\u003cp>“Folks can work in state prison for 20 years,” says Cannon, “and then they get released and come home to $200 gate money.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Cannon notes that the $200 gate money that the state gives people who’ve been incarcerated hasn’t changed since the 1970s. In Northern California, she adds, $200 covers about a week’s worth of groceries.\u003c/p>\n\u003cp>“If these jobs didn’t exist inside of prisons, (the state would) have to hire more COs and more electricians to run the prison,” says Cannon. “Prisoners are really running the prison system.”\u003c/p>\n\u003cp>And they aren’t getting paid fairly for it.\u003c/p>\n\u003cp>It’s important for everyone to vote, Cannon emphasizes. She wants to be clear that people with felonies, as well as incarcerated people in California, can vote. (\u003ca href=\"https://www.sos.ca.gov/elections/voting-rights-restored\">Registering and obtaining a ballot\u003c/a> is another hurdle.)\u003c/p>\n\u003cp>Given the theatrics of this year’s presidential election, Cannon understands how people can grow disenfranchised with the electoral process. Nevertheless, she and other advocates are still encouraging people to vote, “because there are some things on this ballot that are going to directly impact you and your community,” says Cannon.\u003c/p>\n\u003cp>And when it comes to voting on involuntary servitude and Prop. 6, Cannon says it’s particularly important, considering that the state has extracted wealth from Black communities for hundreds of years.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If these same folks that are producing the labor were getting paid,” says Cannon, “this would extract wealth from those larger companies, and reinvest it in our communities.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A bunch of athletic do-gooders heralded the apocalypse* over the weekend when they found a 12-foot-long creature floating dead in the Pacific Ocean near San Diego, and decided to drag it to shore on a paddleboard. You know, instead of just pretending it hadn’t happened, like normal, anxious people.\u003c/p>\n\u003cp>[*This is a lie.]\u003c/p>\n\u003cp>Exuding typical levels of Southern California enthusiasm and positivity, the swimmers notified officials about the creature — for science or whatever — who were thrilled with the find and planned a necropsy to see what killed it.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4cpC2aErI9U\u003c/p>\n\u003cp>So, what is this massive sea serpent-looking thing? A giant oarfish, that’s what: a be-mohawked deep-sea longboi whose entire family has been nicknamed “doomsday fish.” (\u003cem>Cool\u003c/em>.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Oarfish can grow up to 36 feet in length, making them the longest bony fish on Earth, and usually hang out thousands of feet underwater. Oh, yes — and this is the most important part — despite having incredibly derpy faces, the oarfish are said to be predictors of earthquakes, and prophets of death and mayhem and mortal danger to all our lives**.\u003c/p>\n\u003cp>[**This is also a lie.]\u003c/p>\n\u003cp>The earthquake theory posits that because oarfish live so close to the bottom of the ocean, they can sense when seismic activity is afoot, and rush to the surface in a panic. (Kind of like the way San Franciscans all run around looking for a table to hide under when we get those \u003ca href=\"https://www.shakealert.org/\">Shake Alert texts\u003c/a>.) According to some corners of the internet, multiple oarfish were spotted in Japan before the 2011 earthquake and tsunami, and a couple of oarfish washed ashore in the Philippines before a 6.6 earthquake in 2017. Which thoroughly suggests that when human bystanders see an oarfish, it definitely means that we’re all going to die.***\u003c/p>\n\u003cp>[***Another lie.]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If, like me, you are incapable of staying calm in the face of these harbingers of doom, try and find comfort in the fact that apparently, oarfish also showed up in California in 2013, 2014 and 2015 without major catastrophe befalling us all. Keep everything crossed.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A bunch of athletic do-gooders heralded the apocalypse* over the weekend when they found a 12-foot-long creature floating dead in the Pacific Ocean near San Diego, and decided to drag it to shore on a paddleboard. You know, instead of just pretending it hadn’t happened, like normal, anxious people.\u003c/p>\n\u003cp>[*This is a lie.]\u003c/p>\n\u003cp>Exuding typical levels of Southern California enthusiasm and positivity, the swimmers notified officials about the creature — for science or whatever — who were thrilled with the find and planned a necropsy to see what killed it.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4cpC2aErI9U'\n title='//www.youtube.com/embed/4cpC2aErI9U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>So, what is this massive sea serpent-looking thing? A giant oarfish, that’s what: a be-mohawked deep-sea longboi whose entire family has been nicknamed “doomsday fish.” (\u003cem>Cool\u003c/em>.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Oarfish can grow up to 36 feet in length, making them the longest bony fish on Earth, and usually hang out thousands of feet underwater. Oh, yes — and this is the most important part — despite having incredibly derpy faces, the oarfish are said to be predictors of earthquakes, and prophets of death and mayhem and mortal danger to all our lives**.\u003c/p>\n\u003cp>[**This is also a lie.]\u003c/p>\n\u003cp>The earthquake theory posits that because oarfish live so close to the bottom of the ocean, they can sense when seismic activity is afoot, and rush to the surface in a panic. (Kind of like the way San Franciscans all run around looking for a table to hide under when we get those \u003ca href=\"https://www.shakealert.org/\">Shake Alert texts\u003c/a>.) According to some corners of the internet, multiple oarfish were spotted in Japan before the 2011 earthquake and tsunami, and a couple of oarfish washed ashore in the Philippines before a 6.6 earthquake in 2017. Which thoroughly suggests that when human bystanders see an oarfish, it definitely means that we’re all going to die.***\u003c/p>\n\u003cp>[***Another lie.]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If, like me, you are incapable of staying calm in the face of these harbingers of doom, try and find comfort in the fact that apparently, oarfish also showed up in California in 2013, 2014 and 2015 without major catastrophe befalling us all. Keep everything crossed.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_13961048\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_.jpg\" alt=\"A young woman sits semi-reclined on a grey couch, looking downward, covered in white and maroon blankets.\" width=\"1920\" height=\"1920\" class=\"size-full wp-image-13961048\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The author in her apartment, one year after moving to the South Bay from Mumbai. The adjustment process for immigrants can bring on ‘migratory melancholia,’ a specific cluster of emotions. \u003ccite>(Abhishek Shet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Of all the personal labels I’ve subscribed to while recently working out the plurality of my identity, a tiny alphanumeric one has emerged as the most potent — H4.\u003c/p>\n\u003cp>This seemingly benign title is the name of my visa category in the United States. Around 18 months ago, I moved to the San Francisco Bay Area from India’s financial capital, Mumbai. To say I grew up there sounds a touch reductive; it’s where I lived, learned and loved for 37 years.\u003c/p>\n\u003cp>I moved for love. A whirlwind, cross-continental romance that began on Bumble during the pandemic ended in wedding vows that brought me to America in the winter of 2022. That’s when I became an “H4 wife,” a term used for newlywed spouses, typically brides, who come to the country on a “dependent visa,” which means their partner holds a more dignified employment-based visa called the H1.\u003c/p>\n\u003cp>I used to think “non-resident alien” was the weirdest official nomenclature in America, but “dependent spouse” is worse.\u003c/p>\n\u003cp>Lest anyone think this is a garden variety sob story, let me clarify that I live a privileged life. In fact, the first time I used the word “traumatized” to describe my psychological state after moving to Silicon Valley, my husband balked and reminded me that I was sitting on a $1,500 couch and drinking gourmet Colombian coffee. But the tears still rolled down my face.\u003c/p>\n\u003cfigure id=\"attachment_13961049\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_.jpg\" alt=\"A young woman sips from a mug while sitting on a couch, with sunlight coming in from the right side.\" width=\"1920\" height=\"1920\" class=\"size-full wp-image-13961049\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The author in her South Bay apartment. H4 visa holders are sometimes referred to as ‘dependent spouses,’ a distorted form of citizenship limbo. \u003ccite>(Abhishek Shet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The struggle to reorient — socially, professionally, practically — in a new country is real. The story of the asylum-seeking refugee who flees economic hardship, political anarchy or religious persecution in their home country is well documented, as it should be. New York-based author and journalism professor Suketu Mehta writes about immigration as reparation for colonialism in his fabulous book \u003cem>This Land Is My Land\u003c/em>, which passionately advocates for immigrants who fight the odds to come to the United States in search of a better life, and devote their waking hours to earning money for their struggling families back home.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Who writes of the trauma of the highly educated, upper-middle class legal immigrant who kisses family and friends goodbye, unplugs a career and moves of their own volition, only to realize that the real journey begins after the plane lands on the tarmac? Who documents the disillusionment of the financially stable, travel-savvy global citizen, who, passport in hand, marches across airports in a quest for the best life they can gift themselves? Who chronicles my — our — brand of immigration? \u003c/p>\n\u003cp>Let me try. What is commonly misinterpreted as homesickness or casually dismissed as the stress of a new relationship — or as Indians like to say, “adjustment issues” — is in fact a cluster of emotions including frustration, anxiousness, low self-esteem, confusion, self-doubt, loneliness, an identity crisis and a sense of pervasive sadness.\u003c/p>\n\u003cp>Collectively, this dull mood state is different in quality from depression or anxiety disorder, both far more debilitating conditions. Nonetheless, the sub-clinical disquietude of the contemporary settler is what I have come to call “migratory melancholia.”\u003c/p>\n\u003cp>The concept of emotion clusters has been explored indifferent contexts. British Psychologist Kevin Dutton, in his book \u003cem>The Wisdom Of Psychopaths\u003c/em>, writes about traits that comprise the psychopathic personality — fearlessness, ruthlessness, confidence, focus, charm, lack of conscience and calmness under pressure. \u003c/p>\n\u003cp>The same logic of clusters, with different emotions, can be applied to migratory melancholia. It could be years before this depressive subset finds room in mental health literature. But change can start sooner. I’d like people experiencing post-migration blues to recognize the signs and know that they are not alone.\u003c/p>\n\u003cfigure id=\"attachment_13961047\" class=\"wp-caption aligncenter\" style=\"max-width: 899px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_.jpg\" alt=\"\" width=\"899\" height=\"1255\" class=\"size-full wp-image-13961047\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_.jpg 899w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_-800x1117.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_-160x223.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_-768x1072.jpg 768w\" sizes=\"(max-width: 899px) 100vw, 899px\">\u003cfigcaption class=\"wp-caption-text\">On the tarmac. \u003ccite>(Abhishek Shet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Every immigrant feels their story is unique; that they are somehow different from the hundreds of thousands of others who risk leaving home for their version of the American dream, be it professional, educational, financial or, as in my case, romantic. And while their individual details may be unique, we’re still united in movement, and united in spirit. \u003c/p>\n\u003cp>On my way from Mumbai to San Francisco, there was a seven-hour layover in Dubai. While waiting, I swapped stories with some fellow passengers, one of them a Bangladeshi man from the town of Sylhet who has made New York his home. We had neither coast in common nor mother tongue, but were united in the American immigrant experience.\u003c/p>\n\u003cp>We each grumbled about the lengthy documentation involved in securing, then renewing, then stamping, and then re-renewing our respective visas, and the arduous path to officially belonging here. But that is just paperwork, he said, for America is “here” — pointing to his head with one hand and his heart with another.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.ashwinigangal.com/\">Ashwini Gangal\u003c/a> is a Mumbai-bred, California-based journalist, hopelessly in love with the written word. She is the author of two chapbooks, ‘\u003ca href=\"https://www.amazon.com/Hormonal-House-collection-stories-Mumbai/dp/B0CMN6TYBM\">Hormonal House\u003c/a>’ and ‘\u003ca href=\"https://bottlecap.press/products/yersinia\">Yersinia Pestis\u003c/a>.’ \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13961048\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_.jpg\" alt=\"A young woman sits semi-reclined on a grey couch, looking downward, covered in white and maroon blankets.\" width=\"1920\" height=\"1920\" class=\"size-full wp-image-13961048\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.couch_-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The author in her apartment, one year after moving to the South Bay from Mumbai. The adjustment process for immigrants can bring on ‘migratory melancholia,’ a specific cluster of emotions. \u003ccite>(Abhishek Shet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Of all the personal labels I’ve subscribed to while recently working out the plurality of my identity, a tiny alphanumeric one has emerged as the most potent — H4.\u003c/p>\n\u003cp>This seemingly benign title is the name of my visa category in the United States. Around 18 months ago, I moved to the San Francisco Bay Area from India’s financial capital, Mumbai. To say I grew up there sounds a touch reductive; it’s where I lived, learned and loved for 37 years.\u003c/p>\n\u003cp>I moved for love. A whirlwind, cross-continental romance that began on Bumble during the pandemic ended in wedding vows that brought me to America in the winter of 2022. That’s when I became an “H4 wife,” a term used for newlywed spouses, typically brides, who come to the country on a “dependent visa,” which means their partner holds a more dignified employment-based visa called the H1.\u003c/p>\n\u003cp>I used to think “non-resident alien” was the weirdest official nomenclature in America, but “dependent spouse” is worse.\u003c/p>\n\u003cp>Lest anyone think this is a garden variety sob story, let me clarify that I live a privileged life. In fact, the first time I used the word “traumatized” to describe my psychological state after moving to Silicon Valley, my husband balked and reminded me that I was sitting on a $1,500 couch and drinking gourmet Colombian coffee. But the tears still rolled down my face.\u003c/p>\n\u003cfigure id=\"attachment_13961049\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_.jpg\" alt=\"A young woman sips from a mug while sitting on a couch, with sunlight coming in from the right side.\" width=\"1920\" height=\"1920\" class=\"size-full wp-image-13961049\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.MAIN_-1536x1536.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The author in her South Bay apartment. H4 visa holders are sometimes referred to as ‘dependent spouses,’ a distorted form of citizenship limbo. \u003ccite>(Abhishek Shet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The struggle to reorient — socially, professionally, practically — in a new country is real. The story of the asylum-seeking refugee who flees economic hardship, political anarchy or religious persecution in their home country is well documented, as it should be. New York-based author and journalism professor Suketu Mehta writes about immigration as reparation for colonialism in his fabulous book \u003cem>This Land Is My Land\u003c/em>, which passionately advocates for immigrants who fight the odds to come to the United States in search of a better life, and devote their waking hours to earning money for their struggling families back home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Who writes of the trauma of the highly educated, upper-middle class legal immigrant who kisses family and friends goodbye, unplugs a career and moves of their own volition, only to realize that the real journey begins after the plane lands on the tarmac? Who documents the disillusionment of the financially stable, travel-savvy global citizen, who, passport in hand, marches across airports in a quest for the best life they can gift themselves? Who chronicles my — our — brand of immigration? \u003c/p>\n\u003cp>Let me try. What is commonly misinterpreted as homesickness or casually dismissed as the stress of a new relationship — or as Indians like to say, “adjustment issues” — is in fact a cluster of emotions including frustration, anxiousness, low self-esteem, confusion, self-doubt, loneliness, an identity crisis and a sense of pervasive sadness.\u003c/p>\n\u003cp>Collectively, this dull mood state is different in quality from depression or anxiety disorder, both far more debilitating conditions. Nonetheless, the sub-clinical disquietude of the contemporary settler is what I have come to call “migratory melancholia.”\u003c/p>\n\u003cp>The concept of emotion clusters has been explored indifferent contexts. British Psychologist Kevin Dutton, in his book \u003cem>The Wisdom Of Psychopaths\u003c/em>, writes about traits that comprise the psychopathic personality — fearlessness, ruthlessness, confidence, focus, charm, lack of conscience and calmness under pressure. \u003c/p>\n\u003cp>The same logic of clusters, with different emotions, can be applied to migratory melancholia. It could be years before this depressive subset finds room in mental health literature. But change can start sooner. I’d like people experiencing post-migration blues to recognize the signs and know that they are not alone.\u003c/p>\n\u003cfigure id=\"attachment_13961047\" class=\"wp-caption aligncenter\" style=\"max-width: 899px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_.jpg\" alt=\"\" width=\"899\" height=\"1255\" class=\"size-full wp-image-13961047\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_.jpg 899w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_-800x1117.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_-160x223.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/07/Ashwini.Plane_-768x1072.jpg 768w\" sizes=\"(max-width: 899px) 100vw, 899px\">\u003cfigcaption class=\"wp-caption-text\">On the tarmac. \u003ccite>(Abhishek Shet)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Every immigrant feels their story is unique; that they are somehow different from the hundreds of thousands of others who risk leaving home for their version of the American dream, be it professional, educational, financial or, as in my case, romantic. And while their individual details may be unique, we’re still united in movement, and united in spirit. \u003c/p>\n\u003cp>On my way from Mumbai to San Francisco, there was a seven-hour layover in Dubai. While waiting, I swapped stories with some fellow passengers, one of them a Bangladeshi man from the town of Sylhet who has made New York his home. We had neither coast in common nor mother tongue, but were united in the American immigrant experience.\u003c/p>\n\u003cp>We each grumbled about the lengthy documentation involved in securing, then renewing, then stamping, and then re-renewing our respective visas, and the arduous path to officially belonging here. But that is just paperwork, he said, for America is “here” — pointing to his head with one hand and his heart with another.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.ashwinigangal.com/\">Ashwini Gangal\u003c/a> is a Mumbai-bred, California-based journalist, hopelessly in love with the written word. She is the author of two chapbooks, ‘\u003ca href=\"https://www.amazon.com/Hormonal-House-collection-stories-Mumbai/dp/B0CMN6TYBM\">Hormonal House\u003c/a>’ and ‘\u003ca href=\"https://bottlecap.press/products/yersinia\">Yersinia Pestis\u003c/a>.’ \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>From the moment the lights went down at Chase Center in San Francisco, it was clear that Megan Thee Stallion was ready to leave it all on the floor for her Bay Area Hotties.\u003c/p>\n\u003cp>On June 23, the rap titan ascended on a platform during her trash-talking, latest No. 1 single, “\u003ca href=\"https://www.youtube.com/watch?v=XVgCLQ_JQfU\">HISS\u003c/a>,” delivering venomous bars a cappella as an enthusiastic crowd rapped along. The track clapped back at her former collaborator \u003ca href=\"https://www.kqed.org/arts/13953284/nicki-minaj-review-oakland-arena-pink-friday-2-tour\">Nicki Minaj\u003c/a> and Canadian menaces \u003ca href=\"https://www.rollingstone.com/music/music-news/drake-controversial-support-tory-lanez-megan-thee-stallion-shooting-appeal-1234975634/\">Drake\u003c/a> and \u003ca href=\"https://www.npr.org/2023/08/08/1181702809/tory-lanez-megan-thee-stallion\">Tory Lanez\u003c/a>, leaving no doubt that this tour represents a boisterous victory lap.\u003c/p>\n\u003cp>Megan Thee Stallion captured the zeitgeist in 2019 with her sex-positive lyricism and superhuman knee strength. After a global pandemic, \u003ca href=\"https://www.npr.org/2023/03/14/1163603837/megans-rule-being-exceptional-doesnt-make-you-the-exception\">surviving a shooting\u003c/a> and enduring a battle with her former record label, the rapper at long last embarked on her first headlining tour, flying her “Hot Girl Summer” banner across the country in support of her self-titled third studio album, due out Friday.\u003c/p>\n\u003cfigure id=\"attachment_13958683\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958683\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at BottleRock Napa Valley festival on Friday, May 24, 2024.\u003c/figcaption>\u003c/figure>\n\u003cp>The 26-song setlist covered a lot of ground, and had a lot of payoff for new and old-school fans alike. Megan Thee Stallion reached as far back as her 2017 track “\u003ca href=\"https://youtu.be/gvSD05Yu7Ig?si=195uTm3kfDZ6ZHtg\">Stalli (Freestyle)\u003c/a>,” where she questions the penmanship of her peers while impressively using the word “onomatopoeia” in her flow: “Your favorite rapper only use onomatopoeias / You don’t wanna hear it ’cause you only wanna see her.”\u003c/p>\n\u003cp>Superstardom has not been easy for the Houston rapper, who has received misogynistic and racist backlash following her breakthrough. “My motherfuckin’ body, my choice / Ain’t no lil’ dick takin’ my voice,” she rapped to the menacing beat of “\u003ca href=\"https://www.youtube.com/watch?v=oA9M928sL5Y\">Gift & A Curse\u003c/a>.” The roaring crowd echoed her words back in a moment that felt both timeless and extremely timely.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Later in the night, fans of all genders, shapes and sizes — many dressed in their best cheek-baring outfits — joined her on stage for an epic twerk-off that celebrated individuality and pride in their bodies.\u003c/p>\n\u003cfigure id=\"attachment_13958607\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958607\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at BottleRock Napa Valley festival on Friday, May 24, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>GloRilla, who delivered a high-octane opening set earlier in the night, returned to the stage to perform her addictive new track featuring Megan Thee Stallion, “\u003ca href=\"https://www.youtube.com/watch?v=BT_83vSP1es\">Wanna Be\u003c/a>.” The duo’s synergy elevated the cocky tune to new heights, and a symphony of “Go Meg!” and “Get ’em Glo!” chants erupted as they got low. [aside postid='arts_13960019']\u003c/p>\n\u003cp>Throughout the show, Megan Thee Stallion interacted with the crowd as if they were her best friends, which created some hilarious moments. A fan seemingly proposed to her with a banner: “Petite Black woman who will sign an NDA.” Another fan’s sign read “Both of my boyfriends are Captain Hook,” referencing the rapper’s explicit 2020 hit. “I’m jealous,” Thee Stallion commented after initially being taken aback — the best we can do is hope the boyfriends don’t mind sharing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As the show drew to a close with Megan Thee Stallion’s gargantuan Beyoncé collaboration “\u003ca href=\"https://www.youtube.com/watch?v=lEIqjoO0-Bs\">Savage Remix\u003c/a>,” for which she had a cameo in the singer’s \u003cem>RENAISSANCE\u003c/em> tour film, all I could think about was what a huge triumph this tour has been for her. If anyone had any doubt that Megan Thee Stallion is an impeccable live performer, bar spitter, knee bender and entertainer, there’s no way they could’ve left Chase Center thinking anything but that.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>From the moment the lights went down at Chase Center in San Francisco, it was clear that Megan Thee Stallion was ready to leave it all on the floor for her Bay Area Hotties.\u003c/p>\n\u003cp>On June 23, the rap titan ascended on a platform during her trash-talking, latest No. 1 single, “\u003ca href=\"https://www.youtube.com/watch?v=XVgCLQ_JQfU\">HISS\u003c/a>,” delivering venomous bars a cappella as an enthusiastic crowd rapped along. The track clapped back at her former collaborator \u003ca href=\"https://www.kqed.org/arts/13953284/nicki-minaj-review-oakland-arena-pink-friday-2-tour\">Nicki Minaj\u003c/a> and Canadian menaces \u003ca href=\"https://www.rollingstone.com/music/music-news/drake-controversial-support-tory-lanez-megan-thee-stallion-shooting-appeal-1234975634/\">Drake\u003c/a> and \u003ca href=\"https://www.npr.org/2023/08/08/1181702809/tory-lanez-megan-thee-stallion\">Tory Lanez\u003c/a>, leaving no doubt that this tour represents a boisterous victory lap.\u003c/p>\n\u003cp>Megan Thee Stallion captured the zeitgeist in 2019 with her sex-positive lyricism and superhuman knee strength. After a global pandemic, \u003ca href=\"https://www.npr.org/2023/03/14/1163603837/megans-rule-being-exceptional-doesnt-make-you-the-exception\">surviving a shooting\u003c/a> and enduring a battle with her former record label, the rapper at long last embarked on her first headlining tour, flying her “Hot Girl Summer” banner across the country in support of her self-titled third studio album, due out Friday.\u003c/p>\n\u003cfigure id=\"attachment_13958683\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958683\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_MeganTheeStallionMAIN_EG_34-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at BottleRock Napa Valley festival on Friday, May 24, 2024.\u003c/figcaption>\u003c/figure>\n\u003cp>The 26-song setlist covered a lot of ground, and had a lot of payoff for new and old-school fans alike. Megan Thee Stallion reached as far back as her 2017 track “\u003ca href=\"https://youtu.be/gvSD05Yu7Ig?si=195uTm3kfDZ6ZHtg\">Stalli (Freestyle)\u003c/a>,” where she questions the penmanship of her peers while impressively using the word “onomatopoeia” in her flow: “Your favorite rapper only use onomatopoeias / You don’t wanna hear it ’cause you only wanna see her.”\u003c/p>\n\u003cp>Superstardom has not been easy for the Houston rapper, who has received misogynistic and racist backlash following her breakthrough. “My motherfuckin’ body, my choice / Ain’t no lil’ dick takin’ my voice,” she rapped to the menacing beat of “\u003ca href=\"https://www.youtube.com/watch?v=oA9M928sL5Y\">Gift & A Curse\u003c/a>.” The roaring crowd echoed her words back in a moment that felt both timeless and extremely timely.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Later in the night, fans of all genders, shapes and sizes — many dressed in their best cheek-baring outfits — joined her on stage for an epic twerk-off that celebrated individuality and pride in their bodies.\u003c/p>\n\u003cfigure id=\"attachment_13958607\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13958607\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/240524_BottleRock_EG_28-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Megan Thee Stallion performs at BottleRock Napa Valley festival on Friday, May 24, 2024. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>GloRilla, who delivered a high-octane opening set earlier in the night, returned to the stage to perform her addictive new track featuring Megan Thee Stallion, “\u003ca href=\"https://www.youtube.com/watch?v=BT_83vSP1es\">Wanna Be\u003c/a>.” The duo’s synergy elevated the cocky tune to new heights, and a symphony of “Go Meg!” and “Get ’em Glo!” chants erupted as they got low. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Throughout the show, Megan Thee Stallion interacted with the crowd as if they were her best friends, which created some hilarious moments. A fan seemingly proposed to her with a banner: “Petite Black woman who will sign an NDA.” Another fan’s sign read “Both of my boyfriends are Captain Hook,” referencing the rapper’s explicit 2020 hit. “I’m jealous,” Thee Stallion commented after initially being taken aback — the best we can do is hope the boyfriends don’t mind sharing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As the show drew to a close with Megan Thee Stallion’s gargantuan Beyoncé collaboration “\u003ca href=\"https://www.youtube.com/watch?v=lEIqjoO0-Bs\">Savage Remix\u003c/a>,” for which she had a cameo in the singer’s \u003cem>RENAISSANCE\u003c/em> tour film, all I could think about was what a huge triumph this tour has been for her. If anyone had any doubt that Megan Thee Stallion is an impeccable live performer, bar spitter, knee bender and entertainer, there’s no way they could’ve left Chase Center thinking anything but that.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "dr-jack-turban-free-to-be-simon-schuster",
"title": "In ‘Free To Be,’ A UCSF Doctor Dispels Myths About Trans Youth",
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"content": "\u003cp>\u003ca href=\"https://www.jackturban.com/\">Dr. Jack Turban\u003c/a>, one of the nation’s most respected authorities on transgender youth, nearly missed this calling and became a dermatologist. A gay son of a strongly unaccepting father, he took the tried-and-true path of trying to win family love through perfection.\u003c/p>\n\u003cp>“There’s a lot of pressure to become a dermatologist in medical school,” he tells me via video interview. “People don’t realize that it’s considered a very prestigious thing. I think I also had ‘best little gay boy in the world syndrome’ — like where you grow up thinking this thing is so bad and wrong that you should be perfect in every other way.”\u003c/p>\n\u003cp>Turban’s ideas about his career prospects began to shift on a trip to Europe, as a part of a piece he was writing for \u003cem>The New York Times\u003c/em> on trans kids. “That trip changed everything,” he says. “It was the moment for me when it went from being this intellectualized discussion to the real-life kid in front of you.”\u003c/p>\n\u003cp>Turban saw the vast difference between the kids who were being affirmed and those who weren’t. After consulting with some colleagues and doing a child psychiatry rotation, he knew his future was working with transgender children and not, as he puts it, rolling mice to their tanning beds. [aside postid='arts_13926077']\u003c/p>\n\u003cp>Much of the work that Turban has done since then as a researcher and an advocate now culminates in the release of his first book, \u003ca href=\"https://www.harvard.com/book/free_to_be/\">\u003cem>Free to Be: Understanding Kids & Gender Identity\u003c/em>\u003c/a> (out June 4 via Simon & Schuster). Written specifically for parents — although also a wonderful read for anyone who wants to be more educated about the current political debates around trans people — the book is a readable, engaging and accessible introduction to the basics of what it means to be a transgender child, and the many options open to those who wish to transition. Turban admirably engages a lot of the misinformation circulating about this heavily marginalized demographic, and grounds research in firsthand stories from his own clinical work with kids.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Turban has spent much of his career in the \u003ca href=\"https://transcare.ucsf.edu/\">UCSF Gender Clinic\u003c/a>, one of the nation’s leading clinics serving transgender minors. During our interview, he noted that some states where he considered setting down roots — including Tennessee — have outlawed such care, meaning that if he had followed that path, his career would have been brought to an untimely halt by Republican legislators.\u003c/p>\n\u003cp>“It’s scary to think,” he says. [aside postid='arts_13957070']\u003c/p>\n\u003cp>In addition to serving trans kids as a medical provider, Turban has also produced a substantial body of research. One of his frequently cited papers found that when trans youth want puberty blockers and don’t have access to them, it is correlated with a substantial increase in suicidality across their entire lifespan, even if they later are able to get gender-affirming care as an adult. Among other things, this paper demonstrated how letting trans kids go through their natal puberty was not a neutral act, and could in fact have serious consequences.\u003c/p>\n\u003cp>Another paper of his found that those who realized their gender identity in childhood tended to wait over a decade before disclosing it to anyone. Turban believes that these findings help dispel one of the most widely promulgated myths about trans kids, that of so-called rapid onset gender dysphoria.\u003c/p>\n\u003cp>“Rapid onset gender dysphoria is just the thing that will not die,” he tells me. “This whole notion that when parents find out is when kids realized for the first time is clearly false. It’s heartbreaking that they have to wait so long before they even feel safe telling the people who are supposed to be the safest to talk to.” [aside postid='arts_13955066']\u003c/p>\n\u003cp>Turban shares his findings in ways that are vivid and easy to digest, which makes \u003cem>Free to Be\u003c/em> so valuable. Among other important topics, Turban examines in detail the ill-fated attempts to find a “cause” for being trans (theories include bad mothering, mental illness among mothers and sexual abuse). As Turban notes, these have all been discredited, and he presents strong evidence that transness is likely biological in nature. This would accord with the experience of the vast majority of trans people, and it would also explain why attempts at conversion therapy have been such abject failures. In fact, many studies (including Turban’s own research) have demonstrated that conversion therapy is incredibly harmful, greatly increasing suicidality and depression and failing to have any impact on identity.\u003c/p>\n\u003cp>In spite of all that, Turban does not argue that the “born this way” narrative is the best way to promote trans equality. What he argues for instead is just getting to know a trans person. “People have all these ideas and opinions about trans people, but when they finally go and meet a trans person, there’s a major ‘oh shit’ moment,” he says.\u003c/p>\n\u003cp>Turban described a presentation he gave to a group of medical students at Yale, using a pre-test and post-test to determine whether their attitudes shifted. He found that, even though the students left more informed, their beliefs about the ethics of trans medicine stayed the same.\u003c/p>\n\u003cp>After Turban arranged for a trans young person to speak about her experiences to the class, everything changed. “Major props to this girl, who did not have to do this,” he says. “She just sat down and answered questions, and all the medical students came up afterwards and said things like, ‘Oh my God, I can’t believe I ever considered taking medical care away from this kid, when it’s so clear how important this was.’” [aside postid='news_11966077']\u003c/p>\n\u003cp>In \u003cem>Free to Be\u003c/em>, Turban strikes a parallel between gay equality and trans equality, even discussing his interviews with Evan Wolfson, widely credited as an leading architect of marriage equality in the United States. As Turban notes, Wolfson has long argued that “born this way” might have played some role for the gay rights movement, but that the bigger gains were made when straight Americans interacted with gay ones as the latter became increasingly visible throughout society. Turban believes the same will hold true for trans equality.\u003c/p>\n\u003cp>Perhaps this is why Turban chooses to take so much space in \u003cem>Free to Be\u003c/em> to take us into the lives of the kids themselves, drawing on his own clinical work to compellingly share his clients’ searches for acceptance, bodily autonomy and safety.\u003c/p>\n\u003cp>In the book, we meet Sam, a seven-year-old nonbinary child. Early on in working with them, Turban explains to Sam what will soon happen when they go through their natal puberty. Turban then asks Sam what they want to do — experience that puberty or try to change it — and Sam says they’ll think about it. Turban ends up following Sam through an adolescence in which they choose not to intervene in their puberty, instead addressing their trans identity simply through things like clothing and haircuts. This episode gives the lie to prevailing myths about trans kids — that they are too young and naive to know what they want for their own bodies, and that maintaining a trans identity and a social transition will inevitably lead to medical interventions. [aside postid='arts_13858877']\u003c/p>\n\u003cp>Although Turban has had a very successful and rewarding career as an advocate for trans kids, it has not been without its share of difficulties. “For the last five, ten years, there’s been this constant stream of death threats,” he shares. “It’s become a lot scarier, especially with the political environment right now. It’s definitely something that I think about.”\u003c/p>\n\u003cp>Anti-trans hate campaigns also impact the kids he works with, especially when peers at school parrot hate speech. “It just makes me want to cry,” he says. “They hear things like being trans is a mental illness. Or the sports thing comes up, and they all want to quit sports or intentionally lose. Or when dating comes up, they’re really afraid of that.”\u003c/p>\n\u003cp>As someone who has spent years of my professional life supporting the mental health of trans people, as well as educating other clinicians about best practices for serving this demographic, Turban’s work has been absolutely essential. His research papers are among those that I most often quote and share with colleagues and parents of trans children. They are impactful and eye-opening, and really help those who are not trans better understand the experience.\u003c/p>\n\u003cp>\u003cem>Free to Be\u003c/em> is a wonderful distillation of years of Turban’s research, as well as his advocacy and countless hours of face-to-face work with these kids and their parents. I know it is something I will be reaching for often, and recommending to my clients for some time to come.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Jack Turban will discuss ‘Free to Be’ at\u003ca href=\"https://www.bookpassage.com/event/jack-turban-md-free-be-understanding-kids-gender-identity-corte-madera-store\"> Book Passage in Corte Madera on June 2\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Veronica Esposito is a writer, transgender advocate and associate marriage and family therapist specializing in supporting transgender clients. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.jackturban.com/\">Dr. Jack Turban\u003c/a>, one of the nation’s most respected authorities on transgender youth, nearly missed this calling and became a dermatologist. A gay son of a strongly unaccepting father, he took the tried-and-true path of trying to win family love through perfection.\u003c/p>\n\u003cp>“There’s a lot of pressure to become a dermatologist in medical school,” he tells me via video interview. “People don’t realize that it’s considered a very prestigious thing. I think I also had ‘best little gay boy in the world syndrome’ — like where you grow up thinking this thing is so bad and wrong that you should be perfect in every other way.”\u003c/p>\n\u003cp>Turban’s ideas about his career prospects began to shift on a trip to Europe, as a part of a piece he was writing for \u003cem>The New York Times\u003c/em> on trans kids. “That trip changed everything,” he says. “It was the moment for me when it went from being this intellectualized discussion to the real-life kid in front of you.”\u003c/p>\n\u003cp>Turban saw the vast difference between the kids who were being affirmed and those who weren’t. After consulting with some colleagues and doing a child psychiatry rotation, he knew his future was working with transgender children and not, as he puts it, rolling mice to their tanning beds. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Much of the work that Turban has done since then as a researcher and an advocate now culminates in the release of his first book, \u003ca href=\"https://www.harvard.com/book/free_to_be/\">\u003cem>Free to Be: Understanding Kids & Gender Identity\u003c/em>\u003c/a> (out June 4 via Simon & Schuster). Written specifically for parents — although also a wonderful read for anyone who wants to be more educated about the current political debates around trans people — the book is a readable, engaging and accessible introduction to the basics of what it means to be a transgender child, and the many options open to those who wish to transition. Turban admirably engages a lot of the misinformation circulating about this heavily marginalized demographic, and grounds research in firsthand stories from his own clinical work with kids.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Turban has spent much of his career in the \u003ca href=\"https://transcare.ucsf.edu/\">UCSF Gender Clinic\u003c/a>, one of the nation’s leading clinics serving transgender minors. During our interview, he noted that some states where he considered setting down roots — including Tennessee — have outlawed such care, meaning that if he had followed that path, his career would have been brought to an untimely halt by Republican legislators.\u003c/p>\n\u003cp>“It’s scary to think,” he says. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to serving trans kids as a medical provider, Turban has also produced a substantial body of research. One of his frequently cited papers found that when trans youth want puberty blockers and don’t have access to them, it is correlated with a substantial increase in suicidality across their entire lifespan, even if they later are able to get gender-affirming care as an adult. Among other things, this paper demonstrated how letting trans kids go through their natal puberty was not a neutral act, and could in fact have serious consequences.\u003c/p>\n\u003cp>Another paper of his found that those who realized their gender identity in childhood tended to wait over a decade before disclosing it to anyone. Turban believes that these findings help dispel one of the most widely promulgated myths about trans kids, that of so-called rapid onset gender dysphoria.\u003c/p>\n\u003cp>“Rapid onset gender dysphoria is just the thing that will not die,” he tells me. “This whole notion that when parents find out is when kids realized for the first time is clearly false. It’s heartbreaking that they have to wait so long before they even feel safe telling the people who are supposed to be the safest to talk to.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Turban shares his findings in ways that are vivid and easy to digest, which makes \u003cem>Free to Be\u003c/em> so valuable. Among other important topics, Turban examines in detail the ill-fated attempts to find a “cause” for being trans (theories include bad mothering, mental illness among mothers and sexual abuse). As Turban notes, these have all been discredited, and he presents strong evidence that transness is likely biological in nature. This would accord with the experience of the vast majority of trans people, and it would also explain why attempts at conversion therapy have been such abject failures. In fact, many studies (including Turban’s own research) have demonstrated that conversion therapy is incredibly harmful, greatly increasing suicidality and depression and failing to have any impact on identity.\u003c/p>\n\u003cp>In spite of all that, Turban does not argue that the “born this way” narrative is the best way to promote trans equality. What he argues for instead is just getting to know a trans person. “People have all these ideas and opinions about trans people, but when they finally go and meet a trans person, there’s a major ‘oh shit’ moment,” he says.\u003c/p>\n\u003cp>Turban described a presentation he gave to a group of medical students at Yale, using a pre-test and post-test to determine whether their attitudes shifted. He found that, even though the students left more informed, their beliefs about the ethics of trans medicine stayed the same.\u003c/p>\n\u003cp>After Turban arranged for a trans young person to speak about her experiences to the class, everything changed. “Major props to this girl, who did not have to do this,” he says. “She just sat down and answered questions, and all the medical students came up afterwards and said things like, ‘Oh my God, I can’t believe I ever considered taking medical care away from this kid, when it’s so clear how important this was.’” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In \u003cem>Free to Be\u003c/em>, Turban strikes a parallel between gay equality and trans equality, even discussing his interviews with Evan Wolfson, widely credited as an leading architect of marriage equality in the United States. As Turban notes, Wolfson has long argued that “born this way” might have played some role for the gay rights movement, but that the bigger gains were made when straight Americans interacted with gay ones as the latter became increasingly visible throughout society. Turban believes the same will hold true for trans equality.\u003c/p>\n\u003cp>Perhaps this is why Turban chooses to take so much space in \u003cem>Free to Be\u003c/em> to take us into the lives of the kids themselves, drawing on his own clinical work to compellingly share his clients’ searches for acceptance, bodily autonomy and safety.\u003c/p>\n\u003cp>In the book, we meet Sam, a seven-year-old nonbinary child. Early on in working with them, Turban explains to Sam what will soon happen when they go through their natal puberty. Turban then asks Sam what they want to do — experience that puberty or try to change it — and Sam says they’ll think about it. Turban ends up following Sam through an adolescence in which they choose not to intervene in their puberty, instead addressing their trans identity simply through things like clothing and haircuts. This episode gives the lie to prevailing myths about trans kids — that they are too young and naive to know what they want for their own bodies, and that maintaining a trans identity and a social transition will inevitably lead to medical interventions. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Although Turban has had a very successful and rewarding career as an advocate for trans kids, it has not been without its share of difficulties. “For the last five, ten years, there’s been this constant stream of death threats,” he shares. “It’s become a lot scarier, especially with the political environment right now. It’s definitely something that I think about.”\u003c/p>\n\u003cp>Anti-trans hate campaigns also impact the kids he works with, especially when peers at school parrot hate speech. “It just makes me want to cry,” he says. “They hear things like being trans is a mental illness. Or the sports thing comes up, and they all want to quit sports or intentionally lose. Or when dating comes up, they’re really afraid of that.”\u003c/p>\n\u003cp>As someone who has spent years of my professional life supporting the mental health of trans people, as well as educating other clinicians about best practices for serving this demographic, Turban’s work has been absolutely essential. His research papers are among those that I most often quote and share with colleagues and parents of trans children. They are impactful and eye-opening, and really help those who are not trans better understand the experience.\u003c/p>\n\u003cp>\u003cem>Free to Be\u003c/em> is a wonderful distillation of years of Turban’s research, as well as his advocacy and countless hours of face-to-face work with these kids and their parents. I know it is something I will be reaching for often, and recommending to my clients for some time to come.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Jack Turban will discuss ‘Free to Be’ at\u003ca href=\"https://www.bookpassage.com/event/jack-turban-md-free-be-understanding-kids-gender-identity-corte-madera-store\"> Book Passage in Corte Madera on June 2\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Last week, as YouTuber Jenny Nicholson’s review/eulogy for the shuttered Disney Star Wars hotel started making the rounds, I was curious. I’d of course heard about the “immersive experience” officially called Star Wars: Galactic Starcruiser, and here was someone who’d actually experienced the, um, experience. But then I saw the video’s running time — four hours and five minutes! — and I closed the tab faster than I do whenever the algorithm wants to show me some dumbass trying to pick up a cobra.\u003c/p>\n\u003cp>[aside postid='arts_13958493']Who has the kind of time, I wondered, to sit around and watch YouTube for half the damn workday? In this, the era of TikTok? And Reels? And in what is, we have all been repeatedly assured, a time of shrinking attention spans?\u003c/p>\n\u003cp>In the case of Nicholson’s Starcruiser video, millions and millions of people have the time, it turns out. And she’s not alone: Over the past few years, you may have noticed YouTube suggesting videos to you so long they make \u003cem>Lawrence of Arabia\u003c/em> seem downright punchy.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=T0CpOYZZZW4&t=1s\u003c/p>\n\u003cp>In my feed, most of these take the form of disquietingly deep — and often critical — dives into various aspects of nerdy pop culture. “That internet D&D show we all used to love sucks now, and here’s three hours worth of proof!” “That new movie that everyone loves sucks, and here’s 63 reasons why!” “Here’s a recap of that series no one but you and me is watching, and the 43 glaring errors in continuity it overlooked!”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s not hard to understand why this is happening. Nerds gonna nerd, after all. We love what we love, and we’re prepared to corner you at a party, maybe over by the onion dip, and talk to you (OK: at you) about our every concern with it. At considerable length. (Why, yes, we do notice you gazing imploringly over our shoulders for someone, anyone, to rescue you; we just don’t care, because the really interesting thing about \u003cem>Buffy\u003c/em> Season 4 that most people overlook is… ) And of course the YouTube monetization model prizes every precious minute it gets to spend with those delicious eyeballs of yours. Passion + Profit-Seeking is a powerful motivator; these videos will keep coming.\u003c/p>\n\u003cp>Or, if you truly believe in the marketplace of ideas, maybe they won’t. After all, most of these long-haul grievance videos aren’t worth anywhere near the time commitment they demand, and spending so many hours watching such sustained negativity leaves you feeling coated in a kind of psychic grime, a residue of greasy cynicism. I should note that Nicholson’s Starcruiser video is a glaring exception — she’s passionate, yes, but admirably clear-eyed about that passion. She makes her points (her many, many, many points) with equanimity and humor, and she’s got the literal receipts. She’s also quick to praise those aspects of the experience worth praising, and smartly drills down on the question of value-for-money.\u003c/p>\n\u003cp>[aside postid='arts_13958101']But there’s no denying that a shift is happening. TikTok itself — that online smithy wherein memes get forged and hammered — is launching longer videos, and Mr. Beast, arguably the quintessential YouTuber, recently started pumping out longer videos based, he says, on viewer demand.\u003c/p>\n\u003cp>Now, me? I’m so old I remember thinking a 13-minute music video was downright audacious. And I’ll admit, I didn’t actually watch the Starcruiser video, I listened to it while driving to and from the city for a movie screening. But I do watch several actual-play D&D YouTube shows, which sometimes stretch past the four-hour mark. And back in the early aughts I’d happily sink endless hours into reading smart, well-written TV recaps that might as well have been novellas. Is there any substantive difference?\u003c/p>\n\u003cp>But I choose to be heartened by the rise of long-form video. Or more specifically: By the willingness of people to watch a single video for hours on end. It suggests that quality of work continues to matter — you do, after all, still have to earn all those extra minutes of our attention. And in a culture so quick to blame a raft of societal ills on shrinking attention spans, it offers a surprising and intriguing counter-narrative to the experts who cite audience data to dictate precisely how long a YouTube video, or a web article, or a podcast episode “should” be.\u003c/p>\n\u003cp>Turns out the answer isn’t quantitative, but qualitative — not precise length, but personal value.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This piece also appeared in NPR’s ‘Pop Culture Happy Hour’ newsletter. Listen to ‘Pop Culture Happy Hour’ on Apple Podcasts and Spotify.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Who has the kind of time, I wondered, to sit around and watch YouTube for half the damn workday? In this, the era of TikTok? And Reels? And in what is, we have all been repeatedly assured, a time of shrinking attention spans?\u003c/p>\n\u003cp>In the case of Nicholson’s Starcruiser video, millions and millions of people have the time, it turns out. And she’s not alone: Over the past few years, you may have noticed YouTube suggesting videos to you so long they make \u003cem>Lawrence of Arabia\u003c/em> seem downright punchy.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/T0CpOYZZZW4'\n title='//www.youtube.com/embed/T0CpOYZZZW4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In my feed, most of these take the form of disquietingly deep — and often critical — dives into various aspects of nerdy pop culture. “That internet D&D show we all used to love sucks now, and here’s three hours worth of proof!” “That new movie that everyone loves sucks, and here’s 63 reasons why!” “Here’s a recap of that series no one but you and me is watching, and the 43 glaring errors in continuity it overlooked!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s not hard to understand why this is happening. Nerds gonna nerd, after all. We love what we love, and we’re prepared to corner you at a party, maybe over by the onion dip, and talk to you (OK: at you) about our every concern with it. At considerable length. (Why, yes, we do notice you gazing imploringly over our shoulders for someone, anyone, to rescue you; we just don’t care, because the really interesting thing about \u003cem>Buffy\u003c/em> Season 4 that most people overlook is… ) And of course the YouTube monetization model prizes every precious minute it gets to spend with those delicious eyeballs of yours. Passion + Profit-Seeking is a powerful motivator; these videos will keep coming.\u003c/p>\n\u003cp>Or, if you truly believe in the marketplace of ideas, maybe they won’t. After all, most of these long-haul grievance videos aren’t worth anywhere near the time commitment they demand, and spending so many hours watching such sustained negativity leaves you feeling coated in a kind of psychic grime, a residue of greasy cynicism. I should note that Nicholson’s Starcruiser video is a glaring exception — she’s passionate, yes, but admirably clear-eyed about that passion. She makes her points (her many, many, many points) with equanimity and humor, and she’s got the literal receipts. She’s also quick to praise those aspects of the experience worth praising, and smartly drills down on the question of value-for-money.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But there’s no denying that a shift is happening. TikTok itself — that online smithy wherein memes get forged and hammered — is launching longer videos, and Mr. Beast, arguably the quintessential YouTuber, recently started pumping out longer videos based, he says, on viewer demand.\u003c/p>\n\u003cp>Now, me? I’m so old I remember thinking a 13-minute music video was downright audacious. And I’ll admit, I didn’t actually watch the Starcruiser video, I listened to it while driving to and from the city for a movie screening. But I do watch several actual-play D&D YouTube shows, which sometimes stretch past the four-hour mark. And back in the early aughts I’d happily sink endless hours into reading smart, well-written TV recaps that might as well have been novellas. Is there any substantive difference?\u003c/p>\n\u003cp>But I choose to be heartened by the rise of long-form video. Or more specifically: By the willingness of people to watch a single video for hours on end. It suggests that quality of work continues to matter — you do, after all, still have to earn all those extra minutes of our attention. And in a culture so quick to blame a raft of societal ills on shrinking attention spans, it offers a surprising and intriguing counter-narrative to the experts who cite audience data to dictate precisely how long a YouTube video, or a web article, or a podcast episode “should” be.\u003c/p>\n\u003cp>Turns out the answer isn’t quantitative, but qualitative — not precise length, but personal value.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This piece also appeared in NPR’s ‘Pop Culture Happy Hour’ newsletter. Listen to ‘Pop Culture Happy Hour’ on Apple Podcasts and Spotify.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "On Weinstein, Cosby, OJ Simpson and America’s Systemic Misogyny Problem",
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"content": "\u003cp>America does not care about women.\u003c/p>\n\u003cp>There. I said it. I say it a lot, actually. At least once a week for the last 29 years to be precise.\u003c/p>\n\u003cp>I know the exact date of the first time I said it — Oct. 3, 1995 — because that was the day that O.J. Simpson was acquitted of murdering his ex-wife Nicole Brown Simpson and her friend Ron Goldman. O.J. was acquitted by a jury despite a mountain of DNA evidence against him and an extremely long, well-documented history of his abuse of Nicole. The images of her battered face and the sound of her shaking voice telling a 911 dispatcher “He’s going to beat the shit out of me” have been living rent-free in my head ever since. \u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13882786\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg\" alt=\"\" width=\"180\" height=\"198\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final-160x176.jpg 160w\" sizes=\"(max-width: 180px) 100vw, 180px\">\u003c/p>\n\u003cp>I was in my teens when the O.J. verdict happened. \u003ca href=\"https://vawnet.org/material/marital-rape-new-research-and-directions#:~:text=On%20July%205%2C%201993%2C%20marital,rape%20prosecution%20granted%20to%20husbands.\">Raping your spouse had only been declared illegal\u003c/a> in America two years earlier. At the time, I hoped that — if women banded together and worked hard enough — things would change in my lifetime.\u003c/p>\n\u003cp>Well, I’m middle-aged now. And nothing has changed at all.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“America does not care about women” were the first words I uttered this morning, this time prompted by the news that New York’s highest court just overturned Harvey Weinstein’s 2020 rape conviction. The ruling was based on the fact that “testimony of uncharged, alleged prior sexual acts against persons other than the complainants” was included in his original trial. That the inclusion of those witnesses — also known as “\u003ca href=\"https://www.npr.org/2020/01/29/800938076/how-the-molineux-rule-permits-certain-witnesses-in-the-harvey-weinstein-trial\">Molineux witnesses\u003c/a>” or “prior bad act witnesses” — has been perfectly legal in New York for well over a century appears to have been deemed irrelevant by four out of the seven judges on the New York Court of Appeals.\u003c/p>\n\u003cp>(Writing for the majority, Judge Jenny Rivera asserted that “The remedy for these egregious errors is a new trial.” Rivera, incidentally, was appointed to the court in 2013 by \u003ca href=\"https://www.politico.com/news/2024/01/26/cuomo-sexual-harassment-doj-00138140#:~:text=The%20justice%20department%20found%20Cuomo,harassed%2C%E2%80%9D%20the%20DOJ%20concluded.\">Andrew Cuomo, who has been accused of sexual harassment by 13 women\u003c/a>.)\u003c/p>\n\u003cp>[aside postid='arts_13934462']The fact that the vast majority of Harvey Weinstein’s accusers — more than 80 of them — were prevented from taking legal action against him in 2020 because of unjustly short statutes of limitations doesn’t matter either. Because America doesn’t care about women.\u003c/p>\n\u003cp>In truth, even on the morning of his 2020 conviction, I still found myself uttering those words. Because while Weinstein was convicted of third-degree rape and first-degree criminal sexual act, those were only two of the five charges that he had faced. The wave of relief that followed his two convictions was powerful enough to obscure the fact that he was found not guilty on three other charges.\u003c/p>\n\u003cp>Weinstein was found not guilty of first-degree rape, defined in the state of New York as “engag[ing] in sexual intercourse with another person by forcible compulsion.” This, despite Jessica Mann’s harrowing testimony that, “The more I fought, the angrier he got.” He was also found not guilty of two counts of predatory sexual assault. Annabella Sciorra appeared in court specifically in support of those charges, testifying that she was raped by Weinstein after he forced his way into her apartment. “I was punching, I was kicking him, I was trying to take him away from me,” she said. But still, he was found not guilty.\u003c/p>\n\u003cp>Weinstein’s case, from the jump, reflected just how hard it is for women to get justice in this country. But we already knew, just as we had known in 1995, America does not care about women.\u003c/p>\n\u003cp>[aside postid='arts_13908728']We knew it in 2021, after \u003ca href=\"https://apnews.com/article/bill-cosby-conviction-overturned-5c073fb64bc5df4d7b99ee7fadddbe5a\">Bill Cosby was released\u003c/a> from prison on a technicality. Specifically, Pennsylvania’s highest court decided it wasn’t fair that the prosecutor who brought the case against Cosby had a predecessor who had promised to not charge the comedian. That was apparently too much for the court. The idea that 60 women who’d been living with untold trauma and interrupted careers would receive no justice after sharing their harrowing (and very credible) stories about Cosby with the whole world? Meh. Who cares about that?\u003c/p>\n\u003cp>Justice, when it comes to women, sometimes feels almost impossible to come by in any court in the land. In 2004, Robert Blake was acquitted of murdering his wife Bonny Bakley, despite two separate witnesses testifying that Blake had attempted to hire them to kill her. Blake, like O.J. Simpson, was later found liable for the wrongful death of his wife in a $30 million civil trial; Blake handled this by declaring bankruptcy in 2006. Hell, if O.J. Simpson could get away with not paying the Brown and Goldman families, why should Blake cough up? Even in the wake of Simpson’s death, \u003ca href=\"https://www.hollywoodreporter.com/news/general-news/oj-simpsons-lawyer-reverses-statement-civil-judgement-goldman-family-1235874717/\">those handling his estate are fighting\u003c/a> to ensure those families will never see a penny.\u003c/p>\n\u003cp>In America’s so-called justice system, history repeats itself. We know the outcomes before they land: In 2018, we knew Brett Kavanaugh would make it onto the Supreme Court despite \u003ca href=\"https://www.npr.org/2024/03/19/1239378828/for-christine-blasey-ford-the-fallout-of-the-kavanaugh-hearing-is-ongoing\">Christine Blasey Ford’s testimony against him\u003c/a>. We knew because we’d already watched Clarence Thomas succeed after \u003ca href=\"https://www.npr.org/2021/09/28/1040911313/anita-hill-belonging-sexual-harassment-conversation\">Anita Hill testified against him\u003c/a> in 1991.\u003c/p>\n\u003cp>[aside postid='arts_13918217']We knew Donald Trump would be the Republican nominee in 2024, because the fact that he confessed on recorded audio to “grab[bing]” women “by the pussy” did not impact his election chances in 2016.\u003c/p>\n\u003cp>Was anyone really surprised when Ted Kennedy’s nephew William Kennedy Smith was found \u003ca href=\"https://www.vanityfair.com/magazine/1992/03/dunne199203\">not guilty of raping Patricia Bowman\u003c/a>? Despite the fact that his defense attorney married one of the jurors shortly after the trial? It’s impossible to feign shock once you remember that, in 1969, Uncle Ted got off with a two-month suspended sentence for driving Mary Jo Kopechne off a bridge, leaving her there to drown and then failing to report the accident for another 11 hours.\u003c/p>\n\u003cp>After the seismic #MeToo movement, despite the many conversations about cultural shifts and cancellations, the only two high-profile abusers punished in a court of law were Bill Cosby and Harvey Weinstein. Now one is free and the other is working on it. And while Weinstein is still serving the 16-year sentence for rape and sexual assault imposed by his 2023 trial in Los Angeles, it’s impossible to feel any confidence in the system at this point.\u003c/p>\n\u003cp>“Today’s decision reinforces what we already know,” Anita Hill said after this morning’s news broke. “We have seen a lack of progress in addressing the power imbalances that allow abuse to occur and that sexual assault continues to be a pervasive problem.”\u003c/p>\n\u003cp>Founder of #MeToo Tarana Burke managed — somehow — to strike a more optimistic note. “Because the brave women in this case broke their silence, millions and millions and millions of others found the strength to come forward and do the same. That will always be the victory. This doesn’t change that. And the people who abuse their power and privilege to violate and harm others will always be the villain. This doesn’t change that.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The other thing that hasn’t changed? America does not care about women.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>America does not care about women.\u003c/p>\n\u003cp>There. I said it. I say it a lot, actually. At least once a week for the last 29 years to be precise.\u003c/p>\n\u003cp>I know the exact date of the first time I said it — Oct. 3, 1995 — because that was the day that O.J. Simpson was acquitted of murdering his ex-wife Nicole Brown Simpson and her friend Ron Goldman. O.J. was acquitted by a jury despite a mountain of DNA evidence against him and an extremely long, well-documented history of his abuse of Nicole. The images of her battered face and the sound of her shaking voice telling a 911 dispatcher “He’s going to beat the shit out of me” have been living rent-free in my head ever since. \u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-13882786\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg\" alt=\"\" width=\"180\" height=\"198\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final.jpg 180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/Rae-Alexandra-KQED_180_final-160x176.jpg 160w\" sizes=\"(max-width: 180px) 100vw, 180px\">\u003c/p>\n\u003cp>I was in my teens when the O.J. verdict happened. \u003ca href=\"https://vawnet.org/material/marital-rape-new-research-and-directions#:~:text=On%20July%205%2C%201993%2C%20marital,rape%20prosecution%20granted%20to%20husbands.\">Raping your spouse had only been declared illegal\u003c/a> in America two years earlier. At the time, I hoped that — if women banded together and worked hard enough — things would change in my lifetime.\u003c/p>\n\u003cp>Well, I’m middle-aged now. And nothing has changed at all.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“America does not care about women” were the first words I uttered this morning, this time prompted by the news that New York’s highest court just overturned Harvey Weinstein’s 2020 rape conviction. The ruling was based on the fact that “testimony of uncharged, alleged prior sexual acts against persons other than the complainants” was included in his original trial. That the inclusion of those witnesses — also known as “\u003ca href=\"https://www.npr.org/2020/01/29/800938076/how-the-molineux-rule-permits-certain-witnesses-in-the-harvey-weinstein-trial\">Molineux witnesses\u003c/a>” or “prior bad act witnesses” — has been perfectly legal in New York for well over a century appears to have been deemed irrelevant by four out of the seven judges on the New York Court of Appeals.\u003c/p>\n\u003cp>(Writing for the majority, Judge Jenny Rivera asserted that “The remedy for these egregious errors is a new trial.” Rivera, incidentally, was appointed to the court in 2013 by \u003ca href=\"https://www.politico.com/news/2024/01/26/cuomo-sexual-harassment-doj-00138140#:~:text=The%20justice%20department%20found%20Cuomo,harassed%2C%E2%80%9D%20the%20DOJ%20concluded.\">Andrew Cuomo, who has been accused of sexual harassment by 13 women\u003c/a>.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The fact that the vast majority of Harvey Weinstein’s accusers — more than 80 of them — were prevented from taking legal action against him in 2020 because of unjustly short statutes of limitations doesn’t matter either. Because America doesn’t care about women.\u003c/p>\n\u003cp>In truth, even on the morning of his 2020 conviction, I still found myself uttering those words. Because while Weinstein was convicted of third-degree rape and first-degree criminal sexual act, those were only two of the five charges that he had faced. The wave of relief that followed his two convictions was powerful enough to obscure the fact that he was found not guilty on three other charges.\u003c/p>\n\u003cp>Weinstein was found not guilty of first-degree rape, defined in the state of New York as “engag[ing] in sexual intercourse with another person by forcible compulsion.” This, despite Jessica Mann’s harrowing testimony that, “The more I fought, the angrier he got.” He was also found not guilty of two counts of predatory sexual assault. Annabella Sciorra appeared in court specifically in support of those charges, testifying that she was raped by Weinstein after he forced his way into her apartment. “I was punching, I was kicking him, I was trying to take him away from me,” she said. But still, he was found not guilty.\u003c/p>\n\u003cp>Weinstein’s case, from the jump, reflected just how hard it is for women to get justice in this country. But we already knew, just as we had known in 1995, America does not care about women.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>We knew it in 2021, after \u003ca href=\"https://apnews.com/article/bill-cosby-conviction-overturned-5c073fb64bc5df4d7b99ee7fadddbe5a\">Bill Cosby was released\u003c/a> from prison on a technicality. Specifically, Pennsylvania’s highest court decided it wasn’t fair that the prosecutor who brought the case against Cosby had a predecessor who had promised to not charge the comedian. That was apparently too much for the court. The idea that 60 women who’d been living with untold trauma and interrupted careers would receive no justice after sharing their harrowing (and very credible) stories about Cosby with the whole world? Meh. Who cares about that?\u003c/p>\n\u003cp>Justice, when it comes to women, sometimes feels almost impossible to come by in any court in the land. In 2004, Robert Blake was acquitted of murdering his wife Bonny Bakley, despite two separate witnesses testifying that Blake had attempted to hire them to kill her. Blake, like O.J. Simpson, was later found liable for the wrongful death of his wife in a $30 million civil trial; Blake handled this by declaring bankruptcy in 2006. Hell, if O.J. Simpson could get away with not paying the Brown and Goldman families, why should Blake cough up? Even in the wake of Simpson’s death, \u003ca href=\"https://www.hollywoodreporter.com/news/general-news/oj-simpsons-lawyer-reverses-statement-civil-judgement-goldman-family-1235874717/\">those handling his estate are fighting\u003c/a> to ensure those families will never see a penny.\u003c/p>\n\u003cp>In America’s so-called justice system, history repeats itself. We know the outcomes before they land: In 2018, we knew Brett Kavanaugh would make it onto the Supreme Court despite \u003ca href=\"https://www.npr.org/2024/03/19/1239378828/for-christine-blasey-ford-the-fallout-of-the-kavanaugh-hearing-is-ongoing\">Christine Blasey Ford’s testimony against him\u003c/a>. We knew because we’d already watched Clarence Thomas succeed after \u003ca href=\"https://www.npr.org/2021/09/28/1040911313/anita-hill-belonging-sexual-harassment-conversation\">Anita Hill testified against him\u003c/a> in 1991.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>We knew Donald Trump would be the Republican nominee in 2024, because the fact that he confessed on recorded audio to “grab[bing]” women “by the pussy” did not impact his election chances in 2016.\u003c/p>\n\u003cp>Was anyone really surprised when Ted Kennedy’s nephew William Kennedy Smith was found \u003ca href=\"https://www.vanityfair.com/magazine/1992/03/dunne199203\">not guilty of raping Patricia Bowman\u003c/a>? Despite the fact that his defense attorney married one of the jurors shortly after the trial? It’s impossible to feign shock once you remember that, in 1969, Uncle Ted got off with a two-month suspended sentence for driving Mary Jo Kopechne off a bridge, leaving her there to drown and then failing to report the accident for another 11 hours.\u003c/p>\n\u003cp>After the seismic #MeToo movement, despite the many conversations about cultural shifts and cancellations, the only two high-profile abusers punished in a court of law were Bill Cosby and Harvey Weinstein. Now one is free and the other is working on it. And while Weinstein is still serving the 16-year sentence for rape and sexual assault imposed by his 2023 trial in Los Angeles, it’s impossible to feel any confidence in the system at this point.\u003c/p>\n\u003cp>“Today’s decision reinforces what we already know,” Anita Hill said after this morning’s news broke. “We have seen a lack of progress in addressing the power imbalances that allow abuse to occur and that sexual assault continues to be a pervasive problem.”\u003c/p>\n\u003cp>Founder of #MeToo Tarana Burke managed — somehow — to strike a more optimistic note. “Because the brave women in this case broke their silence, millions and millions and millions of others found the strength to come forward and do the same. That will always be the victory. This doesn’t change that. And the people who abuse their power and privilege to violate and harm others will always be the villain. This doesn’t change that.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>A dog’s plaintive wail. A courtroom couplet-turned-cultural catchphrase about gloves. A judge and attorneys who became media darlings and villains. A slightly bewildered houseguest elevated, briefly, into a slightly bewildered celebrity. Troubling questions about race that echo still. The beginning of the Kardashian dynasty. An epic slow-motion highway chase. And, lest we forget, \u003ca href=\"https://www.kqed.org/pop/112365/everything-weve-learned-so-far-from-kim-goldmans-oj-simpson-podcast\">two people whose lives ended brutally\u003c/a>.\u003c/p>\n\u003cp>And a nation watched — a nation far different than today’s, where the ravenousness for reality television has multiplied. The spectator mentality of those jumbled days in 1994 and 1995, then novel, has since become an intrinsic part of the American fabric. Smack at the center of the national conversation was O.J. Simpson, one of the most curious cultural figures of recent U.S. history.\u003c/p>\n\u003cp>[aside postid='news_11982639']Simpson’s death Wednesday, almost exactly three decades after the killings that changed his reputation from football hero to suspect, summoned remembrances of an odd moment in time — no, let’s call it what it was, which was deeply weird — in which a smartphone-less country craned its neck toward clunky TVs to watch a Ford Bronco inch its way along a California freeway.\u003c/p>\n\u003cp>“It was an incredible moment in American history,” said Wolf Blitzer, anchoring coverage of Simpson’s death Thursday on CNN. What made it so — beyond, of course, tabloid culture and the fundamental news value of such a famous person accused in such brutal killings?\u003c/p>\n\u003cfigure id=\"attachment_13955855\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955855\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1221630947-scaled-e1712876528807.jpg\" alt=\"A photo of a tv screen showing cars lined up on a freeway. The caption says "ABC News Live Coverage. OJ Simpson's car."\" width=\"1920\" height=\"1293\">\u003cfigcaption class=\"wp-caption-text\">The infamous white Ford Bronco crawling along the freeway in 1994. \u003ccite>(Rick Maiman/ Sygma via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The saga anticipated 21st century media\u003c/h2>\n\u003cp>In an era when the internet as we know it was still being born, when “platform” was still just a place to board a train, Simpson was a unique breed of celebrity. He was truly transmedia, a harbinger of the digital age — a walking, talking crossover story for multiple audiences.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He was sports — the very pinnacle of football excellence. He was stardom, not only for his athletic prowess but for his Hertz-hawking run through airports on TV and his acting in movies like \u003cem>The Naked Gun\u003c/em>. He embodied societal questions about race, class and money long before Nicole Brown Simpson and Ronald Goldman were stabbed to death on June 12, 1994.\u003c/p>\n\u003cp>Then came the saga, beginning with the killings and ending — only technically — in a Los Angeles courtroom more than a year later. The most epic of American novels had nothing on this period of the mid-1990s. Americans watched. Americans talked about watching. Americans debated. Americans judged. And Americans watched some more.\u003c/p>\n\u003cp>The generations-old chasm between white Americans and Black Americans was not helped by \u003cem>Time\u003c/em> magazine’s decision to tactically darken Simpson’s mugshot on its cover for dramatic — and, many said, racist — effect. For those who lived through that period, it’s hard to remember much in the public sphere that wasn’t crowded out by the O.J. storyline and its many components, including the subsequent civil trial that found Simpson liable for the deaths. One newspaper even ran a series of possible endings to the storyline, written by mystery novelists.\u003c/p>\n\u003cp>Sure, people were saying different things. But it was, inarguably, a national conversation.\u003c/p>\n\u003cfigure id=\"attachment_13955856\" class=\"wp-caption aligncenter\" style=\"max-width: 1988px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955856\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107.jpg\" alt=\"A man in a shirt and tie talks on a 1990s-era phone while standing in front of a wall of televisions all showing the trial of OJ Simpson.\" width=\"1988\" height=\"1358\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107.jpg 1988w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-1020x697.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-1536x1049.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-1920x1312.jpg 1920w\" sizes=\"(max-width: 1988px) 100vw, 1988px\">\u003cfigcaption class=\"wp-caption-text\">Salesman Neal McCarthy speaks to a customer on the phone, as the O.J. Simpson murder trial is tuned to most of his store’s TVs. \u003ccite>(Pat Greenhouse/ The Boston Globe via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The nation — and its media — are far more fragmented now. Rarely these days do Americans gather around the virtual campfire for a common experience; instead, small brush fires draw niche crowds in virtual corners for equally intense, but smaller, common experiences. This week’s eclipse was a rare exception.\u003c/p>\n\u003cp>In 1994, everyday real-time, wall-to-wall coverage was still emerging. Sure, we had Walter Cronkite during the Kennedy assassination and again during the chaotic 1968 Democratic National Convention. And the first Gulf War in 1991 firmly cemented live-TV expectations. But coverage of the Bronco chase and the trial fed the appetite in a way no other event did. Even now, such universal viewership is rare.\u003c/p>\n\u003cp>[aside postid='pop_112365']“The media we consume is much more diffuse now. It’s so rare that we’re all glued to the same spectacle,” said Danielle Lindemann, author of the 2022 book \u003cem>True Story: What Reality TV Says About Us\u003c/em>.\u003c/p>\n\u003cp>“In 1994 we were watching our television sets and following along with news coverage,” Lindemann, a professor of sociology at Lehigh University, said in an email. “But there wasn’t that parallel discourse happening via social media.”\u003c/p>\n\u003ch2>Connections between then and now\u003c/h2>\n\u003cp>The connections between the Simpson saga and today aren’t hard to find.\u003c/p>\n\u003cp>Judges and lawyers in high-profile cases are now regular fodder for the spotlight. One of Simpson’s attorneys, Robert Kardashian, paved the way for the next generation of his family to change the very face of how celebrity operates. A local Los Angeles TV reporter who covered the case, Harvey Levin, went on to establish TMZ, a luridly foundational pillar of modern multiplatform celebrity coverage — and the outlet that broke the news of Simpson’s death.\u003c/p>\n\u003cp>And of course, as with so many American stories, there is the question of race.\u003c/p>\n\u003cfigure id=\"attachment_13955857\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955857\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-600007422-scaled-e1712876970949.jpg\" alt='A Black man crouches next to a line of t shirts and hats for sale. All say \"Free OJ\" on them.' width=\"1920\" height=\"1289\">\u003cfigcaption class=\"wp-caption-text\">O.J. Simpson shirt and support mechandising outside the courthouse, during his trial in Los Angeles. \u003ccite>(Evan Hurd/ Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Simpson’s acquittal on murder charges revealed a fundamental fault line: Some Black people welcomed the verdict, while many white people were in disbelief. Simpson probably confused matters more over the years by saying, famously, “I’m not Black. I’m O.J.” But for many Black Americans who felt their interactions with police and the courts had produced unjust results, the acquittal was a notable exception.\u003c/p>\n\u003cp>“There was a sense that it’s only justice for a rich Black man to get off when a rich white man would,” said John Baick, a professor of history at Western New England University.\u003c/p>\n\u003cp>Three decades on, that conversation isn’t over — he’s certainly still discussing it with students. On Thursday, Baick invoked Simpson to talk about race, fame and wealth in class; only after it ended did he find out his subject had died.\u003c/p>\n\u003cp>[aside postid='arts_11665308']A generation has passed since these events were fresh. And after thousands of hours of video, millions of written words and countless talking heads weighing in, the O.J. Simpson case stands as two things: an American moment like no other, and an interlude that contained so much of what American culture is and was becoming.\u003c/p>\n\u003cp>From the old, weird America, it got the obsession with violent true crime and its quirky cast of film noir villains and heroes, not to mention the tragedy and the whodunit. And it was a teaser trailer of the emerging, fragmenting internet culture that would, in a few years, give us smartphones, social media, reality-TV saturation and live coverage of just about everything.\u003c/p>\n\u003cp>Was it, as so many said so loudly, “the trial of the century”? That’s subjective. But any culture is made up of small bits, and the Simpson case left many of those in its wake. This much is incontrovertibly true: After the slow-speed chase, American media culture got a whole lot faster really quickly. So fast, in fact, that many of the central questions around the case — about race, justice and how we consume murder and misery as just another set of consumer products — linger unanswered.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Where does this fit in? What do Americans think about this now?” Baick wonders. ”What you think about O.J. Simpson might be a litmus test for a long time still.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A dog’s plaintive wail. A courtroom couplet-turned-cultural catchphrase about gloves. A judge and attorneys who became media darlings and villains. A slightly bewildered houseguest elevated, briefly, into a slightly bewildered celebrity. Troubling questions about race that echo still. The beginning of the Kardashian dynasty. An epic slow-motion highway chase. And, lest we forget, \u003ca href=\"https://www.kqed.org/pop/112365/everything-weve-learned-so-far-from-kim-goldmans-oj-simpson-podcast\">two people whose lives ended brutally\u003c/a>.\u003c/p>\n\u003cp>And a nation watched — a nation far different than today’s, where the ravenousness for reality television has multiplied. The spectator mentality of those jumbled days in 1994 and 1995, then novel, has since become an intrinsic part of the American fabric. Smack at the center of the national conversation was O.J. Simpson, one of the most curious cultural figures of recent U.S. history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Simpson’s death Wednesday, almost exactly three decades after the killings that changed his reputation from football hero to suspect, summoned remembrances of an odd moment in time — no, let’s call it what it was, which was deeply weird — in which a smartphone-less country craned its neck toward clunky TVs to watch a Ford Bronco inch its way along a California freeway.\u003c/p>\n\u003cp>“It was an incredible moment in American history,” said Wolf Blitzer, anchoring coverage of Simpson’s death Thursday on CNN. What made it so — beyond, of course, tabloid culture and the fundamental news value of such a famous person accused in such brutal killings?\u003c/p>\n\u003cfigure id=\"attachment_13955855\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955855\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1221630947-scaled-e1712876528807.jpg\" alt=\"A photo of a tv screen showing cars lined up on a freeway. The caption says "ABC News Live Coverage. OJ Simpson's car."\" width=\"1920\" height=\"1293\">\u003cfigcaption class=\"wp-caption-text\">The infamous white Ford Bronco crawling along the freeway in 1994. \u003ccite>(Rick Maiman/ Sygma via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>The saga anticipated 21st century media\u003c/h2>\n\u003cp>In an era when the internet as we know it was still being born, when “platform” was still just a place to board a train, Simpson was a unique breed of celebrity. He was truly transmedia, a harbinger of the digital age — a walking, talking crossover story for multiple audiences.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He was sports — the very pinnacle of football excellence. He was stardom, not only for his athletic prowess but for his Hertz-hawking run through airports on TV and his acting in movies like \u003cem>The Naked Gun\u003c/em>. He embodied societal questions about race, class and money long before Nicole Brown Simpson and Ronald Goldman were stabbed to death on June 12, 1994.\u003c/p>\n\u003cp>Then came the saga, beginning with the killings and ending — only technically — in a Los Angeles courtroom more than a year later. The most epic of American novels had nothing on this period of the mid-1990s. Americans watched. Americans talked about watching. Americans debated. Americans judged. And Americans watched some more.\u003c/p>\n\u003cp>The generations-old chasm between white Americans and Black Americans was not helped by \u003cem>Time\u003c/em> magazine’s decision to tactically darken Simpson’s mugshot on its cover for dramatic — and, many said, racist — effect. For those who lived through that period, it’s hard to remember much in the public sphere that wasn’t crowded out by the O.J. storyline and its many components, including the subsequent civil trial that found Simpson liable for the deaths. One newspaper even ran a series of possible endings to the storyline, written by mystery novelists.\u003c/p>\n\u003cp>Sure, people were saying different things. But it was, inarguably, a national conversation.\u003c/p>\n\u003cfigure id=\"attachment_13955856\" class=\"wp-caption aligncenter\" style=\"max-width: 1988px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955856\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107.jpg\" alt=\"A man in a shirt and tie talks on a 1990s-era phone while standing in front of a wall of televisions all showing the trial of OJ Simpson.\" width=\"1988\" height=\"1358\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107.jpg 1988w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-1020x697.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-768x525.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-1536x1049.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-2147058107-1920x1312.jpg 1920w\" sizes=\"(max-width: 1988px) 100vw, 1988px\">\u003cfigcaption class=\"wp-caption-text\">Salesman Neal McCarthy speaks to a customer on the phone, as the O.J. Simpson murder trial is tuned to most of his store’s TVs. \u003ccite>(Pat Greenhouse/ The Boston Globe via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The nation — and its media — are far more fragmented now. Rarely these days do Americans gather around the virtual campfire for a common experience; instead, small brush fires draw niche crowds in virtual corners for equally intense, but smaller, common experiences. This week’s eclipse was a rare exception.\u003c/p>\n\u003cp>In 1994, everyday real-time, wall-to-wall coverage was still emerging. Sure, we had Walter Cronkite during the Kennedy assassination and again during the chaotic 1968 Democratic National Convention. And the first Gulf War in 1991 firmly cemented live-TV expectations. But coverage of the Bronco chase and the trial fed the appetite in a way no other event did. Even now, such universal viewership is rare.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“The media we consume is much more diffuse now. It’s so rare that we’re all glued to the same spectacle,” said Danielle Lindemann, author of the 2022 book \u003cem>True Story: What Reality TV Says About Us\u003c/em>.\u003c/p>\n\u003cp>“In 1994 we were watching our television sets and following along with news coverage,” Lindemann, a professor of sociology at Lehigh University, said in an email. “But there wasn’t that parallel discourse happening via social media.”\u003c/p>\n\u003ch2>Connections between then and now\u003c/h2>\n\u003cp>The connections between the Simpson saga and today aren’t hard to find.\u003c/p>\n\u003cp>Judges and lawyers in high-profile cases are now regular fodder for the spotlight. One of Simpson’s attorneys, Robert Kardashian, paved the way for the next generation of his family to change the very face of how celebrity operates. A local Los Angeles TV reporter who covered the case, Harvey Levin, went on to establish TMZ, a luridly foundational pillar of modern multiplatform celebrity coverage — and the outlet that broke the news of Simpson’s death.\u003c/p>\n\u003cp>And of course, as with so many American stories, there is the question of race.\u003c/p>\n\u003cfigure id=\"attachment_13955857\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955857\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-600007422-scaled-e1712876970949.jpg\" alt='A Black man crouches next to a line of t shirts and hats for sale. All say \"Free OJ\" on them.' width=\"1920\" height=\"1289\">\u003cfigcaption class=\"wp-caption-text\">O.J. Simpson shirt and support mechandising outside the courthouse, during his trial in Los Angeles. \u003ccite>(Evan Hurd/ Corbis via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Simpson’s acquittal on murder charges revealed a fundamental fault line: Some Black people welcomed the verdict, while many white people were in disbelief. Simpson probably confused matters more over the years by saying, famously, “I’m not Black. I’m O.J.” But for many Black Americans who felt their interactions with police and the courts had produced unjust results, the acquittal was a notable exception.\u003c/p>\n\u003cp>“There was a sense that it’s only justice for a rich Black man to get off when a rich white man would,” said John Baick, a professor of history at Western New England University.\u003c/p>\n\u003cp>Three decades on, that conversation isn’t over — he’s certainly still discussing it with students. On Thursday, Baick invoked Simpson to talk about race, fame and wealth in class; only after it ended did he find out his subject had died.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A generation has passed since these events were fresh. And after thousands of hours of video, millions of written words and countless talking heads weighing in, the O.J. Simpson case stands as two things: an American moment like no other, and an interlude that contained so much of what American culture is and was becoming.\u003c/p>\n\u003cp>From the old, weird America, it got the obsession with violent true crime and its quirky cast of film noir villains and heroes, not to mention the tragedy and the whodunit. And it was a teaser trailer of the emerging, fragmenting internet culture that would, in a few years, give us smartphones, social media, reality-TV saturation and live coverage of just about everything.\u003c/p>\n\u003cp>Was it, as so many said so loudly, “the trial of the century”? That’s subjective. But any culture is made up of small bits, and the Simpson case left many of those in its wake. This much is incontrovertibly true: After the slow-speed chase, American media culture got a whole lot faster really quickly. So fast, in fact, that many of the central questions around the case — about race, justice and how we consume murder and misery as just another set of consumer products — linger unanswered.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Where does this fit in? What do Americans think about this now?” Baick wonders. ”What you think about O.J. Simpson might be a litmus test for a long time still.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "What the Royal Family Doesn’t Understand About PR in 2024",
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"content": "\u003cfigure id=\"attachment_13953999\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953999\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/kate-5012aa2a3f30db129f2dc7203e71cd0beb8f2eb4-scaled-e1710351521464.jpg\" alt=\"A thin white woman with long dark hair gestures to waiting crowds. She is wearing a long, belted, cornflower blue coat.\" width=\"1920\" height=\"1440\">\u003cfigcaption class=\"wp-caption-text\">The Duchess of Cambridge walks around Ballymena, Northern Ireland on February 28, 2019. She has recently disappeared from the public eye after having abdominal surgery. \u003ccite>(Charles McQuillan/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Let me get this out of the way right now: I have yet to see anything that has persuaded me that anything is “going on” with Kate Middleton other than what the palace originally said: She had abdominal surgery, the recovery is involved enough that she needs \u003cem>months \u003c/em>away from her work, and that’s the story.\u003c/p>\n\u003cp>But the absolute clown show that has been the palace’s handling of spiraling speculation about her has made the whole thing worse and underscored that whatever command they once had over “controlling the narrative” has deserted them. I’m not sure they have a Kate problem, but I think they have a massive, pressing comms problem. There are several foundational pieces of advice about the current media environment that the palace — “the firm,” as we’ve now heard it called so often — either does not understand or has not accounted for.\u003c/p>\n\u003ch3>\u003cstrong>You will not stop Reddit and TikTok from speculating, so do not try. \u003c/strong>\u003c/h3>\n\u003cp>The term “conspiracy theory” is overused at this point. A conspiracy theory involves seemingly disconnected parties working in undisclosed tandem to keep something secret. What’s more relevant to this story is something I would call recreational conjecture.\u003c/p>\n\u003cp>[aside postid='pop_103656']“She’s dead,” “She’s missing,” “She’s in a coma” and “She’s planning to get a divorce” are the kinds of things that don’t even qualify as rumors, exactly; they are flights of fancy done for entertainment and social interaction. While some ideas like this show up in more traditional media, their \u003cem>multipliers \u003c/em>and \u003cem>magnifiers \u003c/em>are social spaces like TikTok and Reddit.\u003c/p>\n\u003cp>People in those social spaces who most enthusiastically engage in this do not require supporting evidence for recreational conjecture, nor does factual refutation reliably stop them. Putting out pictures, statements, strategic leaks — there’s no point. There is always a way to take a piece of evidence, put it next to your pet theory, and pound it with a hammer until it seems like it fits together. Trying to keep people from speculating on TikTok is like trying to stop it from raining.\u003c/p>\n\u003ch3>\u003cstrong>Do not feed amphetamines to a dragon you are hoping will fall asleep.\u003c/strong>\u003c/h3>\n\u003cp>\u003ca href=\"https://www.instagram.com/p/C4U_IqTNaqU/?utm_source=ig_embed&ig_rid=8a729e2d-570c-4580-b32e-9a7f23bc8d4c\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13954002\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-13-at-10.25.52-AM.png\" alt=\"\" width=\"540\" height=\"1058\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-13-at-10.25.52-AM.png 540w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-13-at-10.25.52-AM-160x313.png 160w\" sizes=\"(max-width: 540px) 100vw, 540px\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It is impossible to stop recreational conjecture in its tracks. It is possible, however, not to spur it on. The release of the Mother’s Day photo is the most obvious misstep in this entire debacle. In retrospect, it’s just a mom and her kids — they didn’t say it was a photo from right now. They didn’t say it was meant as some kind of proof of life. But it should have been clear to any clever PR person that it would be taken that way and closely scrutinized.\u003c/p>\n\u003cp>[aside postid='arts_13866072']It’s too late in the game to pretend that a nice photo is just a nice photo. That cycle of speculate-and-post, speculate-and-post-again, thrives on new “evidence.” That means the best thing to say is nothing. Keep repeating: we told you she was having surgery and wouldn’t be working in public until Easter. We told you she was having surgery and wouldn’t be working in public until Easter. We told you … you see what I mean? Yes, the speculation rages, and yes, it’s terrible, and yes, it probably really hurts. But if the reason people are so curious is that they haven’t seen her recently, and if you aren’t going to change that fact, the best you can do is deprive the cycle of oxygen — at least oxygen that comes from you.\u003c/p>\n\u003ch3>\u003cstrong>People are bored out there. \u003c/strong>\u003c/h3>\n\u003cp>Look, internet “sleuths” can be a real problem. They have misidentified people as having committed terrible crimes. They have screwed with people’s lives. But there’s another category of people relevant to this story: the bored basics who may not be into sleuthing, but they know what Photoshop disasters look like. They’ve been looking at YouTube videos, Tumblr accounts and the r/PhotoshopFails subreddit for ages. It’s been 35 years since \u003ca href=\"https://www.nytimes.com/1989/08/30/arts/going-too-far-with-the-winfrey-diet.html\">Oprah’s head was depicted on Ann-Margret’s body\u003c/a> on the cover of \u003cem>TV Guide\u003c/em>. People are onto this stuff, and the current roiling debates about AI have only fed these media-authenticity hobbyists.\u003c/p>\n\u003cp>It would be one thing if the Mother’s Day photo had taken highly advanced forensic examination for people to determine that it had been substantially manipulated. It did not. This was an easy one. People have time. They’re out there analyzing the \u003ca href=\"https://www.tiktok.com/@notannareportsnews/video/7304454682330582302\">reliability of eye shadow swatches\u003c/a>. They’re out there examining how people on Instagram \u003ca href=\"https://www.youtube.com/watch?v=quszke8ceuY&t=990s&ab_channel=JamesWelsh\">make themselves seem rich\u003c/a>. If you put a \u003ca href=\"https://www.npr.org/2024/03/11/1237413938/kate-middleton-photo-edited\">pretty obviously (and clumsily) edited photo out\u003c/a>, people will look at it extremely carefully, especially if there is already wild speculation swirling out there. This was very, very, very easy to see coming.\u003c/p>\n\u003cp>https://twitter.com/KensingtonRoyal/status/1767135566645092616\u003c/p>\n\u003ch3>\u003cstrong>As a story evolves, your strategy has to evolve, too. \u003c/strong>\u003c/h3>\n\u003cp>Think of it like this: The more you are already being questioned about hiding the truth, the more definitively anything you release must clarify what the truth is, or else it’s not worth putting it out at all. That’s why \u003ca href=\"https://twitter.com/royalrota/status/1767207738990301243?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1767207738990301243%7Ctwgr%5E9ff2299dc17f462a3e7dabd258f3a25f7babf61d%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.thedailybeast.com%2Fkate-middleton-photographed-in-car-amid-manipulated-image-fiasco\">the photo of her in the car with William\u003c/a> — again a photo of her as far as anyone knows! — will not help and will make everything worse. Does that look like the shape of her face? Sure! Does that look like someone who is recovering from surgery and isn’t ready to be photographed, which is exactly the story they’ve been telling \u003cem>from the beginning\u003c/em>? Sure!\u003c/p>\n\u003cp>https://twitter.com/royalrota/status/1767207738990301243\u003c/p>\n\u003cp>However, will a photo of the back of someone’s head slow all this down at this point? Absolutely not! No! I know a lot of people who, like me, initially were inclined to give the benefit of the doubt to the most mundane explanation of all this: Surgery can be very taxing, especially abdominal surgery, and the attention on her is so intense that she probably didn’t want to be seen until she felt 100% ready. But the more \u003cem>weird stuff\u003c/em> happens, the more some people start to wonder what on earth is going on. When you have shaken people’s faith in anything you say, just stop talking.\u003c/p>\n\u003ch3>\u003cstrong>Today’s hero is tomorrow’s target. \u003c/strong>\u003c/h3>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>It can feel like the palace effectively managed the public perception of Harry and Meghan (with some help from Harry and Meghan), and by doing so, like they burnished and boosted William and Kate as better and more worthy royals. But it doesn’t \u003cem>really\u003c/em> work that way. If you have two couples and they are placed in parallel (because the men are brothers — Diana’s sons — and because of the splashy weddings), there doesn’t have to be one winner and one loser. Everybody can have a turn in the figurative dunk tank, and it’s going to be just as awful every time. Gossip abhors a vacuum to a degree nature can only aspire to, so it’s a grave mistake to count on gentle treatment just because somebody else received the opposite.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=What+the+royal+family+doesn%27t+understand+about+PR+in+2024&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13953999\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13953999\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/kate-5012aa2a3f30db129f2dc7203e71cd0beb8f2eb4-scaled-e1710351521464.jpg\" alt=\"A thin white woman with long dark hair gestures to waiting crowds. She is wearing a long, belted, cornflower blue coat.\" width=\"1920\" height=\"1440\">\u003cfigcaption class=\"wp-caption-text\">The Duchess of Cambridge walks around Ballymena, Northern Ireland on February 28, 2019. She has recently disappeared from the public eye after having abdominal surgery. \u003ccite>(Charles McQuillan/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Let me get this out of the way right now: I have yet to see anything that has persuaded me that anything is “going on” with Kate Middleton other than what the palace originally said: She had abdominal surgery, the recovery is involved enough that she needs \u003cem>months \u003c/em>away from her work, and that’s the story.\u003c/p>\n\u003cp>But the absolute clown show that has been the palace’s handling of spiraling speculation about her has made the whole thing worse and underscored that whatever command they once had over “controlling the narrative” has deserted them. I’m not sure they have a Kate problem, but I think they have a massive, pressing comms problem. There are several foundational pieces of advice about the current media environment that the palace — “the firm,” as we’ve now heard it called so often — either does not understand or has not accounted for.\u003c/p>\n\u003ch3>\u003cstrong>You will not stop Reddit and TikTok from speculating, so do not try. \u003c/strong>\u003c/h3>\n\u003cp>The term “conspiracy theory” is overused at this point. A conspiracy theory involves seemingly disconnected parties working in undisclosed tandem to keep something secret. What’s more relevant to this story is something I would call recreational conjecture.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“She’s dead,” “She’s missing,” “She’s in a coma” and “She’s planning to get a divorce” are the kinds of things that don’t even qualify as rumors, exactly; they are flights of fancy done for entertainment and social interaction. While some ideas like this show up in more traditional media, their \u003cem>multipliers \u003c/em>and \u003cem>magnifiers \u003c/em>are social spaces like TikTok and Reddit.\u003c/p>\n\u003cp>People in those social spaces who most enthusiastically engage in this do not require supporting evidence for recreational conjecture, nor does factual refutation reliably stop them. Putting out pictures, statements, strategic leaks — there’s no point. There is always a way to take a piece of evidence, put it next to your pet theory, and pound it with a hammer until it seems like it fits together. Trying to keep people from speculating on TikTok is like trying to stop it from raining.\u003c/p>\n\u003ch3>\u003cstrong>Do not feed amphetamines to a dragon you are hoping will fall asleep.\u003c/strong>\u003c/h3>\n\u003cp>\u003ca href=\"https://www.instagram.com/p/C4U_IqTNaqU/?utm_source=ig_embed&ig_rid=8a729e2d-570c-4580-b32e-9a7f23bc8d4c\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13954002\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-13-at-10.25.52-AM.png\" alt=\"\" width=\"540\" height=\"1058\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-13-at-10.25.52-AM.png 540w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Screen-Shot-2024-03-13-at-10.25.52-AM-160x313.png 160w\" sizes=\"(max-width: 540px) 100vw, 540px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It is impossible to stop recreational conjecture in its tracks. It is possible, however, not to spur it on. The release of the Mother’s Day photo is the most obvious misstep in this entire debacle. In retrospect, it’s just a mom and her kids — they didn’t say it was a photo from right now. They didn’t say it was meant as some kind of proof of life. But it should have been clear to any clever PR person that it would be taken that way and closely scrutinized.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It’s too late in the game to pretend that a nice photo is just a nice photo. That cycle of speculate-and-post, speculate-and-post-again, thrives on new “evidence.” That means the best thing to say is nothing. Keep repeating: we told you she was having surgery and wouldn’t be working in public until Easter. We told you she was having surgery and wouldn’t be working in public until Easter. We told you … you see what I mean? Yes, the speculation rages, and yes, it’s terrible, and yes, it probably really hurts. But if the reason people are so curious is that they haven’t seen her recently, and if you aren’t going to change that fact, the best you can do is deprive the cycle of oxygen — at least oxygen that comes from you.\u003c/p>\n\u003ch3>\u003cstrong>People are bored out there. \u003c/strong>\u003c/h3>\n\u003cp>Look, internet “sleuths” can be a real problem. They have misidentified people as having committed terrible crimes. They have screwed with people’s lives. But there’s another category of people relevant to this story: the bored basics who may not be into sleuthing, but they know what Photoshop disasters look like. They’ve been looking at YouTube videos, Tumblr accounts and the r/PhotoshopFails subreddit for ages. It’s been 35 years since \u003ca href=\"https://www.nytimes.com/1989/08/30/arts/going-too-far-with-the-winfrey-diet.html\">Oprah’s head was depicted on Ann-Margret’s body\u003c/a> on the cover of \u003cem>TV Guide\u003c/em>. People are onto this stuff, and the current roiling debates about AI have only fed these media-authenticity hobbyists.\u003c/p>\n\u003cp>It would be one thing if the Mother’s Day photo had taken highly advanced forensic examination for people to determine that it had been substantially manipulated. It did not. This was an easy one. People have time. They’re out there analyzing the \u003ca href=\"https://www.tiktok.com/@notannareportsnews/video/7304454682330582302\">reliability of eye shadow swatches\u003c/a>. They’re out there examining how people on Instagram \u003ca href=\"https://www.youtube.com/watch?v=quszke8ceuY&t=990s&ab_channel=JamesWelsh\">make themselves seem rich\u003c/a>. If you put a \u003ca href=\"https://www.npr.org/2024/03/11/1237413938/kate-middleton-photo-edited\">pretty obviously (and clumsily) edited photo out\u003c/a>, people will look at it extremely carefully, especially if there is already wild speculation swirling out there. This was very, very, very easy to see coming.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>However, will a photo of the back of someone’s head slow all this down at this point? Absolutely not! No! I know a lot of people who, like me, initially were inclined to give the benefit of the doubt to the most mundane explanation of all this: Surgery can be very taxing, especially abdominal surgery, and the attention on her is so intense that she probably didn’t want to be seen until she felt 100% ready. But the more \u003cem>weird stuff\u003c/em> happens, the more some people start to wonder what on earth is going on. When you have shaken people’s faith in anything you say, just stop talking.\u003c/p>\n\u003ch3>\u003cstrong>Today’s hero is tomorrow’s target. \u003c/strong>\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
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},
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"hidden-brain": {
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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